Joanna Lumley & The Maestro

This week Joanna and Stephen are joined by a very special guest, Stephen's personal piano tuner, David Widdicombe. From concert grands, upright 'domestics' and honkytonks, David has tuned them all. Having worked with the world's most prestigious piano makers, Steinway, for 3 decades David tells us about his life working alongside the world's most gifted players, how fractions of millimetres make all the difference and how to get the perfect 'temperament' from your own “Joanna”.

This week we're diving into two 'bohemian' heroes of classical music, Bohuslav Martinů and Leoš Janáček. Stephen remembers encountering the music of Martinů at Cambridge, and being confronted by ‘pure simple joy' of it. From the lyricism of Martinů, we work back towards Janáček – another gifted Czech composer – and get to grips with the fairy-tale essence of The Cunning Little Vixen, Sinfonietta and the exultant Glagolitic Mass. Strap in. The Bohemians have arrived.

Which note could the Maestro not live without? Where are all the female composers? And is there a better quintet going than Franz Schubert's Trout? In this mini episode Joanna puts your questions to the Maestro.

This episode is all about the written language of music, the 'hieroglyphs' or 'blobs on the stave'. Stephen and Joanna discuss the connection between reading music and words, elaborating on symbols, sounds, expression, speed and time signature. Stephen tests the boundaries of Joanna's musical literacy with a test and Wagner offers a 'moderate' interpretation of tempi.

Which earworm keeps the Stephen from his bedtime reading? What's stopping Joanna from going to Glastonbury? Is the Maestro being clear enough for his engraver? In this mini episode Joanna and Stephen dive into the email inbox once again...

In today's episode, Stephen and Joanna pour over some of the most passionate music ever performed and conceived - the violin concerto. They explore the mechanics of violin playing, discuss their favourite virtuoso fiddlers and also explore major works by Elgar, Brahms, Tchaikovsky and Sibelius.

In this mini episode, Joanna and Stephen explore the most pressing questions. What is the Maestro's preferred sobriquet? Music that sounds like it's from a different dimension, and how one should conduct music for the love of three oranges?

Is it a faun? Is it moonlight? Yes, it's Claude Debussy! Over the next 30 minutes, Joanna and Stephen discuss the musical development of French impressionism. We see how three composers, Debussy, Ravel and Boulez, summoned images through sound and set the imagination free.

In this mini episode, Joanna and Stephen field more vital questions from listeners, such as, why does transposition jangle the Maestro's mind? Which musical keys suit certain moods? And most importantly, what not to wear when meeting the President?

Is there anything quite so majestic as the British brass band? Joanna and Stephen describe their first encounters with these ensembles, how they evolved and which pieces reach out to the soul. With the onset of the Industrial Revolution, brass bands first appeared as a means of fostering community ties among workers. These bands have since become popular in various contexts, from marches and competitions to concerts and even movie scores.

In this bonus mini episode with the actor, writer and broadcaster Stephen Fry, we discuss why audiences matter, the transcendent force of pianist Ervin Nyiregyházi and what artificial intelligence really means for classical music.

The celebrated organist, choir director and presenter Anna Lapwood joins Stephen and Joanna to discuss a case of mistaken identity at a book launch several years ago. We also get in to the wonderful organ music of Lutosławski, Bach, Duruflé and rock out to Faithless when the Ministry of Sound took over the Royal Albert Hall in 2023.

When can one acceptably pour a bucks fizz during the Christmas holidays? Did the Holy Trinity (Beethoven, Mozart and Bach) care much for festive period? Which carol is best for crooning? And which book does Joanna read every year at Christmas? Joanna and Stephen have opened the email inbox and answer your yuletide queries and concerns.

Christmas has landed and The Music Room is in full reverberation. From carols to ditties, oratorios and Wham! the Maestro and Joanna leave no stone unturned in this Christmas special.

Did you think we'd forgotten to get you a Christmas present? Far from it! Joanna was Ken Bruce's special guest on Greatest Hits Radio, so we thought we'd slip a little extra episode under your tree in the shape of their brilliant interview. If you want to hear the whole show - and listen to the music Joanna chose - go to https://planetradio.co.uk/greatest-hits/shows/ken-bruce/id-216166043/

Joanna and Stephen fire up the email inbox in the week's mini episode, diving into listeners' questions on everything from how conductors convey depth and complex emotions; how to coax a child prodigy and how not behave in the opera halls of 1870.

This week, Joanna and the Stephen are joined by Hollywood royalty. On the eve Netflix's worldwide release of 'Maestro' - a new biopic about the world renown conductor Leonard Bernstein - Bradley Cooper and Carey Mulligan drop into the Music Room to discuss the making of a Hollywood love story like no other. Furthermore, Bradley tells us how he meticulously practiced the art of conducting for the role; we dive into early musical influences ranging from Vivaldi to Mozart, and hear how the gift of a conductor's baton set the whole thing off.Maestro is on Netflix from 20th December

How do great conductors like Furtwängler and Haitink command an orchestra? Do some conductors have a signature sound? And how did meeting the driver of The Flying Scotsman in Woolworths almost derail Stephen's musical destiny? In this mini episode, Joanna and Stephen reveal all.

Today, Joanna and the Maestro are joined by the actor, writer and national treasure, Stephen Fry. The trio discuss Stephen's deep love for classical music, which began in childhood with the soft sounds of Schubert, Brahms and Chopin emanating from his father's practice room. They discuss the deeply emotional music of composers like Bach through to Mahler and Schoenberg. Fry explains how great concertos like Tchaikovsky's Violin and Beethoven's 5th should be interpreted as an allegory for society, and why generative AI only heightens the virtuosity of the live orchestra.

This week's mini episode continues our theme of 'unsung heroes'. And today we're diving into the works of another prodigious French composer, Lili Boulanger, celebrating the flourish, colour and romance of her music.

One of the UK's most loved vocalists and broadcasters, Aled Jones, sits down with Joanna and Stephen to discuss the moment he unearthed a trove of unreleased music from his childhood. In this candid conversation, Aled reveals what it was like meeting Richard Branston at Virgin Records as a teenager, recording 16 albums in 4 years before his voice broke and becoming the 'radio son' of the veteran broadcaster Terry Wogan.

This week's mini episode comes to you as a pair. Stephen and Joanna discuss their favourite 'unsung heroes' - this time focusing on the strange and absorbing late works of Charles Koechlin. 'Les Bandar-Log' is part of a cycle of symphonic poems based on Kipling's Jungle Book, completed in 1940. The score touches on a range of early 20th-century styles, from Debussyan impressionism to 12-note technique, but somehow welds all the tongue-in-cheek references into a dazzling whole.

Which three composers tore up the rule book and changed music forever? Joanna and Stephen begin this episode with the cold-blooded murderer, Carlo Gesualdo - a dreadful man who composed sacred music. Known for plundering the depths of emotion in his madrigals, Gesualdo's 'word-paintings' broke the 16th century Venosan equivalent of the internet. We also discover how Beethoven reimagined the symphony and explore Stravinsky's daring new experiments in rhythm and orchestration.

We enjoyed speaking to Rob Brydon so much that we kept the tape rolling after the interview finished – much to our joy. In this extra mini-episode, Rob runs through the 'schlocky' teen movie he'll never forget and how to start a conversation in the style of Richard Burton.

We're back! Starting a new series with comedian, actor and Welsh icon Rob Brydon who discusses the poetry of Bruce Springsteen, his life on stage and a burgeoning love for jazz. Sharing stories about early life in Porthcawl, Swansea and the wonderfully flamboyant 'Mr Crute', Rob tells us how his life took a turn towards musicals later in his career and how he's never looked back (even if his fingers are a little sore).

Joanna & The Maestro are overjoyed to be back, and this time they're bringing some friends with them. In a brand new series Joanna Lumley and composer and conductor Stephen Barlow once again invite listeners into their home for more fascinating, funny journeys into their lifelong shared passion; classical music. Joining them for the ride are comedians, musicians, broadcasters and national treasures including Stephen Fry, Aled Jones and Anna Lapwood, who join our hosts on their mission to explore centuries of breath-taking music and celebrate the most talented composers to have ever lived. Subscribe to hear our season launch next week with special guest Rob Brydon, talking everything from Miles Davis, Elvis and The Boss.

This mini episode sees Stephen having flashbacks to the most challenging piece of music he's ever had to play, Joanna asks about composers who've been lost in time, and we investigate the first ever real opera... Got questions for Joanna and Stephen? Drop them a line hello@joannaandthemaestro.com

It's hard work talking about classical music all day. Perhaps we need an interval - no - not that kind of interval! In this episode Stephen explains how intervals are the building blocks of music, and Joanna reveals what stage performers really get up to in the interval break.

Do all classical pieces have to be long? Apparently not. Are there some brief classical hits? Yes indeed. Stephen and Joanna also discuss whether composers ever write music for their own funerals. Plus, a listener is distracted by a dog riding a horse. Seriously. Got questions for Joanna and Stephen? Drop them a line hello@joannaandthemaestro.com

They were the most complex machines ever constructed (before the industrial revolution). The best are said to have “bite” and the biggest has over 33,000 pipes. We're talking about the organ - aka “The King of Instruments”. Both Mozart and Bach adored these kaleidoscopes of sound, so when and why did they fall out of fashion? And what debt do we owe these monumental instruments today?

Joanna and Stephen return to your questions about the King's coronation. They discuss the old and new compositions and commissions from the day and the breathtaking conductorship of Andrew Nethsingha and Sir Antonio Pappano.

In this episode we dive into the life and works of Richard Strauss, one of Stephen's favourite composers. Joanna and Stephen take a tour through his ‘ultra-modern' operas Elektra and Salome and also chat about his enduring legacy of work along the way. If there are other composers you'd like Joanna and Stephen to do a deep dive on let them know at hello@joannaandthemaestro.com.

Joanna and Stephen spill the beans on the coronation of King Charles III and Queen Camilla. As favoured guests, they tell us about their favourite moments from inside Westminster Abbey on the special day.

Have you ever wondered how musical styles become synonymous with certain countries, regions and places? What is it about the Italian school that defines it from, say, the Nordic or the French school? In this episode Joanna and Stephen take a whistle stop tour through 2 centuries of ‘The English School', exploring everyone from Elgar to Goehr, Sullivan and Stanford.

This week Joanna and Stephen dive into the inbox to tackle your questions, like: What music makes them cry? Is modern classical too ‘clever'? And what does the maestro hear when he listens to music? Got a question for Joanna and Stephen? Drop them a line hello@joannaandthemaestro.com

Mark Kermode, Britain's most loved film critic, is Joanna and Stephen's special guest, discussing his favourite soundtracks, composers and we go on a deep dive into the music of ‘The Exorcist' - Mark's ‘gateway drug' for discovering countless classical delights.

Another round of your brilliant questions. Joanna and Stephen tackle a big one, is opera just for the upper class? (Spoiler alert: It isn't). Plus, if you could be any composer in the world, who would you be? And what's the greatest James Bond theme? Got a question for Joanna and Stephen? Drop them a line hello@joannaandthemaestro.com

Joanna and Stephen invite another guest into their home. Classical music aficionado Sean Rafferty discusses his lifelong love of music, and our trio discuss learning to play music, the culture of arts in Ireland and what happens when a bomb goes off while you're broadcasting.

This week our intrepid classical crusaders tackle questions like; if Joanna and Stephen were pieces of music, what would they be? Where should you start when it comes to collecting CDs or vinyl? And is Beethoven's 5th Symphony really the GOAT? Got questions for Joanna and Stephen? Drop them a line hello@joannaandthemaestro.com

We need to talk about musicals. The most popular ones tour up and down the country and play to packed out theatres 8 times a week. No need for state-backing here! So why can't opera do the same? In this episode, Joanna and Stephen discuss how musicals and opera differ from one another, and how directors push ‘the art of the possible' to achieve such monumental feats in the world of musical theatre.

What happens when it all goes wrong? What's the most embarrassing thing that can happen to a conductor? Conducting with your flies down? And have Joanna or Stephen ever dozed off during a show? Got questions for Joanna and Stephen? Drop them a line hello@joannaandthemaestro.com

Captain, We Hit A Schoenberg! Did Arnold Schoenberg break Classical music? Widely considered the greatest composer of the 20th century, Schoenburg's innovations in ‘atonality' (a term he detested throughout his life) changed the trajectory of music forever. In this episode, Joanna and Stephen explore the ripples of Schoenberg's (much preferred) ‘emancipated dissonances', through modern British composers such as Tippet, Turnage, Weir and Maxwell Davies.