Podcasts about The Color Purple

Breon Arzell is the choreographer for the Goodman Theatre production of The Color Purple, directed by Lili-Anne Brown with musical direction by Jermaine Hill, and he shares how their extraordinary Chicago cast transforms a show this team has worked on before. Breon reveals the importance of making art with the artists you've actually got in the room; how this show honors our ancestors; how we find find community both in the story and in life; how the Greek chorus breaks the fourth wall and cues the audience that they're allowed to laugh; and the ultimate grace and blessing of finding divinity within. (Length 21:33) (PICTURED: Brittney Mack (Celie) and Shantel Renee Cribbs (Nettie) in the Goodman Theatre production of The Color Purple, directed by Lili-Anne Brown, choreographed by Breon Arzell, and musical directed by Jermaine Hill. Photo by Brett Beiner.) The post The Color Purple appeared first on Reduced Shakespeare Company.

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.We're closing in on 100 interviews here at Broadway Drumming 101, and we're just getting started. We've got a great lineup ahead. Upcoming episodes include conversations with:* Pili Fronda* Michael Manesseh* Matthew Friedman* Joe Bergamini* Tom Jorgensen* Trevor HolderWe're also re-releasing some Broadway Drumming 101 Classic Episodes you may have missed, featuring:* Jesse-Ray Leich* Jake Goldbas* Paul Pizzuti* Dena Tauriello* Larry Lelli* Rich Rosenzweig* Elena Bonomo…and many more.Be sure to subscribe on Spotify, Apple Podcasts, or wherever you listen. And subscribe to the Broadway Drumming 101 YouTube channel for behind-the-scenes video content.In this episode, I talk with Augusto Oropeza, the drummer on the national tour of Ain't Too Proud – The Life and Times of the Temptations. He shares what it's really like playing this music night after night, life on the road, his transition from an IT career into full-time performance, and the story of how he landed the gig in the first place.We discuss:* How he went from auditing the show to joining the cast on tour* The challenges of split-week travel and three-city weeks* Why he left behind a steady job in cybersecurity to chase his dream* His influences—from Jonathan Moffett and Vinnie Colaiuta to Karen Carpenter and Sheila E* What it takes to stay healthy and injury-free on tour* The importance of networking, versatility, and being a good hang* The reality of drum booths, tight pits, late-night DoorDash, and finding community on the road* How Cirque du Soleil and musical theater sparked his passion for live performanceThis is an honest and inspiring look at what it means to live the touring musician's life.Support the show by visiting our merch store: merchandise.broadwaydrumming101.comAnd if you've ever dreamed of building a theater career of your own, my new book is almost here.Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career is launching soon.Get your name on the list at BroadwayBoundBook.com to be among the first to grab a copy when it drops.Thanks for listening!Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he has contributed his talents to notable productions such as Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, and Hadestown (tour), among many others. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Jeffrey Seller's shows have garnered twenty-two Tony Awards, including four for Best Musical, and his Broadway productions and tours have grossed more than $4.6 billion and reached more than 43 million attendees. Jeffrey is the only producer to have mounted two Pulitzer Prize–winning musicals—Hamilton and Rent. He also revolutionized theater accessibility with the $20 ticket lottery for Rent, making theater affordable for many. This passion for accessibility underscores his belief in the power of the stage, which was his ticket out of his hometown.In this episode, we talk about:• First job out of University of Michigan was in publicity• Learning all aspects of being a producer when he worked for the Barry and Fran Weissler• Booker for Paul Blake and Kevin McCollum and they lessons he learned there• Acting to writing to directing to producing and how/why he decided to stick with producing• The power of writing letters as a form of communication, including a letter to his dad, a letter to Jonathan Larson and a letter to Lin-Manuel Miranda• His complicated relationship with his father growing up• The price of success and whether he had to sacrifice anything to get there• Producing the audiobook with actors like Lin-Manuel Miranda, Danny Burstein, Annaleigh Ashford, and more• His advice for establishing community as an up and coming artist• Lightning round including a musical that always makes him musical, a project he wishes he produced, and projects he passed on• His relationship with Jonathan Larson ahead of RENTThis episode is powered by welcometotimessquare.com, the billboard where you can be a star for a day. Thank you for the amazing studio!Guest:Wikipedia Instagram & Threads PlaybillTheater Kid audiobookBuy Theater KidHost:Instagram:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MichelleSimoneMiller⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MichelleSimoneM⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook page:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.facebook.com/mentorsonthemic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ www.michellesimonemiller.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ www.mentorsonthemic.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Youtube:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/user/24mmichelle⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠If you like this episode, check out⁠⁠⁠⁠⁠⁠⁠Becoming... award-winning Casting Director Bernie Telsey ("The Color Purple," "The Idea of You," "Hamilton," "SMASH," "Wicked," "The Gilded Age"

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Originally released: October 2021In this classic episode, I talk with Dennis Arcano—an all-around force in the musical theater world: Educator / Audio Engineer / Synth & Drum Programmer / Composer. He's subbed on shows like Death Becomes Her, tick, tick...BOOM!, Altar Boyz, The 25th Annual Putnam County Spelling Bee, Jagged Little Pill, and more.Dennis and I go way back, and in this episode, we talk about how he broke into the scene, from his first professional gig at Candlewood Playhouse to subbing on Broadway. He shares how a single connection led to his first Broadway subbing gig on Follies, and how that eventually led to touring tick, tick...BOOM! with his wife alongside him.He gets into:* How to properly prepare for a subbing gig (and what not to do)* His path as a multi-instrumentalist and why that matters* Why it's important to play like the drummer you're subbing for* His philosophy on groove, gear, teaching, and building trust in the pit* What it was like to come back to Broadway years later for Jagged Little PillThis episode is a masterclass in professionalism, humility, and the power of staying ready. Whether you're a drummer looking to break into the Broadway scene or someone who wants to understand what it really takes to make it, this is one worth going back to.Listen now and subscribe to the podcast for more inspiring and honest conversations with the drummers behind the shows.And grab your copy of my book: BroadwayBoundBook.comClayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he has contributed his talents to notable productions such as Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, and Hadestown (tour), among many others. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.In this episode, Clayton chats with drummer Patrick Phelan IV, the current touring drummer for the Shucked First National Tour. Patrick shares how a random hangout in NYC led to his first Broadway subbing opportunity and how he's since built a career full of friendship, groove, and grit.We dive into his musical upbringing in Wisconsin, where he studied classical percussion at the University of Wisconsin–Eau Claire, and how his early decision to leave veterinary studies for a life behind the drum kit changed everything. Patrick talks about balancing eight shows a week, playing pickleball and golf to stay sane on the road, and bleeding all over his snare in Dallas — literally.Patrick also opens up about:* His deep love for Yacht Rock and why he dreams of touring with Michael McDonald or Christopher Cross* Learning to play entire shows from Vimeo videos (with no charts!) — like his recent tour with Clay Aiken & Ruben Studdard* Why subbing on Shucked led to a national tour* Playing music for music's sake—not just for the showWhether you're a drummer, a theater musician, or someone trying to figure out how to break into the Broadway world, this episode is packed with real advice, honest stories, and some good laughs.Featured Topics:* Getting into musical theater through friendship and trust, not just auditions* Classical chops meeting country-pop grooves on Shucked* Why networking isn't just schmoozing—it's about real human connection* Staying musically inspired while playing the same show night after night* The role of joy, artistic outlets, and “pretending you're at your own rock concert” when playing in isolationAbout Patrick Phelan:Outside of Broadway, Patrick has toured internationally with Americana band Them Coulee Boys, recording the album Die Happy, which charted on the American Radio Album charts. He played for the Grammy-nominated Jazz Ensemble 1 at the University of Wisconsin–Eau Claire and performed at PASIC with the UWEC percussion quartet. Patrick also teaches private lessons in drum set, concert percussion, and piano.Connect with Patrick:Instagram: @patrickphelan4Email: patrickphelan4@gmail.comCheck out the Broadway Bound and Beyond book and merch!Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he has contributed his talents to notable productions such as Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, and Hadestown (tour), among many others. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

With the release of her latest single, the soulful and sensualromance “You Know What It's Like,” Brenda Russell not only continues to pave the way for her highly anticipated upcoming album Songpainter – her first collection in 20 years – but also makes a triumphant return to the refined classic blend of adult contemporary R&B and urban jazz that launched and defined the trailblazing four and a half decade career of the multi-Grammy nominated singer/songwriter, Tony nominated and Grammy winning Broadway composer for The Color Purple.  “You Know What It's Like” is a co-write by the singer and the legendary Roberta Flack. When people assess Brenda's overall career, her success as an artist and with The Color Purple often overshadows the gemsshe wrote that were hits for other artists. Beyond Oleta Adams' “Get Here,” Brenda's gems have been recorded by Luther Vandross (“If Only for One Night”), Donna Summer (“Dinner with Gershwin”), Babyface, The Manhattan Transfer, Patti Austin, Dionne Warwick, Mary J. Blige, Tina Turner, Stevie Wonder, Chaka Khan and Ramsey Lewis. Her tunes have also been sampled by everyone from Janet Jackson and 2Pace to Chance the Rapper and Ariana Grande. In addition, Brenda's co-composition with Brazilian artist Ivan Lins “She Walks This Earth” was recorded by international superstar Sting for the all-star tribute album Love Affair: The Music Of Ivan Lins. Sting's inspired performance of the uniquely beautiful song earned him a Grammy Award in 2001 for Best Pop Male Vocal Performance. Brenda was recently elected into the Female Songwriters Hall of Fame.    Want to watch: YouTube Meisterkhan Pod (Please Subscribe)

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.In this episode, Clayton chats with drummer Patrick Phelan IV, the current touring drummer for the Shucked First National Tour. Patrick shares how a random hangout in NYC led to his first Broadway subbing opportunity and how he's since built a career full of friendship, groove, and grit.We dive into his musical upbringing in Wisconsin, studying classical percussion at UW–Eau Claire, and how his early decision to leave veterinary studies for a life behind the drum kit changed everything. Patrick talks about balancing eight shows a week, playing pickleball and golf to stay sane on the road, and bleeding all over his snare in Dallas — literally.Patrick also opens up about:* His deep love for Yacht Rock and why he dreams of touring with Michael McDonald or Christopher Cross* Learning to play entire shows from Vimeo videos (with no charts!) — like his recent tour with Clay Aiken & Ruben Studdard* Why subbing on Shucked led to a national tour* Playing music for music's sake—not just for the showWhether you're a drummer, a theater musician, or someone trying to figure out how to break into the Broadway world, this episode is packed with real advice, honest stories, and some good laughs.Featured Topics:* Getting into musical theater through friendship and trust, not just auditions* Classical chops meeting country-pop grooves on Shucked* Why networking isn't just schmoozing—it's about real human connection* Staying musically inspired while playing the same show night after night* The role of joy, artistic outlets, and “pretending you're at your own rock concert” when playing in isolationAbout Patrick Phelan:Outside of Broadway, Patrick has toured internationally with Americana band Them Coulee Boys, recording the album Die Happy, which charted on the American Radio Album charts. He played for the Grammy-nominated Jazz Ensemble 1 at the University of Wisconsin–Eau Claire and performed at PASIC with the UWEC percussion quartet. Patrick also teaches private lessons in drum set, concert percussion, and piano.Connect with Patrick:Instagram: @patrickphelan4Email: patrickphelan4@gmail.comCheck out the Broadway Bound and Beyond book and merch!Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he has contributed his talents to notable productions such as Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, and Hadestown (tour), among many others. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

What happens when you're brand new to NYC, hanging out between shows, and you meet someone who might change your life? That's exactly what happened to drummer Patrick Phalen.In this candid clip, Patrick shares how a simple hangout with Shannon Ford and Joshua Samuels, who were both playing Beetlejuice, introduced him to Emma Ford, who later offered him the chance to sub on Shucked. Fast forward, and he's now on the First National Tour.The episode drops on Saturday, June 21st!Listen on Apple Podcasts or Spotify⭐️ Please subscribe, rate, and review—it helps more people discover the show and supports what we're building with Broadway Drumming 101.Hit that follow button, tell a friend, and join us as we explore the real stories behind Broadway's pit musicians.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he has contributed his talents to notable productions such as Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, and Hadestown (tour), among many others. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.In this classic episode of Broadway Drumming 101, I chat with the multi-talented percussionist Joshua Mark Samuels, whose Broadway journey spans from singing and dancing as a child in California to holding down chairs in some of the biggest shows on Broadway and Radio City.We initially chatted in October of 2021, but I wanted to share this episode again. It's funny, thought-provoking, and incredibly informative. Episode Highlights:* Early Musical Roots: Josh shares stories of growing up in L.A., starting drum lessons at the age of two and a half, and learning music theory from his legendary uncle, Dave Samuels.* Dual Passions: How Josh navigated his love for both performing on stage and playing in orchestras, eventually fusing both into a career in musical theater.* Cruise Ship Hustle: Becoming a music director at age 21 and realizing pit drumming was his true calling.* Move to NYC: Josh recounts his unexpected relocation to New York and how one subway ride introduced him to Broadway drummer Gary Seligson, kick-starting his networking journey.* Landing Marvelous Wonderettes & Godspell: Hear how obsessive preparation, transcriptions, and laser-focused practice helped Josh build a strong reputation as a sub.* Radio City Christmas Spectacular: What it's really like to play 200+ shows in two months with the Rockettes—and why this gig is one of the most demanding in the business.* Subbing Philosophy: Learn why being effective matters more than being right, how to take notes without ego, and why watching the conductor is non-negotiable.* Building a Career: Josh offers insight into the importance of relationships, people skills, and being someone others want to be around, on and off the bandstand.Key Takeaways:* “Subbing is a people game. It's not just about chops—it's about trust.”* “Obsessive preparation isn't about showing off—it's about honoring the gig.”* “You don't succeed on Broadway because you're the best player. You succeed because you're the best fit.”About Joshua Mark Samuels:Josh currently holds the drums/percussion chair at Maybe Happy Ending on Broadway. His resume includes work on notable productions such as Beetlejuice, Aladdin, Miss Saigon, Jersey Boys, Chaplin, Godspell, A Bronx Tale, and Sunset Boulevard, among others. He's performed all three percussion books (drums, timpani, mallets) at Radio City's Christmas Spectacular, and he's a respected clinician and educator with presentations at NYU, Carnegie Mellon, Rutgers, and Temple University.He proudly endorses Vic Firth, Sabian Cymbals, MalletKat, and TreeHouse Drums.Website: joshuamarksamuels.comSubscribe to Broadway Drumming 101 on your favorite podcast platform, and visit BroadwayDrumming101.com for more content, resources, and merch.Don't forget to rate, review, and share this episode with fellow musicians and theater fans!Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he has contributed his talents to notable productions such as Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, and Hadestown (tour), among many others. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Taraji P. Henson sets the record straight on rumors about a feud with Oprah—labeling the claims “disrespectful” and explaining they stemmed from orchestrated attempts to sabotage The Color Purple, while reaffirming their mutual support. See omnystudio.com/listener for privacy information.

In today’s episode of The Rickey Smiley Morning Show Podcast, we dig into the anti-ICE protests in Los Angeles, where streets leading to federal buildings were blocked as demonstrators reacted to recent ICE raids. The federal response included deploying over 4,000 National Guard troops and 700 Marines—a move Governor Newsom called an abuse of power. Despite widespread arrests and violence, many protesters emphasize the militarized response fueled instead of quelled the unrest. We also revisit the 2025 BET Awards with reporter “Gary with the Tea,” who highlights standout moments like Mariah Carey’s nightclub-themed set, Leon Thomas’s breakthrough win, and the emotional Ultimate Icon tribute to Jamie Foxx featuring Stevie Wonder. Lastly, Taraji P. Henson sets the record straight on rumors about a feud with Oprah—labeling the claims “disrespectful” and explaining they stemmed from orchestrated attempts to sabotage The Color Purple, while reaffirming their mutual support. Website: https://www.urban1podcasts.com/rickey-smiley-morning-show See omnystudio.com/listener for privacy information.

Experience the artistry and versatility of Brandon Victor Dixon in this episode of “Takin’ a Walk.” A three-time Tony Award nominee, Dixon has left an indelible mark on Broadway with standout performances as Harpo in The Color Purple, Eubie Blake in Shuffle Along, Davis in Alicia Keys’s Hell’s Kitchen, Berry Gordy Jr. in Motown: The Musical, and Aaron Burr in Hamilton—among many others. His dynamic stage presence and vocal power have earned him acclaim not only as an actor but also as a Grammy winner and Emmy-nominated performer. Beyond the stage, Dixon is now expanding his creative horizons with a highly anticipated debut solo album, featuring a blend of R&B, pop, and soul. The project includes original songs like “Maybe,” which explores themes of hope and resilience, alongside inventive covers that bridge Broadway classics and contemporary hits. Collaborating with top musicians and drawing on his deep roots in musical theater, Dixon’s new music project showcases his signature storytelling and artistry, promising a fresh chapter in an already remarkable career. Join us as Brandon Victor Dixon reflects on his Broadway journey, the inspiration behind his music, and the creative evolution that continues to define his work on stage and beyond. A Note to our Community Your support means everything to us! As we continue to grow, we’d love to hear what guests you might find interesting and what conversations you’d like us to explore nest. Have a friend who might enjoy our conversations? Please share our podcast with them! Your word of mouth recommendations help us reach new listeners that could benefit from our content. Thank you for being part of our community. We’re excited for what’s ahead! Check out our newest podcast called “Comedy Saved Me” wherever you get your podcasts. Warmly Buzz Knight Founder Buzz Knight Media ProductionsSupport the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Experience the artistry and versatility of Brandon Victor Dixon in this episode of “Takin’ a Walk.” A three-time Tony Award nominee, Dixon has left an indelible mark on Broadway with standout performances as Harpo in The Color Purple, Eubie Blake in Shuffle Along, Davis in Alicia Keys’s Hell’s Kitchen, Berry Gordy Jr. in Motown: The Musical, and Aaron Burr in Hamilton—among many others. His dynamic stage presence and vocal power have earned him acclaim not only as an actor but also as a Grammy winner and Emmy-nominated performer. Beyond the stage, Dixon is now expanding his creative horizons with a highly anticipated debut solo album, featuring a blend of R&B, pop, and soul. The project includes original songs like “Maybe,” which explores themes of hope and resilience, alongside inventive covers that bridge Broadway classics and contemporary hits. Collaborating with top musicians and drawing on his deep roots in musical theater, Dixon’s new music project showcases his signature storytelling and artistry, promising a fresh chapter in an already remarkable career. Join us as Brandon Victor Dixon reflects on his Broadway journey, the inspiration behind his music, and the creative evolution that continues to define his work on stage and beyond. A Note to our Community Your support means everything to us! As we continue to grow, we’d love to hear what guests you might find interesting and what conversations you’d like us to explore nest. Have a friend who might enjoy our conversations? Please share our podcast with them! Your word of mouth recommendations help us reach new listeners that could benefit from our content. Thank you for being part of our community. We’re excited for what’s ahead! Check out our newest podcast called “Comedy Saved Me” wherever you get your podcasts. Warmly Buzz Knight Founder Buzz Knight Media ProductionsSee omnystudio.com/listener for privacy information.

This weekend, the 2025 Tony Awards were held at Radio City Music Hall, celebrating the best of the last year of Broadway theatre.This year's ceremony was hosted by Cynthia Erivo (Wicked, The Color Purple) and saw wins for Darren Criss, Nicole Scherzinger, Cole Escola, Sarah Snook and more.Some of the award winning shows included Maybe Happy Ending, Purpose, Stranger Things: The First Shadow, Buena Vista Social Club, and Sunset Blvd.In this episode Mickey-Jo is sharing his thoughts about the broadcast, the performances, the hosting and the results, including some of his recorded reactions...•00:00 | introduction02:25 | overall thoughts11:13 | the real winners 18:59 | performances28:15 | box office impact•get in person / live stream tickets to see MickeyJoTheatre LIVE at the Phoenix Arts Club:https://phoenixartsclub.com/events/mickeyjotheatre-live/About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 80,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

Frank Zambrano didn't take the traditional path to a Broadway tour, but that's exactly what makes his journey so inspiring.In this episode, Frank shares:* Why his biggest advice is to get out of the musical theater bubble* The pivotal role the Broadway Percussion Seminar played in his development* A quote from Clint de Ganon that changed his mindset forever* How his second chance to play Kimberly Akimbo became a story of preparation, grit, and follow-through* What it took to turn theme park gigs and months of shadowing into a Broadway pit opportunityWhether you're an aspiring pit musician or just someone chasing a dream, Frank's story is packed with the kind of real-world advice that doesn't get taught in school.Listen now and hear how Frank made his second shot count.Subscribe to our YouTube channel – help us reach 1,000 subscribers by the end of June:

Q. Robinson on the 92nd episode of the Broadway Drumming 101 Inc. podcast: Tour LifeIn this episode of Broadway Drumming 101, Q. Robinson shares what it's really like on the road with a major musical. He talks about longer stays in each city, the physical and emotional toll of eight shows a week, and how the role of the drummer has shifted in modern theatre.Watch the full conversation in Episode 92.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

This week's episode of Broadway Nation is the second half of my conversation with author Ron Fassler, whose latest book is titled The Show Goes On — Broadway Hirings, Firings, and Replacements. Among the outstanding Broadway performers and creatives who are at the center Ron's fascinating stories include Abe Burrows, Bernadette Peters, Chita Rivera, Comden & Green, Cynthia Erivo, Fantasia, Frank Loesser, Gower Champion, Harold Prince, Howard Keel, Iva Withers, Jane Russell, Jeff Conaway, Jerry Orbach, Jerry Zaks, Jo Swerling, John Cullum, John Kander & Fred Ebb, John Travolta, LaChanze, Leonard Bernstein, Leroy Anderson, Lewis J. Stadlin, Michael Bennett, Michelle Lee, Robert Preston, Rosalind Russell, Shelly Winters, Sheila Smith and Yvonne De Carlo. And the musicals referenced include 1776, Carousel, Company, Follies, Grease, Guys And Dolls, How To Succeed in Business, Kiss of the Spider Woman, Mack & Mabel, Minnie's Boys, Oklahoma!, The Color Purple, Wonderful Town and more! Ron Fassler is a historian,  theater critic, and former actor whose previous book is, Up in the Cheap Seats — A Theatrical Memoir of Broadway. Become A PATRON of Broadway Nation! This episode is made possible in part through the generous support of our Patron Club Members, such as Carl Baldasso. If you are a fan of Broadway Nation, I invite you to become a PATRON! For as little as $7.00 a month, you can receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. And you will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And If you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: ⁠⁠⁠⁠⁠https://broadwaynationpodcast.supercast.tech/⁠⁠⁠⁠⁠ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Correction…This Week's Podcast GuestHey everyone – quick note!Sorry about the last email. I had Frank Pagano on my mind while posting about this week's episode featuring Frank Zambrano. Both are incredible drummers who've been guests on Broadway Drumming 101, and I'm honored to share their stories.The title is fixed now. Thanks for rolling with it—and don't forget to check out the latest episode!

It's all singing, dancing, chatting and eating at Dish this week. Cynthia Erivo is a British actor, singer and songwriter, well known for her phenomenal vocals and performances on stage and screen. She comes to the Dish table to talk about her new album, I Forgive You; a 20-track record which tells her life story in four distinct parts and showcases the full range of her incredible voice. It's released on 6 June, UK.  Erivo, who was born in Stockwell, London but now lives in Los Angeles, made her Broadway debut as Celie in The Color Purple alongside Jennifer Hudson, a role for which she won the Tony Award for Best Actress in a Musical and Grammy Award for Best Musical Theater Album. She has also received two Best Actress Oscar nominations for her roles in Harriet (2019) and most recently Wicked! (2024) where she played Elphaba opposite Ariana Grande. Other notable projects include heist thriller Widows the Netflix crime thriller Luther: The Fallen Sun, and the drama Drift. To mark the start of June, Angela served the table a vegan roasted red pepper, aubergine & freekeh salad with additional courgettes (Angela's favourite). As Cynthia doesn't drink, the trio enjoyed a glass of Real Peony Blush Non Alcoholic Sparkling Tea alongside it. For those that do want to match their salad with a glass of wine, the Waitrose experts suggest a glass of Eminence de Bijou.  We begin the episode by getting to know Cynthia's love of vegan food, understanding her garlic allergy and dislike of the onion family (sorry, onion family). Over the salad, we learn more about her new record, including how Ariana Grande helped to make it happen and get a first-class demonstration of just how powerful her voice is. Plus, we finally found a good writer for the End of Show Question! You can watch full episodes of Dish on YouTube  All recipes from this podcast can be found at waitrose.com/dishrecipes A transcript for this episode can be found at waitrose.com/dish We can't all have a Michelin star chef in the kitchen, but you can ask Angela for help.  Send your dilemmas to dish@waitrose.co.uk and she'll try to answer them in a future episode. Dish from Waitrose is made by Cold Glass Productions.

EAST COAST PREMIEREBook and Lyrics by Mickle Maher Music by Merel van Dijk and Anthony Barilla Directed by Taibi Magar & Tyler Dobrowsky Commissioned and Co-Produced by Daryl Morey, Philadelphia 76ers President of Basketball OperationsPhiladelphia loves sports, so why not a sports-themed musical? Step into the surreal, magical world of Small Ball, where melancholy journeyman basketball player Michael Jordan (no, not that Michael Jordan) has recently started playing in the international league with the Lilliput Existers – as in Lilliput, from Gulliver's Travels. With teammates who are only six inches tall, the team's fortunes, and the post-game press conferences, rest on Michael's shoulders. Small Ball is an off -beat musical delight, commissioned and co-produced by Daryl Morey, President of Basketball Operations for the Philadelphia 76ers. Directed by Co-Artistic Directors Taibi Magar and Tyler Dobrowsky. An East Coast Premiere.Content Advisory: Small Ball contains strong language, adult themes, and surreal humor. Recommended for ages 13 and up.Adam Chandler-Berat - PIPPINPTC: Debut. Broadway: Next to Normal (original cast); Peter and the Starcatcher (original cast); Amélie (original cast); Saint Joan (revival). Off-Broadway: The Jonathan Larson Project; I Can Get It for You Wholesale; Assassins; The Fortress of Solitude (Lortel Award nomination); Rent; Fly by Night; How to Load a Musket; Nantucket Sleigh Ride; Zorba; Titanic. Regional: A New Brain, Barrington Stage Company; Sunday in the Park with George, Huntington Theatre Company; The Year to Come, La Jolla Playhouse. Film: Delivery Man. TV: Gossip Girl (HBO Max); Veep; Elementary; The Good Wife; Doubt; The Code; NCIS: New Orleans; Soundtrack.JORDAN DOBSON, MICHAEL JORDONPTC: Night Side Songs. Broadway: Bad Cinderella (Prince Sebastian, OBC); Hadestown (Orpheus); A Beautiful Noise (Shilo, OBC); West Side Story (Tony, dir. Ivo van Hove). Tour: Rent (Angel), Japan Tour. Regional: Hair, Signature Theatre and Two River Theater; Austen's Pride, Into the Woods, ACT of Connecticut; The Wanderer, Paper Mill Playhouse; Cabaret, Gypsy, Arden Theatre Company; The Color Purple, Theatre Horizon. Film: Maestro (William), dir. Bradley Cooper; Closing Night (Jericho). More: @jordandobson_.

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Originally recorded in October of 2021, this conversation with Sammy Merendino is a standout. Sammy is a Broadway veteran with decades of experience under his belt and a reputation for being one of the most reliable and musical drummers in the business.In this episode, we discuss:* Growing up in Akron, Ohio, and playing in several bands during his formative years.* What it was like auditioning for Chubby Checker and getting an 18-month tour.* The importance of playing live and playing with older and better players.* Going to a cattle call for a Billy Idol tour and his many second-place finishes.* How a $2.75 beer at the Prince Street Bar catapulted him to another level where he became the go-to guy for drum programming in New York City.* Meeting Larry Blackman and recoding ‘ Single Life' and eventually programming the drums for their breakout album “Word Up.”* Working on commercials in the morning, then off to do sessions with Hall and Oates in the afternoon, and Cameo later at night.* How he met Cyndi Lauper and got the drum chair at Kinky Boots.This is the kind of episode that every drummer trying to break into theater should hear. Sammy is full of practical wisdom, and his calm, grounded approach is something a lot of players can learn from.Sammy has recorded and/or performed with many top artists, including Cameo, Michael Jackson, Billy Joel, Cyndi Lauper, Foreigner, Lou Reed, Aretha Franklin, Ziggy Marley, Hall & Oates, The Beach Boys, Pat Metheny, Joan Osborne, Anita Baker, Sophie B. Hawkins, Carly Simon, Paul Rodgers, and many others. He has played on numerous Grammy-winning recordings and over 1,000 commercials and television themes, including Monday Night Football with Hank Williams Jr., Nightline, World News Tonight, and ABC Golf.Currently residing in Harlem, Sammy's turn-of-the-century brownstone is home to a state-of-the-art recording studio. Complete with Pro-tools HDX, Neve/API/BAE/ mic pre's and EQ's, vintage microphones, and compressors, his drums are always set up, and mic'd - ready to go!If you're serious about making a career in Broadway drumming, don't miss this one.Subscribe to Broadway Drumming 101 wherever you listen to podcasts, and visit broadwaydrumming101.com for more interviews, resources, and stories from the pit.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Episode 94 — Frank Pagano: From Glen Rock to the Broadway PitIn this must-hear episode of the Broadway Drumming 101 Podcast, I sit down with legendary drummer and percussionist Frank Pagano — a true veteran of both the concert stage and the Broadway scene.Frank's career reads like a who's who of the music industry. He's played with icons like Bruce Springsteen, Bette Midler, Al Green, and Phoebe Snow. On Broadway, his credits span from Leader of the Pack and The Who's Tommy to Smokey Joe's Cafe, Cry-Baby, The Pirate Queen, Good Vibrations, Fosse, Big River, Saturday Night Fever, and more. What you'll hear in this episode:* How a 4th-grade music demo sparked Frank's lifelong love of drums.* Growing up and gigging with the Vivino brothers (yes — that Jimmy Vivino).* What it was like studying percussion at Manhattan School of Music and later with Joe Morello and Justin DiCioccio.* His unusual path to Broadway — having a chair before ever subbing.* The real reason he pivoted to Broadway full-time: marriage, fatherhood, and health insurance.* Wisdom on subbing: play their show, not yours.* Lessons from playing percussion alongside killer drummers like Brian Brake.* Touring vs. pit life — the physical grind of the road versus the stability of Broadway.* How working with artists like Laura Nyro and Bruce Springsteen shaped his perspective on artistry and professionalism.* Advice for drummers who want to make it in New York: “Play with everyone. Play everything. Be early. Be likable. Be ready.”Frank's reflections on time, groove, and what it really means to be musical are some of the best insights I've heard on this show. This episode is for any drummer who wants to play on Broadway — and stay there.Watch more episodes on YouTubeListen on Apple Podcasts, Spotify, or wherever you get your podcastsLearn more about Frank Pagano: https://www.frankpagano.com/bioClayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

This is a 3 part mini Casting Director series, sponsored by Casting Networks.Tara Rubin started her company, Tara Rubin Casting in 2001 after working at Johnson-Liff Casting for fifteen years. During that time she cast for Les Miserables, Phantom of the Opera, Miss Saigon, Guys and Dolls, and the daytime drama Another World.At Tara Rubin Casting she continued those associations and cast other Broadway productions, including Mamma Mia!, The Producers, Bombay Dreams, Spamalot, Jersey Boys, Mary Poppins, Billy Elliot, School of Rock, Aladdin, A Bronx Tale, Dear Evan Hansen, The Band's Visit, Six, Here Lies Love, and The Outsiders. Current Broadway shows include Six, Aladdin, Death Becomes Her, Boop: The Musical, Dead Outlaw, and Stephen Sondheim's Old Friends. She recently cast the film Here Today and the Apple + series Before both starring Billy Crystal.Tara serves on committees for the Entertainment Community Fund and the Noel Coward Foundation. She is an honors graduate of Boston University, a member of the Casting Society and recipient of the Hoyt Bowers Award for excellence in casting and outstanding contribution to the casting profession. She has taught classes at New York University and Sarah Lawrence College. In 2025 Tara Rubin Casting rebranded as the TRC Company.In this episode, we talk about all things ACTORS including:• How she casts a replacement for a show, particularly the balance between the individuality of the actor vs what the original performer did• How long does an actor have to rehearse before replacing another person in the role• The process of casting a Broadway show ensemble, with the makeup of one including understudies and skilled dancers• How many actors get submitted for a role and how many actors she brings in that she knows vs who she doesn't know• Process of casting a show from workshop to regional to Broadway• Booking the room vs the part - and how talent and imagination makes actors stands out to her in an audition• What has she noticed in actors that book a lot • How do you stay in touch or keep on her radar• Advice for new actors about starting on BroadwayGuest:Company Website IMDb PlaybillCasting Networks Sponsor:For a limited time, we're offering listeners $65 off a Premium Annual membership. Use the code “MENTORSMIC”at checkout. Or if you're not ready to commit, take advantage of our 14-day free trial, which unlocks full access to all Casting Networks features so you can start submitting to casting calls right away. Terms and conditions apply. Visit ⁠https://www.castingnetworks.com/promo-codes/⁠ to learn more.Steps on how to redeem: Visit www.castingnetworks.comClick on the ‘Join Now' button Complete the Talent Registration form and follow the steps to verify your email and create your profile Proceed to checkout, leaving the' ‘Pay Yearly' option selectedEnter ‘MENTORSMIC' in the promo code field, click “Apply” to complete checkout.Don't wait! This offer expires soon!Host:Instagram:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MichelleSimoneMiller⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MichelleSimoneM⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook page:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.facebook.com/mentorsonthemic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ www.michellesimonemiller.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ www.mentorsonthemic.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Youtube:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/user/24mmichelle⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠If you like this episode, check out:Close Up with Casting Director Paul Schnee (Barden/Schnee casting: "Pitch Perfect," "Sisters," "Palm Royale," "Winter's Bone")⁠Becoming Casting Director Erica Hart ("THAT DAMN MICHAEL CHE," "GODFATHER OF HARLEM," "THE BOLD TYPE")⁠⁠Becoming... award-winning Casting Director Bernie Telsey ("The Color Purple," "The Idea of You," "Hamilton," "SMASH," "Wicked," "The Gilded Age"

Some drummers can play the show. They've got it memorized. But throw them on a gig where they don't know the song? Where there's no chart, no click, no safety net?They freeze.In tomorrow's episode, Frank Pagano breaks down some of the things you'll need to know to have a long-lasting career. A musician can memorize a show and play it just fine, but if someone suddenly calls out a song on a different gig and you haven't played with lots of different bands before, you might have no clue what to do. That kind of experience is what really builds your skills.Playing Broadway is about more than just knowing the notes. It's about being a musician. A collaborator. Someone who listens, adapts, and brings the music to life—even when it's unfamiliar.This episode is essential listening for anyone chasing the Broadway dream, or any gig that demands more than muscle memory.

A new poem by Chanel. This poem takes inspiration from Alice Walker. An original piece that ends on a verse of found poetry from the novel 'The Color Purple.'

This is a 3 part mini Casting Director series, sponsored by Casting Networks.PAUL SCHNEE is originally from Wilmington, Delaware and is a graduate of Kenyon College. After graduating, Paul worked at ICM for agent Sam Cohn, then as assistant to director Mike Nichols. He and Kerry formed Barden / Schnee Casting in 2008. Paul is a member of The Academy of Motion Picture Arts and Sciences, The Academy of Television Arts and Sciences, The British Film and Television Academy, and The Society of Stage Directors and Choreographers. He lives in Brooklyn NY with his wife and daughters.In this episode, we talk about all things ACTORS including:• How he chooses to bring actors for roles• How many actors does he request self tapes from• Does he go through submissions himself or is it someone from his team• How actors can stay on his radar• What projects he's casting now• If he watches actor reels• Directing a project that's premiering at TribecaGuest:⁠IMDb WebsiteMother, May I have a Kidney? - TribecaCasting Networks Sponsor:For a limited time, we're offering listeners $65 off a Premium Annual membership. Use the code “MENTORSMIC”at checkout. Or if you're not ready to commit, take advantage of our 14-day free trial, which unlocks full access to all Casting Networks features so you can start submitting to casting calls right away. Terms and conditions apply. Visit https://www.castingnetworks.com/promo-codes/ to learn more.Steps on how to redeem: Visit www.castingnetworks.comClick on the ‘Join Now' button Complete the Talent Registration form and follow the steps to verify your email and create your profile Proceed to checkout, leaving the' ‘Pay Yearly' option selectedEnter ‘MENTORSMIC' in the promo code field, click “Apply” to complete checkout.Don't wait! This offer expires soon!Host:Instagram:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MichelleSimoneMiller⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MichelleSimoneM⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook page:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.facebook.com/mentorsonthemic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ www.michellesimonemiller.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ www.mentorsonthemic.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Youtube:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/user/24mmichelle⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠If you like this episode, check out:Becoming Casting Director Erica Hart ("THAT DAMN MICHAEL CHE," "GODFATHER OF HARLEM," "THE BOLD TYPE")Becoming... award-winning Casting Director Bernie Telsey ("The Color Purple," "The Idea of You," "Hamilton," "SMASH," "Wicked," "The Gilded Age"

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.We're bringing back a Broadway Drumming 101 Classic episode with Joe Choroszewski—a musician whose Broadway and live performance resume is as deep as it is diverse.Joe has been on drums for The Radio City Christmas Spectacular Starring The Rockettes for the past three seasons, performing hundreds of shows at one of the most iconic venues in the world. Before that, he spent an entire decade (2009–2019) anchoring the Off-Broadway hit Avenue Q at New World Stages, helping extend the legacy of the Tony Award-winning production long after its Broadway run.As a Broadway sub, Joe is in rare company—having performed on more than twenty Broadway productions, including The Lion King, Wicked, The Book of Mormon, Beetlejuice, Frozen, Beautiful – The Carole King Musical, Legally Blonde, Jagged Little Pill, Ain't Too Proud, Newsies, and more.Joe also stepped in to take over the drum chairs for Finding Neverland in 2016 and Promises, Promises in 2010, finishing the final runs of both Broadway productions. He was the drummer for the Off-Broadway run of Avenue Q and on tour, he performed in Joseph and the Amazing Technicolor Dreamcoat starring Patrick Cassidy. Joe was also on the first national tours of Avenue Q and Monty Python's Spamalot.In this episode, Joe shares insights from:* His time working with major artists like Heather Headley, Ariana DeBose, Cheyenne Jackson, Sutton Foster, and Chita Rivera* Backing cabaret icons like Natalie Douglas, Christina Bianco, and “Kenn Boisinger” (Michael West)* Playing for household names like Mario Cantone and Real Housewives star Luann de Lesseps* And his long-standing involvement in Broadway Cares/Equity Fights AIDS benefit eventsBeyond Broadway, Joe's played everywhere—from symphony halls (Princeton Symphony, Allentown Symphony) to cruise ship showbands (Carnival and Norwegian), weddings to worship bands, jazz trios to hard rock cover groups. He's also helped shape new musicals in development and has been a go-to regional drummer for ACT of Connecticut and Ridgefield Playhouse concerts.Education Spotlight:Joe holds a degree in Jazz Studies from the prestigious University of North Texas College of Music, where he studied for six semesters with drum legend Ed Soph. He continued his private study with another legend—Tommy Igoe—in New Jersey and is featured on Igoe's best-selling instructional DVD Great Hands For A Lifetime. Joe has been teaching privately for over 25 years and continues to share his knowledge as a guest clinician at schools and studios.Offstage, Joe lives in Somerset County, NJ, with his wife Giana, their three boys, and three dogs. He's an avid runner, a vintage drum collector, and a passionate Major League Baseball fan.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Angela Robinson Whitehurst returns to the show to bring her Broadway experience to discussing Wicked and the translation from stage to screen. Dr. Gee and Angela discuss the timing of seeing race brought to the forefront of this version of Wicked, compared to when the stage musical was first a part of our culture. The power of fantasy and musical stories is that deep ideas about culture can be explored through an alternate version of our world. It allows us to see the realities of our world through a different lens.  Angela also exposes the way that Black women were not allowed into the Alphoba role before the film version, but now that will be the standard as the significance of the character has been redefined by Blackness. They continue their conversation about Black voices and stories in Hollywood, including having to make representation happen for themselves.  A native of Jacksonville, FL, Angela Robinson is best-known as The Ice Queen Veronica Harrington of Tyler Perry's The Haves and The Have Nots. For her work as Veronica she is the 2015 recipient of the Gracie Award (Best Female Actress – One to Watch). Angela has worked on Broadway, off Broadway and on stages throughout the US and abroad. Broadway productions include The Color Purple with Fantasia, Wonderful Town, Bells Are Ringing, and Play On! She has participated in National Tours of The Color Purple, Dreamgirls, and The Wizard of Oz with Eartha Kitt. Her television/film credits include Law & Order: SVU, Another Bed and several regional and national commercials. She is the Winner of an Independent Reviewers of New England (IRNE) award for her work as Shug Avery in The Color Purple, Angela has been nominated twice for a Black Theatre Alliance Award (The Color Purple, Dreamgirls), and for an Audelco Award (Radiant Baby). She is also a member of the Tony Award winning Broadway Inspirational Voices. In 2008 Angela and her husband Scott founded the WhiteRobin Group. WhiteRobin Group is a consulting firm for aspiring and seasoned artists; providing training, inspiration and direction via acting workshops, private acting coaching, blogs and mentorship programs.   Listen to Angela Robinson's podcast - Art and Spirit   Follow Angela Robinson: Facebook Instagram   alexgee.com Support the Show: patreon.com/blacklikeme Join the Black Like Me Listener Community Facebook Group

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.In this episode of Broadway Drumming 101, we chat with touring legend Paul Hannah, whose career spans over four decades and countless genres—from orchestras to biker bars and Broadway pits to jazz trios.Paul began playing professionally at just 16, growing up in Las Vegas during a time when the mob ran the city and every hotel had a full orchestra. He learned firsthand from giants like Jerry Gilgor, Tommy Check, Leo Camera, Roger Rampton, and Walfredo de los Reyes. Later, he studied with titans like Vic Firth, Alan Dawson, and Alexander Lepak, preparing him for a career that's taken him across the U.S., Canada, Japan, and China.

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Paul Hannah is the latest guest on the 93rd episode of Broadway Drumming 101. In this episode (dropping May 10), Paul shares how he managed to live out nearly every dream he had in the music business, without ever relocating to New York City. From performing with top-tier jazz musicians to launching a successful Broadway-style career and securing a pension, his journey proves there's more than one path to success.Get his book: Show Drumming – An Expert's Guide to Theatre and TouringPaul's wisdom doesn't stop at the podcast. His new book,

Alice Walker (1944-present) is novelist, poet and essayist, best known for her novel The Color Purple, published in 1982, which won the Pulitzer Prize and made Alice the first Black woman to win the prize for fiction. Walker is also credited with coining the term Womanist in her 1983 collection of essays In Search of our Mother’s Gardens. For Further Reading: The Womanist Reader, Edited by Layli Phillips Alice Walker Has ‘No Regrets’ Alice Walker This month, we’re talking about Word Weavers — people who coined terms, popularized words, and even created entirely new languages. These activists, writers, artists, and scholars used language to shape ideas and give voice to experiences that once had no name. History classes can get a bad rap, and sometimes for good reason. When we were students, we couldn’t help wondering... where were all the ladies at? Why were so many incredible stories missing from the typical curriculum? Enter, Womanica. On this Wonder Media Network podcast we explore the lives of inspiring women in history you may not know about, but definitely should. Every weekday, listeners explore the trials, tragedies, and triumphs of groundbreaking women throughout history who have dramatically shaped the world around us. In each 5 minute episode, we’ll dive into the story behind one woman listeners may or may not know–but definitely should. These diverse women from across space and time are grouped into easily accessible and engaging monthly themes like Educators, Villains, Indigenous Storytellers, Activists, and many more. Womanica is hosted by WMN co-founder and award-winning journalist Jenny Kaplan. The bite-sized episodes pack painstakingly researched content into fun, entertaining, and addictive daily adventures. Womanica was created by Liz Kaplan and Jenny Kaplan, executive produced by Jenny Kaplan, and produced by Grace Lynch, Maddy Foley, Brittany Martinez, Edie Allard, Carmen Borca-Carrillo, Taylor Williamson, Sara Schleede, Paloma Moreno Jimenez, Luci Jones, Abbey Delk, Adrien Behn, Alyia Yates, Vanessa Handy, Melia Agudelo, and Joia Putnoi. Special thanks to Shira Atkins. Follow Wonder Media Network: Website Instagram Twitter See omnystudio.com/listener for privacy information.

Back when we were all stuck inside and Broadway had gone quiet, I had the pleasure of sitting down with the great Warren Odze—a true Broadway and NYC studio veteran. Re-listening to this interview in 2025, I'm reminded just how rich and inspiring Warren's stories are. Things have changed for the better since we first recorded, but this conversation holds up stronger than ever.Warren has played in an incredible list of Broadway shows, including:

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Broadway Drumming 101 – Episode: Quinton “Q.” Robinson (2025 Update)

This one originally dropped in September 2021 in two parts—but if you missed it back then, don't worry. I'm bringing it back as part of the Broadway Drumming 101 Classic Interview Series.Ray Marchica is one of those drummers whose name has been floating around the NYC scene for decades—and for good reason. He's done it all: gold records, TV house band gigs, iconic Broadway runs, off-Broadway, jazz big bands, the works. From James Brown's "Living in America" to The Rosie O'Donnell Show to Mamma Mia!—Ray's been laying it down with feel, power, and style.In this episode, Ray shares stories about:* Growing up in Brooklyn and learning drums from his uncle in the basement* Studying classical percussion at Brooklyn College with the legendary Morris Lang* Landing his first major gig on the A Chorus Line tour in the ‘70s* Navigating the world of jingle sessions, Radio Registry (yes, that was a thing for you young folk), and Broadway subs* Getting the gig with Dan Hartman and playing on hit records* What it was like playing for La Cage aux Folles, Starlight Express, Will Rogers Follies, and other major shows* His time in the pit for Miss Saigon, the long run with Mamma Mia!, and his approach to training subs* Real talk about the rise of drum machines, the shift in Broadway orchestra pits, and how he's stayed versatile through it allWhether you're a drummer, a fan of Broadway, or just someone who loves hearing stories from the road, the pit, and the studio, you'll dig this.Hit play. Subscribe if you haven't. And check out more at BroadwayDrumming101.com.If you loved this episode, check out some of the other powerful resources we've created for musicians looking to bridge the gap between the classroom and the Broadway pit:*

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.

In this exclusive clip from the upcoming Broadway Drumming 101 podcast, percussionist Andrew Atkinson shares how a one-off gig on America's Got Talent led to an unforgettable opportunity on Hamilton. Hear how a backstage connection, a feature in Modern Drummer, and pure preparation paved the way for his Broadway debut — all without asking for a single gig.Andrew recalls the moment he heard "My Name Is Alexander Hamilton" live for the first time, the wild audience reaction, and how he learned the book in just two weeks. Most powerful of all? His mindset: "I don't get nervous. I get prepared."

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.

The co-hosts question if Pres. Trump's tariffs will backfire or bring back American jobs as some Republicans join Democrats to rebuke his trade war. Then, after Congresswoman Brittany Pettersen took her newborn to work to demand the House vote on a bill to allow new parents to stay home and vote by proxy, the co-hosts discuss Speaker Johnson's response. Laurence Fishburne joins to discuss his new espionage thriller "The Amateur," the 40th anniversary of working with Whoopi Goldberg on "The Color Purple," and reveals if he would star in another "Matrix" movie. Six-time Tony-winner Audra McDonald shares how she came to play the iconic character Mama Rose in the revival of "Gypsy" and discusses the significance of three Black women starring as the leads. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Back in 2021, I sat down with one of the most versatile and in-demand drummers on Broadway: Sean McDaniel.Since that interview, Sean's career has only expanded. He's played Some Like It Hot, Cabaret at the Kit Kat Club and now holds the drum chair for one of the most buzzed-about new musicals on Broadway: Smash.So I figured—why not bring this conversation back to the forefront?In this re-released episode, Sean gives us an inside look at the early development of The Book of Mormon, starting with a modest 20-minute workshop. It's wild to hear how the show started with hand-drawn cartoons projected behind a reading stage—and how Sean's ability to adapt, play by ear, and control dynamics became essential in shaping the drum parts that evolved over the years.Broadway Drumming 101 is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.He talks about the two lives of Broadway drumming: playing with “toothpicks” during readings and unleashing full stadium energy in the pit once the show is fully staged. That flexibility—combined with a deep understanding of styles and musical storytelling—is what sets him apart.Sean also shares how his high school show choir days prepared him for the dynamic, mic-less world of workshops and readings. He developed a skill many overlook: playing softly while still maintaining intensity.If you're a drummer looking to understand what it really takes to build a Broadway career from the ground up—this is an essential listen.The full episode drops this Saturday.

In this episode of Broadway Drumming 101, we sit down with Andrew Beall, an accomplished percussionist, composer, and Broadway musician whose career spans international performances, musical theater orchestration, and a deep love for percussion. From his early days in Ohio to working on some of Broadway's biggest productions, Andrew shares insights into his journey, his influences, and his passion for composition.We dive into the art of orchestration, the challenges of subbing on Broadway, and how he balances multiple musical roles—including running Bachovich Music Publications and managing orchestras. Andrew also talks about adapting to technological advancements in music, the impact of Finale's discontinuation, and how biking in NYC keeps him in rhythm with the city's fast pace.Whether you're an aspiring Broadway musician or just love behind-the-scenes stories from the theater world, this episode is packed with wisdom, humor, and practical advice.Episode Highlights:

For anyone who's ever wondered if their dream is too big — or if they have what it takes to get there — this week's episode will encourage you to reach for more. Join me and my guest, Broadway star Morgan Anita Wood, as we talk about her journey to starring in one of the world's most famous productions, Hamilton.  If you're lacking inspiration or encouragement, tune in to refuel your creativity! Make sure to subscribe to this podcast so you don't miss a thing! And don't forget to come hang with me on Instagram @jodie_king_ Interested in being a guest on a future episode of Honest Art? Email me at amy@jodieking.com Resources mentioned: Stay in touch with Morgan Anita on Instagram: https://www.instagram.com/mwood2013/  Book a Broadway Plus: Broadway VIP Experiences with Morgan Anita: https://www.broadwayplus.com/artists/morgan-wood  Learn more about Hamilton on Broadway: https://hamiltonmusical.com/new-york/  Join me in Santa Fe, NM, for an Honest Art® Workshop: https://www.santafeartistgetaway.com/service-page/honest-art-2?referral=service_list_widget  Learn more about joining the Honest Art® Society: https://www.jodiekingart.com/rebelartistssociety  Worthy by Jamie Kern Lima: https://amzn.to/4bHsOa1  Episode 15: The Power of Art & Community With Becky Joan Springer: https://jodieking.com/episode-15-the-power-of-art-community-with-becky-joan-springer/  Episode 77: How Your Art Validates the Human Experience: https://jodieking.com/episode-77-how-your-art-validates-the-human-experience/  Learn more about The Color Purple on Broadway: https://www.broadway.com/shows/the-color-purple-broadway/  Have a question for Jodie? Ask it here: https://forms.gle/hxrVu4oL4PVCKwZm6  How are you liking the Honest Art Podcast? Leave us a review on your favorite podcast platform and let us know!     Watch this full episode on my YouTube channel: https://www.youtube.com/channel/UC64Vn6NF5BfiwLNTSb_VnDA 

Throwback to one of the wildest and most unforgettable nights of my Broadway career—the opening night of Ain't Too Proud - The Life And Times Of The Temptations on March 21st, 2019, and performing on The Tonight Show Starring Jimmy Fallon. Playing live on national TV was already a huge deal, but throw in a mad dash through Times Square with a police escort to make it back to the Imperial Theatre for opening night? That took it to another level.After performing on The Tonight Show with Jimmy Fallon at 5 PM, we still had to race across town to the Imperial Theatre for our Ain't Too Proud opening night. Traffic leaving Rockefeller Center was brutal, and for a moment, it looked like we might not make it. But somehow, we pulled up just in time.I had a click track in my ears during this Tonight Show performance—same with the music director. The band and lead vocals were 100% live, but the background vocals were pre-recorded and locked to the click.Here's a little secret that not many folks—maybe not even most of my Ain't Too Proud cast and bandmates—know: between “Get Ready” and “Ain't Too Proud to Beg,” I had four clicks to cue me into the next tune. I was supposed to kick things off with that classic Benny Benjamin intro fill… but with the adrenaline rushing, nerves firing, and Questlove and The Roots watching from the wings, I skipped the fill and went straight into the groove.Thankfully—it worked. But man, knowing millions of people were watching, then thinking about how we had to jet across town and race to opening night right after this? My head was spinning.Looking back, I'm grateful for moments like that—creating something meaningful, making people smile, and sharing the stage with some of the best in the business. Ain't Too Proud should still be running, no doubt—but that's a convo for another day. For now, I'm just appreciating the journey. And with what I'm working on over the next few weeks, maybe there's one more Broadway run in my future.But if not? I'm good. I've had my shot—and I truly hope you get yours. There's nothing like the feeling of playing a show. It's one of the most rewarding experiences a musician can have.Have you ever had one of those moments where you knew the show or song like the back of your hand—but then one little thing throws you off? Let me know. I know I'm not the only one. Leave a comment here: Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.comThis Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Broadway Drumming 101 – Classic Interview: Gary SeligsonIn this classic episode of Broadway Drumming 101, I sit down with the incredible Gary Seligson. If you've been around the Broadway scene, you already know his name. Gary's played on some massive shows, including Aida, Tarzan, Wicked, and Billy Elliot. His resume is stacked, but what really makes this interview special is the insight he shares about navigating the business, working in the pit, and adapting to the ever-changing world of theater drumming.We get into everything—how he got started, what it takes to lock in with a Broadway orchestra night after night, and how he keeps his playing fresh even after doing the same show hundreds (or thousands) of times. He also shares his approach to learning a book, staying prepared, and making a lasting career in this business.Gary's been in the game for a long time, and he's got a ton of wisdom to share. Whether you're an aspiring Broadway drummer or just someone who loves hearing behind-the-scenes stories from the pit, this episode is packed with gems.Episode Highlights:* Gary's Beginnings in Drumming: From banging on pots and pans as a child to his first toy snare drum, Gary's love for drumming was evident from an early age. His father nurtured this passion, leading him to study with Glenn Weber, who became a pivotal figure in his musical education.* High School and Early Gigs: Gary discusses his experiences in regional and all-state jazz bands, his first gig at age 13 with a Chicago/Blood, Sweat & Tears-style horn band, and how playing Bar Mitzvahs and country music gigs gave him a solid foundation for professional musicianship.* Music Education at Hartt School of Music: He shares why he chose the Hartt School over Berklee and North Texas, his influential mentor Al Lepak, and how studying in Hartford put him on a path toward a professional career in music.* Breaking into the New York Music Scene: After studying with legendary studio drummer Gary Chester, Gary received his first opportunity to sub on Broadway's The King and I in 1984. His first night in the pit was a nerve-wracking but pivotal moment that shaped his future on Broadway.* National Tours and Nine Years on the Road: Gary recounts his time playing Cats, Les Misérables, and Miss Saigon on tour, how driving between cities gave him a new appreciation for different parts of the U.S., and how this extensive road experience prepared him for his return to Broadway.* Landing Long-Running Broadway Shows: His journey from subbing on Chicago and The Lion King to originating the drum books for Aida, Wicked, and Tarzan. He shares fascinating behind-the-scenes stories, including how Phil Collins personally insisted that Gary be the drummer for Tarzan after hearing him play Wicked live.* Working with Legends: Gary reflects on playing drums alongside Elton John and Phil Collins, what made their playing styles so unique, and how their guidance influenced his own musicianship.* Adapting to Different Roles: From drumming to percussion work on Motown: The Musical, Gary shares how playing alongside master percussionists like Roger Squitero and Javier Diaz elevated his approach to groove and feel.* Navigating Broadway's Ups and Downs: Gary talks about the transitions between gigs, the importance of subbing, and how he balanced a career that included School of Rock and subbing next to me at Ain't Too Proud.This in-depth discussion offers incredible insights into a Broadway musician's life, the industry's realities, and the dedication required to thrive in musical theater drumming. Whether you're an aspiring drummer or a theater enthusiast, this episode is a must-listen.Give it a listen, and let me know what you think!

After inventing the Hollywood blockbuster with Jaws, creating the world's most loveable alien with E.T., and resurrecting the classic adventure serial with the Indiana Jones franchise, of course the next logical step in Steven Spielberg's career was to…adapt Alice Walker's Pulitzer Prize winning novel about the survival and strength of queer black women in the American south? Duh! Obviously! Comedian Kenice Mobley joins us to talk about 1985's truly baffling and seismically important The Color Purple in our latest episode. We want to thank Quincy Jones for discovering Oprah and producing this movie. We want to yell at Quincy Jones for his awful, treacly score. Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your  pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Apologies for the delay, Chelsea has had yet another rough week, but we are back to discuss Hollywood's biggest night and all of the best Karla Sofía Gascón jokes. Topics discussed include the deeply healing The Color Purple reunion, Anora's shocking sweep, Demi Moore's life-imitating-art moment, the sensational Wizard of Oz tribute, David Lynch erasure, and Adrian Brody's deeply annoying acceptance speech.  P.S. this episode was recorded before we knew the deeply f**ked up and unbelievably tragic details of Gene Hackman's death. R.I.P. King. Let's watch The Birdcage in his honor

This week, Madigan discusses feminist author and activist, Alice Walker, best known for her novel The Color Purple. This episode uncovers the good (and the problematic) sides of a feminist icon. Share your thoughts, or a topic that you want the show to take on! Email: neighborhoodfeminist@gmail.com Social media:     Instagram: @angryneighborhoodfeminist Get YANF Merch! https://yanfpodcast.threadless.com/ JOIN ME ON PATREON!! https://www.patreon.com/angryneighborhoodfeminist Sources: Main Source: https://salempress.com/Media/SalemPress/samples/walker_pgs.pdf My Father's Country Is the Poor: https://archive.nytimes.com/www.nytimes.com/books/98/10/04/specials/walker-poor.html?_r=1&oref=slogin When I Had My First Abortion: Or, I Was Spared To Be Here For You: https://alicewalkersgarden.com/2022/06/when-i-had-my-first-abortion-or-i-was-spared-to-be-here-for-you/ “Beauty”: https://www.oleanschools.org/cms/lib/NY19000263/Centricity/Domain/166/Beauty.pdf Learn more about your ad choices. Visit megaphone.fm/adchoices