Podcasts about kipling

Check out this link to buy DB's Books[link] Season 22 bonus episodes 90-112   Title and Author Brief description 90 “The Empty House” — Algernon Blackwood A classic haunted-house story: two curious visitors enter a long-abandoned house and slowly realize the old violence inside it has not gone away. 91 “The Judge's House” — Bram Stoker A student rents a gloomy old house once owned by a cruel judge, then finds the place still ruled by rats, dread, and a hanging shadow. 92a “Laura” — Saki / H. H. Munro A sharp, darkly funny reincarnation story about a mischievous woman who may return after death in a very inconvenient form. 92b “Man-Size in Marble” — E. Nesbit A newly married couple dismisses a local legend about marble knight effigies that walk at night; this proves unwise. 93 “Phantasmagoria” — Lewis Carroll A comic ghost poem, more playful than frightening, about ghostly rules, manners, and the absurd bureaucracy of haunting. 94 “Schalken the Painter” — Joseph Sheridan Le Fanu A Gothic tale of art, money, and damnation, centered on a young painter, a lost love, and a sinister suitor who may not be alive. 95A “The Shadows on the Wall” — Mary E. Wilkins Freeman After a family death, strange shadows appear on the wall, turning grief, guilt, and suspicion into a supernatural judgment. 95B “Tales of Treasure” — Anonymous A very short treasure-haunting piece; more of a compact eerie anecdote than a full plotted ghost story. 96 “The Trial for Murder” — Charles Dickens A murder victim's ghost appears around the trial of the accused killer, pushing the living world toward justice. 97A “Uncle Abraham's Romance” — E. Nesbit A gentle, melancholy ghost-romance about an old man, a beautiful portrait, and a love story touched by death. 97B “The Beast in the Cave” — H. P. Lovecraft An early Lovecraft story: a man lost in a cave hears something coming through the dark, and the final reveal is grim and human. 98 “The Ebony Frame” — E. Nesbit A haunted-portrait romance in which a woman in an old picture seems able to step out of the frame, but at a terrible cost. 99 “The Red Room” — H. G. Wells A skeptic spends the night in a supposedly haunted room and discovers that the true ghost may be fear itself. 100 “The Bell in the Fog” — Gertrude Atherton A Henry James-flavored Gothic story about an inherited English estate, old portraits, reincarnation, and family tragedy. 101 “The Ghost Club” — John Kendrick Bangs A comic supernatural story about crime, ghosts, and absurd afterlife logic; lighter and more satirical than scary. 102A “A Ghost Story” — Mark Twain Twain turns the haunted-room setup into a comic ghost story, playing with superstition and mistaken identity. 102B “A Psychical Prank” — John Kendrick Bangs Corrected from “Physical Prank.” A humorous Bangs ghost tale built around spiritualism, trickery, and supernatural mischief. 103 “A Midnight Visitor” — John Kendrick Bangs A comic supernatural visit in the night, with Bangs's usual mix of ghosts, manners, and absurd afterlife complications. 104A “A Quicksilver Cassandra” — John Kendrick Bangs Corrected author/title. A satirical ghostly fantasy about prophecy, warning, and not being believed. 104B “The Water Ghost of Harrowby Hall” — John Kendrick Bangs A funny Christmas ghost story about a soggy apparition who floods the ancestral house every year. 105 “The Chromatic Ghosts of Thomas” — Ellis Parker Butler A comic “ghost cat” story involving Thomas the cat and a colorful supernatural problem. 106 “Phantom” — Arnold Bennet       107A “An Astral Onion” — Elia Wilkinson Peattie A strange little supernatural story with Peattie's mix of humor, domestic life, and odd spiritual machinery. 107B “The Haunted Orchard” — Richard Le Gallienne A lyrical ghost story about an orchard haunted by memory, beauty, and possibly the spirit of a young girl. 108 “Glamis Castle” — Elliott O'Donnell A haunted-castle account built around the legends of Glamis, full of old-family dread and spectral atmosphere. 109 “The Return of Imray” — Rudyard Kipling Corrected spelling: Kipling. A colonial ghost/mystery story about a vanished man whose return is not what anyone expects. 110A “Since I Died” — Elizabeth Stuart Phelps A sentimental supernatural piece told from beyond death, focused on grief, love, and the living left behind. 110B “On the Northern Ice” — Elia Wilkinson Peattie A short icy ghost story, also known in some listings as “The Spectre Bride.” 111 “The Withered Arm” — Thomas Hardy A dark rural tale of jealousy, folk belief, class, and bodily curse, with the bleak fatalism Hardy does so well. 112 “The Yellow Wallpaper” — Charlotte Perkins Gilman A woman confined for a “rest cure” becomes obsessed with the room's wallpaper; psychological horror and feminist classic.

How the Camel Got His Hump by Rudyard Kipling — A Calming Bedtime Story for Sleep, Insomnia & Deep Relaxation | Books at Bedtime A gentle bedtime story to help you fall asleep — read slowly and softly by Martin, for anyone lying awake in need of something kind to drift off to. Tonight's reading is How the Camel Got His Hump, one of Rudyard Kipling's best-loved Just So Stories, first published in 1902 and long out of copyright. It's a warm, funny little tale from the beginning of the world, when the animals were only just starting to work alongside people. A camel lives out in the middle of the desert doing absolutely nothing, answering everything that is said to him with a single word — until the Djinn in charge of all deserts comes rolling by in his cloud of dust and settles the matter once and for all. Kipling wrote these stories to be read aloud to a sleepy child, and it shows. The gentle repetition, the returning refrain, the slow tally of the days — it's a rhythm that lets a busy mind stop gripping and start to drift. Perfect for insomnia, for night-time anxiety, or for anyone who simply wants a familiar voice in the dark. There is nothing to follow here and nothing to do. No breathing exercise, no affirmations, no tips. Just a story that takes you somewhere a long way from your own day. If you're asleep before the Djinn ever arrives, the story has done exactly what it came to do. This is Books at Bedtime, part of Coffee Break for the Soul from the Calming Anxiety podcast — a growing library of classic sleep stories, relaxing audiobooks and public-domain readings for insomnia, night-time anxiety and deep relaxation. Hosted by clinical hypnotherapist and former paramedic Martin Hewlett. Every Books at Bedtime story is also inside Anchored, our iOS app — offline-ready, with a built-in nightlight for the small hours, so there is always something waiting for you at three in the morning. Sleep well, my friend, and in your dreams, be kind.  

Check out this link to buy DB's Books[link] Season 22 bonus episodes 90-112   Title and Author Brief description 90 “The Empty House” — Algernon Blackwood A classic haunted-house story: two curious visitors enter a long-abandoned house and slowly realize the old violence inside it has not gone away. 91 “The Judge's House” — Bram Stoker A student rents a gloomy old house once owned by a cruel judge, then finds the place still ruled by rats, dread, and a hanging shadow. 92a “Laura” — Saki / H. H. Munro A sharp, darkly funny reincarnation story about a mischievous woman who may return after death in a very inconvenient form. 92b “Man-Size in Marble” — E. Nesbit A newly married couple dismisses a local legend about marble knight effigies that walk at night; this proves unwise. 93 “Phantasmagoria” — Lewis Carroll A comic ghost poem, more playful than frightening, about ghostly rules, manners, and the absurd bureaucracy of haunting. 94 “Schalken the Painter” — Joseph Sheridan Le Fanu A Gothic tale of art, money, and damnation, centered on a young painter, a lost love, and a sinister suitor who may not be alive. 95A “The Shadows on the Wall” — Mary E. Wilkins Freeman After a family death, strange shadows appear on the wall, turning grief, guilt, and suspicion into a supernatural judgment. 95B “Tales of Treasure” — Anonymous A very short treasure-haunting piece; more of a compact eerie anecdote than a full plotted ghost story. 96 “The Trial for Murder” — Charles Dickens A murder victim's ghost appears around the trial of the accused killer, pushing the living world toward justice. 97A “Uncle Abraham's Romance” — E. Nesbit A gentle, melancholy ghost-romance about an old man, a beautiful portrait, and a love story touched by death. 97B “The Beast in the Cave” — H. P. Lovecraft An early Lovecraft story: a man lost in a cave hears something coming through the dark, and the final reveal is grim and human. 98 “The Ebony Frame” — E. Nesbit A haunted-portrait romance in which a woman in an old picture seems able to step out of the frame, but at a terrible cost. 99 “The Red Room” — H. G. Wells A skeptic spends the night in a supposedly haunted room and discovers that the true ghost may be fear itself. 100 “The Bell in the Fog” — Gertrude Atherton A Henry James-flavored Gothic story about an inherited English estate, old portraits, reincarnation, and family tragedy. 101 “The Ghost Club” — John Kendrick Bangs A comic supernatural story about crime, ghosts, and absurd afterlife logic; lighter and more satirical than scary. 102A “A Ghost Story” — Mark Twain Twain turns the haunted-room setup into a comic ghost story, playing with superstition and mistaken identity. 102B “A Psychical Prank” — John Kendrick Bangs Corrected from “Physical Prank.” A humorous Bangs ghost tale built around spiritualism, trickery, and supernatural mischief. 103 “A Midnight Visitor” — John Kendrick Bangs A comic supernatural visit in the night, with Bangs's usual mix of ghosts, manners, and absurd afterlife complications. 104A “A Quicksilver Cassandra” — John Kendrick Bangs Corrected author/title. A satirical ghostly fantasy about prophecy, warning, and not being believed. 104B “The Water Ghost of Harrowby Hall” — John Kendrick Bangs A funny Christmas ghost story about a soggy apparition who floods the ancestral house every year. 105 “The Chromatic Ghosts of Thomas” — Ellis Parker Butler A comic “ghost cat” story involving Thomas the cat and a colorful supernatural problem. 106 “Phantom” — Arnold Bennet       107A “An Astral Onion” — Elia Wilkinson Peattie A strange little supernatural story with Peattie's mix of humor, domestic life, and odd spiritual machinery. 107B “The Haunted Orchard” — Richard Le Gallienne A lyrical ghost story about an orchard haunted by memory, beauty, and possibly the spirit of a young girl. 108 “Glamis Castle” — Elliott O'Donnell A haunted-castle account built around the legends of Glamis, full of old-family dread and spectral atmosphere. 109 “The Return of Imray” — Rudyard Kipling Corrected spelling: Kipling. A colonial ghost/mystery story about a vanished man whose return is not what anyone expects. 110A “Since I Died” — Elizabeth Stuart Phelps A sentimental supernatural piece told from beyond death, focused on grief, love, and the living left behind. 110B “On the Northern Ice” — Elia Wilkinson Peattie A short icy ghost story, also known in some listings as “The Spectre Bride.” 111 “The Withered Arm” — Thomas Hardy A dark rural tale of jealousy, folk belief, class, and bodily curse, with the bleak fatalism Hardy does so well. 112 “The Yellow Wallpaper” — Charlotte Perkins Gilman A woman confined for a “rest cure” becomes obsessed with the room's wallpaper; psychological horror and feminist classic.

How the Leopard Got His Spots by Rudyard Kipling — A Calming Bedtime Story for Sleep, Insomnia & Deep Relaxation | Books at Bedtime A soothing bedtime story to help you fall asleep — read slowly and softly by Martin, for anyone lying awake and wanting something gentle to drift off to. Tonight's reading is How the Leopard Got His Spots, one of Rudyard Kipling's much-loved Just So Stories, first published in 1902 and long out of copyright. It's a warm, playful tale of the bare, sunlit High Veldt, of a giraffe and a zebra who slip away into a shadowy forest, of Baviaan the wise baboon and his riddling advice, and of how a leopard and his hunting companion finally learn to change. Kipling wrote these stories to be spoken aloud to a child at bedtime — the rolling, repeating rhythm and the familiar refrain of "best beloved" are exactly what makes them settle a restless mind. There is nothing to follow here and nothing to do. No breathing exercise, no affirmations. Just a voice in the dark and a story that goes somewhere far away from your own day. If you fall asleep long before the leopard ever finds his spots, the story has done its job. This is Books at Bedtime, part of Coffee Break for the Soul from the Calming Anxiety podcast — a growing library of classic sleep stories, relaxing audiobooks and public-domain readings for insomnia, night-time anxiety and deep relaxation. Hosted by clinical hypnotherapist and former paramedic Martin Hewlett. Every Books at Bedtime story is also inside Anchored, our iOS app — offline-ready, with a built-in nightlight for the small hours, so there is always something waiting for you at three in the morning. Sleep well, my friend, and in your dreams, be kind.  

Check out this link to buy DB's Books[link] Season 22 bonus episodes 90-112   Title and Author Brief description 90 “The Empty House” — Algernon Blackwood A classic haunted-house story: two curious visitors enter a long-abandoned house and slowly realize the old violence inside it has not gone away. 91 “The Judge's House” — Bram Stoker A student rents a gloomy old house once owned by a cruel judge, then finds the place still ruled by rats, dread, and a hanging shadow. 92a “Laura” — Saki / H. H. Munro A sharp, darkly funny reincarnation story about a mischievous woman who may return after death in a very inconvenient form. 92b “Man-Size in Marble” — E. Nesbit A newly married couple dismisses a local legend about marble knight effigies that walk at night; this proves unwise. 93 “Phantasmagoria” — Lewis Carroll A comic ghost poem, more playful than frightening, about ghostly rules, manners, and the absurd bureaucracy of haunting. 94 “Schalken the Painter” — Joseph Sheridan Le Fanu A Gothic tale of art, money, and damnation, centered on a young painter, a lost love, and a sinister suitor who may not be alive. 95A “The Shadows on the Wall” — Mary E. Wilkins Freeman After a family death, strange shadows appear on the wall, turning grief, guilt, and suspicion into a supernatural judgment. 95B “Tales of Treasure” — Anonymous A very short treasure-haunting piece; more of a compact eerie anecdote than a full plotted ghost story. 96 “The Trial for Murder” — Charles Dickens A murder victim's ghost appears around the trial of the accused killer, pushing the living world toward justice. 97A “Uncle Abraham's Romance” — E. Nesbit A gentle, melancholy ghost-romance about an old man, a beautiful portrait, and a love story touched by death. 97B “The Beast in the Cave” — H. P. Lovecraft An early Lovecraft story: a man lost in a cave hears something coming through the dark, and the final reveal is grim and human. 98 “The Ebony Frame” — E. Nesbit A haunted-portrait romance in which a woman in an old picture seems able to step out of the frame, but at a terrible cost. 99 “The Red Room” — H. G. Wells A skeptic spends the night in a supposedly haunted room and discovers that the true ghost may be fear itself. 100 “The Bell in the Fog” — Gertrude Atherton A Henry James-flavored Gothic story about an inherited English estate, old portraits, reincarnation, and family tragedy. 101 “The Ghost Club” — John Kendrick Bangs A comic supernatural story about crime, ghosts, and absurd afterlife logic; lighter and more satirical than scary. 102A “A Ghost Story” — Mark Twain Twain turns the haunted-room setup into a comic ghost story, playing with superstition and mistaken identity. 102B “A Psychical Prank” — John Kendrick Bangs Corrected from “Physical Prank.” A humorous Bangs ghost tale built around spiritualism, trickery, and supernatural mischief. 103 “A Midnight Visitor” — John Kendrick Bangs A comic supernatural visit in the night, with Bangs's usual mix of ghosts, manners, and absurd afterlife complications. 104A “A Quicksilver Cassandra” — John Kendrick Bangs Corrected author/title. A satirical ghostly fantasy about prophecy, warning, and not being believed. 104B “The Water Ghost of Harrowby Hall” — John Kendrick Bangs A funny Christmas ghost story about a soggy apparition who floods the ancestral house every year. 105 “The Chromatic Ghosts of Thomas” — Ellis Parker Butler A comic “ghost cat” story involving Thomas the cat and a colorful supernatural problem. 106 “Phantom” — Arnold Bennet       107A “An Astral Onion” — Elia Wilkinson Peattie A strange little supernatural story with Peattie's mix of humor, domestic life, and odd spiritual machinery. 107B “The Haunted Orchard” — Richard Le Gallienne A lyrical ghost story about an orchard haunted by memory, beauty, and possibly the spirit of a young girl. 108 “Glamis Castle” — Elliott O'Donnell A haunted-castle account built around the legends of Glamis, full of old-family dread and spectral atmosphere. 109 “The Return of Imray” — Rudyard Kipling Corrected spelling: Kipling. A colonial ghost/mystery story about a vanished man whose return is not what anyone expects. 110A “Since I Died” — Elizabeth Stuart Phelps A sentimental supernatural piece told from beyond death, focused on grief, love, and the living left behind. 110B “On the Northern Ice” — Elia Wilkinson Peattie A short icy ghost story, also known in some listings as “The Spectre Bride.” 111 “The Withered Arm” — Thomas Hardy A dark rural tale of jealousy, folk belief, class, and bodily curse, with the bleak fatalism Hardy does so well. 112 “The Yellow Wallpaper” — Charlotte Perkins Gilman A woman confined for a “rest cure” becomes obsessed with the room's wallpaper; psychological horror and feminist classic.

Check out this link to buy DB's Books[link] Season 22 bonus episodes 90-112   Title and Author Brief description 90 “The Empty House” — Algernon Blackwood A classic haunted-house story: two curious visitors enter a long-abandoned house and slowly realize the old violence inside it has not gone away. 91 “The Judge's House” — Bram Stoker A student rents a gloomy old house once owned by a cruel judge, then finds the place still ruled by rats, dread, and a hanging shadow. 92a “Laura” — Saki / H. H. Munro A sharp, darkly funny reincarnation story about a mischievous woman who may return after death in a very inconvenient form. 92b “Man-Size in Marble” — E. Nesbit A newly married couple dismisses a local legend about marble knight effigies that walk at night; this proves unwise. 93 “Phantasmagoria” — Lewis Carroll A comic ghost poem, more playful than frightening, about ghostly rules, manners, and the absurd bureaucracy of haunting. 94 “Schalken the Painter” — Joseph Sheridan Le Fanu A Gothic tale of art, money, and damnation, centered on a young painter, a lost love, and a sinister suitor who may not be alive. 95A “The Shadows on the Wall” — Mary E. Wilkins Freeman After a family death, strange shadows appear on the wall, turning grief, guilt, and suspicion into a supernatural judgment. 95B “Tales of Treasure” — Anonymous A very short treasure-haunting piece; more of a compact eerie anecdote than a full plotted ghost story. 96 “The Trial for Murder” — Charles Dickens A murder victim's ghost appears around the trial of the accused killer, pushing the living world toward justice. 97A “Uncle Abraham's Romance” — E. Nesbit A gentle, melancholy ghost-romance about an old man, a beautiful portrait, and a love story touched by death. 97B “The Beast in the Cave” — H. P. Lovecraft An early Lovecraft story: a man lost in a cave hears something coming through the dark, and the final reveal is grim and human. 98 “The Ebony Frame” — E. Nesbit A haunted-portrait romance in which a woman in an old picture seems able to step out of the frame, but at a terrible cost. 99 “The Red Room” — H. G. Wells A skeptic spends the night in a supposedly haunted room and discovers that the true ghost may be fear itself. 100 “The Bell in the Fog” — Gertrude Atherton A Henry James-flavored Gothic story about an inherited English estate, old portraits, reincarnation, and family tragedy. 101 “The Ghost Club” — John Kendrick Bangs A comic supernatural story about crime, ghosts, and absurd afterlife logic; lighter and more satirical than scary. 102A “A Ghost Story” — Mark Twain Twain turns the haunted-room setup into a comic ghost story, playing with superstition and mistaken identity. 102B “A Psychical Prank” — John Kendrick Bangs Corrected from “Physical Prank.” A humorous Bangs ghost tale built around spiritualism, trickery, and supernatural mischief. 103 “A Midnight Visitor” — John Kendrick Bangs A comic supernatural visit in the night, with Bangs's usual mix of ghosts, manners, and absurd afterlife complications. 104A “A Quicksilver Cassandra” — John Kendrick Bangs Corrected author/title. A satirical ghostly fantasy about prophecy, warning, and not being believed. 104B “The Water Ghost of Harrowby Hall” — John Kendrick Bangs A funny Christmas ghost story about a soggy apparition who floods the ancestral house every year. 105 “The Chromatic Ghosts of Thomas” — Ellis Parker Butler A comic “ghost cat” story involving Thomas the cat and a colorful supernatural problem. 106 “Phantom” — Arnold Bennet       107A “An Astral Onion” — Elia Wilkinson Peattie A strange little supernatural story with Peattie's mix of humor, domestic life, and odd spiritual machinery. 107B “The Haunted Orchard” — Richard Le Gallienne A lyrical ghost story about an orchard haunted by memory, beauty, and possibly the spirit of a young girl. 108 “Glamis Castle” — Elliott O'Donnell A haunted-castle account built around the legends of Glamis, full of old-family dread and spectral atmosphere. 109 “The Return of Imray” — Rudyard Kipling Corrected spelling: Kipling. A colonial ghost/mystery story about a vanished man whose return is not what anyone expects. 110A “Since I Died” — Elizabeth Stuart Phelps A sentimental supernatural piece told from beyond death, focused on grief, love, and the living left behind. 110B “On the Northern Ice” — Elia Wilkinson Peattie A short icy ghost story, also known in some listings as “The Spectre Bride.” 111 “The Withered Arm” — Thomas Hardy A dark rural tale of jealousy, folk belief, class, and bodily curse, with the bleak fatalism Hardy does so well. 112 “The Yellow Wallpaper” — Charlotte Perkins Gilman A woman confined for a “rest cure” becomes obsessed with the room's wallpaper; psychological horror and feminist classic.

Settle in for a soothing bedtime story to help you drift off to sleep: Rudyard Kipling's "The Cat That Walked by Himself," read in full as part of Coffee Break for the Soul, within our Books at Bedtime collection.If you're looking for a calming audiobook to quiet a racing mind, ease insomnia, and fall asleep naturally, let this gentle classic wrap around you like a warm blanket. From Kipling's much-loved Just So Stories, this is a tale of the very beginning of things — when the tame animals were still wild — and of one wonderfully independent cat who strikes his own clever bargain to win a place by the fire, the warm white milk, and a corner of the cave… yet still walks by himself, for "all places are alike to him." Read slowly and warmly by Martin Hewlett of Calming Anxiety, the hypnotic rhythm and gentle repetition of Kipling's storytelling is made for winding down, relaxation, and letting the day fall away. Whether you keep it for bedtime, a quiet coffee-break moment for the soul, or simply a peaceful audiobook to relax to, this Books at Bedtime reading is here whenever you need to slow down and rest. Close your eyes, breathe slowly, and let the story carry you off. Sweet dreams… and be kind.

Drift off to a soothing bedtime story for grown-ups and little ones alike: Rudyard Kipling's "The Elephant's Child," read in full as part of Coffee Break for the Soul, within our Books at Bedtime collection. If you're looking for a calming audiobook to quiet a busy mind, ease insomnia, and help you fall asleep naturally, let this gentle classic carry you gently into deep, restful sleep. From Kipling's beloved Just So Stories, "The Elephant's Child" follows one small elephant — full of 'satiable curiosity — on a journey to the great grey-green, greasy Limpopo River, to discover at last how the elephant got its trunk. Read slowly and warmly by Martin Hewlett of Calming Anxiety, the familiar rhythm and repetition of Kipling's storytelling is perfect for winding down, relaxation, and letting go of the day. Whether you keep it for bedtime, a quiet coffee-break moment for the soul, or simply a peaceful audiobook to relax to, this Books at Bedtime reading is here whenever you need to slow down and rest. Close your eyes, breathe slowly, and let the story do the rest. Sweet dreams… and be kind.Become a supporter of this podcast: https://www.spreaker.com/podcast/calming-anxiety-guided-meditation-sleep-hypnosis-panic-attack-relief--4110266/support.Ready for More Calm?Thank you for listening to the Calming Anxiety Podcast, featuring guided meditation, mindfulness, and sleep hypnosis sessions with Martin Hewlett. Our mission is to provide you with proven tools for anxiety relief, stress reduction, and a path toward deep relaxation. Use this episode anytime you need to calm your mind and feel more at ease.

Check out this link to buy DB's Books[link] Season 22 bonus episodes 90-112   Title and Author Brief description 90 “The Empty House” — Algernon Blackwood A classic haunted-house story: two curious visitors enter a long-abandoned house and slowly realize the old violence inside it has not gone away. 91 “The Judge's House” — Bram Stoker A student rents a gloomy old house once owned by a cruel judge, then finds the place still ruled by rats, dread, and a hanging shadow. 92a “Laura” — Saki / H. H. Munro A sharp, darkly funny reincarnation story about a mischievous woman who may return after death in a very inconvenient form. 92b “Man-Size in Marble” — E. Nesbit A newly married couple dismisses a local legend about marble knight effigies that walk at night; this proves unwise. 93 “Phantasmagoria” — Lewis Carroll A comic ghost poem, more playful than frightening, about ghostly rules, manners, and the absurd bureaucracy of haunting. 94 “Schalken the Painter” — Joseph Sheridan Le Fanu A Gothic tale of art, money, and damnation, centered on a young painter, a lost love, and a sinister suitor who may not be alive. 95A “The Shadows on the Wall” — Mary E. Wilkins Freeman After a family death, strange shadows appear on the wall, turning grief, guilt, and suspicion into a supernatural judgment. 95B “Tales of Treasure” — Anonymous A very short treasure-haunting piece; more of a compact eerie anecdote than a full plotted ghost story. 96 “The Trial for Murder” — Charles Dickens A murder victim's ghost appears around the trial of the accused killer, pushing the living world toward justice. 97A “Uncle Abraham's Romance” — E. Nesbit A gentle, melancholy ghost-romance about an old man, a beautiful portrait, and a love story touched by death. 97B “The Beast in the Cave” — H. P. Lovecraft An early Lovecraft story: a man lost in a cave hears something coming through the dark, and the final reveal is grim and human. 98 “The Ebony Frame” — E. Nesbit A haunted-portrait romance in which a woman in an old picture seems able to step out of the frame, but at a terrible cost. 99 “The Red Room” — H. G. Wells A skeptic spends the night in a supposedly haunted room and discovers that the true ghost may be fear itself. 100 “The Bell in the Fog” — Gertrude Atherton A Henry James-flavored Gothic story about an inherited English estate, old portraits, reincarnation, and family tragedy. 101 “The Ghost Club” — John Kendrick Bangs A comic supernatural story about crime, ghosts, and absurd afterlife logic; lighter and more satirical than scary. 102A “A Ghost Story” — Mark Twain Twain turns the haunted-room setup into a comic ghost story, playing with superstition and mistaken identity. 102B “A Psychical Prank” — John Kendrick Bangs Corrected from “Physical Prank.” A humorous Bangs ghost tale built around spiritualism, trickery, and supernatural mischief. 103 “A Midnight Visitor” — John Kendrick Bangs A comic supernatural visit in the night, with Bangs's usual mix of ghosts, manners, and absurd afterlife complications. 104A “A Quicksilver Cassandra” — John Kendrick Bangs Corrected author/title. A satirical ghostly fantasy about prophecy, warning, and not being believed. 104B “The Water Ghost of Harrowby Hall” — John Kendrick Bangs A funny Christmas ghost story about a soggy apparition who floods the ancestral house every year. 105 “The Chromatic Ghosts of Thomas” — Ellis Parker Butler A comic “ghost cat” story involving Thomas the cat and a colorful supernatural problem. 106 “Phantom” — Arnold Bennet       107A “An Astral Onion” — Elia Wilkinson Peattie A strange little supernatural story with Peattie's mix of humor, domestic life, and odd spiritual machinery. 107B “The Haunted Orchard” — Richard Le Gallienne A lyrical ghost story about an orchard haunted by memory, beauty, and possibly the spirit of a young girl. 108 “Glamis Castle” — Elliott O'Donnell A haunted-castle account built around the legends of Glamis, full of old-family dread and spectral atmosphere. 109 “The Return of Imray” — Rudyard Kipling Corrected spelling: Kipling. A colonial ghost/mystery story about a vanished man whose return is not what anyone expects. 110A “Since I Died” — Elizabeth Stuart Phelps A sentimental supernatural piece told from beyond death, focused on grief, love, and the living left behind. 110B “On the Northern Ice” — Elia Wilkinson Peattie A short icy ghost story, also known in some listings as “The Spectre Bride.” 111 “The Withered Arm” — Thomas Hardy A dark rural tale of jealousy, folk belief, class, and bodily curse, with the bleak fatalism Hardy does so well. 112 “The Yellow Wallpaper” — Charlotte Perkins Gilman A woman confined for a “rest cure” becomes obsessed with the room's wallpaper; psychological horror and feminist classic.

Check out this link to buy DB's Books[link] Season 22 bonus episodes 90-112   Title and Author Brief description 90 “The Empty House” — Algernon Blackwood A classic haunted-house story: two curious visitors enter a long-abandoned house and slowly realize the old violence inside it has not gone away. 91 “The Judge's House” — Bram Stoker A student rents a gloomy old house once owned by a cruel judge, then finds the place still ruled by rats, dread, and a hanging shadow. 92a “Laura” — Saki / H. H. Munro A sharp, darkly funny reincarnation story about a mischievous woman who may return after death in a very inconvenient form. 92b “Man-Size in Marble” — E. Nesbit A newly married couple dismisses a local legend about marble knight effigies that walk at night; this proves unwise. 93 “Phantasmagoria” — Lewis Carroll A comic ghost poem, more playful than frightening, about ghostly rules, manners, and the absurd bureaucracy of haunting. 94 “Schalken the Painter” — Joseph Sheridan Le Fanu A Gothic tale of art, money, and damnation, centered on a young painter, a lost love, and a sinister suitor who may not be alive. 95A “The Shadows on the Wall” — Mary E. Wilkins Freeman After a family death, strange shadows appear on the wall, turning grief, guilt, and suspicion into a supernatural judgment. 95B “Tales of Treasure” — Anonymous A very short treasure-haunting piece; more of a compact eerie anecdote than a full plotted ghost story. 96 “The Trial for Murder” — Charles Dickens A murder victim's ghost appears around the trial of the accused killer, pushing the living world toward justice. 97A “Uncle Abraham's Romance” — E. Nesbit A gentle, melancholy ghost-romance about an old man, a beautiful portrait, and a love story touched by death. 97B “The Beast in the Cave” — H. P. Lovecraft An early Lovecraft story: a man lost in a cave hears something coming through the dark, and the final reveal is grim and human. 98 “The Ebony Frame” — E. Nesbit A haunted-portrait romance in which a woman in an old picture seems able to step out of the frame, but at a terrible cost. 99 “The Red Room” — H. G. Wells A skeptic spends the night in a supposedly haunted room and discovers that the true ghost may be fear itself. 100 “The Bell in the Fog” — Gertrude Atherton A Henry James-flavored Gothic story about an inherited English estate, old portraits, reincarnation, and family tragedy. 101 “The Ghost Club” — John Kendrick Bangs A comic supernatural story about crime, ghosts, and absurd afterlife logic; lighter and more satirical than scary. 102A “A Ghost Story” — Mark Twain Twain turns the haunted-room setup into a comic ghost story, playing with superstition and mistaken identity. 102B “A Psychical Prank” — John Kendrick Bangs Corrected from “Physical Prank.” A humorous Bangs ghost tale built around spiritualism, trickery, and supernatural mischief. 103 “A Midnight Visitor” — John Kendrick Bangs A comic supernatural visit in the night, with Bangs's usual mix of ghosts, manners, and absurd afterlife complications. 104A “A Quicksilver Cassandra” — John Kendrick Bangs Corrected author/title. A satirical ghostly fantasy about prophecy, warning, and not being believed. 104B “The Water Ghost of Harrowby Hall” — John Kendrick Bangs A funny Christmas ghost story about a soggy apparition who floods the ancestral house every year. 105 “The Chromatic Ghosts of Thomas” — Ellis Parker Butler A comic “ghost cat” story involving Thomas the cat and a colorful supernatural problem. 106 “Phantom” — Arnold Bennet       107A “An Astral Onion” — Elia Wilkinson Peattie A strange little supernatural story with Peattie's mix of humor, domestic life, and odd spiritual machinery. 107B “The Haunted Orchard” — Richard Le Gallienne A lyrical ghost story about an orchard haunted by memory, beauty, and possibly the spirit of a young girl. 108 “Glamis Castle” — Elliott O'Donnell A haunted-castle account built around the legends of Glamis, full of old-family dread and spectral atmosphere. 109 “The Return of Imray” — Rudyard Kipling Corrected spelling: Kipling. A colonial ghost/mystery story about a vanished man whose return is not what anyone expects. 110A “Since I Died” — Elizabeth Stuart Phelps A sentimental supernatural piece told from beyond death, focused on grief, love, and the living left behind. 110B “On the Northern Ice” — Elia Wilkinson Peattie A short icy ghost story, also known in some listings as “The Spectre Bride.” 111 “The Withered Arm” — Thomas Hardy A dark rural tale of jealousy, folk belief, class, and bodily curse, with the bleak fatalism Hardy does so well. 112 “The Yellow Wallpaper” — Charlotte Perkins Gilman A woman confined for a “rest cure” becomes obsessed with the room's wallpaper; psychological horror and feminist classic.

Check out this link to buy DB's Books[link] Season 22 bonus episodes 90-112   Title and Author Brief description 90 “The Empty House” — Algernon Blackwood A classic haunted-house story: two curious visitors enter a long-abandoned house and slowly realize the old violence inside it has not gone away. 91 “The Judge's House” — Bram Stoker A student rents a gloomy old house once owned by a cruel judge, then finds the place still ruled by rats, dread, and a hanging shadow. 92a “Laura” — Saki / H. H. Munro A sharp, darkly funny reincarnation story about a mischievous woman who may return after death in a very inconvenient form. 92b “Man-Size in Marble” — E. Nesbit A newly married couple dismisses a local legend about marble knight effigies that walk at night; this proves unwise. 93 “Phantasmagoria” — Lewis Carroll A comic ghost poem, more playful than frightening, about ghostly rules, manners, and the absurd bureaucracy of haunting. 94 “Schalken the Painter” — Joseph Sheridan Le Fanu A Gothic tale of art, money, and damnation, centered on a young painter, a lost love, and a sinister suitor who may not be alive. 95A “The Shadows on the Wall” — Mary E. Wilkins Freeman After a family death, strange shadows appear on the wall, turning grief, guilt, and suspicion into a supernatural judgment. 95B “Tales of Treasure” — Anonymous A very short treasure-haunting piece; more of a compact eerie anecdote than a full plotted ghost story. 96 “The Trial for Murder” — Charles Dickens A murder victim's ghost appears around the trial of the accused killer, pushing the living world toward justice. 97A “Uncle Abraham's Romance” — E. Nesbit A gentle, melancholy ghost-romance about an old man, a beautiful portrait, and a love story touched by death. 97B “The Beast in the Cave” — H. P. Lovecraft An early Lovecraft story: a man lost in a cave hears something coming through the dark, and the final reveal is grim and human. 98 “The Ebony Frame” — E. Nesbit A haunted-portrait romance in which a woman in an old picture seems able to step out of the frame, but at a terrible cost. 99 “The Red Room” — H. G. Wells A skeptic spends the night in a supposedly haunted room and discovers that the true ghost may be fear itself. 100 “The Bell in the Fog” — Gertrude Atherton A Henry James-flavored Gothic story about an inherited English estate, old portraits, reincarnation, and family tragedy. 101 “The Ghost Club” — John Kendrick Bangs A comic supernatural story about crime, ghosts, and absurd afterlife logic; lighter and more satirical than scary. 102A “A Ghost Story” — Mark Twain Twain turns the haunted-room setup into a comic ghost story, playing with superstition and mistaken identity. 102B “A Psychical Prank” — John Kendrick Bangs Corrected from “Physical Prank.” A humorous Bangs ghost tale built around spiritualism, trickery, and supernatural mischief. 103 “A Midnight Visitor” — John Kendrick Bangs A comic supernatural visit in the night, with Bangs's usual mix of ghosts, manners, and absurd afterlife complications. 104A “A Quicksilver Cassandra” — John Kendrick Bangs Corrected author/title. A satirical ghostly fantasy about prophecy, warning, and not being believed. 104B “The Water Ghost of Harrowby Hall” — John Kendrick Bangs A funny Christmas ghost story about a soggy apparition who floods the ancestral house every year. 105 “The Chromatic Ghosts of Thomas” — Ellis Parker Butler A comic “ghost cat” story involving Thomas the cat and a colorful supernatural problem. 106 “Phantom” — Arnold Bennet       107A “An Astral Onion” — Elia Wilkinson Peattie A strange little supernatural story with Peattie's mix of humor, domestic life, and odd spiritual machinery. 107B “The Haunted Orchard” — Richard Le Gallienne A lyrical ghost story about an orchard haunted by memory, beauty, and possibly the spirit of a young girl. 108 “Glamis Castle” — Elliott O'Donnell A haunted-castle account built around the legends of Glamis, full of old-family dread and spectral atmosphere. 109 “The Return of Imray” — Rudyard Kipling Corrected spelling: Kipling. A colonial ghost/mystery story about a vanished man whose return is not what anyone expects. 110A “Since I Died” — Elizabeth Stuart Phelps A sentimental supernatural piece told from beyond death, focused on grief, love, and the living left behind. 110B “On the Northern Ice” — Elia Wilkinson Peattie A short icy ghost story, also known in some listings as “The Spectre Bride.” 111 “The Withered Arm” — Thomas Hardy A dark rural tale of jealousy, folk belief, class, and bodily curse, with the bleak fatalism Hardy does so well. 112 “The Yellow Wallpaper” — Charlotte Perkins Gilman A woman confined for a “rest cure” becomes obsessed with the room's wallpaper; psychological horror and feminist classic.

Check out this link to buy DB's Books[link] Season 22 bonus episodes 90-112   Title and Author Brief description 90 “The Empty House” — Algernon Blackwood A classic haunted-house story: two curious visitors enter a long-abandoned house and slowly realize the old violence inside it has not gone away. 91 “The Judge's House” — Bram Stoker A student rents a gloomy old house once owned by a cruel judge, then finds the place still ruled by rats, dread, and a hanging shadow. 92a “Laura” — Saki / H. H. Munro A sharp, darkly funny reincarnation story about a mischievous woman who may return after death in a very inconvenient form. 92b “Man-Size in Marble” — E. Nesbit A newly married couple dismisses a local legend about marble knight effigies that walk at night; this proves unwise. 93 “Phantasmagoria” — Lewis Carroll A comic ghost poem, more playful than frightening, about ghostly rules, manners, and the absurd bureaucracy of haunting. 94 “Schalken the Painter” — Joseph Sheridan Le Fanu A Gothic tale of art, money, and damnation, centered on a young painter, a lost love, and a sinister suitor who may not be alive. 95A “The Shadows on the Wall” — Mary E. Wilkins Freeman After a family death, strange shadows appear on the wall, turning grief, guilt, and suspicion into a supernatural judgment. 95B “Tales of Treasure” — Anonymous A very short treasure-haunting piece; more of a compact eerie anecdote than a full plotted ghost story. 96 “The Trial for Murder” — Charles Dickens A murder victim's ghost appears around the trial of the accused killer, pushing the living world toward justice. 97A “Uncle Abraham's Romance” — E. Nesbit A gentle, melancholy ghost-romance about an old man, a beautiful portrait, and a love story touched by death. 97B “The Beast in the Cave” — H. P. Lovecraft An early Lovecraft story: a man lost in a cave hears something coming through the dark, and the final reveal is grim and human. 98 “The Ebony Frame” — E. Nesbit A haunted-portrait romance in which a woman in an old picture seems able to step out of the frame, but at a terrible cost. 99 “The Red Room” — H. G. Wells A skeptic spends the night in a supposedly haunted room and discovers that the true ghost may be fear itself. 100 “The Bell in the Fog” — Gertrude Atherton A Henry James-flavored Gothic story about an inherited English estate, old portraits, reincarnation, and family tragedy. 101 “The Ghost Club” — John Kendrick Bangs A comic supernatural story about crime, ghosts, and absurd afterlife logic; lighter and more satirical than scary. 102A “A Ghost Story” — Mark Twain Twain turns the haunted-room setup into a comic ghost story, playing with superstition and mistaken identity. 102B “A Psychical Prank” — John Kendrick Bangs Corrected from “Physical Prank.” A humorous Bangs ghost tale built around spiritualism, trickery, and supernatural mischief. 103 “A Midnight Visitor” — John Kendrick Bangs A comic supernatural visit in the night, with Bangs's usual mix of ghosts, manners, and absurd afterlife complications. 104A “A Quicksilver Cassandra” — John Kendrick Bangs Corrected author/title. A satirical ghostly fantasy about prophecy, warning, and not being believed. 104B “The Water Ghost of Harrowby Hall” — John Kendrick Bangs A funny Christmas ghost story about a soggy apparition who floods the ancestral house every year. 105 “The Chromatic Ghosts of Thomas” — Ellis Parker Butler A comic “ghost cat” story involving Thomas the cat and a colorful supernatural problem. 106 “Phantom” — Arnold Bennet       107A “An Astral Onion” — Elia Wilkinson Peattie A strange little supernatural story with Peattie's mix of humor, domestic life, and odd spiritual machinery. 107B “The Haunted Orchard” — Richard Le Gallienne A lyrical ghost story about an orchard haunted by memory, beauty, and possibly the spirit of a young girl. 108 “Glamis Castle” — Elliott O'Donnell A haunted-castle account built around the legends of Glamis, full of old-family dread and spectral atmosphere. 109 “The Return of Imray” — Rudyard Kipling Corrected spelling: Kipling. A colonial ghost/mystery story about a vanished man whose return is not what anyone expects. 110A “Since I Died” — Elizabeth Stuart Phelps A sentimental supernatural piece told from beyond death, focused on grief, love, and the living left behind. 110B “On the Northern Ice” — Elia Wilkinson Peattie A short icy ghost story, also known in some listings as “The Spectre Bride.” 111 “The Withered Arm” — Thomas Hardy A dark rural tale of jealousy, folk belief, class, and bodily curse, with the bleak fatalism Hardy does so well. 112 “The Yellow Wallpaper” — Charlotte Perkins Gilman A woman confined for a “rest cure” becomes obsessed with the room's wallpaper; psychological horror and feminist classic.

Check out this link to buy DB's Books[link] Season 22 bonus episodes 90-112   Title and Author Brief description 90 “The Empty House” — Algernon Blackwood A classic haunted-house story: two curious visitors enter a long-abandoned house and slowly realize the old violence inside it has not gone away. 91 “The Judge's House” — Bram Stoker A student rents a gloomy old house once owned by a cruel judge, then finds the place still ruled by rats, dread, and a hanging shadow. 92a “Laura” — Saki / H. H. Munro A sharp, darkly funny reincarnation story about a mischievous woman who may return after death in a very inconvenient form. 92b “Man-Size in Marble” — E. Nesbit A newly married couple dismisses a local legend about marble knight effigies that walk at night; this proves unwise. 93 “Phantasmagoria” — Lewis Carroll A comic ghost poem, more playful than frightening, about ghostly rules, manners, and the absurd bureaucracy of haunting. 94 “Schalken the Painter” — Joseph Sheridan Le Fanu A Gothic tale of art, money, and damnation, centered on a young painter, a lost love, and a sinister suitor who may not be alive. 95A “The Shadows on the Wall” — Mary E. Wilkins Freeman After a family death, strange shadows appear on the wall, turning grief, guilt, and suspicion into a supernatural judgment. 95B “Tales of Treasure” — Anonymous A very short treasure-haunting piece; more of a compact eerie anecdote than a full plotted ghost story. 96 “The Trial for Murder” — Charles Dickens A murder victim's ghost appears around the trial of the accused killer, pushing the living world toward justice. 97A “Uncle Abraham's Romance” — E. Nesbit A gentle, melancholy ghost-romance about an old man, a beautiful portrait, and a love story touched by death. 97B “The Beast in the Cave” — H. P. Lovecraft An early Lovecraft story: a man lost in a cave hears something coming through the dark, and the final reveal is grim and human. 98 “The Ebony Frame” — E. Nesbit A haunted-portrait romance in which a woman in an old picture seems able to step out of the frame, but at a terrible cost. 99 “The Red Room” — H. G. Wells A skeptic spends the night in a supposedly haunted room and discovers that the true ghost may be fear itself. 100 “The Bell in the Fog” — Gertrude Atherton A Henry James-flavored Gothic story about an inherited English estate, old portraits, reincarnation, and family tragedy. 101 “The Ghost Club” — John Kendrick Bangs A comic supernatural story about crime, ghosts, and absurd afterlife logic; lighter and more satirical than scary. 102A “A Ghost Story” — Mark Twain Twain turns the haunted-room setup into a comic ghost story, playing with superstition and mistaken identity. 102B “A Psychical Prank” — John Kendrick Bangs Corrected from “Physical Prank.” A humorous Bangs ghost tale built around spiritualism, trickery, and supernatural mischief. 103 “A Midnight Visitor” — John Kendrick Bangs A comic supernatural visit in the night, with Bangs's usual mix of ghosts, manners, and absurd afterlife complications. 104A “A Quicksilver Cassandra” — John Kendrick Bangs Corrected author/title. A satirical ghostly fantasy about prophecy, warning, and not being believed. 104B “The Water Ghost of Harrowby Hall” — John Kendrick Bangs A funny Christmas ghost story about a soggy apparition who floods the ancestral house every year. 105 “The Chromatic Ghosts of Thomas” — Ellis Parker Butler A comic “ghost cat” story involving Thomas the cat and a colorful supernatural problem. 106 “Phantom” — Arnold Bennet       107A “An Astral Onion” — Elia Wilkinson Peattie A strange little supernatural story with Peattie's mix of humor, domestic life, and odd spiritual machinery. 107B “The Haunted Orchard” — Richard Le Gallienne A lyrical ghost story about an orchard haunted by memory, beauty, and possibly the spirit of a young girl. 108 “Glamis Castle” — Elliott O'Donnell A haunted-castle account built around the legends of Glamis, full of old-family dread and spectral atmosphere. 109 “The Return of Imray” — Rudyard Kipling Corrected spelling: Kipling. A colonial ghost/mystery story about a vanished man whose return is not what anyone expects. 110A “Since I Died” — Elizabeth Stuart Phelps A sentimental supernatural piece told from beyond death, focused on grief, love, and the living left behind. 110B “On the Northern Ice” — Elia Wilkinson Peattie A short icy ghost story, also known in some listings as “The Spectre Bride.” 111 “The Withered Arm” — Thomas Hardy A dark rural tale of jealousy, folk belief, class, and bodily curse, with the bleak fatalism Hardy does so well. 112 “The Yellow Wallpaper” — Charlotte Perkins Gilman A woman confined for a “rest cure” becomes obsessed with the room's wallpaper; psychological horror and feminist classic.

Thank you for listening! Check out this link to buy DB's Books[link] Topics include: Charcuterie Cyberpunk Coffee/Tea Recipe book with OGL D20 stats. Season 22 bonus episodes 90-112   Title and Author Brief description 90 “The Empty House” — Algernon Blackwood A classic haunted-house story: two curious visitors enter a long-abandoned house and slowly realize the old violence inside it has not gone away. 91 “The Judge's House” — Bram Stoker A student rents a gloomy old house once owned by a cruel judge, then finds the place still ruled by rats, dread, and a hanging shadow. 92a “Laura” — Saki / H. H. Munro A sharp, darkly funny reincarnation story about a mischievous woman who may return after death in a very inconvenient form. 92b “Man-Size in Marble” — E. Nesbit A newly married couple dismisses a local legend about marble knight effigies that walk at night; this proves unwise. 93 “Phantasmagoria” — Lewis Carroll A comic ghost poem, more playful than frightening, about ghostly rules, manners, and the absurd bureaucracy of haunting. 94 “Schalken the Painter” — Joseph Sheridan Le Fanu A Gothic tale of art, money, and damnation, centered on a young painter, a lost love, and a sinister suitor who may not be alive. 95A “The Shadows on the Wall” — Mary E. Wilkins Freeman After a family death, strange shadows appear on the wall, turning grief, guilt, and suspicion into a supernatural judgment. 95B “Tales of Treasure” — Anonymous A very short treasure-haunting piece; more of a compact eerie anecdote than a full plotted ghost story. 96 “The Trial for Murder” — Charles Dickens A murder victim's ghost appears around the trial of the accused killer, pushing the living world toward justice. 97A “Uncle Abraham's Romance” — E. Nesbit A gentle, melancholy ghost-romance about an old man, a beautiful portrait, and a love story touched by death. 97B “The Beast in the Cave” — H. P. Lovecraft An early Lovecraft story: a man lost in a cave hears something coming through the dark, and the final reveal is grim and human. 98 “The Ebony Frame” — E. Nesbit A haunted-portrait romance in which a woman in an old picture seems able to step out of the frame, but at a terrible cost. 99 “The Red Room” — H. G. Wells A skeptic spends the night in a supposedly haunted room and discovers that the true ghost may be fear itself. 100 “The Bell in the Fog” — Gertrude Atherton A Henry James-flavored Gothic story about an inherited English estate, old portraits, reincarnation, and family tragedy. 101 “The Ghost Club” — John Kendrick Bangs A comic supernatural story about crime, ghosts, and absurd afterlife logic; lighter and more satirical than scary. 102A “A Ghost Story” — Mark Twain Twain turns the haunted-room setup into a comic ghost story, playing with superstition and mistaken identity. 102B “A Psychical Prank” — John Kendrick Bangs Corrected from “Physical Prank.” A humorous Bangs ghost tale built around spiritualism, trickery, and supernatural mischief. 103 “A Midnight Visitor” — John Kendrick Bangs A comic supernatural visit in the night, with Bangs's usual mix of ghosts, manners, and absurd afterlife complications. 104A “A Quicksilver Cassandra” — John Kendrick Bangs Corrected author/title. A satirical ghostly fantasy about prophecy, warning, and not being believed. 104B “The Water Ghost of Harrowby Hall” — John Kendrick Bangs A funny Christmas ghost story about a soggy apparition who floods the ancestral house every year. 105 “The Chromatic Ghosts of Thomas” — Ellis Parker Butler A comic “ghost cat” story involving Thomas the cat and a colorful supernatural problem. 106 “Phantom” — Arnold Bennet       107A “An Astral Onion” — Elia Wilkinson Peattie A strange little supernatural story with Peattie's mix of humor, domestic life, and odd spiritual machinery. 107B “The Haunted Orchard” — Richard Le Gallienne A lyrical ghost story about an orchard haunted by memory, beauty, and possibly the spirit of a young girl. 108 “Glamis Castle” — Elliott O'Donnell A haunted-castle account built around the legends of Glamis, full of old-family dread and spectral atmosphere. 109 “The Return of Imray” — Rudyard Kipling Corrected spelling: Kipling. A colonial ghost/mystery story about a vanished man whose return is not what anyone expects. 110A “Since I Died” — Elizabeth Stuart Phelps A sentimental supernatural piece told from beyond death, focused on grief, love, and the living left behind. 110B “On the Northern Ice” — Elia Wilkinson Peattie A short icy ghost story, also known in some listings as “The Spectre Bride.” 111 “The Withered Arm” — Thomas Hardy A dark rural tale of jealousy, folk belief, class, and bodily curse, with the bleak fatalism Hardy does so well. 112 “The Yellow Wallpaper” — Charlotte Perkins Gilman A woman confined for a “rest cure” becomes obsessed with the room's wallpaper; psychological horror and feminist classic.

Thank you for listening! Check out this link to buy DB's Books[link] Topics include: Charcuterie Cyberpunk Coffee/Tea Recipe book with OGL D20 stats. Season 22 bonus episodes 90-112   Title and Author Brief description 90 “The Empty House” — Algernon Blackwood A classic haunted-house story: two curious visitors enter a long-abandoned house and slowly realize the old violence inside it has not gone away. 91 “The Judge's House” — Bram Stoker A student rents a gloomy old house once owned by a cruel judge, then finds the place still ruled by rats, dread, and a hanging shadow. 92a “Laura” — Saki / H. H. Munro A sharp, darkly funny reincarnation story about a mischievous woman who may return after death in a very inconvenient form. 92b “Man-Size in Marble” — E. Nesbit A newly married couple dismisses a local legend about marble knight effigies that walk at night; this proves unwise. 93 “Phantasmagoria” — Lewis Carroll A comic ghost poem, more playful than frightening, about ghostly rules, manners, and the absurd bureaucracy of haunting. 94 “Schalken the Painter” — Joseph Sheridan Le Fanu A Gothic tale of art, money, and damnation, centered on a young painter, a lost love, and a sinister suitor who may not be alive. 95A “The Shadows on the Wall” — Mary E. Wilkins Freeman After a family death, strange shadows appear on the wall, turning grief, guilt, and suspicion into a supernatural judgment. 95B “Tales of Treasure” — Anonymous A very short treasure-haunting piece; more of a compact eerie anecdote than a full plotted ghost story. 96 “The Trial for Murder” — Charles Dickens A murder victim's ghost appears around the trial of the accused killer, pushing the living world toward justice. 97A “Uncle Abraham's Romance” — E. Nesbit A gentle, melancholy ghost-romance about an old man, a beautiful portrait, and a love story touched by death. 97B “The Beast in the Cave” — H. P. Lovecraft An early Lovecraft story: a man lost in a cave hears something coming through the dark, and the final reveal is grim and human. 98 “The Ebony Frame” — E. Nesbit A haunted-portrait romance in which a woman in an old picture seems able to step out of the frame, but at a terrible cost. 99 “The Red Room” — H. G. Wells A skeptic spends the night in a supposedly haunted room and discovers that the true ghost may be fear itself. 100 “The Bell in the Fog” — Gertrude Atherton A Henry James-flavored Gothic story about an inherited English estate, old portraits, reincarnation, and family tragedy. 101 “The Ghost Club” — John Kendrick Bangs A comic supernatural story about crime, ghosts, and absurd afterlife logic; lighter and more satirical than scary. 102A “A Ghost Story” — Mark Twain Twain turns the haunted-room setup into a comic ghost story, playing with superstition and mistaken identity. 102B “A Psychical Prank” — John Kendrick Bangs Corrected from “Physical Prank.” A humorous Bangs ghost tale built around spiritualism, trickery, and supernatural mischief. 103 “A Midnight Visitor” — John Kendrick Bangs A comic supernatural visit in the night, with Bangs's usual mix of ghosts, manners, and absurd afterlife complications. 104A “A Quicksilver Cassandra” — John Kendrick Bangs Corrected author/title. A satirical ghostly fantasy about prophecy, warning, and not being believed. 104B “The Water Ghost of Harrowby Hall” — John Kendrick Bangs A funny Christmas ghost story about a soggy apparition who floods the ancestral house every year. 105 “The Chromatic Ghosts of Thomas” — Ellis Parker Butler A comic “ghost cat” story involving Thomas the cat and a colorful supernatural problem. 106 “Phantom” — Arnold Bennet       107A “An Astral Onion” — Elia Wilkinson Peattie A strange little supernatural story with Peattie's mix of humor, domestic life, and odd spiritual machinery. 107B “The Haunted Orchard” — Richard Le Gallienne A lyrical ghost story about an orchard haunted by memory, beauty, and possibly the spirit of a young girl. 108 “Glamis Castle” — Elliott O'Donnell A haunted-castle account built around the legends of Glamis, full of old-family dread and spectral atmosphere. 109 “The Return of Imray” — Rudyard Kipling Corrected spelling: Kipling. A colonial ghost/mystery story about a vanished man whose return is not what anyone expects. 110A “Since I Died” — Elizabeth Stuart Phelps A sentimental supernatural piece told from beyond death, focused on grief, love, and the living left behind. 110B “On the Northern Ice” — Elia Wilkinson Peattie A short icy ghost story, also known in some listings as “The Spectre Bride.” 111 “The Withered Arm” — Thomas Hardy A dark rural tale of jealousy, folk belief, class, and bodily curse, with the bleak fatalism Hardy does so well. 112 “The Yellow Wallpaper” — Charlotte Perkins Gilman A woman confined for a “rest cure” becomes obsessed with the room's wallpaper; psychological horror and feminist classic.

Check out this link to buy DB's Books[link] Season 22 bonus episodes 90-112   Title and Author Brief description 90 “The Empty House” — Algernon Blackwood A classic haunted-house story: two curious visitors enter a long-abandoned house and slowly realize the old violence inside it has not gone away. 91 “The Judge's House” — Bram Stoker A student rents a gloomy old house once owned by a cruel judge, then finds the place still ruled by rats, dread, and a hanging shadow. 92a “Laura” — Saki / H. H. Munro A sharp, darkly funny reincarnation story about a mischievous woman who may return after death in a very inconvenient form. 92b “Man-Size in Marble” — E. Nesbit A newly married couple dismisses a local legend about marble knight effigies that walk at night; this proves unwise. 93 “Phantasmagoria” — Lewis Carroll A comic ghost poem, more playful than frightening, about ghostly rules, manners, and the absurd bureaucracy of haunting. 94 “Schalken the Painter” — Joseph Sheridan Le Fanu A Gothic tale of art, money, and damnation, centered on a young painter, a lost love, and a sinister suitor who may not be alive. 95A “The Shadows on the Wall” — Mary E. Wilkins Freeman After a family death, strange shadows appear on the wall, turning grief, guilt, and suspicion into a supernatural judgment. 95B “Tales of Treasure” — Anonymous A very short treasure-haunting piece; more of a compact eerie anecdote than a full plotted ghost story. 96 “The Trial for Murder” — Charles Dickens A murder victim's ghost appears around the trial of the accused killer, pushing the living world toward justice. 97A “Uncle Abraham's Romance” — E. Nesbit A gentle, melancholy ghost-romance about an old man, a beautiful portrait, and a love story touched by death. 97B “The Beast in the Cave” — H. P. Lovecraft An early Lovecraft story: a man lost in a cave hears something coming through the dark, and the final reveal is grim and human. 98 “The Ebony Frame” — E. Nesbit A haunted-portrait romance in which a woman in an old picture seems able to step out of the frame, but at a terrible cost. 99 “The Red Room” — H. G. Wells A skeptic spends the night in a supposedly haunted room and discovers that the true ghost may be fear itself. 100 “The Bell in the Fog” — Gertrude Atherton A Henry James-flavored Gothic story about an inherited English estate, old portraits, reincarnation, and family tragedy. 101 “The Ghost Club” — John Kendrick Bangs A comic supernatural story about crime, ghosts, and absurd afterlife logic; lighter and more satirical than scary. 102A “A Ghost Story” — Mark Twain Twain turns the haunted-room setup into a comic ghost story, playing with superstition and mistaken identity. 102B “A Psychical Prank” — John Kendrick Bangs Corrected from “Physical Prank.” A humorous Bangs ghost tale built around spiritualism, trickery, and supernatural mischief. 103 “A Midnight Visitor” — John Kendrick Bangs A comic supernatural visit in the night, with Bangs's usual mix of ghosts, manners, and absurd afterlife complications. 104A “A Quicksilver Cassandra” — John Kendrick Bangs Corrected author/title. A satirical ghostly fantasy about prophecy, warning, and not being believed. 104B “The Water Ghost of Harrowby Hall” — John Kendrick Bangs A funny Christmas ghost story about a soggy apparition who floods the ancestral house every year. 105 “The Chromatic Ghosts of Thomas” — Ellis Parker Butler A comic “ghost cat” story involving Thomas the cat and a colorful supernatural problem. 106 “Phantom” — Arnold Bennet       107A “An Astral Onion” — Elia Wilkinson Peattie A strange little supernatural story with Peattie's mix of humor, domestic life, and odd spiritual machinery. 107B “The Haunted Orchard” — Richard Le Gallienne A lyrical ghost story about an orchard haunted by memory, beauty, and possibly the spirit of a young girl. 108 “Glamis Castle” — Elliott O'Donnell A haunted-castle account built around the legends of Glamis, full of old-family dread and spectral atmosphere. 109 “The Return of Imray” — Rudyard Kipling Corrected spelling: Kipling. A colonial ghost/mystery story about a vanished man whose return is not what anyone expects. 110A “Since I Died” — Elizabeth Stuart Phelps A sentimental supernatural piece told from beyond death, focused on grief, love, and the living left behind. 110B “On the Northern Ice” — Elia Wilkinson Peattie A short icy ghost story, also known in some listings as “The Spectre Bride.” 111 “The Withered Arm” — Thomas Hardy A dark rural tale of jealousy, folk belief, class, and bodily curse, with the bleak fatalism Hardy does so well. 112 “The Yellow Wallpaper” — Charlotte Perkins Gilman A woman confined for a “rest cure” becomes obsessed with the room's wallpaper; psychological horror and feminist classic.

Hey everyone, this is a Zero episode of an upcoming project David Heath and DB Spitzer are working on. It is an exploration of the sources of Warhammer 40,000, and their sources. Check out this link to buy DB's Books[link] Season 23 bonus episodes 1-25 1 The Imperium of Man Dune, Foundation, Roman Empire in space, religious dystopias Edward Gibbon, imperial decline literature, medieval Christendom, future-history fiction 2 Space Marines Starship Troopers, action-movie super soldiers, power armor, comic-book warriors Heinlein military SF, crusading orders, Spartan myth, warrior monks, fascist hero imagery 3 Astra Militarum / Imperial Guard World War movies, Starship Troopers, British war comics, doomed infantry stories H. G. Wells future-war fiction, Kipling, trench literature, boys' military papers, pulp battlefield fiction 4 Adeptus Mechanicus Metropolis, cyberpunk machine cults, mad scientists, techno-priests Gernsback invention fiction, H. G. Wells, Frankenstein, lost-technology stories, mad-science pulp 5 Adepta Sororitas / Ecclesiarchy Hammer horror, warrior nuns, Joan of Arc cinema, witchfinder movies Gothic novels, martyr stories, saint legends, witch-trial pamphlets, religious melodrama 6 The Inquisition The X-Files, witchfinder films, secret-police thrillers, occult detectives M. R. James-style scholars, Blackwood, Machen, witch-hunter tracts, secret-society fiction 7 Rogue Traders Star Trek, Flash Gordon, space pirates, merchant princes Planetary romance, Edgar Rice Burroughs, Leigh Brackett, C. L. Moore, colonial adventure fiction 8 Adeptus Custodes Golden demigod bodyguards, imperial palace guards, mythic super-soldiers Achilles, Gilgamesh, sacred kingship, Praetorian Guards, immortal companions of god-kings 9 Adeptus Titanicus Pacific Rim, Gundam, giant robot anime, kaiju movies, walking battleships, cathedral mecha Wells' Martian tripods, “The Land Ironclads,” dreadnoughts, siege engines, bronze giants, golems, sacred statues, war-gods 10 The Horus Heresy Star Wars, fallen Jedi, dark lords, civil-war space opera, tragic chosen ones Milton's Paradise Lost, Lucifer's rebellion, Cain and Abel, Arthur and Mordred, Roman civil wars, succession crises 11 Chaos Space Marines Fallen angels, heavy metal villains, corrupted super-soldiers, black knights, rebel legions Milton's Paradise Lost, Moorcock's Chaos, Byronic rebels, cursed champions, Satanic romance, Gothic villains, revenge tragedy 12 Chaos Daemons Hellraiser, Event Horizon, occult horror, possession films, nightmare dimensions Medieval demonology, grimoires, witch-trial literature, Arthur Machen, Algernon Blackwood, occult pulp, weird menace fiction 13 World Eaters / Khorne Conan, gladiator films, berserker metal, chainsaw action horror, grindhouse revenge Robert E. Howard, sword-and-sorcery pulp, berserker sagas, blood cults, Homeric rage, arena spectacle, revenge tragedy 14 Death Guard / Nurgle Zombie plague films, body horror, gross-out comedy, infection horror, fungal rot, swamp monsters Poe's “The Masque of the Red Death,” plague literature, danse macabre, memento mori, corpse folklore, leper saints 15 Thousand Sons / Tzeentch Wizard cults, cursed books, Egyptian sorcerers, cosmic chessmasters, forbidden libraries H. P. Lovecraft, Clark Ashton Smith, E. R. Eddison, mummy fiction, forbidden-book stories, Decadent occultism, Renaissance magic 16 Emperor's Children / Slaanesh Glam rock horror, decadent villains, body modification nightmares, cursed artists, aristocratic monsters Oscar Wilde's The Picture of Dorian Gray, Huysmans, fin-de-siècle decadence, Gothic aristocrats, cursed art, aestheticism 17 Chaos / Imperial Knights Haunted mecha, cursed noble machines, demonic war engines, Gundam, BattleTech, Pacific Rim Gothic castles, cursed armor, haunted inheritance, family-doom melodrama, chivalric romance, sins of the fathers 18 Orks Mad Max, fantasy orcs, biker gangs, football hooligans, British comic violence, slapstick war movies William Hope Hodgson's “The Voice in the Night,” fungus horror, Matango, invasive-species stories, goblins, comic grotesques 19 Tyranids Alien, Aliens, The Thing, bug-war movies, swarm horror, hive minds, biological weapons John W. Campbell's “Who Goes There?”, H. G. Wells' Martians, insect-hive fiction, invasion literature, cosmic naturalism 20 Genestealer Cults Invasion of the Body Snatchers, Alien, cult horror, red-scare paranoia films, sleeper cells Hidden-bloodline stories, secret cult pulp, infiltration fiction, changeling folklore, cuckoo-child fears, apocalyptic sects 21 Necrons The Terminator, killer robots, metal skeletons, space undead, immortal android kings Karel Čapek's R.U.R., robot rebellion, automaton fiction, artificial labor nightmares, mummy pulp, Egyptomania, tomb curses 22 Aeldari / Drukhari Tolkien elves, dying space aristocrats, psychic aliens, dark elves, vampire cities, cruel fairy courts Lord Dunsany, Jack Vance's Dying Earth, fairy otherworlds, decadent elder-race fiction, Atlantis, Gothic aristocrats 23 Night Lords Batman turned inside out, The Crow, slasher films, serial-killer thrillers, torture horror, vigilante movies Conrad's Heart of Darkness, Gothic villains, penny dreadfuls, Jack the Ripper panic, Grand Guignol, Dracula, public punishment 24 T'au Empire / Leagues of Votann Clean anime mecha empire, sleek battlesuits, utopian coalitions, space dwarves, hard-SF miners Utopian SF, technocracy fiction, Cold War futures, missionary empire, company towns, mining-company frontier stories, labor colonies 25 REDACTED Spy thrillers, Mission: Impossible, Tinker Tailor Soldier Spy, The Manchurian Candidate, The Prisoner, The Testament of Dr. Mabuse John Buchan, Joseph Conrad, G. K. Chesterton, Erskine Childers, E. Phillips Oppenheim, Norbert Jacques, invasion-scare fiction, fifth-column paranoia

Hey everyone, this is a Zero episode of an upcoming project David Heath and DB Spitzer are working on. It is an exploration of the sources of Warhammer 40,000, and their sources. Check out this link to buy DB's Books[link] Season 23 bonus episodes 1-25 1 The Imperium of Man Dune, Foundation, Roman Empire in space, religious dystopias Edward Gibbon, imperial decline literature, medieval Christendom, future-history fiction 2 Space Marines Starship Troopers, action-movie super soldiers, power armor, comic-book warriors Heinlein military SF, crusading orders, Spartan myth, warrior monks, fascist hero imagery 3 Astra Militarum / Imperial Guard World War movies, Starship Troopers, British war comics, doomed infantry stories H. G. Wells future-war fiction, Kipling, trench literature, boys' military papers, pulp battlefield fiction 4 Adeptus Mechanicus Metropolis, cyberpunk machine cults, mad scientists, techno-priests Gernsback invention fiction, H. G. Wells, Frankenstein, lost-technology stories, mad-science pulp 5 Adepta Sororitas / Ecclesiarchy Hammer horror, warrior nuns, Joan of Arc cinema, witchfinder movies Gothic novels, martyr stories, saint legends, witch-trial pamphlets, religious melodrama 6 The Inquisition The X-Files, witchfinder films, secret-police thrillers, occult detectives M. R. James-style scholars, Blackwood, Machen, witch-hunter tracts, secret-society fiction 7 Rogue Traders Star Trek, Flash Gordon, space pirates, merchant princes Planetary romance, Edgar Rice Burroughs, Leigh Brackett, C. L. Moore, colonial adventure fiction 8 Adeptus Custodes Golden demigod bodyguards, imperial palace guards, mythic super-soldiers Achilles, Gilgamesh, sacred kingship, Praetorian Guards, immortal companions of god-kings 9 Adeptus Titanicus Pacific Rim, Gundam, giant robot anime, kaiju movies, walking battleships, cathedral mecha Wells' Martian tripods, “The Land Ironclads,” dreadnoughts, siege engines, bronze giants, golems, sacred statues, war-gods 10 The Horus Heresy Star Wars, fallen Jedi, dark lords, civil-war space opera, tragic chosen ones Milton's Paradise Lost, Lucifer's rebellion, Cain and Abel, Arthur and Mordred, Roman civil wars, succession crises 11 Chaos Space Marines Fallen angels, heavy metal villains, corrupted super-soldiers, black knights, rebel legions Milton's Paradise Lost, Moorcock's Chaos, Byronic rebels, cursed champions, Satanic romance, Gothic villains, revenge tragedy 12 Chaos Daemons Hellraiser, Event Horizon, occult horror, possession films, nightmare dimensions Medieval demonology, grimoires, witch-trial literature, Arthur Machen, Algernon Blackwood, occult pulp, weird menace fiction 13 World Eaters / Khorne Conan, gladiator films, berserker metal, chainsaw action horror, grindhouse revenge Robert E. Howard, sword-and-sorcery pulp, berserker sagas, blood cults, Homeric rage, arena spectacle, revenge tragedy 14 Death Guard / Nurgle Zombie plague films, body horror, gross-out comedy, infection horror, fungal rot, swamp monsters Poe's “The Masque of the Red Death,” plague literature, danse macabre, memento mori, corpse folklore, leper saints 15 Thousand Sons / Tzeentch Wizard cults, cursed books, Egyptian sorcerers, cosmic chessmasters, forbidden libraries H. P. Lovecraft, Clark Ashton Smith, E. R. Eddison, mummy fiction, forbidden-book stories, Decadent occultism, Renaissance magic 16 Emperor's Children / Slaanesh Glam rock horror, decadent villains, body modification nightmares, cursed artists, aristocratic monsters Oscar Wilde's The Picture of Dorian Gray, Huysmans, fin-de-siècle decadence, Gothic aristocrats, cursed art, aestheticism 17 Chaos / Imperial Knights Haunted mecha, cursed noble machines, demonic war engines, Gundam, BattleTech, Pacific Rim Gothic castles, cursed armor, haunted inheritance, family-doom melodrama, chivalric romance, sins of the fathers 18 Orks Mad Max, fantasy orcs, biker gangs, football hooligans, British comic violence, slapstick war movies William Hope Hodgson's “The Voice in the Night,” fungus horror, Matango, invasive-species stories, goblins, comic grotesques 19 Tyranids Alien, Aliens, The Thing, bug-war movies, swarm horror, hive minds, biological weapons John W. Campbell's “Who Goes There?”, H. G. Wells' Martians, insect-hive fiction, invasion literature, cosmic naturalism 20 Genestealer Cults Invasion of the Body Snatchers, Alien, cult horror, red-scare paranoia films, sleeper cells Hidden-bloodline stories, secret cult pulp, infiltration fiction, changeling folklore, cuckoo-child fears, apocalyptic sects 21 Necrons The Terminator, killer robots, metal skeletons, space undead, immortal android kings Karel Čapek's R.U.R., robot rebellion, automaton fiction, artificial labor nightmares, mummy pulp, Egyptomania, tomb curses 22 Aeldari / Drukhari Tolkien elves, dying space aristocrats, psychic aliens, dark elves, vampire cities, cruel fairy courts Lord Dunsany, Jack Vance's Dying Earth, fairy otherworlds, decadent elder-race fiction, Atlantis, Gothic aristocrats 23 Night Lords Batman turned inside out, The Crow, slasher films, serial-killer thrillers, torture horror, vigilante movies Conrad's Heart of Darkness, Gothic villains, penny dreadfuls, Jack the Ripper panic, Grand Guignol, Dracula, public punishment 24 T'au Empire / Leagues of Votann Clean anime mecha empire, sleek battlesuits, utopian coalitions, space dwarves, hard-SF miners Utopian SF, technocracy fiction, Cold War futures, missionary empire, company towns, mining-company frontier stories, labor colonies 25 REDACTED Spy thrillers, Mission: Impossible, Tinker Tailor Soldier Spy, The Manchurian Candidate, The Prisoner, The Testament of Dr. Mabuse John Buchan, Joseph Conrad, G. K. Chesterton, Erskine Childers, E. Phillips Oppenheim, Norbert Jacques, invasion-scare fiction, fifth-column paranoia

Check out this link to buy DB's Books[link] Season 22 bonus episodes 90-112   Title and Author Brief description 90 “The Empty House” — Algernon Blackwood A classic haunted-house story: two curious visitors enter a long-abandoned house and slowly realize the old violence inside it has not gone away. 91 “The Judge's House” — Bram Stoker A student rents a gloomy old house once owned by a cruel judge, then finds the place still ruled by rats, dread, and a hanging shadow. 92a “Laura” — Saki / H. H. Munro A sharp, darkly funny reincarnation story about a mischievous woman who may return after death in a very inconvenient form. 92b “Man-Size in Marble” — E. Nesbit A newly married couple dismisses a local legend about marble knight effigies that walk at night; this proves unwise. 93 “Phantasmagoria” — Lewis Carroll A comic ghost poem, more playful than frightening, about ghostly rules, manners, and the absurd bureaucracy of haunting. 94 “Schalken the Painter” — Joseph Sheridan Le Fanu A Gothic tale of art, money, and damnation, centered on a young painter, a lost love, and a sinister suitor who may not be alive. 95A “The Shadows on the Wall” — Mary E. Wilkins Freeman After a family death, strange shadows appear on the wall, turning grief, guilt, and suspicion into a supernatural judgment. 95B “Tales of Treasure” — Anonymous A very short treasure-haunting piece; more of a compact eerie anecdote than a full plotted ghost story. 96 “The Trial for Murder” — Charles Dickens A murder victim's ghost appears around the trial of the accused killer, pushing the living world toward justice. 97A “Uncle Abraham's Romance” — E. Nesbit A gentle, melancholy ghost-romance about an old man, a beautiful portrait, and a love story touched by death. 97B “The Beast in the Cave” — H. P. Lovecraft An early Lovecraft story: a man lost in a cave hears something coming through the dark, and the final reveal is grim and human. 98 “The Ebony Frame” — E. Nesbit A haunted-portrait romance in which a woman in an old picture seems able to step out of the frame, but at a terrible cost. 99 “The Red Room” — H. G. Wells A skeptic spends the night in a supposedly haunted room and discovers that the true ghost may be fear itself. 100 “The Bell in the Fog” — Gertrude Atherton A Henry James-flavored Gothic story about an inherited English estate, old portraits, reincarnation, and family tragedy. 101 “The Ghost Club” — John Kendrick Bangs A comic supernatural story about crime, ghosts, and absurd afterlife logic; lighter and more satirical than scary. 102A “A Ghost Story” — Mark Twain Twain turns the haunted-room setup into a comic ghost story, playing with superstition and mistaken identity. 102B “A Psychical Prank” — John Kendrick Bangs Corrected from “Physical Prank.” A humorous Bangs ghost tale built around spiritualism, trickery, and supernatural mischief. 103 “A Midnight Visitor” — John Kendrick Bangs A comic supernatural visit in the night, with Bangs's usual mix of ghosts, manners, and absurd afterlife complications. 104A “A Quicksilver Cassandra” — John Kendrick Bangs Corrected author/title. A satirical ghostly fantasy about prophecy, warning, and not being believed. 104B “The Water Ghost of Harrowby Hall” — John Kendrick Bangs A funny Christmas ghost story about a soggy apparition who floods the ancestral house every year. 105 “The Chromatic Ghosts of Thomas” — Ellis Parker Butler A comic “ghost cat” story involving Thomas the cat and a colorful supernatural problem. 106 “Phantom” — Arnold Bennet       107A “An Astral Onion” — Elia Wilkinson Peattie A strange little supernatural story with Peattie's mix of humor, domestic life, and odd spiritual machinery. 107B “The Haunted Orchard” — Richard Le Gallienne A lyrical ghost story about an orchard haunted by memory, beauty, and possibly the spirit of a young girl. 108 “Glamis Castle” — Elliott O'Donnell A haunted-castle account built around the legends of Glamis, full of old-family dread and spectral atmosphere. 109 “The Return of Imray” — Rudyard Kipling Corrected spelling: Kipling. A colonial ghost/mystery story about a vanished man whose return is not what anyone expects. 110A “Since I Died” — Elizabeth Stuart Phelps A sentimental supernatural piece told from beyond death, focused on grief, love, and the living left behind. 110B “On the Northern Ice” — Elia Wilkinson Peattie A short icy ghost story, also known in some listings as “The Spectre Bride.” 111 “The Withered Arm” — Thomas Hardy A dark rural tale of jealousy, folk belief, class, and bodily curse, with the bleak fatalism Hardy does so well. 112 “The Yellow Wallpaper” — Charlotte Perkins Gilman A woman confined for a “rest cure” becomes obsessed with the room's wallpaper; psychological horror and feminist classic.

Check out this link to buy DB's Books[link] Season 22 bonus episodes 90-112   Title and Author Brief description 90 “The Empty House” — Algernon Blackwood A classic haunted-house story: two curious visitors enter a long-abandoned house and slowly realize the old violence inside it has not gone away. 91 “The Judge's House” — Bram Stoker A student rents a gloomy old house once owned by a cruel judge, then finds the place still ruled by rats, dread, and a hanging shadow. 92a “Laura” — Saki / H. H. Munro A sharp, darkly funny reincarnation story about a mischievous woman who may return after death in a very inconvenient form. 92b “Man-Size in Marble” — E. Nesbit A newly married couple dismisses a local legend about marble knight effigies that walk at night; this proves unwise. 93 “Phantasmagoria” — Lewis Carroll A comic ghost poem, more playful than frightening, about ghostly rules, manners, and the absurd bureaucracy of haunting. 94 “Schalken the Painter” — Joseph Sheridan Le Fanu A Gothic tale of art, money, and damnation, centered on a young painter, a lost love, and a sinister suitor who may not be alive. 95A “The Shadows on the Wall” — Mary E. Wilkins Freeman After a family death, strange shadows appear on the wall, turning grief, guilt, and suspicion into a supernatural judgment. 95B “Tales of Treasure” — Anonymous A very short treasure-haunting piece; more of a compact eerie anecdote than a full plotted ghost story. 96 “The Trial for Murder” — Charles Dickens A murder victim's ghost appears around the trial of the accused killer, pushing the living world toward justice. 97A “Uncle Abraham's Romance” — E. Nesbit A gentle, melancholy ghost-romance about an old man, a beautiful portrait, and a love story touched by death. 97B “The Beast in the Cave” — H. P. Lovecraft An early Lovecraft story: a man lost in a cave hears something coming through the dark, and the final reveal is grim and human. 98 “The Ebony Frame” — E. Nesbit A haunted-portrait romance in which a woman in an old picture seems able to step out of the frame, but at a terrible cost. 99 “The Red Room” — H. G. Wells A skeptic spends the night in a supposedly haunted room and discovers that the true ghost may be fear itself. 100 “The Bell in the Fog” — Gertrude Atherton A Henry James-flavored Gothic story about an inherited English estate, old portraits, reincarnation, and family tragedy. 101 “The Ghost Club” — John Kendrick Bangs A comic supernatural story about crime, ghosts, and absurd afterlife logic; lighter and more satirical than scary. 102A “A Ghost Story” — Mark Twain Twain turns the haunted-room setup into a comic ghost story, playing with superstition and mistaken identity. 102B “A Psychical Prank” — John Kendrick Bangs Corrected from “Physical Prank.” A humorous Bangs ghost tale built around spiritualism, trickery, and supernatural mischief. 103 “A Midnight Visitor” — John Kendrick Bangs A comic supernatural visit in the night, with Bangs's usual mix of ghosts, manners, and absurd afterlife complications. 104A “A Quicksilver Cassandra” — John Kendrick Bangs Corrected author/title. A satirical ghostly fantasy about prophecy, warning, and not being believed. 104B “The Water Ghost of Harrowby Hall” — John Kendrick Bangs A funny Christmas ghost story about a soggy apparition who floods the ancestral house every year. 105 “The Chromatic Ghosts of Thomas” — Ellis Parker Butler A comic “ghost cat” story involving Thomas the cat and a colorful supernatural problem. 106 “Phantom” — Arnold Bennet       107A “An Astral Onion” — Elia Wilkinson Peattie A strange little supernatural story with Peattie's mix of humor, domestic life, and odd spiritual machinery. 107B “The Haunted Orchard” — Richard Le Gallienne A lyrical ghost story about an orchard haunted by memory, beauty, and possibly the spirit of a young girl. 108 “Glamis Castle” — Elliott O'Donnell A haunted-castle account built around the legends of Glamis, full of old-family dread and spectral atmosphere. 109 “The Return of Imray” — Rudyard Kipling Corrected spelling: Kipling. A colonial ghost/mystery story about a vanished man whose return is not what anyone expects. 110A “Since I Died” — Elizabeth Stuart Phelps A sentimental supernatural piece told from beyond death, focused on grief, love, and the living left behind. 110B “On the Northern Ice” — Elia Wilkinson Peattie A short icy ghost story, also known in some listings as “The Spectre Bride.” 111 “The Withered Arm” — Thomas Hardy A dark rural tale of jealousy, folk belief, class, and bodily curse, with the bleak fatalism Hardy does so well. 112 “The Yellow Wallpaper” — Charlotte Perkins Gilman A woman confined for a “rest cure” becomes obsessed with the room's wallpaper; psychological horror and feminist classic.

Check out this link to buy DB's Books[link] Season 22 bonus episodes 90-112   Title and Author Brief description 90 “The Empty House” — Algernon Blackwood A classic haunted-house story: two curious visitors enter a long-abandoned house and slowly realize the old violence inside it has not gone away. 91 “The Judge's House” — Bram Stoker A student rents a gloomy old house once owned by a cruel judge, then finds the place still ruled by rats, dread, and a hanging shadow. 92a “Laura” — Saki / H. H. Munro A sharp, darkly funny reincarnation story about a mischievous woman who may return after death in a very inconvenient form. 92b “Man-Size in Marble” — E. Nesbit A newly married couple dismisses a local legend about marble knight effigies that walk at night; this proves unwise. 93 “Phantasmagoria” — Lewis Carroll A comic ghost poem, more playful than frightening, about ghostly rules, manners, and the absurd bureaucracy of haunting. 94 “Schalken the Painter” — Joseph Sheridan Le Fanu A Gothic tale of art, money, and damnation, centered on a young painter, a lost love, and a sinister suitor who may not be alive. 95A “The Shadows on the Wall” — Mary E. Wilkins Freeman After a family death, strange shadows appear on the wall, turning grief, guilt, and suspicion into a supernatural judgment. 95B “Tales of Treasure” — Anonymous A very short treasure-haunting piece; more of a compact eerie anecdote than a full plotted ghost story. 96 “The Trial for Murder” — Charles Dickens A murder victim's ghost appears around the trial of the accused killer, pushing the living world toward justice. 97A “Uncle Abraham's Romance” — E. Nesbit A gentle, melancholy ghost-romance about an old man, a beautiful portrait, and a love story touched by death. 97B “The Beast in the Cave” — H. P. Lovecraft An early Lovecraft story: a man lost in a cave hears something coming through the dark, and the final reveal is grim and human. 98 “The Ebony Frame” — E. Nesbit A haunted-portrait romance in which a woman in an old picture seems able to step out of the frame, but at a terrible cost. 99 “The Red Room” — H. G. Wells A skeptic spends the night in a supposedly haunted room and discovers that the true ghost may be fear itself. 100 “The Bell in the Fog” — Gertrude Atherton A Henry James-flavored Gothic story about an inherited English estate, old portraits, reincarnation, and family tragedy. 101 “The Ghost Club” — John Kendrick Bangs A comic supernatural story about crime, ghosts, and absurd afterlife logic; lighter and more satirical than scary. 102A “A Ghost Story” — Mark Twain Twain turns the haunted-room setup into a comic ghost story, playing with superstition and mistaken identity. 102B “A Psychical Prank” — John Kendrick Bangs Corrected from “Physical Prank.” A humorous Bangs ghost tale built around spiritualism, trickery, and supernatural mischief. 103 “A Midnight Visitor” — John Kendrick Bangs A comic supernatural visit in the night, with Bangs's usual mix of ghosts, manners, and absurd afterlife complications. 104A “A Quicksilver Cassandra” — John Kendrick Bangs Corrected author/title. A satirical ghostly fantasy about prophecy, warning, and not being believed. 104B “The Water Ghost of Harrowby Hall” — John Kendrick Bangs A funny Christmas ghost story about a soggy apparition who floods the ancestral house every year. 105 “The Chromatic Ghosts of Thomas” — Ellis Parker Butler A comic “ghost cat” story involving Thomas the cat and a colorful supernatural problem. 106 “Phantom” — Arnold Bennet       107A “An Astral Onion” — Elia Wilkinson Peattie A strange little supernatural story with Peattie's mix of humor, domestic life, and odd spiritual machinery. 107B “The Haunted Orchard” — Richard Le Gallienne A lyrical ghost story about an orchard haunted by memory, beauty, and possibly the spirit of a young girl. 108 “Glamis Castle” — Elliott O'Donnell A haunted-castle account built around the legends of Glamis, full of old-family dread and spectral atmosphere. 109 “The Return of Imray” — Rudyard Kipling Corrected spelling: Kipling. A colonial ghost/mystery story about a vanished man whose return is not what anyone expects. 110A “Since I Died” — Elizabeth Stuart Phelps A sentimental supernatural piece told from beyond death, focused on grief, love, and the living left behind. 110B “On the Northern Ice” — Elia Wilkinson Peattie A short icy ghost story, also known in some listings as “The Spectre Bride.” 111 “The Withered Arm” — Thomas Hardy A dark rural tale of jealousy, folk belief, class, and bodily curse, with the bleak fatalism Hardy does so well. 112 “The Yellow Wallpaper” — Charlotte Perkins Gilman A woman confined for a “rest cure” becomes obsessed with the room's wallpaper; psychological horror and feminist classic.

Check out this link to buy DB's Books[link] Season 22 bonus episodes 90-112   Title and Author Brief description 90 “The Empty House” — Algernon Blackwood A classic haunted-house story: two curious visitors enter a long-abandoned house and slowly realize the old violence inside it has not gone away. 91 “The Judge's House” — Bram Stoker A student rents a gloomy old house once owned by a cruel judge, then finds the place still ruled by rats, dread, and a hanging shadow. 92a “Laura” — Saki / H. H. Munro A sharp, darkly funny reincarnation story about a mischievous woman who may return after death in a very inconvenient form. 92b “Man-Size in Marble” — E. Nesbit A newly married couple dismisses a local legend about marble knight effigies that walk at night; this proves unwise. 93 “Phantasmagoria” — Lewis Carroll A comic ghost poem, more playful than frightening, about ghostly rules, manners, and the absurd bureaucracy of haunting. 94 “Schalken the Painter” — Joseph Sheridan Le Fanu A Gothic tale of art, money, and damnation, centered on a young painter, a lost love, and a sinister suitor who may not be alive. 95A “The Shadows on the Wall” — Mary E. Wilkins Freeman After a family death, strange shadows appear on the wall, turning grief, guilt, and suspicion into a supernatural judgment. 95B “Tales of Treasure” — Anonymous A very short treasure-haunting piece; more of a compact eerie anecdote than a full plotted ghost story. 96 “The Trial for Murder” — Charles Dickens A murder victim's ghost appears around the trial of the accused killer, pushing the living world toward justice. 97A “Uncle Abraham's Romance” — E. Nesbit A gentle, melancholy ghost-romance about an old man, a beautiful portrait, and a love story touched by death. 97B “The Beast in the Cave” — H. P. Lovecraft An early Lovecraft story: a man lost in a cave hears something coming through the dark, and the final reveal is grim and human. 98 “The Ebony Frame” — E. Nesbit A haunted-portrait romance in which a woman in an old picture seems able to step out of the frame, but at a terrible cost. 99 “The Red Room” — H. G. Wells A skeptic spends the night in a supposedly haunted room and discovers that the true ghost may be fear itself. 100 “The Bell in the Fog” — Gertrude Atherton A Henry James-flavored Gothic story about an inherited English estate, old portraits, reincarnation, and family tragedy. 101 “The Ghost Club” — John Kendrick Bangs A comic supernatural story about crime, ghosts, and absurd afterlife logic; lighter and more satirical than scary. 102A “A Ghost Story” — Mark Twain Twain turns the haunted-room setup into a comic ghost story, playing with superstition and mistaken identity. 102B “A Psychical Prank” — John Kendrick Bangs Corrected from “Physical Prank.” A humorous Bangs ghost tale built around spiritualism, trickery, and supernatural mischief. 103 “A Midnight Visitor” — John Kendrick Bangs A comic supernatural visit in the night, with Bangs's usual mix of ghosts, manners, and absurd afterlife complications. 104A “A Quicksilver Cassandra” — John Kendrick Bangs Corrected author/title. A satirical ghostly fantasy about prophecy, warning, and not being believed. 104B “The Water Ghost of Harrowby Hall” — John Kendrick Bangs A funny Christmas ghost story about a soggy apparition who floods the ancestral house every year. 105 “The Chromatic Ghosts of Thomas” — Ellis Parker Butler A comic “ghost cat” story involving Thomas the cat and a colorful supernatural problem. 106 “Phantom” — Arnold Bennet       107A “An Astral Onion” — Elia Wilkinson Peattie A strange little supernatural story with Peattie's mix of humor, domestic life, and odd spiritual machinery. 107B “The Haunted Orchard” — Richard Le Gallienne A lyrical ghost story about an orchard haunted by memory, beauty, and possibly the spirit of a young girl. 108 “Glamis Castle” — Elliott O'Donnell A haunted-castle account built around the legends of Glamis, full of old-family dread and spectral atmosphere. 109 “The Return of Imray” — Rudyard Kipling Corrected spelling: Kipling. A colonial ghost/mystery story about a vanished man whose return is not what anyone expects. 110A “Since I Died” — Elizabeth Stuart Phelps A sentimental supernatural piece told from beyond death, focused on grief, love, and the living left behind. 110B “On the Northern Ice” — Elia Wilkinson Peattie A short icy ghost story, also known in some listings as “The Spectre Bride.” 111 “The Withered Arm” — Thomas Hardy A dark rural tale of jealousy, folk belief, class, and bodily curse, with the bleak fatalism Hardy does so well. 112 “The Yellow Wallpaper” — Charlotte Perkins Gilman A woman confined for a “rest cure” becomes obsessed with the room's wallpaper; psychological horror and feminist classic.

Check out this link to buy DB's Books[link] Season 22 bonus episodes 90-112   Title and Author Brief description 90 “The Empty House” — Algernon Blackwood A classic haunted-house story: two curious visitors enter a long-abandoned house and slowly realize the old violence inside it has not gone away. 91 “The Judge's House” — Bram Stoker A student rents a gloomy old house once owned by a cruel judge, then finds the place still ruled by rats, dread, and a hanging shadow. 92a “Laura” — Saki / H. H. Munro A sharp, darkly funny reincarnation story about a mischievous woman who may return after death in a very inconvenient form. 92b “Man-Size in Marble” — E. Nesbit A newly married couple dismisses a local legend about marble knight effigies that walk at night; this proves unwise. 93 “Phantasmagoria” — Lewis Carroll A comic ghost poem, more playful than frightening, about ghostly rules, manners, and the absurd bureaucracy of haunting. 94 “Schalken the Painter” — Joseph Sheridan Le Fanu A Gothic tale of art, money, and damnation, centered on a young painter, a lost love, and a sinister suitor who may not be alive. 95A “The Shadows on the Wall” — Mary E. Wilkins Freeman After a family death, strange shadows appear on the wall, turning grief, guilt, and suspicion into a supernatural judgment. 95B “Tales of Treasure” — Anonymous A very short treasure-haunting piece; more of a compact eerie anecdote than a full plotted ghost story. 96 “The Trial for Murder” — Charles Dickens A murder victim's ghost appears around the trial of the accused killer, pushing the living world toward justice. 97A “Uncle Abraham's Romance” — E. Nesbit A gentle, melancholy ghost-romance about an old man, a beautiful portrait, and a love story touched by death. 97B “The Beast in the Cave” — H. P. Lovecraft An early Lovecraft story: a man lost in a cave hears something coming through the dark, and the final reveal is grim and human. 98 “The Ebony Frame” — E. Nesbit A haunted-portrait romance in which a woman in an old picture seems able to step out of the frame, but at a terrible cost. 99 “The Red Room” — H. G. Wells A skeptic spends the night in a supposedly haunted room and discovers that the true ghost may be fear itself. 100 “The Bell in the Fog” — Gertrude Atherton A Henry James-flavored Gothic story about an inherited English estate, old portraits, reincarnation, and family tragedy. 101 “The Ghost Club” — John Kendrick Bangs A comic supernatural story about crime, ghosts, and absurd afterlife logic; lighter and more satirical than scary. 102A “A Ghost Story” — Mark Twain Twain turns the haunted-room setup into a comic ghost story, playing with superstition and mistaken identity. 102B “A Psychical Prank” — John Kendrick Bangs Corrected from “Physical Prank.” A humorous Bangs ghost tale built around spiritualism, trickery, and supernatural mischief. 103 “A Midnight Visitor” — John Kendrick Bangs A comic supernatural visit in the night, with Bangs's usual mix of ghosts, manners, and absurd afterlife complications. 104A “A Quicksilver Cassandra” — John Kendrick Bangs Corrected author/title. A satirical ghostly fantasy about prophecy, warning, and not being believed. 104B “The Water Ghost of Harrowby Hall” — John Kendrick Bangs A funny Christmas ghost story about a soggy apparition who floods the ancestral house every year. 105 “The Chromatic Ghosts of Thomas” — Ellis Parker Butler A comic “ghost cat” story involving Thomas the cat and a colorful supernatural problem. 106 “Phantom” — Arnold Bennet       107A “An Astral Onion” — Elia Wilkinson Peattie A strange little supernatural story with Peattie's mix of humor, domestic life, and odd spiritual machinery. 107B “The Haunted Orchard” — Richard Le Gallienne A lyrical ghost story about an orchard haunted by memory, beauty, and possibly the spirit of a young girl. 108 “Glamis Castle” — Elliott O'Donnell A haunted-castle account built around the legends of Glamis, full of old-family dread and spectral atmosphere. 109 “The Return of Imray” — Rudyard Kipling Corrected spelling: Kipling. A colonial ghost/mystery story about a vanished man whose return is not what anyone expects. 110A “Since I Died” — Elizabeth Stuart Phelps A sentimental supernatural piece told from beyond death, focused on grief, love, and the living left behind. 110B “On the Northern Ice” — Elia Wilkinson Peattie A short icy ghost story, also known in some listings as “The Spectre Bride.” 111 “The Withered Arm” — Thomas Hardy A dark rural tale of jealousy, folk belief, class, and bodily curse, with the bleak fatalism Hardy does so well. 112 “The Yellow Wallpaper” — Charlotte Perkins Gilman A woman confined for a “rest cure” becomes obsessed with the room's wallpaper; psychological horror and feminist classic.

Rudyard Kipling fue un escritor, periodista y poeta británico, uno de los autores más famosos de finales del siglo XIX y comienzos del XX. Nació el 30 de diciembre de 1865 en Bombay (entonces parte del Imperio británico) y murió el 18 de enero de 1936 en Londres. Premio Nobel de Literatura: 1907, siendo el primer autor en lengua inglesa en recibirlo. Su obra está muy influida por la vida en la India durante el Imperio británico.Obras más conocidas: The Jungle Book (El libro de la selva).Kim.If— (Si…), uno de los poemas más famosos en inglés.Just So Stories (Cuentos de así fue).Kipling fue un gran narrador de historias ambientadas en la India colonial y escribió tanto para adultos como para niños. Sus relatos combinan aventura, moral y fantasía, y muchos de ellos se han convertido en clásicos de la literatura universal.

The Fog Horn — Ray Bradbury, a monster is in love with the sound of a lighthouse. Monsters (2010) – Borders, otherness, creeping vastness. Check out this link to buy DB's Books[link] Season 22 bonus episodes 90-112   Title and Author Brief description 90 “The Empty House” — Algernon Blackwood A classic haunted-house story: two curious visitors enter a long-abandoned house and slowly realize the old violence inside it has not gone away. 91 “The Judge's House” — Bram Stoker A student rents a gloomy old house once owned by a cruel judge, then finds the place still ruled by rats, dread, and a hanging shadow. 92a “Laura” — Saki / H. H. Munro A sharp, darkly funny reincarnation story about a mischievous woman who may return after death in a very inconvenient form. 92b “Man-Size in Marble” — E. Nesbit A newly married couple dismisses a local legend about marble knight effigies that walk at night; this proves unwise. 93 “Phantasmagoria” — Lewis Carroll A comic ghost poem, more playful than frightening, about ghostly rules, manners, and the absurd bureaucracy of haunting. 94 “Schalken the Painter” — Joseph Sheridan Le Fanu A Gothic tale of art, money, and damnation, centered on a young painter, a lost love, and a sinister suitor who may not be alive. 95A “The Shadows on the Wall” — Mary E. Wilkins Freeman After a family death, strange shadows appear on the wall, turning grief, guilt, and suspicion into a supernatural judgment. 95B “Tales of Treasure” — Anonymous A very short treasure-haunting piece; more of a compact eerie anecdote than a full plotted ghost story. 96 “The Trial for Murder” — Charles Dickens A murder victim's ghost appears around the trial of the accused killer, pushing the living world toward justice. 97A “Uncle Abraham's Romance” — E. Nesbit A gentle, melancholy ghost-romance about an old man, a beautiful portrait, and a love story touched by death. 97B “The Beast in the Cave” — H. P. Lovecraft An early Lovecraft story: a man lost in a cave hears something coming through the dark, and the final reveal is grim and human. 98 “The Ebony Frame” — E. Nesbit A haunted-portrait romance in which a woman in an old picture seems able to step out of the frame, but at a terrible cost. 99 “The Red Room” — H. G. Wells A skeptic spends the night in a supposedly haunted room and discovers that the true ghost may be fear itself. 100 “The Bell in the Fog” — Gertrude Atherton A Henry James-flavored Gothic story about an inherited English estate, old portraits, reincarnation, and family tragedy. 101 “The Ghost Club” — John Kendrick Bangs A comic supernatural story about crime, ghosts, and absurd afterlife logic; lighter and more satirical than scary. 102A “A Ghost Story” — Mark Twain Twain turns the haunted-room setup into a comic ghost story, playing with superstition and mistaken identity. 102B “A Psychical Prank” — John Kendrick Bangs Corrected from “Physical Prank.” A humorous Bangs ghost tale built around spiritualism, trickery, and supernatural mischief. 103 “A Midnight Visitor” — John Kendrick Bangs A comic supernatural visit in the night, with Bangs's usual mix of ghosts, manners, and absurd afterlife complications. 104A “A Quicksilver Cassandra” — John Kendrick Bangs Corrected author/title. A satirical ghostly fantasy about prophecy, warning, and not being believed. 104B “The Water Ghost of Harrowby Hall” — John Kendrick Bangs A funny Christmas ghost story about a soggy apparition who floods the ancestral house every year. 105 “The Chromatic Ghosts of Thomas” — Ellis Parker Butler A comic “ghost cat” story involving Thomas the cat and a colorful supernatural problem. 106 “Phantom” — Arnold Bennet       107A “An Astral Onion” — Elia Wilkinson Peattie A strange little supernatural story with Peattie's mix of humor, domestic life, and odd spiritual machinery. 107B “The Haunted Orchard” — Richard Le Gallienne A lyrical ghost story about an orchard haunted by memory, beauty, and possibly the spirit of a young girl. 108 “Glamis Castle” — Elliott O'Donnell A haunted-castle account built around the legends of Glamis, full of old-family dread and spectral atmosphere. 109 “The Return of Imray” — Rudyard Kipling Corrected spelling: Kipling. A colonial ghost/mystery story about a vanished man whose return is not what anyone expects. 110A “Since I Died” — Elizabeth Stuart Phelps A sentimental supernatural piece told from beyond death, focused on grief, love, and the living left behind. 110B “On the Northern Ice” — Elia Wilkinson Peattie A short icy ghost story, also known in some listings as “The Spectre Bride.” 111 “The Withered Arm” — Thomas Hardy A dark rural tale of jealousy, folk belief, class, and bodily curse, with the bleak fatalism Hardy does so well. 112 “The Yellow Wallpaper” — Charlotte Perkins Gilman A woman confined for a “rest cure” becomes obsessed with the room's wallpaper; psychological horror and feminist classic.

The Fog Horn — Ray Bradbury, a monster is in love with the sound of a lighthouse. Monsters (2010) – Borders, otherness, creeping vastness. Check out this link to buy DB's Books[link] Season 22 bonus episodes 90-112   Title and Author Brief description 90 “The Empty House” — Algernon Blackwood A classic haunted-house story: two curious visitors enter a long-abandoned house and slowly realize the old violence inside it has not gone away. 91 “The Judge's House” — Bram Stoker A student rents a gloomy old house once owned by a cruel judge, then finds the place still ruled by rats, dread, and a hanging shadow. 92a “Laura” — Saki / H. H. Munro A sharp, darkly funny reincarnation story about a mischievous woman who may return after death in a very inconvenient form. 92b “Man-Size in Marble” — E. Nesbit A newly married couple dismisses a local legend about marble knight effigies that walk at night; this proves unwise. 93 “Phantasmagoria” — Lewis Carroll A comic ghost poem, more playful than frightening, about ghostly rules, manners, and the absurd bureaucracy of haunting. 94 “Schalken the Painter” — Joseph Sheridan Le Fanu A Gothic tale of art, money, and damnation, centered on a young painter, a lost love, and a sinister suitor who may not be alive. 95A “The Shadows on the Wall” — Mary E. Wilkins Freeman After a family death, strange shadows appear on the wall, turning grief, guilt, and suspicion into a supernatural judgment. 95B “Tales of Treasure” — Anonymous A very short treasure-haunting piece; more of a compact eerie anecdote than a full plotted ghost story. 96 “The Trial for Murder” — Charles Dickens A murder victim's ghost appears around the trial of the accused killer, pushing the living world toward justice. 97A “Uncle Abraham's Romance” — E. Nesbit A gentle, melancholy ghost-romance about an old man, a beautiful portrait, and a love story touched by death. 97B “The Beast in the Cave” — H. P. Lovecraft An early Lovecraft story: a man lost in a cave hears something coming through the dark, and the final reveal is grim and human. 98 “The Ebony Frame” — E. Nesbit A haunted-portrait romance in which a woman in an old picture seems able to step out of the frame, but at a terrible cost. 99 “The Red Room” — H. G. Wells A skeptic spends the night in a supposedly haunted room and discovers that the true ghost may be fear itself. 100 “The Bell in the Fog” — Gertrude Atherton A Henry James-flavored Gothic story about an inherited English estate, old portraits, reincarnation, and family tragedy. 101 “The Ghost Club” — John Kendrick Bangs A comic supernatural story about crime, ghosts, and absurd afterlife logic; lighter and more satirical than scary. 102A “A Ghost Story” — Mark Twain Twain turns the haunted-room setup into a comic ghost story, playing with superstition and mistaken identity. 102B “A Psychical Prank” — John Kendrick Bangs Corrected from “Physical Prank.” A humorous Bangs ghost tale built around spiritualism, trickery, and supernatural mischief. 103 “A Midnight Visitor” — John Kendrick Bangs A comic supernatural visit in the night, with Bangs's usual mix of ghosts, manners, and absurd afterlife complications. 104A “A Quicksilver Cassandra” — John Kendrick Bangs Corrected author/title. A satirical ghostly fantasy about prophecy, warning, and not being believed. 104B “The Water Ghost of Harrowby Hall” — John Kendrick Bangs A funny Christmas ghost story about a soggy apparition who floods the ancestral house every year. 105 “The Chromatic Ghosts of Thomas” — Ellis Parker Butler A comic “ghost cat” story involving Thomas the cat and a colorful supernatural problem. 106 “Phantom” — Arnold Bennet       107A “An Astral Onion” — Elia Wilkinson Peattie A strange little supernatural story with Peattie's mix of humor, domestic life, and odd spiritual machinery. 107B “The Haunted Orchard” — Richard Le Gallienne A lyrical ghost story about an orchard haunted by memory, beauty, and possibly the spirit of a young girl. 108 “Glamis Castle” — Elliott O'Donnell A haunted-castle account built around the legends of Glamis, full of old-family dread and spectral atmosphere. 109 “The Return of Imray” — Rudyard Kipling Corrected spelling: Kipling. A colonial ghost/mystery story about a vanished man whose return is not what anyone expects. 110A “Since I Died” — Elizabeth Stuart Phelps A sentimental supernatural piece told from beyond death, focused on grief, love, and the living left behind. 110B “On the Northern Ice” — Elia Wilkinson Peattie A short icy ghost story, also known in some listings as “The Spectre Bride.” 111 “The Withered Arm” — Thomas Hardy A dark rural tale of jealousy, folk belief, class, and bodily curse, with the bleak fatalism Hardy does so well. 112 “The Yellow Wallpaper” — Charlotte Perkins Gilman A woman confined for a “rest cure” becomes obsessed with the room's wallpaper; psychological horror and feminist classic.

durée : 01:59:57 - Les Nuits de France Culture - par : Albane Penaranda - En quoi le voyage et la confrontation avec d'autres cultures ont-ils nourri la création artistique à l'aube du XXe siècle ? En 1967, Pierre Sipriot proposait un état des lieux des influences orientales et africaines dans les œuvres de Pierre Loti, Kipling, Picasso ou du compositeur Albert Roussel. - équipe : Mathias Le Gargasson, Antoine Dhulster, Rafik Zénine, Vincent Abouchar, Emily Vallat, Hassane M'Béchour, INA Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Серията Vox Nihili на Ratio Podcast и Предизвикай правото! изследва пресечните точки на науката и технологиите с етиката и правото, а също така и редица дискусионни теми от сферата на философията. Може би си спомняте, че имахме сходна серия събития на име Vox Nihili - в текущата ситуация ги пренасяме в аудио и видео формат. Епизодът е част от вътрешната за Vox Nihili тема „Детски приказки“. В епизодите, които са включени в поредицата, ще представяме както класически детски приказки, така и съвременни детско-юношески романи. Стремежът ни ще бъде да представим различните контексти, в които се ражда детската литература и начините, по които тя може да се чете от възрастни. Вярваме, че литературните входове към света на детството могат да бъдат от особена полза при адресирането на едни от най-тежките проблеми на света, в който живеем като възрастни. Темата се организира по идея на Стоян Ставру. Любомир Бабуров, Мария Пипева и Стоян Ставру обсъждат: - Кой е Киплинг и защо „Книга за джунглата“? - Защо китът има тясно гърло? - Как леопардът стана на петна? - Може ли е една приказка винаги да се разказва по един и същ начин („точно така“)? - Защо животните на Киплинг са толкова екзотични? - Колко надежден е всезнаещият разказвач? - Има ли 13-а приказка и коя е тя? - Може ли да обясним начина, по който са подредени 12-те приказки? - Кое е първото опитомено животни (отговор: мъжът)? - Какво може да ни каже котката за бизнес преговорите? - Объркващ ли е езикът и какви са криптограмите, които ни е заложил Киплинг? - Как се съотнасят щипката на рака и ръката на закона? - Какво се случва, когато пеперудите тропат с крак? - Каква е разликата между хобота на слончето и носът на Пинокио? - Каква е рецепцията на „Приказки“ на Киплинг в България? „Приказки“ на Ръдиард Киплинг е сборник от 12 приказки, които претендират да обясняват различни неща в света на детето: храносмилателната система на кита, гърбицата на камилата, кожата на носорога, петната на леопарда, хобота на слончето, скоковете на кенгурото, произхода на броненосците но и силата на писаното слово и тайните на азбуката. Особено интересни са последните три приказки, в които можем да открием генеалогията на реда през фигурите на морето и рака, жената и котката, а също и джина и пеперудата. Въпреки, че не са толкова популярни като „Книга за джунглата“, „Приказките“ на Киплинг оказват силно влияние не само в Англия, но и върху световната детска литература. Днес решихме да поговорим именно за това влияние и за удоволствието от четенето на „Приказките“. Гледай епизода тук: https://youtu.be/EUvNE2O-0c0 Споменато в епизода: https://www.amazon.co.uk/Kipling-children-Roger-Lancelyn-Green/dp/B0000CMPAW https://youtube.com/playlist?list=PLuHrndDybwM53JC9pIjMSHtnChnBloy37&si=C_anX4pIPnUeFKD1 https://www.youtube.com/watch?v=xm-LT8Ay71k Представяне на госта: Мария Пипева е доцент по английска литература и култура в катедра „Англицистика и американистика“ на СУ „Св. Климент Охридски“. От 2017 г. до 2025 г. е съръководител на магистърската програма „Превод“ във Факултета по класически и нови филологии. Научните ѝ публикации са в областта на модерната и постмодерната британска литература, преводознанието, преводната рецепция, детската литература. Преводач и редактор е в областта на хуманитаристиката, художествената литература за възрастни и детската литература. През 2015 г. книгата ѝ „Своето в чуждото, чуждото в своето: българските преводи на английска детска литература“ (УИ „Св. Климент Охридски“, 2014) е отличена с Годишната награда на Съюза на преводачите в България за ярки постижения в областта на теорията, историята и критиката на превода. За подкаста: Tова е една от шестте серии на Ratio Podcast – един подкаст за любопитни хора. С негова помощ ще си сверите часовника за всичко най-ново в света на науката и културата и ще чуете неформални разговори, свързани или вдъхновени от наука.

In this special episode, author and contemporary art historian Clare Carolin joins EMPIRE LINES live, to discuss the British government's deployment of art as an instrument of war in the North of Ireland and the Falklands (Malvinas) in the 20th century, and their research in the archives and collections of the Imperial War Museum (IWM) in London.This episode was recorded live as part of A Conversation about Art, Media, and the State, with Laleh Khalili, Munira Cheema, Asif Akhtar, and Jamie Hakim at Bush House, King's College London in June 2026. Find all the information online: kcl.ac.uk/events/a-conversation-about-art-media-and-the-stateThe Deployment of Art: The Imperial War Museum's Artistic Records Committee, 1968–1982 (2025) by Clare Carolin is published by Routledge.Dissenting Counter-Publics in Pakistani Social Media and Cafe Culture (2025) by Munira Cheema is published by Palgrave Macmillan.Both are available in all good bookshops and online.Read about Clare Carolin's lecture-performance, How to Build a Decolonial Peace Museum (A Provocation in Three Parts), at On Radicalism, the Contemporary Art Society (CAS) Annual Conference 2025 in London: contemporaryartsociety.org/sites/default/files/attachments/On Radicalism (1 May 2025)%2C report by Jelena Sofronijevic.pdfFor more about the Venice Biennale 2026, and EVA International in 2016, read this article for the Contemporary Art Society: contemporaryartsociety.org/explore/resources/minor-keys-view-61st-venice-biennaleFor more about the Kipling family and the National College of Arts (NCA Lahore), hear contemporary artist Suleman Aqeel Khilji on the painting Elevation (Chiltan) (2025-2026), recorded at White Cube Paris: pod.link/1533637675/episode/YWYwMDNkMTgtNmJjOC00ZGZhLTlhYmItZWUzZjUyY2Y4ZjEyPRODUCER: Jelena Sofronijevic.Follow EMPIRE LINES on Instagram: ⁠⁠instagram.com/empirelinespodcast⁠⁠Support EMPIRE LINES on Patreon: ⁠⁠patreon.com/empirelinesEMPIRE LINES is a project within the ecosystem of Radical Ecology (2025-2026).

La mala hija, una historia ambientada en Almansa, se ha convertido en uno de los fenómenos literarios del año. Una gran novela de género noir que ha seducido a más de 40.000 lectores, una cifra que va subiendo semana a semana. La ha escrito Pedro Martí, y le dedicamos un homenaje especial, buscando las razones de este éxito. Entrevistamos a Pablo Álvarez, responsable de Editadunbo, la agencia literaria que apostó por Pedro y por esta novela. Un exitazo publicado por Destino.Antonio Fontana, que tiene el orgullo de haber ganado el premio Gijón, ha escrito una novela que nació de un sueño. Y regresa a la España de la posguerra, la España la represión de libertades, de derechos de la mujer inexistentes, en La mala entraña. En la sección de Audiolibros, Daré el cielo por ti, de Jorge Molist.La afición a la velocidad de Kipling, el autor de El libro de la selva.Y entre las últimas novedades, las nueva novela de Guillaume Musso.

Mat Bonville hasn't been doing competition BBQ for long, but the pitmaster of Phantom Smoke & BBQ from Kipling, Saskatchewan had a memorable cook at one of the world's foremost contests a couple of weeks ago. Bonville scored a whopping 707.97 at the KCBS World Invitational in Lebanon, Tennessee - roughly a 24-drive from home - to earn Reserve Grand honors and qualify for next spring's BBQ World Cup. On Episode 359 of the Tailgate Guys BBQ Podcast, Bonville tells us about his journey, what it was like hearing his name alongside some of the world's best and what's ahead for his one-man team. We also welcome Joel Fleetwood back to the show to discuss Meat Rushmore BBQ's latest release in its product lineup, the Midwest Heat Sauce. Joel also shares his thoughts on the World Cup, which is coming to Kansas City for Group matches beginning next week, and the enthusiasm that international visitors are bringing to mid-America. Co-host Lyndal and Steve recap their BBQ weekend and give opinions on some sports headlines. We hope everyone has a chance to fire up the grill or smoker this weekend!  A big thanks to our show sponsors and marketing partners. Please support them: Blues Hog #blueshognation Royal Oak Charcoal #charcoalofchampions  The Butcher Shoppe #alwayshandpicked  The Grill Guys of Missouri #grillguys417 Clark Crew BBQ #clarkcrewbbq  Meat Rushmore BBQ #meatrushmorebbq Lovely Jubbly BBQ #lovelyjubblybbq  Mister Brisket #thighlife Have a great week! #SmokeEmIfYouGotEm

Rudyard Kipling published Stalky & Co. in 1899. Set at an English boarding school in a seaside town on the North Devon coast. (The town, Westward Ho!, is not only unusual in having an exclamation mark, but also in being itself named after a novel, by Charles Kingsley.)The book is a collection of linked short stories, with some information about the eponymous Stalky's later life. Beetle, one of the main trio, is said to be based on Kipling himself, while Stalky may be based on Lionel Dunsterville.The stories have elements of the macabre (dead cats), bullying and violence, and hints about sex, making them far from the childish or idealised world of the typical school story. Edmund Wilson, critic, in The Wound and the Bow, was both shocked and uncomprehending. (Adapted from Wikipedia.)Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Rudyard Kipling published Stalky & Co. in 1899. Set at an English boarding school in a seaside town on the North Devon coast. (The town, Westward Ho!, is not only unusual in having an exclamation mark, but also in being itself named after a novel, by Charles Kingsley.)The book is a collection of linked short stories, with some information about the eponymous Stalky's later life. Beetle, one of the main trio, is said to be based on Kipling himself, while Stalky may be based on Lionel Dunsterville.The stories have elements of the macabre (dead cats), bullying and violence, and hints about sex, making them far from the childish or idealised world of the typical school story. Edmund Wilson, critic, in The Wound and the Bow, was both shocked and uncomprehending. (Adapted from Wikipedia.)Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Rudyard Kipling published Stalky & Co. in 1899. Set at an English boarding school in a seaside town on the North Devon coast. (The town, Westward Ho!, is not only unusual in having an exclamation mark, but also in being itself named after a novel, by Charles Kingsley.)The book is a collection of linked short stories, with some information about the eponymous Stalky's later life. Beetle, one of the main trio, is said to be based on Kipling himself, while Stalky may be based on Lionel Dunsterville.The stories have elements of the macabre (dead cats), bullying and violence, and hints about sex, making them far from the childish or idealised world of the typical school story. Edmund Wilson, critic, in The Wound and the Bow, was both shocked and uncomprehending. (Adapted from Wikipedia.)Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Rudyard Kipling published Stalky & Co. in 1899. Set at an English boarding school in a seaside town on the North Devon coast. (The town, Westward Ho!, is not only unusual in having an exclamation mark, but also in being itself named after a novel, by Charles Kingsley.)The book is a collection of linked short stories, with some information about the eponymous Stalky's later life. Beetle, one of the main trio, is said to be based on Kipling himself, while Stalky may be based on Lionel Dunsterville.The stories have elements of the macabre (dead cats), bullying and violence, and hints about sex, making them far from the childish or idealised world of the typical school story. Edmund Wilson, critic, in The Wound and the Bow, was both shocked and uncomprehending. (Adapted from Wikipedia.)Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Rudyard Kipling published Stalky & Co. in 1899. Set at an English boarding school in a seaside town on the North Devon coast. (The town, Westward Ho!, is not only unusual in having an exclamation mark, but also in being itself named after a novel, by Charles Kingsley.)The book is a collection of linked short stories, with some information about the eponymous Stalky's later life. Beetle, one of the main trio, is said to be based on Kipling himself, while Stalky may be based on Lionel Dunsterville.The stories have elements of the macabre (dead cats), bullying and violence, and hints about sex, making them far from the childish or idealised world of the typical school story. Edmund Wilson, critic, in The Wound and the Bow, was both shocked and uncomprehending. (Adapted from Wikipedia.)Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Rudyard Kipling published Stalky & Co. in 1899. Set at an English boarding school in a seaside town on the North Devon coast. (The town, Westward Ho!, is not only unusual in having an exclamation mark, but also in being itself named after a novel, by Charles Kingsley.)The book is a collection of linked short stories, with some information about the eponymous Stalky's later life. Beetle, one of the main trio, is said to be based on Kipling himself, while Stalky may be based on Lionel Dunsterville.The stories have elements of the macabre (dead cats), bullying and violence, and hints about sex, making them far from the childish or idealised world of the typical school story. Edmund Wilson, critic, in The Wound and the Bow, was both shocked and uncomprehending. (Adapted from Wikipedia.)Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

durée : 00:42:43 - Les Nuits de France Culture - par : Albane Penaranda - L'émission "Journal des voyages" proposait en janvier 1951 un programme consacré aux écrivains voyageurs Jack London et Rudyard Kipling, à l'occasion de l'anniversaire de leur naissance (1ère diffusion : 13/01/1951 Chaîne Parisienne). - réalisation : Mathias Le Gargasson, Antoine Dhulster, Rafik Zénine, Vincent Abouchar, Emily Vallat, Hassane M'Béchour, INA Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

José Luis Moro es Un Pingüino En Mi Ascensor, pionero del nasal pop. Tras muchos años trabajando como creativo publicitario, hoy codirige su propia agencia, Pingüino Torreblanca. Charlamos sobre el éxito y el fracaso (esos dos grandes impostores, como diría Kipling), el sentido del humor, la nostalgia, la publicidad y el hecho de no querer nunca tomarse demasiado en serio. Acaba de publicar nuevo disco: Mi único deseo es matar.

A senior Indigenous banker in Canada cautions the Canadian government to keep Indigenous consultation at the forefront for major projects. As Dan Karpenchuk reports, he also says there is interest from Indigenous leaders in taking part in those major energy projects. Recently Canadian Prime Minister Mark Carney repeated his plan to fast track major energy projects in Canada. Last week, he said Ottawa would build quickly and “in the right way” in consulting with Indigenous and provincial partners, but some of those leaders have been critical fearing that the process of consultation will be rushed and their concerns would be brushed aside. Carney's government wants to change parts of environmental law to make it easier to build a pipeline to the west coast, along with other energy projects. Bill Lomax is the president and CEO of the First Nations Bank of Canada. He says that early and meaningful talks with Indigenous communities is key. “We're seeing more business acquisitions happening, joint ventures happening with companies that are servicing, let's say, a pipeline. That kind of thing is just really taken off. We've seen our business grow. We're really a reflection of our clients. And their success leads to our success.” Lomax says the bank's commercial business was growing by 10% a year, but in the past year, it's been 26%. He says that shows how much Indigenous businesses are becoming involved, but he warns the opportunity for their approval is there if the consultation is done right. “You need to engage with the nation early on and let them know what you are thinking about, have them participate and have them be part of the plan.” Lomax says even though some Indigenous communities will be against some projects, but he believes there are many more that would be ready to move and move quickly. The First Nations Bank of Canada is an Indigenous-owned national bank. It's mission is to serve Indigenous people, nations, and businesses. The Alaska Native Language Center will publish a novel this summer retelling Rudyard Kipling's “The White Seal”, the only Jungle Book story set outside India, on St. Paul Island in the Bering Sea. Two artists from the Pribilof Islands retell the story through the perspective of a young Indigenous protagonist named Sergie. KUCB's Maggie Nelson has more. Garrett Pletnikoff is the coauthor of the new young adult chapter book “Sergie and the White Seal”. The story is an adaptation of one in Kipling's Jungle Book, “The White Seal”, published in 1894. And actually names Pletnikoff's great, great, great grandfather as a main antagonist. Kipling portrays Pletnikoff's ancestors through a disparaging colonial lens — as unclean murderers of the innocent marine mammals. Pletnikoff says this adaptation is a chance to tell a different story — to portray the Unangan community and the seals as partners instead of enemies, as Kipling wrote them. “The White Seal includes violent descriptions of seal harvesting, but Kipling never mentions that these harvests were not done by Unangan free will. The Unangan people of the Pribilof Islands were subjected to forced labor.” Hannah Zimmerman coauthored the book with Pletnikoff. She says they were inspired by Unangan lore and mythology and decided to name their main character after a spiritual leader from the Aleutian chain — Sergie Soboroff. “It’s a story of Sergie, who discovers that he’s a shaman, and he has this, you know, magical ability to talk to animals, and he discovers his purpose as a conduit between the animal world, in the human world.” Zimmerman says they used Sergie's role as a shaman to discuss topics like how colonization wiped out certain Indigenous practices. “When we read the book to fourth and fifth graders in the fall at the St Paul Island School. And I’ll never forget how, at the end of the book, one of the fifth grade students came up to me, and he was like, you know, I didn’t know Aleuts could be superheroes.” “Sergie and the White Seal” is now available through the University Press of Colorado's website. Get National Native News delivered to your inbox daily. Sign up for our daily newsletter today. Download our NV1 Android or iOs App for breaking news alerts. Check out today’s Native America Calling episode Wednesday, May 13, 2026 – How Indigenous knowledge built the foundation for today's response to the hantavirus outbreak

Hoy hablaremos del mango, una fruta dulcísima que ha conquistado antojos en medio mundo; de Catalina la Grande, la emperatriz que convirtió a Rusia en una gran potencia con mucho chisme de por medio; de Teotihuacán, la ciudad monumental que sigue asombrándonos con sus pirámides y sus misterios; y de El libro de la selva, el clásico de Kipling que todavía nos hace pensar en la ley, la pertenencia y la aventura.See omnystudio.com/listener for privacy information.

This episode is a bold call to leave comfort zones, face failure, and step into true fathering — both from God and in ourselves. We dive deep into the stories of growth, sacrifice, and identity that shape real resilience. If you're craving more courage to pursue the unknown, this one's for you! In this episode: How the concept of maternal comfort can hinder adult growth The importance of rites of passage for becoming a man Stories of stepping out into new environments—college, trail, career The power of identity rooted in God's love for fearless action The difference between being mothered and fathered in life How failure and disappointment are essential for authentic resilience Biblical imagery of exile, wilderness, and promise as metaphors for maturity Practical steps to shift from self-protection to selfless service The role of God as Father in guiding us through danger and discipline How true success is found not in comfort, but in courageous obedience Chapters:  00:08 - Resilience and leaving maternal security behind 00:33 - The myth of community as a crutch for growth 00:44 - Kipling's "Captain's Courageous" and rites of passage 01:26 - The dangers of comfort for manhood development 03:22 - Hebrews 11 and the call to move forward without looking back 04:34 - Biblical themes of wilderness and expansion 05:29 - God's universe as a metaphor for eternal exploration 06:13 - The necessity of stepping out into discomfort to grow 06:20 - Personal stories of leaving safety zones – high school, college 08:46 - Appalachian Trail: endurance, mental challenge, and growth 10:27 - Moving from comfort into new realms of responsibility 11:08 - The significance of failure and the space between attempts 11:46 - Overcoming physical and mental hardship on the trail 13:14 - Responding to setbacks with resilience and humility 14:11 - The importance of identity rooted in God's love 15:11 - Breaking free from waiting for external validation 17:31 - The power of "knowing who you are" in the toughest moments 18:02 - Inner growth as the true measure of fathering 19:23 - The importance of starting before you're "ready" 20:25 - Legacy of failure and returning stronger 21:43 - How response to failure builds deep resilience 22:22 - Inner transformation over external achievement 23:15 - The dangers of over-mothering and the necessity of fathering 24:14 - Responsibility over control – passing down authority 25:28 - Biblical fathering: Hope, discipline, and sacrifice 26:18 - The analogy of Aragorn in "Lord of the Rings" 27:31 - God's discipline as fatherly love and training 28:57 - The Father's discipline as a pathway to deeper love 30:07 - Leaving Egypt and stepping into destiny 31:24 - The importance of identity in stepping into God's promises 32:19 - The contrast between waiting and action in faith 33:20 - Psalm 23 and walking through valleys with God 34:32 - The identity in Christ as the power for victory 35:29 - The danger of safe but superficial faith 37:31 - The call to courageous action rooted in identity and trust 38:39 - The Lord of the Rings metaphor: facing fears with strength 39:08 - The danger of fear-mongering and over-protection 40:17 - True confidence in who we are in God 41:12 - The power of consistency and perseverance in good 42:45 - Rejecting excuses and embracing challenge 44:47 - The fatherly love that allows freedom to grow 45:14 - Walking with God through every part of the journey 46:45 - The significance of action and relationship with Father God 48:29 - The reward of suffering and adventure with God 50:06 - The courage to leave safety and discover your strength   Walk boldly. Embrace discomfort. Be fathered by the One who knows you best. Success isn't found in safety, but in the courage to follow God's calling into the unknown. Step out — your true journey begins when you leave comfort behind!

Ottavio Fatica"Operazione Shylock"Philip RothPrefazione: Emmanuel CarrèreAdelphiwww.adelphi.it«Un libro infernale, che non si riesce a smettere di leggere. Una riflessione sul giudaismo, su Israele, sull'invecchiare, sulla menzogna, sull'invenzione, sulla letteratura – su tutto ciò che conta nella vita. Assolutamente vertiginoso. Leggetelo» (Emmanuel Carrère). Traduzione di Ottavio FaticaTraduzione della prefazione di Emmanuel Carrère: Ena MarchiNella sua burrascosa carriera, Philip Roth ci ha abituato alle più spericolate acrobazie narrative, ma mai ha osato tanto quanto in Operazione Shylock, dove, per dire e fare tutto ciò che vuole, ha sentito il bisogno di misurarsi con il suo più temibile avversario: un altro Philip Roth – stesso nome e stessi connotati, solo il nomignolo Moishe Pipik a distinguerlo da sé. Mai il tema del Doppio è stato usato in un romanzo con un tale autolesivo virtuosismo. Roth azzanna sé stesso come essere umano, come ebreo, come Philip Roth, e non si accontenta di una libbra di carne. Come congegnare, altrimenti, una spy story che tiene insieme il Mossad, il processo al mostro di Treblinka, il recupero dopo un crollo psichico da Halcion, l'incontro-scontro con ebrei e palestinesi in una Gerusalemme pattugliata dall'esercito israeliano, il faccia a faccia ustorio con l'altro Philip Roth – un megalomane che per salvare gli ebrei ashkenaziti da un probabile prossimo sterminio si fa propugnatore di una nuova diaspora, uno spregiudicato controesodo verso i paesi europei d'origine – e con la sua procace, concupita compagna? Sfoggiando una lingua viscerale e insieme altamente speculativa, Roth combina in queste pagine la più spiritata, isterica commedia nera con il dramma di popoli e di singoli individui lacerati, e mette in scena una mirabolante due-giorni a Gerusalemme che – incredibile a dirsi – fa anche ridere.Philip Milton Roth nasce a Newark, nel New Jersey, il 19 marzo del 1933 in una famiglia della piccola borghesia ebraica. Si laurea alla Bucknell University e fa un master in letteratura inglese all'Università di Chicago. Pubblica i primi racconti sulla Paris Review, su Esquire e sul New Yorker. Il suo capolavoro è Pastorale Americana, con cui vince il Premio Pulitzer nel 1997 e da cui è stato tratto un film da Ewan McGregor, che interpreta anche il ruolo del protagonista. Il libro fa parte una trilogia che comprende Ho sposato un comunista e La macchia umana. Il suo esordio avviene nel 1959 con Addio Columbus. Dieci anni dopo la fama con Il lamento di Portnoy, in cui il protagonista, un trentenne ebreo, Alexander Portnoy, racconta all'analista le proprie nevrosi sessuali.Autore di trentuno libri, Roth è stato un critico feroce della società americana, della sessualità maschile e dei falsi miti dell'uomo occidentale (in Complotto contro l'America del 2004 immagina che alle elezioni per la presidenza americana del 1940 venga eletto Charles Lindbergh anziché Roosevelt, e che questo trasformi gli Stati Uniti in un alleato della Germania nazista). Nel 2009 annuncia il suo ritiro dall'attività di romanziere. Il suo nome è apparso spesso nella lista dei concorrenti al premio Nobel per la letteratura. Muore a New York il 22 maggio 2018.Ottavio FaticaFamoso per le sue numerose traduzioni, ricordiamo: il Moby-Dick di Melville, quasi tutto Kipling, i diari di Byron, i limerick di Lear, Céline, Henry James. Per Einaudi ha pubblicato nella collana Collezione di poesie, Le omissioni (2009) e Vicino alla dimora del serpente (2019).Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Plongez dans l'histoire des grands personnages et des évènements marquants qui ont façonné notre monde ! Avec enthousiasme et talent, Franck Ferrand vous révèle les coulisses de l'histoire avec un grand H, entre mystères, secrets et épisodes méconnus : un cadeau pour les amoureux du passé, de la préhistoire à l'histoire contemporaine.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

LISTEN and SUBSCRIBE on:Apple Podcasts: https://podcasts.apple.com/us/podcast/watchdog-on-wall-street-with-chris-markowski/id570687608 Spotify: https://open.spotify.com/show/2PtgPvJvqc2gkpGIkNMR5i WATCH and SUBSCRIBE on:https://www.youtube.com/@WatchdogOnWallstreet/featured  Blending a powerful 2009 speech from Ron Paul with the timeless wisdom of Rudyard Kipling's If—, this reflection challenges mainstream thinking on war, government expansion, and personal responsibility—asking the uncomfortable question: what if the system is fundamentally wrong, and we've ignored the consequences?

Patrick comments on the unrest in Iran and the protests briefly and shares the inspirational poem by Rudyard Kipling, "If-" as read by Michael Caine, honoring your father, was Mary aware that Jesus was the Messiah or not and is it ok not to receive the Blood Christ?? Patrick draws from Catholic tradition and provides clarity and astute commentary on listener questions and comments. Fred: What was the name of that Michael Caine piece you played? Audio: Michael Caine reads the Kipling poem "If-". Julie - How can I honor my father if he is not a good person? Michael - Is it ok not to receive the Blood Christ? Anne - Was Mary aware that Jesus was the Messiah?

On Halloween night of 1992 something happened that divided the small farming town of Kipling, Saskatchewan. A young single mother accused the town's well respected doctor of sexual assault while under his care. Wanting to save his reputation, the doctor took a blood test to prove his DNA was not a match for the samples found during the performance of a sexual assault exam. It was not a match. Despite this, Candice, the accuser, was adamant about what had happened. Join me as I tell John about the case of the ‘Good Doctor'.Sponsors:MasterclassMasterclass.com/tcc to get an additional 15% off any annual membershipSources:https://www.newspapers.com/image/497356653/?terms=john%20schneebergerhttps://www.theglobeandmail.com/news/national/the-endless-nightmare-of-lisa-dillman/article761440/https://forensictales.com/case-of-dr-john-schneeberger/https://my.clevelandclinic.org/health/drugs/19616-midazolam-injectionhttps://www.iflscience.com/a-doctor-cheated-dna-tests-by-implanting-somebody-elses-blood-into-his-arm-59380https://www.newspapers.com/image/496716610/?match=1&terms=john%20schneebergerForensic Files Interviews Season8, Episode 8

In this episode of Chronicles, Luca discusses Kim by Rudyard Kipling. He explores Kipling's deep love for England and India, as well as the novel's themes of identity, mysticism, and empire.

We finally won a game of football, so obviously we're going to overthink every second of it. Sean Kray makes his Fighting Cock debut with an elite Mr Kipling bar, Ben's fresh back from the away end, and we try to work out why the vibes were so good even when the football was… not. We get into Frank's setup, the constant fan backlash, Odobert actually giving us something to latch onto, and whether we're being too harsh on the manager or not harsh enough. Plus: Porro stress, Paulinho discourse, Richarlison redemption arc (sort of), and what we actually need in January. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Should we still read Kipling today? What family tragedy did Kipling face in the later half of his life? How did he fan the flames of jingoism during and after the First World War? William is reunited with Anita to discuss Rudyard Kipling's later life and legacy and to debate whether we should revere or despise him... Make someone an Empire Club Member this Christmas – unlock the full Empire experience with bonus episodes, ad-free listening, early access to miniseries and live show tickets, exclusive book discounts, a members-only newsletter, and access to our private Discord chatroom. Just go to https://empirepod.supportingcast.fm/gifts And of course, you can still join for yourself any time at empirepoduk.com or on apple podcasts. Email: empire@goalhanger.com Instagram: @empirepoduk Blue Sky: @empirepoduk X: @empirepoduk Producer: Anouska Lewis Assistant Producer: Alfie Rowe Executive Producer: Dom Johnson Learn more about your ad choices. Visit podcastchoices.com/adchoices