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Ian Hunter has spent four decades building miniatures, supervising visual effects and thinking like a filmmaker on some of the most demanding productions in Hollywood. In this episode, he traces a career that began in a garden shed with a punched-up piece of German black velvet and ended up — via James Cameron, Tim Burton, the Coen Brothers, and Christopher Nolan — on some of the most iconic screens in the world.Ian grew up surrounded by art. His father painted oils and acrylics, played music and did pastel portraits, and encouraged his three sons to make things — even when those things destroyed the materials he'd given them. The moment that really clicked, Ian recalls, was being handed a model kit as a kid and taking to it immediately. That creative instinct only grew stronger. In high school, he and his brothers were making Super 8 films, scratching laser effects onto the film with a pin and blowing up overloaded resistors for explosions. One of those films required them to fake-rob a local bank — and the encounter that followed, with the surprisingly enthusiastic vice president of the Monrovia Wells Fargo, led to a meeting with the mother of Rick Baker, whose work Ian had recently encountered in a traveling special effects exhibition and been completely floored by.After drifting away from an aerospace course at Cal Poly Pomona and working in an acid bath plastics factory, Ian answered a classified ad looking for model makers — and on the strength of a modest portfolio, was hired the same day. His first feature was The Abyss. He and fellow model maker Jim McGee built the flooded engine room of the Montana submarine with almost no direction beyond James Cameron's bare-bones description, and shipped it to South Carolina having never seen a frame of the live action. The production was not without its disasters — Ian found himself entangled in the notorious wax crane fiasco, and talks about the valuable early lesson of knowing when to call something out before it goes wrong.From there, a friend pointed him toward Boss Film, Richard Edlund's company in Marina del Rey, where a chance encounter with departing model supervisor Mark Stetson changed everything. What was supposed to be a one-week favour on a music video turned into six years. Working with Stetson took Ian from being a junior model maker building things in isolation to visiting sets, talking directly with directors, and understanding that miniature work only succeeds when it becomes invisible — just more shots in a movie, telling the story rather than showing off the technique.Among the projects from that period, Ian talks at length about Total Recall — including the behind-the-scenes chaos of a scale miscommunication on the final day of shooting, a scene involving a little person that nobody had accounted for, and the moment he glued a Coke can to a model building because they were running out of time. That Coke can, dressed up and shot from the front, made it into the finished film. So did one in Waterworld. And Inception. And Interstellar. And, after the story apparently got around, director Fede Álvarez greeted Ian on Alien: Romulus by asking exactly where he was planning to hide it.Ian built the suburb for Edward Scissorhands — deliberately making it more bland and mundane than real life — and talks about one of his proudest in-camera shots: the final view through the bedroom window and out over the snow-dusted neighbourhood, achieved with a 1:24 scale model and real snow shakers on the night. On Batman Returns he built the Penguin's zoo, and describes receiving one of his all-time favourite compliments from Tim Burton — who, after watching a pyrotechnics test, asked simply: "Where did you shoot this?" Not realising he was looking at a miniature. The zoo also gave Ian one of his best examples of a happy accident: a polar bear sculpture that was supposed to explode but instead toppled slowly sideways with flames coming out of its feet. Tim Burton loved it. The entire subsequent engineering challenge was figuring out how to recreate the mistake.On the X-Files movie, Ian and his partner Matthew Gratzner built a collapsing federal building on a tight budget, referencing Oklahoma City bombing photographs for the detail of damaged concrete and exposed floors. The late Roger Ebert reviewed the finished film and said the sequence should have been cut — because it was too reminiscent of real tragedy. Ian reflects on that as a marker: they'd gotten past the technique and into the emotion.The conversation turns to Christopher Nolan, with whom Ian has worked across multiple films. Ian describes Nolan as collaborative but definitive, someone who discusses a shot in depth and then tells you exactly what he wants. He talks about the liberation Nolan offered on Interstellar when he told the crew to stop following the previs — pre-vis is just a guy at a computer on a Friday trying to get the shot out the door, Nolan told them; if you can see a better angle, do that instead. The result was that the miniature crew started shooting faster, and a number of shots that had been planned as digital moved across to the physical side. Ian also describes the meticulous sun-angle calculation that went into matching the Inception hospital sequence — setting up models in a parking lot at a precisely calculated skewed angle to hit the exact quality of light that had been captured in Calgary on a specific date.On First Man with Damien Chazelle, Ian had drawn storyboards before the first meeting proposing a documentary approach — cameras attached to the spacecraft, nothing sweeping or cinematic, everything either very close or very wide as if shot from another ship. Chazelle walked in and described exactly the same idea. They spent twenty minutes together going through the sequence, working to an animatic cut to music, and Ian went off and shot it. That shorthand — that moment of being in sync before the conversation has really started — is something Ian describes as central to how he has survived in an industry where so many practical effects houses have not. He's a model maker, yes. But more than that, he's a filmmaker.This podcast is completely independent and made possible by listener support. If you'd like to help me keep making these episodes, you can join my Patreon community here: https://patreon.com/jamiebenning Watch more on YouTube:Check out the Filmumentaries YouTube channel for behind-the-scenes clips and extra content: https://youtube.com/filmumentariesAll my links
WILL SMITH IN THE POST OFFICE ALIENS SCENE SLAPS! Men In Black II Full Movie Watch Along: / thereelrejects Men in Black 2 Movie Reaction & Commentary with Greg Alba and Jackie Bonsignore! With Will Smith's upcoming movies 2026 heating up thanks to Supermax Will Smith, the new Will Smith FBI agent movie, I Am Legend 2, and more alien movie buzz surrounding Steven Spielberg's Disclosure Day, we're continuing our Will Smith movie marathon with Men in Black II / MIB 2! In this Men in Black 2 reaction, Jackie watches the 2002 sequel for the first time while Greg revisits the return of Will Smith as Agent J, Tommy Lee Jones as Agent K, Frank the Pug, Serleena, the Light of Zartha, Johnny Knoxville, Rosario Dawson, Rip Torn, and the even more cartoonish alien chaos of the Men in Black universe. We break down the MIB 2 movie commentary, the return of Agent K, Agent J running MIB, the neuralizer lore, the subway worm Jeff, the deneuralizer, Frank the Pug becoming J's partner, Serleena's alien design, Rick Baker's creature work, and whether Men in Black 2 deserves more love than it usually gets. Follow Greg Alba: Instagram: https://www.instagram.com/thegregalba/ Twitter: https://x.com/thegregalba Follow Jackie Bonsignore: https://www.instagram.com/jackiebonsignore/ Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials: Instagram: https://www.instagram.com/reelrejects/ Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad: Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM: FB: https://www.facebook.com/TheReelRejects/ INSTAGRAM: https://www.instagram.com/reelrejects/ TWITTER: https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM: https://www.instagram.com/thegregalba/ TWITTER: https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices
Trading Secrets - education, business & zesty Brazilian sauce
Send Us Your Questions & Feedback!Some people get into business because they love the work — they're great with their hands, they can produce something beautiful — but the business side feels like a foreign language. Other folks come straight out of Corporate America loaded with business knowledge but couldn't install a blind to save their life. Most of us are missing something.This week, Roger sits down with Jessica Harling of Behind the Design to talk about how you fill in the gaps you didn't even know you had.Jessica's a fourth-generation member of a family design business that's been running since 1936 — and she's spent the last decade helping flooring, furniture, window covering, and interior design companies fix the two things that quietly hold them back: people problems and process problems.In this conversation, Roger and Jessica get into:Why so many business owners are brilliant at their craft but stuck on the business itselfThe "easy industry" myth — and why everyone who believes it changes their mind in about 90 daysHow a former teacher and theater kid ended up coaching design-trade companies (and why observation is an underrated business skill)What a 30-day company audit actually uncovers when an outsider looks inWhy creative breaks and stepping away aren't slacking off — they're how you actually solve the problemAnd the one piece of advice from Jessica's 101-year-old great-grandmother that's worth the whole episode: "You can either complain or change. Those are your choices — and it's in your control."If you've ever felt like you've hit a ceiling you can't explain, this one's for you.
WILL SMITH & TOMMY LEE JONES ARE PERFECT?! Men In Black Full Length Watch Along & Early Access: / thereelrejects With Will Smith returning to play an FBI agent in the newly announced Amazon action-thriller Supermax, we're looking back at one of his most iconic secret agent roles ever: Men in Black, starring Will Smith as Agent J, Tommy Lee Jones as Agent K, Linda Fiorentino, Rip Torn, and Vincent D'Onofrio as Edgar the Bug. Limited Time Offer – You Need Fiber. Yes you! Boost your fiber with Huel today using my exclusive offer of 15% OFF online with my code REJECTS at https://www.huel.com/REJECTS. New Customers Only. Thank you to Huel for partnering and supporting our show -Gift Someone (Or Yourself) An RR Tee! https://shorturl.at/hekk2 In this Men in Black movie reaction, Jackie watches the sci-fi comedy classic for the first time while Greg revisits one of the defining Will Smith movies of the 90s. We break down the incredible chemistry between Will Smith and Tommy Lee Jones, the practical alien effects from Rick Baker, Danny Elfman's score, the New York world-building, the neuralizer, the Noisy Cricket, the Men in Black ending, and why Edgar the Bug / Vincent D'Onofrio is still one of the weirdest and funniest sci-fi villains ever. Follow Jackie Bonsignore: / jackiebonsignore Follow Greg Alba: Instagram: https://www.instagram.com/thegregalba/ Twitter: https://x.com/thegregalba Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials: Instagram: https://www.instagram.com/reelrejects/ Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad: Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM: FB: https://www.facebook.com/TheReelRejects/ INSTAGRAM: https://www.instagram.com/reelrejects/ TWITTER: https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM: https://www.instagram.com/thegregalba/ TWITTER: https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode, I chat with creature effects artist, puppeteer and digital pioneer Craig Caton-Largent about a career that arguably traces the entire arc of modern visual effects — from foam latex and animatronics to motion control, performance capture and full CG animation. Craig talks about growing up on a sheep and cattle ranch in Washington State, being captivated by the 1960s Batman TV show and then Planet of the Apes, and teaching himself prosthetics from Dick Smith's Monster Makeup Handbook. After tracking down Dick Smith's address in Who's Who in America, he wrote a letter that led to a year of mentorship over cassette tapes and ultimately introductions to Rick Baker, Stan Winston and Tom Burman. We get into his first job on Charles Band's Metal Storm: The Destruction of Jared-Syn, working on the Olympic alien for the 1984 closing ceremonies, sculpting barnacles on Cocoon, building Spock's seamless silicone ears on Star Trek IV: The Voyage Home, undulating menacingly under shaving cream on Larry Cohen's The Stuff, and puppeteering Slimer's mouth on the original Ghostbusters. A big part of the conversation focuses on Jurassic Park, including the design evolution of the T-Rex, the helicopter convention moment that led to the McFadden motion base, the logistics of moving the full-size animatronic across the San Fernando Valley at night, and Craig's work as the Raptor puppeteer, including the now-legendary "head tilt" at the kitchen window that earned an on-set "It's like Alien, I love it" from Spielberg. We also talk about Craig's twenty-year stint as the caretaker, or "doctor", to the original ET puppet, including the time the LAPD turned up at his garage door thinking he was running a crack lab while he was actually repainting ET. Plus the story of how Stan Winston handing him a couple of SGI machines led, almost overnight, to him becoming one of the eight co-founders of Digital Domain alongside James Cameron and Scott Ross. Later in the conversation we move into Craig's animation career as a final layout artist and character TD at DreamWorks and Disney, with credits on Tangled, Rise of the Guardians, How to Train Your Dragon 2 and Turbo, and stories from working with Guillermo del Toro at DreamWorks. We finish on Craig's current role as Creative Director of the 3D Animation and Visual Effects department at the New York Film Academy in Burbank. Topics coveredGrowing up on a Washington State ranch and falling in love with Planet of the ApesFamous Monsters of Filmland and Dick Smith's Monster Makeup HandbookCold-writing to Dick Smith and a year of cassette-tape mentorshipArriving in Hollywood at the start of the "golden age" of effectsFirst feature work on Metal Storm: The Destruction of Jared-SynThe closing ceremonies of the 1984 LA Olympics and Ron Cobb's alienSculpting barnacles and cocoons for Cocoon (1985)Seamless silicone Spock ears on Star Trek IV: The Voyage HomeThe Stuff with Larry Cohen and "undulating menacingly"Puppeteering Slimer's mouth on GhostbustersDesigning the T-Rex around helicopter flight simulator technologyWorking with McFadden Simulation on the T-Rex motion baseMoving the full-size T-Rex across the San Fernando ValleyBuilding a 70lb Steadicam-rigged Raptor insert head for Jurassic ParkUsing parrots as reference for bird-like Raptor movementThe kitchen porthole head tilt, and Spielberg's "It's like Alien" reactionUsing Kermit the Frog's voice on set as the Raptor performerTwenty years as ET's "doctor", and the LAPD crack-lab incidentET's arm in a rifle case at JFK a week after 9/11Motion capture experiments and blood-spread effects on Interview with the VampireA flying logo on an Amiga, and becoming a co-founder of Digital DomainWorking with Stan Winston, James Cameron and Scott RossMoving into animation: character rigging at Disney on TangledFinal layout and virtual camera work at DreamWorks on Rise of the Guardians, How to Train Your Dragon 2 and TurboLunches with Guillermo del Toro in the DreamWorks canteenPre-vis on the Total Recall remake with Len WisemanTeaching the next generation at the New York Film Academy, BurbankThe unique "intergalactic award" Spielberg gave Craig for puppeteering ETThis podcast is completely independent and made possible by listener support. If you'd like to help me keep making these episodes, you can join my Patreon community here: https://patreon.com/jamiebenning Watch more on YouTube:Check out the Filmumentaries YouTube channel for behind-the-scenes clips and extra content: https://youtube.com/filmumentariesAll my links
This week the boys take a trip to the beginning of the 2010s as they look at the often maligned and forgotten The Wolfman. Largely adapting the original story but blending in a bit more action and gothic horror vibes, 2010s The Wolfman features a star-studded cast comprised of Benicio Del Toro, Sir Anthony Hopkins, Emily Blunt and Mr Hugo Weaving (Mor-dor) and Rick Baker returning to the werewolf genre for some special effects. But why did such a star-studded cast result in a film that was pretty hated on upon release? Does The Wolfman hold up today? Join us as we discussed the modernisation of the original material, the development hell and the strange tonal mismatch as our Monster Movie Season continues. Remember to hit that subscribe button and leave us a lovely review. There're new episodes every week, and we cover horror movies from new releases with spoiler filled and spoiler free reviews, to old classics and B movie gems. You can find us on twitter and instagram @cmthpodcast or check out our website at https://castmetohell.podbean.com Theme by Dan Motti
Welcome to the Two Hundred & Fourteenth Edition of The Chronicles of Podcast, These are The Chronicles of Steve Johnson In this edition of The Chronicles of Podcast, we talk to special effects legend Steve Johnson for an in-depth and entertaining conversation about his incredible career in Hollywood. From humble beginnings as a passionate high schooler reaching out to Rick Baker, to working alongside him on the iconic American Werewolf in London, Steve shares the journey that shaped his legacy in the world of practical effects. We explore his creative process and the artistry behind some of the most memorable creatures in film history, including the creation of Slimer in Ghostbusters and his ground-breaking work with James Cameron on The Abyss. Steve also shares behind-the-scenes stories from his career, including unexpected moments like his brief friendship with Michael Jackson, working on the unreleased 'Superman Lives' movie, offering a rare glimpse into the life of a true industry pioneer. Also this week, fter another dramatic passage reading, this week from 'The Book of The Scissor Sisters', Tom shares the incredible story of Manny Singh Kang, the absolute legend who walked to London and then ran the London Marathon with no sleep. From there things get even stranger as Tom introduces Jamie to some seriously messed up yet powerful New Zealand TV adverts, before diving into the story of Finnish air force pilots who landed themselves in trouble thanks to some very questionable flight paths. Jamie brings an update on Cooper Wallace and this year's Seagull Screeching Championships, and also tells Tom about a brand new hybrid sport that sounds almost too ridiculous to be real as The National Wrestling League combines pro wrestling and football into one chaotic concept. The boys also catch up on their week as Jamie watches the Netflix Hulk Hogan documentary, Peaky Blinders: The Immortal Man and Super Mario Galaxy, while also sharing wholesome family moments including animal encounters and making fresh pasta. Tom continues grinding through exam prep while spending meaningful time with family celebrating his late uncle's life. The lads also headed down to The Cumberland Hotel in Marble Arch for the Propstore Music Memorabilia Live VIP event, thanks to former guest Mark Hochman. As always, the episode is stacked with fan favourite segments including Callum's Treachings where Callum dives into the strange idea of crime scenes on adult film sets, Tom's Journal featuring the funniest things on the internet this week, and Single of the Week highlighting two new music releases you need to hear. Jamie's audience participation challenge asks what accessories your action figure would come with, so get involved in the comments. Official Website - Steve Johnson Official Website - The Chronicles of Podcast Affiliate Charity - Sophie Lancaster Foundation
Our adventures in 1920's Japanese erotic illustration continue with our look at 1991's Yumeji, a late career surrealist drama from Seijun Suzuki about a horny ass guy in the Taisho era navigating infidelities and ghosts. Plus: lots of nice looking trees. But first! We take a look at EVERY SINGLE MOVIE coming out in the month of MAY 2026 in our patented "What's Coming Out??" segment! So #DonloydNow and enjoy this bite-sized Junk Food Supper. We got all this plus an in-depth analysis of the Valencia Twilight Zone Massacres (of 1982), bringing your conquistador wingman to the local taverns with Adam Scott, the incriminating wardrobe choices of Rick Baker, classic audio drop action and activity, the surprising return of Paris Jackson (sorry for ruining the surprise), Sean fails to recognize some of the less recognizable names on various cast lists, Parker hopes for typographic errors, RZA vs Rizzler (theoretical), a slightly frizzed out microphone on the Bowman side, Taisho-era Ric Flair, yellow canoes, unchecked nosedrips, crocodile tears, blank stares, squeeky chairs, phantom gleeks and so much more!! Recorded live-to-tape from the fabled Earthrealm on National Peace Rose Day, 2026~! Direct Donloyd Here Got a movie suggestion for the show, or better yet an opinion on next week's movies? Drop us a line at JFDPodcast@gmail.com. Or leave us a voicemail: 347-746-JUNK (5865). Add it to your telephone now! JOIN THE CONVERSATION! Also, if you like the show, please take a minute and subscribe and/or comment on us on iTunes, Stitcher, Blubrry or Podfeed.net. Check us out on Facebook and Twitter! We'd love to see some of your love on Patreon - it's super easy and fun to sign up for the extra bonus content. We'll drum funkily for your love and support. With picks like these, you GOTTA #DonloydNow and listen in! .
The Gents go back to covering big monsters and take on the 1976 version of King Kong, starring Jeff Bridges, Charles Grodin, the lovely Jessica Lange, and a guy in an ape suit. The mechanical ape was only in the movie about 15 seconds. When Dino De Laurentiis set out to remake the 1933 classic, he promised the world a towering mechanical marvel. What audiences got instead was Rick Baker sweating in a gorilla suit — and honestly, it works better than it has any right to. The 1976 Kong ditches dinosaurs for oil company executives, drops Kong's origin into a corporate expedition, and somehow makes Charles Grodin the most compelling villain of the decade. Jeff Bridges is effortlessly cool as a stowaway primatologist, and Jessica Lange, in her film debut, turns a thinly written role into something genuinely charming. The Gents dig into the film's production chaos, the $1.7 million mechanical Kong that appeared on screen for about as long as it takes to read this sentence, and whether the movie holds up as the lovably sincere blockbuster misfire it truly is. Big monsters, corporate greed, and the Twin Towers standing in for the Empire State Building — it's a lot. Come for the ape suit, stay for the Grodin.
This week, we have a special treat for you, as we are joined by Legendary makeup artist Ve Neill! After being inspired by Planet of the Apes cosplayers at a sci-fi convention, Ve began her career and has worked with makeup and effects artists like Fred Phillips, John Chambers, Rick Baker, Greg Cannom, and Stan Winston. Ve has collaborated with directors like Tim Burton, Chris Columbus, Ron Howard, Steven Spielberg, and Robert Zemeckis, and worked on famous faces like Johnny Depp, Danny DeVito, Paul Reubens, and Robin Williams. Her talents have featured extensively in blockbuster franchises including The Amazing Spider-Man, Batman, The Hunger Games, Pirates of the Caribbean, Star Trek, and X-Men. She has won three Academy Awards, for her work on Beetlejuice, Mrs. Doubtfire, and Ed Wood, and has been nominated for eight Oscars in total. She's also won two Emmys and served as a judge on SyFy's reality TV makeup competition series Face Off. Most appropriately, Ve opened her own school, Legends Makeup Academy, in Los Angeles in 2021. Ve spills the tea on working with wonderful (and difficult!) celebs, her favorite projects, and behind-the-scenes stories from her decades in making movie magic! ! Follow Ve on Instagram: @therealve Check out Ve's new film The Wolf and the Lamb, in theaters April 24: https://www.thewolfandthelamb.com/ Support Ve's project Haunted Hookers on Kickstarter: https://www.kickstarter.com/projects/mariacollis/haunted-hookers-movie For more geeky podcasts visit GonnaGeek.com You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com You can write to Rum Daddy directly: rumdaddylegends@gmail.com You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com Show Music:Danger Storm by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 https://creativecommons.org/licenses/by/4.0/
Paul Gallico's 1970 novel Matilda told of a male boxing kangaroo who becomes an unlikely heavyweight contender, upending the worlds of sports promotion and organized crime. Producer Albert S. Ruddy, fresh from his Oscar-winning triumph with The Godfather, acquired the rights and brought the story to the screen in 1978, co-writing with Timothy Galfas. The resulting G-rated family comedy stars Elliott Gould as Bernie Bonnelli, a small-time talent agent who discovers the boxing kangaroo and sees his ticket out of obscurity. Clive Revill plays Billy Baker, Matilda's devoted owner and former British boxer, while Robert Mitchum turns up as Duke Parkhurst, a manipulative sportswriter, and Harry Guardino heads the mob contingent scheming to control the outcome of Matilda's fights. The kangaroo himself was portrayed by Gary Morgan in a Rick Baker $30,000 suit.Mike talks with co-hosts Cullen Gallagher and Mike Sullivan about the film, then brings in interviews with actors Gary Morgan and Elliott Gould along with two posthumously-released interviews with producer Albert S. Ruddy and screenwriter Timothy Galfas, Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth
Paul Gallico's 1970 novel Matilda told of a male boxing kangaroo who becomes an unlikely heavyweight contender, upending the worlds of sports promotion and organized crime. Producer Albert S. Ruddy, fresh from his Oscar-winning triumph with The Godfather, acquired the rights and brought the story to the screen in 1978, co-writing with Timothy Galfas. The resulting G-rated family comedy stars Elliott Gould as Bernie Bonnelli, a small-time talent agent who discovers the boxing kangaroo and sees his ticket out of obscurity. Clive Revill plays Billy Baker, Matilda's devoted owner and former British boxer, while Robert Mitchum turns up as Duke Parkhurst, a manipulative sportswriter, and Harry Guardino heads the mob contingent scheming to control the outcome of Matilda's fights. The kangaroo himself was portrayed by Gary Morgan in a Rick Baker $30,000 suit.Mike talks with co-hosts Cullen Gallagher and Mike Sullivan about the film, then brings in interviews with actors Gary Morgan and Elliott Gould along with two posthumously-released interviews with producer Albert S. Ruddy and screenwriter Timothy Galfas, Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth
¿Sabías que hay una variedad de gusanos, llamados gusanos de sangre, que tienen dientes? Nosotros tampoco, pero esto y mucho más es lo que hemos descubierto indagando sobre una de esas películas de la era del “animal attack” que tanto nos gusta, no solo por los geniales efectos de un joven Rick Baker, sino por el encanto sureño que nos ofrece Squirm, gusanos asesinos. ¡A disfrutar! Musica: Astrowind, No Spill Blood, The Gateless Gate, Jim Hall
"We live in secret, we exist in shadow." For Episode 398, Thomas and Brandon continue CineNation's series on Alien movies with the 1997 blockbuster MEN IN BLACK. Listen as they discuss how the story originated as a small comic book, which actors almost ended up in the film over Tommy Lee Jones and Will Smith, the rise of Will Smith, how Steven Spielberg got involved in the project, how Oscar-winning make-up artist Rick Baker created the film's memorable creature effects, what inspired Vincent D'Onofrio's performance, and so much more! Get your tickets today for our screening of William Friedkin's SORCERER at Landmark's Nuart Theatre on April 17th: https://tinyurl.com/sorcerer-nuart Use the code cinenation15 on thecinevault.com to get 15% off your online purchase! Also, don't forget to join our Patreon for more exclusive movie content: https://www.patreon.com/cinenation Sorcerer at the Nuart (00:00:00) Opening - Project Hail Mary (00:00:37) Recap of the Alien Genre (00:08:05) Intro to Men in Black (00:13:54) How Men in Black Got to Production (00:24:17) Favorite Scenes (00:38:31) On Set Life - (01:12:44) Aftermath: Release and Legacy (01:23:50) What Worked and What Didn't (01:36:06) Film Facts (01:44:49) Awards (01:52:03) Final Questions on the Movie (01:54:38) Wrapping Up the Episode (01:59:27) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast
We're talking about King Kong 1976 on this episode of the Fan2Fan Podcast! Bernie and Pete discuss the film's ambitious remake approach and how it reimagined Kong for a new era. We cover the movie's origins, cast, cinematography, amazing musical score, and the special effects work by Rick Baker. For more info about the Fan2Fan Podcast, visit https://fan2fan.libsyn.com
This week on Shat the Movies, we're asking the important question: what if Bigfoot was just… a really hairy houseguest? Harry and the Hendersons (1987) brings us a giant, gentle creature, a suburban family, and way more emotional damage than anyone signed up for. Gene and Big D break down the mix of slapstick, heart, and surprisingly heavy moments that somehow made this a childhood staple. Is Harry adorable or just a walking mess? And why does this movie hit harder as an adult than it ever did as a kid? Tune in to find out if this furry classic still holds up. Movie Summary: Harry and the Hendersons (1987) is a family comedy directed by William Dear and stars John Lithgow, Melinda Dillon, and Kevin Peter Hall as Harry. The film follows the Henderson family after they accidentally hit a Bigfoot-like creature with their car and bring him home, only to discover he's intelligent, emotional, and completely out of place in the human world. Known for its groundbreaking makeup effects by Rick Baker, the film won the Academy Award for Best Makeup. It blends comedy and heartfelt themes about acceptance, family, and letting go. Subscribe Now Android: https://www.shatpod.com/android Apple/iTunes: https://www.shatpod.com/apple Help Support the Podcast Contact Us: https://www.shatpod.com/contact Commission Movie: https://www.shatpod.com/support Support with Paypal: https://www.shatpod.com/paypal Support With Venmo: https://www.shatpod.com/venmo Shop Merchandise: https://www.shatpod.com/shop Theme Song - Die Hard by Guyz Nite: https://www.facebook.com/guyznite
Welcome back to A Podcask of Amontillado, where we delve into the dark, dreadful, and terrifying parts of the world. Beware, dear Connisours, for the moon is full, the fog flows over the moors, the wolfsbane blooms, and at Lee Ho Fook's - they're out of beef chow mein! That's right, werewolves are on the prowl! Erin and Gary break author Jason Gilbert from Terrible Movies with Wonderful People out from behind the wall to discuss their favorite lupine monsters! Listen in as they delve into the various myths and legends surrounding them, the different types of werewolves, magic pants, favorite movies & shows, the genius of Rick Baker, podcasting with ADHD, following & breaking the rules, the challenges of maintaining lore consistency, and the unexpected dangers of piercings. Hamilton vs Burr - A Werewolf Tale comic An American Werewolf in London trailer The Howling trailer The Wolf Man 1941, The Wolf Man 2010, & Wolf Man 2025 trailers Dog Soldiers trailer Ginger Snaps trailer The Mercy Thompson book series by Patricia Briggs Blood and Chocolate trailer Underworld trailer Werewolf: The Apocalypse RPG Wolves (Jason Momoa) trailer Brotherhood of the Wolf trailer The Wolf of Snow Hollow trailer Werewolf by Night trailer Opening and closing music is "Softly Shall You Sleep," by Valentine Wolfe. Please follow us on TikTok, Discord, Instagram, Bluesky, and on Facebook! If you like us, please share us, and leave a review! Or support us on Patreon! Contact us at apodcaskofamontillado@gmail.com! A Vino, Atrocitas.
This week I'm talking to Steve Neill about his book 'But Something is There' and his youtube channel 'Breaking the silence'.But Something is There is Steve Neill's journey through a life time of dealing with the unknown. Some call the experience "The Visitors" some call it abduction by aliens. The truth is we don't know what it is, But Something is There.BioSteve Neill is a special effects makeup artist, filmmaker, puppeteer, model maker and visual effects (VFX) artist in film and television with a career spanning over 35 years.Steve started in the Industry at American Zoetrope just after high school where he produced his first film, Arthur. He was mentored by Francis Coppola and became good friends.Moving to Hollywood, Steve met Joe Blasco where he apprenticed for a short while before becoming friends with Rick Baker who gave him his start in Hollywood. Later he met Bob Schieffer who was head of Disney make-up and then became friends with Fred B. Phillips as a result of being friends with Bob Schieffer.Steve Neill first worked for Fred B. Phillips on Star Trek: The Motion Picture. His first assignment was to make Spock's ears. Additionally he designed and made the appliances of the dome headed alien on the bridge that was applied by Steve Neill.After working on Star Trek Steve went to work for John Chambers making prosthetics and puppet heads for National Lampoon's Class Reunion.Steve Neill has also worked on Star Trek VI: The Undiscovered Country for Richard Snell as a sculptor and prosthetic maker of numerous Klingon forehead pieces. Additionally he worked on the Star Trek: The Next Generation pilot episode, "Encounter at Farpoint".Steve Neill was also one of the Famous Hollywood Gorilla Men. Over the course of many years he made three gorilla suits and performed in many commercials, tv shows and movies. Additionally he created the McDonald's “Mac Tonight” moon character puppeteering it for many years. The head was worn by Doug Jones and puppeteered by Steve Neill, Gillian Neill and Bob Burns.He worked on Crater Lake Monster (1977) and Laser Blast (1978). Steve created, wrote and produced The Day Time Ended (1978). He worked on Ghost Busters (1984), Fright Night (1985), and many other sci-fi and horror films.Steve Neill is the author of “But Something is there” and is currently in production at SNG Studio for “But Something is There” produced by Steve Neill, Paul Gentry, Whitley Strieber and Mary Cacciapaglia.Amazon link https://www.amazon.com/dp/B075BM67LGhttps://sngstudioventura.com/https://www.youtube.com/channel/UCam8F83Eqqes5K9QKwoi99Qhttps://breaking-the-silence-shop.fourthwall.com/en-gbp/https://breakingthesilence001.substack.com/ https://www.pastliveshypnosis.co.uk/https://www.patreon.com/alienufopodcastMy book 'Verified Near Death Exeriences' https://www.amazon.com/dp/B0DXKRGDFP Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Saludos, Remakers. Tras el prologando parón navideño, ya no sabemos muy bien si toca desearos feliz Año Nuevo, felices Pascuas… o directamente Carnaval. Hemos estado algo perdidos, lejos de nuestro hogar natural,el videoclub, pero tranquilos, que seguimos vivos y con la misma ilusión de siempre. Como héroes clásicos, como Ulises regresando a Ítaca, como el hijo pródigo volviendo a casa, o como el príncipe que regresa a su reino tras una aventurilla en la gran ciudad, volvemos con vosotros. Y lo hacemos por todo lo alto, porque en este primer episodio del año nos metemos de lleno en una película absolutamente fundamental para la comedia de los años 80: El Príncipe de Zamunda (1988). Una obra nacida de la intuición, el poder y las ganas de comerse el mundo de la ya superestrella Eddie Murphy, y que la Paramount puso en manos de un John Landis que estaba en horas bajas, pero que ya había demostrado de sobra su química y solvencia trabajando con el bueno de Eddie. Eso sí, como veremos en el programa, ni el contexto era el mismo ni ambos ocupaban ya el mismo lugar que en su primer encuentro. Así, en esta ocasión, su relación dio lugar a tensiones, choques de egos y disputas creativas que, por suerte, y gracias al talento de ambos, no se observa en la pantalla. Este cuento moderno, esta fábula al estilo de El príncipe y el mendigo de Mark Twain, supone además un intento muy consciente de Murphy por ampliar y redefinir la imagen que el gran público tenía de él… sin renunciar, claro, a las claves que lo habían convertido en el Rey Midas de Hollywood. Hablamos de todo esto y mucho más en nuestro programa. Del magistral trabajo de maquillaje y efectos de Rick Baker, de las localizaciones, de las anécdotas de rodaje, de la trayectoria del elenco actoral y, como siempre, de todo lo que se nos pasa por la cabeza en este cóctel explosivo que es Remake a los 80. Así que si quieres visitar Zamunda con nosotros y darte una vuelta por lo más sórdido de Queens, ponte los auriculares, limpia tus genitales reales y prepárate para más de dos horas de conversaciones “de cuñao” alrededor de esta película mítica. En esta ocasión, cubriendo la ausencia de nuestro joven millennial, o ya no tanto, Javi García, se une al equipo habitual nuestro amigo Agustín Lara, que asume el papel de confidente para soportar las diatribas y sandeces del siempre previsible Óscar Cabrera, mientras el príncipe de la podcastera, Juan Pablo Videoclubsero, intenta educarnos… una vez más, sin demasiado éxito. --------------------------------------------------------------- RECUERDA QUE PUEDES APOYARNOS A TRAVÉS DEL SISTEMA DE SUSCRIPCIÓN DE FANS ➡️https://www.ivoox.com/support/248910 ----------------------------------------------------------------- Escúchanos también en www.remakealos80.com Recuerda suscribirte a nuestro canal de YouTube para estar al día de nuestros directos https://www.youtube.com/@remakealos80 Síguenos en Instagram y Twitter @Remakealos80 y búscanos en Telegram, te dejamos el enlace a nuestro grupo de para que compartas tus opiniones e interactúes con nosotros: https://t.me/joinchat/GXsRJYMd3wQVBG2v
It looks like a low-budget Predator ripoff. It sounds like a low-budget Predator ripoff. But 'Without Warning' came out a full seven years before 'Predator', and it's got Jack Palance and Martin Landau in the cast! Two Academy Award winners dealing with an alien big-game hunter played by Kevin Peter Hall years before his biggest role (and wearing a Rick Baker mask instead of a Stan Winston one) make this an experience you just have to hear about. And lucky you, HPH is ready to talk!
Horror movies, holiday slashers, and classic monster mayhem collide in this episode of This Week in Horror History, covering December 8–14 in spooky cinema. We dig into the releases, icons, and deep cuts that shaped horror long before Christmas morning ever arrived.This week's watch list includes:Christine (1983) – John Carpenter's sleek, icy adaptation of Stephen King's killer-car novel. We look at how this haunted Plymouth went from a modest box office performer to a cult favorite thanks to its mood, music, and vicious metal-on-flesh set pieces.The Wolfman (1941) – Lon Chaney Jr.'s tragic Larry Talbot helped define the sympathetic monster and rewrote the rules for werewolf lore. We talk legacy, atmosphere, and why this frosty Universal chiller still plays perfectly on a cold December night.Scream 2 (1997) – Meta slashers head to college as Sidney Prescott and Ghostface return in a sequel that should've fizzled but absolutely works. Film theory, sequel rules, and late-'90s horror energy all collide in one of the most successful slasher follow-ups ever.Maniac Cop 2 (1990) – An undead cop, wild stunts, and a grimy New York that feels like a haunted maze. We spotlight why this over-the-top sequel is a cult gem for fans of action-horror hybrids.We also roll through a birthday crawl for some horror legends: Rick Baker, Vampira, Bill Nighy, and Dee Wallace, celebrating how their work reshaped monsters, ghosts, and genre weirdos across decades.In our “Then and Now: Meta Slashers” segment, we use Scream 2 as a jumping-off point to talk about how self-aware horror evolved—from '90s snark to today's nostalgia-driven, legacy-sequel era. And for your weekly recommendation, we head back to the 1950s with Tarantula (1955), a giant-spider creature feature that channels Cold War anxieties into big, creepy fun and pairs beautifully with other atomic-age monster flicks.All that plus our sponsor Cozy Earth— 41% off with Promo Code SPOOKY ultra-comfy bedding perfect for staying warm while you binge horror history marathons in December.If you love horror podcasts, classic monster movies, '80s Stephen King adaptations, and meta slasher sequels, this week's trip through the dates will fill your holiday season watchlist and keep your nights eerie all December long.
Se cumplen 40 años del estreno de “Memorias de África”, una de las películas más representativas y exitosas de la década de los 80. Un aniversario que a nosotros nos brinda la ocasión para recordarla. También tenemos un recuerdo para Rick Baker el técnico de efectos especiales de maquillaje creador de algunos de los monstruos más famosos de la historia del cine. Charlamos con la actriz Adriana Torrebejano y en la sección de Jack Bourbon dedicada al cine de aventuras tenemos esta semana un clásico de los años 40: “El signo del Zorro”, protagonizada por Tyrone Power, para muchos la mejor de todas las películas que se han hecho sobre el justiciero enmascarado.
The Men in Black phenomenon started as rumours of a government agency, where strange men wearing black suits would visit witnesses of UFO sightings, and coerce and threaten them into silence. Real-life Men in Black sightings inspired countless conspiracy theories, making them a staple of UFO folklore since their first appearance in the late 1940s. It was only a matter of time before these sinister men were turned into a comic book, and then adapted into a movie, but how did a dark, obscure comic get transformed into a summer blockbuster that would gross over $589 million worldwide and launch a franchise?Director Barry Sonnenfeld and screenwriter Ed Solomon made the bold decision to completely reimagine Men in Black as a buddy-cop action-comedy, keeping only the core premise while building something entirely new around it, with the premise of New York being the hub of alien activity, and Earth a sanctuary for alien refugees.Will Smith and Tommy Lee Jones' on-screen chemistry made the titular Men in Black iconic, with Jones bringing his signature stoic humour to create the perfect counterbalance to Smith's energetic comedy, resulting in one of cinema's most memorable buddy cop pairings.Men in Black's impressive practical effects work earned Rick Baker's team an Academy Award, with cutting-edge animatronics and makeup seamlessly blended with CGI from Industrial Light & Magic, creating a visual experience that still holds up today.It's the perfect summer blockbuster, that was never intended or seen as a summer blockbuster. The script was constantly evolving, even into post-production, and the movie's plot was changed after test screenings forced an edit, and those changes would make Frank the Pug one of the most important characters in the movie...I would love to hear your thoughts on Men in Black !Verbal Diorama is now an award-winning podcast! Best Movie Podcast in the inaugural Ear Worthy Independent Podcast Awards and was nominated for the Earworm Award at the 2025 Golden Lobes.CONTACT.... Twitter @verbaldiorama Instagram @verbaldiorama Facebook @verbaldiorama Letterboxd @verbaldiorama Email verbaldiorama [at] gmail [dot] com Website verbaldiorama.comSUPPORT VERBAL DIORAMA....Give this podcast a five-star Rate & Review Join the Patreon | Send a Tip ABOUT VERBAL DIORAMAVerbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free. Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique...
Jim and Eric unwrap a very different kind of holiday story this week: the wild, demanding, and downright unbelievable making of How the Grinch Stole Christmas (2000). Fresh from Jim's trip to IAAPA and holiday visits to the Universal parks, the guys trace how the film's production shaped today's Grinchmas offerings, from the makeup performers wear to the version of Whoville Universal still uses. Along the way, they dig into this year's seasonal additions, Wicked's strong opening, and the latest rumblings from Epic Universe. NEWS• Universal Orlando and Hollywood launch their holiday seasons, including new decorations, Tribute Store theming, and Grinchmas updates • Wicked for Good posts a massive opening weekend, powering Universal's awards-season buzz• Epic Universe construction heats up with a major new permit near the Ministry of Magic• Butterbeer expands again with Coffee Mate creamers arriving nationwide soon FEATURE• The unbelievable true story of making the 2000 Grinch.• The intense Hollywood bidding war that secured Dr. Seuss's beloved book for Universal• What Jim Carrey endured inside a full yak-fur bodysuit, yellow contacts, and nine-hour makeup sessions• The military-level torture survival training Carrey received just to get through filming• How Ron Howard, Rick Baker, and even Eddie Murphy tried to keep morale up on set• And how all of this still influences the Grinch performers greeting guests at Universal today HOSTS• Jim Hill - IG: @JimHillMedia | X: @JimHillMedia | Website: JimHillMedia.com• Eric Hersey - IG: @erichersey | X: @erichersey | Website: strongmindedagency.com FOLLOW• Facebook: JimHillMediaNews• Instagram: JimHillMedia• TikTok: JimHillMedia PRODUCTION CREDITSEdited by Dave GreyProduced by Eric Hersey - Strong Minded Agency SPONSORThis week's episode is brought to you by Unlocked Magic. Save on regular Disney theme park tickets and discounted after-hours event tickets when you book through UnlockedMagic.com. Lock in your winter plans while deals last! Learn more about your ad choices. Visit megaphone.fm/adchoices
Neo The Home Robot: The future is here! Or is it? A new AI robot dubbed NEO has been announced but is it just an Indian guy using VR to control him. Zoom Court Fails: A cop shows up to Zoom court with no pants. Are we going to just let this happen!? Andy Richter and Adrien Skye: Andy Richter survives another night during the Halloween episode! How far can the Fandy's go!? We also get an alert that the Adrien Skye listening party is going on! THE BEAR!, FUCK YOU, WATCH THIS!, MICHAEL JACKSON!, THRILLER!, HALLOWEEN!, THIRSTY THURSDAY!, THRILLER DANCE!, ZOMBIE MJ!, MEMORIES!, FAVORITE PART!, MAKING OF VHS!, RICK BAKER!, BEHIND THE SCENES!, COREYWEEN HANG!, HOME ROBOT!, TECHNOLOGY!, NEO!, PUPPET!, REMOTELY RUN!, INDIA!, MAID!, VR HEADSET!, GOGGLES!, SCARY ACCENT!, NORWEGIAN!, ROBOT ATTACKED!, EGG CHARGER!, GAY AS HELL!, GLEB!, FIRE A GUN!, VIOLENCE!, POSSESSOR!, ADS!, REDWOOD AI!, DR ANDY SKILONAKIS!, TURING!, ZOOM COURT FAILS!, DRAG RACING!, DISORDERLY!, BLUNT!, DANCING WITH THE STARS!, ANDY!, HALLOWEEN NIGHT!, STILL ALIVE!, FOG!, DANCING!, HIDE!, FANDY!, GO HOME!, MORMON WIVES!, BABY!, DANCE!, RSV!, HOSPITAL!, HALLOWEEN!, GOTHSPEL!, CIRCUS QUEEN!, PLASTIC STANDARDS!, VAMPIRES BALLAD!, I'M DOWN!, PITTS OF HELL!, BETTER NOW!, LIVE!, CLUB!, BAR! You can find the videos from this episode at our Discord RIGHT HERE!
In this first of a multi-part exploration of William Friedkin's ground-breaking and massively successful adaptation of William Peter Blatty's best-selling novel 'The Exorcist': Friedkin & DP Owen Roizman coming off 'The French Connection' and into 'The Exorcist' Casting travails involving Jack Nicholson, Paul Newman, Jane Fonda, Anne Bancroft, and Audrey Hepburn. Jason Miller and Ellen Burstyn willing themselves into their roles. Studio pushback on the film's prequel, set in Iraq, and Friedkin's demand that they film there despite political upheaval and a lack of an Iraqi film industry. The search for a girl to pay Regan; over 1,000 seen, hundreds screen-tested, before Linda Blair walked into the film production's offices. Special Effects approaches courtesy of Dick Smith and Rick Baker. Soundtrack troubles with Bernard Hermann and Lalo Schiffrin and the saving grace of Mike Oldfield's 'Tubular Bells'. This episode features Friedkin, Blatty, Roizman, and Ellen Bursytn in their own words. Other Friedkin Full Cast & Crew Episodes: The French Connection To Live And Die In LA
This week on Thumb War, Jason and Rachel ring up The Black Phone 2 (2025) — a sequel that swaps its creepy basement for a haunted dreamscape — and then revisit An American Werewolf in London (1981), one of the funniest, horniest, and most existential horror movies ever made. Featuring: – Dream demons vs real terror – Rick Baker's makeup magic & Oscar-winning gore – Why Landis changed horror forever – And how skating villains might be the least scary idea ever thumbwarpod@gmail.com Support the show on Patreon for bonus episodes and Discord hangouts: http://bit.ly/44Mo8xU Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Send us a textA collection of Devil's Night-themed videotapes unleashes a series of twisted, blood-soaked tales, turning the Trick or Treat Radio hosts into a struggle for survival of their cinematic sanity. On Episode 692 of Trick or Treat Radio we discuss the latest installment in the V/H/S franchise with V/H/S/Halloween! We also discuss the anatomy of a good horror anthology entry, fear shame a very specific demographic, and react to the Shelby Oaks trailer. So grab a can of Diet Phantasma, pick out a single non-phallic candy bar, do the thorazine shuffle, and strap on for the world's most dangerous podcast!Stuff we talk about: Putting on weight, Jason Milhouse Voorhees, Camp Crystal Lake, Peloton, GGTMC Flick Pick of the Month, Outside the Cinema, Thorazine Shuffle, The Return of the Evil Dead, Q, Trick or Treats, Return of the Living Dead 3, The Nightmare Before Christmas, Necronomicon, Terror Firmer, The House on Haunted Hill, Saw, Frankenstein's Bloody Nightmare, The Zombie Diaries, Terrifier, All Hallow's Eve, Gothika, The Hills Run Red, It, See No Evil 2, Tucker and Dale Versus Evil, Pandorum, Alien Resurrection, Beetlejuice, Winona Ryder, Open House, Hack-o-Lantern, Jaws, Richard Dreyfus, Demon Under Glass, Fear the Walking Dead, Ghosts and Goblins, Mike Flanagan, The Chayn Gang, Ween, Chris Fleming, snacks at Trader Joe's, Metallica, Testament, Chuck Billy, fear shaming, people afraid of the HBO Feature Presentation intro, V/H/S/Halloween, Falcor, overly lactatious, Anna Zlokovic, Bryan M. Ferguson, Hellblazer, Sandman, Paco Plaza, REC, Lidsville, Casper Kelly, Charles Nelson Reilly, chloroform, Michelle Pitt-Norman, R.H. Norman, Rick Baker, Summer School, Damien Leone, House of Dynamite, Guillermo del Toro's Frankenstein, Kowakian Monkey Lizards, dia de los muertos, Ghosts and Goblets, Cosmic Transition, and Shiny Deadly Chaos.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show
Nathan and Ryan dive into one of the goopiest sci-fi horrors of the 1970s — The Incredible Melting Man! When an astronaut returns from space exposure to cosmic radiation, he begins to melt… and murder! The hosts discuss the film's wild blend of tragic monster story and low-budget schlock, the unforgettable (and disgusting) makeup effects by Rick Baker, and how this movie manages to be both gross and oddly beautiful. It's a meltdown of B-movie madness that only the Drive-In Double Feature Podcast can handle.
GGACP celebrates Halloween week by revisiting this conversation from 2021 as Gilbert and Frank celebrate the 90th anniversaries (1931-2021) of Universal Studios' original “Dracula” and “Frankenstein” with Oscar-winning makeup creator Rick Baker and late author-historian David J. Skal. In this episode, Rick and David talk about sympathetic monsters, mad scientists (real and imagined), the genius of Jack Pierce and the premature deaths of Colin Clive, Dwight Frye and Lon Chaney. Also, David interviews Carla Laemmle, Rick turns Martin Landau into Bela Lugosi, Glenn Strange appears in Boris Karloff's obit and Bram Stoker's widow tries to kill off “Nosferatu.” PLUS: Ghoulardi! “Man of a Thousand Faces”! The influence of Forrest J. Ackerman! Bette Davis (almost) plays the Bride of Frankenstein! And the boys (once again) try to make sense of “The Black Cat”! Learn more about your ad choices. Visit megaphone.fm/adchoices
Front Row Classics is kicking off Halloween week with several spooky offering. Brandon welcome Brandon Brown to discuss 1974's It's Alive. This science fiction/horror film came from the mind of Larry Cohen. Brandon and Brandon discuss the film's highlights including makeup by Rick Baker and one of the final scores by Bernard Herrmann. We also discuss Brandon's involvement with the Bernard Herrmann Archive.
It’s Alive Front Row Classics is kicking off Halloween week with several spooky offerings. Brandon welcome Brandon Brown to discuss 1974’s It’s Alive. This science fiction/horror film came from the mind of Larry Cohen. Brandon and Brandon discuss the film’s highlights including makeup by Rick Baker and one of the final scores by Bernard Herrmann. … Continue reading Ep. 370- It’s Alive →
It's that time again! It's October. The sun goes down in the afternoon now. Night has a chill. And at CVS and Walgreens, they are already putting up the Christmas decorations. That's right, it's Halloween. But none of that for us! We are firmly planted in autumn. As Ray Bradbury once wrote, “Something, something, something, autumn something.” By Ray Bradbury. We have enough show here to stuff your pillowcase, so grab a bag of candy and settle back. Howard Berger and Marshall Julius are here to discuss their new book, Making Monsters, inside stories from the creators of Hollywood's most iconic creatures. This is a terrific book, basically it's a high school yearbook for professional monster kids. Rick Baker, Tom Savini, Michael Giacchino, Larry Karaszewski, Ve Neill, Richard Edlund, Derek Mears, Bill Corso, David Dastmalchian, Mick Garris, Mike Mendez. The list goes on and on and on. Monster kids who grew up but never put it away, and followed their passions right into show business. Packed with photos and interviews, it's really a terrific piece. Making Monsters, by Howard Berger. The Academy Award winning make up artist, he is the B in KNB FX and Marshall Julius, author and film critic and - get this – he's British. He's from the United States of Britain. Daren Docterman is also here. Daren is an illustrator and set designer, he's worked on The Abyss, Monster House, Master and Commander, he was the VFX supervisor on the director's cut of Star Trek - The Motion Picture. He, along with Mark Altman and Ashley Miller, make up The Inglourious Trexperts. Check out that podcast. And, like Howard Berger and Marshall Julius. He's a pal. We've had meals. Quite a few. Daren Dochterman. True Tales From Weirdsville takes a deep dive into American International Pictures and it's genre output in the '50s and '60s. It gave us Roger Corman, It Conquered The World, Invasion Of The Saucer Men, The Amazing Colossal Man, I Was a Teenage Werewolf. And then it segued into the '60s with the Vincent Price / Edgar Allen Poe films like The House Of Usher, The Pit and The Pendulum, and so and and so forth. And then, as a Halloween bonus, we're going to go back into the archives and present you the True Tales we did on Orson Welles' War Of The Worlds broadcast. It's all here. It's all for you. And now, I can hear the kids at the door, and so it is on to our filthy business.
Day 19 – Episode 169: An American Werewolf in London (1981)On Day 19 of The Conner & Smith Show's 31 Days of Halloween, Ryan and I head across the pond to revisit An American Werewolf in London (1981) — John Landis's genre-blending masterpiece that's equal parts horror, comedy, and tragedy. This film not only redefined transformation effects (earning Rick Baker the very first Academy Award for Best Makeup), but it also became a personal “gay gateway” for me — with its dark humor, male vulnerability, and the unforgettable charm and body of David Naughton. We talk about how Landis's tonal tightrope still works today, why the movie's blend of wit and carnage feels so unique, and how that haunting ending still hits like a punch to the gut.Support The Conner & Smith Show on Patreon here:
Like a thunderbolt from another dimension, a dimension where $90 million-dollar comedies with top-tier talent and a first-class, Oscar-winning cinematographer combine with an expensive location shoot in Hawaii (standing in for Viet Nam) to gross $200 million dollars and spawn at least two Pantheon-level comedy characters in Tom Cruise's Les Grossman and Robert Downey, Jr's Kirk Lazarus-as-Staff-Sergeant-Lincoln-Osiris. I woefully failed to mention in the episode that Downey's transformation into Lazarus-as-Osiris was done by none other than the legend Rick Baker. To say they don't make 'em like this anymore is a sad truth. We have truly lost as a film-going society when big time stars gather to be in a movie this funny and big-screen watchable. I suppose the big screen's loss is HBO's gain, however. And soda: Ben Stiller has a new line of sodas and they're very good. You should try one!
In this episode we take a departure to Hong Kong's mighty Shaw Brothers studio, for Kuei Chih-Hung'a grisly 1981 horror Corpse Mania/Shi yao. CW: Violence, gendered violence, gore, necrophilia. Copyright © 2025 David Thomas and Jon Dear Availability on disc and streaming: Blu-ray.com Our theme music:Silent Night (Dark Piano Version) by myuu Creative Commons — Attribution 3.0 Unported— CC BY 3.0Free Download/Stream Music promoted by Audio Library Giallo Reading List (special Hong Kong edition)Planet Hong Kong: Popular Cinema and the Art of Entertainment by David Bordwell Hong Kong Action Cinema by Bey Logan The Essential Guide to Deadly China Dolls compiled by Rick Baker and Toby Russell, edited by Lisa Baker So Deadly, So Perverse: 50 Years of Italian Giallo Films by Troy HowarthVolume 3: Giallo-Style Films From Around the World
In the first episode of our annual Tales of Horror series, we dive into John Landis's iconic 1981 horror-comedy, “An American Werewolf in London.” Join us as we explore how this groundbreaking film stitched together raucous humor, visceral horror, and mournful tragedy to redefine the modern werewolf myth. We breakdown the chemistry between stars David Naughton and Jenny Agutter, the unforgettable performances of Griffin Dunne and John Woodvine, and the practical mastery of makeup artist Rick Baker that earned the movie its legendary status. From the youths' fateful trek across the English moor to transformation scenes that remain some of cinema's most grotesquely luminous moments, we discuss how Landis balances scares with sympathy, humor with heartbreak, and fate with humanity. We also examine the film's production history, its influence on later horror-comedy, and the enduring legacy of its creature design. Whether you're a long-time fan or discovering the film for the first time, this episode unpacks why An American Werewolf in London continues to haunt and delight audiences decades later.Where To Watch An American Werewolf in London
Rick Baker shares the details about the two programs that were submitted on the Chamber of the Year application for the Grand Rapids Area Chamber. Full show notes are at: chamberchatpodcast.com/episode344 Please support this podcast by supporting our sponsors. Bringing Local Back bringinglocalback.com Community Matters, Inc. chamberchatpodcast.com/podcast App My Community appmycommunity.com/chamberchat Resource Development Group rdgfundraising.com Swypit chamberchatpodcast.com/cc Izzy West, LLC theizzywest.com
180 - Planet of the Apes In this episode, we travel back to 2001 and dive headfirst into the strange, ambitious, and often divisive reboot of Planet of the Apes directed by Tim Burton. Joined by returning guest Jonathan Howell (Swordboys) and first-time guest Eric Magill (The Unapologetic Geek), we peel back the prosthetics and explore what worked, what went off the rails, and what the hell was up with that ending. From Mark Wahlberg's bewildered astronaut performance to Helena Bonham Carter's oddly alluring chimpanzee, we dissect the film's bizarre choices, its striking visual design, and how it stacks up against the legacy of the original franchise. Whether you're a die-hard Apes fan or still recovering from the 2001 confusion, this episode is packed with laughs, hot takes, and maybe even a little appreciation for the risks Burton took. Guests: Jonathan Howell - SwordboysEric Magill - The Unapologetic Geek Discuss the episode over on the Facebook group: The Reel Comic Heroes League of Citizens Follow @ReelComicHeroes on Letterboxd Join us for our next movie review - Jay & Silent Bob Strike Back Instagram | Website Music from https://filmmusic.io: "Prelude and Action" by Kevin MacLeod (https://incompetech.com) - License: CC BY (http://creativecommons.org/licenses/by/4.0/) Music from https://filmmusic.io: "Deep Haze" by Kevin MacLeod (https://incompetech.com) - License: CC BY (http://creativecommons.org/licenses/by/4.0/) Intro/Outro by Matthew S Mendoza
Jim Hill and Eric Hersey go deep into the surprising history behind Harry and the Hendersons—including how a scrapped alien horror film called Night Skies ultimately led to E.T. and Bigfoot comedy gold. From Oscars to animatronic controversies, this episode reveals the untold story behind one of Spielberg's most fascinating creative pivots. How Night Skies went from alien horror to E.T. Rick Baker's original designs for a much scarier alien crew Why the Bigfoot suit in Harry and the Hendersons almost wasn't eligible for an Oscar John Lithgow's role in reshaping the script (and the heart) of the film The connection between Predator, Harry, and Universal Studios Hollywood Why the movie's emotional ending still holds up after 38 years Also in this episode: a new Wicked trailer drop, Hagrid's joins Express Pass, Rip Ride Rockit gets a closing date, and Halloween Horror Nights adds Fallout and Five Nights at Freddy's to the mix. Support Our Sponsor: Be Our Guest Vacations Planning your next Universal vacation? Be Our Guest Vacations is a Platinum-level Earmarked travel agency with concierge-level service to make every trip magical. Their team of expert agents plans vacations across the globe, from Disney and Universal to cruises and adventures, ensuring you have the best possible experience without the stress. Book Now Learn more about your ad choices. Visit megaphone.fm/adchoices
Become an Official Member of the Dark Art Society! www.patreon.com/DarkArtSociety Gabe Leonard and I discuss the Rick Baker solo show, bitch about the art life, talk about sculpture and reflect on hanging out with Robert Williams at Cris Velasco's art BBQ among other things. Also, a quick art life update. Gabe's links: https://gabeleonardart.com/ https://www.instagram.com/gabeleonardart/ https://www.tiktok.com/@GabeLeonardArt The Dark Art Society Podcast is produced by Chet Zar. Become an Official Member of the Dark Art Society: https://www.patreon.com/DarkArtSociety Chet's Patreon: https://www.patreon.com/ChetZar Our sponsors: https://beautifulbizarreartprize.art Entries are now open for the 2025 Beautiful Bizarre Art Prize! There is over $70,000 worth of cash and prizes, and you can enter from anywhere in the world. Better yet, you don't have to submit a physical artwork! All you need to do is submit an image of your favourite piece from your whole portfolio – it doesn't even matter if the work you enter has sold. The Beautiful Bizarre Art Prize has six award categories: the RAYMAR Painting award, Victoria Olt Gallery Drawing award, Yasha Young Projects Sculpture award, Photography award, Digital Art award, and the Catherine K Gyllerstrom Emerging Artist Award. There is a brand new jury panel this year so it's a brand new chance to win! As well as the whole host of cash and product prizes, winners will also be invited to exhibit in the Beautiful Bizarre Magazine exhibition at Haven Gallery in Northport, NY alongside 70 of the world's best contemporary representational artists in October 2025. Better yet - the Beautiful Bizarre Magazine team guarantee that they look at every single entry! This is a great way to get on their radar for future opportunities too. AND they also share many of the entries on their social media and in online blogs from now until entries close on 17th July. For more information and to enter, go to https://beautifulbizarreartprize.art That's https://beautifulbizarreartprize.art ----- The Skull Shoppe: https://www.SkullShoppe.com ----- Art n Glow: My affiliate link : https://www.artnglow.refr.cc/chetzar Get 10% off by using code ZAR The Dark Art Society Podcast is produced by Chet Zar. Become an Official Member of the Dark Art Society: https://www.patreon.com/DarkArtSociety Chet's Patreon: https://www.patreon.com/ChetZar The Dark Art Society Instagram: https://www.instagram.com/darkartsociety Official Dark Art Society Website: https://www.darkartsociety.com The Dark Art Society Podcast is now available in a variety of places, including the following platforms: SoundCloud: @darkartsociety iTunes: https://apple.co/2gMNUfM Stitcher: https://www.stitcher.com/s?fid=134626&refid=stpr Podbay: https://podbay.fm/show/1215146981 YouTube: https://www.youtube.com/channel/UCrQBJayd-dfarbUOFS5m7hQ https://DarkArtSociety.com Copyright Chet Zar LLC 2025
Become an Official Member of the Dark Art Society! www.patreon.com/DarkArtSociety This week I finally interview one of my most coveted guests, the one, the only, RICK BAKER!!! Rick has his first solo show of paintings opening May 10th at Copro Gallery https://www.copronason.com/, so I wanted to interview him as a painter and dark artist instead of the usual focus on his legendary career as a 7 time Academy Award winning makeup up effects creator (for films like "An American Werewolf in London", the "Men in Black" films, Michael Jackson's "Thriller" etc.) And while we do talk quite a bit about painting and dark art, we also talk plenty about the film industry and his long and storied career as well as lots of personal feelings about life in general. This interview was a dream come true for an monster kid like me, and Rick did not disappoint! You are gonna LOVE this one! Rick's Instagram: https://www.instagram.com/therickbaker/ The Dark Art Society Podcast is produced by Chet Zar. Become an Official Member of the Dark Art Society: https://www.patreon.com/DarkArtSociety Chet's Patreon: https://www.patreon.com/ChetZar Our sponsors: beautifulbizarreartprize.art Entries are now open for the 2025 Beautiful Bizarre Art Prize! There is over $70,000 worth of cash and prizes, and you can enter from anywhere in the world. Better yet, you don't have to submit a physical artwork! All you need to do is submit an image of your favourite piece from your whole portfolio – it doesn't even matter if the work you enter has sold. The Beautiful Bizarre Art Prize has six award categories: the RAYMAR Painting award, Victoria Olt Gallery Drawing award, Yasha Young Projects Sculpture award, Photography award, Digital Art award, and the Catherine K Gyllerstrom Emerging Artist Award. There is a brand new jury panel this year so it's a brand new chance to win! As well as the whole host of cash and product prizes, winners will also be invited to exhibit in the Beautiful Bizarre Magazine exhibition at Haven Gallery in Northport, NY alongside 70 of the world's best contemporary representational artists in October 2025. Better yet - the Beautiful Bizarre Magazine team guarantee that they look at every single entry! This is a great way to get on their radar for future opportunities too. AND they also share many of the entries on their social media and in online blogs from now until entries close on 17th July. For more information and to enter, go to beautifulbizarreartprize.art That's beautifulbizarreartprize.art ----- The Skull Shoppe: https://www.SkullShoppe.com ----- Art n Glow: My affiliate link : https://www.artnglow.refr.cc/chetzar Get 10% off by using code ZAR The Dark Art Society Podcast is produced by Chet Zar. Become an Official Member of the Dark Art Society: https://www.patreon.com/DarkArtSociety Chet's Patreon: https://www.patreon.com/ChetZar The Dark Art Society Instagram: https://www.instagram.com/darkartsociety Official Dark Art Society Website: https://www.darkartsociety.com The Dark Art Society Podcast is now available in a variety of places, including the following platforms: SoundCloud: @darkartsociety iTunes: https://apple.co/2gMNUfM Stitcher: https://www.stitcher.com/s?fid=134626&refid=stpr Podbay: https://podbay.fm/show/1215146981 YouTube: https://www.youtube.com/channel/UCrQBJayd-dfarbUOFS5m7hQ https://DarkArtSociety.com Copyright Chet Zar LLC 2025
Alright, Spookies, we finally finished making our way through the OG flicks, which means it's time to start talking reboots. That's right, we've circled so far through PLANET OF THE APE-RIL that we're now right back at the beginning with Planet of the Apes (2001). For take two of the franchise, Tim Burton teamed up with Mark Wahlberg and Helena Bonham Carter to see if they had something new to add to the conversation, but studio meddling may have caused some major problems. Join us for a new Spooky Tuesday as we discuss how it stacks up to the originals, its fidelity to the Pierre Boulle novel, and the way Rick Baker finally got the tightline right. References:https://www.arkinspace.com/2014/08/the-mystery-of-orangutan-flange.htmlhttps://ew.com/gallery/planet-of-the-apes-behind-the-makeup/https://planetoftheapes.fandom.com/wiki/Planet_of_the_Apes_(2001)_Concept_Art_%26_Costume_Testshttps://collider.com/planet-of-the-apes-tim-burton-why-its-good/
Send us a textWhen twin brothers find their father's old iPod in the attic, a series of gruesome deaths start after they listen to the cursed podcasts stored on it. The siblings decide to throw the device away and move on with their lives, growing apart over the years. On Episode 663 of Trick or Treat Radio we discuss the latest film from director Osgood Perkins, The Monkey! We also talk about our favorite cinematic monkeys, films and shows that feature cursed objects, and the concept of memento mori. So grab your bad luck tiki idol, get your generational trauma in check, and strap on for the world's most dangerous podcast!Stuff we talk about: Police Academy 2, MZ's favorite comedy, Kidnapped By A Killer, Steve Guttenberg, Shakma, BJ and the Bear, Every Which Way but Loose, Clyde, Cannonball Run 2, Trading Places, Cannibal Run, Dawn of the Dead, Julia Roberts movies, Axel Foley, Back to School, Richard Pryor, Moving, Sam Kinison, Joe Dante, The Howling, Rick Baker, An American Werewolf in London, Rob Bottin, Silent Night Deadly Night Part 2, House of Wax, Vincent Price, Charles Bronson, Multiple Maniacs, Knightriders, Gothic, Species 2, Toolbox Murders, Haley Joel Osment, The Peking Acrobats, Brad Dragon, Pedro Martinez, Updog, Dominican Republic, RIP Octavio Dotel, inside baseball, The Clubhouse: A Year With the Red Sox, Christine, Keith Gordon, Anabelle, Poltergeist, Stephen King, The Mangler, Christopher Hewlett, Friday the 13th: The Series, cursed objects, haunted objects, Talk To Me, the Lament Configuration, Oddity, Shakma, Cannibal Holocaust, Longlegs, Monkeyshines, Gallery Magazine, The Monkey, Osgood Perkins, Gretel & Hansel, The Blackcoat's Daughter, Theo James, Tatiana Maslany, Adam Scott, Elijah Wood, Yellowjackets, Final Destination, Annie Wilkes, generational trauma, how to properly process grief, Caveat, Ernest Goes to Camp, Nicolas Winding Refn, Anthony Perkins, Jaws 4, do sharks know what revenge is?, Malignant, tracks suits capes and gold medallions, Peter Gabriel, Mickey 17, Bong Joon-ho, Parasite, Memories of Murder, Hunkaberry Hound, Sinister Yet Whimsical, Every Episode Dies, and why can't you set your monkey free?Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show
Here at Failure to Franchise, we don't like making fun of actors. So trust us when we say our new theme, “Mark WalhTURD and the Yucky Bunch,” dedicated to four failed franchise starters from Boston rapper-turned-actor Mark Wahlberg, is, uh, a tribute. First up, 2001's Planet of the Apes remake, which was meant to be Wahlberg's first foray into mega-blockbuster leading man territory. Helmed by beloved Hollywood weirdo Tim Burton, and featuring incredible makeup effects by Rick Baker, the film seemed like a can't-miss attempt to reboot the classic sci-fi franchise. Instead, it left the series in need of another reboot attempt a decade later. What went wrong? We're here to figure it out! Our Twitter Our Facebook Our Instagram Our YouTube Trev's Letterboxd Chris' Letterboxd
Become an Official Member of the Dark Art Society! www.patreon.com/DarkArtSociety This week I speak with the makeup artist Kevin Wasner! We worked together at Rick Baker's shop 20 years ago and it was great to reconnect! We talk about his incredible work from 10 years of working on on "The Walking Dead", the old age makeup on Mia Goth for "X", working with WETA, transitioning from the mold shop to on set makeup artist and tons more! Kevin is a great dude and super talented. Also, a quick art life update Kevin's links: IMDB: https://www.imdb.com/name/nm0913615/ Instagram :https://www.instagram.com/wasnerkevin/ Our sponsors: The Skull Shoppe: https://www.SkullShoppe.com Art n Glow: My affiliate link : https://www.artnglow.refr.cc/chetzar Get 10% off by using code ZAR The Dark Art Society Podcast is produced by Chet Zar. Become an Official Member of the Dark Art Society: https://www.patreon.com/DarkArtSociety Chet's Patreon: https://www.patreon.com/ChetZar The Dark Art Society Instagram: https://www.instagram.com/darkartsociety Official Dark Art Society Website: https://www.darkartsociety.com The Dark Art Society Podcast is now available in a variety of places, including the following platforms: SoundCloud: @darkartsociety iTunes: https://apple.co/2gMNUfM Stitcher: https://www.stitcher.com/s?fid=134626&refid=stpr Podbay: https://podbay.fm/show/1215146981 YouTube: https://www.youtube.com/channel/UCrQBJayd-dfarbUOFS5m7hQ https://DarkArtSociety.com Copyright Chet Zar LLC 2025
Wait a second... Has one of the most famous monster movies in horror actually been a HoRoCo all along? Now that a new month is here (welcome to 2025, everybody!), we're continuing WWVVSDE (Werewolf vs. Vampire Seasonal Depression Event) with An American Werewolf in London (1981), a flick that manages to balance body horror and bisexual bed chem with surprising grace. Between writer/director John Landis's colorful comedic interjections and the legendary Rick Baker's intense, practical effects transformation, this film has a lot going for it, and we're digging our claws in on a new episode of Spooky Tuesday. References:https://www.jewcy.com/arts-and-culture/whats-jewish-werewolves/https://www.theguardian.com/film/2017/jun/12/how-we-made-an-american-werewolf-in-london-john-landishttps://jackedinmovies.com/article/behind-the-scene-tales-from-an-american-werewolf-in-london/https://bloody-disgusting.com/editorials/3609546/an-american-werewolf-in-london-iconic-transformation-came-80s/https://collider.com/an-american-werewolf-in-london-ending-explained/https://screenrant.com/american-werewolf-london-trivia/https://www.syfy.com/syfy-wire/wtf-moments-the-zombie-nazi-massacre-in-an-american-werewolf-in-londonhttps://www.kindertrauma.com/an-american-werewolf-in-london/David Naughton's Dr. Pepper commercial
On an all-new dino-sized episode of your Boo Crew, two outstanding creators are about to claw their way into your horror-obsessed heart with their hilarious, warm, and blood-soaked frenetic romp...INVISIBLE RAPTOR, in theaters and VOD now! Writer Johnny Wickham and writer and star Mike Capes are here with you to talk about the horror films that made them - and their unbelievable adventure bringing to life a movie that has been KILLING it at the biggest festivals in the world, not to mention...their collaboration with special fx LEGEND, Steve Johnson (creator of Slimer, The Abyss, American Werewolf in London alongside Rick Baker and 200 others!)! You are gonna fall in love with these dudes and this movie. Boo Crew Episode 435 with Mike Capes, Johnny Wickham and INVISIBLE RAPTOR is now slaying! Learn more about your ad choices. Visit megaphone.fm/adchoices
The Penguin series on HBO and Max has been one of the most critically acclaimed comic book-based TV shows in years. Much of the praise has gone towards actors like Colin Farrell, who plays the classic Batman villain. But the makeup and prosthetics designer Mike Marino has been singled out for his innovative and striking design of the main character. Mike sculpted an entire head and body for The Penguin, a.k.a. Oz Cobb, that obscured most of Colin Farrell while also liberating the actor to inhabit a role he might otherwise not have been cast. Mike and I go deep into his creative process working with Farrell and the director/producer Matt Reeves on The Batman film and the spin-off show The Penguin. We also talk about Mike's mentors in the field like Dick Smith and Rick Baker, who created some of the most iconic makeup designs in cinema history. This week's episode is brought to you by Sol Reader and ShipStation Go to solreader.com to and use the code IMAGINARY at checkout to receive 15% off your purchase of Sol Reader Limited Edition. Go to shipstation.com and use the code IMAGINARY to sign up for your FREE 60-day trial. Learn more about your ad choices. Visit megaphone.fm/adchoices
GGACP celebrates the recent release of actor-producer Griffin Dunne's book, "The Friday Afternoon Club: A Family Memoir" by revisiting this memorable interview from 2019. In this episode, Griffin talks about blending horror and comedy, teaming with Martin Scorsese and Sidney Lumet, the cynical cinema of Billy Wilder and the lives (and work) of Joan Didion and Dominick Dunne. Also, Jerry Lewis adapts Gore Vidal, Otto Preminger takes a bad trip, Griffin sneaks onto the set of “Gilligan's Island” and Tim Burton (almost) directs “After Hours.” PLUS: Howdy Doody! “Who's That Girl”! “The Panic in Needle Park”! The genius of Harry Nilsson! And the artistry of GGACP guest Rick Baker! Learn more about your ad choices. Visit megaphone.fm/adchoices
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