Podcasts about royal conservatory

Lindsey Hilliard is a classically-trained violinist and performer with a diverse career spanning classical music, alternative rock, and film score composition. Having studied at the Royal Conservatory of Music in Toronto, she has performed and collaborated with artists across genres, blending traditional violin techniques with modern influences.Follow Lindsey Here:https://www.instagram.com/thelinds_curve/This episode is sponsored by Jump Comedy! Jump Comedy is an online ticket sales platform made for comedians by comedians. You can customize dedicated show pages, have access to instant payouts, and get immediate audience feedback to make your shows bigger and better! Visit www.jumpcomedy.com and start selling today! Thanks for watching our podcast. We invite guests from all walks of life to explore our existence and celebrate humanity! Please share, like and subscribe! Follow us on Instagram: 11 Wins Podcast:  https://www.instagram.com/11winspodcast/Winny Clarke: https://www.instagram.com/winnyclarkeEllevan: https://www.instagram.com/ellevanmusicSign up for Winny's Mailing List here: http://eepurl.com/gCIZg1Get Ellevan's book: STFU: Thoughts and Feelings shorturl.at/pIS08  Follow and Listen to Ellevan on Spotify:https://open.spotify.com/artist/0G1sZ8clT2oSvzQ3IL2ZRd?si=vJVw9FLyS6GtF453Ny21kQ Follow us on Spotify: https://open.spotify.com/show/1XDoMv08pT9EfyBaCXNnaj?si=7a557f0e0bf14d4d 

Robert Daprocida is a Canadian and international actor, singer and pianist and is a first generation born Canadian to Italian parents, working in the United States, Europe and his birth country. Robert began studying classical piano at the age of 4 with the Royal Conservatory of Music and shortly after, began singing, which led him to musical theatre, the stage and eventually into film and television appearing in many notable film and television productions. Robert has continued to work throughout the years and is known for X-files (1998), Wrongfully Accused (1998), Creature (1998) and Out for Vengeance (2023). He is also owner of Ancora Homes in Calgary. Stay Connected with #CanadasEntrepreneur! Join our growing community of entrepreneurs across Canada! Don't miss out on inspiring interviews, expert insights, and the latest business trends from the people shaping the future of our economy.

First, there's the voice. Devoid of affectation or theatrics, it's a delightful instrument, one wielded with true subtlety. Technically a dramatic mezzo, it moves with graceful ease from slightly husky sensuality to bluesy boisterousness conveying, at turns, sweet romanticism and gently aching melancholy. Its purity of tone matched by impeccable phrasing, this is a voice to be reckoned with. Then there are the songs. On Arms Full of Roses, her debut album, Hayle covered pop classics “Look of Love” and “Can't Take My Eyes off You”, but it was her own compositions, evocative of Gershwin and Cole Porter, that truly captured the imagination. Her virtually unclassifiable style, and extraordinary gift for both music and lyrics, is again evident on So Much For Good Behaviour. Featuring original songs sure to be mistaken as classics, (“But You Do”, “Summer's Kiss” and “Impossible You” among them); a who's who of Canadian musicians (including the legendary Guido Basso, with a haunting chromatic harmonica solo on Summers Kiss); and the contributions of Juno Award-winning recording engineer John Bailey, and Emmy Award-winning producer Don Breithaupt, So Much For Good Behaviour is a confluence of artistry and ingenuity. “These songs wrote themselves. In fact, I didn't quite know where they were going until they took me there,” says Hayle, of her quirky, complex and layered compositions. Consider the poetry and homage to a by-gone era, and you'll understand why this is something special: Drunk on second chances / This serenade / A cavalcade / Of flowery would be trues... and It's helplessly, haplessly / Hopelessly, maddeningly / Wonderful Wanting You... and Did I misread your glance as something more than fleeting / Did I mistake the kiss that lingers on my lips / I only ask as winter passes / You will remember / And save me your Summer's Kiss And Then. Montreal-born and Toronto-based, this jazz chanteuse has had a fascinatingly chameleonic career, and draws from a deep well of experience in creating her work. Hayle's musical, vocal and lyrical maturity, so evident on the albums, is eloquent testimony to a lifelong commitment to the crafts of singing and song writing. Robyn Hayle, began vocal and piano lessons at the Royal Conservatory in Montreal at age seven, and won her first International Music Competition at nine, singing “Faust.” By thirteen, she was performing in city clubs, singing backup for popular Quebec entertainer Tony Roman. At 15, Hayle became the youngest music student ever at McGill, but soon defected to rock 'n roll. She toured with such stars as Johnny Farrago and Patsy Gallant and headed her own bands, prior to relocating to Toronto, where she was soon in demand for jingles and voiceover work — in both official languages. In Toronto, Robyn also worked on children's programming for TVO, including Sesame Street, and the internationally acclaimed Today's Special, in which she played the computer “TXL Series Four”, and did animated voices that earned her a global cult following. A stint in New York City studying at the Neighborhood Playhouse was followed by a move to Los Angeles. RH Returning to her first love — and passion — Robyn Hayle is currently promoting the recently released So Much For Good Behaviour. #robynhayle #standupcomedian #todaysspecial #chrispomay #livewithcdp #barrycullenchevrolet For more information, contact info@robynhayle.com.https://robynhayle.comhomehttps://beacons.ai/chrisdpomayhttps://www.cameo.com/chrispomaypaypal.me/chrispomayWant to create live streams like this? Check out StreamYard: https://streamyard.com/pal/d/54200596.

203 | Non-Competitive Singing Festivals with Linda Fletcher {fullvoicemusic.com} ⭐ Find links mentioned in this episode here: https://www.fullvoicemusic.com/podcast/203/ ⭐ In episode 203 of The FULL VOICE Podcast, Nikki talks with esteemed vocal educator Linda Fletcher about the Oakville Vocal Arts Festival. Unlike traditional competitive festivals, this non-competitive event offers singers of all ages a transformative experience that fosters growth, creativity, and a genuine love for singing in a supportive, pressure-free environment. Linda shares her motivation for moving away from competitive events and why this new format resonates with everyone, including adjudicators. She'll explain how the festival's mission creates incredible opportunities for vocalists to thrive, why stepping away from competition is so important for developing confidence and artistry, and how events like these are crucial for long-term musical development.

The fires in Los Angeles have captured the empathy and attention of people all over the world. Canada has sent water bombers to help extinguish the fires. And, of course, many Canadians live in southern California. Jens Lindemann is a world-renowned trumpet player. He was a member of the Canadian Brass, has an honorary degree from Hamilton's McMaster University, is an honorary fellow at the Royal Conservatory of Music in Toronto, has the Order of Canada, and tonight finds himself homeless. His house in Pacific Palisades is gone. Jens Lindemann joins Steve Paikin to share his story about the devastation wrought by the inferno.See omnystudio.com/listener for privacy information.

Brian welcomes on two guests.First is Ron Camilleri, who performs as a hugely successful Elton John tribute band. Local resident Ron Camilleri has had a storied history in the Canadian music business. He's succeeded in three sides of the business - as a record industry executive, as an original music composer for television and film but perhaps his greatest success has been his recent foray as a performer. His band "Elton Rohn" has been called the best Elton John tribute in the world. They perform in Markham next week.Next is Janet Lopinski. Dr. Lopinski, Senior Director, College of Examiners and Academic Programs at The Royal Conservatory has enjoyed a multi-faceted career as a pianist, teacher, adjudicator, lecturer, and author, and has inspired and mentored students and teachers across North America. She is also the founder and president of the Canadian Chopin Society, which presents the Canadian Chopin Piano Competition every five years. The Sixth Canadian Chopin Piano Competition will be held from January 9 - 13, 2025 at the TELUS Centre for Performance and Learning in Toronto.

Founded in 1987, California-based AXIS Dance Company has long been at the forefront of redefining dance and disability. Through world-class productions that challenge perceptions, AXIS quickly established itself as one of the first contemporary dance companies to integrate disabled and non-disabled dancers. AXIS has since toured extensively, performing in over 100 cities across the US, Europe, the UAE, and Russia, while also earning nine prestigious Isadora Duncan Dance Awards.Current Artistic Director, Nadia Adame, began her international career as a disabled artist with AXIS in 2001 and has now returned to lead the company. An actress, writer, award-winning dancer, and choreographer, Nadia trained in flamenco and ballet at the Royal Conservatory of Dance and Drama in Madrid, Spain, before earning her BA in Theatre at the University of Colorado. Nadia was a company member with CandoCo, AXIS, and Compañía Y in Spain, further solidifying her reputation as a champion for inclusivity in dance. Kickstarting a brand new season and month of Dance Politics, this episode explore the mission and vision of Nadia and the pioneering work of AXIS, uncovering the potential of the dance world to embrace diversity and inclusion more fully. Join us as we foreground dance in the background!Nadia AdameAXIS Dance CompanyCandoco Dance CompanyOrigins of AXISSoundtracks:Birds - Tyler Twombly Poison Ivy Yard Work - Uncle MilkHarmony - Serge PavkinUpbeat Emotive - u_968xy4i23xSend us a text Support the showLike our offers? Visit AXIS Try Nord VPN Like what we do? Help us grow by Visiting The Background Dancer YouTube Channel Rate and review here Email me at backgrounddancer.jy@gmail.com Answer a survey Sign up here to receive future updates Leave a thought on Facebook and Instagram Join the Facebook group and introduce yourself as a member of our community

Many Ontarians likely took lessons from the Royal Conservatory of Music as children. Alexander Brose is the new president and CEO of the Royal Conservatory, which has headquarters in Toronto. He joins us in studio to share his vision for Canada's most prominent music education institution. See omnystudio.com/listener for privacy information.

At the award ceremony hosted at The Royal Conservatory of Music, four National Award winners were also recognized, along with three National honouree recipients. Next up, Harris will represent Canada on the global stage, competing against winners from more than 50 other countries for the title of EY World Entrepreneur Of The Year™ in Monaco in June 2025. Phil Bliss, Founder of Canada's Podcast interviews Ken Harris after receiving the Award November 26, 2024.

At the award ceremony hosted at The Royal Conservatory of Music, four National Award winners were also recognized, along with three National honouree recipients. Next up, Harris will represent Canada on the global stage, competing against winners from more than 50 other countries for the title of EY World Entrepreneur Of The Year™ in Monaco in June 2025. Phil Bliss, Founder of Canada's Podcast interviews Ken Harris after receiving the Award November 26, 2024.

At the award ceremony hosted at The Royal Conservatory of Music, four National Award winners were also recognized, along with three National honouree recipients. Next up, Harris will represent Canada on the global stage, competing against winners from more than 50 other countries for the title of EY World Entrepreneur Of The Year™ in Monaco in June 2025. Phil Bliss, Founder of Canada's Podcast interviews Ken Harris after receiving the Award November 26, 2024.

At the award ceremony hosted at The Royal Conservatory of Music, four National Award winners were also recognized, along with three National honouree recipients. Next up, Harris will represent Canada on the global stage, competing against winners from more than 50 other countries for the title of EY World Entrepreneur Of The Year™ in Monaco in June 2025. Phil Bliss, Founder of Canada's Podcast interviews Ken Harris after receiving the Award November 26, 2024.

Rebekah Wilson Rebekah is the technical co-founder and CEO who co-created the entire suite of Source Elements software. With a degree in music composition and a lifetime of love for technology, Rebekah has focused her career as a composer, electronic music researcher and software developer, with a particular focus on media technology. With her dual capacities in both technical and business operations she is instrumental in building Source Elements into a global company, a connected network of tens of thousands of media professionals who rely on their software to complete their projects.In 2018, Rebekah returned to university to study Networked Music Performance where she merged two passions: music and network technology. Also teaching on the topic at the Royal Conservatory of the Hague, she aims to be part of the future where increasingly sophisticated internet and music technologies emerge. With technological advances in rich audio and video applications, being distant from each other is no longer a barrier when it comes to performing together. https://www.source-elements.com/ Great Big Voiceover Social website is ⁠⁠here⁠⁠. Tickets now available. GBVOS is on 25th January 2025. For more information about The Voiceover Social visit: ⁠⁠⁠⁠⁠⁠⁠The Voiceover Social Website⁠⁠⁠⁠⁠⁠⁠ Email us ⁠⁠⁠⁠⁠⁠⁠listen@thevosocial.com⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠Subscribe to our newsletter⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠See which events are coming soon⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠Find your closest VO Social group⁠⁠⁠⁠⁠⁠⁠   Find us online: ⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠Facebook Page⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠Facebook Group⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠     Podcast sponsored by ⁠⁠⁠⁠⁠⁠⁠B Double E⁠⁠⁠⁠⁠⁠⁠. Theme tune by Rob Bee. All audio production by Rob Bee.

Welcome to another Cinema Sounds & Secrets Tribute episode! This week Janet, John, (and Pen) explore the life and career of Canadian filmmaker Norman Jewison. Born in 1926 in Toronto, Jewison acted out movies as a boy and was involved in school productions at a young age. He studied at the Royal Conservatory and worked as a radio actor before he began writing, directing, and producing shows for the network CBC. He made his feature film debut in 1962 and began directing shortly after. He's known for films like The Cincinnati Kid (1965), The Russians Are Coming (1966), The Thomas Crown Affair (1968), Fiddler on the Roof (1971), Jesus Christ Superstar (1973), Rollerball (1975), Justice for All (1979), A Soldier's Story (1984), Agnes of God (1985), Moonstruck (1987) The Hurricane (1999), and more, receiving Academy Award nominations for best director three separate times.  To learn more about this episode and others, visit the Official Cinema Sounds & Secrets website. And check out our Instagram, @cinemasoundspod! 

Ken Harris, CEO and founder of Plusgrade — an ancillary revenue solution for the global travel industry — is Canada's EY Entrepreneur Of The Year® 2024. After initially receiving the provincial title on October 9, Harris was honoured at the awards show in Toronto on Wednesday night. He was selected by an independent panel of judges for his business being rooted in global transformation and innovation and his dedication to enhancing customer experiences, said EY in a news release. “Ken's journey is a testament to the power of innovation and perseverance. His leadership at Plusgrade has revolutionized the way travel companies approach ancillary revenue, creating new opportunities for growth and enhancing the overall travel experience for millions of passengers,” says Rachel Rodrigues, EY Entrepreneur Of The Year® Canada Program Director. “His proactive approach to addressing industry challenges and dedication to inclusivity have set a new standard for entrepreneurial excellence in Canada.” EY said Harris' journey began with a simple observation during his travels: the potential to monetize empty premium seats. Now partnering with over 200 companies across airlines, hotels, cruises and railways in 60 countries, Plusgrade's innovative solutions have changed how travel operators generate additional revenue while enhancing customer experiences. The company's strategic growth includes the acquisition of Points, a global leader in loyalty commerce, and UpStay, a provider of upgrade and ancillary revenue solutions for the hospitality industry. At the award ceremony hosted at The Royal Conservatory of Music, four National Award winners were also recognized, along with three National honouree recipients. Next up, Harris will represent Canada on the global stage, competing against winners from more than 50 other countries for the title of EY World Entrepreneur Of The Year™ in Monaco in June 2025. EY Entrepreneur Of The Year National Award winners: Tobyn Sowden | Redbrick (Pacific) Denis Jones | Deveraux Group of Companies (Prairies) Clive Kinross | Propel Holdings (Ontario) Hakan Uluer | The Bertossi Group (Atlantic) Ken Harris | Plusgrade (Québec) National Honouree Citations: Jeff Dirks | KBL Environmental Ltd. Terry Raymond | Fire & Flood Emergency Services Ltd.  Mina Mekhail | Freshr Sustainable Technologies Inc. The Canadian entrepreneurs in the EY Entrepreneurial Winning Women™ North America Class of 2024 and the EY Entrepreneurs Access Network Canadian Class of 2024 were also honoured at the awards show. These programs support high-potential women entrepreneurs and Black and Indigenous leaders by providing access to networks, advisors, learning and resources to help scale their businesses. All three entrepreneur programs are part of EY's 30-year commitment to fostering entrepreneurship in Canada at every stage of the growth journey. The 2024 National independent judging panel comprised Tania Clarke, Corporate Director; Andreea Crisan, President and CEO, ANDY Transport; Arlene Dickinson, General Partner, District Ventures Capital; Joanna Griffiths, Founder and President, Knix and Kt by Knix; Ashif Mawji, Managing Director, ScaleGood Fund LP; Kristi Miller, Managing Partner, Krystal Growth Partners; Imran Siddiqui, Managing Director, Ontario Teachers' Pension Plan. This year's program national sponsors are TSX Inc., Air Canada, The Printing House, The Globe and Mail and Hillberg & Berk. Mario Toneguzzi is Managing Editor of Canada's Podcast. He has more than 40 years of experience as a daily newspaper writer, columnist, and editor. He was named in 2021 as one of the Top 10 Business Journalists in the World by PR News – the only Canadian to make the list. He was also named by RETHINK to its global list of Top Retail Experts 2024. About Us Canada's Podcast is the number one podcast in Canada for entrepreneurs and business owners. Established in 2016, the podcast network has interviewed over 600 Canadian entrepreneurs from coast-to-coast. With hosts in each province, entrepreneurs have a local and national format to tell their stories, talk about their journey and provide inspiration for anyone starting their entrepreneurial journey and well- established founders. The commitment to a grass roots approach has built a loyal audience on all our social channels and YouTube – 500,000+ lifetime YouTube views, 200,000 + audio downloads, 35,000 + average monthly social impressions, 10,000 + engaged social followers and 35,000 newsletter subscribers. Canada's Podcast is proud to provide a local, national and international presence for Canadian entrepreneurs to build their brand and tell their story. #business #smallbusiness #EntrepreneurOfTheYear2024 #CanadasNumber1PodcastforEntreprenuers

In this episode of One Symphony with conductor Devin Patrick Hughes, Devin has an inspiring conversation with bass virtuoso and composer Kebra Seyoun Charles. From their early exposure to African drumming and gospel music to becoming a celebrated classical musician, Charles shares their unique journey and vision for the future of classical music through their "Counter Classical" style. Charles's work embodies a fresh perspective on classical music's future, one that honors tradition while embracing innovation and inclusivity. Their approach shows that classical music's evolution doesn't require abandoning its foundations, but rather expanding its boundaries to embrace diverse influences and experiences. As they put it, "Classical music is so beautiful and so ephemeral and it can't be contained." Charles explores growing up in a musical household and how that led to their disvoery of the film composer, Erich Woflgang Korngold. They also discuss the autobiographical ballet project, Enby, that's based on their experience as a nonbinary person developing in the world.  Kebra-Seyoun Charles is able to give prominence to the dance qualities in all forms of music. Kebra-Seyoun has performed alongside esteemed improvisers and composers such as Jon Batiste, at Carnegie Hall, and Tyshawn Sorey, at the New England Conservatory. Kebra-Seyoun was also featured in “Slugs' Saloon” at the Institute of Contemporary Art in Boston, an interactive installation created by famed jazz musician and composer Jason Moran. Kebra-Seyoun Charles is also a passionate chamber musician. Playing with groups like East Coast Chamber Orchestra, A Far Cry, Palaver Strings, and the Sphinx Virtuosi afford Kebra the opportunity to showcase virtuosity while still playing within an ensemble. A prime example of this is their tenure on the 2019 Emmy award-winning Broadway production “Hadestown”. Thank you for joining us on One Symphony. Thanks to Kebra-Seyoun Charles for sharing their amazing spirit and music-making. You can find  more info at https://www.kscharles.com. Recordings from the episode include:  Koussevitsky: Concerto for Double Bass, First Movement. Featuring Kebra-Seyoun Charles on Double Bass. Performed with the Boston Philharmonic Youth Orchestra, Benjamin Zander conducting. Dating in NY. Composed by Kebra-Seyoun Charles. Featuring Charles on bass and musicians from the Juilliard School.  The third movement from Andres Martin's Bass Concerto. Performed by Charles with the New World Symphony under the direction of Chad Goodman. First movement from Erich Korngold's Piano Quintet, op. 15. Performed by the ARC Ensemble from the Royal Conservatory, Toronto.  Erich Korngold's Cello Concerto in One Movement. Featuring Victor Julien-Laferrière on cello performing with the Frankfurt Radio Symphony. Conducted by Marie Jacquot. “Another Breakup Song.” Composed by Kebra-seyoun Charles. Featuring Charles on bass. Kayla Williams on viola, Joseph Brent on mandolin, Sommer Alteir on violin, and Kabir Adiya-Kumar on percussion.  “Galaxy,” composed by Xavier Foley. Featuring Kebra-seyoun Charles and Xavier Foley on bass accompanied by the Sphinx Virtuosi.  Holdberg Suite. Composed by Edvard Grieg. Performed by the Palaver Strings featuring Kebra-Seyoun Charles on bass.  You can always find more info at OneSymphony.org or DevinPatrickHughes.com including a virtual tip jar if you'd like to support the show. Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music.   

In this episode of Travel Notes, we explore the vibrant city of Toronto through the music of KUNÉ, Canada's Global Orchestra with special guests, Aline Morales & Matias Recharte. Formed in 2017 by The Royal Conservatory of Music, KUNÉ became an independent collective in 2021. This eleven-piece ensemble includes musicians from around the world, reflecting the cultural diversity of Toronto. We discuss how KUNÉ blends cultural traditions, fosters collaboration, and connects us all through their shared musical experience. https://www.kuneworld.com/ https://www.alinemorales.com/https://www.instagram.com/matiasrecharte/https://www.gracemcnallymusic.com/

For the Record is a conversation series where we speak with all manner of music heads — DJs, music journos, indie label captains, record shop owners, listening bar kingpins, et al — about their stories + the music that makes them. Join the Crate Coalition: https://discord.gg/sAaG6a7bv4 Suzan Peeters (°1999) is a Belgian accordionist, composer, and experimentalist. She is constantly looking for new timbres and sound textures within the accordion, pushing its acoustic spectrum to its limits by manipulating the interplay between her body and the body of her instrument. Suzan studied classical accordion at KASK & Conservatorium in Ghent and at the Royal Danish Academy of Music in Copenhagen. She is currently studying Live Electronics at the Royal Conservatory of Brussels. MUSIC MENTIONS Eurovision Maria Kalaniemi Sara Salvérius Lausanne Underground Film & Music Festival (LUFF) Sonda Festival Q&A TLF Trio CTM “Wind” album by “CTM” Discovering music today (26:00): Concerts, friends Spotify Artists discovered in the past year (28:55): Able Noise BEX Astrid Sonne Lucy Walton First album ever purchased (33:35): “STUFF.” by Stuff. Most recent album purchased (00): “Bitterzoet” by Eefje de Visser Desert island discs (37:01): “Het Will” by Hendrik Lasure “Sweet Harmony” by TLF Trio “Grapes from the Estate” by Oren Ambarchi

Josephine Coombe talks about her career journey; how marketing has changed; work/life balance; & why it's never been a more exciting time to be in supply chain.   IN THIS EPISODE WE DISCUSS:   [07.26] Josephine's career journey; her transition from the arts to technology and supply chain; and why embracing ambiguity is a good thing. “I wouldn't say my career was planned, or at least the first half was more serendipity than planning. But, around halfway through, I started being much more deliberate about where I was going as a professional. And, particularly for young women, allowing a little bit of the unexpected can take you down paths that are very positive.” [08.49] How marketing has changed over the course of Josephine's career; why it's vital to bring creativity and analytics together; and why data isn't everything when it comes to marketing. “It's been a very interesting time to see the shifts in marketing. Back then marketing was, to some extent, more of an arts discipline… And it's changed dramatically, as digital marketing has enabled a much more analytical approach.” “We can go overboard with trying to make the data tell us everything – and it can't. I often see wild goose chases when it comes to attribution, but often what's lost in those conversations is the influencing factors… Not everything can be perfectly measured but, just because it can't, doesn't mean that it's not delivering value.” [14.33] Josephine's role as Chief Commercial Officer at Nulogy – what it involves, how she approaches the role, and the importance of bringing sales and marketing together. “The ability to get out of your silo and into another area enables you to build empathy for other business areas.” [18.37] Josephine's experience of moving from North America to Europe for her latest job role. [22.10] Nulogy's vision of collaboration and co-innovation, and the big industry challenges they're tackling with these core principles. “More and more, we're seeing a reliance on external providers to enable growth. But if you don't know what's going on out there, it's going to be difficult to achieve. It's a big supply chain issue.” [25.02] The significant momentum driving women's involvement in supply chain in the UK, and the different culture it's creating for the industry. “In the logistics industry in the UK, there's been a deliberate effort to move beyond the historical reliance and dominance of men to enable more women in leadership positions.” [27.40] Josephine's experience as a woman in supply chain, and how things have changed for women over the course of her career. [29.33] Why it's never been a more exciting time to be in supply chain, and Josephine's advice for younger generations, especially women, who may be looking to join the industry and take advantage of that excitement and momentum. “The pandemic made very clear to the world that supply chain is critical to society. And it made very clear to big businesses that they couldn't treat their supply chain organizations like an operational necessity, they had to recognize its highly strategic value to the business. So we've seen a tremendous focus and investment in supply chain.” [31.29] The turning point in Josephine's career; the influential people who played a part in her journey; and why you don't ever stop learning. [36.16] Josephine's passion for the arts; achieving her diploma from the Royal Conservatory of Music; and the importance of embracing creativity as part of work/life balance. “For me, creative endeavors are part of work/life balance. It's so important to make sure you've got that type of time to unwind and give your brain something fresh to think about.” [38.41] The future for Josephine.   RESOURCES AND LINKS MENTIONED:   You can connect with Josephine over on LinkedIn. If you enjoyed this episode and want to hear from more inspiring women in the industry, check out 422: Women In Supply Chain™, Kiran Mann or 380: Women In Supply Chain™, Christine Barnhart.

Lotta Wennäkoski is a Finnish composer based in Helsinki. She has won praise and has been described as a lyrical Modernist and post-Expressionist. She studied violin in Budapest in her youth. She also studied music theory & composition at the Sibelius Academy in Helsinki as well as the Royal Conservatory of The Hague under Louis Andriessen.   Wennäkoski launched her career composing for radio plays and short films. Her breakthrough was her performance at the Musica Nova Helsinki festival in 1999. Her work consists of orchestral, chamber and vocal works, many of which are performed worldwide. Notable works include Sakara for orchestra (2003), the flute concerto Soie (2009), which was one of the recommended works at the UNESCO International Rostrum of Composers in 2012, Verdigris for chamber orchestra (2015), commissioned by The Scottish Chamber Orchestra, & the harp concerto Sigla (2022) for Sivan Magen & the Finnish RSO, which was awarded the Gramophone Award 2023 for the contemporary music category. Wennäkoski was the artistic director of the Tampere Biennale festival in 2008 & 2010, composer-in-residence of the Tapiola Sinfonietta in 2010–2011 & designed the program of the Avanti! Summer Sounds festival in 2017. Meanwhile, Heikki Nikula is no slouch either. He's a Finnish musician from Seinäjoki, a small city in the southwest of Finland. He plays numerous wind instruments, percussion & harp but is most known for his work on bass clarinet. He is one of the only proponents of the bass clarinet as solo instrument & has a special fondness for free improvisation. He graduated from the the Sibelius Academy & joined Helsinki Philharmonic Orchestra in 1991, for whom he continues to perform. He also works with the renowned Finnish chamber orchestra Avanti! & the Free Okapi ensemble. He has also performed on numerous Finnish film & series soundtracks inc. the Battle for Finland. He has recorded 2 CDs of solo music for the instrument – Hoepnadium & Piping Down the Valleys Wild. He has been a member of the Helsinki Filharmonia since 1991, & is one of the original members of the renowned Finnish chamber orchestra "Avanti!." Sound collage backdrop: b/art & Wreck This Mess  

Ronnie Dawg Robson is a highly sought after session musician. While he is primarly known as a top shelf bassist, and is listed in "The Titans of Bass" as one of the top 130 bassists the world over, he has a much broader resume than that.This is from his own website:   To date, Ronnie's resume is outstanding for he has recorded bass tracks with current and/or ex members of; Ozzy Osbourne, Black Sabbath, Whitesnake, Hollywood Monsters, Deep Purple, Megadeth, Testament, Quiet Riot, Blue Oyster Cult, Thin Lizzy, The Band, Paul Di'Anno, Mayan, Alice Cooper, Prophecy, Firewind, Ronnie James Dio, Fludd, John Lennon, Platinum Blonde, Hand Over Fist, Sunroad, Rainbow, Jeff Beck, Hollentor, Metalium, Danko Jones, Goddo, Heaven and Hell, Jethro Tull and the Michael Schenker Group. ​He has been in the music business for forty-one years, studying classical piano from the age of seven with the Royal Conservatory of Music, moving on to guitar studies at the age of twelve. At the age of nineteen, he began working in multiple Toronto based recording studios as an engineer, session musician, forwarding into stage and tour managing with various acts, to opening his own production company - aligning with various artists in both concert, television and documentary productions.We discussed all this and more during our chat.    Here's where you can find his web site:https://www.ronnierobson.com/Here's where to find my YouTube channel for the raw video version of this episode:  @tommysolo9154And if you like this podcast & would like to help me to keep it going, why not go to this site & buy me a coffee or two?     https://buymeacoffee.com/tsolobandqBecome a supporter of this podcast: https://www.spreaker.com/podcast/tommy-solo-s-famous-friends--4318572/support.

Raffaele DiNoia is a profesional flamenco dancer. From age 14-19 he was in the Royal Conservatory of Dance Mariemma. At age 19 he was in the Company: Ballet Español de la Comunidad de Madrid.   Raffaele is Mr. D Math's son and has been homeschooled since grade 4 through graduation.    Listen to hear how Raffaele went from a homeschool student to a professional dancer!      Thank you for listening to the A+ Parents podcast. If you love the show, don't forget to subscribe, share and leave us a review. Also, follow us online at www.aplusparents.com  www.mrdmath.com or on our social channels @MrDMathlive @aplusparentspodcast   Also, host Dennis DiNoia has a new book out NOW called “Teach: Becoming Independently Responsible Learners. Order your copy: https://aplusparents.com/teach   OR on Amazon   https://www.amazon.com/dp/B09X2B3MG8/ref=cm_sw_r_sms_api_i_DDH16A3BD5X79CSFSQXB   To learn more about Mr.D Math Live Homeschool classes, visit:   https://mrdmath.edu20.org/visitor_class_catalog?affiliate=10252228                

Join me today as I sit down with my dear friend Lisa Broere, who serves as the Head of Dance at Bethel Conservatory of the Arts. In this episode, we delve into our shared journey of helping pioneer a University.Lisa shares her passion for training dancers in a unique way, and we discuss the sacrifices involved in building dreams, the importance of flexibility, surrendering expectations, and pursuing our aspirations with openness. We also explore themes of healing through disappointment and the empowering notion of seizing opportunities to create positive change. Join us for an inspiring conversation about resilience, faith, and the transformative power of pursuing your calling.Lisa Broere-Van Der Laan is the Head of Dance at Bethel Conservatory of the Arts and the Founder of Commūne Dance Company. Born and raised in the Netherlands, Lisa received her training in classical ballet and modern dance at the Royal Conservatory in The Hague.With extensive experience in professional dance, teaching, and leadership, Lisa has developed a holistic approach to her teaching style. She aims to create an environment where dancers can thrive emotionally and reach their full potential in body and expression. Lisa is dedicated to fostering a community of connected dancers who wholeheartedly express themselves and aim to bring an encounter with God through movement.Lisa currently resides in Redding, California, with her husband Michael and their daughter Rosalie.https://www.instagram.com/lisa_broere/ (https://www.instagram.com/lisa_broere/https://www.instagram.com/communedancecompanyFacebook - https://www.facebook.com/lr.vanderlaan/ (https://www.facebook.com/lr.vanderlaan/)Ella's website: www.ella-hooper.comFollow Ella on instagram: https://www.instagram.com/ella.hooper__/

Dr. Kari Ragan, is a voice teacher and rehab specialist, Master Teacher for National Association of Teachers of Singing (NATS) Intern Program, co-founder of Northwest Voice Conference. She joins Alexa to discuss NATS' mission, benefits of membership, and the upcoming conference. Also, insights on NATS International Congress of Voice Teachers 2025 KEY TAKEAWAYS NATS (National Association of Teachers of Singing) supports singing teachers with resources, networking, and professional development, promoting excellence in vocal instruction through conferences, workshops, publications, and certification programs. NATS Chat offers live online discussions for voice teachers and singers on diverse topics like vocal technique, repertoire, teaching, and business strategies. Hosted by NATS member Kari Ragan, it features prominent guests from the industry. The International Congress of Voice Teachers (ICVT), is a global event facilitated by NATS and other associations, offers masterclasses and sessions for voice teachers worldwide. The next event is ICVT Toronto 2025, hosted by NATS, The Royal Conservatory, and University of Toronto Faculty of Music, from July 31 to August 3. BEST MOMENTS  “It's where I came out of the mindset of wanting to be a singer to wanting to be a teacher” “We believe in moving the profession forward” “It can be so overwhelming with what we're expected to know nowadays”   EPISODE RESOURCES  Guest Website: KariRagan.com Social Media: Facebook: @Voice Studio of Dr. Kari Ragan Relevant Links & Mentions:  National Association of Teachers of Singing (NATS): https://www.nats.org/ NATS International Congress of Voice Teachers Conference 2025: https://www.nats.org/icvt2025.html NATS Chat Archives: https://www.nats.org/nats-chat-transcript-archive.html NATS Chat Youtube Platform: https://www.youtube.com/officialnats The work of Scott McCoy Kerrie Obert: https://obertvoicestudios.com/ & https://portal.getvocal-now.com/pages/home The work of Dr Marco Guzman  The Efficacy of Vocal Cool-down Exercises by Dr Kari Ragan: https://kariragan.com/wp-content/uploads/2014/02/The-Efficacy-of-Vocal-Cool-Down-Exercises-JOS-2018.pdf The work of Lynn Helding: https://lynnhelding.com/ The work of Lynn Maxfield   The work of Marci Rosenberg: https://www.marci-rosenberg.com/ The work of Leda Scearce The work of Peggy Baroody The work of Karen Brunssen  So You Want to Sing Musical Theatre by Amanda Flynn  A Systematic Approach to Voice: The Art of Studio Application by Dr Kari Ragan Singing Voice Rehabilitation: A Guide for the Voice Teacher and Speech-Language Pathologist by Karen Wicklund  NorthWest Voice: NWVoice.org The work of Martin Nevdahl  The work of Albert L Merati  The work of Dr Ingo Titze Dr H Steven Sims John Henny: https://johnhenny.com/ The Fall Voice Conference: https://www.fallvoice.org/ The Voice Foundation: https://voicefoundation.org/ Pan American Vocology Association (PAVA): https://pavavocology.org/ The work of Ian Howell  Vocology in Practice: https://www.vocologyinpractice.org/ (Podcast) Singing Teachers Talk Podcast: 154 Managing Imposter Syndrome, Low Confidence and Overwhelm as Singing Teachers with Alexa Terry: https://linktr.ee/basttraining?utm_source & https://www.youtube.com/@SingingTeachersTalk/videos BAST Book A Call ABOUT THE GUEST  Kari Ragan, DMA, MM, BM, is an accomplished singing voice rehabilitation specialist and educator. With numerous awards and affiliations, including the University of Washington Laryngology program, she's known for her book "A Systematic Approach to Voice '' and co-founding the Northwest Voice Conference. ABOUT THE PODCAST BAST Training is here to help singers gain the knowledge, skills and understanding required to be a great singing teacher. We can help you whether you are getting started or just have some knowledge gaps to fill through our courses and educational events. basttraining.com Updates from BAST Training

Bio: Emma has over twenty years of playing experience, and has received national recognition from the Royal Conservatory of Music in Canada.  Although flute has been her main focus for many years, in university she developed a love of video game music and sound. She began to expand upon those skills and now splits her time working as a sound designer and editor, a session musician and as a flute folk metal solo artist under the name Ember Belladonna. ​ Interested in our services? C-Squared is a multinational team specializing in music PR and marketing of all kinds including album campaigns, tour promotion, PR consultation, social network development, ads management and sales consulting. With agents in Canada, the United States and the United Kingdom, we offer worldwide promotion for your music.  ⁠https://csquared.info/contact-us/

Leeds-based Italian-born artist Stella Wembley  began her musical career in Italy as a soprano while studying opera at the Royal Conservatory of Music "San Pietro a Majella" in Naples. Upon graduating, she found limited opportunities on the Italian music scene, she moved to London in 2017, where she found inspiration and avenues as a musician, performing at venues in Leeds, Blackpool and London. She is a  vocalist, lyricist, composer, music producer and video director. She  released  her 'Wasting My Time' EP, a four-track release of sheer electro-goth delight surrounding the track 'Wasting My Time'.  The loop- and arpeggio-driven synth backdrop feeds a retro new-wave vibe, and the catchy chorus underlines multiple conflicting sensations from dark melancholy to fiery self-expression, while exploring the esoteric and mystical and ultimately death, rebirth and destiny. Wembley has collaborated and performed with Lloyd Price (The Frixion), Auger, Inkubus Sukkubus, Zeitgeist Zero, Last July, Rome Burns and Machine Rox. Stella is currently working on her new album "The Alchemy of the Dark Arts'," which will feature Michael Ciravolo (a.k.a. Beauty In Chaos) on guitar.https://stellawembley.comQUEEN OF WANDS with DJ NOCTURNAEvery Saturday on ModSnap Radio | KMOD: San Antonio3pm (HST), 5pm (PST), 6pm (MST), 7pm (CST), 8pm (EST)THANK YOU for your continued support.Follow me on my other social media sites :Website: https://djnocturna.comRadio: : https://modsnapradio.com  Facebook: https://www.facebook.com/nocturna.remixed/Instagram:  https://www.instagram.com/djnocturna/Twitter:   https://twitter.com/djnocturnaTikTok:  https://www.tiktok.com/@dj.nocturna

Allison Au‘s new record Migrations is a suite of music that is an homage migrants.  Commissioned by the Royal Conservatory of Music in 2019, inspired by the stories of her grandparents from Eastern Europe and from Asia, Allison has created … More ... The post Allison Au – New Album “Migrations” appeared first on Paradigms Podcast.

In todays episode we perch in a new Italian Cafe in Santa Eulalia over two glasses of cold crisp white wine in the winter sunshine to meet Ukrainian jazz Haprist, Alina Bzhezhinska.  Alina is undoubtedly one of the leading harpists in the world today and is a one-woman powerhouse on a mission to bring the harp to the fore of contemporary sound.  A jazz harpist, composer, band leader and a founder of the digital platform HipHarpCollective, she's also trying to remarket the harp in her lifetime.  Alina Bzhezhinska has performed at Balmoral Castle for HM the Queen's 80th birthday, was commissioned by Thai royalty to arrange the music written by the late King Bhumibol Adulyadej and more recently could be found creating with UK jazz frontrunner Kamaal Williams on his second studio album, Wu Hen.  Having studied Classical Harp at the F. Chopin Academy of Music in Warsaw, obtained a Masters in Arts in Poland, a spot at the University of Arizona to study jazz ensued. Relocating to the UK in 2002, Bzhezhinska went on to become the resident harp tutor at the prestigious Royal Conservatory of Scotland for seven years.   She now lives in Ibiza and is making her new album on the island with a fusion of electronic sounds and beats. At The HUB studios.    

Did you know that different kinds of sound can effect our bodies, emotional well being and everything about and within us? Meet Sharon Carne who today is an incredible sound wellness expert. Sharon will tell us how she always has had a love of music. She learned classical guitar and eventually secured a degree in music. Her journey to that degree is an amazing one. She was clearly, as you will hear, absolutely fixated on and committed to securing that degree. She taught Music for some thirty years. Along the way she began to take an interest in sound, music at first, and then other sound that could help people heal many things. Some 15 years ago she and her husband began the Sound Wellness Institute. Sharon retired from teaching full time in 2016 and now devotes her full time to the institute to teach and help others through the use of sound. Our discussion is, to me, quite inspiring and informative. I believe you also will learn a lot from what Sharon has to say. Along the way, please visit www.soundwellness.com to learn more about Sharon's work. At the end of our episode Sharon offers some free gifts. We have put links to them in our cover notes. About the Guest: Sharon Carne, BMus, M.F.A., Director of Training and Program Development for the Sound Wellness Institute, is an author, international speaker, musician, recording artist, reiki master, sound healer and publisher. In addition to almost 30 years as a faculty member of The Conservatory, Mount Royal University, Sharon spent about 20 years doing personal research and formal training in Sound Therapy and Sound Healing. In 2008, Sharon was invited to participate as a facilitator in a study on stress reduction sponsored by the Integrative Health Institute at Mount Royal University. She developed a program for the study using a variety of ways sound and music relieves stress. Sharon is the founder of Sound Wellness, the Sound Wellness Institute and co-founder of the Emergent Workforce, the most recent expansion of offerings through the Sound Wellness Institute. Through the Sound Wellness Institute, she developed programs and training for holistic practitioners. Sound Wellness is now its own modality and practitioners receive the highest level of tested competency training in Canada in using sound and music to support their practice. The Emergent Workforce programs have been developed because of requests and interest from the business world. Ways to connect with Sharon: LinkedIn: https://www.linkedin.com/in/christopherrangonh/ Calendly: (To book a 1:1 Mentorship Session) https://calendly.com/christopher-rangon/mentorship TikTok: https://www.tiktok.com/@chris_rangon/ Youtube: https://youtube.com/@skateboardcrh12 **Instagram: ** https://instagram.com/chris_rangon https://www.instagram.com/christopherrangonspeaks/ Gifts for your listeners Nervous System Balance A 4-minute track of tuning fork sounds. Listen to the track once in the morning to start your day with calm and focus. https://soundwellness.com/balance/ Woodland Song A 60-minute recording of a forest creek and birdsong. Play quietly in the background when you are working to keep your body and nervous system calm and your mind alert. https://soundwellness.com/woodlandsong/ About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can also subscribe in your favorite podcast app. Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes **Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i  capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. **Michael Hingson ** 01:21 Well, welcome to another episode of unstoppable mindset. Here we are once again. And it's always fun to be here. I love interviewing and and conversing more than interviewing with lots of different people. And today we have Sharon Carne as our guest, who is the founder of sound wellness and one of the cofounders of the sound wellness Institute. She's going to tell us more about that. She's going to talk about things I've known for a while that is the truth of how sound can affect us and does affect us. But she's going to be the one to talk about that because she's the expert, of course. So anyway, we will get to that. But I want to first welcome you, Sharon. Thank you for joining us here on unstoppable mindset. **Sharon Carne ** 02:06 Thank you so much, Michael, what a delight to be here to be able to share a little bit about sound. Well, **Michael Hingson ** 02:14 that is, of course a lot of what podcasts are all about and and hopefully we can make it all sound reasonably decent as it were. But why don't we start maybe by you telling us about kind of the early Sheeran growing up in some of those kinds of things to sort of set the stage for what we're going to do later. **Sharon Carne ** 02:30 Oh my goodness, I've had music in my life all my life as long as I can remember Michael, and it probably from my mom singing. We used to my dad was in the armed forces here in Canada radar technician. So we traveled long distances in the summer to go visit family and mom would sing all the way across the country. And we had our favorite songs. And then that led to singing and choirs sang in church choirs, school choirs, as long as I can remember, oh, one day when I was or at Christmas time when I was 16 years old, there was a guitar under the Christmas tree. And from having grown ups, mostly singing, playing a little bit of recorder, that guitar was such a fun thing. Oh my gosh, we were so lucky. We had a guitar teacher half a block away. And so I signed up for lessons right away. He just happened to be a classical guitar teacher. And so he started me on that and inspired me with every single lesson was playing recordings of some of the masters and classical guitar and I just fell in love with it. Totally fell in love with it. And it's interesting how sometimes you dropped something as you get focused on something else when I went off to university, and it came back in a big way later. **Michael Hingson ** 04:04 I I know exactly the kind of thing that you're talking about. We moved to California when I was five. And it was the first trip I really remember although I think we've probably we probably did some driving around before then. But my dad liked to sing and he was a fan of Old Country and Western songs. I mean, we're talking about back in the country western days have 40s and 50s and so on. And he even yodels a little bit. So he's saying a lot. And we we got to enjoy that and always loved it when as he was driving, he would sing. And then he he also did have a guitar. He had an old Martin grand concert guitar from 1940. He got it by training something for it and I actually still have it. But he would occasionally get it out and play so I know what you're talking about. I know the excitement and the feeling that you had **Sharon Carne ** 05:01 Oh, what a beautiful thing to have still Michael, my goodness, great memories. **Michael Hingson ** 05:07 It's in the guitar is an incredibly rich sounding guitar. Of course it's it's not an electric guitar at all. But the sound is just very rich. It's a very full bodied sounding guitar. It's a lot of fun. Anyway, so you took lessons and you, you said that it came back to to be something good for you later on. Hmm. **Sharon Carne ** 05:33 It did. And so and in a way that wasn't quite expected to because I went off to university, and I did well in high school in sciences and maths. So majored in in math and sciences at university and it did not go well. It did not go well. So I, I left university after the first year in registered in Teachers College at the time, and did one year at Teachers College and ended up teaching in a tiny town in northern Ontario. And the love of music continued there by joining the Town Choir, there was an amazing music teacher in our tiny town, we put on shows, we did concerts all around the area. And my interest in the guitar, which had been put away for a few years while I was doing this, at least two years, came back again. And part of my finishing my degree at university, I took summer courses. And in the second summer course I signed up for a music history course. And oh my goodness, it lit a fire under me like nothing I've ever experienced before. So I went into the professor at one of the professors at the end of that course. And I said, What do I have to do to get into this university as a music major. And so he told me, I needed this level of playing, and I needed this level of music theory. And I said, okay, and off I went. It took me two years, but I got entrance requirements to the university to get in as a music major. not expected. It was such a fascinating, fascinating fire. That was the passion that was that was lit at that time. I just had to continue. **Michael Hingson ** 07:30 So what did you have to do? You miss mentioned the level of playing what does that mean? **Sharon Carne ** 07:38 Well, in Canada, they have an examination system through the Royal Conservatory in Toronto. And so I needed to play I needed to have an exam at the grade eight level at the time, along with the the theory that was required music theory that was required for that level. And I had had a year and a half of guitar lessons. So it was it was an accomplishment to to find a teacher from. And I was teaching in a tiny town in northern Northern Ontario, the closest teacher who could teach me at that level was an eight hour drive away. And so and I had no car, so I called him up and I said, I have to take lessons with you. I need a grade eight, in in classical guitar and what's involved in so I was teaching public school and in this tiny town, so on Friday night, I'd help on the bus and be on the bus all night, get to the city where the guitar teacher lived, have my lesson that morning, hang around the bus station the rest of the day. I'd take the bus all night to the back home again on on Saturday night. And I did that for two years. And after two years, I did the exam and got my grade eight and all the theory required. So **Michael Hingson ** 09:11 what does it mean though from a playing standpoint, to have a great eight What did what did you have to play or what did you have to show through guitar playing? **Sharon Carne ** 09:20 It's it's probably a concert level to play pieces that are that are complicated enough to be able to sit in a theater and play a concert on the classical guitar at the beginning stages of that. **Michael Hingson ** 09:41 Once you did it, **Sharon Carne ** 09:43 I did it. I could not not do it. It was there was no there was no question. It was something I I had to do. I had to get in to the university and get a music degree. I just I'm not. It was a drive that I couldn't exist. lane? **Michael Hingson ** 10:02 Well, but it was your drive. And that's what what really matters with a lot of commitment to take a bus all night and then do your lessons and then wait for the bus to return. So while you're waiting at the bus station, did you play the guitar? **Sharon Carne ** 10:15 No, no. I don't remember do I know. I didn't practice? No, I didn't practice there I practice at home, there was a confidence level to because I was on an extremely accelerated study path to get to that level in two years. **Michael Hingson ** 10:37 So he packed a lot into each of your your lessons, obviously. Mm hmm. That's cool. So then you got into the University? And how long were you there? **Sharon Carne ** 10:52 Yeah, I will. I was there for three years, because I had already had one year of university, I could use those courses as my arts and science options. So I completed the rest of the music degree. It's a four year degree in those three years. And, and then it just felt like, there was so much more to learn. So I applied for a master's degree at two universities, and was accepted at both one of them in London, Ontario, and the other one in Minneapolis. So I went to Minneapolis, and did a two year master's degree after that. And then it kind of felt like I had a good grounding. I had such acceleration, that it felt like there was a lot of catch up to do. Also, after I got my entrance requirements anyway. **Michael Hingson ** 11:44 What made you decide to go to Minneapolis as opposed to London, Ontario, **Sharon Carne ** 11:49 the university in London, Ontario was mostly a music history degree and I loved music history, but I wanted to learn how to play the guitar better. And Minneapolis, the University of Minnesota there, they had a guitar teacher and an option to focus on performing, which is what I wanted to develop more skill in. So I did that. **Michael Hingson ** 12:14 So was it all classical? Or did you branch out into other kinds of music at all, **Sharon Carne ** 12:20 it was all classical. **Michael Hingson ** 12:23 Which is probably not too surprising. That'd be the sort of level or orientation that that music degrees in would take and so on that they want you to really get the classical part of it and, and get all the challenges and nuances, because they're probably a lot more in from a guitar standpoint, nuances and, and sophisticated things to learn then going into more of the modern music, which isn't necessarily as much guitar being out in front as the only thing as with classical music, I would assume. **Sharon Carne ** 13:03 There are certainly skills of nuances in a group and in popular music, however you write about it with the guitar and being the only performer at least when I hit solo, where that there was a lot of a lot of skill and nuance for sure. **Michael Hingson ** 13:18 So when did you graduate with your music degree? What year was that? **Sharon Carne ** 13:23 It was 90 Well, in the from Queens, I graduated in 1977. And then from the University of Minnesota in 1979. **Michael Hingson ** 13:34 Okay, so you are now a master's degree holder and dealing with music. And you play the guitar pretty well. So then what? **Sharon Carne ** 13:47 Well, I returned to Alberta, Canada, where I got a part time job at the college. They're teaching music teaching guitar as a start for what to do next, because I wasn't quite sure. And, and when when I was I taught at Red Deer college for two years. And in the meantime, I met my husband, and we got married, and he immediately got transferred to Houston. So it kind of ended my opportunity to teach it read your college and we ended up in Houston for about three and a half years. **Michael Hingson ** 14:30 Wow. So what was he doing at the time that took you to Houston? **Sharon Carne ** 14:37 Well, he was in the oil business, an engineer and so he was transferred there to do testing on oilfield equipment and quality kinds of things. So he's an engineer, so got into that field. And because I didn't have a visa to work in the United States. I we had our two children there In Houston, we have two boys. And I learned how to play another instrument called the lute, which was great fun, so it was filled with kids and lute playing. **Michael Hingson ** 15:13 Did you do much guitar playing? **Sharon Carne ** 15:17 I did some with what with a baby. And then with the second child who came along just before we move back to Canada, it what I did I did some guitar playing. And then also the lute. Hmm. Wow. **Michael Hingson ** 15:35 Two different instruments indeed, though. Well, **Sharon Carne ** 15:37 I think the Luton part was was healing for me, because I had started taking it when we got down there, there was a great loot teacher and I found someone who would make me a left handed load, I play left handed. So I had to have the instrument specially made. And my father passed away after we were down there for about a year. And I couldn't play my guitar. I couldn't play it. So what I did is I played the lute, and learned more. Well played it more became more proficient on the lute. And doing that for the next probably nine to 12 months. Michael was really healing for my heart, and then I could pick up the guitar again. **Michael Hingson ** 16:29 Well, so you, you had three and a half years in Houston, then you move back to Canada back to Alberta. Uh huh. And then what did you do? **Sharon Carne ** 16:42 Well, we moved, we moved into Calgary, Alberta. And after the kids were a little bit older, about a year after we moved here, and we're still in the same house in Calgary, I applied, or I was asked actually to join the faculty of Mount Royal University. They didn't have any guitar teachers there that specialized in teaching young children. So I ended up there for almost 30 years, and teaching all ages from three years old up to in their 70s and really had a very fulfilling career with with doing something I really, really loved. **Michael Hingson ** 17:25 You said you did that for 30 years. **Sharon Carne ** 17:29 At Yeah. And then sound wellness came along. And it was a gradual shift into what I was doing now. And that was a bit of a surprise to wasn't something I hadn't expected. So it kind of it it started to grow. During my last five or so years of teaching at the Conservatory. **Michael Hingson ** 17:55 Well, tell me a little bit more about that, if you will, the what, what started that whole thing, and what was the overall eventual cost for the shift? **Sharon Carne ** 18:06 Oh, gosh, it probably started with, with innocent experiments. So teaching, teaching adult students, I had a group about eight, six or eight students at the time, who wanted to gain more confidence in performing so I, I ordered every book on stage fright that I could find and read them all and picked a whole pile of exercises that we could experiment, I called a coffee shop, to coffee shops in town and organize informal evening performances for everybody. And also art galleries. If they wanted music for the opening of an art show. It's another great opportunity, low pressure for people to just sit in and play background music. So we tried out a bunch of the exercises. And we found out that one of the ones that worked the best was imagining a color while we were performing. And the weird thing about it was that every time we did it, at least one person in the audience would get the color. I'll never forget that. I gave one concert in, in a town during this time we were exploring near here. And I chose one piece on the program to practice imagining the color with and this woman came up to me after the concert and she pointed to that piece on the program. She said Sharon, this piece was so beautiful. It reminded me of sitting by the ocean. The color was so blue. And I thought okay, this is no longer a coincidence. It had happened too many times. So I started really By doing my own research and asking questions like, What is it about sound that makes it a carrier for the lot? And of course, emotion? And what is it? That that? What how can it do that. So I got all kinds of books in the library ordered books and ended up studying with two of the pioneers in in America in sound healing a few years after that grant, so it's a gradual transition from what I was doing to how the interest in sound healing was really sparked. **Michael Hingson ** 20:40 Well, love to hear more about that in terms of what it is what it does, and, and just your journey about all that. **Sharon Carne ** 20:52 Well, sound healing is it's, oh, gosh, it's exploding all over the world. And they're still, it's still in a way being defined. As far as probably where it sits now is it's a modality. It's related to using the voice or frequency or sound tools like singing bowls, or music in order to stimulate a healing response in the body. And so it it is fascinating modality because of the wide variety of tools that can be used in order to stimulate that. And there's the at the time when I was becoming interested in sound healing, there weren't a lot of people teaching it. I did find Jonathan Goldman's with his intensive workshops, the where I attended, probably 20 years ago now. And and then studied with Tom Kenyon in Seattle, who is a psychotherapist who developed a technique for working with the voice and releasing emotional energy to stimulate that beautiful healing energy of the body. And it it was something that that fascinated me so much having spent a lifetime in sound, I had never really thought how powerful a tool it is to support the body in healing. **Michael Hingson ** 22:26 So when you talk about sound healing, and I think there's a fair amount today of accepted science that it can help or cause different kinds of reactions in the body but what what does it heal **Sharon Carne ** 22:48 well, I like to call sound food for the nervous system, and like junk food and good food and super food that we had junk sound that stimulates the release of stress hormones from the nervous system which the which increases the the, I guess, disease loader or stress load on the body, which can create disease and discomfort. The Good Food are things like major sounds that can help the body just go into the relaxation response that so many people need. There are there are several so many hormones that are released by the brain in the nervous system every time we experience sound and music, and four of them at least our our immune system boosters, then there's oxytocin, the bonding hormone, that one if for those people who love going to hockey games and football games when everybody's singing, we will we will rock you in in the stands for to support their favorite team that stimulates oxytocin which binds all the fans together along with the team and others dopamine and serotonin there's all kinds of neuro neurotransmitters that are stimulated from sound that that then go into the tissues of the body and stimulate that healing response depending where the intention is focused to. **Michael Hingson ** 24:19 And when you talk about sound healing, you're talking about real physical healing. It isn't just a mental thing necessarily but real physical healing. **Sharon Carne ** 24:33 Yes, there I can share a story of one of our calls where we have monthly calls for our practitioners and on this one call the topic was how to come up with a series of tuning fork sounds so we were studying tuning forks in that course and to support reducing pain or or helping you something to to heal and carry one of the practitioners had just had a rotator cuff injury that day, she had been to see her physiotherapist in, she described her pain level as a level nine out of 10. So very high pain level. And she was really uncomfortable on the call. So her question was how, how can I create a series? The wish was a topic? How do I create a series of tuning fork sounds? So I said, Carrie, how about we create a series of sounds to reduce the pain in your shoulder. So she, she recommended four different sounds that she felt would help her shoulder reduce pain. And what I did is I pointed the tuning fork, so we were all online. So I pointed the tuning forks to her shoulder, I pointed them to her image on the Zoom screen. And so we worked with the first one and then the second one. And she said, Well, the pain is probably about a level five. Now, when we completed me just pointing the tuning forks to her image on the Zoom screen is her pain level is down to a to two to three. And it didn't it got better over the next couple of days. She went to see her physiotherapist the next day. And she told me in a message after that appointment that her physiotherapist didn't see how that was possible that the pain can be reduced that much with with tuning forks, pointing them at hearing the sound and then pointing them to the person on to her shoulder on the screen. It was remarkable. And something that surprised me too, because I hadn't, I hadn't had the experience that powerful of using a tool I usually use with a person on their body to help reduce pain or bring more blood flow, those kinds of things. And yet it worked online. It was fascinating experience. **Michael Hingson ** 27:05 Well, so that is in well, it's incredibly fascinating because you did it online. And I'm trying to think of the physics of it a little bit, pointing your tuning fork to the image, I guess, might to some degree, help focus the sound, but her image wasn't where the sound was coming from or starting from. So she had to take something in, within herself that also had to help that process, I would think **Sharon Carne ** 27:44 very much so she was directing the sound to her shoulder. There were there were a few other on the call at the same time who held the intention of reducing pain because the goal was to reduce pain. **Michael Hingson ** 27:59 Right. And so it wasn't just you producing the sound, but the listeners hearing that sound and directing it where they they wanted it or knew what had to go. That that makes some sense to be able to say, I'm directing the healing energy that I can feel to where I want it to go. Hmm, well, that is still pretty amazing. But it makes a little bit more sense. It isn't just the sound, as you can imagine, and as we all can imagine, it's also the mental commitment and the mental focusing that goes along with it. I wonder how much different it would have been if she had been in the room with you? **Sharon Carne ** 28:42 That would be that was? That's a really good question. **Michael Hingson ** 28:46 Yeah, how would you how would you project that that would have gone or have you ever had any examples similar where you actually worked with someone in the same room? **Sharon Carne ** 28:57 Well, I've worked with clients in the same room with tuning forks and the singing the large singing bowls on the body. And it works pretty well the same way from what I've seen. And with with the tuning for hip pain, for example, with someone with with difficulty in moving, moving a joint or a pain or around either in the joint with where bones are rubbing together, there are always tissues around the joint that are compensating. So the tuning fork would be used in all of the connective tissue around the joint in order to help release the tension in the muscles and and then to reduce the pain that way and and then on the other side to the other side of the body, which often compensates. But the online is was so fascinating because it didn't have those elements of having the fork actually on the body and feeling the vibration of that sound going through the muscles in the tissue. Shoes? **Michael Hingson ** 30:00 Well, or at least to a much lesser degree, the sound actually approached her hit the body because there was still a speaker and the sound was still there. But she was focusing it, which I'm sure had a lot to do with it as well. And she wanted to make it happen. And she did. Yeah, yeah. Which is, which is pretty cool. Well, so when did you actually end up leaving teaching and go full time into sound wellness and, and then eventually, I assume eventually, but starting the sound wellness Institute. **Sharon Carne ** 30:38 That was a gradual journey to and it was it was probably sparked with a phone call that came from out of the blue Michael, I while I was still teaching at Mount Royal, I had finished my training with Goldman and Tom Kenyon, and had returned back to the conservatory, and I got a call from the director of the Integrative Health Institute at the University. And she said, Sharon, I hear you are into sound therapy. I said, yeah, it's been a very kind of my own private research topic for many years by then and fascinated with it. And she said, Well, I'd like to have you create a program to using sound therapy as intervention in the study on stress that we're sponsoring this year. And so I was delighted to take part in that I created the program. And it was so successful working with the people in my group that I created some wellness about a month after that, and that was in 2008, is when I did that. I left the Conservatory, I gradually my hours were becoming less and less with teaching music, and, and with sound wellness was becoming more and more so in 2016, I finally retired from the Conservatory, and focused on sound wellness, exclusively after that, **Michael Hingson ** 32:12 wow. Well, it's always exciting and a challenge and an adventure to go off and start to do something really on your own. **Sharon Carne ** 32:22 Hmm. There was another complicated Well, I guess another kind of events that were happening in our personal lives at the same time, is we went through eight years during those eight years of starting sound wellness of end of life care for both of its parents, and then my sister, one after the other. So it was it was a challenge sometimes to make sure that there was the there were our priority, and then still bringing some energy to sound wellness to help it grow. And it's interesting how, how these these things kind of happened together. And we were grateful to be able to support mom and dad and then my sister throughout that journey too. **Michael Hingson ** 33:22 Were you able to use any of what you learned with sound wellness or sound healing to help them and work with them at all? **Sharon Carne ** 33:30 We did and we're not quite as much with mom. She suffered a massive stroke and ended up on extended care. So it was a little harder there with dad. Mom was the first to pass away and when dad one of the things that we did with Dad is bring him to one of our courses. And he fell in love with the seeing bowls. And so we bought him a crystal bowl. He couldn't play the Tibetan bowls because he was shaky. He was 91 when he came to our course. And so he his hand was a bit shaky when he was trying to play the Tibetan bowl so the stick would Clank on the bowl. And so we bought him a crystal bowl in a strong base so it wouldn't tip over. And it has a saw a softer stick and an easier way to make the sound. So he said he played that every day before he went to bed and it helped him sleep better. So he loved that. And my sister had cancer and with her I would bring the she had tuning forks with her all the time to help with stimulating her immune system. And then I would come over especially after chemo and play the crystal bowls and it should that would help her pain level enormously and her discomfort level right after chemo. **Michael Hingson ** 34:54 Tell me a little bit more about the singing bowls if you would, please **Sharon Carne ** 35:00 Oh the singing bowls are there's two different kinds. There's what are called Tibetan or Himalayan singing bowls, which are metal and the old bowls and the handmade bowls have a lot of wavering sounds to them and a lot of different frequency levels. And so they are several things they do all those low wavering sounds when the bowl is on the body helps to release muscle tension. We teach a lot of massage therapists how to use the bowls on the body because that makes it easier for or less work for their hands and their arms to massage tissue. The bowl does a lot of that. And then the crystal bowls have more of a pure sound and one or two frequencies only not as many overtones and wavering sounds as the Tibetan bowls do. And Crystal works with intention in a more powerful way I find personally then the Tibetan bowls Do I have an old Tibetan bowl beside me here Michael? If you'd like to hear it, I can play it **Michael Hingson ** 36:10 I would love to if you don't mind that would be great. Please bring **Sharon Carne ** 36:14 bring it over a friend of mine nickname this incredible it's about 16 inch it's about 16 inches across and it could be several 100 years old who has a lot of beautiful sounds so here's how this **Michael Hingson ** 36:33 how deepest the bowl or how **Sharon Carne ** 36:41 we it probably goes down to I don't have Edie measured at all on his oscilloscope Pat program on the computer. It probably goes down into 20 hertz 30 **Michael Hingson ** 36:53 No, I mean but physic physically you said is 16 inches across but how deep is it from top to bottom? **Sharon Carne ** 36:58 Oh go deep from top to bottom. Hmm, probably about seven inches. All right, it has around the bottom so a little tricky. Yeah. Okay. Okay, go ready for the sound? Yes, please. Okay, here it is **Michael Hingson ** 37:22 Wow, okay. **Sharon Carne ** 37:24 I need to I need to put on original sound here to take There we go. So if I can tap it again then just give more in sounds because zoom has a setting for sound that I didn't have on yet. Okay, so here we go **Sharon Carne ** 38:00 it'll go on and on and on it will **Michael Hingson ** 38:02 so several reactions one going back to the person with the sore shoulder I can see how even though it was online the richness of the tone in your right when you change the zoom setting it made all the difference in the world but how that coming through the speaker could especially depending on the microphone but still be something that would be very usable online because the the the audio was a very full rich tone from lows to highs as you said Ed, I'm sure measured it with an oscilloscope that gave a spectrum there but I bet somebody who was in a remote place would get a pretty good range as well again, it's always a question of how good the microphone is but you seem to have a pretty good microphone there. **Sharon Carne ** 39:04 Yeah, we invested in in a good quality microphone because I work with sound online and one of the things I wasn't quite sure about Michael is I started doing sound baths online sound bath this is a an experience with several different bowls and sounds and to a group of people and I've played with doing them online for about a year before I started doing them more regularly, and it blows me away hearing the response from people and how effective they are online. I've done many of these events in person so they're they're powerful in person and I wasn't sure about online but after the experience with carry on the the feedback from the people who've been attending the online sound baths, I'm I'm still in awe for the response it creates Send people. **Michael Hingson ** 40:01 Again, as I think about it, I guess I'm not too amazed because you've got a good audio source that is collecting the sound. And that's got to have a lot to do with it. Because if you don't have good audio, then you won't produce good audio at the other end, but you clearly do. But still, it is kind of wonderful that you're able to do this virtually as well as work with people in a in a specific physical location. What? How does how does sound healing actually heal? I know you talked about re producing or releasing different kinds of chemical reactions in in the body is that mainly what it is? Or are there other nuances to the whole concept of sound healing? **Sharon Carne ** 40:54 Well, it it stimulates the nervous system to release hormones and neurotransmitters that support the healing of the body's own way of healing. Also for for the large bulls that using them on the body helps to release muscle tension, which releases emotional energy that sitting in the muscles and releases the muscles themselves. And, and I like to to, to also say that sound doesn't really heal by itself, it stimulates the natural healing ability of the body, because the body knows how to do that. And so it because sound is felt in every molecule in every cell, then it It stimulates the body in so many different ways in so many different levels. **Michael Hingson ** 41:47 And that is kind of what I was getting to so it's you know, because it's not a magical thing at all. But it is a part of the whole process. And I think as I've said, we've known about the concept that people react to sound and have reacted to sound in various ways, for a long time, and we've known it, but it's great to see that it's being used in such a wonderful way to help heal. Will most anyone react to the sound that you just did with that old Tibetan bowl? Or do different people react differently to different bowls that I assume have different kinds of sounds? **Sharon Carne ** 42:27 Absolutely, we all respond to sound we can't not respond to sound, but we all respond uniquely. And it could be that that that sound of that bowl, several people wouldn't be able to, wouldn't be able to stand it at all. And one of the things we found with with sharing sound, and options, different options you can use to stimulate that healing with groups of people. And one of the things that's so fascinating is that one person will say, Oh my gosh, that feels so good. I relaxed, my heart beats down, I feel so much better. And the person beside them was ready to leave the room because it graded them so much. They couldn't stand the sound. And the person beside them would have well it was so so I didn't like it as much as she did when not I didn't hate it as much as he did. But so it's it's so unique. And that's the part that's fascinating is we all respond to sound and many of us have our own intuitive ways. The music we love to listen to, that helps us to feel better, is an intuitive way because we respond we know how we respond to that. And part of branching out into other types of sound is to explore how it makes you feel because it's different for everybody. **Michael Hingson ** 43:48 So clearly everyone is sort of, in a sense differently wired for sound although we're all wired for sound in one way or another so as you said different people are going to react to different bowls or to different techniques or different I guess it's fair to use the word technologies that you use to produce sounds when you when you played the bowl. Did you just tap the bowl with a stick or with some something? Is that what you need to do or? **Sharon Carne ** 44:16 Yes, I have a gong mallet that has a felt head on and love to tap the mole with that. It because when you tap the ball with a gong mallet, the ball responds almost like a gong. It comes it it plays all soba at so many different frequency ranges from really low frequencies to high overtones. **Michael Hingson ** 44:36 Yeah. And also, it's it's easier on the bowl as well. You're not using some hard stick that can damage it over time. **Sharon Carne ** 44:48 For sure, yes. **Michael Hingson ** 44:52 Well tell me. So this kind of brings up something that you just mentioned brings I'm so different people like different kinds of musics and so on. And obviously, the sounds that we hear, can and do in one way or another stimulate our health. We all like different kinds of music. And I think there are some of us I'm and I'm one of them feels that there are some kinds of music that are just a lot of noise. And they're very loud. And they're very obtrusive. And it's not what I like in music, but I'm assuming that you would say, but for some people, those are okay, or is there? Is there some sort of music that really is just kind of not good at all? That it's, it's just too jumbled and doesn't really help? Or is that a fair thing to say? **Sharon Carne ** 45:46 It's a fair thing to say, Michael and, and this, this one, I can share a story about our son, our younger son, and he is a heavy metal fan. And Ed and I are not heavy metal. **Michael Hingson ** 46:01 I'm not either. And they're just a Frank Zappa. But anyway, **Sharon Carne ** 46:09 I know, when he would buy, buy a record in those days, they were there were records or CDs, I think we're just coming out. Anyway, I have to always check the words, he always chose bands that had positive messages. Fortunately, some of them do not. And when he was 16, he went into a clinical depression. And we took him to the doctor, the doctor gave him medication, which he took one of and said, Mom, I don't like the way I am on this medication, I'm gonna throw it all out. So I said, Okay. And what he did to heal himself, of that depression, was he when he would come home from school frustrated or angry, or whatever mood he was in, he'd run up to his room, slam the door, like a lot of teenagers do. And then he would put on his music, angry music really loud. And so Ed and I had to plug our ears and let him do that. After a few months, he he will, even after just listening to 20 minutes of that 15 minutes of that he was feeling better it for him for him, and helped him to process that out of his system. And with some people, it increases that, which is not a good thing. For for Matt, it helped him process that and it helped to heal him. And so I don't I pause when it comes to making a judgement about a music like that. Because for Matt, I know, it was very much a part of his healing. Well, **Michael Hingson ** 47:47 and that's why I asked the question, because different people like different music. And what I was curious about is basically what you said that doesn't mean that that music can't be helpful or be good for them. Although turning some of that heavy metal music, very loud. Must have some effect on the eardrums after a while to. **Sharon Carne ** 48:11 Oh, yes. Yellow. Yes. And that's where safety comes in. Because yeah, yeah. I industry says that it sustained sound in the work environment can be no louder than 85 Hertz. And a rock concert is about 100 decibels. Thank you. Yes, our rock concert is over 100 decibels usually. And so it is definitely doing damage. **Michael Hingson ** 48:36 The other side of that though, is that the people who are playing in the bands are behind the speakers, so they don't get hit by it as much, which is a point that someone made once we were discussing that very thing. How come the people who are playing don't get deaths? And the answer is because they're behind the speakers, and they're not getting the blast of the louder sounds, but nevertheless, it's still there. And I have never liked really loud music. I went to a concert in 2019. It was Pentatonix, the, the, the vocal group, and they're amazing. They are although I like straight, no chaser even more, but that's okay. They're a group of 10 guys from Indiana. The problem for me with the Pentatonix concert, and I loved it. But unfortunately, I was sitting almost right below a speaker so it was just louder than I liked and I wasn't able to move. But they did one song where they turned off all the microphones. And it was it was exactly as I imagined it. It sounded the same as what they did with the microphones on except just not nearly as loud and it to me sounded a lot better, but they're an amazing group. They were absolutely fun to listen to even though it was loud **Sharon Carne ** 50:00 Hmm, yes. And one of the things our son did, he joined a couple of bands, he plays electric guitar. So when he was playing in the heavy metal bands he got earplugs made that he would put in his ears so that, that being around the sound over and over again, the level of all it wasn't as damaging. So he still uses Wi Fi is goes to a concert or even goes to the hockey game. We have loud fans here in Calgary for the hockey team, so he'll wear his earplugs at the hockey game. **Michael Hingson ** 50:31 I went to Daytona, the Daytona Speedway in 2011, the National Federation of the Blind was demonstrating the first vehicle that a blind person could drive not an autonomous vehicle, but actually it provided the information so a blind person could sit behind the wheel. And they literally drove it around the Daytona Speedway, if you want to see it. It's at www dot blind driver challenge.org. And Mark Riccobono, who's now the president of the National Federation blind literally drove around the whole Daytona Speedway, traveling through obstacle courses and other things and passing a vehicle. But after that, and it was about four hours before the Rolex 24 race began in January of 2011. When that race began, they had passed out earplugs to us when I was a little ways away from the race track. But my gosh, was it loud, we we stayed for 10 minutes and then left because it was just way louder than a lot of us really liked even with earplugs. **Sharon Carne ** 51:33 Wow. And how fabulous I had no idea that a car had been designed to allow a blind person to drive Michael, what great news. Well, **Michael Hingson ** 51:44 it's got a ways to go. And I think that the whole concept of autonomous vehicles will help. But Mark drove this around the the entire racetrack he drove through a couple of obstacle courses of barrels. Then there was a van in front of him it threw boxes out of the back and he had to avoid those and so a lot of randomness to it. It was really pretty cool. But WWW dot blind driver challenge.org. It was it was really kind of fun to be there and be a part of that. But not when the race started. That was a little noisy for us. **Sharon Carne ** 52:17 Oh my. **Michael Hingson ** 52:21 So we we all have minds to one degree or another. But eventually we all get very busy. We get our minds get very busy just involved with every little thing. Are there sounds and ways that we can slow that mind down and get people to step back or just slow down a little bit? **Sharon Carne ** 52:42 Oh, yes, there's a couple in particular, a couple of I could recommend one of them. It has to do with how the body responds to music and the beat of the music. For example, if you go into the grocery store, and there's music always playing, it takes only about four to five minutes for your heartbeat to match the beat in the music. That's called entrainment. Now knowing that your heart wants to try to match the beat of the music, then knowing also that a relaxed heartbeat is around 60 beats per minute, you can make your own playlist of music that will help calm the heart down. And when you calm the heart down, you calm down your breathing and your brainwave state. So it calms the mind down to in fact, I found out recently, Michael that YouTube has 60 beats per minute playlists and a whole pile of different musical styles. What a great tool for people to use. It's fabulous. **Michael Hingson ** 53:44 I have to go check that out. I'm I'm assuming though, Matt felt getting to a slower heartbeat and so on somehow came with heavy metal. **Sharon Carne ** 53:56 No, no, that's the reverse. If you're driving and you need to you need to stimulate the mind. Then having music with a lively beat a faster beat can help to keep you more alert. I love lively Latin guitar and big band dance music is another one of my favorites for driving. Yeah, I love those. **Michael Hingson ** 54:20 I'm a great big band fan. I love a lot of from the 40s and 50s the swing era and so on Benny Goodman but others as well and even more recent album when Linda Ronstadt did a couple of big band albums that were great. Ah, cool. So, but I hear what you're saying. Still. It's it's, it's different for everyone though. But I'm assuming you're saying that it's pretty standard that that we, whether it's the grocery store, whatever our heartbeats typically will match themselves to the beat of different different sounds depending on where we are and what We're doing is that pretty universal? **Sharon Carne ** 55:02 That's pretty universal. And there are genres of music applied psycho acoustic music for one of them that is based on manipulating or changing the heartbeat, and it to create the relaxation response or the reverse to keep the body relaxed and then to keep the mind alert. **Michael Hingson ** 55:21 So people are, I'm sure asking and we've sort of alluded to it a number of times. We know there's healthy eating I'm assuming there's healthy and unhealthy sound besides just being too loud or is that true? **Sharon Carne ** 55:40 Definitely the they're unhealthy sound like traffic noise. There are studies especially from the European Union showing how people who live near mirror major freeways, it has become a major health problem, because the sound of traffic consistently can raise the heartbeat and and also stimulate stress hormones so that that's more like junk sound, unhealthy sound, healthy sound. The three healthiest sounds actually for the body and human are wind, water and birdsong. These are natural sounds that we evolved with? Well, their honor, we have them. Water is essential. So when we have water sounds around us, I think the nervous system response that I'm safe, I can relax there's water is essential for life. Then we have wind which helps us get our bearings, and then we have birdsong. And birdsong affects the nervous system and a couple of ways. birdsong helps us feel safe when the birds are singing, because our ancestors when the birds stopped singing in the forest, they knew there was danger nearby. Another thing that the birdsong does is it stimulates the brain and the nervous system, high sounds will stimulate the brain. And so it can help keep you alert when you need to need to get a lot of work done or have a deadline or something like that. So really healthy sounds **Michael Hingson ** 57:12 I've enjoyed generally being close to rainstorms. Listening to the rainfall, or and sometimes thunder if it's not too loud when it gets to be too explosive, the sound but I have found that rain or gentle storms like that can be very pleasant. **Sharon Carne ** 57:35 Oh, me too. And waves at the surface. Yeah. Yeah. Another one. **Michael Hingson ** 57:40 Have you ever heard of an album I think it's by 101 string is called one stormy night. **Sharon Carne ** 57:47 I haven't heard of that one. I've heard of a couple of others that they've done with nature sounds in the background of the strings. **Michael Hingson ** 57:53 Well, one stormy night is an album that that came about years ago, back when we still had LP discs right before. But somebody in the Los Angeles area recorded a rainstorm. And then they put it to music. They put different songs to different parts of it. And I've always found it to be a very pleasant thing. I actually discovered that it is available when I asked my little Amazon Alexa device to play it. And now I've got some decent speakers that I can project it through. It really sounds pretty good. And I find gentle summer rainstorms like that even with a little bit of thunder to be a pleasant thing. I've also been in storms where thunderclaps come right over our house and they're not quite as fun. **Sharon Carne ** 58:45 No, they're not. We've had both. Yeah, I love the gentle summer rain storms too, or the wind blowing through the leaves **Michael Hingson ** 58:53 are blowing through the leaves. We have wind outside right now. My little system tells me it's about 28 miles an hour. But I also have some wind chimes that someone gave me earlier this year or late last year, just after my wife passed and we put them up as the first time we put wind chimes here at the house but they're very, they're very pleasant. They're very soothing sounding. And so between that and the wind, it also gets kind of nice. And Victorville. There's usually a lot of wind so it's nice to have something that turns it into a little bit more pleasant sound. **Sharon Carne ** 59:29 Huh beautiful. I love wind chimes too. I have them in the in the on our front porch that I just love the sound of them. **Michael Hingson ** 59:36 We have this we have this on our backpack. Well our patio, it's on the side of the house, right outside my family room sliding doors so I can hear it most anywhere in the house, especially if one of the windows is open but I can hear it outside now from my office here and it's really kind of nice to hear them. Well Is there is there some last minute advice or thoughts that you might have for people listening to this and watching it on YouTube? **Sharon Carne ** 1:00:09 Well, I think the main advice Michael would be to become aware of the sound around you because it's affecting you. The human being is so deeply wired to sound in so many ways from heartbeat to receptors in the cells to how it shifts your brainwave state so many different ways and of course, the nervous system. So become aware of the sound around you the music also, so that you start to get a sense of what feels right to you. And what is is good food for your nervous system. And **Michael Hingson ** 1:00:44 feed your nervous system it's well worth doing. Well, I want to thank you for being here with us, Sharon, this has been a lot of fun. And I know you have given us some things too, that we can offer to people listening want to tell us about those. **Sharon Carne ** 1:01:04 There's two things Michael that I've been I love to share. One of them is called it's a recording called the nervous system balance. And it's about a four minute recording. It's four different tuning forks sounds that are are created are these the series of sounds are created to calm the nervous system to settle the nervous system, calm down so that you can start your day from a good place. And so it's something I encourage people to download and play with find out because we are all new unique, find out if this will work for you. And if it helps make your day go a little bit better. The second one is two of the three nature sounds that we talked about. It's a beautiful woodland Creek, and the other one is birdsong. So it's quiet of playing quietly in the background allows the body to relax with the sounds of the water and the birdsong can create relaxation, but also stimulate the mind I like to have it on when I'm writing so so I can it keeps me the body relaxed and keeps me focused. **Michael Hingson ** 1:02:17 And how do people access those, **Sharon Carne ** 1:02:21 the their the nervous system balance is sound wellness.com forward slash balance. And then the woodland song is sound wellness.com forward slash woodland song All one word. **Michael Hingson ** 1:02:42 There you go. Well, and people can go get those and download them and hope they will and I am going to do it. I like waking up to nice reasonably quiet sounds in the morning we used to live up in Northern California in an area of Novato, California called Belmar in keys which was designed to look like Venice, Italy. So every house was either on a lagoon or a waterway between lagoons and especially during the summer it was quiet outside, you wake up in the morning. Some of us like to sleep later than other people in the in the whole association. So we got to wake up to the sounds of boats going by our our house will have we would have the back sliding door and our bedroom open a little bit. And we could hear the boats going by and just all the pleasant sounds of the whole area with the lagoons and all that. And then of course all the ducks who came up because they thought that we should read them. That's a different sound. But we loved the Pleasance sounds of, of the boats and the water. **Sharon Carne ** 1:03:52 Oh, how beautiful. **Michael Hingson ** 1:03:53 So it was great. Well, I want to thank you again for being here. This has been absolutely a joy, you've been a joy. And I really appreciate you coming on to be with us. If people want to reach out to you and learn more about you and maybe explore ways that you can help them and so on. How do they do that? **Sharon Carne ** 1:04:14 They could go to sound wellness.com or sound wellness institute.com. **Michael Hingson ** 1:04:22 And there's contact information there. **Sharon Carne ** 1:04:24 Yes, phone number, email, all of that. **Michael Hingson ** 1:04:28 Great. Well, I really appreciate your time and you taking the opportunity in time to be here. It's now got to be close to dinnertime for you. Which is a different sound. **Sharon Carne ** 1:04:41 Yes, it definitely is. My husband clunking away upstairs. I think Nick is cooking today. So thank you so much, Michael. **Michael Hingson ** 1:04:51 Thank you. This has been a lot of fun. I hope you've enjoyed listening to us out there and that you will take advantage of the gifts and communicate was sharing it would be wonderful to do that. I would love to hear from you want to hear your thoughts your comments please feel free to email me Michaelhi at accessibe A C C E S S I B E.com. And or go visit our podcast page www dot Michael hingson.com/podcast where you can find all of our podcast episodes. Wherever you're listening, please give us a five star review. We really appreciate those reviews and thank you very much in advance for doing that. So I hope that this was worth your time. I really enjoy you doing it and Sharon I really once again want to thank you for being here and we really enjoy having you want unstoppable mindset. **Sharon Carne ** 1:05:40 Thank you Michael. **Michael Hingson ** 1:05:47 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again

This week a story about a woman in Moose Factory who is raising dogs for mushing, an event called Gregorpalooza which helps people in Elliot Lake with cancer, northern hockey players must now sign a code of conduct before hotel stays, Golden Grain Bakery in Sudbury closes its doors for good, and a 10 year old violinist wins a gold medal from the Royal Conservatory of Music.

In this inspiring episode, Toronto-based artist Janine "J9" Carter recounts their transformative journey from the city's lively party scene to sobriety, a pivotal decision made just before the pandemic lockdown. J9 also shares their exhilarating new venture into piloting while maintaining a passionate focus on music production. The episode concludes with the debut of "Pleasure & Pain," a track from J9's anticipated album. J9's music, characterized by its unique blend of '90s trip-hop and experimental pop, reflects a deep connection with personal challenges and global upheaval. Their upcoming album "Colt 45" symbolizes a significant transition in their life, showcasing their skill with Ableton Live and Push, and featuring collaborative efforts with established artists. Born in Dunnville, Ontario, and now thriving in Toronto, J9 has evolved from a Royal Conservatory musician to a distinctive voice in the electronic music scene. Their journey through music and visual arts, marked by both personal and artistic growth, continues to inspire and resonate with audiences. Connect with J9: ⁠Instagram⁠ ⁠Official Website⁠ Additional Details: Produced by: Mei McIntosh and Joel Swift Join Our Community: Dive deeper into the world of sobriety and creativity, and connect with like-minded souls at our online community: ⁠www.thecreativesober.com⁠ Episode Sponsors: Interested in supporting our mission? We are currently seeking sponsors who align with our values and vision. Join us in amplifying transformative tales of sobriety and creativity. For sponsorship inquiries, reach out to hello@thecreativesober.com.

Abigail Abraham is what we call a QUADRUPLE threat, being an actress, singer, dancer and a theatre maker.  After graduating in Musical studies from the Royal Conservatory of Brussels in 2011, Abigail continued to star in and create theatre productions in addition to carving out a career in film,  television and opera. After recently filming supporting parts alongside names like Chiwetel Ejiofor, Ben Kingsley and Monica Bellucci, this is turning out to be a turnkey year for Abigail, having secured main character billing in 2 major TV shows and a feature film released this year.  Join Dominique and Abigail during this heartfelt conversation as the pair take it back to the early Destiny's Child-soundtracked days of this versatile entertainer. Learn how Abigail, with no backup plan, conquered hard firsts in hostile spaces and how her unwavering commitment led her to more freedom and a greater range of choices.  Follow The Most: on Instagram. on Facebook. Follow Abigail Abraham here. The Most Merch is here!   Get 15% off when you subscribe to the newsletter.

On The Guest:  Today's guest is December Rose aka Rosie. She's a singer/songwriter, Italian culture content creator, vocal coach, and founder of December Rose Studios. Some of Rosie's career highlights include studying at the Royal Conservatory of Music, winning a New Artist Spotlight award from Blastro.com and getting awarded New Music Weekly's Top 40 Artist of the Year on the same ballot as Billie Eilish and Shawn Mendes. I love how open Rosie is about everything: From how hard it is to stick with it as an artist when you don't feel successful, to calling out and putting a stop to unhealthy family dynamics…Rosie's just a really brave person and someone I am excited to share with you.  From this conversation you'll learn: Why there are many ways to “make it” as a musician How to approach your artistry as a business How to reparent yourself and heal your inner child How to write about your family How to TRULY have faith The benefits in walking through open doors Advice for building self-love and self-trust And much more!  -Remember to subscribe/follow the show on Apple Podcasts, Spotify or wherever you get your pods. Please leave us a rating and review- it helps SO much in getting the show out there. And tell a friend about the show- podcasts are very personal and tend to be spread person to person. If this show helped you or made you smile, share the love :)  Find all of December Rose's music here; including her newest single “Forever Getting Old”: December Rose Music Follow the show: @unleashyourinnercreative  Follow me: @LaurenLoGrasso  --- Send in a voice message: https://podcasters.spotify.com/pod/show/unleashyourinnercreative/message

David is a Canadian psychiatrist, professor of psychiatry at the University of Toronto, author, lecturer and mental health advocate. He most recently served from 2003-2022 as the Senior Medical Advisor of the Centre for Addiction and Mental Health (CAMH) and a psychiatric consultant.  Beyond his mental health work, he is a member of the board of the Royal Conservatory of Music. He has also chaired the board of governors of the Stratford Shakespeare Festival of Canada as well as chairing the board of directors of the Off Centre Music Salon, a professional chamber music ensemble. David served on the board of directors of the Glenn Gould Foundation.

Download your FREE copy of How to Level up Your Studio Policy in 3 Ways” here: 3 Ways to Level Up Your Studio PolicyAmie Webster, the owner of Motif Music Studios has an incredible story to share with us about her musical journey and her experiences as a piano teacher. Before we dive into Amie's story, I must mention that Amie and I share an interesting connection. Though we haven't met in person until now, we connected through our YouTube channels and content creation. It's amazing how online platforms can bring people together, making it feel like we're old friends.Amie's Musical StoryAmie's journey into teaching music took an unconventional path. As a teenager, she had the privilege of studying with a vibrant music educator in her community who taught music to young children and had several private students, including Amie. One day, this teacher approached Amie with a unique proposition. She needed a vacation and asked Amie if she would be willing to take care of her home and teach her 85 students while she was away. Yes, you read that right—85 students!A Dive into Teaching Without hesitation, Amie accepted the challenge and found herself fully immersed in teaching. Keep in mind that she was just a teenager at the time, studying at the Royal Conservatory of Music (RCM) at grade 7 or 8 level. Initially, Amie felt a mix of excitement and overwhelm. The sheer number of students and teaching group piano classes that included parents was no small feat. But what made it truly special was the support she received from both the parents and her teacher. Their faith in her abilities motivated Amie to grow as a teacher and provided a solid foundation for her future endeavors.The Importance of Mentorship Amie emphasizes the significance of having great mentors in her journey. Her teacher, despite being in desperate need of a holiday, believed in Amie's potential and entrusted her with the responsibility. This experience taught Amie that people want to support and cheer on passionate and caring teachers. It fueled her desire to keep growing and improving as an educator.Continuing the Learning JourneyTaking over those 85 students for a short period was just the beginning. Amie's thirst for knowledge led her to pursue further training in music education for children and continue her RCM studies. She understood that being an exceptional teacher required a commitment to lifelong learning. Amie firmly believes that the best instructors are always open to learning new things, constantly enriching their own knowledge base, and passing it on to their students.Exploring the Business Side Although Amie's takeover of those 85 students was a relatively short stint, she gained some insights into the business side of teaching. Her teacher, who was a true professional, had a solid grasp of teaching as a business. She emphasized setting clear policies, managing expectations, and maintaining professionalism. Witnessing her teacher's approach gave Amie valuable lessons and ideas to consider when she eventually started her own studio.Setting Up a StudioWhen the time came for Amie to establish her own music studio, she drew from the experiences and principles she had learned along the way. She knew the importance of setting things up correctly from the start, though she admits there were still plenty of stories and lessons to be learned along the journey.Lessons Learned from Building a Community Music Education HubLesson 1: Hear the Real Issues One of the key lessons Amie learned was the importance of listening and understanding the underlying...

Do you get frustrated when the creative process isn't going as planned? Do you get impatient when another artist is not going in the same direction as you hoped?  Patience isn't easy, it requires constant effort and awareness to shift our mindset to remind ourselves that everyone has a different creative approach to art.  Musician/Actor/Singer Jamie McRoberts will remind us in this week's episode that our minds are unique and work differently than everyone else's. Everyone has their own magic or something that they're good at, that's why we can't expect everyone to be in the same page every single time. Even if someone's creative process is different, we all have the same goal which is to provide the best art we could give at that moment. Follow Cue TO Cue! I: @thisischelseajohnson F: @thisischelseajohnson In this episode: How the pandemic allowed Jamie to discover other passions outside of her artistic identity. In order to stay grounded in the ups and downs of the creative lifestyle, Jamie tries to remember that she has so many things outside of the artistic world that matter. Be who you are because you are interesting, you have a story to tell, stop being what people are telling you they think of you because they're coming from the outside in and that's not who people are. Artists are storytellers and community leaders, we can tell stories anywhere and that is why we've survived for so long; people need to hear about other people going through similar things and having that connection. A little about Jamie: Jamie McRoberts is a singer, actor, dancer and musician from Oakville, Ontario. She is a classically trained pianist and vocalist having completed her Grade 8 Royal Conservatory for Voice and her Grade 10 Royal Conservatory for Piano. She has been training as an actor/performer since the age of 5 and as a professional performer has not only performed Canada wide, but has performed Internationally. She graduated George Brown Theatre School's Classical Theatre Conservatory Program and was immediately launched into a professional career predominantly as musical theatre performer. She has received awards and accolades along the way such as the Second City Comedy Award from her theatre school, A Dora Mavor Moore Award as part of the ensemble of The Wizard of Oz at Young People's Theatre in Toronto, Ontario, and has received several nominations for her work on stage. Some of her favourite credits include Rock of Ages at Stage West Calgary, All Shook Up at Stage West Mississauga, The Baker's Wife with Talk Is Free Theatre performed at the iconic Winter Garden Theatre in Toronto, April Fools at the Segal Center in Montreal where she was able to put her musician skills to work as an actor/musician and her performance in For Both Resting and Breeding which was performed in Adelaide, Australia. She is currently in Maggie, a new Canadian Musical created and co-written by Johnny Reid and Matt Murray. She recently decided to dive back into her musician roots, and try her hand at song writing and has found the missing piece to her puzzle. Follow Jamie! Online: Jamie McRoberts Album: COA Productions Facebook: @JamieMcRoberts Instagram: @jamiemcroberts77

In this episode, I had a raw and real conversation with my friend Carlo, who previously joined me on the show. Since our last recording five months ago, Carlo has experienced some major life lessons and challenges, including facing burnout, navigating relationships, and reflecting on personal growth. As two ENFPs, we dove into a wide range of topics that are sure to resonate with anyone on their journey of self-discovery. Listen in as Carlo shares his road to burnout, from the excitement of starting a new teaching year to the inevitable wear and tear of working nearly every day for months. He opens up about the feeling of being trapped in his own life and the importance of learning to say no. We also discuss our experiences with mental health challenges, disordered eating, and body image, as well as the power of opening up to our parents about these struggles. In this heartfelt conversation, we touch on the complexities of romantic relationships and friendships, highlighting the value of trust, integrity, and respect. We reflect on our past experiences and how they've shaped our present habits and values, and explore the role of vulnerability and communication in fostering healthy connections. Join us as we navigate the challenges and triumphs of adulting, and gain insights on how to make the most of our 20s. --- Topics: Burnout, Self-Discovery, Mental Health, Disordered Eating, Body Image, Relationships, Friendships, Trust, Integrity, Respect, Vulnerability, Communication, Reflection, Essentialism, Balance, Passion, Saying No, Compatibility, Chemistry, Honesty, Health, Goals --- ★ This episode features Carlo Santos, full-time piano teacher and 2020 National Gold Medal recipient from the Royal Conservatory of Music. You can find out more about Carlo and his studio at www.carlosantos.ca and connect with him on Instagram @santos.pianoguy.

Deborah's life has two parts: the first in Canada, where she grew up, and the second in Connecticut, where she lives with three children, two doodles, and one husband. Both places feel like home for her, and in both she's been lucky enough to pursue her passion: story-telling. Back in Toronto, Deb attended the Royal Conservatory of Music and the University of Toronto. She penned the travel column for a national newspaper before working in public relations, liaising with press, foreign diplomats, corporate investors and the public.Since relocating to Connecticut, Deb's been published in local and national media, both as a director at a strategic communications firm and as a freelance writer. Her work has appeared in everything from websites to poetry journals.Afters years of aching to see a title of her own on the shelf, THE CRATE, was born. THE CRATE is a true crime/Holocaust story, and a lifelong dream come true for Deborah. Her dream continues with the publication of her first novel, a thriller/courtroom drama called A NEST OF SNAKES. Please enjoy this wide-ranging conversation. For more from Deborah, please connect viaher website: https://debbielevison.com--As always, thanks so much for tuning into Breaking Brave! If you like the show, please subscribe, review, and/or send us your suggestions or questions via the platforms below! For more from Marilyn Barefoot or to get in touch with her directly, please connect via:Marilyn's website: https://marilynbarefoot.com/ LinkedIn: https://www.linkedin.com/in/marilynbarefootbigideas/ Twitter: @MarilynBarefoot Instagram: @marilynbarefoot ABOUT Marilyn Barefoot, the Host of Breaking Brave:Breaking Brave is Hosted by Marilyn Barefoot, one of the foremost business coaches & creative ideators in North America - Marilyn gets hired by several of the world's biggest brands, companies, and organizations (the NHL, McDonald's, Deloitte, Coca-Cola, MTV, Viacom, The CFL, Forbes Magazine; to name just a few) to help them get unstuck and generate big, creative ideas.It helps us so much to have your feedback which goes a really long way in helping us shape the future of Breaking Brave and host the guests you're most interested in hearing from! So if you have the time, please subscribe, review, and connect with Marilyn on social media or through her website! And as always, thanks so much for tuning in!

Lawerence Gowan is a fantastic example of how to be a piano rock star. His professional music career has undoubtedly impacted the progressive rock scene with his classical training at the Royal Conservatory of Music and using the latest keyboard and synthesizer technology. In addition to releasing his great hits, he also became the lead singer and keyboardist for Styx in 1999. In this episode, hear Gowan share about his love of synthesizers, stories from his musical journey and how to be the “piano hero” of rock.

My guest for this episode is Mike Lovatt. Mike is a master craftsman. Whether he's sitting in the back row of a big band or standing in front of an orchestra, his huge sound and flawless technique make even the most challenging parts sound effortless. Mike's desire to inspire has earned him the prestigious Derek Watkins Chair of Trumpet at the Royal Academy of Music and positions at the Royal College of Music, the Royal Conservatory of Scotland, and the Royal Welsh and Birmingham Conservatories. Plus, he's always down for a pint or two. Check out what Mike has to say about Derek Watkins, Uan Racey, the London music scene, getting hooked on the trumpet, learning through trial and error, getting past natural talent, the importance of listening, Seth MacFarlane, making room for the next generation of trumpet players, his Brass Pack project, figuring out how to play in the upper register, his introduction to the Maggio System, finding the right approach for the individual, and so much more! So pour yourself a big glass, pull up a chair, and let the hang begin! -------------------------------------------------------------- Stay in the loop with Mike and his projects: https://www.mikelovatt.co.uk/ It's time to Go Practice with Bryan Davis : https://airflowmusic.com/  Sound like a million bucks without breaking the bank with Barkley Microphones: http://barkleymic.com/ Let Vennture Mouthpieces help you on your search for the perfect mouthpiece. Use the code "TRUMPETGURUS21" to get 10% off your purchase: https://www.vennture.mp/ If you play hard, you need to make sure you show your chops some love with Robinson's Remedies products: bit.ly/ChopLove Let Jose help you master your mental game: bit.ly/MindfulnessSecrets -------------------------------------------------------------- 00:00:00 Intro 00:05:37 Derek Watkins 00:11:15 Uan Racey 00:14:41 The London music scene 00:22:55 Getting hooked on the trumpet 00:28:10 Learning through trial and error 00:34:50 Getting past natural talent 00:43:33 The importance of listening 00:46:53 Seth MacFarlane 00:54:45 Making room for the next generation of trumpet players 00:56:11 His Brass Pack project 01:02:58 Figuring out how to play in the upper register 01:08:30 His introduction to the Maggio System 01:15:39 Finding the right approach for the individual 01:17:17 Go Practice 01:23:43 Sound Off 01:29:06 Geared Up 01:39:30 Rapid Fire Round --- Support this podcast: https://podcasters.spotify.com/pod/show/thetrumpetgurus/support

Synopsis She's been called a “British Gershwin” but perhaps a “British Poulenc” might more accurately describe the genial and graceful music of Madeleine Dring, a woman whose diverse and energetic creative life was cut short, when, at the age of 53, she died suddenly on today's date in 1977. Madeleine Dring was born into a talented musical family in 1923, and she showed early promise.  On her tenth birthday she won a scholarship to study at the Royal Conservatory of Music in London, and eventually studied composition with Herbert Howells, Ralph Vaughan Williams, and Gordon Jacob.  Dring was soon providing incidental music and songs for amateur and professional theatrics.  She was also a gifted singer and actress, and performed occasionally on stage and television. Dring married the British oboist, Roger Lord, and a number of her chamber works feature that instrument. Six volumes of her songs were published after her death, largely through the persistence of her husband, and many of her other works have been published, performed, and recorded with increasing frequency, especially in the United States. Sadly, Dring died just when women composers began to receive increasing attention from music historians, performers, and audiences worldwide. A British survey of her life and music was published in 2000. Music Played in Today's Program Madeleine Dring (1923 - 1977) Three Piece Suite Cynthia Green Libby, oboe; Peter Collins, piano Hester Park 7707

There are many considerations for accompanists supporting young voices. Award-winning private teacher, choral director, and composer Linda Fletcher shares her decades of experience with essential reminders for teachers and accompanists working with the youngest singers as they take to the stage for their first performances. About our Guest Composer, Voice and Piano teacher, Music Director Linda Fletcher is an award-winning music educator who maintains a thriving private voice studio as well as directing two church choirs. Her choral and vocal compositions are performed worldwide, and her songs are favourite exam selections for young singers. In 2016, she was honoured by the Royal Conservatory of Music as a Teacher of Distinction to recognize her commitment and contributions to music education. With a song in her heart, Linda encourages students to find joy in singing and creating music. Discover more music from Linda: www.lindafletchermusic.com Discover Linda's Music on FULL VOICE Music https://www.fullvoicemusic.com/?s=linda+fletcher Children's Songs of Praise on Amazon: https://www.amazon.com/Childrens-Songs-Praise-Worship-Singers/dp/1897539347

Andy Einhorn (LI:@andy-einhorn) has directed concerts with the Boston Pops, Cincinnati Pops Orchestra, Calgary Philharmonic Orchestra, National Arts Centre Orchestra, and the National Symphony Orchestra. He has worked as the Music Supervisor and Musical Director for the Broadway productions of Carousel and Hello Dolly!  Einhorn's previous Broadway credits include Holiday Inn, Woody Allen's Bullets Over Broadway, Rodgers + Hammerstein's Cinderella, Evita, Brief Encounter, The Light in the Piazza, and Sondheim on Sondheim. He recently served as music director and conductor for the Châtelet Theatre's production of Sondheim's Passion in Paris and Einhorn made his New York Philharmonic debut with world-renowned trumpeter Chris Botti. Since 2011 Einhorn has served as music director and pianist for Six-Time Tony Award Winner, Audra McDonald, performing with her at such prestigious orchestras and venues including The Philadelphia Orchestra, San Francisco Symphony, National Symphony Orchestra, Los Angeles Opera, Avery Fisher Hall, Carnegie Hall, Walt Disney Concert Hall and Teatro Real, Madrid. They recently recorded performances for an upcoming telecast with the Sydney Symphony at the Sydney Opera House in Australia. Einhorn has also music directed for Barbara Cook at Feinstein's and Toronto's Royal Conservatory of Music. His tour work includes Sweeney Todd, The Light in the Piazza, Mamma Mia!, and The Lion King. Einhorn's work can be heard on the current touring production of Rodgers & Hammerstein's The Sound of Music. Einhorn has worked at Goodspeed Opera House, Signature Theatre, Oregon Shakespeare Festival and PaperMill Playhouse. He was principal vocal coach and pianist for Houston Grand Opera's An Evening with Audra McDonald, a double-bill of Poulenc's La Voix Humaine and LaChiusa's Send. Recording credits include Bullets Over Broadway, Cinderella, Evita, Sondheim on Sondheim (Grammy Nom) Stage Door Canteen and McDonald's newest release, Go Back Home. He served as the music director for HBO's Peabody Award winning documentary Six by Sondheim and music supervisor for Great Performances Peabody Award winning special “Broadway Musicals: A Jewish Legacy” on PBS. Andy Einhorn is an honors graduate of Rice University in Houston, Texas.

Andy Einhorn (LI:@andy-einhorn) has directed concerts with the Boston Pops, Cincinnati Pops Orchestra, Calgary Philharmonic Orchestra, National Arts Centre Orchestra, and the National Symphony Orchestra. He has worked as the Music Supervisor and Musical Director for the Broadway productions of Carousel and Hello Dolly!  Einhorn's previous Broadway credits include Holiday Inn, Woody Allen's Bullets Over Broadway, Rodgers + Hammerstein's Cinderella, Evita, Brief Encounter, The Light in the Piazza, and Sondheim on Sondheim. He recently served as music director and conductor for the Châtelet Theatre's production of Sondheim's Passion in Paris and Einhorn made his New York Philharmonic debut with world-renowned trumpeter Chris Botti. Since 2011 Einhorn has served as music director and pianist for Six-Time Tony Award Winner, Audra McDonald, performing with her at such prestigious orchestras and venues including The Philadelphia Orchestra, San Francisco Symphony, National Symphony Orchestra, Los Angeles Opera, Avery Fisher Hall, Carnegie Hall, Walt Disney Concert Hall and Teatro Real, Madrid. They recently recorded performances for an upcoming telecast with the Sydney Symphony at the Sydney Opera House in Australia. Einhorn has also music directed for Barbara Cook at Feinstein's and Toronto's Royal Conservatory of Music. His tour work includes Sweeney Todd, The Light in the Piazza, Mamma Mia!, and The Lion King. Einhorn's work can be heard on the current touring production of Rodgers & Hammerstein's The Sound of Music. Einhorn has worked at Goodspeed Opera House, Signature Theatre, Oregon Shakespeare Festival and PaperMill Playhouse. He was principal vocal coach and pianist for Houston Grand Opera's An Evening with Audra McDonald, a double-bill of Poulenc's La Voix Humaine and LaChiusa's Send. Recording credits include Bullets Over Broadway, Cinderella, Evita, Sondheim on Sondheim (Grammy Nom) Stage Door Canteen and McDonald's newest release, Go Back Home. He served as the music director for HBO's Peabody Award winning documentary Six by Sondheim and music supervisor for Great Performances Peabody Award winning special “Broadway Musicals: A Jewish Legacy” on PBS. Andy Einhorn is an honors graduate of Rice University in Houston, Texas.

Rebekah Maxner is a Canadian composer, piano teacher and blogger with an international following. Her piano solos are published by the Royal Conservatory, RCM, London College, LCM, and listed in the NFMC. Visit: https://rebekah.maxner.ca ITEMS MENTIONED IN THIS EPISODE Popular article's on Rebekah's blog: Understanding piano parents: What Minor League Baseball Taught Me Heath-proof your piano studio: Doctor-recommended steps RCM Piano 2022 Celebration Series, 6th Edition [Syllabus Printables] Three foods from Nova Scotia: Hodge Podge Garlic Fingers Donair RATE and REVIEW “I love Amy and The Piano Pantry Podcast!” ←- If that sounds like you, please consider rating and reviewing the show! Here's how: Click here to open the podcast page If it doesn't automatically open in iTunes, click on “Listen on Apple Podcasts” Click “Ratings and Reviews,” tap to rate with five stars, and select “Write a Review”. Be sure and let me know what you love most! SUBSCRIBE Click here to subscribe to Piano Pantry's GENERAL email list to keep up-to-date on all things new! CONNECT Facebook @PianoPantry Instagram @amychaplinpiano Website PianoPantry.com/podcast/ TRANSCRIPT: There is no transcript available for this episode. SEND ME A VOICEMAIL --- Send in a voice message: https://anchor.fm/piano-pantry-podcast/message

The transcript for this episode is available here. About Molly Joyce Composer and performer Molly Joyce has been deemed one of the "most versatile, prolific and intriguing composers working under the vast new-music dome" by The Washington Post. Her music has additionally been described as "serene power" (New York Times), written to "superb effect" (The Wire), and "unwavering" and "enveloping" (Vulture). Her work is concerned with disability as a creative source. She has an impaired left hand from a previous car accident. The primary vehicle in her pursuit is her electric vintage toy organ, an instrument she bought on eBay that suits her body and engages her disability on a compositional and performative level. Her debut full-length album, Breaking and Entering, featuring toy organ, voice, and electronic sampling of both sources was released in June 2020 on New Amsterdam Records, and has been praised by New Sounds as "a powerful response to something (namely, physical disability of any kind) that is still too often stigmatized, but that Joyce has used as a creative prompt." Molly is a graduate of The Juilliard School (graduating with scholastic distinction), Royal Conservatory in The Hague (recipient of the Frank Huntington Beebe Fund Grant), and Yale School of Music. She holds an Advanced Certificate in Disability Studies from CUNY School of Professional Studies and is an alumnus of the National YoungArts Foundation. She has studied with Samuel Adler, Martin Bresnick, Guus Janssen, David Lang, Missy Mazzoli, Martijn Padding, Christopher Theofanidis, and has served on the composition faculty of New York University, Wagner College, and Berklee Online, teaching subjects including Disability and the Arts, Music Technology, Music Theory, and Orchestration. She is currently a Dean's Doctoral Fellow at the University of Virginia, focusing on Composition and Computer Technologies. Related Links: Molly's Website "Perspective" Album on Bandcamp Molly Joyce on Spotify Molly Joyce on Apple Music RAMPD: Recording Artists and Music Professionals with Disabilities This episode's Ask Judy question came from @otto_types on Instagram. If you'd like to submit a question for Ask Judy, send it to media@judithheumann.com or DM Judy on Instagram or Twitter. Check out the video version of this episode on Judy's YouTube channel.  Intro music by Lachi. Outro music by Gaelynn Lea.

CURTIS STEWART is a multi Grammy-nominated violinist/composer who enjoys bouncing between MTV specials with Wyclef Jean and sold out shows at Madison Square Garden with Stevie Wonder to stints at the Kennedy Center with the Jimmy Heath Big Band and runs at the Guggenheim, MoMA and Whitney Museums in NYC. Curtis has performed as a classical soloist at Lincoln Center, with the New York Philharmonic Bandwagon, as well as held chamber music residencies at Carnegie Hall, the MET Museum and National Sawdust. His work realizes a vision to find personal and powerful connections between styles, cultures, and music. Curtis teaches at The Juilliard School, Perlman Music Program, has been commissioned to write works for the Royal Conservatory of music, The Virginia Symphony, The Eastman Cello Institute, New York Festival of Song, PUBLIQuartet, and Carnegie Hall: Play/USA.  www.curtisjstewart.com"I have always grappled between being an educator, a creator/composer, a writer of verse, an improviser, quartet-mate, band-mate, administrator.   I can't seem to sit still in one role, and I have never seen myself as such - both because I am trying to survive as an artist, and because my passions for each one of the above vie for attention at all times.  I left teaching highschool for 10 years because the NYC Department of Ed was totally inflexible with me taking off days for performance.  I began creating my recent album OF POWER in my living room because I couldn't get together with my friends in PUBLIQuartet. In the end, it all balances on supporting myself just enough to be able to express and create from a place of authenticity, vulnerability and invention." ~ CJS

Selected WorkPayadora Tango Ensemble“Adios Muchachos/I Get Ideas,” (by Julio César Sanders) violinist and vocalist, with Payadora Tango Ensemble“La Perdida,” violinist and songwriter, with Payadora Tango Ensemble Tango in the Dark, with PointeTangoVenuti String Quartet “Like My Sister,” violinist, vocalist, and songwriter, with family band“Years from Today,” violinist, vocalist, and songwriter, with family bandWatch the full feature-length film Tango in the Dark here!Also ReferencedDrew JurekaDiane WolksteinSheila HetiJudah GorenCleveland Institute of MusicCleveland OrchestraItzhak Perlman, In the Fiddler's HouseMariah CareyWhitney HoustonTed GupThe Plain DealerConnie SchultzPaul HindemithJohannes BrahmsJeff Healey's Jazz WizardsGlenn Gould School, The Royal Conservatory of MusicToronto Symphony OrchestraThe National Ballet of CanadaThe Canadian Opera CompanyJill BarberViva Mexico Toronto Mariachi BandAstor PiazzollaAlexander GlazunovJean SibeliusNathaniel WolksteinShirley TempleThe Legend of Carau (Argentina)PointeTango Dance CompanySoundMachineYiddish Glory

One of the perpetual frustrations that lingers throughout all of time is the challenge of remaining true to ourselves while also understanding, shaping, and trusting the generation just a few paces behind us. Today's focus is something that every single leader—male and female—should be leaning into should he or she desire to continue to lead effectively. How do we effectively mentor the up-and-coming generation of leaders while simultaneously remaining faithful to do what God has called us to do as individuals within our own generation? Let's talk about leading Gen Z.--------------------------------------------------------------------------------Phil Rasmussen and his wife Brenda celebrate 37 years of marriage this year. They have two married children and two grandchildren. Phil served as Youth and Associate Pastor at Shoreline Community Church in Seattle, District Youth Director for the Northwest Ministry Network (Assemblies of God), and Assistant National Youth Director (Assemblies of God) in Springfield Missouri. He served at Northwest University as the Campus Pastor and as V.P. of Church Relations and Spiritual Formation. He currently serves at The Belonging Co. in Nashville Tennessee as the Executive Ministry Pastor. Phil has completed a doctoral degree from AGTS in Counseling with an emphasis in leadership development.Brenda served at Shoreline Community Church as Music Pastor, National Fine Arts Director in Springfield, Missouri, and as professor of music at Northwest University. Her primary focus is in music theory and worship leader development. Brenda currently serves at The Belonging Co. as the Executive Director for TBCo College. Brenda has a music degree from Northwest University as well as an advanced degree in Music pedagogy from the Royal Conservatory of Music at the University of Toronto.Together, they have invested their lives in raising a new generation of leaders. They have a passion to see students realize their full potential as they embrace the call of God on their lives.------------------------------------------------------------------------------Connect with today's guests, Phil & Brenda Rasmussen:Facebook: @phil.rasmussen.77Instagram: @prasmussenInstagram:  @brendarasmussenEmail: brenda.rasmussen@thebelonging.coEpisode Features:Get your name on the Waiting List for the 2020 Let's Retreat, scheduled for November 8-10, 2022! Click here.Learn more about The Belonging Co's upcoming conference in September 2022 by clicking here.

After studying at the Royal Conservatory of Music in London, Benjamin Britten got a job writing film music. Then he went on to compose choral music, chamber music, songs, and quite a few operas, including some for major events in British history. In addition to being a composer, Britten was an excellent pianist and conductor.