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4 episodes with Trisha Brown
4 episodes with Trisha Brown
3 episodes with Trisha Brown
3 episodes with Trisha Brown
2 episodes with Trisha Brown
2 episodes with Trisha Brown
2 episodes with Trisha Brown
2 episodes with Trisha Brown
2 episodes with Trisha Brown
On today's episode of Conversations On Dance, we are joined by Dani Rowe, choreographer and Artistic Director of Oregon Ballet Theatre and composer Shannon Rugani. The two artists are collaborating on "Marilyn", a world premiere production centered on the life of immortal cinema icon Marilyn Monroe. They take us through their collaborative process and give us a sneak peak into what audiences can expect from this ambitious project. If you're in the Portland area and want to purchase tickets to "Marilyn", visit www.obt.org. Performances run April 4 through the 13th at the Newmark theater. This episode's sponsor: Paying tribute to the groundbreaking Judson Church choreographers who radically pushed the boundaries of what dance could be, New York Theatre Ballet presents Legends & Visionaries: Postmodern Dance at Judson Church, Friday, April 25 at 7:00PM and Saturday, April 26 at 3:00PM.In two programs of works by Trisha Brown, David Gordon, James Waring, Douglas Dunn, and Amanda Treiber, New York Theatre Ballet celebrates the spirit of the legendary Judson Dance Theatre of the 1960's. All seats are $30. For tickets, please visit www.nytb.org/ticketsLINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/COD-email Hosted on Acast. See acast.com/privacy for more information.
Laurie Anderson is an artist and performer who came to fame in the UK with her 1981 hit O Superman. Her work spans music, film and multimedia projects which interrogate our relationship with technology and tell stories about the world we live in.She was born in Chicago in 1947, the second-oldest of eight children, and started learning the violin when she was five. She studied Art History at Barnard College in New York and took a Masters in Sculpture at Columbia University.In the 1970s she was part of the downtown New York art scene and her friends and contemporaries included Philip Glass, Gordon Matta-Clark and the choreographer and dancer Trisha Brown. One of Laurie's first performance art pieces featured a symphony played by car horns.In 1992 she met Lou Reed, the singer and songwriter who fronted the Velvet Underground. They were together for 21 years until his death in 2013. Laurie is the head of Lou's archive which is at the New York Public Library for the Performing Arts and open to anyone who wants to learn more about his musical adventures.In 2024 Laurie was awarded a Lifetime Achievement award at the Grammys and a Stephen Hawking Medal for Science Communication. DISC ONE: Pony Time - Chubby Checker DISC TWO: Gracias a la vida - Violetta Parra DISC THREE: Tusen Tankar - Triakel DISC FOUR: Part 1 - Philip Glass Ensemble, conducted by Michael Riesman DISC FIVE: Flibberty Jib - Ken Nordine with the Fred Katz Group DISC SIX: Doin' the Things That We Want To - Lou Reed DISC SEVEN: Washington, D.C - The Magnetic Fields DISC EIGHT: Is Chicago, Is Not Chicago – Soul Coughing BOOK CHOICE: Speak, Memory by Vladimir Nabokov LUXURY ITEM: A dog collar CASTAWAY'S FAVOURITE: Gracias a la vida - Violetta Parra Presenter Lauren Laverne Producer Paula McGinley
Hüster, Wiebke www.deutschlandfunk.de, Kultur heute
The 2024-2025 Cohort of The Creatives Leadership Academy is starting up soon. If you're ready to design your life and career with more intentionality so that you can take things up a notch, earn more income, do the gold standard of whatever it is you love to do, AND have time for the rest of your life, Book a call with me today so we can discuss how CLA can help get you there! ---> CHAT WITH KATE Today's guest is Dr. Mila Thigpen, chair of dance at the Boston Conservatory at Berklee, where her teaching portfolio includes classes like salsa, dance & pop culture, as well as mentoring independent student research projects. A “lively dancer” (the Boston Globe), Thigpen is an international teacher-artist who has danced works by Doris Humphrey, Paul Taylor, Trisha Brown, Seán Curran, Germaul Barnes, Wendy Jehlen, Arthur Aviles, and Aszure Barton. Thigpen's work has been presented in CRASHarts's Ten's the Limit and the Bronx BlakTina Dance Festival. Her commissions span from concert to commercial work internationally. Thigpen was a Boston cast member of the Bessie Award-winning Skeleton Architecture. She was also the movement coach for Pass Over, under the direction of Monica White Ndounou, which received a Lortel Award for outstanding play. Thigpen's advocacy for equity has been nationally recognized, and she has been called to major gatherings on social justice and equity to lead people in embodied practices that support their work. Dr. Thigpen created and implemented a cultural humility professional development workshop for artists and educators, which she has facilitated for secondary and post-secondary educational institutions. She has presented research on teaching dance from racialized bodies, and continues learning new methodologies for culturally informed somatic healing practices. Her work in this field has led to invitations as a guest speaker at the Beijing Dance Forum and the Gulf Center for Law and Policy's Sacred Waters Pilgrimage, and Taproot Earth, a climate justice organization. Dr. Thigpen earned a B.A. from Kenyon College, an M.F.A. from Boston Conservatory at Berklee, an Ed.M. from the Harvard University Graduate School of Education, and a Ph.D. in dance at Texas Woman's University. Her research reclaims salsa as part of the African diaspora through ethnographic inquiry of the Bronx-based Yamuleé Dance Company. Thigpen has presented multiple times at the Dance Studies Association and the Collegium for African Diaspora Dance. Follow Mila at: @bailaconmila on IG or at www.milathigpen.com Follow Kate at @kkayaian on IG, or at www.katekayaian.com Don't forget to download your free Quarterly Retreat Planning Guide! to get your Q4 off to a great start!
Kendra Winchester and special guest Trisha Brown discuss genre-bending romance and mystery books! Subscribe to the podcast via RSS, Apple Podcasts, or Spotify. To get even more mystery/thriller recs and news, sign up for our Unusual Suspects newsletter! Learn something new, sharpen your skills, and expand your horizons with our Better Living Through Books newsletter. Better Living Through Books is your resource for reading material that helps you live the life you want. From self-help to cookbooks to parenting to personal finance, relationships, and more, Better Living Through Books has got you covered. If it's part of life, it can be part of your reading life. That's what Better Living Through Books is all about. Visit bookriot.com/betterliving to subscribe for free, or become an All Access member starting at $6 per month or $60 per year and get unlimited access to members-only content in 20+ newsletters, community features, and the warm fuzzies knowing you are supporting independent media. This content contains affiliate links. When you buy through these links, we may earn an affiliate commission. Things Mentioned When in Romance Books Discussed The Vibrant Years by Sonali Dev Summers End by Juneau Black Rules of Engagement by Selena Montgomery Whiteout by Adriana Anders Think of England by KJ Charles The Vampires of El Norte by Isabel Cañas Rebecca by Daphne Du Maurier The Swifts: A Gallery of Rogues by Beth Lincoln If you want to send an email with feedback or show suggestions, you can reach us at readordead@bookriot.com. Otherwise you can: Find Trisha on instagram and Blue sky @trishahaleybrown Find Kendra on Instagram and Twitter @kdwinchester and on TikTok @kendrawinchester And we will talk to you all next time! Learn more about your ad choices. Visit megaphone.fm/adchoices
Este episódio é realizado no âmbito da parceria do Festival Dias da Dança 2024 com o FEMINA. Filipa Francisco estudou dança, teatro, improvisação e dramaturgia na Escola Superior de Dança, na Companhia de Dança Trisha Brown, no Lee Strasberg Institute, em Nova Iorque, e com o dramaturgo André Lepecki. A esta edição do Festival DDD...
Quel lien peut-il y avoir entre le pays d'un père et le pied d'une danseuse ? Quel lien entre un Vietnam lointain et l'obscurité d'un corps sur scène ? (Rediffusion). Ces points d'interrogation sont comme des petites boussoles pour Emmanuelle Huynh qui vient de créer Nuée en mars 2021 au Théâtre de Nîmes avant une grande tournée en France. Au pays de cette nouvelle errance identitaire, le discours se cherche, et n'apparaissent sous vos yeux que des fragments de corps, de biographie, d'histoire, de langue et de lumière. Le discours se cherche et se cherchera, le corps toujours dans tous ses états. Danseuse, chorégraphe, enseignante, la pensée d'Emmanuelle Huynh s'est forgée auprès de l'iconoclaste Trisha Brown, du danseur de buto Akira Kasai et du philosophe Merleau-Ponty...Les choix musicaux de Emmanuelle Huynh Prince KissAntony and the Johnsons Another worldBach La Passion selon saint Matthieu.
Quel lien peut-il y avoir entre le pays d'un père et le pied d'une danseuse ? Quel lien entre un Vietnam lointain et l'obscurité d'un corps sur scène ? (Rediffusion). Ces points d'interrogation sont comme des petites boussoles pour Emmanuelle Huynh qui vient de créer Nuée en mars 2021 au Théâtre de Nîmes avant une grande tournée en France. Au pays de cette nouvelle errance identitaire, le discours se cherche, et n'apparaissent sous vos yeux que des fragments de corps, de biographie, d'histoire, de langue et de lumière. Le discours se cherche et se cherchera, le corps toujours dans tous ses états. Danseuse, chorégraphe, enseignante, la pensée d'Emmanuelle Huynh s'est forgée auprès de l'iconoclaste Trisha Brown, du danseur de buto Akira Kasai et du philosophe Merleau-Ponty...Les choix musicaux de Emmanuelle Huynh Prince KissAntony and the Johnsons Another worldBach La Passion selon saint Matthieu.
Jeremy and Reid are chattin Trisha Brown, dancing with old ideas at Julliard, moving studios, Humphree Gobart, Jerrod Carmichael, Beyoncé and mushroom ragu. Hetty Lui Mckinnon's Miso Mushroom Ragu In A Lonely Place ◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠ ➩ WEBSITE ◦ YOUTUBE ◦ INSTAGRAM ➩ SUPPORT ◦ ✨VIA VENMO!✨ ◦ PATREON ◦ THE MERCH ➩ REID ◦ JEREMY ◦ JACK ◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠ ➩ withdanceandstuff@gmail.com
Trisha Brown and Jess Pryde, hosts of When in Romance, join Jeff to talk about what's going on in the world of romance: what's changed over the last ten years (and what hasn't), what the state of romance is today, where it's going, and a recommendation or two as well. This was fun. Subscribe to the podcast via RSS, Apple Podcasts, and Spotify. For more industry news, sign up for our Today in Books daily newsletter! 2024 is the tenth year of the Read Harder Challenge! Join us as we make our way through 24 tasks meant to expand our reading horizons and diversify our TBRs. To get book recommendations for each task, sign up for the Read Harder newsletter. We'll also keep you informed about other cool reading challenges, readathons, and more across the bookish internet. If you become a paid subscriber, you get even more recommendations plus community features, where you can connect with a community of passionate, like-minded readers in a cozy and supportive corner of the internet. Visit bookriot.com/readharder to sign up. This content contains affiliate links. When you buy through these links, we may earn an affiliate commission. Discussed in this episode: When in Romance Podcast Most Anticipated Books of 2023 Episode of When in Romance Sign up for Better Living Through Books and the BR Pod newsletter First Edition! The Book Riot Podcast Patreon Black Love Matters, edited by Jessica P. Pryde The Wedding Date by Jasmine Guillory The Kiss Quotient by Helen Hoang Red, White & Royal Blue by Casey McQuiston Indigo by Beverly Jenkins Role Playing by Cathy Yardley Boyfriend Material by Alexis Hall The Viscount Made Me Do It by Diana Quincy A Love Song for Ricki Wilde by Tia Williams After Hours on Milagro Street by Angelina M. Lop Learn more about your ad choices. Visit megaphone.fm/adchoices
Laura Patay is a French dancer. She's worked for several years with Candoco Dance Company where she performed works by Trisha Brown and Yasmeen Godder and amongst others. Laura is phenomenal, fierce, fearless and quite frankly the incarnation of resilience.Together we talked about different bodies, pleasure, touring the world, accelerated solo, motherhood and postpartum bodies... … I hope you'll enjoy it as much as I did!
Jennifer Edwards hosts this episode focused on Trisha Brown, one of the most celebrated choreographers to emerge from Judson Dance Theater and the postmodern era. Brown is in conversation with Deborah Jowitt, the influential choreographer, scholar, dance critic, and educator. We also hear from art historian and Brown specialist Susan Rosenberg.Essay on Trisha Brown: https://danceinteractive.jacobspillow.org/themes-essays/women-in-dance/trisha-brown/
Bada # 194 : Si c'est pour la Culture, on a déjà donné (99) / 21 juin 2023.Connaissez-vous notre site ? www.lenouvelespritpublic.frUne conversation entre Brigitte Lefèvre et Philippe Meyer, enregistrée au studio l'Arrière-boutique le 21 avril 2023.Elle a été tour à tour danseuse, chorégraphe, directrice adjointe de l'opéra Garnier puis directrice de la Danse de l'Opéra de Paris : tout au long de sa vie, Brigitte Lefèvre n'aura eu de cesse de se consacrer à sa passion, la danse.Le parcours de Brigitte Lefèvre est intimement lié à l'Opéra de Paris, où elle entre 8 ans et dont elle dirige le Ballet entre 1995 et 2014. Elle nomme, au cours de cette période, plus d'une dizaine d'étoiles et intègre de nouvelles chorégraphies au répertoire du Ballet, comme les œuvres contemporaines « Glacial Decoy » de Trisha Brown et « Rain » d'Anne Teresa de Keersmaeker. Sa longévité exceptionnelle à la direction de la danse lui a permis d'exercer une influence considérable sur l'histoire contemporaine de l'Opéra.Invitée du Nouvel Esprit Public, Brigitte Lefèvre retrace les grandes étapes de son parcours et discute les nouveaux défis de l'Opéra de Paris.Chaque semaine, Philippe Meyer anime une conversation d'analyse politique, argumentée et courtoise, sur des thèmes nationaux et internationaux liés à l'actualité. Pour en savoir plus : www.lenouvelespritpublic.fr
Bada # 193 : Si c'est pour la Culture, on a déjà donné (98) / 14 juin 2023.Connaissez-vous notre site ? www.lenouvelespritpublic.frUne conversation entre Brigitte Lefèvre et Philippe Meyer, enregistrée au studio l'Arrière-boutique le 21 avril 2023.Elle a été tour à tour danseuse, chorégraphe, directrice adjointe de l'opéra Garnier puis directrice de la Danse de l'Opéra de Paris : tout au long de sa vie, Brigitte Lefèvre n'aura eu de cesse de se consacrer à sa passion, la danse.Le parcours de Brigitte Lefèvre est intimement lié à l'Opéra de Paris, où elle entre 8 ans et dont elle dirige le Ballet entre 1995 et 2014. Elle nomme, au cours de cette période, plus d'une dizaine d'étoiles et intègre de nouvelles chorégraphies au répertoire du Ballet, comme les œuvres contemporaines « Glacial Decoy » de Trisha Brown et « Rain » d'Anne Teresa de Keersmaeker. Sa longévité exceptionnelle à la direction de la danse lui a permis d'exercer une influence considérable sur l'histoire contemporaine de l'Opéra.Invitée du Nouvel Esprit Public, Brigitte Lefèvre retrace les grandes étapes de son parcours et discute les nouveaux défis de l'Opéra de Paris.Chaque semaine, Philippe Meyer anime une conversation d'analyse politique, argumentée et courtoise, sur des thèmes nationaux et internationaux liés à l'actualité. Pour en savoir plus : www.lenouvelespritpublic.fr
Bada # 192 : Si c'est pour la Culture, on a déjà donné (97) / 7 juin 2023.Connaissez-vous notre site ? www.lenouvelespritpublic.frUne conversation entre Brigitte Lefèvre et Philippe Meyer, enregistrée au studio l'Arrière-boutique le 21 avril 2023.Elle a été tour à tour danseuse, chorégraphe, directrice adjointe de l'opéra Garnier puis directrice de la Danse de l'Opéra de Paris : tout au long de sa vie, Brigitte Lefèvre n'aura eu de cesse de se consacrer à sa passion, la danse.Le parcours de Brigitte Lefèvre est intimement lié à l'Opéra de Paris, où elle entre 8 ans et dont elle dirige le Ballet entre 1995 et 2014. Elle nomme, au cours de cette période, plus d'une dizaine d'étoiles et intègre de nouvelles chorégraphies au répertoire du Ballet, comme les œuvres contemporaines « Glacial Decoy » de Trisha Brown et « Rain » d'Anne Teresa de Keersmaeker. Sa longévité exceptionnelle à la direction de la danse lui a permis d'exercer une influence considérable sur l'histoire contemporaine de l'Opéra.Invitée du Nouvel Esprit Public, Brigitte Lefèvre retrace les grandes étapes de son parcours et discute les nouveaux défis de l'Opéra de Paris.Vous pouvez consulter notre politique de confidentialité sur https://art19.com/privacy ainsi que la notice de confidentialité de la Californie sur https://art19.com/privacy#do-not-sell-my-info.
Activism, Dance, and Co-Leadership with Hope Mohr Dance, movement, performance, and art-making can play many roles in one's life. And how they are expressed can change shape over the course of a career. Our guest today, Hope Mohr, has woven together a life of art and activism as a choreographer, curator, and advocate. She has had a fascinating career journey, dedicating herself to both dance and activism and finding new and innovative ways to integrate the two. We talk with Hope about the inexorable pull that dance has exerted on her throughout her life and how her feminist awakening in college inspired her activism. She tells us about the leave of absence she took from studying law (on more than one occasion) to pursue unmissable dance opportunities with legends like Lucinda Childs and Trisha Brown, and shares how she finally completed her law degree before founding a presenting platform called The Bridge Project. Hope goes on to describe the project's transition to co-ownership, changing their name to Bridge Live Arts, why she chose to leave after 15 years, and what it's been like returning to work as an independent artist after so many collaborative projects. Our conversation today covers urgent and meaningful topics, from dismantling existing power structures and redistributing power within dance to returning to yourself and learning how to listen to your inner voice as an artist. To learn more about Hope's fascinating journey and bigger questions about dance and power, be sure to tune in today! Key Points From This Episode: · Hope's dedication to dance and activism throughout her career. · Learn about The Bridge Project, a presenting platform Hope started in 2010. · How the project transitioned to a model of co-leadership and was renamed Bridge Live Arts. · Her feminist awakening and how it led to her activism and work as a lawyer. · The focus of Hope's work as a choreographer: motherhood and navigating the world as someone who identifies as female. · An overview of the curation and collaborative work Hope has done for Bridge Live Arts. · What informed Hope's decision to move away from Bridge Live Arts; tending to herself as an artist and making space for a more equitable distribution of power. · Hope's return to being an independent artist and her latest new work. “I think I've always had a very hungry mind and a real passion for social justice work. So that has been a throughline. But dancing has always been my first love. So yeah, it's been a real calling for me. It still is.” — Hope Mohr Hope Mohr (she/her) is an artist and advocate. Connect with Movers & Shapers: A Dance Podcast on Instagram and Facebook. Sign-up to recieve our newsletter HERE. More info links from the episode: Movers & Shapers
Bada # 191 : Si c'est pour la Culture, on a déjà donné (96) / 31 mai 2023.Connaissez-vous notre site ? www.lenouvelespritpublic.frUne conversation entre Brigitte Lefèvre et Philippe Meyer, enregistrée au studio l'Arrière-boutique le 21 avril 2023.Elle a été tour à tour danseuse, chorégraphe, directrice adjointe de l'opéra Garnier puis directrice de la Danse de l'Opéra de Paris : tout au long de sa vie, Brigitte Lefèvre n'aura eu de cesse de se consacrer à sa passion, la danse.Le parcours de Brigitte Lefèvre est intimement lié à l'Opéra de Paris, où elle entre 8 ans et dont elle dirige le Ballet entre 1995 et 2014. Elle nomme, au cours de cette période, plus d'une dizaine d'étoiles et intègre de nouvelles chorégraphies au répertoire du Ballet, comme les œuvres contemporaines « Glacial Decoy » de Trisha Brown et « Rain » d'Anne Teresa de Keersmaeker. Sa longévité exceptionnelle à la direction de la danse lui a permis d'exercer une influence considérable sur l'histoire contemporaine de l'Opéra.Invitée du Nouvel Esprit Public, Brigitte Lefèvre retrace les grandes étapes de son parcours et discute les nouveaux défis de l'Opéra de Paris.Vous pouvez consulter notre politique de confidentialité sur https://art19.com/privacy ainsi que la notice de confidentialité de la Californie sur https://art19.com/privacy#do-not-sell-my-info.
This week Jeremy and Reid are discussing difficult movies! Other topics include Trisha Brown and cake for forty people. Showing Up by Kelly Reichhardt Beau is Afraid by Ari Aster Love is a Pink Cake by Claire Ptak More Than Cake by Natasha Pickowicz Nowhere Apparent. ← Watch it at ALLARTS.org Dancin'. ←← On Broadway Thru May 14th! ◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠ ➩ WEBSITE ◦ YOUTUBE ◦ INSTAGRAM ➩ SUPPORT W/$.99 ◦ PATREON ◦ THE MERCH ➩ REID ◦ JEREMY ◦ JACK ◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠ ➩ withdanceandstuff@gmail.com ◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠
For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Keith Sonnier, Philip Glass, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson. Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11."Einstein on the Beach, it's a masterpiece. America, in 1976, was to be celebrating its 200th year of existence, and Michel Guy, the French Minister of Culture, came to New York to offer a commission to Philip Glass and Robert Wilson to write an opera. This was the gift that France would give for America's two-hundredth anniversary. That was the first time I met Robert Wilson.""My son had died, and I had taken to two years to recover. So I went to New York. I had dinner with Laurie Anderson, and as I was getting up to leave, she said, 'What are you doing in New York?' I said, "I'm looking for work' She said, 'What are you doing next week?' I said, 'Well, I'm supposed to be in Atlanta, Georgia doing a music film with David Byrne and Talking Heads. Well, what do you have?' She said, 'I'm doing a piece next week at Brooklyn Academy of Music with Trisha Brown and Robert Rauschenberg, Set and Reset. Why don't you come? Bring your sax, we'll work it out then.' Two weeks after that concert, Laurie's manager called and said, 'Do you want to go on a 20-city tour of America with Laurie? Home of the Brave?' Of course, we did that. That was the beginning of the reconstruction of my career in New York through Laurie Anderson."http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landryMusic on this episode courtesy of Dickie Landry:E-mu & Alto Saxophone composed by D.L. for Robert Wilson's production of "1433 The Grand Voyage" based on the story of Zheng He. Premier National Theater Taipei, Taiwan 2009“Gloria” for Robert Wilson's “Oedipus Rex”Philip Glass'"Einstein on the Beach”. Original recording on Tomato Records 1977. D.L. on flute "Are Years What" Phillip Glass. Composed for D.L. playing 3 soprano saxophones. On his lp "North Star”,1977 Swing Kings 1965, D.L. on flute“Home of the Brave” on the Late Show with Laurie Anderson"Taideco" Zydeco, for Wilson's production of "1433" Cedric Watson, Jermain Prejean, D.L. “Ghosties” from “Dickie Landry Solo”"It Keeps Rainin'", Robert Plant with Lil' Band O' Goldwww.creativeprocess.info www.oneplanetpodcast.orgInstagram @creativeprocesspodcast
"Einstein on the Beach, it's a masterpiece. America, in 1976, was to be celebrating its 200th year of existence, and Michel Guy, the French Minister of Culture, came to New York to offer a commission to Philip Glass and Robert Wilson to write an opera. This was the gift that France would give for America's two-hundredth anniversary. That was the first time I met Robert Wilson.""My son had died, and I had taken to two years to recover. So I went to New York. I had dinner with Laurie Anderson, and as I was getting up to leave, she said, 'What are you doing in New York?' I said, "I'm looking for work' She said, 'What are you doing next week?' I said, 'Well, I'm supposed to be in Atlanta, Georgia doing a music film with David Byrne and Talking Heads. Well, what do you have?' She said, 'I'm doing a piece next week at Brooklyn Academy of Music with Trisha Brown and Robert Rauschenberg, Set and Reset. Why don't you come? Bring your sax, we'll work it out then.' Two weeks after that concert, Laurie's manager called and said, 'Do you want to go on a 20-city tour of America with Laurie? Home of the Brave?' Of course, we did that. That was the beginning of the reconstruction of my career in New York through Laurie Anderson."For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Keith Sonnier, Philip Glass, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson.Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landryMusic on this episode courtesy of Dickie Landry:E-mu & Alto Saxophone composed by D.L. for Robert Wilson's production of "1433 The Grand Voyage" based on the story of Zheng He. Premier National Theater Taipei, Taiwan 2009Philip Glass'"Einstein on the Beach”. Original recording on Tomato Records 1977. D.L. on flute “Home of the Brave” on the Late Show with Laurie Andersonwww.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast
For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Keith Sonnier, Philip Glass, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson. Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11."Einstein on the Beach, it's a masterpiece. America, in 1976, was to be celebrating its 200th year of existence, and Michel Guy, the French Minister of Culture, came to New York to offer a commission to Philip Glass and Robert Wilson to write an opera. This was the gift that France would give for America's two-hundredth anniversary. That was the first time I met Robert Wilson.""My son had died, and I had taken to two years to recover. So I went to New York. I had dinner with Laurie Anderson, and as I was getting up to leave, she said, 'What are you doing in New York?' I said, "I'm looking for work' She said, 'What are you doing next week?' I said, 'Well, I'm supposed to be in Atlanta, Georgia doing a music film with David Byrne and Talking Heads. Well, what do you have?' She said, 'I'm doing a piece next week at Brooklyn Academy of Music with Trisha Brown and Robert Rauschenberg, Set and Reset. Why don't you come? Bring your sax, we'll work it out then.' Two weeks after that concert, Laurie's manager called and said, 'Do you want to go on a 20-city tour of America with Laurie? Home of the Brave?' Of course, we did that. That was the beginning of the reconstruction of my career in New York through Laurie Anderson."http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landryMusic on this episode courtesy of Dickie Landry:E-mu & Alto Saxophone composed by D.L. for Robert Wilson's production of "1433 The Grand Voyage" based on the story of Zheng He. Premier National Theater Taipei, Taiwan 2009“Gloria” for Robert Wilson's “Oedipus Rex”Philip Glass'"Einstein on the Beach”. Original recording on Tomato Records 1977. D.L. on flute "Are Years What" Phillip Glass. Composed for D.L. playing 3 soprano saxophones. On his lp "North Star”,1977 Swing Kings 1965, D.L. on flute“Home of the Brave” on the Late Show with Laurie Anderson"Taideco" Zydeco, for Wilson's production of "1433" Cedric Watson, Jermain Prejean, D.L. “Ghosties” from “Dickie Landry Solo”"It Keeps Rainin'", Robert Plant with Lil' Band O' Goldwww.creativeprocess.info www.oneplanetpodcast.orgInstagram @creativeprocesspodcast
"Einstein on the Beach, it's a masterpiece. America, in 1976, was to be celebrating its 200th year of existence, and Michel Guy, the French Minister of Culture, came to New York to offer a commission to Philip Glass and Robert Wilson to write an opera. This was the gift that France would give for America's two-hundredth anniversary. That was the first time I met Robert Wilson.""My son had died, and I had taken to two years to recover. So I went to New York. I had dinner with Laurie Anderson, and as I was getting up to leave, she said, 'What are you doing in New York?' I said, "I'm looking for work' She said, 'What are you doing next week?' I said, 'Well, I'm supposed to be in Atlanta, Georgia doing a music film with David Byrne and Talking Heads. Well, what do you have?' She said, 'I'm doing a piece next week at Brooklyn Academy of Music with Trisha Brown and Robert Rauschenberg, Set and Reset. Why don't you come? Bring your sax, we'll work it out then.' Two weeks after that concert, Laurie's manager called and said, 'Do you want to go on a 20-city tour of America with Laurie? Home of the Brave?' Of course, we did that. That was the beginning of the reconstruction of my career in New York through Laurie Anderson."For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Keith Sonnier, Philip Glass, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson.Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landryMusic on this episode courtesy of Dickie Landry:E-mu & Alto Saxophone composed by D.L. for Robert Wilson's production of "1433 The Grand Voyage" based on the story of Zheng He. Premier National Theater Taipei, Taiwan 2009Philip Glass'"Einstein on the Beach”. Original recording on Tomato Records 1977. D.L. on flute “Home of the Brave” on the Late Show with Laurie AndersonImage: "Solo Concerts" by Dickie Landry and Philip Glass held on April 13th and 14th, 1973 at 112 Workshop. Photos by Gerard Murrell, Robert Mapplethorpewww.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast
The Creative Process in 10 minutes or less · Arts, Culture & Society
"Einstein on the Beach, it's a masterpiece. America, in 1976, was to be celebrating its 200th year of existence, and Michel Guy, the French Minister of Culture, came to New York to offer a commission to Philip Glass and Robert Wilson to write an opera. This was the gift that France would give for America's two-hundredth anniversary. That was the first time I met Robert Wilson.""My son had died, and I had taken to two years to recover. So I went to New York. I had dinner with Laurie Anderson, and as I was getting up to leave, she said, 'What are you doing in New York?' I said, "I'm looking for work' She said, 'What are you doing next week?' I said, 'Well, I'm supposed to be in Atlanta, Georgia doing a music film with David Byrne and Talking Heads. Well, what do you have?' She said, 'I'm doing a piece next week at Brooklyn Academy of Music with Trisha Brown and Robert Rauschenberg, Set and Reset. Why don't you come? Bring your sax, we'll work it out then.' Two weeks after that concert, Laurie's manager called and said, 'Do you want to go on a 20-city tour of America with Laurie? Home of the Brave?' Of course, we did that. That was the beginning of the reconstruction of my career in New York through Laurie Anderson."For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Keith Sonnier, Philip Glass, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson.Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landryMusic on this episode courtesy of Dickie Landry:E-mu & Alto Saxophone composed by D.L. for Robert Wilson's production of "1433 The Grand Voyage" based on the story of Zheng He. Premier National Theater Taipei, Taiwan 2009Philip Glass'"Einstein on the Beach”. Original recording on Tomato Records 1977. D.L. on flute “Home of the Brave” on the Late Show with Laurie Andersonwww.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast
Happy Birthday to Alwin Nikolais and Trisha Brown! --- Support this podcast: https://podcasters.spotify.com/pod/show/dawn-davis-loring/support
Renowned choreographer Annie-B Parson's new book The Choreography of Everyday Life (Verso, 2022) is many things: a pandemic diary, a discourse of Greek tragedy, and a tribute to Parson's many inspirations, from Trisha Brown to Hilma af Klint. Mostly though, it's a leisurely walk through a brilliant mind. This book weaves together personal and theoretical reflections with evocative images from famous works of art and Parson's own casual snapshots. The result will be oddly familiar to any follower of her company Big Dance Theater. It's a delightful clash of high art and low culture, sparklingly intelligent yet warmly conversational. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Renowned choreographer Annie-B Parson's new book The Choreography of Everyday Life (Verso, 2022) is many things: a pandemic diary, a discourse of Greek tragedy, and a tribute to Parson's many inspirations, from Trisha Brown to Hilma af Klint. Mostly though, it's a leisurely walk through a brilliant mind. This book weaves together personal and theoretical reflections with evocative images from famous works of art and Parson's own casual snapshots. The result will be oddly familiar to any follower of her company Big Dance Theater. It's a delightful clash of high art and low culture, sparklingly intelligent yet warmly conversational. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
Renowned choreographer Annie-B Parson's new book The Choreography of Everyday Life (Verso, 2022) is many things: a pandemic diary, a discourse of Greek tragedy, and a tribute to Parson's many inspirations, from Trisha Brown to Hilma af Klint. Mostly though, it's a leisurely walk through a brilliant mind. This book weaves together personal and theoretical reflections with evocative images from famous works of art and Parson's own casual snapshots. The result will be oddly familiar to any follower of her company Big Dance Theater. It's a delightful clash of high art and low culture, sparklingly intelligent yet warmly conversational. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
How does nature move liquids? How does nature manage structural forces? How does nature sense motion and temperature? These are some of the questions that the practice of Biomimicry asks when faced with a design challenge. Our guests, Trisha Brown and Carol Thaler are two Biomimicry practitioners that are helping accelerate innovation based on solutions already tried and tested through nature. They are the Co-Directors of Great Lakes Biomimicry. Since 2010, this organization has worked alongside academia, corporations, and business leaders to solve complex design and engineering challenges by asking "how would nature design it"? As Biomimicry 3.8 certified specialists, Thaler and Brown help us understand that in nature, there are 3.8 billion years of R&D and 30 million species to learn from. Recently, Great Lakes Biomimicry became a wholly-owned subsidiary of the Ohio Aerospace Institute and is working to make the great lakes region a leader in biomimicry innovation in aerospace and beyond. Join us as speak about how nature can inspire and guide all of us as we work to live more gently on this planet.Guests:Trisha Brown Co-Director, Great Lakes BiomimicryCarol Thaler Co-Director, Great Lakes BiomimicryResources:About Great Lakes Biomimicry What is Biomimicry?Janine Benyus TED TalkThe Biomimicry InstituteUniversity of Akron Biomimicry Research and Innovation CenterECO MEET CLE event on September 20, 2022
Le Rendez-vous culture nous emmène à Arles, dans le sud de la France, où se poursuivent jusqu'au 25 septembre les 53e Rencontres internationales de la photographie. Pas moins de 40 expositions sont au programme. À l'affiche, il y a notamment la photographe et cinéaste expérimentale française Babette Mangolte. Âgée aujourd'hui de 81 ans, elle est connue notamment pour ses clichés de danse dans le New York des années 1970. Ses photos sont exposées autour du thème « Capter le mouvement dans l'espace ». Babette Mangolte, a rencontré aux États-Unis les plus grands chorégraphes et metteurs en scène américains. Tout a commencé pour elle au début des années 1970, lorsque cette passionnée de théâtre, fraîchement sortie de la prestigieuse école Louis Lumière à Paris, s'installe à New York, où elle vit toujours. Depuis, elle n'a cessé d'explorer l'espace et le temps, le mouvement, le rythme et la chorégraphie des corps. Elle se souvient parfaitement d'ailleurs du moment où elle a fait le choix de documenter, par ses photos, la scène chorégraphique new-yorkaise. Elle nous le raconte : « J'ai commencé à avoir un rapport avec la photographie comme étant un acte créatif quand j'ai rencontré Richard Foreman. La première fois que j'ai vu sa pièce, je me suis dit, ça je sais photographier, je n'ai pas besoin d'écouter le dialogue. C'était tellement visuel. Il y avait très peu de monde qui regardait ses pièces, je me suis dit: "je vais prendre des photos de quelque chose que personne ne voit, mais dans vingt ans, elles vont avoir une raison d'être." C'est là, où je me suis sentie photographe ». Ce qui est si remarquable dans l'œuvre de Babette Mangolte, c'est sa manière de percevoir et de transmettre le mouvement à travers l'image. Cela nécessite de ne pas se laisser surprendre et d'anticiper, comme l'explique la commissaire de l'exposition Maria Ines Rodrigues : « Elle voit les pièces deux, trois fois, avant de commencer à les photographier, de la sorte, elle comprend ce qui s'y passe, quel est le contexte, comment est la scène, qui sont tous les danseurs et les acteurs. C'est tout le contexte qui l'intéresse ». En 50 ans de carrière, Babette Mangolte a donc su immortaliser les créations d'artistes tels que Trisha Brown, Richard Foreman, Simon Forti, ou Robert Morris, et bien d'autres artistes. L'exposition qui lui est consacrée à Arles à la chapelle Sainte-Anne a été divisée en huit parties distinctes. « On voulait utiliser l'architecture de l'église, constituée de huit chapelles et un chœur. On s'est dit qu'on allait attribuer une chapelle par chorégraphe. Pour les artistes qui ont travaillé ensemble, Babette a voulu rétablir les liens, c'est pour cela que certaines chapelles regroupent deux chorégraphes. Évidemment, Tisha Brown, avec laquelle elle a le plus collaboré, se trouve dans le chœur », précise Maria Ines Rodrigues. Babette Mangolte s'est vue remettre lors de la semaine d'ouverture du festival d'Arles le prestigieux prix Women in Motion décerné annuellement depuis 2019 pour mettre en évidence les femmes photographes. L'exposition de Babette Mangolte est à découvrir jusqu'au 25 septembre à l'église Sainte-Anne dans le centre-ville d'Arles.
Put down your phone, grab Kleenex or a dish towel and watch CODA on Apple TV before you push play on this week's pod. We are doing all the spoilers on CODA, Dr. Strange 2, downtown dance reunion 2022 and some Trisha Brown stuff. ◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠ ➩ WEBSITE ◦ YOUTUBE ◦ INSTAGRAM ➩ SUPPORT W/$.99 ◦ PATREON ◦ THE MERCH ➩ REID ◦ JEREMY ◦ JACK ◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠ ➩ withdanceandstuff@gmail.com ◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠
A story about Helgi Tomasson, a discussion of Trisha Brown at The Joyce and other transcendent dance experiences. ◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠ ➩ WEBSITE ◦ YOUTUBE ◦ INSTAGRAM ➩ SUPPORT W/$.99 ◦ PATREON ◦ THE MERCH ➩ REID ◦ JEREMY ◦ JACK ◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠ ➩ withdanceandstuff@gmail.com ◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠
Conversation with Australian dance artist Patricia Wood whose dance research project 'Trish+Trisha' looks at transmission, telepathy, and friendship with the late postmodern dancer/choreographer Trisha Brown, while asking how does one become bodiless? Aired on Eastside Radio on 28 February 2022, as part of 'Arts Monday: Sympoiesis'. 'Trish+Trisha' is being presented by the 2022 March Dance Festival: https://www.marchdance.com/trish-trisha Patricia Wood's Instagram: https://www.instagram.com/pwwood/ Sympoiesis radio show is produced on the Gadigal land of the Eora nation, traditional custodians of this land. We pay our respect and gratitude to the elders past, present, and yet to come. Facebook: www.facebook.com/sympoiesisradioshow Instagram: www.instagram.com/sympoiesis_radio_show MUSIC: Track #1: excerpt from 'La Cancion Es Protesta' by Yorka Track #2: excerpt from 'Somos Sur' by Ana Tijoux feat. Shadia Mansour
John R. Killacky currently serves in the Vermont House of Representatives. Previously he was executive director of Flynn Center for the Performing Arts, program officer for arts and culture at San Francisco Foundation, executive director of Yerba Buena Center for the Arts, and curator of performing arts for Walker Art Center. Other past positions include program officer at Pew Charitable Trusts, general manager of PepsiCo SUMMERFARE, and managing director of the Trisha Brown and Laura Dean dance companies. He received the First Bank Award Sally Ordway Irvine Award in Artistic Vision, William Dawson Award for Programming Excellence from the Association of Performing Arts Presenters, Dance USA's Ernie Award as an unsung hero, Fan Taylor Distinguished Service Award for Exemplary Service to the Field of Professional Presenting, and Vermont Arts Council's Kannenstine Award for Arts Advocacy. He co-edited the Lambda Literary Award-winning anthology, Queer Crips: Disabled Gay Men and Their Stories.
Wellness Wednesday All Ages Can Reap The Benefits of Dance Here's Why Source: https://www.danceplug.com/article/all-ages-can-reap-the-benefits-of-dance-heres-why Author: Victoria Agrifolio is from Fairfield, New Jersey and began dancing at age three. She studied at the School of American Ballet for five years, and while at the School, she danced in student workshops and performed roles in multiple productions with the New York City Ballet at Lincoln Center, including George Balanchine's The Nutcracker, Coppélia, Mozartiana, amongst others. Victoria had the opportunity to dance in the Macy's Thanksgiving Day Parade, perform during the Lincoln Center Tree Lighting, and appear in the movie Prima Princessa Presents Swan Lake. She was a member of New Jersey Ballet's Junior Company and performed major roles with their main company including Don Quixote, Swan Lake, Giselle, and others. She spent her summers training with the Miami City Ballet and American Ballet Theatre. Victoria graduated with degrees in both dance and journalism from New York University in 2017. While there, she had the opportunity to perform works by Trisha Brown, Stefanie Batten Bland, Giada Ferrone, Cherylyn Lavagnino, Jeremy Nelson, and others. She performed in the Santa Fe Opera's production of Die Fledermaus with choreography by Seán Curran and was also part of the domestic and international tours of “Isadora” starring Natalia Osipova with choreography from Vladimir Varnava. Victoria continues to take class, write, perform, and teach. DancePlug is Dance Plug is YOUR connection to dance. It the go-to digital hub for online classes, auditions, and articles on all things dance! Check them out on Instagram @danceplug or at danceplug.com. Resource mentioned: https://www.camskids.com/tipsandtools/high-power-poses/ Are you practicing your tip for the day? Share with us on social media and tag @dancetipsdaily to be shared on our platform! Don't forget to follow us on IG and Facebook @dancetipsdaily! Stay up to date with DTD & Subscribe to the once a month newsletter at www.dancetipsdaily.com Like what you heard? Give us a 5 star rating or share with a friend to help us keep bringing well rounded & grounded dance content to you! --- Support this podcast: https://anchor.fm/dance-tips-daily/support
Wellness Wednesday How Important Is It To Be A Triple Threat? Source: https://www.danceplug.com/article/being-a-triple-threat-how-important-is-it-to-have-this-coveted-title Let's give a warm DTD welcome to new Author, Victoria Agrifolio!!! Victoria is from Fairfield, New Jersey and began dancing at age three. She studied at the School of American Ballet for five years, and while at the School, she danced in student workshops and performed roles in multiple productions with the New York City Ballet at Lincoln Center, including George Balanchine's The Nutcracker, Coppélia, Mozartiana, amongst others. Victoria had the opportunity to dance in the Macy's Thanksgiving Day Parade, perform during the Lincoln Center Tree Lighting, and appear in the movie Prima Princessa Presents Swan Lake. She was a member of New Jersey Ballet's Junior Company and performed major roles with their main company including Don Quixote, Swan Lake, Giselle, and others. She spent her summers training with the Miami City Ballet and American Ballet Theatre. Victoria graduated with degrees in both dance and journalism from New York University in 2017. While there, she had the opportunity to perform works by Trisha Brown, Stefanie Batten Bland, Giada Ferrone, Cherylyn Lavagnino, Jeremy Nelson, and others. She performed in the Santa Fe Opera's production of Die Fledermaus with choreography by Seán Curran and was also part of the domestic and international tours of “Isadora” starring Natalia Osipova with choreography from Vladimir Varnava. Victoria continues to take class, write, perform, and teach. DancePlug is Dance Plug is YOUR connection to dance. It the go-to digital hub for online classes, auditions, and articles on all things dance! Check them out on Instagram @danceplug or at danceplug.com. Are you practicing your tip for the day? Share with us on social media and tag @dancetipsdaily to be shared on our platform! Don't forget to follow us on IG and Facebook @dancetipsdaily! Stay up to date with DTD & Subscribe to the once a month newsletter at www.dancetipsdaily.com Like what you heard? Give us a 5 star rating or share with a friend to help us keep bringing well rounded & grounded dance content to you! --- Support this podcast: https://anchor.fm/dance-tips-daily/support
On this episode, Dance Behind the Screen podcast co-host Martheya interviews Kimberly Fulmer of the Trisha Brown Dance Company. They discuss the historical significance of Trisha Brown, using archives as a creative process, what it is like being a performing dance artist, and the future of her dance career post-2020. Episode Show kNOwtes Podcast Home
Stephen Petronio is a choreographer, dancer, and the artistic director of the Stephen Petronio Company. Stephen has created over 35 works for his company and has been commissioned by some of the world's most prestigious modern and ballet companies, including William Forsythe's Ballet Frankfurt (1987), Deutsche Opera Berlin (1992), Lyon Opera Ballet (1994), Maggio Danza Florence (1996), Sydney Dance Company (2003, full evening), Norrdans (2006), the Washington Ballet (2007), The Scottish Ballet (2007), and two works for National Dance Company Wales (2010 and 2013). Over his career, Petronio has collaborated with a wide range of artists in many disciplines. Collaborators include some of the most talented and provocative artists in the world: composers Valgeir Sigurðsson, Nico Muhly, Rufus Wainwright, Lou Reed, Laurie Anderson, and Peter Gordon; visual artists Robert Longo, Cindy Sherman, Anish Kapoor, Donald Baechler, and Janine Antoni; fashion designers Narciso Rodriguez, John Bartlett, Benjamin Cho, and Leigh Bowery.Stephen Petronio's training originated with leading figures of the Judson era, performed Man Walking Down the Side of a Building in 2010 for Trisha Brown Company at the Whitney Museum, and performed his 2012 rendition of Steve Paxton's Intravenous Lecture (1970) in New York, Portland, and at the TEDMED-2012 conference at the Kennedy Center Opera House in Washington, DC. Petronio received the distinction of being named the first Artist-in-Residence at The Joyce Theater from 2012 to 2014. He has been entangled with visual artist Janine Antoni in a number of discipline-blurring projects, including the video installation Honey Baby (2013), created in collaboration with composer Tom Laurie and filmmaker Kirsten Johnson, and most recently Ally, in collaboration with Anna Halprin and Adrian Heathfield, which premiered at The Fabric Workshop and Museum in Philadelphia in summer of 2016. Petronio and Antoni were the 2017 McCormack Artists in Residence at Skidmore college, where they showed their series of installations, Entangle. Most recently, he was commissioned by The Juilliard School to set a work, #PrayerForNow, on their fourth year students for the New Dances Edition 2019. Petronio's memoir, Confessions of a Motion Addict, is available at Amazon.com. Movement Without Borders Festival - October 2, 2021 - Ernesto Breton performing Rudy Perez's Coverage Revisited. Fall For Dance - October 15 & 16, 2021 - New York City Center - SPC performing American Landscapes (2019). Petronio Punk Picks and Other Delights - November 18-21 - La MaMa - SPC revives a series of solos and duets from Stephen's formative days coming up in the East Village and invites Bloodlines(future) artist Johnnie Cruise Mercer to the stage. Alex Waters:Alex Waters is a media producer and editor for the Short Fuse Podcast, a music producer, and Berklee College of Music student. He has written and produced music for podcasts such as The Faith and Chai Podcast and Con Confianza. He produces his own music, as well as writing and recording for dependent artists such as The Living. Alex lives in Brooklyn with his wife and two cats and enjoys creating and writing music. You can reach him with inquiries by emailing alexwatersmusic12@gmail.com.
Although Parkrun is now a global phenomenon, each one takes on a unique local feel complete with quirks, rituals and characters. Local runners were delighted that the Porty Parkrun has now been able to start up again in Figgate Park. But behind the scenes things aren't exactly as they were.I spoke with Ciara Webb who is the event director, and was involved from the outset when it was first established in 2015 after a year and a half of getting it organised. This episode features runners Ian and Greta McMillan AKA Team Greta, Mark Ballard, Eleanor and Fiona. And Parkrun Volunteers, Laura Prentice and Trisha Brown.
durée : 00:35:00 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - Yvonne Rainer figure de la "post-modern dance" américaine des années 60 et 70 est l'une des créatrices du célèbre Judson Dance Theater de New York aux côtés de Steve Paxton, Trisha Brown et Lucinda Childs. Retour sur ce moment historique grâce à un entretien dans "Studio Danse" le 29 juin 2002. - réalisation : Virginie Mourthé - invités : Yvonne Rainer Danseuse, chorégraphe, cinéaste, théoricienne et poète américaine née en 1934.; Christophe Wavelet
Dance writer Wendy Perron, a former associate director of Jacob's Pillow, explores Grand Union, a maverick 1970s improvisation group based in downtown New York. Perron tells their story through the voices of four key members: Yvonne Rainer, Steve Paxton, Trisha Brown, and David Gordon.Special thanks to New England Public Media, for their support of this episode of PillowVoices.
Quel lien peut-il y avoir entre le pays d’un père et le pied d’une danseuse ? Quel lien entre un Vietnam lointain et l’obscurité d’un corps sur scène ? Ces points d’interrogation sont comme des petites boussoles pour Emmanuelle Huynh qui vient de créer Nuée en mars 2021 au Théâtre de Nîmes avant une grande tournée en France. Au pays de cette nouvelle errance identitaire, le discours se cherche, et n’apparaissent sous vos yeux que des fragments de corps, de biographie, d’Histoire, de langue et de lumière. Le discours se cherche et se cherchera, le corps toujours dans tous ses états. Danseuse, chorégraphe, enseignante, la pensée d’Emmanuelle Huynh s’est forgée auprès de l’iconoclaste Trisha Brown, du danseur de buto Akira Kasai et du philosophe Merleau-Ponty... Les choix musicaux de Emmanuelle Huynh Prince Kiss Antony and the Johnsons Another world Bach La Passion selon saint Matthieu
Possui graduação em Artes Cênicas pela Universidade Federal de Santa Catarina (2013) e mestrado em Estudos da Tradução pela Universidade Federal de Santa Catarina (2016) , atuando principalmente nos seguintes temas: tradução, dança contemporânea e Trisha Brown. Doutora em Estudos da Tradução na Universidade Federal de Santa Cantarina (PGET-UFSC). Produção: Andréia Guerini, Clélia Mello, Dirce Waltrick do Amarante, Fernanda Christmann e Ingrid Bignardi Edição e Design Sonoro: Clélia Mello e Ingrid Bignardi
durée : 01:28:40 - Julie Guibert, danseuse, directrice du Ballet de l'Opéra de Lyon - par : Priscille Lafitte - Son parcours de danseuse l'a amenée à travailler avec Trisha Brown, William Forsythe, Mats Ek, Christian Rizzo, Russell Maliphant, Maryse Delente... Julie Guibert a pris la direction du Ballet de l'Opéra de Lyon depuis février 2020. - réalisé par : Marie Grout
Federica Dauri is a performer, choreographer and visual artist, born in Italy and currently living in Berlin. She lived and worked in New York and Amsterdam for the last ten years. While studying ballet, contemporary dance and choreography at the National Academy of dance in Rome, Dauri specialized in a more critical investigation on the body politics , philosophy and critical theory and performing art. Her studies enabled her to pursue a manifold range of artist mediums. Her creative work fnds its roots on a critical engagement with Rudolf Steiner's system of Eurythmy, a rhythmical and physical vocalic expression, as well as the Japanese performance art Butoh. She refned her performance signature under the lead direction of Trisha Brown in New York, Akira Kasai in Italy, and Masaki Iwana in France. Dauri's body becomes the spatial and temporal site through which social norms are explored, challenged, and deconstructed. She has produced and directed original performance work for art residencies, established exhibition spaces and performing art festivals in Europe such Gallery Xavier Laboulbenne, Santarcangelo festival, Bufer Fringe festival, Enter Art Foundation, Sch, ICK Amsterdam, University Fine Art Sofa, Volksbuhne Berlin, Sculpture Quadrennial Riga and many others and many others. Her artistic practice focuses on the use of the body as the subject and as the object of her creations. Through the performative act, her body becomes the creation itself. The body is both a medium and a creative tool which feel the urge to communicate. Her current work as a performance artist decentralises the normative ‘corpus' and denaturalises the social body as a site of normalisation. Her work reflects a critical engagement with her interests in interrogating notions of ‘the erotic' in body politics through a post-humanist subversion of anthropocentrism. Photo: Gunther Lepkowski
La « Septième symphonie » de Beethoven, que d'aucuns décrivent comme « l'apothéose de la danse », fut une source d'inspiration évidente pour le concerto pour violoncelle « Climbing - Dancing » que Bernard Foccroulle, ancien directeur de la Monnaie, a écrit en hommage à la chorégraphe Trisha Brown. Dans ce podcast, nous abordons avec le compositeur, le violoncelliste Sébastien Walnier et notre directeur musical Alain Altinoglu leur contribution à cette création. Présentation : Reinder Pols Production : Jo Nicolaï & Geert De Deken
durée : 00:35:00 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - Yvonne Rainer figure de la "post-modern dance" américaine des années 60 et 70 est l'une des créatrices du célèbre Judson Dance Theater de New York aux côtés de Steve Paxton, Trisha Brown et Lucinda Childs. Retour sur ce moment historique grâce à un entretien dans "Studio Danse" le 29 juin 2002. - réalisation : Virginie Mourthé - invités : Yvonne Rainer Danseuse, chorégraphe, cinéaste, théoricienne et poète américaine née en 1934.; Christophe Wavelet
One of the original choreographers of aerial dance in the Bay Area, Joanna Haigood, talks about her influences growing up on the east coast and then moving to San Francisco (20:20). She expounds upon her fascination of architecture as an access point for telling the stories of place (24:00), highlighting the African American experience (31:00) and using her art as activism (37:20) Please won't you be a Patreon?: http://www.patreon.com/theartistathlete This podcast is dedicated to CIRCUS. Aerialist, Shannon McKenna interviews guests from acrobats in Cirque du Soleil to circus therapists and everyone in between. Learn the backstage lives of those who flip, twist, sparkle, and shine under the big top. Find her online: www.theartistathlete.com Facebook: www.facebook.com/theartistathlete Instagram: www.instagram.com/the_artist_athlete/ Joanna's Company: http://www.zaccho.org/ instagram: @zacchosf References: Meredith Monk https://www.meredithmonk.org/ Martha Graham https://marthagraham.org Trisha Brown https://www.nytimes.com/2017/03/20/arts/dance/trisha-brown-dead-modern-dance-choreographer.html W.E.B. Du Bois https://plato.stanford.edu/entries/dubois/ https://www.naacp.org/naacp-history-w-e-b-dubois/
Che rapporto abbiamo con la forza di gravità? Possiamo cambiarlo? Come? Trisha Brown l'ha fatto già nel 1970
Associate Archivist Patsy Gay hosts this exploration of Pillow residencies and their value to choreographers and their creative processes. Existing side-by-side, hear the voices and experiences of two choreographers, Trisha Brown and Ephrat Asherie, even though their residencies at the Pillow were 32 years apart.
Mary Goldman is the longtime former leader of Philadelphia's 27th Ward and a one-time city council candidate. Hear about her efforts in the trenches of city politics, her meeting with Jimmy Carter, her youthful road trip with modern dance legend Trisha Brown, and, yes, she's my mom! Support the show (http://www.patreon.com/naturebreakthroughs)
Juliet Burnett grew up in Sydney, while spending considerable time in Indonesia. Dancing was in Juilet’s blood; her grandmother, was the Sultan’s star dancer at his court in Jogjakarta. At the age of five her parents enrolled her in ballet school to see if she took after her grandmother. Later, Juliet studied at The Australian Ballet School, before joining the company in 2003. Juliet has worked in creations by Wayne McGregor, Stanton Welch, Alexei Ratmansky, Krysztof Pastor, Nicolo Fonte, Maina Gielgud, Rudolf Nureyev, Peggy van Praagh, Matjash Mrozewski, Stephen Baynes, Gideon Obarzanek, Graeme Murphy and Stephen Page. In mid-2015, Juliet left The Australian Ballet after her final show as Giselle. She left to become a freelance dancer performing in Australia and Indonesia, working with a range of people including Melanie Lane, a childhood friend. In 2016, Juliet made the move to Europe to join Ballet Vlaanderen, Belgium's premier dance company, under the directorship of renowned choreographer Sidi Larbi Cherkaoui. Since 2016, Juliet has been a First Soloist with Ballet Vlaanderen, where she has had new creations made for her by Édouard Lock in The Heart of August and The Heart of August ... continued and Sidi Larbi Cherkaoui in his Requiem. Other roles include the title role in Akram Khan’s Giselle, in William Forsythe's Approximate Sonata and Workwithinwork, Pina Bausch's Café Müller, in Benjamin Millepied’s Bach Studies, as Marguerite in Jean-Christophe Maillot's Faust, as Queen Fabiola in Jeroen Verbruggen's Ma Mére L'Oye, Trisha Brown’s Twelve Ton Rose, in Alexander Ekman’s Joy, in Sidi Larbi Cherkaoui's Firebird, Memento Mori, Exhibition and Fall, and the Snow Queen in Demis Volpi's Nutcracker. In 2017 she danced as Guest Artist with Dutch National Ballet, in Remi Wortmeyer's new creation, Passing Shadows. Juliet is also a writer, having been a regular contributor for Dance Tabs, MDM Dancewear's website and The Australian Ballet's blog Behind Ballet. She has written for other publications including Vogue Australia, Dance International and Gourmet Traveller magazines.
Juliet Burnett grew up in Sydney, while spending considerable time in Indonesia. Dancing was in Juilet’s blood; her grandmother, was the Sultan’s star dancer at his court in Jogjakarta. At the age of 5 her parents enrolled her in ballet school to see if she took after her grandmother. Later Juliet studied at The Australian Ballet School, before joining the company in 2003. Juliet has worked in creations by Wayne McGregor, Stanton Welch, Alexei Ratmansky, Krysztof Pastor, Nicolo Fonte, Maina Gielgud, Rudolf Nureyev, Peggy van Praagh, Matjash Mrozewski, Stephen Baynes, Gideon Obarzanek, Graeme Murphy and Stephen Page. In mid-2015 Juliet left The Australian Ballet after her final show as Giselle. She left to become a freelance dancer performing in Australia and Indonesia, working with a range of people including Melanie Lane, a childhood friend. In 2016 Juliet made the move to Europe to join Ballet Vlaanderen, Belgium's premier dance company, under the directorship of renowned choreographer Sidi Larbi Cherkaoui. Since 2016 Juliet has been a First Soloist with Ballet Vlaanderen, where she has had new creations made for her by Édouard Lock in The Heart of August and The Heart of August ... continued and Sidi Larbi Cherkaoui in his Requiem. Other roles include the title role in Akram Khan’s Giselle, in William Forsythe's Approximate Sonata and Workwithinwork, Pina Bausch's Café Müller, in Benjamin Millepied’s Bach Studies, as Marguerite in Jean-Christophe Maillot's Faust, as Queen Fabiola in Jeroen Verbruggen's Ma Mére L'Oye, Trisha Brown’s Twelve Ton Rose, in Alexander Ekman’s Joy, in Sidi Larbi Cherkaoui's Firebird, Memento Mori, Exhibition and Fall, and the Snow Queen in Demis Volpi's Nutcracker. In 2017 she danced as Guest Artist with Dutch National Ballet, in Remi Wortmeyer's new creation, Passing Shadows. Juliet is also a writer, having been a regular contributor for Dance Tabs, MDM Dancewear's website and The Australian Ballet's blog Behind Ballet. She has written for other publications including Vogue Australia, Dance International and Gourmet Traveller magazines. With such an extensive career and so many interesting things to talk about this interview is presented in two parts.
Ashley Chen fait ses études au Conservatoire National Supérieur de Musique et Danse de Paris de 1994 à 1999. Après une création avec Thomas Duchâtelet, il s’envole en 2000 vers New-York pour intégrer la Merce Cunningham Dance Company. Il y reste quatre ans, participe à cinq créations et danse une dizaine de pièces du répertoire.Il revient ensuite en France et joint le Ballet de l’Opéra de Lyon, où il interprète des pièces des chorégraphes Christian Rizzo, Angelin Preljocaj, William Forsythe, Russel Maliphant, Mathilde Monnier et Trisha Brown.En 2006, il quitte le Ballet pour sillonner l’Europe et les différentes collaborations. Il travaille avec John Scott et Liz Roche à Dublin, Michael Clark à Londres, Jean-Luc Ducourt et Michèle Ann de Mey à Bruxelles, Philippe Decouflé, Boris Charmatz, Mié Coquempot, Fabrice Dugied en France.En 2002, Ashley Chen chorégraphie We’re all grown up now! à New-York. Un an après, il monte avec Marise la Lagrave I’m not a Gurrel!!, vidéo-danse filmée dans l’état de New-York. En 2008, il créé avec le collectif Loge 22 I meant to move à Lyon. En 2012, il fonde la compagnie Kashyl.
Intro to Biomimicry by Trisha Brown, Co-Director, Great Lakes Biomimicry
Ouça os destaques do suplemento Divirta-se desta sexta-feira (03/01/20)See omnystudio.com/listener for privacy information.
Welcome to The Mom Enterprise, a weekly podcast hosted by Kendra Martinez featuring working Moms who find a way to manage it all. Episode Guest: Rachel Dozier-Ezell Rachel lives in Upper west top of Manhattan in the community of Inwood with her husband Jon, her son Keaton, and their two guinea pigs Saturn and Jupiter. Rachel Dozier-Ezell is the costume director/resident designer at The New School for Drama. She has taught at The University of Illinois , The University South Dakota, The New School, Pace University, and Marymount College. She has worked for Classical Theatre of Harlem, Trisha Brown, Papermill, National Black Theatre, Manhattan Theatre Works, Ensemble Studio Theatre, The Black Hills Playhouse, American Players Theatre, and Elisa Monte Dance Company. She holds a BFA from the University of Montevallo & MFA from University of Illinois @ Urbana-Champaign. Selected Design portfolio: www.racheldozierezell.com Listen to hear more about Rachel's story: 1:25 | Getting to know Rachel and how she got into Costume Design. 7:50 | Rachel's Motherhood Journey. 15:50 | Starting a family and managing it all in NYC. 29:40 | Rachel and Mental Illness. 38:05 | Rachel and Feminism. 46:40 | Motherhood and Bipolar Disorder. 50:35 | Looking back on what you could have used as a new mother. 52:15 | Lightening Round. 55:35 | Biggest Mom oops. 59:30 | What's next for Rachel. Links mentioned: Instagram: artistracheldozierezell Website: www.racheldozierezell.com Follow this podcast: Instagram: @themomenterprise Website: www.themomenterprise.com Contact Us: themomenterprise@gmail.com Producer: Kendra Martinez Co-Producer/Editor: Lexi Burrows Music: @noahbriton
No taxation without representation but our friend, Chicago comedian, and daughter of a shadow senator Trisha Brown helps us verify this with our five senses.
Joel Brown is an American dancer based in London. He has toured extensively with Brown Rice Productions and AXIS Dance Company from 2011-2014 and is currently engaged with Candoco Dance Company since 2015. He has performed works by and collaborated with choreographers such as Yasmeen Godder, Arlene Phillips, Alexander Whitley, Trisha Brown, Yvonne Rainer, Marc Brew, and others. Joel was nominated for an Isadora Duncan Award for "Outstanding Achievement in Performance" in 2013 and was recently awarded an "Emerging Artist" grant from Unlimited to create a new duet with himself and former Scottish Ballet principal dancer, Eve Mutso. Rachel Elderkin is a freelance dancer and dance writer based in London. Her dance writing can be also be read in the Stage, londondance.com, Exeunt and British Theatre Guide. She is a member of the UK's Critics' Circle, and has previously written for publications including Fjord Review, the Skinny (Scotland) and LeftLion (Nottingham) where she was Art Editor. Credits: Host: Rachel Elderkin Guest: Joel Brown Editing and production: George Bushaway Produced for Fjord Review
Phillip Adams began his dancing career as a back-up dancer for a variety show on Channel 9. In the 1980’s Phillip hitch-hiked to Melbourne, with a red mohawk, to study dance at the Victorian Collage of the Arts (VCA).After being awarded the ANZ International Fellowship Award in 1988, Phillip left Australia to spend 10 years in New York.Phillip recalls “opening The Village Voice and seeing the dance section and reviews from Deborah Jowitt”. New York in the late 1980’s early 1990’s was sexier and dirtier according to Phillip. It was a time in which the AIDS epidemic was having a huge impact on the creative community and in this interview Phillip recalls the loss of his partner and the scores of his friends that lost their life to the disease.These years are described by Phillip as the most informative years of his life.“New York was my mentor”The time in New York was shared with Australian dancers Lucy…. And Bek….. Phillip worked with several leading dance companies and worked with many independent choreographers including BeBe Miller, Trisha Brown, Irene Hultman, Sarah Rudner, Amanda Miller, Donna Uchizono and Nina Wiener.Upon returning to Melbourne in 1998, Phillip founded BalletLab. BalletLab is a company known for pushing the boundaries of dance, incorporating a range of other disciplines, including fashion, performance, cinema, architecture and visual arts. Often unorthodox and Queer in style, BalletLab has created work that takes place in galleries, theatres and other unconventional performance spaces. BalletLab has toured and performed at venues in Australia, North and South America, Asia and Europe.In 2017, Temperance Hall, in South Melbourne, was opened as the new home of Balletlab, and is becoming a home for experimental and contemporary performance work. Temperance Hall has an office space, a rehearsal/performance space and an artist residence space that is used as an Airbnb when artists are not in residence. Phillip’s ambition is that Temperance Hall becomes the site of innovation for the next generation of queer and experimental artists.Phillip won the Australia Council Award for Dance earlier this year.This interview took place in Temperance Hall, with the tap dancing of Phillips gorgeous Dachshunds heard at times walking across the wooden floors. We discuss Phillips journey into dance, his time in New York, his process and his vision for Temperance Hall.
An interview with Wendy Perron, a former dancer/choreographer and former editor in chief of Dance Magazine, now a freelance writer who teaches a graduate seminar at NYU's Tisch School of the Arts. Wendy is author of "Through the Eyes of a Dancer" and during her 30-year career as a dance/choreographer danced with the Trisha Brown company in the 1970s and choreographed more than 40 works for her own group, alongside teaching at many colleges, universities, schools, and dance centers.
Phillip Larrimore is a visual artist who explores that which is between painting and sculpture and realism and abstraction. His most recent work is creating multi-layered paintings on aluminum screens that he shapes into various forms. His paintings have been shown at many exhibits, including at The Gaston County Museum and CPCC Sensoria. Phillip is also an essayist, an art critic and a poet. He has written extensively for Charlotte Viewpoint and the Charlotte Observer on literature, theater, music and opera. His poetry has been published in The New Yorker magazine. His artistry extends to botany and designing hundreds of gardens for clients of nurseries. He has co-owned a documentary video business on avant-garde dance performance and a retail cacti and orchid store. Phillip studied at the Corcoran School of the Arts & Design. This episode is perfect for anyone interested in hearing an artist with an encyclopedic mind and prodigious memory talk about his life and work. IN THIS EPISODE Phillip talks about how he thinks of himself, when he is happiest and what haunts him. He discusses what he and Osip Mandelstam, Paul Klee and Jean Arp have in common. He describes what we would see when we encounter his work, what holographic imagery has to do with it, and the construction and reconstruction of appearance. He connects 360 degree thinking to Sufism, Islam and 99 perforated aluminum boxes. He considers William Blake and the choreography of the placement of figure in painting. Phillip answers whether he cares about the viewers of his visual art. Phillip connects the Frieze of the Prophets by John Singer Sargent with being a Trotskyite Jewish boy raised by a Baptist minister. He references To Kill A Mockingbird, a Ouija board, Edgar Allen Poe and spending time in cemeteries. He talks about attending the Corcoran School of the Arts & Design and being a member of the Weather Undergound. Phillip discusses having a nom de guerre, Howard Moss, the poetry editor of The New Yorker, the poet Elizabeth Bishop, and Alex Liberman, editorial director of Conde Nast. He shares stories about choreographers Elizabeth Streb, Merce Cunningham and Trisha Brown, the musician John Cage, and the critic Edwin Denby. Phillip connects chance operations to the I Ching and sea urchins. He talks about recovering emotionally from being a caregiver during the AIDS crisis. He discusses converting sorrow into beauty and whether art requires melancholy. After the conversation, host Mark Peres adds a personal word that begins this way, "Sometimes in an interview one misses the obvious because the obvious is hidden in plain site..." To learn more, visit On Life and Meaning.
La présentation par Robert Swinston, directeur artistique du CNDC et Claire Rousier, directrice adjointe du CNDC.
par Laurent Evrard, librairie Le livre à Tours webRadio du festival Ecoute Voir à Tours. 12, 13, 14 janvier 2017
Yorgos Loukos, légendaire directeur artistique du Ballet de l'Opéra de Lyon créé en 1687, s'est entretenu avec Isabelle Brisebois la veille de la représentation de la compagnie au Centre national des Arts, le 22 avril 2015. Au fil d'une belle conversation, Yorgos nous fait part de son expérience comme danseur—et notamment de sa participation à une tournée canadienne du Ballet national de Marseille mettant en vedette Karen Kain en 1975—et de sa réorientation au sein de la compagnie grâce à Roland Petit. Il souligne la particularité du Ballet de l'Opéra de Lyon qu'il guide depuis 1991, de ses danseurs et de son répertoire, constitué d'œuvres produites par des chorégraphes de danse contemporaine parmi les plus marquants et les plus inventifs, dont Trisha Brown, Merce Cunningham, Maguy Marin, William Forsythe, Jiří Kylián, Nacho Duato, et des représentants de la jeune danse française tels que Christian Rizzo, Boris Charmatz, Benjamin Millepied et Rachid Ouramdane. En terminant, Yorgos nous parle de son association, en tant que directeur, au Festival de danse de Cannes et au Festival d'Athènes, d'un rêve qu'il souhaite réaliser, et de l'état actuel de la danse.
An interview with Paula Kellinger, choreographer and Professor of Dance at Wilson College located in Chambersburg, PA. Prior to teaching at Wilson College, Paula danced for such choreographers as Meredith Monk, Laura Dean, Susan Rethorst, Wendy Perron, and as apprentice for Trisha Brown, alongside creating her own body of choreographic work.
This week: San Francisco checks in with dance legend Anna Halprin!!! Anna Halprin (b. 1920) is a pioneering dancer and choreographer of the post-modern dance movement. She founded the San Francisco Dancer's Workshop in 1955 as a center for movement training, artistic experimentation, and public participatory events open to the local community. Halprin has created 150 full-length dance theater works and is the recipient of numerous awards including the 1997 Samuel H. Scripps Award for Lifetime Achievement in Modern Dance from the American Dance Festival. Her students include Meredith Monk, Trisha Brown, Yvonne Rainer, Simone Forti, Ruth Emmerson, Sally Gross, and many others. Printed Matter Live Benefit Auction Event: March 9, 6-8:30 pm Robert Rauschenberg Project Space 455 West 19th St, New York www.paddle8.com/auctions/printedmatter Printed Matter, Inc, the New York-based non-profit organization committed to the dissemination and appreciation of publications made by artists, will host a Benefit Auction and Selling Exhibition at the Rauschenberg Foundation Project Space to help mitigate damage caused by Hurricane Sandy. As a result of the storm, Printed Matter experienced six feet of flooding to its basement storage and lost upwards of 9,000 books, hundreds of artworks and equipment. Printed Matter's Archive, which has been collected since the organization's founding in 1976 and serves as an important record of its history and the field of artists books as a whole, was also severely damaged. Moreover, the damage sustained by Sandy has made it clear that Printed Matter needs to undertake an urgent capacity-building effort to establish a durable foundation for its mission and services into the future. This is the first fundraising initiative of this scale to be undertaken by the organization in many years, and will feature more than 120 works generously donated from artists and supporters of Printed Matter. The Sandy Relief Benefit for Printed Matter will be held at the Rauschenberg Project Space in Chelsea and will run from February 28 through March 9th. The Benefit has two components: a selling exhibition of rare historical publications and other donated works and an Auction of donated artworks. A special preview and reception will be held February 28th, 6-8 pm, to mark the unveiling of all 120 works and to thank the participating artists and donors. The opening will feature a solo performance by cellist Julia Kent (Antony and the Johnsons), followed by a shared DJ set from Lizzi Bougatsos (Gang Gang Dance) & Kyp Malone (TV on the Radio). The event is free and open to the public. All works will then be available for viewing at the Rauschenberg Project Space March 1 – March 9, gallery hours. All Selling Exhibition works may be purchased during this period and Auction works will be available for bidding online. Bids can be made at www.paddle8.com/auctions/printedmatter. A live Benefit Auction Event will take place March 9, 6-8:30 pm with approximately 20 selected works to be auctioned in a live format. Bidding on these works will commence at 7pm sharp, while silent bids can be made on all other Auction works. Note, highest online bids will be transferred to the room. For absentee bidding of works, please contact Keith Gray (Printed Matter) at 212 925 0325 or keith@printedmatter.org. The evening will feature a performance by Alex Waterman on solo cello with electronics. Admission is $150 and tickets may be pre-purchased here. There will be only limited capacity. Highlighted auction works include an oversize ektacolor photograph from Richard Prince, a woven canvas piece from Tauba Auerbach, an acrylic and newsprint work from Rirkrit Tiravanija, a large-scale Canopy painting from Fredrik Værslev, a rare dye transfer print from Zoe Leonard, a light box by Alfredo Jaar, a book painting by Paul Chan, a carbon on paper work from Frances Stark, a seven-panel plexi-work with spraypainted newsprint from Kerstin Brätsch, a C-print from Hans Haacke, a firefly drawing from Philippe Parreno, a mixed-media NASA wall-piece from Tom Sachs, a unique print from Rachel Harrison, a vintage xerox poem from Carl Andre, an encyclopedia set of hand-made books from Josh Smith, a photograph from Klara Liden, a table-top sculpture from Carol Bove, Ed Ruscha’s Rooftops Portfolio, as well as original works on canvas and linen by Cecily Brown, Cheyney Thompson, Dan Colen, Adam McEwen, RH Quaytman, and many others. These Auction works can be previewed at: www.paddle8.com/auctions/printedmatter In addition to auction works, a vitrine-based exhibition of rare books, artworks and ephemera are available for viewing and purchase. This material includes some truly remarkable items from the personal collection of Robert Rauschenberg, donated by the Robert Rauschenberg Foundation in memory of the late Printed Matter Board Member, bookseller and publisher, John McWhinnie. Among the works available are books and artworks from Marcel Duchamp, Willem de Kooning, Alfred Steiglitz, Joseph Beuys, Brigid Berlin (Polk), as well as a Claes Oldenburg sculpture, a rare William Burroughs manuscript, and the Anthology Film Archive Portfolio (1982). Additional artists’ books have been generously donated by the Sol LeWitt Estate. Works include pristine copies of Autobiography (1980), Four Basic Kinds of Straight Lines (1969), Incomplete Open Cubes (1974), and others. Three Star Books have kindly donated a deluxe set of their Maurizio Cattelan book edition. These works can be viewed and purchased at the space. For inquiries about available works please contact Printed Matter’s Associate Director Max Schumann at 212 925 0325 or mschumann@printedmatter.org. Co-chairs Ethan Wagner & Thea Westreich Wagner and Phil Aarons & Shelley Fox Aarons have guided the event, and Thea Westreich Art Advisory Services has generously lent its expertise and assisted in the production of the auction. In anticipation of the event Printed Matter Executive Director James Jenkin said: “Not only are we hopeful that this event will help us to put Sandy firmly behind us, it is incredibly special for us. To have so many artists and friends associated with our organization over its 36 years come forward and support us in this effort has been truly humbling.“ Auction includes work by: Michele Abeles, Ricci Albenda, Carl Andre, Cory Arcangel, Assume Vivid Astro Focus, Tauba Auerbach, Trisha Baga, John Baldessari, Sebastian Black, Mark Borthwick, Carol Bove, Kerstin Brätsch, Sascha Braunig, Olaf Breuning, Cecily Brown, Sophie Calle, Robin Cameron, Sean Joseph Patrick Carney, Nathan Carter, Paul Chan, Dan Colen, David Kennedy Cutler, Liz Deschenes, Mark Dion, Shannon Ebner, Edie Fake, Matias Faldbakken, Dan Graham, Robert Greene, Hans Haacke, Marc Handelman, Rachel Harrison, Jesse Hlebo, Carsten Höller, David Horvitz, Marc Hundley, Alfredo Jaar, Chris Johanson, Terence Koh, Joseph Kosuth, Louise Lawler, Pierre Le Hors, Leigh Ledare, Zoe Leonard, Sam Lewitt, Klara Liden, Peter Liversidge, Charles Long, Mary Lum, Noah Lyon, McDermott & McGough, Adam McEwen, Ryan McNamara, Christian Marclay, Ari Marcopoulos, Gordon Matta-Clark, Wes Mills, Jonathan Monk, Rick Myers, Laurel Nakadate, Olaf Nicolai, Adam O'Reilly, Philippe Parreno, Jack Pierson, Richard Prince, RH Quaytman, Eileen Quinlan, Sara Greenberger Rafferty, Ed Ruscha, Tom Sachs, David Sandlin, Paul Mpagi Sepuya, Cindy Sherman, Josh Smith, Keith Smith, Buzz Spector, Frances Stark, Emily Sundblad, Andrew Sutherland, Peter Sutherland, Sarah Sze, Panayiotis Terzis, Cheyney Thompson, Rirkrit Tiravanija, Nicola Tyson, Penelope Umbrico, Fredrik Værslev, Visitor, Danh Vo, Dan Walsh and Ofer Wolberger.
One Thing Leads to Another is a working installation and multi-media performance, revolving around a overturned hot air balloon, reanimated through narrative, dance and shifting physicality. This project from artist Tamar Ettun will abstract vignettes from The Odyssey, taking the text's themes of labor, gifting and movement of the itinerant body, while incorporating dance traditions from Trisha Brown, Yvonne Rainer, and Ohad Naharin's GAGA. The performance, which will occur inside the inflated balloon, will last two hundred and forty minutes, referencing The Odyssey's 24 chapters. The audience can come and go as they like, and is encouraged to move inside and outside the balloon to witness the narrative evolve into an animate sculpture, featuring video projection, live music, and choreography from seven performers, including the artist. Performers will move from one end of the balloon to another, each making an effort to complete specific tasks while negotiating the physical impediment of others blocking their path. Once all tasks have been completed, all performers will rotate 90 degrees and repeat. Performers: Danielle Agami, Netta Yerushalmy, Luke Murphy, Yoni Kretzmer, Jaeeun Lee, Tamar Ettun. One Thing Leads to Another is organized and presented by Recess.
In this first of three episodes, Flemish-Moroccan choreographer-dancer Sidi Larbi Cherkaoui speaks about his late introduction to dance and how winning a Belgian dance contest put him on the path of Wim Vandekeybus and Alain Platel. While studying at PARTS, the school founded by Anne Teresa De Keersmaeker and Bernard Foccroulle, Larbi is exposed to the work of William Forsythe, Trisha Brown and Pina Bausch which combines sociological knowledge and dance. This approach resonates deeply with him. He joins les ballets C de la B and, within a few years, creates a series of highly-acclaimed dance works.
Felicia Ballos and Amy Granat are both founding members of Cinema Zero in Brooklyn. Granat has worked on the restoration of the films of Maya Deren and has presented her films in New York and Europe. Ballos trained with Trisha Brown and Min Tanaka and has danced with Yvonne Rainer. Both have ties to extreme underground music. Curated by Liutauras Psibilskis. shot & edited by Emily Chen
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