Podcasts about Transposition

In today's episode, we welcome Kristy back to share her second birth story. You can hear her fist birth experience in episode 373. After having her first son Kylo, Kristy and her fiancé Clint experienced a miscarriage before conceiving their daughter Ren. At their 20-week scan, they received the news that their baby had Transposition of the Great Arteries (TGA), meaning she would need open-heart surgery within the first week of life. Today's episode is proudly brought to Welcome to the First Trimester — an online course that will guide you through these next few months and provide the comfort you need. I have gathered a range of perinatal specialists who each share their tips, advice and knowledge on a variety of topics including: Your GP visit Choosing a care provider and student midwife Early pregnancy nutrition and supplements Mental health Physical changes and concerns Learn more here.See omnystudio.com/listener for privacy information.

This episode covers transposition of the great arteries.Written notes can be found at https://zerotofinals.com/paediatrics/cardiology/transpositionofthegreatarteries/Questions can be found at https://members.zerotofinals.com/Books can be found at https://zerotofinals.com/books/The audio in the episode was expertly edited by Harry Watchman.

Podcast PacketsIllustrationsLead SheetsPlay AlongsJazz Piano Skills CommunityKeywordsjazz piano, improvisation, transposition, music theory, jazz skills, Fly Me to the Moon, rhythmic challenges, melodic analysis, harmonic analysis, music education, jazz, improvisation, musical silence, tension notes, eighth notes, jazz piano, musical phrasing, lead sheetsSummaryIn this episode of Jazz Piano Skills, Dr. Bob Lawrence guides listeners through the intricacies of jazz improvisation, focusing on the tune 'Fly Me to the Moon.' The conversation covers essential jazz piano skills, including harmonic and melodic analysis, improvisation development, and practical tips for transposition. Dr. Lawrence emphasizes the importance of a structured approach to learning jazz, highlighting the seven musical facts that underpin all musical endeavors. The episode also introduces rhythm challenges and encourages listeners to engage in paper practice to enhance their skills. In this episode, Dr. Bob Lawrence delves into the intricacies of jazz improvisation, focusing on the importance of silence, the realism of musical phrasing, and the challenges of playing eighth notes. He emphasizes the role of tension notes in camouflaging arpeggios and discusses the seven musical facts that underpin effective jazz performance. Through practical examples and lead sheets, listeners gain insights into developing their improvisational skills and understanding the nuances of jazz language.TakeawaysWeek three is dedicated to improving jazz improvisation skills.The study of each tune involves harmonic and melodic analysis.Improvisation skills challenge our ability to create melodic lines.The seven musical facts are essential for understanding music.Paper practice is crucial for developing transposition skills.Transposing melodic ideas requires understanding sound and function.Listening to various artists is key to learning a tune.Self-imposed constraints help assess harmonic vision.Quarter and eighth note strings are foundational for improvisation.Everything we do in music should be approached musically. Silence is an integral part of musical expression.Mathematical silence can enhance the realism of music.Eighth notes present a new level of challenge in improvisation.Random silence helps disguise bar lines in music.Tension notes are essential for camouflaging arpeggios.Practicing stationary strings is crucial for mastering rhythm.The half step creates tension in musical phrases.Understanding harmony melodically is key to improvisation.The evolution of jazz language is vital for effective performance.Engagement with the community enhances learning and growth in jazz skills.TitlesMastering Jazz Piano: A Journey Through ImprovisationUnlocking Jazz Improvisation SkillsThe Art of Transposition in Jazz PianoExploring 'Fly Me to the Moon' in JazzJazz Piano Skills: A Comprehensive GuideImprovisation Techniques for Jazz PianistsSound Bites"We work on developing our improvisation chops.""Music is the production of sound.""We do not need to do the entire 32 measures.""Everything we do should be musical.""You should be feeling the silence.""It starts to sound more real.""It starts to sound like musical phrases.""It starts to look like legitimaSupport the show

About the Guests Dr. John Holds is a leading oculoplastic surgeon at Ophthalmic Plastic and Cosmetic Surgery, Inc., located in St. Louis, Missouri. With decades of experience, Dr. Holds has performed over 800 lower blepharoplasty surgeries, focusing on fat transposition techniques. He is a published author, contributing significant knowledge to the field of oculofacial surgery. Dr. Marie Somogyi is an esteemed eyelid and facial plastic surgeon with Eyelid and Facial Plastic Surgery Associates in Austin, Texas. Known for her expertise in lower blepharoplasty procedures, Dr. Somogyi utilizes the subperiosteal plane in fat transposition and is recognized for her innovative approach to incorporating autologous fat transfer. Episode Summary: Join Dr. Natalie Homer and special guests, Dr. John Holds and Dr. Marie Somogyi, in this engaging episode of the Oculofacial Podcast, where they dive into the intricacies of surgical techniques in lower blepharoplasty, exploring the preperiosteal versus subperiosteal fat transposition methods. As the debate unfolds, you'll discover how each specialist approaches their craft, armed with unique techniques honed through years of experience. With a pre-debate poll showing a strong preference for the subperiosteal method, Dr. Holds presents a robust defense of the preperiosteal approach, while Dr. Somogyi passionately advocates for the subperiosteal technique. The experts delve into various aspects of lower blepharoplasty, including management strategies for the three fat pads, differences in postoperative recovery, and personalized approaches for patient-specific outcomes. Through their insightful discussions, Dr. Holds emphasizes the vascular benefits of the preperiosteal plane, while Dr. Somogyi highlights the structural advantages of subperiosteal placement. This episode provides a comprehensive overview of aesthetic and functional considerations for both techniques, offering valuable insights for practitioners and patients alike. Key Takeaways: Fat Transposition Techniques: Dr. Holds and Dr. Somogyi debate on the efficacy and benefits of preperiosteal versus subperiosteal planes, each presenting evidence and personal experiences. Surgical and Postoperative Differences: The podcast details key differences in surgical processes and post-operative outcomes of the techniques, including potential impacts on hemostasis and edema. Patient-Specific Approaches: The experts discuss tailoring techniques based on individual patient characteristics, including considerations for patients with festoons or previous filler use. Orbicularis Muscle Management: Both specialists share their methods for handling the orbicularis muscle in lower blepharoplasty to prevent complications like lower eyelid retraction. Canthoplasty Techniques: Insights are provided on strategies to support the lateral canthus, offering suggestions like temporary tarsorrhaphy to enhance patient outcomes. Resources: Dr. John Holds at Ophthalmic Plastic and Cosmetic Surgery, Inc. (Website not explicitly mentioned but relevant) JAMA Facial Plastic Surgery (For referenced 2013 study by Dr. Masary) To delve deeper into the nuances of oculofacial surgery, listen to the full episode and stay tuned for more enlightening discussions on the Oculofacial Podcast.  

In this podcast, Dr. Valentin Fuster discusses a study on the long-term outcomes of two surgical approaches—anatomic and physiologic repair—for congenitally corrected transposition of the great arteries. The findings suggest that while the complex anatomic repair offers better survival and reintervention-free outcomes, patient selection is crucial, with careful consideration needed, especially for asymptomatic infants or those with preoperative pulmonary artery banding.

Darshan H. Brahmbhatt, Podcast Editor of JACC: Advances discusses a recently published original research paper on 30 years' experience in percutaneous pulmonary artery interventions in transposition of the great arteries.

Aujourd'hui, dans votre podcast, c'est une petite victoire pour les PME et les experts comptables. La loi de transposition de la directive européenne CSRD a été amendée afin d'alléger la charge administrative des PME et des indépendants. Cette directive impose aux grandes entreprises de publier un rapport extra-financier sur leurs impacts ESG, mais en tant que sous-traitants, les PME sont aussi concernées.  Les hôpitaux belges ne sont pas en grande forme. Selon une étude de Belfius, les chiffres sont négatifs pour la 2ème année consécutive, et présentent une perte cumulée de 174 millions d'euros. Deux hôpitaux belges sur 3 sont déficitaires alors que seuls un tiers étaient concernés en 2019.  Plus puissante, la PS5 pro promet aux joueurs une meilleure fluidité de jeu, et des graphismes toujours plus détaillés.  Lancée pour sa part en 2020, la PS5 arrive doucement en fin de cycle. Alors, pour séduire ses clients les plus exigeants, Sony a ajouté une version Premium à son offre.  Facturée 800 euros, soit 300 euros de plus que la version de base.  Restez à l'écoute!

CancerNetwork® spoke with John Paul Diaz, MD, about uterine transposition, a surgical technique aiming to preserve fertility in women undergoing radiotherapy for pelvic tumors. Diaz is the chief of gynecologic oncology, director of robotic surgery, director of the Center of Excellence in Minimally Invasive Gynecologic Surgery at Baptist Health, and lead physician for Clinical Trials in Gynecologic Oncology at Miami Cancer Institute.  Of note, Diaz discussed the outcomes associated with 2 procedures conducted at his practice, as well as challenges associated with the development and implementation of the procedure. Additionally, he spoke about the next steps in developing and raising awareness of the procedure. Diaz foregrounded the discussion by highlighting the simplicity of the procedure, which he stated was similar to a hysterectomy. Unlike a hysterectomy, uterine transposition entails a temporary relocation of the uterus to the anterior abdominal wall, which preserves it for fertility while removing it from the radiation field. Furthermore, Diaz described the collaboration between Baptist Health and Memorial Sloan Kettering Cancer Center, including a partnership with Mario M. Leitao, Jr., MD, FACOG, FACS, who holds the largest series in the United States in performing uterine transpositions. He explained that the collaboration was conducive for expanding patient populations that may benefit from this surgery. Diaz then underlined outcomes related to 2 uterine transposition procedures he conducted at Baptist Health. He described a favorable outcome with one patient who had completed the procedure 3 months prior who may be able to become pregnant in the future. The second patient was undergoing radiotherapy, with plans to undergo the second stage of the surgery in following months. Diaz then highlighted a distinction between uterine transposition and other fertility preservation measures in that it preserves the entire uterus so patients can still carry a child, whereas other radiation therapy techniques do not. He then highlighted patients who are eligible for this procedure, particularly among women who want to preserve their fertility with pelvic tumors requiring radiation that might otherwise sterilize the uterus. Challenges related to the development and implementation of the procedure were discussed, with particular emphasis placed upon quality of life following treatment. Additionally, he emphasized the idea of patient-driven improvements in treatment outcomes, which he hoped could be applied to help more women preserve their fertility. Diaz continued by emphasizing the novelty of the procedure, explaining that experiences with it are growing while surgery success rates increase with global collaboration and technique sharing. He followed by underscoring the primary goal of cancer eradication, stressing that treatment for progressing disease takes precedence over fertility, and in those situations, fertility may be compromised. He further outlined key short-term outcomes in patients undergoing uterine transposition, particularly as they related to maintaining uterine perfusion and mitigating post-operative complications. For long-term outcomes, he highlighted the goal for patients to be disease-free and capable of carrying a live birth. Additionally, Diaz underscored a challenge related to raising awareness for this procedure, highlighting efforts he has undertaken to inform surgeons in the colorectal cancer field about the availability of this procedure as an option for this patient population. He suggested that colleague identification of eligible patients, effective referral, and increased proliferation of procedure knowledge may be effective in overcoming this challenge. Diaz concluded by highlighting next steps for the procedure as they relate to expanding access for patients, increasing knowledge of the procedure among physicians, and developing novel techniques for uterine preservation during radiotherapy. He highlighted the “exciting” development of this procedure, which he suggested might have been inconceivable a few years ago, in achieving better outcomes for young women diagnosed with pelvic tumors.

Los Angeles-based and part of the 6AM Group, Jonny Maven's teams up with Hawaiian producer Kahai Owens for their debut EP on Liberta. ‘Chasing Frequencies' is a 3-track EP focused on hypnotising rhythms and captivating textures that create an atmosphere that's not just heard, but deeply felt, engaging audiences in a shared, collective experience.

Transposition de la directive NIS2 pour le secteur public, et particulièrement impact sur les collectivités territoriales. The post Transposition de la directive NIS2 pour le secteur public first appeared on XY Magazine.

Commentary by Dr. Candice Silversides

Do you know how to transpose chord progressions on the guitar? If you don't, please spend a few minutes with me.If you think you've got it figured out, you still might learn something new here.I encourage you to catch the video version of this article while it's available. It goes much deeper than I can with my typed words, and you'll be able to hear the chord progressions too. You can find the video right here: Here are three tips to make transposition smooth and effective.1.       We need to know all the diatonic chords in our starting key. Do you know all seven chords in C Major? Wait for it…2.       We need to assign numbers to the chords.Now, my background began in classical music, so I trained with Roman numerals.  But just as effective is the Nashville Number System.As you'll see from my chart below with chords in C and A Major, there are specific cases and indicators for degrees that the Roman numerals and Nashville Numbers can guide you along with.With Roman numerals, capital numbers are Major, and lower-case numbers are minor. With Nashville Numbers, we just use Arabic numerals, and we indicate the qualities of the chords with just a number to imply a Major chord, and a number followed by a lower case “m” to indicate a minor chord.Using numerals or numbers, we need to be able to identify each chord as a number, but then also to identify each number as a chord.  So, for example, in the key of C Major, what is the number for C? What about the number for F? Check the chart above to confirm your answer.Let's go the other way. In the key of C Major, what is the name of the minor vi chord? How about the minor ii chord? Again, you can check your work.So, if I wanted to play the progression I V vi IV (or 1 5 6m 4) in C, what would the chords be? C G Am F. It's a very popular progression. Let's do the reverse process. If I played the progression C Em F G, what would the chordal analysis be in terms of numbers? I iii IV V (or 1 3m 4 5). Another very useful progression. Lastly,3.       We need to know the chords and numbers in our destination key.If we have a destination key we want to transpose to, it would be helpful for us to know those diatonic chords, and to be able to familiarize ourselves with them in the same fashion as numbers. For our purposes today, I've chosen the key of A Major (also reflected in the chart I've provided).Now let's put this knowledge to practical use.Let's go back to our first progression of chords in C with C G Am F and let's transpose that progression to the key of A. If we know the corresponding numbers and chords in the key of A, we know that the chords for that progression would be…A E F#m D.  Transposition accomplished!Now let's create a new progression in A with I IV ii V (or 1 4 2m 5). Those chords are A D Bm E. Based on how well we know the chords in C, we use numbers and transposition to crank out C F Dm G. Transposition accomplished again! The accompanying video will add much more dimension and understanding to what you're reading here.Now there are a couple subtle ways to check our work. If we know the distance from A to C, which is up a minor 3rd, we can take each chord in the key of A, and move “vertically” to its corresponding chord in the key of C. (The video has more.)Another method is to think “horizontally” from the tonic to the other chords within each key. The tonic is the home I chord, so this would be the A Major chord in the key of A, or the C Major chord in the key of C. (The video again has more.)As you can see, this process is going to help us a lot. It's just a matter of some simple memory work and repetition.Want to go deeper? Please watch the video for a more advanced progression with some borrowed chords.Are you ready for some application to validate these tools? Let me ask some questions, all of which end in a positive answer. Can we transpose from the key of A back to the key of C? Of course!Can we take a progression in a less guitar-friendly key that either requires lots of bar chords or a capo, and transpose it to a guitar-friendly key with fewer bar chords and more open chords? Yeah buddy! Can we transpose from one minor key to another minor key? Yep!Can we transpose from the Dorian mode with one key center to a Dorian mode with another key center? You betcha!As you can see, there are all kinds of possibilities when we know how to transpose.  If you have a worship song and you want to transpose it, you can use this method. You can write out the transposition with numbers, or verbally call it out on the fly as you play with your band. There are digital tools that can do this for you, but if you want to grow in your ability to transpose, I encourage you to try some of this mentally and manually.I've transposed more charts than I can count. And if you can analyze and learn a song by number, and you've got a good grasp of several keys, you can quickly transpose that song into any of those keys.Transposition facilitates easier fingerings, preferred chord voicings, better vocal ranges, and more. See the relevance?Want to go deeper? Check out www.GuitarSuccess4U.com.Really serious about next steps? Check out our new free web masterclass at www.GuitarSuccess4U.com/formula.Thanks for checking out today's episode of Guitar Serious Fun!Thanks for reading Guitar Serious Fun! Subscribe for free to receive new posts and support my work. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit guitarseriousfun.substack.com

Why do people battle against who they should cooperate with: 1. Coveting the influence of another 2. Transposition of family dysfunction 3. Failure to see the big picture. 4. Individualism vs Oneness --- Send in a voice message: https://podcasters.spotify.com/pod/show/mark-jones57/message

Bible Study Don't just take our word for it . . . take His! We would encourage you to spend time examining the following Scriptures that shaped this sermon: Acts 1:15–26; John 17:11–19 "Today, if ye hear His voice" Human wisdom Judas Leaving the hill, attaining the city How was it decided that Judas should be replaced? Why were those disciples who were later martyred (like James: Acts 12:2) not replaced? What are the qualifications for apostleship that Peter underscores? What does this suggest about the priorities of the early church? Why is it inappropriate for Christians to draw lots today? In this context, how are the lots symbolic (see Numbers 25:55–56, 33:54, 34:13, 36:2–3, etc.)? How are they provisional (compare John 16:13; Acts 2, 13:2–3)? Why is it significant that Judas "acquired a field" (Acts 1:18)? What does that tell us about Judas? The disciples call Jesus "Lord, knower of hearts" (kyrie kardiagnōsta). How does it sit with you that Jesus Christ knows your heart? How is the Holy Spirit challenging or warning you today? What promises of God has this scripture driven home to you? Would your life look different if human wisdom was all you had? Would anything be missing? What? John R.W. Stott, The Message of Acts (IVP) Craig S. Keener, Acts: An Exegetical Commentary (Baker) Augustine, Confessions 7.21.27 (see "Chapter 21") CS Lewis, "Transposition," in The Weight of Glory GK Chesteron, "The Priest of Spring," in A Miscellany of Men Do you have a question about today's sermon? Email Sam Fornecker (sfornecker@standrews.church).

This week we delve into the world of interventional cardiology and congenital heart surgery when we review a recent report from the team at Toronto Sick Children's Hospital about their experience with interventions in the pulmonary arteries following the arterial switch operation. How often are branch or main pulmonary artery narrowings serious enough to warrant intervention? What degree of RV pressure should warrant a cath or intervention? How commonly did simple balloon dilation result in a meaningful degree of reduction in pulmonary artery obstruction and/or RV pressure? How commonly were complications observed? These are amongst the questions reviewed this week with the work's first author, senior cardiology fellow at the University of Toronto, Dr. Michael N. Gritti.https://doi.org/10.1007/s00246-024-03408-w

We discuss an approach to the critically ill infant. Hosts: Ellen Duncan, MD, PhD Brian Gilberti, MD https://media.blubrry.com/coreem/content.blubrry.com/coreem/The_Critically_Ill_Infant.mp3 Download Leave a Comment Tags: Pediatrics Show Notes The Critically Ill Infant: THE MISFITS Trauma ‘T' in the mnemonic stands for trauma, which includes both accidental and intentional causes. Considerations for Non-accidental Trauma: Stresses the importance of considering non-accidental trauma, especially given that it may not always present with obvious external signs. Anatomical Vulnerabilities: Highlights specific anatomical considerations for infants who suffer from trauma: Infants have proportionally larger heads, increasing their susceptibility to high cervical spine (c-spine) injuries. Their liver and spleen are less protected, making abdominal injuries potentially more severe. Heart 5 T's of Cyanotic Congenital Heart Disease: Introduces a mnemonic to help remember key right-sided ductal-dependent lesions: Truncus Arteriosus: Single vessel serving as both pulmonary and systemic outflow tract. Transposition of the Great Arteries: The pulmonary artery and aorta are switched, leading to improper circulation. Tricuspid Atresia: Absence of the tricuspid valve, leading to inadequate development of the right ventricle and pulmonary circulation issues.

Le CESIN, association professionnelle des responsables de la cybersécurité en France, s'est récemment engagé dans une collaboration avec l'Agence Nationale de la Sécurité des Systèmes d'Information (ANSSI) concernant la transposition nationale de la directive européenne NIS2. L'objectif ? Rassembler les attentes des acteurs de la cybersécurité et mieux répondre aux défis posés par cette nouvelle directive. -----------------------------------------------------------------------SMART TECH - Le magazine quotidien de l'innovationDans SMART TECH, l'actu du numérique et de l'innovation prend tout son sens. Chaque jour, des spécialistes décryptent les actualités, les tendances, et les enjeux soulevés par l'adoption des nouvelles technologies.

On this day in 1996, FBI agents raided the remote Montana cabin of Theodore “Ted” Kaczynski.See omnystudio.com/listener for privacy information.

Dextro transposition of the great arteries (D TGA) is a congenital cyanotic heart defect in which the pulmonary artery and the aorta are transposed. In this lesson, you'll review normal cardiopulmonary circulation (which is essential to understanding this condition) and learn:  How the abnormal anatomy of D TGA affects physiology Why you actually want the child with D TGA to have another congenital heart defect Signs and symptoms of D TGA How the condition is diagnosed Risk factors for developing this congenital heart defect Treatments for D TGA ___________________ Full Transcript - Read the article and view references A-List Newsletter - Get on the “A-List” and get a notification each Thursday about the current episode, Nurse Mo's Tip of the Week, product recommendations to make your nurse life better, and more! Review Atrial Septal Defects - Review this congenital heart condition in Episode 70 of the Straight A Nursing podcast. Review Ventricular Septal Defects - Review this congenital heart condition in Episode 73 of the Straight A Nursing podcast. FREE CLASS - If all you've heard are nursing school horror stories, then you need this class! Join me in this on-demand session where I dispel all those nursing school myths and show you that YES...you can thrive in nursing school without it taking over your life! Study Sesh - Did you love the PodQuiz at the end? Change the way you study with this private podcast that includes dynamic audio formats that help you review and test your recall of important nursing concepts on-the-go. Free yourself from your desk with Study Sesh!  Confident Calculations - Learn a foolproof method for performing dosage calculations so you can pass your nursing school math exams on the first try!

durée : 00:03:27 - Le Regard culturel - par : François Angelier - "Kurtz" de Michaël Matthys est une transposition d'Au cœur des ténèbres, de Joseph Conrad. Un récit graphique, imbibé de sang et de boue, qui nous plonge dans les méandres de la décolonisation Belge en Afrique.

Like many babies born with transposition of the great arteries, Amelia was born blue. Her blood was not circulating to her entire body because the two main arteries leading blood away from her heart were switched, sending blood in the wrong direction. She was immediately helicoptered to a larger hospital […]

The first in a 9-part series dedicated to deep, intentional listening. Episodes of "The Listening Experience" will be released about every four months.

A brief stay in France was, for many Chinese workers and Chinese Communist Party leaders, a vital stepping stone for their careers during the cultural and political push to modernize China after World War I. For the Chinese students who went abroad specifically to study Western art and literature, these trips meant something else entirely. Set against the backdrop of interwar Paris, Paris and the Art of Transposition: Early Twentieth Century Sino-French Encounters (U Michigan Press, 2023) uncovers previously marginalized archives to reveal the artistic strategies employed by Chinese artists and writers in the early twentieth-century transnational imaginary and to explain why Paris played such a central role in the global reception of modern Chinese literature and art. While previous studies of Chinese modernism have focused on how Western modernist aesthetics were adapted or translated to the Chinese context, Angie Chau does the opposite by turning to Paris in the Chinese imaginary and discussing the literary and visual artwork of five artists who moved between France and China: the painter Chang Yu, the poet Li Jinfa, the art critic Fu Lei, the painter Pan Yuliang, and the writer Xu Xu. Chau draws the idea of transposition from music theory where it refers to shifting music from one key or clef to another, or to adapting a song originally composed for one instrument to be played by another. Transposing transposition to the study of art and literature, Chau uses the term to describe a fluid and strategic art practice that depends on the tension between foreign and familiar, new and old, celebrating both novelty and recognition—a process that occurs when a text gets placed into a fresh context. Angie Chau is Assistant Professor of Chinese Literature and Film at the University of Victoria. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A brief stay in France was, for many Chinese workers and Chinese Communist Party leaders, a vital stepping stone for their careers during the cultural and political push to modernize China after World War I. For the Chinese students who went abroad specifically to study Western art and literature, these trips meant something else entirely. Set against the backdrop of interwar Paris, Paris and the Art of Transposition: Early Twentieth Century Sino-French Encounters (U Michigan Press, 2023) uncovers previously marginalized archives to reveal the artistic strategies employed by Chinese artists and writers in the early twentieth-century transnational imaginary and to explain why Paris played such a central role in the global reception of modern Chinese literature and art. While previous studies of Chinese modernism have focused on how Western modernist aesthetics were adapted or translated to the Chinese context, Angie Chau does the opposite by turning to Paris in the Chinese imaginary and discussing the literary and visual artwork of five artists who moved between France and China: the painter Chang Yu, the poet Li Jinfa, the art critic Fu Lei, the painter Pan Yuliang, and the writer Xu Xu. Chau draws the idea of transposition from music theory where it refers to shifting music from one key or clef to another, or to adapting a song originally composed for one instrument to be played by another. Transposing transposition to the study of art and literature, Chau uses the term to describe a fluid and strategic art practice that depends on the tension between foreign and familiar, new and old, celebrating both novelty and recognition—a process that occurs when a text gets placed into a fresh context. Angie Chau is Assistant Professor of Chinese Literature and Film at the University of Victoria. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

A brief stay in France was, for many Chinese workers and Chinese Communist Party leaders, a vital stepping stone for their careers during the cultural and political push to modernize China after World War I. For the Chinese students who went abroad specifically to study Western art and literature, these trips meant something else entirely. Set against the backdrop of interwar Paris, Paris and the Art of Transposition: Early Twentieth Century Sino-French Encounters (U Michigan Press, 2023) uncovers previously marginalized archives to reveal the artistic strategies employed by Chinese artists and writers in the early twentieth-century transnational imaginary and to explain why Paris played such a central role in the global reception of modern Chinese literature and art. While previous studies of Chinese modernism have focused on how Western modernist aesthetics were adapted or translated to the Chinese context, Angie Chau does the opposite by turning to Paris in the Chinese imaginary and discussing the literary and visual artwork of five artists who moved between France and China: the painter Chang Yu, the poet Li Jinfa, the art critic Fu Lei, the painter Pan Yuliang, and the writer Xu Xu. Chau draws the idea of transposition from music theory where it refers to shifting music from one key or clef to another, or to adapting a song originally composed for one instrument to be played by another. Transposing transposition to the study of art and literature, Chau uses the term to describe a fluid and strategic art practice that depends on the tension between foreign and familiar, new and old, celebrating both novelty and recognition—a process that occurs when a text gets placed into a fresh context. Angie Chau is Assistant Professor of Chinese Literature and Film at the University of Victoria. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

A brief stay in France was, for many Chinese workers and Chinese Communist Party leaders, a vital stepping stone for their careers during the cultural and political push to modernize China after World War I. For the Chinese students who went abroad specifically to study Western art and literature, these trips meant something else entirely. Set against the backdrop of interwar Paris, Paris and the Art of Transposition: Early Twentieth Century Sino-French Encounters (U Michigan Press, 2023) uncovers previously marginalized archives to reveal the artistic strategies employed by Chinese artists and writers in the early twentieth-century transnational imaginary and to explain why Paris played such a central role in the global reception of modern Chinese literature and art. While previous studies of Chinese modernism have focused on how Western modernist aesthetics were adapted or translated to the Chinese context, Angie Chau does the opposite by turning to Paris in the Chinese imaginary and discussing the literary and visual artwork of five artists who moved between France and China: the painter Chang Yu, the poet Li Jinfa, the art critic Fu Lei, the painter Pan Yuliang, and the writer Xu Xu. Chau draws the idea of transposition from music theory where it refers to shifting music from one key or clef to another, or to adapting a song originally composed for one instrument to be played by another. Transposing transposition to the study of art and literature, Chau uses the term to describe a fluid and strategic art practice that depends on the tension between foreign and familiar, new and old, celebrating both novelty and recognition—a process that occurs when a text gets placed into a fresh context. Angie Chau is Assistant Professor of Chinese Literature and Film at the University of Victoria. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

A brief stay in France was, for many Chinese workers and Chinese Communist Party leaders, a vital stepping stone for their careers during the cultural and political push to modernize China after World War I. For the Chinese students who went abroad specifically to study Western art and literature, these trips meant something else entirely. Set against the backdrop of interwar Paris, Paris and the Art of Transposition: Early Twentieth Century Sino-French Encounters (U Michigan Press, 2023) uncovers previously marginalized archives to reveal the artistic strategies employed by Chinese artists and writers in the early twentieth-century transnational imaginary and to explain why Paris played such a central role in the global reception of modern Chinese literature and art. While previous studies of Chinese modernism have focused on how Western modernist aesthetics were adapted or translated to the Chinese context, Angie Chau does the opposite by turning to Paris in the Chinese imaginary and discussing the literary and visual artwork of five artists who moved between France and China: the painter Chang Yu, the poet Li Jinfa, the art critic Fu Lei, the painter Pan Yuliang, and the writer Xu Xu. Chau draws the idea of transposition from music theory where it refers to shifting music from one key or clef to another, or to adapting a song originally composed for one instrument to be played by another. Transposing transposition to the study of art and literature, Chau uses the term to describe a fluid and strategic art practice that depends on the tension between foreign and familiar, new and old, celebrating both novelty and recognition—a process that occurs when a text gets placed into a fresh context. Angie Chau is Assistant Professor of Chinese Literature and Film at the University of Victoria. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

A brief stay in France was, for many Chinese workers and Chinese Communist Party leaders, a vital stepping stone for their careers during the cultural and political push to modernize China after World War I. For the Chinese students who went abroad specifically to study Western art and literature, these trips meant something else entirely. Set against the backdrop of interwar Paris, Paris and the Art of Transposition: Early Twentieth Century Sino-French Encounters (U Michigan Press, 2023) uncovers previously marginalized archives to reveal the artistic strategies employed by Chinese artists and writers in the early twentieth-century transnational imaginary and to explain why Paris played such a central role in the global reception of modern Chinese literature and art. While previous studies of Chinese modernism have focused on how Western modernist aesthetics were adapted or translated to the Chinese context, Angie Chau does the opposite by turning to Paris in the Chinese imaginary and discussing the literary and visual artwork of five artists who moved between France and China: the painter Chang Yu, the poet Li Jinfa, the art critic Fu Lei, the painter Pan Yuliang, and the writer Xu Xu. Chau draws the idea of transposition from music theory where it refers to shifting music from one key or clef to another, or to adapting a song originally composed for one instrument to be played by another. Transposing transposition to the study of art and literature, Chau uses the term to describe a fluid and strategic art practice that depends on the tension between foreign and familiar, new and old, celebrating both novelty and recognition—a process that occurs when a text gets placed into a fresh context. Angie Chau is Assistant Professor of Chinese Literature and Film at the University of Victoria. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

A brief stay in France was, for many Chinese workers and Chinese Communist Party leaders, a vital stepping stone for their careers during the cultural and political push to modernize China after World War I. For the Chinese students who went abroad specifically to study Western art and literature, these trips meant something else entirely. Set against the backdrop of interwar Paris, Paris and the Art of Transposition: Early Twentieth Century Sino-French Encounters (U Michigan Press, 2023) uncovers previously marginalized archives to reveal the artistic strategies employed by Chinese artists and writers in the early twentieth-century transnational imaginary and to explain why Paris played such a central role in the global reception of modern Chinese literature and art. While previous studies of Chinese modernism have focused on how Western modernist aesthetics were adapted or translated to the Chinese context, Angie Chau does the opposite by turning to Paris in the Chinese imaginary and discussing the literary and visual artwork of five artists who moved between France and China: the painter Chang Yu, the poet Li Jinfa, the art critic Fu Lei, the painter Pan Yuliang, and the writer Xu Xu. Chau draws the idea of transposition from music theory where it refers to shifting music from one key or clef to another, or to adapting a song originally composed for one instrument to be played by another. Transposing transposition to the study of art and literature, Chau uses the term to describe a fluid and strategic art practice that depends on the tension between foreign and familiar, new and old, celebrating both novelty and recognition—a process that occurs when a text gets placed into a fresh context. Angie Chau is Assistant Professor of Chinese Literature and Film at the University of Victoria. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

A brief stay in France was, for many Chinese workers and Chinese Communist Party leaders, a vital stepping stone for their careers during the cultural and political push to modernize China after World War I. For the Chinese students who went abroad specifically to study Western art and literature, these trips meant something else entirely. Set against the backdrop of interwar Paris, Paris and the Art of Transposition: Early Twentieth Century Sino-French Encounters (U Michigan Press, 2023) uncovers previously marginalized archives to reveal the artistic strategies employed by Chinese artists and writers in the early twentieth-century transnational imaginary and to explain why Paris played such a central role in the global reception of modern Chinese literature and art. While previous studies of Chinese modernism have focused on how Western modernist aesthetics were adapted or translated to the Chinese context, Angie Chau does the opposite by turning to Paris in the Chinese imaginary and discussing the literary and visual artwork of five artists who moved between France and China: the painter Chang Yu, the poet Li Jinfa, the art critic Fu Lei, the painter Pan Yuliang, and the writer Xu Xu. Chau draws the idea of transposition from music theory where it refers to shifting music from one key or clef to another, or to adapting a song originally composed for one instrument to be played by another. Transposing transposition to the study of art and literature, Chau uses the term to describe a fluid and strategic art practice that depends on the tension between foreign and familiar, new and old, celebrating both novelty and recognition—a process that occurs when a text gets placed into a fresh context. Angie Chau is Assistant Professor of Chinese Literature and Film at the University of Victoria. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

In this episode of CTSNet's flagship podcast, editor-in-chief Joel Dunning runs through the latest, most popular content on ctsnet.org—the largest online community of CT surgeons and source of CT surgery information—and breaking cardiothoracic surgery news and research from around the world. Joel discusses the need for universal family leave policies in CT surgery, long-term results of the REV procedure for various congenital heart conditions, and results of routine extubation in the operating room after CABG. He also talks about a video demonstrating orthotopic heart transplantation, a repair of common arterial trunk type III, and an interview with John Puskas. After discussing upcoming events in the CT surgery world, he closes with a shoutout to Dr. Shilajit Ghosh for his work on the SCTS Thoracic Forum.  JANS Items Mentioned CT Surgery Needs Universal Policies for Pregnancy and Family Leave, Survey Shows  Long-Term Results of the REV Procedure for Transposition of Great Arteries and Double Outlet RV With Pulmonary Stenosis  Routine Extubation in the Operating Room After Isolated Coronary Artery Bypass  CTSNet Content Mentioned Orthotopic Heart Transplantation  Challenging Repair of Common Arterial Trunk Type III  The Coronary Stentectomy and Shifts in Coronary Artery Surgery: An Interview With John Puskas  Other Items Mentioned CTSNet Events Calendar Disclaimer The information and views presented on CTSNet.org represent the views of the authors and contributors of the material and not of CTSNet. Please review our full disclaimer page here.

In this episode of Transposition, poet and playwright Zachary Guerra sits down with host Laura Rensing and Experimental Editor Rebecca Luxton. Zachary's experimental piece “What Are You Looking for?” was published in our Vol. VII: “Flux” issue (2022). In this discussion, we explore how online communities, such as Reddit, have become vital spaces for individuals to connect, share stories, and find solace amidst their grief. From subreddits dedicated to supporting individuals coping with loss to niche communities like those for cat owners taking care of cats with kidney disease, the internet has facilitated unprecedented avenues for collective mourning and support. As traditional forms of mourning adapt to online platforms, questions arise about the future of literature and its capacity to capture the essence of loss in an increasingly digitized world. We hope you'll enjoy!  About Zachary Guerra Zachary C. Guerra is a poet and playwright from Berkley, Michigan. His work, "What Are You Looking For" was featured in  Exposition Review's 'Flux' issue and is a 2022 'Best of the Net' nominee. His play 'Captcha' will be premiering November 4th at The Soop to Nuts Short Play Festival. His poem 'This is It' will be featured in the upcoming edition of Filter Coffee Zine. About Rebecca Luxton Rebecca Luxton is the Experimental Editor of Exposition Review and worked on the Southern California Review while completing her Master of Professional Writing at the University of Southern California. Now she's a marketing professional with a love for all things experimental. Favorite authors: a rotating cast that currently includes Gabriel Garcia Marquez, Mary Gaitskill, Stephen King, and the late Joe Frank for his exceptional radio storytelling work. Follow her on Instagram at @what_even.jpg. Help us spread the word!  Download, review and subscribe to Transposition. Thank you to Mitchell Evenson for intro and outro music, and the generous donations from our supporters that allow us to pay our authors.  Exposition Review is a fiscally sponsored project of Fractured Atlas.Transposition is the official podcast of Exposition Review literary journal. --- Support this podcast: https://podcasters.spotify.com/pod/show/exposition-review/support

durée : 00:19:04 - Les Nuits de France Culture - par : Albane Penaranda - "Je n'ai jamais pu me passer de poésie". En 1953, dans le sixième des dix-huit entretiens qu'il donne à Claude Rostand, le compositeur Francis Poulenc raconte son amour de la poésie et sa façon de la mettre en musique que ce soit des poèmes d'Apollinaire, d'Éluard ou de Ronsard. - invités : Francis Poulenc Compositeur et pianiste français

In this episode of Transposition, poet and artist Meg Reynolds is joined in conversation with host Laura Rensing and Visual Art Editor Brianna J.L. Smyk. Meg's comics “Placenta”, “Stay”, and “Synesthesia” were published in our Vol. VII: “Flux” issue (2022). Art, comics, poetry, and everything in between is explored as Meg shares how these pieces were a departure from her typical work, how speed was of the essence, and why motherhood has become her new literary obsession.  About Meg Reynolds - Meg Reynolds is a poet, artist, and teacher from New England. An instructor in writing and humanities at Vermont Adult Learning in Burlington, her work has been published in a number of literary journals including Mid-American Review, RHINO, The Offing, Iterant, Prairie Schooner, New England Review and the Kenyon Review. A graduate of the Stonecoast MFA program, her poetry and comic work has been twice nominated for the Pushcart Prize and once for Best the Net. Her first collection of poetry comics, A Comic Year, was published in October 2021 from Finishing Line Press. Her second collection, Does the Earth, was published in May 2023 from Harpoon Books. Reynolds also serves on the Board of Sundog Poetry, a nonprofit organization committed to providing and expanding poetry programming for all Vermonters. Website: https://www.megreynoldspoetry.com/ Comic Year (2021): https://bookshop.org/p/books/a-comic-year-meg-reynolds/17679515?ean=9781646626540 Does The Earth: https://bookshop.org/p/books/does-the-earth-meg-reynolds/20077291?ean=9798218185299 About Brianna J.L. Smyk: Brianna J.L. Smyk is on the editorial board of Exposition Review, and has served multiple roles within the journal including founding co-Editor-in-Chief, social media manager, and Visual Art, Comics, and Experimental Narratives Editor. She is an art and communication consultant who holds a Master of Professional Writing (MPW/MFA) degree from the University of Southern California and a Master of Arts in Art History from San Diego State University. Her short fiction has been published or is forthcoming in The Human Touch Journal, Drunk Monkeys, The Same and FORTH. Find out more about Brianna on X (formerly Twitter): @briannasmyk. Correction: During the recording, we refer to one of Meg's professors as Amanda Johnson, but her name is Pamela Johnson. Help us spread the word!  Download, review and subscribe to Transposition. Thank you to Mitchell Evenson for intro and outro music, and the generous donations from our supporters that allow us to pay our authors.  Exposition Review is a fiscally sponsored project of Fractured Atlas. Transposition is the official podcast of Exposition Review literary journal.  Producer: Mitchell Evenson Producer: Lauren Gorski Intro Music by Mitchell EvensonCreated & Hosted by Laura Rensing --- Support this podcast: https://podcasters.spotify.com/pod/show/exposition-review/support

Commentary by Dr. Valentin Fuster

In this episode of Transposition, Nonfiction editor Ramona Pilar joins in to interview author Lori Yeghiayan Friedman whose piece “How to Survive a Genocide” was published in our Vol V: Act/Break issue (2020). The Transposition Pod team dives into themes of Lori's essay which include building identity & finding one's voice as a First Generation child of Armenian immigrants, and the intimate & unique ways people who are raised in Los Angeles get to know Los Angeles.  They also explore the “creative” aspects of creative nonfiction craft including: hermit crab essays, flash nonfiction favorites, and what to do when one gets bored with one's own writing (hint: there's a party involved). About Lori Yeghiayan Friedman: Lori Yeghiayan Friedman's creative nonfiction and essays have most recently appeared in Pithead Chapel, Hippocampus Magazine, Bending Genres, Autofocus Lit, Memoir Monthly and the Los Angeles Times. "How to Survive a Genocide" appeared in Exposition Review's 2020 Act/Break issue and was nominated for a Pushcart Prize. Lori has a BA and an MFA in Theatre, both from the University of California, San Diego. Follow her on Twitter: @loriyeg  Los Angeles Times essay: “Finding in Little Armenia the roots my parents tried to bury” Links to other work: https://linktr.ee/loriyeg About Ramona Pilar: Ramona Pilar's artistic career spans two centuries (technically). California-born & L.A.-raised, she is a story-diviner who produces prose, plays, songs, and amalgamations. She is the current Creative Nonfiction Editor at Exposition Review, lead singer of The Raveens, and holds an MFA in Creative Writing from Antioch University, Los Angeles. Her favorite word is, “why?” Help us spread the word!  Please download, review, and subscribe to Transposition. Thank you to Mitchell Evenson for intro and outro music, and the generous donations from our supporters that allow us to pay our authors.  Exposition Review is a fiscally sponsored project of Fractured Atlas. Transposition is the official podcast of Exposition Review literary journal.  Producer: Mitchell Evenson Producer: Lauren Gorski Intro Music by Mitchell EvensonHosted by Laura Rensing --- Support this podcast: https://podcasters.spotify.com/pod/show/exposition-review/support

In this mini episode, Joanna and Stephen field more vital questions from listeners, such as, why does transposition jangle the Maestro's mind? Which musical keys suit certain moods? And most importantly, what not to wear when meeting the President?

Ce jeudi 14 décembre, le projet de l'Albanie pour intégrer ChatGPT pour absorber toute la législation européenne en vigueur, comme l'acquisition juridique et communautaire de l'Union Européenne a été abordé par Benaouda Abdeddaïm dans sa chronique, dans l'émission Good Morning Business, présentée par Laure Closier et Christophe Jakubyszyn, sur BFM Business. Retrouvez l'émission du lundi au vendredi et réécoutez la en podcast.

In this episode of the IJGC podcast, Editor-in-Chief Dr. Pedro Ramirez is joined by Dr. Reitan Ribeiro to discuss uterine transposition. Dr. Ribeiro currently works in the Gynecology Oncology Service in the Department of Surgical Oncology at Erasto Gaertner Hospital in Curitiba, Brazil. He is a member of the IGCS Education Committee and serves as General Secretary of the Brazilian Society of Surgical Oncology (BSSO).   Highlights: This prospective study aimed to assess the feasibility of uterine transposition and the result of fertility preservation in a group of non-gynecologic cancer patients post-radiation. Of the eight patients who underwent uterine transposition, the uterus was successfully preserved in six patients; these patients had normal menses, hormonal levels, and vaginal intercourse after the procedure. Three patients attempted to conceive, and two were spontaneously successful, subsequently delivering healthy babies via cesarean section without complications. Uterine transposition could be a feasible option for preserving gonadal and uterine function in patients undergoing pelvic radiotherapy for nongynecological cancer.

Commentary by Dr. Valentin Fuster

CardioNerds (Dr. Josh Saef, Dr. Agnes Koczo) join Dr. Iva Minga, Dr. Kifah Hussain, and Dr. Kevin Lee from the University of Chicago - NorthShore to discuss a case of unrepaired congenital heart disease that involves D-TGA complicated by Eisenmenger syndrome. The ECPR was provided by Dr. Michael Earing. Audio editing by Dr. Akiva Rosenzveig. A 25-year-old woman with an unknown congenital heart disease that was diagnosed in infancy in Pakistan presents to the hospital for abdominal pain and weakness. She is found to be profoundly hypoxemic, and an echocardiogram revealed D-transposition of the great arteries (D-TGA) with a large VSD. As this was not repaired in childhood, she has unfortunately developed Eisenmenger syndrome with elevated pulmonary vascular resistance. She is stabilized and treated medically for her cyanotic heart disease. Unfortunately given the severity and late presentation of her disease, she has limited long-term options for care. CardioNerds discuss the diagnosis of D-TGA and Eisenmenger's syndrome, as well as long-term management and complications associated with this entity. US Cardiology Review is now the official journal of CardioNerds! Submit your manuscript here. CardioNerds Case Reports PageCardioNerds Episode PageCardioNerds AcademyCardionerds Healy Honor Roll CardioNerds Journal ClubSubscribe to The Heartbeat Newsletter!Check out CardioNerds SWAG!Become a CardioNerds Patron! Case Media - Unrepaired Congenital Heart Disease Pearls - Unrepaired Congenital Heart Disease Early diagnosis of cyanotic congenital heart disease is paramount for treatment and prevention of future complications. Adult congenital heart disease requires a multi-disciplinary team for management in consultation with an adult congenital cardiology specialist. Eisenmenger syndrome is related to multiple systemic complications and has a high rate of mortality. Advancement in PAH medical management can offer noninvasive treatment options for some patients. Transthoracic echocardiography is the cornerstone for diagnosis. Other modalities (e.g. cardiac CT, cardiac MRI, invasive catheterization) can aid in diagnosis and management. Show Notes - Unrepaired Congenital Heart Disease Cyanotic congenital heart disease is often diagnosed in infancy and timely treatment is paramount. As these diseases progress over time, pulmonary over-circulation often pulmonary hypertension (PH), elevated pulmonary vascular resistance, and Eisenmenger syndrome will develop, which preclude definitive treatment. For D-TGA, before PH develops, there are surgical options such as the arterial switch procedure that can treat the disease. Unfortunately, once Eisenmenger syndrome develops, there are multiple systemic complications including hyperviscosity, thrombosis, bleeding, kidney disease, iron deficiency, arrhythmias, etc. that can occur. Management requires a multi-disciplinary team including an adult congenital cardiology specialist, but mortality rates remain high, with median survival reduced by 20 years, worse with complex cardiac defects. Bosentan is a first line treatment for patients with Eisenmenger syndrome, with PDE-5 inhibitors as a second line either by themselves or in combination with bosentan. Data are currently limited for latest-generation PH treatments in Eisenmenger syndrome and further study is still underway. References Ferencz C. Transposition of the great vessels. Pathophysiologic considerations based upon a study of the lungs. Circulation. 1966 Feb;33(2):232-41. Arvanitaki A, Gatzoulis MA, Opotowsky AR, Khairy P, Dimopoulos K, Diller GP, Giannakoulas G, Brida M, Griselli M, Grünig E, Montanaro C, Alexander PD, Ameduri R, Mulder BJM, D'Alto M. Eisenmenger Syndrome: JACC State-of-the-Art Review. J Am Coll Cardiol. 2022 Mar 29;79(12):1183-1198. Earing MG, Webb GD. Congenital heart disease and pregnancy: maternal and fetal risks. Clin Perinatol.

The World of Eora is a news/lore podcast about the fantasy world/setting for Obsidian Entertainment's cRPG Pillars of Eternity series, as well as their upcoming first-person RPG: Avowed. Today's episode is the second "half" of a two part series on "How to play D&D in Eora". I call it a 'brute force minimalist transposition'. How it works is that we look at the ruleset as it exists in D&D 5e, and we (with as little finicking as possible) shoe-horn that ruleset to fit into the Eoran world as a setting. I'll be honest, TODAY's episode is where we see the most "work" needing to be done. Just to make the classes/subclasses fit with the lore, and how to approach spells (and their restrictions).

The World of Eora is a news/lore podcast about Eora, the world/setting of Obsidian Entertainment's cRPG series, Pillars of Eternity, and their upcoming first-person RPG: Avowed. https://reddit.com/r/projecteternity/s/VGhNa67c6Q Today's episode is a unique one, and less focused on lore (though it is necessarily discussed) but on how to play D&D 5e in the world of Eora as a setting. Be forewarned, this is not a thorough-going homebrew or conversion - this is a transposition of existed core D&D5e rules shoe-horned *into* the setting of Eora. I discuss "the pitch" you can give to your tabletop crew, and what lore is vital for new players to understand. As well, we go over what races you can use from core D&D in lieu of the unique races in Eora. Lastly, we discuss monsters, but that part is really short. worldofeora@gmail.com @worldofeora

Transposition, C. S. Lewis, evil enchantment, and seeing the world how it really is. There's too much good stuff on this episode to describe here—you've just got to hear it for yourself. And by the end, you'll want to become a recovering modern, too. Dr. Jason Baxter, who is a professor at Notre Dame, author, and speaker, joins us today for a lively conversation about truly seeing the world and yourself—and loving both. He wrote the bestselling book “The Medieval Mind of C. S. Lewis: How Great Books Shaped a Great Mind” https://www.amazon.com/Medieval-Mind-C-S-Lewis/dp/1514001640/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=1694012944&sr=8-1 https://www.jasonmbaxter.com Here's the article we referenced: https://churchlifejournal.nd.edu/articles/microcosm-or-the-machine-william-butler-yeatss-meta/ #cslewis, #faith, #enchanted, #cosmology, #modern, #greatbooks, #medieval, #god, #spiritual  Follow us on Facebook at: https://www.facebook.com/bumperstickerfaith     Find us on Instagram @bumperstickerfaith Won't you please consider becoming part of the BS Crew? To find out more and join, go to https://www.patreon.com/bumperstickerfaith.    Feel free to comment and be sure to share. Thanks for listening. Our website: www.bumperstickerfaith.com     Join the BS Crew: https://www.patreon.com/bumperstickerfaith     Find us on Apple Podcasts: https://podcasts.apple.com/us/podcast/bumper-sticker-faith/id1607763646     Or Spotify: https://open.spotify.com/show/1OZgz7PIQPEmMKSaj75Hc7     Music is by Skilsel

In this episode, we review the high-yield topic of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Transposition of Great Vessels ⁠⁠from the Cardiovascular section. Follow ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Medbullets⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on social media: Facebook: www.facebook.com/medbullets Instagram: www.instagram.com/medbulletsofficial Twitter: www.twitter.com/medbullets

Chuck and Chris start with a deep dive on a few technical points with ulnar nerve surgery.  Next we tackle a listener question on management of hook of the hamate fractures.  And finally, we discuss life as a busy clinician and how we respond to different requests- it can be ok say 'no' to academic/ life requests if there simply is no time.Subscribe to our newsletter:  https://bit.ly/3iHGFpDSee www.practicelink.com/theupperhand for more information from our partner on job search and career opportunities. Please complete NEW Survey: bit.ly/3X0Gq89As always, thanks to @iampetermartin for the amazing introduction and conclusion music.Complete podcast catalog at theupperhandpodcast.wustl.edu.  

In this week's episode we speak with Assistant Professor of Pediatrics at Mount Sinai, Dr. Jennifer Cohen about a recent large scale Fetal Heart Society project she conducted on the topic of fetal ccTGA and outcomes. What observations in fetal life are associated with worse clinical outcomes? Why is it valuable to perform serial fetal echocardiograms in this patient group? How common are genetic or extracardiac abnormalities in this patient group? These are amongst the many questions reviewed with Dr. Cohen in this week's extra special 2 episode release week. DOI: 10.1161/JAHA.122.029706

This week we will discuss HIV and Congenital Heart Defects.  Seem like an unlikely pair?  First we dive deep into the world of congenital heart defects, specifically focusing on the rare and life-altering condition known as Transposition of the Great Arteries (TGA). Our special guest, Derek Canas, has not only lived with this complex heart defect but has also experienced firsthand the consequences of a tainted blood transfusion in the 1970s, before routine screening for diseases in blood was standard practice. This led to a devastating HIV diagnosis, forever changing Derek's life. ​ Join us as we hear Derek's incredible journey of perseverance, strength, and advocacy, while also learning about the challenges that came with living with TGA and managing HIV in a time of great stigma and limited medical knowledge. This is a story you don't want to miss, so stay tuned for a heartrending and enlightening conversation.  

Tracie Webster has two amazing kids. One of those is her daughter, Ciara, who shared her story with us on Episode #110 of A Frayed Knot. You can hear her story there. Her younger child, her son Tanner, we will talk about today. Tracie shares with us that Tanner was born with Transposition of the Great Arteries, VSD, ASD, and Pulmonary Stenosis; he basically had four major heart defects which were unknown until he was born. He had to have a series of surgeries, the first being when he was about 6 months old, which lasted 14 hours! Add to that, she and her husband, Darby, had just moved out of state and had 5-year-old Ciara at the time, too! Tracie shares today that she feels she is the narrator of the story God wrote for their family. This has been a lot for them, and especially forTanner, to carry through their lives, but they've done it with such grace and faith. It is inspiring! Tracie tells us that God's plan always prevails, and He is always with us...even on a cold floor of a hospital bathroom. Deuteronomy 31:6 Psalm 139 #afrayedknotpodcast #congenitalheartdisease #airembolism #timestop