Podcasts about Electric Circus

In this episode, Ed the Sock and Liana Kerzner pay tribute to the recently decease Muchmusic personality and Electric Circus host Juliette Powell, talk about deceitful rice cakes , dollar store electronics, phony Muchmusic Leftists, American Christians removing that pesky Christ from Christianity, Flintstone vitamins, Heterosexual Pride Month and what really bothers some people about LGBTQ+ Pride Month and the best American sitcom currently on streaming.

In this episode, Ed the Sock and Liana Kerzner pay tribute to the recently deceased Muchmusic personality and Electric Circus host Juliette Powell, talk about deceitful rice cakes, dollar store electronics, phony Muchmusic Leftists, American Christians removing that pesky Christ from Christianity, Flintstone vitamins, Heterosexual Pride Month and what really bothers some people about LGBTQ+ Pride Month and the best American sitcom currently on streaming.

In this 1707th episode of Toronto Mike'd, Mike remembers FOTM Juliette Powell who passed away suddenly last week at the young age of 54. Juliette's amazing story has to be heard to be believed. From Miss Canada to advising the UN with stops at Electric Circus and CP24 along the way. Toronto Mike'd is proudly brought to you by Great Lakes Brewery, Palma Pasta, Ridley Funeral Home, Toronto Maple Leafs Baseball, Yes We Are Open, Nick Ainis and RecycleMyElectronics.ca. If you would like to support the show, we do have partner opportunities available. Please email Toronto Mike at mike@torontomike.com

In the Fifteenth episode There Is No Planet Earth Stories, I sit down with legendary DJ, producer, and remixer Justin Strauss for a wide-ranging conversation about his remarkable journey through music and nightlife culture.We explore Justin's early music experiences—from seeing The Beatles live to attending iconic shows at Electric Circus. He shares stories from his time as the frontman of the glam-punk band Milk n' Cookies, and his transition into DJing, including his first gig and influential residency at the legendary Mudd Club.Justin also reflects on his pivotal roles as resident DJ at iconic 80's NYC venues like Area, and The Ritz. Additionally,  our conversation explores the origins and evolution of his prolific remix and production career, which continues to inspire across generations.“Few DJs could adequately represent the last three decades of New York nightclub history - no less do so with such iconic credentials as Justin Strauss. Since he was 17, when his first band was signed to Island Records, Justin has had a career that reads like a Who's-Who of the music scene, spinning at nearly every dance club that you'd ever want to go to. Starting as DJ at New York's legendary Mudd Club, he spun his way through The Ritz, Limelight, Area, Tunnel, M.K., Life, Centro Fly and more, pioneering his own distinctive sound, and becoming one of the most sought-after remixers and producers not just in New York, but in the world. He has worked with the gamut of artists - Depeche Mode, Hot Chip, Sergio Mendez, Tina Turner, Jimmy Cliff, B-52s, Luther Vandross, 808 State, Malcolm McClaren, Skinny Puppy, Goldfrapp, LCD Soundsystem to name a few and on over 300 records!  Much of the new dance crowd that goes to hear Justin DJ today, doesn't necessarily know his history; they simply love his spinning because he always keeps them dancing and surprised, seamlessly mixing between choice classics, delectable rarities and innovative beats. For Justin, no genre or style is off-limits – he can and will mix anything, so long as he can keep the crowd enthralled. His self-proclaimed mission is “connecting the dots” between what might otherwise seem disparate musical periods and styles, while introducing exciting new sounds. He does so with infectious passion, subverting preconceptions about what's old and new, and inspiring young DJs with his masterful skill and ever-youthful spirit. But Justin Strauss doesn't stop there. As half of the production duos, Whatever/Whatever and A/JUS/TED, he continued to produce and mix records, working on remixes for the likes of Hot Chip, William Onyeabor,LCD Soundsystem, Blood Orange, Holy Ghost!, Franz Ferdinand, Beyonce. Working on new projects Extra Credit with Joe Goddard of Hot Chip & Marcus Marr, and with Max Pask under their Each Other moniker, whose debut E.P.'s were mixed by Soulwax and released on their Deewee label, with new releases coming soon. Touring the world Dj'ing at Panorama Bar in Berlin, Robert Johnson in Frankfurt, Zunkunft in Zurich to name a few.  In fact, he doesn't stop at all.”Support the show

Marjolein, Brent, Stef, Sean, John & Craig climb in the crowded Pink Tron bus to talk about London Uprising for HSRL, shows that were on Canadian cable TV in the '90s & HBR, More Bologna, and how to deal with heat.

Junto a Pauline Oliveros y Ramón Sender funda en 1961el San Francisco Tape Music Center, primer estudio de la Costa Oeste dedicado a la música experimental. Cinco años más tarde, crea el primer disco electrónico jamás grabado, “Silver Apples of the Moon”._____Has escuchadoThe Other Piano. Lullaby: For Piano & Live Electronics (2007). Soojin Anjou, piano; Morton Subotnick, electrónica. Mode (2019)Silver Apples of the Moon. Part A (1967). WERGO (1994)The Wild Beasts. After the Butterfly (1978). Conjunto instrumental dirigido por Subotnick. WERGO (2015)_____Selección bibliográficaBERNSTEIN, David, The San Francisco Tape Music Center: 1960s Counterculture and the Avant-garde. University of California Press, 2008CLEMAN, Tom y Morton Subotnick, “Parallel Lines for Solo Piccolo with "Ghost Electronics" and Nine Players”. Notes, n.º 40 (1983), p. 404DAVISON, Stephen, “All My Hummingbirds Have Alibis, Multimedia CD-ROM for Macintosh by Morton Subotnick” [Reseña]. Notes, n.º 53 (1996), p. 530-533*GLUCK, Robert, “Electric Circus, Electric Ear and the Intermedia Center in Late-1960s New York”. Leonardo Music Journal, vol. 45, n.º 1 (2012), pp. 51-56*—, “Nurturing Young Composers: Morton Subotnick's Late-1960s Studio in New York City”. Computer Music Journal, vol. 36, n.º 1 (2012), pp. 65-80*HANSON, Jeffrey, Morton Subotnick's Ghost Scores: Interaction and Performance with Music Technology.  TFM, San Jose State University, 2010MACHOVER, Tod, “Interview with Morton Subotnick”. Contemporary Music Review, vol. 13, n.º 2 (1996), pp. 3-11*ROADS, Curtis, “Interview with Morton Subotnick”. Computer Music Journal, vol. 12, n.º 1 (1988), pp. 9-18*ROADS, Curtis y Morton Subotnick, “A Sky of Cloudless Sulfur/After the Butterfly”. Computer Music Journal, n.º 5 (1981), p. 81SUBOTNICK, Morton, “Extending the Stuff Music is Made of”. Music Educators Journal, n.º 55 (1968), pp. 109-110—, “The Use of the Buchla Synthesizer in Musical Composition”. Journal of The Audio Engineering Society (1970), s/n—, “The use of computer technology in an interactive or “Real time” performance environment”. Contemporary Music Review, n.º 18 (1999), pp. 113-117WHIPPLE, Harold W., “Beasts and Butterflies: Morton Subotnick's Ghost Scores”. The Musical Quarterly, vol. 69, n.º 3 (1983), pp. 425-441*YELTON, Geary, “A Conversation with Morton Subotnick: Celebrating the 50th Anniversary of Silver Apples of the Moon”. Electronic Musician, vol. 33, n.º 11 (2017), pp. 26-30 *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

We're jumping into Mark's (well-used) time machine to journey back to the scene of The Fall's debut on record/vinyl and the last night of the historical Electric Circus venue. This 1978 compilation album offers appearances by The Fall, Buzzcocks, Joy Division, and many more! Gavin and Steve survive the sketchy journey to the venue to witness (auditorily) the final night closeout of this former-cinema turned rock club (soon to be, fittingly, turned into a bingo hall!). *Patreon episode contains full tracks.* Are you searching for the (next episode) now? Are you looking for the real thing, yeah?  You may be missing out on more great Fall-related explorations… but not if you join us on ⁠WATF PATREON:  Full A & B-SIDE discussions (Now!), special (Patreon-only) bonus episodes, side excursions into Fall-member side projects, and early access to all episodes! ⁠⁠⁠⁠⁠ ⁠Join WATF Pod on PATREON and get them all! Including rare Fall content, merch, and exclusive chats with Gavin & Steve as they discuss everything Fall-related.⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow WATF Pod on:  ⁠Instagram⁠  //  YouTube  //  ⁠Twitter⁠  //  ⁠Facebook⁠ For more Fall-related info, please visit our fellow Fall-heads' great work at:  TheFall.org  //  The Annotated Fall Theme Song by Gavin Watts: ⁠https://wearethefallpod.bandcamp.com/⁠ Produced and presented by Watts Happening Records: ⁠www.TheWattsHappening.com⁠ Advertising & Guest Inquiries - Contact:  wearethefallpod@gmail.com

Today on Line Noise our guest is Morgane Lhote, aka Hologram Teen - and, yes, once of Stereolab, one of my favourite bands. We talked about music and tech, humour, her biggest melody, being in a band with James Ford, 80s French music, Downtown LA and being on the cover of Common's Electric Circus.

Born in Toronto, Canada, Dan-e-o won a contest on the television dance show, Electric Circus, at the age of 13 and went on to become a consistent winner of rap battles and talent show contests. His recording career was officially launched in 1996 when his first single "Dear Hip Hop" was featured on Beat Factory/EMI's, RapEssentials Volume One compilation. The track is now considered by many to be a Canadian hip-hop classic. Dan-e-o helped to establish his crew, Monolith in 1997 by co-founding One Rock Records and independently releasing the EP, The Long Awaited... the following year. With two videos, "At The T.O.P." and "Plan Eh", this project helped put Dan-e-o and the 12-member Monolith crew permanently on the hip-hop map. in This Down 2 Earth episode we get down 2 Earth about Dan -e -o latest album release vigilant

Today on Line Noise our guest is Morgane Lhote, aka Hologram Teen - and, yes, once of Stereolab, one of my favourite bands. We talked about music and tech, humour, her biggest melody, being in a band with James Ford, 80s French music, Downtown LA and being on the cover of Common's Electric Circus.

The music world lost legendary hip hop producer and artist J Dilla far too soon, and for many people, he's still relatively unknown. Hosts Jim DeRogatis and Greg Kot talk with author Dan Charnas about his book on J Dilla's rhythmic innovation, artistry and close relationships with Common, Questlove, D'Angelo and more. Plus, the hosts review new albums from Nick Cave and Hinds.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:J Dilla, "Workinonit," Donuts, Stones Throw, 2006Nick Cave and the Bad Seeds, "Long Dark Night," Wild God, PIAS, 2024Nick Cave and the Bad Seeds, "Cinnamon Horses," Wild God, PIAS, 2024Nick Cave and the Bad Seeds, "Song of the Lake," Wild God, PIAS, 2024Nick Cave and the Bad Seeds, "As the Waters Cover the Sea," Wild God, PIAS, 2024hinds, "Hi, How Are You," Viva Hands, Lucky Numbers, 2024hinds, "Coffee," Viva Hands, Lucky Numbers, 2024hinds, "Mala Vista," Viva Hands, Lucky Numbers, 2024Slum Village, "Fall in Love," Fantastic, Vol. 2, GoodVibe, 2000D'Angelo, "Untitled (How Does It Feel)," Voodoo, Virgin, 2000J Dilla, "So Far to Go (feat. Common & D'Angelo)," The Shining, BBE, 2006Common, "The Light," Like Water For Chocolate, Geffen, 2000D'Angelo, "Devil's Pie," Voodoo, Virgin, 2000Common, "I Am Music (feat. Jill Scott)," Electric Circus, MCA, 2002The Pharcyde, "Runnin'," Labcabincalifornia, Delicious Vinyl, 1995See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

"From Steel Pulse to Wu-Tang: A Festival of Musical Diversity"Larry Mishkin discusses a review of various experiences and performances, starting with a cannabis event called "Miracle in Mundelein," which took place over the past weekend. The main focus of the review is a discussion of a Grateful Dead show from September 9, 1987, at the Providence Civic Center in Rhode Island. The show was notable for being the second night of a three-show run, marking the opening of the Grateful Dead's 1987 East Coast fall tour.Key highlights include:"Hey Pocky Way" Performance: This was the first time the Grateful Dead performed the song "Hey Pocky Way," which is originally by the Meters, a New Orleans funk band. The song became a fan favorite, primarily due to the influence of Brent Mydland, the band's keyboardist. However, the song fell out of rotation after Brent's death in 1990."Jack Straw" Performance: Another song featured was "Jack Straw," a Grateful Dead classic written by Bob Weir and Robert Hunter. It was originally performed in 1971 and became a staple in the band's setlists. The song was performed in the second spot of the setlist during the 1987 show, indicating the band's tendency to feature it early in their concerts.Music News Segment: The transcript also includes a segment on music news, which starts with a brief history of the band Cheap Trick, particularly their song "I Want You to Want Me."Review of the Miracle in Mundelein Festival: The review shifts to discussing the recent "Miracle in Mundelein" festival, where several acts performed:Steel Pulse: A roots reggae band from Birmingham, England, who delivered a lively and energetic performance.The Soul Rebels: A New Orleans brass band known for their energetic live shows and collaborations with major artists. Their set featured Raekwon and GZA from the Wu-Tang Clan, adding a strong hip-hop element to the performance.Wiz Khalifa: The headliner of the event, Wiz Khalifa, is praised for his stage presence and connection with the audience. The review notes his strong advocacy for cannabis and how his music resonated well with the crowd.Overall, the review captures the blend of nostalgia with the Grateful Dead's classic performances and the fresh, dynamic energy of the Miracle in Mundelein festival, highlighting both the music and the culture of cannabis.https://www.cheaptrick.com/ Grateful DeadSeptember 9, 1987 (37 years ago)Providence Civic CenterProvidence, Rhode IslandGrateful Dead Live at Providence Civic Center on 1987-09-09 : Free Borrow & Streaming : Internet Archive Second night of a three show run, the opening shows of 1987 East Cost fall tour.  INTRO:                                 Hey Pocky Way                                                Track #1                                                :35 – 2:03 First time ever played Hey Pocky Way was written by George Porter Jr., Leo Nocentelli, Art Neville & Joseph Modeliste, founding members of The Meters, an American funk band formed in 1965 in New Orleans by Modeliste (drums), Porter Jr. (bass), Nocentelli (guitar) and Neville (keyboards). The band performed and recorded their own music from the late 1960s until 1977 and played an influential role as backing musicians for other artists, including Lee Dorsey, Robert Palmer, Dr. John, and Allen Toussaint. Song was released on Rejuvenation the band's fifth studio album in 1974. In 2003, the album was ranked number 138 on Rolling Stone magazine's list of the 500 greatest albums of all time,[6] and 139 in a 2012 revised list. Beginning with this show, the Dead began to feature Hey Pocky Way, usually as a show opener.  Sung by Brent who really got into it with both his keyboard playing and strong singing, it  became a fan favorite.  But as a Brent influenced tune, it died when he did. Played:  25 timesFirst:  September 9, 1987 at Providence Civic Center, Providence, RI, USALast: July 22, 1990 at World Music Theatre, Tinley Park, IL, USA (Brent's second to last show)  SHOW No. 1:                    Jack Straw                                                Track #2                                                4:00 – 5:50 "Jack Straw"  written by Bob Weir and Robert Hunter. The track first appeared on the album Europe '72. The song was first performed in concert on October 19, 1971, in Minneapolis, Minnesota at new keyboardist Keith Godchaux's first appearance with the band. In the song's earliest performances (c. 1971–72), Weir sang all of the vocals. By the time the 'Europe 72' version was recorded, (at the Olympia Theater in Paris on 5-03-72), Weir and Jerry Garcia were switching up the vocals - as they had on April 26th when 'Hundred Year Hall' was recorded. The song appeared in both the first and second sets until the band's short hiatus in 1974-1975. After re-forming, the song almost exclusively appeared in the first set. After Brent Mydland joined the band in 1979, the song almost exclusively opened the band's first set. The band also often extended the jam after the second verse after Mydland's joining, often extending the song to over six minutes. Dead and Company have also further extended the song, often adding an abstract opening jam prior to the song's first verse.[1] Bob Weir stated in a 2004 interview that the song's lyrics were partly based on John Steinbeck's novel Of Mice and Men.[2] The song's themes include riding the rails, the Great Depression, and hobo (homeless) camps of the era. Jack Straw is also—perhaps coincidentally—the name of the original plantation owner, who lived controversially with his gay lover, Peter Ochello, in Tennessee Williams's play Cat on a Hot Tin Roof.[3] Always a great song to hear in concert, the fans loved it and it was always an omen of good things to come in the show. Played:  477 timesFirst:  October 19, 1971 at Northrop Auditorium, Minneapolis, MN, USALast:  July 8, 1995 at Soldier Field in Chicago MUSIC NEWS Miracle In Mundelein – second year of the festival in Mundelein a suburb northwest of Chicago.  Missed last year with JRAD but made it this year on Saturday with my sons Jonathan and Daniel, Jonathan's fiancé, Bella and Daniel's buddy AJ.  Different theme to this year's music focusing on hip hop and rap, not part of my regular music, but certainly a key genre for Daniel and AJ who filled me on details during the show. Acts:Steel Pulse - Steel Pulse are a roots reggae band from the Handsworth area of Birmingham, England. They originally formed at Handsworth Wood Boys School, and were composed of David Hinds (lead vocals, guitar), Basil Gabbidon (lead guitar, vocals), and Ronald McQueen (bass); along with Basil's brother Colin briefly on drums and Mykaell Riley (vocals, percussion). Steel Pulse were the first non-Jamaican act to win the Grammy Award for Best Reggae Album. They were initially refused live dates in Caribbean venues in Birmingham due to their Rastafarian beliefs. During the popularization of punk rock in the mid-1970's, Steel Pulse began to play punk venues such as the Hope and Anchor in London and The Electric Circus in Manchester in 1976.[1] Aligning themselves closely with the Rock Against Racism organization and featuring in its first music festival in early 1978, they chose to tour with sympathetic elements of the punk movement,[1] including the Stranglers and XTC. Eventually they found a more natural home in support slots for Burning Spear, which brought them to the attention of Island Records. Fun set that was in progress when we arrived, great sound and lots of energy that kept the crowd moving. The Soul Rebels - The Soul Rebels (also Soul Rebels Brass Band, Soul Rebels or The Rebels) are an eight-piece New Orleans based brass ensemble that incorporate elements of soul, jazz, funk, hip-hop, rock and pop music within a contemporary brass band framework.  Starting out as a local New Orleans favorite, The Soul Rebels have evolved into collaborating live with major artists in all worlds of music including:Katy PerryNasMetallicaGreen DayTrombone ShortyProdigyString Cheese IncidentUmphrey's McGeeGalacticSuzanne VegaEurythmicsLettuceGov't Mule                                               And many more The band has built its career around an eclectic live show that harnesses the power of horns and percussion in a funky party-like atmosphere. The band routinely plays over 250 shows a year. They have been described by the Village Voice as "the missing link between Public Enemy and Louis Armstrong.  The Soul Rebels consist of percussionists and founding members Lumar LeBlanc and Derrick Moss, trumpet players Julian Gosin and Marcus Hubbard, trombonists Corey Peyton and Paul Robertson, saxophonist Erion Williams, and sousaphonist Manuel Perkins Jr.                                                 On Saturday, they featured Raekwon and GZA from Wu Tang Clan.                                      RAEKWON - Corey Woods[2] (born January 12, 1970),[3][4] better known by his stage name Raekwon (/reɪˈkwɒn/, ray-KWON), is an American rapper. He rose to prominence as a founding member of the hip-hop group Wu-Tang Clan, which achieved mainstream success following the release of their debut album, Enter the Wu-Tang (36 Chambers), in 1993. Raekwon would subsequently pursue a solo career, releasing his first solo album, entitled Only Built 4 Cuban Linx..., in 1995. The album received critical acclaim, and is regarded by many critics as one of the greatest hip-hop albums of all time, as well as a staple of 1990s rap.                                     Raekwon attributes the name Raekwon to the Five-Percent Nation, an offshoot of the Nation of Islam, when he was a "young kid."[11] He converted to Islam in 2009.                                     Growing up, he witnessed his mother being hit and abused by different men, an experience which he said "affected [him] a lot."[10] As a young man, his mother kicked him out of their Park Hill home when Raekwon got into an argument with her boyfriend and his mother sided with the boyfriend. During this time, he spiraled into a pattern of hopelessness and violent behavior.[8] He became addicted to cocaine and crack cocaine until he became aware of how the crack epidemic was affecting those around him, at which point "it was an automatic stop."[10]Raekwon and rap partner Ghostface Killah attended junior high school together on Staten Island.[14] Raekwon attended New Dorp High School, where he befriended rappers Remedy, Method Man and Inspectah Deck.[15]             Woods first rapped as Sha Raider. In 1992, he joined the Wu-Tang Clan, an originally nine-member rap group drawing mainly from the Staten Island but also from the Brooklyn boroughs of New York City. He rapped as Raekwon The Chef, and also used the aliases Lex Diamonds, Shallah Raekwon, and Louis Rich. After being caught in a crossfire and accidentally shot four times, Raekwon began rapping in earnest. He later described being shot as an "important eye opener." In September 2009, MTV ranked Raekwon tenth among "hottest" rappers. In December, HipHopDx's 2009 awards named Only Built For Cuban Linx... Pt. II album of the year, calling it "the Hip Hop equivalent to The Godfather 2, with Rae as revitalized as Marlon was". Raekwon won Emcee of the Year—the prior year, Nas won—while HipHopDX staff explained, Raekwon brought it back to lyrical, dope rap. He released an album that spoke to teens, twenty-somethings, thirty-somethings, and beyond. Without compromising, the Chef made an edgy Hip Hop record that refused to bastardize the catalog he laid down 15 years ago. On top of that, Rae (along with Ghostface) was a go-to for numerous rappers making albums, ranging from the Playaz Circle to Jadakiss to BK One. That's beyond real, as was a year filled with performing in arenas, clubs and even churches. When it came to mastering the ceremony, Rae had 'em all following the leader.[28]— HipHopDX GZA - Gary Eldridge Grice[2] (born August 22, 1966), better known by his stage names GZA (/ˈdʒɪzə/JIZ-ə) and The Genius,[3] is an American rapper. A founding member of the hip hop group Wu-Tang Clan, GZA is the group's "spiritual head", being both the first member in the group to receive a record deal and being the oldest member.[4] He has appeared on his fellow Wu-Tang members' solo projects, and has maintained a successful solo career starting with his second album Liquid Swords (1995). His lyrical style often dismisses typical rap story lines in favor of science and wide-ranging philosophies and has been characterized as "armed with sharp metaphors and a smooth flow".[5][6][7][8] An analysis of GZA's lyrics found that he has the second largest vocabulary in popular hip hop music.[9][10] He teamed up with an education group to promote science education in New York City through hip hop. In 1992, GZA joined the Wu-Tang Clan, a group of nine, formed by his cousin RZA. GZA had some high-profile appearances on the group's debut album, Enter the Wu-Tang (36 Chambers) (1993), including a solo track, "Clan in da Front".[22] This, combined with appearances on other Clan members' albums such as Return to the 36 Chambers: The Dirty Version (1995) and Only Built 4 Cuban Linx... (1995) brought him much recognition. According to Method Man, "we form like Voltron and GZA happens to be the head".                         The combination of the Soul Rebels beat and Raekwon's and GZA's rapping made for an exceptional set of music that caught me off guard but was worth the price of admission.  With lots of cannabis references scattered throughout their lyrics and stage talk, they were a perfect match for this festival. Wiz Khalifa - Cameron Jibril Thomaz (born September 8, 1987),[2] better known by his stage name Wiz Khalifa, is an American rapper from Pittsburgh, Pennsylvania. He signed with the local independent label Rostrum Records to release his debut studio album, Show and Prove (2006). His contract entered a short-lived joint venture with Warner Bros. Records the following year. His Eurodance-influenced 2008 single, "Say Yeah" received urban radio airplay and entered both the Rhythmic Top 40 and Hot Rap Songs charts, becoming his first minor hit.[3] Outside of music, Thomaz has delved into acting with television roles in Dickinson and The Eric Andre Show, the lead role alongside Snoop Dogg in the 2012 stoner comedy film Mac & Devin Go to High School, and voice roles in the animated series American Dad!, Duncanville, and Big City Greens. Thomaz founded the record label Taylor Gang Entertainment in 2008, through which he has signed artists including Juicy J, Ty Dolla Sign, and Berner. Known for his abundant usage of cannabis, Thomaz launched his own cannabis brand, Khalifa Kush, in 2016, which expanded for release in nationwide dispensaries in 2022. His stage name is derived from Khalifa, an Arabic word meaning "successor", and wisdom, which was shortened to Wiz when Khalifa was a young boy.[10] Khalifa stated to Spinner.com that the name also came from being called "young Wiz 'cause I was good at everything I did, and my granddad is Muslim, so he gave me that name; he felt like that's what I was doing with my music." He got a tattoo of his stage name on his 17th birthday.[11][12] By the age of 15, he was regularly recording his music at a local studio called I.D. Labs.[13] Impressed by the young teen's talent, E. Dan, the owner of the studio offered Khalifa an intern job at the studio in exchange for free recording time. Dan, being a veteran of the Pittsburgh hip-hop scene, would help develop and mentor the young artist early on in his career. He was the headliner and lived up to the billing.  Great tunes, great stage presence, great spokesperson for cannabis.  My first experience with his music and it was very positive. A great musical education for me with my tutors, Daniel and AJ. More in MJ News  Herbie Flowers  RIPJerry Miller  RIPGoose this week at the Salt Shed, Thursday and Friday   SHOW No. 2:                    Greatest Story Ever Told                                                Track #9                                                3:25 – end                                                 INTO                                                 Devil With a Blue Dress                                                Track #10                                                0:00 – 1:33 Greatest Story – written by Hunter/Bobby/Mickey, originally called “The Pump Song” on Mickey Hart's 1972 album Rolling Thunder.  As the opening tune of Ace, it is called Greatest Story Ever Told.  But this isn't about that song.  Here, it is the lead-in to a first set couple of “extras” thrown in for some fun. "Devil with a Blue Dress On" (also known as "Devil with the Blue Dress") is a song written by Shorty Long and William "Mickey" Stevenson, first performed by Long and released as a single in 1964. A later version recorded by Mitch Ryder and The Detroit Wheels in 1966 peaked at No. 4 on the U.S. Billboard Hot 100.  "Devil with the Blue Dress" was originally released as Shorty Long's debut single on Motown in 1964, but the single failed to chart. The song describes a femme fatale in a blue dress and not an actual devil.[2] Two years later, Mitch Ryder and The Detroit Wheels recorded the song at Bell Sound Studios in New York City[3] as a medley with an original arrangement of Little Richard's "Good Golly, Miss Molly". Their version, released on their album, “Breakout . . . . !”,  was notably more up-tempo than Long's more blues-influenced rendition.[2] Reaching No. 4 on the Hot 100, their version of the track would end up becoming their most well-known and highest charting hit in the United States. Rolling Stone Magazine ranked it No. 428 on their list of Top 500 Songs of All Time. Basically, another great cover to showcase Brent's singing and keyboard skills.  This was the first of 3 times the Dead covered the song.  Another fun diversion by the band that kept the Deadheads guessing and not wanting to ever miss a show. The transition out of Greatest Story is seamless and makes it so you can't hear the end of Greatest Story without hearing the signature beat of Devil making it a “natural” fit. Played – 3 timesFirst:  September 9, 1987 at Providence Civic Center, Providence, RI, USALast:  October 4, 1987 at Shoreline Amphitheatre, Mountain View, CA, USA  SHOW No. 3:                    Good Golly Miss Molly                                                Track #11                                                0:00 – end                                                 INTO                                                 Devil With a Blue Dress                                                Track #12                                                0:00 – 0:51"Good Golly, Miss Molly" is a rock 'n' roll song first recorded in 1956 by American musician Little Richard and released in January 1958 as single on the Specialty label, and later on the album, Little Richard in July 1958.[1] The song, a jump blues, was written by John Marascalco and producer Robert "Bumps" Blackwell. Although it was first recorded by Little Richard, Blackwell produced another version by the Valiants, who imitated the fast first version recorded by Little Richard, not released at that time. Although the Valiants' version was released first (in 1957), Little Richard had the hit, reaching No. 4.[2] Like all his early hits, it quickly became a rock 'n' roll standard and has subsequently been recorded by hundreds of artists. The song is ranked No. 92 on the Rolling Stone magazine's list of the 500 Greatest Songs of All Time. Little Richard first heard the phrase "Good golly, Miss Molly" from a Southern DJ named Jimmy Pennick.[4] He modified the lyrics into the more suggestive "Good golly, Miss Molly/You sure like to ball." Little Richard himself later claimed that he took Ike Turner's piano intro from his influential 1951 rock and roll song "Rocket 88", and used it for "Good Golly, Miss Molly".[5] "I always liked that record," Richard recalled, "and I used to use the riff in my act, so when we were looking for a lead-in to 'Good Golly, Miss Molly', I did that and it fit." In 1966, Mitch Ryder and the Detroit Wheels incorporated "Good Golly Miss Molly" into their version of "Devil with a Blue Dress On". Their version scored a major hit, not only in Ryder's native Detroit, but nationwide, placing at No. 4 on the Billboard Top 100. As with Devil, a Brent thing.  Unfortunately, it was only around for a month.  Then vanished from the Dead's playlist thereafter.  Played:  3 times, makes senseFirst:  September 9, 1987 at Providence Civic Center, Providence, RI, USALast:  October 4, 1987 at Shoreline Amphitheatre, Mountain View, CA, USA  MJ NEWS:             Miracle in Mudelein – a great event sponsored by Rise Dispensaries and Rhythm cultivators.  Second year, featuring great music, excellent food and drink and too many booths for dabbing from various types of rigs including a Studenglass Gravity Bong – my first time using one and it is not your father's four foot Graffix bong!  Daniel and AJ were all over it and as it turned out, the wait in line was well worth the experience.  Rather than try to explain it to you, just Google Gravity Bong and see for yourself!  Great high.             Miracle is that Lake County, a more conservative leaning county, and Mundelein permitted the event.  Attendees can bring in their own flower or extracts (supposedly only if purchased at an Illinois dispensary), smoking accessories, etc.  Rise also was selling products at the show.             A wonderful thing to attend an event and not have to hide and smuggle in your cannabis.  People lighting up everywhere, offering to share, talking strains, etc.  Police were there to keep order and otherwise let it all go on.  Very professional.             Excellent mellow crowd (what else would you expect?).  Well run.  Shot joints out of a canon.  A wonderful day and experience for those who enjoy cannabis, especially not having to hide it or pretend you don't have any when everyone knows attendees are smuggling it in anyway.             A great way to promote cannabis and help normalize it within the community.  And a fun event to be able to share with my boys, Bella and AJ.  Fun had by all.  SHOW No. 4:                    Not Fade Away                                                Track #24 (NOTE – this song is listed as Track #23 AND #24, be sure to use #24)                                                0:00 – end "Not Fade Away" is a song credited to Buddy Holly (originally under his first and middle names, Charles Hardin) and Norman Petty (although Petty's co-writing credit is likely to have been a formality[3]) and first recorded by Holly and his band, the Crickets. Holly and the Crickets recorded the song in Clovis, New Mexico, on May 27, 1957, the same day the song "Everyday" was recorded.[1] The rhythmic pattern of "Not Fade Away" is a variant of the Bo Diddley beat, "Not Fade Away" was originally released as the B-side of the hit single "Oh, Boy!" on 10.27.1957 and was included on the album The "Chirping" Crickets (1957). The Crickets' recording never charted as a single. In 2004, this song was ranked number 107 on Rolling Stone's list of "The 500 Greatest Songs of All Time". The song is closely associated with the Grateful Dead as one of their signature tunes—one which the band transformed from Holly's 1950s boy/girl romanticism to one reflecting the 1960s' more spiritual universal love. Their 1971 recording of the song is included on their second live album, Skull and Roses, paired with Going Down The Road Feeling Bad, a regular happening in the early ‘70's. Primarily a second set tune that used to show up in the second half of the second set after Drums-Space.  Beginning in 1983, the Dead began to play it as the second set closer, trailing off with “Love is real will not fade away” as they exited the stage.  A few years later, the Deadheads starting chanting the line as the Dead left the stage and in some cases, kept it up until the band reappeared for their encore, when the band would pick back up on the beat and play it for another minute or so before their encore tune, such as with this show.    Great example of the Deadheads making their mark on the show and the band being tuned in enough to play along with it.  Although sometimes if the Dead took too long to come out for the encore, the chanting would start to fade off.  And sometimes even when the chant made it all the way to the band's return on stage, the band would ignore it and just dive straight into their encore.  Fun when it all came together like this show. Played:  561 timesFirst:  February 19, 1969 at Fillmore West, San Francisco, CA, USALast:  July 5, 1995 at Riverport Amphitheatre in Maryland Heights, MO (St. Louis) OUTRO:                               The Mighty Quinn                                                Track #25                                                2:11 – 3:48 Bob Dylan wrote and first recorded the song in 1967 during the Basement Tapes sessions, but did not release a version for another three years.  The song's first release was in January 1968 as "Mighty Quinn" in a version by the British band Manfred Mann, from their album Mighty Garvey, and became a great success. A demo of 14 of the 1967 Basement Tapes recordings, including the first of two takes of "Quinn the Eskimo (The Mighty Quinn)", was produced in 1968, but was not intended for release. Recordings taken from the demos began appearing on bootlegs, starting with Great White Wonder,[7] a double-album bootleg that came out in July 1969. The first official release of the song was in 1970 on Dylan's Self Portrait album,[14] a live recording from 1969's Isle of Wight Festival. The live version (titled "The Mighty Quinn (Quinn the Eskimo)") was also selected in 1971 for the second compilation of Dylan's career, Bob Dylan's Greatest Hits Vol. II. Covered by:  the Hollies, Leon Russell and Phish, among others. Although they never played the song with Bob Dylan, the Grateful Dead started playing "The Mighty Quinn" in concert in 1985. It became a favorite encore among the Grateful Dead's fans, and remained so to the end of their career. Last verses, end with, “when Quinn the Eskimo gets here, everybody's gonna want to doze” but the Deadheads heard it as “dose” and always gave it a big cheer. Played:  59 timesFirst:  December 30, 1985 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA  Shoutouts: Lary Vinocur – birthdayElena Mishkin – birthday .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Wish We Never Met dance diva Simone Denny? Listen to the latest WWNM episode to find out!Dan and Amy are joined by the iconic chart-topping dance vocalist Simone Denny (best known for her time with Love Inc. and hits "Superstar" and Broken Bones"), who shares a "Wish I Never..." story about the ocean. Uh oh!Denny also opens up about just how cool MuchMusic's Electric Circus was back in the day, as well as how her most iconic songs have taken her all around the globe, and continue too. She also chats about how the new countrified version of "Superstar" came to be, and that she's got some new music on the way too!Also, Dan turns 40, Blue Jay Sessions turns 5 and Alberta's most celebrated brewery Dandy Brewing Co. turns 10. All the milestones this week!THANK YOU for listening to this episode of Wish We Never Met! New episodes are released every Thursday afternoon.Give this new podcast some love by clicking "follow" on Spotify or Apple, and consider leaving a five-star review too!FOLLOW the podcast on social media - @wishwenevermetpodcastDo YOU have someone you wish you never met? Something you wish you never said? A place you wish you never went?Email your story to wishwenevermetpodcast@gmail.com and Amy and Dan might just have you on an upcoming episode!

Unlock the full episode here: https://www.patreon.com/coldpod Jason Voltaire aka Martyn Bootyspoon is a Montreal based DJ and producer. His latest EP 'Bingo!' is out now on Fools Gold Records. Jason sat down with us to discuss Ozempic, Chief Keef, Toronto crowds, being one degree of separation from OVO goons, the 'Grimes world domination years', the infamous Torn Curtain police raid, taking a break from Montreal, Bar Bruno, the origin of the Martyn Bootyspoon persona, Sinjin Hawk, Korova Bar, 2010's Mile End dudes, academia bros, McGill house parties, beefing with someone named 'Young Bootyspoon', A Club Called Rhonda, Zack Fox, 'serious dance music', John Waters, laughing during 'Anatomy of a Fall', Varg2tm, Dance Mania, Ghettotech, Chloe Wise, Brat Green brain rot, Space Jam, The O.C., summer 2015, Blog House, Ibiza, bottle service music, Fools Gold Records, Le Chateau, Electric Circus, The Strokes, David Lynch, treating Twitter as a diary, stealing memes and more! Martyn Bootyspoon Josh McIntyre Austin Hutchings ---- COLD POD

Today's episode features the story of a friendship that turned deadly, and a shade of green that people were just dying to get their hands on. Our throwbacks are the movie Heathers, and the late night clubbing show, Electric Circus. DM us on Instagram with your stories or questions, or email us at ithappenedtopod@gmail.com

Step into the fascinating world of communication mastery with Brian Galke, a wizard of facial decoding. Imagine possessing the superpower to decipher someone's preferred communication style even before they utter a single word! Picture yourself confidently navigating a bustling room, armed with the knowledge of the perfect way to connect with each person present.Join me in an engaging conversation with Brian Galke as he unveils the secrets of understanding and interacting with people through the art of facial decoding. Get ready for an eye-opening exploration into the subtle nuances of facial features that can unlock the door to effective communication. This isn't just a podcast; it's a journey into the extraordinary realm where communication meets the magic of facial expressions!Drink of the week….The Electric Circus. Click to BUY MY BOOK!CLICK TO DOWNLOAD CHAPTER ONE AUDIO FREEClick to BOOK ME AS A SPEAKERClick to SIGN UP FOR MY NEWSLETTERJulie Brown: WebsiteInstagramLinkedInYoutubeBrian GalkeWebsiteLinkedIn

Wake up!! (1:40); 3 dead, 2 in critical condition from shooting on Langside Street (9:10); What is your hidden talent? (17:20); Transit disruptions expected after agreement rejected (26:10); Winnipegger in National Ninja Competition (34:15); Where will we see the 'Humbug' sign with building under construction? We know! Why a local biz isn't letting the decades old tradition die (44:40); Winning text on your hidden talent! (51:40); Monika Deol, former MuchMusic VJ on new doc! (56:05). 

In this 1354th episode of Toronto Mike'd, Mike chats with Juliette Powell about winning 1989's Miss Canada Beauty Pageant, working at MuchMusic, on Electric Circus and at CP24, her move to New York and ongoing work in the field of responsible deployment of AI, ethical data exploration and the search for and removal of negative biases. Toronto Mike'd is proudly brought to you by Great Lakes Brewery, Palma Pasta, Pumpkins After Dark, Ridley Funeral Home, Electronic Products Recycling Association, Raymond James Canada and Moneris. If you would like to support the show, we do have partner opportunities available. Please email Toronto Mike at mike@torontomike.com

DJs Rule – Get Into The Music (Serious Mix) / Hi-BiasAly Us – Follow Me (Club Mix) / Strictly RhythmDaddy's Favourite – I Feel Good Things For You (Original Mix) / Go! BeatN Joi – Anthem / DeconstructionFull Intention – I'll Be Waiting (Club Mix) / DTensionSilverstone – If I Had A Choice (Soul Providers […] The post Nick Fiorucci :: ALL HOUSE Episode 123 [Electric Circus Classics Edition] appeared first on Nick Fiorucci.

In the latest installment of "A Pint With Peter," Peter delves deeper into the electrifying rise of Punk in the 1970s. Join us as we embark on a journey to uncover the driving forces behind this cultural revolution, perhaps even unearthing some pivotal characters within the legendary Electric Circus. But that's not all! Ever wondered what a "shit catcher" is? Tune in as we demystify this intriguing term. And, in a daring departure from the punk era, we'll also dip our toes into the world of rap music. So grab your pint and join us for an engaging and eclectic conversation! Join in with the chat by sending us an email on apintwithpeter@gmail.com or if your on tweet use @apintwithpeter. You can now support the podcast even more by buying us a pint on https://www.buymeacoffee.com/pintwithpeter. --- Send in a voice message: https://podcasters.spotify.com/pod/show/a-pint-with-peter/message

In this 1318th episode of Toronto Mike'd, Mike chats with Michael Williams about his years in Montreal and Vancouver before arriving at MuchMusic where he hosted the Pepsi Power Hour, RapCity, Soul in the City, Electric Circus and pretty much every other show on the network. Toronto Mike'd is proudly brought to you by Great Lakes Brewery, Palma Pasta, Pumpkins After Dark, Ridley Funeral Home and Electronic Products Recycling Association.

This week, James and Chris chat with writer and podcaster Sarah Hagi about America's oldest teenager, Dick Clark! Plus, we talk about hot gorillas, prison. and Electric Circus! Brought to you By: The Sonar Network https://thesonarnetwork.com/

Writers are on strike, Actors are on strike… Hollywood is an ELECTRIC CIRCUS so Jessi is phoning Hollywood Actor/Former Much Music VJ Amanda Walsh to explain it all. What is the strike all about and should we feel bad for actors!? Then, Jessi forces Amanda to take an (acid) trip down memory lane to relive her days as a Much Music VJ. Which celebrity did she date? Who did she reject? And why Much Music could never make her “COOL”. Plus! Jessi is a year older but the Golden Bachelor is making her feel YOUNG. The Barbie Movie has gone TOO FAR, Kim Kardashian saves lives now and you'll never believe why Jessi got 35 pairs of free SKIMS. Cue the Electric Circus Theme song and LET'S GET READY TO PARTY, NATION! Miranda Lambert will shame you if you take a selfie at Phone A Friend LIVE on July 29th but Jessi WONT! Get tickets HERE:https://montreal.hahaha.com/en/shows/phone-friend-jessi-cruickshankAnd leave Jessi a voicemail anytime, HERE: 323-448-0068 Hosted on Acast. See acast.com/privacy for more information.

Novedades en AfricaPachanga con una de las mejores voces femeninas de Cabo Verde, Elida Almeida, y con la fusión de música africana y occidental de Electric Circus & Sahel Roots. También, repasamos las actuaciones del Womad de Cáceres de este año, con Gyedu Blay Ambolley, Omniversal Earkestra y Cheick Tidiane Seck Además, rap y afrobeats con Bisso Na Bisso, Sarkodie y Tiwa Savage. Y la despedida, para el gran maestro de la guitarra congoleña, Franco Luambo. Disfruta! Track List Elida Almeida - Bedjera Elida Almeida - Amigu Electric Circus & Sahel Roots - One Est Ensemble Gyedu Blay Ambolley - Afrika Yie Omniversal Earkestra - Chie Cheick Tidiane Seck - Sibalan Kone Bisso Na Bisso - Africa By Night Sarkodie - Confam Tiwa Savage - Ileko Franco - Princesse Kikou

Nearing the end of Season 12: Biggest Disappointments, Moulz & Mel go to Common's Electric Circus with plans to clown around but also find out if the album was truly a misstep or just misunderstood. SPECIAL GUEST REVIEWER: @JohnCloudThe1st ------------------- Intro (0:00) -- The Rating System, Explained (7:49 - 10:30) -- The Rap Rankings Game (38:21) -- RAB Express: T.I., Trouble Man: Heavy Is The Head (1:50:23) -- This Week In Moulz & Mel (2:41:31) -- Electric Circus Info (3:03:54) -- Track 1: "Ferris Wheel" (3:42:53) -- Track 2: "Soul Power" (3:51:20) -- Track 3: "Aquarius" (4:22:35) -- Track 4: "Electric Wire Hustler Flower" (4:41:53) -- Track 5: "The Hustle" (5:19:11) -- Track 6: "Come Close" (5:30:02) -- Track 7: "New Wave" [w/ @JohnCloudThe1st] (5:45:54) -- Track 8: "Star *69 (PS With Love)" (7:15:13) -- Track 9: "I Got A Right Ta" (7:48:44) -- Track 10: "Between Me, You And Liberation" (8:14:07) -- Track 11: "I Am Music" (8:23:24) -- Track 12: "Jimi Was A Rock Star" (8:36:58) -- Track 13: "Heaven Somewhere" (8:39:48) -- Ranking Electric Circus (8:43:40) -- Outro (8:50:29)

Hosts Jim DeRogatis and Greg Kot dissect De La Soul's iconic debut 3 Feet High and Rising. They discuss the innovative sampling and rapping style, as well as the legal troubles that plagued the record for decades. They also pay tribute to the late De La Soul rapper Trugoy the Dove and hear from some listeners.   Join our Facebook Group: https://bit.ly/3sivr9T Become a member on Patreon: https://bit.ly/3slWZvc Sign up for our newsletter: https://bit.ly/3eEvRnG Make a donation via PayPal: https://bit.ly/3dmt9lU Send us a Voice Memo: Desktop: bit.ly/2RyD5Ah  Mobile: sayhi.chat/soundops   Featured Songs: De La Soul, "Me Myself and I," 3 Feet High And Rising, Tommy Boy, 1989The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Capitol, 1967De La Soul, "Plug Tunin'," Plug Tunin' / Freedom Of Speak (Single), Tommy Boy, 1988De La Soul, "Tread Water," 3 Feet High And Rising, Tommy Boy, 1989De La Soul, "Intro," 4 Feet High And Rising, Tommy Boy, 1989Joe Bataan, "Rap-O Clap-O," Rap-O Clap-O (Single), Salsoul, 1979Eric B. & Rakim, "Eric B. Is President," Paid in Full, 4th & Broadway, 1987James Brown, "Funky President (People It's Bad)," Reality, Polydor, 1974Stetsasonic, "Sally," In Full Gear, Tommy Boy, 1988De La Soul, "Plug Tunin (Last Chance To Comprehend)," 3 Feet High And Rising, Tommy Boy, 1989Johnny Cash, "Five Feet High and Rising," Songs of Our Soil, Columbia, 1959The Invitations, "Written on the Wall," Hallelujah (Single), DynoVoice, 1965De La Soul, "Potholes In My Lawn," 3 Feet High And Rising, Tommy Boy, 1989Bob Dorough, "Three Is a Magic Number," Schoolhouse Rock! Rocks, Lava, 1996De La Soul, "The Magic Number," 3 Feet High And Rising, Tommy Boy, 1989De La Soul, "Jenifa Taught Me (Derwin's Revenge)," 3 Feet High And Rising, Tommy Boy, 1989De La Soul, "Say No Go," 3 Feet High And Rising, Tommy Boy, 1989Funkadelic, "Not Just Knee Deep," Uncle Jam Wants You, Casablanca, 1979Ohio Players, "Funky Worm," Funky Worm (Single), Westbound, 1972Edwin Birdsong, "Rapper Dapper Snapper," Funktaztik, Salsoul, 1981Loose Ends, "Gonna Make You Mine," Zagora, MCA, 1986Doug E. Fresh, "The Original Human Beatbox," The Original Human Beatbox (12" Single), Vintertainment, 1984The Turtles, "You Showed Me," You Showed Me (Single), White Whale, 1966The Mothers of Invention, "Louie Louie (Live At the Royal Albert Hall In London)," Uncle Meat, Reprise, 1969Buddy Guy, "First Time I Met the Blues," I Got My Eyes On You (Single), Chess, 1960Gilbert O'Sullivan, "Alone Again (Naturally)," Alone Again (Naturally) (Single), MAM, 1972Biz Markie, "Alone Again ," I Need A Haircut, Cold Chillin', 1991De La Soul, "Buddy," 3 Feet High And Rising, Tommy Boy, 1989Nico Segal & The Social Experiment, "Windows," Windows, (self-released), 2015Common, "I Am Music," Electric Circus, MCA, 2002Frank Ocean, "Sweet Life," Channel ORANGE, Island Def Jam Music, 2012Puff Daddy & Faith Evans, "I'll Be Missing You (feat. 112)," Tribute to the Notorious B.I.G. - EP, Bad Boy, 1989A Tribe Called Quest, "Electric Relaxation," Midnight Marauders, Jive, 1993Jungle Brothers, "Because I Got It Like That," Straight Out the Jungle, Warlock, 1988Black Star, "Brown Skin Lady," Mos Def and Talib Kweli Are Black Star, Rawkus, 1999Lupe Fiasco, "Kick Push," Lupe Fiasco's Food & Liquor, Atlantic, 2006Kanye West, "Spaceship," The College Dropout, Roc-A-Fella, 2004Murs, "The Pain," Murs 3:16: The 9th Edition, Definitive Jux, 2004Lady Gaga, "Paparazzi," The Fame, Interscope, 2008Richard Buckner, "Lil Wallet Picture," Devotion + Doubt, MCA, 1997The Speedies, "Let Me Take Your Photo," Let Me Take Your Photo (Single), Golden Disc, 1979The Cure, "Pictures of You," Disintegration, Fiction, 1989boygenius, "Not Strong Enough," the record, Interscope, 2023  Support The Show: https://www.patreon.com/soundopinionsSee omnystudio.com/listener for privacy information.

Monika Deol (known for hosting MuchMusic's  Electric Circus and Fax) joins the ABS to talk about South Asian Heritage Night at the Winnipeg Jets game.

Hello and welcome to the December edition of #SinfullyMixed Nights. After a short break, I decided to close out 2022 by digging back into my music history, to a time when the songs guided me to becoming a DJ. Putting aside the whole ‘naming conventions' of genres, these next 18 tracks are some of the OG's that make the foundation of my House Music, erm…house. If you listen to Dance Music, or House or if you're from the generation that saw the likes of David Guetta, Armand Van Helden or David Morales explode into the clubbing mainstream, this mix will feel you all the feels. I know I got goosebumps pulling this all together and, honestly it brought back memories from 20+ years ago. So unpack those glow sticks, dust off the Dippity Doo hair gel, make one last stop at le Chateau for that clubbing gear and wave at Electric Circus as we roll by on Queen Street. The mystery school bus is taking your on a trip; your Sinfully Mixed Nights, starts now. Track List: Happy Days (Beat Street Mix) - PJ The Music Sounds Better With You - Stardust September 99 (Mutant Disco Mix) - EWF I Feel Good Things For You - Daddy's Favorite Feel Alright - Troy Brown Pjanoo - Eric Prydz 99 (Tim Green Remix) - Cassius The Weekend - Michael Gray I Want Your Soul (Tommie Sunshine Mix) - Armand Van Helden Needin' U - David Morales Destination Calabria (Club Mix) - Alex Gaudino, Crystal Waters Turn Around (Chris & James Remix) - Phats & Small California Dreaming (2004 Re-Edit) - Benny Benassi Summer Moon (Fuck Me, I'm Famous Remix) - Africanism All Stars You Don't Know Me - Armand Van Helden The World Is Mine - David Guetta Call On Me (Retarded Funk Mix) - Eric Prydz The Bomb (John Mazella Bistro Mix) - The Bucketheads, Kenny Dope

First of all, happy Christmas everyone and welcome to the 25th episode of my Confined Spaces Radio Show. As you can see, this last episode of 2022 is getting aired on Monday and not on Tuesday as usual. Bloop has scheduled some maintenance for Tuesday so we had to move this episode to Monday. Also, my guest had to pull out of the show and reschedule for some other time so, I figured, why not do a 2 hours Christmas special on my own. Not only that…. Why don't we change the tone of the show as well and play something completely different? Soulful House and Disco is on the menu for the entire show tonight and I hope you're gonna like it. This set was recorded live in the Electric Circus in Dublin this past Saturday. Enjoy. Confined Spaces (CSR) on BLOOP LONDON RADIO · CSR ♯025 [Viktor Marina Christmas Special] (26.12.2022)

Tonight Friday 6 pm on Sauga 960 AM 960 AM I interview Kris Orticello an actor, model, singer and social influencers on what motivates her and yet keeps her grounded. Riveting performances and a natural charisma have secured Kris Orticello as one of the most outstanding Canadian actors to catapult into the US market. She has been featured in US Weekly Magazine, FOX News, ABC News, NBC News, along with many other publications for her performances. Kris began her acting and modeling career at the age of 7, although her ultimate passion was singing. Her greatest musical influence was her papa, who sang and played guitar. In 2005, Kris suffered a serious car accident shortly before attending the Grammy Awards. Compelled by her strong Christian faith and love of animals, Kris has refused several roles that required her to carry out blasphemy, nudity, and eating meat.Kris holds certificates from Harvard University for both contract law and humanitarian response to conflict and disaster, as well as a certificate from George Brown College for medical terminology. She is currently studying psychology online through Yale University. Kris has appeared in various film and television roles, first breaking through on Canadian television as a regular dancer on Much Music's Electric Circus. She was then hired regularly to model for various brands on The Shopping Channel and later QVC. She has been cast in television commercials and hired as a brand ambassador. Her most notable recent lead roles aired nationally in the United States: US Weekly's Famous Feuds and Broke and Famous.

We're dissecting the most gruesome celebrity headlines with our dear friend, Marissa. Grab an Electric Circus cocktail and get the scoop on the never ending Amer Heard virus. Why does Ben Affleck always look distraught? The Ricky Martin scandal! Who's the latest lowlife to move to Florida and why? Our thoughts on the Will Smith apology tour and more! Our Bougie Bible picks include luxury luggage, a sleek cosmetics brand and a designer line of press on nails.   JOIN OUR BOUGIE CREW ON PODBEAN: https://patron.podbean.com/Crazy   FOLLOW US: Facebook: @CRNPodcast   Instagram: @crazyrichneighbors   Message line: 239-300-7276   Zbiotics: 10% off with promo code CRN10 www.zbiotics.com

Canadian content warning: maple syrup, timbits, toques and nostalgia ahead! We're talking the best of Canadian TV: The Odyssey, Heartland, The Raccoons, Fred Penner's Place, Road to Avonlea, The Urban Peasant, The Littlest Hobo, OWL/TV, Electric Circus, SCTV and like, so many more. FURTHER DORKSCUSSION:Here are the Canadian TV shows we chatted about:HeartlandBlizzard IslandThe RaccoonsThe OdysseyFred Penner's PlaceRoad to AvonleaThe Urban PeasantThe Littlest HoboOWL/TVElectric CircusMr. DressupSCTVKenny vs. SpennyStreet CentsJonovisionMr. D North of 60BONUS CONTENT:Turk Vs. PoliceHinterland Who's WhoSOCIALS:Here's where you can find us!Lexi's website and twitter and instagramBen's website and instagram and where to buy his book: Amazon.ca / Comixology / Ind!go / Renegade ArtsDork Matter's website(WIP) and twitter and instagram and redditEnjoying dorking out with Dork Matters? Give us a rating and review on Apple Podcasts, or wherever you get your pods and help us spread the word.“Keep your crayons sharp, your sticky tape untangled and always put the tops back on your markers.”  -Ernie Coombs (Mr. Dressup)

On this episode Ed talks about what is going on with Ringling Brothers Circus. After that Ed goes over the first announcement for HHN this year. Later Ed goes over what the summer tribute store at Universal. Recording Date: MAY 20, 2022 at the WPRK Studios in Winter Park, FL The post Ep. 323- Electric Circus appeared first on Orlando Tourism Report .

 Email Us Here: Disturbinglypragmatic@gmail.comWhere To Find Us!:  Disturbingly Pragmatic Link Tree!This Episode has EVERYTHING!It's got:Relaxation Masturbation!Car Crashes!Dave Gets French Right!#NewfontFor90!Guy Incognito!RIP Ray Liotta!LEONARD AND LILLY!Pragmatics or Disturbies or Little DPs!Paul's Mouth Noises!Don't Call Me "Pretty Regularly"!MURDER!Skeletons!Absorbent Mattresses!Long Lost Half Family Members!Dave's Long Lost Half Sister Is Somewhere!Terms And Conditions!Truck Stop DNA!Landlines!Erin Brokovich's Jugs!Bullshit!Vaginosis!Paul's Accents!Murder Blanket!Cheesy Halloween Decorations!Survivor's Guilt!Paul's Farts!The Multiverse!Cum On The Magic School Bus!Paul Going Dark is Cute!Dave's Awesome Hair Stylist, Faye!Rigor Mortis Isn't Instantaneous!Summer Balcony Time!Tired Kitchen Colours!Scientology Quiet Births!Ninja Sex!Fast Cats!Dying Grass!Cheddar Cheese Urine!Apple Splats!Apples and Assholes!JFK's Brain!Napoleon's Penis!Rasputin's Penis!Disney! Cease and Desist!!!Einstein's Brain!Cheating Kills!Henry Came and Went!Episode Links (In Order): Ronnie Vino - It's Friday Night!"The Simpsons" Guy Incognito!Workers See Skeleton of Missing Woman In Bed!Cadaveric Spasm!Much Music Dance Program "Electric Circus"!"Ghost Ship" Dance Floor Scene!Man Breaks Rare Phonograph Wax Cylinder On TV!MUSIC CREDIT!Opening Music Graciously Supplied By: https://audionautix.com/ 

Riveting performances and a natural charisma have secured Kris Orticello as one of the most outstanding Canadian actors to catapult into the US market. She has been featured in US Weekly Magazine, FOX News, ABC News, NBC News, along with many other publications for her performances. The Italian-Canadian born Torontonian began acting and modeling at the age of 7, although her ultimate passion was singing. You may recognize Kris from the various film and television roles she's starred in, first breaking through on Canadian television as a regular dancer on Much Music's Electric Circus. She was then hired regularly to model for various brands on The Shopping Channel and later QVC. Kris has been cast in television commercials and hired as a brand ambassador. Janette caught up with her in Toronto at Liquid Media's TIFF party to talk about COVID and acting, and her most notable recent leading roles. Kris portrays “Tory Spelling” on Amazon Prime's BROKE AND FAMOUS, as well as “Brandi Glanville” in US Weekly's FAMOUS FUEDS which depicts the controversial affair of Eddie Cibrian and country singer, LeAnn Rimes that lead to Glanville & Cibrian's untimely divorce. Support us on Patreon www.patreon.com/janettestv Looking for more ways to support Janette's TV? Buy our merchandise here! www.janetteburke.com/merch Protect your Privacy with Express VPN. Find out how you can get 3 months free by clicking the link below. www.expressvpn.com/ Link to Janette's Sponsor Spotlight Package www.janetteburke.com/sponsor-spotlight-package Janette's TV & Podcast Channels www.youtube.com/watch?v=EDHHvKvXq7o Link to Website www.janetteburke.com Janette's 1:1 Media Mentoring www.janetteburke.com/janette-s-1-1-media-mentoring

The music world lost legendary hip hop producer and artist J Dilla far too soon, and for many people, he's still relatively unknown. Hosts Jim DeRogatis and Greg Kot talk with author Dan Charnas about his book on J Dilla's rhythmic innovation, artistry and close relationships with Common, Questlove, D'Angelo and more. Plus, the hosts review new albums from Big Thief and Sarah Shook & the Disarmers. Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lURecord a Voice Memo: https://bit.ly/2RyD5Ah Featured Songs:Slum Village, "Fall In Love," Fantastic, Vol. 2, GoodVibe, 2000Big Thief, "Change," Dragon New Warm Mountain I Believe In You, 4AD, 2022Big Thief, "Red Moon," Dragon New Warm Mountain I Believe In You, 4AD, 2022Big Thief, "Spud Infinity," Dragon New Warm Mountain I Believe In You, 4AD, 2022Sarah Shook & the Disarmers, "No Mistakes," Nightroamer, Thirty Tigers, 2022Sarah Shook & the Disarmers, "I Got This," Nightroamer, Thirty Tigers, 2022Sarah Shook & the Disarmers, "Please Be A Stranger," Nightroamer, Thirty Tigers, 2022Sarah Shook & the Disarmers, "Believer," Nightroamer, Thirty Tigers, 2022Sarah Shook & the Disarmers, "Talkin' To Myself," Nightroamer, Thirty Tigers, 2022J Dilla, "Workinonit," Donuts, Stones Throw, 2006D'Angelo, "Untitled (How Does It Feel)," Voodoo, Virgin, 2000J Dilla, "So Far to Go (feat. Common & D'Angelo)," The Shining, BBE, 2006Common, "The Light," Like Water For Chocolate, Geffen, 2000D'Angelo, "Devil's Pie," Voodoo, Virgin, 2000Common, "I Am Music (feat. Jill Scott)," Electric Circus, MCA, 2002The Pharcyde, "Runnin'," Labcabincalifornia, Delicious Vinyl, 1995Spelling, "Little Deer," The Turning Wheel, Sacred Bones, 2021

James and Connor better put on their Baby Blue Shades, because Bad Suns are in store this week! Our next A&R Department recommendation, their brand new album Apocalypse Whenever, is taking us to the Electric Circus and back into the wide world of modern alt-pop. This "soundtrack for a movie that doesn't exist yet" is a constant tug-of-war between bright music and dismal lyrics. The Mixtaper's bringing us more mysteries of a missing EP, the Watermelon Crawl, and even common allergies! If you've been Silently Screaming, maybe Heaven Can Be A Place In Your Head with this week's episode in your ears.Keep Spinning at www.SpinItPod.com !Thanks for listening! Hosted on Acast. See acast.com/privacy for more information.

In this episode we welcome the wonderful Norman Jopling to join us in RBP's sleek Hammersmith recording suite (yeah, right) and reminisce about his days as a budding "pop reporter" on Record Mirror.As a rhythm 'n' blues obsessive in early '60s London, Norman was the first music journalist to write about the "Rollin' Stones" — in May 1963 — and he tells Mark, Barney & Jasper about the Sunday night in Richmond when he first saw and heard Mick, Keith, Brian, Bill & "Charles Watts" blow the roof of the town's Station Hotel. He also talks about his Record Mirror colleagues Peter Jones, Ian Dove & the legendary Guy Stevens; about giving the 19-year-old Eric Clapton a lift on his scooter; and about the interviews he later did with Aretha Franklin and Jimi Hendrix.From there we return to the episode's broadly Stonesy theme, hearing audio clips from Robin Eggar's 1997 audio interview with the late Charlie Watts and discussing the man's unique drumming style and endearingly unpretentious personality. Also sadly lost to us this year — this week, to be precise — are reggae icon Robbie Shakespeare and "freaky deke" critic Greg "Ironman" Tate; we pay tribute to both these giants.With Norman pitching in, Mark talks us out with his thoughts on newly-added library pieces about Phil Spector and Burt Bacharach (both Maureen Cleave interviews from 1964) and Columbia's Clive Davis (a Loraine Alterman interview from 1974). Jasper rounds things off with remarks on Sophie Heawood's 2009 Snoop Dogg interview and Michael Gonzales' retrospective piece on Common's Electric Circus album.Many thanks to special guest Norman Jopling; keep an eye out for his book Shake It Up Baby.Please note that this episode was recorded before the death of Mike Nesmith, so we'll be paying tribute to him in the next episode.Pieces discussed: Rolling Stones, The Yardbirds, London R&B, The Beatles, Aretha Franklin, Jimi Hendrix, Charlie Watts audio, Sly and Robbie, Greg Tate, Phil Spector, Union Gap, Carol Grimes, Clive Davis, Gary Numan, Burt Bacharach, Keith Richards, The Smiths, Lisa Roxanne, Snoop Dogg, Common and John Miles.

In this episode we welcome the wonderful Norman Jopling to join us in RBP's sleek Hammersmith recording suite (yeah, right) and reminisce about his days as a budding "pop reporter" on Record Mirror. As a rhythm 'n' blues obsessive in early '60s London, Norman was the first music journalist to write about the "Rollin' Stones" — in May 1963 — and he tells Mark, Barney & Jasper about the Sunday night in Richmond when he first saw and heard Mick, Keith, Brian, Bill & "Charles Watts" blow the roof of the town's Station Hotel. He also talks about his Record Mirror colleagues Peter Jones, Ian Dove & the legendary Guy Stevens; about giving the 19-year-old Eric Clapton a lift on his scooter; and about the interviews he later did with Aretha Franklin and Jimi Hendrix. From there we return to the episode's broadly Stonesy theme, hearing audio clips from Robin Eggar's 1997 audio interview with the late Charlie Watts and discussing the man's unique drumming style and endearingly unpretentious personality. Also sadly lost to us this year — this week, to be precise — are reggae icon Robbie Shakespeare and "freaky deke" critic Greg "Ironman" Tate; we pay tribute to both these giants. With Norman pitching in, Mark talks us out with his thoughts on newly-added library pieces about Phil Spector and Burt Bacharach (both Maureen Cleave interviews from 1964) and Columbia's Clive Davis (a Loraine Alterman interview from 1974). Jasper rounds things off with remarks on Sophie Heawood's 2009 Snoop Dogg interview and Michael Gonzales' retrospective piece on Common's Electric Circus album. Many thanks to special guest Norman Jopling; keep an eye out for his book Shake It Up Baby. Please note that this episode was recorded before the death of Mike Nesmith, so we'll be paying tribute to him in the next episode. Pieces discussed: Rolling Stones, The Yardbirds, London R&B, The Beatles, Aretha Franklin, Jimi Hendrix, Charlie Watts audio, Sly and Robbie, Greg Tate, Phil Spector, Union Gap, Carol Grimes, Clive Davis, Gary Numan, Burt Bacharach, Keith Richards, The Smiths, Lisa Roxanne, Snoop Dogg, Common and John Miles.

Coming off a fine arts education at NYU Tisch School of the Arts, Larry Confino and his roommate decided to go into business together. Right away they began to rent the very expensive equipment needed to make a go in the filmmaking world and created a company on their personal credit cards. Their first films were documentary behind the scenes of Hollywood films. This led to them being able to buy their own gear and a path of doing great work for clients with professionalism and dedication while working on personal passion projects. Larry has since created several full length feature documentary films and his own business called Media Sector Inc. He has done work for HBO, PBS, Canon, Disney, and more. His personal projects "Trezoros: The Lost Jews of Kastoria," "Psychedelicized: The Story of the Electric Circus," and his current project with the working name "The 50 States of Sustainability" are all high level feature length productions. He chronicles the benefits of taking chances, the benefits of building a team full of talent, making training videos that literally save lives, raising a creative family with a nontraditional career path, and how now is very well the time to venture into the industry with an entrepreneurial mindset since the pro gear has gone down in price and the old career path guarantees of a gold watch upon retirement are over. --- Send in a voice message: https://anchor.fm/thestolenhourspodcast/message

In this edition of #JCsMusicology, we explore Janet Jackson's The Velvet Rope album, track by track. Following a three-year world tour and the release of a greatest hits album, Janet Jackson began writing her most presonal and introspective songs. Detailing depression, domestic violence and early incarnations of social media, this collection of songs would be configured into what many regard as her greatest work, The Velvet Rope. Interview Credits: Access Hollywood, BBC, Electric Circus, Kelly Alexander Show, Lady of Soul Awards, Larry King Live, Le Mag, Hey Hey It's Saturday, MTV, Much Music, Musique Plus, NBC, O-Zone, Oprah, RAI Uno, Sen Kvaall, TMF, Witness and Z100 Radio.

Hour 1 of a Tuesday on OverDrive with Bryan Hayes, Jeff O'Neill & Jamie McLennan as the guys have an opening segment for the ages. Speaker's Corner. Electric Circus? You bet! Former 1st Overall Pick & NFL QB Carson Palmer joins us to get into the NFL Draft, the pressure of being picked 1st overall & the tools Trevor Lawrence has to succeed.

Moms always be making an extra paratha “by mistake”. Result - that itis after, and it's a struggle

This is a full in bloom interview with producer/engineer Alex Woltman. INSIDE THE ALBUM: W.A.S.P. 'Inside the Electric Circus' Alex talks about recording 'Inside the Electric Circus.' More Info @ fullinbloom.com Hit the subscribe button & click the bell if you would like to be notified as new interviews & excerpts are uploaded. Song by FOOL OF FATE: https://www.youtube.com/watch?v=3igabTwXwBU

This week, the gang debut a new segment on the show before diving in to Steve's birthday album picks: Alice Cooper's "A Paranormal Evening at the Olympia Paris," WASP's "Inside the Electric Circus," Accept's "Metal Heart" and Eclipse's "Monumentum." Will BB have anything negative to say about the albums? Which album's production seals it for the guys? What is the new segment? Tune in to find out!   Hosted by Steve Wright, Brian "BC" Chapman and Ryan "BB" Bannon Produced by Dylan Wright Music by Mark Sutorka Spotify Playlist: https://open.spotify.com/playlist/2kivxQpOs98CicK5RrZiZC Facebook: https://www.facebook.com/PTHpodcast 

- We've got a BALL exposed... - Kid's 3 year old Maxx makes a Trump joke.. - Electric Circus is coming to town??? txt your feedback to Kid's iPhone... 604-337-0968

Für Folge 22 hab Ich g’schwind eine Skype Session mit Erkan (https://www.instagram.com/erkan_keser/) gehabt. Die Verbindung war leider stellenweise sehr ungeil, unser niveauvolles Gespräch war dafür umso besser.Ich hoffe man kann uns folgen. Wir reden über Musik, insbesondere über Rap, über GZSZ und darüber was George Clooney und „The Rock“ uns angetan haben. Ausserdem erfahrt ihr, warum es immer besser ist wenn man sich bei seinen Social Media Profilen ausloggt wenn man einen gemeinsamen Rechner im Laden benutzt. Erkan hat mit seinem Laden, Electric Circus (https://www.instagram.com/electric_circus_tattoo/), eine der besten Adressen in Mannheim. Geht ihn besuchen wenn ihr Bock auf nen Maya Kalender oder nen Hai habt. Ab jetzt auf Spotify und Apple Podcasts. Instagram: https://www.instagram.com/petecast2000/ Apple Podcasts: https://podcasts.apple.com/de/podcast/petecast-2000/id1528798084 Spotify: https://open.spotify.com/show/0NKYY1s0XaxurreHOnlqNB?si=Huibn5hDTGCgqjyZOs84ng

La Tienda De Biblioteca Del Metal: Encontraras, Ropa, Accesorios,Decoracion, Ect... Todo Relacionado Al Podcats Biblioteca Del Metal Y Al Mundo Del Heavy Metal. Descubrela!!!!!! Ideal Para Llevarte O Regalar Productos Del Podcats De Ivoox. (Por Tiempo Limitado) https://teespring.com/es/stores/biblioteca-del-metal-1 W.A.S.P. es una banda estadounidense de heavy metal liderada por el cantante y guitarrista Blackie Lawless. Emergieron de la escena de la ciudad de Los Ángeles (California), la misma que llevó a la fama a otras bandas como Mötley Crüe, Ratt, Guns N' Roses o Quiet Riot. Aunque la popularidad de la banda alcanzó su clímax en la década de los ochenta, continúan grabando discos y haciendo giras, convirtiéndose en una de las bandas más duraderas de la Costa Oeste de los Estados Unidos. Han vendido cerca de 12 millones de copias alrededor del mundo en sus más de 30 años de carrera musical.Con el paso de los años han tenido cambios tanto en la formación, siendo la marcha del guitarrista Chris Holmes la más destacada, como en el estilo musical, variando desde discos oscuros y conceptuales, hasta volver a sus orígenes más crudos y controversiales. Su lenguaje continua siendo provocador, realizando también mensajes de denuncia social y política en sus letras.La historia de W.A.S.P. se remonta a una formación musical angelina llamada Sister, donde se conocieron el cantante Blackie Lawless y el guitarrista Randy Piper,alineación original de W.A.S.P. se formó en Los Angeles, California en 1982, y estaba compuesta por Lawless, Piper, Rik Fox y Tony Richards. La banda se dio a conocer principalmente por su atrevida e impactante puesta en escena, en la que Lawless contrataba modelos para exponerlas semidesnudas en una máquina de tortura, además de arrojar carne cruda a la audiencia y beber sangre falsa de un cráneo,El primer sencillo de la agrupación, titulado «Animal (Fuck Like a Beast)» y su carátula fueron igualmente controvertidas, por contener referencias sexualmente explícitas.La primera alineación no tardó en separarse, con la salida de Rik Fox para unirse a la banda Steeler con el vocalista Ron Keel y el guitarrista Yngwie Malmsteen. Fue reemplazado por Don Costa. Al poco tiempo Costa también abandonaría la agrupación siendo reemplazado por el propio Lawless en el bajo. Al mismo tiempo el músico californiano Chris Holmes se unió a la banda, luego de que Blackie leyera una publicación hecha por el mismo Holmes en un ejemplar de la revista Hustler, donde ofrecía sus servicios como guitarrista líder,La primer presentación en vivo de la agrupación ocurrió en un local llamado The Woodstock en el Condado de Orange, California. En 1983 el representante de Iron Maiden, Rod Smallwood, fue a ver a la banda a una de sus presentaciones y quedó impresionado por su excéntrica puesta en escena, por lo que decidió ayudarlos a fichar por una disquera,W.A.S.P. firmó un contrato con Capitol Records para el lanzamiento de su álbum debut, W.A.S.P., publicado el 17 de agosto de 1984. El mencionado sencillo «Animal (Fuck Like A Beast)» fue omitido del álbum en los Estados Unidos para prevenir la censura en las tiendas de discos de ese país. Poco tiempo después la banda apareció en la película de ciencia ficción El Amo del Calabozo de 1984.Los sencillos «L.O.V.E. Machine» y «I Wanna Be Somebody» impulsaron las ventas del álbum.El siguiente álbum, The Last Command fue lanzado en septiembre de 1985 y llegó a la posición No. 47 en la lista Billboard estadounidense, ayudado especialmente por el exitoso sencillo «Blind in Texas». The Last Command también marcó el ingreso del baterista Steve Riley a la agrupación, quien reemplazó a Tony Richards al inicio de la gira de 1984-85.Luego de la gira promocional, el guitarrista Randy Piper dejó la banda. El bajista Johnny Rod fue su reemplazo, mientras Blackie Lawless dejó de tocar el bajo y se dedicó a la guitarra rítmica.Con la nueva alineación la banda grabó su tercer producción discográfica, el álbum Inside the Electric Circus, publicado en octubre de 1986. Al igual que sus anteriores trabajos, el álbum logró gran repercusión, aunque la crítica especializada no lo valoró como a sus antecesores. Blackie Lawless expresó años más tarde, en la re-edición de Inside the Electric Circus, que se trataba de "un álbum cansado hecho por una banda cansada" y que ese hecho lo impulsó a buscar una nueva dirección musical para la agrupación. A pesar del descontento de Lawless, la banda logró un éxito masivo especialmente en Europa, hecho que los llevó a girar con los británicos Iron Maiden en algunos conciertos de la gira en soporte del álbum Somewhere in Time.El grupo empezó a tener problemas con la asociación del Centro de Recursos Musicales para Padres (PMRC), formada por esposas de congresistas norteamericanos y liderada, entre otras, por Tipper Gore, esposa del político demócrata Al Gore. Los miembros de dicha asociación aseguraban que el rock apoyaba y glorificaba la violencia, el consumo de drogas, el suicidio y las actividades criminales, mientras que abogaban por la censura o la catalogación de la música. Este grupo de presión incluyó una de las canciones de W.A.S.P. en su lista Filthy Fifteen (las 15 asquerosas), junto a canciones de Madonna, Prince, Sheena Easton, AC/DC, Def Leppard, Mercyful Fate, Mötley Crüe, Twisted Sister y Judas Priest. La controversia sin embargó le valió a la banda una publicidad positiva, ganándole aún más reconocimiento y popularidad,En 1987 la canción «Scream Until You Like It» fue incluida en la banda de sonido de la película de terror Ghoulies 2 y se grabó un videoclip para la misma.Ese año, algunas fechas de la gira promocional de Inside the Electric Circus fueron grabadas de manera profesional, y el 27 de noviembre de 1987 el concierto brindado en el escenario The Long Beach Arena fue publicado como Live...In the Raw, el que sería el primer disco en directo oficial de W.A.S.P. La banda fue invitada a participar en el popular festival Monsters of Rock en el Reino Unido, junto a las agrupaciones Bon Jovi, Dio, Metallica, Anthrax y Cinderella,Steve Riley más tarde abandonó la agrupación para unirse a la banda L.A. Guns.El 15 de abril de 1989 W.A.S.P. publicó The Headless Children, su cuarto álbum de estudio y el primero que no incluye la temática sexual en sus letras, dando paso a líricas más profundas y reflexivas. También fue su primer disco en obtener escasas ventas, a pesar de llegar a la posición No. 48 en la lista Billboard 200.Sin embargo, el álbum se convertiría en uno de los trabajos de W.A.S.P. mejor valorados por la crítica especializada, y de acuerdo a declaraciones de Lawless, es en la actualidad el álbum que más ventas ha conseguido de todo el catálogo de la banda. Tras el abandono de Riley, la batería corrió a cargo de Frankie Banali, quien había tocado recientemente con Quiet Riot. Las canciones «Forever Free» y «The Real Me» (cover de The Who) se convirtieron en las más reconocidas del disco.El guitarrista Chris Holmes dejó la banda en agosto de 1989, lo que llevaría a la separación de la misma por apenas unos meses. Lawless fue tenido en cuenta para interpretar a la máquina exterminadora T-1000 en la película Terminator 2, pero finalmente el elegido para el papel fue el actor Robert Patrick, luego de que Arnold Schwarzenegger, protagonista de la cinta, argumentara que Lawless era "demasiado alto" (1.93 metros).Blackie comenzó a trabajar en un proyecto como solista, pero la presión de los promotores y los fanáticos hizo que cambiara de decisión y publicó dicho proyecto como un trabajo de W.A.S.P., pese a los drásticos cambios en la alineación.Irónicamente, la crítica especializada considera a The Crimson Idol como el álbum mejor elaborado de la carrera de W.A.S.P.The Crimson Idol representó un cambio radical en la imagen y el sonido de la banda. Se trataba de un disco conceptual que reflejaba la dura infancia de Blackie Lawless y sus comienzos en la industria de la música. Participaron en la grabación del disco el guitarrista Bob Kulick y los bateristas Frankie Banali y Stet Howland.El siguiente disco de W.A.S.P. se tituló Still Not Black Enough (1995), una colección de oscuras e introspectivas canciones con una fórmula similar a The Crimson Idol. El álbum contenía el cover de la canción «Somebody to Love» del grupo californiano de rock psicodélico Jefferson Airplane. La edición europea del disco incluía una lista de canciones diferente a la edición norteamericana.El guitarrista Chris Holmes retornó a la banda en 1996 y junto al recién incorporado Mike Duda al bajo fue parte de la grabación del álbum Kill Fuck Die (1997), inspirado en la película bélica Apocalypse Now de Francis Ford Coppola.disco en el que implementaron el metal industrial, apartándose del heavy metal tradicional de sus discos anteriores y apegándose al estilo que predominaba en la escena musical en ese momento con artistas como Marilyn Manson a la cabeza. La banda también retomó los actos provocativos y controversiales que solían realizar en escena en sus primeros años de carrera, queriendo recuperar el efecto impactante por lo que la banda fue reconocida a comienzos de los años 1980.En 1999 publicaron el álbum Helldorado, con el que retornaron al heavy metal tradicional y a la temática sexual en sus letras, dejando de lado los sonidos industriales de Kill Fuck Die. También lanzaron al mercado dos álbumes en vivo, Double Live Assassins y The Sting, este último grabado en el Key Club de la ciudad de Los Angeles y editado en formato de DVD, cuyo resultado final no dejó muy satisfecho a un perfeccionista Blackie Lawless, argumentando su descontento con el sonido y la calidad del vídeo.En 2001 salió al mercado el disco Unholy Terror en el que regresaron a la fórmula de las letras oscuras y de reflexión. Chris Holmes dejó la banda una vez más en el 2002, argumentando que quería dedicarse a " tocar blues". Holmes, junto a otro ex-miembro de W.A.S.P., Randy Piper, formó el proyecto A.N.I.M.A.L. y grabó apenas un álbum de estudio titulado 900 Lb Steam ese mismo año.Dying for the World, lanzado en el 2002, fue escrito y grabado en menos de un año, lo que fue algo realmente rápido teniendo en cuenta el carácter perfeccionista de Lawless. En sus notas interiores se refleja una fuerte crítica social y política de Blackie, inspirada en los ataques terroristas del 11 de septiembre de 2001 en los Estados Unidos.En abril de 2004, W.A.S.P. lanzó la primera parte de The Neon God, titulado The Rise, un álbum conceptual acerca de un chico huérfano con una infancia terrible, el cual desarrolla la habilidad de manipular la mente de las demás personas. Su segunda parte, The Demise, se lanzó en septiembre del mismo año.En el 2006 nuevamente la alineación de la banda sufrió notables modificaciones. El baterista Stet Howland abandonó la agrupación, siendo considerado en su reemplazo Larry Howe de Vicious Rumors. En mayo del mismo año fue anunciada la salida del guitarrista Darrell Roberts, quien se unió a la banda Five Finger Death Punch, vacante que cubrió Mark Zavon días antes del comienzo de una nueva gira. El baterista Mike Dupke finalmente se quedó con el puesto de baterista y Doug Blair se convirtió en el nuevo guitarrista.Una nueva producción discográfica titulada Dominator vio la luz en abril de 2007. El álbum logró escalar a la posición No. 72 en las listas de éxitos alemanas. En octubre de ese mismo año la banda se embarcó en la gira The Crimson Idol, con el fin de celebrar los quince años del lanzamiento de ese álbum. Fue la primera vez que se tocó en directo The Crimson Idol de principio a fin. La gira dio inicio en Grecia, el 26 de octubre de 2007.A finales de 2009 fue publicado el álbum de estudio Babylon a través de la discográfica Demolition Records, con la inclusión de dos covers, «Burn» de Deep Purple y «Promised Land» de Chuck Berry.En una entrevista a un medio noruego en el 2009, Blackie Lawless manifestó su intención de no volver a tocar en vivo la canción «Animal (Fuck Like a Beast)», debido a sus fuertes creencias religiosas.En la gira promocional del álbum Babylon, llamada The Beast of Babylon Tour, Blackie canceló dos presentaciones, la primera en el Gramercy Theater de la ciudad de Nueva York luego de enterarse de que la organización del evento estaba vendiendo entradas V.I.P. por el doble del valor de las entradas generales. La banda declaró luego del suceso: "Nunca le hemos cobrado a un fanático por un autógrafo y jamás lo haremos". La segunda cancelación ocurrió en Allentown, Pensilvania, debido a desacuerdos económicos con la organización. En la misma gira también fueron canceladas algunas fechas en Suramérica, siendo la fecha pactada para su primer presentación en Colombia por demás curiosa, debido a que la cancelación se anunció apenas horas antes del inicio del espectáculo en el teatro Metropol de la ciudad de Bogotá.El 21 de septiembre de 2012, la banda celebró el aniversario número treinta de su primer presentación en vivo dando inicio a una gira mundial con un concierto en el teatro The Forum en Londres, en el marco de la gira 30 Years of Thunder. El evento fue dividido en tres secciones: canciones de los primeros cuatro álbumes, un intermedio con la interpretación del álbum The Crimson Idol y un segmento final compuesto solamente de material nuevo.El 2 de octubre de 2015 salió al mercado el álbum Golgotha. El disco tardó aproximadamente cuatro años en materializarse.Tradicionalmente «W.A.S.P.» es el acrónimo inglés para «Blanco, Anglo-Sajón y Protestante» (White, Anglo-Saxon and Protestant). Este acrónimo hace referencia directa a los ingleses que colonizaron los Estados Unidos, sin embargo, la banda se ha mostrado contraria a revelar directamente el significado de su denominación siendo este tema motivo de especulación. W.A.S.P., sobre todo en sus inicios, se mostró muy provocador con la moral tradicional norteamericana y por ello, debido a su acrónimo recibieron distintas denominaciones descalificantes, entre otros por la organización conservadora Parents Music Resource Center (PMRC), que les denominaba «We Are Sexual Perverts» (Somos pervertidos sexuales, o «We Are Satanic People» (Somos gente satánica).En una ocasión un periodista preguntó a Blackie Lawless sobre el significado de las siglas, a lo que el frontman respondió: «We Ain't Sure, Pal» (no estamos seguros, amigo).En una entrevista realizada en febrero de 2010 al bajista Rik Fox, él reconoció que la razón del nombre de la banda era principalmente la puntuación. Además sostuvo que antes de ellos nunca hubo una banda que usara ese tipo de nombre (olvidando que, por ejemplo, la agrupación estadounidense R.E.M. se había formado dos años antes) y, en esencia, los puntos creaban una especie de curiosidad que le daría aún más relevancia a la banda.

Episode 72 has Carlos and Dave realizing just how old they are as they briefly reminisce about MuchMusic, Electric Circus and the mistakes Dave has made in referencing pop culture that his students weren't even born for. This is then followed by them discussing the Dodgers actually winning a thing, Dave and his brothers "love" of analytics, Carlos explains why MLB is not really baseball and then explains the horror that is the new Dallas Stars alternate "Rave Neon" jersey. Lastly, they review the questionable Week 8 NFL slate. Shameless Plugs:Instagram: @unnecessarypodcastTwitter: @unnecessary_podSite: http://unnecessarypod.podbean.comYouTube: https://www.youtube.com/channel/UCVOMfLo9xZjl3A3bh8O-6Yw?

Dizzy and Test gain some more info on the elusive Evelynn Petrowski, which leads them back to the Electric Circus...Support the show by leaving us a review or sharing it with your friends!

Episode 6 Pt 2 talks to Tallah Brash about her time as a booker, rep, DJ then director at The Electric Circus in Edinburgh and her current position as Music Editor of The Skinny Magazine.

#StayConnected feat Ricardo Da Costa - Director of Soul Candi Live, Owner of Altitude Beach Club and Ivy Champagne Garden. He is responsible for some of South Africas largest music festivals including H2O, Spring Fiesta, Electric Circus as well as the founder of the South African Dance Music Awards.We talk shop, life and his thoughts on the future of entertainment in South Africa.Hope you enjoy!Get in touch - Danny@connectentertainment.co.zaWebsite - https://connectentertainment.co.za/Socials- https://www.instagram.com/imthatguydan/ (@ImThatGuyDan)- https://www.instagram.com/connect_ent/ (@Connect_Ent)YouTube - https://www.youtube.com/channel/UC2L-XFN2aQ5vP-0yKjJZvaQ

Happy Father's Day!And we're back. This week - has COVID-19 affected the coffee supply chain? Will we see a shortage of coffee as a result? Michelle gives a 20 minute monologue (sort of) on coffee basics for those who may have had to learn how to brew coffee for the first time during the COVID shutdown.In our new Northern Ontario Series - this week Courtney and Michelle are joined by Kevin from One Time Brewery in Thunder Bay to talk about their new brewery.Just in time for Father's Day: John from Nickelbrook joins to talk about their Father's Day release and things they have going on at the brewery.Troy from Great Lakes Brewery joins to talk about their "Over My Dad Bod" Pilsner, and some of the great things they've been doing in partnership with Dalton and Ken Pompey, with the proceeds of their Electric Circus sales.And Michelle finds a recipe online for how to make your own Kahlua, and does just that. (This one might get a bit sloppy...)Join us, this is a good one!

Remembering back to the Electric Circus days. Robbie has a beef with grocery stores. Moo Moo Moolah makes a come back. Pepper gets busted using an emoji for the FIRST time. We learn a thing or two about tractor tires. Dylan is addicted to auctions now. Pepper is dealing with his daughters first break up. … Continue reading "Weekly Wrap Podcast – May 1"

Mike chats with Toronto hip-hop artist and actor Dan-e-o about his Electric Circus origin story, Dear Hip Hop, his prolific recording and acting career, his rap influences, recording with Kish and Maestro Fresh-Wes, VideoFACT, and much more.

This week we’re talking about reunions. Later the “Pop Life” panel, that’s Gordon Deppe of The Spoons, Monika Deol of Electric Circus and DeGrassi’s Stacie Mistysyn talk about revisiting the past in the here and now… But first… singer-songwriter, author, political activist and occasional actor Bob Geldof stops by the Pop Life bar. He became famous as the lead singer of the Irish rock band the Boomtown Rats in the late 1970s and became a legend when he and Midge Ure founded the charity supergroup Band Aid to raise money for famine relief in Ethiopia and went on to organise the charity super-concert Live Aid. He is an accomplished solo artist whose charitable work continues to this day. We were supposed to talk about the Boomtown Rats, "Citizens of Boomtown," their first album in 36 years and a lead single, "Trash Glam Baby,” but, as you’re about to find out, that was just a starting point for a much wider conversation. I hope you enjoy listening to Bob Geldof as much as I enjoyed speaking with him.

The Boys Are Back in Town! Your favourite sports talk radio hosts have a new home in Mississauga, Ontario. RAW Mike Richards and David Bastl on Newstalk Sauga 960AM. What to expect? On Sunday January 26th, the Mississauga Steelheads host the Kitchener Rangers in the club’s first ever Superhero Game, presented by 401 Dixie Kia. We talk to Steelheads GM/HC James Richmond about the upcoming weekend and Michael Hastings, media relations for the Steelheads gives us more information for upcoming events at the Pond. Electric Circus is back! Mesh shirts and body glitter too. We have a special guest today, Ed the Sock. He tells us more about the upcoming Electric Circus Experience! Sports, laughter, the occasional dirty look and the GTA’s best and most detailed West End traffic. Your mornings have become more RAW! Monday – Friday 6am – 9am, on Newstalk Sauga 960AM. Stream us LIVE at sauga960am.ca or find us on iTunes, Google Play, Spotify, and now TWITCH! www.twitch.tv/rawmikerichards

The Boys Are Back in Town! Your favourite sports talk radio hosts have a new home in Mississauga, Ontario. RAW Mike Richards and David Bastl on Newstalk Sauga 960AM. What to expect? On Sunday January 26th, the Mississauga Steelheads host the Kitchener Rangers in the club's first ever Superhero Game, presented by 401 Dixie Kia. We talk to Steelheads GM/HC James Richmond about the upcoming weekend and Michael Hastings, media relations for the Steelheads gives us more information for upcoming events at the Pond.Electric Circus is back! Mesh shirts and body glitter too. We have a special guest today, Ed the Sock. He tells us more about the upcoming Electric Circus Experience!Sports, laughter, the occasional dirty look and the GTA's best and most detailed West End traffic. Your mornings have become more RAW! Monday – Friday 6am – 9am, on Newstalk Sauga 960AM. Stream us LIVE at sauga960am.ca or find us on iTunes, Google Play, Spotify, and now TWITCH!www.twitch.tv/rawmikerichards

Question Ed gets sick of answering: "Did Bell Media (the company that bought Muchmusic from CHUM TV) kill Muchmusic?" So he gives the answer loud and clear - NO!! There was a reason Ed quit Much before the sale was even contemplated - Much killed itself! Here's some of the how & why!Plus a little info on the reinvention and revival of Electric Circus with Monika Deol, multi-camera online retro dance party extravaganza!Hey - if you like Ed's frank & funny musings while driving, put a little gas in Ed's tank! Support our mission at FU_Politics, restoring intelligent discourse, a sense of humour, civility and fact-based opinions to important conversations. Shows that sound like you - because we are you.  Become a monthly patron at patreon.com/funetworktv or give us a one time boost at Paypal - funetworktv@gmail.com. FU_Politics - where Smartass begins with Smart.Patreon: https://www.patreon.com/funetworktv Paypal: funetworktv@gmail.com Thank you!FIND US HERE UNDER FU_POLITICS:iTunes - Rate, Review and Subscribe!https://podcasts.apple.com/ca/podcast/fu-politics/id1472299923Spotifyhttps://open.spotify.com/show/4YQ4rklq8bcsmhTfqgj9jHiHeart Radiohttps://www.iheart.com/podcast/269-fu-politics-48983352/Podbeanhttps://fupolitics.podbean.comStitcherhttps://www.stitcher.com/podcast/fun-the-fu-network/fu-politicsGoogle Podcastshttps://podcasts.google.com/?feed=aHR0cHM6Ly9mZWVkLnBvZGJlYW4uY29tL2Z1cG9saXRpY3MvZmVlZC54bWw%3D&hl=en-CAYouTubehttps://www.youtube.com/playlist?list=PLBRvebbl4FVT9dWt0IdE8ccD1cOkPO5a7Google Playhttps://play.google.com/music/m/Ilgcik5imfx5qwtzxivpyblb2p4Player FMhttps://player.fm/series/fu-politics-2521543Tune In / Alexahttp://tun.in/pjtS0Podtailhttps://podtail.com/en/podcast/fu-politics/Listen Noteshttps://www.listennotes.com/podcasts/fu_politics-fu-politics-jmLPHB1p8FD/Podbayhttps://podbay.fm/podcast/1472299923Castbox.FMhttps://castbox.fm/channel/FU_Politics-id2203478RSS Feedhttps://feed.podbean.com/fupolitics/feed.xml 

House of Lix (Vicki Lix, Selena Vyle) orders a private jet to fly in iconic diva, Sofonda Cox! Together they parlé about Rupaul's Drag Race UK Episode 7, Electric Circus, paying your dues, closet queens, and Sofonda leaves the CAPS LOCK ON! Brought to you By: The Sonar Network https://thesonarnetwork.com/

The House of Lix orders a private jet to fly in the iconic diva of the Toronto drag scene, Sofonda Cox! Together they parlé about Rupaul's Drag Race UK Episode 7, Electric Circus, paying your dues, closet queens, and Sofonda leaves the CAPS LOCK ON!

House of Lix (Vicki Lix, Selena Vyle) orders a private jet to fly in iconic diva, Sofonda Cox! Together they parlé about Rupaul’s Drag Race UK Episode 7, Electric Circus, paying your dues, closet queens, and Sofonda leaves the CAPS LOCK ON! Brought to you By: The Sonar Network

Episode #10 features Joel Thomas owner and founder of Electric Circus Studios, an established professional all round production studio that delivers a wide range of services including video production, music recording with mixing and mastering, photography etchttps://www.electriccircusstudios.net/Joel is also a musician in his own right, band links belowRiot after MidnightThe Mini MonstarsThanks for being on the show Joel, I hope all the Foxx on the Wire listeners out there enjoy this episode. Don't forget to subscribe to this podcast and check out the exclusive Foxx on the Wire Spotify Playlist! More episodes coming soon.~Foxx

Action Cameras and house music

Avec son nouveau statut d’artiste influente, Solange Knowles livre « When I get home ». Moins terre à terre, plus rêveuse, Solange lance une invitation dans ses visions, ses mirages, dans un monde fantasmé qui n’appartient qu’à elle. Arty et intello, contemplatif et évanescent, cet album presque impressionniste est destiné à être activé par l’auditeur lors d’un travail d’interprétation, comme une performance d’art contemporain insérée dans une oeuvre musicale. Econome en mots, « When I get home » est moins une histoire de propos et de message qu’un feeling, un état d’émotion entre rêve et réalité. Audacieux, mais parfois frustrant lorsque s’enchaînent interludes express, quelques morceaux sans réelles fins, et répétitions de mots comme des mantra. Malgré un peu d’ennui, il y a indéniablement des éclairs de génie et du talent dans cet album. A condition de le considérer comme ce qu’il est : une oeuvre qui demande de la réflexion et du temps pour la comprendre. Ce qui en 2019, est déjà un pari. Animé par Mehdi Maïzi, Naomi Clément, Etienne Menu et Raphaël da Cruz. RECOMMANDATIONS ET COUPS DE COEURLA RECO DE NAOMI : l’EP de Solange «True » sur lequel se trouve the titre « Losing you », l’EP « Steve Lacy’s Demo » de Steve Lacy.LA RECO D’ETIENNE : « Negro Swan » de Blood Orange, et le livre sur la chanteuse Lizzy Mercier Descloux paru chez Playlist society. LA RECO DE RAPHAËL : l’EP « Clear » de Summer Walker (2019).LA RECO DE MEHDI : « Only God Forgives » de Nicolas Winging Refn et « Electric Circus » de Common (2002). REFERENCES CITEES DANS L’ÉMISSIONA Seat at the table (Solange Knowles, 2016), When I get home (Solange Knowles, 2019), Gucci Mane, Pharrell Williams, Earl Sweatshirt, Metro Boomin, Don’t touch my hair (Solange Knowles ft. Sampha, A seat at the table, 2016), Lemonade (Beyoncé, 2016), To Pimp a Butterfly (Kendrick Lamar, 2015), Beyoncé (Beyoncé, 2013), Phylicia Rashad, Pat Parker, Christophe Chassol, The secret life of plants (Stevie Wonder, 1979 ), Jamire Williams, John Carroll Kirby, Losing you (Solange, True, 2012), Steve Lacy’s Demo (Steve Lacy, 2017), The internet, Dark Red (Steve Lacy, 2017), Marc Demarco, Negro Swan (Blood Orange, 2018), Lizzy Mercier Descloux, Playboi Carti, Treme (David Simon & Eric Overmeyer, 2010 - 2013), The Wire (David Simon, 2002 - 2008), Syreeta Wright, Raphael Saadiq, The Carters, 6lack, Clear (Summer Walker, 2019), Last days of summer (Summer Walker, 2018), Only God Forgives (Nicolas Winging Refn, 2013), Drive (Nicolas Winging Refn, 2011)CRÉDITSNoFun est un podcast de Binge Audio animé par Mehdi Maïzi. Cet épisode a été enregistré le 13 mars 2019 au studio V. Despentes de Binge Audio (Paris, 19e). Réalisation : Solène Moulin. Générique : Shkyd. Chargée de production : Juliette Livartowski. Chargée d’édition : Camille Regache. Identité graphique : Sébastien Brothier (Upian). Direction des programmes : Joël Ronez. Direction de la rédaction : David Carzon. Direction générale : Gabrielle Boeri-Charles. See acast.com/privacy for privacy and opt-out information.

This excerpt was taken from the full in bloom interview with W.A.S.P. guitarist Randy Piper. Randy talks about W.A.S.P. album sales, 'Inside the Electric Circus,' 'The Headless Children,' pre-W.A.S.P. band Circus Circus and more. Listen to more excerpts via our YouTube channel or at fullinbloom.com

Episode 21! After a much needed hiatus me and Josh are back this week to discuss ELECTRIC PLAY!!!! How to use it, where to do it and everything in between! DON'T FORGET TO RATE AND SUBSCRIBE!!!! Email: kinkswithkeke@gmail.com www.patreon.com/kinkswithkeke IG: @kinkswithkekepodcast Twitter/Tumblr: @kinkswithkeke Josh: @fazefunk @talkingshitpodcast_ Kink connect: Electrical play https://www.kinkly.com/definition/4359/electrical-play Electrical play http://bdsmwiki.info/Category:Electrical_Play Tens Electrical Play http://www.kinkweekly.com/article-baadmaster/tens-electrical-play/

Find Mojo Bozo’s Electric Circus On Facebook at: https://www.facebook.com/mojobozos/?ref=br_rs The Walsh brothers Ryan and Shane are joined by Jeremy Hayes to form the psychedelic rock trio Mojo Bozo's Electric Circus. Hailing from Annapolis, MD and drawing influence from a parade of styles from surf, to classic rock, and stoner rock. See Mojo Bozo’s Electric Circus Live tickets at: https://www.facebook.com/events/685688721813416/An Annapolis native Tattooing since 1996 and painting in the traditional style , Joe “Joweone” Nasatka has been continually pushing out new works and refining and expanding his style and utilizing different mediums. Currently at Orange Tattoo Company in Annapolis since it’s inception in 2010 he specializes in traditional American and Japanese style tattooing but is open to every other style. His art reflects a coming of age in 90s street shop tattooing with bold eye catching colors and lines recently expanding into album and T-shirt design for bands. Music By... Joy on Fire LIGHT BEAMS Mojo Bozo's Electric Circus 3rd Grade Friends Mojo Bozo's Electric Circus and 3rd Grade Friends are both having CD releases with cover art done by Joe Nasatka! Don't miss this night!!!! Doors 8pm $8 ALL AGES

Interview with Simon Salerno: DJ, producer, Audio engineer, sound designer with over ten years experience in the Electronic Music scene….. He has released music on labels such as Ministry of Sound, ONELOVE, Sweat it Out & Vicious recordings. His music has reached the heights of the ARIA Club & Dance top ten as well as Beatport number one placings on the House chart & Pulse Chart and is best known as one half of successful Disco House duo - Yasumo. His music has been played all around Australia & the world on Nova, The Fox, Triple J & BBC Radio 1 (UK). He has remixed artists such as Guy Sebastian, Alpine, Arthur Baker & Savage. Simon has held residencies at Australia’s premiere venues Electric Circus, World Bar, Billboards, 161, Revolver & Mynt Lounge. His music has been supported by the likes of A-Trak, Treasure Fingers, Anna Lunoe, The Aston Shuffle & Many more. Audition for the ‘Sonic Presence’ DJ Competition # 2 at: https://universalschoolofmusic.com.au/events/DJ-competition-sonic-presence

Well, well, well… The Corpse Cast is Back! You ready for some Sex Metal and Exorcisms? Well, that's what we've got for you this week as we're talking about W.A.S.P.S.'s album from 1987 entitled Inside the Electric Circus. We're also taking a trip to the other side with Paco Plaza [...]

Well, well, well… The Corpse Cast is Back! You ready for some Sex Metal and Exorcisms? Well, that's what we've got for you this week as we're talking about W.A.S.P.S.'s album from 1987 entitled Inside the Electric Circus. We're also taking a trip to the other side with Paco Plaza and his 2017 film called […]

On today's episode Josh and Lyndsay talk about their new circus and dance show designed for virtual reality, their latest trip to San Diego and Las Vegas where they saw The Miss Behave Game Show and Piff The Magic Dragon, drama in the industry press about the Cirque De Demain Festival, and new performing circus animals bans in the UK. They also travel to the East Village to interview circus educator and legend Hovey Burgess. Hovey taught 100 semesters at NYU as well as at Julliard,  Ringling Brothers and Barnum and Bailey Clown College, Sarah Lawrence College, and Circo Dell'Arte; he's also performed on stage with Circus Flora, Hunt Bros Circus, Clyde Beatty-Cole Brothers Circus, Bindlestiff Family Cirkus, Electric Circus, Patterson Brothers Circus and Toledo Zoo Wild Animal Show. If you enjoy today's episode please rate the podcast on Apple Podcasts and share it with your friends. Have a great week!   [15:16] Growing up in four states as a "corporate brat" [22:02] Leaving home after high school [33:30] First circus job with Hunt Bros Circus  [38:30] Eloise and her bears and a discussion of animal rights [52:31] Hovey starts teaching at NYU [1:10:10] How to build a circus library [1:13:39] Hovey's time with Circus Flora [1:21:48] Hovey on the State of the Circus

On today's episode Josh and Lyndsay talk about their new circus and dance show designed for virtual reality, their latest trip to San Diego and Las Vegas where they saw The Miss Behave Game Show and Piff The Magic Dragon, drama in the industry press about the Cirque De Demain Festival, and new performing circus animals bans in the UK. They also travel to the East Village to interview circus educator and legend Hovey Burgess. Hovey taught 100 semesters at NYU as well as at Julliard, Ringling Brothers and Barnum and Bailey Clown College, Sarah Lawrence College, and Circo Dell'Arte; he's also performed on stage with Circus Flora, Hunt Bros Circus, Clyde Beatty-Cole Brothers Circus, Bindlestiff Family Cirkus, Electric Circus, Patterson Brothers Circus and Toledo Zoo Wild Animal Show.

This week we discuss why Critters In Space was the most important film of our generation, why Electric Circus was the porn of 90s television and that time Snoop Dogg smoked the remains of a human being as a blunt. Also, Kettee.com sponsored us again.Seriously, please sponsor us instead.Use the promo code broccoli at checkout to save 10% Music Round: Francais (French Lyrics in Title) SponsorKettee.comSleeping Giant Brewing ContactFacebook: superfuntimetriviaInstagram: superfuntimetriviaEmail: superfuntimetrivia@gmail.com

Brooks Gray and Morgan Waters (The Amazing Gayl Pile) join us for a home shopping session rife with wacky inventions. We dissect the making of a prank TV show, reminisce on Canadian pop culture pillars Ed the Sock and Electric Circus, and go behind the scenes on the 2000 Much VJ Search. But wait! There's more! Tune in in the next five minutes and we'll double your order at no extra cost! See acast.com/privacy for privacy and opt-out information.

In this episode we sit down with Dan-E-O and talk about a ton of stuff from how he found hip hop, getting discovered by Lindo P, battling on Electric Circus when he was 13, his classic 'Dear Hip Hop', the Mighty Monolith crew and much much more....

Mike chats with Joel Goldberg a.k.a. J Gold about Something Else on CFMT, producing Toronto Rocks, creating Electric Circus and MushMusic, winning awards for directing Maestro Fresh-Wes videos and what it's like working for Moses Znaimer.

Michael Williams is a dynamic, talented producer and host of talk radio and music-related radio and television programs. Michael appears frequently on Toronto's tv news networks and radio, sitting in as guest host for Newstalk1010 radio talk shows. Famous for hosting the popular Soul in the City series for MuchMusic, which was syndicated in 19 European countries and Japan, The Power Hour and Electric Circus, also on the MuchMusic TV network. Michael has interviewed politicians, newsmakers and international recording artists and filmmakers including Stevie Wonder, Whitney Huston, Quincy Jones, Celine Dion, Tina Turner, Denzel Washington, Spike Lee, and Mark Wahlberg. Mr. Williams was recently on our show. During our conversation, he talked about Life growing up in Cleveland in an music environment and how he got into music – The first 45 and the first album that he bought – the importance of Jackie Mittoo on reggae music – How he arrived in Canada – His radio days in Cleveland and Montreal and how he got his gig at Much Music (Canada's national music video channel) – his first day at Much Music and his first two interviews with Run DMC and Lou Reed in the same day – His thoughts on the 25th anniversary of the LA Riots You can connect with Mr. Williams via: Twitter Visit our website at http://www.thedrvibeshow.com/ Please feel free to email us at dr.vibe@thedrvibeshow.com Please feel free to “Like” the “The Dr. Vibe Show” Facebook fan page at “The Dr. Vibe Show” Facebook Fan Page God bless, peace, be well and keep the faith, Dr. Vibe

W.A.S.P. Inside The Electric Circus

Due to a tragic technical snafu, we had to combine two different recordings for this week's episode so it's a little janky quality-wise but the content is still fire. We talk Jay'Z true age, Conspiracy Theories, Childish Gambino & Common's Electric Circus and more! Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers

The Electric Journey has started in 2010 and is not over yet...

The one where Travis and I talk about Ashley Madison, Burning Man, and Electric Circus. This is Travi's Magnum Opus - FIGHT SHOOT DIE   from on .

This time the Liquid Sunshine Posse rides with the hardest working man in Van, DJ K-Rec. K breaks down how he went from rappin’ wack shit, to being one of the freshest beatmakers and DJs around. On the way he got grants, got signed and got on Electric Circus…but not necessarily in that order. Plus, […]

® 2013-08 | 45:47 | House/ Tech House/ Techno ✤✤✤✤✤✤✤✤✤✤✤✤✤✤✤✤✤✤✤✤✤✤✤ ▶︎▶︎ iTunes Store ｜https://itunes.apple.com/tw/podcast/josh-chens-podcast/id1073588030 ▶︎ hearthis.at ｜https://hearthis.at/djjoshchen/ ▶︎ Mixcloud ｜http://www.mixcloud.com/2555/ ▶︎ Facebook ｜https://www.facebook.com/josh.chen.161 ▶︎ YouTube ｜https://www.youtube.com/channel/UCMxOjqhTsu-7gSa7kDO7n0Q/videos

® 2013-08 | 45:47 | House/ Tech House/ Techno ✤✤✤✤✤✤✤✤✤✤✤✤✤✤✤✤✤✤✤✤✤✤✤ ▶︎▶︎ iTunes Store ｜https://itunes.apple.com/tw/podcast/josh-chens-podcast/id1073588030 ▶︎ hearthis.at ｜https://hearthis.at/djjoshchen/ ▶︎ Mixcloud ｜http://www.mixcloud.com/2555/ ▶︎ Facebook ｜https://www.facebook.com/josh.chen.161 ▶︎ YouTube ｜https://www.youtube.com/channel/UCMxOjqhTsu-7gSa7kDO7n0Q/videos

® 2013-08 | 45:47 | House/ Tech House/ Techno ✤✤✤✤✤✤✤✤✤✤✤✤✤✤✤✤✤✤✤✤✤✤✤ ▶︎▶︎ iTunes Store ｜https://itunes.apple.com/tw/podcast/josh-chens-podcast/id1073588030 ▶︎ hearthis.at ｜https://hearthis.at/djjoshchen/ ▶︎ Mixcloud ｜http://www.mixcloud.com/2555/ ▶︎ Facebook ｜https://www.facebook.com/josh.chen.161 ▶︎ YouTube ｜https://www.youtube.com/channel/UCMxOjqhTsu-7gSa7kDO7n0Q/videos

Originally from Edinburgh with a residency at Lulu's leading on to regular slots at Cabaret Voltaire, Why Not, Beat and the Electric Circus. Through this period Alemanni honed his skills, dropping bouncy house tracks that lit and continue to light up the dance floor. Now currently residing in Northampton, Alemanni is taking his time to explore new sounds to aid new musical directions.

Names in the news this week include Cher, Madonna and b*tch, which is more like name calling, but a name just the same.  We'll get to the bottom of who thinks the other is that name.  Also, Jomanda will help us define 'club anthem' and 'a night in watching Electric Circus on MuchMusic' - the subtle differences between Sharon and Kelly's 90's experiences.  Get ready for Moby, Alanis Morissette and Backstreet Boys along with Kelly's Trivia and Sharon's 9&1 to soften up a rock god!  This is 90's NOW - thanks for listening!

Next up on the Clutchcast is label new boy DORBACHOV. With one release on our first VA and a full EP scheduled for later in the year we're expecting big things! DORBACHOV holds a residency at Dublins infamous So Loco Clubnight and having a growing reputation as a producer has put together 50 minutes worth of his own material for the first 50 minutes of this mix. Check him out here! http://www.facebook.com/dorbachov?fref=ts http://www.soundcloud.com/dorbachov http://www.myspace.com/dorbachov

This FVF Podcast comes to us from long time party colleague, Sexshop. Sexshop has been on the underground scene in Dublin since 2003 and at that time, was a main resident at Electric Circus in Waterford City and also a regular feature at the infamous Minge after parties in Dublin. Nowadays Sexshop is most likely to be found at Pygmalion Dublin, where FVF host monthly parties. In the past year Sexshop has supported Marco Carolla, Panpot, Konrad Black, Lee Curtiss and many others. This is a rare podcast from this well regarded Waterford man. FVF is delighted to deliver you a tough and techy podcast to liven up your week.

Rod B. & Alvaro Garfunk bring you the "Miami Underground Movement."This week M.U.M. brings you the sound of DJ Tim from Greece.DJ TIM aka Efthimios Efthimou,is a greek dj/producer that has been in the scene 10 years now.Eventhough his city,Lamia,is small and away from the main music industry like London,Berlin,LA,etc he has made there many steps and has brought many worldwide djs over the last years. Anthony Pappa,Tone Depth,Terry Francis,GPal are some of the names that have visited the decks of Tim’s parties!!! Also from 2004 Tim was part of Trust Entertainment agency’s roster which also represented Mashtronic,Leama,Kriece,Stel,Presslaboys,Christian Cambas and many other wordwide artists.This opportunity let him play alongside with djs like Luke Fair,Satoshi Tommie,Hernan Cattaneo,Deep Dish,Dave Seaman and others. Year 2005 found Tim making his first steps into production and the frist ep at Pangea Recordings was a fact.After this, many other releases came and nowadays Tim with his friend Andi Vasilos have original tracks and remixes at labels such as Presslab,Behold,Bug Eyed,Robotronic,Usb,Omnis,Fiberlineaudio,Existence and many many more in addition to his remixes to artists like Matt Rowan,Terry Grant,DJ Lion,Yves Eaux & Leron,Eelke Kleijn,Elusive and many more. Of course, his tracks have been remixed from great artists like GPal,Stel,Presslaboys,Elusive,Dan Welton,BP Zulauf,Nils Noa and others. His music is supported by many djs across the globe not forgetting Hernan Cattaneo who supports occasionally his tracks at his “Metrodance radio show?. Moreover, Tim has appearances at great radio shows from Proton Radio,Galaxy Fm to Frisky and DI fm and has been guest at many artists show! “Transport show? is his own radio show at Frisky Radio which is broadcasted with Emanuel Phaz and together are going to bring fresh electronic sounds to the globe. Finally he is working under alias like Electric Circus with Andi Vasilos and Kostas B.,City Sleep project with his mates Andi and S.Costell and also as Wonderboys alias with Andi and DJ Hassan H who have already releases at Bug-Eyed and Spinifex records.As Electric Circus their first signle signed at Often Gruven records. The show continues…. Discography: 12's''/digital: Summer memories (incl.Mindskap.M.Rodriquez & Alex Xs mixes)[Helvetica Noir]** Liquid love (incl.Christian Cambas,Desert Dwellers mixes)[OMNIS]** She made magic (incl.GPAL rmx) [BEHOLD] Sensibility (incl.Jesse Perez mix) [BEHOLD] Deep madness/Electro-ice (incl.Ariel G rmx) [BEHOLD] Noone better ep(incl.Dj Fex mix) [ROBOTRONIC] A room with a view ep [PANGEA] Deep ocean (incl.Tamer Fouda,Narek remixes) [FIBERLINEAUDIO] Wired voices (incl.Pablo Roma rmx) [FIBERLINEAUDIO] Groove nights (incl.Federico Epis rmx) [FIBERLINEAUDIO] Drum technic (incl.Stathis L mix) [REFRAZED] Knock the door (incl.Nils Noa mix) [NASCENT] Snow queen (incl.Python mix) [Second Coming] Deface [NRG] Sweet poison [NRG] Introspective [NRG]** Voulez-Vous (incl.Stel,Presslaboys,Elusive rmxs) [PRESSLAB]** Vogue is out [Bug Eyed]*** Mobile disco / Firewire [SPINIFEX]***Contact:www.dj-tim.infowww.ruggedbookings.dewww.myspace.com/djtimgreecewww.myspace.com/refrazedmusic (a&r manager)