Podcasts about Silver Apples

Episodio 7.10 de Las Cosas Que Hay Que Escuchar, en el cual se aún no vimos El Eternauta mientras escuchamos la música de The Muffs, Shonen Knife, The Primitives, Les Rita Mitsouko, Jacques Higelin, Alabama 3, Pere Ubu, María Peláe, The Big Moon, Morzelpronk, Silver Apples, Palusunsystem y Montecarlo Jazz Ensamble. Y, obviamente, todo el delirio habitual de Saurio y las voces que lo atormentan. Si quieren convidar con un cafecito ☕, pueden hacerlo acá: https://cafecito.app/saurio

Episode 170 Chapter 29, Buchla Analog Synthesizers. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 29, Buchla Analog Synthesizers from my book Electronic and Experimental music.   Playlist: MUSIC MADE WITH BUCHLA ANALOG SYNTHESIZERS   Time Track Time Start Introduction –Thom Holmes 01:38 00:00 1.     Morton Subotnick, “Prelude No. 4” (1966). Early work for piano and electronic tape using sounds created on the Buchla 100. Pianist, Richard Bunger, recorded in 1973 (Buchla tape from 1966). 05:15 01:40 2.     Morton Subotnick, “Silver Apples of the Moon” (Part 1) (1966). First commissioned work of electronic music from Nonesuch Records. 04:23 08:32 3.     Gerry Olds, “4/3 + 1” (1967). Jazz mixed with electronics created on the Buchla 100 at a San Francisco Tape Music Center Concert. 11:19 12:58 4.     Buffy Sainte- Marie, “Better To Find Out For Yourself” and “The Vampire” (1969). Electronic “settings,” processing of Sainte-Marie's voice and guitar done on Buchla 100 modular systems (3 units) used by Michael Czajkowski at the electronic music studio of NYU. 04:39 24:16 5.     Douglas Leedy, “Entropical Paradise” (1970). Sonic environments created by the Moog and Buchla modular synthesizers. 20:09 28:52 6.     George Marsh, “Wind Borne” (1973). Prepared Buchla 200 Synthesizer with sequencing, George Marsh. 08:28 49:06 7.     David Rosenboom and Donald Buchla, “How Much Better If Plymouth Rock Had Landed On The Pilgrims, Section V” (1978). Buchla modular synthesizers by composer Rosenboom and the inventor himself, Donald Buchla. 22:47 57:34 8.     Morton Subotnick, “The Last Dream of the Beast” (1978, 1982, 1984). Featured the Buchla 400. 14:47 01:20:20 9.     Mel Powell, “Three Synthesizer Settings” (1981). Moog and Buchla synthesizers. 08:47 01:35:06 10.   Morton Subotnick, “A Sky of Cloudless Sulphur, Opening” (1980). Buchla 200 and Subotnick's “ghost shadow electronics.” 11:15 01:43:51   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

Episode 189 of Pudding On The Wrist.  In which your faithful deejay and psychic friend, Frozen Lazuras, spins choice cuts from Kay Johnson, Hasil Adkins, Silver Apples, Age of Chance, OMD, Iggy Pop, Norther Soul Stompers, fine ass Doo Wop, and so much more.

On this month's episode, host Nicole Flattery is joined by Paula Dias Garcia and James Young to read from and discuss their stories featured in the Winter 2024-25 issue of The Stinging Fly Issue 51 Volume Two.Paula's story, ‘The Woods' can be found on page 193, and James' story, ‘Long Term Parking', can be found on page 154.Paula Dias Garcia is a queer writer and designer from Brasília, with an MA in Creative Writing from the University of Limerick. Their works have been published in The Stinging Fly, Analog SF&F, Channel, The Ogham Stone, Silver Apples and Riverbed Review. Currently, they're the artistic director for Sans. PRESS.James Young is a writer from Northern Ireland. His short stories have appeared in a wide range of publications and been shortlisted for the Sean O'Faolain, Wasafiri, Fish, and Bath prizes. He is the co-editor of Short Fiction literary journal and runs the Hastings Writers Workshop, a creative writing centre. He is also a translator, and his translation of The Love of Singular Men by the Brazilian author Victor Heringer was a finalist for the 2024 National Book Critics Circle Awards John Leonard Prize and the ALTA First Translation Prize, won the 2024 Jabuti Prize for the best Brazilian novel published abroad, and was runner-up for the Society of Authors/Translators Association First Translation Prize.Nicole Flattery is a writer and critic. Her story collection Show Them A Good Time, was published by The Stinging Fly and Bloomsbury in 2019. Her first novel, Nothing Special, was published by Bloomsbury in 2023.The Stinging Fly Podcast invites writers from the latest issue of The Stinging Fly to read and discuss their work. Previous episodes of the podcast can be found here. The podcast's theme music is ‘Sale of Lakes', by Divan. All of the Stinging Fly archive is available to subscribers.

Episode 41 of Campfire Songs with special guest, Andrew Colvin of Popular Creeps and Sinking Ships.  Selections from Sinking Ships, The Loft, The Minus 5, Wire Train, Julien Baker & Torres, Silver Apples, Adrianne Lenker, and Ronnie Wood.

Episode 160 Chapter 21, The San Francisco Tape Music Center. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 21, The San Francisco Tape Music Center from my book Electronic and Experimental music.   Playlist: THE SAN FRANCISCO TAPE MUSIC CENTER   Time Track Time Start Introduction –Thom Holmes 01:30 00:00 1.     Terry Riley, “Mescalin-Mix” (1960-62). Early tape collage and one of Riley's first works for tape. 14:23 01:38 2.     Terry Riley, “Concerto For Two Pianos and Five Tape Recorders” )1961).  Piano, LaMonte Young; piano and tape assemblage, Terry Riley. Recorded live. 1961 Riley-Terry_ConcertoForTwoPianos-b.wav 04:36 15:56 3.     Pauline Oliveros, “Apple Box Double” (performance 2008). This piece was composed for various configurations of apple crates that were touched and scraped with various objects while being amplified. The original dates from about 2006. This performance by Seth Cluett and Oliveros took place in 2008. 12:45 20:30 4.     Steve Reich, “Melodica” (1966). Tape piece and the last of Reich's works before moving onto instrumental composition in his minimalist style. 10:42 33:16 5.     Morton Subotnick, “Laminations” (1966). For orchestra and electronic sounds, on tape. By this point, Subotnick was working with an early model of a synthesizer built for the San Francisco Tape Music Center by Donald Buchla. This synthesizer material was also used for the opening of Silver Apples of the Moon the following year. 10:29 44:08 6.     Morton Subotnick, “Prelude No.4 for piano and electronic tape (1966). Another Subotnick work for instruments and tape with synthesized electronic sounds. 06:58 54:36 7.     Pauline Oliveros, “Alien Bog” (1967). Utilizing the original Buchla Box 100 series created for the Tape Music Center by Don Buchla and a tape delay system. 33:17 01:01:30 8.     Morton Subotnick, “Silver Apples of the Moon” (1967). Subotnick, recently departed from San Francisco and taking up shop at New York University, brought synthesizers constructed for him by Don Buchla when he was at the San Francisco Tape Music Center. This electronic composition represented a high point for the use of synthesizers at that time and was recorded on commission from Nonesuch Records. 32:01 01:35:00   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

Junto a Pauline Oliveros y Ramón Sender funda en 1961el San Francisco Tape Music Center, primer estudio de la Costa Oeste dedicado a la música experimental. Cinco años más tarde, crea el primer disco electrónico jamás grabado, “Silver Apples of the Moon”._____Has escuchadoThe Other Piano. Lullaby: For Piano & Live Electronics (2007). Soojin Anjou, piano; Morton Subotnick, electrónica. Mode (2019)Silver Apples of the Moon. Part A (1967). WERGO (1994)The Wild Beasts. After the Butterfly (1978). Conjunto instrumental dirigido por Subotnick. WERGO (2015)_____Selección bibliográficaBERNSTEIN, David, The San Francisco Tape Music Center: 1960s Counterculture and the Avant-garde. University of California Press, 2008CLEMAN, Tom y Morton Subotnick, “Parallel Lines for Solo Piccolo with "Ghost Electronics" and Nine Players”. Notes, n.º 40 (1983), p. 404DAVISON, Stephen, “All My Hummingbirds Have Alibis, Multimedia CD-ROM for Macintosh by Morton Subotnick” [Reseña]. Notes, n.º 53 (1996), p. 530-533*GLUCK, Robert, “Electric Circus, Electric Ear and the Intermedia Center in Late-1960s New York”. Leonardo Music Journal, vol. 45, n.º 1 (2012), pp. 51-56*—, “Nurturing Young Composers: Morton Subotnick's Late-1960s Studio in New York City”. Computer Music Journal, vol. 36, n.º 1 (2012), pp. 65-80*HANSON, Jeffrey, Morton Subotnick's Ghost Scores: Interaction and Performance with Music Technology.  TFM, San Jose State University, 2010MACHOVER, Tod, “Interview with Morton Subotnick”. Contemporary Music Review, vol. 13, n.º 2 (1996), pp. 3-11*ROADS, Curtis, “Interview with Morton Subotnick”. Computer Music Journal, vol. 12, n.º 1 (1988), pp. 9-18*ROADS, Curtis y Morton Subotnick, “A Sky of Cloudless Sulfur/After the Butterfly”. Computer Music Journal, n.º 5 (1981), p. 81SUBOTNICK, Morton, “Extending the Stuff Music is Made of”. Music Educators Journal, n.º 55 (1968), pp. 109-110—, “The Use of the Buchla Synthesizer in Musical Composition”. Journal of The Audio Engineering Society (1970), s/n—, “The use of computer technology in an interactive or “Real time” performance environment”. Contemporary Music Review, n.º 18 (1999), pp. 113-117WHIPPLE, Harold W., “Beasts and Butterflies: Morton Subotnick's Ghost Scores”. The Musical Quarterly, vol. 69, n.º 3 (1983), pp. 425-441*YELTON, Geary, “A Conversation with Morton Subotnick: Celebrating the 50th Anniversary of Silver Apples of the Moon”. Electronic Musician, vol. 33, n.º 11 (2017), pp. 26-30 *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

Esta semana, una nueva sesión de Rebelión Sónica, estará dedicada al cuarto y nuevo álbum del trío inglés Beak>, “>>>>”. Lanzado el 29 de mayo a través de los sellos Invada y Temporary Residence Ltd., se trata del primer álbum en seis años del grupo integrado por Geoff Barrow (Portishead), Billy Fuller y Will Young, pues es el sucesor de de “>>>” de 2018. Según la información difundida, las primeras partes de la grabación y escritura de “>>>>” se realizaron en una casa aislada en la localidad galesa de Talsarnau, cuando Reino Unido pasaba por una serie de cuarentenas debido al Covid-19. “En esencia, siempre quisimos esta música fuera escuchada como un álbum y no como canciones individuales separadas", señaló la banda en un comunicado colectivo. “Es por eso que lanzamos este LP sin sencillos ni pistas promocionales”. La declaración agrega que “después de tocar en cientos de conciertos y festivales a lo largo de los años, sentimos que las giras habían comenzado a influir en nuestra escritura hasta el punto de que ya no estábamos seguros de quiénes éramos. Así que decidimos volver a los orígenes de donde estábamos en nuestro primer álbum. Sin expectativas y simplemente tocando juntos en una habitación”. Al final del programa, vamos con material relacionado, específicamente con música del soundtrack del thriller distópico dirigido por Alex Garland “Civil War”, del que Geoff Barrow junto al compositor inglés Ben Salisbury estuvieron a cargo de su composición de temas originales, junto a música de grupos clásicos como Silver Apples y Suicide. Rebelión Sónica sale al aire por radio Rockaxis los jueves a las 10 y 22 horas, como siempre, con la conducción de Héctor Aravena.

This week's exceptional episode of Synthetic Dreams features the legendary American electronic musician. Morton Subotnick. In 1967 he released the seminal album ‘Silver Apples of the Moon' - a record that showcases the sound of the Buchla 100 invented by the late and very great, Don Buchla. This groundbreaking and hugely influential record was the first electronic composition composed exclusively for the album format This year sees the release of 'Subotnick - Portrait of an Electronic Music Pioneer' a brand new documentary about his career , which has already received some fantastic reviews. The film, which has yet to have a UK release date, is currently screening in the US. This interview is part one of two interviews with this great man, who at 91 years of age, is showing no signs of stopping. 

Springs days summer starting soon, lay on the grass and enjoy. It'a wonky beats and abstract ambient mixed with the late great Bim Sherman singing with Dub Syndicate, Calvin Johnson from K records gives his Olympia, Washington version of On Usound, there's Post-pPunk - New Wave tracks from bands who couldn't quit their day jobs for very long, and loads more. Music; Four Tet, Silver Apples, Sula Bassana, Oregōne, Primal Scream, Arab Strap, Dub Syndicate, Bim Sherman- to name just a few. For more info and tracklisting, visit: https://thefaceradio.com/golazo/Tune into new broadcasts of ¡Golazo! with Matt Pape LIVE, Thursdays from 12 - 2 PM  EST /  5-7 PM GMT.//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

En este nuevo episodio de Críticas Sobre La Marcha retomamos la crítica de estrenos centrándonos en "Civil War", la última película de Alex Garland. El motivo que nos lleva a analizar este filme es la clara división que ha provocado entre la crítica, pues sus imágenes han provocado tanto enormes alabanzas como ataques. Participan en el debate Alberto Corona, Raúl Álvarez, Álvaro Peña y Yago Paris. El tema que cierra el programa es "Lovefingers", de Silver Apples, perteneciente a la banda sonora del filme: https://www.youtube.com/watch?v=QvZLQSPT3Wg&list=PLAzKYHCqgOF8PFDAS1auxN3OvqHwXr3Iq&ab_channel=SilverApples-Topic

Bside Incoming: Soccer96 For show #178 we welcome London's dynamic duo - Soccer96, who have curated a unique blend of synthesizers and drums, specializing in a captivating fusion of jazz, prog, and electronica. The duo's members are Danalogue (Dan Leavers) and Betamax (Max Hallett), this genre-defying act draws inspiration from hip-hop, post-punk, and funk, showcased in their 2021 release "Dopamine" and 2022's "Inner Worlds." 'Inner words' album - https://soccer96.bandcamp.com/album/inner-worlds 'Dopamine' album - https://soccer96.bandcamp.com/album/dopamine As well as their project 'Soccer96', the busy duo are 2 out of 3 members of their band 'The Comet Is Coming', along side the tallented tennor sax player - Shabaka Hutchings. Together, they orchestrate an electrifying fusion of jazz, techno, and dance influences, punctuated by hard-hitting grooves that are bound to move both the body and the soul. https://thecometiscoming.bandcamp.com/ The inception of Soccer96 dates back to 2012 with the release of their acclaimed self-titled debut LP, followed by a string of high-profile performances and a notable collaboration with Can frontman Damo Suzuki. Their sophomore full-length, "As Above So Below," dropped in 2016, drawing inspiration from the likes of Silver Apples, This Heat, and Flying Lotus. Their 2018 release, "Rewind," embraced the beat tape aesthetic with heavy tape saturation and analog mixing. Upon joining Moshi Moshi Records, Soccer96 joined forces with vocalist and saxophonist Alabaster DePlume for the 2020 "Tactics" EP. Their fourth full-length album, "Dopamine," emerged in 2021, featuring guest vocalists Salami Rose Joe Louis and Nuha Ruby Ra. Their 2022 release, "Inner Worlds," continued their tradition of collaboration, with songs co-written by Rozi Plain, the Colours That Rise, and bassist Tom Herbert (Polar Bear, the Invisible). Soccer96 has built a global presence through extensive touring, with their most recent performance taking place in Japan last month. Their Bside Podcast selections treat us to their wide-ranging musical influences, expect insightful chat accompanied by a well flowing mix of eclectic records including ambient, global downtempo, jazz fusion, latin, hip hop, prog rock and much more. Enjoy! Check their instagram - https://www.instagram.com/soccer96official/ Their BandCamp - https://soccer96.bandcamp.com/ And linktree - https://linktr.ee/soccer96 Thanks to Molly Hickey for the beautiful artwork as always. www.instagram.com/mollyth.art/ Follow the Bside Instagram for updates/news/vinyl and general music chat: www.instagram.com/bsidepodcasts/

Morton Subotnick is an American composer of electronic music, best known for his 1967 composition Silver Apples of the Moon, the first electronic work commissioned by a record company, Nonesuch. He has worked extensively with interactive electronics and multi-media, co-founding the San Francisco Tape Music Center with Ramón Sender, and is an innovator in works involving instruments and other media, including interactive computer music systems. On the podcast, we talk about his youth growing up in Los Angeles, his co-founding of the San Francisco Tape Music Center, shifting from the clarinet to the electronic music studio to live electronic performance, and his upcoming performance of As I Live & Breathe at Other Minds 27 with video artist Lillevan. mortonsubotnick.com Follow us on Facebook, Instagram, and Twitter. otherminds.org Contact us at otherminds@otherminds.org. The Other Minds Podcast is hosted and edited by Joseph Bohigian. Intro/outro music is “Kings: Atahualpa” by Brian Baumbusch (Other Minds Records).

Desde su primera demo allá por 2016, Los Manises no han dejado de experimentar y darle vueltas a la "música de guitarras" que compone la base de su sonido. Y es que, aunque no lo parezca, sus influencias van desde Tears for Fears a Mew pasando por Talking Heads o Silver Apples. Siendo el Folk y el Genre World sus otros dos pilares. Después de la publicación de 'Aristocracia y underground' (Montgrí, 2020), vuelven con 'Todas son correctas' (Montgrí, 2023), su primer disco de larga duración en el que, por primera vez, trabajan la producción con alguien externo. I-Ace (AGZ, Antifan) ha sido el elegido para entrar en el mundo de Los Manises. Un mundo que, aun siendo tan propio, ha podido ser comprendido por el productor a la perfección. Isidro y su visión más cercana al Hip-Hop y a los sonidos electrónicos han sido totalmente determinantes en el resultado final del disco, sabiendo contemporizar en cada momento cual de "todos los caminos son posibles" era el bueno para cada canción. Este disco de Los Manises es un nuevo mundo por descubrir que se nos presenta de una manera muy completa. Ahora bailar, ahora pensar. Ahora simple, ahora complejo. Ahora estático, ahora elástico... Todos los caminos son válidos, todas son correctas.Escuchar audio

Episodio 5.13 de Las Cosas Que Hay Que Escuchar, en el cual las cosas se ponen bien raras junto a The Shaggs, Ptôse, Pseudo Code, M.a.L., Bene Gesserit, The Chopstick Sisters, Renaldo and The Loaf, The Residents, Rema Rema, Silver Apples, Radikal Satan, Subject y Liquid Liquid Y, obviamente, todo el delirio habitual de Saurio y las voces que lo atormentan. Si quieren convidar con un cafecito ☕, pueden hacerlo acá: https://cafecito.app/saurio Programa emitido originalmente el 28 de mayo de 2023 por FM La Tribu, 88.7, Buenos Aires, Argentina. Repite el 31 de mayo de 2023 en Radio Asamblea FM 94.1, CABA, y el 30 de mayo y el 3 de junio de 2023 en Radio de la Calle, FM 87.9, Bahía Blanca

Episode 95 Early Intersections of Rock and Electronic Music   Playlist Frank Zappa, The Mothers of Invention, “The Return of the Son Of Monster Magnet (Unfinished Ballet In Two Tableaus)” from Freak Out! (1966 Verve). Bass, Guitarrón, Soprano Vocals, Roy Estrada; Drums, Jimmy Carl Black; Guitar, Vocals, Arranged By, Written-By, Leader, Musical Director, Frank Zappa; Lead Guitar, Rhythm Guitar, Elliot Ingber; Vocals, Harmonica, Tambourine, Finger Cymbals, Ray Collins. Having been gifted a copy of the Mother's album Freak Out! In 1966, it was apparently this song that stuck in Paul McCartney's mind, inspiring the “Carnival of Light” recording to follow. 12:15 The Beatles, “Carnival of Light” an unreleased track that was commissioned by the Million Volt Light and Sound Rave, an event held at the Roundhouse in London on January 28 and February 4, 1967. Recorded during a session for the song "Penny Lane" in January 1967. Working with the recording studio as a creative tool, this was a project brought to band by Paul McCartney who had been asked by the festival sponsors to create a tape to be featured at the event. It was reported later that McCartney explained the exercise to his bandmates by saying, "This is a bit indulgent, but would you mind giving me 10 minutes? I've been asked to do this thing. All I want you to do is just wander round all of the stuff and bang it, shout, play it." The result was this sound piece. The Beatles were already conditioned for turning out spectacular sound effects in the studio. This was before the Moog Synthesizer came to Abbey Road. Nonetheless, they had access to all manner of guitar effects, echo, reverb, a Mellotron, electronic piano, organ, Lesley speakers and other devices with which to improvise. 13:08 The Riders Of The Mark, “The Electronic Insides And Metal Complexion That Make Up Herr Doktor Krieg” from The Electronic Insides And Metal Complexion That Make Up Herr Doktor Krieg/Gotta Find Somebody (1967 20th Century Fox). I wish I knew more about this band, but I don't. They had this one single. It has sometimes been included on compilation of psychedelia. Rock music, tape reversal, tape echo, fuzz tones, guitars. 2:13 Pink Floyd, “Interstellar Overdrive” from The Piper At The Gates Of Dawn (1967 Columbia). UK release of the formidable Pink Floyd, then making an impact with their first LP. No synthesizers, but there were electronic rock instruments galore and some imaginative stereo imaging, a benefit of working with tape in those days. Bass Guitar, Vocals, Roger Waters; Lead Guitar, Vocals, Syd Barrett; Drums, Nicky Mason; Piano, Organ, Rick Wright. 9:40 Bernard Parmegiani, “Pop'eclectic (1968)” from JazzEx (1999 Plat Lunch). Composed, produced, edited by Bernard Parmegiani. Parmegiani was one of the lesser-known composers associated with the French musique concrete school, although he was no less prolific in many genres, including electronic music for commercials. He was adept at experimenting across genres, providing musique concrete vividness to works for jazz and rock music. I always find his work to be refreshing and uncluttered by musical cliches. 11:03 (Frank Zappa) The Mothers of Invention, “Are You Hung Up?” from We're Only In It For The Money (1968 Verve). Arranged By, Composed By, Conductor, Concept By Conceived, Directed By Executed, Producer, Frank Zappa; Bass, Vocals, Other Asthma, Roy Estrada; Drums, Trumpet, Vocals, Other Indian Of The Group, Jimmy Carl Black; Drums, Vocals, Other Yak & Black Lace Underwear, Billy Mundi; Guitar, Piano, Vocals, Edited By, Other Weirdness, Frank Zappa; Piano, Woodwind, Other Wholesome, Ian Underwood; Saxophone, Other Weirdness & Teen Appeal, Euclid James Motorhead Sherwood; Sounds Snorks, Dick Barber; Voice Creepy Whispering, Engineer, Gary Kellgren; Voice Telephone, Suzy Creamcheese; Woodwind, “Mumbled Weirdness,” Bunk Gardner. 1:30 Silver Apples, “Velvet Cave” from Silver Apples (1968 Kapp). Composed and Arranged by, Dan Taylor, Simeon; Percussion, Dan Taylor; The Simeon (oscillators, filters), Simeon; Vocals, Dan Taylor, Simeon. “INSTRUCTIONS: Play Twice Before Listening.” This two-man group used a genius combination of drums and oscillators, a match made in heaven. 3:27 (Frank Zappa) The Mothers of Invention, “Nasal Retentive Calliope Music” from We're Only In It For The Money (1968 Verve). Arranged By, Composed By, Conductor, Concept By Conceived, Directed By Executed, Producer, Frank Zappa; Bass, Vocals, Other Asthma, Roy Estrada; Drums, Trumpet, Vocals, Other Indian Of The Group, Jimmy Carl Black; Drums, Vocals, Other Yak & Black Lace Underwear, Billy Mundi; Guitar, Piano, Vocals, Edited By, Other Weirdness, Frank Zappa; Piano, Woodwind, Other Wholesome, Ian Underwood; Saxophone, Other Weirdness & Teen Appeal, Euclid James Motorhead Sherwood; Sounds Snorks, Dick Barber; Voice Creepy Whispering, Engineer, Gary Kellgren; Voice Telephone, Suzy Creamcheese; Woodwind, “Mumbled Weirdness,” Bunk Gardner. 2:03 The United States of America, “The American Metaphysical Circus” from The United States of America (1968 Columbia). While the entire psychedelic scene in America was adding tape manipulation, fuzz tones, and echo to their recordings, The United States of America brought a blend of rock musicianship and serious tape collage work to the fore. The tape effects in their music were not the usual brief hooks or the sake of novelty, but fully composed blocks of electronic and found sounds integrated in the core of their tunes. Electric Bass, Rand Forbes; Keyboards, Electronics, Organ, Piano, Arranged, Electric Harpsichord, Calliope, Joseph Byrd; Lead Vocals, Dorothy Moskowitz; Organ, Piano, Calliope, Ed Bogas; Percussion, Drums Electric Drums, Craig Woodson; Producer, David Rubinson; Violin Electric Violin, Ring Modulator, Gordon Marron. 5:07 The United States of America, “Hard Coming Love” from The United States of America (1968 Columbia). Electric Bass, Rand Forbes; Keyboards, Electronics, Organ, Piano, Arranged, Electric Harpsichord, Calliope, Joseph Byrd; Lead Vocals, Dorothy Moskowitz; Organ, Piano, Calliope, Ed Bogas; Percussion, Drums Electric Drums, Craig Woodson; Producer, David Rubinson; Violin Electric Violin, Ring Modulator, Gordon Marron. No synthesizers as such, but Tom Oberheim built ring modulators and other devices for them. 4:48 Bernard Parmegiani, “Du Pop À L'âne (1969)” from JazzEx (1999 Plat Lunch). Composed, produced, edited by Bernard Parmegiani. Of special interest on this track is a sampled chunk of a song by the Doors that appears about 6 minutes in, altered and accompanied by editing and effects. This use of sampling speaks to the liberties that musique concrete musicians were taking with found materials. 10:14 Pierre Henry & Michel Colombier, “Prologue,” “Psyché Rock,” “Jéricho Jerk,” and “Teen Tonic” from Mass For Today / The Green Queen (1969 Limelight). Compilation of earlier works first released in 1967. These four works were part of “Mass for Today,” an electronic rock ballet.” This is a decent collection, with selections from other Henry musique concrete works. The electronic sounds and tape effects seem somewhat heavy-handed now, but at that time, this was what one could do without a synthesizer. Henry was already a maestro of musique concrete by that time so it's especially interesting to see what sounds he added without seeming trite or cliched. Réalisation Sonore, Pierre Henry; Written by, Michel Colombier, Pierre Henry. 9:54 Spooky Tooth and Pierre Henry, “Have Mercy” from Ceremony: An Electronic Mass (1969 Island). Bass Guitar, Andy Leigh; Composed by Gary Wright, Pierre Henry; Drums, Mike Kellie; Electronics, Realisation Sonore, Pierre Henry; Lead Guitar, Luther Grosvenor; Lead Vocals, Mike Harrison; Lead Vocals, Keyboards, Gary Wright. 8:10 The Free Pop Electronic Concept, “Pish! Pshaw!” from A New Exciting Experience (1969 Palette). From Brussels. Bass, James; Composed By, Recorded by Arsène Souffriau; Drums, Stu Martin; Electric Guitar, Jess; Organ, Scott Bradford; Percussion, Tumba, Vinagre. 4:47 The Free Pop Electronic Concept, “Cosmos Rhythms” from A New Exciting Experience (1969 Palette). From Brussels. Bass, James; Composed By, Recorded by Arsène Souffriau; Drums, Stu Martin; Electric Guitar, Jess; Organ, Scott Bradford; Percussion, Tumba, Vinagre. 3:01 Tommy James and the Shondells, “Cellophane Symphony” from Cellophane Symphony (1969 Roulette). This title track was a rare instrumental from this group normally associated with rock vocal hits. This is the only track in this podcast featuring the Moog Modular Synthesizer. There were certainly other examples of the Moog since it was first used in 1967, but I wanted to choose an example of how the synthesizer could be used by a rock band, rather than a pop artist such as Jean Jacques Perrey or Mort Garson. This is a terrific example that I would bet many of my listeners have never heard before. Tommy James, lead vocals, guitars, keyboards; Eddie Gray, lead guitar, backing vocals; Ronnie Rosman – keyboards, backing vocals; Mike Vale, bass guitar, backing vocals; Pete Lucia, drums, percussion, backing vocals. 9:37 West Coast Pop Art Experimental Band, “As Kind as Summer” from Vol. 3 - A Child's Guide To Good & Evil (1968 Reprise). American psychedelic rock band, formed in Los Angeles in 1965, broke up in 1969. Three teens (brothers Dan and Shaun Harris and their friend Michael Lloyd) teamed up with 30-year old Bob Markley, who got them a record deal with Reprise. Each of their albums was most bizarre, combining hummable pop tunes and spacey production. I included this particular track because it starkly demonstrates the use of tape loops and sound reversal. 1:10 Toshi Ichiyanagi, The Flowers, "Electric Chant” and “The Flowers (内田裕也とザ・フラワーズ)” from Opera "From The Works Of Tadanori Yokoo (1969 The End Record). Composed by Toshi Ichiyanagi and performed by the Japanese rock group The Flowers: Bass, Takeshi Hashimoto; Drums, Joji Wada; Guitar, Vocals, Remi Aso; Percussion, Backing Vocals, Yuya Uchida; Steel Guitar, Katsuhiko Kobayashi; Vocals, Hiroshi Chiba, Kento Nakamura. I'm including two pieces from this opera from 1969. The first, “Electric Chant” is electronic and includes tape collage while the second, “The Flowers” was performed by the Japanese pop rock band The Flowers and is loaded with distortion, echo, feedback, and reverberation, transforming the simple rock format into a discourse in electronic sound. 5:17 & 7:18 Tim Buckley, “Starsailor” from Starsailor (1970 Bizarre). Engineer, Stan Agol; Vocals, Producer, Written by, Tim Buckley. According to Larry Beckett, Buckley's chief lyricist and collaborator, who was there when they recorded this track, Buckley had a basic lyric track to which he recorded 18 additional vocals tracks on top of it. “He didn't write it out as a classical musician does, but it was thoroughly composed.” From the standpoint of rock music, this was more akin to composing with tone clusters than chord progressions. 4:34 Opening background music: Luc Ferrari, “Dialogue Ordinaire Avec La Machine (1984)” from Dialogue Ordinaire Avec La Machine / Sexolidad (2019 Elica). Composed and performed by Luc Ferrari. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.

Pushing the boundaries with Silver Apples, Deviled Ham, Century Expanded, Beefheart, Popera Cosmic and more. Added visuals on Apple devices thanks to Vizzy.fm.. Full playlist always posted via Retrospect 60s Garage Punk Show on Facebook and Insta. Retrospect is created by Phil Grey at Free FM 89.0 [Kirikiriroa/Hamilton, NZ] [supported by NZ on Air]

Episodio 5.05 de Las Cosas Que Hay Que Escuchar, en el cual combatimos al capitalismo junto a Shonen Knife, Wall of Voodoo, The Boomtown Rats, The Slits, Suburban Lawns, Yo La Tengo, Zahara, They Might Be Giants, Seasick Steve, Socrates Drank the Conium, Silver Apples, Robert Fripp y Yello. Y, obviamente, todo el delirio habitual de Saurio y las voces que lo atormentan. Si quieren convidar con un cafecito ☕, pueden hacerlo acá: https://cafecito.app/saurio Programa emitido originalmente el 2 de abril de 2023 por FM La Tribu, 88.7, Buenos Aires, Argentina. Repite el 3 y 4 de abril de 2023 en Radio Libre, 96.3, Santa Teresita, el 5 de abril de 2023 en Radio Asamblea FM 94.1, CABA, y el 4 y 8 de abril de 2023 en Radio de la Calle, FM 87.9, Bahía Blanca

Bob and Mike return to talk a bit about Pavement's UK and US tour, pay tribute to Hamish Kilgour, and play songs from French pop duo Marie Mathematique, soul gospel legend Mavis Staples, '70s Nigerian rock funk band Black Children Sledge Funk Group, indie rock royalty The Casual Dots, '60s electro pop duo The Silver Apples, and current UK songwriter Richard Dawson.

Greetings & welcome to another edition of Pushing The Envelope.   The 5/14 program focused on longer pieces since I was jammed for time due to a week spent travelling (Montana, Wyoming, Idaho) with my daughter, her husband and four and a half year old twins.  When I got back I needed a vacation from the vacation. As usual, music from all over the spectrum. Enjoy! Joel e-mail: pushingtheenvelopewhus@gmail.com Twitter: @envpusher1   5-14-22 Pushing The Envelope Playlist Rainforest IV (excerpt) - composer: David Tudor / ensemble: Composers Inside Electronics - Rainforest IV - Neuma (2022) https://composersinsideelectronics.bandcamp.com/album/composers-inside-electronics-perform-david-tudors-rainforest-iv   Capriccio - Hub New Music / composer: Michael Ippolito - Cappriccio - digital release (2021) https://hubnewmusic.bandcamp.com/album/capriccio   In Zeungen - Rainer Bürck / Marko Kassl, accordion - Feurer Zeungen Glocken Saiten - Earsay Music (2022) https://earsaymusic.bandcamp.com/album/feuer-zungen-glocken-saiten   Modul 6 / Modul 8_9 - Nik Bärtsch - Hishiryo: Piano Solo -  Ronin Rhythm Records (2006) https://roninrhythmrecords.bandcamp.com/album/hishiryo-piano-solo-2   Suite Ran - Bi Kyo Ran - Parallax - Belle Antique (1983)   Silver Apples of the Moon: Revisited (50th Anniversary • LIVE at Redcat • Feb. 13, 2018) - Morton Subotnick - Dublab (2022) https://dublab.bandcamp.com/album/silver-apples-of-the-moon-revisited-50th-anniversary-live-at-redcat-feb-13-2018   Le Son Doublé (excerpt) - pä (Paulo da Fonseca) - digital release (2021) https://lesondouble.bandcamp.com/album/le-son-doubl  

Subscribe on Spotify ∙ Stitcher ∙ Apple ∙ Pocket Casts ∙ Google ∙ TuneIn ∙ RSS A slow afternoon in the Interzone… We talked about A LOT of music on this episode…all of it is worth further investigation, but if you just need a place to start, here's a playlist.Ornette Coleman talks about sound as language.The Other's Language: Jacques Derrida interviews Ornette Coleman, 23 June 1997. In this fascinating conversation, Ornette Coleman asked Jacques Derrida “Do you ever ask yourself if the language that you speak now interferes with your actual thoughts? Can a language of origin influence your thoughts?”Just by the way, does Derrida here explain why the French can't do jazz?Revisiting the Master Musicians, a very interesting article on the blog On An Overgrown Path.Ornette Coleman and the Circle With a Hole in the Middle, by Robert Palmer, in The Atlantic 1972.Tom mentioned this 2xLP recorded in 1971 in the ep, finally got a copy and made a digital transfer available here…Beginnings…Howard Shore gets his first break…The first stirrings of Free Jazz?Does this explain anything?Brion Gysin's Dream Machine with the Master Musicians of JajoukaInterestingly, just as we were about to drop the episode, this happened...Brion Gysin doing scary Be-Bop with Steve Lacy. Everything is connected.In 2010 Ornette was a surprise guest at Sonny Rollins 80th birthday party concert in Now York, heard here in a 20-minute long workout of Rollin's Sonnymoon For Two.Ornette jams with The Greatful Dead in 1993 (The Internet Archive)…How this all started…This sparked off a search for alternatives..This is Buchla 200e synthesizer…Morton Subotnick made Silver Apples of the Moon in 1967 using the older Buchla 100 instrument. Sam Shepard made Promises in 2021 using Pharoah Sanders, the strings of the London Symphony Orchestra, a Piano, a Harpsichord, a Celesta, a Fender Rhodes, a Hammond B3, an Oberheim 4 voice, an Oberheim OB-Xa, a Solina String Ensemble, a Therevox ET-4.3, an EMS Synthi, an ARP 2600, and a Buchla 200e, ffs.This was one…Frank Zappa reads the man who taught his a*****e to talk, the very same that Bill Lee recites in the movie.Just for the Hell of it (!) here's Burroughs narrating a Swedish Movie with a great Jazz Soundtrack about witchcraft.The fascination for a particular author's typewriter is explored futher in this extremely imaginative and well crafted Hörspiel from the WDR...and here's a typewriter that could have kicked the s**t out of all the othersTom's specific Naked Lunch special interestSubscribe to Gas GiantsRSS https://api.substack.com/feed/podcast/311033.rss22 This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit gasgiants.substack.com

METZ is a Canadian noise punk band formed in 2008 in Ottawa and currently based in Toronto. The band consists of guitarist and vocalist Alex Edkins, bassist Chris Slorach and drummer Hayden Menzies. In this episode, part one of a series of two, all songs selected by METZ and published as a playlist with a popular audio streaming provider (that shall remain unnamed), between Oct 2017 and Aug 2021. Lineup: Simply Saucer, Hawkwind, Void, Fela Kuti, The Fall, CAN, Sam Cooke, Portishead, Neil Young, MC5, The Stooges, Nick Cave & The Bad Seeds, Ramones, Donny Hathaway, Bob Dylan, Aretha Franklin, Sly & The Family Stone, Earth, Wind & Fire, Soul Glo, Daniel Romano, Joe Wong, FACS, Adulkt Life, Special Interest, Cold Meat, Dog Day, Nape Neck, Sweeping Promises, Wax Chattels, 3Ds, Jesu, Nels Cline, Napalm Death, Crack Cloud, The Pretty Things, Protomartyr, The Flaming Lips, The Monks, Suicide, Pink Floyd, Elevator To Hell, Purple Mountains, IDLES, Mount Eerie, Polvo, Wire, Sebadoh, Palace Music, Bedhead, The Sound, Vector Seven, Spray Paint, Martin Rev, Echo & the Bunnymen, Silver Apples, Swell Maps, Bikini Kill

This week we watched an episode unlike any other SVU in the catalog. A young girl from Kansas is abandoned by her Fireball-shooting friends, drugged with exotic psychedelics, raped, and forced to dig her own physical and metaphorical grave by the acolytes of a famed radical psychologist who just so happens to have been SVU's own resident Alice-In-Wonderland-expert Amanda Rollins's former guru. Between blue rape avatars, expensive music cues, and extensive literary references, things get pretty weird. This, of course, is all just fuel for the Munch fire as Josh and Adam discuss the hero's journey; pedicab culture; early 20th century Swedish folklore illustrator, John Bauer; famed ethnobotanist and drug user, Terrence McKenna; famed memoirist and sex haver, Anaïs Nin; and whether or not we're too old to pick up trendy new drug habits. This is a wild ride folks. Hold on tight! Sources: DMT - PsychonautWiki Terrence McKenna's Last Trip - Wired John Bauer's Illustrations - WikiArt Music: Divorcio Suave - “Munchy Business” 15:31 - The Misunderstood - "Find A Hidden Door" from Before The Dream Faded (1966) 28:53 - Oriental Sunshine - "Across Your Life" from Dedicated To The Bird We Love (1970) 43:27 - The Byrds - "Mr. Spaceman" from Fifth Dimension (1966) 1:04:48 - Silver Apples - "Lovefingers" from Silver Apples (1968) 1:16:38 - Hawkwind - "The Golden Void" from Warrior On The Edge Of Time (1975) Next Week's Episode: Season 13, Episode 6 "True Believers"

Trigésima primera emisión de la Fase 3 de Las Cosas Que Hay Que Escuchar con temas de Yello, Plastics, Maxia ta Ixiar, Ne Zhdali, Sinead O’Brien, Mother Falcon, Annette Peacock, Silvia Pérez Cruz, Tronco, Yazoo, Silver Apples, Komputer y Karl Bartos. Además de todo el delirio habitual de Saurio y las voces que lo atormentan. Y si quieren convidar con un cafecito ☕, pueden hacerlo acá: https://cafecito.app/lascosasquehay Programa emitido originalmente el 3 de octubre de 2021 por FM La Tribu, 88.7, Buenos Aires, Argentina. Repite el 6 de octubre en Radio Asamblea FM 94.1 y el 9 de octubre en Radio de la Calle, FM 87.9 (Bahía Blanca)

En aquest primer capítol de la nova temporada de Viatge Electrònic vam retre homenatge a Richard H. Kirk, component de la mítica banda Cabaret Voltaire. L'Eva Manuel i la Laura ens introdueixen a la gran Delia Derbyshire, en Raúl Manzano ens parlarà de la vessant més electrònica d'El Petit de Ca L'Eril, en Ramon Daví amb la seva Vinilada ens portarà tres vinils indispensables, en Jerome de la botiga T Vinyl ens recomanarà les ultimes novetats que li arriben a la botiga, l'Adrià Gazquez (Omega dB) ens punxarà un temarraco de Ayia i finalment l'Isma Palacios comença el seu monogràfic sobre l'electrònica als EEUU parlant de Silver Apples.

Cal Tjader - Along Comes Mary (1967) Cal Tjader - Gimme Shelter (1971) Marran Gosov - Lampenfieber (1977) Now THIS is German Existentialism! The English translation to what he is singing: At the first time came energy At the second then the imagination At the third came with you the pleasure At the fourth you've kissed me At the fifth I was searching you At the sixth then only cursed you At the seventh i have discovered you At the eighth tasted on the skin   Stage fright Without you I can not be Fever Without you I'm alone Fever My cross and yarn on the pulse of power Fever I need you again and again Stage fright   At the ninth you've touched me At the tithe seduces me very quick At the eleventh came the Wonderland At the twelfth it started all over again   You are hope and energy The engine of my imagination My cross and yarn on the pulse of power My time-escort until midnight Without you I can not be Without you I'm alone I need you again and again stage fright Sakarin Boonpit – ควายหายล้อมคอก (Buffalo Disappears Around the Stall) (1978?) Thai cover version of Elvis' "Little Sister" Silver Apples - Oscillations (1968) Silver Apples - Program (1968) Silver Apples - I Don't Care What The People Say  (1998) Silver Apples-  You and I (1969) Decades after their brief yet influential career ground to a sudden halt due to being sued for exorbitant amounts by Pan Am Airlines, Silver Apples remain one of pop music's true enigmas: a surreal, almost unprecedented duo, their music explored interstellar drones and hums, pulsing rhythms and electronically-generated melodies years before similar ideas were adopted in the work of acolytes ranging from Suicide to Spacemen 3 to Laika. Silver Apples was formed in New York in 1967 and comprised percussionist Danny Taylor and lead vocalist Simeon, who played an instrument also dubbed the Simeon, which (according to notes on the duo's self-titled 1968 debut LP) consisted of "nine audio oscillators and eighty-six manual controls... The lead and rhythm oscillators are played with the hands, elbows and knees and the bass oscillators are played with the feet." Although the utterly uncommercial record — an ingenious cacophony of beeps, buzzes, and beats — sold poorly, the Silver Apples resurfaced a year later with their sophomore effort, 'Contact', another far-flung outing which fared no better than its predecessor. This record's cover, depicting the duo in the cockpit of a Pan Am airplane, resulted in a legal battle that left the band unable to continue recording and releasing music. However, in 1996 the Silver Apples resurfaced, as Simeon and new partner Xian Hawkins released the single "Fractal Flow." American and European tours followed, and a year later a new LP, 'Beacon', was released to wide acclaim.  Simeon Coxe died on September 8, 2020. Wendy & Bonnie - The Winter Is Cold (1969) From Under The Radar: Genesis, released in 1969, was the one and only album from sisters Wendy and Bonnie Flower. The San Francisco-based siblings were 18 and 15 at the time the album was originally released, and the music of Genesis belies their tender ages. The songs on Genesis are light psychedelic folk, reminiscent of artists like The Free Design, Tim Buckley, and, to a certain degree, fellow Californians, The Mamas and the Papas. The sisters' harmonies are the main draw, floating into the ether above the airy soundscapes. While songs like “Let Yourself Go Another Time” and “The Winter Is Cold” are upbeat and jaunty, most of Genesis is restrained beauty. The album has been championed of late by artists the likes of Jarvis Cocker, Stereolab, and Super Furry Animals, the latter of which sampled the gentle Wendy & Bonnie paean “By the Sea” in the opening of its 2003 song, “Hello Sunshine.” Unfortunately, at the time of its initial release, Genesis did not find as impressive a following. Shortly after the album was released, and amid promotion for the record that included an aborted slot on The Merv Griffin Show, the group's record label, Skye Records, dissolved due to bankruptcy. Subsequently, Wendy and Bonnie Flower faded into seeming obscurity. Then my show came along. This show opens with Cal Tjader, who co-owned Skye Records along with being an in-demand percussionist. he was a family friend that thought the young girls would benefit from not being thrust into the pop scene without a guiding hand on their team. But when the label went belly-up, Bonnie went off to college. I like most of this album. I wonder how many other hidden masterpieces got snuffed out before they got a chance to be heard by a wider audience. I mean these two teenagers, 15 and 18, got pretty far relatively speaking. Even for the time.  Wendy and Bonnie - By the Sea (1969)  Wendy and Bonnie - Five O'Clock In the Morning (1969)  Wendy and Bonnie - Let Yourself Go Another Time (1969)  Yardbirds - Knowing That I'm Losing You (Tangerine) (1968) Yardbirds - White Summer (1968) The Yardbirds - Glimpses (1967) The Yardbirds - Dazed and Confused (1968) Eric Burdon & The Animals - Orange And Red Beam (1968) Freee Fall - Big Mack Truck -?????  That's really how it's spelled. Recorded "live" onboard Norwegian Cruise Liners and, as the name states, intended for the passenger/tourist audiences. I enlarged the back cover because it's amazing. Apparently Norwegian gave these passenger-only records as gifts. I gotta get some more.  Brandon Wade - Letter From a Teenage Son (1967)  Bulldog - Rock & Roll Hootchi Coo (1974) Rick Derringer (the composer) spelled it "Hoochie Koo". Believe it or not, it had been rendered on vinyl three times before his own recording in 1973 became his biggest hit (by far). It was first recorded in 1970 by Johnny Winter and his band, Johnny Winter And, of which Derringer was a member. In 1973, Derringer recorded a solo version, which was his only Top 40 chart hit as a solo artist in the U.S. It became a staple of 1970s radio and rock music compilations. The song was initially recorded by Johnny Winter in 1970 with his band "Johnny Winter And", which included Rick Derringer and other former members of The McCoys, Derringer's previous band ("Hang On Sloopy" was their biggest hit...by far.). In 1970, they recorded the song during the Live Johnny Winter And tour, which was released as Live at the Fillmore East 10/3/70. Winter and Derringer later recorded the song with Winter's brother for Edgar Winter's White Trash live 1972 album Roadwork. Bulldog was an obscure spinoff of The Rascals that formed in 1971. Gene Cornish and Dino Danelli, after leaving their successful act behind, signed with Decca Records. That first album sank without a trace, and their contract with Decca came to an abrupt end and Bulldog spent the majority of 1973 trying to avoid the oldies circuit that had started swallowing up their contemporaries. They signed with Neil Bogart's Buddha Records in 1974 and released Smasher. Perhaps Buddha's primary reputation for bubblegum and novelty records can explain why this release was virtually ignored upon its release. The album sank without even a slight showing on the Billboard charts and Bulldog was dead by early 1975. Cornish and Danelli would resurface a few years later, teaming up with Wally Bryson (Raspberries) in the power-pop act, Fotomaker. Though they issued several albums, they too were dealt a merciless death, leaving Cornish and Danelli on the oldies circuit in a revived lineup of The Rascals. They would later be inducted into the Rock & Roll Hall of Fame along with the rest of their former bandmates that they had worked so hard to extricate themselves from.  Rick Derringer rererererecorded the song in 2012, a new version of the song with lyrics reflecting his Christian beliefs. Titled "Read the Word and Live It Too". He supported Trump. So f him.  Cledus Maggard - Virgil And The $300 Vacation (1976) I've played Cledus Maggard and The Citizen's Band on my show once before, playing the song "The White Knight" on my CB Radio show.  Leslie Podkin - You Won't Need No Money (1961) Ogo - Marijuana [Guam] (?) Roy E. Baker - Ballad Of The Abortion Child (A Love Letter From Heaven)  (1974) Obituary: Roy “Boy” Edward Baker, age 85 of Knoxville, passed away Saturday, August 30, 2014. Roy was born May 28, 1929, in the coal mining town of Hazard, KY to Gilbert and Mahalia Baker. It was growing up in Hazard that he picked up the nickname “Roy Boy.” He was never able to shake the nickname and it has followed him throughout his life. He was affectionately known as “Roy Boy” by the many friends that loved him so. As a boy, Roy was a Huckleberry Finn and Tom Sawyer all rolled into one. In the small coal-mining where he lived, people worked hard and went to bed early. At night, Roy Boy would slip out of a bedroom window just to wake the town by ringing the church bell. He was the epitome of mischief. His father was a coal miner and Roy grew up expecting that he would follow in those footsteps. It didn't take him long to decide he needed to pursue something else. “I worked a half-day in a coal mine where donkeys drug the coal out. I decided that was not the life for me,” he said. Roy left the coal mining town where he grew up and continued to have a career with General Motors in the tool and die industry. An accomplished musician playing piano, guitar, banjo, drums, and the bull-fiddle, Roy enjoyed many years as a musician, singer, and songwriter. While working for General Motors, he often played musical shows on weekends. The name “Roy Boy” became his stage name. As a movie actor, he played the part of a coal miner in the movie “October Sky,” which was partly filmed in Knoxville and Oliver Springs. When he was nine years old, Roy began drawing cartoons and selling them to his classmates in Hazard. A true patriot of America, Roy continued to use his talents drawing pictures that exemplified his patriotic love of God and country. On any given day you could find him sharing his art with friends at fast-food restaurants. His trademark was the patriotic clothing that he designed and wore in support of America. His iconic little red and white striped truck proudly displayed the American flag and could be seen in parades and events all over East Tennessee. His support for humanitarian projects was recognized and honored in various circles. He was recognized as the Man of the Year in Abstract Art by the city of Knoxville in 2007.  The British North-American Act - Corduroy Coat (1969)

La psichedelia americana degli anni '60 in tutte le sue derivazioni: dai Grateful Dead ai Silver Apples, dai gruppi di matrice Country a quelli Hard Rock

And the Radio plays del 10 maggio 2021La psichedelia americana degli anni ´60 in tutte le sue derivazioni: dai Grateful Dead ai Silver Apples, dai gruppi di matrice Country a quelli Hard Rock Per diffondere questa puntata: https://www.radiotandem.it/and-the-radio-plays-del-10-maggio-2021 Tutti i podcast di And the Radio plays: https://www.radiotandem.it/category/and-the-radio-plays

No Disassemble aka Christopher Jordan joins TruthSeekah in this episode of The TruthSeekah Podcast as they discuss the power of music, spirituality and crystals! Jessy Clark also joins TruthSeekah as a cohost of this episode, halfway through they talk about healing energy and ecstatic encounters.Incorporating styles ranging from traditional electronica and ambient to experimental and even brainwave synthesis into his music. No Disassemble is often compared to such electronic artists as Kraftwerk, Sphongle and Silver Apples. Originally from Houston, musician and audio engineer Christopher Jordan began his journey of composing and recording electronic music in the late 90s and was a monthly recurring guest for five years on 90.1 KPFT’s Sunday avant-garde music program. Since that time, Christopher has recorded numerous albums varying from standard electronic music, to albums incorporating the frequencies of the planets and binaural beats. Christopher has also been experimenting in the studio with making music utilizing real-time brainwaves to drive his synthesizers and producing mixed media visualizations to his music. Most recently Christopher has been publishing his music through the HC Universal Network where he produces and hosts numerous podcasts as well as composing music for use by podcasters within this network and beyond.” My latest album Puer Ad Somnum is the first album released using the concepts of binaural beats and pure tone frequency therapy to create music for deep relaxation, meditation, and brainwave entrainment. It utilizes not only natural brainwaves encoded in binaural beats, but also the sound of the heartbeat of an unborn child and the heartbeat of the mother as heard by the child in within the mother’s womb subtly underlaid within the music. This album is available exclusively on my website until wide release to all digital platforms March 9, 2021!Check Out No Disassemble At https://www.nodisassemble.com/TruthSeekah's Book Spirit Realm: Angels Demons, Spirits and the Sovereignty of God (Foreword by Jordan Maxwell) https://amzn.to/31g9ydRTruthSeekahs Guided Meditation | The Throneroom Visualization https://www.TruthSeekah.com/MeditationsHelp Keep The TruthSeekah Podcast On The Air!⭐️ Become A Patron And Support TruthSeekah

No Disassemble aka Christopher Jordan joins TruthSeekah in this episode of The TruthSeekah Podcast as they discuss the power of music, spirituality and crystals! Jessy Clark also joins TruthSeekah as a cohost of this episode, halfway through they talk about healing energy and ecstatic encounters.Incorporating styles ranging from traditional electronica and ambient to experimental and even brainwave synthesis into his music. No Disassemble is often compared to such electronic artists as Kraftwerk, Sphongle and Silver Apples. Originally from Houston, musician and audio engineer Christopher Jordan began his journey of composing and recording electronic music in the late 90s and was a monthly recurring guest for five years on 90.1 KPFT's Sunday avant-garde music program. Since that time, Christopher has recorded numerous albums varying from standard electronic music, to albums incorporating the frequencies of the planets and binaural beats. Christopher has also been experimenting in the studio with making music utilizing real-time brainwaves to drive his synthesizers and producing mixed media visualizations to his music. Most recently Christopher has been publishing his music through the HC Universal Network where he produces and hosts numerous podcasts as well as composing music for use by podcasters within this network and beyond.” My latest album Puer Ad Somnum is the first album released using the concepts of binaural beats and pure tone frequency therapy to create music for deep relaxation, meditation, and brainwave entrainment. It utilizes not only natural brainwaves encoded in binaural beats, but also the sound of the heartbeat of an unborn child and the heartbeat of the mother as heard by the child in within the mother's womb subtly underlaid within the music. This album is available exclusively on my website until wide release to all digital platforms March 9, 2021!Check Out No Disassemble At https://www.nodisassemble.com/TruthSeekah's Book Spirit Realm: Angels Demons, Spirits and the Sovereignty of God (Foreword by Jordan Maxwell) https://amzn.to/31g9ydRTruthSeekahs Guided Meditation | The Throneroom Visualization https://www.TruthSeekah.com/MeditationsHelp Keep The TruthSeekah Podcast On The Air!⭐️ Become A Patron And Support TruthSeekah

Episode 31 Electronic Literature The Marriage of Electronic Music, Poetry, and Literature   Playlist Luciano Berio, "Thema (Omaggio A Joyce)," from Orient-Occident/Momenti-Omaggio A Joyce/Continuo/Transition 1 (1967 Philips). Composed by Luciano Berio at the RAI studio in Milan. Vocals, Cathy Berberian. The piece dates from 1958-59. An exploration of editing and tape composition with the voice as a key source of audio material. This is an interpretative reading of the poem "Sirens" from chapter 11 of the novel Ulysses by James Joyce. This release on the Philips Prospective 21e Siècle is shorter than the one released around the same time on the Turnabout label in America. It omits the spoken sequence at the beginning where Berberian recites the words prior to them being manipulated on tape. John Cage/David Tudor, "Side 3" excerpt from Indeterminacy: New Aspect of Form in Instrumental And Electronic Music (1959 Folkways). John Cage reads previously prepared stories and anecdotes, David Tudor performs electronic music at the same time with no Earthly connection between the two. This was a long-standing performance practice of theirs and I saw them do this several times. John Cage, "Part One (To Line 220)" from Roaratorio: An Irish Circus On Finnegans Wake (1992 Mode), excerpt, for speaker, Irish musicians and 62-track tape. Speaker, John Cage. Production: WDR, Köln; Süddeutscher Rundfunk, Stuttgart; Katholieke Radio Omroep, Hilversum; Technical cooperation: IRCAM, Paris. First transmission: 22 October 1979, WDR3-Hörspielstudio. This score is a means for translating any book into a performance without actors, a performance which is both literary and musical or one or the other. In this case, the book was Finnegans Wake by James Joyce. The text of Roaratorio was published separately as Writing for the Second Time Through Finnegans Wake. This was part of the evolution of Cage's interest in creating works of text for performance with music and other activities. It further evolved into his use of texts by Henry David Thoreau for which he used chance processes to derive a text for solo vocal performance. Shakespeare, excerpt, (1962 Odhams Books Ltd.). BBC radioplay production with musique concrète by Desmond Leslie. King Henry is played by Richard Burton. Electronic music provided on tape for a set of Shakespeare play productions. This short. 2 and a half-minute segment is from Act IV, Scene 3 and gives you an idea of how the sound effects was joined with the dialog. This was a common outlet for electronic music in the UK. Shackleton, “Music For The Quiet Hour, Part 2,” excerpt, from Music For The Quiet Hour (2012 Woe To The Septic Heart!). Vocals, words (poetry), Vengeance Tenfold; Composer, producer, A. Gerth, K. Biswas, Sam Shackleton. A collaboration between producer Shackleton and vocalist Vengeance Tenfold. Beats, bass and rhythm patterns provide a backdrop for some stark poetry. This is a portion of a longer work that whose overall length is about an hour. Lily Greenham, “Traffic” from Lingual Music (2007 Paradigm Discs). Reissue of text-sound works made by Danish concrete poet Lily Greenham, probably between 1972-75. Hugh Davies is credited with assisting on the electronics for this work. Voice: Lily Greenham. Anne Clark, "Swimming" and "An Ordinary Life" from The Sitting Room (1982 Red Flame). Clark is a foremost British poet who fuses her texts with electronic music. This was the first of her albums. Words, Keyboards, Electronic Percussion, Water Percussion, Anne Clark; Guitar, Effects, Voice, Gary Mundy; Keyboards, Domonic Appleton, Patrik Fitzgerald; Keyboards, Electronic Percussion, Andrea Laschetti. Rick Wakeman, “The Journey,” excerpt, from Journey to the Center of the Earth (1974 A&M). Recorded in concert at The Royal Festival Hall London on Friday January 18th 1974. Synthesizers and other keyboards, Rick Wakeman; Narrator, David Hemmings; drums, Barney James; guitar, Mike Egan; accompanied by the London Symphony Orchestra conducted by David Measham. Alan Parsons Project, "The Raven" from Tales of Mystery and Imagination - Edgar Allan Poe (1976 Charisma). Words from the tale of the same name by Poe. The Harmony Vocoder heard on "The Raven" was invented and built by EMI Central Research Laboratories.Keyboards, Alan Parsons, Andrew Powell, Billy Lyall, Christopher North, Eric Woolfson, Francis Monkman; Composed by Alan Parsons, Andrew Powell, and Eric Woolfson. Silver Apples, "Dust" from Silver Apples (1968 Kapp). "INSTRUCTIONS: Play Twice Before Listening." Composed and Arranged by Dan Taylor and Simeon; Percussion, Dan Taylor; Oscillators, mixers, electronic gear (The Simeon), Simeon; Vocals, Dan Taylor, Simeon. Alice Shields, " Study For Voice And Tape" from Columbia-Princeton Electronic Music Center 1961-1973 (1998 New World Records). Recorded Voice, Buchla synthesizer, poem by Alice Shields. Ronald Perera, "Three Poems of Gunter Grass," part 1, “Gleisdreieck" from Music And Words (1980 CRI. Ronald Perera, electronic music on tape created in the Smith College Electronic Music Studio; soprano, Elsa Charlston; Conductor, Richard Pittman. John Hill, "Europa" from Six Moons Of Jupiter (2009 Finders Keepers). Recorded at Sigma Sound, Philadelphia, January-August 1970, but I don't think it was ever released. Uses a Moog Modular synthesizer programmed by Walter Sear. Composed, arranged produced, Moog Modular Synthesizer, Guitar, Bass, Flute, Recorder, Hammond organ, John Hill; Drums, Percussion, Jimmy Valerio; Performer (Poetry), Susan Christie; poetry, Ian Michaels. Ruth White, "The Clock," "Evening Harmony," "Lover's Wine," Owls," from Flowers of Evil (1969, Limelight). Composer, vocals, electronics (Moog Synthesizer), Ruth White; based on poetry by Charles Baudelaire, translated by Ruth White. Fantastic music from this singular composer who owned a Moog Modular Synthesizer. Her other music was often composed for media, television, and children's records.     Archive Mix In which I play two records at the same time to see what happens. The recordings were: Lily Greenham, “ABC in Sound” from Lingual Music (1968/2007 Paradigm Discs). Recording from 1968 and includes the words of poet Bob Cobbing. Arif Mardin, “The Prophet,” excerpt from side 1, from The Prophet (1974 Atlantic). Narrator Richard Harris; keyboards, Bob James, Pat Rebillot, and Ken Bichel (ARP 2600). Poetry by Kahlil Gibran.     The opening montage consists of excerpts from Milt Gabler and a reading of “The People Yes (Excerpt)” by Carl Sandburg and some saxophone music from Avant Slant (1968 Decca); James Joyce reading “Anna Livia Plurabelle” (1929 The Orthographic Institute); John Cage and David Tudor, Indeterminacy (1959 Folkways); Alice Shields, Dance Piece No. 3 from Columbia-Princeton Electronic Music Center 1961-1973 (1998 New World Records); Luciano Berio, "Thema (Omaggio A Joyce)," from Electronic Music III (1967 Turnabout);  Anne Clark, "The Sitting Room " from The Sitting Room (1982 Red Flame); Arif Mardin, “The Prophet,” excerpt from The Prophet (1974 Atlantic); Ruth White, "Owls" from Flowers of Evil (1969, Limelight).   Background music is excerpted from Shackleton, “Music For The Quiet Hour, Part 2,” from Music For The Quiet Hour (2012 Woe To The Septic Heart!).   Opening and closing sequences voiced by Anne Benkovitz.      

Die Brainwashed - Radio Edition ist eine einstündige Show mit Musik von den Künstlern und Labels auf Brainwashed.com. 1. Silver Apples, "Charred Fragments" (Clinging To A Dream) 2016 Chicken Coop 2. Windy & Carl, "Program" (Electronic Evocations: A Tribute to the Silver Apples) 1996 Enraptured 3. Meat Beat Manifesto, "Lovefingers (live at the Fillmore)" (BRAIN009) 2005 Brainwashed 4. Future Museums, "Rabbit in Passing" (Rabbit in Passing) 2020 Holodeck 5. Nathan Amundson, "Solo Piano" (Solo Piano) 2020 self-released 6. David Toop, "Suddenly the world had dropped away" (Apparition Paintings) 2020 Room40 7. The Dead C, "Grunt Machine" (Unknowns) 2020 Ba Da Bing! 8. Potter Natalizia Zen, "Ukim" (Magari) 2020 Ecstatic 9. Pinkcourtesyphone, "another interior" (Leaving Everything To Be Desired) 2020 Room40 10. Christopher Bissonnette, "Overture" (Wayfinding) 2020 12k ## Brainwashed - Radio Edition Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening. *

Die Brainwashed - Radio Edition ist eine einstündige Show mit Musik von den Künstlern und Labels auf Brainwashed.com. 1. Silver Apples, "Charred Fragments" (Clinging To A Dream) 2016 Chicken Coop 2. Windy & Carl, "Program" (Electronic Evocations: A Tribute to the Silver Apples) 1996 Enraptured 3. Meat Beat Manifesto, "Lovefingers (live at the Fillmore)" (BRAIN009) 2005 Brainwashed 4. Future Museums, "Rabbit in Passing" (Rabbit in Passing) 2020 Holodeck 5. Nathan Amundson, "Solo Piano" (Solo Piano) 2020 self-released 6. David Toop, "Suddenly the world had dropped away" (Apparition Paintings) 2020 Room40 7. The Dead C, "Grunt Machine" (Unknowns) 2020 Ba Da Bing! 8. Potter Natalizia Zen, "Ukim" (Magari) 2020 Ecstatic 9. Pinkcourtesyphone, "another interior" (Leaving Everything To Be Desired) 2020 Room40 10. Christopher Bissonnette, "Overture" (Wayfinding) 2020 12k ## Brainwashed - Radio Edition Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening. *

To ring in the new year Dan and Erik compile a list of albums that they discovered in 2020 but predates the year when it was released! Sometimes the music picked date back to the 60's, other times as recent as 2018. Enjoy!

revisiting some of your favorite topics of 2020. josh might get buzzed from the bubbly. #2020amirite

In my final episode of 2020, I say thank yous and goodbyes, especially to music visionary and graphic designer Simeon Coxe of Silver Apples. Plus a brief/crazy history of the band and how the record sleeve design for Contact marked the death of Silver Apples....or did iiiit? Sources:https://www.soundonsound.com/people/silver-apples-early-electronicahttp://sayoktome.blogspot.com/2010/10/silver-apples-very-special-market.htmlFollow on IG @designfreakspodcastTwitter @designfreakspodFacebook https://www.facebook.com/designfreakspodcastdesignfreakspodcast.comRuinousmedia.comDonate here. Thank you!Theme music: "Jet in Jungle" by Damaged Bug, courtesy of John DwyerAdditional music: “X=C=U” and “Skarab’s Bones” by Ecstatic Cosmic Union https://eiderdownrecords.bandcamp.com

GRATITUDE, ANXIETY, AND SILVER APPLES.In my final episode of 2020, I say thank yous and goodbyes, especially to music visionary and graphic designer Simeon Coxe of Silver Apples. Plus a brief/crazy history of the band and how the record sleeve design for “Contact” marked the death of Silver Apples....or did it?––––Support the show (https://www.venmo.com/Clarita-Hinojosa)

#Fitz29 ❄️❄️❄️ Ha llegado el invierno de nuestro descontento con granizo, temporales y aventuras varias. Entramos en trance y exorcizamos nuestros demonios con Augenwasser alias de Elias Raschles y su tema Paid he Rent / Going Out, que abre su nuevo álbum «Sleepdancer» Un disco con nueve cortes. Introspectivo, en su segunda parte experimental. Canciones tarareadas, sintetizadores que envuelven, sección de vientos. Es pop, es soul. No ponemos flamencos y nos vamos a los coches de choque con “Tú me dejaste de querer», el nuevo hit de C.Tangana aka El Madrileño que cuenta con la colaboración de La Húngara y El Niño de Elche. Sin duda, como él ya anunció, la canción más importante de su carrera. Pucho nos llega al corazón con esta “rumbachata” , una mezcla de estilos que ha superado en tiempo record los 37 millones de reproducciones en YouTube. Con su voz conmovedora, BLICK BASSY se ha convertido en uno de los cantautores más creativos de África ,su estilo mezcla influencias africanas, latinoamericanas y americanas, Nacido en Camerún, ha trabajado en Brasil y ahora vive en un pueblo del norte de Francia .Bassy en su disco “1958” (2019) puso su música al servicio de Ruben Um Nyobé, el líder anticolonial que se dirigió a las Naciones Unidas para exigir la independencia de Camerún y fue asesinado por las fuerzas francesas en septiembre de 1958. Compartimos el tema “Ngui Yi”, con regustos crepusculares. Joe Crepúsculo acaba de sacar Supercrepus II disco doble con 17 temas, El antiguo componente de Tarántula, mientras escribía las canciones, pensó que muchas de ellas se asemejaban al laureado Supercrepus (2008), y de ahí esta secuela, con una rosa que fuma en la portada. Humor surrealista y pastiche sonoro posthumanista para hacernos bailar y pensar y llorar. Justo antes de que se decretase el estado de alarma concluyó este trabajo, a excepción de “Cuarentena sin ti”, el tema que pinchamos, amores en tiempos de pandemia. “Program” del Silver Apples, un auténtico “Clásico Cañamina”. La actividad del dúo neoyorquino real fue corta, del 67 al 69. Antes de Silver Apples hubo inventores de sintetizadores primitivos e ingenieros (tanto hombres como mujeres) que trastearon con la música electrónica, pero el proyecto formado por Simeon Coxe y Danny Taylor en 1967 fue el primero que la tocó con una finalidad pop, plantando la semilla del árbol genealógico del que brotarían Kraftwerk y tantos otros. Y que modernos suena todavía. Sampleando al mismísimo Vivaldi. Robert Smith, cantante y guitarrista de The Cure, se ha encargado del remix del tema “Teenager” de Deftones. Esta colaboración es un adelanto de “Black Stallion”, el álbum de remixes del disco “White Pony” de Deftones. Smith ofrece un acercamiento minimalista al sonido etéreo de ‘Teenager’, añadiendo su inimitable personalidad al paisaje sonoro de White Pony . 39:30 ▶️▶️La peli de la semana “First Cow” de Kelly Reichardt La revista TIME que acaba de elegirla como la mejor película de 2020 la define como: “Tranquila y deslumbrante, 'First Cow' de Kelly Reichardt es una canción de este extraño y accidentado tramo de tierra robada que llamamos Estados Unidos, un lugar donde la ternura sigue siendo el bien más preciado". Parece ser una opinión compartida con Gijon International Film Festival (Official Site) que en su 58ª edición (celebrada online entre Filmin y Festhome del 20 al 28 de noviembre) ha coronado a esta producción con el premio a Mejor Película en la sección Albar del certamen, dedicada a los cineastas consagrados. Este conmovedor canto a la amistad en forma de western crepuscular también nos ha encantando en Fitzcarraldo.

On episode 134 of The Quarantine Tapes, Paul Holdengräber is joined by composer Morton Subotnick. Morton is a pioneering composer in electronic music. Morton and Paul discuss the changes in music since the 1950s and when Morton realized that he was living through a pivotal moment in the history of music.Morton worked on the development of early electronic instruments. He talks about how technology has changed the process of making and listening to music. Then, Paul and Morton touch on Mozart, Stan Brakhage, and the challenge of trying to make “new new” music instead of just “new old” music. Morton Subotnick is one of the pioneers in the development of electronic music and multi-media performance and an innovator in works involving instruments and other media, including interactive computer music systems. Most of his music calls for a computer part, or live electronic processing; his oeuvre utilizes many of the important technological breakthroughs in the history of the genre. His work Silver Apples of the Moon has become a modern classic and was recently entered into the National Registry of Recorded works at the Library of Congress. Only 300 recordings throughout the entire history of recordings have been chosen.Subotnick is also doing pioneering work to offer musical creative tools to young children. He has authored a series of six CD ROMS for children, a children's website, and developing a program for classroom and after school programs that will soon become available internationally. He tours extensively throughout the U.S. and Europe as a lecturer, composer, and performer. 

Med anledning av Silver Apples-Simeons frånfälle ägnas större delen av avsnittet åt en exkursion bland 60-talets elektroniska pionjärer. Förutom Silver Apples får vi höra Fifty Foot Hose, The United States of America, White Noise, Lothar & the Hand People, Spooky Tooth och Intersystems styra sina hembyggda oscillatorer med hjälp av telegrafnycklar och delar av gamla bombplan. (Nej, ingen Bruce Haack - han släppte nämligen vuxenpop först 1970, och vi är hårda men rättvisa.) Utöver det har Robert lyssnat på lite senare DIY-electronica med Solid Space, Human League och Oppenheimer Analysis, och Love introducerar artisten Skator, eller "neofolk möter Dungen möter Turid". Dessutom följer vi Debbie Harrys väg från Mama Cass-epigon via punkprinsessa till rapping-pionjär, Love spelar ännu en Cats on Fire-låt han aldrig har hört och så knyts säcken ihop med en incel-anthem från vår egen electronicapionjär, Hans Edler. Gilla, kommentera och recensera på The Facebook: https://facebook.com/musikensmaktpodcast/ Bidra till Loves fysiska överlevnad och få lite bonusmaterial: https://www.patreon.com/musikensmakt

Med anledning av Silver Apples-Simeons frånfälle ägnas större delen av avsnittet åt en exkursion bland 60-talets elektroniska pionjärer. Förutom Silver Apples får vi höra Fifty Foot Hose, The United States of America, White Noise, Lothar & the Hand People, Spooky Tooth och Intersystems styra sina hembyggda oscillatorer med hjälp av telegrafnycklar och delar av gamla bombplan. (Nej, ingen Bruce Haack - han släppte nämligen vuxenpop först 1970, och vi är hårda men rättvisa.) Utöver det har Robert lyssnat på lite senare DIY-electronica med Solid Space, Human League och Oppenheimer Analysis, och Love introducerar artisten Skator, eller "neofolk möter Dungen möter Turid". Dessutom följer vi Debbie Harrys väg från Mama Cass-epigon via punkprinsessa till rapping-pionjär, Love spelar ännu en Cats on Fire-låt han aldrig har hört och så knyts säcken ihop med en incel-anthem från vår egen electronicapionjär, Hans Edler.

Hoy fue un Soundtrack muy variado con canciones para todos los gustos, desde la belleza vocal de Angel Olsen a la psicodelia folk de Cuchufleta. Así, escuchamos Silver Apples, Gondwana, Rolling Stones, Nina Simone y más, para luego cerrar con Beginning To See The Light de los Velvet Underground para el #MomentoFOGATERO

In Episode #27 Dónal Dineen pays tribute to the legendary Simeon Cox whose band Silver Apples were responsible for electronic music’s Big Bang in 1969. Special guest is Jonny Dillon. He plays a selection of tunes from the LP ‘Songs for a One-String Guitar’ and introduces tracks from the Automatic Tasty record A Farewell to Reason, as well as discussing some influences and his work at the National Folklore Collection.

Esta semana, en un nuevo capítulo de Rebelión Sónica, homenajeamos al recientemente fallecido Simeon Coxe, con parte de su obra junto a su influyente banda Silver Apples. El músico estadounidense murió el 08 de septiembre pasado a los 82 años de edad, debido a problemas pulmonares, dejando tras de sí una obra de un legado duradero y una invaluable contribución a la música electrónica con su sonido rupturista, que ha sido referencia para numerosos artistas. En esta despedida a su inmensa figura, lo escucharemos con material de tres de los discos más importantes de su agrupación: “Silver Apples” de 1968, “Contact” de 1969 y “Clinging To A Dream” de 2016. Como es tradición, Rebelión Sónica sale al aire por radio Rockaxis todos los miércoles a las 10, 17 y 23 horas –se repite los domingos a las 19 horas-, con la conducción de Héctor Aravena

Esta semana, en un nuevo capítulo de Rebelión Sónica, homenajeamos al recientemente fallecido Simeon Coxe, con parte de su obra junto a su influyente banda Silver Apples. El músico estadounidense murió el 08 de septiembre pasado a los 82 años de edad, debido a problemas pulmonares, dejando tras de sí una obra de un legado duradero y una invaluable contribución a la música electrónica con su sonido rupturista, que ha sido referencia para numerosos artistas. En esta despedida a su inmensa figura, lo escucharemos con material de tres de los discos más importantes de su agrupación: “Silver Apples” de 1968, “Contact” de 1969 y “Clinging To A Dream” de 2016. Como es tradición, Rebelión Sónica sale al aire por radio Rockaxis todos los miércoles a las 10, 17 y 23 horas –se repite los domingos a las 19 horas-, con la conducción de Héctor Aravena

In this week's episode, we invite cult meta-comedian and out-there-music connoisseur Stewart Lee to discuss the new documentary he's made about Prefects/Nightingales legend Robert Lloyd. Stewart also pitches in on RBP's new audio interview, a 1991 conversation 'twixt the late Andy Gill and everyone's favourite choirboy-voiced Commie Robert Wyatt. In addition we consider the week's featured RBP writer Caitlin Moran, with especial attention to her hair-raising 1994 encounter with Courtney Love. Plus we bid a fond farewell to Kool & the Gang co-founder Ronald "Khalis" Bell and to Simeon Coxe of pioneering '60s oscillators Silver Apples...Finally, with intermittent interjections from Mr. Lee, Mark picks highlights from the week's trove of new additions to the RBP library, including top pieces on Jimi Hendrix (1967), Rodney "Mayor of Sunset Strip" Bingenheimer (1979), Spandau Ballet (1981) and inimitable drag superstar RuPaul (1993). With Stewart's tastes in mind, Jasper M-B spotlights Wire classics on Laurie Anderson (2001) and Japanese free-music extremist Keiji Haino (2002).Many thanks to special guest Stewart Lee. Find out more about King Rocker at kingrockerfilm.com.Pieces discussed: Robert Lloyd, Nightingales, The Prefects, The Chameleons, Robert Wyatt audio, Courtney Love, Kylie Minogue, Spice Girls, Silver Apples, Kool & the Gang, Jimi Hendrix, Johnny Thunders & the Heartbreakers, Rodney Bingenheimer, Spandau Ballet, Brothers Johnson, Sinéad O'Connor, RuPaul, Keiji Haino and Laurie Anderson.

In this week's episode, we invite cult meta-comedian and out-there-music connoisseur Stewart Lee to discuss the new documentary he's made about Prefects/Nightingales legend Robert Lloyd. Stewart also pitches in on RBP's new audio interview, a 1991 conversation 'twixt the late Andy Gill and everyone's favourite choirboy-voiced Commie Robert Wyatt. In addition we consider the week's featured RBP writer Caitlin Moran, with especial attention to her hair-raising 1994 encounter with Courtney Love. Plus we bid a fond farewell to Kool & the Gang co-founder Ronald "Khalis" Bell and to Simeon Coxe of pioneering '60s oscillators Silver Apples... Finally, with intermittent interjections from Mr. Lee, Mark picks highlights from the week's trove of new additions to the RBP library, including top pieces on Jimi Hendrix (1967), Rodney "Mayor of Sunset Strip" Bingenheimer (1979), Spandau Ballet (1981) and inimitable drag superstar RuPaul (1993). With Stewart's tastes in mind, Jasper M-B spotlights Wire classics on Laurie Anderson (2001) and Japanese free-music extremist Keiji Haino (2002). Many thanks to special guest Stewart Lee. Find out more about King Rocker at kingrockerfilm.com. Pieces discussed: Robert Lloyd, Nightingales, The Prefects, The Chameleons, Robert Wyatt audio, Courtney Love, Kylie Minogue, Spice Girls, Silver Apples, Kool & the Gang, Jimi Hendrix, Johnny Thunders & the Heartbreakers, Rodney Bingenheimer, Spandau Ballet, Brothers Johnson, Sinéad O'Connor, RuPaul, Keiji Haino and Laurie Anderson.

In this week's episode, we invite cult meta-comedian and out-there-music connoisseur Stewart Lee to discuss the new documentary he's made about Prefects/Nightingales legend Robert Lloyd. Stewart also pitches in on RBP's new audio interview, a 1991 conversation 'twixt the late Andy Gill and everyone's favourite choirboy-voiced Commie Robert Wyatt. In addition we consider the week's featured RBP writer Caitlin Moran, with especial attention to her hair-raising 1994 encounter with Courtney Love. Plus we bid a fond farewell to Kool & the Gang co-founder Ronald "Khalis" Bell and to Simeon Coxe of pioneering '60s oscillators Silver Apples...Finally, with intermittent interjections from Mr. Lee, Mark picks highlights from the week's trove of new additions to the RBP library, including top pieces on Jimi Hendrix (1967), Rodney "Mayor of Sunset Strip" Bingenheimer (1979), Spandau Ballet (1981) and inimitable drag superstar RuPaul (1993). With Stewart's tastes in mind, Jasper M-B spotlights Wire classics on Laurie Anderson (2001) and Japanese free-music extremist Keiji Haino (2002).Many thanks to special guest Stewart Lee. Find out more about King Rocker at kingrockerfilm.com.Pieces discussed: Robert Lloyd, Nightingales, The Prefects, The Chameleons, Robert Wyatt audio, Courtney Love, Kylie Minogue, Spice Girls, Silver Apples, Kool & the Gang, Jimi Hendrix, Johnny Thunders & the Heartbreakers, Rodney Bingenheimer, Spandau Ballet, Brothers Johnson, Sinéad O'Connor, RuPaul, Keiji Haino and Laurie Anderson.The Rock's Backpages podcast is proud to be part of the Pantheon podcast network.

In this week's episode, we invite cult meta-comedian and out-there-music connoisseur Stewart Lee to discuss the new documentary he's made about Prefects/Nightingales legend Robert Lloyd. Stewart also pitches in on RBP's new audio interview, a 1991 conversation 'twixt the late Andy Gill and everyone's favourite choirboy-voiced Commie Robert Wyatt. In addition we consider the week's featured RBP writer Caitlin Moran, with especial attention to her hair-raising 1994 encounter with Courtney Love. Plus we bid a fond farewell to Kool & the Gang co-founder Ronald "Khalis" Bell and to Simeon Coxe of pioneering '60s oscillators Silver Apples... Finally, with intermittent interjections from Mr. Lee, Mark picks highlights from the week's trove of new additions to the RBP library, including top pieces on Jimi Hendrix (1967), Rodney "Mayor of Sunset Strip" Bingenheimer (1979), Spandau Ballet (1981) and inimitable drag superstar RuPaul (1993). With Stewart's tastes in mind, Jasper M-B spotlights Wire classics on Laurie Anderson (2001) and Japanese free-music extremist Keiji Haino (2002). Many thanks to special guest Stewart Lee. Find out more about King Rocker at kingrockerfilm.com. Pieces discussed: Robert Lloyd, Nightingales, The Prefects, The Chameleons, Robert Wyatt audio, Courtney Love, Kylie Minogue, Spice Girls, Silver Apples, Kool & the Gang, Jimi Hendrix, Johnny Thunders & the Heartbreakers, Rodney Bingenheimer, Spandau Ballet, Brothers Johnson, Sinéad O'Connor, RuPaul, Keiji Haino and Laurie Anderson. The Rock's Backpages podcast is proud to be part of the Pantheon podcast network.

Episode 483: September 13, 2020 playlist: Silver Apples, "Charred Fragments" (Clinging To A Dream) 2016 Chicken Coop Windy and Carl, "Program" (Electronic Evocations: A Tribute to the Silver Apples) 1996 Enraptured Meat Beat Manifesto, "Lovefingers (live at the Fillmore)" (BRAIN009) 2005 Brainwashed Future Museums, "Rabbit in Passing" (Rabbit in Passing) 2020 Holodeck Nathan Amundson, "Solo Piano" (Solo Piano) 2020 self-released David Toop, "Suddenly the world had dropped away" (Apparition Paintings) 2020 Room40 The Dead C, "Grunt Machine" (Unknowns) 2020 Ba Da Bing! Potter Natalizia Zen, "Ukim" (Magari) 2020 Ecstatic Pinkcourtesyphone, "another interior" (Leaving Everything To Be Desired) 2020 Room40 Christopher Bissonnette, "Overture" (Wayfinding) 2020 12k Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Podcast nº27 dedicado a la legendaria banda newyorkina "Silver Apples" y a su cofundador, Simeon Coxe. https://www.instagram.com/radiooffon/ paypal: offonentertainment@gmail.com

CGT, Hiroki Okano, Simeon Coxe

Farewell to Simeon Coxe of the Silver Apples. New music from Sneaks, Jyoti, New Fries, KCAR, and introducing plexiglass. Plus a "big mood" (¯_(**)_/¯) from Nico.

Back atcha with Session 19! Join your host, Zachary Succardi, as he discusses the importance of taking time for yo-self, the genius of Bukowski, and music from Silver Apples. Please enjoy!

This week we go back to an old Caesura classic: Album Dares, where we “dare” each other to listen to an album the other hasn’t heard before. This week’s picks: the debut Specials album, and Morton Subotnick’s Silver Apples of the Moon. Albums of the Week: Scott: Fleet Foxes—Fleet Foxes EP Elaine: Oneohtrix Point Never—R Plus 7

I catch up with my good buddy Michael Norton and dive into music, current events, politics, anthropology, stories, and a million other topics in this 4 hour installment of Kyle For A While.Support the show (https://www.paypal.com/donate/?token=FSWVIQieDKGHssziAb8D9lL8lv5mmdHF8m2xr-u9WJbXQPHEXbGcV-v_f9Pl9IWh2UqlBG&fromUL=true&country.x=US&locale.x=en_US)

Join your host, Frozen Lazuras, as we dig into deep cuts by Edith Frost, Gentle Hen, R.D. Burhman, The Fugs, Silver Apples, and whole bunch of other good stuff. Come fall in love with new music.

Gaston Bachelard   La  poésie  et  les  éléments - Le FeuOne Warm Spark    Colleen   A Flame My Love, A FrequencySmoke/Fire   Alexandre Desplat   Moonrise Kingdom (Original Soundtrack)Sacrifice   Andrei Tarkovsky  (1986)Watching A Bulding On Fire    John Foxx & The Maths    InterplayFire    Group Rhoda   Out Of Time - Out Of TouchFire Ant Noodle    Silver Apples   The GardenThief Of Fire.  The Pop GroupEl Fuego    Borja Flames   Rojo VivoAustralia wakes after night of bushfire devastation    Nine News AustraliaFeu et rythme   Colette Magny  À coeur et à crisBurning Hell    Diamanda Galas   La Serpenta Canta (Live 1999)Valencia In Flames    MuslimgauzeBabylon's Burning   The RutsFirecoal Version   Sound Dimension   Version Dread ReggaeFahrenheit 451    François Truffaut  (1966)Dirty Sound SystemLangues de feu   Jacques Dudon

Nú þegar heimsmeistaramótið í handknattleik stendur yfir er viðeigandi að líta um öxl og minnast þess þegar sama mót var haldið á Íslandi fyrir aldarfjórðung. Næstu daga flytjur Lestin örseríuna Þegar Ísland hélt stórmót og í fyrsta þætti ætlum við að skoða aðdragandan að HM '95, þar sem gekk á ýmsu og jafnvel kom til greina að hætta við mótið. Ein áhrifamesta plata allra tíma er ein fyrsta raftónlistarplata sögunnar, Silver Apples of the Moon frá árinu 1967 eftir bandaríska tónskáldið Morton Subotnick. Subotnick braut blað í tónlistarsögunni með því að búa til algjörlega nýtt listform en platan var eins konar auglýsing fyrir Buchla hljóðgervilinn, sem átti eftir að móta hvernig raftónlist hljómaði næstu áratugina. Þórður Ingi Jónsson skoðar magnað líf og brautryðjandi feril tónlistarmannsins Morton Subotnick í dag. Marta Sigríður Pétursdóttir rýnir í heimildarmyndina Ég er einfaldur maður, ég heiti Gleb. Og Tómas Ævar Ólafsson flytur okkur annan pistil sinn af þremur um veggjakrot.

Nú þegar heimsmeistaramótið í handknattleik stendur yfir er viðeigandi að líta um öxl og minnast þess þegar sama mót var haldið á Íslandi fyrir aldarfjórðung. Næstu daga flytjur Lestin örseríuna Þegar Ísland hélt stórmót og í fyrsta þætti ætlum við að skoða aðdragandan að HM '95, þar sem gekk á ýmsu og jafnvel kom til greina að hætta við mótið. Ein áhrifamesta plata allra tíma er ein fyrsta raftónlistarplata sögunnar, Silver Apples of the Moon frá árinu 1967 eftir bandaríska tónskáldið Morton Subotnick. Subotnick braut blað í tónlistarsögunni með því að búa til algjörlega nýtt listform en platan var eins konar auglýsing fyrir Buchla hljóðgervilinn, sem átti eftir að móta hvernig raftónlist hljómaði næstu áratugina. Þórður Ingi Jónsson skoðar magnað líf og brautryðjandi feril tónlistarmannsins Morton Subotnick í dag. Marta Sigríður Pétursdóttir rýnir í heimildarmyndina Ég er einfaldur maður, ég heiti Gleb. Og Tómas Ævar Ólafsson flytur okkur annan pistil sinn af þremur um veggjakrot.

Nú þegar heimsmeistaramótið í handknattleik stendur yfir er viðeigandi að líta um öxl og minnast þess þegar sama mót var haldið á Íslandi fyrir aldarfjórðung. Næstu daga flytjur Lestin örseríuna Þegar Ísland hélt stórmót og í fyrsta þætti ætlum við að skoða aðdragandan að HM '95, þar sem gekk á ýmsu og jafnvel kom til greina að hætta við mótið. Ein áhrifamesta plata allra tíma er ein fyrsta raftónlistarplata sögunnar, Silver Apples of the Moon frá árinu 1967 eftir bandaríska tónskáldið Morton Subotnick. Subotnick braut blað í tónlistarsögunni með því að búa til algjörlega nýtt listform en platan var eins konar auglýsing fyrir Buchla hljóðgervilinn, sem átti eftir að móta hvernig raftónlist hljómaði næstu áratugina. Þórður Ingi Jónsson skoðar magnað líf og brautryðjandi feril tónlistarmannsins Morton Subotnick í dag. Marta Sigríður Pétursdóttir rýnir í heimildarmyndina Ég er einfaldur maður, ég heiti Gleb. Og Tómas Ævar Ólafsson flytur okkur annan pistil sinn af þremur um veggjakrot.

Hoy tuvimos el privilegio de tener a Fulin Lawen en #ElSoundtrackdelaVida contándonos de su último LP Eneri (2019). Y luego seguimos escuchando buenos temas de bandas como Silver Apples, Guns 'n' Roses (para el #MomentoREMEMBER), Francis Bebey, Dire Straits, Nina Simone y Supergrass, aprovechando que dijeron que vuelven para el 2020. Por último, guitarrié I Call Your Name (1963) de The Beatles para el #MomentoFOGATERO

Rick James [00:33] a side: "Super Freak (Part I)" b side: "Super Freak (Part II)" Gordy G 7205F 1981 What's better than "Super Freak", more "Super Freak" evidently. Made it all the way to number 16 on the Hot 100. And partially recorded at the Record Plant in good ol' Sausalito. The Trashmen [07:29] a side: "Surfin' Bird" b side: "King of the Surf" Garrett Records GA-4002 1963 From the surf epicenter of Minneapolis MN, The Trashmen answer the eternal question: What happens when you fuse The Rivingtons "Bird's the Word" and "Papa-Oom-Mow-Mow" together. Hit number 4 on the Hot 100 in 1961. Killer Dreamer [13:23] a side: "Survival Guns" b side: "Pterodactyl2" Kapow Records #14 2003 Early aughties punk from San Pedro, on lovely opaque white vinyl. Sharon Cash [17:39] a side: "Sweet Soul Singer (stereo)" b side: "Sweet Soul Singer (mono)" Playboy Records P 50026 1973 Mystery single from a mystery singer? Ohio Express [25:04] a side: "Sweeter Than Sugar" b side: "Bitter Lemon" Buddha Records BDA 92 1969 See Joe Tex. Who needs to record a b-side when you can just flip the tape around? Sadly only made it to number 96 on the charts. But then again, it's no "Yummy Yummy Yummy". The Normal [29:20] a side: "T.V.O.D." b side: "Warm Leatherette" Mute Records MUTE 001 1978 AKA Daniel Miller. A little Kraftwerk-esque, a little Silver Apples-esge, a lot JG Ballard-esque. Soft Cell [36:38] a side: "Tainted Love/Where Did Our Love Go?" b side: "Where Did Our Love Go?" Sire Records PRO-S-1028 1981 Well this is convenient. Back to back synthpop. You can hear the evolution from inception to peak synthpop. Plus, more effects from the reign of Northern Soul. Also, if you haven't listened to Non-Stop Erotic Cabaret recently, or ever, you should really take it for a spin. ABBA [45:03] a side: "Take a Chance on Me" b side: "I'm a Marionette" Atlantic Records 3457 1977 Yes indeed, one year prior to bleak commentary on contemporary life that is The Normal, this top notch chartbuster from ABBA that reached number 3 on the Hot 100. And that is a very epic flipside. Music behind the DJ: "My Bonnie Lies" by The Ventures.

I helped kickoff the start of this year's FunDrive. Played a slightly altered version of Janet Jackson's "Rhythm Nation" and "Ruby" by Silver Apples. Support CiTR if you can: citr.ca/donate! In addition to the station's great incentives, I'm offering:- At the $30 level, a Duncan's Donuts 60min Workout Mix. Because if you're going to make it through a dozen dozens, you need stamina and perseverence, and that means trying. This all makes logical sense, trust me.- At the 101.9fm level, a Dunkerchief. A handmade hankerchief, specifically designed to dust the donut crumbs from the corners of your mouth. Some might say this whole donut thing is played out. To which I say, maybe? These things are still great, though. That's...undeniable.

Om 22:00 uur Stan Rijven met Radio Ritmundo op 40UP Radio. 100 jaar geleden vond de eerste radio uitzending plaats in Nederland. Vandaag hoor je een uur lang radio-gerelateerde nummers en mooi stukje radiogeschiedenis. Je hoort muziek van Kokomo, R.E.M., The Silver Apples, Birgitte Fontaine, Buggles en Queen.

She’s a composer and vocalist who’s performed with pretty much every orchestra on earth. He’s a composer best known for his electronic music, especially an early work, Silver Apples of the Moon. “Lawyer and Other Lawyer to Wed,” runs pretty much every NY Times wedding announcement. How did it omit theirs?

The Troggs a side: "I Can't Control Myself" b side: "Gonna Make You" ATCO Records 45-6444 1966 Low slacks?! Good heavens! Silver Apples a side: "I Don't Know" One Cut Kill b side: "White Russian/Black Heart" Gifted Children Records GCV07-001 2007 Picked this up at a Silver Apples show at Cafe du Nord in 2007 (obvs) which also happened to be my first exposure to Thee Oh Sees live. Hooo boy, that was a night. Neil Sedaka a side: "I Go Ape" b side: "Moon of Gold" RCA Victor 47-7473 1959 Of course this is one of my go-to's when spinning live. Etta James a side: "I Got You" b side: "I Worship the Ground You Walk On" Cadet 5606 1968 Huh, you'd think I'd have the Sonny & Cher versions of this, but this super funky version will do just fine indeed. Killer b-side as well. The Miracles a side: "I Gotta Dance to Keep from Cryin'" b side: "Such Is Love, Such Is Life" TAMLA T-54089 1963 Certainly one of my most favorite singles ever. My toe is tapping just thinking about it. Frida a side: "I Know There's Something Going On" b side: "Threnody" Atlantic Records 7-89984 1982 Yes, by the same man who brought us middling "Since You've Been Gone", Rainbow's meh hit single (https://youtu.be/1P17ct4e5OE). And hey produced and drummed by the illustrious Phil Collins! But you know I will never speak ill of Anni-Frid (https://youtu.be/p98PjtSfNWo). Joan Jett & the Blackhearts a side: "I Love Rock 'n Roll" b side: "You Don't Know What You've Got" Boardwalk NB7-11-135 The short lived Boardwalk Records was Neil Bogart's follow up to Casablanca Records. And again, awesome b-side. Outer Limit Recordings a side: "I Need My T.V." The Sweethearts b side: "Burnin Through the Night" Olde English Spelling Bee OESB-710 I think this arrived with a couple of R. Stevie Moore (https://youtu.be/OprzFKwpeGY) reissues. Music behind the DJ: "The Name of the Game" as performed by Richard Clayderman.

在这一期节目里我们除了“严肃”的分析了摇滚乐在国内的现状和见闻，更重要的是我们要聊聊我们所遇见的摇滚乐活历史。张兔夺命嗡嗡鸡（BUZZ COCKS)事件&大野杨夺命银苹果（SILVER APPLES) 事件！weibo关注@别的次元 VX搜索：vicechina2018 拉你进群！

在这一期节目里我们除了“严肃”的分析了摇滚乐在国内的现状和见闻，更重要的是我们要聊聊我们所遇见的摇滚乐活历史。张兔夺命嗡嗡鸡（BUZZ COCKS)事件&大野杨夺命银苹果（SILVER APPLES) 事件！weibo关注@别的次元 VX搜索：vicechina2018 拉你进群！

Morton Subotnick In Conversation with Katie Gately On the heels of the 50th anniversary of his album, Silver Apples of the Moon, Morton Subotnick came to LA to perform two celebratory shows at CalArts. He sat down with Katie Gately at the dublab Studio to talk about this legendary electronic album, his current performance practice, and the history behind his groundbreaking compositional approach. Subotnick also touched upon his storied collaborations with the electronic music innovators, Don Buchla, Ramon Sender, and the members of the San Francisco Tape Music Center. Morton Subotnick is a pioneer in the development of electronic music and multi-media performance and an innovator in works involving instruments and other media, including interactive computer music systems. Most of his music calls for a computer part, or live electronic processing; his oeuvre utilizes many of the important technological breakthroughs in the history of the genre. His work, Silver Apples of the Moon, has become a modern classic and was recently entered into the National Registry of Recorded Works at the Library of Congress. “First you make the machine, then the machine makes you” -Marshall McCluhan In Conversation is produced by dublab. Sound editing and music are by Matteah Baim. Due to rights reasons music from the original broadcast has been removed. To hear more, please visit dublab.com.

June 1968-1973 Anniversaries

On this episode of the Sad Punks podcast, we bring you a mix of music curated by single-payer activist and health justice advocate Tim Faust. Among other things, Tim frequently speaks at live events about health justice, writes a newsletter on healthcare policy, co-hosts the podcast HEAVYxMEDICAL, and manages Party World Rasslin'--Austin, TX's only party wrestling promotion. Tim's Sad Punks mix includes songs by Silver Apples, Sparklehorse, Kate Bush, Shearwater, Lingua Ignota, and The Soft Moon! To stay up on everything Tim Faust is up to, follow him on Twitter and TinyLetter. As always, thank you to Rubee for the artwork for this episode! If you have a business inquiry for Rubee, just send an email to rubee@sadpunks.com. Subscribe to the podcast on iTunes! Follow us on Instagram! Like us on Facebook! You can also subscribe to Tim (Ageddon)'s newsletter at sadpunks.com/singles! Finally, don't forget to donate to our friends in Oklahoma as they prepare to help provide for children facing food insecurity during the upcoming teachers strike!

Treacherous Three, Dennis Coffey, Shilpa Ray, Joan Shelley, Silver Apples, Perrey & Kingsley, and the mighty Bill Fox are featured on Bob's final show before he goes on tour for a few weeks.

Deel 1 van een drieluik van mixtapes die Stan Rijven in de jaren ’80 samenstelde. We trappen af met Globeat, een combinatie van Globe en beat omdat in de jaren ’80 de wereldmuziek opkwam. Muziek van Silver Apples, Pedro Padilla, Leo Fuld, Juanito Valderrama, Johnny Pacheco en Flaco Jiménez.

Show #167 showcases a mix of tunes culled exclusively from the Free Music Archive, including works from Nine Inch Nails, DJ Harrison, TV Girl, live cuts from Silver Apples, Lushlife, and The Relatives, a Prince cover from The Impossebulls, and lots more. This episode is NOT WORKSAFE.

Personal heroes. This is a very personal subject for most people, because our choice of heroes says a lot about us. My reverence for Morton's work has a lot to do with how it changed my ears - and therefore my life. Being introduced to Silver Apples allowed me to think of music as a less discrete, more fluid, material. Don't need to limit yourself to standard instruments focused on verses and choruses; you can choose to use electrons to develop phrases, premonitions, echoes and silence instead. I was never able to think of (or hear) music the same way again. In this chat, Morton and I talk about his current work, the events that got him to think about electronic music, and how he came to revisit the use of the Buchla modular system. We also talk a little bit about his upcoming book project, and the documentary that is being made about him. But it was a relaxed and enjoyable chat - appropriate for this highlight of my podcast: Number 200. Thanks again to everyone that has been listening over the years. Keep on listening, and I'll keep on doing it - now enjoy!

When Alex Maas from The Black Angels heard avant garde electronic pop band Silver Apples' first record in a bar in Cincinnati he had what he describes as a spiritual experience. Listen as he describes the effect that Silvers Apples had on The Black Angels music and how their new record "Death Song" has been an exercise in trying to understand the world we live in now.

Episode 330: October 16, 2016 (guest artist JG Thirlwell of Foetus, Manorexia, and Steroid Maximus) playlist: JG Thirlwell, "Ready For Takeoff" (Music of the Venture Bros, Vol. 2) 2016 Ectopic Ents Silver Apples, "Susie" (Clinging To A Dream) 2016 Chicken Coop Biosphere, "Sweet Dreams Form a Shade" (Departed Glories) 2016 Smalltown Supersound Andrew Liles, "The Iron Law Of Oligarchy" (The Power Elite) 2016 United Dairies Tim Hecker, "Veil Scans" (Singles Collection) 2016 Adult Swim Foetus, "Pratheism" (Soak) 2013 Ectopic Ents Manorexia, "Krzystl" (Dinoflagellate Blooms) 2011 Ectopic Ents JG Thirlwell, "Night Nurse" (Imponderable) 2016 Ectopic Ents Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Radio Ritmundo staat In het teken van Amsterdam Dance Event. Geen heftige beats maar een wandeling door de muziek waarbij elektronica een belangrijke rol speelde. Muziek van Silver Apples, Wendy Carlos, The Beatles, The Moody Blues, The Byrds, Pink Floyd, Terry Riley, The Beach Boys en natuurlijk ook Jean-Michel Jarre.

Simeon Coxe from Silver Apples in conversation with John Kennedy on X-Posure, Radio X

We may have missed a week, but we're back with an exclusive first play of a track from the new Silver Apples record. We've also got new downbeat tracks from Dean McPhee and Meursault contrasted with Soviet-era disco, French experimental pop from Léonore Boulanger, and Islam Chipsy. Elsewhere we have more Lewisham grime from The Square, Brazilian flavours from Swindle, and the inimitable sounds of Islam Chipsy.

This week there are incredible new and forthcoming releases from the likes of Workin' Man Noise Unit, Okzharp and Master Musicians of Bukkake. We also have new experimental music from Norway, library jazz from London as well as a live recording from Colin Stetson & Sarah Neufeld and great noise from Russia, and old releases from Silver Apples and Irmin Schmidt.

Brian Eno, Hans Edler, Eccentrics Edits, Midnight Juggernauts, Psychic TV, Jack Pattern, Farbror Resande Mac, Dan Lissvik, Haruomi Hosono, Private Agenda, Severed Heads, Black Light Smoke, Alex Valentini, Jeancy, X-Ref, Body Party, Baby's Gang, Sha-Lor, Silver Apples, Red Axes, Dude Energy, Frak, Deep Thought, Stevie Wonder, Perfect Zebras, SPK, Winston Tong, Echo Park, Pogues, Amon Düül II, Portishead, Lena Platonos, Yazoo and more...

About Stanley Warren.. My first area of creative expression has been poetry. I have written some 1500 poems, of which several dozen have been published here and there, but many more recited at readings. In my late twenties I became the lyricist for a progressive electronic combo called Silver Apples, writing the words to seven of the nine songs on their first album, music that is played and listened to today. The Avid Reader Show is sponsored by Wellington Square Bookshop in Chester County, PA. The show airs Monday's at 4PM EST on WCHE AM 1520. Please visit us at www.wellingtonsquarebooks.com.

Following on from our show all about gold, we thought we should take a look at another precious metal, silver. So we have a very shiny selection of tunes for you this week, dear listener covering early electronica, musique concrete, … Continue reading →

Morton Subotnick released the first all-electronic album, Silver Apples of the Moon, in 1967. Last Friday, he returned to Moogfest 2012 in Asheville, N.C., to perform the whole thing live. Hear the performance in its entirety.

Four Tet’s Kieran Hebden explains why Silver Apples of the Moon by the American composer Morton Subotnick stands out for him as a classic of early electronic music. Author and journalist Rob Young provides some background to the work, which was created on a Buchla synthesizer at the San Francisco Tape Music Center, and conceived specifically for two sides of an LP.

Seeing as we are in Canada for the weekend (dear thieves, the house is not unoccupied, and the lad staying there is a fighty little fucker), I figured some Canadian songs might be in order.  I am actually half-Canadian, which is a bit odd, because I've never actually lived there.  So it's always weird coming here, to a country I'm technically from, but which I really don't know at all. Given we played Born Gold, Odonis Odonis, Slow Down Molasses and Hot Panda on last week's show, however, I figured that was probably enough new Canadian bands for the time being, although the excellent Hooded Fang did sneak on this one at the beginning. But mostly, apart from the more usual new stuff I tend to play, I've included a handful of nostalgic songs by Canadian bands, most of which I haven't listened to in quite a long time.  And I must say it was sort of nice to look this stuff up again, after so long. 01. Hooded Fang - E.S.P. (00.44)02. The Tragically Hip - Ahead By a Century (09.26)03. UMA - Drop Your Soul (feat. Silver Apples) (16.20)04. White Heath - In a Glasshouse (19.36)05. 54-40 - Casual Viewin' (33.11)06. Bruce Springsteen - Circus Song (Live on WBCN 9th Jan 1973) (41.07)07. Giant Giant Sand - Detained (47.35)08. Alan Watts - Africa Bats (51.37)09. Barenaked Ladies - Wrap Your Arms Around Me (1.00.59)10. Kate & Anna McGarrigle - Kiss and Say Goodbye (1.08.12)11. Kate & Anna McGarrigle - Heart Like a Wheel (1.11.00)

show#43504.28.12Gary Primich - Midnight Ramblin  Man (just a little more.... with Omar Dykes 2012)Gary Primich - Can't Stand You When You're Drinking (Mark Hummel's Blue Harp Meltdown - Vol. 2 - East Meets West 2003)Next 8 tunes* by some of the artists that appeared at the Bandana Blues BBQ (over it's 18 year history)The Nighthawks* - Snap It (Pain & Paradise 1996)Stevie Larocca* - Stevie ShuffleMichael Powers* - I Ain't Superstitious (Revolutionary Boogie 2011)Clarence Spady* - Cut Them Loose (Just Between Us 2008)Bobby Radcliff* - Invisible Man (Freaking Me Out 2011)Steve Guyger* - Let Me Hang Around (Radio Blues 2008)Tino Gonzales* - Young Thing (Double Feature 1999)Michael Hill's Blues Mob* - New York State of Blues (New York State of Blues 1998)Gary Primich - Beer Drinkin' Woman (KGSR Broadcasts Vol.3 Disc 1 1995)Spinner's Section:all British stuffJohn Mayall's Bluesbreakers: another kinda love (3:05) (A Hard Road, Decca, 1967)Eric Clapton: lost and found (5:21) (Back Home, Reprise, 2005)Dave Edmunds: standing at the crossroads (3:26) (Plugged In, Pyramid, 1994)Otis Grand: swing turn (4:50) (He Knows The Blues, Sequel, 1992)Blues Band: when it itches I scratch (3:47) (Back For More, Ariola, 1989)Robert Palmer: am I wrong (2:03) (Drive, Universal, 2003)Lee Sankey: stone in my shoe (12:24) (She's Not Alone, A Ten Year Noose, 2002)Back to Beardo:The Sensational Alex Harvey Band - Framed (Framed 1973)The Young Rascals - You Better Run (Groovin' 1967)King Curtis - Instant Groove (West Coast Seattle Boy: The Jimi Hendrix Anthology - DISC 1 2010)Moby Grape - Hey Grandma (Moby Grape 1967)The Band - Chest Fever (Music From Big Pink 1968)The Lovin' Spoonful - Bald Headed Lena (Daydream 1966)Silver Apples - A Pox On You[edited - thank doG]  (Silver Apples 1969)  

This show features several new releases from March 29. More information about the records is below.*Update!* I think I mentioned in this show that All Eternals Deck was the Mountain Goats third LP, which is obviously incorrect (ouch, indie cred!). What I meant to and should have said was that this is the third LP with a more rock-oriented trio. Sorry, ya'll.Beat City Radio #583 PlaylistDownload show (right-click, save target as): Beat City Radio #583Stream: A Few of This Week's New Releases The Mountain Goats released All Eternals Deck, which takes its name from a fictional set of tarot cards. The album shows that John Darnielle's songwriting is still quite solid and the rhythm section gets a boost from Superchunk drummer Jon Wurster.  Stream the album on NPR's website. Favorite tracks: Damn These Vampires, High Hawk Season, The Autopsy Garland, For Charles Bronson, Birth of Serpents.Hosannas is a duo from Portlandia who create sweeping and beautiful experimental dream pop tinged with cosmic spaghetti western sounds and shoegazing tendencies. They are back with a FREE EP, Thug Life Nicole, that follows the release of their third album, Together late last year. Find out more about the band and download the EP from the link above.Bonus mp3s:   Hosannas - Obsolete PeopleHosannas - Walroos From the Moon Duo website: "Moon Duo was formed by Ripley Johnson of Wooden Shjips and Sanae Yamada in San Francisco in 2009. Inspired initially by the legendary duo of John Coltrane and Rashied Ali, Moon Duo counts such variant groups as Silver Apples, Royal Trux, Moolah, Suicide, and Cluster as touchstones. Utilizing primarily guitar, keyboards, and vocals, the Duo plays space against form to create a primeval sound experience." This experimental psychedelic duo dropped Mazes this week on Sacred Bones Records.Bonus mp3s:Moon Duo - MazesMoon Duo - ScarsMoon Duo - When You Cut The Pains of Being Pure at Heart are a shoegazing bliss/gliss rock quartet from Brooklyn, NY. They released their debut self-titled album a couple of years ago to much critical acclaim. That record was very much rooted in the 80s, with elements of post-punk, dream pop, twee, and the C86 sound. It was a very saccharine heart-on-the-sleeve album, but balanced those elements with some darker tones and distortion. The sophomore album, Belong out on Slumberland Records, builds on the first album's elements and takes them further with a BIG and slick wall of sound production style, courtesy of Flood and Alan Moulder (Smashing Pumpkins, My Bloody Valentine, Depeche Mode). The overall sound of this album is early 90s guitar pop-rock, though there are some synth-washed tracks that recall Modern English and The Cure. Belong is a big-sounding, shimmering and slick, heart-breakingly blissful record that glides along beautifully and is enjoyable, though cloying at times. Favorite tracks: Heart in Your Heartbreak, My Terrible Friend,Anne With an E, The Body.Bonus mp3:The Pains of Being Pure at Heart - I Wanna Go All the Way (B-side of the Belong 7" vinyl single).We also played a new one from Swedish indie rockers Peter Bjorn and John's new album, Gimme Some and a couple from Dirty Beaches. We'll feature Dirty Beaches in another post.Enjoy!Bonus Video: The Pains of Being Pure at Heart - Young Adult Friction from The Pains of Being Pure at Heart out on Slumberland Records in 2009.

silverapplesliveonyouarehear The latest edition of You Are Hear features an exclusive live set from legendary electronic music pioneers The Silver Apples. The Silver Apples were formed in New York in 1967 by drummer Danny Taylor and vocalist Simeon Coxe, the bands unique sound came from a hand built electronic instrument Simeon built from several oscillators with eighty-six manual controls which created a sound which predated and certainly influenced Krautrock, Suicide, Spaceman3 and a host of post rock bands such as the Klaxons who the band came to inspire some 40 years later. The Sliver Apples are now a solo act, sadly Danny died in 2005, however Simeon is very alive and kicking and as you will hear in this excellent live set recorded at the Corsica Studios in London on 12th march 2008 to a full house. http://www.silverapples.com/ Brought to you by Magz Hall and Jim Backhouse check out our website www.youarehear.co.uk Subscribe to the podcast you can get emails alerts sent to you direct everytime we update the feed. feedback www.myspace.com/youarehear YAH 2002-6 live radio sessions CD now available as download album via whippit YAH 2002-6 live radio sessions CD Hear us on www.totallyradio.com Podcast of the week in Time Out London!! " excellent alternative music show" "Critics Choice" The Independent Feb 2008Podcast of the week Time Out London!! " excellent alternative music show" "Critics Choice" The Independent

silverapplesliveonyouarehear The latest edition of You Are Hear features an exclusive live set from legendary electronic music pioneers The Silver Apples. The Silver Apples were formed in New York in 1967 by drummer Danny Taylor and vocalist Simeon Coxe, the bands unique sound came from a hand built electronic instrument Simeon built from several oscillators with eighty-six manual controls which created a sound which predated and certainly influenced Krautrock, Suicide, Spaceman3 and a host of post rock bands such as the Klaxons who the band came to inspire some 40 years later. The Sliver Apples are now a solo act, sadly Danny died in 2005, however Simeon is very alive and kicking and as you will hear in this excellent live set recorded at the Corsica Studios in London on 12th march 2008 to a full house. http://www.silverapples.com/ Brought to you by Magz Hall and Jim Backhouse check out our website www.youarehear.co.uk Subscribe to the podcast you can get emails alerts sent to you direct everytime we update the feed. feedback www.myspace.com/youarehear YAH 2002-6 live radio sessions CD now available as download album via whippit YAH 2002-6 live radio sessions CD Hear us on www.totallyradio.com Podcast of the week in Time Out London!! " excellent alternative music show" "Critics Choice" The Independent Feb 2008Podcast of the week Time Out London!! " excellent alternative music show" "Critics Choice" The Independent

"The sun's shining, I'm wearing my sombrero, and through my open window floats the gentle splosh and gurgle of folk falling into the river — all of which can mean only one thing: summer's here! So buckle on your flip-flops, crank the ghettoblaster up to eleven, pop open a bottle of 1994 Châteauneuf-du-Pape and kick back to the balmy sounds of the UNITY GAIN TEMPLE SUMMER SYNCRETASM!"   Unity Gain Temple is a full-time member of Communty (Massive Sonoral Carpets, Nefarious International Manoeuvres, Looting, Banditry, Ambushes, Car-Jacking, Physical Attacks and Killings). You can email him here.   Tracklisting: Kaija Saariaho – Jardin Secret I Denis Smalley – Wind Chimes Thomas Köner – Nival George Benjamin – Octet Brian Ferneyhough – Funerailles Gareth Loy – Nekyia György Ligeti – Glissandi Morton Subotnick – Silver Apples of the Moon Pierre Boulez – Sur incises Erik Bergman – Silence and Eruptions Edgard Varèse – 1st interpolation of organized sound (from Déserts) Arnold Schoenberg – Vorgefühle (from Five Pieces for Orchestra) Erik Bergman – Triumf att finnas till Iannis Xenakis – Polytope de Montreal Jonathan Harvey – Mortuos piango, vivos voco Anton Webern – Five Pieces for Orchestra, op. 10 Brian Eno – 1/1 from Ambient 1: Music For Airports Surgeon – Force & Form Remakes (Surgeon Remake 1) Antony & The Johnsons – Hope There's Someone Pierre Boulez – Pli selon pli Storm – No More Words (Part 3) Jeff Mills – Changes of Life 3MB – Jazz Is The Teacher (Magic Juan Mix) Basic Channel – Octagon Thomas Köner – Permafrost Edgard Varèse – 3rd interpolation of organized sound (from Déserts) Carl Michael von Hauswolff – A Quite Faster Spirit With Some Low Cyclic Interference Set Fire To Flames – Holy Throat Hiss Tracts To The Sedative Hypnotic Peter Warlock – The Shrouding of the Duchess of Malfi Wendy Carlos – Tron Scherzo George Crumb – Pastoral Drone Gustav Mahler – Allegro energico, ma non troppo (from Symphony no. 6 in A minor) Big Pun – Beware Dr Dre – Forgot About Dre N.W.A. – Straight Outta Compton Bernard Parmegiani – Étude Élastique Hervé Boghossian – Organe ouvert Arnold Dreyblatt – Nodal Excitation T. S. Eliot – The Wasteland Samla Mammas Manna – Kom Lite Närmare All Saints – Pure Shores Olivier Messiaen – Combat de la mort et de la vie (from Les corps glorieux) Luciano Berio – In ruhig fliessender Bewegung (from Sinfonia) Edgard Varèse – Density 21.5 Steve Reich – Music for Mallet Instruments, Voices, and Organ Johann Sebastian Bach – Allemande (from French Suite No. 6 in E major) Beaks – Crow Olivier Messiaen – Transports de joie d'un âme devant la gloire du Christ qui est la sienne (from L'Ascension) Olivier Messiaen – Les Yeux dans les roues (from Livre d'orgue) Olivier Messiaen – Sortie (le vent de l'Esprit) (from Messe de la Pentecôte) Pimsleur Language Program – Swedish Genesis – Dancing With The Moonlit Knight Hildegard Westerkamp – Delhi B John Cage – Writing for the Second Time Through Finnegans Wake Dave Phillips – emf (from IIIII) Dave Phillips – Untitled (from IIII) Jeff Wayne – Dead London Hildegard Westerkamp – Into The Labyrinth Ono Gagaku Kaï Society – Etenlaku Keiji Haino, Derek Bailey – Boka Ga NeJirekireru To Ai Salvatore Sciarrino – Studi per l’intonazione del mare Karlheinz Stockhausen – Gesang Der Jünglinge Jean-Claude Risset – Mutations Giacinto Scelsi – Ko–Tha Iannis Xenakis – GENDY3 Iannis Xenakis – À R. George Crumb – Se ha llenado de luces mi corazón de seda (from Ancient Voices of Children) Alban Berg – Rondo ritmico con introduzione (from Chamber Concerto for Piano and Violin with 13 Wind Instruments) Bernard Parmegiani – L'oscillée Harrison Birtwistle – Secret Theatre Steely Dan – Time Out Of Mind Anton Webern – Christus factus est (from Five Canons, op. 16) Borbetomagus – Concordat Jam 12 Ornette Coleman – Tomorrow is the Question Bertrand Russell – Speaking Personally Keith Hudson – Part 1-2 Dubwise Horace Andy – I Feel Good All Over Linval Thompson – Dubbing Feet Prince Far I – Cry Tuff And The Originals Chris Pattern – Alpine Field Recording Louis Andriessen – Hoketus Joni Mitchell – Hejira Monica Zetterlund – Sakta Vi Gå Genom Stan Carole King – Tapestry Donald Fagen – Maxine Toru Takemitsu – Soundtrack from Woman In The Dunes Caravan – Golf Girl Einstürzende Neubauten – Trinklied Burning Spear – Ethiopians Live It Out Albert Ayler – The Wizard Caravan – Winter Wine Luciano Berio – Sequenza XI for guitar Picchio dal Pozzo – Seppia Sleepytime Gorilla Museum – The Donkey-Headed Adversary of Humanity Opens the Discussion Track Ghost – Bee Fiddler Igor Stravinsky – Ebony Concerto Mika Vainio – Colour Of Plants Luciano Berio – Sequenza VII for oboe Ralph Vaughan Williams – Fantasia On A Theme Of Thomas Tallis Global Communication – 14:31 Angelo Badalamenti – Audrey's Dance