Podcasts about subotnick

Episode 170 Chapter 29, Buchla Analog Synthesizers. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 29, Buchla Analog Synthesizers from my book Electronic and Experimental music.   Playlist: MUSIC MADE WITH BUCHLA ANALOG SYNTHESIZERS   Time Track Time Start Introduction –Thom Holmes 01:38 00:00 1.     Morton Subotnick, “Prelude No. 4” (1966). Early work for piano and electronic tape using sounds created on the Buchla 100. Pianist, Richard Bunger, recorded in 1973 (Buchla tape from 1966). 05:15 01:40 2.     Morton Subotnick, “Silver Apples of the Moon” (Part 1) (1966). First commissioned work of electronic music from Nonesuch Records. 04:23 08:32 3.     Gerry Olds, “4/3 + 1” (1967). Jazz mixed with electronics created on the Buchla 100 at a San Francisco Tape Music Center Concert. 11:19 12:58 4.     Buffy Sainte- Marie, “Better To Find Out For Yourself” and “The Vampire” (1969). Electronic “settings,” processing of Sainte-Marie's voice and guitar done on Buchla 100 modular systems (3 units) used by Michael Czajkowski at the electronic music studio of NYU. 04:39 24:16 5.     Douglas Leedy, “Entropical Paradise” (1970). Sonic environments created by the Moog and Buchla modular synthesizers. 20:09 28:52 6.     George Marsh, “Wind Borne” (1973). Prepared Buchla 200 Synthesizer with sequencing, George Marsh. 08:28 49:06 7.     David Rosenboom and Donald Buchla, “How Much Better If Plymouth Rock Had Landed On The Pilgrims, Section V” (1978). Buchla modular synthesizers by composer Rosenboom and the inventor himself, Donald Buchla. 22:47 57:34 8.     Morton Subotnick, “The Last Dream of the Beast” (1978, 1982, 1984). Featured the Buchla 400. 14:47 01:20:20 9.     Mel Powell, “Three Synthesizer Settings” (1981). Moog and Buchla synthesizers. 08:47 01:35:06 10.   Morton Subotnick, “A Sky of Cloudless Sulphur, Opening” (1980). Buchla 200 and Subotnick's “ghost shadow electronics.” 11:15 01:43:51   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

Episode 160 Chapter 21, The San Francisco Tape Music Center. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 21, The San Francisco Tape Music Center from my book Electronic and Experimental music.   Playlist: THE SAN FRANCISCO TAPE MUSIC CENTER   Time Track Time Start Introduction –Thom Holmes 01:30 00:00 1.     Terry Riley, “Mescalin-Mix” (1960-62). Early tape collage and one of Riley's first works for tape. 14:23 01:38 2.     Terry Riley, “Concerto For Two Pianos and Five Tape Recorders” )1961).  Piano, LaMonte Young; piano and tape assemblage, Terry Riley. Recorded live. 1961 Riley-Terry_ConcertoForTwoPianos-b.wav 04:36 15:56 3.     Pauline Oliveros, “Apple Box Double” (performance 2008). This piece was composed for various configurations of apple crates that were touched and scraped with various objects while being amplified. The original dates from about 2006. This performance by Seth Cluett and Oliveros took place in 2008. 12:45 20:30 4.     Steve Reich, “Melodica” (1966). Tape piece and the last of Reich's works before moving onto instrumental composition in his minimalist style. 10:42 33:16 5.     Morton Subotnick, “Laminations” (1966). For orchestra and electronic sounds, on tape. By this point, Subotnick was working with an early model of a synthesizer built for the San Francisco Tape Music Center by Donald Buchla. This synthesizer material was also used for the opening of Silver Apples of the Moon the following year. 10:29 44:08 6.     Morton Subotnick, “Prelude No.4 for piano and electronic tape (1966). Another Subotnick work for instruments and tape with synthesized electronic sounds. 06:58 54:36 7.     Pauline Oliveros, “Alien Bog” (1967). Utilizing the original Buchla Box 100 series created for the Tape Music Center by Don Buchla and a tape delay system. 33:17 01:01:30 8.     Morton Subotnick, “Silver Apples of the Moon” (1967). Subotnick, recently departed from San Francisco and taking up shop at New York University, brought synthesizers constructed for him by Don Buchla when he was at the San Francisco Tape Music Center. This electronic composition represented a high point for the use of synthesizers at that time and was recorded on commission from Nonesuch Records. 32:01 01:35:00   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

モジュラーシンセの傑作ドキュメンタリーを上映するイベント『Modular Theater ～I Dream of Wires／SUBOTNICK～』が1月11日·土曜日に、東京·高円寺シアターバッカスで開催！このイベントで上映される、1960年代のシンセサイザー黎明期からモジュラーシンセの歴史を振り返るドキュメンタリー映画「I Dream of Wires」について編集者の、山本翔一さんと深堀りしました！

Junto a Pauline Oliveros y Ramón Sender funda en 1961el San Francisco Tape Music Center, primer estudio de la Costa Oeste dedicado a la música experimental. Cinco años más tarde, crea el primer disco electrónico jamás grabado, “Silver Apples of the Moon”._____Has escuchadoThe Other Piano. Lullaby: For Piano & Live Electronics (2007). Soojin Anjou, piano; Morton Subotnick, electrónica. Mode (2019)Silver Apples of the Moon. Part A (1967). WERGO (1994)The Wild Beasts. After the Butterfly (1978). Conjunto instrumental dirigido por Subotnick. WERGO (2015)_____Selección bibliográficaBERNSTEIN, David, The San Francisco Tape Music Center: 1960s Counterculture and the Avant-garde. University of California Press, 2008CLEMAN, Tom y Morton Subotnick, “Parallel Lines for Solo Piccolo with "Ghost Electronics" and Nine Players”. Notes, n.º 40 (1983), p. 404DAVISON, Stephen, “All My Hummingbirds Have Alibis, Multimedia CD-ROM for Macintosh by Morton Subotnick” [Reseña]. Notes, n.º 53 (1996), p. 530-533*GLUCK, Robert, “Electric Circus, Electric Ear and the Intermedia Center in Late-1960s New York”. Leonardo Music Journal, vol. 45, n.º 1 (2012), pp. 51-56*—, “Nurturing Young Composers: Morton Subotnick's Late-1960s Studio in New York City”. Computer Music Journal, vol. 36, n.º 1 (2012), pp. 65-80*HANSON, Jeffrey, Morton Subotnick's Ghost Scores: Interaction and Performance with Music Technology.  TFM, San Jose State University, 2010MACHOVER, Tod, “Interview with Morton Subotnick”. Contemporary Music Review, vol. 13, n.º 2 (1996), pp. 3-11*ROADS, Curtis, “Interview with Morton Subotnick”. Computer Music Journal, vol. 12, n.º 1 (1988), pp. 9-18*ROADS, Curtis y Morton Subotnick, “A Sky of Cloudless Sulfur/After the Butterfly”. Computer Music Journal, n.º 5 (1981), p. 81SUBOTNICK, Morton, “Extending the Stuff Music is Made of”. Music Educators Journal, n.º 55 (1968), pp. 109-110—, “The Use of the Buchla Synthesizer in Musical Composition”. Journal of The Audio Engineering Society (1970), s/n—, “The use of computer technology in an interactive or “Real time” performance environment”. Contemporary Music Review, n.º 18 (1999), pp. 113-117WHIPPLE, Harold W., “Beasts and Butterflies: Morton Subotnick's Ghost Scores”. The Musical Quarterly, vol. 69, n.º 3 (1983), pp. 425-441*YELTON, Geary, “A Conversation with Morton Subotnick: Celebrating the 50th Anniversary of Silver Apples of the Moon”. Electronic Musician, vol. 33, n.º 11 (2017), pp. 26-30 *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

ProbablyMonsters' Mark Subotnick joins Victor Lucas in Vic's Basement to discuss his long career in video games. Fresh from Mark's appearance in S1E3 of #EPClassic, Mark details his years at SEGA working on Genesis, SEGA CD, Saturn and Dreamcast projects, then his transition to Xbox and launching the original platform and Xbox 360. Afterwards Mark … Continue reading "Episode 312 – SEGA & XBOX vet MARK SUBOTNICK – Launching Dreamcast, Saturn & Xbox!"

Welcome to Spiral Out podcast! We're thrilled to have Peter Grenader, an accomplished electronic music composer and sound designer, join us today. On the show, Grenader shares insights on his latest project - a rendition of Morton Subotnick's "Sidewinder". Together with Jill Fraser, Shiro Fujioka, and Thomas Klepper, Grenader delivered a mesmerizing performance that was filmed at Tool's studio in Hollywood, CA. The performance will be available on YouTube starting April 23, 2023, in honor of Subotnick's 90th birthday. Join us as we explore the groundbreaking work of Morton Subotnick, a composer who paved the way for the electronic music revolution. Grenader shares his experience meeting and learning from Subotnick, and the creative process behind the performance. We also delve into Grenader's work on Tool's Fear Inoculum album, for which he received a gold record. PHOTO BLOG FOR THE EPISODE :  https://spiraloutpod.blogspot.com/2023/04/welcome-to-spiral-out-podcast-were.html MORTON SUBOTNICK - SIDEWINDER LIVE AT TOOLS STUDIO  https://www.youtube.com/watch?v=LXWj5bV6U1Q   original Sidewinder (complete album): https://www.youtube.com/watch?v=bvok7DIEAEc BAND CAMP: https://povmusic2.bandcamp.com/album/subotnick-sidewinder-live Peter Grenader youtube channel (plenty of Tool/synth content) https://www.youtube.com/@PeterGrenader/videos Synthopia article on this project: https://www.synthtopia.com/content/2023/03/29/coming-soon-a-live-performance-video-of-morton-subotnicks-pioneering-modular-synthesizer-work-sidewinder/   Peter Grenader/Jill Fraser musical site: https://www.zzyzxsociety.com/

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On episode 134 of The Quarantine Tapes, Paul Holdengräber is joined by composer Morton Subotnick. Morton is a pioneering composer in electronic music. Morton and Paul discuss the changes in music since the 1950s and when Morton realized that he was living through a pivotal moment in the history of music.Morton worked on the development of early electronic instruments. He talks about how technology has changed the process of making and listening to music. Then, Paul and Morton touch on Mozart, Stan Brakhage, and the challenge of trying to make “new new” music instead of just “new old” music. Morton Subotnick is one of the pioneers in the development of electronic music and multi-media performance and an innovator in works involving instruments and other media, including interactive computer music systems. Most of his music calls for a computer part, or live electronic processing; his oeuvre utilizes many of the important technological breakthroughs in the history of the genre. His work Silver Apples of the Moon has become a modern classic and was recently entered into the National Registry of Recorded works at the Library of Congress. Only 300 recordings throughout the entire history of recordings have been chosen.Subotnick is also doing pioneering work to offer musical creative tools to young children. He has authored a series of six CD ROMS for children, a children's website, and developing a program for classroom and after school programs that will soon become available internationally. He tours extensively throughout the U.S. and Europe as a lecturer, composer, and performer. 

This week we go back to an old Caesura classic: Album Dares, where we “dare” each other to listen to an album the other hasn’t heard before. This week’s picks: the debut Specials album, and Morton Subotnick’s Silver Apples of the Moon. Albums of the Week: Scott: Fleet Foxes—Fleet Foxes EP Elaine: Oneohtrix Point Never—R Plus 7

Morton Subotnick, pioneering electronic composer, talks about putting on remote concerts in the 90s and gives some advice about working from home.http://mortonsubotnick.com/

Nú þegar heimsmeistaramótið í handknattleik stendur yfir er viðeigandi að líta um öxl og minnast þess þegar sama mót var haldið á Íslandi fyrir aldarfjórðung. Næstu daga flytjur Lestin örseríuna Þegar Ísland hélt stórmót og í fyrsta þætti ætlum við að skoða aðdragandan að HM '95, þar sem gekk á ýmsu og jafnvel kom til greina að hætta við mótið. Ein áhrifamesta plata allra tíma er ein fyrsta raftónlistarplata sögunnar, Silver Apples of the Moon frá árinu 1967 eftir bandaríska tónskáldið Morton Subotnick. Subotnick braut blað í tónlistarsögunni með því að búa til algjörlega nýtt listform en platan var eins konar auglýsing fyrir Buchla hljóðgervilinn, sem átti eftir að móta hvernig raftónlist hljómaði næstu áratugina. Þórður Ingi Jónsson skoðar magnað líf og brautryðjandi feril tónlistarmannsins Morton Subotnick í dag. Marta Sigríður Pétursdóttir rýnir í heimildarmyndina Ég er einfaldur maður, ég heiti Gleb. Og Tómas Ævar Ólafsson flytur okkur annan pistil sinn af þremur um veggjakrot.

Nú þegar heimsmeistaramótið í handknattleik stendur yfir er viðeigandi að líta um öxl og minnast þess þegar sama mót var haldið á Íslandi fyrir aldarfjórðung. Næstu daga flytjur Lestin örseríuna Þegar Ísland hélt stórmót og í fyrsta þætti ætlum við að skoða aðdragandan að HM '95, þar sem gekk á ýmsu og jafnvel kom til greina að hætta við mótið. Ein áhrifamesta plata allra tíma er ein fyrsta raftónlistarplata sögunnar, Silver Apples of the Moon frá árinu 1967 eftir bandaríska tónskáldið Morton Subotnick. Subotnick braut blað í tónlistarsögunni með því að búa til algjörlega nýtt listform en platan var eins konar auglýsing fyrir Buchla hljóðgervilinn, sem átti eftir að móta hvernig raftónlist hljómaði næstu áratugina. Þórður Ingi Jónsson skoðar magnað líf og brautryðjandi feril tónlistarmannsins Morton Subotnick í dag. Marta Sigríður Pétursdóttir rýnir í heimildarmyndina Ég er einfaldur maður, ég heiti Gleb. Og Tómas Ævar Ólafsson flytur okkur annan pistil sinn af þremur um veggjakrot.

Nú þegar heimsmeistaramótið í handknattleik stendur yfir er viðeigandi að líta um öxl og minnast þess þegar sama mót var haldið á Íslandi fyrir aldarfjórðung. Næstu daga flytjur Lestin örseríuna Þegar Ísland hélt stórmót og í fyrsta þætti ætlum við að skoða aðdragandan að HM '95, þar sem gekk á ýmsu og jafnvel kom til greina að hætta við mótið. Ein áhrifamesta plata allra tíma er ein fyrsta raftónlistarplata sögunnar, Silver Apples of the Moon frá árinu 1967 eftir bandaríska tónskáldið Morton Subotnick. Subotnick braut blað í tónlistarsögunni með því að búa til algjörlega nýtt listform en platan var eins konar auglýsing fyrir Buchla hljóðgervilinn, sem átti eftir að móta hvernig raftónlist hljómaði næstu áratugina. Þórður Ingi Jónsson skoðar magnað líf og brautryðjandi feril tónlistarmannsins Morton Subotnick í dag. Marta Sigríður Pétursdóttir rýnir í heimildarmyndina Ég er einfaldur maður, ég heiti Gleb. Og Tómas Ævar Ólafsson flytur okkur annan pistil sinn af þremur um veggjakrot.

Morton Subotnick In Conversation with Katie Gately On the heels of the 50th anniversary of his album, Silver Apples of the Moon, Morton Subotnick came to LA to perform two celebratory shows at CalArts. He sat down with Katie Gately at the dublab Studio to talk about this legendary electronic album, his current performance practice, and the history behind his groundbreaking compositional approach. Subotnick also touched upon his storied collaborations with the electronic music innovators, Don Buchla, Ramon Sender, and the members of the San Francisco Tape Music Center. Morton Subotnick is a pioneer in the development of electronic music and multi-media performance and an innovator in works involving instruments and other media, including interactive computer music systems. Most of his music calls for a computer part, or live electronic processing; his oeuvre utilizes many of the important technological breakthroughs in the history of the genre. His work, Silver Apples of the Moon, has become a modern classic and was recently entered into the National Registry of Recorded Works at the Library of Congress. “First you make the machine, then the machine makes you” -Marshall McCluhan In Conversation is produced by dublab. Sound editing and music are by Matteah Baim. Due to rights reasons music from the original broadcast has been removed. To hear more, please visit dublab.com.

In this weeks episode we chatted with Steven Subotnick about Podiatric Sports Medicine

During the embryonic development of the modern musical synthesizer, Morton Subotnick envisioned a day in which an individual could become the audience, the director, and the performer of a musical work all at once. The belief was that a device could exist that one could explore a sonic space with in real time and move from "point to point" within this space guided by feelings, emotions, or any other perturbation of the mind. With the creation of such a device (the "synthesizer") in 1963, Subtonick's idea became reality however alternative interpretations of its utility also emerged. With time, the "synthesizer" came to predominately be an instrument with which equal tempered, melodic music was created, recorded, and distributed among the masses. A select few have, however chosen to investigate and develop the concept closer to Subotnick's original vision of the man-machine interaction. adamon is Damon Mar’s pursuit of this. adamon is Damon Mar Lawrence F**king Kansas Links: https://soundcloud.com/adamon https://adamon.bandcamp.com/
 https://www.youtube.com/user/adamonnoise
 http://marsynth.com/ https://ethereallive.wordpress.com/2011/12/21/el012-adamon-ships/

Personal heroes. This is a very personal subject for most people, because our choice of heroes says a lot about us. My reverence for Morton's work has a lot to do with how it changed my ears - and therefore my life. Being introduced to Silver Apples allowed me to think of music as a less discrete, more fluid, material. Don't need to limit yourself to standard instruments focused on verses and choruses; you can choose to use electrons to develop phrases, premonitions, echoes and silence instead. I was never able to think of (or hear) music the same way again. In this chat, Morton and I talk about his current work, the events that got him to think about electronic music, and how he came to revisit the use of the Buchla modular system. We also talk a little bit about his upcoming book project, and the documentary that is being made about him. But it was a relaxed and enjoyable chat - appropriate for this highlight of my podcast: Number 200. Thanks again to everyone that has been listening over the years. Keep on listening, and I'll keep on doing it - now enjoy!

Join DJ Thruvo as he interviews Kelly Subotnick single mother struggling to provide a life for her family. This interview is set forth to help other single parents know they are not alone and provide more insight for me as to how they can be more beneficial in helping to raise a family.