Podcasts about Samone

Sam One Club Session Podcast Ep 270 Follow Me On : Website: https://www.house4youmusic.com Youtube: https://youtube.com/@house4youmusic Instagram: https://www.instagram.com/house4youmusic/ Facebook: https://www.facebook.com/house4youmusic Buy my Music: https://www.feiyr.com/x/BVDG2 Playlist: Inferno (S.A.D.I. Vocal Re-edit) (BacauHouseMafia.Ro) DJ PP Something Special (Origi-1 Miguel Campbell Crave You Flight Facilities, Giselle, Flight Facilities Feat. Giselle Without You (Original) [Original] Nightriders Wonky Wonky Wonky (Original Mix) Passarani KIFF - SHOW ME ( Original Mix ) Wowshit Karmon Compute (AYYBO Edit) CamelPhat Rules Of The Groove (Extended Mix) Stefan Meser Generate Power (Jimpster Dub) Photon Inc feat. Paula Brion Open Your Mind (Extended Mix) Habbo Foxx, Roxelio You Got My Love (Original Mix) Jimpster Keep on Wondering DJ Fudge Twenty-Ten (Original mix) Paride Saraceni Phones (Original Mix) jairo delli Box Logo (Extended Mix) Wally Lopez The Vibe Inside (Emanuel Satie Remix) (feat. Novecento) Billy Cobham In Love (Extended Mix) Discosteps How Deep Is Your Love (Sam one Hype & Groovy Edit)FINAL Sam One vs Calvin Harris SAM ONE SO SIMPLY O10C DEEP MIX 2025

In this episode, Samone (TorahCents) shares her story of building trust with herself again with managing money after experience money trauma during a previous marriage. You will learn about how Samone took back control and ownership of her personal finances as a business owner who is now paying herself consistently and has money left over each month.To learn more about 1:1 money coaching with Aqura ⁠⁠⁠⁠click ⁠here⁠⁠⁠⁠⁠. You will find all the details about money coaching, who it's for, what you will achieve and how to book a sales call to start working together.Subscribe to Surplus Living to have financial peace that outlasts payday. Make surplus living your new normal, so you can have up to $5,000 left over every month and keep it long after payday.Follow Aqura on Instagram ⁠⁠⁠⁠⁠@aquranicholson⁠⁠⁠⁠⁠. 

Most people plan for their finances — but what about their relationships, community, and passions? It's time to take a more holistic approach to your future.In this episode of The Agent of Wealth Podcast, host Marc Bautis is joined by Aliki Samone, author of Conquer Your Summit: How to Build a Five-Year Plan & Live Your Best Life and The Summit Method: A 3-Step Strategy for Success in Self, Wealth, and Community. Aliki shares her transformative “Summit Method,” which guides individuals in creating a values-based five-year plan that goes far beyond financial goals — touching on relationships, community, and personal growth. In this episode, you will learn:How to apply goal-setting strategies to both tangible and intangible life objectives.Why community and relationship goals deserve a place in your long-term planning — and how to structure them.The importance of visualization, data tracking, and regular check-ins to stay aligned with your plan.What to do when you hit a setback or lose momentum — and how to bounce back with clarity and purpose.And more!Whether you're in a transitional phase or simply seeking more intentionality in life, this episode is packed with practical tools to help you map out and live your vision.Resources:Episode Transcript & Blog | www.conqueryoursummit.com | Conquer Your Summit: How to Build a Five-Year Plan & Live Your Best Life | The Summit Method: A 3-Step Strategy for Success in Self, Wealth, and Community | Bautis Financial: 8 Hillside Ave, Suite LL1 Montclair, New Jersey 07042 (862) 205-5000 | Schedule an Introductory Call

Club Session Podcast Ep 269 Mix by Sam One DJ Podcast Link PODCAST | house4you Website: https://www.house4youmusic.com Youtube: https://youtube.com/@house4youmusic Instagram: https://www.instagram.com/house4youmusic/ Facebook: https://www.facebook.com/house4youmusic Buy my Music: https://www.feiyr.com/x/BVDG2 Tracks List: Title Artist Do It Again (AYYBO Edit) Chemical Brothers Compute (AYYBO Edit) CamelPhat Rules Of The Groove (Extended Mix) Stefan Meser Secrets (Original Mix) Jorhav Deeper Love (Club Mix 2022) Sam One Express Yo'self (Original Mix) Jay Vegas Discomagic (Original Mix) Supernova Music Is The Answer (Leo Oliver Remix) Danny Tenaglia Feat. Celeda A Gira (Extended Mix) Unfazed Nyali (Original Mix) Caiiro, Shimza Boye (Extended Mix) Adala, MoonDark Tambores (Original Mix) Nolek Let's Work (Extended Mix) Touzani Baile in Braza Freenzy, Ric Jay All Right (Original Mix) Moreno Pezzolato, Federico Ambrosi Shine a Light On me Sam One Dj

Club Session Podcast Ep 268 Mix by Sam One Dj Website: https://www.house4youmusic.com Youtube: https://youtube.com/@house4youmusic Instagram: https://www.instagram.com/house4youmusic/ Facebook: https://www.facebook.com/house4youmusic Buy my Music: https://www.feiyr.com/x/BVDG2 Track List: Bounce Back (Original Mix) Audiofunktion Deep Down (Extended Mix) LEFTI Stronger (Original Mix) Tommy Mambretti I Just Wanna Party (Extended Mix) Fedde Le Grand Give It To Me Club Mix MASTER DEF Sam One Blocked (Original) DJ Minx Agarrala Aprietala (Original Mix) Philip Kolak, JAMZ (SE) Catcall (Original Mix) Mr. Lekka Taino Beats Sted-E & Hybrid Heights, Jacob Colon To The Club (Extended Mix) Rick Silva Keep Me On The Dancefloor (Mo' House Extended Mix) Riva Starr, Harry Stone SO SIMPLE | DEEP ULTIMATE EDIT DEEP MIX 2025 TEST Master SAM ONE Don't You Leave (Extended Mix) Shermanology Opera Marasi Havana (AOTA Remix) Ben A Bien Heavy (Original Mix) Phonotrip

Sam One - Club Session Ep 267 Link tree: Website: https://www.house4youmusic.com Youtube: https://youtube.com/@house4youmusic Instagram: https://www.instagram.com/house4youmusic/ Facebook: https://www.facebook.com/house4youmusic Buy my Music: https://www.feiyr.com/x/BVDG2 Track List: Fire Lover Drey Kinian Wowshit Karmon Ease My Mind (Extended Mix) Chris Lake, Abel Balder Future Avenue (Original Mix) DAVI All By Myselff Mita Gami Hideaway (Extended Mix) Mattei & Omich Demon Time (Extended CLEAN Mix) AYYBO Flirt (Original Mix) Simon Kidzoo Sometime (FEX IT remix) The Deepshakerz Taino Beats Sted-E & Hybrid Heights, Jacob Colon Shadows (feat. Sophie Joy) (N-You-Up Dub) Gina Breeze, Sophie Joy Reach (Instrumental Club Remix) Laura Davie, Ali Story Breakin' My Heart Si Slay Active (Original mix) Dompe Discomagic (Original Mix) Supernova Island Letters (Original Mix) Nick Curly Shine a Light On me Sam One Dj

Club Session | Special Edition Dj Bash vs Sam One Dj | Podcast Ep 266 Link : Website: https://www.house4youmusic.com Youtube: https://youtube.com/@house4youmusic Instagram: https://www.instagram.com/house4youmusic/ Facebook: https://www.facebook.com/house4youmusic Buy my Music: https://www.feiyr.com/x/BVDG2 Track List : 1- Black Motion, Prince Kaybee, Shimza, Ami Faku - Uwrongo 2- Merlin Bobb,Masaki Morii - These 4 walls 3- Bonetti - Ngempela 4- Gilles Peterson's Havana cultura Band (atjazz love soul remix) - Orisa 5- Hallex M - Coro 6- Geoffrey C, Dj spen - beats like this 7- Coflo - Toques 8-Dj spen - Disco stompin' 9- Caiiro - Nyali 10- Rampa, Sino Msolo, Uncle Waffles, Boibizza - Tanzania 11- Mijangos - Sound of Africa (Instrumental Mix) Moeaike Afrika (Louie Vega Remix Vocal) Da Capo, Tshepo King I'm In Miami (Illusionize Remix) LMFAO Holy Ghost (Martin Solveig Extended Remix) Oh No! (Original Mix) Alvilianx Like Dat (Extended) Danidane, MAAURA Sicvrio (Original Mix) QMore, Lobo DJ Kitale Sam One Billy Dragon (Original Mix) DJ Satelite, Dj Gálio, Seres Producoes Batumi (Original Mix) Caiiro Shinobi Meith

Club Session | Chill House Podcast Ep 265 Mix By Sam One Dj Podcast Link PODCAST | house4you Website: https://www.house4youmusic.com Youtube: https://youtube.com/@house4youmusic Instagram: https://www.instagram.com/house4youmusic/ Facebook: https://www.facebook.com/house4youmusic Buy my Music: https://www.feiyr.com/x/BUJEY Playlist: Hate It or Love It (J.R.'s Revenge: Playa Mix) Unwrapped Sugar [www.slider.kz] K, Le Maestro x Freddie Joachim Let's Stay Together (Tall Black Guy Rmx) Al Green Still Standing [www.slider.kz] Children of Zeus AT MINES Planet Giza She too Gypsy for me Sam One Dj Remaster Tall Black Guy Get Ur Freak On (Quinoa Jones Edit)-Clean Missy Elliott RISE Darius Gave My Heart (feat. Leon Ware) (DJ Jazzy Jeff Remix) [Freestyle Records] [www.slider.kz] Omar Gave My Heart (feat. Leon Ware) [SMBD Edit] Omar Where U Goin' Tonight Mac Ayres I Can't Go for That (No Can Do) (Pomo Remix) Daryl Hall & John Oates Wait for me (Phily Lounge Mix) Soul to Sound, Kako Martinez United (Remastered 2025) Ethiopian Chyld Slow Down (feat. Jorja Smith) (Vintage Culture & Slow Motion Extended Remix) Maverick Sabre, Jorja Smith Stay Inside (Extended Remix) JT Donaldson, Liv.e Remind Me (Original Mix) Mirko & Meex Island Letters (Original Mix) Nick Curly Shine a Light On me Sam One Dj Disco Light (Extended Mix) Definite Grooves She's Gone Dance On (Club Mix) Audiowhores All Eyes On Me (DJ Spen & Gary Hudgins Party Mix) Boon, Josh Arise, Eddie Cane, DJ Spen, Gary Hudgins

Sam One | Club Session | Podcast Ep 264 Website: https://www.house4youmusic.com Youtube: https://youtube.com/@house4youmusic Instagram: https://www.instagram.com/house4youmusic/ Facebook: https://www.facebook.com/house4youmusic Buy my Music: https://www.feiyr.com/x/BUJEY Playlist : NY ARCADE V3 Sam One Life Is a Disco feat. Mr. V (Extended Mix) Mr. V, Supernova Dem Mai Hoes (Original Mix) Will Monotone Music Sounds Better (James Hype Edit) Stardust Vs. Everything But The Girl To My Health (Original Mix) David Herrero Stompin' 2025 Javi Colors Dark Side (Extended Mix) Qubiko Sometime (FEX IT remix) The Deepshakerz Baiianaa (Lalo's Unreleased Afro Drum Dub) Lalo Leyy Bouncing Harbour (Funkin Matt Remix – Chico Rose Extended Rework) Gregor Salto Caught My Soul (Original Mix) Antonio Gaudini Demon Time (Extended CLEAN Mix) AYYBO Dance With That Groove (Extended Mix) Terri-Anne Blue Sky (Extended Mix) Vibe Killers Sundown Tuccillo

Sam One Dj - Club Session | Podcast Ep 263 Website: https://www.house4youmusic.com Youtube: https://youtube.com/@house4youmusic Instagram: https://www.instagram.com/house4youmusic/ Facebook: https://www.facebook.com/house4youmusic Buy my Music: https://www.feiyr.com/x/BUJEY Playlist: Let get happy Club GFT Mix MASTER DEF Sam One Snake Eyes (Extended Mix) Douglas York Sanctuary (Extended Mix) Mike Vale Horny (Original Mix) San Pacho, TOBEHONEST I Am Ready (Extended Mix) Fedde Le Grand Takata Alvez Give It To Me (Original Mix) High & Dry My Trust (Extended Mix) Josh Hunter - What Have You Done For Me Lately (Gavin Bradley Deeper Mix) Janet Jackson Make It Wit Chu (Extended Mix) Kevin McKay, Bastien, Simon Ellis Infinity (Bhaskar Remix) Bhaskar, Dubdogz House & Pressure Route 94 Dance Naked (Extended Mix) Tony Romera 1K (Extended Mix) Reece Rose Reborn (DJ Global Byte Mix) Micky Fixx The Underground (Edit) Celeda, Jesus Fernandez, Karl8 & Andrea Monta Billy Dragon (Original Mix) DJ Satelite, Dj Gálio, Seres Producoes iPlan (Francis Mercier Remix) (Extended Mix) Dlala Thukzin

Club Session | Podacst Ep 261 | Sam One Dj Website: https://www.house4youmusic.com Youtube: https://youtube.com/@house4youmusic Instagram: https://www.instagram.com/house4youmusic/ Facebook: https://www.facebook.com/house4youmusic Buy my Music: https://www.feiyr.com/x/BUJEY Playlist: Nexus (Extended Mix) Kry (IT) Together (Original Mix) Larry Funk Saturday Morning (Extended Mix) Rules Crush (Discodena Remix) (Enrie BeeHive Edit) Jennifer Paige I Think (Original Mix) C.I.S.C.O Pimp Mobile (Appetizer Dub) Oscar P, Gianluca Pighi Right Here, Right Now (Acapella) Fatboy Slim Planet Giza - Start Over (Official Audio) Hiroko (Kiko Navarro Love From The Sea Remix) Modaji, Kiko Navarro Yes God (feat Dearson) (Mörda, Thakzin, Mhaw Keys Remix) Oscar Mbo, KG Smallz

Long-term planning isn't just about goals. It's about creating the life you want. Join Rosie Zilinskas and Aliki Samone as they dive into the intricacies of long-term planning. Aliki, author of Conquer Your Summit: How to Build a Five-Year Plan & Live Your Best Life, reveals her proven Summit Method for crafting X-year plans that drive both personal and professional success. Discover how the Summit Method, with its three-phase system, helps you map out your baseline, set actionable milestones, and develop habits for success. Whether you're aiming for career advancement, personal growth, or financial stability, this episode will equip you with the tools to make your aspirations a reality.

Hey y'all!This week I'm joined by an absolute legend, Sam from Soarin' With Sam! We discuss all things vlogging, past trips, future trips and more!Enjoy!

House 4 You Club Session Podcast Ep 260 Website: https://www.house4youmusic.com Youtube: https://youtube.com/@house4youmusic Instagram: https://www.instagram.com/house4youmusic/ Facebook: https://www.facebook.com/house4youmusic Buy my Music: https://www.feiyr.com/x/BUJEY Mix by Sam One Dj Playlist: City Of Dreams Alt Control & Millero Magnifique (Original Mix) Mark Lower Future Avenue (Original Mix) DAVI Jack Is Back (Warehousz Remix) Dompe Music Sounds Better (James Hype Edit) Stardust Vs. Everything But The Girl Break The House Down (Extended Mix) Laidback Luke, Chris Lorenzo Dance Naked (Extended Mix) Tony Romera The Function (Extended Mix) CID, Sage Armstrong Freak (Housequake Rework) Sandy Rivera & Haze Tarantula (Max Styler Remix) Pleasurekraft 2 Be Free D Stone I Can't Stop (Joseph Capriati Extended Groove Remix) Sandy Rivera Shake It (Extended Mix) Stallings Appease (Original Mix) Janeret Dancing In The Fire Markus Homm & Nici Faerber Something Between Us (Mahony Remix) Yaya T.B.L (Original Mix) Francis De Simone All Day, All Night (Original Mix) Odd Mob, OMNOM, HYPERBEAM

Club Session l Podcast House 4 You l Ep 259 Mix By Sam One Website: https://www.house4youmusic.com Youtube: https://youtube.com/@house4youmusic Instagram: https://www.instagram.com/house4youmusic/ Facebook: https://www.facebook.com/house4youmusic Buy my Music: https://www.feiyr.com/x/BUJEY Playlist: Sam One - Light On Me TEST Someone (Extended Mix) Dry & Bolinger, Hi.5 Searchin Jose Uceda SO SIMPLY O10C DEEP MIX FINALE MASTER DEF J37clipper Sogno e Poesia (Original Mix) Qubiko I Can't Stop (Joseph Capriati Extended Groove Remix) Sandy Rivera NASTY Mijangos Toxic (Extended Mix) Band&dos Champagna (Extented Mix) Antho Decks, Angelo Sika Don't Speak (Dave Anthony Movin Dub Mix) Cortney LaFloy, DJ Oji Loira (Original Mix) Super Flu, Malive Red Night Pedro Morenu All I Want Is The Bass (Extended Mix) Mousse T. Too Hot (Extended Mix) Kyle Watson, Sam Divine, Tristan Henry Takata Alvez Corazon feat. EMRIA (Harry Romero Extended Remix) Nico de Andrea, EMRIA With U (Original Mix) Josh Burnett Sundown Tuccillo

Samone Blakely is a dating coach for unchurched women of faith, and she has an INCREDIBLE story that she shares with us in this episode of Small Business Big Money. Samone tells us how she went from teen mom, to cult member, to overeducated Wendy's employee, to CPA at a big 4 accounting firm, to divorce, to million dollar business owner, to burning through all her savings and building debt. She shares with us how she saved her company from near closure. We're hosting our very first FREE Debt Pay Off Masterclass! Register here: https://ginaknox.co/masterclass Join us live on November 11th at 1pm CST. Register at the link above About Samone Blakely: TorahCents is known for her practical and unorthodox approach to dating for Women of Faith. She believes that dating should be delicious…and if it's not…you're doing it wrong. She has helped thousands of women attract quality men, confidently date for the relationships they desire and has been fully launched on a mission to help women of faith create real options in men and choose themselves first (instead of waiting for a man to choose them).

Sam One | Club Session | Ep 258 Website: https://www.house4youmusic.com Youtube: https://youtube.com/@house4youmusic Instagram: https://www.instagram.com/house4youmusic/ Facebook: https://www.facebook.com/house4youmusic Buy my Music: https://www.feiyr.com/x/BUJEY Playlist : Comfort Zone (Extended Mix) Sowel Back (Original Mix) Stipe So Good (Extended Mix) Tenacious All I Need (Extended Mix) CHAN Lose Control (Stogov Remix) Luca Vanelli, Castaman, Stogov I Can't Stop (Joseph Capriati Extended Groove Remix) Sandy Rivera Champion Mum (Original Mix) Meloko, Hyenah, Konvex (FR) Thank You (Enoo Napa Mix Remastered) Oscar P, Robert Owens OK! (Original Mix) Andor Gabriel, RBØR, Paakman Baião Destemperado (feat. Dawn Patrol & Barbatuques) (Original Mix) Maz (BR), Antdot, Riascode Heart Shaped Leaf Bontan Detuned (DJ Sniper Remix) DJ Man Blackworks Sante Sansone Y Toma Marco Corvino Catcall (Original Mix) Mr. Lekka Corazon feat. EMRIA (Harry Romero Extended Remix) Nico de Andrea, EMRIA

Sam One | Club Session | Ep 256 Live Set @ Cox Bar Paris August 16 2024 Podcast Link PODCAST | house4you Website: https://www.house4youmusic.com Youtube: https://youtube.com/@house4youmusic Instagram: https://www.instagram.com/house4youmusic/ Facebook: https://www.facebook.com/house4youmusic Buy my Music: https://www.feiyr.com/x/BUJEY Playlist: La Touche Retrofract Dark Matter VINYL ONLY A1 Daniel Broesecke Sometimes (Coqui Selection Remix) Audiowhores Helvetic Nerds - Walk On (Original Mix) (bacauhousemafia.blogspot.com) Helvetic Nerds Unity (Marco Grandi Rmx) Marco Berto & Nae:Tek Rolling Stoned feat Tasha (Original Mix) Lost Desert Island Letters (Original Mix) Nick Curly Esperanza Frankie In the Beginning (Original Mix) Athea Passion (Cubed Remix 2020) The Cube Guys Comfort Zone (Extended Mix) Sowel Catcall (Original Mix) Mr. Lekka Lift Me Up (Original Mix) SUNANA, CHERIAN Acid Is The Answer (Original Mix) Rossweisse, DJ Dan Magic Place (Extended Mix) Discosteps, Beau Soleil The Real Life (David Penn Extended Remix) Raven Maize, Dave Lee ZR Forest Love (Jose Dicaro Remix) David Fritz

In this episode, Samone Blakely takes over as the host to share her experience in the Million Dollar CEO program. Samone explains why she joined the program and shares the trainings and frameworks that turned her business around. Within just 30 days of joining the program, Samone says she was a more confident, controlled, and peaceful CEO.Million Dollar CEO is now open. Book a sales call at kirstenroldan.com/million-dollar-ceo.

From Aerospace Engineer to Multi-Passionate Author and Musician | Aliki Samone's JourneyIn this episode of 'Something More Fulfilling,' we are joined by the multi-talented Aliki Simone. Aliki shares her incredible journey from being an aerospace engineer to becoming a successful author and musician. Learn about her 'Summit Method' life planning technique, how she tackled imposter syndrome, and tips for aspiring authors. Aliki also dives into her music career and the challenges and joys of pursuing multiple passions. Whether you're looking for inspiration to chase your dreams or practical advice on goal-setting, this episode is packed with insightful conversations and actionable takeaways.00:00 Introduction and Guest Welcome 00:30 Aliki's Background and Career Shift 01:22 Discovering the Summit Method 02:43 Writing the Book: Conquer Your Summit 05:23 Overcoming Imposter Syndrome 07:04 Daily Writing Routine and Goal Setting 10:53 Publishing Journey and Community Support 16:15 Finding Mentors and Building Community 25:02 The Importance of a Growth Mindset 31:37 The Power of Visualization and Mindset 32:27 Drafting Your Life Purpose Statement 33:09 Breaking Down Your Long-Term Goals 33:47 Creating a Two-Year Action Plan 34:55 Quarterly Goals and Execution Habits 40:13 Overcoming Distractions and Barriers 44:39 The Importance of Saying No 48:20 Alakai Simone's Music Journey 51:48 Future Goals and Finding True Fans 54:09 Where to Find Alakai Simone 56:24 Alakai Simone's Why and Final ThoughtsLink to Alikihttp://www.conqueryoursummit.com/https://instagram.com/alikisamonebooks?igshid=NGExMmI2YTkyZg==

Sam One | Chill House Summer 2024 | Ep 255 Podcast Link PODCAST | house4you Website: https://www.house4youmusic.com Youtube: https://youtube.com/@house4youmusic Instagram: https://www.instagram.com/house4youmusic/ Facebook: https://www.facebook.com/house4youmusic Buy my Music: https://www.feiyr.com/x/BUJEY Playlist: Chasing You (2023 Remaster) Benjamin Shock Don't Want It (Extended Mix) Bondax Concentrate & Relax (Mo'Cream Remix) Jo Paciello King Of My Castle feat Kali Mija (Extended Mix) beatsbyhand The Groove Malankane, TekniQ Real Love Groove Guru What U Need (Marco Grandi remix) Moe Turk Todo Homem (Antdot & Maz (BR) Remix) Zeca Veloso How Deep Is Your Love (Sam one Hype & Groovy Edit)FINAL Sam One vs Calvin Harris This Heart (Original) Dan Laino, Patrick Meeks Unity (Marco Grandi Rmx) Marco Berto & Nae:Tek Whisper (Extended Mix) Dennis Ferrer, Disciples, James Yuill Rummelboogie (Bebetta Remix) Audio Stunts, Mahumba Orb (Original Mix) Kamilo Sanclemente Two Months Off (Tim Green Remix) Underworld

Sam One | Club Session | Podcast Ep 254 Mixed By Sam One Dj Follow Link : Podcast Link PODCAST | house4you Website: https://www.house4youmusic.com Youtube: https://youtube.com/@house4youmusic Instagram: https://www.instagram.com/house4youmusic/ Facebook: https://www.facebook.com/house4youmusic Buy my Music: https://www.feiyr.com/x/BUPW2 Playlist: The Speech (Original Mix) CASSIMM, Mahalia Fontaine Downlow (Extended Mix) CASSIMM Sombrerito Blanco (Extended Mix) Jude & Frank, Cumbiafrica I Love It (Extended Mix) Dubdogz, DLMT Belo Horizonti (Original Mix) Peppe Citarella, Yas Cepeda Arabian (Original Mix) Zaggia The Speech (Original Mix) CASSIMM, Mahalia Fontaine BELEIVE PROJET G 2 SAM ONE Make Me Feel Remix 2024 MASTER Sam One I'm The One You Love (Mike Newman Remix) Trimtone, Mike Newman Last Night (Original Mix) Mirko & Meex Magic Place (Extended Mix) Discosteps, Beau Soleil What It Means to Me feat MVTTIE (Zsak Extended Remix) Glen Horsborough Pressure To Talk (Extended Mix) Greymatter Ballroom (Original Mix) Stefano Albanese Don't Wanna (Extended Mix) Tini Gessler Lift Me Up (Original Mix) SUNANA, CHERIAN Paradise II (Extended Mix) Harry Romero Through the Woods Kaval Chocolate Puddin' (Original Mix) Osunlade, James Curd

House 4 You Club Session EP 252 Mix By : Sam One Dj Website: https://www.house4youmusic.com Youtube: https://youtube.com/@house4youmusic Instagram: https://www.instagram.com/house4youmusic/ Facebook: https://www.facebook.com/house4youmusic Buy my Music: https://www.feiyr.com/x/BUJEY Playlist : Get Together (Extended Mix) Dilby I Love You So (Extended Mix) Sugar Hill Inside Me (Extended Mix) Cristian Volpe Makin Ends Meet (Deez Raw Life Mix) Rob Redford, Demarkus Lewis Knock You (Kyle Watson Edit) LL Cool J Give It To Me Club Mix 2020 Sam One BELEIVE Sam One Promo edit Devotion (Original Mix) Caius Pressure To Talk (Extended Mix) Greymatter Sweet Love (Original Mix) Mitch Gilby Got That Levi Petite Stutta (Extended Mix) CHAN (US) The Colours Of The Bongo (Original Mix) Mauri Fly Eteri Tim Green Elevate (Carlos Francisco Remix) DJ G, Juliet Mendoza, Carlos Francisco Assassin VINCENZO

"What happens when the original plan you create changes?" - Aliki SamoneAre you ready to transform your life with a method crafted by an aerospace engineer turned dynamic entrepreneur? Join us on this exciting episode of The Be Better Broadcast as we delve into Aliki Samone's innovative Summit Method. Aliki, a multi-talented artist and former spacecraft designer, combines her love for science and creativity to help you design a life filled with passion and purpose.Aliki spent a decade in spacecraft design and program management before retiring to pursue her own ventures. She now channels her creativity into music, writing, and abstract art while exploring nature in her camper van. Her holistic approach to life planning is inspired by her adventures and deep connection to the outdoors.In our conversation, Aliki will cover:

Ibiza Club Session Ep 251 Mix By Sam one Website: https://www.house4youmusic.com Youtube: / @house4youmusic Instagram: / house4youmusic Facebook: / house4youmusic Buy my Music: https://www.feiyr.com/x/BU3FN Playlist : Believe (Original Mix) DJ Dan, Rossweisse House Music (Original Mix) Rossweisse, Yaker Say Yes Club Mix Sam One Orbita Hunter ASSEED! (Original Mix) Matush DC Ten Thousand Dreams (Extended Mix) Sem Jacobs, Tagmann Mavis (Original Mix) Nick Curly Lies (Gorge & Nick Curly Extended Remix) Denney Make me Feel Club mix 2024 Sam One Kiss Myself (Extended Mix) Bad Intentions This Is Test (Original Mix) paskman Heartbeat On Time Ninetoes & Alvin Kyer What I Do (Original Mix) Ralph Session Dream of Heaven (Extended Mix) Pig Snatchers & M-Staffs Two Months Off (Tim Green Remix) Underworld Faded (Extended Mix) Markus Homm, Gorge

Sam One - Club Session Ep 250 Website: https://www.house4youmusic.com Youtube: https://youtube.com/@house4youmusic Instagram: https://www.instagram.com/house4youmusic/ Facebook: https://www.facebook.com/house4youmusic Buy my Music: https://www.feiyr.com/x/BU3FN Playlist: The Groove Malankane, TekniQ Real Love Groove Guru Keep It Coming (Instrumental Mix) Booker T, Wheeler Del Torro, Kenny Bobien Keep It Coming (Main Vocal Mix) Booker T, Wheeler Del Torro, Kenny Bobien Trouble (David Montoya Remix) Oscar P Silver Lining (PolyRhythm Afro Latin ReWork) Steve Howerton, Niya Wells, Coflo, Polyrhythm Dont Stop (Arawakan Drum Mix) Realm Of House Brasil Massianello Queimar (Javi Torres Remix) OVEOUS & QVLN Dem People Go (Lips Dub) Dennis Ferrer, Bola Belo DÓNDE ESTÁ (Masters At Work Rowdy Remix) YOURS Getaway DJ EMII Voodoochild Kolombo (Original Mix) Darque & Jnr SA ft Musa Keys & Leandra.Vert Areyeng Andor Gabriel, RBØR, Paakman OK! (Original Mix)

Struggling to stay positive? Discover a simple trick to boost your mood anytime, anywhere. In this episode, creative entrepreneur, author, and former spacecraft designer Aliki Samone shares a mindfulness routine that will leave you feeling relaxed and energized.  Try her 3-minute practice that focuses on getting in touch with what's going on inside you on a mental, physical, and spiritual level – and experience the life-changing power of presence. Here are some power takeaways from today's conversation:  Aliki's three-phase approach to choosing happiness The mind-body-spirit exercise How to shift your perspective to fully live in the moment Setting a daily alarm to check in with yourself [02:09] Aliki Samone's Three-Phase Approach to Choosing Happiness Aliki discusses three phases in your approach to choosing happiness: mental tools, planning techniques, and execution habits. Get into a good mood so you can live your best life and make those plans for the future by focusing first on the mental tools.  [02:32] The Mind-Body-Spirit Exercise Aliki suggests asking yourself these three questions as part of the mind-body-spirit exercise: What is my mind feeling like right now? - Are you feeling anxious, stressed, calm, joyful?  What does my body feel like right now? - Are there tensions, pains, or areas of discomfort? A relaxed, energized body often indicates a relaxed mindset as well. What is my spirit telling me? - The spirit represents one's soul, passion, and purpose. It leads to reconnecting with inner wisdom and strength. [06:38] Shifting Your Perspective to Fully Live in the Moment Once you've checked in with your current mental, physical, and emotional state through the mind-body-spirit exercise, Aliki recommends learning from the present experience. Take a deep breath, smile, and ask yourself: "What's an awesome thing I can do today?" or "What's an awesome way I can change my mindset?" [07:25] Setting a Daily Alarm for Self-Reflection Setting an alarm is a good way to practice the mind-body-spirit exercise. Choose a calming sound to go off once or multiple times per day at set times as a reminder to pause activities. Then spend a few minutes reflecting on your current mental, physical, and emotional state through asking the three key questions. This helps you build the routine of self-awareness and mood monitoring as a daily habit over time. Notable quotes: [02:09] A good mood will lead you to your best life. [02:12] [05:36] Your spirit is this connection between your heart and your soul – and that is where your passion and your fire for life grows. [05:46] [06:38] Learn from the now, live in the moment, and take a deep breath. Smile, and ask yourself, what's an awesome thing I can do today or an awesome way I can change my mindset so that I am in the best mood? [06:56] Resources Mentioned:  www.conqueryoursummit.com  Connect with Aliki on Instagram @thesummitmethod Download this week's free resource instantly when you sign up for The Good Mood Show newsletter here!  Or, reach out on our contact page at GoodMoodShow.com/Contact and we will email you a copy of any free resource you request. About the Guest  Aliki Samone is a dynamic entrepreneur and author of the book Conquer Your Summit: How to Build a Five-Year Plan and Live Your Best Life. Aliki is a former spacecraft designer who started her own company and shares tips on feeling good.

Sam One - Club Session Episode : 249 Podcast Link PODCAST | house4you Website: https://www.house4youmusic.com Youtube: https://youtube.com/@house4youmusic Instagram: https://www.instagram.com/house4youmusic/ Facebook: https://www.facebook.com/house4youmusic Buy my Music: https://www.feiyr.com/x/BU3FN PLAYLIST : Make me Feel Club mix 2024 Sam One What I Do (Original Mix) Ralph Session Hot Night (Original Mix 2024 Remaster) 86Deep Bounce To This (Underground Mix) Mr. V, Ralph Session If You Search (Mihai Popoviciu Remix) Steve Kelley Ballroom (Original Mix) Stefano Albanese This Is Our House (Extended Mix) Kry (IT) Love Commandments (Alaia & Gallo Remix) Piem Revoke (Original Mix) Franky Rizardo Sometimes (Coqui Selection Remix) Audiowhores Helvetic Nerds - Walk On (Original Mix) (bacauhousemafia.blogspot.com) Helvetic Nerds Brasil Massianello Queimar (Javi Torres Remix) OVEOUS & QVLN Baião Soldera, Barbatuques Afromental Mijangos Pa Tra Dj Jean Paredes Les Gout (Original Mix) Rampa ft chuala Little Me (Extended Mix) Sio & China Charmeleon Let U Go (Infinite Boys Mix) Risal Sounds, DK

Join Aliki, author of "Conquering Your Summit", as she dives into the importance of creating a 5-year plan and shares insightful tips on how to achieve your goals. Tune in to her conversation with Juan on this podcast episode! #5yearplan #goalsetting #conqueringyoursummitPick up the Book: https://www.amazon.com/dp/B0C47WR4V1Message me the word "LEADER" to Info@weraizethebar.com to join our new Leadership Development 90-Day Cohort. If the group is filled or class hasn't started yet please join the waitlistSupport the showEMAIL - juan@weraizethebar.comWebsite - www.weraizethebar.comFollow on social:Instagram @raizethebarceoFacebook @raizethebarLLCBlueprint to Leadership Course: Click hereJuan's Bio:As an expert in Leadership and a Certified Gallup Strengths Coach, Juan is a widely regarded United States Army War Vet. He has trained teams of tens of thousands of soldiers in high-stakes situations and has helped School Districts increase team efficiency and strengthen communication which resulted in happier and more appreciated employees. He helps individual leaders and their teams overcome complacency, and prevent burnout in the workplace. His "Blueprint to Leadership" Course has created more confidence and respect in personnel who carry supervisory and management roles. Being featured on FOX, NBC, and CBS has helped Juan lead the charge in creating Strength-Based leaders, and teams, giving rise to the culture at work for over 3500 School Administrators.

The world of home building is an intricate one, with various methods available that cater to the different needs of homeowners. Last week, we spoke with one of our amazing DevelopHers Samone, who took us through her successful experience with volume building. Today, we're chatting with Janine Armstrong, the General Manager of Marketing at Carlisle Homes, to explore the efficiency, customisation options and care factor that define the volume building experience at Carlisle Homes. Volume building is a method that focuses on repeating house plans to optimise efficiency and streamline the construction process. By leveraging pre-designed floor plans, volume builders like Carlisle Homes can offer a wide range of options to customers while maintaining a structured and efficient building process. Janine walks us through Carlisle Homes' approach, which involves meticulous planning, fixed site costs and a clear end-to-end process for customers. Despite the predefined floor plans, volume building offers a surprising level of customisation and flexibility. This is perfect for those looking for multi-generational living or have the kids staying at home well into the 20s! Janine shares all about Carlisle Homes' Spectra showroom, which boasts a vast array of products and options for customers to choose from, allowing them to tailor their homes to their liking. Building your home can be an arduous and emotionally taxing journey. One of the standout features of volume building with Carlisle Homes is the emphasis on customer care and support throughout the entire building journey. From dedicated customer liaison teams to site supervisors, Janine discusses their partnership approach with customers, who feel supported and guided at every stage of the construction process. Having that communication and transparency is a huge win for homeowners who are possibly making one of the biggest investments of their lives! As the industry evolves, volume building continues to adapt to changing trends and innovations. And despite what you might think, it offers a flexibility that caters to home builders' unique needs and set ups. So if you're interested in learning more about volume building, tune in and find out how Carlisle Homes could be the perfect team to help you create your dream home.  LINKS:   Connect with Samone: https://www.samoneshepherdson.com/  Buy our book: BuildHer, A practical guide to building and renovating BuildHer Website: https://buildhercollective.com.au/ BuildHer Instagram: @buildhercollective BuildHer Facebook: Women who Design, Decorate, Renovate & Build Register for a call: https://go.oncehub.com/BuildHerSee omnystudio.com/listener for privacy information.

Building a new home is an exciting yet daunting process. With so many options available, it can be challenging to decide on the right path to take. One option is to take the path of volume building, and if you're considering this for your new home you're in luck!  In today's episode, we chat with DevelopHer Samone Shepherdson about her experience with volume building. She shares valuable insights into the process, the decision-making factors, and the advantages of choosing volume building over other options. So, what were the biggest benefits that influenced Samone to choose volume building? A Simplified Process: Unlike the custom home building process, volume builders provide a range of pre-designed floor plans to choose from. This streamlined approach eliminates the guesswork and offers clear pricing structures. The Power of Visualisation:  The ability to walk through display homes and visualise the end result was a huge benefit.  Samone and her family had a clear idea of what they wanted from their new home and found their dream design among the many floor plans available. Clarity in Pricing: Cost was another significant factor. Samone highlighted that volume builders like Carlisle Homes provide detailed information about what is included in the base price and the additional cost of any upgrades. This transparency allowed Samone and her family to make informed decisions within their budget. Pricing Lock In: Additionally, by selecting a volume builder, they were able to lock in the starting price. This protected them from any price increases that might occur during the construction process. This proved a huge advantage when the market shifted and those building with independent builders were hit with a considerable price increase.   Customising The House: After locking in a floorplan, the next step is to choose finishes and fixtures. Volume builders typically have a showroom where homeowners can explore different options for color schemes, tiles, countertops, and other design elements. When she visited, Samone was paired with an interior stylist who helped ensure her choices were cohesive and matched her vision.  The Construction Process: Once all selections were made, the building process began. In Samone's case, Carlisle Homes committed to finishing the build within 252 days. Although some delays occurred due to external factors, the builder maintained clear and transparent communication with regular updates. Samone also appreciated the customer portal, which provided detailed information about the build's progress, payment status, and allowed her to log any questions or concerns.   Samone's experience with volume building demonstrates the benefits and efficiency of this method. The ability to walk through display homes, the cost savings through price locking, and the reliability provided by a reputable builder were all factors that made volume building the ideal choice for Samone and her family. So if you're looking to build your dream home, exploring the options offered by volume builders is a step worth taking. LINKS: Connect with Samone: https://www.samoneshepherdson.com/  Buy our book: BuildHer, A practical guide to building and renovating BuildHer Website: https://buildhercollective.com.au/ BuildHer Instagram: @buildhercollective BuildHer Facebook: Women who Design, Decorate, Renovate & Build Register for a call: https://go.oncehub.com/BuildHer  See omnystudio.com/listener for privacy information.

House 4 You - Club Session - Ep 248 Mix by Sam One Website: https://www.house4youmusic.com Youtube: https://youtube.com/@house4youmusic Instagram: https://www.instagram.com/house4youmusic/ Facebook: https://www.facebook.com/house4youmusic Buy my Music: https://www.feiyr.com/x/BU3FN Playlist : Make me Feel Club mix 2024 Sam One Fade (Freejak Remix) [Intro Clean] [www.fuvi-clan.com] Kanye West You Got The Love vs. Do You Feel Me (WeDamnz Mashup) Florence + The Machine vs. NY's Finest, City Soul Project Gypsy Woman (Kindred Spirits Remix) Crystal Waters Deepest Desire Luca Bisori ASSEED! (Original Mix) Matush The Vibe Inside (Emanuel Satie Remix) (feat. Novecento) Billy Cobham In Love (Extended Mix) Discosteps How Deep Is Your Love (Sam one Hype & Groovy Edit)FINAL Sam One vs Calvin Harris Mystery of the Sun feat. Shyam P Nhii Whisper (Extended Mix) Dennis Ferrer, Disciples, James Yuill Ballroom (Original Mix) Stefano Albanese Forever Always (Damelo Remix) Gene Farris, DJ Rae Kry (IT) - This Is Our House (Extended Mix) beatsbyhand - King Of My Castle feat Kali Mija (Extended Mix) China Charmeleon, AndileAndy, Ziyon - Tunnel Vision (Rocco Rodamaal Dub Mix) Vintage Culture, Maverick Sabre, Tom Breu Weak (Extended)

Raven Samone talks with Gam and Mz _ Gogetta being sent to prison for 81 months for identity theft, computer fraud and bank fraud. Raven was scamming for about 5 years before she woke up at a "boom" at the door and the FEDS came to arrest her. While in prison she was getting into fights, building relationships with other inmates as well as realizing that prison isn't for her. Raven is now a business owner, rekindled the relationship with her kids as well as working a full time job. One of her goals is to become an advocate for women who are sentenced to federal time and shed light on "transitioning process". Raven.....Support the show

Club Session Ep 247 - House 4 You Music Mix By Sam One Dj Website: www.house4youmusic.com Youtube: https://youtube.com/@house4youmusic Instagram: https://www.instagram.com/house4youmusic/ Facebook: https://www.facebook.com/house4youmusic Buy my Music: https://www.feiyr.com/x/BU3FN Playlist: PARIS - WILMIG Promo Party People (Original Mix) Mabel Caamal Deepest Desire Luca Bisori ASSEED! (Original Mix) Matush Sensitive Shit (Extended Mix) Jewel Kid Players (Rogerson Remix)[Dirty] DJ Surda / Coi Leray Moonlight Mandragora, Beltran (BR) RIZZ (Original Mix) AYYBO Musica (Extended) Meduza Give You (Extended Mix) Odd Mob Heartbeat On Time Ninetoes & Alvin Kyer Jackin & Shaking (Rekonstruktion 2024 Mix) Rick Silva Follow Me (Original Mix) Mike Newman In Love (Extended Mix) Discosteps Last Night (Extended Mix) Loofy Fragile feat. Syon (Extended Mix) Syon, Themba, FNX OMAR Hey Hey (Da Capo & Kitty Amor Extended Remix) Dennis Ferrer Kolombo (Original Mix) Voodoochild Areyeng Darque & Jnr SA ft Musa Keys & Leandra.Vert Horns In The Sun (Thakzin Remix Extended Version) (feat. Mo-T, Mörda & Brenden Praise) DJ Kent

Sam One - Live at Cox Bar Paris Club Session Ep 246 Link Tree: Podcast Link PODCAST | house4you Website: www.house4youmusic.com Youtube: https://youtube.com/@house4youmusic Instagram: https://www.instagram.com/house4youmusic/ Facebook: https://www.facebook.com/house4youmusic Buy my Music: https://www.feiyr.com/x/BU3FN Paylist : Good Life (Kid Massive Re Edit) Inner City Beautiful People (Obskür Remix) Barbara Tucker You Got The Love vs. Do You Feel Me (WeDamnz Mashup) Florence + The Machine vs. NY's Finest, City Soul Project Gypsy Woman (Kindred Spirits Remix) Crystal Waters Deepest Desire Luca Bisori Say Yes Club Mix ton + 2 Sam One ASSEED! (Original Mix) Matush Dance With Ibiza (Original Mix) Ugo Banchi Give You (Extended Mix) Odd Mob My Body (Extended Mix) Flashmob Technologic (The Shooters VIP) Daft Punk Breakin' My Heart Si Slay Ballroom (Original Mix) Stefano Albanese Jack Is Back (Warehousz Remix) Dompe Sex On My Mind (Crazibiza Remix) Roland Clark, Urban Soul Tayo 2.0 (Original Mix) Gorge Artica (Original Mix) Pornbugs Phase Out Mulder

In this enlightening episode, we sit down with Aliki Samone, an entrepreneur whose journey from spacecraft designer to a life of passion and adventure epitomizes the transformative power of following one's dreams. Aliki's unique blend of scientific acumen and artistic flair has culminated in her groundbreaking Summit Method – a holistic approach to life planning that intertwines personal growth, financial wisdom, career development, and community engagement. We delve into the heart of what makes Aliki tick: her love for nature, her artistic pursuits, and her relentless drive to inspire others to reach for the stars. Aliki shares insights from her book, "The Summit Method", discussing the importance of a well-rounded approach to life planning and how to harness mental tools to make significant life changes. Listeners will discover the concept of a Summit Event and its crucial role in unlocking life's potential. Aliki explains the essence of a five-year plan, its necessity, and how regular execution tactics can maintain momentum every day. She addresses critical questions, such as the methodology behind finding one's purpose, the importance of balancing personal growth with financial and career goals, and why community involvement is vital for a fulfilled life. This episode is a treasure trove for anyone feeling purposeless, stuck, or lost. Aliki's down-to-earth methods for goal achievement and finding purpose are not just theories but practices born from a life lived boldly and creatively. Don't miss the opportunity to learn from Aliki's journey and insights. To check out Aliki's book, "Conquer Your Summit: How to Build a Five-Year Plan & Live Your Best Life" visit Amazon (affiliate): https://amzn.to/422xv9H Disclaimer: Not advice. Educational purposes only. Not an endorsement for or against. Results not vetted. Views of the guests do not represent those of the host or show. Do your due diligence. Click here to join PodMatch (the "AirBNB" of Podcasting): https://www.joinpodmatch.com/drchrisloomdphd We couldn't do it without the support of our listeners. To help support the show: CashApp- https://cash.app/$drchrisloomdphd Venmo- https://account.venmo.com/u/Chris-Loo-4 Buy Me a Coffee- https://www.buymeacoffee.com/chrisJx Thank you to our sponsor, CityVest: https://bit.ly/37AOgkp Click here to schedule a 1-on-1 private coaching call: https://www.drchrisloomdphd.com/book-online Click here to purchase my books on Amazon: https://amzn.to/2PaQn4p Follow our YouTube channel: https://www.youtube.com/chL1357 Follow us on Twitter: https://www.twitter.com/drchrisloomdphd Follow us on Instagram: https://www.instagram.com/thereal_drchrisloo Follow us on Threads: https://www.threads.net/@thereal_drchrisloo Follow us on TikTok: https://www.tiktok.com/@drchrisloomddphd Follow the podcast on Spotify: ⁠https://podcasters.spotify.com/pod/show/christopher-loo⁠ Subscribe to our Substack newsletter: https://substack.com/@drchrisloomdphd1 Subscribe to our Medium newsletter: https://medium.com/@drchrisloomdphd Subscribe to our email newsletter: ⁠https://financial-freedom-for-physicians.ck.page/b4622e816d⁠ Subscribe to our LinkedIn newsletter: https://www.linkedin.com/build-relation/newsletter-follow?entityUrn=6992935013231071233 Join our Patreon Community: https://www.patreon.com/user?u=87512799 Join our Spotify Community: ⁠https://podcasters.spotify.com/pod/show/christopher-loo/subscribe⁠ Thank you to our advertisers on Spotify. Financial Freedom for Physicians, Copyright 2024

House 4 You Club Session Ep 245 Mix By Sam One Dj Link Tree: Podcast Link PODCAST | house4you Website: www.house4youmusic.com Youtube: https://youtube.com/@house4youmusic Instagram: https://www.instagram.com/house4youmusic/ Facebook: https://www.facebook.com/house4youmusic Listen My New Single : https://www.feiyr.com/x/BU3FN Playlist: One Love (Original Mix) Stefano Noferini Breakin' My Heart Si Slay Sam One - NY ARCADE V3 Sam One - Say Yes Club Mix ton + 1 Don't Stop Rock (OFFAIAH Remix) Harry Romero Heartbeat On Time Ninetoes & Alvin Kyer Don't Tell (Manoo Remix) Maya Jane Coles Ballroom (Original Mix) Stefano Albanese Getaway DJ EMII Can I Be Me (Instrumental Mix) Sebb Junior, Oggie Getaway DJ EMII Where is The Music (Extended Version) Sven Tasnadi, Dario D'Attis Makousa (Original Mix) Rick Silva Players (Rogerson Remix)[Dirty] DJ Surda / Coi Leray Pump It (Extended Mix) Damien N-Drix Al Telun (Original Mix) Stefano Ranieri Fragile feat. Syon (Extended Mix) Syon, Themba, FNX OMAR L'ghayta Sadek (MAR) Heart Shaped Leaf Bontan Magic Flute (Original Mix) Mimmo Errico, Carolin Cole, Vanni F

House 4 You Club Session Ep 244 By Sam One Dj First part on our Youtube Chanel Live 9 Podcast Link PODCAST | house4you Website: www.house4youmusic.com Youtube: https://youtube.com/@house4youmusic Instagram: https://www.instagram.com/house4youmusic/ Facebook: https://www.facebook.com/house4youmusic Buy my Music: https://www.feiyr.com/x/BU3FN Playlist: Sam One - NY ARCADE V3 Technologic (The Shooters VIP) Daft Punk Toma Que Toma (Original Mix) Andruss Backseat (Original Mix) Basura Boyz, Avilo Dr. Funk (Riva Starr Mo' Funk Mix) Carl Cox Upside Down Monty Kiddo Ghetto Kraviz (Dabi, CAJUN Edit) Nina Kraviz Fergy Joel Cantone Tayo 2.0 (Original Mix) Gorge Ballroom (Original Mix) Stefano Albanese Euphoria (Extended Mix) Claptone Bombedom (Original Mix) Simenga Red Right Hand (Remix) Ragie Ban La Blanca Y La Rosa (Mateo Toribio Remix) Carlos Arresa Toys Center VINYL ONLY A1 Carebears Future Avenue (Original Mix) DAVI Blazing Fire (Extended Mix) Aaron Noise Watch Where You Walk (Original Mix) Dennis Cruz

“Hopefully, this is a renaissance,” says Sam Jean, who returns to Cuckoo 4 Politics for another episode of Raw & Uncut as we wrap up 2023. It's been a year full of high profile labor strikes, which remind people of the power of unions to stand up to corporations to fight for a living wage. Of course, this doesn't stop many people from blaming immigrants for depressed wages and low employment. America has a history of demonizing its most newly arrived citizens, blaming them for all its problems, while simultaneously relying on them to make up large parts of the workforce. As Americans, we must question which of our foreign policy maneuvers have forced people to come to our country to seek a better life.  This hypocrisy extends to the highest positions of government. Americans continue to labor under the illusion that those on the Supreme Court hold themselves to a higher moral standard than the rest of us. Yet, as Michael points out, Judge Clarence Thomas accepts all sorts of gifts and favors from rich donors, compromising. Sam calls for term limits in the Supreme Court, to help tamper down such corruption and compromised integrity and corruption.  Meanwhile, too many conservative candidates are weaponizing their religion as a way to mystify their followers, something that Sam predicts will only become more pronounced during the 2024 election season. If there's one abiding truth, it's that Donald Trump makes everything worse.  Quotes: “We have to address why it is that people are coming here. The other thing we don't address in terms of our foreign policy is what has American foreign policy done to some of these countries that are sending us their migrants? Why? Why is that happening?” (9:20 | Sam) “It seems like the public understands that the workers have no leverage and their only leverage is to strike. And when they start striking and they start explaining what they want, regardless of how the media tries to interpret it like, ‘Oh, they expect a living wage.---the shock of it! God forbid someone get a wage that allows them to live–I  think that (18:17 | Sam) “One thing the strike demonstrates is the power of labor and organizing labor because the workers by themselves do not have sufficient leverage to stand up against the corporations. They just simply don't. You think one worker can stand up to Ford, Chrysler, GM? Not at all. So this demonstrates the power of labor, and hopefully this is a renaissance for labor movements to come back.” (19:27 | Sam)  “Judge Clarence Thomas. The man is literally hanging with big donors who are paying for his–everything–from taking him on lavish vacations, to paying for anything he wants and we think, ‘You're supposed to be impartial?' Is he another Tim Scott?” (24:28 | Michael) “There is a separation of church and state because we understand in this country that there are people who believe and there are people who don't believe. We have to treat them the same way. You don't need to insert religion to have an outcome that is fair. Can we use religious ideas to form certain laws? Of course we can, of course people do, but the laws are sufficient as they're written without a hint and a hinge of religion.” (30:12 | Sam) Links cuckoo4politics.com https://www.instagram.com/cuckoo_4_politics/ https://www.facebook.com/Cuckoo-4-Politics-104093938102793 Podcast production and show notes provided by HiveCast.fm

In the shadows of our everyday lives, predators lurk, preying on the vulnerable. Join us on a compelling journey with Ashley and Samone as they share raw, personal stories that transcend the surface, revealing the haunting realities of sex trafficking. Unveiling the veil of innocence, this episode exposes the chilling dangers and manipulation tactics wielded by predators. Hear firsthand accounts that shed light on the darkness that often hides "in plane sight." Brace yourself for a gripping narrative that goes beyond statistics and headlines, delving into the emotional complexities of those who have faced the harsh reality of trafficking. Knowledge is power, and together, we'll explore how we can stand against this pervasive issue. Tune in to Episode 33, where the untold stories emerge, and the battle against sex trafficking becomes more urgent than ever. #InTheShadowsPodcast #SexTraffickingAwareness #EndTheSilence

House 4 You Club Session Ep 243 Mix By Sam One Dj Tom Enzy, Siwell, Vadi Levanta (Extended Mix) Toto Africa (HÄWK VIP Edit) Milk & Sugar, Jens Lissat Can U Hear Me (Extended Mix) Antoine Clamaran, D-Plac Get Up (It Doesn't Matter) feat. Sabrynaah Pope (Extended Vocal Mix) Carl Cox Dr. Funk (Riva Starr Mo' Funk Mix) CVMPANILE Easy On (Extended Version) Daft Punk Technologic (The Shooters VIP) Nina Kraviz Ghetto Kraviz (Dabi, CAJUN Edit) Joel Cantone Fergy Monty Kiddo Upside Down DJ EMII Getaway Stefano Ranieri Al Telun (Original Mix) Tony Touch Apaga La Luz (Mike Dunn Re-Touch) Adrian Daboin Tu Como Baila (Original Mix) Mijangos Afromental Soldera, Barbatuques Baião Mulder (NL) Phase Out

Hello hello! Today I've got for you another between-season bonus episode. This time we're breaking format to talk about i know the end, a module I published earlier this year about going back home after a long time away and all the horrors that entails. Because if you can't occasionally publish something self-indulgent in your podcast feed, what's even the point of having one?My cohost for this is my friend Nico MacDougall, the current organizer of The Awards, who edited i know the end and had almost as much to say about it as I did.For maximum understanding of this episode, you can pick up a free copy of the module here and follow along (or skim it in advance).Further reading:The original i know the end cover artThe “oops all PBTA moves” version of i know the endThree of my short filmsMy previous written designer commentaries on Space Train Space Heist and CouriersJohn Harper talking with Andrew Gillis about the origins of Blades in the DarkThe official designer commentary podcasts for Spire and HeartAaron Lim's An Altogether Different River, which comes with a designer commentary versionCamera Lucida by Roland Barthes, a photography theory book that we talked about during recording but which I later cut because I remembered most of the details about it incorrectlyWhat Is Risograph Printing, another topic cut from the final recording because I got basically everything about it wrong while recording (the background texture of the module is a risograph printed texture)Before Sunrise by Richard LinklaterQuestionable Content by Jeph JacquesSocials:Nico's carrd page, which includes links to their socials, editing rates, and The Awards.Sam on Bluesky, Twitter, dice.camp, and itch.The Dice Exploder logo was designed by sporgory, and our theme song is Sunset Bridge by Purely Grey.Join the Dice Exploder Discord to talk about the show!Transcript:Sam: Hello and welcome to Dice Exploder. Normally each week we take a tabletop RPG mechanic, bait our lines with it, and cast them out to see, to see what we can catch. But you hear that different intro music? That means this episode I'm doing something much more self indulgent, a designer commentary on a module I released earlier this year called I Know the End.And just a heads up here at the top, to get the most out of this, you probably want to have at least read through the module in question before, or as, you're listening. I threw a bunch of free copies up on itch for exactly this purpose, so feel free to go run and grab one. I'll wait.Anyway, I love designer commentaries. You can find a few of my old written ones, as well as links to a few of my favorites from other people, in the show notes. But I wanted to try releasing one as a podcast, because one, that sounds fun, and two, what's the point of having a podcast feed if you can't be ridiculously self indulgent in it on occasion?And I picked I Know The End to talk about because it is... weird. I don't know. It's weird. I describe it on itch as a short scenario about returning home and all the horrors that entails. But you'll hear us take issue with, I don't know, maybe every word in that sentence over the course of this commentary. It was a strange experience to make this thing, and I figured that might be interesting to hear about.It was also the first time I ever worked with an editor Nico MacDougall my friend and the organizer behind The Awards since 2023. Nico was excellent to work with and you can find their rates and such in the show notes and they are with me today to talk through this thing in excruciating detail as you probably noticed from the runtime we had a lot to say. Definitely contracted two guys on a podcast disease. Anyway, I hope you enjoy this. But regardless, I'd love to hear what you think of it. Should I do more? Never again? Want to organize the Dice Exploder Game Jam we mused about doing at the end of this? Hit me up! I'd love to hear from you. And now, here is myself, I guess, and Nico MacDougall, with a full designer's commentary on I Know The End.Nico: Well, Sam, thanks for being here on your podcast to discuss your... adventure.Sam: You're welcome.Nico: Yes.Sam: for having me.Nico: Very first question is adventure: is that really, like, the right term for this?Sam: Are we really starting here? Like, I, I don't know. I, I feel like I got, I really went into this thing with true intentions to write a proper module, you know? Like I was thinking about OSR style play for like the first time in my life, and like, we were both coming out of the awards 2022 judging, and a lot of the submissions for 2022 the Awards were modules. I thought that was great but it really was sort of like opening the floodgates of this style of play that I knew basically nothing about. And, at the same time that we were reading through all 200 submissions for the awards, I was also reading Marcia B's list of 100 OSR blog posts of some influence.And so I was really drinking from the fire hose of this style of play, and also, I wasn't playing any of it. Like, I was experimenting with Trophy Gold a little bit, which is this story game that is designed to try to play OSR modules and dungeons as, like, a story game kind of experience. And I was kind of figuring out how it works and like how I wanted to run it and how to make it go And Joe DeSimone, who was running the awards at the time was just encouraging everyone to make weirder shit and like, that was his ethos and those were the people that he got to submit to the awards. Like, it was just the weirdest stuff that I had ever read in the RPG space and... That's probably a lie. There's some weird stuff out there.It was just like so much weird stuff. It was like stuff on the bleeding edge of a whole side of the hobby that I didn't participate in in the first place. My intro to this part of the hobby was the bleeding edge of it. And I was like, alright, I, I just wanna make something there, I wanna try playing around there and see what happens.And Joe tweeted out the tweet was like, Now we're all making modules based on songs that make us cry. And I was listening to the Phoebe Bridgers album Punisher on loop at the time to inspire a screenplay I was working on. And the last track is called I Know the End, and just ends with this, primal scream.And it was, it was a hard fall for me, at the time. And the primal scream felt really cathartic. And I was spending a lot of time in the, small town where I grew up. And, this horror monster idea of a town that is, itself, an entity and like is a whole monster, and like, what does that mean exactly? I don't know, but intuitively, I like, understand it, and we're just gonna kind of drive... towards my intuitive understanding of what this thing is supposed to be. I just decided to do that and see what happened. And did that give us an adventure in the end? I don't know. Did that give us a 32 page long bestiary entry in the form of a module? Like, that sounds closer to right to me, but also, taxonomies are a lie and foolish anyways.I don't know, I made a weird thing, here it is. Nico: Yeah. So I was scrolling back in our, in our conversation to where you first shared this with me, and I... I would like to share with the audience the text that accompanied it. It was the Google Doc, and then it said, This might be completely unplayable, it might actually be a short story, or, like, a movie, but I'm gonna publish it anyway, and, you know... If that isn't exactly it, like...Sam: Yeah I like that stuff. I don't know, another thing I've been thinking about a lot this fall is writing by stream of consciousness. Like, I realized that I don't have a lot of confidence in any of my work that I feel like I created quickly. Like, the RPG thing I'm most well known for, I think, is Doskvol Breathes, which I just pumped out in an afternoon. It was just a thought that I had on a whim about how you might play blades in the dark maybe. And I finished it and then I released it and people were like, this is amazing. And I still get complimented on it all the time. I'm still really proud of it, but it, I don't have any confidence in it because it came so quickly.And, like, I know that this is something I need to, like, talk about in therapy, you know, about, like, It's not real art unless I worked on it for six months straight, like, really worked my ass off. But this process, I sort of looked back over my career as a screenwriter, as a short filmmaker, as a game designer, and started realizing just how many of my favorite things that I've made came from exactly that process of the whole idea kind of coming together all at once in like one sitting. And even if it then took like a bunch of months of like refining like it's wild to me How much of my favorite work was created by following my intuition, and then just leaving it be afterwards.Nico: Yeah, I actually did want to ask about the similarity between your, like, process for TTRPG design versus screenwriting, cause... While I have read, you know, edited this, but also, like, read your your game design work and know relatively well your thoughts on, like, you know, just game design sort of theory and stuff in general, I have never read any, like, screenwriting stuff that you've done. Although, lord knows I hope to see it someday. Sam: Well, listen, if anyone listening to this wants to read my screenplays, I'm on Discord. You can find me and I'll happily share them all. My old short films are largely available on the internet, too. You know, maybe I'll link a couple in the show notes.Nico: oh yeah,Sam: But I I think of my process for screenwriting as really, really structural.Like, I, I'm a person who really came out of needing a plot and needing to know what happens in a story, and to really especially need to know the ending of a story so I know kind of what I'm going towards as I'm writing the thing. I outline like really extensively before I write feature or a pilot, like there's so much planning you have to do, I think it is really, really hard to write any kind of screenplay and not have to revise it over and over and over again, or at least like plan really carefully ahead of time and like really think about all the details, revise a lot, run it by a lot of people for feedback over and over. But especially for me that, that having an ending, like a target in mind when I'm writing is so important. I just don't know how to do it without that.Except occasionally when I get some sort of idea like this one where I have a feeling of vibe and I just start writing that thing and then eventually it's done. And I, I've never had that happen for a feature film screenplay or like a TV pilot kind of screenplay.But I have had a couple of short films come together that way where I don't know what the thing is, I just know what I am writing right now, and then it's done, and then I go make it. And I I don't know why that happens sometimes. Nico: Yeah, I mean I would imagine length plays a factor in it, right? Like a short film, or, I mean, gosh, how many pages did I know the end, end, end up being? Sam: 36. Nico: But I find that really fascinating that, too, that you say that when you're screenwriting, you have to have it really structural, really outlined, an end specifically in mind, when, to me, that almost feels like, well, not the outlining part, but having an end in mind feels almost antithetical to even the idea of, like, game design, or, I guess, TTRPG design, right?Even the most sort of relatively pre structured, Eat the Reich, Yazeeba's Bed and Breakfast, like, Lady Blackbird games, where the characters are pretty well defined before any human player starts interacting with them, you can never know how it's going to end. And it's kind of almost against the idea of the game or the, the sort of art form as a whole to really know that.Even games that are play to lose, like, there are many games now where it's like, you will die at the end. And it's like, okay, but like, that's not really the actual end. Like, sure, it's technically the end, but it's like, we have no idea what's gonna be the moment right before that, or the moment before that. As opposed to screenwriting Sam: yeah, it's a, it's a really different medium. I still think my need to have a target in mind is something that is really true about my game design process too.Like the other game that I'm well known for, well known for being relative here, but is Space Train Space Heist, where I was like, I have a very clear goal, I want to run a Blades in the Dark as a one shot at Games on Demand in a two hour slot. And Blades in the Dark is not a game that is built to do that well, so I want to make a game that is built to do that well, but like, captures everything about the one shot Blades in the Dark experience that I think is good and fun .And that may not be a sort of thematic statement kind of ending, like that's what I'm kind of looking for when I'm writing a screenplay, but that is a clear goal for a design of a game.Nico: Yeah. even In the context of I know the end, and to start talking a little bit about my role in this as well, as, as the editor, I think the point of view, the vibe, the, like, desired sort of aesthetic end point Was very clear from the start, from the jump. And I think that in many ways sort of substitutes for knowing the end of the story in your screenwriting process.So that really helped when I was editing it by focusing on like, okay, here's the pitch. How can I help sort of whittle it down or enhance it or change stuff in order to help realize that goal.And sometimes it kind of surprises me even, like, how much my games shift and change as they reach that goal. Like, sometimes you can, like, look back at old versions of it, and you're like, wow, so little of this is still present. But, like, you can see the throughline, very sort of Ship of Theseus, right? Like, you're like, wow, everything has been replaced, and yet, it's, like, still the thing that I wanted to end up at.Sam: Yeah, another thing that is, I think, more true of my screenwriting process than my game design process is how very common that in the middle of the process I will have to step back and take stock of what was I trying to do again? Like, what was my original goal? I've gotten all these notes from a lot of different people and, like, I've done a lot of work and I've found stuff that I like.And what was I trying to do? Like, I have, all this material on the table now, I have, like, clay on the wheel, and, like, I just gotta step back and take a break and refocus on, like, what are we trying to do. I Think it's really important to be able to do that in any creative process.To Tie together a couple of threads that we've talked about here, talked at the beginning of this about how much this felt like a stream of consciousness project for me, that I really just like, dumped this out and then like, let it rip.But also, I mean, this was my first time working with an editor, and I think you did a lot of work on this to make it way better, like really polish it up and make those edges the kind of pointy that they wanted to be, that this game really called for. And that makes this, in some ways, both a really unstructured process for me, and then a really structured process, and... I don't know what to make of that. I think there's something cool about having both of those components involved in a process. Nico: Yeah, it is. I I very much agree that like, yeah, most of my sort of design stuff have, has proceeded very much the same way of just kind of like sporadically working on it, changing stuff, like revamping it, whatever. And it's like, it's sort of, yeah, in a constant state of fluxx up until the moment where I'm like, okay, I guess it's done now.What I was gonna say, I was gonna jump back just a point or two which is you mentioned Clayton Notestein's Explorer's Design Jam. And I was curious, like, what was your experience, like, using that design template? Sam: Yeah I really enjoyed it, I really had a good time with it. I had already gotten really comfortable with InDesign just teaching myself during lockdown. Like, that's what I did for 2020, was I, like, laid out a bunch of games myself and they all looked like shit, but they all taught me how to use InDesign as a program.And I think templates are really, really valuable. Like it's so much easier to reconfigure the guts of another template than it is to create something from scratch.And I like Clayton's template. I think it's nice and clean. I think you can see in all the publications that have come out using Clayton's template, how recognizable it is. How little most people stray from the bones of it, and on the one hand, I think it's amazing that you can just use the template and go really quickly and like, get something out.And also I just want to push on it a little bit more. I want something, like the template is designed to be a template. It is not a suit tailored to whatever your particular project is. But also, I think if I had tried to lay this out without a template, it would look substantially worse, and there are a few notable breaks here and there that I, you know, I enjoyed experimenting with. I like the use of the comments column for little artwork. I think that was a nice little innovation that I added.And, you know, I didn't write this originally to have that sort of commentary column as a part of it. Like, all of the text was just in the main body of it. And I like the way it turned out to have that sort of, like, director's commentary thing hanging out in the wings. lot of people have talked about how much they like that in Clayton's template. so I, I don't know, like I, think that on the one hand a template really opens up a lot of possibilities for a lot of people and really opened up a lot of possibilities for me, and on the other hand I do still look at it and I see the template And I'm like, I hope this doesn't look too much like every other person whoNico: Right, right. I mean, that is definitely the difficulty of providing those kinds of tools, because like, it makes it very easy to make things especially if you're sort of just getting started, or if you don't have a lot of confidence or familiarity with it inDesign or anything like that. But ultimately, I feel like Clayton himself would say that the Explorer's Design Template is not intended to be, like, the final template, right? It's intended to be, like, a tool that you can use to varying effects, right?Yeah, I was thinking about it when I was going through this earlier, and I was like, Oh, yeah, like, you only use the comments, column a few times, and then I literally only realized maybe five minutes before you said it, I was like, oh, wait, all the little artwork is also in that little column thing, like you just said, and I was like, oh, that's like, that's actually a really cool way to use the template, because that space is already provided if you include that column, but just because you have the column that's, you know, quote unquote, intended for commentary, doesn't mean you have to use it for commentary, doesn't mean you have to put text in there.Sam: Yeah, you definitely like learn a lot of stuff about the guts of the thing as you start playing with it.Nico: Yeah. is probably getting on the level of, like, pretty pointless, sort of what ifs, but I'm curious... If Clayton hadn't done the Explorer's Design Template Jam, or if you had, for whatever reason, like, not been inspired to use that as the impetus to, like, make this and get it edited and laid out and published or whatever, like, Do you think you still would have tried to use that template, or would you have just tried to lay it out yourself, like you've done in the past?Sam: Honestly, I think without the jam this wouldn't exist. I have like a long to do list of things at any given time, like creative projects I wanna on, youNico: Oh, yeah,Sam: know? And the thing that brought this to the top of that to do list was just wanting to have something to submit into that jam. You know, I wanted to work with you as an editor. I Always want to clear something off the to do list. I always want to have some kind of creative project. And, I wanted to submit something to that jam, but I think if you took any one of those away, I might not have put the thing out at all. Nico: Yeah, that's really interesting. But I guess that's also, again, kind of what a good template or layout or just tool in general can help is actually get these things made. Sam: That's what a good jam can do, too, right? I mean, there's a reason the Golden Cobra contest is something that I love. It's like 40 new LARPs every year and they only exist because the Golden Cobra is throwing down the gauntlet.Nico: That's very true. Well, maybe it's time to move along to more practical concerns Sam: Maybe it's time to do the actual commentary part of this episodeWe've done the waxing philosophical part, butNico: we, yeah, checked off that Dice Exploder box. Now it's time to do the actual game talk.Sam: your bingo cards Nico: Yeah, Sam: Yeah, so let's start with the cover.Nico: Yes, the cover, which I only realized it was a teeth, that it was a mouth with teeth open when you said in the outline, ah yes, it's a mouth with teeth. And I looked at it and I was like... Oh my god, it is. Like,Sam: I did my job so well. I wanted it to be subtle, but I always like looked at it and was like it's so obviously teeth, I'm never gonna get this subtle enough. But I'm I'm glad to hear that I succeeded.Nico: I truly don't know what I thought it was before, but it definitely wasn't teeth.Sam: Yeah. Well, it started as I'll share this in the show notes. It started as this image. It was like a 6x9 layout, and, the teeth were still there, and it was like, all black, and the teeth were this much wider, gaping maw, like, inhuman, unhinged jaw kind of situation. And then, in the middle of it, was a, like, live laugh love kind of Airbnb sign with I Know The End on it. It was like the mouth, like, eating the sign.And I liked that. I felt like, the problem with that was that... As much as creepy, live, laugh, love sign is kind of the like, vibe of this, I didn't really want to bring in the like, kitsch of that at all, like, I felt like that kitschiness would hang over the whole thing if I made it the cover, and I mean, this whole thing is just about my own personal emotional repression, right? And my feelings about my small town that I'm from, andabout like, my ambition, and, exactly, yeah.But I, I write a lot, and I make a lot of art about emotional repression , and I think the particular vibe of this game's repression doesn't have space for irony, or satire, or like, Do you wanna live, laugh, love? Like, I don't know how else to put it. Like, it just felt really wrong.It was like, if you put that into the space at all, it's gonna curdle the whole feeling. Nico: it's about the framing of it. I, know that Spencer Campbell of Gila RPGs has written something about this on his blog. I don't remember specifically what the context is, but he's a psychologist by training and is talking about how, like, the way that you frame something matters a lot to how people respond to it, right?So you like, if you're framing it as like, oh, you have, twelve things and I take away six from you, versus like, oh, you have nothing and then you are given six things. It's like, both scenarios, you like, end up with six but Sam: One feels like a letdown and one feels great. Yeah,Nico: yeah, and so I think in his article he was talking about in the, yeah, you know, tying that into the game design context, obviously.And I think it matches here where like, sort of runs the risk of like, priming people to expect kitsch, and I don't think that that's really present in the rest of the game. And that kind of mismatched expectations could really, like, lead to some problems when people are trying to, like, play the game.Sam: Yeah, absolutely. Yeah, I mean this cover is just kind of like, oh. Like, it doesn't it doesn't really tell you much other than just like there's something back there that's maybe vaguely menacing, and that's kind of it. That's kind of Nico: Yeah.Sam: Alright, speaking of which can we, can we talk about my favorite interaction between the two of us as we were working on this?Nico: Oh, yeah, I was not sure how to bring that up. yes, please do. Now that we're moving on to... For everyone following along at home, we are proceeding to the credits page.Sam: The comment I got from you while you were editing this was, IDK if it would look different in print, but having the text so close to the edge of the page is activating my fight or flight response. And I just replied, working as intended.Nico: It yeah, I had the feeling, I think, even when I sent that, I was like, this, this is not like an accident. Like, like, like no one makes this like no one does this by accident. But, yes, truly, I hope that you are following along at home because I believe that Sam generously gave a whole bunch of community copies of this game, or made them available. Sam: I believe it was 42, 069 I'm usually doing some number like that. This game, I might have done a different number, but that's, the other games that I've done.Nico: So, but the text on this, for credits page specifically, it's truly, like, at the edge of the page. Like, it looks like it could be cut off. It's like, in print, it would be like, cut off by the process of actually like, making it. In fact, feels like if you try to send it to a printer, they could almost send it back and be like, you've gotta give us some space there. Like, you simply can't do that. There needs to be a gutter, or bleed, or whatever the term is. Like, Sam: I love it. maybe one day I will print this. Honestly, like if I become a super famous game designer or something, like, this is one of the ones that I Nico: screen, slash screenwriter.Sam: yeah, yeah. This is one of the ones I'd like to go back and hold in my hand, but I also I don't know, I just love it. I, I love designing for digital as, like, a primary thing, because I just feel like most people who play the thing are gonna play it out of digital.And I don't know if that's, like, the primary audience for a lot of modules. Like, I think there are a ton of people out there who just, like, buy the zine and hold the zine in their hand and probably never get around to playing it. But I, I love the digital. I've always loved the digital. I don't know, I just like making for it.Nico: Well I mean I was even thinking about it in the context of like, you know, how you talked about how you changed the aspect ratio, I was like thinking about that and I was like, I mean, it's not like that would be impossible to print, but like, most standard commercial printers operate in like, one of the more standard like, page sizes. Even the risograph you said is what it's called, right?Sam: The, the RISO. Yeah, I don't know if it's Rizzo or RISO, but I'm gonna sayNico: The RISO background also makes the, again, just from like a fully practical point of view, it's like you're adding color to the whole thing,Like there are many potential barriers to this as like a physical product that would, that are simply not there when you're designing for digital, so like, it is nice to have that sort of freedom, like, when you're thinking about how to lay this out or, or put stuff on here, it's like, you're freed from a lot of those practical considerations.Sam: There's a few other details I want to talk about on this page just kind of like references I'm making that are not obvious.So the first is that the header font and title font of I Know The End is a font that I ripped from Lilancholy, which is this amazing book by Snow, which is ostensibly a game, but but also a reflection on childhood and personal relationship to emotions and trauma.And I love the look of the font, but I also intentionally wanted to reference that game while I was making something that felt really personal in a similar vein. And another another reference here is that the color of the whole game, like this red, is pulled from the cover art for the Phoebe Bridgers album Punisher that I know the end is off of. I, I just found the, like, most saturated red pixel that I could on the album and was like, that's the color! I love hiding little references in every little detail that I can. Nico: Yeah, it's so interesting because I did not know any of that, you know, prior to this conversation or seeing that stuff on the outline. What did you sort of hope to achieve with those references, right? Because I can't imagine that you're plan was like, for someone to look at it and be like, oh my god, that's the Lilancholy font, and that's the Phoebe Bridgers album Sam: that's one pixel from that album cover.Yeah.What am I trying to achieve? I don't know, like there's, so the Paul Thomas Anderson movie Phantom Thread Is an amazing movie, and it's about Daniel Day Lewis being incredibly serious, scary Daniel Day Lewis, making dresses, being a tailor, and an element of the movie is that he hides his initials inside the dresses, like, when he's making them, he, like, sews his initials in.And that's a real thing that, that people did, and maybe it's just for him. It's also kind of an arrogant thing to do, you know, that all these, like, women are gonna be walking around wearing these dresses with, like, his initials kind of, like, carved, it's like this power thing. But my favorite part of it is that Phantom Thread is PT, also known as Paul Thomas Anderson.Nico: Ha Sam: And, like, like, I, I just feel like when you're doing that kind of thing, it's just, what an act, it's just so beautiful and arrogant and satisfying. Like I think doing that kind of little reference and joke for myself brings me into the mindset of what I am trying to convey with the game.Like, if I'm thinking in the detail of the font selection, what do I want to reference? What do I want to bring to this game? Then, I'm gonna be I'm gonna be thinking about that in every other choice I'm making for the game, too. And even if half of those choices end up being just for me, I will have been in the headspace to make the other half that are for everyone else, too.Nico: Mm hmm. Yeah. Yeah. like, You could almost even call these, like, Easter eggs, right?But it also made me think about, I had to look this up actually as you were talking, because I was like, about that, the CalArts classroom number that like all of the animators that studied there fit into like Pixar movies and stuff, like, A113, A113. And I think that's also sort of a good example of it in some ways, because it's like now, with the advent of the internet, and you know, and a certain way of engaging with media, like, everyone knows what that, what that means now, or they could if they just looked it up, or they just see some BuzzFeed, you know, article that's like, you know, 50 easter eggs that you missed in the latest Pixar movie.But yeah, it's like, it's very interesting because it kind of asks who is the movie for? What's the intended or imagined audience for all of these things? And it sort of shows that, like, you can have multiple audiences or multiple levels of engagement with the same audience, like, at the same time. Maybe, I would say, it's very unlikely that any random person would just like, look at the cover of I Know The End and be like, oh, that's the Lilancholy font, but,Sam: I have had someone say that to me, though. Yeah.Nico: but, so, what I was just gonna say is like, but I don't think it's hard to imagine that like, the type of person who would, who would buy, who would be interested in I Know The End or Lilancholy, I think there's a pretty decent chance that they would be interested in the other if they're interested in one of them, right?And so it is interesting as well, where it's like, I am often surprised by like the ability of people to sort of interpret or decipher things that far outweighs my sort of expectations of their ability to do so.If only just because I have the arrogance to be like, well no one could ever have a mind like mine. Like, no one could ever think in the specific bizarre way that I do. Then it's like actually a surprising number of people think in a very similar way. Sam: Another thing I think about with making these really, really tiny references, easter eggs, it's the, not making a decision is making a decision, right? CentrismNico: Oh,Sam: Like, if you have literally anything that you have not made a choice about with intention, that is a missed opportunity, I think.And... I have so much respect for people who will just pump something out, like, write a page of a game and, like, upload as a DocX to itch. Like, Aaron King is a genius, and I know a lot of games that are put out that way, and I love that stuff. But for me, like, the kind of art creation process that I enjoy and like doing is so based on finding meaning in every crevice, finding a way to express yourself in every detail. just love doing it.Nico: you are the English teacher that the, the curtains are blue meme is referencing, in fact.Sam: Yes.Nico: The curtains are blue in I Know The End because,Sam: Well, and I know the end they are red, but Nico: yes.Imagine that being the new version of the meme: the curtains in this are red because there's a Phoebe Bridgers album that has a single pixel that is that color.Sam: Yeah, I don't know. It's true, though.Nico: Exactly. it is in fact true. But so would, in some ways, any other interpretation of...Sam: Yeah.Nico: of the red color, right? It's like you picked it because of the association with the album cover. Someone else could be like, Oh, it means this otherthing. And like that interpretation is correct. Sam: Yeah, I mean, I also picked it because of its association with blood, you know, like I, I wanted to kind of evoke that feeling too, so.Shall we do the table of contents? HehNico: Yeah, absolutely. I mean, I think the most interesting thing to talk about, and I want to know when this entered the sort of the design process, is the blacked out Table of Contents entry which corresponds to an almost entirely blacked out, or in this case, redded out,Sam: Yeah, Nico: messily redacted,part of, the book,Sam: Yeah, I think this was always there, I think I started writing a list of locations very early on, and on that list of locations was, like, I work in Google Docs to begin with for most of my stuff, and it was a bullet pointed numbered list, and the last list item was struck through, and it was your mom's house.And I just thought that was a funny little joke. It's like really dark? Another, just like a little detail, I have such a great relationship with my parents. Like really just a better relationship with my parents than anyone I know. And, so much of my art ends up with these like, really bad, fucked up relationships with parents, and I don't know what that's about.But, there's, there's something about, there's a piece of your hometown that is like so traumatic that you can't bring yourself to look at it. There's a piece of yourself, or your childhood, or like, where you came up, there's something from your origin story that you can't bear to face is a lot of what this is about. And even as the climax of this thing is I think in a lot of ways turning to face everything that you left behind.I mean the whole module is about that but I think fact that even when you are doing that, there's one piece of it that you can't bear to look at is really tragic and a mood to me. You know, it really felt right. Nico: it's sort of like, yeah, I'm finally gonna stand my ground and face my fear, or whatever, except for that thing. That thing, that part over there, for whatever reason, because I'm actually just very afraid of it. It really, as always, is sort of like the exceptions to the rule make the rule, or emphasize the rule. You're kind of carving out the negative space around it. And it makes it clearer in so. so Well, Yeah, so like, then the first thing of the game text itself, so to speak, is like the front and back of a postcard. And where's the picture from? It looks kind of old timey in a sort of non specific way.Sam: It's from Wikimedia Commons, I believe. I was looking for pictures of old postcards, and I wanted a small town, and, this is what I found.The postcard image is actually like a hell of a photo bash too. The stamp on it is from a real postcard I received from my cousin. The handwriting was me on just like a piece of paper that I scanned, and then the postcard is another like open source postcard image.Nico: Yeah. I am, once again, sort of showing, showing a lot of my bias here. I am often kind of against a lot of little, like, accessories, or sort of, like, physical things that are often part of crowdfunding, like, stretch goals, you know, like, it's, I don't know. I don't think it's, like, ontologically evil or anything like that, it's just, I understand, it's part of the reality of crowdfunding, and, like, attracting attention, and yada yada yada, I just personally don't love that reality. Which, of course, is easy to criticize when you're not part of a project is trying to do that, but that aside, I think it would actually genuinely be very cool to have, like, this postcard as, like, a physical object like, if the game were to be printed.Sam: You gonna make me like, handwrite every one of the postcards too? Cause that isNico: I did not say that. Oh, is that really? Well, but then, then you have it already, you can just print it off, like, or you make that the, like, I don't know, the hundred dollar stretch goal, you know, they back it at that level and then the postcard just appears inside their mailbox. Like,Sam: That wa that is creepy. I will tell you that,Nico: You say that as though it's happened to you before. You're like, well, let meSam: well, I'm not, I, I revealing nothing. How autobiographical is this? Nico: Yeah. so I guess, yeah, so getting, So this is the introduction page, the background, the introduction, giving the context to what this module, extended bestiary, what have you, what it is. My question here from a sort of meta perspective is like, how much are you trying to sort of give away at the start of this? How do you pitch this to , like to someone you know?Sam: that's a great question. I'm pretty proud of the execution here. I think I do a good job of, like, leaving some juicy hints here as to what might be going on without giving anything away. Like, the fact that I advertise this as maybe closer to a bestiary entry than a module, like, uh, what? Like, like you, you have an idea of what that means, but also like, where's the monster, what is the thing that I'm looking like, that is kind of planted in your mind in a way that I think is intriguing and sets expectations without giving the whole thing away.And, also, this is just me, like, trying to figure out how to describe this thing in real time as I'm writing. It really came from intuition. Nico: yeah. I know that, you know you're on, very much on record talking about how, you know, like, taxonomy is fake and, you know, et cetera, et cetera. Sam: As much as I love it.Nico: right, right, exactly, I mean, I feel the same way, but I, I am curious as to like if you were trying to sell someone on the idea of even just playing this game, like, how effective do you think it is of like communicating whatever this is, you know, like, is it effective to say it's kind of this, or it's not this, or maybe it's this, like, Sam: I think this is going to be really good at reaching the kind of person who will love this, and really bad at selling this to like a mass audience, you know? But luckily, I'm not trying to sell this to a mass audience. I'm like trying to make Joe Dissimone proud, you know? Like I'm trying to make like something as weird as fucking possible.and I think there's a kind of person who really appreciates that and this struggle to define what this is using existing terminology, I think is going to really appeal to the people who like this.Nico: yeah, I agree, I think it signposts well hey, you, there, like, look at this thing. Isn't that interesting. And if they're like, If they're like, no, that's confusing and I don't know what to do with it, and they go somewhere else, in some ways, it could be argued that that is like, working as intended, right, likeSam: I kind of find it interesting in the sidebar here to watch me sort of like struggle with how you're supposed to play this game, like what rule system are you supposed to use?I do think with some distance from this, the best way to experience this is as a solo game. Like to just read the thing but pause and journal about your character's experience as you sort of walk through it. I have started playing more solo games since I wrote this in preparation for a Season 3 episode of the show, and I think this would serve that experience really well.I considered even, like, rewriting this to be more of explicitly a solo experience, but I, ultimately was really happy leaving it in its sort of nebulous, provocative, what if, is this, what is this sort of state. Nico: Yeah. I would genuinely be interested to have like, the two of us play the game, like this game, like one running it, one as the player, because I don't necessarily disagree with what you said, might be better suited as a solo game, but I really do think that there is something that can be gained about, like being in a room with, like, one other person, or, you know, being on a call with one other person, or whatever and going through this,Sam: Yeah, yeah, I can feel the intensity of that as you describe it. And it sounds harrowing and... Amazing. I do, I do have this dream of like running a Mork Borg dungeon, like over the course of like three sessions, and then like taking one of the players who survives and being like, I've got another module that I think we should play with the same character. Nico: yeah. Anyways, you go home and you think you're safe, but actually, like, Sam: I do think that this as a response to OSR play is really an interesting way to try to play the game, like to Nico: just sort of experienceSam: Yeah, to try to take the kind of character that you would have coming out of that and the experience you would have coming out of that and then like get tossed into this, like that disorientation I think would serve this really well and would do something that I found I really like to do with the OSR kind of play of like finding ways to bring in more character stuff, to just have people to reflect on their person, rather than on the logistical problem solving.Nico: Mm hmm. Which, of course, in some ways also is like, I don't want to say direct contradiction, but like, moving perpendicular to a lot of the sort of OSR principles, rightSam: But yeah, I mean, fuck em. Nico: exactly, I mean, I'm not, saying that to discourage you from doing it, I'm just saying, like, I just think it's an interesting for those to come into sort of, conflict or, or whatever in, in that specific way.Sam: I mean, that's what the bleeding edge of something is all about, right? It's like, what are our principles? What if we throw them out? What does thatNico: Right, right. What if we smash things together that, like, should sort of repel each other like magnets? Like,Sam: Yeah.Nico: Let's move on to the town?Sam: Yeah. So this is the, like, GM spoiler page.Nico: Right.Sam: I don't know that I have a lot to say about this particular page. It's, it's the town. There are, like, two suggestions in the first chunk of this book that came from you that I think are really valuable to this. Like, the first is that the town is always capitalized throughout. Which I like sort of was doing, but you really emphasized, and I think was a great decision.And, the second is that there aren't any contractions in this book except for possessives. And, that was another suggestion that came from you, to have this sort of stilted, formal, slightly off kind of language of not having contractions, that I think serves it really well and is just really cool.Nico: Yeah, I have to give credit for that, to the Questionable Content webcomic, which is a webcomic that has been running forSam: God, is it still going?Nico: oh, it very much is still going, I, it updates Monday to Friday, and I, am reading, I am seated and reading,Sam: stopped reading that like a decade ago.Nico: It is officially 20 years old. It started in 2003.but so one of the characters in that she initially never uses contractions. It is always, it is, it is never, it's. Do not, not, don't, you know, is not, not, isn't and over time, as the character sort of gets more comfortable and starts to open up about her kind of mysterious past, and they'll deal with a lot of the sort of like, serious emotional turmoil that is present in the character, she like, starts to use contractions.And so, it's a specific device that is very weirdly ingrained in my head at this point, because I remember, like, realizing that when it was called out the first time, and then I will fess up and say I have re read the webcomic from the beginning several times. I have a lot of time on my hands sometimes. And it is always kind of a delight to go back to the beginning and see this character and to really notice that device because you know where she ends up and how much more comfortable she is and so to see that difference in the beginning makes it very effective on a reread in a way that is sort of present in the maybe subconscious the first time on the way through.Thank you. And I feel like it's similar here, not quite the same because I don't know if you would ever necessarily actively realize, like, oh, there are no sort of contractions here.Sam: and the town is never gonna stop being a entity of repression.Nico: Yeah, exactly. And so it's giving this like underlying anxiety kind of like,like, you're just like, Ooh, this is Sam: Yeah. It's like, what is going on? What's wrong with the language here?Nico: Yeah. And you might not even really be able to, articulate it because it's sort of hard to articulate the absence of somethingSam: And like, that's the feeling of the whole module. yeah, It's, it's just, it's a great decision. Nico: Yeah. And then of course, capitalizing town, you know, are you even really a game designer if you're not capitalizing some random words in Sam: yeah. gotta have one at least, come on.Sam: I will say I really enjoy the fact that I give no origin story for the town. I think that's also really powerful, of leaving a hole that people can fill in if they want.The mom repression stuff is kinda like that too, the like, the blacking out sharpie. Of like, that's a hole you could fill in in play if you wanted to, but I, I'm not going to. I'm gonna intentionally leave that hole there.Nico: It also is the kind of thing, right, of like, oh gosh, Nova was saying this in the Dice Exploder Discord recently, where like, part of the reason the OSR can be so sort of rules light and stripped down is because like, it is relying a lot on the sort of cultural script of like, what is a fantasy role playing game, or even just like a fantasy story in general, you know? What your knowledge of an OSR game is.And this, in a similar way, is sort of like, you know what a hometown is. Like, you know, I don't need to tell you what the backstory of this is, because you know what it's like to be from somewhere. Cause it's also worth saying, like, this game does not give any character creation instructions, right? I mean, actually, I guess that's not entirely true, because underneath the postcard, you know, it just says, A decade or more gone since you fled the small backwater town that spawned you.And it's like, yeah, that's basically all the sort of character creation information you need, like,Sam: yeah, yeah, like wait, gonna play yourself and you're gonna be sad about this, like uh, Nico: Right, or, like, or if you're not playing yourself, you are playing a person who's sad about it, like, you know, it's like, it's kind of all you really need, Sam: you have internalized the tone of this thing, like, your character is in ways the negative space of the voice of the text. Nico: Like, a weird relationship with your small hometown, we just don't need to spend very much, time covering that broad background. It's much better spent covering the specific, like, locations and people in this town that also sort of help to convey that, feeling, that information.Sam: Temptations and terrors?Nico: Yes, probably The closest thing to a system that is in here, inasmuch as it's taken roughly verbatim from Trophy Dark Sam: yeah, I do think it is notable that when I wrote this I had not played Trophy Dark, and Trophy Dark is the one where you definitely die,Nico: Right. Right. Sam: My intention was not that you would definitely die in this. I really want escape to be a big possibility at the end and so it's interesting that I went with Trophy Dark as, like, the obvious system.Yeah, I like these lists. This is just a lot of tone setting, basically, right? I don't have a lot to say about the details here. The first terror, a children's toy, damp in a gutter, is a reference to another song that makes me cry. The Rebecca Sugar song for Adventure Time, Everything Stays.But most of the rest of this is just, vibes. Here's some vibes. I don't know, I re read these lists and I was like, yeah, they're fine, great, next page. But I don't know, is there anything that stands out to you here?Nico: I mean, I think the most important thing about these lists, these kinds of things, you could maybe even sort of broaden this to like pick lists in general, is that, they kinda need to do two things, like they need to both give you a good solid list of things to pick from, if you're like, at a loss, or if you just are like, looking through it, and you're like, this is good, I want to use this.Or, the other purpose of using it is to have it sort of identify the space that you're playing in to the point where you can come up with your own thing that like, could just be the next entry on that list, right? For me at least, the whole point of like, buying a game is like, I want something that I like, can't essentially come up with by myself, you know? Because I like to be surprised, I like to be sort of challenged, I like to be inspired, and so I think a really good game is one that you sort of like, read it, and you're like, okay, like, there's great things to use in here that I'm excited to use. I also, after having read this, am coming up with my own ideas. Like, equally long, if not longer, list of things that like, fit into this perfectlySam: Bring the vibes of your small town. Nico: Yeah, exactly, that I could also use. It's like, and so it's like, it's kind of funny that like, for me at least, the mark of a good game is like oh yeah, you both want to use everything that's contained in it, and also you immediately get way more of your own ideas than you could ever use when you're running the game.Sam: Yeah. Next?Nico: Yes. Act 1. Sam: I love this little guy, I love Wes he's just kind of a pathetic little dude, and I feel sad for him.Nico: It's so funny, too, because this particular little guy, like, doesn't look very pathetic to me. Like, he looks like he's kind of doing okay. Sam: I definitely like drew, like all the art in the book I drew, and I did it by just drawing a lot of little heads, and then assigning them to people. Like, there were a couple where they were defining details about how the people looked, that I knew I needed to draw specifically. But in general, I just drew a bunch of heads and then doled them out, and like, this is the one that ended up on Wes. And, I think that the contrast between, like, in my mind, Wes is this skinny, lanky, little kid, you know, he's like early 20s, finally making it on his own, and he has no idea what the hell's going on with the world, and he always looked up to you, and he's finally getting out of town. And then he's, he's like overcompensating with the beard for the fact that he's like balding really early, and like, you know, he's, I don't know, like, I think the contrast is just fun.Nico: I love this whole life that you have for this, this little, this little guy, like, which is, I can't stress this enough, mostly not contained in the text,Sam: Yeah. yeah. I think a good NPC is like that. I think it's really hard to transcribe the characters we get in our heads.Nico: yeah, Sam: I really like the, the pun in the Town Crier, I mean like the Town Crier feels like a horror movie trope, like the old man who's gonna be like, You got don't go up to the cabin! But it's also, like I wrote that down first and then just started describing this Wes guy and then I was like I'm gonna just like make a pun out of this.This is something I did all the time while writing this, was I had, like, a little oracle going, actually, at a certain point, like, in the same way that you would in a solo game with an oracle. Like, if I was stuck for an idea, I would just roll on the oracle table and then, like, fill in a detail that was somehow related to the oracle. Nico: Mhm. Sam: That, that didn't happen here, but the idea of, Oh, I want a little bit more description for this guy, like, what should I do? I, like, pulled the word crier, and then was like, Oh, that's really interesting, like, when would this guy have cried? Like, oh, that's a great question, let's just, like, put that to the player. I'm always, like, a thing in screenwriting that is really hard to do, and that I'm always looking for is, like, really good, pithy character descriptions.Like, a friend of mine loves the one like, this is a woman who always orders fajitas at a Mexican restaurant because she loves the attention that she gets when the fajitas come out.She hates fajitas. And that description just says Nico: That's Sam: much. It's so good, right? And that one's even a little bit long for like a screenplay, but it'd be great for like an RPG thing, right?And something about like Here's a little bit about this guy. You remember when he was crying once, like a baby? What was the deal with that? Like, it's such a, like, defines everything else about him. Like, I, I, I'm really proud that.Nico: Yeah. No, that's, that's how I felt a little bit with I ran Vampire Cruise at Big Bad Con this year. And that game has some of, like, the best random NPC generating tables that I've, like, ever seen and played with.I remember one specifically, it was, like, I was like, rolling to generate a passenger, and I think it was like, the secrets part of the table, or something like that, and what I rolled was like, regrets that she never got to see the dinosaurs, and it's like, what does that mean?Like, like, Sam: She had a traumatic experience at a science museum as a kid, or maybe she's like 10 million years old, like, I don't...Nico: or, yeah, or she's just like a weirdo who like really loves dinosaurs? It's like, it's, Like, it really gives you sort of what you need to just sort of like, spin a world out of that specific detail. Sam: It's weird because I like completely agree with you, and you know, I was tooting my own horn about like this question about Wes sobbing and also like, in every single spread of this thing, I'm taking like two full pages to talk about like one or two NPCs, which is a terrible way to do the thing that we are talking about doing. Like,Nico: That is true, that is, it must be said,Sam: it makes it feel so much more like a short story, or maybe like a solo game, right? It's like, eh, spend two pages, like, getting to know this guy. Nico: who won't come up again, spoiler alert, Sam: Yeah, it feels like the right call for this thing where like, I mean it's like the text is forcing you to sit with the memory of this guy, it's like forcing you to come in and like spend more time than you would like to like back at home with these people.And there's some like location context built into all these descriptions too, and we like learn about the bakery thing here and like old stories and stuff. And like, already it's like, do we need that shit to run this game? Like, absolutely not, like, get, get out of the way, like, but also, I don't know, it feels right?And it's one of the things that makes all this weird and, you know, unrunnable.Nico: Which is of course the goal, we don't want people to run this. Yeah, no, that's something that I've thought about in my own games as well, is, is, and just sort of like, my life, I guess, is sort of like, what makes a place that place, you know, like, what makes a town a town, what makes a city a city, like, is it the people who live there? Is it the places? Like, again, kind of back to the sort of Ship of Theseus metaphor, it's like, if everyone you know leaves, and a lot of the stores turnover, like, is that still your hometown? Like... Does your relationship to it change?And so I, in defense of, of what we're doing here, it makes a lot of sense to spend so much time thinking about the people and the places that are here because that also basically is the game, right?Like, like, this is not a dungeon crawl, right? Like, this is not a hack and slash thing, It's not a dungeon crawl, like, Sam: it's a person crawl. Nico: Yeah, exactly, you're yeah, the point of you coming home is you're trying to find Sidra, the person who sent you this postcard, asking you to come home, and yeah, you're basically doing a point crawl, trying to find this person.And then there are various conditions that need to be in place for you to actually find them = And yeah, so it's like, using more words than a sort of your standard OSR like dungeon crawl or point crawl or whatever, or hex crawl, but like, it's kind of the same way where it's like, yeah, but like, that's the game, that's the adventure, like, Sam: yeah, yeah. Another detail here I'm really proud of is the like, offhand remark about how Wes and Sidra aren't talking for what are probably romantic reasons. Because the implication, there's like a strong implication that you, player, have some sort of romantic history with Sidra, like, whether it was ever consummated or not. And I love the just sort of, like, offhand, Wes and Sidra had a thing that didn't work out, because it both... leaves open your potential romantic relationship with Sidra, but also like complicates it and like darkens it from whatever sort of nostalgic quote unquote pure like memory of it you had.And I love that it just sort of brings a little complexity into what happens when you leave for 15 years. And then like what it feels like when you like, hear, oh yeah, your ex has been like, dating someone for a couple years. What were we talking about? Like just that, like sometimes like a bolt of like, information about like, someone from your past that like, you care a lot about will just hit you and you'll be like, oh, wait, what? And we're just I'm supposed to just like, take that and move on? Like, yeah, yeah, Nico: It's also a very small town, right, where it's a sort of like, oh yeah, passing reference to this because everyone knows this already, right? Like, this is old news as well as, like, in a small town, it's like, there's a small pool of people your age that you're interested in, so, not like you're gonna get with all of them inevitably, but it's like, yeah, there's a pretty high chance that you might.Last thing I did wanna say on this, do you wanna share what Wes's name was in the first draft of this that I received?Sam: What was it? I don't rememberNico: It was Glup Shitto. It was, it was one of the first comments I left! It was one of the first comments I left! I was like, Sam, you've gotta know this can't be the final thing, right?Sam: knew it couldn't be the final name. But there was something really funny to me about like the one person who like doesn't fit into town, like this little fucking Star Wars fanboy like schmuck kid is just Glup Shitto. And he's leaving town cuz like when you got that name, it doesn't fit anymore. You gotta get the fuck out of there.No wonder the town couldn't absorb him. His name was Glup Shitto.Nico: I want to say, like, I might have, like, made my first round of comments because I was, like, yeah, feeling the same way of, like, okay, obviously this is not the finalSam: yeah, yeah, I just didn't change it and you were likebruh Nico: and then, yeah, and then you, like, made changes based on the comments that I left, and I went back to it, and I'm like, it's still Glup Shitto. Like, it simply can't be this! It's not allowed! It's, it's not legal! Like, Sam: there ought to be a law.Nico: yeah.Sam: Alright, let's do Act 2 gosh.Yeah, so I made this little map. I like the little map. This is just my hometown, incidentally. Like, there's so much in this that is just, like, pulling details directly from my hometown. That oracle that I mentioned earlier, like, Northfield, Minnesota was, like, one of the things on the oracle. And you can see that here in like, the riverwalk and this little bridge over it was very Northfield. the Rube, which we're getting to next, these two bars, the kind of cowboy themed bar thing was a thing.Nico: Again, it's a very small town of just like, no sort of reasonable business person would have these specific Sam: yeah, but they, they exist here for some reason Nico: it almost feels like the kind of thing where it's like, like they can exist in a really small town, because it's sort of like, well they're the only things here, and they can exist in like New York City Sam: yeah. Nico: everything's in New York city, and like every kind of place is there, but like anywhere in between, people would just be like, I don't understand, and then it goes out of business,Sam: Exactly. Yeah. Yeah, doctors always also a big portion of my childhood and my past always coming up in my stuff just because I spent so much time in hospitals as a kid. So the, inclusion of a doctor here is also very much something coming out of my hometown.I like the little mechanic here of, like, rolling and you, like, add one every, every time. I think that's a nice sort of way to handle trying to find Sidra. Nico: as like a classic Nico mechanic 'cause I simply haven't made and published that many things. But in my mind, my narcissistic fantasy, it is a classic me mechanic.Sam: I believe that came from you.Nico: I fucking love a table that like evolves over time.And it's not like I invented it, but like, I think my more standard thing is sort of like you have a table of like 12 things, and then you change which die you roll on it, you know, it's like, oh you can do like a d4 through d12 or whatever and that's like, I really like the ability to sort of go back to a table and, like, use it multiple times as opposed to, like, Okay, we have one table for this, we have a different table for that, you know.Sam: Additional persons. I really like this format for sort of generic NPCs, like, I'm not gonna tell you anything about this person, but I am gonna tell you what you think about them and your relationship to them.I think it's a really cool way of doing... Oh, do you just need to, like, bring someone in? You, like, met someone on the street or whatever? In a lot of other settings, you would just have, like, a random person, and it would be, like, the Vampire Cruise thing. If you give them an interesting detail in here, it'd be a cool thing.But I think, especially in, like, a small town format, the, like, here's your relationship to this person, because everyone knows everyone, and, every character that comes in, like, is gonna have to inspire some kind of feeling and past in you. I think this works really cool, reallyNico: It also feels very sort of true to life in terms of, at least, how I often GM things. Someone will be like, hey, can I, like, ask just, like, the next person I see on the street what they know about this thing? And I'm like, I mean, I fuckin I guess, like, it'll shock you to learn I don't have a name for that person, but, you know, I just have to, like, come up with, like, here's a weird voice, and like, a random thing they know, and like here's a name, Sam: This is a great way to turn that experience back on the player.Nico: exactly, yeah, there's this random person, you're like, alright, this is someone who owes you an apology, why is that?Like, Sam: yeah, Nico: I also wanna say that I feel like this was actually a relatively late addition to theSam: Yeah, it was. I always intended to write these, but it was like the last thing that I wrote.Nico: Yeah.Sam: Yeah.Nico: There was definitely some time when I sort of came back and looked at it, and all of a sudden there was this relatively large additional persons section in here, and I was like, huh, interesting.Sam: Yeah. I'm happy with how it came out. I think these are my best little guys. Nico: Oh yeah, Sam: I really like the unfinishedness of these little guys that you can project a little bit of yourself onto them while there's still some, like, major details there. This someone you seek vengeance upon looks a lot like a penis, and I don't know how I feel about that one, butNico: I was gonna say, I find that one fascinating as the ide

Club Session Ep 242 Mix By Sam One Dj Label House 4 You Music Link Tree: Podcast Link PODCAST | house4you Website: www.house4youmusic.com Youtube: https://youtube.com/@house4youmusic Instagram: https://www.instagram.com/house4youmusic/ Facebook: https://www.facebook.com/house4youmusic Buy my Music: https://www.feiyr.com/x/BU3FN Playlist: This Is The Sound Todd Terry, Riva Starr One By One (Extended) Gabry Ponte, Hosanna Rizzla feat. Rema (Mochakk Remix) The Martinez Brothers, Gordo, Rema Sunday Night Rossweisse I Thought It Was You (Full Intention Extended Remix) David Penn, Sex-O-Sonique No More (Qubiko Remix) Omson, Qubiko Let Me Blow Ya Mind (Club Mix) Simon Fava, Yvvan Back Beggin' (Extended Mix) Aluna, Chris Lake Carry Me Higher (Elite Mix) (10 Inch Version) The Blessed Madonna, Joy Anonymous, Danielle Ponder 7th State Griffin Hanekamp Ballroom (Original Mix) Stefano Albanese Altrip Nick Curly Be Ready Club Mix Sam One One More Time Sam One (New Single)

Sam One - Live 8 Club Session Ep 241 Podcast Link PODCAST | house4you Website: www.house4youmusic.com Youtube: https://youtube.com/@house4youmusic Instagram: https://www.instagram.com/house4youmusic/ Facebook: https://www.facebook.com/house4youmusic Buy my Music: https://www.feiyr.com/x/BTS8W - https://www.feiyr.com/x/BTS8Y Playlist : One More Time Test Promo Sam One Ring the Alarm (Extended Mix) L.B. One Work It (Sir Gio VIP Edit) Missy Elliott x Harry Romero Take It Off (Extended Mix) FISHER (OZ), Aatig Say Yes (Extended Mix) BYOR Say Yes Club Mix ton + 2 Sam One The Boy Is Mine feat. Rosalie (Funkerman Extended Remix) Rosalie, James Mac, VALL The Walk (Original Mix) Macromism Patchy feat. Elektra (Extended Mix) Elektra, Shakecraft Pushin' (Original Mix) THEOS, Vons Krank (Extended Mix) Nightlapse Last Night (Original Mix) Mirko & Meex Rolling Stoned feat Tasha (Original Mix) Lost Desert Toxic (Luciano Idea's) Yael Naim You Can't Hide (Original Mix) Floyd Lavine, Hyenah Kama Yeah (Samm, MAXI MERAKI, Marlin Remix) Copyright, Shovell

One of the hottest shows right now is Live on MTV and guess what?  The What Cho Mean Podcast is saying, "GO CHECK IT OUT."  With Guest Co-Host K.Samone from 95.7 Jamz here in Birmingham.  Justin Lockett a former guest of the podcast is one of the contesting castmen on the show.  He stopped by to talk to us about the show, his experiences, and some things we can look forward to.   

Join us on an extraordinary episode of These Fukken Feelings Podcast as we sit down with the incredibly talented and fiercely authentic artist, Manasseh-Samone. In this captivating interview, we delve deep into Manasseh's journey from being a standout contestant on The Voice to becoming a beacon of strength and vulnerability in the music industry.Manasseh-Samone, known for her mesmerizing vocal range and soul-stirring performances, takes us on a rollercoaster ride of emotions as she shares the highs and lows of her career. With her raw and unfiltered storytelling, she provides a rare glimpse into the behind-the-scenes reality of a reality TV show, exposing the challenges, sacrifices, and personal growth that come with pursuing one's dreams.As we explore Mannessah's musical influences and creative process, we discover the power of vulnerability in her songwriting. From heart-wrenching ballads to empowering anthems, her music resonates deeply with audiences around the world. We delve into the significance of her lyrics, the emotions she infuses into every note, and the ways in which she connects with listeners on a profound level.Throughout the interview, Manasseh's infectious energy and genuine spirit shine through. We explore her unwavering commitment to self-expression and embracing her unique identity as a artist of color. Her unwavering determination to break down barriers and challenge societal norms inspires us all to be true to ourselves, regardless of the obstacles we face.Prepare to be moved, inspired, and uplifted as These Fukken Feelings Podcast invites you to witness the transformative power of music and vulnerability. Join us as we embark on an unforgettable conversation with Manasseh-Samone, a true force to be reckoned with in the music industry, and an advocate for authenticity, self-love, and personal growth.Tune in to These Fukken Feelings Podcast and embrace the magic that unfolds when artistry and vulnerability intersect in the life of Manasseh -Samone.#TheseFukkenFeelingsPodcast #LiveEpisode #fukkenfeelings #thanksforyoursupport #fypシ #supportheaSupport the show

This week, we have a special guest joining us: the vivacious K. Samone, A Lady of Media. With her extraordinary personality that shines both in front of a camera and behind a microphone, she has captivated audiences throughout her journey from Virginia to Philly, Atlanta, and now Birmingham. In this episode, we delve into K. Samone's fascinating career, starting from her early days as a sideline reporter and producer for NNPSTV-Channel 47 at the young age of 16. From there, she quickly climbed the ranks, winning awards for her television and PSA projects and eventually producing and hosting an award-winning college radio show affiliated with Def Jam and Warner Music Group at Old Dominion University. Now, K. Samone has landed a coveted role as the host of middays on WBHJ (95.7 FM, 95.7 Jamz) in Birmingham. We chat with her about her TV and radio beginnings, her acting aspirations, and her experience with culture shock when relocating to Birmingham. Her vibrant energy and wealth of experience make her a perfect fit for the legendary station, and she's excited to connect with the Birmingham culture and community. Join us for a lively conversation as we explore K. Samone's career trajectory, her insights into the industry, and her plans for the future. Don't forget to subscribe to our podcast on YouTube to catch this exciting episode and many more. And if you enjoy the show, we'd love for you to rate and review us on Apple Podcasts. Your feedback helps us grow and bring you even more entertaining content! Become a member of our Plairs Circle community for additional the private RSS feed, bonus episodes, and visual content for all things Goodplairs. Tap in here: https://ko-fi.com/thegoodplairs

Nathanael is joined by the marvelous Manasseh Samone to talk about her upbringing, losing her brother Ray, experiences on The Voice and she answers some burning questions. Host: Nathanael Reyes Guest: Manasseh Samone https://linktr.ee/imnathanaelreyes

This week, Marissa sits down to talk with lifestyle content creator, Jewell Samone, who also happens to be Marissa's only daughter. Growing up watching Marissa take on many life shifts, Jewell reflects on her favorite one that completely changed the way she views the world (6:05). Marissa returns the favor by telling listeners her favorite shift of Jewell's so far ( 9:54). A mental heath advocate, Jewell herself struggles with anxiety and depression. She touches on her own personal warning signs of a depressive episode and what listeners might look out for in those around them (13:44). Jewell offers her own advice for people going through depression (17:25) and shares what she did to pull herself out of it (20:19). Now in a new city, which Jewell believes to be the greatest city in the world, she shares the uncomfortable realities of making this new shift work for her (24:41). You can keep up with Jewell on Tik Tok or Instagram: @jewell_samone

My very special guests today are Music Artists from NBC's The Voice SN 23, Manasseh Samone & NOIVAS! Follow Manasseh on IG @manasseh.samone Follow NOIVASA on IG @noivaswright Get to know these artists in this powerful conversation! NBC's The Voice - Season 23 New Episodes on NBC Mondays and Tuesdays 8/7c
 And…Streaming the Next Day on Peacock! The Coaches this Year are Chance the Rapper, Kelly Clarkson, Niall Horan, and Blake Shelton, The Host: Carson Daly America's best-undiscovered talent goes head-to-head on teams led by four of today's biggest musical icons, who compete against each other while mentoring these inspiring singers in search of the next superstar Voice. https://www.nbc.com/the-voice Peacock is now the streaming home of your favorite NBC shows plus so much more!