Podcast appearances and mentions of Mark Kermode

Mark Kermode and Jack Howard talk about whether it's worth revisiting films more than once. Hosted on Acast. See acast.com/privacy for more information.

The Graduate, Trainspotting, Jaws, Star Wars, Citizen Kane – films you can't picture without thinking of the music. Mark Kermode has been gripped by the marriage of movie and soundtrack since Dougal and the Blue Cat (aged 6) and, with Jenny Nelson, has just published ‘Surround Sound: the Stories of Movie Music'. We talk to him here about… … Scorsese, Cameron Crowe, Sofia Coppola, Edgar Wright: the new generation “who grew up with a headful of not just music, but records” … how John Williams is “the last Whistle Test composer”: two bars of ET, Jaws or Star Wars and you instantly know the film … how “silent cinema was never silent” and his band the Dodge Brothers playing live soundtracks … Butch Cassidy, Easy Rider, Blackboard Jungle … pioneers of the music video … the genius of American Graffiti: “Lucas wanted it so marinated in music the town would sound like a pickle jar” … how scores are recorded and edited and what happens when a director tells an orchestra he's changed his mind … “by the time each Lord of the Rings soundtrack reached New Zealand, Peter Jackson had re-cut the film” … Forbidden Planet in 1956, the days when electronic scores weren't real music … Martha Reeves, Jonathan Richman and the Jon Spencer Blues Explosion in Edgar Wright's Baby Driver … Tarantino's kitsch use of “his own scratchy vinyl” and why Jonny Greenwood‘s There Will Be Blood is unique and exceptional … plus the “atonal squonking” of the Exorcist and the greatest soundtrack of all time. Order ‘Surround Sound: the Stories of Movie Music' here: https://www.waterstones.com/book/mark-kermodes-surround-sound/mark-kermode/9781447230564Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

The Graduate, Trainspotting, Jaws, Star Wars, Citizen Kane – films you can't picture without thinking of the music. Mark Kermode has been gripped by the marriage of movie and soundtrack since Dougal and the Blue Cat (aged 6) and, with Jenny Nelson, has just published ‘Surround Sound: the Stories of Movie Music'. We talk to him here about… … Scorsese, Cameron Crowe, Sofia Coppola, Edgar Wright: the new generation “who grew up with a headful of not just music, but records” … how John Williams is “the last Whistle Test composer”: two bars of ET, Jaws or Star Wars and you instantly know the film … how “silent cinema was never silent” and his band the Dodge Brothers playing live soundtracks … Butch Cassidy, Easy Rider, Blackboard Jungle … pioneers of the music video … the genius of American Graffiti: “Lucas wanted it so marinated in music the town would sound like a pickle jar” … how scores are recorded and edited and what happens when a director tells an orchestra he's changed his mind … “by the time each Lord of the Rings soundtrack reached New Zealand, Peter Jackson had re-cut the film” … Forbidden Planet in 1956, the days when electronic scores weren't real music … Martha Reeves, Jonathan Richman and the Jon Spencer Blues Explosion in Edgar Wright's Baby Driver … Tarantino's kitsch use of “his own scratchy vinyl” and why Jonny Greenwood‘s There Will Be Blood is unique and exceptional … plus the “atonal squonking” of the Exorcist and the greatest soundtrack of all time. Order ‘Surround Sound: the Stories of Movie Music' here: https://www.waterstones.com/book/mark-kermodes-surround-sound/mark-kermode/9781447230564Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

The Graduate, Trainspotting, Jaws, Star Wars, Citizen Kane – films you can't picture without thinking of the music. Mark Kermode has been gripped by the marriage of movie and soundtrack since Dougal and the Blue Cat (aged 6) and, with Jenny Nelson, has just published ‘Surround Sound: the Stories of Movie Music'. We talk to him here about… … Scorsese, Cameron Crowe, Sofia Coppola, Edgar Wright: the new generation “who grew up with a headful of not just music, but records” … how John Williams is “the last Whistle Test composer”: two bars of ET, Jaws or Star Wars and you instantly know the film … how “silent cinema was never silent” and his band the Dodge Brothers playing live soundtracks … Butch Cassidy, Easy Rider, Blackboard Jungle … pioneers of the music video … the genius of American Graffiti: “Lucas wanted it so marinated in music the town would sound like a pickle jar” … how scores are recorded and edited and what happens when a director tells an orchestra he's changed his mind … “by the time each Lord of the Rings soundtrack reached New Zealand, Peter Jackson had re-cut the film” … Forbidden Planet in 1956, the days when electronic scores weren't real music … Martha Reeves, Jonathan Richman and the Jon Spencer Blues Explosion in Edgar Wright's Baby Driver … Tarantino's kitsch use of “his own scratchy vinyl” and why Jonny Greenwood‘s There Will Be Blood is unique and exceptional … plus the “atonal squonking” of the Exorcist and the greatest soundtrack of all time. Order ‘Surround Sound: the Stories of Movie Music' here: https://www.waterstones.com/book/mark-kermodes-surround-sound/mark-kermode/9781447230564Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

In this first half of the MK3D show recorded on Monday, 6 October, 2025, at the BFI Southbank, Mark Kermode is joined by an inspiring line-up of guests from the world of film.Actress Maxine Peake discusses her role in I Swear - a deeply moving and darkly funny comedy-drama based on the true story of a young man living with Tourette's syndrome.Composer Nathan Johnson joins to talk about his acclaimed work on the Knives Out films - the latest of which opened this year's BFI London Film Festival - as well as his music collaboration for Guillermo del Toro's Nightmare Alley.Finally, actor Russell Tovey reflects on his lead role in Plainclothes, a powerful new drama set in the 1990s about a policeman who entraps gay men but finds himself unexpectedly drawn to one of his targets.In the second part of the show, coming out soon, you'll hear from director Nia DaCosta on her new film Hedda and her work on the upcoming 28 Years Later: Temple of Bones, along with director and film editor Mark Jenkin, discussing his third and brilliant feature, Rose of Nevada.Opening title quotes from:Mary Poppins (Robert Stevenson, Walt Disney Productions – featuring Julie Andrews)Nope (Jordan Peele, Universal Pictures – featuring Keke Palmer)Withnail & I (Bruce Robinson, HandMade Films – featuring Richard E. Grant)The Exorcist (William Friedkin, Warner Bros. – featuring Ellen Burstyn and Linda Blair)Mark Kermode Live in 3D and Kermode on Film are HLA Agency productions.This episode was edited by Alex Archbold Jones.© HLA Agency Hosted on Acast. See acast.com/privacy for more information.

LOOK OUT! It's only Films To Be Buried With! A REWIND CLASSIC! Join your host Brett Goldstein as he talks life, death, love and the universe (again) with movie critic, writer, journalist and presenter MARK KERMODE! The RESURRECTION! Mark is always welcome on the podcast, and this Resurrection was a lovely return visit back in the days of 2022. So much life has happened in the interviening years, and also in listening back and giving it a little brush and polish, it became clear that some items may need a little explaining for newer listeners. So here's a quick list of things that might benefit some addressing: • Mark's current podcast is a movie (and film-adjacent TV) review show he co-hosts with Simon Mayo called 'Take', available in free with ads (1 weekly ep) / subscribe for a fee with no ads (2 weekly eps) models. • Referring to someone "Getting off their bike" about something, basically means ranting. • This was recorded before the White Lotus with Jason Isaacs in, and he gets a mention, but Mark went to school with him and he's a friend of all things Kermode podcast related. • The 'Linda' he makes reference to is his wife, Professor Linda Ruth Williams. • Up top he references 'Benjamin' and Simon Amstell. Mark had a brief cameo in the film Benjamin, directed by comic, host and writer Simon Amstell. Otherwise, we hear about Mark's ever-growing love for his family, the mechanics of rewatching films, the idea of writing being like a 'journal of record', the niceness of horror film folks (even Leatherface) and making films with love, and so much more awesome behind the scenes movie goodies. Very, very much worthy of your time even if you listened first time round, there's so much to catch that may have been missed first time. Oh and Jeremy is a really sweet film, which you'll have to acquaints yourself with if you want to be his friend (to quote the Spice Girls classic). Zig a zig ahh. Enjoy! ⁠Video and extra audio available on Brett's Patreon! INSTAGRAM TAKE PODCAST • YOUTUBE TAKE PODCAST • MAIN SITE SURROUND SOUND • BOOK SCREENSHOT PODCAST –––––––––– BRETT • X BRETT • INSTAGRAM THE SECOND BEST NIGHT OF YOUR LIFE TED LASSO SHRINKING ALL OF YOU SOULMATES SUPERBOB (Brett's 2015 feature film) Learn more about your ad choices. Visit podcastchoices.com/adchoices

Mark Kermode and Jack Howard share the stories, and unpack the mysteries and the madness of Awards and Festivals in this edition of Kermode On Film.MK3D and Kermode On Film are HLA Agency productionsThis episode was edited by Jack Howard© HLA Agency Hosted on Acast. See acast.com/privacy for more information.

2025 marks 250 years since the birth of JMW Turner - the great 19th century landscape artist, whose expressive, atmospheric paintings transformed British art. His life and genius was also unforgettably brought to the screen in Mike Leigh's 2014 film Mr Turner, starring Timothy Spall. Ellen E Jones and Mark Kermode look at the long relationship between cinema and painting.Mark speaks to cultural historian Professor Sir Christopher Frayling on Hollywood's approach to the history of art, from Kirk Douglas as Van Gogh to Salma Hayek as Frida Kahlo. He then talks to actor Timothy Spall on how playing JMW Turner led to a parallel career as a painter.Ellen explores the relationship between painting and cinematography with cinematographer Sir Roger Deakins. She also speaks to artist Cathy Lomax on the painterly in cinema - and the cinematic in painting.Producer: Jane Long A Prospect Street production for BBC Radio 4

Drawing on everything from Dougal and the Blue Cat to Angel Heart, from Walter Murch's “pickle jar” of sound to Tarantino-style needle drops, Kermode turns listening into a way of seeing: treat scores as storytelling, not wallpaper; hear nostalgia without depending on it; notice how rooms, acoustics, and “vibrations” change performances; and understand why live accompaniment can transform a film in the moment. Along the way: Ken Russell's emotional maximalism, Under the Skin's alien minimalism, American Graffiti's jukebox world-building, and the strange alchemy that turns cues into cinema. In an age of playlists and temp tracks, Kermode offers practical tools: the “trust Neil Brand” rule for live scoring (watch the film, watch each other), left-hand “semaphore” for staying in key, the needle-drop test (does the song deepen the scene or just decorate it?), room-tuning for performance energy, analogical listening (let pop, jazz, and electronics cross-pollinate), and permission to change your mind as the years—and the mixes—change. The result is criticism reimagined as a compassionate daily practice: not to win arguments about taste, but to listen better, feel more, and love movies more deeply. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Mark Kermode is a brilliant Film critic, writer, broadcaster and co-host of podcasts Kermode and Mayo's Take - and Screenshot.In his book, Surround Sound: The Stories of Movie Music, Mark and fellow author Jenny Nelson, discuss the power that music has on screen.With that in mind, what music will he choose as the soundtrack to his life?Inherited: 2002 Zarathustrevisited by Stan Kenton & His Orchestra Passed on: Top of the World by Shonen KnifeProducer: Ben Mitchell

We all know Lulu for her breakout hit Shout, voicing the theme tune to James Bond's The Man With a Golden Gun, and winning Eurovision in an unprecedented 4-way tie. But, in her new memoir If You Only Knew, she reveals how her childhood in Glasgow was marked by trauma, her father was an alcoholic and mother never fully came to terms with being given away as a baby. Sami Tamimi first arrived in London from Palestine, in 1997, as a wide-eyed chef in his twenties looking to shake up the Arabic food scene in London. He soon met and befriended Israeli chef Yotam Ottolenghi and despite the obvious differences from their homelands they became the best of friends and together redefined middle-eastern cooking in the UK. But despite having co-written dozens of cookbooks - Boustany, is the first he has written solo.After hitting rock bottom following his divorce, then fashion product developer Doran Binder, bought a struggling pub. Little did he know that underneath was exceptionally high quality water. He has not only bottled it, but has become the UK's first water sommelier. All that, plus the woman soaring her way through grief in a hot air balloon, a thank you for a quite remarkable act of kindness, and the Inheritance Tracks of film critic, writer and broadcaster, Mark Kermode.Presenter: Adrian Chiles Producer: Ben Mitchell

Sam Clements is curating a fictional film festival. He'll accept almost anything, but the movie must not be longer than 90 minutes. This is the 90 Minutes Or Less Film Fest podcast. In episode 146 Sam is joined by Mark Kermode and Jenny Nelson, co-author's of the new book Mark Kermode's Surround Sound: The Stories of Movie Music. Mark is a film critic and broadcaster, and Jenny is an audio producer and writer.  Mark and Jenny have chosen Censor (84 mins). Released in 2021 and directed by Prano Bailey-Bond, the film stars Niamh Algar, Nicholas Burns, Vincent Franklin, Sophia La Porta, and Michael Smiley. Sam, Mark and Jenny discuss writing a book together, Emilie Levienaise-Farrouch's score for Censor, and how to smuggle a file out of the BBFC.  Thank you for downloading. We'll be back in a couple of weeks! Rate and subscribe on Apple Podcasts: https://tinyurl.com/90minfilm If you enjoy the show, please subscribe, rate, review and share with your friends. We're an independent podcast and every recommendation helps - thank you!  You can also show your support for the podcast by leaving us a tip at our Ko-fi page: https://ko-fi.com/90minfilmfest Website: 90minfilmfest.com Blue Sky:  @90minfilmfest.bsky.social Instagram: @90MinFilmFest We are a proud member of the Stripped Media Network. Hosted and produced by Sam Clements. Edited and produced by Louise Owen. Guest stars Jenny Nelson and Mark Kermode. Additional editing and sound mixing by @lukemakestweets. Music by Martin Austwick. Artwork by Sam Gilbey. 

Not one but TWO Oscar-winning composers join Mark Kermode on stage at the BFI Southbank to talk all things movie music, for the launch of the new book, Mark Kermode's Surround Sound: The Stories of Movie Music, co-written by Mark with Jenny Nelson.First up, Rachel Portman, the first woman composer to win an Oscar and the only woman to be nominated more than once, talks about her award-winning score for Emma (1996), illustrating how she developed the themes on the piano. She also touches on her scores for We Were The Lucky Ones, Never Let Me Go, and her commercial work.Next to join the conversation is Anne Dudley, who won an Oscar for The Full Monty (1997). She too illustrates some of her work on the piano, for Elle for instance, and she discusses new release Signs Of Life, which she scored and which is also her debut as producer.Mark Kermode's Surround Sound: The Stories of Movie Music, co-written by Mark with Jenny Nelson, is released by Picador and is available wherever you get your books, now.---Opening title quotes from:Mary Poppins (Robert Stevenson, Walt Disney Productions – featuring Julie Andrews)Nope (Jordan Peele, Universal Pictures – featuring Keke Palmer)Withnail & I (Bruce Robinson, HandMade Films – featuring Richard E. Grant)The Exorcist (William Friedkin, Warner Bros. – featuring Ellen Burstyn and Linda Blair)These films are essential viewing.Watch them. Love them. Share them.They are masterpieces.MK3D and Kermode on Film are produced by HLA AgencyThis episode was edited by Alex Archbold Jones © HLA Agency Hosted on Acast. See acast.com/privacy for more information.

Mark Kermode began reviewing films 40 years ago, and has established himself as one of our most foremost critics, both in print and on air. He co-presents Screenshot on Radio 4 and the podcast Kermode and Mayo's Take, with his long-term collaborator Simon Mayo. He's said he goes to every screening hoping it will be the next Citizen Kane – but he's also renowned for his energetic rants against the films he finds most disappointing. Music is another lifelong love – and for nearly 30 years he's played double bass in The Dodge Brothers, a skiffle band who have also performed live soundtracks for silent movies. And film music is the subject of his most recent book, Mark Kermode's Surround Sound, examining the complex relationship between what we hear and what we see. Mark's music includes Mica Levi, Strauss and Jelly Roll Morton.

Ten years after it was commissioned, Mark's new book is published this Thursday 11th September. Mark Kermode's Surround Sound, The Stories of Movie Music, co-written by Mark with Jenny Nelson, is a thrilling take on how great scores are brought to life on the silver screen. Jack Howard joins Mark to talk about their shared love of soundtracks, and whether physical media is dead. VHS, anyone? Hosted on Acast. See acast.com/privacy for more information.

This episode is the very first edition of MK3D recorded in Edinburgh, as part of the Edinburgh International Book Festival. Mark Kermode talks to three iconic Scottish actors: Brian Cox, whose directorial debut Glenrothan opens later this year. Kate Dickie, who is currently on Netflix in Department Q, and Michelle Gomez, BAFTA-nominated for her role as Missy in Doctor Who.Sit back and enjoy this MK3D show recorded live at McEwan Hall in Edinburgh.With thanks to Charlotte Matheson at HLA and Lilidh Kendrick and Jenny Niven and the whole, brilliant team at the Edinburgh International Book Festival.---Opening title quotes from:Mary Poppins (Robert Stevenson, Walt Disney Productions – featuring Julie Andrews)Nope (Jordan Peele, Universal Pictures – featuring Keke Palmer)Withnail & I (Bruce Robinson, HandMade Films – featuring Richard E. Grant)The Exorcist (William Friedkin, Warner Bros. – featuring Ellen Burstyn and Linda Blair)These films are essential viewing.Watch them. Love them. Share them.They are masterpieces.MK3D is an HLA Agency production© HLA Agency Hosted on Acast. See acast.com/privacy for more information.

For a very special 100th episode of Screenshot, Ellen E Jones and Mark Kermode explore the cult classic TV show.The great surrealist American filmmaker David Lynch died in January 2025 at the age of 78. Lynch's films spanned the underground midnight movie Eraserhead, the black and white heartbreaker The Elephant Man and the critically beloved Mulholland Drive. Yet the director was perhaps most appreciated for the TV show he co-created with screenwriter Mark Frost - Twin Peaks. Mark speaks to Mark Frost about his relationship with Lynch, and about the impact and legacy of their ground-breaking series. The pair discuss how pressure to solve the central murder of high school student Laura Palmer impacted Twin Peaks, and how the revival of the series in 2017 - after a 25 year hiatus - now seems fated.Meanwhile, Ellen talks to critic and die-hard Twin Peaks fan Jourdain Searles about the series' dedicated cult following. And she speaks to actor Tim Roth, star of Reservoir Dogs and Rob Roy, who got a chance to work with his hero David Lynch in 2017 on Twin Peaks: The Return. Producer: Jane Long A Prospect Street production for BBC Radio 4

Ellen E Jones and Mark Kermode are on patrol, investigating why the police procedural continues to be so arresting for audiences.Mark meets the film writer and critic Kim Newman who charts the beginnings of the genre and some of its tropes. Next, he talks to the director and documentarian Sandhya Suri, to discuss her feature film debut, Santosh, that follows the journey of a widow turned police constable. Meanwhile, Ellen discusses how fiction aimed to mimic reality in 90s TV series, Homicide: Life on the Street, with actor from the show, Kyle Secor. She also speaks to Simon Ford, executive producer of the documentary series, 24 Hours in Police Custody, who explains how dramatic structure borrowed from fiction has helped the award-winning programme tell wider stories about the world around us.Producer: Mae-Li Evans A Prospect Street production for BBC Radio 4

In this episode of Kermode on Film, Mark is joined by longtime collaborator and filmmaker Jack Howard for a live conversation recorded at Latitude Festival 2025.Mark and Jack return to the Latitude stage to explore the current state of cinema, offering their perspectives on everything from Hollywood blockbusters to indie gems. With plenty of humour, insight, and disagreement along the way, the pair debate the highs and lows of modern filmmaking, reflect on recent releases and, with the audience, hazard a guess at who will be the next Bond.Films mentioned28 Years LaterA Complete UnknownA Minecraft MovieA Real PainArrivalAvatarAvatar: The Way of WaterAvengers: EndgameAvengers: Infinity WarBabygirlBlade Runner 2049Casino RoyaleClown in a CornfieldCompanionDangerous AnimalsDuneFlowFriendshipGodzillaHappy Gilmore (1 & 2)Hard TruthsHarvestHallow RoadHeaven's GateHot MilkHow to Train Your Dragon (2010 & 2025)I Think You Should LeaveI'm Still HereJurassic World: RebirthLast SwimLilo & Stitch (2002 & 2025)LollipopLonglegsM3GAN 2.0Memoir of a SnailMegalopolisMickey 17MonstersNe Zha 2Never Say Never AgainNickel BoysNo Time to DieNosferatuOn FallingOn Her Majesty's Secret ServiceOne Battle After AnotherProteinRestlessSantoshThe Second Time AroundSinnersSister MidnightSuperboys of MalegaonSupermanThe Brown BunnyThe BrutalistThe Cable GuyThe CreatorThe EndThe Fall GuyThe Last ShowgirlThe Lion King (1994 & 2019)The Marching BandThe MonkeyThe Phoenician SchemeThe ReturnThe Seed of a Sacred FigThe Shawshank RedemptionThe ShroudsThe Stimming PoolThe SurferTitanicTornadoWarfareWickedWhen the Light BreaksKermode on Film is an HLA Agency productionThis episode was edited by Jack Howard© HLA Agency Hosted on Acast. See acast.com/privacy for more information.

Remakes continue to proliferate on our screens. Over the last few months, we've had live action remakes in cinemas of classic animations Snow White, Lilo And Stitch, and How To Train Your Dragon, along with legacy reboots of the horror hit I Know What You Did Last Summer and DC's Superman, and - coming soon - a new spin on the 1980s comedy The Naked Gun.So is this all just evidence of a dearth of creativity in Hollywood? Or are there some artistically valid reasons to re-make existing films? And can a remake ever be better than the original? Ellen E Jones and Mark Kermode delve into the past, present and future of the remake. Mark speaks to critic Anne Billson about the remakes she considers worthy of our attention, from Brian De Palma's Scarface to John Carpenter's The Thing. And he also talks with Jim McBride who, in 1983, directed Breathless - a remake of Jean-Luc Godard's French New Wave classic A Bout de Souffle, which Mark has long considered superior to the original.Ellen talks to TV critic Roxana Hadadi about what television can bring to the remake party - and about the TV series that managed to improve on their source material. And Ellen also speaks to Noah Hawley, showrunner of the multi-Emmy winning Fargo and upcoming Alien: Earth TV series, about the creative possibilities of TV reboots. Producer: Jane Long A Prospect Street production for BBC Radio 4

Donning the mantle of Mark Kermode, Matthew Gibbs sets sail on a new series delving into the world of football on film. In this first episode, he's joined by Rob Fletcher and Chris Lepkowski to take a closer look at The Damned United. So the first thing you can do is chuck all your medals and all your caps and all your pots and all your pans into the biggest dustbin you can find and pay attention to this.

Daniel Craig told movie critic Mark Kermode at a British Film Institute event that the actor knew he was making a major change in the way James Bond was portrayed on film.

30 years after Mel Gibson's Braveheart cloaked Hollywood in fake tartan, Ellen E Jones and Mark Kermode take the high roads and the low roads to look for the real Scotland on screen.Ellen talks with Tayside journalist Kayleigh Donaldson about the trouble with Braveheart, why veteran Scottish director Bill Forsyth's hyper local comedy dramas Local Hero, Gregory's Girl, and That Sinking Feeling have such international appeal, and why movies such as Ben Sharrock's Limbo tell a different kind of story about Scotland.Comedian and writer Frankie Boyle tells Ellen why Gregory's Girl is one of Scotland's most beloved films, why Lynne Ramsay's New York City based thriller You Were Never Really Here starring Joaquin Phoenix as a violent mercenary feels so Scottish, and his reservations about Danny Boyle's Trainspotting.Mark reconnects with legendary Scottish actor and star of Succession Brian Cox who has returned to Scotland to make his directorial debut Glenrothan. They discuss Brigadoon, Braveheart (which starred Brian Cox), cultural neglect, and the Powell & Pressburger classic movie set on the Isle of Mull, I Know Where I'm Going.Producer: Freya Hellier A Prospect Street production for BBC Radio 4

Ellen E Jones and Mark Kermode celebrate 25 years of In The Mood For Love - director Wong Kar Wai's acclaimed romantic drama starring Maggie Cheung as Mrs Chan and Tony Leung as Mr Chow - two neighbours in 1960s Hong Kong, bonded by a revelation about their respective spouses.Critically beloved on its first release back in 2000, the film is now reaching an entirely new generation of young film fans, thanks in part to its popularity on social media sites like Letterboxd and TikTok. Mark speaks to critic and sometime filmmaker Tony Rayns, who was a key part of Wong Kar-Wai's team for many years, working closely with the director on the English subtitles for his films. Tony gives Mark the inside story of the production of In The Mood For Love, as well as some insight into the enigmatic director's sometimes chaotic working methods. Ellen takes a trip to The Prince Charles Cinema in London's Leicester Square - where film fans in their early 20s have been packing screenings of In The Mood For Love - to try to get a sense of why Wong Kar Wai's modern masterpiece has developed such a devoted fanbase. And she speaks to Paul Vickery - Head of Programming at the Prince Charles - about the film's continuing popularity with audiences. And Academy Award-nominated cinematographer Bradford Young tells Mark how he fell in love with the work of Wong Kar-Wai - and why he thinks In The Mood For Love is still resonating with young viewers a quarter century on. Producer: Jane Long A Prospect Street production for BBC Radio 4

In this episode, Mark Kermode and Jack Howard are back to rank the eight Mission: Impossible films in order of preference, and talk about everything from Tom's tumbles to theme tunes. Films and people mentioned in the two episodes are:Mission: Impossible (1996) Mission: Impossible 2 (2000) Mission: Impossible III (2006) Mission: Impossible – Ghost Protocol (2011) Mission: Impossible – Rogue Nation (2015) Mission: Impossible – Fallout (2018) Mission: Impossible – Dead Reckoning Part One (2023) Mission: Impossible – The Final Reckoning (2025) Limp BizkitLalo SchiffrinMike OldfieldNick HornbyJohn WuSecrets of CinemaKim NewmanNick JonesWallace & GromitOceans 11Brian de PalmaJJ AbramsPhilip Seymour HoffmanTom Cruise – action movie JesusEddie HamiltonSimon PeggDoctor WhoMichael BayBen Bailey SmithChris McQuarryBrad BirdThe Incredibles Indiana Jones Dark Knight RisesMichael GiacchinoPaddingtonJurassic Park – Lost WorldJoe KramerLorne BalfeHan ZimmerSean HarrisTurandot Nessun DormaSimon MayoAlex BaldwinStanley KubrickPunch Drunk LoveHenry CavillStone ColdBrian Bosworth Terminator 2No Time to DieEthan HawkeJulie Delpy Top Gun MaverickVanessa KirbyRebecca FergusonHayley AtwellJames BondFace-OffJohn TravoltaNic CageLea SeydouxPaula Patton Ana de ArmasStar WarsJohn BoyegaJon VoightVanessa RedgraveMichelle MonaghanTrue DetectiveDuneBuster KeatonThandiwe NewtonSean Connery Jason BourneDanny Boyle Hosted on Acast. See acast.com/privacy for more information.

As music festival season takes hold of the summer, Ellen E Jones and Mark Kermode look at festival films from Woodstock to Summer of Soul. Can you really capture the spirit of a music festival on screen?Mark speaks to legendary editor Thelma Schoonmaker about her era-defining, Academy Award-nominated work on the documentary film Woodstock. He then talks to maverick British director Julien Temple about filming Glastonbury - his very personal film about the history of the English music festival. Ellen talks to music journalist Shaad D'Souza about the relationship between festivals and screen culture in the 21st century, from Bridget Jones to Beyonce at Coachella. And she also speaks to director Jamie Crawford, whose 2022 documentary series Trainwreck: Woodstock 99 showed - in some detail - what can happen when the festival dream gets torn down and trampled underfoot. Producer: Jane Long A Prospect Street production for BBC Radio 4

In this episode, Mark Kermode and Jack Howard rank the eight Mission: Impossible films in order of preference, and talk about everything from Tom's tumbles to theme tunes. Part two of their conversation is uploaded next week.Films and people mentioned in the two episodes are:Mission: Impossible (1996) Mission: Impossible 2 (2000) Mission: Impossible III (2006) Mission: Impossible – Ghost Protocol (2011) Mission: Impossible – Rogue Nation (2015) Mission: Impossible – Fallout (2018) Mission: Impossible – Dead Reckoning Part One (2023) Mission: Impossible – The Final Reckoning (2025) Limp BizkitLalo SchiffrinMike OldfieldNick HornbyJohn WuSecrets of CinemaKim NewmanNick JonesWallace & GromitOceans 11Brian de PalmaJJ AbramsPhilip Seymour HoffmanTom Cruise – action movie JesusEddie HamiltonSimon PeggDoctor WhoMichael BayBen Bailey SmithChris McQuarryBrad BirdThe Incredibles Indiana Jones Dark Knight RisesMichael GiacchinoPaddingtonJurassic Park – Lost WorldJoe KramerLorne BalfeHan ZimmerSean HarrisTurandot Nessun DormaSimon MayoAlex BaldwinStanley KubrickPunch Drunk LoveHenry CavillStone ColdBrian Bosworth Terminator 2No Time to DieEthan HawkeJulie Delpy Top Gun MaverickVanessa KirbyRebecca FergusonHayley AtwellJames BondFace-OffJohn TravoltaNic CageLea SeydouxPaula Patton Ana de ArmasStar WarsJohn BoyegaJon VoightVanessa RedgraveMichelle MonaghanTrue DetectiveDuneBuster KeatonThandiwe NewtonSean Connery Jason BourneDanny Boyle Hosted on Acast. See acast.com/privacy for more information.

In this edition of Kermode on Film, Mark Kermode talks to legendary actor Brian Cox about his career, from Manhunter and the controversial L.I.E., all the way through to the final season of Succession.This is part two of the Mark Kermode Live in 3D show, recorded live at the BFI Southbank in April 2023.Films mentioned in this episode:SuccessionManhunterThe Silence of the LambsL.I.E.Woman of the YearBringing Up BabyPeople mentioned in this episode:Jesse ArmstrongKatherine HepburnSpencer TracyCary GrantHoward HawksAnthony Hopkins———————The opening title sequence of Kermode on Film uses quotes from:Mary Poppins, directed by Robert Stevenson and distributed by Walt Disney Motion Pictures – quote featuring Julie Andrews.Nope, written, directed and produced by Jordan Peele, and distributed by Universal Studios – quote featuring Keke Palmer.Withnail & I, written and directed by Bruce Robinson, and distributed by HandMade Films – quote featuring Richard E Grant.The Exorcist, written by William Peter Blatty and directed by William Friedkin, distributed by Warner Brothers – quote featuring Ellen Burstyn and Linda Blair.We love these films. We urge you to seek them out, and watch them, again and again.They are masterpieces!Kermode on Film is an HLA Agency productionThis episode was edited by Alex Archbold Jones© Copyright HLA Agency Hosted on Acast. See acast.com/privacy for more information.

On this episode, host Dr Pasquale Iannone is joined by award-winning writer, critic and broadcaster Ellen E. Jones. Ellen presents BBC Radio 4's Screenshot with Mark Kermode and has written for The Guardian, The Observer, Little White Lies, Empire and many other outlets. In March this year, Ellen won the Broadcasting Press Guild Award for Best Radio Presenter for her work on Screenshot.Ellen joins Pasquale to talk about her book Screen Deep: How Film and TV Can Solve Racism and Save The World which came out in paperback via Faber in February. It's a brilliantly sharp, impassioned and entertaining look at film and TV's role in both constructing racial identities and combating racism. Works discussed include No Way Out (1950), Imitation of Life (1959), Get Out (2017), Black Panther (2018), Bridgerton (2020-), Atlanta (2016 - 2022), I May Destroy You (2020), Small Axe (2020) and Hard Truths (2024).

Mark Kermode and Jack Howard pick up where they left off, and get together again on the Kermode On Film podcast. You won't get any reviews of new releases here: for those, you can listen to Kermode & Mayo's Take. Jack and Mark talk about the classics they love, about highly anticipated films that aren't on release yet, and about screen culture in general.In this bumper episode they talk, among other things, about Jack's recently completed short film The Second Time Around. Buckle up!Topics discussed in this episode:The Revenge of the SithThe Force AwakensThe Dark KnightTimes tablesSchool results and examsThe validity of film criticismThe demise of the Kermodean RantStar WarsSpace wizardsClive Barker's Weave WorldChristopher Nolan's TenetJack Howard's The Second Time Around YouTube fameThe White Lotus and Jason IsaacsThe Studio Vs The PlayerMission: Impossible titlesCopyright © HLA Agency Hosted on Acast. See acast.com/privacy for more information.

Fifty years ago this summer, Jaws was released in the US. Directed by Steven Spielberg and based on the bestselling novel by Peter Benchley, the film - about a coastal resort town threatened by a great white stark at the busiest time of the year - was a groundbreaking box office phenomenon.Jaws changed the industry overnight - pioneering new marketing and release patterns, and altering the focus and mix of movies that Hollywood made - some say for the worse. From Jaws and Star Wars through to the double whammy of Barbenheimer, summer blockbusters have dominated cinemas. But is this changing? And is there more to the summer blockbuster than big box office and a summer release date? Ellen E Jones and Mark Kermode join the queue for popcorn to explore the genre. Mark speaks to critic and author Tim Robey about how Jaws went from potential disaster to record-breaking hit, and about the summer blockbusters that followed. And he also speaks to Jenny He, senior exhibitions curator at the Academy Museum of Motion Pictures in Los Angeles, about the museum's forthcoming ‘Jaws: The Exhibition' and the marketing techniques that helped make the 1975 film such a success. Meanwhile, Ellen talks to pop culture critic Kayleigh Donaldson about box office mega-hits for the modern age - and how the inescapable megalith of Marvel has impacted the summer film landscape. And Ellen also speaks to Canadian filmmaker Nyla Innuksuk about her 2022 film Slash/Back - a Spielberg-influenced summer-blockbuster-in-spirit sci-fi adventure movie set in the remote Arctic fishing town of Pangnirtung. Producer: Jane Long A Prospect Street production for BBC Radio 4

This episode of Kermode on Film was recorded live at the BFI Southbank on 5 June 2023, and was the 81th edition of MK3D. This is Part 2 of that show, in which Mark Kermode is joined by director Edward Lovelace to talk about his documentary feature Name Me Lawand.Mark also talks to legendary, multi-Oscar-winning sound designer and film editor Walter Murch about his documentary feature Her Name Was Moviola.Thanks for listening!———————The opening title sequence of Kermode on Film uses quotes from:- Mary Poppins, directed by Robert Stevenson and distributed by Walt Disney Motion Pictures – quote featuring Julie Andrews.- Nope, written, directed and produced by Jordan Peele, and distributed by Universal Studios – quote featuring Keke Palmer.- Withnail & I, written and directed by Bruce Robinson, and distributed by HandMade Films – quote featuring Richard E Grant.- The Exorcist, written by William Peter Blatty and directed by William Friedkin, distributed by Warner Brothers – quote featuring Ellen Burstyn and Linda Blair.We love these films. We urge you to seek them out, and watch them, again and again.They are masterpieces!Kermode on Film is an HLA Agency production.Cover photo by Julie Edwards.© Copyright HLA Agency Hosted on Acast. See acast.com/privacy for more information.

The Brutalist has been one of the most talked about films of the year and taps into a rich vein of films and television that dramatise the immigrant experience. From The Godfather Part 2 to Small Axe, The Emigrants to Home and Away and An American Tail - Ellen E Jones and Mark Kermode examine how filmmakers have investigated and portrayed the perils, patterns and adventure of human movement across the globe.Mark speaks to film critic Christina Newland about the history of immigrant epics in Hollywood - from Once Upon a Time in America to The Brutalist.Ellen then speaks to writer and creator of the tv series Get Millie Black, Marlon James, about his experience watching Small Axe for the first time. Ellen also talks to director Sir Steve McQueen about his anthology series Small Axe and how the films act as their own immigrant epic for the Windrush generation.Producer: Queenie Qureshi-Wales A Prospect Street production for BBC Radio 4

This episode of Kermode on Film was recorded live at the BFI Southbank on 5 June 2023, and was the 81th edition of MK3D. This is Part 1 of that show, in which Mark Kermode is joined by director Thomas Hardiman to talk about his debut feature Medusa Deluxe. They also delve into the work of much-missed director Ken Russell, and in particular his film The Boyfriend.Mark also talks to director Dionne Edwards about her film Pretty Red Dress, and the film that influenced her, Do The Right Thing.Thanks for listening!People mentioned in this episode:Robbie RyanRobert AltmanSpike LeeLouise BrooksMarlene DietrichFelliniDerek JarmanToyah WilcoxHalle BerryGary OldmanBram StokerLeos CaraxKen RussellTed AshleyTwiggySteve McQueenClio BarnardTina TurnerMel GibsonPhil SpectreAlexandra BurkeNatey JonesHugo GogginMartin ScorseseFilms Mentioned in this episode:Medusa DeluxeNashvilleDeadly Cuts (2021)Don't Mess with the ZohanJoe's Bed-Stuy Barbershop: We Cut Heads (1983)Shampoo (1975)Swan Song (2021)Pandora's BoxBlonde VenusCasanovaThe TempestBatsStar Trek BeyondBladeDraculaMahlerThe DevilsTommyThe Music LoversThe DevilsChinatownThe ArborsWeekendPretty Red DressDo The Right ThingAli & EvaCabaretBugsy MaloneThe Sound of MusicDo the Right Thing———————The opening title sequence of Kermode on Film uses quotes from:- Mary Poppins, directed by Robert Stevenson and distributed by Walt Disney Motion Pictures – quote featuring Julie Andrews.- Nope, written, directed and produced by Jordan Peele, and distributed by Universal Studios – quote featuring Keke Palmer.- Withnail & I, written and directed by Bruce Robinson, and distributed by HandMade Films – quote featuring Richard E Grant.- The Exorcist, written by William Peter Blatty and directed by William Friedkin, distributed by Warner Brothers – quote featuring Ellen Burstyn and Linda Blair.We love these films. We urge you to seek them out, and watch them, again and again.They are masterpieces!Kermode on Film is an HLA Agency production.Cover photo by Julie Edwards. Hosted on Acast. See acast.com/privacy for more information.

Pretty Woman was released in 1990. One of the most beloved and successful romantic comedies of all time, the film tells the Cinderella story of a sex worker, played by Julia Roberts, who finds love with a slick businessman - Richard Gere - after he picks her up on Hollywood Boulevard.Fast forward to 2025 and the astonishing Oscar success of Anora - director Sean Baker's tale of a young sex worker whose whirlwind affair with a Russian billionaire's son turns bad, fast.So how has the way we treat sex work on screen changed? Ellen E Jones and Mark Kermode delve into the long and thorny relationship between cinema and sex work. Mark speaks to film historian and critic Pamela Hutchinson about how sex work has been tackled in over a hundred years of movies - from early silent films like Pandora's Box, to the work of Sean Baker. They discuss Jane Fonda's Oscar-winning turn as a ‘call girl' in Klute, and look at how male sex worker films like Midnight Cowboy might approach the subject differently. Meanwhile, Ellen talks to Andrea Werhun, the writer, performer and real-life sex worker who served as a consultant on Anora - about her work on the film, and her love for another Richard Gere sex work film, American Gigolo. And Ellen also speaks to Kristen Lovell and Zachary Drucker, whose 2023 documentary The Stroll traced the history of trans sex workers in New York City's Meatpacking District. Kristen and Zachary discuss why sex work has been a key part of trans history - and what they think Anora's success means for sex workers. Producer: Jane Long A Prospect Street production for BBC Radio 4

This episode of Kermode on Film was recorded live at the BFI Southbank on 15 May 2023, marking the 80th edition of MK3D. This is Part 2 of that show, in which Mark Kermode is joined by the brilliant Sanjeev Bhaskar to talk about his role in the acclaimed drama series Unforgotten, reflecting on its emotional depth and his experience working with a stellar cast.They also dive into the classic film Who's Afraid of Virginia Woolf?, discussing its intense performances, sharp dialogue, and why it remains so powerful decades after its release.Sit back and enjoy Part 2 of this MK3D show, recorded live at the BFI Southbank.Part 1 of this MK3D was uploaded last week, featuring Nina Menkes on Brainwashed and Jenny Seagrove on Local Hero.Thanks for listening!People mentioned in this episode:Nina MenkesSanjeev BhaskarWilliam FriedkinElizabeth TaylorRichard BurtonFrancis Ford CoppolaJenny SeagroveCelia JohnsonDavid LeanLittle RichardFilms, plays and TV series mentioned in this episode:Brainwashed: Sex-Camera-PowerThe ExorcistUnforgottenWho's Afraid of Virginia WoolfThe OfferLocal HeroThe GuardianThe Exorcist (Stage Play)Brief EncounterThe Girl Can't Help ItLittle Richard: I Am EverythingLittle Richard: The King and Queen of Rock ‘n' Roll Hosted on Acast. See acast.com/privacy for more information.

Ellen E Jones and Mark Kermode waltz into the magical world of Studio Ghibli, as the animation giant celebrates its 40th birthday.Ellen speaks to the film, TV and video game critic, Kambole Campbell about Studio Ghibli's origin story and key aspects of visual style. Also, the animator and co-founder of Irish animation studio Cartoon Saloon, Nora Twomey discusses the emotional impact of films like My Neighbour Totoro, and Grave of the Fireflies. Mark meets actor, Emily Mortimer who discusses the process of re-dubbing for the film, Howl's Moving Castle. And the animator and director, Michaël Dudok de Wit discusses the collaborative relationship forged with Studio Ghibli, while working on his feature length production, The Red Turtle.Producer: Mae-Li Evans A Prospect Street production for BBC Radio 4

With the latest series of the much-discussed drama The White Lotus recently wrapped up, Screenshot asks why cinema and TV make so many return visits to hotels as a setting.Whether sinister and scary like in The Shining or Psycho, fabulous but faded like The Grand Budapest Hotel, or comically chaotic like in Fawlty Towers, hotels offer a myriad of possible opportunities for drama. Ellen E Jones and Mark Kermode check in to check out their rich history on screen. Ellen talks to film critic Hannah Strong about the timeless appeal of screen stays from the 1932 classic Grand Hotel to The White Lotus - and about how directors Wes Anderson and Sofia Coppola have made hotels the focus of some of their most famous films. Ellen also speaks to Sean MacPherson, hotelier, cinephile and co-owner of the storied Hotel Chelsea in New York City, about the glamorous allure of historic hotels - and the impact of the movies on hotel design. Mark speaks to writer and critic Anne Billson about the seedier - and scarier - side of hotels on screen, from the Coen Brothers' 1991 cult classic Barton Fink, to the 1990 Roald Dahl fantasy The Witches. And Mark also talks to director Rodney Ascher, whose 2012 documentary Room 237 explored Stanley Kubrick's The Shining from the unusual points of view of a number of theorists - all of whom seem to have checked into the film's Overlook hotel and never been able to leave.Producer: Jane Long A Prospect Street production for BBC Radio 4

With the Robert Pattinson starring film Mickey 17 fresh out in the cinema, Ellen E Jones and Mark Kermode explore the world of doppelgangers and doubles on screen.Ellen speaks to academic and doppelganger scholar Adam Golub about the difference between clones and doppelgangers and what the doppelganger tells us about life in 2025. Ellen then talks to an actress about what its like playing a clone.Mark speaks to director Richard Ayoade about his 2013 film The Double. It stars Jesse Eisenberg and Mia Wasikowska and is an adaptation of the classic Fyodor Dostoevsky novel from 1866. Mark and Richard discuss adapting such a classic novel, the distinct look of the film and the idea of Jung's 'shadow self' and its influence on doubles on screen.Produced by Freya Hellier A Prospect Street production for BBC Radio 4

"Do you want a taste of the lash?""No thanks, I've just had some cocoa."In 1974 the BBC issued the first Goon Show Classics LP. On one side was The Dreaded Batter Pudding Hurler of Bexhill-on-Sea and on the other side was the show we're talking about today: The Histories of Pliny the Elder, Spike Milligan's attempt to pen a sword-and-sandals Goonish epic.It has become one the most beloved Goon Shows ever, with some highly memorable gags and an end-of-term looseness about it. They all sounded like they were just having a lot of fun. Joining Tyler is returning guest James Page and as well as discussing the show itself pay tribute to a couple of the backroom boys, examine the difference between Cyril and Lew and give mention to Mark Kermode, Terry Scott and the Asterix books.

Kermode on Film supports the British Film Designers Guild Awards – and shines a spotlight on the BFDG Planet Positive Award sponsored by Sky Studios Elstree. In this episode Mark Kermode talks to the winner of that award, Freya Bruce, co-founder of ReCollective, about their work on 'My Lady Jayne'. ReCollective are a non-for-profit, setting new standards of re-use for the film industry to tackle the enormous amount of waste it produces. ReCollective's work on 'My Lady Jane' involved repurposing building materials which were then used for community builds in the South West of England including making poly tunnels for a market garden and a field shelter for a community farm.Find out more about ReCollective: https://www.recollective.uk/Hosted by: Mark KermodeWith: Freya Bruce of ReCollective and Peter Okell, Operations Manager at Sky Studios ElstreeExecutive Producer: Lornie Archbold at HLA AgencyAudio Producer: Alex JonesMusic: The Dodge BrothersThis audio programme is an HLA Agency production for the British Film Designers Guildhedda@hlaagency.co.uk(c) HLA AgencyWIP is a BFDG Podcast.Connect with us:Instagram: @british_film_designers_guildX: @BFDG_Film_GuildLinkedin: @british-film-designers-guildFacebook: /British Film Designers GuildWebsite:www.britishfilmdesigners.comAbout the BFDGThe Society of British Film Directors and Designers was founded in 1946. Out of this society grew the Guild of Film Art Directors, and the present British Film Designers Guild (BFDG). Today the BFDG has over 630 members of skilled technicians and designers spanning all the various branches of the Art Department, as well as corporate members.The BFDG membership covers a diverse range of Art Department skills and experience, working on projects of all budgets, from International to Independent and micro-financed productions, to Feature Films, Shorts, Pilots, Promos, Commercials, TV Film, TV Series and Light Entertainment.WIP is a BFDG Podcast.Connect with us:Instagram: @british_film_designers_guildX: @BFDG_Film_GuildLinkedin: @british-film-designers-guildFacebook: /British Film Designers GuildWebsite:www.britishfilmdesigners.comAbout the BFDGThe Society of British Film Directors and Designers was founded in 1946. Out of this society grew the Guild of Film Art Directors, and the present British Film Designers Guild (BFDG). Today the BFDG has over 630 members of skilled technicians and designers spanning all the various branches of the Art Department, as well as corporate members.The BFDG membership covers a diverse range of Art Department skills and experience, working on projects of all budgets, from International to Independent and micro-financed productions, to Feature Films, Shorts, Pilots, Promos, Commercials, TV Film, TV Series and Light Entertainment. Hosted on Acast. See acast.com/privacy for more information.

This episode of Kermode on Film is the first in a four-part miniseries about Britain's brilliant Art Departments in our screen industries. For the past few years Mark Kermode has hosted the annual British Film Designers Guild Awards. The awards celebrate the brilliant work of production designers and art departments across film and TV.One of the things the British Film Designers Guild does brilliantly is to support young people who are keen to get into the business. In today's podcast Mark talks to this year's nominees for The Peter Lamont Spotlighting New Talent Award, supported by CrewHQ. The award recognises those starting out in a career in film or TV Art Departments, and spotlights the future stars of the next generation of filmmakers.Mark talks to this year's three nominees for the Peter Lamont Spotlighting New Talent Award, about their experiences of training for, and finding that all important first job in the Art Department. They are Satdeep Grewal, Nivitha Muralikrishna, and Eunice Naddamba. But first, he talks with Rico Johnson-Sinclair - Director of CrewHQ Warner Bros. Studios Leavesden, who sponsor the categoryThis episode of Kermode on Film is made in partnership with the BFDG.About the BFDG:The Society of British Film Directors and Designers was founded in 1946. Out of this society grew the Guild of Film Art Directors, and the present British Film Designers Guild (BFDG). Today the BFDG has over 630 members of skilled technicians and designers spanning all the various branches of the Art Department, as well as corporate members. The BFDG membership covers a diverse range of Art Department skills and experience, working on projects of all budgets, from International to Independent and micro-financed productions, to Feature Films, Shorts, Pilots, Promos, Commercials, TV Film, TV Series and Light Entertainment.Connect with the BFDG here:Instagram: @british_film_designers_guildTwitter: @BFDG_Film_GuildLinkedin: @british-film-designers-guildFacebook: /British Film Designers GuildWebsite:www.britishfilmdesigners.comThis podcast was produced by HLA Agency and edited by Alex Jones Hosted on Acast. See acast.com/privacy for more information.

Ellen E Jones and Mark Kermode celebrate weddings in film and TV, from Muriel's Wedding to Married at First Sight. Mark speaks to Richard Curtis about the inspiration behind the classic British wedding film, Four Weddings and a Funeral, and about Curtis' own recent wedding to long-term partner Emma Freud. And he gets critic Manuela Lazic's rundown of some of the most memorable cinematic weddings, from The Godfather to The Graduate. Meanwhile, Ellen talks to actor Susan Wokoma about her favourite wedding romcoms - including the Julia Roberts-starring My Best Friend's Wedding. And she attempts to get to grips with the world of wedding reality TV with comedian Ashley Ray. Producer: Jane Long A Prospect Street production for BBC Radio 4

With physical media sales on the rise and streaming fatigue setting in, Ellen E Jones and Mark Kermode explore the life, death and rebirth of the video shop. Ellen takes a trip to one of the UK's few remaining stores, 20th Century Flicks in Bristol, which has a strong claim to being the longest-running video shop in the world, first opening in 1982. She speaks to manager Dave Taylor about the evolution of the shop over the last 43 years, and finds out how he feels about how video shop clerks have been depicted on screen. Mark talks to American filmmaker Alex Ross Perry about his new essay film Videoheaven, which explores the history of videotape as a medium and video stores as physical locations, told entirely through their depiction in film and TV shows. And Mark also speaks to writer and producer Kate Hagen about her search for the world's last great video stores.Produced by Jane Long A Prospect Street production for BBC Radio 4

Front Row continues to look at how culture has changed in the first 25 years of the century with an edition focusing on film and TV.Samira is joined by Radio 4's Screenshot presenters Mark Kermode and Ellen E. Jones, Jane Tranter, who relaunched Doctor Who in 2005 and co-founded Bad Wolf productions and Boyd Hilton, the Entertainment Director of Heat magazine. From reality TV to superhero franchises and the rise of binge-watching, the panel discuss how transformations have changed what we watch, how we watch it and who makes it.Presenter: Samira Ahmed Producer: Claire Bartleet

In this week's episode of the MK3D show Mark Kermode talks to Taghi Amirani whose film COUP 53 – edited by Walter Murch and featuring Ralph Fiennes – explores the involvement of the CIA and MI6 in the coup in Iran in 1953. Mark and Taghi also connect About their shared love of LOCAL HERO.The Mark is joined by RYE LANE director Raine Allen-Miller and star Vivian Oparah to talk about their film, which follows two youngsters reeling from bad break-ups who connect over a particularly eventful day in South London. They also talk about their respective influences: Vivian discusses the fight scene in US, and Raine revealsher Guilty Pleasure BOWFINGER.This episode of Kermode On Film is the first half of the MK3D show recorded live at the BFI Southbank on 13 March 2023.Thank you for listening!———————The opening title sequence of Kermode on Film uses quotes from:- Mary Poppins, directed by Robert Stevenson and distributed by Walt Disney Motion Pictures – quote featuring Julie Andrews.- Nope, written, directed and produced by Jordan Peele, and distributed by Universal Studios – quote featuring Keke Palmer.- Withnail & I, written and directed by Bruce Robinson, and distributed by HandMade Films – quote featuring Richard E Grant.- The Exorcist, written by William Peter Blatty and directed by William Friedkin, distributed by Warner Brothers – quote featuring Ellen Burstyn and Linda Blair.We love these films. We urge you to seek them out, and watch them, again and again.They are masterpieces!Kermode on Film is an HLA Agency production.Cover photo by Hedda Archbold.This episode was edited by Alex Archbold Jones.© HLA AgencyHosted on Acast. See acast.com/privacy for more information.#MarkKermode #MK3D #KermodeOnFilm #BFI #BFISouthbank #TaghiAmirani #WalterMurch #Coup53 #RyeLane #VivianOparah #RaineAllenMiller #LocalHero #Us #Bowfinger Films and TV series mentioned in this episode:Hosted on Acast. See acast.com/privacy for more information.Films mentioned in this podcast:Coup 53Local HeroRye LaneOliver TwistUsAnnihilationBowfingerPeople mentioned in this episode:Taghi AmiraniWalter MurchRalph FiennesDavid PuttnamVivian OparahRaine Allen-MillerLupita Nyong'oNatalie Portman Hosted on Acast. See acast.com/privacy for more information.

Ellen E Jones and Mark Kermode explore the visionary world of veteran British filmmaker Mike Leigh, as he returns with Hard Truths - his first film in six years. Born in 1943 and raised in Salford, Leigh started his career in the theatre, before moving to TV in the 1970s, making a string of plays and films for the BBC. Since his very first film Bleak Moments in 1971, Mike Leigh has been at the cutting edge of British screen culture, creating a diverse body of work which ranges from the exquisitely excruciating 1970s comedy of manners Abigail's Party, to his epic biopic of the 19th century painter Mr Turner. Ellen attempts to get to grips with Leigh's singular creative process - which involves assembling a group of actors and getting them to research and develop their characters in detail. She speaks to Mike Leigh himself about how he approaches each of his films, and about the unmade big budget project he'd still like to see realised.Mark learns about an actor's role on a Mike Leigh project - speaking to Hard Truths lead actor Marianne Jean Baptiste, who was Oscar-nominated for her role in Leigh's 1996 film Secrets & Lies. And Mark also speaks to American independent filmmaker Sean Baker - whose latest film Anora is shaping up as a major Oscar contender - about the profound impact Leigh's 1993 film Naked had on his career. Produced by Jane Long A Prospect Street production for BBC Radio 4

Thank you for listening to Kermode on Film.At the top of the show, Mark Kermode pays tribute to the late great David Lynch who passed away this week.He is joined by Cynthia Erivo to talk about her role as Elphaba in Wicked, and about one of the performances that inspired her, by Zhang Ziyi in Memoirs of a Geisha.Next, Connor Swindells talks to Mark about playing the evil Albrecht Gessler in William Tell, and about his memories of watching Naked Gun with his dad.This episode of the Kermode on Film podcast is Part 1 of the MK3D show, recorded live at the BFI Southbank on Monday 20 January 2025.In next week's episode, Mark is joined by Nosferatu director Robert Eggers, and actor Nabhaan Rizwan, nominated for this year's EE Rising Star Award for his roles in BFI release In Camera, and the television series Informer. Thank you for listening!———————The opening title sequence of Kermode on Film uses quotes from:- Mary Poppins, directed by Robert Stevenson and distributed by Walt Disney Motion Pictures – quote featuring Julie Andrews.- Nope, written, directed and produced by Jordan Peele, and distributed by Universal Studios – quote featuring Keke Palmer.- Withnail & I, written and directed by Bruce Robinson, and distributed by HandMade Films – quote featuring Richard E Grant.- The Exorcist, written by William Peter Blatty and directed by William Friedkin, distributed by Warner Brothers – quote featuring Ellen Burstyn and Linda Blair.We love these films. We urge you to seek them out, and watch them, again and again.They are masterpieces!Kermode on Film is an HLA Agency production.Cover photo by Julie Edwards.This episode was edited by Alex Archbold Jones.© HLA Agency———————Hosted on Acast. See acast.com/privacy for more information.#MarkKermode #MK3D #KermodeOnFilm #BFI #BFISouthbank #CynthiaErivo #Wicked #MemoirsOfAGeisha #ConnorSwindells #WilliamTell #NakedGun #LeslieNielsen Films and TV series mentioned in this episode:Inland EmpireEmilia Pérez Wicked The Substance Hard Truths All We Imagine as LightAnoraLa Chimera Blink TwiceBad Times at the El RoyaleHarrietWidowsBlade RunnerMemoirs of a GeishaWilliam TellBarbieScoopParis, TexasAirplaneNaked GunForbidden PlanetTelevision Series:Sex EducationEvents:Girls On Film AwardsPeople mentioned:David LynchCynthia ErivoAriana GrandeJon M. ChuAlice Brooks ASCConnor SwindellsRutger HauerZhang ZiyiClaes BangWim WendersLeslie NielsenBuster KeatonCharlie Chaplin Hosted on Acast. See acast.com/privacy for more information.

How does film and TV make time travel real? Ellen E Jones and Mark Kermode take a quantum leap into the world of time travel and time loops on screen, from Back To The Future to Groundhog Day. Mark speaks to theoretical physicist Sean Carroll about how movies like Bill & Ted's Excellent Adventure and Interstellar have handled the science of time travel - and whether it really is just the stuff of fantasy. And he talks to Star Wars: The Last Jedi and Knives Out director Rian Johnson about the dramatic allure of playing with time, and about Rian's 2012 film Looper, which starred Bruce Willis as a criminal sent back to the past to be eliminated by his younger self. Meanwhile, Ellen explores a sub-genre less concerned with mechanics and physics, and more with emotion and moral dilemmas - the time loop story. She speaks to Black Doves screenwriter Joe Barton about his time loop TV series The Lazarus Project. And film critic Anne Billson runs her through some examples of the genre she finds most - and least - captivating, from Palm Springs to About Time.Produced by Jane Long A Prospect Street production for BBC Radio 4

In this week's episode of the MK3D show Mark Kermode talks about the Oscar wins of 2024, before welcoming his guests, in this Ska Special First on stage was cinematographer Joe Dunton, who talks about shooting the film DANCE CRAZE, which has recently been remastered in 4K by the BFI. DANCE CRAZE showcases the very best of the British Ska phenomenon, with exclusive live performances from THE SPECIALS, MADNESS, THE SELECTER, THE BEAT, BAD MANNERS and THE BODYSNATCHERS – brought to the screen particularly vividly through Dunton's revolutionary camera work.Joining Mark and Joe on stage are musicians Jerry Dammers (The Specials) and Pauline Black (The Selecter), who talk about the ska movement of the 1980s, and how controversial it still was at that time for people of different colours to take to the stage together.This episode of Kermode On Film is the first half of the MK3D show recorded live at the BFI Southbank on 13 March 2023.Thank you for listening!———————The opening title sequence of Kermode on Film uses quotes from:- Mary Poppins, directed by Robert Stevenson and distributed by Walt Disney Motion Pictures – quote featuring Julie Andrews.- Nope, written, directed and produced by Jordan Peele, and distributed by Universal Studios – quote featuring Keke Palmer.- Withnail & I, written and directed by Bruce Robinson, and distributed by HandMade Films – quote featuring Richard E Grant.- The Exorcist, written by William Peter Blatty and directed by William Friedkin, distributed by Warner Brothers – quote featuring Ellen Burstyn and Linda Blair.We love these films. We urge you to seek them out, and watch them, again and again.They are masterpieces!Kermode on Film is an HLA Agency production.Cover photo by Julie Edwards.This episode was edited by Alex Archbold Jones.© HLA AgencyHosted on Acast. See acast.com/privacy for more information.#MarkKermode #MK3D #KermodeOnFilm #BFI #BFISouthbank #PaulineBlack #TheSelecter #JerryDammers #Ska #JoeDunton #Cinematographer #Madness #TheSpecials Films and TV series mentioned in this episode: Hosted on Acast. See acast.com/privacy for more information.