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Become an Official Member of the Dark Art Society! www.patreon.com/DarkArtSociety Gabe Leonard and I discuss the Rick Baker solo show, bitch about the art life, talk about sculpture and reflect on hanging out with Robert Williams at Cris Velasco's art BBQ among other things. Also, a quick art life update. Gabe's links: https://gabeleonardart.com/ https://www.instagram.com/gabeleonardart/ https://www.tiktok.com/@GabeLeonardArt The Dark Art Society Podcast is produced by Chet Zar. Become an Official Member of the Dark Art Society: https://www.patreon.com/DarkArtSociety Chet's Patreon: https://www.patreon.com/ChetZar Our sponsors: https://beautifulbizarreartprize.art Entries are now open for the 2025 Beautiful Bizarre Art Prize! There is over $70,000 worth of cash and prizes, and you can enter from anywhere in the world. Better yet, you don't have to submit a physical artwork! All you need to do is submit an image of your favourite piece from your whole portfolio – it doesn't even matter if the work you enter has sold. The Beautiful Bizarre Art Prize has six award categories: the RAYMAR Painting award, Victoria Olt Gallery Drawing award, Yasha Young Projects Sculpture award, Photography award, Digital Art award, and the Catherine K Gyllerstrom Emerging Artist Award. There is a brand new jury panel this year so it's a brand new chance to win! As well as the whole host of cash and product prizes, winners will also be invited to exhibit in the Beautiful Bizarre Magazine exhibition at Haven Gallery in Northport, NY alongside 70 of the world's best contemporary representational artists in October 2025. Better yet - the Beautiful Bizarre Magazine team guarantee that they look at every single entry! This is a great way to get on their radar for future opportunities too. AND they also share many of the entries on their social media and in online blogs from now until entries close on 17th July. For more information and to enter, go to https://beautifulbizarreartprize.art That's https://beautifulbizarreartprize.art ----- The Skull Shoppe: https://www.SkullShoppe.com ----- Art n Glow: My affiliate link : https://www.artnglow.refr.cc/chetzar Get 10% off by using code ZAR The Dark Art Society Podcast is produced by Chet Zar. Become an Official Member of the Dark Art Society: https://www.patreon.com/DarkArtSociety Chet's Patreon: https://www.patreon.com/ChetZar The Dark Art Society Instagram: https://www.instagram.com/darkartsociety Official Dark Art Society Website: https://www.darkartsociety.com The Dark Art Society Podcast is now available in a variety of places, including the following platforms: SoundCloud: @darkartsociety iTunes: https://apple.co/2gMNUfM Stitcher: https://www.stitcher.com/s?fid=134626&refid=stpr Podbay: https://podbay.fm/show/1215146981 YouTube: https://www.youtube.com/channel/UCrQBJayd-dfarbUOFS5m7hQ https://DarkArtSociety.com Copyright Chet Zar LLC 2025
¡Revive nuestro directo especial del 10 de mayo en YouTube! Desde HORNS UP PODCAST nos lanzamos con un emocionante First Reaction de las bandas finalistas de la Metal Battle Spain 2025. Además, abrimos el directo con una entrevista exclusiva a Aneuma, ganadores de la edición nacional 2023. En este episodio nos acompañaron grandes voces del metal: Alberto Moriarti, Sara Background Noise, Jesús Alijo y Doc del Condensarock de Fluzo, junto a nuestros compañeros Juanma Fernández y Rick Baker de Horns Up Podcast. Una sesión cargada de pasión, riffs y opiniones sin pelos en la lengua. ⚠️ La gran final será el 17 de mayo en la Sala Ball Valles de Terrassa, Barcelona. ¡No te la pierdas! Disponible ya en nuestro canal de YouTube. https://www.youtube.com/live/3x6TFv1Iy54?si=He1qKA1X7s4oGot4 NOTA: Ni los invitados ni HORNS UP PODCAST guardamos relación alguna con la organización del evento.
¡Revive nuestro directo especial del 10 de mayo en YouTube! Desde HORNS UP PODCAST nos lanzamos con un emocionante First Reaction de las bandas finalistas de la Metal Battle Spain 2025. Además, abrimos el directo con una entrevista exclusiva a Aneuma, ganadores de la edición nacional 2023. En este episodio nos acompañaron grandes voces del metal: Alberto Moriarti, Sara Background Noise, Jesús Alijo y Doc del Condensarock de Fluzo, junto a nuestros compañeros Juanma Fernández y Rick Baker de Horns Up Podcast. Una sesión cargada de pasión, riffs y opiniones sin pelos en la lengua. ⚠️ La gran final será el 17 de mayo en la Sala Ball Valles de Terrassa, Barcelona. ¡No te la pierdas! Disponible ya en nuestro canal de YouTube. https://www.youtube.com/live/3x6TFv1Iy54?si=He1qKA1X7s4oGot4 NOTA: Ni los invitados ni HORNS UP PODCAST guardamos relación alguna con la organización del evento.
Become an Official Member of the Dark Art Society! www.patreon.com/DarkArtSociety This week I finally interview one of my most coveted guests, the one, the only, RICK BAKER!!! Rick has his first solo show of paintings opening May 10th at Copro Gallery https://www.copronason.com/, so I wanted to interview him as a painter and dark artist instead of the usual focus on his legendary career as a 7 time Academy Award winning makeup up effects creator (for films like "An American Werewolf in London", the "Men in Black" films, Michael Jackson's "Thriller" etc.) And while we do talk quite a bit about painting and dark art, we also talk plenty about the film industry and his long and storied career as well as lots of personal feelings about life in general. This interview was a dream come true for an monster kid like me, and Rick did not disappoint! You are gonna LOVE this one! Rick's Instagram: https://www.instagram.com/therickbaker/ The Dark Art Society Podcast is produced by Chet Zar. Become an Official Member of the Dark Art Society: https://www.patreon.com/DarkArtSociety Chet's Patreon: https://www.patreon.com/ChetZar Our sponsors: beautifulbizarreartprize.art Entries are now open for the 2025 Beautiful Bizarre Art Prize! There is over $70,000 worth of cash and prizes, and you can enter from anywhere in the world. Better yet, you don't have to submit a physical artwork! All you need to do is submit an image of your favourite piece from your whole portfolio – it doesn't even matter if the work you enter has sold. The Beautiful Bizarre Art Prize has six award categories: the RAYMAR Painting award, Victoria Olt Gallery Drawing award, Yasha Young Projects Sculpture award, Photography award, Digital Art award, and the Catherine K Gyllerstrom Emerging Artist Award. There is a brand new jury panel this year so it's a brand new chance to win! As well as the whole host of cash and product prizes, winners will also be invited to exhibit in the Beautiful Bizarre Magazine exhibition at Haven Gallery in Northport, NY alongside 70 of the world's best contemporary representational artists in October 2025. Better yet - the Beautiful Bizarre Magazine team guarantee that they look at every single entry! This is a great way to get on their radar for future opportunities too. AND they also share many of the entries on their social media and in online blogs from now until entries close on 17th July. For more information and to enter, go to beautifulbizarreartprize.art That's beautifulbizarreartprize.art ----- The Skull Shoppe: https://www.SkullShoppe.com ----- Art n Glow: My affiliate link : https://www.artnglow.refr.cc/chetzar Get 10% off by using code ZAR The Dark Art Society Podcast is produced by Chet Zar. Become an Official Member of the Dark Art Society: https://www.patreon.com/DarkArtSociety Chet's Patreon: https://www.patreon.com/ChetZar The Dark Art Society Instagram: https://www.instagram.com/darkartsociety Official Dark Art Society Website: https://www.darkartsociety.com The Dark Art Society Podcast is now available in a variety of places, including the following platforms: SoundCloud: @darkartsociety iTunes: https://apple.co/2gMNUfM Stitcher: https://www.stitcher.com/s?fid=134626&refid=stpr Podbay: https://podbay.fm/show/1215146981 YouTube: https://www.youtube.com/channel/UCrQBJayd-dfarbUOFS5m7hQ https://DarkArtSociety.com Copyright Chet Zar LLC 2025
Alright, Spookies, we finally finished making our way through the OG flicks, which means it's time to start talking reboots. That's right, we've circled so far through PLANET OF THE APE-RIL that we're now right back at the beginning with Planet of the Apes (2001). For take two of the franchise, Tim Burton teamed up with Mark Wahlberg and Helena Bonham Carter to see if they had something new to add to the conversation, but studio meddling may have caused some major problems. Join us for a new Spooky Tuesday as we discuss how it stacks up to the originals, its fidelity to the Pierre Boulle novel, and the way Rick Baker finally got the tightline right. References:https://www.arkinspace.com/2014/08/the-mystery-of-orangutan-flange.htmlhttps://ew.com/gallery/planet-of-the-apes-behind-the-makeup/https://planetoftheapes.fandom.com/wiki/Planet_of_the_Apes_(2001)_Concept_Art_%26_Costume_Testshttps://collider.com/planet-of-the-apes-tim-burton-why-its-good/
This week, we're heading to the London for blood, nightmares, and one of the most iconic transformation scenes in horror history. We're talking An American Werewolf in London (1981), written and directed by John Landis.We break down the film's unique blend of horror and dark comedy, its dreamlike pacing, and what makes it stand out in the werewolf sub-genre over 40 years later. And of course, we're spending time with that scene—the groundbreaking practical effects by Rick Baker that earned the very first Academy Award for Best Makeup.Follow Us: Instagram: https://www.instagram.com/video_villa_entertainment TikTok: https://www.tiktok.com/@videovillaentmt Facebook: https://www.facebook.com/profile.php?id=100086204155260&mibextid=LQQJ4d Website: https://www.videovillaentertainment.com
BioSteve Neill is a special effects makeup artist, filmmaker, puppeteer, model maker and visual effects (VFX) artist in film and television with a career spanning over 35 years.Steve started in the Industry at American Zoetrope just after high school where he produced his first film, Arthur. He was mentored by Francis Coppola and became good friends.Moving to Hollywood, Steve met Joe Blasco where he apprenticed for a short while before becoming friends with Rick Baker who gave him his start in Hollywood. Later he met Bob Schieffer who was head of Disney make-up and then became friends with Fred B. Phillips as a result of being friends with Bob Schieffer.Steve Neill first worked for Fred B. Phillips on Star Trek: The Motion Picture. His first assignment was to make Spock's ears. Additionally he designed and made the appliances of the dome headed alien on the bridge that was applied by Ve Neill.After working on Star Trek Steve went to work for John Chambers making prosthetics and puppet heads for National Lampoon's Class Reunion.Steve Neill has also worked on Star Trek VI: The Undiscovered Country for Richard Snell as a sculptor and prosthetic maker of numerous Klingon forehead pieces. Additionally he worked on the Star Trek: The Next Generation pilot episode, "Encounter at Farpoint".Steve Neill was also one of the Famous Hollywood Gorilla Men. Over the course of many years he made three gorilla suits and performed in many commercials, tv shows and movies. Additionally he created the McDonald's “Mac Tonight” moon character puppeteering it for many years. The head was worn by Doug Jones and puppeteered by Steve Neill, Gillian Neill and Bob Burns.He worked on Crater Lake Monster (1977) and Laser Blast (1978). Steve created, wrote and produced The Day Time Ended (1978). He worked on Ghost Busters (1984), Fright Night (1985), and many other sci-fi and horror films.Steve Neill is the author of “But Something is there” and is currently in production at SNG Studio for “But Something is There” produced by Steve Neill, Paul Gentry, Whitley Strieber and Mary Cacciapaglia.Amazon link https://tinyurl.com/5bj93kfehttps://sngstudioventura.com/https://www.youtube.com/channel/UCam8F83Eqqes5K9QKwoi99Qhttps://breaking-the-silence-shop.fourthwall.com/en-gbp/https://breakingthesilence001.substack.com/ https://www.pastliveshypnosis.co.uk/https://www.patreon.com/alienufopodcastMy book 'Verified Near Death Exeriences' https://www.amazon.com/dp/B0DXKRGDFP
Send us a textWhen twin brothers find their father's old iPod in the attic, a series of gruesome deaths start after they listen to the cursed podcasts stored on it. The siblings decide to throw the device away and move on with their lives, growing apart over the years. On Episode 663 of Trick or Treat Radio we discuss the latest film from director Osgood Perkins, The Monkey! We also talk about our favorite cinematic monkeys, films and shows that feature cursed objects, and the concept of memento mori. So grab your bad luck tiki idol, get your generational trauma in check, and strap on for the world's most dangerous podcast!Stuff we talk about: Police Academy 2, MZ's favorite comedy, Kidnapped By A Killer, Steve Guttenberg, Shakma, BJ and the Bear, Every Which Way but Loose, Clyde, Cannonball Run 2, Trading Places, Cannibal Run, Dawn of the Dead, Julia Roberts movies, Axel Foley, Back to School, Richard Pryor, Moving, Sam Kinison, Joe Dante, The Howling, Rick Baker, An American Werewolf in London, Rob Bottin, Silent Night Deadly Night Part 2, House of Wax, Vincent Price, Charles Bronson, Multiple Maniacs, Knightriders, Gothic, Species 2, Toolbox Murders, Haley Joel Osment, The Peking Acrobats, Brad Dragon, Pedro Martinez, Updog, Dominican Republic, RIP Octavio Dotel, inside baseball, The Clubhouse: A Year With the Red Sox, Christine, Keith Gordon, Anabelle, Poltergeist, Stephen King, The Mangler, Christopher Hewlett, Friday the 13th: The Series, cursed objects, haunted objects, Talk To Me, the Lament Configuration, Oddity, Shakma, Cannibal Holocaust, Longlegs, Monkeyshines, Gallery Magazine, The Monkey, Osgood Perkins, Gretel & Hansel, The Blackcoat's Daughter, Theo James, Tatiana Maslany, Adam Scott, Elijah Wood, Yellowjackets, Final Destination, Annie Wilkes, generational trauma, how to properly process grief, Caveat, Ernest Goes to Camp, Nicolas Winding Refn, Anthony Perkins, Jaws 4, do sharks know what revenge is?, Malignant, tracks suits capes and gold medallions, Peter Gabriel, Mickey 17, Bong Joon-ho, Parasite, Memories of Murder, Hunkaberry Hound, Sinister Yet Whimsical, Every Episode Dies, and why can't you set your monkey free?Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show
A movie so nice, they made it twice! NostalgiaCast continues its "Bucket List" season of '90s favorites with a big ol' goopy deep dive into Joseph James Dante Jr.'s GREMLINS 2: THE NEW BATCH, perhaps the most subversive studio picture ever unleashed on the film-going public. Avoid bright lights, water, and eating after midnight as Jonny and Darin discuss the arbitrary rules, delightfully disgusting practical FX, and nonstop parade of in-jokes that make up the greatest meta-sequel of all time. Check it out one time, won't you?
Here at Failure to Franchise, we don't like making fun of actors. So trust us when we say our new theme, “Mark WalhTURD and the Yucky Bunch,” dedicated to four failed franchise starters from Boston rapper-turned-actor Mark Wahlberg, is, uh, a tribute. First up, 2001's Planet of the Apes remake, which was meant to be Wahlberg's first foray into mega-blockbuster leading man territory. Helmed by beloved Hollywood weirdo Tim Burton, and featuring incredible makeup effects by Rick Baker, the film seemed like a can't-miss attempt to reboot the classic sci-fi franchise. Instead, it left the series in need of another reboot attempt a decade later. What went wrong? We're here to figure it out! Our Twitter Our Facebook Our Instagram Our YouTube Trev's Letterboxd Chris' Letterboxd
Send us a textThis is the first episode of my new spin off series where I talk a bit and recommend a good Friday night horror watch. Going to call this series Horrorwolf666's Bad Moon Rising. The first film I talk about is the best Werewolf movie ever made “An American Werewolf in London.”An American Werewolf in London (1981)Written and Directed by John Landis Special makeup effects creator Rick Baker. Starring David Naughton, Jenny Agutter, and Griffin Dunne.https://www.arrowvideo.com/an-american-werewolf-in-london-4k-uhdSynth Outro by Abraxas HornMy email and social links:Brandonlegion666@yahoo.comTwitter: Horrorwolf666Instagram: Brandonlegion666 Facebook: Horrorwolf666Website: www.horrorwolf666.com(Merchandise)https://www.teepublic.com/user/the-horrorwolf666-podcast
Movie Meltdown - Episode 640 This episode, Sam Drog returns as we try to wrap our heads around just how ahead of its time David Cronenberg's Videodrome truly was back in 1983. And as we plug into the network of idiots, we also bring up… the evolutionary chart of man, Mick Garris, American Ultra, Scanners, YouTube rabbit holes, The Franchise, Debbie Harry, a movie every night on the UHF channels, the rubber reality and all the latex, Robert Pattinson, a cyber doppelganger of ourselves, The Lawnmower Man, Canadian tax shelter horror movies, Stan Winston, Crash, moving meat on a skeleton, Marshall McLuhan, an electrified clay wall, just give in to the technology, Rob Bottin, incubating your gun, I'm just a monkey, Spider, taking a normal person to a weird movie, talking to the TV, manifold expanded, propaganda films, you got Jim Henson on one end and Rick Baker on the other, mechanical extensions of humanity, Personal Shopper, I gave you guys the best movie I knew how to make and you didn't show up, shelter-in-place, the world is so big and overwhelming when I'm outside, Stephen Lack, being attached to our phones, we were so obsessed with super realistic puppets, you know a guy that works at the slaughterhouse that's all you need, when you take out the filter of humanity, the Ashton Kutcher of directors, we're kind of like cyborgs, getting your fix of television and the flesh gun. Spoiler Alert: Full spoilers for "Videodrome"… I mean, as much as you can spoil "Videodrome". “The technology came and I think our brains are still trying to catch up with all this connectivity.”
On this episode of The Snub Club, the crew talks about 1988's Gorillas in the Mist. Directed by Michael Apted and starring Sigourney Weaver, Gorillas in the Mist was nominated for five Academy Awards but won nothing. In this episode, Sarah, Danny, and Caleb discuss a controversial historical figure, the legendary Rick Baker, and the 2025 Academy Award Nominations. Please check out our listener survey: https://www.surveymonkey.com/r/3GBFB5Z The Snub Club is a biweekly podcast about cinema history where we discuss the film from every year's Academy Awards with the most nominations but no wins. Hosted by Danny Vincent, Sarah Knauf, and Caleb Bunn! Follow us everywhere! Twitter: https://mobile.twitter.com/SnubClubPod Instagram: https://www.instagram.com/thesnubclubpodcast/ Facebook: https://m.facebook.com/permalink.php?story_fbid=108436691341808&id=108435618008582&substory_index=0 Theme music: Elsewhere by Jim Hall
In Hollywood, the story beats of werewolf movies were codified in 1941 by a German-Jewish emigrant to Hollywood via London named Curt Siodmak, who wrote the seminal film 'The Wolf Man', starring Lon Chaney, Jr. 40 years later, John Landis made the most important and enduring and influential werewolf film ever made in 'An American Werewolf in London'. It was his follow-up to the one-two punch of 'Animal House' and 'The Blues Brothers'. He could make any film he wanted, with anyone he wanted. So he made a script he'd begun when he was 18 years old. A script he'd first discussed with an aspiring special effects and creature-design guy named Rick Baker in 1971. 10 years later, he'd found two unknown leads, hired basically the entire cast of an acclaimed touring production of 'Nicholas Nickleby', and called Baker on the set of another werewolf movie ('The Howling') and convinced him to decamp to England to work on 'An American Werewolf in London'. For his groundbreaking innovations on the film, Baker won the ver first Academy Award ever given for makeup special effects. Featuring a snappy, smart script, Landis' virtuosic comedy/horror chops, and an unexpected soundtrack of moon songs, 'An American Werewolf in London' is in a class by itself and is one of the most important films ever made. Other werewolf films of note and worthy of your time: 'Ginger Snaps' 'Wolfen' 'Wolf' 'Dog Soldiers' 'The Howling' 'The Wolf Man' (1941) 'Werewolf of London' (1935) "Werewolf of London' inspired Zevon's song 'Werewolves of London'. Phil Everly of the Everly Brothers had watched the film and told Zevon jokingly that he should write a song with that title and start a dance craze. And as far as listicles go, this one is well-reasoned by someone who knows their werewolf films: The 25 Best Werewolf Movies
But Something is There is Steve Neill's journey through a life time of dealing with the unknown. Some call the experience "The Visitors" some call it abduction by aliens. The truth is we don't know what it is, But Something is There.BioSteve Neill is a special effects makeup artist, filmmaker, puppeteer, model maker and visual effects (VFX) artist in film and television with a career spanning over 35 years.Steve started in the Industry at American Zoetrope just after high school where he produced his first film, Arthur. He was mentored by Francis Coppola and became good friends.Moving to Hollywood, Steve met Joe Blasco where he apprenticed for a short while before becoming friends with Rick Baker who gave him his start in Hollywood. Later he met Bob Schieffer who was head of Disney make-up and then became friends with Fred B. Phillips as a result of being friends with Bob Schieffer.Steve Neill first worked for Fred B. Phillips on Star Trek: The Motion Picture. His first assignment was to make Spock's ears. Additionally he designed and made the appliances of the dome headed alien on the bridge that was applied by Ve Neill.After working on Star Trek Steve went to work for John Chambers making prosthetics and puppet heads for National Lampoon's Class Reunion.Steve Neill has also worked on Star Trek VI: The Undiscovered Country for Richard Snell as a sculptor and prosthetic maker of numerous Klingon forehead pieces. Additionally he worked on the Star Trek: The Next Generation pilot episode, "Encounter at Farpoint".Steve Neill was also one of the Famous Hollywood Gorilla Men. Over the course of many years he made three gorilla suits and performed in many commercials, tv shows and movies. Additionally he created the McDonald's “Mac Tonight” moon character puppeteering it for many years. The head was worn by Doug Jones and puppeteered by Steve Neill, Gillian Neill and Bob Burns.He worked on Crater Lake Monster (1977) and Laser Blast (1978). Steve created, wrote and produced The Day Time Ended (1978). He worked on Ghost Busters (1984), Fright Night (1985), and many other sci-fi and horror films.Steve Neill is the author of “But Something is there” and is currently in production at SNG Studio for “But Something is There” produced by Steve Neill, Paul Gentry, Whitley Strieber and Mary Cacciapaglia.Amazon link https://tinyurl.com/5bj93kfehttps://sngstudioventura.com/https://www.youtube.com/channel/UCam8F83Eqqes5K9QKwoi99Qhttps://breaking-the-silence-shop.fourthwall.com/en-gbp/https://breakingthesilence001.substack.com/ https://www.pastliveshypnosis.co.uk/https://www.patreon.com/alienufopodcast
Become an Official Member of the Dark Art Society! www.patreon.com/DarkArtSociety This week I speak with the makeup artist Kevin Wasner! We worked together at Rick Baker's shop 20 years ago and it was great to reconnect! We talk about his incredible work from 10 years of working on on "The Walking Dead", the old age makeup on Mia Goth for "X", working with WETA, transitioning from the mold shop to on set makeup artist and tons more! Kevin is a great dude and super talented. Also, a quick art life update Kevin's links: IMDB: https://www.imdb.com/name/nm0913615/ Instagram :https://www.instagram.com/wasnerkevin/ Our sponsors: The Skull Shoppe: https://www.SkullShoppe.com Art n Glow: My affiliate link : https://www.artnglow.refr.cc/chetzar Get 10% off by using code ZAR The Dark Art Society Podcast is produced by Chet Zar. Become an Official Member of the Dark Art Society: https://www.patreon.com/DarkArtSociety Chet's Patreon: https://www.patreon.com/ChetZar The Dark Art Society Instagram: https://www.instagram.com/darkartsociety Official Dark Art Society Website: https://www.darkartsociety.com The Dark Art Society Podcast is now available in a variety of places, including the following platforms: SoundCloud: @darkartsociety iTunes: https://apple.co/2gMNUfM Stitcher: https://www.stitcher.com/s?fid=134626&refid=stpr Podbay: https://podbay.fm/show/1215146981 YouTube: https://www.youtube.com/channel/UCrQBJayd-dfarbUOFS5m7hQ https://DarkArtSociety.com Copyright Chet Zar LLC 2025
But Something is There is Steve Neill's journey through a life time of dealing with the unknown. Some call the experience "The Visitors" some call it abduction by aliens. The truth is we don't know what it is, But Something is There.BioSteve Neill is a special effects makeup artist, filmmaker, puppeteer, model maker and visual effects (VFX) artist in film and television with a career spanning over 35 years.Steve started in the Industry at American Zoetrope just after high school where he produced his first film, Arthur. He was mentored by Francis Coppola and became good friends.Moving to Hollywood, Steve met Joe Blasco where he apprenticed for a short while before becoming friends with Rick Baker who gave him his start in Hollywood. Later he met Bob Schieffer who was head of Disney make-up and then became friends with Fred B. Phillips as a result of being friends with Bob Schieffer.Steve Neill first worked for Fred B. Phillips on Star Trek: The Motion Picture. His first assignment was to make Spock's ears. Additionally he designed and made the appliances of the dome headed alien on the bridge that was applied by Ve Neill.After working on Star Trek Steve went to work for John Chambers making prosthetics and puppet heads for National Lampoon's Class Reunion.Steve Neill has also worked on Star Trek VI: The Undiscovered Country for Richard Snell as a sculptor and prosthetic maker of numerous Klingon forehead pieces. Additionally he worked on the Star Trek: The Next Generation pilot episode, "Encounter at Farpoint".Steve Neill was also one of the Famous Hollywood Gorilla Men. Over the course of many years he made three gorilla suits and performed in many commercials, tv shows and movies. Additionally he created the McDonald's “Mac Tonight” moon character puppeteering it for many years. The head was worn by Doug Jones and puppeteered by Steve Neill, Gillian Neill and Bob Burns.He worked on Crater Lake Monster (1977) and Laser Blast (1978). Steve created, wrote and produced The Day Time Ended (1978). He worked on Ghost Busters (1984), Fright Night (1985), and many other sci-fi and horror films.Steve Neill is the author of “But Something is there” and is currently in production at SNG Studio for “But Something is There” produced by Steve Neill, Paul Gentry, Whitley Strieber and Mary Cacciapaglia.Amazon link https://tinyurl.com/5bj93kfehttps://sngstudioventura.com/https://www.youtube.com/channel/UCam8F83Eqqes5K9QKwoi99Qhttps://breaking-the-silence-shop.fourthwall.com/en-gbp/https://breakingthesilence001.substack.com/ https://www.pastliveshypnosis.co.uk/https://www.patreon.com/alienufopodcast
The Wolf Man explores a disturbingly realistic vision of what it would take to turn a man into a werewolf. Does this horror movie have any basis in science fact? Do werewolves and wolf men even obey their own story rules?“Even a man who is pure of heart and says his prayers by night, may become a wolf when the wolfbane blooms and the autumn moon is bright.” The Wolf Man (1941)Werewolves, wolf men (and women), and really werebeasts of all shapes and sizes have been a part of our collective unconscious for about as long as we've been able to tell stories. There's something universal (no pun intended) about the concept of a human being shape-shifting back into a more primal state. And if these tales were terrifying around a campfire, they're even more effective on screen, where all of the brilliant special effects Hollywood has to offer have long been brought to the table to transform ordinary actors into bloodthirsty werebeasts.But just where (“where oh, werewolf…”) does this story come from? Is there any chance at all that humans can devolve into a more animalistic state? Is there any reason to believe that werewolves could be real, even if they aren't exactly as depicted on film? Check out the latest episode of Does it Fly? for the answers to these questions and more!SUGGESTED VIEWING This episode is based primarily on the version of the werewolf legend told in 2010's The Wolfman, directed by Joe Johnston (we took a look at another of Johnston's films in our episode on The Rocketeer). It's a tremendously underrated film that starred Benicio del Toro, Emily Blunt, Anthony Hopkins, and Hugo Weaving. If you haven't seen it, we rate it pretty highly.But that film was an updating of perhaps the most iconic werewolf movie of all time, 1941's The Wolf Man starring Lon Chaney, Jr. A key piece of the classic Universal Monsters cycle of films, The Wolf Man is the source of many of pop culture's most enduring pieces of werewolf lore.However, if you're looking for the greatest werewolf movie of all time, the one that is the best blend of old and new, then look no further than 1981's An American Werewolf in London. While something of a horror-comedy, it won the first ever Academy Award for Best Makeup thanks to Rick Baker's incredible werewolf makeup and what is the undisputed champion of amazingly realistic on-screen man-to-wolf transformations ever put on film. It's not for the faint of heart, but you can't call yourself a true wolf-fan until you've seen this one.For more on the origins of horror stories, Tamara also recommends Monstrum, which is exceptionally cool.FURTHER READING Do you want to delve a little deeper into the facts, concepts, and stories Hakeem and Tamara referenced in today's episode? Of course you do! MetamorphosisFairly common in nature is the basic concept of metamorphosis, most commonly illustrated by the egg to larva to pupa to final form life cycle found in insects (think caterpillars to butterflies rather than humans to wolves). Not a human thing, necessarily, but a good indicator of how such transformations aren't uncommon in nature.LycanthropyThere is actually a clinical disorder in which a human can hold the psychological belief that they've either turned into a wolf or are in the process of becoming one. There are actual scientific journal articles on the topic!Werewolves in MythologyOne of the earliest recorded stories as we know them is the epic of Gilgamesh, and even there someone turns into a wolf. Similarly, it's a theme that appears more than once in Ancient Greek mythology. Basically, werewolves have been with us since long before Hollywood discovered them.The Original Werewolf MovieWhile we detail plenty of cool werewolf movies in this episode, there's one you can only read about, the long lost (thanks to fire) 1913 silent film The Werewolf.LUCAKnown as the Last Universal Common Ancestor, it's proof that every species on this planet shares a little DNA. Does it prove the existence of werewolves? Absolutely not. It's still pretty cool, though!WANT MORE FROM DOES IT FLY?This isn't our first spooky rodeo! If you're looking for other horror-themed Does it Fly? episodes, allow us to suggest…The Secret Science of Ghostbusters!The Truly Disturbing Horror of Smile (and Smile 2)What Beetlejuice Gets Right About Demonic Possession!FOLLOW US!Stay in the loop! Follow DoesItFly? on YouTube and TikTok and let us know what you think! And don't forget to follow Roddenberry Entertainment:Instagram: @RoddenberryOfficial Facebook: RoddenberryBlueky: @Roddenberry For Advertising Inquiries: doesitfly@roddenberry.comCheck out the official Does it Fly? playlist, too!
David Cronenberg's 1983 provocative techno-surrealist body horror, VIDEODROME, is our feature presentation this week. We talk the inception of the original concept, Rick Baker's Special FX, James Woods' performance, Debbie Harry, the world of local access cable TV, and much more! We also pick our TOP 7 TV-RELATED MOVIES in this week's SILVER SCREEN 7. Become a regular here at THE BROKEN VCR! To watch the LIVE VIDEO RECORDING of BVCR, sign up to the PATREON ($2.99/month) at theturnbuckletavern.com. You'll get the episodes in video form days/weeks early!
Wait a second... Has one of the most famous monster movies in horror actually been a HoRoCo all along? Now that a new month is here (welcome to 2025, everybody!), we're continuing WWVVSDE (Werewolf vs. Vampire Seasonal Depression Event) with An American Werewolf in London (1981), a flick that manages to balance body horror and bisexual bed chem with surprising grace. Between writer/director John Landis's colorful comedic interjections and the legendary Rick Baker's intense, practical effects transformation, this film has a lot going for it, and we're digging our claws in on a new episode of Spooky Tuesday. References:https://www.jewcy.com/arts-and-culture/whats-jewish-werewolves/https://www.theguardian.com/film/2017/jun/12/how-we-made-an-american-werewolf-in-london-john-landishttps://jackedinmovies.com/article/behind-the-scene-tales-from-an-american-werewolf-in-london/https://bloody-disgusting.com/editorials/3609546/an-american-werewolf-in-london-iconic-transformation-came-80s/https://collider.com/an-american-werewolf-in-london-ending-explained/https://screenrant.com/american-werewolf-london-trivia/https://www.syfy.com/syfy-wire/wtf-moments-the-zombie-nazi-massacre-in-an-american-werewolf-in-londonhttps://www.kindertrauma.com/an-american-werewolf-in-london/David Naughton's Dr. Pepper commercial
My guest this week is Rick Baker, founder of the Becky Baker Foundation, a non-profit organization that supports families affected by breast cancer. His wife Becky battled stage IV breast cancer for four years and Rick took care of her every day. Before she passed, one of the last things she said was that she was sorry no one would remember her name.Rick has seen to it that people remember her name. He launched the Becky Baker Foundation a month after her passing and continues to support families going through this challenging time. We talk about Becky, the Foundation's pop up shop in Pueblo where families can shop, his book The Guy's Guide to Everything Breast Cancer, the importance of awareness and prevention, self care for caregivers, and so much more!!You can find out more information at https://beckybakerfoundation.org/ or find Rick on Facebook at https://www.facebook.com/beckybakerfoundation. You can also pick up a copy of his book on either site.If you're ever in the Pueblo, Colorado area, you can stop by the Pueblo Mall and check out the store.Let me know your takeaways from this episode! I'd love to hear from you. You can find me on Instagram at https://www.instagram.com/melissagrosboll, email me at drmelissagrosboll@gmail.com, or text me at 720-201-4292.
On an all-new dino-sized episode of your Boo Crew, two outstanding creators are about to claw their way into your horror-obsessed heart with their hilarious, warm, and blood-soaked frenetic romp...INVISIBLE RAPTOR, in theaters and VOD now! Writer Johnny Wickham and writer and star Mike Capes are here with you to talk about the horror films that made them - and their unbelievable adventure bringing to life a movie that has been KILLING it at the biggest festivals in the world, not to mention...their collaboration with special fx LEGEND, Steve Johnson (creator of Slimer, The Abyss, American Werewolf in London alongside Rick Baker and 200 others!)! You are gonna fall in love with these dudes and this movie. Boo Crew Episode 435 with Mike Capes, Johnny Wickham and INVISIBLE RAPTOR is now slaying! Learn more about your ad choices. Visit megaphone.fm/adchoices
Talking Apes wraps up 2024 in a big fun way! Kevin (Proximus Caesar) Durand and Bobby (Cornelius) Porter leave video messages. We tally up the final box office results of Kingdom of the Planet of the Apes as well as go over the recent sequel news. We had to talk about South Carolina's inadvertent live production of Rise of the Planet of the Apes. How many of us cheered when primates escaped from a research facility and were “just being goofy monkeys jumping back and forth playing with each other” (actual quote from CBS News). Like us, did you hope the 43 escaped monkeys were going to take over humanity? We read more of your comments on the Planet of the Apes TV series and Talking Apes anniversaries. And there is still more to go. How many saw Rick Baker's classic Apes display set up in his yard for Trick or Treaters on Halloween night? Unfortunately we did not see it live but gathered lots of video and pics as well as the gruesome footage of Rick demolishing the sets the day after. (Be forewarned it is really hard to watch.) Since we are so proud of our efforts from last year, we'll replay our melodically and on key ‘14 episodes of Planet of the Apes' to the tune of ‘12 Days of Christmas'! You're welcome! Now, have a happy holiday season and let's GO APE in 2025! Talking Apes Merchandise! Shop our entire TeePublic Shop here Contact Us Email: Apestv@SkywalkingThroughNeverland.com Tweet: @Skywalkingpod Facebook: Talking Apes TV Subscribe on iTunes | Stitcher | YouTube
The Penguin series on HBO and Max has been one of the most critically acclaimed comic book-based TV shows in years. Much of the praise has gone towards actors like Colin Farrell, who plays the classic Batman villain. But the makeup and prosthetics designer Mike Marino has been singled out for his innovative and striking design of the main character. Mike sculpted an entire head and body for The Penguin, a.k.a. Oz Cobb, that obscured most of Colin Farrell while also liberating the actor to inhabit a role he might otherwise not have been cast. Mike and I go deep into his creative process working with Farrell and the director/producer Matt Reeves on The Batman film and the spin-off show The Penguin. We also talk about Mike's mentors in the field like Dick Smith and Rick Baker, who created some of the most iconic makeup designs in cinema history. This week's episode is brought to you by Sol Reader and ShipStation Go to solreader.com to and use the code IMAGINARY at checkout to receive 15% off your purchase of Sol Reader Limited Edition. Go to shipstation.com and use the code IMAGINARY to sign up for your FREE 60-day trial. Learn more about your ad choices. Visit megaphone.fm/adchoices
Today With LuAnn Nigara: Hi, welcome! In this episode of Window Treatments for Profit, I dive into the concept of "slow down to go fast." As the year wraps up and we prepare for a new one, it's the perfect time to strategize and strengthen our businesses. Drawing insights from industry leaders like Kate O'Hara and Rick Baker, I discuss essential strategies for creating efficient processes, establishing routines, and defining your vision, whether you have a small team or are looking to scale. Join me as we explore how taking the time to refine your operations now can lead to faster growth and success in 2025! What's new with LuAnn Nigara The Power Talk Friday Tour Watch the Docuseries! http://www.luannnigara.com/cob Connect with LuAnn Nigara LuAnn's Website LuAnn's Blog Power Talk Friday Like Us: Facebook | Tweet Us: Twitter | Follow Us: Instagram | Listen Here: Podcast Other Resources This podcast supports the Savvy Giving Design Coalition. Learn more about it here! AWDB #717 Susan Wintersteen: Interior design firm standards in a nonprofit passion project AWDB #164: Susan Wintersteen- Savvy Giving by Design Find LuAnn's Books Here! Kravet Workspace in Basking Ridge, New Jersey BADG & Cooper Hewitt Event Info & Link to Reserve Tickets!
Click on the podcast to hear Army veteran Rick Baker talk about the path and the purpose that lead him to create a new veterans memorial, founding Hoodies for Heroes and finding healing along the journey. The new memorial was […] The post Veteran Mission Complete – Memorializing the Fallen first appeared on Voices of Montana.
As impossible as it might seem, until quite recently, Barry had never seen An American Werewolf in London. This week, the Regular Joe's, joined by Tom Spina of Regal Robot, take a look at the 1981 John Landis horror/dark comedy cult classic. Tom shares his first-hand experience with one of the screen used props, and recounts his own meeting with John Landis. Groundbreaking in many ways, the film earned Rick Baker the first ever Academy award for best makeup. In addition to an unforgettable transformation sequence, American Werewolf also has early 80s era Jenny Agutter, and that's never a bad thing. More than 40 years later, the film remains scary and makes for a good Halloween rewatch. There's also the usual random topics, and a round of What's in the Box. Thanks for listening and happy Halloween.
Welcome back! Our Halloween Series continues in high gear with an 80s cult classic--An American Werewolf in London! This horror flick has a lot going for it: Elements of comedy, a fast-moving pace, and Rick Baker's stunning monster effects. In fact, the top question you'll probably have from this movie is, "How did they do that?!"You can find out in this week's Cinemavino! Plus, this werewolf epic was directed by John Landis, a filmmaker known for his comedies. Is it still funny? Is it still scary? Or, was it ever much of either? Tune in, and get all the answers! Also, be sure and check out our sponsor:flavor.com/cinemavinoPromo Code: cinemavino10 -- for $10 off all purchases of $100 or more!#80s #horror #comedy #halloween #werewolves
In this hair-raising episode of Drive-In Double Feature Podcast, hosts Nathan and Ryan venture into the foggy moors of England to discuss John Landis' classic horror-comedy An American Werewolf in London. From groundbreaking special effects by Rick Baker to the perfect blend of humor and horror, this 1981 cult favorite has left an indelible mark on werewolf cinema. Nathan and Ryan dive into the film's iconic transformation scenes, its clever script, and what makes it stand out in the creature-feature genre. Tune in for a fun and in-depth discussion on one of the most beloved werewolf films ever made!
Send us a textHang on to your hats people because boy do we have a hair-raising one for you! This week the Puppet Masters celebrate spooky season with a true horror classic, An American Werewolf in London. Join monster movie aficionado, Will, as he tries to convince horror-hating Ben that this 1980's classic is more than just sex and violence. This OSRAC WINNING movie has it all, gruesome attack scenes, amazing puppets, and the single greatest werewolf transformation in cinematic history. Learn along as Will educates Ben on the history, effects, and behind the scenes goodies of one of his favorite films. Will he be able to convince Ben that this movie deserves a top tier spot on the space to carol? Will we finally reach new heights on the spooky scale? Listen in to find out! You won't even need to wait for the next full moon! AAHHH OOOOOOOOHHHH!Join the discussion on our discord! https://discord.gg/JDtWJrhPF6Follow us on twitter @PMoNPodcast and Instagram and Threads @puppetmastersofnoneFind out more about the puppet masters on our website: https://puppetmastersofnone.wixsite.com/puppetmastersofnoneOriginal Music Composed by Taetro. @Taetro https://www.taetro.com/
Degens Andy S and Brandon Bombay pull out the whips and cigarettes for a special Spooky Sleazon episode as they discuss David Cronenberg's horror masterpiece 'Videodrome.' Bombay starts off the program with a cautionistic tale, as he recalls his first time a woman lured him into the masochistic arena, and how the relationship ended poorly much like the one featured in the movie. Then Andy goes into full pulpit preacher mode as the fellas talk about 'Videodrome' and what it meant to be exposed to this film's signal at too young of an age. Headlined by the king of '80s sleaze, James Woods, and featuring a dangerously smoldering performance from Debbie Harry, the movie blurs the lines between violence and carnal pleasures. As if that wasn't eye candy enough, F/X god Rick Baker showed up to the affair to bring to life haunting body horror images that were plucked directly from Cronenberg's mind. It's the perfect melding of gross out goop and hedonistic delight that will have you shouting "Long live the new flesh!"
Planet of the Apes (2001): Episode 314 - Sep-Tim-Bur-Ton wraps up as we head back to our favorite planet - The Planet of the Apes 2001! Ape-raham Lincoln smiles upon us as we discuss the big blockbuster disaster that put a serious dent into Tim Burton's reputation and almost ended this franchise. Get your stinking paws off me, you damned, dirty podcast. Insta: @NormiesLikeUs https://www.instagram.com/normieslikeus/ @jacob https://www.instagram.com/jacob/ @MikeHasInsta https://www.instagram.com/mikehasinsta/ https://letterboxd.com/BabblingBrooksy/ https://letterboxd.com/hobbes72/ https://letterboxd.com/mikejromans/
Welcome back to the show! This week, we are talking about The Wolfman from 2010! We are covering everything about this film, from the spooky tone to Rick Baker's kickass make-up and Universal dropping the ball.
On this episode, we continue our spooky theme with one of the best werewolf movies to ever be brought to the silver screen, An American Werewolf in London. We talk about the amazing practical effects by Rick Baker, the iconic transformation scene, the direction from John Landis, the balance between comedy and horror, and much more. Stay tuned for more spookiness as we continue to dive in more.
Comedian Josh Gondelman (Last Week Tonight with John Oliver, The Marvelous Mrs. Maisel) joins us to talk a little about the very first Men In Black. How does the film hold up? Is it okay to like Will Smith again? How good was Barry Sonnenfeld at making this type of goofy genre movie? Why won't Hollywood just give Rick Baker a trillion dollars to keep making movie magic? All these questions and more are answered as Vespe, Wampler, and Gondelman look back at the highest earning movie of 1997. Learn more about your ad choices. Visit megaphone.fm/adchoices
The next sequel we will be discussing is "Evil Dead 2". For it, I chatted with SFX Legend and Oscar Winner Howard Berger. Howard talked about growing up in LA, using the Yellow Pages to contact his heroes, High School Drama, Dick Smith, puppeteering Chucky, KNB FX, Tarantino, Rick Baker, and more. Watch the unedited video interview at sequelsonly.com/HowardBerger Howard's Website https://www.knbefx.com/ Howard's IMDb https://www.imdb.com/name/nm0074205/ Your homework is to watch "Evil Dead 2" which is free on Plex. Follow us on all social media @sequelsonly and our website is sequelsonly.com Review, rate, and share us with your friends, enemies, neighbors, exes, and even that annoying supermarket clerk!
GGACP celebrates the recent release of actor-producer Griffin Dunne's book, "The Friday Afternoon Club: A Family Memoir" by revisiting this memorable interview from 2019. In this episode, Griffin talks about blending horror and comedy, teaming with Martin Scorsese and Sidney Lumet, the cynical cinema of Billy Wilder and the lives (and work) of Joan Didion and Dominick Dunne. Also, Jerry Lewis adapts Gore Vidal, Otto Preminger takes a bad trip, Griffin sneaks onto the set of “Gilligan's Island” and Tim Burton (almost) directs “After Hours.” PLUS: Howdy Doody! “Who's That Girl”! “The Panic in Needle Park”! The genius of Harry Nilsson! And the artistry of GGACP guest Rick Baker! Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode, “The Invisible Dan” and “Monster Mike” got that dog in 'em! Join them as they discuss Universal's back-to-basics approach to their 2010 remake, The Wolfman, as well as the last minute personnel changes, the reshoots a year after principle photography wrapped, the differences between the theatrical cut and the (superior) unrated director's cut, Rick Baker's Academy Award-winning makeup, and so much more! If you enjoy this episode, and want to support the show, check out our Patreon!
GGACP celebrates the birthday of actor, film historian, memorabilia collector and “Monster Kid” Bob Burns by revisiting this wide-ranging interview from 2017. In this episode, Bob regales Gilbert and Frank with stories about meeting Boris Karloff, Bela Lugosi, Vincent Price, George Pal and William Castle, among others. Also, Bob mentors Rick Baker, tours with Eddie Munster, brings Lon Chaney Jr. to tears and visits the set of “Plan 9 from Outer Space.” PLUS: “Shock Theater”! Ray “Crash” Corrigan! “Invasion of the Saucer Men”! Tor Johnson goes to the movies! And Bob confirms the “legend” of Forrest Tucker! Learn more about your ad choices. Visit megaphone.fm/adchoices
This week I'm reading from Steve Neill's book 'But Something is There'.But Something is There is Steve Neill's journey through a life time of dealing with the unknown. Some call the experience "The Visitors" some call it abduction by aliens. The truth is we don't know what it is, But Something is There.BioSteve Neill is a special effects makeup artist, filmmaker, puppeteer, model maker and visual effects (VFX) artist in film and television with a career spanning over 35 years. Steve started in the Industry at American Zoetrope just after high school where he produced his first film, Arthur. He was mentored by Francis Coppola and became good friends. Moving to Hollywood, Steve met Joe Blasco where he apprenticed for a short while before becoming friends with Rick Baker who gave him his start in Hollywood. Later he met Bob Schieffer who was head of Disney make-up and then became friends with Fred B. Phillips as a result of being friends with Bob Schieffer.Steve Neill first worked for Fred B. Phillips on Star Trek: The Motion Picture. His first assignment was to make Spock's ears. Additionally he designed and made the appliances of the dome headed alien on the bridge that was applied by Ve Neill.After working on Star Trek Steve went to work for John Chambers making prosthetics and puppet heads for National Lampoon's Class Reunion.Steve Neill has also worked on Star Trek VI: The Undiscovered Country for Richard Snell as a sculptor and prosthetic maker of numerous Klingon forehead pieces. Additionally he worked on the Star Trek: The Next Generation pilot episode, "Encounter at Farpoint".Steve Neill was also one of the Famous Hollywood Gorilla Men. Over the course of many years he made three gorilla suits and performed in many commercials, tv shows and movies. Additionally he created the McDonald's “Mac Tonight” moon character puppeteering it for many years. The head was worn by Doug Jones and puppeteered by Steve Neill, Gillian Neill and Bob Burns.He worked on Crater Lake Monster (1977) and Laser Blast (1978). Steve created, wrote and produced The Day Time Ended (1978). He worked on Ghost Busters (1984), Fright Night (1985), and many other sci-fi and horror films. Steve Neill is the author of “But Something is there” and is currently in production at SNG Studio for “But Something is There” produced by Steve Neill, , Paul Gentry, Whitley Strieber and Mary Cacciapaglia.Amazon link https://tinyurl.com/5bj93kfehttps://sngstudioventura.com/https://www.youtube.com/channel/UCam8F83Eqqes5K9QKwoi99Qhttps://breaking-the-silence-shop.fourthwall.com/en-gbp/https://breakingthesilence001.substack.com/https://www.pastliveshypnosis.co.uk/https://www.patreon.com/alienufopodcastBecome a supporter of this podcast: https://www.spreaker.com/podcast/alien-ufo-podcast--5270801/support.
Diane and Sean discuss MIIB, the second installment of the Men In Black franchise. Episode music is, "Black Suits Comin' (Nod Ya Head)", Written by Will Smith, Mark Sparks, Ron Feemster, Lennie Bennett, LeMar Bennett and Lance Bennett, performed by Will Smith introducing TRÃ-KNOX. - Our theme song is by Brushy One String- Artwork by Marlaine LePage- Why Do We Own This DVD? Merch available at Teepublic- Follow the show on social media:- IG: @whydoweownthisdvd- Tumblr: WhyDoWeOwnThisDVD- Follow Sean's Plants on IG: @lookitmahplants- Watch Sean be bad at video games on TwitchSupport the Show.
While not the 25 year separation between films, schedule wise we took a little break from the Planet of the Apes franchise. But, here we are, with a review of when Tim Burton took the reins of the franchise and remade the original film in 2001. On the surface Burton may seem like an unusual choice to direct a remake of Planet of the Apes, but it's really not when you think about how many times he has done something that on paper may look like it was impossible to do, and turned it into money at the box office. Here, he is armed with the make-up effect prowess of Rick Baker and a hot leading man in Mark Wahlberg. How did it turn out? Join Matt, Adam, and Garrett as they review a movie that critically was an absolute failure, but financially made enough money to justify continuing the franchise. Listen in to find out why that didn't happen. And be sure to keep coming back, as this leg of the retrospective will end in a review of the brand new release Kingdom of the Planet of the Apes!
Our first film is John Landis' classic horror-comedy about two backpackers in the English countryside who get attacked by a werewolf. Hilarity ensues as the dead one comes revisits his friend to warn him that he is the last living werewolf in this line of werewolves and really ought to kill himself to save humanity. This film is most notorious for having perhaps the best werewolf transformation sequence in the history of filmmaking by special effects artist Rick Baker.
Content Warning: Suicide MentionWhatever you do, if townspeople seem a little scared of an abandoned temple, DON'T SPEND THE NIGHT THERE! Oh well, if that isn't enough of a warning maybe this episode on A Chinese Ghost Story (1987) with the authors of The New Essential Guide to Hong Kong Movies, Rick Baker and Ken Miller, will impart the warning better! We unpack this classic of Hong Kong cinema, from the incredible Leslie Cheung's performance to just how explosive exorcisms can get.Where to find Rick and Ken:The New Essential Guide to Hong Kong Movies: https://www.amazon.com/Essential-Guide-Hong-Kong-Movies/dp/1648210163Eastern Heroes: https://easternheroes.com/Monster Zone: https://monsterzone.org/Twitter: @easternheroes1, @MillerzillaFacebook: https://www.facebook.com/easternheroesshop/Contact the Podmoviestruckpod@gmail.comwww.moviestruck.transistor.fmPatreon: https://www.patreon.com/moviestruckDiscord: https://discord.gg/cT2vm3KdeSBlueSky: @moviestruck.bsky.socialTheme by Prod. DomSoundcloudThank you to our $10 Patrons!Sarai Thompson, Zas, Madilyn Dyche, Ethan Stine, Jim8333, Jacob Hunt, Azraq Shinji, Case Aiken, Ebony Voigt, AnOptimist, Lairde Ray, the Norwegian one, Travis Poe, William Warren, Stag Hart (Deer Deer), Rusty_Fork, Mura Purcell, insomnite, Link Brenton, Nathan Dunlap, DaddySwan, Jason S. ★ Support this podcast on Patreon ★
Hollywood had been looking to get the Planet of the Apes franchise back into orbit for 20 plus years, but it wasn't until Tim Burton signed on to direct that the 2001 remake took sh(ape). But despite boasting incredible Rick Baker makeups, Marky Mark as the lead human and an impressive box office haul, the reaction to the film was so toxic that 20th Century Fox studios declined to opt for a sequel. Join Sebastian and Jennifer as they make monkeys out of themselves trying to unpack the movie's ruinously bananas twist endings.
Tim Burton's Planet of the Apes reboot from 2001 joins the Ape-ril fray this week! Your hosts and special guest Hannah Blechman try to make sense of this hornier than expected take on the franchise. Check out Hannah's podcast Authorized Novelizations at https://open.spotify.com/show/68YhhFLKW5m6ibJJDZ147M?si=9a2b3ee7c15c4f17 or via your prefferred podcast network. Star ratings help us build our audience! Please rate/review/subscribe to us on Spotify, Apple Podcasts or wherever you listen, and share us with your ape greaser buddies! Email us at sequelrights@gmail.com with feedback or suggestions on future franchises! Special Guest: Hannah Blechman.
Synopsis Two American tourists David and Jack are hiking through Europe when they are attacked by a giant wolf in the northern moorlands of Britain. A month later during the full moon, David turns into a werewolf. But not any ordinary, this one is louder, friendlier, individualistic, and more confident than British werewolves. It wreaks havoc on London, biting and slashing through town while being openly patriotic. Review of An American Werewolf in London An American Werewolf in London is a classic 80's horror movie that stands the test of time. Director John Landis brings the humor he is known for from Animal house and Blues Brothers, and combines it with the horror that he brought to behind the scenes of Twilight Zone: The Movie. The cast of relative unknowns David Naughton and Griffin Dunne bring a convincing casualness as college friends, and really sell the humor. The real star of the show is Rick Baker's practical effects, and the werewolf transformation stands as the gold standard of metamorphoses on camera. While the film does have humor, I would more describe it as casual. Which is a great contrast to the gory violence and disturbing dreamy jump cuts that pop out at you throughout. The film isn't too ambitious and keeps the plot to a basic monster movie reminiscent of the old universal horror movies, but it is spiced up with quirky 80's flavor. Score 10/10
This week on the Exciting & New podcast, Jason, Andy and Dana travel back to the ancient year of 1980 for a very special episode as they discuss the cameo filled movie Midnight Madness. Part Mad, Mad World, part After-school special, 5 groups of college kids (all broken up in their appropriate stereotype) race around Los Angeles on a scavenger hunt to win the....uh.. what did they win? It doesn't matter. The logic of this movie makes no sense but it is quite fun. Filled with future stars and tons of has beens, come join us as we follow Flounder, Eugene, Rick Baker's favorite Werewolf and some unknown kid billed as Mike Fox in madness that is done after midnight
We kick off season 38 of The Worst Movie Ever Made with The Thing With Two Heads... a screenplay that somehow landed a helicopter budget. Athletic African American anticipating amputation avenges accusation! Doing deliberate decapitation despite donor in the dark! Jack trying to mack with the doc in the sack! Needlepoint for men! Rick Baker side-struts! Full movie half-nelson! Dutch oven delegations! Garage Sale Get Out? Shared lung semantics, and much, much more on this week's episode of The Worst Movie Ever Made! www.theworstmovieevermade.com