Podcast appearances and mentions of Lewis Teague

This months marks the 40th anniversary of Cat's Eye. Directed by Lewis Teague, the 1985 anthology film delivers three memorable adaptations for "Quitters, Inc.", "The Ledge", and the written-for-the-screen-closer "General". Join the Losers as they finally review the King classic as part of their ensuing Long Watch series.

paypal.me/LibroTobias ko-fi.com/asier24969 Esta semana en nuestra “Sección principal” toca programa de literatura y para la ocasión os hablaré de la novela de Stephen King “Cujo”. Además de hablaros del libro y de sus relaciones con otras novelas del maestro, os hablaré también de la adaptación cinematográfica de 1983 a cargo de Lewis Teague y del remake que prepara Darren Aronofsky. Además en nuestra sección “El callejón oscuro” os traigo a Remedios Sánchez, una mujer gallega de mediana edad que asesino a tres ancianas en Barcelona a las que estrangulo para robarles sus joyas y su dinero en metálico. La operación que llevo a su detención fue una actuación ejemplar de los Mossos de Esquadra. Tiempos: Sección principal: del 00:02:21 al 01:58:13 Sección “El callejón oscuro”: del 01:58:14 al 02:47:14 Presentación, dirección, edición y montaje: Asier Menéndez Marín Diseño logo Podcast: albacanodesigns (Alba Cano) Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

En el episodio 22 de esta temporada hablaremos de la película "LOS OJOS DEL GATO" ('Cat’s Eye', 1985). Dirigida por Lewis Teague y basada en relatos de Stephen King, esta antología de terror nos presenta tres historias conectadas por un misterioso gato que deambula entre ellas. Desde un brutal centro para dejar de fumar hasta un duende aterrador que acecha a una niña, la película combina tensión, humor negro y el inconfundible estilo de King. Con un reparto encabezado por Drew Barrymore, James Woods y Alan King. *Sintonía de entrada: Lucidator de Saggitarius V.

Jay and Mark discuss the 1980 cult classic Alligator. Directed by Lewis Teague, and starring Robert Forster, Robin Riker, and a mutated alligator, the movie focuses on what happens when likable people hunt a genetically modified monster. In this episode, they also talk about ripped shirts, very deserved deaths, and creature features that move. Enjoy!

On this episode of the podcast Phillip is joined by author Jennifer Upton to discuss Lewis Teague's 1980 Echo-Terror film Alligator. They start by giving the general information for the movie with some facts thrown in. It's then time for Listener Opinions from Twitter, Instagram, and Facebook. Phillip and Jennifer then have a great discussion about this really fun movie. They answer the question of whether they notice anything in this movie that Tarantino might have liked or used in a film. Then the individually rate the movie. It's then time to answer the question of whether they would buy this movie, rent it, or find it for free. Phillip then gives his Phil's Film Favorite of the Week; The Unknown (1927) (4.5 stars). Jennifer mentions a movie she liked called Monster (2023) (4 stars.). Don't forget to check out the patreon ONLY podcast Shaping Scorsese: The Podcast at the Making Tarantino: The Podcast patreon page. Phillip then promotes next week's episode when Phillip will be joined by his friend and film lover, Joe Merle to discuss Castle of Blood (1964). Thanks for listening.

Today is All Saint's Day, so we thought: Why not celebrate the greatest saint of all? The St. Bernard! So, join the Losers as they remain in Castle Rock to discuss Lewis Teague's 1983 Stephen King adaptation, Cujo. Starring Dee Wallace, the film is world renown for being the de facto killer dog movie. But, it's much more than that as the Losers argue to reclaim the film as one of the great King adaptations. Listen on and stay tuned for our interview with Dee Wallace! Follow us on Facebook | Twitter | Instagram | Patreon Learn more about your ad choices. Visit megaphone.fm/adchoices

This week Gary and Iain review and discuss, Alligator (1980) by Director, Lewis Teague. Starring, Robert Forster, Robin Riker and Michael V. Gazzo. For more Off The Shelf Reviews: Merch: https://off-the-shelf-reviews.creator-spring.com https://www.youtube.com/channel/UChWxkAz-n2-5Nae-IDpxBZQ/join Podcasts: https://offtheshelfreviews.podbean.com/ Follow us on Twitter: https://twitter.com/@OTSReviews Youtube: https://www.youtube.com/c/OffTheShelfReviews Facebook: https://www.facebook.com/OffTheShelfReviews Support us: http://www.patreon.com/offtheshelfreviews Twitch: https://www.twitch.tv/offtheshelfreviews Discord: https://discord.gg/Dyw8ctf

This week Mike is joined by Michael Blyth to discuss two early 80s animal attack movies directed by Lewis Teague...ALLIGATOR and CUJO.  Hosted, Produced and Edited by Mike Muncer Music by Jack Whitney.  Artwork by Mike Lee-Graham Big thank you to Mary Wild for this week's 'Wild About Horror' segment! Sign up to Mary's Patreon!  Visit our website www.evolutionofhorror.com  Buy tickets for our UPCOMING SCREENINGS & EVENTS Buy yourself some brand new EOH MERCH! Subscribe and donate on PATREON for bonus monthly content and extra treats... www.patreon.com/evolutionofhorror  Email us!  Follow us on TWITTER Follow us on INSTAGRAM Like us on FACEBOOK Join the DISCUSSION GROUP Join the DISCORD Follow us on LETTERBOXD Mike Muncer is a producer, podcaster and film journalist and can be found on TWITTER    

YOU DON'T NEED TO GO TO AMITY ISLAND FOR A SHARK MASSACRE!! IN FACT, YOU DON'T EVEN NEED A SHARK!!   It's easy to recognize a Jaws knock-off when it revolves around a shark eating people, but what about all of those movies without sharks that lift scenes and ideas from Steven Spielberg's film and Peter Benchley's novel? Well, around here we call those movies “Jaws, Minus the Shark” movies and they make up a surprisingly versatile and eclectic little subgenre, one full of Brodys, Quints, and inordinately sexy Hoopers.   Join Gabe and Ann-Marie Taylor – returning to Genre Grinder for the first time since 2020's Bad Shark Movies episode – as we explore what defines a Jaws, Minus the Shark movie and look at four such films: Michael Anderson's Orca (aka: Orca: The Killer Whale, 1977), Lewis Teague's Alligator (1980), Dick Maas' The Lift (Dutch: De Lift, 1983), and Christophe Gans' Brotherhood of the Wolf (French: Le Pacte des loups, 2001).   Note: There's something going on with my mic during this recording that makes me sound a little weird. Unfortunately, I didn't notice until I was editing. Apologies.   00:00 – Intro 10:48 – Orca (and the unfortunate truth of killer whales in captivity) 50:08 – Alligator 1:10:32 – The Lift 1:33:50 – Brotherhood of the Wolf 2:02:42 – Outro   If you are in a position to make the world a better place, please consider the following fundraisers: Justice for Sonya Massey: https://www.gofundme.com/f/justice-for-sonya-massey Palestine Children's Relief Fund: https://pcrf1.app.neoncrm.com/forms/gaza-relief Anera Gaza Aid: https://www.anera.org/where-we-work/palestine/gaza/ Donations 4 Abortions (state by state abortion funds): https://donations4abortion.com/  

This week we talk about one of our favorite Horror Anthologies “Cat's Eye” directed by Lewis Teague and written by Stephen King. Help us determined if it is one of Stephen King's most forgotten films. And remember with every breath you take and every move you make we will be watching lol. If you like our content then please like, share and subscribe. 

In 1980, the legend of the sewer gators came to the big screen from director Lewis Teague and writer John Sayles with the creature feature ALLIGATOR. With jokes about Robert Forsters' hairline, and massive alligator animatronic that barely worked, and an early credit from legendary actor Bryan Cranston, ALLIGATOR gave us a little bit of everything when it comes to an 80's creature feature. Does it do a good job? Does it work as effectively as the film it was inspired by, JAWS? It's time to slice into it and find out. #MovieReview #DissectThatFilm #alligator #1980s #creaturefeature   Promo: Livestream for the Cure 8 Donate here:https://donate.tiltify.com/d788c5ca-1b84-42f1-a41a-ab715c2ce57e Florida Men on Florida Man Podcast    INTRO BY JASON OF BINGE MOVIES Track: Infraction- A.I. Music provided by Infraction No Copyright Music Spotify: https://bit.ly/3Z2Ae1q Outro Music by DARKRAIZARD   LIKE, COMMENT, SUBSCRIBE and HIT THE BELL   GO TO OUR LINKTREE FOR ALL OF OUR LINKS https://linktr.ee/dissectthatfilm   FOLLOW THE HOST Twitter: https://twitter.com/parkerdissects Instagram: https://instagram.com/parkerdissects   FOLLOW THE CO-HOSTS https://twitter.com/dnagaming_1 https://twitter.com/roehm_21dw (Dan) https://twitter.com/aradella (Angela)   WATCH THEM ON TWITCH https://twitch.tv/dna_gaming1

This week we have a look at the 1983 film Cujo.  This is Episode #428! Cujo is a 1983 American horror film based on Stephen King's 1981 novel of the same name and directed by Lewis Teague. It was written by Don Carlos Dunaway and Barbara Turner (using the pen name Lauren Currier), and starring Dee Wallace, Daniel Hugh Kelly and Danny Pintauro.The film follows a mother and her son who are trapped inside their car, while protecting themselves from a rabid St. Bernard.

This week we have a look at the 1980 film Alligator. This is Episode #426! Alligator is a 1980 American independent horror film directed by Lewis Teague and written by John Sayles. It stars Robert Forster, Robin Riker and Michael V. Gazzo. It also includes an appearance by actress Sue Lyon in her last screen role. Set in Chicago, the film follows a police officer and a reptile expert who track an enormous, ravenous man-eating alligator flushed down the toilet years earlier, that is attacking residents after escaping from the city's sewers.

This week we're talking Lewis Teague's giant alligator in the sewers, monster romp classic. We stop along the way to sprinkle some hate on Scorsese, Tarantino, and Ryan Gosling. We also pitch our Syfy original movies and do a deep dive on synonyms for boobs.  Do your bit: Support Final Transmission on Patreon Follow us on Instagram Follow the Spotify playlist Check out Red Scare Industries Artwork by Dismay Design

Up from the sewers come the teeth of terror! Matt & Todd discuss the 1980 creature feature Alligator, where a giant alligator terrorizes an entire city. This is another film that is far better than you might initially expect, due to excellent acting, a great script by John Sayles and terrific creature effects. Directed by Lewis Teague. Starring Robert Forster, Robin Riker and Michael V Gazzo.

The Uncanny is a 1977 British-Canadian anthology horror film directed by Denis Héroux, written by Michel Parry, and starring Peter Cushing, Donald Pleasence, Ray Milland, Joan Greenwood, Donald Pilon, Samantha Eggar, and John Vernon.   Although it is similar to the horror anthologies released by Amicus Productions and could be mistaken as one, it was actually distributed by The Rank Organisation. However, the co-producer was Milton Subotsky of Amicus.   Cat's Eye (also known as Stephen King's Cat's Eye) is a 1985 American anthology horror thriller film directed by Lewis Teague and written by Stephen King. It comprises three stories, "Quitters, Inc.", "The Ledge", and "General". The first two are adaptations of short stories in King's 1978 Night Shift collection, and the third is unique to the film. The three stories are connected only by the presence of a traveling cat, which plays an incidental role in the first two and is a major character of the third.   Its cast includes Drew Barrymore, James Woods, Alan King, Robert Hays and Candy Clark.   Opening Credits; Introduction (1.00); Background History (41.36); The Uncanny (1977) Trailer (42.08); Feature Presentation (44.37); Let's Rate (1:21.14); Introducing the Second Feature (1:35.49); Cat's Eye (1989) Trailer (1:37.12); Lights, Camera, Action (1:38.34); How Many Stars (2:08.26); End Credits (2:26.00); Closing Credits (2:27.28)   Opening Credits– Epidemic Sound – Copyright . All rights reserved   Closing Credits:  Like A Cat by Cyndi Lauper.  From the album A Night To Remember. Copyright 1989 Epic Records   Incidental Music:  Cat's Eye Soundtrack by Alan Silvestri.  From the album Stephen King's Cat Eyes Motion Picture Soundtrack.  Copyright 1985 Varese Sarabande. ​ Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.    All rights reserved.  Used by Kind Permission.   All songs available through Amazon Music.

Our guest today has one of the most diverse bodies of work of any director we've had on the show. He has worked in multiple genres throughout his decades long career and proven himself to be a filmmaker who kills in any genre space he works in. Having come up in the business along industry friends such as Martin Scorsese and Sydney Pollack, he is part of cinema history as one of the filmmakers creating distinct and memorable work with a style that is unquestionably his own. However, it is a film regarded as one of the best adaptations of Stephen King's most beloved books that has made him an icon of horror In this episode we will be joined by filmmaker Lewis Teague. Often regarded by his peers and fans alike as “underrated”, Lewis first made a name for himself in the genre with the cult classic “Alligator”.  Better than anyone thought an Alligator living in the sewer's movie had any right to be, and featuring a bravura performance by lead actor Robert Forster, “Alligator” has gone on to become a favorite of horror fans. Lewis' 1983 adaptation of Stephen King's “Cujo” is considered by many, including King himself, as one of the ultimate King adaptations. With unbearably taught direction, nerve frying cinematography by legendary cinematographer Jan De Bont and a career best performance by genre royalty Dee Wallace, “Cujo” remains untouched in the canon of Stephen King movies. With a great dry sense of humour and uncanny style for storytelling, Lewis shared with me his youth as a bit of a trouble maker before winding up in the military, finding his way in the hay-day of Hollywood auteurs, his ups and downs in show business and his enjoyment in teaching in his later life. So, let's strap into a Ford Pinto and prepare to have our adrenal glands blown with Lewis Teague! ★ Support this podcast on Patreon ★

"ALRIGHT. . . WE WILL GET YOU YOUR NEW EPISODE!"For episode 23, Becca and Logan end their Halloween marathon with the adaptation of a Stephen King classic "Cujo" (1983). Directed by Lewis Teague. 

The month of Halloween is almost over but studios are still putting out the spooky stuff on this week's edition of physical media talk with Erik Childress and Peter Sobczynski. Criterion has one of the great modern haunted house tales with one of Nicole Kidman's best performances. Brett Ratner tries to remake Michael Mann, Lewis Teague does his first Stephen King and Roland Emmerich completely botches Godzilla. Paramount has a whole box set of frights with some 4K debuts including a surprise title that really gets under Peter's skin. Indicator has some Jean Rollin and a box set of film noir. There is more Shaw Brothers, Sammo Hung, Mario Bava and, naturally, Bill Haley and the Comets. Plus the one thing that every show, big and small, needs – Muppets! 0:00 - Intro 0:59 - Criterion (The Others (4K)) 7:43 - Arrow Films (The Iron-Fisted Monk) 9:51 - Shout! Factory (Shaw Brothers Classics: Volume Three) 12:30 - Indicator (Universal Noir #2 (1945-1949), Fascination (4K), Lips of Blood (4K)) 27:46 - Kino (Red Dragon (4K), Black Sabbath (60th Anniversary), Cujo (4K), It! The Terror from Beyond Space) 49:33 - Sony (Rock Around the Clock, Godzilla 1998 (4K), The Muppets Take Manhattan (4K)) 1:07:53 - Paramount (Paramount Scares Vol. 1 (4K)) 1:19:34 – Theatrical Titles and Television New on Blu-ray 1:21:00 – New Blu-ray Announcements 1:23:21 - Outro

In this episode, Pake and Daphne discuss The Legend of Boggy Creek, directed by Lewis Teague  and released on November 14, 1980.  Website: http://www.runforyourlivespodcast.comEmail: runforyourlivespodcast@gmail.comFacebook: https://www.facebook.com/runforyourlivespodcastTwitter: https://www.twitter.com/rfylpodcastInstagram: https://www.instagram.com/runforyourlivespodcastYoutube: https://www.youtube.com/@runforyourlivespodcastRFYL Spotify Music Playlist: https://open.spotify.com/playlist/71Bsx083ldVuGwSgJKKEwr?si=0yB3Zq4iTeaMU_cBk6yAlw

PUBLIC VERSION. Filmmaker Lewis Teague (CUJO, ALLIGATOR, CAT'S EYE, THE JEWEL OF THE NILE) joins Adam, Joe, and Arwen in the ArieScope studio to discuss his 60 year career so far! From the Sam Fuller war film that inspired his curiosity in filmmaking… to starting an underground Cinema on the Sunset strip in the 60's… to working in various capacities on films like George Roy Hill's HAWAII (1966) and the seminal documentary WOODSTOCK (1970)… to working with the legendary Roger Corman… to how he brought realism to genre films like ALLIGATOR (1980) and working on back to back Stephen King adaptations with CUJO (1983) and CAT'S EYE (1985)… to getting the call from Michael Douglas to join the big leagues and direct 1985's THE JEWEL OF THE NILE (the ROMANCING THE STONE sequel)… and how a fateful lunch with a certain PSYCHO star changed his entire outlook on the filmmaking business. At 85 years old, Lewis has tons of incredible stories about his Hollywood journey!

This week, the ReconCinemation team unites to get an early Shocktober start with a look back at 1980's ALLIGATOR! David & Brent must aid Jon as he works through his childhood trauma surrounding the famous pool sequence, plus they dive deep into Robert Forster's career, John Sayles's start in the horror genre, Lewis Teague's films of the 80s, the comparison to JAWS, early memories, how the film holds up today & so much more! It lives 50 feet beneath the city, it's 36 feet long, it weighs 2000 pounds, and it's about to podcast... it's ALLIGATOR! Twitter/IG: @reconcinemation facebook.com/reconcinemation Cover and Episode Art by Curtis Moore (IG: curt986) Theme by E.K. Wimmer (ekwimmer.com)

In honor of the 40th anniversary of Lewis Teague's Cujo, the Losers count down and match up to identify -- and crown -- the best critter in all of King's Dominion! Instead of listing and ranking, we're gonna let the critters themselves take control and duke it out with each other until only one remains. But never fear. No animals will be hurt in the recording of this episode. We're using a March-Madness style Bracket to narrow down the competitors to a grand champion. Note: This was recorded last month and is being unlocked for the main feed. For more exclusive episodes like this that we haven't unlocked -- not to mention, over hundreds of hours of content --please join us at www.patreon.com/thebarrens. You can even get our latest book episode on Holly. Follow us on Facebook | Twitter | Instagram | Patreon | Store Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Pake and Daphne discuss Alligator, directed by Lewis Teague  and released on November 14, 1980.  Website: http://www.runforyourlivespodcast.comEmail: runforyourlivespodcast@gmail.comFacebook: https://www.facebook.com/runforyourlivespodcastTwitter: https://www.twitter.com/rfylpodcastInstagram: https://www.instagram.com/runforyourlivespodcastYoutube: https://www.youtube.com/@runforyourlivespodcastRFYL Spotify Music Playlist: https://open.spotify.com/playlist/71Bsx083ldVuGwSgJKKEwr?si=0yB3Zq4iTeaMU_cBk6yAlw

Welcome back to the GGtMC!!! This week we are sponsored by Arrow Video and we are covering the release of Fighting Back (1982) directed by Lewis Teague!!! We hope you enjoy the episode and please do yourself a favor and check out all of Arrow Video releases that are available!!! Emails to midnitecinema@gmail.com Adios!!! --- Send in a voice message: https://podcasters.spotify.com/pod/show/ggtmc/message

Internationally known for her five series, Dee Wallace has starring in appeared in 7 television series, over 400 commercials, as well as holding the record for any living actress with over 280 films/TV movie credits, including Critters, The Howling, Cujo, The Frighteners, 10, The Hills Have Eyes, and the number one blockbuster, E.T. THE EXTRA-TERRESTRIAL (Celebrating its 40th in 2022).Dee is an Emmy nominated actress, as well as a best-selling author and a multi-nationally respected authority on the art of self-creation for over 30 years. A true tour de force in the industry, working with countless producers and directors and some of Hollywood biggest names, including Steven Spielberg, Peter Jackson, Wes Craven, Joe Dante, Lewis Teague, Stephen King, Blake Edwards and Rob Zombie. Dee has appeared on every major news and talk show and has been featured on E! True Hollywood Stories, and Oprah.Please enjoy my conversation with Dee Wallace.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4858435/advertisement

Just keeping you on your toes! Join Reneé, John Paul, and Travis as they discuss Lewis Teague's 1985 horror anthology "Cat's Eye."   Please consider supporting the show on Patreon: https://www.patreon.com/thepodmortem    Pod Mortem would like to thank Original CINematic for sponsoring this week's episode! https://www.ogcinpro.com/  Feel free to contact: William Rush: wrush@ogcinpro.com Xxena Rush: xrush@ogcinpro.com    Where to listen to the podcast and follow us on social media: https://allmylinks.com/thepodmortem   Follow us on Twitter: https://twitter.com/thepodmortem https://twitter.com/bloodandsmoke https://twitter.com/realstreeter84 https://twitter.com/travismwh   What would you rate Cat's Eye and what should we watch next? Email us at thepodmortem@gmail.com    "Pod Mortem Theme" written and performed by Travis Hunter. https://youtube.com/travismwh

The Grue-Crew review KING ON SCREEN (2023, Darkstar) on Gruesome Magazine episode 456. Jeff Mohr from Decades of Horror: The Classic Era, Crystal Cleveland, the Livin6Dead6irl from Decades of Horror: 1980s, award-winning filmmaker Christopher G. Moore, lead news writer Dave Dreher, and Doc Rotten share their thoughts about this week's frightening addition to streaming horror films. Warning: possible spoilers after the initial impressions! KING ON SCREEN (2023, Darkstar) 1976, Brian de Palma directs Carrie, the first novel by Stephen King. Since, more than 50 directors adapted the master of horror's books, in more than 80 films and series, making him now, the most adapted author still alive in the world. Available in Theaters on August 11, 2023, and available On Demand and Blu-Ray on September 8, 2023 Directed by: Daphné Baiwir Cast: Mike Flanagan, James Caan, Frank Darabont, André Øvredal, Amy Irving,Jeffrey DeMunn, Taylor Hackford, Tom Holland, Fraser C. Heston, Vincenzo Natali, Mikael Håfström, Tod Williams, Mick Garris, Mark L. Lester, Lewis Teague, Craig R. Baxley,Tom McLoughlin FOLLOW: Gruesome Magazine Website http://gruesomemagazine.com YouTube Channel (Subscribe Today!) https://youtube.com/c/gruesomemagazine Instagram https://www.instagram.com/gruesomemagazine/ Facebook Group: https://www.facebook.com/groups/HorrorNewsRadioOfficial/ Doc, Facebook: https://www.facebook.com/DocRottenHNR Crystal, Facebook: https://www.facebook.com/living6dead6irl Crystal, Instagram: https://www.instagram.com/livin6dead6irl/ Jeff, Facebook: https://www.facebook.com/jeffmohr9 Dave, Facebook: https://www.facebook.com/drehershouseofhorrors

This week Gary and Iain review and discuss, Cat's Eye (1985) by Director, Lewis Teague. Starring, Drew Barrymore, James Woods and Robert Hays. Merch: https://off-the-shelf-reviews.creator-spring.com For more Off The Shelf Reviews: https://www.youtube.com/channel/UChWxkAz-n2-5Nae-IDpxBZQ/join Podcasts: https://offtheshelfreviews.podbean.com/ Follow us on Twitter: https://twitter.com/@OTSReviews Youtube: https://www.youtube.com/c/OffTheShelfReviews Facebook: https://www.facebook.com/OffTheShelfReviews Support us: http://www.patreon.com/offtheshelfreviews Twitch: https://www.twitch.tv/offtheshelfreviews Discord: https://discord.gg/Dyw8ctf

Jeff & Kim continue their "Summer Swim Series" with a review of Alligator from 1980 starring Robert Forster, Robin Riker, and Michael Gazzo. Directed by Lewis Teague. Bonus Review: 2023's "Asteroid City" directed by Wes Anderson. Instagram: ⁠@attackofthe20thcentury⁠ Facebook: ⁠@attackofthe20thcentury  ⁠ Youtube: www.youtube.com/@attackofthe20thcentury Email: attackofthe20thcentury@outlook.com Leave a voice mail: https://podcasters.spotify.com/pod/show/attackofthe20thcentury --- Send in a voice message: https://podcasters.spotify.com/pod/show/attackofthe20thcentury/message Support this podcast: https://podcasters.spotify.com/pod/show/attackofthe20thcentury/support

A l'occasion de la sortie de Master Gardener et d'une belle édition de Light Sleeper chez StudioCanal , et de First Reformed chez l'Atelier d'images, petite causerie autour du Cinéma de Paul Schrader.On cause aussi de Lewis Teague, à l'honneur chez Carlotta, qui en plus du chouetteL'Incroyable alligator exhume le vraiment génial Du Rouge pour un truand. Cycle estival :La moitié poilue de l'émission s'occupe de votre été à Rennes avec un cycle Vamos a la Playa ! : Kechiche, Guiraudie, Spielberg, Murnau, Lean, Rohmer, Bigelow, Fellini, etc...JEU !Enfin une belle édition pour le superbe Le Souffle de la tempêtede Pakula chez Rimini. On a des exemplaires à vous faire gagner sur nos rezosocio.

A l'occasion de la sortie de Master Gardener et d'une belle édition de Light Sleeper chez StudioCanal , et de First Reformed chez l'Atelier d'images, petite causerie autour du Cinéma de Paul Schrader.On cause aussi de Lewis Teague, à l'honneur chez Carlotta, qui en plus du chouetteL'Incroyable alligator exhume le vraiment génial Du Rouge pour un truand. Cycle estival :La moitié poilue de l'émission s'occupe de votre été à Rennes avec un cycle Vamos a la Playa ! : Kechiche, Guiraudie, Spielberg, Murnau, Lean, Rohmer, Bigelow, Fellini, etc...JEU !Enfin une belle édition pour le superbe Le Souffle de la tempêtede Pakula chez Rimini. On a des exemplaires à vous faire gagner sur nos rezosocio.

A l'occasion de la sortie de Master Gardener et d'une belle édition de Light Sleeper chez StudioCanal , et de First Reformed chez l'Atelier d'images, petite causerie autour du Cinéma de Paul Schrader.On cause aussi de Lewis Teague, à l'honneur chez Carlotta, qui en plus du chouetteL'Incroyable alligator exhume le vraiment génial Du Rouge pour un truand. Cycle estival :La moitié poilue de l'émission s'occupe de votre été à Rennes avec un cycle Vamos a la Playa ! : Kechiche, Guiraudie, Spielberg, Murnau, Lean, Rohmer, Bigelow, Fellini, etc...JEU !Enfin une belle édition pour le superbe Le Souffle de la tempêtede Pakula chez Rimini. On a des exemplaires à vous faire gagner sur nos rezosocio.

On this episode, we're going to start a miniseries that I've been dreading doing, not because of the films this company produced and/or released during the 1980s, but because it means shining any kind of light on a serial sexual assaulter and his enabling brother. But one cannot do a show like this, talking about the movies of the 1980s, and completely ignore Miramax Films. ----more---- TRANSCRIPT   From Los Angeles, California. The Entertainment Capital of the World. It's the 80s Movie Podcast. I am your host, Edward Havens/ Thank you for listening today.   On this episode, we're going to start a miniseries that I've been dreading doing, not because of the films this company produced and/or released during the 1980s, but because it means shining any kind of light on a serial sexual assaulter and his enabling brother. But one cannot do a show like this, talking about the movies of the 1980s, and completely ignore Miramax Films.   But I am not here to defend Harvey Weinstein. I am not here to make him look good. My focus for this series, however many they end up being, will focus on the films and the filmmakers. Because it's important to note that the Weinsteins did not have a hand in the production of any of the movies Miramax released in the 1980s, and the two that they did have a hand in making, one a horror film, the other a comedy that would be the only film the Weinsteins would ever direct themselves, were distributed by companies other than Miramax.   But before I do begin, I want to disclose my own personal history with the Weinsteins. As you may know, I was a movie theatre manager for Landmark Theatres in the mid 1990s, running their NuWilshire Theatre in Santa Monica. The theatre was acquired by Landmark from Mann Theatres in 1992, and quickly became a hot destination for arthouse films for those who didn't want to deal with the hassle of trying to get to the Laemmle Monica 4 about a mile away, situated in a very busy area right off the beach, full of tourists who don't know how to park properly and making a general nuisance of themselves to the locals. One of the first movies to play at the NuWilshire after Landmark acquired it was Quentin Tarantino's debut film, Reservoir Dogs, which was released by Miramax in the fall of 1992. The NuWilshire quickly became a sort of lucky charm to Harvey Weinstein, which I would learn when I left the Cineplex Beverly Center in June 1993 to take over the NuWilshire from my friend Will, the great-grandson of William Fox, the founder of Fox Films, who was being promoted to district manager and personally recommended me to replace him.   During my two plus years at the NuWilshire, I fielded a number of calls from Harvey Weinstein. Not his secretary. Not his marketing people.    Harvey himself.   Harvey took a great interest in the theatre, and regularly wanted feedback about how his films were performing at my theatre. I don't know if he had heard the stories about Stanley Kubrick doing the same thing years before, but I probably spoke to him at least once a month. I never met the man, and I didn't really enjoy speaking with him, because a phone call from him meant I wasn't doing the work I actually needed to do, but keeping Harvey would mean keeping to get his best films for my theatre, so I indulged him a bit more than I probably should have.   And that indulgence did occasionally have its perks. Although I was not the manager of the NuWilshire when Reservoir Dogs played there, Quentin Tarantino personally hand-delivered one of the first teaser posters for his second movie, Pulp Fiction, to me, asking me if I would put it up in our poster frame, even though we both knew we were never going to play the film with the cast he assembled and the reviews coming out of Cannes. He, like Harvey Weinstein, considered the theatre his lucky charm. I put the poster up, even though we never did play the film, and you probably know how well the film did. Maybe we were his lucky charm.   I also got to meet Kevin Smith and Scott Mosier weeks before their first film, Clerks, opened. We hosted a special screening sponsored by the Independent Feature Project, now known as Film Independent, whose work to help promote independent film goes far deeper than just handing out the Spirit Awards each year. Smith and Mosier were cool cats, and I was able to gift Smith something the following year when he screened Mallrats a few weeks before it opened.   And, thanks to Miramax, I was gifted something that ended up being one of the best nights of my life. An invitation to the Spirit Awards and after-party in 1995, the year Quentin Tarantino and Lawrence Bender won a number of awards for Pulp Fiction. At the after-party, my then-girlfriend and I ended up drinking tequila with Toni Collette, who was just making her mark on American movie screens that very weekend, thanks to Miramax's release of Muriel's Wedding, and then playing pool against Collette and Tarantino, while his Spirit Awards sat on a nearby table.   Twenty feet from stardom, indeed.   I left that job at the end of the summer in 1995, and I would not be involved with the Weinstein Brothers for a number of years, until after I had moved to New York City, started FilmJerk, and had become an established film critic. As a critic, I had been invited to an advance screening of Bad Santa at the AMC Empire 25, and on the way out, Bob Weinstein randomly stopped me in the lobby to ask me a few questions about my reaction to the film. Which was the one and only time I ever interacted with either brother face to face, and would be the last time I ever interacted with either of them in any capacity.   As a journalist, I felt it was necessary to disclose these things, although I don't believe these things have clouded my judgment about them. They were smart enough to acquire some good films early in their careers, built a successful distribution company with some very smart people who most likely knew about their boss's disgusting proclivities and neither said nor did anything about it, and would eventually succumb to the reckoning that was always going to come to them, one way or another. I'm saddened that so many women were hurt by these men, physically and emotionally, and I will not be satisfied that they got what was coming to them until they've answered for everything they did.   Okay, enough with the proselytizing.    I will only briefly go into the history of the Weinstein Brothers, and how they came to found Miramax, and I'm going to get that out of the way right now.   Harvey Weinstein and his younger brother Bob, were born in Queens, New York, and after Harvey went to college in Buffalo, the brothers would start up a rock concert promotion company in the area. After several successful years in the concert business, they would take their profits and start up an independent film distribution company which they named Miramax, after their parents, Miriam and Max. They would symbolically start the company up on December 31st, 1979.   Like the old joke goes, they may have been concert promoters, but they really wanted to be filmmakers. But they would need to build up the company first, and they would use their connections in the music industry to pick up the American distribution rights to Rockshow, the first concert movie featuring Paul McCartney and his post-Beatles band Wings, which had been filmed during their 1976 Wings Over the World tour. And even from the start, Harvey Weinstein would earn the derisive nickname many people would give him over the years, Harvey Scissorhands, as he would cut down what was originally a 125min movie down to 102mins.   Miramax would open Rockshow on nine screens in the New York City area on Wednesday, November 26th, 1980, including the prestigious Ziegfeld Theatre, for what was billed as a one-week only run. But the film would end up exceeding their wildest expectations, grossing $113k from those nine screens, including nearly $46k just from the Ziegfeld. The film would get its run extended a second week, the absolute final week, threatened the ads, but the film would continue to play, at least at the Ziegfeld, until Saturday December 13th, when the theatre was closed for five days to prepare for what the theatre expected to be their big hit of the Christmas season, Neil Diamond's first movie, The Jazz Singer. It would be a sad coincidence that Rockstar's run at the Ziegfeld had been extended, and was still playing the night McCartney's friend and former bandmate John Lennon was assassinated barely a mile away from the theatre.   But, strangely, instead of exploiting the death of Lennon and capitalize on the sudden, unexpected, tragic reemergence of Beatlemania, Miramax seems to have let the picture go. I cannot find any playdates for the film in any other city outside of The Big Apple after December 1980, and the film would be unseen in any form outside a brief home video release in 1982 until June 2013, when the restored 125min cut was released on DVD and Blu-Ray, after a one-night theatrical showing in cinemas worldwide.   As the Brothers Weinstein were in the process of gearing up Miramax, they would try their hand at writing and producing a movie themselves. Seeing that movies like Halloween and Friday the 13th were becoming hits, Harvey would write up a five-page treatment for a horror movie, based on an upstate New York boogeyman called Cropsey, which Harvey had first heard about during his school days at camp. Bob Weinstein would write the script for The Burning with steampunk author Peter Lawrence in six weeks, hire a British music documentary filmmaker, Tony Maylam, the brothers knew through their concert promoting days, and they would have the film in production in Buffalo, New York, in the summer of 1980, with makeup effects by Tom Savini.   Once the film was complete, they accepted a purchase deal from Filmways Pictures, covering most of the cost of the $1.5m production, which they would funnel right back into their fledgling distribution company. But when The Burning opened in and around the Florida area on May 15th, 1981, the market was already overloaded with horror films, from Oliver Stone's The Hand and Edward Bianchi's The Fan, to Lewis Teague's Alligator and J. Lee Thompson's Happy Birthday to Me, to Joe Dante's The Howling and the second installment of the Friday the 13th series. Outside of Buffalo, where the movie was shot, the film did not perform well, no matter how many times Filmways tried to sell it. After several months, The Burning would only gross about $300k, which would help drive Filmways into bankruptcy. As we talked about a couple years ago on our series about Orion Pictures, Orion would buy all the assets from Filmways, including The Burning, which they would re-release into theatres with new artwork, into the New York City metropolitan region on November 5th, 1982, to help promote the upcoming home video release of the film. In just seven days in 78 theatres, the film would gross $401k, more than it had earned over its entire run during the previous year. But the film would be gone from theatres the following week, as many exhibitors do not like playing movies that were also playing on cable and/or available on videotape. It is estimated the film's final gross was about $750k in the US, but the film would become a minor success on home video and repeated cable screenings.   Now, some sources on the inter webs will tell you the first movie Miramax released was Goodbye, Emmanuelle, based in part on a profile of the brothers and their company in a March 2000 issue of Fortune Magazine, in which writer Tim Carvell makes this claim. Whether this info nugget came from bad research, or a bad memory on the part of one or both of the brothers, it simply is not true. Goodbye, Emmanuelle, as released by Miramax in an edited and dubbed version, would be released more than a year after Rockshow, on December 5th, 1981. It would gross a cool $241k in 50 theatres in New York City, but lose 80% of its screens in its second week, mostly for Miramax's next film, a low budget, British-made sci-fi sex comedy called Spaced Out.   Or, at least, that's what the brothers thought would be a better title for a movie called Outer Touch in the UK.   Which I can't necessarily argue. Outer Touch is a pretty dumb title for a movie. Even the film's director, Normal Warren, agreed. But that's all he would agree with the brothers on. He hated everything else they did to his film to prepare it for American release. Harvey would edit the film down to just 77mins in length, had a new dub created to de-emphasize the British accents of the original actors, and changed the music score and the ending. And for his efforts, Weinstein would see some success when the film was released into 41 theatres in New York on December 11th, 1981. But whether or not it was because of the film itself, which was very poorly reviewed, or because it was paired with the first re-issue of The Groove Tube since Chevy Chase, one of the actors in that film, became a star, remains to be seen.   Miramax would only release one movie for all of 1982, but it would end up being their first relative hit film.   Between 1976 and 1981, there were four live shows of music and comedy in the United Kingdom for the benefit of Amnesty International. Inspired by former Monty Python star John Cleese, these shows would raise millions for the international non-governmental organization focused on human rights issues around the world. The third show, in 1979, was called The Secret Policeman's Ball, and would not only feature Cleese, who also directed the live show, performing with his fellow Pythons Terry Jones and Michael Palin, but would also be a major launching pad for two of the most iconic comedians of the 1980s, English comedian Rowan Atkinson and Scottish comedian Billy Connelly. But unlike the first two Amnesty benefit shows, Cleese decided to add some musical acts to the bill, including Pete Townshend of The Who.   The shows would be a big success in the United Kingdom, and the Weinsteins, once again using their connections in the music scene, would buy the American film rights to the show before they actually incorporated Miramax Films. That purchase would be the impetus for creating the company.   One slight problem, though.   The show was, naturally, very British. One bit from the show, featuring the legendary British comedian and actor Peter Cook, was a nine-minute bit summing up a recent bit of British history, the leader of the British Labour Party being tried on charges of conspiracy and incitement to murder his ex-boyfriend, would not make any sense to anyone who wasn't following the trial. All in all, even with the musical segments featuring Townshend, the Weinsteins felt there was only about forty minutes worth of material that could be used for a movie.   It also didn't help that the show was shot with 16mm film, which would be extremely grainy when blown up to 35mm.   But while they hemmed and hawed through trying to shape the film. Cleese and his show partners at Amnesty decided to do another set of benefit shows in 1981, this time called The Secret Policeman's Other Ball. Knowing that there might be interest in a film version of this show, the team would decide to shoot this show in 35mm. Cleese would co-direct the live show, while music video director Julien Temple would be in charge of filming. And judging from the success of an EP released in 1980 featuring Townshend's performance at the previous show, Cleese would arrange for more musical artists to perform, including Jeff Beck, Eric Clapton, Phil Collins, Donovan, Bob Geldof, Sting, and Midge Ure of Ultraviolet. In fact, it would be because of their participation in these shows that would lead Geldof and Ure to form Band Aid in 1984, which would raise $24m for famine relief in Ethiopia in just three months, and the subsequent Live Aid shows in July 1985 would raise another $126m worldwide.   The 1981 Amnesty benefit shows were a success, especially the one-time-only performance of a supergroup called The Secret Police, comprising of Beck, Clapton, Geldof and Sting performing Bob Dylan's I Shall Be Released at the show's closing, and the Weinsteins would make another deal to buy the American movie rights to these shows. While Temple's version of the 1981 shows would show as intended for UK audiences in 1982, the co-creator of the series, British producer Martin Lewis, would spend three months in New York City with Harvey Weinstein at the end of 1981 and start of 1982, working to turn the 1979 and 1981 shows into one cohesive movie geared towards American audiences. After premiering at the Los Angeles International Film Exposition in March 1982, The Secret Policeman's Other Ball would open on nine screens in the greater New York City metropolitan area on May 21st, but only on one screen in all of Manhattan. And in its first three days, the movie would gross an amazing $116k, including $36,750 at the Sutton theatre in the Midtown East part of New York City. Even more astounding is that, in its second weekend at the same nine theaters, the film would actually increase its gross to $121k, when most movies in their second week were seeing their grosses drop 30-50% because of the opening of Rocky III. And after just four weeks in just New York City, on just nine or ten screens each week, The Secret Policeman's Other Ball would gross more than $400k. The film would already be profitable for Miramax.   But the Weinsteins were still cautious. It wouldn't be until July 16th when they'd start to send the film out to other markets like Los Angeles, where they could only get five theatres to show the film, including the brand new Cineplex Beverly Center, itself opening the same day, which, as the first Cineplex in America, was as desperate to show any movie it could as Miramax was to show the movie at any theatre it could.   When all was said and done, The Secret Policeman's Other Ball would gross nearly $4m in American theatres.   So, you'd think now they had a hit film under their belts, Miramax would gear up and start acquiring more films and establishing themselves as a true up and coming independent distributor.   Right?   You'd think.   Now, I already said The Secret Policeman's Other Ball was their only release in 1982.   So, naturally, you'd think their first of like ten or twelve releases for 1983 would come in January.   Right?   You'd think.   In fact, Miramax's next theatrical release, the first theatrical release of D.A. Pennebaker's Ziggy Stardust and the Spiders from Mars concert film from the legendary final Ziggy show at the Hammersmith Odeon in London on July 3, 1973, would not come until December 23rd, 1983. And, for the third time in three years, it would be their music connections that would help the Weinsteins acquire a film.   Although the Ziggy Stardust movie had been kicking around for years, mostly one-night-only 16mm screenings on college campuses and a heavily edited 44min version that aired once on American television network ABC in October 1974, this would be the first time a full-length 90min version of the movie would be seen. And the timing for it couldn't have come at a better time. 1983 had been a banner year for the musician and occasional actor. His album Let's Dance had sold more than five million copies worldwide and spawned three hit singles. His Serious Moonlight tour, his first concert tour in five years, was the biggest tour of the year. And he won critical praise for his role as  a British prisoner of war in Nagisa Ōshima's powerful Japanese World War II film Merry Christmas, Mr. Lawrence.   The Weinsteins would enlist the help of 20th Century Fox to get the film into theatres during a very competitive Christmas moviegoing season. But despite their best efforts, Fox and Miramax could only nab one theatre in all of New York City, the 8th Street Playhouse in lower Manhattan, and five in Los Angeles, including two screens at the Cineplex Beverly Center. And for the weekend, its $58,500 gross would be quite decent, with a per screen average above such films as Scarface, Sudden Impact and Yentl. But in its second weekend, the all-important Christmas week, the gross would fall nearly 50% when the vast majority of movies improve their grosses with kids out of school and wage earners getting time off for the holidays. Fox and Miramax would stay committed to the film through the early part of 1984, but they'd keep costs down by rotating the six prints made for New York and Los Angeles to other cities as those playdates wound down, and only buying eighth-page display ads in local newspapers' entertainment section when it arrived in a new city. The final gross would fall short of half a million dollars, but the film would find its audience on home video later in the year. And while the Weinsteins are no longer involved with the handling of the film, Ziggy Stardust and the Spiders from Mars will be getting a theatrical release across the planet the first week of July 2023, to coincide with the 50th anniversary of the concert.   So, here were are, four years into the formation of Miramax Films, and they only released five films into theatres, plus wrote and produced another released by Filmways. One minor hit, four disappointments, and we're still four years away from them becoming the distributor they'd become. But we're going to stop here today because I like to keep these episodes short.   Thank you for joining us. We'll talk again next week, when we continue with story of Miramax Films, from 1984 to 1987.   Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about the movies we covered this episode.   The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment.   Thank you again.   Good night.

https://terrijay.com/ Paul T. Goldman A PEACOCK SERIES/Jan 1st, 2023 As a publicist, I find myself in the unusual position of having the woman depicted in the new Peacock series, Terri Jay, being referred to me by another client and the iconic actress that is actually playing her in the series, Dee Wallace. Trailer: https://www.youtube.com/watch?v=7mMcugQTjHs While both appear in the series, with Ms. Jay in the interviews and Ms Wallace in the re-enactments as Terri Jay, we feel that this unique combination, would make for a very interesting combined interview. DEE WALLACE: Internationally known for her five series, Dee Wallace has starring in appeared in 7 television series, over 400 commercials, as well as holding the record for any living actress with over 280 films/TV movie credits, including CRITTERS, THE HOWLING, CUJO, THE FRIGHTENERS, 10, THE HILLS HAVE EYES, and the number one blockbuster, E.T. THE EXTRA-TERRESTRIAL (Celebrating its 40th in 2022). Dee is an Emmy nominated actress, as well as a best-selling author and a multi-nationally respected authority on the art of self-creation for over 30 years. A true tour de force in the industry, working with countless producers and directors and some of Hollywood biggest names, including Steven Spielberg, Peter Jackson, Wes Craven, Joe Dante, Lewis Teague, Stephen King, Blake Edwards and Rob Zombie. Dee has appeared on every major news and talk show and has been featured on E! True Hollywood Stories, and Oprah. As Dee expressed herself, she felt a connection to portraying Ms. Jay that gave her goosebumps. TERRI JAY: An internationally acclaimed intuitive, medium and animal communicator. Terri will be appearing in a series on Peacock set for release January 1, 2023, while Emmy nominated and iconic actress, Dee Wallace, will be portraying Ms Jay in the re-enactments. Jay's input with the main character, Paul T. Goldman was instrumental in his decision-making and actions surrounding his sham marriage. Jay was able to determine that Paul's new bride was not who or what she purported to be, and she was just out to get whatever she could. The information that Jay shared motivated Paul to change himself from a wimp to a superhero. Dee continues to conduct her weekly call-in radio show with over 500 episodes, monthly webinars and private sessions worldwide form her home and via phone. Like E.T., she teaches us how to truly “get back home.” Dee has authored seven critically acclaimed books on the subject of self-creation: Conscious Creation, The Big E!, Bright Light, Getting Stuff and Wake Up Now! BORN and BuppaLaPaloo (children's book). Follow Dee on Social Media at Instagram: @thedeewallace / Twitter: @Dee_Wallace / Facebook: Dee Wallace Terri Jay has been doing readings by phone around the world for over 30 years. “I do everything except predictions and police work,” Jay shared. “Even though I have been doing this work for so long, I am always surprised and sometimes even shocked at the details and the information that comes through.” “I never get anything negative or scary and it has often been life-changing in an incredibly positive way,” Terri said. Terri takes the woo-woo out of this field by basing her work in physics. She says that all she does is pick up on energy, frequencies and vibrations that other people miss. In addition, there are 7-9 million people in the U.S. who cannot communicate due to illness, injury and disease, that she has been able to connect with and discusses in her book entitled, "Intuitive Communication."

Today on The Neil Haley Show, Neil "The Media Giant" Haley and Greg Hanna, the founder of TOSS C3 will interview Dee Wallace.   DEE WALLACE: Internationally known for her five series, Dee Wallace has starring in appeared in 7 television series, over 400 commercials, as well as holding the record for any living actress with over 280 films/TV movie credits, including CRITTERS, THE HOWLING, CUJO,  THE FRIGHTENERS, 10, THE HILLS HAVE EYES, and the number one blockbuster, E.T. THE EXTRA-TERRESTRIAL (Celebrating its 40th in 2022). Dee is an Emmy nominated actress, as well as a best-selling author and a multi-nationally respected authority on the art of self-creation  for over 30 years. A true tour de force in the industry, working with countless producers and directors and some of Hollywood biggest names, including Steven Spielberg, Peter Jackson, Wes Craven, Joe Dante, Lewis Teague, Stephen King, Blake Edwards and Rob Zombie. Dee has appeared on every major news and talk show and has been featured on E! True Hollywood Stories, and Oprah. As Dee expressed herself, she felt a connection to portraying Ms. Jay that gave her goosebumps. In addition, with the 40th anniversaries of both THE HOWLING (2021) and ET: THE EXTRA-TERRESTRIAL (2022) as well as the 35th anniversary of CRITTERS (2022), it is the perfect time to speak with the legendary Emmy nominated actress Dee Wallace. *** A behind the scenes with Dee Wallace Tik Toc about Drew Barrymore on the set of ET: https://www.tiktok.com/@thedeewallace/video/7059868275991170350?is_from_webapp=1

On this episode of The Claw's Corner - Host Rich Cyr chats with the extraordinary Dee Wallace! Dee's important message to the world is: Love yourself beyond anyone or anything else. Love yourself so much that you can't do anything that doesn't make you love yourself more. Originally from Kansas City, Kansas, Dee Wallace has worked as an author, teacher, dancer and actress in film, television, and stage for over 40 years. Her career began in New York where she studied with famous acting legend Uta Hagen before moving to Los Angeles where she found her mentor, Charles Conrad. With over 200 credits to her name, Ms. Wallace is a true tour de force in the industry, working with countless producers and directors and some of Hollywood's biggest names, including Steven Spielberg, Peter Jackson, Wes Craven, Joe Dante, Lewis Teague, Stephen King, Blake Edwards and Rob Zombie. Her many film credits include The Hills Have Eyes, The Howling, Cujo, Secret Admirer, The Frighteners, 10 and of course, her role as Mary in Steven Spielberg's E.T., The Extraterrestrial. She has appeared in almost 200 films, 5 television series, and 400 commercials.Ms. Wallace has just completed three films for release in 2019: Every Other Holiday, Rob Zombie's 3 From Hell, and Jingle Belle. Other recent credits include NCIS, Shooter, and Law and Order L.A. Ms. Wallace is also starring in Amazon's series Just Add Magic. Dee began her channeled healing work over twenty years ago when she dropped to her knees after her husband's sudden death and asked for a way we could “heal ourselves.” Seconds later she received her first message: use the light within you to heal yourself. She has passionately been teaching the art of self creation ever since. Dee is a strong advocate for accepting (at an early age) our own magnificence and power in a positive, loving way. A child's personality is set between 4-7 years of age which has a direct impact on the creation of their life. Dee's important message to the world is: Love yourself beyond anyone or anything else. Love yourself so much that you can't do anything that doesn't make you love yourself more. Dee has authored five books on the subject of self-creation: Conscious Creation, The Big E!, Bright Light, Getting Stuff and Wake Up Now! She conducts a live (call-in) internet radio show each Sunday morning at 9 AM Pacific, and offers monthly webinars on a variety of creation subjects. Dee conducts private sessions from her home in Woodland Hills, California via phone and in person. As a much sought after speaker, Dee has spoken at numerous national and international venues including the Love and Harmony Forum in Japan, The Dillon Lecture Series, Unity Temple, The Kansas Film Commission, and asked to speak in China, New Zealand, Amsterdam, Australia, England and all across the United States and Canada. Dee has appeared on every major news and talk show and has been featured on E! True Hollywood Stories, and Oprah. Enhanced and Uploaded By Rob Bull. Contact Rob Bull For Music, Podcast, or Graphic design info @ Robbull61792@gmail.com

Originally from Kansas City, Kansas, Dee Wallace has worked as an author, teacher, dancer, and actress in film, television, and stage for over 40 years. Her career began in New York, where she studied with famous acting legend Uta Hagen before moving to Los Angeles, where she found her mentor, Charles Conrad. Dee is a true tour de force in the industry, working with countless producers and directors and some of Hollywood's biggest names, including Steven Spielberg, Peter Jackson, Wes Craven, Joe Dante, Lewis Teague, Stephen King, Blake Edwards, and Rob Zombie. Her many film credits include “The Hills Have Eyes,” “The Howling,” “Cujo,” “Secret Admirer,” “The Frighteners,” “10” and of course, her role as Mary in Steven Spielberg's “E.T., The Extraterrestrial.” With over 280 TV movie and film credits on her resume, Dee Wallace is quite possibly the most active woman in entertainment. Dee's important message to the world is: Love yourself beyond anyone or anything else. Love yourself so much that you can't do anything that doesn't make you love yourself more. She began her channeled healing work over twenty years ago when she dropped to her knees after her husband's sudden death and asked for a way we could “heal ourselves.” Seconds later, she received her first message: use the light within you to heal yourself. She has passionately been teaching the art of self-creation ever since. Dee is a strong advocate for accepting (at an early age) our own magnificence and power in a positive, loving way. Her most recent book, “Born,” expands the concepts of Law of Attraction exponentially and simplifies everything you think you know about the power of Self-Creation. “Born” is a powerful book about how Spirituality, Brain Science, and Religion teach the same principles and how you can easily use them to create your life. She offers monthly webinars on a variety of creation subjects. Dee also conducts private sessions from her home in Woodland Hills, California via phone and in person. As a much sought after speaker, Dee has spoken at numerous national and international venues, appeared on every major news and talk show, and been featured on E! True Hollywood Stories and Oprah. JONES.SHOW is a weekly podcast featuring host Randall Kenneth Jones (author, speaker & creative communications consultant) and Susan C. Bennett (the original voice of Siri). JONES.SHOW is produced and edited by Kevin Randall Jones. DEE WALLACE Online: Website: https://iamdeewallace.com/ Twitter: https://twitter.com/Dee_Wallace Facebook: https://www.facebook.com/DeeWallaceOfficialFB Instagram: https://www.instagram.com/thedeewallace JONES.SHOW Online: Join us in the Jones.Show Lounge on Facebook. Twitter (Randy): https://twitter.com/randallkjones Instagram (Randy): https://www.instagram.com/randallkennethjones/ Facebook (Randy): https://www.facebook.com/mindzoo/ Web: RandallKennethJones.com Follow Randy on Clubhouse Twitter (Susan): https://twitter.com/SiriouslySusan Instagram (Susan): https://www.instagram.com/siriouslysusan/ Facebook (Susan): https://www.facebook.com/siriouslysusan/ Web: SusanCBennett.com Follow Susan on Clubhouse LinkedIn (Kevin): https://www.linkedin.com/in/kevin-randall-jones/ Web: KevinRandallJones.com www.Jones.Show

It may seem weird to be in the middle of December and talk about Stephen King. But the truth is the coldness that comes from being frightened by King…is nowhere to be found in Stephen King's Cat's Eye unless you're a smoker, afraid of heights, or a six year old child. But even given the lack of King tropes, and the advent of dark comedy in the Lewis Teague directed film, does it make for a bad viewing experience? Join Garrett, Matt, and Adam as they dive into King's 1985 Dino Delaurentis production Cat's Eye. And to add even more intrigue to the podcast, two of the boys have not seen the film and it is indeed something they have been wanting to talk about for years: An anthology film. Also be sure to stay tuned until the end of the show as the three hosts also reveal what their year end retrospective will be. And as a hint, let's just say this will be a great franchise for people who are feeling ‘blue' should listen to!

Captivating, Challenging and Always Entertaining, Dee Wallace Is The Grand Dame of HorrorThere's an old adage that says never meet your heroes. We'd like to make an amendment to that phrase and change it to never meet your heroes unless they work in the horror genre. Host Kevin Lane has had the great privilege to have friendships with most of his heroes in the world of horror cinema, and to work with many of these friends. And though he cherishes all of those friends and colleagues, there is no one who has made a bigger impact on his life and career than Dee Wallace.Anyone listening to Spill Your Guts is likely a fan of Dee's vast and astonishing body of work. From the game changing Steven Spielberg blockbuster E.T., where she plays the loveable and entirely authentic single mother of two boys who encounter you know who, to lead roles in smash hit horror films like Wes Craven's The Hills Have Eyes, Joe Dante's The Howling, and Stephen Herek's Critters.The film that made Kevin fall for Dee (and boy did he fall hard!) was Lewis Teague's film adaptation of Stephen King's Cujo. In an Oscar worthy performance, Dee plays Donna Trenton, a mother who must protect her child from a rabid Saint Bernard. Almost half of the film features Dee trapped in a Ford Pinto and it is some of the most harrowing work ever put on film. It is no wonder that Stephen King himself has said that Dee's performance is his favorite of all the performances in film or television based on a character he wrote.And that's just scratching the surface of Dee's career which spans over 250 film and television roles, including work with genre legends Peter Jackson in The Frighteners, and an ongoing collaboration with Rob Zombie. However, it isn't just Dee's tireless work ethic and standout performances that makes her so special, it's also a lot to do with the quality of person she is. You will never meet a more genuine, sincere, funny, caring and generous person than Dee Wallace.Dee and Kevin discuss her early years as a girl in Kansas who dreamed of being on the stage, how she has always managed to persevere despite an inordinate amount of loss and hardship, the exhaustive and exhilarating lengths she will go to embody a character. They also discuss her healing work and the incredible impact it has had on some many people both through her speaking engagements and her books. Oh, and they also play a fun game!Though she has played many dark characters, Dee is a bright shining light so sit back and prepare to be inspired.Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information. ★ Support this podcast on Patreon ★

Some familiar faces pop up in CAT'S EYE aka the other Stephen King anthology movie. James Woods! Drew Barrymore! Robert Hayes! Our boy Lewis Teague takes the reins on 3 spooooooky (sort of) segments. In the 3rd segment we talk about our favorite Stephen King short form literature! --- Send in a voice message: https://anchor.fm/killstreakpod/message

Mark and David (@ItsMeDavidCross on Twitter) discuss the 1980 cult classic Alligator. Directed by Lewis Teague, and starring Robert Forster, Robin Riker, and a mutated alligator, the movie focuses on what happens when likable people hunt a genetically modified monster. In this episode, they talk about fighting alligators, swimming pools, and the movies that looked to capitalize on the success of Jaws. Enjoy!

Tom and Jenny talk about the wildly entertaining monster flick from 1980, directed by Lewis Teague, written by John Sayles, and pitting the great Robert Forster against a 36-foot reptile in the sewers of Chicago (or possibly in Missouri somewhere). Audio version: Video version: Please support us on Patreon! Don't forget to subscribe to our YouTube channel, … Continue reading Matinee LIVE: Alligator (1980)

The King exploration continues! Lewis Teague directs a charming tale of a bunny rabbit who finds it's way into a cave... Who am I kidding? It's rabid dog with a thing about Pintos. 

Comedians Stefano Sanzo & Chris Faga join Zac Amico for a screening of Cat's Eye (1985). Directed by Lewis Teague and written by Stephen King, the work features three tales of suspense and horror, linked together by a stray cat.Air Date: 08/04/22Support our sponsors!Head to https://www.RockAuto.com for all your auto-part needs, and let them know you heard about them on Zac Amico's Midnight Spookshow!Fans over the age of 21, go to https://www.yokratom.com/ – home of the $60 kilo!The newest 15 episodes are always free, but if you want access to all the archives, watch live, chat live, access to the forums, and get the show five days before it comes out everywhere else - you can subscribe NOW athttp://www.GaSDigitalNetwork.comand use the code ZAC for a 7-Day FREE Trial and save 15% on your subscription to the entire network.Check outhttps://www.PodcastMerch.com/ZAC to get EXCLUSIVE Zac Amico merchandise!FOLLOW THE SHOW!Zac Amico:https://www.instagram.com/zacisnotfunny/https://www.twitter.com/zacisnotfunny/Chris Faga:https://www.instagram.com/chrisfrombklynhttps://www.twitter.com/chrisfrombklynStefano Sanzo:https://www.instagram.com/stefabro93https://www.twitter.com/stefabro93See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode, we continue our focus on anthology films by advancing to the beloved world of 80s horror. We check out Stephen King's Cat's Eye from 1985 directed by Lewis Teague. Michael shares his appreciation for the very MCU-like interconnected nature of King's world in the film. Dustin champions the more critically maligned segment in the anthology and the tension of high-stakes gambling. But before all that Jason shares just how desensitized he is to extreme horror. Also, as our first go discussing King as a topic we spend some extra time discussing his career along with our favorite works and film adaptations. And so much more! Part of the Prescribed Films Podcast Network (www.thepfpn.com) What We've Been Watching: -Jason: The Sadness (2021) -Michael: The Card Counter (2021) -Dustin: Crimes of the Future (2022) Our Favorite Stephen King Story: -Jason: Pet Sematary (1983) -Dustin: Pet Sematary (1983) -Michael: The Mist (1980) Our Favorite Stephen King Film Adaptation: -Michael: The Mist (2007) -Jason: The Shining (1980) & Pet Sematary (1989) & Misery (1990) -Dustin: Secret Window (2004) & Riding the Bullet (2004) Our Dream King Adaptations: -Michael: The Long Walk (1979) & Talisman (1984) -Jason: The Boogeyman (1978) -Dustin: Mile 81 (2011) & Bad Little Kid (2015) Show Notes: -Cat's Eye Trailer -Listen to Dustin on Unsung Horrors for their Blu-ray Wishlists Part 2 -Go check out The Bad Movie Bunny Podcast & Blog -Related Author: Stephen King -Related Author: Clive Barker -Related Film: The Evil Dead -Related Show: Stranger Things -Related Film: Maximum Overdrive -Related Book: Night Shift -Related Film: Children of the Corn -Related Film: Sometimes They Come Back -Related Film: Creepshow -Related Film: Twilight Zone -Related Film: Nightmares -Related Film: From A Whisper To A Scream -Related Film: Creepshow 2 -Related Film: Tales from the Darkside -Related Film: Cujo -Related Film: Christine -Related Film: The Green Knight -Related Film: The Northman -Related Film: Firestarter -Related Film: Firestarter (Remake) -Related Story: Quitters Inc -Related Film: Videodrome -Related Song: Phil Medley, Bert Russell - Twist and Shout -Related Film: Dead Zone -Related Song: The Police - Every Breath You Take -Related Song: Question Mark & The Mysterians - 96 Tears -Related Story: The Ledge -Related Film: Airplane -Related Show: Starman -Related Film: Salem's Lot -Related Film: David Lynch's Dune -Related Film: Trick r Treat -Related Film: Verotika -Related Film: Puppet Master -Related Show: Tom & Jerry -Related Film: Puppet Master: Axis Termination -Related Film: A Bay of Blood -Related Film: Deep Red -Related Film: Possession -Related Film: E.T. -Related Film: Conan the Destroyer -Related Film: Star Wars: The Last Jedi -Shout out to the Madison County Humane Society -Related Film: Lawnmower Man -Related Film: Sometimes They Come Back Again -Related Film: Dreamcatcher -Related Film: The Girl, The Gold Watch, and Everything -Related Show: Muppet Babies -Related Film: Alligator -Related Film: The Jewel of the Nile -Related Film: Navy Seals -Related Film: Back to the Future -Related Film: The Red Shoes -Related Film: Predator -Related Film: Predator 2 -Related Film: Death Becomes Her -Related Film: Van Helsing -Related Film: The Avengers -Related Film: Gerald's Game -Related Film: 1922 -Related Topic: Dollar Baby -Related Short Film: Disciples of the Crow -Related Anthology: The Bazaar of Bad Dreams -Related Film: The Mortuary Collection -Related Series: The Dark Tower -Related Film: The Uncanny -Related Film: Uninvited Next Time: Robot Carnival (1987)

This week we delve into the secretive world of the Navy SEALs with a classic of the Special Forces movie sub-genre. 1990's 'Navy SEALs' was positioned as a summer blockbuster but failed to launch despite some decent performances and good action set pieces. The film was directed by Lewis Teague and stars Charlie Sheen, Michael Biehn, Joanne Whalley-Kilmer, Rick Rossovich, Cyril O'Reilly, Bill Paxton, and Dennis Haysbert. Strap in for discussion of MP5 SDs, overpowered Barrett .50 cals and a powerhouse moustache. Follow us on Twitter @FightingOnFilm and on Facebook. For more check out our website www.fightingonfilm.com Thanks for listening!

Things are heating up, summer is almost here, and it seems like the perfect time for some exciting reptile action on the podcast! You know what that means? It's time for a long overdue return to one of the favorites, Adorable Animals All-Out Attack! It's GATOR TIME!First up, urban legend becomes reality! Did you ever have a baby alligator as a pet when you were a child? And now that you've grown, are you a herpetologist? But most importantly, did that baby alligator ever get flushed down a toilet? Because if it did, thanks a lot. It now lives in a Missouri sewer system and it's eating people! And sometimes crashing weddings. Where it also eats people. Such is life for Ramon the alligator, in the creature feature classic, Alligator (1980)!When you got that swimming scholarship to the University of Florida, did you ever think that you would be trying to outswim gators? Inside of a house. Probably not. But when a hurricane hits home, the levees break, and your father foolishly did not evacuate the area, you may find yourself in these types of predicaments. Oh, and there's a crawlspace. Which is why this movie is called Crawl (2019).And then from there, the Common Craig basically just carries on about how much he loves actor Steve Railsback, because there's really not that much else to talk about regarding Alligator II: The Mutation (1991).

On this week's episode Lindsay is joined by Unsung Horror Hosts; Erica Shultz and Lance Shibbie as they go to the dogs.  It's Double Feature of Christopher Guest's Best in Show (2000) & Lewis Teague's Cujo (1983).  Apart from some very good boys, this is a Double Feature of relationships how you relate to each other and how the animal factor fits into everything.   Listen to Unsung Horrors Here   Follow Unsung Horrors on Twitter Follow Unsung Horrors on Instagram   Follow Erica on Twitter Follow Lance on Twitter   Follow Schlock & Awe on Twitter Follow Schlock & Awe on Instagram   Follow Lindsay on Twitter   Say Hi schlockandawemovies@gmail.com   Please Rate and Review Schlock & Awe on Apple Podcasts and Spotify   Original Music Composed and Performed by Anthony King    

After answering the question "What the Al is ALLIGATOR?", 10-year-old Al and CadaverDad dove right into watching Lewis Teague's ALLIGATOR (1980) and ALLIGATOR II: THE MUTATION (1991). And since we're down to one episode a month for the time being, it only felt right that we give the critters and creeps a double feature episode! You can support CadaverCast with your ratings and reviews on Apple Podcasts, by donating to our network at patreon.com/wordsalad, and sharing the show with your friends (or enemies). We sure do appreciate it! Score some CadaverCast merch at: teespring.com/cadavercast Email us at: CadaverCast@gmail.com Follow us on Twitter: twitter.com/Cadaver_Cast On Instagram: instagram.com/cadavercast Check us out on Facebook: facebook.com/groups/CadaverCast CadaverCast theme by Aaron Ewalt Series cover art by Angel Onofre Episode edited by Al Burnham & Jef Burnham © 2022 Jef Burnham & Al Burnham