Podcasts about domenico cimarosa

La Scuola napoletanaAlessandro Scarlatti (1660-1725) - Concerto grosso No. 1 in fa minore per due violini, archi, e continuo 1. Grave2. Allegro3. Largo4. Allemande [Allegro]Orchestra Europa GalanteFabio Biondi, direttore---------------------------------------Nicola Porpora (1686-1766) -  Salve ReginaI. Salve regina (Adagio)II. Ad te clamamus (Allegretto)III. Ad te suspiramus (Adagio)IV. Eia ergo (Allegro)V. Illos tuos misericordes (Adagio)VI. O clemens (Affettuoso)Orchestre Nationale de FranceElīna Garanča, mezzosopranoRiccardo Muti, direttore-----------------------------------Niccolò Jommelli (1714-1774) - Sinfonia in Sol MaggioreI. AllegroII. LargoIII. Allegro assaiMünchener KammerorchesterKarl-Heinz Schickhaus, salterioHans Stadlmair, direttore-------------------------------------Giovanni Paisiello (1740-1816) - Concerto in mi bemolle maggiore per mandolino e orchestra 1. Allegro Maestoso 2.  Larghetto 3. AllegrettoI Solisti VenetiUgo Orlandi, mandolino Claudio Scimone, direttore ---------------------------------------Domenico Cimarosa (1749-1801) - Concerto per Oboe in do minore1. Introduzione - Larghetto2. Allegro3. Siciliana4. Allegro giustoGrand Orchestre de Radio-Télé-LuxembourgNorbert Mattern, oboeLouis De Froment, direttore -------------------------------Domenico Cimarosa (1749-1801) - Inno della Repubblica PartenopeaL' "Inno della Repubblica Partenopea" fu composto da Cimarosa nel 1799 per l'amata terra.

14th-20th Centuries142 Minutes – Week of 2024 June 17This week we hear anonymous works and works by Josquin des Prez, Claude Le Jeune, Francesco Cavalli, Evaristo Felice dall’Abaco, Domenico Cimarosa, Ignacy Feliks Dobrzyński, Francesco Cilea, and Lorenzo Ferrero.

Domenico Cimarosa (1749-1801) - Concerto per flauto ed oboe in do maggioreAllegretto spiritosoLargo         07:00Allegretto  13:45Aurele Nicolet, FlautoHeinz Holliger, OboeAcademy of St. Martin in the FieldsKenneth Silito, conductor ******** Domenico Cimarosa (1749-1801) - Concerto per fortepiano in si bemolle maggioreAllegro        19:02 Recitativo. Allegero moderato    26:32Rondo          32:21Andrea Coen, fortepianoEnsemble L'Arte dell'ArcoFederico Guglielmo, conductor

In deze aflevering van Kalm met Klassiek sluit Ab de week af met luchtige muziek. Hij nodigt je daarbij uit om eens een momentje te nemen, slechts een paar minuten, om een blik omhoog te werpen en je te verliezen in de voorbijdrijvende wolken. Je hoort het tweede deel uit de 'Symfonie voor fluit, hobo en strijkers' van de achttiende-eeuwse componist Domenico Cimarosa. Wil je meer Kalm met Klassiek? Ga naar npoklassiek.nl/kalmmetklassiek (https://www.npoklassiek.nl/kalmmetklassiek). Alle muziek uit de podcast vind je terug in de bijbehorende speellijst (https://open.spotify.com/playlist/6YgSfm1Sux7CroiJvzeUdx?si=f0f254ee8f4048e7). 

A cura di Carlo Centemeri. La musica che parla dei lavoratori, tanto per fare caricature dei colleghi quanto per raccontare le grandi lotte degli anni sessanta e settanta. Ma altrettanto i lavoratori della musica, soprattutto quelli invisibili, il cui ruolo è fondamentale per uno spettacolo o un disco ma che spesso non si notano. Con Lisa Capaccioli (librettista e regista), Fabio Framba (producer e sound engineer), Gioia Bertuccini (violoncellista, musicologa e social media manager); oltre a loro, Camilla Di Pilato, fagottista italiana da tempo in forza all'orchestra dell'opera di Tallin per parlare di condizioni di lavoro tra Italia ed estero e cervelli in fuga. Il tutto, ascoltando Frederic Rzewski, Franz Joseph Haydn, Wolfgang Amadeus Mozart, Domenico Cimarosa, Luigi Nono, Georg Philipp Telemann, Billy Joel.

Domenico Cimarosa (1749 - 1801) – Concerto per pianoforte in sib maggiore1.       Allegro 00:002.       Mov.II: Recitativo, Allegro Moderato, Andante, Aria, Largo 07:323.       Mov.III: Rondò 13:21 Andrea Coen, pianoforteOrchestra L'Arte dell'ArcoFederico Guglielmo, conductor

Alessandro Scarlatti (1660-1725) - Concerto grosso No. 1 in fa minore per due violini, archi, e continuo 1. Grave2. Allegro3. Largo4. Allemande [Allegro]Orchestra Europa GalanteFabio Biondi, direttore---------------------------------------Nicola Porpora (1686-1766) -  Salve ReginaI. Salve regina (Adagio)II. Ad te clamamus (Allegretto)III. Ad te suspiramus (Adagio)IV. Eia ergo (Allegro)V. Illos tuos misericordes (Adagio)VI. O clemens (Affettuoso)Orchestre Nationale de FranceElīna Garanča, mezzosopranoRiccardo Muti, direttore-----------------------------------Niccolò Jommelli (1714-1774) - Sinfonia in Sol MaggioreI. AllegroII. LargoIII. Allegro assaiMünchener KammerorchesterKarl-Heinz Schickhaus, salterioHans Stadlmair, direttore-------------------------------------Giovanni Paisiello (1740-1816) - Concerto in mi bemolle maggiore per mandolino e orchestra 1. Allegro Maestoso 2.  Larghetto 3. AllegrettoI Solisti Veneti , direttore : Ugo Orlandi, mandolino Claudio Scimone, direttore ---------------------------------------Domenico Cimarosa (1749-1801) - Concerto per Oboe in do minore1. Introduzione - Larghetto2. Allegro3. Siciliana4. Allegro giustoGrand Orchestre de Radio-Télé-LuxembourgNorbert Mattern, oboeLouis De Froment, direttore -------------------------------Domenico Cimarosa (1749-1801) - Inno della Repubblica PartenopeaL' "Inno della Repubblica Partenopea" fu composto da Cimarosa nel 1799 per l'amata terra.

Domenico Cimarosa: Sonata In G Minor C. 52 by Carlos Márquez

Un día como hoy, 11 de enero: Nace: 1503, Parmigianino. 1902, Maurice Duruflé. Fallece: 1801, Domenico Cimarosa. 1928, Thomas Hardy. Conducido por Joel Almaguer Una producción de Sala Prisma Podcast. 2023

background painting: Roman ruins and sculpture by Giovanni Paolo Panini

Gioachino Antonio Rossini was Born 29 February 1792, Died 13 November 1868, was an Italian composer who gained fame for his 39 operas. He also wrote many songs, some chamber music , piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity. Born in Pesaro to parents who were both musicians. His father was a trumpeter and his mother a singer. Rossini began to compose by the age of 12 and was educated at music school in Bologna. His first opera was performed in Venice in 1810 when he was 18 years old. In 1815 he was engaged to write operas and manage theatres in Naples. In the period 1810–1823 he wrote 34 operas for the Italian stage that were performed in Venice, Milan, Ferrara, Naples and elsewhere. His productivity necessitated an almost formulaic approach for some components , such as overtures and a certain amount of self-borrowing. During this period he produced his most popular works, including the comic operas L'italiana in Algeri, Il barbiere di Siviglia (known in English as The Barber of Seville) and La Cenerentola. His works of this period brought to a peak the opera buffa tradition he inherited from masters such as Domenico Cimarosa and Giovanni Paisiello. He also composed opera seria works such as Otello, Tancredi and Semiramide. All of these attracted admiration for their innovation in melody, harmonic and instrumental colour, and dramatic form. In 1824 he was contracted by the Opéra in Paris, for which he produced an opera to celebrate the coronation of Charles X, Il viaggio a Reims , later cannibalised for his first opera in French, Le comte Ory. Revisions of two of his Italian operas, Le siège de Corinthe and Moïse, and in 1829 his last opera, Guillaume Tell. Rossini's withdrawal from opera for the last 40 years of his life has never been fully explained. Contributary factors may have been ill-health, the wealth his success had brought him, and the rise of spectacular grand opera under composers such as Giacomo Meyerbeer. . In the early 1830s to 1855, when he left Paris and was based in Bologna, Rossini wrote relatively little. On his return to Paris in 1855 he became renowned for his musical salons on Saturdays. Regularly attended by musicians and the artistic and fashionable circles of Paris. for which he wrote the entertaining pieces Péchés de vieillesse. Guests included Franz Liszt, Anton Rubinstein, Giuseppe Verdi, Meyerbeer and Joseph Joachim. Rossini's last major composition was his Petite messe solennelle (1863). He died in Paris in 1868.

Domenico Cimarosa - L'Olimpiade: Overture Czech Chamber Philharmonic Orchestra, Pardubice Patrick Gallois, conductor More info about today's track: Naxos 8.573568 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording ArkivMusicAmazon

“Dietro le quinte del patrimonio”GIOVANNA TINARO, Archivio Storico e Museo MeMUS della Fondazione Teatro di San CarloIl patrimonio “dietro le quinte”: storia e storie dell'archivio storico del San Carlo, dall'attività di recupero e valorizzazione, attraverso i progetti e gli interventi di inventariazione e digitalizzazione, alla divulgazione di una memoria viva che si rigenera nel rapporto con la comunità, attraverso lo spazio espositivo e la musealizzazione dei beni. Un patrimonio di storie che si attivano nel processo di narrazione del museo, perché MeMUS nasce come luogo di dialogo e in questa direzione ha orientato la sua programmazione culturale. Fin dalla sua nascita: nel 2011. Estratti musicali:“Achille in Sciro” | Domenico Sarro, Sinfonia dall'opera (rev. critica Ivano Caiazza), registrazione effettuata presso il Teatro di San Carlo, settembre 2016 - “La traviata” | Giuseppe Verdi, Teatro di San Carlo, stagione lirica 1969-1970 – “XII Divertimenti” | Giovanni Paisiello – I Fiati del Teatro di San Carlo, marzo 2010 - “Socrate immaginario” | Giovanni Paisiello, IV Autunno Musicale Napoletano in collaborazione con la RAI di Napoli, registrazione effettuata dal vivo al Teatro di Corte del Palazzo Reale di Napoli, 1961 – “La serva padrona” | Giovanni Battista Pergolesi, “Un'Estate da Re” - Aperia della Reggia di Caserta, reg. dal vivo giugno 2017 - “Il marito disperato” | Domenico Cimarosa, Teatro di San Carlo, Estate Musicale 2003 – “Lucia di Lammermoor” | Gaetano Donizetti, Teatro di San Carlo, Stagione Lirica 1955-1956 – “Mosè in Egitto” | Gioachino Rossini, Teatro di San Carlo, stagione lirica 2017-2018, in occasione delle Celebrazioni Rossiniane 2018

“Il Teatro di San Carlo nelle storie del Grande Archivio del Regno”CANDIDA CARRINO, Direttore dell'Archivio di Stato di Napoli “Siete nell'Archivio di Stato di Napoli in mia compagnia”, così, Candida Carrino, Direttore dell'Archivio di Stato di Napoli accoglie il pubblico dell'ottavo episodio di “Voci di Memus”, la serie podcast del Teatro di San Carlo che attraverso le voci della comunità racconta la bellezza di un patrimonio comune. La sua voce ci guida in questo archivio attraverso stanze, saloni, corridoi, che si snodano in un reticolo labirintico dove si conserva la storia di un Regno, quello di Napoli, un centro politico nodale per gli equilibri internazionali. Candida Carrino ci apre così le porte di un meraviglioso mondo di storie e ci conduce in questo viaggio straordinario alla ricerca dei documenti che narrano la storia e le storie del Teatro Lirico più antico al mondo ancora in attività. Scopriamo con lei i 24.000 metri quadri dell'ex monastero benedettino dei Santi Severino e Sossio, rivisitati e resi funzionali nel 1845 per accogliere il Grande Archivio del Regno.Estratti musicali:“XII Divertimenti” | Giovanni Paisiello – I Fiati del Teatro di San Carlo, marzo 2010 – “Zenobia in Palmira” | Giovanni Paisiello, Teatro di Corte del Palazzo Reale di Napoli, maggio 2016 - “Achille in Sciro” | Domenico Sarro, 33° edizione Festival della Valle d'Itria di Martina Franca, 19 luglio 2007 – “Il marito disperato” | Domenico Cimarosa, Teatro di San Carlo, Estate Musicale 2003, Teatro di Corte della Reggia di Caserta – “La Clemenza di Tito” | Wolfgang Amadeus Mozart, Teatro di San Carlo, Inaugurazione Stagione lirica 2010 - “Otello” | Gioachino Rossini, Teatro di San Carlo, Inaugurazione Stagione lirica 2016-2017

Why We Should Expose Our Kids To Classical Music https://ourtownlive.net #herbw79The William Tell Overture was written to open an opera by Gioachino Rossini. The opera is based on a legend about the Swiss hero William Tell. According to the legend, William Tell was an expert with a bow and arrow who shot an apple off his son's head.Gioachino Antonio Rossin (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity.Born in Pesaro to parents who were both musicians (his father a trumpeter, his mother a singer), Rossini began to compose by the age of 12 and was educated at music school in Bologna. His first opera was performed in Venice in 1810 when he was 18 years old. In 1815 he was engaged to write operas and manage theatres in Naples. In the period 1810–1823 he wrote 34 operas for the Italian stage that were performed in Venice, Milan, Ferrara, Naples and elsewhere; this productivity necessitated an almost formulaic approach for some components (such as overtures) and a certain amount of self-borrowing. During this period he produced his most popular works including the comic operas L'italiana in Algeri, Il barbiere di Siviglia (known in English as The Barber of Seville) and La Cenerentola, which brought to a peak the opera buffa tradition he inherited from masters such as Domenico Cimarosa and Giovanni Paisiello. He also composed opera seria works such as Otello, Tancredi and Semiramide. All of these attracted admiration for their innovation in melody, harmonic and instrumental colour, and dramatic form. In 1824 he was contracted by the Opéra in Paris, for which he produced an opera to celebrate the coronation of Charles X, Il viaggio a Reims (later cannibalised for his first opera in French, Le comte Ory), revisions of two of his Italian operas, Le siège de Corinthe and Moïse, and in 1829 his last opera, Guillaume Tell.

Un día como hoy, 11 de enero: Nace: 1503, Parmigianino. 1902, Maurice Duruflé. Fallece: 1801, Domenico Cimarosa. 1928, Thomas Hardy. Una producción de Sala Prisma Podcast. 2021

A cura di Massimiliano SamsaAlessandro Scarlatti (1660-1725) - Concerto grosso No. 1 in fa minore per due violini, archi, e continuo 1. Grave2. Allegro3. Largo4. Allemande [Allegro]Orchestra Europa GalanteFabio Biondi, direttore---------------------------------------Nicola Porpora (1686-1766) - Salve ReginaI. Salve regina (Adagio)II. Ad te clamamus (Allegretto)III. Ad te suspiramus (Adagio)IV. Eia ergo (Allegro)V. Illos tuos misericordes (Adagio)VI. O clemens (Affettuoso)Orchestre Nationale de FranceElīna Garanča, mezzosopranoRiccardo Muti, direttore-----------------------------------Niccolò Jommelli (1714-1774) - Sinfonia in Sol MaggioreI. AllegroII. LargoIII. Allegro assaiMünchener KammerorchesterKarl-Heinz Schickhaus, salterioHans Stadlmair, direttore-------------------------------------Giovanni Paisiello (1740-1816) - Concerto in mi bemolle maggiore per mandolino e orchestra 1. Allegro Maestoso 2. Larghetto 3. AllegrettoI Solisti Veneti , direttore : Ugo Orlandi, mandolino Claudio Scimone, direttore---------------------------------------Domenico Cimarosa (1749-1801) - Concerto per Oboe in do minore1. Introduzione - Larghetto2. Allegro3. Siciliana4. Allegro giustoGrand Orchestre de Radio-Télé-LuxembourgNorbert Mattern, oboeLouis De Froment, direttore-------------------------------Domenico Cimarosa (1749-1801) - Inno della Repubblica PartenopeaL' "Inno della Repubblica Partenopea" fu composto da Cimarosa nel 1799 per l'amata terra.

Concerto on Themes of Domenico Cimarosa          Arthur Benjamin (1893-1960)I.              IntroduzioneII.             Allegro III.           SicilianaIV.          Allegro giustoThe Australian composer Arthur Benjamin compiled four of Domenico Cimarosa's  sonatas into this oboe concerto in 1942. Cimarosa, a Neapolitan contemporary of Mozart, was best known for his comic operas. He also wrote hundreds of witty single-movement harpsichord sonatas. But Cimarosa backed the losing side in a revolution against the monarchy of Naples. He was imprisoned and then exiled to Venice, where he died at the age of 51. Italian Dance                                                                 Madeleine Dring (1923-1977)Madeleine Dring was an English actress, pianist and composer. She was fluent in the idioms of jazz, pop and musical theater. She received a privileged education and became a skilled classical composer as a student of Ralph Vaughan Williams. She was influenced by the work of Arthur Benjamin, George Gershwin, Cole Porter and Francis Poulenc. Her father, an amateur pianist, was a skilled improviser who encouraged her use of “wrong-note humour” in which she added unexpected notes to conventional chords. While still a student she met the soon-to-be-famous oboist Roger Lord to accompany him for an audition. They married, she wrote many pieces for him, and he in turn tirelessly promoted the publication and performance of her compositions after her early death. 

Il 7 febbraio 1792 al Burgtheater di Vienna va in scena la prima rappresentazione de Il matrimonio segreto di Domenico Cimarosa. Susanna Franchi lo racconta a WikiMusic

con Luca Damiani

In de Late Night Show van Vrije Geluiden hoor je een deel van de CD 'Dido and Aeneazz' - een door Raaf Hekkema gehercomponeerde kijk op Purcell's Dido and Aneas, met naast Calefax ook trompettist Eric Vloiemans. Aad van Nieuwkerk presenteert verder een zomerse duik in de muziekgeschiedenis van Venetië aan de hand van het boek 'De klank van de stad. Een cultuurgeschiedenis van Venetië' van Eric Min en Gerrit Valckenaers. En: een hoorcollege van filosoof Herman Philipse en musicoloog Leo Samama leert ons meer over de relatie die wijsgeer Ludwig Wittgenstein had met de muziek. Met muziek van Raaf Hekkema / Henry Purcell, Johannes Brahms, Jon Ekstrand, Domenico Cimarosa, Gioachino Rossini, en Hank Roberts.

Il Matrimonio Segreto, een opera buffa, in de stijl van de commedia dell’arte, de opera van Domenico Cimarosa die ons onherroepelijk aan het lachen maakt. We ontdekken in deze productie het jonge talent van De Nationale Opera Studio. Emma Louise Diest gaat in gesprek met Monique Wagemakers, de regisseur van deze 18e-eeuwse Italiaanse komische opera. Foto: Laura Bouwmeester

conn Luca Damiani

Lunes 17/12/2018, con Mario Mora y Ana Laura Iglesias | Ya conocemos a los finalistas de los ICMA, los Premios Internacionales de la Música Clásica, que premian cada año a las mejores grabaciones del año anterior dentro del mundo de la música clásica. Entre los finalistas se encuentran los españoles Javier Perianes y Pablo Heras-Casado, el venezolano Gustavo Dudamel y otros conocidos nombres que repasamos en este programa. Además, conocemos otras noticias en nuestra agenda clásica, celebramos el aniversario de Domenico Cimarosa y recibimos a Clara Sánchez para hablar en Clarificando de unos consejos que pueden venir muy bien a todos los músicos.

Lunes 17/12/2018, con Mario Mora y Ana Laura Iglesias | Ya conocemos a los finalistas de los ICMA, los Premios Internacionales de la Música Clásica, que premian cada año a las mejores grabaciones del año anterior dentro del mundo de la música clásica. Entre los finalistas se encuentran los españoles Javier Perianes y Pablo Heras-Casado, el venezolano Gustavo Dudamel y otros conocidos nombres que repasamos en este programa. Además, conocemos otras noticias en nuestra agenda clásica, celebramos el aniversario de Domenico Cimarosa y recibimos a Clara Sánchez para hablar en Clarificando de unos consejos que pueden venir muy bien a todos los músicos.

Domenico Cimarosa was one of the last great exponents of the Neapolitan School of opera. In his time, he was one of the best known and most performed composers pre-Rossini. His operas were widely performed across Europe, and Cimarosa himself was transported to Russia following his appointment to the court of Catherine the Great. Living from 1749 to 1801, however, his significance and a deserved place in posterity were inevitably challenged by the towering figures of Haydn, Mozart and Beethoven. Raymond Bisha presents Vol. 5 in the Naxos series of Cimarosa’s overtures to his operas and cantatas, bringing the composer once more front-of-stage.

Donald Macleod explores the life and music of Domenico Cimarosa