Podcasts about serino coyne

If there's one lesson to take away from Rick Elice's life story, it's to never say no to a free lunch. He shares anecdotes from his past, including childhood memories of seeing theatre productions that got him to pursue acting and getting fired for his first Broadway show as an actor. While he's always loved theatre, Rick also looks back on the beginning of his advertising career, which happened at a musical's opening night at the Public Theatre where he found himself standing next to Matthew Serino. With so many successful stints and an amazing career trajectory, he likens himself to a pinball, getting flipped from one project to the next. Having written the book for Broadway's “The Addams Family”, he recalls the show's timeline and why the national tour became a much more successful version of the story then they had originally written. He talks about his latest work, “Water for Elephants”, and the show's universal themes of belonging and loss. He reflects on his personal experiences, including grief over the loss of his partner that deeply influenced his approach to writing the musical – emphasizing the importance of storytelling as a way to connect with the audience and to provide comfort to those who feel marginalized or unheard. Ultimately, he talks about his motivations and inspirations in life, citing the beauty of the world and his sense of his own unimportance as the main ones. Rick Elice is a four time Tony Award nominated author, a playwright, an actor, a teacher, and an entrepreneur who has been involved in the Broadway scene in one form or another since 1979. In 1982, he became the creative director of Serino Coyne, Inc., one of the top theatrical marketing agencies in New York, and then became a creative consultant for the Walt Disney Studio from 1999 to 2008. His first Broadway credit as a book writer aka playwright was “Jersey Boys”, which opened in 2005, and led him to write the stories, the books for the Broadway shows of “The Addams Family”, “Peter and the Starcatcher”, “The Cher Show”, and now, “Water for Elephants”, which just nabbed him his fourth Tony nomination. Rick is also writing the books for “The Princess Bride” musical, and “Smash” musical, among others. Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

I'm thrilled to announce the release of my episode with Tony-nominated librettist Rick Elice, whose musical Water for Elephants is currently playing at Broadway's Imperial Theater. Tune in to find out about all the facets of his varied career, which he describes as being a “pinball in a pinball machine,” including how a forbidden experience with Follies got him hooked on theater, late-night calls from Elaine May, how Annie led to being hired by Serino-Coyne, crashing a lunch with Stanley Donen, when Cher quoted “Hello, Dolly!” to him, what intrigued him about the Smash musical, the trick he used for marketing The Lion King, the advice he got from Neil Simon and Mike Nichols, why Tom Stoppard is responsible for his career as a playwright, and more. He also shares a beautiful tribute to the late, great Chita Rivera, who worked with Rick's husband Roger Rees on their mutual last project, The Visit. You won't want to miss this episode!

Can we call it a tradition now? Diana Salameh, Vice President of Brand Integration at Serino Coyne, once again co-hosts the final episode of the year. Serino Coyne is the nation's longest-running theatrical advertising agency, so as always Diana brings some fun insider insight to how this strange business of show actually goes down. What was your favorite show of 2023? What are you most looking forward to seeing in 2024? Tag me in your stories and let me know! Connect with Diana: Instagram: @_dianasalameh Twitter: @_dianasalameh Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Giuseppe Castellano talks to Jay Cooper (New York Times Best-Selling Illustrator and Executive Creative Director at Serino Coyne) and Jim Hoover (Senior Art Director at Penguin Random House) about the making of The Last Comics on Earth; what children's publishing hasn't fully figured out yet with graphic novels (hint: money, time, reviews); what selfishness has to do with achieving a work/life balance; and more.

Rick Elice co-wrote Jersey Boys (winner 2006 Tony Award, 2007 Grammy Award and 2009 Olivier Award for Best Musical) with the great Marshall Brickman; The Addams Family; Peter and the Starcatcher (winner of five 2012 Tony Awards); and The Cher Show (currently on tour in the UK). In the pipeline: The Princess Bride for Disney; Smash for Robert Greenblatt, Neil Meron and Steven Spielberg, music and lyrics by Marc Shaiman and Scott Wittman, directed by Susan Stroman. Rick is also adapting Sara Gruen's novel Water for Elephants; the popular film, Silver Linings Playbook; and writing an original musical, Treasure, with 2021 Ed Kleban Award-winner Benjamin Scheuer. Rick's book, Finding Roger, An Improbably Theatrical Love Story, is published by Kingswell. Heartfelt thanks to those whose theatre work makes him grateful for the day he was born: Sondheim, Stoppard, Bennett, Prince, Fosse, Robbins, Nichols, Nunn, Laurents, Stone, Taymor, Papp, Schumacher, Schneider, David, Strong, Gaudio, Valli, McAnuff, Trujillo, Timbers, Coyne, Brickman, and, eternally, Roger Rees. Rick thinks about them a lot. He never thought about Jersey much. He does now.

2022 - the first full year of theatre since Broadway shutdown in 2020. It was full of highs and lows, but one thing's for certain we're glad Broadway is back! Once again, Diana Salameh, Vice President of Brand Integration at Serino Coyne, co-hosts the final episode of the year. Serino Coyne is the nation's longest-running theatrical advertising agency, so Diana's brings some fun insider insight to how this strange business of show actually goes down. Spoiler alert - I've never seen a single production of Into the Woods, and she's never seen the Back to the Future movies. Um, that's not right. Connect with Diana: Instagram: @_dianasalameh Twitter: @_dianasalameh Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nathaniel Hill is the New-York based founder and president of Broadway Plus VIP Services, the first and only company to fulfill and promote Official VIP experiences for Broadway shows. Broadway Plus creates unforgettable experiences for clients both virtually and live in New York City. These include star meet-and-greets, backstage tours, performance lessons, corporate events, bespoke travel itineraries, and more. Nathaniel is the lead producer of CLEOPATRA , the groundbreaking theatrical experience, which played to critical acclaim Off-Broadway in 2018.  He proudly serves on the Junior Board of Make A Wish Foundation's New York chapter, aiding the organization's fundraising efforts and granting dozens of Broadway wishes each year.  Nathaniel’s professional experience includes freelance concert and workshop producing, company management at DR Theatrical, general management on Sting's The Last Ship, theater and concert advertising at Serino/Coyne, and management work on numerous Broadway and touring companies including Hamilton, Next to Normal, Billy Elliot, Ragtime, and Wicked. Nathaniel graduated from Duke University magna cum laude, having completed the University’s first undergraduate thesis in theater producing. @broadwayplus www.broadwayplus.com --- Send in a voice message: https://anchor.fm/confessionsofanactress/message Support this podcast: https://anchor.fm/confessionsofanactress/support

Today on Broadway Biz, Hal welcomes Sandy Block to the podcast. Sandy is one of the best marking minds in the business, and shares his knowledge on how to identify a show's personality, what kind of artwork catches his attention, and the lessons he and Hal have learned from each other. Sandy Block is Communications Strategist at New York’s Roundabout Theatre Company. In addition, in recent seasons, he served as associate producer and marketing director for Fiddler on the Roof in Yiddish at Stage 42 and the 2018 Broadway revival of Children of a Lesser God and as a consultant on Groundhog Day, The Musical. From 2012–16, Sandy served as Producer & Vice President/Theater at Scott Sanders Productions, whose projects included the development of such new musicals as Houdini, Tootsie, Up Here, as well as the Broadway production of After Midnight and the revival of The Color Purple, for which he won the 2016 Tony Award. Prior to that, he served as Chief Creative Officer at the ad agency Serino Coyne; in his 25 years there, he developed campaigns for hundreds of Broadway shows, including Jersey Boys, The Producers, The Lion King, Aida, Les Misérables, The Addams Family, Hairspray, and two productions each of How To Succeed, Into the Woods, and 42nd Street. Before Serino Coyne, Sandy created marketing programs for Tinactin athlete's foot powder, Afrin nasal spray, and Melitta coffeemakers, all at Ketchum Public Relations. He holds a degree in journalism and theater from Lehigh University. To learn more about the Roundabout Theatre Company, visit roundabouttheatre.org or follow them on Instagram @roundaboutnyc. For all things Broadway Biz, visit our Instagram @BroadwayBizPodcast or our website broadwaybizpodcast.com. Have a question for Hal or a topic you'd like him to explore? Send Hal an email at broadwaybiz@halluftig.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Let's face it -- 2020 was a dumpster fire, at best. In this episode, Diana Salameh, the Director of Marketing and Communications at Serino Coyne, co-hosts the final episode of the year - a year which has been unprecedented for the theatre industry. And not only for performers. Serino Coyne, the nation's longest-running theatrical advertising agency, was just embarking on the beginning of the Spring theater season - openings, etc - when Broadway suddenly shut down. Diana and Alan discuss everything from their favorite shows they were able to see before everything closed, the blossoming of virtual storytelling mediums, and missing the shared experience of seeing live theater in general. Reminiscing on seeing SIX in early March, Diana shares her excitement for Broadway to reopen because SIX is “the kind of show that New Yorkers and tourists, everybody is going to need to lift our spirits... and help us escape.” Like all theatre lovers, Alan and Diana both agree there’s nothing quite like sitting in a room full of strangers and going on an emotional journey with them. But in lieu of live theater, they discuss two productions from this year that were able to recreate this sort of communal shared experience really well - Hamilton and What The Constitution Means To Me. Diana also opens up what she has been doing in order to remain connected with her clients and their fans. She shares “the thing that has been the biggest rock for me is the Broadway Women’s Alliance”, a community of women on the business side of Broadway. Founded officially in January of this year, and focused on connection and empowerment, the Broadway Women’s Alliance has held about a dozen events for over 500 women in the industry during the course of the lockdown. In this episode, we talk about:  The first shows they saw in 2020 Seeing SIX the musical Diana’s Christmas theater tradition with her best friend  New creativity being born on virtual mediums  Which of Henry VIII wives they each would be  The Tony Awards  The Macy’s Thanksgiving Day Parade  Connect with Diana: Instagram: @_dianasalameh Twitter: @_dianasalameh Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com. A very special thanks to our patrons who help make this podcast possible! Cheryl Hodges-Selden, Paul Seales, David Seales If you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Broadway marketing director Michele Groner, founder of The Groner Group, sits down to talk about the many cogs that make up a Broadway marketing campaign and just where she fits in. We discuss her eclectic career across some of Broadway's biggest players including Serino Coyne, Disney Theatrical and Stage Entertainment.

Executive Creative Director at Serino Coyne, Jay Cooper, talks to Giuseppe Castellano about his path to becoming an “Ad Man”; what it’s like to be in the room where Jay and his team created visual ad campaigns for Frozen, Hamilton, and Boys in the Band; how he manages to double as a prolific author and illustrator; and all that jazz.

You’ve seen Diana Salameh and Erik Piepenburg’s work but you may not know it. Diana and Erik are employees of NYC marketing agency Serino Coyne. Diana is the director of marketing and communications and Erik is a features editor. Both of them are responsible for helping spread the word about your favorite shows. In this episode they discuss what marketing and advertising actually is (it’s a bit confusing but stick with them), how their love of theatre drew them to their current roles off the stage, and the need for equality in the workplace and worldwide. Interview content begins at 2:59. Closing standards begin at 41:24. Connect with Diana and Erik online:Diana- Instagram: @_dianasalamehDiana - Twitter: @_dianasalamehErik - Instagram: @erikp57 & @you.donut.own.meErik - Twitter: @erikpiepenburgConnect with The Theatre Podcast:Support us on Patreon: Patreon.com/TheTheatrePodcastTwitter & Instagram: @theatre_podcastFacebook.com/OfficialTheatrePodcastTheTheatrePodcast.comAlan's personal Instagram: @alansealesJillian's personal Instagram: @jillianhochmanEmail us at feedback@thetheatrepodcast.com. We want to know what you think.Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com.

Rick Elice is a writer and former stage actor. Along with Marshall Brickman, he wrote the book for the Broadway musical Jersey Boys, which received a Tony Award nomination and a Drama Desk nomination for best book for a musical in 2006. He collaborated with Brickman once again, this time writing the book for the musical, The Addams Family, which opened on Broadway on April 8, 2010. He wrote Peter and the Starcatcher, which opened in California in 2009, played off-Broadway in 2011, and moved to Broadway in 2012. Peter and the Starcatcher won five of the nine Tony nominations it received in 2012. He also wrote Leonardo’s Ring, Dog and Pony, and Turn of the Century. He was creative director at Serino Coyne, Inc. (1982–2000), where he produced advertising campaigns for more than 300 Broadway shows including A Chorus Line and The Lion King. He has been a creative consultant for Walt Disney Studios from 1999–2009. Tune into this podcast and hear Rick talk about his unique path and . . . How he wrote his first project because of a blizzard and an egg timer. (Writers, you gotta try this!) The show that changed his life, and why. How understanding the marketing of Broadway helps him write for Broadway. The unbelievable and jaw dropping advice he got from Tom Stoppard. How the business reacted when he went from marketing guy to writer . . . and how you can transition too. Keep up with me: @KenDavenportBway www.theproducersperspective.com  Learn more about your ad choices. Visit megaphone.fm/adchoices

The production team for A Few Good Men -- producer David Brown; president of the Shubert Organization, Bernard Jacobs; Serino Coyne advertising representative Linda Lehman; and two-time Tony Award-winning producer and general manager Stuart Thompson (in 2001 for Proof and in 2009 for God of Carnage) -- talk about selecting a script by unknown playwright Aaron Sorkin; the details of general management including budget, advertising, ticket sales, government taxes; rising costs in the current economics of Broadway; film rights to plays and the effect of a film release; and what it takes to produce a Broadway show.

The production team for "A Few Good Men" - producer David Brown; president of the Shubert Organization, Bernard Jacobs; Serino Coyne advertising representative Linda Lehman; and general manager Stuart Thompson - talk about selecting a script by unknown playwright Aaron Sorkin; the details of general management including budget, advertising, ticket sales, government taxes; rising costs in the current economics of Broadway; film rights to plays and the effect of a film release; and what it takes to produce a Broadway show.

The Jelly's Last Jam production team -- general manager Michael David (who’s plays have won 49 Tony Awards), advertising representative Rick Elice of Serino Coyne, press agent Richard Kornberg, producers Pamela Koslow and Margo Lion (Tony Awards for Hairspray in 2003 and Elian Stritch at Liberty in 2002), and legal counsel Jean Ward -- discuss developing the musical for Music-Theater Group, working with director/performer Gregory Hines, creating a standout ad campaign, and fundraising with multiple workshops and finding corporate investors for the resulting $5 million production budget.

The "Jelly's Last Jam" production team - general manager Michael David, advertising representative Rick Elice of Serino Coyne, press agent Richard Kornberg, producers Pamela Koslow and Margo Lion, and legal counsel Jean Ward - discuss developing the musical for Music-Theater Group, working with director/performer Gregory Hines, creating a standout ad campaign, and fundraising with multiple workshops and finding corporate investors for the resulting $5 million production budget.

The Moon Over Buffalo production team -- press representative Adrian Bryan-Brown, designer/producer Heidi Landesman (Tony winner for her scenic designs of Big River and The Secret Garden), producer Elizabeth Williams (three-time Tony winner for Crazy for You, The Real Thing and One Flew Over the Cuckoo’s Nest), general managers Wendy Orshan and Jeffrey M. Wilson of 101 Productions, and Serino Coyne advertising representative Ruth Rosenberg -- discuss the process of bringing Ken Ludwig's play to Broadway, from the first reading, casting Carol Burnett, finding a director, creating the $2.4 million budget including an out-of-town tryout, to advertising, press coverage and opening night reviews.

The "Moon Over Buffalo" production team -- press representative Adrian Bryan-Brown, designer/producer Heidi Landesman, producer Elizabeth Williams, general managers Wendy Orshan and Jeffrey M. Wilson of 101 Productions, and Serino Coyne advertising representative Ruth Rosenberg -- discuss the process of bringing Ken Ludwig's play to Broadway, from the first reading, casting Carol Burnett, finding a director, creating the $2.4 million budget including an out-of-town tryout, to advertising, press coverage and opening night reviews.

When theatre fans peruse the Sunday New York Times, the vast majority of Broadway ads they see are the work of the dominant theatre agencies: Serino Coyne and SpotCo. The CEOs of each company, Nancy Coyne and Drew Hodges, unite for a discussion of theatre marketing today, the work of the ad agency, setting audience expectations and how to find the essence of a show - often before the show is even complete. Original airdate - February 3, 2006.

When theatre fans peruse the Sunday New York Times, the vast majority of Broadway ads they see are the work of the dominant theatre agencies: Serino Coyne and SpotCo. The CEOs of each company, Nancy Coyne and Drew Hodges, unite for a discussion of theatre marketing today, the work of the ad agency, setting audience expectations and how to find the essence of a show - often before the show is even complete. Original airdate - February 3, 2006.