Podcast appearances and mentions of Charles Koechlin

Se ascolti Les Chemins de l'amour, una canzone di Francis Poulenc, potresti pensare che sia una melodia spumeggiante da cantare in un cabaret parigino. Ma se si approfondisce la biografia di Poulenc, si scopre che è autore anche di un'opera corale, Gloria, e ci si rende conto che si sta ascoltando qualcosa che sta rasentando il profondo. E se si scava ancora di più nella storia di Poulenc, si scopre che ha scritto anche l'opera Dialoghi delle Carmelitane, dove si viene travolti da una straziante profondità. (In questa opera suore carmelitane in fila marciano verso la ghigliottina mentre cantano il Salve Regina e vanno incontro alla morte una alla volta. Non per i deboli di cuore.)   Ma chi era Francis Poulenc, questo camaleonte compositore capace di deliziare l'orecchio e sconvolgere l'anima? In apparenza, era un affascinante gentiluomo parigino erede di un impero farmaceutico. Ma era molto di più. Approfondiamo la sua storia.   Biografia di Francis Poulenc   Francis Poulenc (1899-1963) è stato un compositore e pianista francese che ha dato un contributo significativo alla musica del XX secolo. Le sue composizioni includono canzoni, opere per pianoforte solo, musica da camera, brani corali, opere, balletti e musica orchestrale. Gran parte della sua musica è melodica, affascinante ed effervescente.   Poulenc era l'unico figlio di Émile Poulenc, un produttore farmaceutico di successo, e Jenny Royer. Anche se fu in gran parte autodidatta, Poulenc studiò con il pianista Ricardo Viñes (1875-1953) e il compositore Charles Koechlin (1867-1950).   Poco più che ventenne, Poulenc entrò a far parte del gruppo di giovani compositori noti come Les Six, ovvero Georges Auric, Louis Durey, Arthur Honegger, Darius Milhaud, Poulenc e Germaine Tailleferre. Grazie alla partitura vivace e melodica per il balletto Les Biches (1924) Poulenc fu consacrato immediatamente come compositore dalla voce unica che si distingueva dagli altri membri di quel gruppo.   Poulenc fu anche un abile pianista che spesso accompagnò l'illustre baritono Pierre Bernac (1899-1979) sia in recital che in registrazioni di notevoli canzoni di Poulenc.   Più tardi, Poulenc compose la sorprendente opera Dialoghi delle Carmelitane (1957), un'opera potente basata su eventi storici della Rivoluzione francese. Seguì il suo Gloria (1959), un'opera corale per soprano, coro e orchestra. Era un compositore che continuava a evolversi, e alla fine arrivò a un livello molto alto.   Canzoni   Banalités (un insieme di 5 canzoni su poesie di Guillaume Apollinaire)   Les Chansons villageoises (ciclo di canzoni su testi rustici scritti dallo stesso Poulenc)   Opere   Dialoghi delle Carmelitane   La Voix Humaine   Balletti   Les Biches   Concerti   Concerto per due pianoforti e orchestra in re minore   Concert champêtre per clavicembalo e orchestra   Opere corali   Gloria per Soprano, Coro e Orchestra   Musica da camera   Sonata per flauto e pianoforte

This week's mini episode comes to you as a pair. Stephen and Joanna discuss their favourite 'unsung heroes' - this time focusing on the strange and absorbing late works of Charles Koechlin. 'Les Bandar-Log' is part of a cycle of symphonic poems based on Kipling's Jungle Book, completed in 1940. The score touches on a range of early 20th-century styles, from Debussyan impressionism to 12-note technique, but somehow welds all the tongue-in-cheek references into a dazzling whole.

Bruce the goose always swims his morning laps alone, until his life changes forever on one fateful summer day. Find out what happens in ‘Goose, Goose, Baby Goose!' – the new episode of YourClassical Storytime, with narration by Ryan Lohr, music by Charles Koechlin and illustrations by Mia Jennings.

Synopsis Today's the birthday of the versatile Argentinean-born American composer, arranger and jazz pianist, Boris Claudio “Lalo” Schifrin, who was born in Buenos Aires on today's date in 1932.From his background, you'd guess Schifrin was destined for a concert career. His father was a violinist in the orchestra of Argentina's premiere opera house, the Teatro Colon. As a boy he studied with Enrique Barenboim, father of pianist/conductor Daniel Barenboim, and in Paris he studied composition with Olivier Messiaen and Charles Koechlin. But Lalo Schifrin also loved jazz, and after studies by day with Messiaen, his nights were spent performing in Parisian jazz clubs. Eventually Dizzy Gillespie commissioned him to write for his band. Around the same time, Schrifin began writing film and TV scores. When he started working on the TV series “Alfred Hitchcock Presents,” he came into contact with legendary film composer Bernard Herrmann, who became a friend and mentor. Schifrin has written more than 100 scores for film and television but his most famous composition is this catchy theme of the 1960s TV series, “Mission Impossible”—and still used in the subsequent movie remakes. Music Played in Today's Program Lalo Schifrin (b. 1932) Hommage a Ravel Eaken Piano Trio Naxos 8.559062 Lalo Schifrin (b. 1932) Theme fr Mission Impossible studio orchestra BBC Records 763

Bruce the goose always swims his morning laps alone, until his life changes forever on one fateful summer day. Find out what happens in ‘Goose, Goose, Baby Goose!' – the new episode of YourClassical Storytime, with narration by Ryan Lohr, music by Charles Koechlin and illustrations by Mia Jennings.

Jede Arbeit braucht ihre Pausen. Lade hier mit uns deinen Kraftspeicher auf. Diese Musikstücke hast Du in der Folge gehört: J. S. Bach - "Präludium E-Dur" // Charles Koechlin - "Hornsonate (Andante)" // Paul McCartney - "Ocean's Kingdom (Moonrise)" // J. S. Bach - "Klavierkonzert A-Dur (Allegro)" // Ludovico Einaudi - "Passagio" // Den Podcast "Score Snacks" vom SWR findest du hier: https://www.ardaudiothek.de/sendung/score-snacks-die-musik-deiner-lieblingsfilme/93901478/ Wenn Du eine Idee oder einen Wunsch hast, zu welchem Thema Philipp unbedingt eine Playlist zusammenzimmern muss, dann schreib ihm ebenso eine Mail: playlist@ndr.de.

Synopsis On New Year's Eve, 1948, Eugene Ormandy and the Philadelphia Orchestra gave the first performance of the Symphony No. 5 by the American composer George Antheil. Now, in his youth, Antheil was something of a wild man, composing a Ballet mechanicque for a percussion ensemble that included electric bells, sirens, and airplane propellers. It earned him a reputation, and Antheil titled his colorful 1945 autobiography what many called him: "The Bad Boy of Music." But the great Depression and World War II changed Antheil's attitude. Rather than write for small, avant-garde audiences, Antheil found work in Hollywood, with enough time left over for an occasional concert work, such as his Symphony No. 5. In program notes for the premiere, Antheil wrote: "The object of my creative work is to disassociate myself from the passé modern schools and create a music for myself and those around me which has no fear of developed melody, tonality, or understandable forms." Contemporary critics were not impressed. One called Antheil's new Symphony "nothing more than motion-picture music of a very common brand" and another lamented its "triviality and lack of originality," suggesting it sounded like warmed-over Prokofiev. The year 2000 marked the centennial of Antheil's birth, and only now, after years of neglect, both Antheil's radical scores from the 1920s and his more conservative work from the 1940s is being performed, recorded and re-appraised. Music Played in Today's Program George Antheil (1900-1959) Symphony No. 5 (Joyous) Frankfurt Radio Symphony; Hugh Wolff, conductor. CPO 999 706 On This Day Births 1894 - Anglo-Irish composer Ernest John Moeran, in Heston, Middlesex; 1899 - Mexican composer Silvestre Revueltas, in Santiago, Papasquiaro; 1962 - American composer Jennifer Higdon, in Brooklyn, New York; Deaths 1950 - French composer Charles Koechlin, age 83, in Canadel, France; 1970 - British composer Cyril Scott, age 91, in Eastbourne, England; Premieres 1724 - Bach: Sacred Cantata No. 122 ("Das neugeborne Kindelein") performed on the Sunday after Christmas as part of Bach's second annual Sacred Cantata cycle in Leipzig (1724/25); 1842 - Lortzing: opera "Der Wildschütz" (The Poacher), in Leipzig at the Stadttheater; 1865 - Rimsky-Korsakov: Symphony No. 1, in St. Petersburg, with Balakirev conducting (Julian date: Dec. 19); 1879 - Gilbert & Sullivan: operetta "The Pirates of Penzance," at the Fifth Avenue Theatre in New York, with the composer conducting (see also Dec. 30 above); 1943 - Martinu: Violin Concerto (No. 2), by the Boston Symphony with Serge Koussevitzky conducting and Micsha Elman the soloist; 1948 - Antheil: Symphony No. 5, by Philadelphia Orchestra, Eugene Ormandy conducting; 1948 - Howard Hanson: Piano Concerto, by the Boston Symphony with the composer conducting and Rudolf Firkusny the soloist. Links and Resources On George Antheil More on Antheil

Wally and Sue chat about Vandoren's expensive new venture, practice mindset, and the music of Charles Koechlin! Check out the playlist of his saxophone music: https://www.youtube.com/watch?v=4eM83Hp1eEU

durée : 01:29:42 - En pistes ! du lundi 05 septembre 2022 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Nous ouvrons la semaine avec un enregistrement dédié à Charles Koechlin et enregistré par le Sinfonieorchester Basel sous la direction d'Ariane Matiakh. Nous écouterons également la musique de Bach, Granados ou encore celle de Jean Veillot.

durée : 00:14:15 - Charles Koechlin - Ariane Matiakh, Sinfonieorchester Basel - La musique du merveilleux compositeur et « alchimiste auditif » criminellement sous-estimé Charles Koechlin est toujours une découverte. Ce lundi, nous vous proposons de le (re)découvrir avec cet enregistrement paru en juin dernier.

Charles Koechlin (1867-1951) – Tweede strijkkwartet, opus 57 (1915) Adagio, 2. Scherzo. Allegro con fuoco, 3. Quasi adagio, Finale. Allegro moderato Uitvoerenden: Ardeo Quartet             CD: Ar Ré-Sé Germaine Tailleferre (1892-1942) – Eerste strijkkwartet (1917/19) Modéré, 2. Intermède, 3. Vif             Uitvoerenden: Leipziger Streichquartett             CD: MDG   Het Tweede strijkkwartet van Charles Koechlin is […]

Kwartetten van Koechlin, Honegger & Stravinsky.   Charles Koechlin (1867-1951) – Eerste strijkkwartet, in D-gr.t., opus 51 (1913) 1. Allegro moderato, 2. Scherzo. Allegro scherzando non troppo–Vivace. 3. Andante quasi adagio, 4. Finale. Allegro con moto. Uitvoerenden: Ardeo Quartet. CD: Ar Ré-Sé. Arthur Honegger (1892-1955) – Eerste strijkkwartet (1917) 1. Appassionato, 2. Adagio, 3. Allegro: […]

durée : 01:46:20 - Été Classique Après-midi du jeudi 14 juillet 2022 - par : Benjamin François - "14 juillet ! Francis Poulenc promène ses petits bébêtes : dromadaire, dauphin, carpe et autre puce ! Jacques Ibert et Charles Koechlin seront de la fête avec Charles-Marie Widor et Buxtehude. À redécouvrir aussi, Croesus de Keiser, pour une nouvelle programmation tutti-frutti !" Benjamin François - réalisé par : Vivian Lecuivre

durée : 01:45:55 - Été Classique Après-midi du lundi 11 juillet 2022 - par : Benjamin François - "Ravi de passer toute une semaine d'Été classique avec vous, et un programme tutti-frutti, entre musiques anciennes et du 20e siècle. Nous commençons cette semaine avec Charles Koechlin, un symphoniste français plutôt oublié ... " Benjamin François - réalisé par : Céline Parfenoff

Ein hochorigineller Außenseiter der Musikgeschichte vertont den Sternenhimmel und seine Lieblings-Filmstars der 30er Jahre: Charles Koechlin liebte glänzende Erscheinungen - sei es das Kreuz des Südens oder Marlene Dietrich. Und schrieb Musik, die nach den Sternen greift!

Eine CD von Ariane Matiakh und dem Sinfonieorchester Basel - vorgestellt auf NDR Kultur.

durée : 00:24:59 - Charles Koechlin, un amateur de cinéma - par : Anne-Charlotte Rémond - Dans cet épisode de Musicopolis, Anne-Charlotte Rémond revient sur la relation particulière qu'entretenait le compositeur français Charles Koechlin (1867-1950) avec le cinéma et notamment la musique de film... - réalisé par : Claire Lagarde

Charles Koechlin wurde 1867 in Paris geboren. Und Koechlin stand nicht nur auf gute Musik, er wurde auch ein echter Kino-Freak - da war er schon Mitte 60. Das wäre ungefähr so, als ob heute die Großeltern TikTok für sich entdecken und nicht mehr davon loskommen würde. Das Kino und Schauspielerinnen wie Marlene Dietrich, die inspirierten Charles Koechlin zu Musik.

The musical genius that is Charles Koechlin (1867 - 1950) In 'Talking Flutes' this week Clare speaks via Zoom with musician and flute player Nicola Woodward about her study of, and recording of the 'Chants de Nectaire', 96 unaccompanied pieces by Koechlin. Charles Koechlin (1867-1950) was a French composer who although unduly neglected during his lifetime is finally earning the recognition he deserves as equal of great composers like Faure, Debussy and Ravel.  He seems to have had a particular affinity with the flute, possibly because in its simplest form it is the most primitive and natural of instruments, closest to the human voice. The ‘Chants de Nectaire’ op 198 199 and 200 constitute one of the greatest works for flute both in terms of length and quality. Koechlin’s writing is so idiomatic and sensitive that it is hard to believe that he did not play the flute himself.  For more information visit www.nicolawoodward.uk  'Talking Flutes' and 'Talking Flutes Extra' are podcast productions by the TJ flute company.  For more information visit www.trevorjamesflutes.com  

Music of the Æther This week we hear works by Charles Koechlin, Bohuslav Martinů, Anis Fuleihan, André Jolivet, Olivier Messiaen, and Howard Shore. 162 Minutes – Week of August 03, 2020

Today's the birthday of the versatile Argentinean-born American composer, arranger and jazz pianist, Boris Claudio "Lalo" Schifrin, who was born in Buenos Aires on today's date in 1932. From his background, you'd guess Schifrin was destined for a concert career. His father was a violinist in the orchestra of Argentina's premiere opera house, the Teatro Colon. As a boy he studied with Enrique Barenboim, father of pianist/conductor Daniel Barenboim, and in Paris he studied composition with Olivier Messiaen and Charles Koechlin. But Lalo Schifrin also loved jazz, and after studies by day with Messiaen, his nights were spent performing in Parisian jazz clubs. Eventually Dizzy Gillespie commissioned him to write for his band. Around the same time, Schrifin began writing film and TV scores. When he started working on the TV series "Alfred Hitchcock Presents," he came into contact with legendary film composer Bernard Herrmann, who became a friend and mentor. Schifrin has written more than 100 scores for film and television, garnering Grammy awards and Oscar nominations along the way. Undoubtedly his most famous composition is this catchy theme of the 1960s TV series, "Mission Impossible"—and still used in the subsequent movie remakes. For the concert hall, Schifrin has composed concertos and arrangements for cellist Mstislav Rostropovich, and guitarist Angel Romero, and was the arranger of choice for those "Three Tenor" song medleys sung by Pavarotti, Carreras and Domingo.

Today's the birthday of the versatile Argentinean-born American composer, arranger and jazz pianist, Boris Claudio "Lalo" Schifrin, who was born in Buenos Aires on today's date in 1932. From his background, you'd guess Schifrin was destined for a concert career. His father was a violinist in the orchestra of Argentina's premiere opera house, the Teatro Colon. As a boy he studied with Enrique Barenboim, father of pianist/conductor Daniel Barenboim, and in Paris he studied composition with Olivier Messiaen and Charles Koechlin. But Lalo Schifrin also loved jazz, and after studies by day with Messiaen, his nights were spent performing in Parisian jazz clubs. Eventually Dizzy Gillespie commissioned him to write for his band. Around the same time, Schrifin began writing film and TV scores. When he started working on the TV series "Alfred Hitchcock Presents," he came into contact with legendary film composer Bernard Herrmann, who became a friend and mentor. Schifrin has written more than 100 scores for film and television, garnering Grammy awards and Oscar nominations along the way. Undoubtedly his most famous composition is this catchy theme of the 1960s TV series, "Mission Impossible"—and still used in the subsequent movie remakes. For the concert hall, Schifrin has composed concertos and arrangements for cellist Mstislav Rostropovich, and guitarist Angel Romero, and was the arranger of choice for those "Three Tenor" song medleys sung by Pavarotti, Carreras and Domingo.

durée : 00:12:04 - Le Disque classique du jour du mardi 19 mai 2020 - Ce très beau disque intitulé "Couleurs" nous plonge dans la musique orchestrale française du XXeme siècle avec deux compositeurs qui se font face : Francis Poulenc et Charles Koechlin.

Om åkander, måneskin, vemod og romantik - en musikalsk-litterær rejse gennem Europa med musik af Schumann, Saint-Saëns, Milhaud, Joseph Holbrooke, George Hüe, Charles Koechlin og Fazil Say, der alle har skrevet værker med afsæt i litterære værker.Henriette Bonde-Hansen, sopran. Janne Thomsen, fløjte. Hugo Ticciati, violin. Christoffer Sundqvist, klarinet. Rachel Roberts, bratsch. Julian Arp, cello. Alasdair Beatson, klaver.(Knudsens i Holstebro 5. oktober). Vært: Klaus Møller-Jørgensen. www.dr.dk/p2koncerten

Aad van Nieuwkerk verkent iedere zaterdag en zondag tussen 23.00 en 24.00 uur de grenzen van de klassieke muziek. Met nieuwe releases, concerttips, reportages, actuele ontwikkelingen in de muziekwereld, een vaste plek voor jong talent, en natuurlijk: adembenemende muziek! Gemaakt in nauwe samenwerking met het televisieprogramma Vrije Geluiden. Met vanavond muziek van Thomas Tallis, Heinrich Ignaz Franz von Biber, Gioacchino Rossini, Charles Koechlin, Michael Finnissy, en Jacob Adler.

In deze Vrije Geluiden: het Jerôme Hol trio; Marcel Reijans met liederen van de Duitse componist Richard Strauss; fluitist Leendert de Jonge met werk van componist Charles Koechlin Jerôme Hol houdt van een heftig rockgeluid. Maar dat is niet genoeg voor het jonge gitaartalent: hij wil improviseren zoals in de jazz. Jazzrock? No [...]

Donald Macleod explores the life and work of Charles Koechlin, an out-of-favour, free-thinking musician regarded as the 'missing link' between Debussy, Satie and Poulenc.

1 - "Maracatu do Chico Rei" (Francisco Mignone). Quarteto Carioca de Violões/ Carioca Guitar Quartet. 2 - Trecho de "Ijuóho", canto da tradição Karajá/ Chant from the brazilian Karaja indians-excerpt. 3 - "L´album de Lili - Swimming" (Charles Koechlin). Irmela Nolte, flauta/ flute. Sabine Liebner, piano. 5 - Canto do sabiá una/ Sabia una birdcall. 6 - "Aos vinte e sete" (Edu Krieger). Edu Krieger, voz e violão/ voice and guitar. 7 - "Nightclub 1960" (Astor Piazzolla. Duo Graffiti (Cassia Carrascoza, flauta/ flute. Ronaldo Bologna, marimba).

Der Cineast unter den Komponisten

Face au château de ViImorin, cet ancien bâtiment de l’exploitation familiale est devenu le centre culturel André Malraux, inauguré par celui-ci en 1975. Il comprend aujourd’hui une médiathèque, l’école de musique agréée Charles Koechlin, le musée de Verrières et l’Herbier Vilmorin. De style anglo-normand, ce bâtiment laissant bien apparaître sa meulière se trouve à l'emplacement d'un premier édifice construit par Philippe de Vilmorin en 1888. Il abritait alors l'entrepôt à grains, les salles de cours d'agronomie et un petit musée. Une partie du corps principal des bâtiments fut reconstruite en 1905. Elle abritait notamment un laboratoire de recherche avec ses locaux techniques, un vaste musée comprenant, entre autres, des moulages, des échantillons de bois et de graines d'arbres et des instruments de dosage de betteraves. Cette collection est aujourd'hui transférée à la Ménitré, en Maine-et-Loire. Il s’y trouvait également un herbier de plantes cultivées par la maison Vilmorin et une importante bibliothèque sur la science des végétaux, fruits des recherches et des voyages effectués par plusieurs générations. Cet herbier, inscrit au patrimoine des monuments historiques est revenu à Verrières en 1999. André Malraux (1901-1976), écrivain et homme politique français, il fut ministre des affaires culturelles de son pays de 1959 à 1969. Homme engagé, il combattit du côté des républicains durant la guerre d'Espagne. On lui doit une importante contribution à la littérature romanesque : la Condition humaine, l'Espoir; la littérature critique : le Musée imaginaire; et la littérature autobiographique.