Podcasts about maurice durufl

The Mastersingers of Wilmington have been a staple of Delaware's music scene for years. Made up of both professional and amateur singers, the ensemble has become known for its rich sound and moving performances.Their upcoming concert “New Era Romantics” promises more of the same, offering music from around the turn of the 20th century and one of the major choral pieces from that period, “the Requiem” by Maurice Duruflé.In this edition of Arts Playlist, Delaware Public Media's Martin Matheny is joined by local musician Jordan Barrett – Board President of Market Street Music, which the Mastersingers are a part of – and conductor David Schelat for an early look at “New Era Romantics.”

DOMRADIO.DE hat am sechsten Sonntag im Jahreskreis das Pontifikalamt aus dem Kölner Dom mit Weihbischof Rolf Steinhäuser übertragen. Die Domkantorei Köln sang unter der Leitung von Joachim Geibel die Missa brevis von Giovanni Pierluigi da Palestrina sowie "Os justi" von Anton Bruckner und "Ubi caritas" von Maurice Duruflé. An der Orgel: Winfried Bönig.

The Battenkill Chorale, founded in 1995, is a dedicated group of amateur singers that has become a cultural jewel of the North Country and the Capital Region. On January 18 and 19, The Battenkill Chorale will perform Louis Vierne's “Solemn Mass” and works by Maurice Duruflé, Jean Langlais, Olivier Messiaen, and Pierre Villette at the historic Immaculate Conception Church in Hoosick Falls, New York.

rWotD Episode 2809: Thea Kano Welcome to Random Wiki of the Day, your journey through Wikipedia’s vast and varied content, one random article at a time.The random article for Saturday, 11 January 2025 is Thea Kano.Thea Kano (born August 1, 1965) is an American conductor. She is the Founder of the New York City Master Chorale, and was its Artistic Director until the end of the 2018–2019 season. She served as the Associate Music Director of the Gay Men's Chorus of Washington, D. C. from 2004 to 2014, and has been appointed its Artistic Director, effective September 2, 2014. She served as the Associate Conductor of the Washington Chorus and Artistic Director of the Capitol Hill Youth Chorus from 2004–2009, both of which she joined in 2004 after earning her doctorate in choral conducting from UCLA, writing her dissertation on Maurice Duruflé’s Requiem under Professor Donald Neuen. She also studied privately with Paul Salamunovich.A native of northern California, Dr. Kano lives in Washington and New York. During the summer, Kano teaches at the Capitol Hill Arts Workshop in Washington.This recording reflects the Wikipedia text as of 01:11 UTC on Saturday, 11 January 2025.For the full current version of the article, see Thea Kano on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Russell.

Maurice Duruflé (1902-1986) was one of the greatest sacred composers of the 20th century, best known for his Requiem and his motet "Ubi caritas". His lush and tranquil choral and organ works combine a deep familiarity with Gregorian chant with the style of impressionism, imbued with a sense of prayer as he was a devout Catholic. Organist and choirmaster Christopher Berry, who studied organ under Duruflé's widow, Marie-Madeleine Duruflé, joins the podcast to discuss Maurice Duruflé in his historical context as someone who, from childhood, was schooled in the Church's ancient chant tradition, and as an adult applied Pope St. Pius X's instructions for sacred music which were so influential on that generation. Schooled at the Paris conservatory, Duruflé received rigorous training in improvisation, which was the core skill for French organists at that time. His approach to improvising on chant and hymn melodies can still be heard in Catholic churches today. Links Catholic Institute of Sacred Music https://catholicinstituteofsacredmusic.org/ Music heard in this episode: Excerpts from the Requiem - by Voices of Ascension https://www.amazon.com/Durufle-Album-Requiem-Messe-Jubilo/dp/B0000006ZS Prélude et fugue sur le nom d'Alain op. 7 - played by Marie-Madeleine Duruflé Excerpt from Choral varié sur le Veni Creator op.4 - played by Maurice Duruflé himself https://www.youtube.com/watch?v=3SBCDScgqsQ Ubi caritas - by Choir of St. John's Elora Tantum ergo - by St. John's College Choir SIGN UP for Catholic Culture's newsletter: https://www.catholicculture.org/newsletters DONATE to make this show possible! http://catholicculture.org/donate/audio

Tenth Sunday after PentecostBon Voyage Compline ORISON: ‘III. Sanctus,' from Messe ‘Cum jubilo,' Op. 11 – Maurice Duruflé (1902-1986) PSALMS 97 and 98 – Peter R. Hallock (1924-2014) and Patricia Van Ness (b. 1951) HYMN: King of glory, King of peace (Tune: GWALCHMAI) – John David Jones (1827-1870) NUNC DIMITTIS from Saint Mark's Service – […]

The Ninth Sunday after Pentecost ORISON: ‘V. Agnus Dei,' from Messe ‘Cum jubilo,' Op. 11 – Maurice Duruflé (1902-1986) PSALM 78:1-13 – Margaret Burk (b. 1990) HYMN: God is Love: let heaven adore him (Tune: BLAENWERN) – from Sacred Melodies, 1815; arr. William Gardiner (1770-1853) NUNC DIMITTIS from Magdalen Service – Grayston Ives (b. 1948) […]

Præludium: Maurice Duruflé: 2 variationer over 'Veni Creator'. Davidssalme: 33, 1-4. Salme: 282 "Apostlene sad i Jerusalem". Fra det N.T.: Apostlenes Gerninger 2, 1-11. Vekselsang: Ånden selv vidner med vor ånd (Rom. 8, 16 - 17 & 26). Salme: 285 vers 1-2 "Hør himmelsus i tredje time". Postludium: Maurice Duruflé: Veni Creator.

This week on Hearts of Space "SACRED SONGS OF DEVOTION" — a special program of choral and instrumental music for Easter, from our longtime guest producer for classical and sacred music ELLEN HOLMES. The show includes choral selections from Ellen's compilation "SACRED SONGS of MARY: Devotion"—the third in her series of albums showcasing music honoring the Virgin Mary, mother of Jesus. "In Western culture," writes Ellen, “Mary is the personification of tenderness, compassion, forgiveness, protection, and unconditional love—emotions reflected in music praising her or beseeching her comfort and help.” This wide-ranging program includes sacred choral music from the Russian Orthodox mass, a 12th Century song by HILDEGARD VON BINGEN, 17th century sacred music from Spain by ALONSO LOBO, sacred works by 19th and 20th century composers JOHN TAVENER, SERGEI RACHMANINOFF, PYOTR ILYICH TCHAIKOVSKY, and MAURICE DURUFLÉ, and contemporary works by SIGUR RÓS, LISA GERRARD, DAVID DARLING, MAX RICHTER, and ARVO PÄRT. Choral and instrumental music for Easter: SACRED SONGS OF DEVOTION…on this transmission of Hearts of Space. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

Der Chor des Trinity College Cambridge unter Leitung von Stephen Layton hat Maurice Duruflés Requiem aufgenommen. Klarheit und Mystik finden hier zusammen. Die Musik schimmert golden und verbreitet Kraft und inneren Frieden.

Thank you for listening to our show this season!!Here are the favorite choral pieces from our guests in the second season:Sommerpsalm, Waldemar ÅhlénChristmas Oratorio, Johann Sebastian BachKomm, Jesu, Komm; Johann Sebastian BachAgnus Dei, Samuel BarberBluegrass Mass, Carol BarnettAfternoon on a Hill, Eric BarnumMissa Solemnis, Ludwig van BeethovenThe Eyes of All Wait Upon Thee, Jean BergerChichester Psalms, Leonard Bernstein(x2)Ave Maria, Franz BieblBallad of the Brown King, Margaret BondsCredo, Margaret BondsSchicksalslied, Johannes BrahmsThe New Colossus, Saunder ChoiUnderneath My Foot, Jennifer Lucy CookPrayer of St. Francis, Robert DelgadoRequiem, Maurice Duruflé (x2)When the Violin, Reena EsmailImagine Me, Kirk FranklinDone Made My Vow, Adolphus HailstorkI Will Lift Up Mine Eyes, Adolphus HailstorkMessiah, George Frideric HandelZadok the Priest, George Frideric HandelSong of Democracy, Howard HansonBring Us, O Lord God; William HarrisLux Aeterna, Morten Lauridsen (x3)Sure on This Shining Night, Morten Lauridsen Fire Dance of Luna, Darius LimSymphony No. 2 "Resurrection," Gustav Mahler (x2)The Awakening, Joseph M. MartinStabat Mater, Giovanni Pierluigi da PalestrinaAnd So I Go On, Jake RunestadSelig Sind die Toten, Heinrich SchützCurse Upon Iron, Veljo TormisEternity, Alvin TrotmanIn the Middle, Dale Trumbore(x2)Requiem, Giuseppe VerdiO Quam Gloriosum, Tomás Luís de VictoriaHere are the composers that our guests suggested you check out:Amy BeachBrittney BentonArron BrattStephen ChatmanSamuel Coleridge TaylorEleanor DaleyWilliam DawsonR. Nathaniel DettMelissa Dunphy (see Choir Fam Episode 72)Maurice DurufléLeon FirštJosé Maurício Nunes GarciaCarlo GesualdoEdie HillShabaka HutchingsJuliette LaiGuillaume de MachautJoanne MetcalfRosephanye PowellFlorence PriceMarie-Claire SaindonValerie Showers CrescenzHeather SorensonBilly StrayhornGerald ThompsonAlvin TrotmanRalph Vaughan WilliamsBrandon WaddlesRuth Watson HendersonMary Lou WilliamsEmail choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson from PexelsChoir Fam wants to hear from you! Check out the Minisode Intro Part 3 episode from February 16, 2024, to hear how to share your story with us. Email choirfampodcast@gmail.com to contact our hosts.

SynopsisOn today's date in 1935, at the Church of St. François-Xavier in Paris, organist Geneviève de la Salle gave the first complete performance of the three-movement Organ Suite, by French composer and virtuoso organist Maurice Duruflé.If you sing in a choir or are a fan of choral classics, you probably know Duruflé's serene and tranquil Requiem, which premiered about 12 years later.Now, if Duruflé's Organ Suite, Op. 5, premiered in 1935 and his Requiem, Op. 9, in 1947, you might reasonably conclude the composer was a slow, meticulous worker, which he was. In all, Duruflé's output comprises less than 15 published works, of which seven are for organ. His Organ Suite consists of a brooding “Prélude,” a “Sicilienne” — which evokes the harmonies and inflections of Ravel — and a brilliant, concluding “Toccata.”Duruflé's music is firmly embedded in the French tradition of organ composers such as César Franck and Louis Vierne, and Duruflé's composition teacher, Paul Dukas. The great French organist Marie-Claire Alain described Duruflé's music as “perfectly honest art.”“He was not an innovator but a traditionalist,” she said “… Duruflé evolved and amplified the old traditions, making them his own."Music Played in Today's ProgramMaurice Durufle (1902-1986) Organ Suite; Todd Wilson (Schudi organ at St. Thomas Aquinas Church in Dallas, Texas) Delos 3047

SynopsisIn France, today is “la Fete de la Toussaint” – All Saints' Day – observed as both a sacred and secular national holiday, a time to visit cemeteries and put flowers on the graves of relatives. In 1947, when memories of the dead of World War II were still fresh, French Radio broadcast three premieres at a special concert from the Salle Gaveau in Paris.First on the program was the French premiere of Hungarian composer Lazlo Lajhta's somber In Memoriam. This had been the first new orchestral work to be performed in Budapest when concert life had resumed after the war.Second was the world premiere of the Sixth Symphony by Polish composer Alexandre Tansman, who, being Jewish, found refuge in France in 1938, then, during the German occupation, had fled to the United States. In 1946, Tansman returned to Europe in time for the premiere of his symphony, also titled In Memoriam, at this concert.The third work on the program was another world premiere: a newly completed Requiem Mass by French composer Maurice Duruflé, originally commissioned as an orchestral work in 1941 during the German occupation of France, which morphed into a choral Requiem Mass by the time of the liberation.Music Played in Today's ProgramMaurice Duruflé (1902 - 1906) – Requiem (Westminster Choir; Joseph Flummerfelt, cond.) Avie 46

durée : 00:25:04 - Maurice Duruflé, Requiem - par : Anne-Charlotte Rémond - Anne-Charlotte Rémond se penche aujourd'hui le ''Requiem'' de Maurice Duruflé, créé Salle Gaveau et sur les ondes de la radio, le 2 novembre 1947, par l'Orchestre et le Chœur de la Radiodiffusion Française. - réalisé par : Claire Lagarde

Un Día Como Hoy 16 de Junio: Acontece: 1816: Lord Byron escribe Fantasmagoriana a sus cuatro invitados a Villa Diodati, Percy Shelley, Mary Shelley, Claire Clairmont y John Polidori, e inspira su reto a que cada invitado escribiera una historia de miedo, que culmina con el escrito de Mary Shelley Frankenstein, John Polidori escribiendo el cuento El vampiro y Byron su poema Darkness. 1904: en Dublín, el escritor irlandés James Joyce comienza su relación con Nora Barnacle. Años después utilizará esta fecha como la del día en que transcurre su novela más conocida, Ulises. 1960: se estrena la película Psicosis, de Alfred Hitchcock. Nace: 1863: Arturo Michelena, pintor venezolano (f. 1898). 1901: Henri Lefebvre, filósofo francés (f. 1991). Fallece: 1986: Maurice Duruflé, organista y compositor francés (n. 1902). Conducido por Joel Almaguer. Una producción de Sala Prisma Podcast. 2023

Wij beginnen het muziekprogramma in de religieuze sfeer met een “Tantum Ergo” van Maurice Duruflé,- het “Ave Verum Corpus” van W.A.Mozart,- een “Pange Lingua” van Anton Bruckner,- een “Exultate Deo” van Da Palestrina en ter ere van Johannes de Doper het “Sancte Joannes Baptista” van Philipus De Monte uit Mechelen. Daarna volgt de intergrale versie […]

Sunday, January 29, 2023 Introit: “Notre Père” - Maurice Duruflé

Un día como hoy, 11 de enero: Nace: 1503, Parmigianino. 1902, Maurice Duruflé. Fallece: 1801, Domenico Cimarosa. 1928, Thomas Hardy. Conducido por Joel Almaguer Una producción de Sala Prisma Podcast. 2023

Fère Antoine Odendall est baryton et chantre au couvent dominicain de Marseille. Dans ce neuvième épisode de Croire, les voies de la prière, il nous initie à la prière de l'adoration eucharistique, un face-à-face dans lequel nous regardons le Christ autant que nous sommes regardé par lui. Dans ce podcast, nous vous emmenons à la rencontre de croyants, qui témoignent de leur aventure spirituelle. Le frère Antoine Odendall, 32 ans, est baryton. Il est chantre à Marseille, dans le couvent dominicain fondé au XIIIe siècle. Actuellement, il prépare une double licence canonique (l'équivalent d'un master 2), l'une en philosophie, l'autre en liturgie et théologie sacramentaire à l'institut supérieur de liturgie à Paris. Frère Antoine a véritablement découvert l'adoration eucharistique en entrant dans l'ordre des dominicains, il y a une dizaine d'années. Il a été ordonné prêtre il y a deux ans. Avec un sens de la formule, propre au frère prêcheur, il explique que « l'adoration eucharistique est l'école du ciel : elle prépare à voir Dieu face-à-face ». Dans ce podcast, vous écoutez le chant de la communauté de l'Emmanuel intitulé Seigneur Jésus, tu es présent et Ubi caritas de Maurice Duruflé. -----  ► PODCAST. Croire, Les voies de la prière → Épisode 1 : Sœur France Hélène : « Les psaumes sont une splendide école d'humanité » → Épisode 2 : F. Jean-Alexandre : « La prière d'oraison est un entretien intime avec Jésus-Christ » → Épisode 3 : Alexandra Daniel : « Par la louange, je laisse Dieu me conduire à Lui » → Épisode 4 : Patrick Goujon, jésuite : « La méditation auprès de Jésus m'a tenu en vie » → Épisode 5 : Patrick Laudet, diacre : « J'ai découvert le trésor de la liturgie des heures » → Épisode 6. Sylvain Detoc, dominicain : « Le Rosaire est un catéchisme portatif » → Épisode 7. Sœur Cécile : « Les morts ont besoin de nos prières » → Épisode 8 : Thomas Ospital : « L'orgue est en dialogue permanent avec la prière des fidèles » ----- ►Découvrez, parmi les autres podcasts de La Croix : Place des religions ; Les 7 travaux du pape François ; ou encore L'Envers du récit. ►Pour écouter tous les épisodes de Croire, abonnez-vous gratuitement sur les plateformes suivantes : Apple Podcasts – Spotify – Deezer – Podcast Addict – YouTube – Google Podcasts – Amazon Music – Castbox ----- Crédits Rédaction en chef : Fabienne Lemahieu et Dominique Greiner. Journaliste au service religions : Gilles Donada. Chargée de production : Célestine Albert-Steward. Réalisation : Flavien Edenne et Gilles Donada. Montage : Gilles Donada. Mixage : Gabriel Fadavi. Responsable marketing : Laurence Szabason. Visuel : Isaline Moulin. Musique : Tiegezh, extrait de l'album Sólo, par Samuelito, Bayard Musique. 

Para terminar nuestro recorrido por las liturgias funerarias de este mes de noviembre escucharemos un réquiem del s. XX basado casi literalmente en la melodía gregoriana, el de Maurice Duruflé. Y lo escucharemos precedido en cada sección de la melodía original. Escuchar audio

durée : 00:16:14 - Disques de légende du vendredi 16 septembre 2022 - Vincent Warnier, aux grandes orgues de l'église Saint-Etienne-du- Mont (Paris)

This service of Choral Evensong with Sermon in Music for the Sixth Sunday after Trinity, 24th July 2022, has been collated from archive live music recordings together with prayers, sermon and readings for the appointed day specially recorded in church and in people's homes. This service is sung by our professional St Bride's Choir. Responses: Kenneth Leighton Psalm: 88 Canticles: Evening Service in D – Ernest Moeran Sermon in Music: Three settings of the Lord's Prayer i) Otche nash – Igor Stravinsky; ii) Notre Père – Maurice Duruflé; iii) Pater Noster – Giuseppe Verdi Organ Voluntary: Toccata – Patrick Gowers If you enjoy listening, please leave a comment below or subscribe to our channel. It is great to get your feedback. We are hugely grateful for people's generosity which we rely on to continue our work, maintain our wonderful architectural heritage and support world-class music. If you would like to make a donation, you can do so at www.justgiving.com/stbrideschurchfleetstreet Alternatively, in the UK, text 5STBRIDES or 10STBRIDES or 20STBRIDES to 70470 to donate £5, £10 or £20.

Is er iets mooiers dan het live horen van de menselijke stem, de samenklank van een koor? Intense ensemblezang door Voces8 tijdens een concert in Madrid, en koorzang in combinatie met klanken die we kennen uit het Midden-Oosten in het derde deel van Planctus Cygni van Gerard Beljon, tijdens November Music 2021, door solisten en Cappella Amsterdam olv Leonard Evers. 23.04 eigen opname EBU, Spaanse Omroep Edvard Grieg (1843-1907) - Ave, maris stella (02:50 min.) Philip Stopford (1977) - Ave, maris stella (03:29 min.) Thomas Tallis (ca 1505-1585) - O nata lux (02:23 min.) Alec Roth (1948) - Night Prayer (03:30 min.) Maurice Duruflé (1902-1986) - Ubi caritas (02:23 min.) Ola Gjeilo (1978) - Ubi caritas (03:35 min.) Voces8 23.27 CD Dutch Masters (Deutsche Grammophon 48198597) Willem Pijper: Sonate voor twee piano's Arthur en Lucas Jussen [piano] 8'17” 23.32 eigen opname November Music Gerard Beljon: Planctus Cygni III Cappella Amsterdam olv Leonard Evers; Raphaela Danksagmüller [duduk]; Sabra el Bahri-Khatri [zang]; Laura Lopes [zang] 13'28 23.50 Doorgeef-CD-van-de-Week

Francis Jackson (1917-2022), Meditation: Love Unknown (based on Hymn 458)Maurice Duruflé (1902-1986), “Prelude” from Suite pour orgue, Op. 5Hymn 158, “Ah, holy Jesus, how hast thou offended” Herzliebster Jesuarr. Andrew Carter (b.1939), I wonder as I wanderHymn 104, “A stable lamp is lighted” AndújarRichard Lloyd (1933-2021), The Ballad of the Judas TreeSpiritual, arr. Dale Adelmann, Sometimes I feel like a motherless child/Nobody knows the trouble I've seenHymn 170, “To mock your reign, O dearest Lord” The Third TuneTrond Kverno (b. 1945), Corpus Christi CarolDaniel Gawthrop (b.1949), Mary speaksKen Miller (hymn), “Alas! and did my Savior bleed” Morgan's SteepSpiritual “Were you there when they crucified my Lord?” Were You ThereAntonio Lotti (c. 1667-1740), Crucifixus à 8

The Seventh Sunday after the Epiphany ORISON: ‘Beloved, let us love one another,' from In Praise of Singing – Alice Parker (b. 1925) PSALM 33:12-22 – Peter R. Hallock (1924-2014) HYMN: God is love (Tune: UBI CARITAS [MURRAY]) – A. Gregory Murray (1905-1992) NUNC DIMITTIS – Dana Marsh (b. 1965) ANTHEM: Ubi caritas – Maurice Duruflé […]

Synopsis On today's date in 1935, at the Church of Saint François-Xavier in Paris, organist Geneviève de la Salle gave the first complete performance of the three-movement Suite, Op. 5, by the French composer, teacher, and virtuoso organist Maurice Duruflé. If you sing in a choir or are a fan of choral music, you're probably familiar with Duruflé's serene and tranquil “Requiem,” Op. 9, which premiered some 12 years later. Duruflé's Op. 5 premiered in 1935, his Op. 9 in 1947, so you might reasonably conclude the composer was a slow worker – which he was.  He was also a very self-critical perfectionist whose catalog of works is rather small, but exquisitely crafted.  In all, Duruflé's output comprises less than 15 published works, of which seven are for organ. Duruflé's music is firmly embedded in the French tradition of organ composers like César Franck and Louis Vierne, and orchestral composers like Debussy, Ravel, and Duruflé's own composition teacher, Paul Dukas.  The great French organist Marie-Claire Alain, when asked to describe Duruflé's music, replied "it is a perfectly honest art… He was not an innovator but a traditionalist… Duruflé evolved and amplified the old traditions, making them his own."  Music Played in Today's Program Maurice Durufle (1902-1986) — Organ Suite, Op. 5 (Todd Wilson, o (Schudi organ at St. Thomas Aquinas Church in Dallas, Texas)) Delos 3047 On This Day Births 1752 - Italian composer Muzio Clementi, in Rome; 1878 - English composer Rutland Boughton, in Aylesbury; Deaths 1837 - Irish composer John Field, age 54, in Moscow (Julian date: Jan.11); 1908 - American composer and pianist Edward MacDowell, age 47, in New York; 1981 - American composer Samuel Barber, age 70, in New York; Premieres 1724 - Bach: Sacred Cantata No. 73 ("Herr, wie du willst, so schicks mit mir") performed on the 3rd Sunday after Epiphany as part of Bach's first annual Sacred Cantata cycle in Leipzig (1723/24); 1729 - Bach: Sacred Cantata No. 156 ("Ich steh mit einem Fuss im Grabe") probably performed in Leipzig on the 3rd Sunday after Epiphany as part of Bach's fourth annual Sacred Cantata cycle (to texts by Christian Friedrich Henrici, a.k.a. "Picander") during 1728/29; 1895 - MacDowell: Suite No. 2 (":Indian"), at the old Metropolitan Opera House in New York City, by the Boston Symphony, with Emil Paur conducting; On the same program, MacDowell appeared as the soloist in his own Piano Concerto No. 1; 1933 - Bartók: Piano Concerto No. 2, in Frankfurt, with Hans Robaud conducting and the composer as soloist; 1936 - Chavez: "Sinfonia India," on a radio broadcast by the Columbia Symphony, conducted by the composer; 1948 - Diamond: Symphony No. 4, by the Boston Symphony, Leonard Bernstein conducting; 1963 - Peter Mennin: Symphony No. 7, by the Cleveland Orchestra, George Szell conducting; 1973 - Elliott Carter: String Quartet No. 3, in New York City, by the Juilliard String Quartet; This work won the Pulitzer Prize for music in that year (This was Carter's second Pulitzer Prize); 1999 - Thea Musgrave: "Three Women," in San Francisco, by the Women's Philharmonic, A. Hsu conducting; Others 1894 - Czech composer Antonin Dvorák presents a concert of African-American choral music at Madison Square Concert Hall in New York, using an all-black choir, comprised chiefly of members of the St. Philip's Colored Choir; On the program was the premiere performance of Dvorák's own arrangement of Stephen Foster's "Old Folks at Home," which featured vocal soloists Sissierette Jones and Harry T. Burleigh; 1943 - Duke Ellington and his orchestra present their first concert at Carngie Hall in New York, presenting the "official" premiere of Ellington's "Black, Brown and Beige" Suite (This work had received its world premiere at a trial performance the preceding day at Rye High School in Rye, New York). Links and Resources On Dvořák On Ellington

Es ist schon fast bizarr, dass Maurice Duruflé sein Requiem im Auftrag des kollaborierenden Vichy-Regimes schrieb. 1941 erging dieser Auftrag an den französischen Kirchenmusiker. Duruflé arbeitete bis nach Kriegsende an seinem Requiem.  Die zentralen Aspekte darin sind Trauer und Resignation, Frömmigkeit und Reflexion. Ein alles in allem «mildes» Werk - so fehlt etwa das von Mozart oder Verdi so wirkungsvoll vertonte «Dies irae». Duruflé vertonte stattdessen dessen letzten, tröstlichen Vers als eigenen Satz: Mit «Pie Jesu» wendet sich der Chor mit der Bitte um ewige Ruhe an einen «milden Herrscher». Duruflés Requiem wird selten aufgeführt. Grund mag die nur halbstündige Aufführungsdauer sein. Auch, dass der Komponist mit seinem sonstigen Werk beinahe unbekannt ist, dürfte hier eine Rolle spielen. Gründe genug, in der Diskothek einmal genau hinzuhören. Gäste von Benjamin Herzog sind der die Dirigentin Graziella Contratto und der Sänger Jean-Christophe Groffe.

Émission autour de Maurice DURUFLÉ, Arthur HONEGGER & Mikis THÉODORAKIS

Émission autour de Maurice DURUFLÉ, Arthur HONEGGER & Mikis THÉODORAKIS

Un Día Como Hoy 16 de Junio: Acontece: 1816: Lord Byron escribe Fantasmagoriana a sus cuatro invitados a Villa Diodati, Percy Shelley, Mary Shelley, Claire Clairmont y John Polidori, e inspira su reto a que cada invitado escribiera una historia de miedo, que culmina con el escrito de Mary Shelley Frankenstein, John Polidori escribiendo el cuento El vampiro y Byron su poema Darkness. 1904: en Dublín, el escritor irlandés James Joyce comienza su relación con Nora Barnacle. Años después utilizará esta fecha como la del día en que transcurre su novela más conocida, Ulises. 1960: se estrena la película Psicosis, de Alfred Hitchcock. Nace: 1863: Arturo Michelena, pintor venezolano (f. 1898). 1901: Henri Lefebvre, filósofo francés (f. 1991). Fallece: 1986: Maurice Duruflé, organista y compositor francés (n. 1902). Una producción de Sala Prisma Podcast. 2021

J'ai demandé à Dam du podcast Écoute ça, s'il pouvait intervenir sur le thème de l'Apocalypse dans la musique. Je lui ai laissé carte blanche, et je dois dire qu'il m'a très agréablement surpris en remplissant cette partition. C'est avec bonheur qu'il nous propose un voyage dans le monde apocalyptique et musical, avec des titres parfois surprenants, et de belles découvertes pour ma part. REFERENCES•«Au Large Biblique » est un podcast conçu et animé par François Bessonnet, enseignant bibliste et prêtre en Vendée. https://www.aularge.eu/blog/le-podcast/ •Générique : Erwan Marchand (D.R.)•Épisode enregistré en avril 2021.•Sous Licence Creative Commons (cc BY-NC-ND 4.0 FR)SOURCES ET RESSOURCES•Le livre de l'Apocalypse de Jean https://www.aelf.org/bible/Ap/1 •Les autres épisodes : https://www.aularge.eu/blog/lapocalypse-dhier-a-demain/ •Œuvres : https://youtube.com/playlist?list=PL3wD3DhatHmcpFaHrkBaUDvoGkEnH8ehY •Musique : https://open.spotify.com/playlist/5PHF921roiOKhPvYAuMk5R?si=1adea6bc79d845b9 RETOUVEZ DAM SUR « ECOUTE ÇA » Le podcast de Dam : « Ecoute ça » https://ecoutecapodcast.fr à écouter sur :•Spotify : https://open.spotify.com/show/5cEp7RVqgs9t2SsBAGdOs9 •Apple podcast https://itunes.apple.com/fr/podcast/%C3%A9coute-%C3%A7a/id1307143363?l=en •Autres plateformes : https://ecoutecapodcast.fr •#86 Est-on vraiment libre quand on compose ? https://ecoutecapodcast.fr/ep-86-est-on-vraiment-libre-quand-on-compose-non/ LES TITRES CITÉSÀ écouter sur la playlist Spotify: https://open.spotify.com/playlist/5PHF921roiOKhPvYAuMk5R?si=c341a2d0fa36461f Sur Youtube : https://youtube.com/playlist?list=PL3wD3DhatHmcpFaHrkBaUDvoGkEnH8ehY •Prince, 1999 de l'album 1999 (1982)•Muse, Apocalypse Please, de l'album Absolution (2003)•Olivier Messiaen, Quatuor pour la fin des temps (1940), Danse de la fureur pour les sept trompettes•Olivier Messiaen, Quatuor pour la fin des temps (1940), Fouillis d'arc-en-ciel pour l'ange qui annonce la fin des temps•Wolfgang Amadeus Mozart, Requiem, K.626 : Dies Irae (1791)•Giuseppe Verdi, Requiem : Dies Irae (1874)•Maurice Duruflé, Requiem :VIII libera me (1841)•Michel Sardou, l'an mil, M/Sardou, P/Barré, de l'album Vladimir Ilitch (1983)•Johnny Cash, The Man Comes Around, de l'album American IV: The Man Comes Around (2002)•Peter, Paul and Mary, Early in the morning (1962)•Didier Super, On va tous crever, de l'album Vaut mieux en rire que s'en foutre (2004)•Sufjan Stevens, Seven Swans, de l'album Seven Swans (2004)SUIVRE AU LARGE BIBLIQUE •Instagram : @aularge.eu https://www.instagram.com/aularge.eu/ •Twitter : @AuLargeBiblique https://twitter.com/AuLargeBiblique •Facebook : @aularge85 https://www.facebook.com/aularge85/ •LinkedIn : https://www.linkedin.com/in/fbessonnet/ •Youtube : https://www.youtube.com/user/aulargefbessonnet •Mail : podcast@aularge.eu •Newsletter : https://www.aularge.eu/blog/abonnement/ •RSS : https://www.spreaker.com/show/3266391/episodes/feed •VOS QUESTIONS sur https://www.aularge.eu/blog/votre-voix-minteresse/ Soutenir le podcast avec Tipeee : https://fr.tipeee.com/au-large-biblique

Synopsis Today we remember two famous French composers, both organists, who came to dramatic ends in the month of June. On June 2nd, 1937, while playing his 1,750th recital at the Cathedral of Notre-Dame in Paris, Louis Vierne suffered a sudden and fatal stroke, dying in the organ loft in the presence of one of his most promising pupils, Maurice Duruflé. Vierne was born nearly blind, but his exceptional musical ability eventually led to studies with the two greatest French organ composers of the 19th century, César Franck and Charles-Marie Widor. The piece that the 66-year-old Vierne was playing when he collapsed at Notre-Dame had the morbidly apt title “Memorial for a Dead Child.” Three years later, on June 20, 1940, another talented French organist and composer, Jehan Alain, was killed in action during the Second World War. Alain's compositions were considered experimental in both rhythm and modes. Even so, he had just won the French Premier Prix for organ in 1939 when the War broke out, and he was called up for active service. Following the Battle of Saumur, Jehan Alain's body was found by the roadside, with some of his music manuscripts scattered in the wind. Music Played in Today's Program Louis Vierne (1870 - 1937) — Carillon de Longpont (Richard Proulx, organ) Sacred Heart 101 Jehan Alain (1911 - 1940) — Litanies (Carlo Curley, organ) Argo 430 200

Synopsis Today we remember two famous French composers, both organists, who came to dramatic ends in the month of June. On June 2nd, 1937, while playing his 1,750th recital at the Cathedral of Notre-Dame in Paris, Louis Vierne suffered a sudden and fatal stroke, dying in the organ loft in the presence of one of his most promising pupils, Maurice Duruflé. Vierne was born nearly blind, but his exceptional musical ability eventually led to studies with the two greatest French organ composers of the 19th century, César Franck and Charles-Marie Widor. The piece that the 66-year-old Vierne was playing when he collapsed at Notre-Dame had the morbidly apt title “Memorial for a Dead Child.” Three years later, on June 20, 1940, another talented French organist and composer, Jehan Alain, was killed in action during the Second World War. Alain's compositions were considered experimental in both rhythm and modes. Even so, he had just won the French Premier Prix for organ in 1939 when the War broke out, and he was called up for active service. Following the Battle of Saumur, Jehan Alain's body was found by the roadside, with some of his music manuscripts scattered in the wind. Music Played in Today's Program Louis Vierne (1870 - 1937) — Carillon de Longpont (Richard Proulx, organ) Sacred Heart 101 Jehan Alain (1911 - 1940) — Litanies (Carlo Curley, organ) Argo 430 200

On today’s date in 1935, at the Church of Saint François-Xavier in Paris, organist Geneviève de la Salle gave the first complete performance of the three-movement Suite, Op. 5, by the French composer and virtuoso organist Maurice Duruflé. If you sing in a choir or are a fan of choral classics, you probably know Duruflé’s serene and tranquil “Requiem,” Op. 9, which premiered some 12 years later. Now, if Duruflé’s Op. 5 premiered in 1935, and his Op. 9 in 1947, you might reasonably conclude the composer was a slow, meticulous worker, which he was. In all, Duruflé’s output comprises less than 15 published works, of which seven are for organ. His Organ Suite, Op. 5 consist of a brooding Prélude, a Sicilienne that evokes the harmonies and inflections of Ravel, and a brilliant, concluding Toccata. Duruflé’s music is firmly embedded in the French tradition of organ composers like César Franck and Louis Vierne, and Duruflé’s own composition teacher, Paul Dukas. The great French organist Marie-Claire Alain described Duruflé’s music as “… perfectly honest art. . . He was not an innovator but a traditionalist … Duruflé evolved and amplified the old traditions, making them his own."

On today’s date in 1935, at the Church of Saint François-Xavier in Paris, organist Geneviève de la Salle gave the first complete performance of the three-movement Suite, Op. 5, by the French composer and virtuoso organist Maurice Duruflé. If you sing in a choir or are a fan of choral classics, you probably know Duruflé’s serene and tranquil “Requiem,” Op. 9, which premiered some 12 years later. Now, if Duruflé’s Op. 5 premiered in 1935, and his Op. 9 in 1947, you might reasonably conclude the composer was a slow, meticulous worker, which he was. In all, Duruflé’s output comprises less than 15 published works, of which seven are for organ. His Organ Suite, Op. 5 consist of a brooding Prélude, a Sicilienne that evokes the harmonies and inflections of Ravel, and a brilliant, concluding Toccata. Duruflé’s music is firmly embedded in the French tradition of organ composers like César Franck and Louis Vierne, and Duruflé’s own composition teacher, Paul Dukas. The great French organist Marie-Claire Alain described Duruflé’s music as “… perfectly honest art. . . He was not an innovator but a traditionalist … Duruflé evolved and amplified the old traditions, making them his own."

Un día como hoy, 11 de enero: Nace: 1503, Parmigianino. 1902, Maurice Duruflé. Fallece: 1801, Domenico Cimarosa. 1928, Thomas Hardy. Una producción de Sala Prisma Podcast. 2021

The SATB choir and organ version of Maurice Duruflé's Requiem, Op. 9 was published in 1948 by the French firm Durand. It had been commissioned six years earlier under the collaborationist Vichy regime, but Duruflé was still working on it in 1944 when the regime collapsed and in fact did not complete it until the year of publication. The composer dedicated the Requiem to the memory of his father. Purchase the music (without talk) for only $2.99 at: http://www.classicalsavings.com/store/p474/Durufle%3A_Requiem%2C_Op._9.html Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock #ClassicalMusicDiscoveries #KeepClassicalMusicAlive #LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans #CMDGermanOperaCompanyofBerlin #CMDGrandOperaCompanyofBarcelonaSpain #ClassicalMusicLivesOn #Uber Please consider supporting our show, thank you! http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com

Selections from the All Saints' Virtual Concert presented by St. George's Choir & Choristers on Sunday, November 1, 2020. Dr. Woosug Kang, Director of Music Ministries Debra Lee Williamson, alto Christopher Stenstrom, cello Gerry Senechal, organ Music Selections: O CHRIST, WHO ART OUR LIGHT AND DAY, Robert Whyte (c.1538 – 1574) PIE JESU (FROM REQUIEM), Maurice Duruflé (1902-1986) THEY ARE AT REST, Edward Elgar (1857-1934) LUX AETERNA (FROM ENIGMA VARIATIONS), Edward Elgar (1857-1934) PSALM 23 (FROM REQUIEM), Herbert Howells (1892-1983) HYMN: ROUND THE LORD IN GLORY SEATED, Rustington Program Credits: Sarah Bailey, sound engineer Christian Copyright Solutions WORSHIPcast License #11176 Permission to podcast / stream the music in this service obtained from ONE LICENSE, License # M-400528. All rights reserved.

The Rev. Dr. Robert Allan Hill, Dean of Marsh Chapel, preaches a sermon entitled “Liberal Breeze.” The remainder of the recording is a re-broadcast from previous services. The Marsh Chapel Choir sings “Ubi caritas, op. 10, no. 1” by Maurice Duruflé and “O how amiable” by Ralph Vaughan Williams along with service music and hymns.

durée : 01:58:09 - Le Bach du dimanche du dimanche 20 octobre 2019 - par : Corinne Schneider - Au programme de cette émission, un « Retour à Bach » en France autour des années 1920-1930 avec les œuvres néoclassiques de Francis Poulenc, Louis Durey, Germaine Tailleferre, Igor Stravinsky… en compagnie de Maurice Duruflé, Wanda Landowska, Alfred Cortot, Marcelle Meyer… - réalisé par : Céline Parfenoff

Rev. Kathy Cooper Ledesma preaching and our Music Department performed Maurice Duruflé’s Requiem sung by the Chancel Choir, and accompanied by string quartet and organ.

Segment 1: Fred’s early years in Virginia; Son of a Methodist Bishop and became the church organist at 10 years old! Study at Northwestern University and Union Theological Seminary in New York. Substitute organist at Riverside, St. Bartholomew’s, and Brick Church.Music Fugue on the Great Theme of the Carillon of Soissons Cathedral, Maurice Duruflé from the Album The Mystic Organ, recorded at the National Shrine of the Immaculate Conception in Washington, DC Fred Swann, OrganistSegment 2: The Riverside Church Years, 1957 – 1982. Music: Bells of Riverside, Seth Bingham. From the album, Riverside Revisited. Fred Swann, Organist.Segment 3: The Crystal Cathedral Years, 1982 – 1998.Music: O Magnify the Lord written by Fred Swann in honor ofArvella Schuller’s 60th Birthday. From the Album, O Magnify the Lord, The Crystal Cathedral Choir. Gothic G-49048Segment 4: First Congregational, Los Angeles, 1998 – 2001…and beyond. Music: Fugue on “St. Denio” by John Weaver. Written for Fred Swann’s retirement from Crystal Cathedral. From the Album, Great Organs of First Church, Vol. 1, Fred Swann, organist.Gothic, G - 49118

durée : 01:58:09 - Le Bach du dimanche du dimanche 20 octobre 2019 - par : Corinne Schneider - Au programme de cette émission, un « Retour à Bach » en France autour des années 1920-1930 avec les œuvres néoclassiques de Francis Poulenc, Louis Durey, Germaine Tailleferre, Igor Stravinsky… en compagnie de Maurice Duruflé, Wanda Landowska, Alfred Cortot, Marcelle Meyer… - réalisé par : Céline Parfenoff

con Luca Damiani

durée : 00:25:04 - Maurice Duruflé, Requiem - par : Anne-Charlotte Rémond - Anne-Charlotte Rémond se penche aujourd’hui le ''Requiem'' de Maurice Duruflé, créé Salle Gaveau et sur les ondes de la radio, le 2 novembre 1947, par l’Orchestre et le Chœur de la Radiodiffusion Française. - réalisé par : Claire Lagarde

The Rev. Dr. Robert Allan Hill preaches a sermon entitled "The Dark Night and St. John of the Cross". The Marsh Chapel Choir sings “Almighty and everlasting God" by Orlando Gibbons and "Tantum ergo Sacramentum" by Maurice Duruflé along with service music and hymns.

The Rev. Dr. Robert Allan Hill preaches a sermon entitled "The Dark Night and St. John of the Cross". The Marsh Chapel Choir sings “Almighty and everlasting God" by Orlando Gibbons and "Tantum ergo Sacramentum" by Maurice Duruflé along with service music and hymns.

Lekker veel Franse muziek voor iedereen die in Frankrijk op vakantie is (of zou willen zijn). Met muziek van Jean Baptiste Davaux, Francis Poulenc, Maurice Duruflé, maar ook de onlangs overleden Oliver Knussen.

En clave de Dios (LVI): Inmaculada Concepción ('Tota pulchra es'). En el presente programa se escuchan diferentes plasmaciones musicales del texto de la antífona mariana para la solemnidad de la Inmaculada Concepción, 'Tota pulchra es, Maria', y algunas de las variaciones del poema, debidas a diversos compositores a lo largo de la historia de la música, como John Dunstable, Giovanni Pierluigi Da Palestrina, Claudio Monteverdi, Francisco Guerrero, Anton Bruckner y Maurice Duruflé, así como un ejemplo de cantada española de Jayme Torrens.

Written by Maurice Duruflé (1902-1986), conducted by Dr. James Bingham in his final appearance at Spencerville Church as the director of the music program at Washington Adventist University.

Written by Maurice Duruflé (1902-1986). Conducted by Dr. James Bingham in his final appearance as the director of music for Washington Adventist University at Spencerville Church.

The Houston Chamber Choir and organist Ken Cowan perform the complete choral works of French composer Maurice Duruflé.

Welcome to Secrets of Organ Playing Podcast #75! Today's guest is an American organist Dr. Jesse Eschbach who is a world-reknown expert on the French organ culture in general and Aristide Cavaille-Coll's organs in particular. Dr. Eschbach is a graduate of the University of Michigan where he was a student of Robert Glasgow. He completed his formal education during a five-year residency in Paris as a student of Marie-Claire Alain, specializing in early French music inher conservatory class at Rueil-Malmaison where he was awarded both a Prix d'Excellence and a Prix de Virtuosité. As one of the very last students of the legendary Marie-Madeleine Duruflé-Chevalier, he studied the complete organ works of her husband, Maurice Duruflé, as well as much of the French symphonic repertoire. Since 1986, Eschbach has served on the faculty at the University of North Texas as the full-time Professor of Organ, instructing performance majors at all levels. His students have dominated the annual San Antonio competition since 1995 and have won prizes in national competitions as well. A very active performer until 1998, Eschbach has several CDs to his credit, including a disc recorded at the Cathédrale de Perpignan entitled “Music of the Second Empire and Beyond”, released in June, 2003. Also released in 2003 was his 800+ page book, detailing the original stoplists of the majority of organs constructed by Aristide Cavaillé-Coll, based extensively on the Lapresté collection. This research is still in progress, and an expanded second edition will be released in the next few years. The first edition received a very positive “feature review” in the March, 2007 issue of The American Organist. Likewise, his CD recorded on the 1857 Aristide Cavaillé-Coll organ in Perpignan consisting of works by Lemmens, Franck, Gigout, Fessy, Schubert, and Couturier garnered high praise in a February, 2007 review in The Diapason. Recent tours have taken him to Poland and Italy. He has recently completed assignments adjudicating the preliminary rounds of the AGO National Competition, the Canadian International Organ Competition, and in April 2008, judged the finals of the Fort Wayne National Competition. ​In this conversation we talk about Dr. Eschbach's research on the stop lists of Cavaille-Coll's organs. ​ Enjoy and share your comments below. ​ And don't forget to help spread the word about the SOP Podcast by sharing it with your organist friends. Thanks for caring. Relevant links: https://music.unt.edu/faculty-and-staff/jesse-eschbach Jesse Eschbach: Aristide Cavaille-Coll. A compendium of known stoplists Vol. 1: http://amzn.to/2iowS4t

Rev. Dr. Robert Allan Hill preaches a sermon entitled "Calvin for Lent". The Marsh Chapel Choir sings "Tantum ergo Sacramentun" by Maurice Duruflé and "O vos omnes" by Pablo Casals along with service music and hymns.

Rev. Dr. Robert Allan Hill preaches a sermon entitled "Calvin for Lent". The Marsh Chapel Choir sings "Tantum ergo Sacramentun" by Maurice Duruflé and "O vos omnes" by Pablo Casals along with service music and hymns.

Rev. Dr. Robert Allan Hill preaches a sermon entitled "The Languages of Prayer". The Marsh Chapel Choir sings the Gloria Patri from Kenneth Leighton's "Magnificat: Collegium Magdalenae Oxoniense" and "Ubi caritas", op. 10 no. 1, by Maurice Duruflé along with service music and hymns.

Rev. Dr. Robert Allan Hill preaches a sermon entitled "The Languages of Prayer". The Marsh Chapel Choir sings the Gloria Patri from Kenneth Leighton's "Magnificat: Collegium Magdalenae Oxoniense" and "Ubi caritas", op. 10 no. 1, by Maurice Duruflé along with service music and hymns.

Rev. Dr. Robert Allan Hill preaches a sermon entitled "Sweet Spirit". The Marsh Chapel Choir sings "Come let's rejoice" by John Amner and Sanctus from Maurice Duruflé's Requiem, Op. 9, along with service music and hymns.

Rev. Dr. Robert Allan Hill preaches a sermon entitled "Sweet Spirit". The Marsh Chapel Choir sings "Come let's rejoice" by John Amner and Sanctus from Maurice Duruflé's Requiem, Op. 9, along with service music and hymns.

Chorlieder a cappella von Robert Schumann, Francisco Guerrero, Ola Gjeilo, Petr Eben, Eriks Esenvalds, Maurice Duruflé, Max Reger u.a.

The Rev. Dr. Robert Allan Hill preaches a sermon entitled "Coastal Grace". The Marsh Chapel Choir sings "Ubi caritas, op. 10, no. 1" by Maurice Duruflé and "Draw us in the Spirit's tether" by Harold Friedell along with service music and hymns.

The Rev. Dr. Robert Allan Hill preaches a sermon entitled "Coastal Grace". The Marsh Chapel Choir sings "Ubi caritas, op. 10, no. 1" by Maurice Duruflé and "Draw us in the Spirit's tether" by Harold Friedell along with service music and hymns.

The Rev. Dr. Robin J. Olson preaches a sermon entitled "Border Crossing: Ministry with College Students". The Marsh Chapel Choir sings "Ubi caritas, op. 10, no.1" by Maurice Duruflé and "Hear my prayer" by Felix Mendelssohn along with service music and hymns.

The Rev. Dr. Robin J. Olson preaches a sermon entitled "Border Crossing: Ministry with College Students". The Marsh Chapel Choir sings "Ubi caritas, op. 10, no.1" by Maurice Duruflé and "Hear my prayer" by Felix Mendelssohn along with service music and hymns.