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Send us a textAmazon Vine has stopped showing recommended products to reviewers, leaving sellers without activity. Reviewers often request random items and leave low-star feedback, which may impact listing performance. With limited exposure and inconsistent value, sellers should reassess the role of Vine in their strategy.Sick of low-star Vine reviews and no ROI? Schedule a call to fix your product review strategy now: https://bit.ly/4jMZtxuReady to build your brand beyond Amazon? Book a strategy session and start owning your customer journey: https://bit.ly/4kOz6rr#AmazonVine #AmazonReviewTips #FBASellers #FBAreviews #badreviews Watch these videos on Youtube:Improve Search Rank and Drive Growth: https://www.youtube.com/watch?v=wyeMk5p-oww&list=PLDkvNlz8yl_b9RMGmU9XeqkI9D7QDOAI8&index=2The Easy Way to Find Amazon Keywords That Rank: https://www.youtube.com/watch?v=3kmBZPid_iA&list=PLDkvNlz8yl_b9RMGmU9XeqkI9D7QDOAI8&index=3-----------------------------------------------Stop wasting ad spend, download our PPC guide now: https://bit.ly/4lF0OYXFix your rankings fast, get the SEO toolkit today: https://bit.ly/3JyMDGoBe ready before disaster hits, grab the Amazon Crisis Kit: https://bit.ly/4maWHn0Timestamps:00:00 - Vine program goes silent with no recommended products00:20 - Random products replacing real offers01:00 - Reddit shows how Vine reviewers react01:40 - Why Vine reviews are usually under four stars02:50 - Sellers should pause Vine during this period03:30 - Are Vine reviewers even helping your listings?04:10 - Amazon may be cutting Vine during Prime deals04:50 - Final warning: Vine could be hurting your brand----------------------------------------------Follow us:LinkedIn: https://www.linkedin.com/company/28605816/Instagram: https://www.instagram.com/stevenpopemag/Pinterest: https://www.pinterest.com/myamazonguys/Twitter: https://twitter.com/myamazonguySubscribe to the My Amazon Guy podcast: https://podcast.myamazonguy.comApple Podcast: https://podcasts.apple.com/us/podcast/my-amazon-guy/id1501974229Spotify: https://open.spotify.com/show/4A5ASHGGfr6s4wWNQIqyVwSupport the show

Episode Summary: When we think of Christmas, we picture the manger scene, shepherds in the fields, angels singing, and a star guiding the way. But what if we’ve been missing one of the most important parts of the story all along? In her new book, The Spirit of Christmas, award-winning author Cynthia Ruchti invites us to rediscover the Holy Spirit’s presence woven throughout the Christmas narrative—from Genesis in the Garden of Eden to the cry of a baby in Bethlehem. This conversation will open your eyes to the power, presence, and promise of the Spirit of God in ways that may forever change how you experience Christmas. Quotables from the episode: Christmas often stirs our hearts with nostalgia—decorations, carols, and retelling the story of Mary, Joseph, and the baby Jesus. Yet, as beautiful as those traditions are, there’s more to the Christmas story than we typically notice. Before the babe was conceived, the Holy Spirit was already at work, setting the stage and preparing the hearts of the biblical characters we know and love. This season, let Him set the stage and prepare your heart too. In her book, The Spirit of Christmas, Cynthia Ruchti helps us uncover the often-overlooked role of the Holy Spirit in God’s plan of redemption, reminding us that the Spirit has been present from the beginning—guiding, comforting, and empowering. If you’ve ever longed to experience Christmas with fresh wonder and deeper meaning, this conversation will encourage you to see the season through new eyes. I have found it fascinating that over the course of my life and maybe others have been in the same boat, we might grow up understanding Jesus quite well, or, and we hear Jesus loves me from when we're newborns and aren't even aware, perhaps, of that. And then I personally had gone through some seasons of my life where I thought, "I think I understand Jesus pretty well. I'm getting a good handle on who is this Jesus. I'm not sure I'm as familiar with God the Father as I need to be." So, I had a season of my life that was in my early 20s where I dove in and thought, "I need to know you better, God, my Father," and took an approach as I looked at the Word and noticed that throughout the Old Testament, God described himself as a God of love, which I thought was a New Testament idea. I understood who he was as the majestic Creator, and I think probably it kept him a little distant from me because I saw just that. Then a relative of mine had a heart transplant and I took a fresh Bible, and I circled everywhere in the Bible where the word love or heart appeared because I wanted this person who wasn't close to the Lord at the time to know and understand that God has been talking about the subject of love for a very long time. He's all over the Bible, so page after page was filled with the circled or the little heart drawn around the word love or the word heart. Then there came a season in my life where I thought, "I think I better understand now. We will never fully understand, but I think I better understand. God the Father, God the Son. Do I really understand the Holy Spirit? I know he is. I believe what the Bible tells me about the Holy Spirit, but do I really understand his role or how the different roles of the Trinity make a complete God for us? So, I investigated that, and I watched for his presence, but not as deeply as I did after I was challenged to look for the Holy Spirit's presence in the Christmas story. There was an editor who challenged me with that at a writer's conference. I found it fascinating. I thought that would be a very interesting study. We assume, I think, in the back of our minds that maybe the Holy Spirit is that presence that comes upon Mary in that moment when she conceives Jesus, the baby Jesus, as an infant just minutes old. And then we're not sure where else he might actually show up in the Christmas story. So that was a challenge to me, and I thought it sounded fascinating, but I didn't take the invitation from that editor seriously until a couple of weeks later, when she wrote to me and said, "I want you to write that book." So, then I got very serious and started the deep dive research of where is he? And in some ways, it was kind of a where's Waldo of the Holy Spirit in the Christmas story. That's what began this adventure. And for me, it really did alter my view of how I approach Christmas now for many reasons. And that was one of the reasons that I wanted us to have this conversation because I don't think we're alone in that tendency to not really acknowledge the Holy Spirit as much as we acknowledge Jesus or God the Father. I grew up in a denomination that the only time the Holy Spirit got mentioned was when it was God the Father, God the Son, and God the Holy Spirit, period. So, I like that You took that editor up on the challenge to look for the Holy Spirit throughout the Christmas story. I wondered how far back I would have to trace to find the first evidence of the Holy Spirit and Christmas being linked together. And I realized it was in verse one. It was when the Spirit was hovering over the waters of a world that had yet to be created that was going to need a Redeemer. As we know, God has no beginning and no end, eternity past, eternity present farther than man can imagine. I realized that this in the formation with at creation, God the Father, God the Son, God the Holy Spirit, at creation forming a world that they knew was going to need a Redeemer and that that Redeemer was going to be thousands of years away from that moment. I saw the person of the Holy Spirit caring about what was going to happen all those centuries later, even in the creation process. How does that first crime connect to Christmas? There would have been no reason for Jesus to come as a human being if there were any way that we as humans could have behaved ourselves without him. And it wasn't very long into that early beginning creation story before that was so evident that without Christ present, without the Holy spirit present within us. We were never going to be able to satisfy what needed to be satisfied and keep us in a place where we could walk daily, in essence, walking by the Spirit like it talks about in the New Testament. When I began to put the pieces together of this incredible depth of story, this depth of even the communion of the Father and the Son and the Spirit, we saw the Holy Spirit in the Old Testament present in brief moments leading up to when Jesus would be born and then later on as we take that story even farther to his death and his resurrection and his intentional promise, “Hang in there people it's not only okay that I go back to heaven it's better for you that I do because then the Holy Spirit can come, reside inside you, and help you operate out of a place of knowing exactly my heart, knowing what God my Father,” Jesus said, “wants of you, and what will help you to live a life that will allow you to pillow your head every night in peace, no matter what's going on in the rest of your life.” The other thing that I really appreciate about Jesus knowing our every need is when he reminds us that he's got to send the Holy Spirit to remind us of all truth. As a neuropsychologist, that's one of the areas that I love to focus on the most because I have a short memory, and I need those reminders. I love how the spirit of Christmas is our reminder of the gift of the spirit. I didn't grow up in a denomination that had an actual practice of Advent, of intentional preparation for Christmas season. I knew the word, Advent. I knew it was a good word. I knew it was a healthy word and lovely, but we just didn't have that particular practice. We oftentimes, even with Lent, that was another, it seemed like it was for a denomination that was more liturgical, let's say, in thought. But I think more and more these days, we're realizing that every heart needs to be prepared. Every heart needs to “prepare him room” as the one Christmas carol says. It’s actually for any day, but when we think about Christmas in particular, it is so easy to get caught up in all the to -dos and all the menus and all the party planning and all the some-things we're very happy to participate in, some things that just seem like one more chore. And it's kind of this wild cacophony of noise and tension, and there may be relationships that are especially challenged at Christmastime, there may be work -related things that are especially difficult at Christmastime. That is not at all what this is supposed to be about. But we early church members apparently understood that we need time to get our hearts ready for this such, such a holy, holy season. And the Holy Spirit is part of that. As we take a look at what was the Holy Spirit's role in the original story that began way back at creation, but was threaded throughout Scripture as He was present in speaking to Isaiah about a virgin shall conceive way back then. And it didn't say shall conceive in the next day or two. Again, thousands of years from that prophecy, but the Holy Spirit was inspiring that prophet Isaiah to speak of that. And as we look at it in the time period in which those words were spoken, there was chaos. There was political chaos. There was trouble on every hand. There was the son of a king who was now the king, and he was being a lousy king. And this interesting thing: I think he wanted to do the right thing. King Ahaz, I think, wanted to do the right thing. He heard from God, but he didn't trust that what he heard from God was enough. He needed to find other voices that he would listen to. He was getting influenced by all kinds of other people. And Isaiah was trying to bring him back to, "No, there is one God, and you can trust him." And as the Spirit was inspiring Isaiah to speak the words, he was saying to King Ahaz, "Ask God, ask him for a sign, and he'll tell you.” Ahaz didn't have that kind of relationship with God. So, he said, "Oh, I don't want to test God in any way." And through the Holy Spirit's words, through Isaiah, we hear, and if we set it in modern language, we might say, "I'll give you a sign. A virgin is going to conceive and bear a son." And then, and we know some of the rest of that wording. How interesting that in a chaotic world, with a king who wasn't paying attention to the right voices, not unlike the worlds we might be operating in: maybe our boss isn't listening to the right voice, but we have to respond to the boss. Maybe our family members are all chaotic and confused and worrying about where are we going to set Uncle Ralph this Christmas, because he's going to torture these family members even with just teasing. That's the very world that a savior was promised to that world, promised by the Holy Spirit. And it's the same with us now. When I started to study, what was the Holy Spirit's role? He often came to those in the biblical story, some of it in the New Testament now, he came to those who were fearful. They were in danger for their lives. And the Holy Spirit would come on the scene and bring peace or hope or comfort. He would bring guidance where there wasn't any guidance. He accompanied Mary on her journey to visit Elizabeth. Nobody else did. We're not told anybody else was there on that journey, which was a long journey for Mary, except the Holy Spirit, who had to have been whispering comfort and strength, and “you will get through this. I'm here for you. I am with you. I am always with you.” And then Mary and Elizabeth met one another and the baby in Elizabeth's womb knew the Savior was being carried by this woman who couldn't even feel kicks in her own body yet. It was too new, too soon. So, as I look at whether it's darkness or depression or anxiety or legitimate fear or relationship troubles, those scenes were the scenes where the Holy Spirit showed up in the Bible. Those are the scenes I need him to show up in my Christmas. He is there. I just may not have observed that he was there, is there, and was there in the original Christmas story too. The Spirit of Christmas reminds us and brings us back to that recognition that he always was there, and he is there today. To us, waiting often seems purposeless and painful, yet the cry of “how long?” appears throughout scripture. I think one of the things that is toughest about any waiting time is believing you are alone in the waiting. I think honestly, whether it's waiting for a diagnosis or it's waiting for the medicine to kick in, or it's waiting for family members to reconcile, or it's waiting for the job that we believe is out there somewhere that we haven't found yet, whatever the situation is, I believe that what intensifies that waiting experience and makes it full of tension in the natural is the belief that we're alone. Even if we have a loving spouse to share with or we have other family members or a good friend we can converse with, deep down in our soul, it's that misunderstanding that makes us believe that we are alone. And the Holy Spirit is saying, "Untrue. This is untrue. I am here in the waiting, and that's what will make everything change." Mary had a long wait after that moment when the angel said, "You will bear a Savior." She had waiting even from those early days of raising this little baby. Before Jesus' ultimate ministry began, there was another waiting time where she was by his side before the ultimate reason he came to earth was fulfilled. Mary got to witness much of that, even being at the foot of the cross as she watched that ultimate moment then that we relate to Easter but it's so much part of the Christmas story too. As we discover where the Holy Spirit is present, we mimic what he did or what he said. If we see him as comforter, who can we be a comforter for? If we see him as a provider, who can we be a provider for? One of the tips that was given in the book as an idea was, do you really need your Christmas meal more than you need to give your Christmas meal to a family that has none? Can I have turkey any time of the year? Absolutely I can. Would it be a better move for our family to take our meal and give it to someone who has none? I would be acting like the Holy Spirit did and like the heart of Jesus is to forego a need that I think is a need of my own to meet somebody else's need. I make a parallel of the idea of if I'm looking for the Holy Spirit, what I'm looking for is the kind of fruit that he provides: love, joy, peace, patience, kindness, goodness, faithfulness, gentleness, self -control. So, if I'm going to give good gifts like the Holy Spirit gives, how can I be peace for someone who needs it? How can I be a presence? How can I be evidence of faithfulness? That might be in a visit to someone who is ignored or overlooked during the holiday. We think of those things as philanthropic sometimes or we think of them as just plain old kindness but on the other hand if we see it as the kind of thing the Holy Spirit does, then we realize this is far holier of an act than just a kind deed. When we look at it from that approach and we take that approach we're fueled to be able to and do it more and more and enjoy the process and not see it as an obligation. It has always bothered me the idea of anyone spending Christmas alone. When we discuss the idea of the Holy Spirit is always present, what a better way to show that presence and that love that Jesus came to offer us by reaching out to those who might be alone, who are wondering “where is God today? Does he even see me?” Those are the people who are the most grateful for the smallest of acts because they feel seen. And isn't that what we all want? It's such a gift to know that we are seen by the Holy Spirit. The day after Christmas we're often sitting in a pile of opened packages and empty boxes and toys that the batteries have run out already, and maybe disappointments for how we hoped it would go that it didn't. There are people who are taking ornaments out of the box and it might be baby's first Christmas. We may remember that special day and the ornament brings us pain because hanging it on the tree may be a reminder that that child is no longer here or is estranged from us. Someone will have a Christmas like that. We intentionally set up the devotional to be a short read, one a day, so that for day after day after day of December, including the day after Christmas, there's a reminder of places you might not have thought to look, until I wrote the book. And then we also include a list of helpful hints. We include a downloadable that has to do with how many of these different roles did the Holy Spirit play in this actual event? Part of the advice and the very practical advice is maybe do what I did and make it an actual adventure. Take time to intentionally watch for his presence or be his presence. Let his presence in you shine somehow throughout the holiday season. It can't help but change what your Christmas looks like. One of the outcomes of my own journey to take a better, stronger look at what is this all about is that it really helps us to understand where the meaning of Christmas is and where the meaning isn't. The meaning of Christmas isn't how many parties can I get on my calendar. The meaning is likely more in what can I remove and not lose anything but instead gain. I might gain time that I needed. I might gain a more peaceful attitude toward this season. I might see that some of the things I have worked so hard to do or thought they were so important to make Christmas perfect, aren’t that important. How can we make Christmas any more perfect? Something that God did, that God was all over and did. What we often call essential to Christmas, whether it's that meal or the certain decorations or the tradition that we had of cutting down our own tree or the special hot cocoa that grandma makes; If any of those things are removed from our traditions, is Christmas still going to happen? Absolutely. What's our heart going to be like if we miss the cocoa? Not much difference. What if we miss the Holy Spirit in Christmas? That will make a huge difference - For sure. The idea that the Trinity loved what they created together despite humanity's fall is so powerful. We are the ones He came to save. The Bible would call us Gentiles; we were not born into the original children of Israel. We all can trace our lineage way back to the beginning, but we weren't considered the original children of Israel to which much of the Bible was written. But we are the ones he came to save. There's a verse in Galatians that I don't have memorized yet, but I want to, where it talks about God sent the Son so that we could have the Holy Spirit. When I stumbled on that verse, I thought, He sent Jesus to save us, yes. Jesus had to come as a human, had to leave everything he knew that was so perfect and come into this imperfect world and tolerate us. So, I'm now just fascinated by that idea that God the Father sent the Son to save the world so that we could have the Holy Spirit. That makes the complete picture. And that makes the waiting easier. It makes the feelings of defeat easier. And it makes those times of joy richer. The Holy Spirit, like God the Father and Jesus the Son, is always true to Himself. But that truth shows up in his behavior, we might say, throughout the Christmas story. And it will always be related to something that is so completely positive, but also so completely meeting the needs of the human heart, which is the need for his presence, the need for his comfort, the need for his peace. Scripture References: Luke 1:49 “For the Mighty One has done great things for me—holy is His name.” Recommended Resources: The Spirit of Christmas: Discovering His Presence Throughout the Advent Season by Cynthia Ruchti Sacred Scars: Resting in God’s Promise That Your Past Is Not Wasted by Dr. Michelle Bengtson The Hem of His Garment: Reaching Out To God When Pain Overwhelms by Dr. Michelle Bengtson, winner AWSA 2024 Golden Scroll Christian Living Book of the Year and the 2024 Christian Literary Awards Reader’s Choice Award in the Christian Living and Non-Fiction categories YouVersion 5-Day Devotional Reaching Out To God When Pain Overwhelms Today is Going to be a Good Day: 90 Promises from God to Start Your Day Off Right by Dr. Michelle Bengtson, AWSA Member of the Year, winner of the AWSA 2023 Inspirational Gift Book of the Year Award, the 2024 Christian Literary Awards Reader’s Choice Award in the Devotional category, the 2023 Christian Literary Awards Reader’s Choice Award in four categories, and the Christian Literary Awards Henri Award for Devotionals YouVersion Devotional, Today is Going to be a Good Day version 1 YouVersion Devotional, Today is Going to be a Good Day version 2 Revive & Thrive Women’s Online Conference Revive & Thrive Summit 2 Trusting God through Cancer Summit 1 Trusting God through Cancer Summit 2 Breaking Anxiety’s Grip: How to Reclaim the Peace God Promises by Dr. Michelle Bengtson, winner of the AWSA 2020 Best Christian Living Book First Place, the first place winner for the Best Christian Living Book, the 2020 Carolina Christian Writer’s Conference Contest winner for nonfiction, and winner of the 2021 Christian Literary Award’s Reader’s Choice Award in all four categories for which it was nominated (Non-Fiction Victorious Living, Christian Living Day By Day, Inspirational Breaking Free and Testimonial Justified by Grace categories.) YouVersion Bible Reading Plan for Breaking Anxiety’s Grip Breaking Anxiety’s Grip Free Study Guide Free PDF Resource: How to Fight Fearful/Anxious Thoughts and Win Hope Prevails: Insights from a Doctor’s Personal Journey Through Depression by Dr. Michelle Bengtson, winner of the Christian Literary Award Henri and Reader’s Choice Award Hope Prevails Bible Study by Dr. Michelle Bengtson, winner of the Christian Literary Award Reader’s Choice Award Free Webinar: Help for When You’re Feeling Blue Social Media Links for Host and Guest: Connect with Cynthia Ruchti: Website / Facebook / Instagram / X / LinkedIn For more hope, stay connected with Dr. Bengtson at: Order Book Sacred Scars / Order Book The Hem of His Garment / Order Book Today is Going to be a Good Day / Order Book Breaking Anxiety’s Grip / Order Book Hope Prevails / Website / Blog / Facebook / Twitter (@DrMBengtson) / LinkedIn / Instagram / Pinterest / YouTube / Podcast on Apple Guest: Cynthia Ruchti is an acclaimed writer and speaker. A former radio producer, she is a popular media guest and has been featured on numerous TV, radio, and online outlets. Her written work has received recognition with Publishers Weekly starred reviews, Christian Retailing's BEST Awards, Readers' Choice Awards, Reviewers' Choice Awards, The Carol Award, two Christy finalists, and more. Her tagline is, "I can't unravel. I'm hemmed in Hope." Hosted By: Dr. Michelle Bengtson Audio Technical Support: Bryce Bengtson Discover more Christian podcasts at lifeaudio.com and inquire about advertising opportunities at lifeaudio.com/contact-us.

Swanner and Judd talk about: Big Brother; Project Runway; British Baking Show; Alien Earth; High Potential; Only Murders; Peacemaker; and that’s it. Left Click To Listen, Right Click Here To Download

Send us a textTIME TO TURN SOME FOCUS ON THE MUSINGS OF THE SIDE LINE JUDGES.  SLICING TENOR CLAY HILLEY INSPIRES MY RAGE.  

Actress, writer, and comedian Janelle James feels excited about being Conan O'Brien's friend. Janelle sits down with Conan to discuss her breakout role as Ava Coleman on Abbott Elementary, falling in with a crowd of all-star comics, and her family's unexpected reaction to her TV stardom. Plus, Conan, Matt, and Sona offer wise words to a distracted student as they Review the Reviewers. For Conan videos, tour dates and more visit TeamCoco.com.Got a question for Conan? Call our voicemail: (669) 587-2847. Get access to all the podcasts you love, music channels and radio shows with the SiriusXM App! Get 3 months free using this show link: https://siriusxm.com/conan. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Swanner and Judd talk about: Big Brother; Survivor; Project Runway; British Baking Show; Weakest Link; Task; Emmy's; High Potential; I Don't Understand You; Gen V; Girls Will Be Girls 2012; and (barely) more. Left Click To Listen, Right Click Here To Download

Swanner and Judd talk about: Big Brother; Project Runway; Twisted Metal; Great Food Truck Race; Alien Earth; Death of a Unicorn; Thunderbolts; Killer Nun; Prison; and more! Left Click To Listen, Right Click Here To Download

Feeling extra methodical lately? Us too. For the community question, we discuss the tools that keep us working hard and hardly working. Whether it's Note-Taking-Apps, mediations, or some unexpected ones that have helped us build our projects. Then, we turn to the main topic: what reviewers often miss when it comes to board games. How do these things really affect people? How can we be intentional in navigating the expectations of consumers? Everything from graphic design elements to presentation, we pontificate it all. You can listen to now on your preferred platform below!

This week marks the second session of "Rockabilly 2 Rachmaninoff," a captivating new series of "In the Flamingo Lounge" dropping every two months on the second Saturday. Each episode promises unique insights, featuring a special guest from the Buffalo Philharmonic Orchestra. Joining us on the second episode of the “Rockabilly 2 Rachmaninoff” series, is Classical crossover tenor Jay Dref. Jay inspires audiences with his passionate, transcendent voice. His uplifting, timeless interpretations of classic standards and modern material has quickly made him one of the premier vocalists of his generation. Reviewers have called him “Groban-like” and his music has become very popular on classical crossover and adult contemporary playlists on Spotify where he has over 100,000 listeners in 157 different countries.  A Buffalo native, Jay is a graduate of The Juilliard School. He has toured internationally and performed at venues such as New York's Lincoln Center, Los Angeles' Dolby Theatre, and the Ryman Auditorium in Nashville. Jay also has appeared in concert with the Buffalo Philharmonic Orchestra, the Niagara Symphony Orchestra and the Hilton Head Symphony Orchestra.  Most recently, Jay has collaborated with world-renowned soprano Sarah Brightman on several concert tours spanning four continents. He will continue to tour with Ms. Brightman throughout this year.

Send us a textAmazon Vine gives early reviews, but most items in the program are low-value, niche, or not appealing. Reviewers are taxed on items and split into Silver and Gold tiers, with quality products disappearing fast. If your Vine units aren't claimed in 24 hours, the product might be too niche or low quality. While 2025 updates allow pre-launch reviews and reseller access, the risks still outweigh the rewards for most sellers.#AmazonVine #AmazonReviews #FBAlaunch #AmazonSellingTips #productlaunch Get a strategy call to review if your product is even right for Amazon Vine before it's too late: https://bit.ly/4jMZtxuWatch these videos on YouTube: From 0 to 100k a Month - Jeffrey I Valen Testimonial of My Amazon Guy: https://www.youtube.com/watch?v=2gNhMGzr6ZI&list=PLDkvNlz8yl_ZKCwqsFEaR0fm37L6yabg4&index=2$87 Spend $1000 Monthly Revenue with PPC Hack, Coaching Testimonial of My Amazon Guy: https://www.youtube.com/watch?v=atTQQqV9TeE&list=PLDkvNlz8yl_ZKCwqsFEaR0fm37L6yabg4&index=1-----------------------------------------------Tired of marketplace limits? Download our DTC Growth Stack: https://bit.ly/4p7TyqjStop wasting ad spend. Grab the PPC guide that actually drives results: https://bit.ly/4lF0OYXRank higher and sell faster, get the SEO tools built for real growth: https://bit.ly/3JyMDGoBe ready before problems hit, download the kit every brand should have: https://bit.ly/4maWHn0Timestamps00:00 - Inside the Amazon Vine Program00:26 - What Vine Reviewers See in Their Dashboard01:35 - Tax Rules for Amazon Vine Reviewers02:27 - Why Vine Reviews Often Have Lower Ratings03:10 - Risks of Using Vine for Supplements and Complex Products03:56 - Real Examples of Vine Review Feedback04:50 - When Vine Reviews Hurt Your Image Quality05:56 - Who's Using Vine Most (And Why)06:27 - The Two Types of Vine Reviewers: Gold vs. Silver06:55 - Collecting Reviews Before Product Launch07:35 - 50% Off Launch Strategy vs. Using Vine08:34 - New Rules for Authorized Resellers in Vine09:16 - Vine Review Fees Explained10:00 - Why the Vine Program Isn't Free Anymore10:57 - Vine Review Limits and New Parentage Rules11:19 - Focus on Click-Through Rate Instead of Reviews----------------------------------------------Follow us:LinkedIn: https://www.linkedin.com/company/28605816/Instagram: https://www.instagram.com/stevenpopemag/Pinterest: https://www.pinterest.com/myamazonguys/Twitter: https://twitter.com/myamazonguySubscribe to the My Amazon Guy podcast: https://podcast.myamazonguy.comApple Podcast: https://podcasts.apple.com/us/podcast/my-amazon-guy/id1501974229Spotify: https://open.spotify.com/show/4A5ASHGGfr6s4wWNQIqyVwSupport the show

Swanner and Judd talk about: Big Brother; Project Runway; Twisted Metal; Great Food Truck Race; Alien Earth; Death of a Unicorn; Thunderbolts; Killer Nun; Prison; and more! Left Click To Listen, Right Click Here To Download

Swanner and Judd talk about: Big Brother; Project Runway; Twisted Metal; Great Food Truck Race; Alien Earth; Death of a Unicorn; Thunderbolts; Killer Nun; Prison; and more! Left Click To Listen, Right Click Here To Download

Hey angels,  Jas gives us a review of some of the trending food joints, and we discuss if food reviews on TikTok are overhyped. We also did a deep dive on Love Island USA

Swanner and Judd talk about: Are You My First?; Big Brother; Project Runway; Twisted Metal; Eye of the Storm; The Great Food Truck Race; Alien Earth; Weapons; and more! Left Click To Listen, Right Click Here To Download

fWotD Episode 3033: Satsu (Buffy the Vampire Slayer) Welcome to featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Sunday, 24 August 2025, is Satsu (Buffy the Vampire Slayer).Satsu is a fictional character in the Buffy the Vampire Slayer comics published by Dark Horse Comics. She first appears in Buffy the Vampire Slayer Season Eight #1 (2007), a canonical continuation of the television series of the same name. The television series follows Buffy Summers, a Slayer destined to fight supernatural foes, and ends with her sharing this power with others. After being activated as a Slayer, Satsu is trained by Buffy, becoming her strongest fighter, and falls in love with her. They have sex together twice before Satsu becomes the leader of a squad of Slayers in Tokyo. In her later storylines, Satsu: struggles to move on from Buffy, fights demonically-possessed stuffed animals, and briefly reappears in Buffy the Vampire Slayer Season Ten.Satsu was developed by Buffy's creator Joss Whedon and artist Georges Jeanty; Jeanty was the primary artist for Satsu and took inspiration for her appearance from Japanese street fashion. Whedon considered Satsu's sexual relationship with Buffy a natural progression of their storylines and a way to further explore both characters. In response to criticism, editor Scott Allie and writer Drew Goddard denied that it was a publicity stunt or a political statement. Acknowledging past criticism of his treatment of LGBT characters, Whedon confirmed that Satsu would continue to appear after the end of her relationship with Buffy.Satsu's relationship with Buffy received mixed reactions from fans, some of which Dark Horse Comics published in the letter columns of several issues. Reviewers discussed Season Eight's treatment of its lesbian characters, with some praising Satsu's storyline. Critics, fans, and industry insiders had a more mixed response to Satsu's sexual relationship with Buffy; some reviewers found it a positive representation of sexuality, while others deemed it gratuitous. Several scholarly articles focused on this aspect of the character. Academics have analyzed the unequal power dynamic between Satsu and Buffy and have compared the representations of their sexuality. To a lesser extent, scholars have also discussed the depiction of Satsu's race and ethnicity.This recording reflects the Wikipedia text as of 01:24 UTC on Sunday, 24 August 2025.For the full current version of the article, see Satsu (Buffy the Vampire Slayer) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Olivia.

Greetings!You're likely in the thick of it with back-to-school activities. But back-to-school isn't just about packing lunches and adjusting to new schedules. It's also a time when kids begin to hear harmful messages about food and bodies. In this episode of Sunny Side Up Nutrition Podcast, we're joined by Denise Hamburger, JD, founder and executive director of BE REAL USA, and Selena Salfen, MPH, RD, a public health dietitian working to shift systems toward size-inclusive, weight-neutral models of care. Together, they share insights on BE REAL's Let's Eat curriculum, a nutrition program for middle and high school students that focuses on tuned-in eating teaching students to consider their body cues, nutritional needs, food preferences, and past eating experiences. The lessons are designed to be inclusive across cultures, neurodiverse learners, and varying economic backgrounds.Click here to visit BE REAL USA, Let's EatKey Takeaways * Let's Eat is a new curriculum aimed at teaching nutrition without the influence of diet culture.* The curriculum is free and accessible to all students and educators. * Let's Eat encourages students to trust their bodies and make informed food choices.* The curriculum includes cultural sensitivity and celebrates diverse food practices.* A panel of 42 experts contributed to the development of Let's Eat.* Educators can access Let's Eat through professional development training.* BE REAL USA has ambassadors who are trained to deliver th.e curriculum* Denise and Selena chat about their favorite foods.Links to Resources Mentioned:* BE REAL's Let's Eat Middle and High School Nutrition Curriculum* BE REAL's Body Kind High School Body Image Curriculum* BE REAL's Ambassador Program* BE REAL's Body Kind Peer-Led College Body Confidence Seminar* National Alliance for Eating Disorders* Lutz, Alexander & Associates Nutrition Therapy* Pinney Davenport Nutrition, PLLCMore about Denise and SelenaDenise Hamburger, JDDenise Hamburger, JD, is the founder and executive director of BE REAL USA, a nonprofit that imagines a world where every child can grow up with a healthy relationship to food and their body. In 2016, Denise created a professional development workshop for teachers called Body Confident Schools and has delivered this training to over 10,000 educators around the world. With over 250 conference, keynote, and school presentations, Denise has presented at the Harvard T.H. Chan School of Public Health to the National Association of School Psychologists; at the Center for Disease Control to their Healthy Schools Division; at the United States Department of Agriculture to their Food and Nutrition Services Group; and to Amazon's Body Positive Peers Employee Resource Group.Denise co-developed Be Real's BodyKind high school, body image curriculum with a team of international body image academics, psychologists and teachers. BodyKind is the first body image curriculum developed for all students. It includes the body image experiences of people of different races, ethnicities, sexualities, gender identities, physical and mental abilities, and body sizes. BodyKind was tested in an 1150-student Randomized Control Trial in Ireland in 2024, and the program has proven to increase to student Body Appreciation, Self-Compassion and Body Appreciation. These aspects are associated with better self-esteem and better mental health.In 2025, Denise--with Ramsey County, MN Public Health--co-developed and launched a weight-neutral nutrition curriculum called Be Real's Let's Eat for middle school and high school students. Let's Eat focuses on Tuned-in Eating, which teaches students to integrate their own body cues, day's nutritional needs, food preferences and eating experiences into their eating patterns. Let's Eat lessons are relevant across cultures, neurodiversity, and economic status.Denise has a Juris Doctor degree from the University of Michigan Law School and was an environmental attorney in her first career. She co-wrote the legal treatise Pollution in the United Kingdom. Denise is an Anti-Bias, Antiracist Certified curriculum writer. She has spent the last 25 years involved in education nonprofits, including Chicago's After School Matters.Instagram: @berealusaWebsite: www.berealusa.orgSelena Salfen, MPH, RDSelena Salfen, MPH, RD (she/her) works on chronic disease prevention in local public health, focusing on sustainable policy, systems and environmental change. Much of her work involves transitioning public health and healthcare systems from weight-focused to size inclusive, weight neutral models of practice. She also presents to educators and school-based health clinics on why weight neutral, eating disorder-aware education is vital to improving and protecting student health.TranscriptElizabeth: Welcome to Sunny Side Up Nutrition, a podcast created by three moms striving to bring you evidence-based information to help support you and the children in your life.Your hosts are Anna Lutz and me, Elizabeth Davenport, both registered dietitians, and Anna McKay, a dietitian-to-be and certified personal trainer.Anna Lutz co-owns Lutz Alexander and Associates Nutrition Therapy in Raleigh, North Carolina, and I co-own Pinney Davenport Nutrition in the D.C. metro area. And Anna McKay is in the process of completing her dietetic internship.Just a note that this podcast is for informational and educational purposes only. Thanks for being here.In this episode, we're joined by two of the co-creators of the Be Real Let's Eat curriculum: Denise Hamburger and Selena Salfen.Elizabeth: Denise Hamburger, JD, is the founder and executive director of Be Real USA, a nonprofit that imagines a world where every child can grow up with a healthy relationship to food and their body.In 2025, Denise—with Ramsey County, Minnesota Public Health—co-developed and launched a weight-neutral curriculum called Be Real's Let's Eat for middle school and high school students.Elizabeth: Selena Salfen, MPH, RD (she/her), is a registered dietitian in public health. Much of her work involves transitioning public health and healthcare systems from weight-focused to size-inclusive, weight-neutral models of practice.Denise and Selena are two of the many experts who came together to create the curriculum. It focuses on Tuned-in Eating, which teaches students to integrate their own body cues, nutritional needs, food preferences, and eating experiences into their eating patterns. Lessons are relevant across cultures, neurodiversity, and economic status.Anna: Denise and Selena, we are so happy you're here. Welcome.Multiple speakers: Great to be here. Thank you, thank you.Anna: Let's jump in. To start us off, can you each tell us a bit about yourself and the work you do?Denise: Thank you. I guess I'll start. I'm Denise Hamburger. I'm the founder and executive director of Be Real USA, a nonprofit that focuses on providing the highest quality resources on body image and eating disorder prevention for schools.I've been talking to educators and parents for almost ten years now about how to create body-confident environments in schools and in homes. We have a presentation I've been giving for ten years called Body Confident Schools, which helps the adults in young people's lives develop language and understanding that supports raising kids with body confidence.This language and understanding is very different from what we get in diet culture. In the last five years, Be Real added a new piece to its mission: curriculum development. Teachers had been asking us for better resources on body image and nutrition, and we felt compelled to develop them ourselves.Our high school body image curriculum, BodyKind, was developed by a team of academics and tested in schools. We've tested it three times, and we've had four published papers on its feasibility, accessibility, and effectiveness.We're starting that same kind of testing now with our new curriculum, Let's Eat. We also have 150 ambassadors across the country who present our workshops and share our curriculum.Anna: Wow. We certainly need new curricula, so we're so glad you're doing this work and that you're in this space.Elizabeth: I want to hear more about the ambassadors, but we'll leave that for later.Selena: I'm Selena Salfen. I'm a registered dietitian, but I work in public health, so I don't see clients one-on-one. I focus more on macro-level policy, systems, and environmental change.I work on a chronic disease prevention grant, where we support schools in areas like food access, nutrition, and mental health. That's how I ended up working on Let's Eat.I'm also very committed to bringing size-inclusive, weight-neutral work into public health and undoing some of the harm done since the 1990s, when public health began to hyper-focus on weight, weight control, and BMI.I've done a lot of work with WIC, integrating weight-inclusive practices, and expanded that work into other community-based health programs.I'm also a parent to a child with sensory needs around food, which shapes my perspective. And I'm a Be Real ambassador—that's how Denise and I met.Anna: That's wonderful. I really appreciate the work you're doing. I imagine it sometimes feels like swimming upstream in public health.Selena: You know what? It's been better than I expected—and actually really exciting.Elizabeth: That's great to hear.Anna: We're recording this episode just as school is starting across the country, and we're excited to talk about this new curriculum. Denise, can you tell us more about Let's Eat and what inspired you to create it?Denise: Sure. I mentioned earlier that I've been speaking with teachers for the last ten years. They'd often ask me what curriculum they should be using—specifically one that doesn't harm students' body image.We know from research that what's typically being taught reflects diet culture and can be harmful. For example, a few studies have asked eating disorder patients what triggered their eating disorder, and 14% in both studies mentioned their “healthy eating curriculum” in school.So at Be Real, we decided to develop a curriculum that focuses on body cues and interoceptive awareness—helping students learn to eat based on what their bodies are telling them.Selena was reviewing our BodyKind curriculum when we started talking, and she mentioned she was looking for a weight-neutral curriculum for Minneapolis. A lightbulb went off, and we decided to create one together.It's been an amazing collaboration. I come from one angle, Selena comes from another, and we always land in the same place. I focus on making sure lessons are engaging and accessible, while Selena makes sure they reflect the needs of neurodiverse kids, immigrant kids, and food-insecure kids.The result is a free, two-day curriculum for both middle and high school students. It aligns with the HECAT standards, comes in a 42-page toolkit with lesson plans, slides, and worksheets, and includes required professional development for teachers so they can shift away from diet culture before teaching it.We were able to create this thanks to funders like the National Alliance for Eating Disorders, Ramsey County Public Health, and the Minnesota Department of Health.Anna: Wow. That's fabulous. We're so excited that Let's Eat exists. And I love that it's a two-day lesson plan—not something overwhelming. Teachers often worry about how curricula fit with state standards, but as you said, this aligns well.Elizabeth: Selena, what concerns do you have about how nutrition is typically taught to children?Selena: First, I want to acknowledge that educators who teach “good and bad” foods mean well. They've been enlisted in what's been called the “war on obesity” since the 2000s.Good people want children to avoid chronic disease, but they've been told the way to do this is through weight control, calorie tracking, and restrictive eating. We now know this approach is harmful, not evidence-based, and doesn't actually make kids physically or mentally healthier—or smaller.Many existing nutrition education tools encourage weight or body fat measurements, food logs, calorie counting, or labeling foods as good/bad. This can trigger disordered eating, poor body image, and food obsession.With Let's Eat, we focus instead on helping students learn about food in a way that builds trust in their bodies and avoids shame, guilt, or fear.Elizabeth: Denise, how does Let's Eat differ from other nutrition curricula?Denise: Great question. First, we don't use body size as a proxy for health. Instead, we empower students to be the experts on their own eating.We avoid shame-based language, rules, or fear around food. Instead, we use guidelines that leave room for nuance. We also encourage reflection on past eating experiences—like noticing how your body felt after eating—and using that information for the future.Another big difference is the diversity of input. Thanks to Selena, we had 42 experts review the curriculum, including dietitians, doctors, teachers, researchers, body image experts, and students.We're proud of how inclusive it is, and how it focuses on empowerment, curiosity, and calmness around food.Anna: I really enjoyed lending a little part to the project. What I love most is how you've taken weight out of it. Weight is woven through so much of nutrition curricula, but kids are supposed to be gaining weight. Their bodies are supposed to be changing. Let's Eat acknowledges this and empowers students to tune in and trust that they are the experts of their own bodies.Denise: Exactly. What we teach is Tuned-in Eating. It's about helping students feel capable and confident when it comes to food. We encourage them to be curious about past eating experiences—what worked and what didn't—and use that to guide future choices.Instead of rules, we provide guidelines. Rules can encourage black-and-white thinking, but guidelines leave room for flexibility.Selena: One big difference is how we approach foods that students are often taught to fear. For example, ultra-processed foods or sugar. Educators often feel pressure to talk about these, but fear-based teaching isn't helpful.Instead, we explain concepts like whole vs. refined grains in a way that avoids shame. If you prefer white rice, you can pair it with protein, fat, and fiber to balance the meal. We also celebrate cultural foods like rice and tortillas, which are often unfairly stigmatized.We're also committed to making Let's Eat neurodivergent-friendly and trauma-informed. Not every student can rely on hunger cues, and that's okay. Instead of insisting on “no distractions at meals,” we encourage students to experiment with what works for them—whether that includes a tablet or not.We also acknowledge food access and insecurity. Not all students have choices, so we avoid presenting nutrition in a way that assumes unlimited access.I'm also proud that we brought in such diverse perspectives. Reviewers included Dr. Whitney Trotter and Angela Goens, co-founders of the BIPOC Eating Disorder Conference, as well as Anna (you!) and many others.Anna: It really shows. The diversity of expertise and voices makes Let's Eat so much stronger.Creating a curriculum like this must have been a challenge. It's so much easier to be black and white—this is good, this is bad. But you've created something inclusive and nuanced.Denise: Yes, that was one of the challenges. We had to decide how much detail was actually helpful. Thanks to Selena, we avoided going too far down rabbit holes and instead kept lessons high-level and practical.We focus on the basics—carbohydrates, fats, protein—with a nod to vitamins, minerals, and fiber. Just enough to help students fuel their day without overwhelming them.Selena: And credit goes to Allie Latvala, who did a beautiful job writing for the age range. It's a big responsibility to protect young people, and while no curriculum will be perfect, we've done our best to make it safe and inclusive.Selena: Yes, and we'll continue to make adjustments as we receive feedback. We listened to students and teachers during evaluation, and we'll keep listening if improvements are needed.Anna: That's so important. What did students and teachers say during the pilot?Denise: We tested it with 250 students. Their feedback was invaluable—everything from whether the images felt too young or too old, to what activities were engaging.One teacher, Sarah, had her students list reasons we eat, beyond hunger. They filled the board with 100 reasons—celebrations, traditions, comfort, fun. We added that activity to the curriculum, because it gets students thinking about eating as a multi-dimensional experience, not just fuel.Anna: I love that. So many nutrition classes reduce eating to just nutrients or body size. Asking students to reflect on the many reasons we eat helps them appreciate the full picture.Elizabeth: Denise, for parents and educators who want to bring Let's Eat into schools, how can they access it?Denise: There are two main ways. First, it's free. At conferences, we hand out postcards with QR codes. Scanning the code takes you to our professional development training. After completing the training and a short test, teachers gain access to the full toolkit, slides, and worksheets.Second, educators can become Be Real Ambassadors. Ambassadors get access to our presentations and resources, and they bring them into their communities. Right now, we have about 150 ambassadors around the world—teachers, dietitians, public health educators, and more.We provide them with templates, letters, agendas, slides, and other materials so they can succeed in sharing this work locally.Anna: That's incredible. You're not only creating a curriculum—you're creating a movement.Anna: What challenges did you face in creating a curriculum that's both helpful and impactful without causing harm?Selena: It was definitely tricky. We could have created a “masterpiece” that said exactly what we wanted, but it might not have been usable in schools. Teachers often have to align with CDC HECAT standards.We worked hard to meet most of the knowledge expectations, but we were intentional about skipping some. For example, one standard asks students to “analyze healthy and risky approaches to weight management.” We didn't include that, because it would reinforce harmful weight-focused thinking.Another standard says to “avoid sugary drinks.” Instead, we reframed it around hydration—water, milk, and other options—while acknowledging that sugary drinks exist without making them forbidden.Denise: Teachers don't expect every curriculum to meet every single standard, but we wanted to cover most. And it was important that Let's Eat still teach the core of nutrition—like macronutrients and hydration—just in a less fear-based way.Selena: Exactly. We frame carbohydrates as “short energy” and protein and fat as “long energy.” It helps students contextualize food in ways that feel supportive, not restrictive.Anna: That's such a refreshing approach. All right, let's move into our last question. We love to ask our guests: what's one of your favorite foods right now? It doesn't have to be forever, just what you're enjoying at the moment and why.Denise: I just made a summer fruit buttermilk cake with Michigan cherries, blackberries, peaches, and blueberries. We had four cups of fruit in it. My kids were visiting, and we finished the whole cake in under an hour. It was so good I've been waking up thinking about when I can make it again.Anna: That sounds amazing. And you may not know this, but Elizabeth used to be a professional baker.Denise: Oh, then I'll have to send you the recipe!Elizabeth: Please do. Selena, what about you?Selena: I had to think about this. I love all foods, so nothing stood out at first. But then I realized I've been cooking a lot from the cookbook Curry Every Day by Atul Kochhar. It's full of curries from around the world. I know it's summer, but I still love making them.Elizabeth: That sounds wonderful. I'm going to have to check that out.Anna: Thank you both so much for joining us and for sharing your work. Let's Eat is such an important resource, and we'll link everything in the show notes so parents and teachers can access the training and curriculum.Denise: Thank you—it was a pleasure.Selena: Thank you so much.Anna: And thank you to our listeners. If you enjoyed this episode, please take a moment to rate and review us in your podcast app. Just scroll down to the stars in Sunny Side Up Nutrition Podcast and leave a review.We'd also love for you to join our 12-module membership, Take the Frenzy Out of Feeding. Visit our website and look for the Membership tab to join today. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit snutrition.substack.com

Swanner and Judd talk about: Big Brother; The Snake; The Gilded Age; King of the Hill; Fixed; The Pickup; Exodus; and more! Left Click To Listen, Right Click Here To Download

The 2025 remake of The Naked Gun, starring Liam Neeson and Pamela Anderson, has been positively reviewed by the Mostly Superheroes podcast crew. Hear from Logan, Carrie, Scotty, and Andy in this instant take from the lobby of Marcus Ronnie's Cinema in St. Louis. The Naked Gun is a hilarious, short, and fun slapstick comedy. The crew gave the movie high ratings, with one 4.0 out of 4.0, while others gave it a 3.5 and 3.0. The film is said to have successfully captured the spirit of the originals, with great casting and many Easter eggs that pay homage to the previous films. Reviewers specifically praised Liam Neeson as one of the best choices for the role and Pamela Anderson for her amazing performance. The movie is considered a timeless and rewatchable comedy that proves this type of humor can still be successful in a modern age. Thank you to Allied Global Marketing and Marcus Theaters for getting us to this early screening. Get your tickets to see The Naked Gun then tell us what you think! You could be featured on the podcast and win a prize! 754 CALL LOG Thanks for supporting indie podcasts like Mostly Superheroes. Leave a review! www.mostlysuperheroes.com ©2025 Carrogan Ventures, LLC

Swanner and Judd talk about: Big Brother; The Snake; The Gilded Age; Twisted Metal; South Park; King of the Hill; Voyage of the Rock Aliens; and more! Left Click To Listen, Right Click Here To Download

Send us a textRewind to 7 to 13 August 2005.It's the week the UN got scandalous, Shane Warne made history and a Playboy Mansion reality show somehow counted as TV. Plus: Jessica Simpson washes a car… aggressively. Let's ride.

Swanner and Judd talk about: Big Brother; Bachelor in Paradise; The Snake; The Gilded Age; Project Runaway; Twisted Metal; South Park; Pee Wee as Himself; The Old Testament; and more! Left Click To Listen, Right Click Here To Download

In Gary Shteyngart's new novel, “Vera, or Faith,” a precocious 10-year old Korean-American girl, with a curious mind and exceptional vocabulary, navigates her way through a dystopian nearfuture. The politics of this America, in which a constitutional amendment to give “exceptional” white Americans more voting rights is being considered, are confusing. But even more so is Vera's complicated family life that includes a dead mother, a scattered and self-involved father, and a stepmother who Vera is not sure loves her. Reviewers have called the book a “brilliant fable.” We talk to Shteyngart about the future and families. Guests: Gary Shteyngart, writer, Shteyngart's latest novel is "Vera, or Faith" - he is also the author of "Our Country Friends," "Little Failure: A Memoir" and "Super Sad True Love Story" Learn more about your ad choices. Visit megaphone.fm/adchoices

Sarah is still swanning it up in bella Italia (the country, not the restaurant), so Alex has brought in TheaterMania's editor-in-chief David Gordon to comb through two big stories in theatre this week. First of all, the turbulent Burlesque the Musical has had its opening night at the Savoy Theatre, with Alex giving his verdict on the production – and whether or not the behind-the-scenes controversy was over-sensationalised. Then – David reflects on his trip to Williamstown Theatre Festival in Massachusetts - where lines from a review spark public outcry from a production's director. Can creatives respond to reviews? And how does ALL of this play into what's happening at the New York Times? Hosted on Acast. See acast.com/privacy for more information.

Swanner and Judd talk about: Drag Race; Love Island; I Kissed a Boy; Big Brother; Sakamoto Days S2; chefs with hair transplants; and more! Left Click To Listen, Right Click Here To Download

Flula Borg feels su-sussudio about being Conan O'Brien's friend. Flula sits down with Conan once more to discuss the important items in his Bauchtasche, the possibility of a German James Bond, his most valuable coin, and what he writes in his diary. Plus, Flula assists the team in calculating the podcast's effects on the human brain as they Review the Reviewers. For Conan videos, tour dates and more visit TeamCoco.com.Got a question for Conan? Call our voicemail: (669) 587-2847. Get access to all the podcasts you love, music channels and radio shows with the SiriusXM App! Get 3 months free using this show link: https://siriusxm.com/conan.

Validation of AHA PREVENT in healthcare populations| JACC Deep Dive In this JACC Deep Dive, JACC Editor in Chief Harlan M. Krumholz, MD, SM, explores a study led by Dr. Pradeep Natarajan that evaluates how well the new AHA PREVENT risk equations predict cardiovascular events across four major U.S. health systems. The study found wide variation in performance—PREVENT was well-calibrated at Penn Medicine but significantly underestimated risk at Mass General Brigham and Vanderbilt, particularly among women and minority groups. Reviewers praised the importance and rigor of the work but raised key questions about model calibration, fairness in outcome comparisons, and whether truly "plug-and-play" risk tools are realistic across diverse healthcare environments.

In this JACC Deep Dive, Harlan M. Krumholz, MD, SM, FACC reviews a study by Covani, et al that uses OCT imaging in over 1,500 ACS patients to show how increasing cardiovascular risk factor burden—like smoking, diabetes, and hypertension—is strongly associated with vulnerable plaque features such as thin caps, inflammation, and rupture. The findings were most pronounced in STEMI patients and reinforce the biological impact of cumulative risk. Reviewers found the core results intuitive but pushed for deeper mechanistic insights, leading to a stronger final paper with improved clarity, additional analyses, and a more nuanced understanding of how traditional risk factors shape plaque instability.

Swanner and Judd talk about: Drag Race; Love Island; I Kissed a Boy; Poker Face; The Snake; Murderbot; Brian's Long Way Home; and more! Left Click To Listen, Right Click Here To Download

Before you drop serious money on your next vehicle, watch this. We break down which car reviewers are truly independent, who's backed by corporate dollars, and how to tell the difference. From Consumer Reports and Edmunds to Doug DeMuro and ChrisFix, we dissect the most influential car review sources and what's really going on behind the scenes.You'll learn:Who's trustworthy—and who's notHow sponsorships quietly shape “honest” opinionsWhy some reviewers never mention long-term ownership issuesThe metrics and red flags to watch for in every reviewWe cover real data, transparent testers, and the subtle bias traps most buyers miss. Whether you're looking at a budget sedan, a used 4×4, or the latest EV, this episode will help you separate noise from facts.Grab a copy of my book:https://partsmanagerpro.gumroad.com/l/qtqaxBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-motor-files-podcast--4960744/support.

How does chat show culture differ in the US, and is it to do with where the host sits? What is the science (and magic) behind recreating magical worlds in theme park design? How do bands soundcheck at festivals such as Glastonbury? All this, and more, answered by Richard Osman and Marina Hyde. The Rest Is Entertainment AAA Club: Become a member for exclusive bonus content, early access to our Q&A episodes, ad-free listening, access to our exclusive newsletter archive, discount book prices on selected titles with our partners at Coles, early ticket access to future live events, and our members' chatroom on Discord. Just head to therestisentertainment.com to sign up, or start a free trial today on Apple Podcasts: apple.co/therestisentertainment. The Rest Is Entertainment is proudly presented by Sky. Sky is home to award-winning shows such as The White Lotus, Gangs of London and The Last of Us. Visit Sky.com to find out more For more Goalhanger Podcasts, head to www.goalhanger.com Assistant Producer: Aaliyah AkudeVideo Editor: Kieron Leslie, Charlie Rodwell, Adam Thornton, Harry SwanProducer: Joey McCarthySenior Producer: Neil FearnHead of Content: Tom WhiterExec Producers: Tony Pastor + Jack Davenport Learn more about your ad choices. Visit podcastchoices.com/adchoices

Yahrtzeit Yomi #1518!!כה סיון (Shabbos)Reb Yossele RosenblattThe King of Cantorsר׳ יוסף ב״ר רפאל שלום רוזנבלטמלך החזנים(1882 - 1933)---------------------------------------------------Friends, as any seasoned Yahrtzeit Yomi subscriber knows by now, NOBODY can do it as well as Reb Yaakov Brown, Curator of Klal Yisrael!!On the occasion of the 92nd yahrtzeit of Reb Yossele Rosenblatt zl (כה סיון), YY is honored to present the following stunning tribute to “The King of Cantors”.Our utmost gratitude is extended to Reb Yaakov Shlita for his gracious and selfless dedication to the cause of spreading inspiration to the Jewish people!!עם ישראל חי!!---------------------------------------------------https://jewishmusicalnotes.com/yossele-rosenblatt-zl-1882-1933-25th-of-sivan/

Swanner and Judd talk about: Twin Paranormal; Drag Race; Destination X; Battle Camp; Late to the Party; Long Way Home; Carol Kaye; Brian Wilson; and more! Left Click To Listen, Right Click Here To Download

Swanner and Judd talk about: Cutthroat Kitchen; Drag Race; Pokerface; Dept Q; Joe Dombrowski; Bad Thoughts; Tires; Sakamoto Days; and more! Left Click To Listen, Right Click Here To Download

Swanner and Judd talk about: Big Mouth; Top Chef; Tom Dillon: Hot Wing/I'm Your Mother; Stick; Bad Thoughts; Orville Peck; Bad Thoughts; The Tony's and more! Left Click To Listen, Right Click Here To Download

Swanner and Judd talk about: Andor; Sarah Silverman: Post Mortem; Matteo Lane; Murderbot; Mobland; Sakamoto Days; Long Way Home; Stereolab: Instant Holograms on Metal Film; Prom Queen; and more! Left Click To Listen, Right Click Here To Download

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Thanks to Garmin for supporting the podcast! Sign up for Garmin Ride Out here: https://action.org.uk/events/cycling/garmin-ride-out 00:00 Ad: Jimmi's rookie error + join us at Garmin Ride Out!01:16 Jimmi's mystery caller…04:32 BMC to lay off a quarter of their staff12:43 BMC release ‘customisable' Teammachine17:20 Komoot's new buyers axed 150 staff20:56 Zipp's new wheels have an in-build tyre pressure monitor26:11 We lost the audio… (FUOTW)27:11 Unpopular Opinion: You should spend the same price on equipment as you do for your bike36:00 Unpopular Opinion: Why do bike reviewers always do this?47:00 Send us your Unpopular Opinions and questions!47:16 Help! I want to go slower!Cervelo caledonia campaign: https://youtu.be/Ab9V5f8mnqc?si=w1cAWT7FVkhDFe4RKomoot party video: https://youtu.be/qLJkK4Wn1HI?si=2XOIA6oS2Cn11nmVYou can check out the video versions of the podcast, plus more videos from Cade Media here:https://www.youtube.com/@Cade_Media/videosIf you'd like us to send in a question, story, some good news, things you'd like us to discuss or anything else, email us at wildonespodcast@cademedia.co.ukThanks and see you next time. Hosted on Acast. See acast.com/privacy for more information.

Comedian and actress Sarah Silverman feels rejoice/dead inside about being Conan O'Brien's friend. Sarah sits down with Conan once more for an in-depth discussion on human anatomy, adapting her memoir into a musical, and grieving her parents through her new comedy special PostMortem. Later, Conan, Matt, and Sona unearth the origins of their names as they Review the Reviewers. For Conan videos, tour dates and more visit TeamCoco.com.Got a question for Conan? Call our voicemail: (669) 587-2847. Get access to all the podcasts you love, music channels and radio shows with the SiriusXM App! Get 3 months free using this show link: https://siriusxm.com/conan.

Swanner and Judd talk about: American Idol; Drag Race; Andor; Smash; Long Way Home; and more! Left Click To Listen, Right Click Here To Download

What is This Episode? - Top of Show . CANNES IS UNDERWAY: DeNiro Hints at Trump Tariff Unrest - 2:24 Mission Impossible Meh - 11:23 . A “Febrile” Reviewing the Reviewers of the In Competition Films - 16:24 The Best Review of 2025, and What's with These Pushes? - 28:11 . GOLDEN GLOBES ADD BEST PODCAST - 38:23 . CONTENDER TRAILERS: The Smashing Machine - 45:47 Weapons - 49:51 Highest 2 Lowest Teaser - 54:31 F1 - 57:44 Materialists - 59:28 Superman Trailer #8000 - 1:01:50 Conjuring Last Rites - 1:06:59 . . WHAT'S NEXT/LEAVE US 5 STARS/WORDS OF WISDOM - 1:09:19

Join JACC Editor in Chief Harlan Krumholz, MD, SM, as he speaks about this ACC.25 presentation published in JACC. This fascinating study by Rohan Khera et al independently analyzed patient-level data from the SURMOUNT trials of tirzepatide for obesity. The study revealed striking individual variability in weight loss and metabolic response, even to a highly effective therapy—an insight powerfully illustrated through waterfall plots. Reviewers praised the transparent, sponsor-independent approach and the study's contribution to precision medicine, though they noted it was descriptive rather than predictive, underscoring the need for future research to identify what drives differential treatment response.

Swanner and Judd talk about: The Studio; American Idol; Black Mirror; Top Chef; Masked Singer; Iron Chef; The Falcon Takes Over; and more! Left Click To Listen, Right Click Here To Download

This JACC Deep Dive in our May 13 issue highlights new findings from the SUMMIT CKD study, showing that terzepatide improves symptoms, function, and weight in patients with HFpEF and obesity—regardless of kidney function. The analysis also underscores the importance of using both creatinine and cystatin C to better assess kidney health. Reviewers praised the study's methodological rigor and dual focus, while noting the need for larger, long-term trials to confirm renal outcomes.

In a Deep Dive in our May 13 issue, Editor-in-Chief Harlan Krumholz, MD, SM, FACC, discusses a study led by Barry Borlaug that investigates whether excess weight or metabolic dysfunction has a greater impact on heart failure with preserved ejection fraction (HFpEF). The findings showed that obesity—more than insulin resistance—was strongly associated with worse hemodynamic and functional outcomes. Reviewers praised the study's nuanced approach and use of invasive measures, while editorialists emphasized the ongoing importance of addressing both adiposity and metabolic health in HFpEF management.

Swanner and Judd talk about: The Conners; RuPaul; The Masked Singer; Gladiator 2; Sonic 3; The Trades; and more! Left Click To Listen, Right Click Here To Download

In this episode of the Game Schooler podcast, hosts Doug Kotecki and Dr. Michael McCabe explore various aspects of tabletop gaming, including a spotlight on the game 'Stalk Exchange' and a review of 'Vegas Showdown.' They also delve into the role of reviewers in the gaming community, discussing the fine line between constructive criticism and negativity. The episode concludes with a high five list of favorite memory games, showcasing a variety of titles that emphasize memory and strategy.00:00:00 - Introductions & Awesomeness00:12:39 - Spotlight: Stalk Exchange00:21:53 - Game of the Week: Vegas Showdown00:43:02 - School of Gaming: When Do Reviewers Go Too Far?00:58:19 - High-Five: Memory Games

Welcome back to another bite-sized episode of Look Behind the Look. Today, we're back with another obscure cinema excavation exploring Spike Lee's 1996 film, Girl 6. The film offers a unique take on the world of phone sex operators through the eyes of an aspiring actress in New York City and, of course, so much more than that. We'll explore how this film fell into obscurity...and the layered messages on race and female exploitation.Despite its ambitious narrative, the film received mixed reviews upon release and was a commercial disappointment, grossing approximately $4.9 million against a $12 million budget. Girl 6 was dismissed so hard when it came out; it's like it just vanished from Spike Lee's filmography. Reviewers like The Washington Post's Rita Kempley described it as "little more than a profane litany punctuated by Oscar-caliber orgasms," while the Post's Desson Howe stated that "it's enough to reduce expectations over him forever."Even when discussing He Got Game two years later, Spike wouldn't mention Girl 6…That's how much people sidelined it. It's wild because after Girl 6, Spike didn't make another film centered on a female perspective until Chi-Raq in 2015, almost 20 years later. You have to wonder if the reception to Girl 6 made Spike pull back from telling stories about women, especially Black women, navigating systems that weren't built for them. Girl 6 is one of Spike's most overlooked films, but also one of the most fascinating. That's exactly why it deserves a closer look behind the look.A Cultural ReassessmentIn 1996, people didn't know what to do with Girl 6. It barely made a dent at the box office, critics were lukewarm at best, and ultimately, it faded into obscurity. But here's the thing—Girl 6 wasn't a failure. It was a film about performance, sex, race, capitalism, and identity. It didn't fit the mold Hollywood—or even Spike Lee fans—wanted it to fit.This was Spike's first time directing a script he didn't write. The screenplay came from Pulitzer Prize-winner Suzan-Lori Parks, and what they created together was something totally different from the more straightforward sociopolitical narratives people had come to expect from Spike. Instead of overt protest, Girl 6 gives us a quiet, messy rebellion in the form of one Black woman trying to survive the film industry without selling her soul.Theresa Randle plays Judy, a struggling actress who ends up working as a phone sex operator to make ends meet. And that premise could've easily become male-gazey or exploitative in the wrong hands. But it doesn't. This is a story about the male gaze, not one that indulges it. The camera doesn't leer. It's observant. It's empathetic. It's watching Judy navigate objectification. Beyond general objectification, it shows how she manages which specific forms of objectification she subjugates herself to, like being told by her boss, Lil played by a perfectly cast, Hollywood legend, Jenifer Lewis, she needs to sound “Caucasian” on the phone, because that's what “the client likes.”The film also drops in these surreal, meta moments that throw you off, especially the interspersed news storyline of the young black girl who survived falling down the elevator shaft in her building, but that's the point. It draws a direct line from girlhood to adulthood—how young Black girls are burdened from the start with invisibility, impossible standards, and stereotypes they're expected to navigate alone just to survive. We see Judy auditioning for roles where she's told to be more "urban," more "real," while directors like Quentin Tarantino, in his now-infamous cameo, barks at Judy with lines laced in microaggressions that escalate—into full-blown aggression, unchecked racism, and flat-out exploitation as he demands she take her top off on camera. It's violent in its familiarity. And that's the point. Girl 6 doesn't flinch—it forces us to sit in the discomfort, to confront how easily Black women are dehumanized under the guise of “opportunity.” This isn't just a scene. It's a reckoning that begins Judy's arc. It's Spike and Suzan-Lori Parks holding up a mirror and asking, ‘How many times has this happened—and how many times did we call it art?' or better yet "This is what you do to Black women when you 'give them a chance.'"And that's why the ending hits so hard. Because after everything—after all that growth and pain and disillusionment—it's gutting to see Judy go back to Shoplifter. It's framed like a reunion, maybe even a resolution—but it isn't. It's a return to something familiar. Something that once had control over her.And when she heads to L.A. for her so-called fresh start, she walks right into the same kind of exploitative audition that launched this whole journey. The loop restarts. But this time—she doesn't freeze. She doesn't stay quiet. She doesn't submit. She assertively leaves. That moment shifts everything. Because even though the circumstances haven't evolved, she has. It's not loud. It's not celebrated. But it's powerful. It's self-possession. It's Judy refusing to play the part again, even if the script is exactly the same.So no, the ending isn't tied up in a bow. But it's not hopeless either. Girl 6 isn't offering a fantasy of escape—it's showing us what resistance looks like when the world and the people around you won't meet you halfway. Quiet, deliberate, exhausted… but still yours.So why did Girl 6 flop? Because audiences weren't ready for a Black feminist art film disguised as a phone-sex dramedy. It didn't check the boxes. It wasn't "important" in how people expected a Spike Lee joint to be. The film's portrayal of Judy's experiences resonates with contemporary discussions about the empowerment and exploitation inherent in everything we've come to understand about performance, labor, and digital sex work (hello, OnlyFans), Girl 6 feels prophetic. In recent years, Girl 6 has been reassessed for its ahead-of-its-time commentary on sex work and female agency.It's time we stop calling it a misstep. Girl 6 didn't fail. We did—for not seeing what it was trying to show us. With all that said, I do still think it's worth critiquing how a man directing the film despite having a female screenwriter is a statement and impression in and of itself that is left upon this film, and that's something we're still unpacking today.The wigs, costuming, and futuristic sets are all intentional and impeccably designed. Judy is a chameleon, adapting to the fantasies projected onto her. She tries never to lose herself, but as the film progresses, it becomes a hard line to walk. And Randle does it brilliantly. Her performance is nuanced, internal, and often quiet—maybe that's why it got overlooked. People expected something louder. But Judy's strength is in her stillness. I paused the film so many times in awe, wondering - how we didn't get Theresa Randle leading dozens of films post-Girl 6. Her performance has always stuck with me. She is the film.Girl 6 is a wig-lover's dream. Theresa Randle wears over 20 different wigs and styles throughout the film, and each one feels like a window into her state of mind or her persona at that moment. Her hair isn't just flair—it's fashion, character, power, and commentary all in one.There's the long honey-blonde crop she rocks in the phone booth—classic "sex symbol" vibes and we see everything from her an ode to Dorothy Dandridge, bantu knots, finger waves, a full-on Foxy Brown afro—it's a whiplash of transformations that, if you blink, you might miss one. Her hair becomes armor, a mask, a performance. And what's genius is that the wigs and styling reflect the emotional tone of each scene without her having to say a word.It also speaks to the fantasy that phone sex work sells. Every call, every client, is a role she steps into. And Theresa's ever-changing look mirrors that idea—who she is depends entirely on who's on the other end of the line and what they're paying for.Plus, let's give some flowers to the hairstyling team. There is not much information out there about who exactly was responsible. I tried to get in touch with Lisa Hazell, but could not reach her for an interview. The hair designs gave Theresa an entire visual vocabulary of Black femininity, expression, power, seduction, and identity.Theresa Randle played Judy, the lead role. Before this, Randle had appeared in supporting roles in Lee's "Jungle Fever" and "Malcolm X." Her performance as Judy marked her first leading role, showcasing her range and depth as an actress.And while a lot of this film wasn't exactly the norm for Spike, he still had a role, as he often does—but this time, it feels especially personal. He plays Judy's cousin and best friend, Jimmy, a comic book nerd obsessed with blaxploitation and sports memorabilia. It's sweet and totally feels like a little bit of an opportunity for Spike to get all his Brooklyn Dodgers gear into the production design. He's one of the only people in her life who doesn't sexualize Judy, who just wants to hang out and talk about old-school movies. It's giving Letterboxd boyfriend energy… uh if your boyfriend was your cousin and just wanted to debate Pam Grier films over pizza. Their friendship grounds the film, a reminder of who Judy is underneath all the wigs and roleplay.The opposite of Jimmy is Isaiah Washington's character—Judy's ex, known only as “Shoplifter.” And that name alone tells you everything. He's not even given the dignity of a real identity—just a label, a behavior, a red flag. He's controlling in the way so many men are: smiling, supportive on the surface, but constantly trying to reshape her into someone more manageable. He pushes her to get a “real job,” but what he really wants is her dependence. He wants her small.The tension between them is always there—quiet, but constant. And the way Spike shoots those scenes, you can feel the power imbalance. It's intimate, but it's not safe. These aren't just moments between two people with history. These are scenes about how easily women—especially Black women—are asked to compromise themselves in exchange for stability, approval, or love that's conditional.Both of these male characters exist to show us different versions of masculinity—Jimmy is supportive, if a little clueless, and Isaiah's character is the opposite: demanding, judgmental, and ultimately part of the reason Judy needs to reclaim her voice in the first place.The film is peppered with notable cameos, adding layers of meta-commentary. As mentioned previously, Quentin Tarantino appears as the self-absorbed director, and this collaboration, interestingly enough, occurred before the well-documented disagreements between Lee and Tarantino over the use of racial slurs in cinema.We also get Halle Berry, Debi Mazar, John Turturro, Ron Silver, John Cameron Mitchell, and Michael Imperioli giving their best, if not strangest, character acting bits to the film.Other notable appearances include Madonna as the competing strip club owner. She looked insanely good—possibly the best she's ever looked, and that's saying a lot for someone who literally invented iconic beauty in the 80s and 90s—and, of course, supermodel Naomi Campbell as a fellow phone sex operator, taking on a more demure and reserved role.Pete Travers at Rolling Stone called Girl 6 "the worst movie Spike Lee has ever made," one that "[resorts] to all-star cameos to disguise structural shortcomings." Still, I believe these cameos contribute to the film's commentary on fame, exploitation, and the blurred lines between reality and performance.The PRINCE SoundtrackI could never go without mentioning one of the film's most essential elements, being its soundtrack, composed entirely of songs by Prince. You can't say that about any other film outside of Purple Rain. The entire soundtrack is Prince. Yup. Not just a song or two—the whole thing. And it's not a greatest-hits situation either; We're talking deep cuts, unreleased tracks, B-sides, and songs he gave just to this movie. "She Spoke 2 Me"? Unreal. "Don't Talk 2 Strangers"? Are you kidding? These weren't just throwaways—he curated a whole vibe for Judy's world, and I can't even believe we aren't talking about this every day.Prince was famously selective about who he worked with, and it says a lot that he said yes to this film. You get the sense that he understood what the story was about—performance, femininity, identity, power. And that's all over his music, too. Prince elevates the whole damn film. That's the kind of creative alignment that doesn't happen often. Honestly, the Girl 6 soundtrack is one of the most slept-on parts of Prince's catalog—and of 90s cinema in general.How this happened still blows my mind and definitely leads me to believe that, aside from Spike distancing himself from the film, the complexity of continuing to secure rights to Prince's catalog may be why we haven't been able to stream the film. That's a whooooole other can of worms to dive into for another day…But I will get to the bottom of it.Girl 6's unique collaborations, themes, and the conversations it continues to inspire about representation, exploitation, and agency for Black women and in the entertainment industry are why it remains a fascinating entry in Spike Lee's filmography. Although its approach to these themes may have been clunky, convoluted—dare I say, disjointed—it's 1000% worth watching, studying, and taking the time to understand the story beyond traditional narrative form.Unless you own a VHS or DVD copy, it's a shame you can only find it for $100+ on eBay right now. Kelli and I mailed the DVD back and forth like it was 2006 to study and put this episode together. So, grab a friend or two and create an old-school Netflix sisterhood of the traveling DVD and watch for yourselves. If you do track down a copy, tag me @lookbehindthelook—I want to see your setups. As always, we love hearing your thoughts, what you want to hear more about, and what films you'd like us to dive into next.Thank you for joining me on another bite-sized episode of Look Behind the Look. Until next time...**At the time that I recorded this, the DVDs were $80-$100 on ebay but now it looks like it jumped to $225-$350! Keep your eyes on those DVD bins at the vintage stores, people!Girl 6 on eBaywritten by Kelli Reilly Get full access to Look Behind The Look's Substack at lookbehindthelook.substack.com/subscribe

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If you want to watch anime on the Yamanote, get yasel' an eSim! https://jjesim.com/11:1525:17.069 Hosted on Acast. See acast.com/privacy for more information.