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BANANA! THE MINIONS ARE BACK—AND YOUNG GRU IS READY TO BECOME A SUPERVILLAIN! John Humphrey & Roxy Striar continue their Road to Minions & Monsters by watching Minions: The Rise of Gru (2022) for the first time! In this Minions: The Rise of Gru full movie reaction, review, and breakdown, they meet 12-year-old Gru as he attempts to join the notorious Vicious 6 with the help of Kevin, Stuart, Bob, Otto, and the rest of his chaotic yellow crew. John & Roxy react to Gru's villain audition, the Minions learning martial arts, the wild airplane heist, and the movie's biggest animated comedy moments—all spoiler-free right here! Get your Hume Pod smart scale and save up to 50% off! Use code REELREJECTS to stack on top of Hume's current sale — save up to 50% off your total order. Code valid for 7 days only. https://sponsr.is/HumeHealth_ReelRejects US customers: This purchase is HSA/FSA eligible — meaning if you have an HSA or FSA, your health insurance can cover it for FREE. Minions: The Rise of Gru Full Movie Reaction Watch Along: / thereelrejects Directed by Kyle Balda, Illumination's Minions: The Rise of Gru stars Steve Carell as Gru (The Office, Despicable Me), Pierre Coffin as Kevin, Stuart, Bob, Otto & the Minions, Alan Arkin as Wild Knuckles (Argo), Taraji P. Henson as Belle Bottom (Hidden Figures), Michelle Yeoh as Master Chow (Everything Everywhere All at Once), Julie Andrews as Marlena Gru (Mary Poppins), and Russell Brand as Young Dr. Nefario (Forgetting Sarah Marshall). John & Roxy discuss the film's vibrant '70s aesthetic, nostalgic soundtrack, colorful animation, the Vicious 6 villains, connections to the broader Despicable Me universe, and how it sets the stage for the future of the franchise! Follow Roxy Striar YouTube:https://www.youtube.com/@TheWhirlGirls Instagram: https://www.instagram.com/roxystriar/?hl=en Twitter: https://twitter.com/roxystriar Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials: Instagram: https://www.instagram.com/reelrejects/ Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad: Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM: FB: https://www.facebook.com/TheReelRejects/ INSTAGRAM: https://www.instagram.com/reelrejects/ TWITTER: https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM: https://www.instagram.com/thegregalba/ TWITTER: https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices
Phil and Emily are joined by writer and podcaster Katharine LaRonde to dig into Joe Roth's America's Sweethearts (2001). Julia Roberts plays the overlooked assistant stuck managing the press junket for her superstar sister (Catherine Zeta-Jones) and her sister's washed-up, soon-to-be-ex-husband (John Cusack), whose divorce turns out to be the only story the reporters actually want. It spirals into a movie that can't decide if it's mocking the junket circus or just running one.The three dig into the film's Hollywood-satire instincts that never quite land a punch, John Cusack playing a guy who's spent a year and a half hiding from his own life at Alan Arkin's wellness retreat, and Roger Ebert's read on the movie as a watered-down Singin' in the Rain. There's a real case here for reading America's Sweethearts as the movie that wanted to skewer Hollywood but fell in love with it instead. Promising, self-conscious, and never quite committed, same as the movie.Follow the show & guest:Podcast Like It's... - https://www.instagram.com/podcastlikeitsPhil Iscove - https://www.instagram.com/pmiscoveEmily St. James - https://www.instagram.com/emilystjamsKatharine LaRonde - https://www.instagram.com/katlaronde/
Gilbert and Frank chat with one of Hollywood's busiest character actors and favorite “movie dads,” Paul Dooley (“Breaking Away,” “Sixteen Candles,” “Runaway Bride”) who looks back on everything from tackling the role of Wimpy in Robert Altman's “Popeye” to creating characters for PBS' “The Electric Company” to improvising with Alan Arkin and Joan Rivers. Also, Paul performs standup for Jack Paar, understudies for Art Carney and shoots a commercial with Buster Keaton! PLUS: Richard Libertini! Nichols and May! “The Indestructible Man”! Paul does Lionel Barrymore! Gilbert does Walter Matthau! And Paul gets “probed” by aliens! https://www.gilbertpodcast.com/52-52-paul-dooley/ Learn more about your ad choices. Visit podcastchoices.com/adchoices
It's been featured in Bravo's 100 Scariest Movie Moments, it's been discussed by Stephen King in his book on the genre 'Danse Macabre', and yet somehow there are a lot of people who know very little about this 1967 classic. So let's dive into ableism, confidence tricks, and a heroin-stuffed MacGuffin with Audrey Hepburn and Alan Arkin in this underseen but brilliant film!
Send us Fan MailFREEBIE AND THE BEAN Despite a brief detour off The Odyssey overpass, TGTPTU's back on the case with Season 17's concluding four 1x1's. To kick off this celebration of films we'd otherwise not investigate during another season, the 70's anti-establishment comedy that arguably might have spawned the buddy-cop genre FREEBIE AND THE BEAN (1974). Made by (un)celebrated creative Richard Rush, the bewildering director of such films as the Academy Award for Best Director-nominated comedy The Stunt Man (1980) starring Peter O'Toole and the Golden Raspberry Worst Film-winning erotic thriller Color of Night (1994) starring Bruce Willis, Freebie and the Bean stars James Caan as the titular Freebie for whom the Intelligence Squad beat is a grift to gain gratis goods and, as his partner, Alan Arkin who despite not being Chicano plays the titular roles' pejorative half as a cop who is closer to by-the-book and who suspects his wife (played by Valerie Harper) of cheating on him. Set in San Franscisco as determined by what could easily be the third character in the movie for as much screentime as the iconic Transamerica Pyramid gets, Freebie and Bean must more-or-less reenact the plot of Bullitt with more car crashes and a less deceased person under protection in this situational comedy occurring the weekend of the Super Bowl with the wild and crazy premise of cops being bad at their jobs. The film was good enough, or late-70s TV bad enough, to garner a one-season TV series. This episode, we discover Ryan is an easy laugh, Ryan stumps Thomas who struggles to come up with a 70s comedy he likes, and Ken, whose 1x1 pick this movie was, has advertising trivia deets and clowns on the Temu SouperBolls branding. THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @goodpodugly.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gLetterboxd (follow us!):Podcast: goodpoduglyKen: Ken KoralRyan: Ryan Tobias
In this episode, Cade and Diane discuss two films that premiered 40 years ago in theatres: Little Miss Sunshine (2006) and Miami Vice (2006).Watch the video version at: YouTube.com/@CadeThomas/streamsDouble Feature Movie Club is a weekly movie review show with a retro vibe.Little Miss Sunshine is a 2006 American tragicomedy film directed by Jonathan Dayton and Valerie Faris (in their directorial debut) from a screenplay written by Michael Arndt. The film stars an ensemble cast consisting of Greg Kinnear, Steve Carell, Toni Collette, Paul Dano, Abigail Breslin, and Alan Arkin, all of whom play members of a dysfunctional family taking the youngest (Breslin) to compete in a child beauty pageant.Miami Vice is a 2006 American action crime film produced, written, and directed by Michael Mann. It is an adaptation of the 1980s television series of the same name, which Mann produced. It stars Colin Farrell as James "Sonny" Crockett and Jamie Foxx as Ricardo "Rico" Tubbs, MDSO detectives who go undercover to fight drug trafficking operations.
Chosen by Dave, and adapted by David Mamet from his Pulitzer Prize-winning stage play, Glengarry Glen Ross was directed by James Foley and assembled one of the most formidable acting line-ups of the 1990s: Al Pacino, Jack Lemmon, Ed Harris, Alan Arkin, Kevin Spacey, Jonathan Pryce and Alec Baldwin. Made for an estimated $12.5 million, the film turns offices, restaurants and rain-soaked streets into a pressure cooker of desperation, ego and spectacularly aggressive salesmanship. Mamet reportedly received $1 million to adapt his own play, expanding the material specifically for the screen.Despite strong reviews, the film earned approximately $10.7 million at the North American box office and was not an immediate commercial success. Its reputation continued to grow through VHS, television and home-video releases, with Jack Lemmon winning the Volpi Cup for Best Actor at the Venice Film Festival and Al Pacino receiving Academy Award and Golden Globe nominations. It is now regarded as a cult classic, particularly among actors, salespeople and anyone who has ever endured a motivational meeting conducted by someone who clearly despises them.Trailer Guy SynopsisIn a struggling Chicago real-estate office, four salesmen are fighting for their livelihoods.First prize is a Cadillac. Second prize is a set of steak knives. Third prize… is unemployment.With the best leads locked away and the clock running down, every conversation becomes a contest, every customer becomes prey, and every colleague becomes a possible enemy. This week, closing the deal is not merely business.It is survival.Fun FactsDavid Mamet based the original play partly on his own experiences working in Chicago real-estate offices during the late 1960s.Alec Baldwin's character, Blake, does not appear in the original stage play. Mamet created him exclusively for the film adaptation.Baldwin appears in only one scene, yet his performance produced many of the film's most quoted lines and became a lasting part of sales culture.The famous “Always Be Closing” speech has been referenced and parodied in television shows, comedy sketches, advertising and corporate training sessions—sometimes by people who may have missed the fact that the scene is not exactly presenting healthy management advice.The movie's title refers to two fictional property developments: Glengarry Highlands and Glen Ross Farms.Al Pacino was the only member of the principal cast to receive an Oscar nomination, earning a Best Supporting Actor nomination for his performance as Ricky Roma.Jack Lemmon reportedly considered Shelley Levene one of his favourite roles, describing the character as someone who had once been successful but could no longer understand why his methods had stopped working.Jonathan Pryce's character, James Lingk, is the only significant male customer seen in the film, making his uncomfortable conversation with Roma one of the story's few glimpses outside the sales team's competitive world.Much of the cast had extensive theatrical experience, helping the dialogue-heavy production retain the rhythm, precision and intensity of a live stage performance.Support the ShowIf you enjoy the show and would like to support us, we have a Patreon here.If you're listening on Apple Podcasts or Spotify, leaving us a 5-star review (and a short comment) really helps more people discover the show. It's quick, free, and makes a huge difference.Referral links also help out the show if you were going to sign up:NordVPNNordPassthevhsstrikesback@gmail.comhttps://linktr.ee/vhsstrikesback
Join us as we go back to 1997 – which was only 10 years ago wasn't it – as we reunite with our wonderful guest Audrey Porne to talk about the super-cool hit-man rom-com GROSSE POINTE BLANK. END CREDITS- Presented by Robert Johnson and Christopher Webb- Produced/edited by Christopher Webb- "Still Any Good?" logo designed by Graham Wood & Robert Johnson- Crap poster mock-up by Christopher Webb- Theme music ("The Slide Of Time") by The Sonic Jewels, used with kind permission(c) 2026 Tiger Feet ProductionsFind us:Twitter @stillanygoodpodInstagram @stillanygoodpodBluesky @stillanygood.bsky.socialEmail stillanygood@gmail.comhttps://linktr.ee/stillanygood Find Audrey:Instagram @audrey.prne Support the show
Movie of the Year: 2006Little Miss Sunshine (feat. Don Shanahan from Every Movie Has a Lesson!)Little Miss Sunshine Podcast: The Hoovers Hit the BracketThe Little Miss Sunshine podcast episode has arrived, and the Taste Buds are packing into the VW bus. This week, Movie of the Year puts one of 2006's biggest indie success stories through the tournament. Ryan, Mike, and Greg welcome film critic Don Shanahan to help judge the Hoover family's run at the crown. Together, the panel digs into the family dynamics, the unforgettable ending, the film's surprising philosophical streak, and the husband-and-wife directing team behind it all. Additionally, the crew squares off in a round of Trivia and builds a fashion-themed Rushmore. Can a sunny yellow bus carry this movie deep into the 2006 bracket? Push, hop in, and find out.About the FilmLittle Miss Sunshine follows the Hoover family on an 800-mile road trip from Albuquerque to Redondo Beach. Seven-year-old Olive has qualified for the Little Miss Sunshine beauty pageant, and the whole dysfunctional clan piles into a failing Volkswagen bus to get her there. The passenger list includes a failed motivational speaker, a suicidal Proust scholar, a Nietzsche-obsessed teen who refuses to speak, a heroin-snorting grandpa, and one very determined mom. Directed by Jonathan Dayton and Valerie Faris from Michael Arndt's screenplay, the film premiered at Sundance in January 2006. It became a box office sensation, grossing over $101 million on an $8 million budget. Moreover, it earned four Academy Award nominations, including Best Picture. Alan Arkin won Best Supporting Actor, and Arndt took home Best Original Screenplay. RogerEbert.com called it a gentle family satire in the tradition of the countercultural comedies of the 1970s. Now the film faces its toughest challenge yet: the Movie of the Year 2006 bracket.Guest Panelist: Don ShanahanThe Taste Buds welcome film critic Don Shanahan to the panel. Don is a Chicago-based, Rotten Tomatoes-approved critic and the founder of the long-running review site Every Movie Has a Lesson. He also serves as Editor-in-Chief and Content Supervisor of the film department at Film Obsessive. Furthermore, Don co-hosts the Cinephile Hissy Fit Podcast on the Ruminations Radio Network. A school teacher by day, he writes his reviews with life lessons in mind, from the serious to the farcical. Don is a director and co-founder of the Chicago Indie Critics and a voting member of the Critics Choice Association and the Online Film Critics Society. Consequently, few guests arrive better equipped to grade a movie about winners, losers, and everything in between.The Hoover Family at the Heart of the Little Miss Sunshine PodcastEvery great road movie needs great passengers, and this one has six. The panel starts with the family itself. Richard preaches his nine-step winning program while his own career collapses. Sheryl holds everyone together with fried chicken and sheer will. Frank arrives fresh from a suicide attempt, and Dwayne has taken a vow of silence until he becomes a fighter pilot. Meanwhile, Grandpa coaches Olive's pageant routine with methods no pageant has ever approved. The Little Miss Sunshine podcast crew debates what makes this dysfunction feel so real. Notably, the film establishes the entire family in one legendary twenty-minute dinner scene. The Taste Buds and Don break down how each Hoover carries a private definition of failure. Ultimately, the group asks the big question: is this the best movie family of 2006?Breaking Down the Ending on the Little Miss Sunshine 2006 PodcastYou know the scene. Olive takes the stage at the pageant, "Super Freak" drops, and the movie explodes. The panel dedicates a full segment to one of the most famous endings of the decade. By contrast with the polished pageant contestants, Olive's routine is pure chaos, and the family's response is pure love. The Hoovers stop trying to win and start dancing. Don and the Taste Buds debate whether the finale earns its catharsis or leans on shock value. In addition, the crew discusses how the ending flips the film's winners-and-losers thesis on its head. Does the dance number seal the film's bracket run, or does it divide the panel? The episode holds nothing back.Nietzsche, Proust, and the Philosophy of LosingFew crowd-pleasers smuggle in this much philosophy. Dwayne worships Nietzsche and wears his contempt for conformity on his sleeve, or at least on his t-shirt. Frank, meanwhile, claims the title of preeminent Proust scholar in America. The panel unpacks why Michael Arndt built his comedy on these two thinkers. Frank's hospital-parking-lot speech about suffering becomes the film's secret thesis: the years of struggle are the years that make us. However, the movie never turns into a lecture. Instead, it hides its ideas inside gas station stops and highway breakdowns. The crew debates whether the philosophy holds up or simply decorates the road trip. Specifically, they ask what Nietzsche would think of a nine-step program for winning.The Directors: Jonathan Dayton and Valerie FarisHusband-and-wife team Jonathan Dayton and Valerie Faris spent decades directing music videos before this debut feature. Their work with bands like The Smashing Pumpkins and R.E.M. sharpened an eye for visual storytelling on tight budgets. As a result, Little Miss Sunshine looks sun-bleached, precise, and effortlessly funny. The panel examines how the duo directs comedy through reaction shots rather than punchlines. The famous bus-pushing sequence becomes a masterclass in physical comedy and ensemble blocking. Additionally, the group traces the pair's later career through Ruby Sparks and Battle of the Sexes. Why did two music video veterans wait so long for a second film? The panel has theories, and some of them are even kind.TriviaNo Movie of the Year episode is complete without Trivia. The Taste Buds and Don test each other on all things Little Miss Sunshine. Production history, casting near-misses, pageant facts, and VW bus mechanics are all fair game. The film's six-year development saga and its record-setting Sundance sale provide plenty of ammunition. Who takes the crown this week? Listen and find out.Rushmore: FashionThis week's Rushmore segment tackles fashion. Each panelist carves their personal Mount Rushmore of movie fashion into the mountainside. Little Miss Sunshine gives the category a strong starting point. Olive's oversized glasses and red cowboy boots, Dwayne's brutal statement tees, and Richard's aggressively beige wardrobe all deserve consideration. Nevertheless, the panel ranges across all of film history for their picks. Expect passionate defenses, questionable taste, and at least one choice that starts an argument.Why Little Miss Sunshine Still MattersTwenty years later, Little Miss Sunshine remains the gold standard for the crowd-pleasing indie. It proved a tiny comedy could outgross blockbusters and crash the Best Picture race. Furthermore, its skepticism about hustle culture and toxic winning has only grown more relevant. Richard's nine steps sound like half the internet in 2026. The film also launched Abigail Breslin, revived Alan Arkin, and showed the world Steve Carell could break hearts. Above all, it argues that losing together beats winning alone. That message keeps the Little Miss Sunshine podcast conversation alive two decades after the bus first rolled. For more from the season, check out the Movie of the Year 2006 intro episode and the 2006 Mixtape.Related Episodes from Movie of the Year: 2006Movie of the Year 2006: Intro Part 1Movies of 2006: Bracket Reveal and Sweet 16Tristram Shandy: A Cock and Bull Story2006 Mixtape Part IAll Movie of the Year EpisodesFAQ: Little Miss Sunshine Podcast and FilmWhat is the Little Miss Sunshine podcast episode about?The Taste Buds and guest critic Don Shanahan judge Little Miss Sunshine in the Movie of the Year 2006 bracket. Topics include the Hoover family, the ending, the film's philosophy, and directors Jonathan Dayton and Valerie Faris.What is Little Miss Sunshine about?A dysfunctional family drives a broken-down VW bus from New Mexico to California so young Olive can compete in a beauty pageant. Along the way, every member confronts their own definition of failure.Who directed Little Miss Sunshine?Jonathan Dayton and Valerie Faris directed the film. The married duo made their feature debut after a celebrated career in music videos.Who wrote Little Miss...
Join Alex and Dr. Alan Whitehead as they tackle the age-old debate in psychology explored in the film Gattaca (1997) — nature vs. nurture! The film was written and directed by Andrew Niccol and stars Ethan Hawke as Vincent, a man who was born normally (a shock, we know!) and predicted to die at 30 years old. He doesn't accept that fate based on his genes alone and vows to go to Titan by using Jude Law's Jerome Eugene Morrow's life, a man who was a genetic wunderkind. The film also stars Uma Thurman as Irene, Vincent's love interest (and Ethan's as well). Don't forget Ernest Borgnine and Alan Arkin! The central question of the film asks: are genes destiny or can fortune favor the experiences and determination of a life? The discussion also wonders what the point of all of this eugenics would actually be and why everyone is so interested in going to space. The best way to beat your genes? Swim out into the middle of the ocean! Check out Alan's workplace and sports consulting org: Mirthworks Institute Please leave your feedback on this post, the main site (cinemapsychpod.swanpsych.com), on Facebook (@CinPsyPod), or Threads/Instagram (@cinemapsych_podcast). We'd love to hear from you! If you like this content, you might like my new Audible audiobook/course, A Psychologist Goes to the Movies, available now! It features six films that have been on this show, condensed into 25-30 min essays, researched and analyzed. Don't forget to check out our Paypal link to contribute to this podcast and keep the lights on! Don't forget to check out our MERCH STORE for some great merch with our logo and other designs! Legal stuff: 1. All film clips are used under Section 107 of Title 17 U.S.C. (fair use; no copyright infringement is intended). 2. Intro and outro music by half.cool ("Gemini"). Used under license. 3. Film reel sound effect by bone666138. Used under license CC-BY 3.0. Episode Transcription Go to this link to read a transcript generated by Whisper AI Large V3 Model. Disclaimer: It is not edited and may contain errors!
HAPPY BIRTHDAY DIANE!!!!!!!!!!!!!!!!The boys take a look at a suspense / thriller classic, "Wait Until Dark," starring Audrey Hepburn, Alan Arkin, and Richard Crenna. E-mail Prime Cut Podcast at theprimecutpodcast@gmail.comPrime Cut is on TikTok @PrimeCutPodcastFollow and Subscribe to the Prime Cut Podcast on YouTube at - https://www.youtube.com/@ThePrimeCutPodcastFollow us on Instagram at https://www.instagram.com/prime_cut_podcast/
Matt and Jordan review Netflix’s new comedy Little Brother, which stars Eric Andre as a chaos agent who disrupts the life of a tightly wound real estate agent played by John Cena. Hijinx, nudity, and parabolas of urine ensue. Then, in Rec Seg, they offer some related streaming titles, including a musical dramedy about brothers and a classic '70s comedy. Plus, in reply to a listener streaming request, a pair of international films from the early '60s, and Producer Sam hosts a John Cena-inspired round of trivia. Intro, Little Brother (00:00:00–00:24:16) Rec Seg: Little Brother-Inspired Streaming Recs (00:24:17–00:39:27) Listener Request Recs for an Artsy Down Under Movie Club (00:39:28–01:00:06) Trivia: So You’ve Cen-a Lotta Movies, Have You? (01:00:07–01:24:51) New to Streaming / Credits (01:24:52–01:32:35) Show Notes Now Streaming on Bazooga - A Filmspotting: SVU Archive https://letterboxd.com/samvanhallgren/list/now-streaming-on-bazooga-a-filmspotting-svu/ Pre-Order Matt's book "Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever" (Coming October 6th): https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/ Feedback: Email us at feedback@filmspottingSVU.com Follow Matt on Blue Sky: @mattsinger.bsky.social Follow Jordan on Blue Sky: @jhoffman.bsky.social Follow the Show: https://www.instagram.com/superpulse/ https://www.facebook.com/FilmspottingSvu Follow the Show: https://www.instagram.com/superpulse/ https://www.facebook.com/FilmspottingSvuSee omnystudio.com/listener for privacy information.
For all of July, Sandro has picked a bunch of Australian movies to review, and we're starting with a film that is truly one of a kind. The Return of Captain Invincible is a musical about a WWII superhero (Alan Arkin) who flees to Australia after being accused of communism. When Mr Midnight (Christopher Lee) starts to kick off some evil plans, Captain Invincible works with a Sydney police detective (Kate Fitzpatrick) to take him down. We're joined by comedian (and regular guest) Ben Volchok to see if this bonkers premise can actually pull off being a good movie.Join our Patreon for our bonus episodes! https://www.patreon.com/oldiebutagoodiepodFollow Ben!Website: https://www.benvolchok.comInstagram: https://www.instagram.com/benvolchok/Twitter: https://twitter.com/zomgmouseTikTok: https://www.tiktok.com/@benjaminvolchokLetterboxd: https://letterboxd.com/zomgmouse/Follow the show!Instagram: https://www.instagram.com/oldiebutagoodiepod/Facebook: https://fb.me/oldiebutagoodiepodPodcast Platforms: https://linktr.ee/oldiebutagoodiepodGot feedback? Send us an email at oldiebutagoodiepod@gmail.comFollow the hosts!Sandro Falce - Instagram: https://www.instagram.com/sandrofalce/- Twitter: https://twitter.com/sandrofalce- Letterboxd: https://letterboxd.com/SandroFalce/- Twitch: https://www.twitch.tv/SandroFeltChair- TikTok: https://www.tiktok.com/@sandrofalceZach Adams - Instagram: https://www.instagram.com/zach4dams/- Twitter: https://twitter.com/ZackoCaveWizard- Letterboxd: https://letterboxd.com/zach4dams- Twitch: https://www.twitch.tv/zackocavewizardWatch our editor, Starkie, on Twitch! https://www.twitch.tv/sstarkieeOldie But A Goodie's theme tune is written and produced by Josh Cake. Check out his work here: https://www.joshcake.com/Check out other shows from our network 'That's Not Canon'! https://thatsnotcanon.com/ Hosted on Acast. See acast.com/privacy for more information.
“I am not complete” Edward Scissorhands (1990) directed by Tim Burton and starring Johnny Depp, Winona Ryder, Dianne Wiest, Anthony Michael Hall, Vincent Price, Alan Arkin and Kathy Baker Next Time: Morocco (1930)
Ep. 408: Tubi programmer Ryan Lavallette on The In-Laws, Magic, 20 Questions, Arlington Road, Scorpio, Captain Ron, Report to the Commissioner, Skinamarink Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. Tubi holds a special place among streamers for its free, wildly eclectic selection, and I'm not the only one who goes trawling through its selections to find something different to watch. And so for the latest episode, I had a blast talking with a member of the Tubi programming team, Ryan Lavalette, senior manager of content programming at the streamer. I picked his brain a little about how the Tubi mix is created, and then we chatted about a few movies currently on Tubi that had caught our eye for various reasons: The In-Laws (1979, with Peter Falk and Alan Arkin), Magic (1978, with Anthony Hopkins), 20 Questions (1987), Arlington Road (1999), Scorpio (1973), Captain Ron (1992), Report to the Commissioner (1975), and Skinamarink (2022). Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass
In honor of my 40th anniversary with WGTD (my first day at the station was May 27, 1986), I'm replaying some noteworthy Morning Show interviews from the past. This interview with Oscar and Tony Award-winning actor Alan Arkin is one of the richest conversations I ever had with someone from the world of entertainment. The occasion of this interview was the publication of his memoir "Alan Arkin: An Improvised Life" in 2011.
Diane and Sean discuss the most perfectly dysfunctional family road trip movie ever, Little Miss Sunshine. Episode music is, "Let's Go", by DeVotchKa from the OST.- Our theme song is by Brushy One String- Artwork by Marlaine LePage- Why Do We Own This DVD? Merch available at Teepublic- Follow the show on social media:- BlueSky: WhyDoWeOwnThisDVD- IG: @whydoweownthisdvd- Tumblr: WhyDoWeOwnThisDVD- Follow Sean's Plants on IG: @lookitmahplants- Watch Sean be bad at video games on TwitchSupport the show
Movie reviews number sixty. Seven films to review today so let's get goin. 1. (Deadhead Miles1972) Terrence Malick is the writer here and this is an early work of his. Alan Arkin is here in the starring role along with support from the butler from the Jeffersons, Doc Hopper from the Muppet movie, and Jaws from the Bond movies. The film cinematically answers the burning question, “Did they ever make a more ethereal stream of of consciousness Trucker movie?” 2. (The Execution of private Slovik 1974) This is a heavy made for tv based on the real story of Eddie getting executed for desertion 1945 by firing squad. 49 others were sentenced to death for desertion in that war but all were commuted except for Slovik, apparently to send a message, but then they covered it up. Martin Sheen, Mariclare Costello, and about a baker's dozen of recognizable characters from the time appear in this one. What else to say except maybe strap in fam. 3. (My Father's house 1975) Spiderman's Uncle, the rad guy from the Music Man, Mrs Peacock from Clue, and Rosemary Forsyth star in this thoughtful made for tv movie about a dad recovering from a heart attack who is thinking about life and his dad. 4. (The Grateful Dead Movie 1977) I think I liked this more than the others here. We all don't dig the Grateful Dead much but Agree that the story is very interesting. It could have been more coherent but as Jerry himself said “We just keep trying to describe the Indescribable.” 5. (Spectre 1977) Here we have another Gene Roddenberry tv movie starring Robert Culp and Gig Young. The lil promo film we saw about this says that it's trying to cash in on the Exorcist dollar, but this is waaaaaaay more bizarre, is it good though? 6. (Players 1979) Got a bootleg of this and for a 70's movie completionist, it is fun for me to see Ali MacGraw, Maximilan Schell, Steve Guttenberg, and Melissa Prophet in this rather bad massive flop of a movie about Tennis, kinda. 7. (Sunburn 1979) The Plastic Surgeon's assistant from Logan's Run, The guy who made the worst writing studio for Carol Burnett in their garage in The grass is always greener over the Septic tank, the guy who gives grandpa Wookie space porn in the Star Wars holiday special, Edith Keeler from Star Trek, the Boss of Magnum P.I., and the Baroness from the Sound of Music, are all here in this, so it's just got to be the best thing ever, we'll see. Thanks film friends for listening, please consider writing a review, it helps a lot.
Having officially dubbed ourselves the After Lunch Irregulars, Pax, Jacob, Michael, and Rob talk about another Sherlock Holmes movie. This one is Herbert Ross's The Seven-Per-Cent Solution, written by Nicholas Meyer, starring Nicol Williamson as Holmes, Robert Duvall as Watson, and Alan Arkin as Sigmund Freud.
It's bing bing bing bing bang! popcorn! as NostalgiaCast winds back the clock to our high school days and GROSSE POINTE BLANK, directed by George Armitage and starring John Cusack, Minnie Driver, Dan Aykroyd, and Alan Arkin. Jonny and Darin talk about the movie as the "Second Coming of PULP FICTION" with its ironic violence and throwback soundtrack, plus its endlessly quotable dialogue and maybe possibly deeper meaning at its core. Give it a shot!
The Tragically Hip On Shuffle - Live Stream: 'We Want To Be It'Hey, it's jD here.Every once in a while, the shuffle lands on a song that feels like it found you on purpose. This was one of those weeks.'We Want To Be It' - track four off "Now For Plan A" - doesn't get talked about the way'Bobcaygeon' does. It doesn't get the bar rock reverence of the early records. But spend a week with it, really spend a week with it, and something starts to happen. Layers. Lots of them.This week, jD is joined by Steph from Winnipeg, Andrew from Tampa, and Tyler from Etobicoke for what turned into one of the more surprising discussions the show has had. The song is three minutes and twenty-nine seconds. The conversation ran nearly an hour. That ratio should tell you everything.We dig into what "Now For Plan A" actually is as a record - the shortest album in The Hip's catalog, a band quietly fracturing while somehow still playing out of their minds, produced by Gavin Brown under conditions that, as Tyler points out, sound a lot like band therapy. Andrew came in with ten shows under his belt from that tour. Tyler revisited the record for the first time in years and kept finding new things. Steph brought the kind of insight that makes you stop mid-sentence and say yes, exactly that.And then there's the drip, drip, drip.Is the song about Laura Downie? About the band itself? About wanting to dissolve into the music instead of having to manufacture it over and over? Tyler brings a genuinely hot take - sourced from an Alan Gregg interview on Toronto Mike's podcast and Michael Barclay's book - that reframes the whole thing. Andrew adds the Alan Arkin connection Gord himself referenced in early live intros of the song. And jD talks about the three layers of crust this song has developed for him personally over the years.It's a choose your own adventure lyric written by a guy who never gave you the map. That's the feature. Big thanks to Steph, Andrew, and Tyler for bringing the goods on this one. Next week, we hit shuffle again - no idea what's coming, and that's exactly the point.From Our Guests"I'm in season three of Pocket Full of Mojo - wherever you enjoy your podcasts. I help recovering people pleasers like me remember how to get out of our own way and figure out that there's way fewer rules in this life than we're told."- Steph from Winnipeg | Pocket Full of Mojo Podcast"If you can't make it out to the event, get on the page and get into the GoFundMe for Sarah. And you don't have to be in Toronto - you can always fly in."- Andrew from Tampa"I'll be appearing on Toronto Mike's podcast in early April to do a Q1 recap. Other than that, just keeping my head down and trying to stay out of trouble."- Tyler from Etobicoke | Toronto Mike'd Podcast• Subscribe, share, and leave a review if this landed for you.• Find us on Facebook: facebook.com/groups/tthpods• Instagram: @tthpods• YouTube: youtube.com/@tthpods• Email: tthpodcastseries@gmail.com#TheTragicallyHip #TheHip #TTHOnShuffle #NowForPlanA #GordDownie #TragicallyHipSupport this podcast at — https://redcircle.com/tthtop40/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Luke has a new favorite radio station, Andrew has a new exercise routine involving a frozen water bottle, and Olympic skaters are dealing with a new issue called "music rights." Luke and Andrew also pay homage to Alan Arkin, because they apparently didn't do so when he died in 2023. They also learn the deep, dark secret that Tony! Toni! Toné! doesn't want you to know.
Welcome back folks to the Man Cave Movie Review, the podcast where we review the good, the bad, and the ugly of movies for men and women. Thanks for joining us tonight for Episode 378, The Rocketeer. Starring Billy Campbell, Timothy Dalton, Alan Arkin, Paul Sorvino, Terry O'Quinn, Clint Howard, Margot Martindale, Joe Polito, Ed Lauer, Lauer, and the absolutely stunning, distractingly gorgeous Jennifer Connelly. We hope you enjoy this podcast. A great movie that has everything in it, but the kitchen sink. Thanks for returning and we hope you are sharing out podcast with your favorite people and maybe not so favorite people. Sit back and listen as Mark, Ken, Bryan, and Jeff tell you why a white dress can distract you from 20 minutes of dialogue.
Dana and Tom with returning guests, Christine Duncan (Wife of Dana and Mother of Tom) and Heather Stewart (The Revisionist Almanac's Senior European Correspondent), to discuss the indie comedy Little Miss Sunshine (2006) for its 20th anniversary: directed by Jonathan Dayton and Valerie Feris, written by Michael Arndt, cinematography by Tim Suhrstedt, music by Mychael Danna, edited by Pamela Martin, starring Greg Kinnear, Toni Collette, Alan Arkin, Paul Dano, Abigail Breslin, and Steve Carell.Plot Summary: Little Miss Sunshine is a comedy-drama about the Hoover family, a group of very different people trying to support one another. When young Olive Hoover (Abigail Breslin) qualifies for the Little Miss Sunshine beauty pageant, her parents—motivational speaker Richard (Greg Kinnear) and stressed but caring Sheryl (Toni Collette)—decide the whole family will travel with her from New Mexico to California. They pile into a rundown yellow van that becomes the setting for both humor and tension.Along the way, Olive's foul-mouthed grandfather Edwin (Alan Arkin), her depressed uncle Frank (Steve Carell), and her silent, angry teenage brother Dwayne (Paul Dano) each face their own struggles. As the trip goes wrong in unexpected ways, the family learns that winning is not as important as sticking together. The film balances comedy and emotion to show how love and acceptance can come from even the most imperfect family.Guests:Christine DuncanWife of Dana and Mother of Tom19x guestHeather StewartThe Revisionist Almanac's Senior European Correspondent@heatherjstewart on IG, X, LetterboxdPreviously on Monty Python's Life of Brian (1979), Requiem for a Dream (2000)Chapters:00:00 Introduction, Cast, and Background for Little Miss Sunshine02:57 Welcome Back, Heather and Christine!10:58 Why Are Comedies So Overlooked by Awards?17:50 Personal Relationship(s) with Little Miss Sunshine26:19 What is Little Miss Sunshine About?29:43 Plot Summary for Little Miss Sunshine31:00 Did You Know?39:26 First Break40:15 What's Happening with Heather and Christine43:54 Best Performance(s)01:03:46 Best Scene(s)01:21:50 Second Break01:22:40 Best/Funniest Lines01:27:27 The Stanley Rubric - Legacy01:39:27 The Stanley Rubric - Impact/Significance01:45:40 The Stanley Rubric - Novelty01:52:08 The Stanley Rubric - Classicness02:00:59 The Stanley Rubric - Rewatchability02:06:22 The Stanley Rubric - Audience Score and Final Total02:08:12 Remaining Questions for Little Miss Sunshine02:14:48 Thank You to Heather and Christine / Remaining...
Going over things, a couple bands somehow related to new years, Alan Arkin is injured, Bronzi beat, some truly odd movie choices, an admirable Texas indie, and a final toast. Stuff mentioned: The New Year Newness Ends (2001), The New Year "Gasoline" (2001), The New Year "Alter Ego" (2001), The Dismemberment Plan "The Ice of Boston" (1997), The Dismemberment Plan The Dismemberment Plan is Terrified (1997), 12 to Midnight (2024), Do You Fear What I Fear (2025), Kickin' It Old School (2007), The Rich Man's Wife (1996), Mad TV (1995-2016), Big Daddy Kane "Set it Off" (1988), Big Daddy Kane Long Live the Kane (1988), The Beast of Trinity Texas (2025), Tinsel Town (2025), and Love Is the Devil: Study for a Portrait of Francis Bacon (1998).
THIS PODCAST IS AVAILABLE IN FULL FOR FREE ON OUR PATREON!!! (patreon.com/uncutgemspod)In this last bonus tie-in podcast of the year we are discussing Ben Affleck's most acclaimed movie Argo. Over the course of our conversation you will hear us talk about where Argo ranks among Affleck's directorial efforts, how it stacks up against other prominent movies of its year, how many historical inaccuracies it sports and whether it even matters at all. We also talk about Affleck directing himself in an internalized performance, the alluring idea of making movies about movies and how movies save the world, and that sometimes embellishing reality in service of emotional realism may triumph over factually correct screenwriting. Finally, we spare a few precious thoughts on John Goodman and Alan Arkin's performances and how they serve to comment on Hollywood, and we also find time to relitigate a few old arguments regarding our opinions on Bryan Cranston and the way one should pronounce Warren Beatty's surname. Tune in and enjoy!Hosts: Jakub Flasz & Randy BurrowsFeaturing: Tony LarderTHIS PODCAST IS AVAILABLE IN FULL FOR FREE ON OUR PATREON!!! (patreon.com/uncutgemspod)Subscribe to our patreon at patreon.com/uncutgemspod (3$/month) and support us by gaining access to ALL of our exclusive podcasts, such as bonus tie-ins, themed retrospectives and director marathons!Head over to our website to find out more! (uncutgemspodcast.com)Follow us on Twitter (@UncutGemsPod) and IG (@UncutGemsPod)Buy us a coffee over at Ko-Fi.com (ko-fi.com/uncutgemspod)Subscribe to our Patreon (patreon.com/uncutgemspod)
For the fifth time in the history of the podcast, Team Vintage Sand returns to one of its most popular formats: the Hidden Gems episode. As we did in episodes 11, 30, 40, and 53, Michael, John and I each choose one film to discuss that we feel has been underappreciated and overlooked by the madding crowd yearning to see anything besides a prequel, sequel, spinoff, or reboot. And while the episode features three films that could not be more different from one another, the one thing that they do have in common is that they are definitely movies made for grown-up sensibilities. Michael kicks things off by taking us back three decades to Nobody's Fool, a film written and directed by the great Robert Benton and featuring one of Paul Newman's best performances, which is saying something. Benton's script, as well as a ridiculously good cast featuring Bruce Willis, Melanie Griffith, a young Philip Seymour Hoffman and, in her final performance, the matchless Jessica Tandy, remind us of how unfortunate it was that this film, while not exactly overlooked, got lost in the Oscar tsunami that was Forrest Gump. I once again focus on an imperfect but powerful and prescient film, in this case Cary Joji Fukunaga's low-budget debut from 2009 Sin Nombre. Fukunaga tells the story of a young man from Chiapas and a young woman traveling with her uncle and father from Honduras who meet on the treacherous and often terrifying train ride through Mexico to the American border. A decade and a half before the dehumanization of people like Willy and Sayra became government policy, Fukunaga spares us nothing in showing us the humanity, resilience, strength, and decency of these people and why they feel compelled to make this almost suicidal journey just in the remote hope of finding a better life. Finally, John shines the spotlight on City Island, a sweet and gentle comedy from 2009 featuring Andy Garcia and Juliana Margulies as the parents of a family living in the titular unique and lovely section of the Bronx. The father, Vince, played by a charmingly understated Garcia, is a corrections officer with dreams of becoming the next Marlon Brando, and is taking an acting class (and eventually going to an audition) without telling anyone. But that is only the tip of the iceberg when it comes to the secrets this family is keeping from one another. Featuring supporting performances by old pros like Alan Arkin (as Vince's acting teacher who hates pauses) and Emily Mortimer as a friend he makes in the class who may have secrets of her own, the film is a lovely slice of life that contrasts its uniquely placid setting with the universally complicated dynamics of family and of wrestling with both one's past and one's dreams. So please enjoy, go see the many great films that are playing in theaters as the year comes to a close, and have a peaceful and restful holiday!
Diane and Sean discuss the Rankin and Bass classic, The Last Unicorn. Episode music is, "The Last Unicorn", written and composed by Jimmy Webb, performed by America from the OST.- Our theme song is by Brushy One String- Artwork by Marlaine LePage- Why Do We Own This DVD? Merch available at Teepublic- Follow the show on social media:- BlueSky: WhyDoWeOwnThisDVD- IG: @whydoweownthisdvd- Tumblr: WhyDoWeOwnThisDVD- Follow Sean's Plants on IG: @lookitmahplants- Watch Sean be bad at video games on TwitchSupport the show
Nathan and Ryan take a trip into the cynical, chaotic world of Little Murders (1971), Alan Arkin's biting dark comedy about love, apathy, and the crumbling fabric of 1970s New York City. Starring Elliott Gould and Marcia Rodd, this offbeat cult classic mixes absurdist humor, social commentary, and shocking violence in a way that's both hilarious and unsettling. The hosts unpack the film's satirical look at urban paranoia, disconnection, and the futility of trying to stay sane in a world gone mad. Is Little Murders a lost masterpiece of counterculture cinema or just too bleak to laugh at? Tune in to find out!
In the beginning, God said, “Let there be light.” But then, apparently, He got bored and switched it off just to see what would happen. Welcome to Sitting in the Dark, where this month Kynan, Chelsea, Tommy, and Pete explore what happens when filmmakers yank away humanity's favorite nightlight. Their lineup: Wait Until Dark (1967), Don't Breathe (2016), and Pitch Black (2000)—three films that remind us that darkness isn't just the absence of light, it's the presence of bad decisions.We start with Wait Until Dark, in which Audrey Hepburn, recently blinded, gets harassed by Alan Arkin and a few other men who apparently missed the memo about “don't terrorize vulnerable women.” Then we stumble into Don't Breathe, where three young idiots break into the wrong house and discover that Stephen Lang's blind war vet has taken “home security” to a level that can only be described as “OSHA violation.” Finally, the crew rockets to Pitch Black, where Vin Diesel proves once again that he can growl through any lighting condition. It's a film so early-2000s it practically comes with a Nu Metal soundtrack and a free AOL disc.So grab your flashlights, blow out your candles, and maybe keep one bulb unbroken… you know, just in case.Featured FilmsTonight's Triple Feature:Wait Until Dark - Apple TV | Amazon | LetterboxdPitch Black - Apple TV | Amazon | LetterboxdDon't Breathe - Apple TV | Amazon | LetterboxdView Our List on Letterboxd (00:00) - Welcome to Sitting in the Dark (02:05) - Between Light and Dark (04:33) - Wait Until Dark (25:44) - Don't Breathe (47:20) - Pitch Black Support The Next Reel Family of Film Podcasts:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Kyle | Kynan | Pete | TommyShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Letterboxd Pro/Patron discount | Audible
We are back! After 2 months off, we are online again and ready to review 1967's WAIT UNTIL DARK, written and directed by Terence Young. Plus, a real life brawl between a blind man and an intruder, all the movies we've been watching, and Alan Arkin subjecting himself to the worst job in the world: being mean to Audrey Hepburn.You can follow the podcast and hosts on Twitter at @dykemadden and @ellemdesigns, and the podcast itself HorrorTimePod on Twitter/Bluesky! If you like what we do, you can rate, review, and subscribe to us on Spotify, Apple Podcast, Stitcher, or wherever you listen to your favorites. Contact us at stophorrortime@gmail.com for any comments, questions, or movies you would like for us to cover in the future!
In this episode, it's our first Year of the Nineties selection of October with Tim Burton's dark fantasy, "Edward Scissorhands", starring Johnny Depp, Winona Ryder and Dianne Wiest! Listen now!
Send us a textKatie and Bridget go get their (outside) bushes trimmed as they re-watch the iconic: Edward Scissorhands! It's a story all about an emotastic man/possibly-AI-creation who teaches a small town that disabilities are not roadblocks but rather obstacles to overcome... Or according to Tim Burton, they actually will always lead to DEATH and SADNESS. THANKS TIM! Come along as we meet Edward Scissorhands - he's the guy with the scissorhands, in case you were confused. When he gets pseudo-adopted by an Avon Saleswoman named Peg, he discovers a world full of horny housewives, possibly hard of hearing dads, and a weird love interest with Peg's daughter Kim. This movie asks the deep questions, such as: Does our society ultimately highlight, exploit, and then vilify those with disabilities? What can we as a culture do to better support individuals with disabilities in the real world/in Tim Burton's world? Would these housewives have been completely different people if they all just had vibrators instead!? All this and more in this very Tim Burton-esq film. Released in 1990, it was directed by Tim Burton and stars Johnny Depp, Winona Ryder, Dianne Wiest, Anthony Michael Hall, Alan Arkin, Kathy Baker, and Conchata Ferrell.
GGACP celebrates the 50th anniversary of a Frank favorite, the western-comedy "Hearts of the West," (released October 8, 1975) co-starring GGACP guest Alan Arkin. In this interview from 2020, Alan (joined by Emmy-winning actor Adam Arkin) talks about portraying villains, directing dark comedies, the precision of the Coen brothers and the Cold War politics of “The Russians Are Coming, The Russians Are Coming.” Also, Pat McCormick hits the hard stuff, Groucho drops in on Second City, Stephen King praises “Wait Until Dark” and Alan (almost) directs “Blazing Saddles.” PLUS: Captain Kangaroo! The brilliance of “The In-Laws”! Adam “reps” Chuck McCann! Alan records “The Banana Boat Song”! And Adam and Alan choose their favorite Arkin performances! Learn more about your ad choices. Visit megaphone.fm/adchoices
Ryan and Dylan recap the winners of the 2025 Emmy Awards and then determine whether or not Rob Reiner's films turned into duds following his legendary streak-ending film, North.
Wait Until Dark and maybe things will get better? We aren't original song composers on this podcast, but one thing is for sure, we are about to be the best students at blind school. Our Anime Was (Not) A Mistake Spooktacular 2025 celebration continues with Wait Until Dark (1967). When a doll full of drugs winds up in the hands of the world's greatest recent blind lady Susy Hendrix aka Audrey Hepburn, a group of criminals is about to cause some trouble and settle in for some high-tension scares. Can Susy use her wits to defeat these criminals and out play a villainous Alan Arkin? You will have to sit in the darkness and listen to find out. Rate, Review, Subscribe, and Listen to Us on Podbean/iTunes/Stitcher/Spotify Follow us on Instagram:@animewasnotamistakepodcast Or on Facebook:@animewasnotamistakepod Music Provided by: “HALLOWEEN THEME (TRAP REMIX) (Michael Myers Theme)” – TRAP MUSIC NOW “Virtual Mima” – Perfect Blue Original Soundtrack [Masahiro Ikumi] “Sweet Halloween - [葉月ゆら/Hatsuki Yura]
Carmen Emmi's directorial debut, PLAINCLOTHES, is in theaters now, after catching a lot of attention and fanfare out of this year's Sundance Film Festival. He tells Jordan about the experience of getting to break out with a personal contribution to the queer cinema canon, and about all the ways he was comforted, educated, and inspired by another Sundance hit -- 2006's LITTLE MISS SUNSHINE.Then, Jordan has one quick thing about the harrowing Sundance documentary The Perfect Neighbor, new to Netflix. Feeling Seen is hosted by Jordan Crucchiola and is a production Maximum Fun.Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.
"This month we head out to the Oregon countryside (and St. Helens!) for this family comedy (?) drama (?) about a cantankerous old man (Alan Arkin) healing the relationships (?) between him and his many, many children. Also, there's a lawsuit about sheep piss. Can Glenne Headly or Lauren Holly save this? Cook yourself some organic, fertilized eggs and pull out that rocking chair to find out."
Join Jason's Returned Part 2 Kickstarter now: https://www.kickstarter.com/projects/strutzart/returned-part-two-of-fourDirector: Arthur Rankin Jr. and Jules Bass, animation by Tori Hara and Topcraft (who would later form Studio Ghibli with Hayap Miyazaki)Writers: Peter S. Beagle, adapted from his novel Stars: ALL OF THEM. Mia Farrow, Alan Arkin, Angela Lansbury, Tammy Grimes, Christopher Lee, Jeff Bridges, and a little Rene Aberjonois among other delightful appearancesThe Last Unicorn brings all the pain of a ruined birthday party to the silver screen! It's time to have your dreams haunted by a harpy. Get ready to have your dreams crushed by a flaming bull. Christopher Lee came here special just to show you that he has all of the unicorns trapped under the water!Sign up to support Progressively Horrified on Patreon for as little as $5 a month and get bonus episodes! https://www.patreon.com/c/progressivelyhorrified Hosted on Acast. See acast.com/privacy for more information.
We conclude this Hitchcockian August with the 1967 film, Wait Until Dark. Audrey Hepburn was nominated for an Academy Award for her role as Suzy, a woman blinded in an accident who finds herself the accidental target of dangerous drug traffickers, one of whom is a particularly deadly menace. Directed by Terrence Young and based on Frederick Knott's 1966 play, the film also stars Samantha Jones, Alan Arkin, Richard Crenna, Jack Weston, and Efrem Zimbalist Jr.
Join our hosts for the 85th best picture winner, Argo. As a thriller, Argo delivered some outstanding tension for Ian and Maggie. Can it overcome it's otherwise flat cast of characters? Listen in to find out!
Our exit today has us having nothing to fear because it's only desire taking us higher and higher. This week, we are talking about Wet Hot American Summer, written by Michael Showalter and David Wain and directed by David Wain. And our conversation includes one of the film's biggest fans, The Director's Club host Jim Laczkowski!Along the way, we discuss this amazing cast, including Paul Rudd, Janeane Garofalo, Bradley Cooper, and David Hyde Pierce, along with our own summer camp experiences. Plus, Planet of the Apes, sketch comedy, Frasier, The State, movie trivia, Skylab, The Eyes of Tammy Faye, Alan Arkin, Roger Ebert's memorable pan of the film, and Ross' shortest plot summary of all time. And Tripp talks about maybe his best and worst moviegoing experiences in the same episode!The Director's Club SubstackThememusic by Jonworthymusic.Powered by RiversideFM.CFF Films with Ross and friends.Movies We've Covered on the Show on Letterboxd.Movies Recommended on the Show on Letterboxd.
RMR 0328: Join your hosts, Lizzy Haynes, Bryan Frye and Russell Guest for the Retro Movie Roundtable as they revisit Night of the Hunter (1955) [PG] Genre: Thriller, Crime, Drama, Film Noir Starring: John Cusack, Minnie Driver, Alan Arkin, Dan Aykroyd, Joan Cusack, Hank Azaria, K. Todd Freeman, Jeremy Piven, Mitchell Ryan, Michael Cudlitz, Benny Urquidez, Duffy Taylor, Audrey Kissel, Carlos Jacott, Brian Powell, Ann Cusack Directed by: Charles Laughton Recorded on 2025-05-23
This week on Aug-Heist: The Getaway, fact meets fiction with the “based on a true story about a fake movie” Argo! Set during the Iranian hostage crisis, this ensemble escape thriller stormed the box office and awards season, raking in over $230 million and winning Oscars for Best Picture, Best Adapted Screenplay and Best Film Editing. Director Ben Affleck was notably snubbed and not nominated by the Academy, but he also stars as CIA exfiltration expert Tony Mendez, along with a “most wanted” list of prestige movie actors, including Alan Arkin, Kyle Chandler, Bryan Cranston, Tate Donovan, Victor Garber, John Goodman, Scoot McNairy, and Chris Messina. But does this film provide enough of an escape for our hosts, or did we feel like we were being held hostage while watching it? ARGO F--- YOURSELF! For more geeky podcasts visit GonnaGeek.com You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com You can write to Rum Daddy directly:: rumdaddylegends@gmail.com You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com Aug-Heist: The Getaway Theme features beats by Anabolic Beatz https://www.anabolicbeats.com | Remixed with lyrics and vocals by Jonolobster Normal Show Music:Danger Storm by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 https://creativecommons.org/licenses/by/4.0/
Best Picture? Forget that noise, let's talk about best comedy/history/movie podcast! This week we're taking on 2012's best picture winner Argo. That's right this week we're traveling to Iran to stick it to that asshola the Ayatollah! This week we're watching 2012's Argo, this movie stars Ben Affleck , John Goodman, Alan Arkin and was directed by Ben Affleck. We discuss the real history behind the movie and the CIA operation to rescue 6 trapped Americans? LIKE AND SUBSCRIBE PLEASE! We are proud to announce our NEW Patreon is available: https://www.patreon.com/reviewinghistory We hope you sign up and enjoy the fun we're having over there. Please give us a rating and a review on ApplePodcasts or Spotify. It helps potential sponsors find the show! Sign up for @Riversidefm: www.riverside.fm/?via=reviewi... Sign up for @BetterHelp: betterhelp.com/reviewinghistory Email Us: Reviewinghistorypod@gmail.com Follow Us: www.facebook.com/reviewinghistory twitter.com/rviewhistorypod letterboxd.com/antg4836/ letterboxd.com/spfats/ letterboxd.com/BrianRuppert/ letterboxd.com/brianruppert/list…eviewing-history/ twitter.com/Brianruppert #comedy #history #podcast #comedypodcast #historypodcast #iran #cia #oscars #argo #benaffleck #warmovies #cinema #movies #moviereview #filmcriticisms #moviehistory #hackthemovies #redlettermedia #rlm #historybuff #tellemstevedave #tesd
Agents Scott and Cam, along with guest operative David A. Goodman, writer & producer on Family Guy, Futurama and The Orville, scream "Serpentine!" at one another while tackling the 1979 Peter Falk & Alan Arkin buddy spy comedy The In-Laws. Directed by Arthur Hiller. Starring Peter Falk, Alan Arkin, Richard Libertini, Nancy Dussault, Penny Peyser, Arlene Golonka, Michael Lembeck, Paul L. Smith, Carmine Caridi and Ed Begley Jr. You can buy David's comics The Masked Macher and Space Job on Amazon. You can also follow him on Instagram. Become a SpyHards Patron and gain access to top secret "Agents in the Field" bonus episodes, movie commentaries and more! Purchase the latest exclusive SpyHards merch at Redbubble. Social media: @spyhards View the NOC List and the Disavowed List at Letterboxd.com/spyhards Podcast artwork by Hannah Hughes.
In this conclusion of a 2-part installment, Gilbert and Frank celebrate 200 episodes of GGACP by fielding probing questions from the devoted members of the "Amazing Colossal Listener Society" Facebook page. In this episode: “Blame It on Rio”! Alan Arkin's “Fire Sale”! Praise for Gilbert's Peter Lorre! Paul Lynde lusts after Carol Wayne! And Red Buttons parts the Red Sea! Learn more about your ad choices. Visit megaphone.fm/adchoices
GGACP marks July's "National Culinary Arts Month" by revisiting this interview with foodie, Emmy-winning writer-producer and star of the Netflix series "Somebody Feed Phil," Phil Rosenthal. In this episode, Phil chats with Gilbert and Frank about a number of compelling topics, including the “sex appeal” of comedians, the vulgarity of network sitcoms, the ingeniousness of “Tootsie” (and “The Swimmer”) and the realism and relatability of “The Honeymooners.” Also, Lucy loses a ring, George Burns nabs an Oscar, Robert Mitchum dons an apron and Phil remembers his dear friend Peter Boyle. PLUS: The artistry of Alan Arkin! The wonder of Walter Matthau! Jerry Lewis plays the big room! Phil hangs with Peter O'Toole! And the most politically incorrect movie ever made! Learn more about your ad choices. Visit megaphone.fm/adchoices
RMR 0320: Join your hosts, Dustin Melbardis, Bryan Frye and Russell Guest for the Retro Movie Roundtable as they revisit Grosse Pointe Blank (1997) [R] Genre: Comedy, Crime, Action, Romance, Thriller, Satire Starring: John Cusack, Minnie Driver, Alan Arkin, Dan Aykroyd, Joan Cusack, Hank Azaria, K. Todd Freeman, Jeremy Piven, Mitchell Ryan, Michael Cudlitz, Benny Urquidez, Duffy Taylor, Audrey Kissel, Carlos Jacott, Brian Powell, Ann Cusack Directed by: George Armitage Recorded on 2025-05-23
ABC's "Mr. Belvedere" premiered 40 years ago this month and in this memorable conversation, comedian, movie obsessive and podcaster Doug Benson (“Doug Loves Movies”) finally reveals the sordid "truth" about the infamous on-set mishap. Also in this episode, Doug and the boys talk about bad sequels, booking dream guests, breaking into the business and the perils of meeting Hollywood heroes. Also, Harry Dean Stanton shuts it down, Doug messes with Harrison Ford, Peter Falk reunites with Alan Arkin and Gilbert (once again) rags on Ferris Bueller. PLUS: Foster Brooks! “Captain EO”! In praise of Alexander Payne! The Three Stooges in 3-D! And “The Curse of the Pink Panther!” Learn more about your ad choices. Visit megaphone.fm/adchoices