Podcasts about Ory

For years, gold was the asset nobody wanted to talk about. It sat there quietly while stocks and real estate continued to rip. Gold was for pessimists. For doomsayers and perma-bears.And then suddenly… gold didn't just wake up. It launched. As of mid-December 2025, spot gold is trading around $4,300–$4,400 an ounce, depending on the market, marking a gain of roughly 60% over the past year and pushing decisively into record territory. The obvious question is: why now? The short answer is that gold isn't reacting to one thing. It's responding to a stacking of pressures that have been quietly building for years and are now impossible to ignore.Start with central banks. For the better part of the last decade, central banks were net sellers or indifferent holders of gold. That changed dramatically after 2022. According to the World Gold Council, central banks have been buying gold at more than double the pace of the pre-COVID years, and 2025 continues that trend, with hundreds of tonnes added to reserves year-to-date. These aren't hedge funds chasing momentum. These are monetary authorities making deliberate, strategic decisions about what they trust to hold value. Why would central banks suddenly want more gold? Because geopolitics has re-entered the chat. We now live in a world where reserves can be frozen, payment systems can be weaponized, and “risk-free” assets depend heavily on political alignment. The World Bank has been explicit that rising geopolitical tensions and global uncertainty are key drivers of gold's surge this year. When trust in the global order erodes, gold benefits. At the same time, the U.S. dollar devaluation thesis is no longer fringe thinking. It is reality.Gold is priced in dollars, and when real yields fall and the dollar weakens, gold historically performs well. That dynamic is playing out again. Reuters has repeatedly pointed to a softer dollar and declining Treasury yields as near-term tailwinds for gold's rally . Bank of America's research echoes this relationship, emphasizing gold's inverse correlation to the dollar and the growing desire among nations to diversify away from dollar-centric reserves . In other words, gold isn't just going up because people are scared. It's going up because confidence in fiat discipline is eroding, slowly but persistently. So…Is gold still a buy or did we miss it? The truth is, both answers can be correct. Yes, gold is expensive relative to where it was a year ago. You don't go up 60% without pulling future returns forward. But what makes this cycle different is that many of the buyers driving demand are price-insensitive. Central banks don't care if gold is up 20% or down 10% in a quarter. They care about long-term reserve integrity. That's why major institutions aren't dismissing the move as a blow-off. Goldman Sachs has cited sustained central-bank demand and the potential for further ETF inflows as supportive of higher prices. J.P. Morgan continues to frame gold as a beneficiary of geopolitical instability and monetary uncertainty, and Bank of America is projecting prices as high as $5,000 an ounce into 2026. Of course, nothing goes up in a straight line. A shift toward tighter monetary policy or a sudden easing of global tensions could cool enthusiasm. Understand though, that gold's breakout isn't just about gold. There is a larger message that should be taken away from all of this. Hard money has come back into favor. Gold is the original hard asset. It's scarce, politically neutral, and has thousands of years of monetary credibility. But it's also heavy, difficult to move, and awkward in a digital world. Bitcoin exists on the same philosophical axis. Both gold and Bitcoin are reactions to the same problem: expanding debt, monetary dilution, and declining confidence in centralized control. Gold is the conservative expression of that view. Bitcoin is the aggressive one. Today, Bitcoin trades around $86,000, still volatile, still controversial, still misunderstood. But if gold's surge is signaling a regime shift toward hard assets, then Bitcoin may simply be earlier in that adoption curve. In other words, gold may be leading the parade. And if history is any guide, when institutions start moving into the oldest form of sound money, they eventually begin exploring the newest. That's the signal worth paying attention to. So this week, I interview Dana Samuelson, an old friend of the show and an expert in everything gold and hard money. Transcript Disclaimer: This transcript was generated by AI and may not be 100% accurate. If you notice any errors or corrections, please email us at phil@wealthformula.com.  Gold isn’t reacting to one thing, it’s actually responding to a stacking, uh, pressures, uh, that have been quietly building for years and, and really right now are impossible to ignore. Welcome, everybody. This is Buck Joffrey with the Wealth Formula Podcast coming to you. From Montecito, California and today. Uh, before we begin, just a quick reminder. Uh, there is a, uh, website associated with this podcast called wealth formula.com. And, uh, that’s where you go to get deeply more deeply integrated into this community, including our accredited investor club, AKA investor club for you to join. And, uh, once you get onboarded, all you do is you, you have an opportunity to see private deal flow, uh, that, uh, is not available to the general public. If you are an accredited investor, meaning that you have, uh, make $200,000 per year or $300,000 per year, uh, for the last two years with the reasonable expectation of continuing to do so, or you have a million dollars outside of your personal residence, a net worth, then you are an accredited investor and. All you need to do is sign up and join the club. Just go to wealth formula.com and sign up and get onboarded. Now, let’s talk a little bit about something that has been extraordinary this year. It’s gold. You know, for years, gold was the asset that nobody wanted to talk about. I mean, it sat there quietly. Well, stocks and real estate continue to rip. Um. Gold really is really, you know, was for the pessimists. For the doomsayers and the perma bears. I mean, I, I gotta tell you, I kind of am was one of those people, right? And then suddenly gold didn’t just wake up. It, it totally launched, exploded in his mid-December 2025. Spot Gold is trading around, I know, 4300, 4400 an ounce, depending on the market, gaining roughly 60% over the past year. Pushing decisively into record territory. Now the obvious question is why now? Well, the short answer is that gold isn’t reacting to one thing. It’s actually responding to a stacking, uh, pressures, uh, that have been quietly building for years and, and really right now are impossible to ignore. And this is an interesting shift because. The thing is that in the old days, and I’m even talking about 15, 20 years ago, uh, you would look at gold as something that didn’t really go up when the stock market was doing well, right? It was kind of a reaction. It was a fear-based thing. It still is sort of a fear-based thing, but now it’s not just fear of, you know, whether the stock market’s gonna crash. It’s fear of geopolitical concerns. That’s where the central banks come in, right? So for the better part of the last decade, central banks were net sellers. Or really indifferent of holders of, of gold, and that changed dramatically after 2022. So according to World Gold Council, central banks have been buying gold at more than double the pace of the pre COVID years. And 2025 continued that trend with hundreds of tons, uh, added to reserves year to date Now. These are central banks. They’re not hedge funds chasing momentum, right? They’re monetary authorities and they’re making deliberate strategic decisions about what they trust to hold value. And why would central banks suddenly want more gold? Well, because again, geopolitics has reentered that chat. We live in a world now where reserves can be frozen, right? Payment systems can be weaponized. Risk-free assets depend heavily on political alignment. Now of course, I’m talking about the United States when I’m mentioning all those things, right? Uh, how we can kind of just freeze assets of Russia and that kind of thing. I’m not, uh, pro-Russia, I’m just pointing out the fact that. Countries don’t like it when you freeze their assets. Right? The World Bank, uh, has been explicit that rising geopolitical tensions and global uncertainty are the key drivers of gold surges this year. And when trust in the global Ory roads, of course that is now when gold benefits and at the same time, the US dollar devaluation thesis is no longer just kind of fringe thinking. It’s reality. No one, no one even bothers to pretend that that’s not happening. So gold is, uh, of course, priced in dollars and when real yields fall, uh, and the dollar weakens gold historically performs well so that that dynamic is playing out again as well. In fact, Reuters has repeatedly pointed to a softer dollar and declining treasury yields as near term tailwinds for Gold’s Rally Bank of America. Uh, their research shows, uh, this relationship emphasizing gold’s inverse correlation to the dollar and the growing desire among nations to diversify away from the dollar centric reserves. In other words, gold isn’t just going up because people are scared. It’s going up because confidence in the fiat discipline is eroding altogether slowly. Persistently. So the question is, is gold still a buyer? Did we miss it? I mean, I just mentioned that it just went up by like 60%, right? So that’s a tricky question. It really is. I could certainly see some volatility there. But here’s the thing. I mentioned that central banks were big buyer, right? Central banks don’t care if gold is up 20% or down 10% in a quarter. They care about long-term reserve integrity. So they’re a price insensitive buyer. Um, and that’s why major, major institutions aren’t dismissing the move, as you know, just a big blow off. Uh, Goldman Sachs cited sustain central bank demand, and the potential for further ETF inflows is supportive of higher prices. Banks, uh, like JP Morgan and um, and, and Bank of America. I mean, they’re continuously talking about how gold is a beneficiary of this geopolitical instability. Bank of America is projecting prices high as $5,000 a ounce in 2026. So that’s still a big move, right? Of course, nothing goes up in a straight line. So shift toward tighter monetary policy or sudden easing of global tensions. Well, I, I could, they could cool enthusiasm, right? The less fear in the world. Well, that isn’t. That’s not good for gold. I understand though that gold’s breakout isn’t just about gold. There’s a larger message that should be taken away from all of this, and that is that hard money, real assets have come back into favoring, and gold is the original hard asset. It’s scarce, it’s politically neutral, tens of thousands of years of monetary credibility, but it’s also heavy, difficult to move and awkward in a digital world. Now, of course you know where I’m going with that. I don’t wanna make every gold conversation conversation about Bitcoin, but just as a reminder, Bitcoin exists on that same philosophical access, right? Both gold and Bitcoin are reactions to the same problem. Expanding debt, monetary dilution, declining confidence and centralized control. Gold is the conservative, you know, version of that, the expression of that Bitcoin is the crazy youngster, the aggressive one. They’re, they’re following the same rails. And today Bitcoin trades around $86,000. It’s still volatile, still controversial, still misunderstood, and really, listen, the market cap is 2 trillion bucks. Um, you know, no asset that has ever reached $2 trillion. Market cap has ever gotten to zero. But on the other hand, there’s it, it’s pretty small, and you could still move those markets really quickly, and that’s why you’ve got volatility. But if gold surge is signaling a, a, a shift towards hard assets, it’s really hard to not see that. Uh, Bitcoin may simply be, uh, you know, early in that adoption curve. In other words, gold may be leading the parade. And if history is any guide, uh, when institutions start moving into that, you know, oldest form of sound money, they eventually begin exploring the newest. And that’s, that’s a signal. Worth paying attention to. Anyway, this week what we’re gonna really focus on though is gold and hard money. We’ll talk a little bit about Bitcoin as well. My guest is Dana Samuelson, who is. An old friend of the show, and we will have that conversation right after these messages. Wealth Formula banking is an ingenious concept powered by whole life insurance, but instead of acting just as a safety net, the strategy supercharges your investments. First, you create a personal financial reservoir that grows at a compounding interest rate much higher than any bank savings account. As your money accumulates, you borrow from your own. Bank to invest in other cash flowing investments. Here’s the key. Even though you’ve borrowed money at a simple interest rate, your insurance company keeps paying. You compound interest on that money even though you’ve borrowed it at result, you make money in two places at the same time. That’s why your investments get supercharged. This isn’t a new technique, it’s a refined strategy used by some of the wealthiest families in history, and it uses century old rock solid insurance companies as its back. Turbo charge your investments. Visit wealth formula banking.com. Again, that’s wealth formula banking.com. Welcome back to the show everyone. Today my guest on Wealth Formula podcast ad Samuelson. He is been on the show before. He’s friend of the show. He is a professional. How do we see this numismatist since, uh, 1980. Working with some of the most influential, precious metals trading companies in the country. Before founding his own American Gold Exchange Incorporated in 1998. Uh, for nearly a decade, he was a personal protege of James U. Blanchard ii, one of the true giants of the industry, and the individual most responsible for re legalizing the private ownership of gold in the us. American Gold Exchange Inc. Is a national mail order, precious metals and rare coin dealership that makes competitive buy and sell markets in mainstream, modern, gold, silver, platinum, palladium, bullion coins and bars and classic pre 1933 US Gold and silver coins and World War ii European Gold coins. I don’t know if I left anything out, but welcome Dana. How are you doing? I’m doing great, buck. Thanks for having me back. I really appreciate it. Well, it was funny, we had a little conversation, uh, just before we started and I said, well, gosh, you know, uh, we’ve had you on the show before, maybe once, maybe twice. And, you know, and, and you, um, I think Apley described the gold market as watching paint dry. And I, I think that’s, I think that’s pretty adequate. Um, I mean, for, I mean, the last decade or so before this all happened. So, so let’s start talking about it. So, gold gold’s moved into price territory that, you know, very few people would’ve predicted even a couple years ago. So what, from your perspective, having lived lived through multiple gold cycles, what feels fundamentally different about this move? Uh, this market is a globally driven market and it’s focused on physical. There’s been a move into gold this year, and silver now platinum two. To a degree palladium, uh, in a physical level that we haven’t seen since the late seventies when we had the last really, you know, red hot market driven by fears over debt inflation. Geopolitics. Uh, you’ve got the bricks, nations that are trying to divorce themselves of the dollar, but they really can’t do it easily because there’s not a good viable alternative except for gold. And that’s been one of the leading drivers of this gold price surge that has really, you know, almost doubled in price since, uh, two years ago. A lot of it is, you know, underpinned by Central Bank Gold buying, you know, between 1950 and 2010, after the dollar became the world’s reserve currency backed by gold. And even after we un pegged the dollar to gold in the 1970s, 1971, central bankers had had gold on their, physically in their vaults from pre-World War ii when gold was money, uh, they shed that. From the 1950 all the way to 2010, they became net buyers after the great financial crisis due to the global debt explosion and primarily quantitative easing printing money outta thin air. But they were buy, they were modest buyers, you know, 500 tons a year until Russia invaded the Ukraine in 2022. And we sanctioned Russia and weaponized the dollar. The last four years, they bought, you know, almost a thousand tons of gold year or double. That really became material last year in price as the cumulative effects of their continually buying about a fifth of what the mines make every year started to really impact supplies and price movement. And now we’ve got President Trump this year, you know, throwing a monkey wrench into the World Trade order with his tariffs. And I think that that’s created a lot of uncertainty, some fear. And of course the debt just continues to go higher and higher. And now interest payments on our debt are over a trillion dollars for the first time ever. So debt servicing is starting to become problematic. The cumulative effects of all this have caused the, the people around the world, including central governments to buy gold at record rates. Um, but it’s not the phenomenon that’s happening in the United States. ’cause we don’t have a gold culture in our country, like almost every other country does. It’s interesting. Um, so what, you know, you’ve been talking about really is central banks around the world have it really been accumulating gold at levels we haven’t really seen in modern times. Right. And, and, uh, why do you think the US Central Bank. It doesn’t do the same because is it an admission of the debasement of the dollar? Because really the gold, gold is the anti dollar. I’ve always viewed it as the anti dollar maybe. Maybe that’s not the, you know, you may not agree with that a hundred percent, but I’ve always viewed it that way, and so why wouldn’t the US hedge and accumulate more? Well, we’re the world’s reserve currency. That Right. That’s, that’s created a paper culture in our, in our world. It’s now three generations old, right? Since 1945, when the dollar became the world’s reserve currency and we, the world went to a paper money standard instead of a gold money standard, which was the world’s standard from ancient times all the way till the 1930s. You know, the, our monetary system when the country was founded in 1793 was based on gold and silver coins. A copper penny was the size of a half dollar because that’s what one penny’s worth of copper was worth in 1793. Right. Um, you know, after World War ii, we had a couple things that the rest of the world didn’t have. We had a manufacturing, uh, industries that were, uh, unaffected by the, physically by the war. And we had, you know, the ability for markets to work properly, which should allow the dollar to become the world’s reserve currency. Backed by, you know, 8,200 some odd tons of gold, the biggest pile of gold that any country had. Actually, at that time it was more like 20,000 tons of gold. Uh, but by the time we got to the seventies and we un pegged from gold, we were down to about 8,000 tons. That’s still more than anybody else is supposed to have. I do think China could have more gold than that. Now they’re just not telling us they do. You know, officially they’ve got about 2,400 tons of gold, uh, and the second and third are, you know, 3000 tons of gold. So we, we still have a lot of gold. And there’s talk about auditing Fort Knox and monetizing it, but it only gets us about a trillion dollars. It’s not enough to really, you affect the 38 trillion, maybe pay the debt off for a year, or, you know, for six months. Six months, yeah. Something like that. Our, our debt is starting to matter too. You know, it’s doubled twice in the last 20 years. It gonna double again in the next 10 to 70 trillion, 78 trillion. People hear about the, the whole, uh, the bricks phenomena, right? And part of, part of what you were just discussing in the, uh, accumulation of gold. Explain that, explain what’s going on over there for people who aren’t paying attention, and you know how that is, how that is playing into all of this. Well, when we sanctioned Russia after they invaded the Ukraine. And seized their assets and threw them off of the Swift International Bank Transfer Payment System. We forced countries that were concerned that if they ran politically afoul of us, we could do the same to them. They forced them into thinking, oh, how do we get some independence from that vulnerability? Potential vulnerability? It’s not easy to replace the dollar. What they’ve, what they’ve been doing is replacing the Swift Bank transfer payment system with a payment transfer system of their own right so they can move money amongst themselves outside of the SWIFT system, number one. And since there isn’t a good viable alternative to the dollar, really the only other asset that makes sense is gold. Gold is a neutral asset. It’s not like you need it for oil or grain or steel. Nobody really needs gold, right? But it’s universally trusted. It’s immediately liquid, and it’s got a couple other things going for it that are unique. Number one, it has no counterparty risk. It’s one of the only assets. It isn’t simultaneously someone else’s liability. And number two, uh, gold in a vault can’t be seized or sanctioned. Right, so they’ve been going to gold, like they’ve been going to gold for, for centuries. It’s just, it hasn’t been that way since after World War ii. It’s a, it’s kinda like a back to the past kind of a situation. It’s sort of back to the future. It’s back to the past. That’s the allure for gold and the reason why they’re accumulating. In fact, they just launched their own currency unit called the unit. 40% backed by gold. The bricks nations have now it’s in its infancy and it’ll take a while for it to really, you know, work. But they’ve been building the components and the infrastructure to get to this point, creating the transfer of payment systems and all the components to go along with that so that they could announce something that they could use as a, as a settlement vehicle for trade, which is really what this is all about. And they’re backing at 40% by gold. Which is material and it’ll become bigger as time passes. Let’s, let’s try talk a little bit about that price movement. Huge. Um, is 60% in the last couple years, is that about right? This year alone, gold’s up 67% on a 12 month rolling basis, 67%. I mean, those are like bitcoin num, you know, type movements in the past. Right. They’re kind of crazy. So a lot of people are looking at those prices today and they’re thinking, well, I’m late to the party. Uh, are they late to the party? How do you, uh, what, what do you think’s going on there? I think the party’s about halfway through. We haven’t got to the late innings yet. I, I really do think this, and this is why this is the fourth major bull run in gold we’ve seen since we went off the gold standard in 1971. We had a a 20 to one run for gold in the seventies that was built on two oil shocks. 18% inflation and a crisis of confidence in the US then for the next 30 years. You know, 25 years a good part of my career. You know, watching gold was like watching paint dry. It traded routinely between three and $500 an ounce until we got into war, uh, following the nine 11 attacks, Iraq and I, Afghanistan, and we went into deficit spending. Then we had a second financial crisis when the great financial crisis hit another bull bull market in gold. Then we had COVID economic closures, another bull market in gold. Now we’ve got a fourth, but it’s lacking what the first three had, which was fear in the US over either economics or geopolitical events. So this gold price has essentially doubled since March or April of 2024. With no fear and a lot of complacency in the US markets. So my, my thinking is what happens if the economy slows down and, you know, the Fed’s gonna lower rates anyway. We know that’s coming with a new Fed chairman in the next five months, six months, number one, that’s good for gold. What happens if we go into a real economic slowdown and the Fed really has to drop rates, or God forbid, go to QE again, right? Or inflation rears its ugly head because the fed’s too accommodative in it. Situation where, you know, supplies are kind of tight still because of the monkey wrench, president Trump has thrown into the World Trade Order. You know, if we get fear in the US that’s when gold could go from 4,000 to, you know, 8,000. And I’m not saying that’s gonna happen, but I do think the trends have driven gold higher are not gonna change anytime soon. One of the things that you’re mentioning is those trends and like even. You know, in the last 15 years ago when I’ve been sort of involved in the investor world, the, the things that we talk about with trends with with gold have changed. I mean, usually you don’t see AI stocks going up with gold, right? Like, I mean, not that AI was around, but the point is tech stocks, that kind of thing. How is that thesis fundamentally changed? Um, I’m not quite sure I understand your question. Well, what I mean is like if gold was, gold used to be, I think it’s, you know, something again that people would buy when they were afraid of, of what’s going on in the equity markets. Right. Uh, that’s clearly not the case now. No, no, not at all. Right. Talk about that change. When did that change happen? How did it happen? This is a globally driven market. It’s not a US-centric market. This is fear around the world. You know, central banks started to underpin this market in 2022 when they stepped up their buying and doubled it. But this year, because of the uncertainty, uh, and some of the fear that President Trump’s tariffs and the way they’ve been deployed, kind of knee jerky, um, and inconsistently. Certainly not diplomatically, right? You know, it’s caused a lot of concern around the world. And for example, in April when President Trump announced the reciprocal tariffs on April 2nd, what happened? The bond market went into the complete dislocation, yields spiked from 4% to 4.5% in a week. The bond values tumble because investors started pulling money out of the, and taking it back home. Money that’d come in from Europe and Asia started to go back. So what did President Trump do? He pulled back the reciprocal tariffs on every country, but China and China said, well, we’re not gonna drop tariffs on you. And he said, well, we’ll ramp ’em up on you. So we went toe to toe with him. Until a week later, we were at 145% tariffs on China, and they were 125% on us. Well, if you’re a Chinese investor and you have real estate or stocks to invest in, and both of which have done badly since COVID or gold, what are you gonna do when your best customer suddenly says, Hey, we really don’t want your products, because that’s what 145% tariffs say to the Chinese. We don’t want your products. You can’t sell ’em here. You gotta go sell ’em somewhere else, but we’re their best customer. So they bought gold. They bought gold handover fist, and they drove the gold price up $500 by themselves during that month. That’s what I mean by fear outside of the us. Yeah. We don’t get it inside. Well, and and that’s fear outside of the markets too, right? I think that’s, that’s the fundamental shift I was trying to get at is true. It used to be that gold was, uh, gold would react on fear of the markets, but now there’s another level of fear, which is geopolitical. And it doesn’t seem like there’s any time soon that that’s gonna end. No, no. I, I, I’ve called it like a run on the bank only. It’s not a run on the bank of like George Bailey’s run on the bank and it’s a wonderful life. This is a run on the gold market, the physical gold and silver and platinum markets. That’s really what this is, and it’s a global rush to buy. And it’s not just central banks, it’s the public as well. Due to uncertainty, part of it’s fear of missing out now that we’ve had a big run in prices too. That’s FOMO in there too. That’s what I’m trying to, that’s part of what I was wondering too though, is like, you know, again, there’s people out there now who, um, are, are looking at this and they might even be listening to us going, gosh, yeah, it really makes sense and I happen to have no gold. What do I do? You know, what do I do now? Do I buy now? And, and I’ll, you know, and, and the next thing you know. I find out this was a frothy market and, and I’m down 20% for the next three years. I mean, that kind of thing. So I, I think it’s a, it is a tricky time, but, so that sort of, I guess, brings up when you think of gold, um, in a portfolio. I mean, you say, you’ve said in the past, it’s not about getting rich. Well, some people really did get rich this time. Uh, you said it’s about preserving wealth, right? So how should investors think about Gold’s role alongside stocks, real estate, and other assets right now? Well, even I think JP Morgan Chase has said this year, you know, instead of a 60 40 portfolio, you should have a 60 20 20 portfolio with 20% bonds and 20% precious metals. Gold in particular, because of what’s been happening. And now we don’t have a gold culture in our country, like most every other country does. So most Americans don’t get it. And that’s part of. We’ve ingrained because the dollar is the world’s reserve currency and it insulates us from currency shocks in commodity pricing primarily. Uh, without that insulation, you know, they might think things a little bit differently, but you know, any good financial planner will say you should have a little bit of precious metals as part of your portfolio, uh, as a hedge against financial uncertainty. And it certainly worked perfectly well during the great financial crisis. And when COVID hit because. Gold tends to counter cyclically, perform in price against stocks and bonds, and it’s always liquid. Now, you’re a real estate investor, you understand real estate. What couldn’t you get in 2009 alone? Right? Bankers wouldn’t give anybody money, right? But if you had gold, you could get liquidity, right? And gold, you know, almost doubled between 2008 and 2011 at the same time when most assets were dropping 50%. That’s an insurance policy for the rest of your money. That’s why I said, look, it’s a way to preserve wealth and have a hedge against financial uncertainty. But in the market that we’re in now, you know, having more than just the, the minimum, which is five to 10% of assets as a, you know, potentially an investment instead of just an insurance policy. That makes sense. But you’re right, you could buy and you could, you know, tie up money that won’t produce anything for a couple years, maybe longer. You also have an insurance policy in case the wheels do come off like they did during the great financial crisis or during COVID. Yeah. Yeah. I was listening to, uh, another podcast. I listened to the, these, uh, guys, the All In podcast, and, uh, Tucker Carlson was on there, and apparently he’s a, you know, huge, uh, physical gold guy. And, and he said, and I, I think he was serious. He said he buries it in his backyard and then he spreads a bunch of, um. Uh, a bunch of, you know, silver beads, uh, out there too, like, just in case no one can like, use a medical metal detector and find it is gold. Uh, let’s talk about that nuance of, of physical gold versus, you know, buying ETFs and all that stuff. What’s your take? I mean, what, what do you tell people when they say, well, gosh, you know, uh, it might be hard for me to store that gold and, and why shouldn’t I just get an ETF and, and talk a little bit about that? Well, I trade ETFs in my IRA account. When I think the, when I think I can harness price movement, that’s what I use ETFs for. You know, they’re a paper representation of gold, uh, that you can trade at the click of a button, physical gold. Is valuable. It’s, you have to find a place to store it. It’s pretty inert, so you can, you can bury it in your backyard, keep the elements out of it, but then there’s some risk there because it could be found, it could be stolen, so you do have to store it somewhere. You can put it in a bank safe deposit box, but I don’t really recommend that because what happens if there’s a banking holiday and you can’t get to it? So having a home safe or maybe, you know, maybe bearing it in the backyard. Is an option if that’s what you wanna do. Or there are independent professionally run storage facilities. There’s a few of ’em around the country that are run by precious metals dealers that are, you know, big entities. Uh uh. So I think they’re trustworthy and they certainly have the ability to service and aren’t properly insured. So that if something happens, you know your value is protected. And that’s primarily what you pay for as a storage fee is a percentage of value. Not so much number ounces that you have there, but the value percentage, because it is an insurance, uh, related value, right? The value goes up, they’ve gotta get more insurance so they get a higher storage fee for that same amount of metal if the value increases, which is unlike other assets. So I do have a couple of those I recommend that are run by professional. Companies that have been in business for years that we know would trust and have performed perfectly. If you wanna store, um, physical metal now gold is compact. You know, a hundred ounces is smaller than a paperback novel and it’s $450,000 worth of value today. You could, I could literally have one bar in each one of my coat pockets and be walking around with almost a million bucks in my pockets, and no one would know. Silver. You know, silver creates a bigger problem because it takes 70 ounces of silver to equal an ounce of gold. So there’s a lot more volume involved and a lot more weight, which is why sometimes these facilities make more sense if you wanna store something that’s more bulky like silver. But if you’re gonna store gold somewhere, that’s not easy to find. You wanna make sure somebody you trust behind you knows where it’s just in case something happens to you. Right? Yeah. Um. What, um, how difficult is it, uh, Dana, for someone to, I guess, say they wanna sell, say maybe they need to sell one of those bricks in your pocket there? Uh, and, and, um, is that a, um, a process that, I mean, it’s, you know, it’s not as easy as clicking a button at that point, right? But to make sure that you get the best possible price for your gold and all that, I mean, you’re not gonna go to a pawn shop and. Oh, that, so like, I, I’m just curious on the mechanics of that. ’cause I’ve, you know, I’ve, I’ve never sold, you know, physical gold for anything. So, so our, our company’s a physical dealer. We’re a hybrid between Amazon and a financial institution. And that, uh, we sell something online or over the telephone. The price is always changing on a minute by minute basis, but it’s like you’re buying shoes. It’s just, you know, you don’t quite know what the price is gonna be. So we physically, you know, figure out which product you should purchase, what’s best for you, and then we ship it to you if you want to sell it, it’s just the reverse of the transaction. You have to present it for delivery, which means you have to ship it back to, uh, your dealer, or, you know, physically deliver to them, and you get paid immediately upon delivery. So, um, you know, we, we do business like a financial institution. You can call us up, place a transaction over the phone. Uh, if it’s a smaller transaction, we’ll do that without deposit funds. If it’s a bigger transaction, we don’t know, you will want funds first, but once we lock in, that’s the price. Just like when you buy stock and then you pay the balance or, or we ship you the merchandise, whichever comes first. Um. You get it, inspect it, make sure you, you got what you’re supposed to get. In fact, it, you know, in the last two years with this gold price just climbing higher and higher, we’ve got a lot of clients that are complacent. They like the stock market that’s been hitting record highs, uh, and they’ve been shedding gold. We’ve actually bought more gold as an industry, not just our company, but as an industry in the last year than we’ve bought in a single year in 20 years. So it’s very easy to reverse the transaction. But what I would tell you. For your listeners is, and this is important, you should buy sovereign minted products, gold ounces, silver ounces, one ounce gold coins. They’re really just round bars made by the US Mint, the Royal Canadian Mint, the British Royal Mint. The Austrian Mint instead of refinery made. One ounce bars or 10 ounce bars or kilo bars of gold because we have a modest but growing problem with Chinese counterfeits. The Chinese can take tungsten and plate it with gold and pass it off as reel, and they can do that much better with refinery made bars that have plain design pictures stamped onto them. They can replicate those very well, but they cannot replicate the intricate pictures. The US Mint or the Canadian Mint, or the Austrian mint, British royal mint stamp onto that one ounce gold coin. We call it a coin. It’s just a round bar made by a mint that struck with dyes like a coin. And all of the mints around the world have introduced minute anti-counterfeiting design elements into the picture that they stamp on their coins to deter Chinese counterfeits. And it’s working. So the most important thing is, you know, do business with a reputable dealer that’s been around a long time, that has a good reputation, not a, not some new entity, right? You wanna find a, a trusted member of the community and develop a relationship that makes buying again or selling very easy. Once you have a relationship with a dealer, and we know the product you’ve purchased, we’ll take it back very easily. Uh, silver is, you know, people talk a lot about it in the context of, you know, the lump it with gold but has very different characteristics. Um, how do you think about silver today? I love silver today. Uh, it’s, it’s a metal at times as hard to love because every time it makes a big gain, it can give it up pretty easily. It’s more volatile than gold, but gold’s about 90% monetary metal in 10%. Commodity metal silver’s about 50 50, but what silver has going for it is, uh, a couple of unique characteristics that virtually no other metal comes, uh, as close to, which is conductivity of heat and electricity. Silver is amazing in that it’s the best at conducting both heat and electricity. I’ve got a one ounce silver coin on my desk here, and if you take this coin and hold it between your fingers and take an ice cube. You can literally cut that ice cube in half in about 6, 7, 8 seconds with a pure silver coin because the heat from your fingers gets transmitted to the coin and goes right through the ice cube. That’s just a simple example of how conductive silver is for temperature, and we have a structural supply deficit in the silver market that we’ve had for about five years now, where the industry. Is consuming more silver than comes out of the ground on an annual basis. So we’re eating into the above ground supply. Uh, so fundamentally that’s the supply and demand equation favor silver. Uh, plus because gold is moved up so much in price, silver is getting a rotation into it because it’s underperformed relative to gold until just recently where it’s played catch pretty sharply in just the last three or four months. If you measure. How many ounces of gold, uh, how many ounces of silver it takes to equal an ounce of gold, the gold to silver ratio back in April. That was a hundred to one, you know, which was an extreme. Today that ratio is a, is a little under 70 to one. It’s 67, 68 to one. So silver has played up in ketchup in price. Where is that historically? Uh, well. Normally it’s between about 40 to one and 80 to one with about 60 to one as the, as the pivot point where it’s in, they’re in equilibrium. But in the last four or five years with gold leading and silver lagging, we’ve routinely been in the 85 to 90 to one range. Uh, and we actually hit a hundred to one in April of this year, uh, which was the highest it’s been, um, except for when we had a kind of a knee jerk in the medals during COVID, which was an anomaly. Uh, didn’t last. So, but anyway. Silver is playing ketchup because it’s been undervalued relative to gold. Um, and we’ve seen, you know, people that wanna be in the metals, but think gold’s a little expensive. They’ve rotated out of gold, and we’ve seen some of that money move into silver and also into platinum. Now, platinum was under a thousand dollars this time of year ago, and it’s almost $1,900 announced today. So it’s almost platinum’s up, uh, almost a hundred percent now. This year where silver’s up 120% this year and a lot of this demand is driven globally. We’ve seen huge demand in silver in India this year because gold is so, has become so expensive, and that’s what I mean by a global run on the, on the bank. It’s not just China, Japan, it’s India too, and Europe as well. Physical buying and et f buying ETFs are available around the world in precious metals now that really haven’t been very impactful until this year. Um, but that’s what the world’s doing, you know? No discussion these days on gold is complete without at least mentioning Bitcoin. Uh, you know, and, and it’s, it’s interesting because, um, you know, even within the, uh, uh, gold world, I mean, there’s, there’s some prominent people who are really bought in to Bitcoin. Like I, Lawrence Lepert has been on the show multiple times now, and Larry’s all in. Um, just curious as a, you know, as a gold person, what do you see where, what do you see the role or do you not believe in this thing? Do you believe it is a, a parallel? Um, I, there’s so many things that you say about gold. That I’m like, yeah, you can say that about Bitcoin too and carry, you know, millions of dollars in your pocket. You can, you know, it’s, uh, there’s a very little amount of it. Um, obviously it’s new, right? Gold has been around for, since the beginning of time and, and now we’ve got 2009 for Bitcoin. What is your view? How are you seeing it? May, how are your colleagues seeing it in the gold space? Well, a couple different points to make here. Um, you know, when, when Bitcoin came out in 20 10, 20 11, you know, one of my friends in the, in the precious metals business told me I should buy it when it was 20 bucks and I didn’t get it. So I didn’t do it, and that was a big mistake on my part. But Bitcoin has one advantage that no other currency or gold has, which you can move serious money over borders easily. You’re right, you can carry it around in your pocket, in your wallet and, um, you know, you carry a lot of value around and transfer it at the, you know, click of a button. And no co counterparty risk, just like you said with gold, right? Yeah. Well, there’s some modest counterparty risk with, with bitcoin that you, you have counterparty risk with gold and theft as well. Um. Bitcoin is volatile. It’s, you know, it’s, it’s very volatile. It’s still the speculative investment. I mean, it was 124,000, you know, four months ago, and now it’s about 85,000, 90,000. So there’s volatility there that gold doesn’t have. But more importantly, what I’ve seen in my career is a generational divide. The older, older people, you know, 45 and older, like gold and silver. Younger people that grew up with phones in their hands like Bitcoin. The volatility in Bitcoin that we’ve seen in these two big selloff cycles in Bitcoin have not the first one, but the second one have helped to bring some of those younger people into the stability of gold, especially in the year when gold is doing pretty well. ’cause it then it kind of has a little bit of that Bitcoin allure, which is, you know, get rich quick. But, um. Bitcoin’s volatile, but it’s here to stay and it is now the most respected cryptocurrency. Like I almost bought Ethereum, you know, 10 years ago when one of my friends was explaining both to me and said that Ethereum basically had better fundamentals. But you know, it’s kind of inventing, it’s kinda like investing in a. What, uh, beta, beta max instead of VHS back in the day. Some of the older people remember that. You bet on the wrong horse, you know? Yeah, exactly. Well, you’ve, uh, you know, you built this, uh, firm on transparency, integrity, uh, in an industry that doesn’t always have the best reputation. Right? So for investors who decide that precious metals belong in their portfolio. Uh, how can they get a hold of you? Well, our website is, uh, A-M-E-R-G-O-L d.com. Uh, we don’t have, you know, 10,000 items on our website. We have a, we have a small listing of what available products are because we stick with mainstream items, products that are primarily easy to sell, uh, competitively priced, widely traded, and easily understood. Um, uh. Uh, email address is info I nfo@amggold.com. Uh, we have a toll, toll free number 806 1 3 9 3 2 3. Uh, we’re consultative in nature. We’ll, we’ll answer any questions. Happily, gladly, uh, no transactions too small or too large. What we really wanna do, uh, is help people because if we do that, we help ourselves. And when you treat people right, it, it comes back. And our industry does have a chair of bad actors. And, um, you, you wanna make sure that you do business with someone reputable that’s been in the industry a long time. And I understand some people may wanna do this locally where they can actually walk into a place of business. Do this instead of over the phone. So look for dealers that have, you know, longstanding, uh, businesses and good reputations. If you see a reputation that, uh, has some complaints, you know, there are other choices for you. But, um, we just try and help people buck. That’s really what we try and do. We certainly have the reputation for it. Dana. So thank you so much for being on Wellfor podcast. Well, thanks for having me. It’s great to see you again, and I wish you a great success in 2026 and a happy holiday season. You too. You make a lot of money, but are still worried about retirement. Maybe you didn’t start earning until your thirties. Now you’re trying to catch up. Meanwhile, you’ve got a mortgage, a private school to pay for, and you feel like you’re getting further and further behind. Now, good news, if you need to catch up on retirement, check out a program put out by some of the oldest and most prestigious life insurance companies in the world. It’s called Wealth Accelerator, and it can help you amplify your returns quickly, protect your money from creditors, and provide financial protection to your family if something happens to you. The concepts here are used by some of the wealthiest families in the world, and there’s no reason why they can’t be used by you. Check it out for yourself by going to wealth formula banking.com. Welcome back to Show England. Hope you enjoyed it and, uh, I will. Uh, I should admit though, that if you go back and you listen on my, uh, past shows, this is one that I was wrong on. I, I’ve never been a gold bug. My biggest issue with gold. Um, has always been, you know, from an investment thesis that it doesn’t really do anything, doesn’t yield anything, and what’s the point of owning it rather than owning, uh, real estate. And actually, if you just look at what I said, it’s, it’s still, it’s still, it’s still kind of true, right? I mean, you can argue, well, yeah, the real estate markets really did, uh, did struggle over the last couple years. But listen, at the end of the day. The real estate market struggled because of leverage, right? Gold. There’s no leverage, no one’s borrowing, buying gold on leverage, and so it can go up and down and it doesn’t really hurt anybody. If you take the last couple decades and you know how much people made from, uh, real estate versus Bitcoin, even though there’s this huge, uh, huge uptick in Bitcoin now it’s, it’s probably the case that they come out pretty close. If not, uh, you know, real estate still being the winner. But anyway, uh, I do want to say and admit that I was wrong. That, uh, that the gold wasn’t really worth, uh, owning. I think, uh, you know, I wish I had owned some, just like a lot of people wish they’d own Bitcoin at $6,000, right? Um, in fact, I will say that one of the things in hindsight that I think of is gold in many ways for the last several years was on sale. And I haven’t really been talking about this as much, but I’ve been reflecting on this a great deal about making sure that as an investor you wake yourself up once in a while and ask, okay, well, what’s on sale? Well, gold was on sale for a while. Silver was definitely on sale. Right? Um, doesn’t mean you have to go in, have, you know, 50% of your portfolio in something like that, but when something’s on sale, it’s not a bad idea to look around. And maybe get, you know, get a little bit of exposure. I do think that real estate is there right now. I think real estate, you know, if you’re in the credit investor group, you’re seeing on a routine basis 30%, uh, discounted offerings from just a couple years ago. And I do think that’s on sale right now. But there are other things as well, arguably. I mean, I, I actually think that Bitcoin is, uh, uh, sort of on sale right now. I mean, sitting at 86,000, anybody who thinks it’s not gonna go to a hundred thousand at some point in the next, you know, 12 months is, I mean, I think it’s highly unlikely that it doesn’t go to a hundred thousand, right? So think about that right now. That’s like a 14% gain right then and there. Anyway, sometimes it’s good to just look around and see what’s on sale. Uh, that’s my message for this week. Uh, this is Buck Joffrey with Wealth Formula Podcast signing off. If you wanna learn more, you can now get free access to our in-depth personal finance course featuring industry leaders like Tom Wheel Wright and Ken McElroy. Visit wealthformularoadmap.com.

Un capítulo breve para hablarte de esta actividad organizada por la Fundación Carlos Edmundo de Ory dentro de sus XIV Jornadas.Con el nombre “La hora del cuento” organizaron una serie de actividades para unirse a la celebración del centenario de Ignacio Aldecoa https://fundacionory.com/event/la-hora-del-cuento-en-el-centenario-de-ignacio-aldecoa-xiv-jornadas-de-la-fundacion-carlos-edmundo-de-ory/Gracias a este programa el pasado sábado 22 de noviembre pude asistir a una charla con la escritora argentina Ana María Shua, muy conocida en España por sus microrrelatos.Compré su último libro de relatos, recién salido del horno porque se publicó el 19 de noviembre: “Cuerpos Rotos” (Páginas de Espuma) https://paginasdeespuma.com/libro/el-cuerpo-roto/Jesús optó por uno de sus libros de microrrelatos “Fenómenos de Circo” (Páginas de Espuma) https://paginasdeespuma.com/libro/fenomenos-de-circo/Dime qué te ha parecido este capitulo y deja un comentario en ivoox o Spotify.Si lo prefieres, envíame un correo electrónico a la dirección de gmail almadailypodcast. En redes soy @almajefi y me encuentras en X / Twitter, Bluesky, Threads, Instagram y Telegram.Y ahora también puedes seguirme en substack: https://substack.com/@almajefi

"Ganzheitlich" - so der Titel dieser Episode und so der Ansatz im Rahmen unserer Heilung. Zu Gast habe ich heute Yesha Karmeli. Wer ist Yesha Karmeli? Yesha ist Gründer und Leiter der Natura Heilpraxis in Berlin. Er ist Heilpraktiker, Mediator und international gefragter Coach für Bewusstseins- und Mentaltraining. Seine Expertise umfasst ganzheitliche Gesundheit, Ernährung, Entgiftung und funktionelle Medizin. Yesha verbindet moderne Diagnostik, kinesiologische Methoden und die Sichtweise, dass Körper, Geist und Seele untrennbar sind – echte Gesundheit entsteht, wenn alle Ebenen des Menschen berücksichtigt werden. Heute geht es u.a. um unseren Körper und vor allem die Biochemie unseres Körpers. Wie helfen uns Nahrungsergänzungsmittel und wann überhaupt? Was sind die 3 Säulen, auf denen wir aufbauen können? Was hat es mit unseren Mitochondrien auf sich? Warum ist Prävention so wichtig? Das und noch ganz ganz ganz viel mehr in dieser Episode! Viel Freude damit! Alles rund um ORY

TU JAZZ CON SABOR A VERANO.-.SEDAJAZZ KIDS BAND-RUMBO A NEW ORLEAN.-JAZZACTUALIDAD.-48..Jazz Vitoria Gasteiz Kenny Barron Trio Rumbo New Orleans Sedajazz Kids Band Precio: 10 € En esta nueva etapa de la Sedajazz Kids Band hemos profundizado en el leguaje New Orleans y el estilo Dixieland, un viaje en el tiempo a los inicios del jazz, un retorno a los locos años 20 ¡y tan locos!, un repertorio lleno del optimismo y la vitalidad que transmiten sus jóvenes y excelentes músicos. MUSICOS: Ximet Reillo_Saxo Soprano y Alto Luis Coronado_Saxo Alto Hugo Coronado_ Trompeta David Bonet_Trombón Azul Prada_Guitarra Pau Montalt_Bateria Pau Baena_Piano Fco. Angel Blanco "Latino"_Contrabajo y dirección Temas 1. Strasbourg/St. Denis (Roy Hargrove. Arr. F. Angel Blanco) 2. Tin roof blues. (New Orleans Rhythm Kings. Arr. Norry Paramor) 3. Moten swing (Buster & Bernie Moten. Arr. Peter Blair) 4. I found a new baby (Jack Palmer & Spencer Williams. Arr. Paul Severson) 5. St. James Infirmary (Joe Primrose. Arr. Paul Severson) 6. The Sheik of Araby (Ted Snyder. Arr. Paul Severson) 7. At the Jazz Band Ball (Larry Shields. Arr. Harry Gold) 8. Down by the Riverside (Tradicional. Arr. Paul Severson) 9. Basin Street Blues (Spencer Williams. Arr Gordon Goodwin) 10. Five Foot Two, Eyes of Blue (Ray Henderson. Arr. Paul Severson) 11. Mood Indigo (Duke Ellington. Arr. Roger Holmes) 12. Muskrat Ramble (Edward “Kid” Ory. Arr Sid Phillips) 13. After You’ve Gone (Creamer & Layton. Arr. Norry Paramor) -48..Jazz Vitoria Gasteiz Kenny Barron Trio También con una carrera larga y estable, Barron es un reconocido continuador del legado de Coltrane, Monk o Mingus. Con su impecable técnica y lirismo, es un maestro influyente del jazz straight-ahead post bop. Su precisión para interpretar cada nota y su gran cultura musical le confirman como una leyenda del jazz, que supone todo un lujo y privilegio disfrutarla en directo.

When I sat down with Dr. Ory Amitay, his passion for myth, history, and ancient cultures was infectious. Our conversation about his new book, Alexander the Great in Jerusalem: Myth and History, Oxford University Press, 2025, quickly revealed that for Ory, the real intrigue isn't whether Alexander literally visited Jerusalem, but how and why this story was created and retold for centuries. Ory traced his fascination with this intersection of myth and reality back to his Israeli upbringing and Berkeley days, where he mastered ancient languages and ventured beyond traditional Jewish sources. He described how, over time, different versions of Alexander's visit to Jerusalem reflected shifting political climates—from the Seleucid takeover to Roman conquest. Myths, he explained, were tools to help communities navigate upheaval, envisioning themselves in relation to powerful foreign rulers.  Pressed for the historical “truth,” Ory smiled and emphasized that the stories' meaning—how they address the anxieties and hopes of their tellers—outweighs whether Alexander's visit “really” happened. As he pursues new projects, translating ancient versions of these tales and writing a book on Western civilization, I left inspired by his view that exploring old myths is also about understanding how we shape, and are shaped by, our stories about ourselves. Alexander the Great in Jerusalem: Myth and History discusses four different stories told in antiquity about the meeting between Alexander the Great and the Judeans of Jerusalem. In history, this meeting, if it happened, passed without noticeable events. Into the historical void stepped various Judean storytellers, who wrote not what was, but what could (or even should) have been.The tradition as a whole deals with an issue that resurfaced time and again in ancient Judean history: conquest and regime installment by new foreign rulers. It does so by using Alexander as a cipher for a current Hellenistic and Roman foreign rule. The earliest version can be traced to the context of the Seleukid monarch Antiochos III "the Great", and postulates a Judean text from that time that has been hitherto unknown, and which survived in a Byzantine recension (epsilon) of the Alexander Romance. The second and third chapters turn to rabbinic sources, and deal with the Judean approaches and attitudes towards Roman occupation and rule, first at the advent of Pompey and then at the institution of Provincia ludaea at the expense of the Herodian dynasty. The final story is the most famous, previously considered the earliest, rather than the latest; that of Josephus.Alexander the Great in Jerusalem demonstrates how the historical tradition consistently maintained the moral and sacral superiority of the Jerusalem temple and of Judaism, making Alexander either embrace monotheism or prostrate himself before the Judean high priest. This not only bolstered Judean self-confidence under conditions of military and political inferiority, but also brought the changing foreign rulers into the fold of Judean sacred history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

When I sat down with Dr. Ory Amitay, his passion for myth, history, and ancient cultures was infectious. Our conversation about his new book, Alexander the Great in Jerusalem: Myth and History, Oxford University Press, 2025, quickly revealed that for Ory, the real intrigue isn't whether Alexander literally visited Jerusalem, but how and why this story was created and retold for centuries. Ory traced his fascination with this intersection of myth and reality back to his Israeli upbringing and Berkeley days, where he mastered ancient languages and ventured beyond traditional Jewish sources. He described how, over time, different versions of Alexander's visit to Jerusalem reflected shifting political climates—from the Seleucid takeover to Roman conquest. Myths, he explained, were tools to help communities navigate upheaval, envisioning themselves in relation to powerful foreign rulers.  Pressed for the historical “truth,” Ory smiled and emphasized that the stories' meaning—how they address the anxieties and hopes of their tellers—outweighs whether Alexander's visit “really” happened. As he pursues new projects, translating ancient versions of these tales and writing a book on Western civilization, I left inspired by his view that exploring old myths is also about understanding how we shape, and are shaped by, our stories about ourselves. Alexander the Great in Jerusalem: Myth and History discusses four different stories told in antiquity about the meeting between Alexander the Great and the Judeans of Jerusalem. In history, this meeting, if it happened, passed without noticeable events. Into the historical void stepped various Judean storytellers, who wrote not what was, but what could (or even should) have been.The tradition as a whole deals with an issue that resurfaced time and again in ancient Judean history: conquest and regime installment by new foreign rulers. It does so by using Alexander as a cipher for a current Hellenistic and Roman foreign rule. The earliest version can be traced to the context of the Seleukid monarch Antiochos III "the Great", and postulates a Judean text from that time that has been hitherto unknown, and which survived in a Byzantine recension (epsilon) of the Alexander Romance. The second and third chapters turn to rabbinic sources, and deal with the Judean approaches and attitudes towards Roman occupation and rule, first at the advent of Pompey and then at the institution of Provincia ludaea at the expense of the Herodian dynasty. The final story is the most famous, previously considered the earliest, rather than the latest; that of Josephus.Alexander the Great in Jerusalem demonstrates how the historical tradition consistently maintained the moral and sacral superiority of the Jerusalem temple and of Judaism, making Alexander either embrace monotheism or prostrate himself before the Judean high priest. This not only bolstered Judean self-confidence under conditions of military and political inferiority, but also brought the changing foreign rulers into the fold of Judean sacred history. Learn more about your ad choices. Visit megaphone.fm/adchoices

When I sat down with Dr. Ory Amitay, his passion for myth, history, and ancient cultures was infectious. Our conversation about his new book, Alexander the Great in Jerusalem: Myth and History, Oxford University Press, 2025, quickly revealed that for Ory, the real intrigue isn't whether Alexander literally visited Jerusalem, but how and why this story was created and retold for centuries. Ory traced his fascination with this intersection of myth and reality back to his Israeli upbringing and Berkeley days, where he mastered ancient languages and ventured beyond traditional Jewish sources. He described how, over time, different versions of Alexander's visit to Jerusalem reflected shifting political climates—from the Seleucid takeover to Roman conquest. Myths, he explained, were tools to help communities navigate upheaval, envisioning themselves in relation to powerful foreign rulers.  Pressed for the historical “truth,” Ory smiled and emphasized that the stories' meaning—how they address the anxieties and hopes of their tellers—outweighs whether Alexander's visit “really” happened. As he pursues new projects, translating ancient versions of these tales and writing a book on Western civilization, I left inspired by his view that exploring old myths is also about understanding how we shape, and are shaped by, our stories about ourselves. Alexander the Great in Jerusalem: Myth and History discusses four different stories told in antiquity about the meeting between Alexander the Great and the Judeans of Jerusalem. In history, this meeting, if it happened, passed without noticeable events. Into the historical void stepped various Judean storytellers, who wrote not what was, but what could (or even should) have been.The tradition as a whole deals with an issue that resurfaced time and again in ancient Judean history: conquest and regime installment by new foreign rulers. It does so by using Alexander as a cipher for a current Hellenistic and Roman foreign rule. The earliest version can be traced to the context of the Seleukid monarch Antiochos III "the Great", and postulates a Judean text from that time that has been hitherto unknown, and which survived in a Byzantine recension (epsilon) of the Alexander Romance. The second and third chapters turn to rabbinic sources, and deal with the Judean approaches and attitudes towards Roman occupation and rule, first at the advent of Pompey and then at the institution of Provincia ludaea at the expense of the Herodian dynasty. The final story is the most famous, previously considered the earliest, rather than the latest; that of Josephus.Alexander the Great in Jerusalem demonstrates how the historical tradition consistently maintained the moral and sacral superiority of the Jerusalem temple and of Judaism, making Alexander either embrace monotheism or prostrate himself before the Judean high priest. This not only bolstered Judean self-confidence under conditions of military and political inferiority, but also brought the changing foreign rulers into the fold of Judean sacred history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

When I sat down with Dr. Ory Amitay, his passion for myth, history, and ancient cultures was infectious. Our conversation about his new book, Alexander the Great in Jerusalem: Myth and History, Oxford University Press, 2025, quickly revealed that for Ory, the real intrigue isn't whether Alexander literally visited Jerusalem, but how and why this story was created and retold for centuries. Ory traced his fascination with this intersection of myth and reality back to his Israeli upbringing and Berkeley days, where he mastered ancient languages and ventured beyond traditional Jewish sources. He described how, over time, different versions of Alexander's visit to Jerusalem reflected shifting political climates—from the Seleucid takeover to Roman conquest. Myths, he explained, were tools to help communities navigate upheaval, envisioning themselves in relation to powerful foreign rulers.  Pressed for the historical “truth,” Ory smiled and emphasized that the stories' meaning—how they address the anxieties and hopes of their tellers—outweighs whether Alexander's visit “really” happened. As he pursues new projects, translating ancient versions of these tales and writing a book on Western civilization, I left inspired by his view that exploring old myths is also about understanding how we shape, and are shaped by, our stories about ourselves. Alexander the Great in Jerusalem: Myth and History discusses four different stories told in antiquity about the meeting between Alexander the Great and the Judeans of Jerusalem. In history, this meeting, if it happened, passed without noticeable events. Into the historical void stepped various Judean storytellers, who wrote not what was, but what could (or even should) have been.The tradition as a whole deals with an issue that resurfaced time and again in ancient Judean history: conquest and regime installment by new foreign rulers. It does so by using Alexander as a cipher for a current Hellenistic and Roman foreign rule. The earliest version can be traced to the context of the Seleukid monarch Antiochos III "the Great", and postulates a Judean text from that time that has been hitherto unknown, and which survived in a Byzantine recension (epsilon) of the Alexander Romance. The second and third chapters turn to rabbinic sources, and deal with the Judean approaches and attitudes towards Roman occupation and rule, first at the advent of Pompey and then at the institution of Provincia ludaea at the expense of the Herodian dynasty. The final story is the most famous, previously considered the earliest, rather than the latest; that of Josephus.Alexander the Great in Jerusalem demonstrates how the historical tradition consistently maintained the moral and sacral superiority of the Jerusalem temple and of Judaism, making Alexander either embrace monotheism or prostrate himself before the Judean high priest. This not only bolstered Judean self-confidence under conditions of military and political inferiority, but also brought the changing foreign rulers into the fold of Judean sacred history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

When I sat down with Dr. Ory Amitay, his passion for myth, history, and ancient cultures was infectious. Our conversation about his new book, Alexander the Great in Jerusalem: Myth and History, Oxford University Press, 2025, quickly revealed that for Ory, the real intrigue isn't whether Alexander literally visited Jerusalem, but how and why this story was created and retold for centuries. Ory traced his fascination with this intersection of myth and reality back to his Israeli upbringing and Berkeley days, where he mastered ancient languages and ventured beyond traditional Jewish sources. He described how, over time, different versions of Alexander's visit to Jerusalem reflected shifting political climates—from the Seleucid takeover to Roman conquest. Myths, he explained, were tools to help communities navigate upheaval, envisioning themselves in relation to powerful foreign rulers.  Pressed for the historical “truth,” Ory smiled and emphasized that the stories' meaning—how they address the anxieties and hopes of their tellers—outweighs whether Alexander's visit “really” happened. As he pursues new projects, translating ancient versions of these tales and writing a book on Western civilization, I left inspired by his view that exploring old myths is also about understanding how we shape, and are shaped by, our stories about ourselves. Alexander the Great in Jerusalem: Myth and History discusses four different stories told in antiquity about the meeting between Alexander the Great and the Judeans of Jerusalem. In history, this meeting, if it happened, passed without noticeable events. Into the historical void stepped various Judean storytellers, who wrote not what was, but what could (or even should) have been.The tradition as a whole deals with an issue that resurfaced time and again in ancient Judean history: conquest and regime installment by new foreign rulers. It does so by using Alexander as a cipher for a current Hellenistic and Roman foreign rule. The earliest version can be traced to the context of the Seleukid monarch Antiochos III "the Great", and postulates a Judean text from that time that has been hitherto unknown, and which survived in a Byzantine recension (epsilon) of the Alexander Romance. The second and third chapters turn to rabbinic sources, and deal with the Judean approaches and attitudes towards Roman occupation and rule, first at the advent of Pompey and then at the institution of Provincia ludaea at the expense of the Herodian dynasty. The final story is the most famous, previously considered the earliest, rather than the latest; that of Josephus.Alexander the Great in Jerusalem demonstrates how the historical tradition consistently maintained the moral and sacral superiority of the Jerusalem temple and of Judaism, making Alexander either embrace monotheism or prostrate himself before the Judean high priest. This not only bolstered Judean self-confidence under conditions of military and political inferiority, but also brought the changing foreign rulers into the fold of Judean sacred history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

When I sat down with Dr. Ory Amitay, his passion for myth, history, and ancient cultures was infectious. Our conversation about his new book, Alexander the Great in Jerusalem: Myth and History, Oxford University Press, 2025, quickly revealed that for Ory, the real intrigue isn't whether Alexander literally visited Jerusalem, but how and why this story was created and retold for centuries. Ory traced his fascination with this intersection of myth and reality back to his Israeli upbringing and Berkeley days, where he mastered ancient languages and ventured beyond traditional Jewish sources. He described how, over time, different versions of Alexander's visit to Jerusalem reflected shifting political climates—from the Seleucid takeover to Roman conquest. Myths, he explained, were tools to help communities navigate upheaval, envisioning themselves in relation to powerful foreign rulers.  Pressed for the historical “truth,” Ory smiled and emphasized that the stories' meaning—how they address the anxieties and hopes of their tellers—outweighs whether Alexander's visit “really” happened. As he pursues new projects, translating ancient versions of these tales and writing a book on Western civilization, I left inspired by his view that exploring old myths is also about understanding how we shape, and are shaped by, our stories about ourselves. Alexander the Great in Jerusalem: Myth and History discusses four different stories told in antiquity about the meeting between Alexander the Great and the Judeans of Jerusalem. In history, this meeting, if it happened, passed without noticeable events. Into the historical void stepped various Judean storytellers, who wrote not what was, but what could (or even should) have been.The tradition as a whole deals with an issue that resurfaced time and again in ancient Judean history: conquest and regime installment by new foreign rulers. It does so by using Alexander as a cipher for a current Hellenistic and Roman foreign rule. The earliest version can be traced to the context of the Seleukid monarch Antiochos III "the Great", and postulates a Judean text from that time that has been hitherto unknown, and which survived in a Byzantine recension (epsilon) of the Alexander Romance. The second and third chapters turn to rabbinic sources, and deal with the Judean approaches and attitudes towards Roman occupation and rule, first at the advent of Pompey and then at the institution of Provincia ludaea at the expense of the Herodian dynasty. The final story is the most famous, previously considered the earliest, rather than the latest; that of Josephus.Alexander the Great in Jerusalem demonstrates how the historical tradition consistently maintained the moral and sacral superiority of the Jerusalem temple and of Judaism, making Alexander either embrace monotheism or prostrate himself before the Judean high priest. This not only bolstered Judean self-confidence under conditions of military and political inferiority, but also brought the changing foreign rulers into the fold of Judean sacred history.

Ory shares his adventures from his first run at 6 Days In the Dome - Tackling the 48 hour.Check out his podcast , Trailing Off, here!

durée : 00:09:05 - L'invité de 7h50 - par : Sonia Devillers - L'historien et membre de l'Académie française Pascal Ory, élève de Pierre Nora, était l'invité de France Inter ce mardi pour saluer la mémoire de l'historien décédé lundi à 93 ans.

durée : 00:09:05 - L'invité de 7h50 - par : Sonia Devillers - L'historien et membre de l'Académie française Pascal Ory, élève de Pierre Nora, était l'invité de France Inter ce mardi pour saluer la mémoire de l'historien décédé lundi à 93 ans.

Hoy se entregan los Premios Mandarache y Hache en el Auditorio y Palacios de Congresos El Batel, de Cartagena. En este programa participan:- Alberto Soler, coordinador de los Premios Mandarache y Hache.- Noelia Arroyo, alcaldesa de Cartagena. También hablamos de la Noche de los Museos, Mucho más Mayo, el Rock Imperium y La Mar de músicas.- Jesús González González, subdirector general de Promoción del Libro, la Lectura y las Letras Españolas del Ministerio de Cultura.- Isaac Sánchez, autor de 'Baños Pleamar', Premio Mandarache 2025; y Beatriz Berrocal, autora de 'La danza de los estorninos', Premio Hache 2025.- Jennifer Fuentes, profesora del Instituto Juan Sebastián Elcano, Maria Angeles Monteverde, profesora del Colegio Carmelitas, e Ignacio García, profesor del Instituto Los Molinos, docentes que animan a sus alumnos a participar.- Lola Meroño, coordinadora del proyecto Biblioteca Con Alas, y Magdalena Gutiérrez, voluntaria. El proyecto de lectura del Hospital Santa Lucía ha recibido el Premio a la Mejor Labor de Fomento de la Lectura.- Isabel Hernández, organizadora del Bazar de Letras de la Universidad Popular, los Clubes de Lectura para mayores de 30, y Alejandra Pardo y Manuela Laiz, dos lectoras.- Abraham Ramírez, bibliotecario Museo ARQVA, que organiza la Libreta Mandarache, y Marina, Cristina y Adrián, jóvenes libretistas.Por otra parte, los Premios Mandarache y Hache 2026 ya tienen finalistas. Las obras de Borja Echeverría, Maricela Guerrero, José A. Pérez Ledo y Álex Orbe optan al Premio Mandarache 2026, mientras que las novelas juveniles de Pedro Mañas, May López y Beatriz Giménez de Ory son los finalistas del Premio Hache 2026.

Con un montón de autoras estupendas Lo de Menudo Castillo es una aventura continua, en este programa de radio y literatura infantil puede pasar de todo y nosotros en el Menudo Castillo 635 encontramos un torbellino. No te vamos a decir mucho más sobre este encuentro, pero te animamos a que escuches el programa para que lo descubras (lo vas a hacer sin darte cuenta, ya lo verás). En este Menudo Castillo 635, además de tener con nosotros para hacer radio de la buena a nuestras locutoras y locutores de la Biblioteca de Villaviciosa de Odón, tuvimos unas invitadas increíbles. Se vinieron Beatriz Giménez de Ory y Paloma González Rubio, que nos hablaron de un libro que han escrito juntos y muchísimas cosas sorprendentes más. Alucinante todo lo que nos cuentan. Pero hay muchas cosas más en este Menudo Castillo 635, como la visita de la genial Amaya Perucha, que vino a hablarnos de unos piratas fantásticos, pero con el reloj bastante retrasado. Y es que su nuevo libro, que además es una novela, es Piratas Impuntuales. Si quieres saber algunas cosas más sobre este libro, escucha la entrevista. Y para rematar este divertidísimo Menudo Castillo 635 vino a vernos Carolina Méndez desde la Cuesta de Moyano y la Asociación Soy de la Cuesta, con ella hablamos de una fiesta genial que va a haber el próximo domingo 30 de marzo en Madrid. Con libros, música, disfraces y muchos personajes de cuento.

Brotarán cuentos A veces es mejor dejar una semilla que regalar una planta. Con esa idea y con un juego literario de lo más interesante, Beatriz Giménez de Ory ha escrito un libro de haikus para todos los lectores, Brotarán Cuentos. Ilustrados por Susana Rodríguez, estos haikus sirven para llevarnos hasa cuentos clásicos e historias que querremos recorrer de nuevo gracias a los versos que los recuerdan. Una entrevista realizada por los peques del Taller de Radio de la Biblioteca Pública Luis de Góngora de Villaviciosa de Odón.

La Biblioteca Pública Niveiro Alfar-El Carmen Pedazo de biblioteca la que nos acogió para grabar nuestro programa de radio y literatura infantil Menudo Castillo 632. Lo pasamos de vicio con los más de 20 niños y niñas que nos acompañaron y que son los protagonistas absolutos de la primera parte de todo este espacio. Libros, risas, colegios, actividades... ¡menuda locura! Pero el programa de radio y literatura infantil Menudo Castillo 632 tuvo mucho más. Tenemos una charla con Beatriz Giménez de Ory sobre cuentos y haikus. Y otra sobre perros fantasma, galletas que hay que aplastar y hoteles del Más Acá con la escritora María Rubio. Lo cierto es que el programa de radio y literatura infantil Menudo Castillo 632 tuvo millones de cosas divertidas. Y es que nos encanta disfrutar de la radio divertida, aunque sea a trocitos.

Today, Jordan Reynolds speaks with Joe Ory, an Earlham, Iowa, cattle rancher and row crop farmer, about cold weather stress on cattle. Ory discusses the signs of stress to watch out for, how to deal with it when your cattle are experiencing it, and how to better prevent it in the future. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Meet Nation Member Ory Frazier #RunTJM This week's Strava Leaderboard: Most Miles: Simen Holvik 186.8 Most Time Running: Carl Jarema 68:10:33 Most Vert: Eric Weslowski 39,865 Ory's Parkinson Foundation Fundraiser:  http://www3.parkinson.org/goto/oryruns Ory's Coaching Page: https://www.oryfrazier.com/  

We're joined on #PacificDays by Tenor Manase Latu, named 2024 Ryman Healthcare Dame Malvina Major Foundation Mina Foley Award Recipient. Manase performs the title role of the Count Ory in NZ Opera's season of Le comte Ory by Rossini, which has already played in Auckland and Wellington, and opens in Christchurch on the 27th June. Photo: University of Auckland. See omnystudio.com/listener for privacy information.

rWotD Episode 2596: Muskrat Ramble Welcome to random Wiki of the Day where we read the summary of a random Wikipedia page every day.The random article for Wednesday, 12 June 2024 is Muskrat Ramble."Muskrat Ramble" is a jazz composition written by Kid Ory in 1926. It was first recorded on February 26, 1926, by Louis Armstrong and his Hot Five, and became the group's most frequently recorded piece. It was paired on the flip side with another one of Armstrong's hits, "Heebie Jeebies." It was a prominent part of the Dixieland revival repertoire in the 1930s and 1940s, and was recorded by Bob Crosby, Roy Eldridge, Lionel Hampton, Woody Herman, Muggsy Spanier, Chet Atkins, Lu Watters, the Andrews Sisters, Harry James, and Al Hirt, among others. It is considered a part of the jazz standard repertoire.Without Ory's consent, lyrics were written for the instrumental tune in 1950 by Ray Gilbert. After Gilbert protested that he was entitled to share credit with Ory, the American Society of Composers, Authors and Publishers awarded him one-third credit on all performances of "Muskrat Ramble", vocal and instrumental.This recording reflects the Wikipedia text as of 00:06 UTC on Wednesday, 12 June 2024.For the full current version of the article, see Muskrat Ramble on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm Arthur Neural.

¡Prepárate para elevar tu potencial más allá de tus creencias limitantes! Únete a Ory y Obando Gonzáles, líderes Diamantes Azules, Fundadores de Estados Unidos 2.0 y Fundadores de NA Latino, en una conversación profunda y transformadora. Descubre cómo superar las barreras mentales que limitan tu crecimiento personal y profesional. A través de historias inspiradoras y estrategias prácticas, aprenderás a desafiar tus propias percepciones y alcanzar nuevos niveles de éxito. ¡No te pierdas este episodio cargado de sabiduría y motivación para tu camino hacia el empoderamiento y la realización personal!

The 1828 comic opera 'Le comte Ory' has been given a facelift by internationally acclaimed director Simon Phillips ('North by Northwest', 'Priscilla Queen of the Desert', 'The Elixir of Love'). Instead of being set in medieval France, this reworked production takes place in present-day Aotearoa, but sung in French with English subtitles. Written by Italian composer Gioachino Rossini, 'Le comte Ory' tells the story of a young count who is a cunning swindler, dedicated to seducing women. The NZ Opera production features the singing talents of lyric tenor Manase Latu, soprano Emma Pearson, mezzo-soprano Hanna Hipp, and baritone Moses Mackay. 'Le comte Ory' will be playing at Auckland's Kiri Te Kanawa Theatre on 30th of May and 1st of June, followed by performances in Wellington and Christchurch. Tickets and info are here.

Jazz masters on this episode: Louis Armstrong and His Hot Five, Ory's Creole Trombone Louis Armstrong and His Hot Seven, Potato Head Blues Artie Shaw, At Sundown Sidney Bechet, Si tu vois ma mère Sidney Bechet - Martial Solal Quartet, I've Got A Right To Sing The Blues Billie Holiday and Her Orchestra, I Cover the Waterfront Billie Holiday & Lester Young, Fine and Mellow Gerry Mulligan & Paul Desmond, Line for Lyons Gerry Mulligan & Ben Webster, The Cat Walk Duke Ellington with Ella Fitzgerald, Drop Me Off in Harlem Ella Fitzgerald, Misty Duke Ellington, Mood Indigo Duke Ellington and His Orchestra & Oscar Peterson, Take the "A" Train Count Basie and His Orchestra, Basie - Straight Ahead Count Basie and His Orchestra, That Warm Feeling  

Comedy and opera are set to come together in Moses Mackay's newest project.  The Sol3 Mio member is set to take part in a Kiwi retelling of Le comte Ory, which is set to kick off later this month. This will be Mackay's first performance with NZ Opera since 2012, where he performed as an Emerging Artist. He says he's proud to be taking on a key role in this piece. "It's a beautiful time. There are other singers in this production who are incredible and have been singing opera for years and years and years - it's a privilege to be on stage with them." LISTEN ABOVESee omnystudio.com/listener for privacy information.

Llevamos años dándole seguimiento a los proyectos The Startup Island y Eco Beach Village, de Carlos de Ory. En esta ocasión entrevistamos a Bianca, una inversora del proyecto Eco Beach Village y a Javier Ruiz, abogado que le ha dado seguimiento. Sobre este proyecto ya hemos hablado en repetidas ocasiones, tanto en el Podcast Nómada Digital como en el blog de vivedistinto.com . Incluso le hemos trasladado las dudas al propio Carlos de Ory en las entrevistas que hemos tenido para los episodios del podcast: El 28 de octubre del 2020 publicaba el episodio 90 del podcast Nómada Digital “ The Startup Island promete el paraíso para Nómadas Digitales. ¿Será cierto?” Una entrevista al propio Carlos de Ory en la que le pregunté, de manera abierta, mis dudas respecto al proyecto. El 30 de junio del 2021 publiqué la segunda parte, el episodio 129 en el podcast Nómada Digital: ”El paraíso de los emprendedores THE STARTUP ISLAND [SEGUNDA PARTE]” El 26 de febrero del 2023 publiqué el episodio 228 del podcast Nómada Digital “ Eco Beach Village, la propuesta de Carlos de Ory para comprar una casa por 13500€, ¿Merece la pena?” Puedes ver el artículo completo aquí: Si te interesa mantenerte informado sobre el proyecto, apúntate a la newsletter en https://vivedistinto.com/ Descubre el podcast Nómada Digital: https://vivedistinto.com/nomada-digital-podcast/ No te pierdas nuestra una comunidad de Emprendedores: https://www.alternatribu.com/

The Boxing Show review Jordan Gill's loss to Zelfa Barrett and Jared Anderson's decision win over Ryad Merhy.00:00 - 00:55: The Boxing Show Intro00:55 - 05:41: Introduction05:41 - 10:39: Edwards vs Ory review10:39 - 18:29: Sunny Edwards vs Adrian Curiel18:29 - 39:54: Gill vs Barrett review39:54 - 42:22: Dixon vs Carabajal review42:22 - 48:58: Scotney vs Lefebvre review48:58 - 01:18:21: Anderson vs Merhy review01:18:21 - 01:20:00: OutroSubscribe to Boxing News: bit.ly/BoxingNewsSubscribeFollow Boxing News on Social Media:➡️ Instagram:   / boxingnewsonline  ➡️ Twitter:   / boxingnewsed  ➡️ Facebook:   / boxingnewsonline  ➡️ TikTok:   / boxingnewsonline  

durée : 00:04:27 - Le rendez-vous nature de France Bleu Besançon

Are Google Ads really worth it??? with Ory from Webics Dive into the ever-evolving world of digital marketing in our latest episode of the podcast, where we're thrilled to have Ory from Webics, share his expertise. Together, we explore the intricate battleground of Google Ads versus Facebook Ads and uncover strategies to elevate your brand's online presence. In This Episode, We Cover: - Google Ads vs. Facebook Ads: Ory breaks down the strengths and weaknesses of each platform, helping you understand where your advertising dollars can work hardest. - Maximizing Visibility: Discover the secrets behind building brand awareness in a crowded digital landscape. - Beyond the Ads: We go beyond traditional advertising to discuss innovative digital marketing strategies that can set your brand apart. - Actionable Insights: Ory shares actionable tips and insights that businesses of any size can implement to see real results. Whether you're a seasoned marketer or just getting started, this episode is packed with valuable insights to help you make informed decisions and strategically navigate the digital marketing space. Tune in now on Apple Podcasts or Spotify to unlock the full potential of your online marketing efforts. Don't forget to subscribe for more enlightening conversations with industry leaders like Ory!

Tune in to hear Ory and I discuss what it means to come out as a runner and how many of us struggle with claiming that identity.

Hablamos con Esperanza López Parada. La poeta llevaba nueve años sin publicar, pero las muertes de su pareja y de su padre precipitaron la escritura de Un tiempo de gracia (Ed. Pre-Textos), poemario planteado como un calendario desordenado del duelo que, a pesar de todo, irradia serenidad y que le ha hecho merecedora del Premio Francisco de Quevedo. Además,  Ignacio Elguero nos recomienda dos títulos: ¿Por qué, Dalí? (Ed. Planeta), una aproximación a El Cristo de Dalí que firman Javier Sierra, Antonio López y Montse Aguer, y Blancura (Ed. Literatura Random House), la más reciente novela del escritor noruego Jon Fosse,  Premio Nobel de Literatura. En su ventanita, Javier Lostalé lee unos versos de Lírica industrial (Ed. Adonáis), poemario con el que el albaceteño Rubén Martín Díaz ha ganado el Premio Alegría que otorga el Ayuntamiento de Santander. Luego, Sergio C. Fanjul nos propone un paseo por la historia de la ignorancia (y del conocimiento) de la mano del catedrático Peter Burke y de su ensayo Ignorancia (Ed. Alianza). Terminamos celebrando el centenario del nacimiento de Carlos Edmundo de Ory en compañía de Mariano Peyrou, que ilumina las claves de este escritor inclasificable del que se acaba de publicar su poesía completa bajo el título de Los reinos de allí (Ed. Galaxia Gutenberg).Escuchar audio

Today we have Colin Daymond Hanna with us. Colin is a Partner at Balderton. And I think it goes without saying that I need not introduce this firm; but just in case anyone listening in has just started in venture, I'll say that in the two decades since Balderton's founding, they have worked with hundreds of extraordinary European founders, and have raised eight funds totalling more than 3bn Euros.At Balderton, Colin invests in purpose-driven, product-focused founders spanning verticals including Cloud, Consumer, Crypto, and Fintech. Colin has led the investments into Fuse Energy (formerly Tesseract), Ory, Supernormal, AnyType, Clue (note: the links go to Balderton's annoucements, interesting reading!). Colin is also part of the team at Balderton responsible for driving the firm's Sustainable Future Goals initiatives.Chapters:00:00:00 - Introduction to Colin Daymon Hannah00:02:54 - Growing up in Asia & the US and transitioning to venture00:07:28 - Taking a Leap of Faith to Berlin00:09:51 - The Role of Luck in Decision Making00:12:05 - Prioritization and Communication00:14:27 - Balderton's Purpose as a Partner for European Entrepreneurs00:16:38 - Clue: Empowering Women's Health00:18:56 - The Local First Mentality and Censorship Resistance00:21:31 - Lack of Empathy in VC and Overstretching00:23:40 - Importance of Investor Alignment 00:26:03 - On Purpose and Prioritization00:28:35 - Prioritization & Portfolio Management 00:30:49 - Transparency in Investing00:32:54 - Building Networks with Investors00:35:10 - The Importance of Strong Communication and Vulnerability00:37:17 - Communication and Gratitude00:39:12 - How Sports Shape Your Path00:41:31 - The Importance of Trusting the Process00:44:01 - Transparency in Achieving Global Goals00:46:07 - Investing in companies aligned with SDGs00:48:32 - Express Championing of Positive Externalities00:50:26 - Tips for Emerging VCs in Europe00:52:46 - Focusing on the Purpose, Not the Valuation

Born in Israel in 1942, Ory Slonim grew up amidst the ravages of the country's War of Independence. Ory came from a seventh-generation family that lived in Hebron, grew up in Tel Aviv, married, and became a successful lawyer. In 1986, Israeli President Haim Herzog appointed Ory as special counsel to the Defense Minister for issues of POWs & MIAs, from the civilian world, concentrating on families. Ory enlisted in the mission, gaining senior cooperation with the Mossad. For his work, he accepted a payment of one Israeli Shekel per year. Over the next thirty-six years, Ory searched the world for young IDF soldiers, pilots and reservists who were captured in battles and never heard from again. His mission to find the missing boys saw him traveling to nations that did not recognize Israel, and meeting with terrorist representatives. In the capacity of knocking on doors worldwide, and on families of the POWs & MIAs, Ory became known as the “Door Knocker.” In addition, Ory has tirelessly worked for Variety – the Children's Charity, having served as President and Chairman of the organization in Israel and as International President between 2003 – 2005.  In 2011 Ory was honored by President Shimon Peres with the Israeli Presidential Medal of Distinction. On this episode of The One Way Ticket Show, Ory shares his one way ticket to a future in a place where all soldiers, POWs & MIAs will be back home and where children in need will be okay. During our conversation, Ory also shares what it's like dealing with terrorists and non-state actors, the painful conversations he had with families of POW-MIAs, draws from Moliere who said how uncertainty is uglier than the worst certainty, and highlights the importance of giving.   For more, pick up a copy of Ory's book: "A Knock At The Door: The Story of My Secret Work with Israeli MIAs and POWs".           

durée : 00:53:36 - Le Grand Face-à-face - par : Thomas Snégaroff - Débat avec l'historien et académicien Pascal Ory qui vient de publier un texte court et puissant dans la collection des Tracts de Gallimard, “Ce cher et vieux pays”. - invités : Pascal Ory - Pascal Ory : Historien, spécialiste d'histoire culturelle, membre de l'Académie française - réalisé par : Marie MéRIER

durée : 00:53:36 - Le Grand Face-à-face - par : Thomas Snégaroff - Débat avec l'historien et académicien Pascal Ory qui vient de publier un texte court et puissant dans la collection des Tracts de Gallimard, “Ce cher et vieux pays”. - invités : Pascal Ory - Pascal Ory : Historien, spécialiste d'histoire culturelle, membre de l'Académie française - réalisé par : Marie MéRIER

durée : 01:28:46 - Pascal Ory, historien - par : Priscille Lafitte - Historien de la culture, membre de l'Académie française, Pascal Ory est féru de musiques françaises de l'entre-deux-guerres dont il est foncièrement curieux, de Maurice Ravel à Jean Cras en passant par Ladislas de Rohozinski ; sans oublier les musiques de film et les opéras aux portées politiques. - réalisé par : Claire Lagarde

Bueno, ha llegado el día en el que publicamos la entrevista que tantos nos habéis pedido. Pongo en precedentes para que todos entendamos de lo que hablo: Carlos de Ory es un emprendedor español radicado en Bali que hace un tiempo promovía un proyecto que tuvo mucha visibilidad: The Startup Island. En el 2020 le hice la primera entrevista, el episodio #90 del podcast Nómada Digital en la que le hago bastantes preguntas incómodas y cuestiono puntos críticos del proyecto. ·The Startup Island promete el paraíso para Nómadas Digitales. ¿Será cierto? Este episodio ha tenido miles de escuchas y hemos recibido, literalmente, más de cien correos al respecto. En junio del 2021, hice una segunda entrevista para darle seguimiento al proyecto, el episodio #129 del podcast Nómada Digital y el siguiente artículo: ·Una casa en el paraíso para emprendedores [segunda parte] Bien. En el 2022, Carlos de Ory arranca con otro proyecto inmobiliario y más ambicioso: Eco beach village. Y para captar inversión, utiliza la misma táctica que en los anteriores: publicidad muy llamativa, con promesas de casas por precios ridículos “compra una casa por 9.950€ en el paraíso” era el reclamo de este proyecto. De nuevo, recibimos decenas de correos de personas preguntando al respecto. Con lo que decidimos hacer una tercera entrevista a Carlos de Ory para preguntarle y pedirle que nos explique en qué consiste el proyecto detalladamente. De nuevo, estas entrevistas y artículos han sido creados y realizados de manera totalmente imparcial y crítica. Espero que ayude a todos aquellos que buscan información sobre los proyectos de Carlos de Ory.

Follow Dan on LinkedIn at linkedin.com/in/cotterdan Follow Pat on LinkedIn at https://www.linkedin.com/in/donald-patrick-eckler-610290824/ Predictions Sure To Go Wrong: Hoosier Contractors: reverse Karuparthy: reverse Ory: affirm Illinois appellate arguments can be found at: https://www.illinoiscourts.gov/courts/appellate-court/oral-argument-audio/ Indiana Supreme Court can be found here: https://mycourts.in.gov/arguments/default.aspx?&id=2714&view=detail&yr=&when=&page=1&court=SUP&search=&direction=%20ASC&future=True&sort=&judge=&county=&admin=False&pageSize=20

Un paseo por "El rag del tigre", uno de los más clasicos del jazz tradicional. Adjudicado a los miembros de la Original Dixieland Jazz Band pero probablemente tomado de frases que ya circulaban en forma anónima a principios del siglo XX. Escuchamos a la ODJB, Beiderbecke, Ory, Armstrong, Goodman, Hot Club, Tatum, Payton, Marsalis y otros.

What's going on everyone! I hope yall are having a great day today and in todays episode we are joined by 4 star offensive lineman and top 300 recruit in the 2024 class Ory Williams! Huge shoutout to my guy Ory who has an amazing personality and made this interview one of my favorites so far! I hope yall enjoy the episode and please make sure to show my guy Ory some love for coming onto the podcast. https://www.instagram.com/bigoballer/ https://twitter.com/ory_williams https://247sports.com/player/ory-williams-46113456/ https://n.rivals.com/content/prospects/2024/ory-williams-280740 Go follow the official Instagram of the "Cover 7 With Mason Pierce Podcast" if you want to keep up to date on everyday Sports news! https://www.instagram.com/cover7withmason Go follow the official TikTok of the "Cover 7 With Mason Pierce Podcast" if you love everyday Sports content! https://www.tiktok.com/@cover7withmasonpierce --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/mason-a-pierce/support

Les expositions universelles sont des emblèmes de progrès, modèles de la classification, mais aussi symboles des transformations en cours dans le monde de la production ou de la ville. Adhérez à cette chaîne pour obtenir des avantages : https://www.youtube.com/channel/UCN4TCCaX-gqBNkrUqXdgGRA/join Pour soutenir financièrement la chaîne, trois choix: 1. Cliquez sur le bouton « Adhérer » sous la vidéo. 2. Patreon: https://www.patreon.com/hndl 3. UTip: https://utip.io/lhistoirenousledira Avec: Laurent Turcot, professeur en histoire à l'Université du Québec à Trois-Rivières, Canada 00:00 : Introduction 01:10 : Premières Expositions 03:45 : Londres et l'Empire 05:46 : Paris : la démesure 08:22 : 1889 10:52 : 1900 12:29 : Fortune des Expositions 14:31 : Conclusion Abonnez-vous à ma chaine: https://www.youtube.com/c/LHistoirenousledira Facebook: https://www.facebook.com/histoirenousledira Instagram: https://www.instagram.com/laurentturcot Les vidéos sont utilisées à des fins éducatives selon l'article 107 du Copyright Act de 1976 sur le Fair-Use. Pour aller plus loin: BAILEY, Peter. Leisure and class in Victorian England : rational recreation and the contest of control, 1830-1885. London , Routledge and Kegan Paul, 1978. BENNAHUM Judith, The Lure of Perfection: Fashion and Ballet, 1780-1830, Routledge, 2004. CONDEMI, C. Les cafés-concerts: histoire d'un divertissement, 1849-1914, Quai Voltaire, 1992. CORBIN, Alain, « Du loisir cultivé à la classe de loisir », dans CORBIN, Alain (dir.). L'avènement des loisirs, 1850-1960. Paris, Flammarion, 1996, 56-80 CROSS, Gary. A Social history of leisure since 1600. Oxford, Venture Publishing, 1990. CROSS, Gary. "Leisure in Historical Perspective" in GRAEFE A. and PARKER S. (ed.by). Recreation and Leisure: an introductory Handbook. Oxford, Venture Publishing, 1987, pp.25-29. CSERGO, Julia, « Extension et mutation du loisir citadin, Paris XIXe-début XXe siècle », dans CORBIN, Alain (dir.). L'avènement des loisirs, 1850-1960. Paris, Flammarion, 1996, p. 121168 CUNNINGHAM, H. Leisure in the Industrial Revolution c.1780 - c.1880. London: Croom Helm. 1980. CUNNINGHAM, H. Leisure, in The Working Class England, 1875-1914. London: Croom Helm. 1985. DUSSAULT, E. Paris: Moments phares et symboles, Septentrion, 2022. GERBOD, Paul, « A propos du loisir parisien au XIX e siècle », Ethnologie française, T. 23, No. 4, mélanges (Décembre 1993), pp. 613-622 HORN, Pamela, Pleasures & Pastimes in Victorian England. Sutton, 1999. JONES, Gareth Stedman. "Class expression versus social control? A critique of recent trends in the social history of leisure" in id. Languages of class. Studies in English working class history, 1832-1982. Cambridge University Press, 1983, pp.76-89. KASSON, John F., Amusing the Million: Coney Island at the Turn of the Century (American Century). Hill and Wang, 1978. LOMBARDO, Davide « Se baigner ensemble, Les corps au quotidien et les bains publics parisiens avant 1850 selon Daumier », Histoire urbaine 2/2011 (n° 31), p. 47-68. LOWERSON, J.& Myerscough, J. Time to Spare in Victorian England. Harvester Press. 1977. KREMER-MARIETTI, A. « Les avatars du concept de loisir au XIXe siècle dans la société industrielle et dans la philosophie sociale », dans Oisiveté et loisirs dans les sociétés occidentales au XIXe siècle, Abbeville, 1983. MARGETSONA, S. Leisure and Pleasure in the 19th Century, Cassell, 1969. MARRUS, M. R. The Emergence of leisure. New York, Harper & Row, 1974. MELLER, Helen, Leisure and the Changing City 1870 – 1914, Routledge, 1976. MILLER, M. Au bon marché : 1869-1920. Le consommateur apprivoisé. Paris, Armand Colin, 1987. ORY, Pascal, Les Expositions universelles de Paris. Panorama raisonné, avec des aperçus nouveaux et des illustrations par les meilleurs auteurs, Paris, Ramsay, 1982. TISSOT, Laurent (dir.), Construction d'une industrie touristique aux 19e et 20e siècles. Perspectives internationales. Neuchâtel, Alphil, 2003. TOWNER, J., An historical geography of recreation and tourism in the Western World 1540-1940. Chichester, John Wiley. 1996. THOMPSON, E.P., « Time, Work-Discipline, and Industrical Capitalism », Past & Present, 38, 1967, p. 56-97. URBAIN, JD, Sur la plage: moeurs et coutumes balnéaires (XIXe-XXe siècles), Paris, Payot, 1994 PORTER, Roy, « Les Anglais et les loisirs » dans CORBIN, Alain (dir.). L'avènement des loisirs, 1850-1960. Paris, Flammarion, 1996, p. 21-54 RAUCH André Vacances en France, de 1830 à nos jours. Paris, Hachette, 1996. RAUCH, André, Vacances et pratiques corporelles. La naissance des morales du dépaysement. Paris, PUF, 1988. RAUCH, André, « Les vacances et la nature revisitée », CORBIN, Alain (dir.). L'avènement des loisirs, 1850-1960. Paris, Flammarion, 1996, p. 83-120. WALTON, J.K. et J. WALWIN (dir.), Leisure in Britain, 1780-1939. Manchester University Press, 1983.

Volvemos al Parque del Retiro para participar en la Feria del Libro de Madrid en su última jornada tras diecisiete días de intensísima actividad. En esta ocasión, nos acompaña José María Merino, Premio Nacional de las Letras en 2021, que ha estado firmando su nueva obra, La novela posible (Ed. Alfaguara), un libro que conjuga ficción, autoficción y novela histórica alrededor de la figura de Sofonisba Anguissola, la prestigiosa pintora del Renacimiento. También charlamos con Eva Orúe, directora de la Feria del Libro de Madrid, con la que hacemos balance de esta octogésima primera edición, marcada por la vuelta a la normalidad y la ausencia de restricciones. Además, abrimos nuestro buzón de voz, en el que una oyente nos recomienda las novelas gráficas de Agustina Guerrero, otra de las autoras que han estado firmando en la feria. Terminamos con las recomendaciones de nuestros colaboradores habituales, Ignacio Elguero, Javier Lostalé y Mariano Peyrou, que nos sugieren más títulos para las compras de última hora, como: Prometeo (Ed. Alfaguara), libro que recoge todos los textos que Luis García Montero ha dedicado a lo largo de los años a este mito; Un único corazón (Ed. Pre-Textos), poemario de Alejandro Duque Amusco; El libro de las fábulas y otras fabulaciones (Ed. Pre-Textos), de Daniel Samoilovich y Eduardo Stupía; Locos por los clásicos (Ed. Espasa), un volumen de Emilio del Río que demuestra la vigencia de los grandes autores de Grecia y Roma; Habitar una casa en la era de Acuario (Ed. Renacimiento), poemario póstumo de Adolfo Cueto; y Aerolitos completos (Ed. Firmamento), recopilacion de toda la producción aforística de Carlos Edmundo de Ory. Escuchar audio

In Episode 8 of Tattoos, Code, and Data Flows, Matt Rose interviews Ory Segal, Sr. Director of Product Management at Palo Alto Networks. Ory Segal is an expert in application security and cloud security and holds numerous patents! Along with being the Senior Director of Product Management at Palo Alto Networks, Ory is an Advisor for Oxeye and Zenity, and is a member of CyberStarts! Ory and Matt talk about: ↳ The creation of the Application Security Posture Management genre ↳ The fragmentation in the cyber security industry ↳ Looking at security as a swiss cheese paradigm ↳ Ory's band and tattoos And so much more. Be sure to listen to this episode, and so many of our other great episodes by hitting the follow button. Make sure to like and subscribe to the episode. We hope you enjoy it!

Kelly Gibson is an American professional golfer who played on the PGA Tour and the Nationwide Tour. Gibson joined the Nationwide Tour in 1990. Taylor Capouch is the executive director of the Kelly Gibson Foundation. LSU Basketball beats Kentucky, LSU Football Begins Offseason, the Saints Need to Beat ATL, Rams Need to Beat 49ers, and 89 Days Until the Masters. Sean Payton for Coach of the Year? Joe Burrow or Jonathan Taylor for MVP? Ja'Marr Chase is NO DOUBT the ORY.

Gioachino Antonio Rossini was Born 29 February 1792, Died 13 November 1868, was an Italian composer who gained fame for his 39 operas. He also wrote many songs, some chamber music , piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity. Born in Pesaro to parents who were both musicians. His father was a trumpeter and his mother a singer. Rossini began to compose by the age of 12 and was educated at music school in Bologna. His first opera was performed in Venice in 1810 when he was 18 years old. In 1815 he was engaged to write operas and manage theatres in Naples. In the period 1810–1823 he wrote 34 operas for the Italian stage that were performed in Venice, Milan, Ferrara, Naples and elsewhere. His productivity necessitated an almost formulaic approach for some components , such as overtures and a certain amount of self-borrowing. During this period he produced his most popular works, including the comic operas L'italiana in Algeri, Il barbiere di Siviglia (known in English as The Barber of Seville) and La Cenerentola. His works of this period brought to a peak the opera buffa tradition he inherited from masters such as Domenico Cimarosa and Giovanni Paisiello. He also composed opera seria works such as Otello, Tancredi and Semiramide. All of these attracted admiration for their innovation in melody, harmonic and instrumental colour, and dramatic form. In 1824 he was contracted by the Opéra in Paris, for which he produced an opera to celebrate the coronation of Charles X, Il viaggio a Reims , later cannibalised for his first opera in French, Le comte Ory. Revisions of two of his Italian operas, Le siège de Corinthe and Moïse, and in 1829 his last opera, Guillaume Tell. Rossini's withdrawal from opera for the last 40 years of his life has never been fully explained. Contributary factors may have been ill-health, the wealth his success had brought him, and the rise of spectacular grand opera under composers such as Giacomo Meyerbeer. . In the early 1830s to 1855, when he left Paris and was based in Bologna, Rossini wrote relatively little. On his return to Paris in 1855 he became renowned for his musical salons on Saturdays. Regularly attended by musicians and the artistic and fashionable circles of Paris. for which he wrote the entertaining pieces Péchés de vieillesse. Guests included Franz Liszt, Anton Rubinstein, Giuseppe Verdi, Meyerbeer and Joseph Joachim. Rossini's last major composition was his Petite messe solennelle (1863). He died in Paris in 1868.

La semana pasada celebramos el cumple de Mariona Terés y hoy, seguimos celebrando vueltas al sol con esta mujer preciosa. No te pierdas el episodio con Teresa Hurtado de Ory, porque nos ha quedado muy bonico. Además, Alberto F. Prados nos habla de una gran fuente de inspiración para hacer comedia de la buena. - Recuerda que estamos en directo cada viernes a las 11.30h sintonizando en tu radio el dial 97.4 si estás en Málaga y en la web de Canal Málaga: www.canalmalaga.es --> Síguenos en Facebook e Instagram: @lafarandulaenpodcast_ - La Farándula es un programa de radio para Canal Málaga, creado, dirigido y presentado por Laura Río.

学医orY医护采票们，节日快乐~~本期分享学医的糗事~【参与节目互动】留言区留言 【文字版、投稿】公众号：采采

学医orY医护采票们，节日快乐~~本期分享学医的糗事~【参与节目互动】留言区留言 【文字版、投稿】公众号：采采

学医orY医护采票们，节日快乐~~本期分享学医的糗事~【参与节目互动】留言区留言 【文字版、投稿】公众号：采采

They say never waste a good crisis. And while COVID-19 has had a horrible, crippling effect on individuals and economies alike, if there's one positive to the pandemic, perhaps it's that it's compelling and facilitating partnerships to serve the greater good; to bring people together to solve problems that have already existed, but that now have been brought even further to the fore. In this episode, we talk to entrepreneurs who have solved and are solving problems through crisis-induced collaboration.1:52 - We take a look back at a prior crisis-induced collaboration with Ory Okolloh, a Co-founder of Ushahidi, a digital and data mapping platform built in response to post-election violence in Kenya in 2008. 6:23 - Today, the Kenyan tech ecosystem is collaborating on a COVID-19-induced initiative, Safe Hands Kenya. We hear from Peter Njonjo, Co-founder and CEO of Twiga Foods, which is repurposing its existing technology and logistics infrastructure to get essential good in the hands of at-risk Kenyans. 9:06 - Safe Hands Kenya is a community-wide collaboration of both partners and competitors. Sokowatch Kenya CEO Angela Nzioki shares her perspective on the partnership approach, and both Angela and Peter discuss the impact for their respective businesses. 13:01 - Is this period an opportunity to take things even one step further, asks Ory Okolloh.  14:42 - My b-mic, Sayo Folawiyo, and I share our thoughts on this episode and the insights from Ory, Peter and Angela.