Podcasts about british theatre guide

Welcome to Faith at the Fringe a Sanctuary First podcast series. This Episode we are speaking to David Robinson all about his dramatic production of C.S Lewis The Screwtape Letters. The most critically acclaimed production of C.S. Lewis' masterpiece is back! The Screwtape Letters is an award-winning satirical comedy that is now touring the UK for its 13th year. Nigel Forde's “sparkling script” and David Robinson's “impressive Screwtape” (The Stage) bring to life Lewis' classic book, which has sold millions of copies worldwide. The story is set in Professor Screwtape's study in the timeless dominion of Hell. The play follows Screwtape's attempts to train his junior devils, including his protégé Wormwood, in the fine art of temptation. It remains faithful to the original text, characters and themes created by Lewis and holds three Edinburgh Fringe Sell-Out Show Awards. Buy tickets here Next Performances: Thu 10 Aug - 14:30, Fri 11 Aug - 19:30, Sat 12 Aug 16:00, Tue 15 Aug - 19:30, Wed 16 Aug - 19:30 - Charlotte Chapel, Venue 320 Edinburgh Fringe “The performances are well honed, with Screwtape himself standing out as an embodiment of snide evil” ★★★★★ - British Theatre Guide

Born in Brazil, Jean Abreu moved to London in 1996 after receiving a scholarship to study at Trinity Laban Conservatoire for Music and Dance. In 2003 he was awarded the Jerwood Choreography Award and became an Associate Artist at The Place in London.Since then his work has toured throughout the U.K, Europe and Brazil including performances for Royal Opera House, Dance Umbrella Festival, Southbank Centre, Julidans Festival & the Auditório Ibirapuera São Paulo.He founded Jean Abreu Dance in 2009. Across his career Jean has been a movement director for fashion magazines and global advertising campaigns including TikTok, Nike, OutThere Magazine. Jean has taught extensively his movement practice in the UK and abroad in renowned dance organisations and Universities across the globe.Rachel Elderkin is a freelance dancer and dance writer based in London. Her dance writing can be also be read in the Stage, londondance.com, Exeunt and British Theatre Guide. She is a member of the UK's Critics' Circle, and has written for The Skinny (Scotland) and LeftLion (Nottingham) where she was Arts Editor.Credits:Host: Rachel ElderkinGuest: Jean AbreuProduction: George BushawayProduced for Fjord Review

Jessica Wheeler is the principal of Elmhurst Ballet School, the vocational school in association with Birmingham Royal Ballet. Elmhurst Ballet School is a world-renowned centre of excellence and prepares talented young dancers aged between 11 and 19 to become the thinking dance professionals of the future. September 2020 marks Jessica's tenth year at Elmhurst where as Principal she continues to chair the Department for Education Music and Dance Schools' head teachers group who meet to share best practise, ideas of funding and advocacy to ensure young people from all backgrounds have access to dance and music education across the UK.Rachel Elderkin is a freelance dancer and dance writer based in London. Her dance writing can be also be read in the Stage, londondance.com, Exeunt and British Theatre Guide. She is a member of the UK's Critics' Circle, and has written for The Skinny (Scotland) and LeftLion (Nottingham) where she was Arts Editor.Credits:Host: Rachel ElderkinGuest: Jessica WheelerProduction: George BushawayProduced for Fjord Review

Mina Aidoo is an embodiment teacher and artist with a background in dance and choreography. She is the creator of WildBodyWisdom, an online community for womxn who desire to embody their wild, authentic power, whilst being deeply supported in their journey of awakening. Her signature 12 Week Embodiment Experience, Align and Flow, will be opening for enrolment early in 2021. To find out more about Mina's work, and to be notified of when Align and Flow opens, you can follow her on Instagram @wildbodywisdomRachel Elderkin is a freelance dancer and dance writer based in London. Her dance writing can be also be read in the Stage, londondance.com, Exeunt and British Theatre Guide. She is a member of the UK's Critics' Circle, and has written for The Skinny (Scotland) and LeftLion (Nottingham) where she was Arts Editor.Credits:Host: Rachel ElderkinGuest: Mina AidooProduction: Les GreenProduced for Fjord Review

Sophie Laplane was born in Paris, France and trained at the Conservatoire National Supérieur de Paris and Paris Opera Ballet School. Sophie joined Scottish Ballet in 2004. She remained a dancer with the Company until 2017, when she became Scottish Ballet's Choreographer in Residence. She debuted “Oxymore” with the Scottish Ballet in 2013 and since has created several works, performed at home and abroad. Recently “Sibilo” premiered at the Joyce Theater, New York. She has created several works for film including, Maze, Idle Eyes and Indoors, created remotely via Zoom. Maze won Best Screen Dance Short at the San Francisco Dance Film festival in 2015. She created new versions of “Oxymore” for the Edinburgh Festival’s Light Shines On and for the Ballet Contemporáneo del Teatro San Martin in Argentina.Rachel Elderkin is a freelance dancer and dance writer based in London. Her dance writing can be also be read in the Stage, londondance.com, Exeunt and British Theatre Guide. She is a member of the UK's Critics' Circle, and has written for The Skinny (Scotland) and LeftLion (Nottingham) where she was Arts Editor.Credits:Host: Rachel ElderkinGuest: Sophie LaplaneProduction: George BushawayProduced for Fjord Review 

Irvine Iqbal. Luke Latchman. Simon Sladen. In this episode I chat to West End performers Irvine Iqbal and Luke Latchman with Simon Sladen, Founder of Panto Day, Pantodatabase and Editor for British Theatre Guide. We discuss panto casting and systemic racism within the industry. As well as Aladdin The RSC The Boy in the Dress Lyric Hammersmith The National Theatre St Helens Theatre Royal Forum Theatre Billingham Jacob McIntosh Jack in Jack and the Two Metre Beanstalk The Stag Theatre Sevenoaks Yonah Higgins Otterspool Adventure Dick Whittington The Pompey Panto The King’s Theatre Portsmouth Marrlene Little Hill The Stage Theatre Royal Stratford East Hackney Empire Nottingham Playhouse Oldham Coliseum Liam Mellor Jamie Alexander Wilson The Marlow Theatre Royal Academy of Music The Oscars Bafta Yara Shahidi Arts Ed Equity Race Equality Committee Hope Mill Theatre Pearson Casting Southwark Playhouse Everybody’s Talking About Jamie DEM Productions Amara Okereke The Barn Theatre Ryan Carter Jaymi Hensley Simon Sladen’s article Pantoland: Let's Talk About Race was published 12th June 2020 https://www.britishtheatreguide.info/features/pantoland-let-s-talk-about-ra-359

We recorded Episode 10 with our guest artist Sarah Blanc a couple of months back, when coronavirus was something we'd barely heard of here in London and before we had any idea of the impact it would have, not only around the world but on the industry we work in. In the last week a lot has changed; most of us in the dance industry have lost our work and everything feels quite uncertain. Still, as this podcast is a place for conversations about our industry and the paths we find through it, we hope you'll still find this conversation with Sarah relevant (and entertaining!) even if in a slightly different light. Enjoy the episode and let's keep talking and moving forward together. Sarah Blanc is a multi-award winning choreographer and performer. She creates solo work and is artistic director of Moxie Brawl, a fresh all female inclusive dance theatre company. Her choreographic work has toured extensively across the world and has been seen on artists and companies such as Complicite, Bryony Kimmings, Little Red Kettle along with commissions for large outreach projects led by Candoco Dance Company, R.A.D. Perth Concert Hall and Kings Cross. She is currently working with Dan Daw and Blink Dance Theatre and is excited to start a new family work based on Punk culture, collaborating with Brigitte Aphrodite and Quiet Boy. She is one third of AnnieVickySarah—a trio of collaborators who are questioning ‘inclusive’ dance practices within creative settings. Catch her on tour this year with her solo show My Feminist Boner.Rachel Elderkin is a freelance dancer and dance writer based in London. Her dance writing can be also be read in the Stage, londondance.com, Exeunt and British Theatre Guide. She is a member of the UK's Critics' Circle, and has previously written for publications including Fjord Review, the Skinny (Scotland) and LeftLion (Nottingham) where she was Art Editor.Credits:Host: Rachel ElderkinGuest: Sarah BlancEditing and production: George BushawayProduced for Fjord Review 

For our 200th episode of the British Theatre Guide podcast, we decided to turn the microphone onto some of our longest serving reviewers to find out about how they joined BTG and some of their highlights from their time as reviewers. However this isn’t all about us, as we also asked them about the current state of theatre in their areas, how it has changed during their time reviewing and how they think it will change in the future. As our reviewers are scattered around the country, it gives an interesting picture of theatre around the UK. There are contributions from BTG Editor and North West Editor David Chadderton, London Editor Philip Fisher, North East Editor and BTG founder Peter Lathan, National News Editor and South East London reviewer Sandra Giorgetti, Midlands Editor Steve Orme, Yorkshire Editor Mark Smith, Sheffield reviewer Velda Harris and Panto Editor and London reviewer Simon Sladen.

Joan Clevillé is an independent choreographer based in the city of Dundee, Scotland, and Artistic Director of Joan Clevillé Dance. Born in Barcelona, Joan combined his dance training at Elise Lummis’ La Companyia with his studies in Humanities at University Pompeu Fabra. Following his interest in choreography, he obtained a masters degree with distinction at London Contemporary Dance School in 2012. He has worked for fourteen years as a dancer, teacher and rehearsal director in companies across Europe, including Scottish Dance Theatre, the Ballet of the Graz Opera (Austria), the company of the Choreographic Centre of Valencia, and Ballet Carmen Roche (Madrid). Joan has also collaborated as a performer with Lost Dog (directed by Ben Duke) and Dog Kennel Hill Project (London). He is currently a member of Collective Endeavours, a Glasgow-based music and dance improvisation collective. Joan also works regularly as a guest teacher for international companies and vocational schools including Skånes Dansteater, Norrdans and the Gothenburg Opera in Sweden, Codarts (Rotterdam University of the Arts), London Contemporary Dance School or Northern School of Contemporary Dance (Leeds). His works as a choreographer have been presented in the UK, Germany, Poland, Austria, Sweden, Italy, Spain and Japan. He has created pieces for choreographic platforms at the Graz Opera and Scottish Dance Theatre, which were toured nationally and internationally. He has also received commissions from Thomas Noone Dance (Barcelona), Café Fuerte (Austria-Switzerland), and Institut del Teatre (Barcelona) amongst others. Since summer 2014, Joan has been Associate Artist of the Scottish School of Contemporary Dance, and was Glasgow Tramway’s 2017 Associate Artist. In April 2019 Joan was appointed Artistic Director of Scottish Dance Theatre.Rachel Elderkin is a freelance dancer and dance writer based in London. Her dance writing can be also be read in the Stage, londondance.com, Exeunt and British Theatre Guide. She is a member of the UK's Critics' Circle, and has previously written for publications including Fjord Review, the Skinny (Scotland) and LeftLion (Nottingham) where she was Art Editor.Credits:Host: Rachel ElderkinGuest: Joan ClevilléEditing and production: George BushawayProduced for Fjord Review  

Under the direction of Tim Casson, Casson & Friends are a UK based Record Breaking Dance Theatre Company, creating unique performances that are accessible, interactive and joyful. The company works with a diverse range of collaborators, from filmmakers and musicians to computer programmers and psychologists, but most often collaborates with the public, inviting them to engage with dance in exciting and accessible ways.With a passion for bringing dance to people in new and unusual contexts, C&F’s work to date has been presented in a range of settings including Shopping Centres, Libraries, Hotels, Pubs, Offices and Football Stadiums. C&F also explore the potential of digital technology to create new ways of enhancing and engaging with dance performance.The company has presented work across the UK and Internationally including at Sadler’s Wells Theatre, Glastonbury Festival, Brighton Digital Festival, bOing International Family Festival, The Lyon Biennale, Downtown Dance Festival in New York, Festival Quartiers Danses in Montreal and Harare International Festival of Arts in Zimbabwe.Tim Casson is currently an Associate Artist (2018-2020) at DanceEast.Casson & Friends have previously been Associate Company at Pavilion Dance South West (2013-2015), Dance Digital (2014-15), and Tim was a Metal Change Maker Artist (2017-18). Casson & Friends were selected to curate their own ‘Wild Card’ evening at Sadler’s Wells in 2015.Rachel Elderkin is a freelance dancer and dance writer based in London. Her dance writing can be also be read in the Stage, londondance.com, Exeunt and British Theatre Guide. She is a member of the UK's Critics' Circle, and has previously written for publications including Fjord Review, the Skinny (Scotland) and LeftLion (Nottingham) where she was Art Editor.Credits:Host: Rachel ElderkinGuest: Tim CassonEditing and production: George BushawayProduced for Fjord Review 

Stuart Winter is a choreographer and director of movement. Building upon his classical foundation, Stuart adds intention and subtext to generate an honest movement language which, with its space for artistic choice, allows the individual to communicate. Stuart is also Artistic Director of Tracing Movement, a dance company exploring and pioneering Total Theatre. Rachel Elderkin is a freelance dancer and dance writer based in London. Her dance writing can be also be read in the Stage, londondance.com, Exeunt and British Theatre Guide. She is a member of the UK's Critics' Circle, and has previously written for publications including Fjord Review, the Skinny (Scotland) and LeftLion (Nottingham) where she was Art Editor. Credits: Host: Rachel Elderkin Guest: Stuart Winter Editing and production: George Bushaway Produced for Fjord Review

Grace Nicol is a choreographer, producer and academic. Grace is the founder and Artistic Director of the performance platform, Womxn SRSLY. Womxn SRSLY champions unique and challenging performance through platforms and support networks for artists experiencing disadvantage due to the performing arts sector’s bias toward cis-male-led work. To develop this practice further, Grace provides mentoring for female artists and university lectures, most recently working with Falmouth University and on the MA programme at ArtEZ. Grace’s choreographic work has been shown at The Place, CentrE17, The Yard, Guest Projects, Hackney Showroom, the V & A Museum and has toured nationally and internationally, winning a Stockholm Fringe Young STOFF Award in 2015. Grace is currently an Associate Artist at Dance Research Studio, member of Chisenhale Dance Space and completed her MA in Contemporary Dance at London Contemporary Dance School in 2018. Rachel Elderkin is a freelance dancer and dance writer based in London. Her dance writing can be also be read in the Stage, londondance.com, Exeunt and British Theatre Guide. She is a member of the UK's Critics' Circle, and has previously written for publications including Fjord Review, the Skinny (Scotland) and LeftLion (Nottingham) where she was Art Editor. Credits: Host: Rachel Elderkin Guest: Grace Nicol Editing and production: George Bushaway Produced for Fjord Review

Jorge Crecis holds a degree in Sport Sciences and studied contemporary dance at the Royal Conservatory of Madrid. After working as a professional dancer for different companies throughout Europe, he became a full-time lecturer at London Contemporary Dance School (The Place) for four years. Currently, Jorge is an award winning choreographer whose work has been performed in the main theatres around the world: from the prestigious New York City Centre (USA), to the avant-garde 798 District in Beijing (China) or Sadlers Wells and the Royal Opera House in London (UK). Following this motto and based upon his synthesis of sport and dance movement patterns, Jorge founded SQx (somoSQuien eXperience) leading workshops internationally and coaching professional companies such as Akram Khan Company, DV8, Punchdrunk, Rambert, etc. And in 2018 he obtained his PhD degree by Goldsmiths University of London. For the last 20 years, Jorge has been working to crack the secret of how to replicate altered states of consciousness using neurosciences, anthropology and phenomenology. The result is a cutting-edge methodology that he shares through workshop and a one of a kind online training that is called: Towards Vivencia. Rachel Elderkin is a freelance dancer and dance writer based in London. Her dance writing can be also be read in the Stage, londondance.com, Exeunt and British Theatre Guide. She is a member of the UK's Critics' Circle, and has previously written for publications including Fjord Review, the Skinny (Scotland) and LeftLion (Nottingham) where she was Art Editor. Credits: Host: Rachel Elderkin Guest: Jorge Crecis Editing and production: George Bushaway Produced for Fjord Review

Joel Brown is an American dancer based in London. He has toured extensively with Brown Rice Productions and AXIS Dance Company from 2011-2014 and is currently engaged with Candoco Dance Company since 2015. He has performed works by and collaborated with choreographers such as Yasmeen Godder, Arlene Phillips, Alexander Whitley, Trisha Brown, Yvonne Rainer, Marc Brew, and others. Joel was nominated for an Isadora Duncan Award for "Outstanding Achievement in Performance" in 2013 and was recently awarded an "Emerging Artist" grant from Unlimited to create a new duet with himself and former Scottish Ballet principal dancer, Eve Mutso. Rachel Elderkin is a freelance dancer and dance writer based in London. Her dance writing can be also be read in the Stage, londondance.com, Exeunt and British Theatre Guide. She is a member of the UK's Critics' Circle, and has previously written for publications including Fjord Review, the Skinny (Scotland) and LeftLion (Nottingham) where she was Art Editor. Credits: Host: Rachel Elderkin Guest: Joel Brown Editing and production: George Bushaway Produced for Fjord Review

Valerie Ebuwa is a freelance dance artist, writer and model based in London. She started her training at Lewisham College before obtaining a BA HONS degree from London Contemporary Dance School. Amongst others she’s recently worked with; Vincent Dance Theatre, Clod Ensemble, Holly Blakey, Eddie Peake, Tom Dale and Rhiannon Faith. As well as her blog, Valerie writes for I am Hip Hop magazine; a printed and online publication championing Hip Hop culture. She is a panel member, host and mentor of Woman SRSLY; a female-led performance platform, which has recently been featured in i-D magazine, Ladybeard Magazine and It's Nice That. Rachel Elderkin is a freelance dancer and dance writer based in London. Her dance writing can be also be read in the Stage, londondance.com, Exeunt and British Theatre Guide. She is a member of the UK's Critics' Circle, and has previously written for publications including the Skinny (Scotland) and LeftLion (Nottingham) where she was Art Editor. Credits: Host: Rachel Elderkin Guest: Valerie Ebuwa Editing and production: George Bushaway Produced for Fjord Review

Daisy West trained at Rambert School of Ballet and Contemporary Dance, where she performed a variety of iconic work, including Mark Baldwin’s “Rite of Spring” at Sadler’s Wells and Sir Robert Cohan’s work “Class” at the Royal Opera House. Upon graduation Daisy was awarded Akram Khan’s AKX scholarship. Daisy currently works as a freelance dancer; most recently performing as a soloist with Peter Schaufuss Balletten, dancing on two Danish tours, as well as in commercial music videos for artists such as Newton Faulkner and Slow Club. Rachel Elderkin is a freelance dancer and dance writer based in London. Her dance writing can be also be read in the Stage, londondance.com, Exeunt and British Theatre Guide. She is a member of the UK's Critics' Circle, and has previously written for publications including the Skinny (Scotland) and LeftLion (Nottingham) where she was Art Editor. Credits: Host: Rachel Elderkin Guest: Daisy West Editing and production: George Bushaway Produced for* Fjord Review*

Donald Hutera has been writing about dance, theatre, live performance and the arts both in the US and the UK since 1977. Publications and websites include the Times of London, Animated, Dance Europe, londondance.com and many others. He also curates both GOlive Dance and Performance and Chelsea Arts Collective aka CAC. Rachel Elderkin is a freelance dancer and dance writer based in London. Her dance writing can be also be read in the Stage, londondance.com, Exeunt and British Theatre Guide. She is a member of the UK's Critics' Circle, and has previously written for publications including the Skinny (Scotland) and LeftLion (Nottingham) where she was Art Editor. Credits: Host: Rachel Elderkin Guest: Donald Hutera Editing and production: George Bushaway Produced for Fjord Review

The 2019 Manchester International Festival will take place at various venues around the city in July. An edited version of the main presentation at the MIF launch on 7 March can be heard in a previous British Theatre Guide podcast episode, but we also spoke directly to some of the artists involved. We asked MIF Artistic Director John McGrath for his highlights of the theatre programme and how Manchester has changed since he was head of the city's Contact Theatre. We also spoke to Leo Warner of 59 Productions about his collaboration with choreographer Sidi Larbi Cherkaoui, writer Lolita Chakrabarti and Rambert Dance on an adaptation of Italo Calvino's novel Invisible Cities. Finally, we asked director Phelim McDermott about Tao of Glass, his collaboration with composer Philip Glass on a new stage performance featuring ten brand new pieces of music composed by Glass. Invisible Cities will be performed at Mayfield beside Piccadilly Station in Manchester from 4 to 14 July. Tao of Glass will be at the Royal Exchange Theatre in Manchester from 11 to 20 July. The Manchester International Festival 2019 will take place at various venues from 4 to 21 July. Photos: John McGrath, MIF Artistic Director and Chief Executive introduces the MIF19 programme. Image credit Tarnish Vision. Leo Warner, Lolita Chakrabarti, Benoit Swan Pouffer—Invisible Cities. Image credit Joel Chester Fildes. Philip Glass and Phelim McDermott. Image credit Rod Morata.

The Studio at The Lowry in Salford supports and presents new work and new companies and artists in various ways. At a showcase on 21 April 2015, 11 artists and companies gave presentations about themselves and their work to potential supporters, sponsors and venue partners, and British Theatre Guide was able to speak to a few of them. The Letter Room is a devising theatre company from Newcastle. Its third show, Five Feet In Front, will première at The Lowry in June 2015. Kill The Beast's second show, He Had Hairy Hands, is currently on tour and due to return to The Lowry in May 2015, and the company is currently working on its third show with the working title of The Crystal Continuum. Lowry Associate Artist Monkeywood Theatre is a Manchester new writing company that has been creating new work since 2003. Its next show, By Far The Greatest Team, will be premièred at The Lowry in September. Laura Lindow is a writer-performer who has been commissioned by The Lowry together with two rural touring schemes to create her next show to tour in 2015-16, titled Then Leap!. For more information on The Lowry, including its Studio programme and artist support schemes, see thelowry.com.