Podcast appearances and mentions of giovanni paisiello

La Scuola napoletanaAlessandro Scarlatti (1660-1725) - Concerto grosso No. 1 in fa minore per due violini, archi, e continuo 1. Grave2. Allegro3. Largo4. Allemande [Allegro]Orchestra Europa GalanteFabio Biondi, direttore---------------------------------------Nicola Porpora (1686-1766) -  Salve ReginaI. Salve regina (Adagio)II. Ad te clamamus (Allegretto)III. Ad te suspiramus (Adagio)IV. Eia ergo (Allegro)V. Illos tuos misericordes (Adagio)VI. O clemens (Affettuoso)Orchestre Nationale de FranceElīna Garanča, mezzosopranoRiccardo Muti, direttore-----------------------------------Niccolò Jommelli (1714-1774) - Sinfonia in Sol MaggioreI. AllegroII. LargoIII. Allegro assaiMünchener KammerorchesterKarl-Heinz Schickhaus, salterioHans Stadlmair, direttore-------------------------------------Giovanni Paisiello (1740-1816) - Concerto in mi bemolle maggiore per mandolino e orchestra 1. Allegro Maestoso 2.  Larghetto 3. AllegrettoI Solisti VenetiUgo Orlandi, mandolino Claudio Scimone, direttore ---------------------------------------Domenico Cimarosa (1749-1801) - Concerto per Oboe in do minore1. Introduzione - Larghetto2. Allegro3. Siciliana4. Allegro giustoGrand Orchestre de Radio-Télé-LuxembourgNorbert Mattern, oboeLouis De Froment, direttore -------------------------------Domenico Cimarosa (1749-1801) - Inno della Repubblica PartenopeaL' "Inno della Repubblica Partenopea" fu composto da Cimarosa nel 1799 per l'amata terra.

durée : 00:25:02 - Musicopolis - par : Anne-Charlotte Rémond - Après la Révolution, Bonaparte rétablit la place de la religion catholique en France et s'engage à trouver les meilleurs musiciens pour intégrer sa Chapelle consulaire. Pour le poste de Maitre de Chapelle, c'est le compositeur Giovanni Paisiello qu'il débauche auprès du Roi Ferdinand IV de Naples - réalisé par : Philippe Petit

durée : 00:25:13 - Paisiello, le Barbier de Séville - par : Anne-Charlotte Rémond - Le Petit Ermitage. C'est là que l'impératrice Catherine II de Russie se plaît à se retirer avec quelques proches pour son divertissement après une journée de travail. Ce soir, elle se réjouit, sans doute, d'assister à la première du nouvel opéra de son maestro di cappella : Giovanni Paisiello. - réalisé par : Philippe Petit

Alessandro Scarlatti (1660-1725) - Concerto grosso No. 1 in fa minore per due violini, archi, e continuo 1. Grave2. Allegro3. Largo4. Allemande [Allegro]Orchestra Europa GalanteFabio Biondi, direttore---------------------------------------Nicola Porpora (1686-1766) -  Salve ReginaI. Salve regina (Adagio)II. Ad te clamamus (Allegretto)III. Ad te suspiramus (Adagio)IV. Eia ergo (Allegro)V. Illos tuos misericordes (Adagio)VI. O clemens (Affettuoso)Orchestre Nationale de FranceElīna Garanča, mezzosopranoRiccardo Muti, direttore-----------------------------------Niccolò Jommelli (1714-1774) - Sinfonia in Sol MaggioreI. AllegroII. LargoIII. Allegro assaiMünchener KammerorchesterKarl-Heinz Schickhaus, salterioHans Stadlmair, direttore-------------------------------------Giovanni Paisiello (1740-1816) - Concerto in mi bemolle maggiore per mandolino e orchestra 1. Allegro Maestoso 2.  Larghetto 3. AllegrettoI Solisti Veneti , direttore : Ugo Orlandi, mandolino Claudio Scimone, direttore ---------------------------------------Domenico Cimarosa (1749-1801) - Concerto per Oboe in do minore1. Introduzione - Larghetto2. Allegro3. Siciliana4. Allegro giustoGrand Orchestre de Radio-Télé-LuxembourgNorbert Mattern, oboeLouis De Froment, direttore -------------------------------Domenico Cimarosa (1749-1801) - Inno della Repubblica PartenopeaL' "Inno della Repubblica Partenopea" fu composto da Cimarosa nel 1799 per l'amata terra.

Un día como hoy, 5 de junio: Nace: 1599: Diego Velázquez, pintor español (f. 1660). 1898: Federico García Lorca, poeta y dramaturgo español (f. 1936). 1898: Salvatore Ferragamo, diseñador italiano de calzado (f. 1960). 1941: Martha Argerich, pianista argentina. Fallece: 1625: Orlando Gibbons, compositor británico (n. 1583). 1816: Giovanni Paisiello, compositor italiano (n. 1740). Conducido por Joel Almaguer. Una producción de Sala Prisma Podcast. 2023

Un día como hoy, 9 de mayo: Nace: 1740: Giovanni Paisiello, compositor italiano (f. 1816). 1833: Frédéric Borgella, pintor francés (f. 1901). 1860: James Matthew Barrie, novelista y dramaturgo escocés, creador del personaje de Peter Pan (f. 1937). 1883: José Ortega y Gasset, filósofo español (f. 1955). 1949: Billy Joel, músico estadounidense 1955: Anne-Sofie von Otter, mezzosoprano sueca. Fallece: 1707: Dietrich Buxtehude, compositor alemán (n. 1637). 1805: Friedrich Schiller, historiador y poeta alemán (n. 1759). 1903: Paul Gauguin (54), pintor postimpresionista francés (n. 1848). Conducido por Joel Almaguer. Una producción de Sala Prisma Podcast. 2023

In deze uitzending krijgt u heel divers luistermateriaal uit de concertzaal, de kerk, de opera en de filmwereld; met op de muzikale dis werken van Michael Lorenc, Giovanni Paisiello, Georg Friedrich Haendel, Piëtro Mascagni, Francesco Manfredini, Frank Pourcell, Ciarân Brennan en Mike Batt in een bonte afwisseling van religieuze vocale, concertante instrumentale, filmische en operamuziek. Sommige componisten zal u ontdekken, anderen zijn u al vertrouwd.

Gioachino Antonio Rossini was Born 29 February 1792, Died 13 November 1868, was an Italian composer who gained fame for his 39 operas. He also wrote many songs, some chamber music , piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity. Born in Pesaro to parents who were both musicians. His father was a trumpeter and his mother a singer. Rossini began to compose by the age of 12 and was educated at music school in Bologna. His first opera was performed in Venice in 1810 when he was 18 years old. In 1815 he was engaged to write operas and manage theatres in Naples. In the period 1810–1823 he wrote 34 operas for the Italian stage that were performed in Venice, Milan, Ferrara, Naples and elsewhere. His productivity necessitated an almost formulaic approach for some components , such as overtures and a certain amount of self-borrowing. During this period he produced his most popular works, including the comic operas L'italiana in Algeri, Il barbiere di Siviglia (known in English as The Barber of Seville) and La Cenerentola. His works of this period brought to a peak the opera buffa tradition he inherited from masters such as Domenico Cimarosa and Giovanni Paisiello. He also composed opera seria works such as Otello, Tancredi and Semiramide. All of these attracted admiration for their innovation in melody, harmonic and instrumental colour, and dramatic form. In 1824 he was contracted by the Opéra in Paris, for which he produced an opera to celebrate the coronation of Charles X, Il viaggio a Reims , later cannibalised for his first opera in French, Le comte Ory. Revisions of two of his Italian operas, Le siège de Corinthe and Moïse, and in 1829 his last opera, Guillaume Tell. Rossini's withdrawal from opera for the last 40 years of his life has never been fully explained. Contributary factors may have been ill-health, the wealth his success had brought him, and the rise of spectacular grand opera under composers such as Giacomo Meyerbeer. . In the early 1830s to 1855, when he left Paris and was based in Bologna, Rossini wrote relatively little. On his return to Paris in 1855 he became renowned for his musical salons on Saturdays. Regularly attended by musicians and the artistic and fashionable circles of Paris. for which he wrote the entertaining pieces Péchés de vieillesse. Guests included Franz Liszt, Anton Rubinstein, Giuseppe Verdi, Meyerbeer and Joseph Joachim. Rossini's last major composition was his Petite messe solennelle (1863). He died in Paris in 1868.

Un día como hoy, 5 de junio: Nace: 1599: Diego Velázquez, pintor español (f. 1660). 1898: Federico García Lorca, poeta y dramaturgo español (f. 1936). 1898: Salvatore Ferragamo, diseñador italiano de calzado (f. 1960). 1941: Martha Argerich, pianista argentina. Fallece: 1625: Orlando Gibbons, compositor británico (n. 1583). 1816: Giovanni Paisiello, compositor italiano (n. 1740). Una producción de Sala Prisma Podcast. 2021

“Dietro le quinte del patrimonio”GIOVANNA TINARO, Archivio Storico e Museo MeMUS della Fondazione Teatro di San CarloIl patrimonio “dietro le quinte”: storia e storie dell'archivio storico del San Carlo, dall'attività di recupero e valorizzazione, attraverso i progetti e gli interventi di inventariazione e digitalizzazione, alla divulgazione di una memoria viva che si rigenera nel rapporto con la comunità, attraverso lo spazio espositivo e la musealizzazione dei beni. Un patrimonio di storie che si attivano nel processo di narrazione del museo, perché MeMUS nasce come luogo di dialogo e in questa direzione ha orientato la sua programmazione culturale. Fin dalla sua nascita: nel 2011. Estratti musicali:“Achille in Sciro” | Domenico Sarro, Sinfonia dall'opera (rev. critica Ivano Caiazza), registrazione effettuata presso il Teatro di San Carlo, settembre 2016 - “La traviata” | Giuseppe Verdi, Teatro di San Carlo, stagione lirica 1969-1970 – “XII Divertimenti” | Giovanni Paisiello – I Fiati del Teatro di San Carlo, marzo 2010 - “Socrate immaginario” | Giovanni Paisiello, IV Autunno Musicale Napoletano in collaborazione con la RAI di Napoli, registrazione effettuata dal vivo al Teatro di Corte del Palazzo Reale di Napoli, 1961 – “La serva padrona” | Giovanni Battista Pergolesi, “Un'Estate da Re” - Aperia della Reggia di Caserta, reg. dal vivo giugno 2017 - “Il marito disperato” | Domenico Cimarosa, Teatro di San Carlo, Estate Musicale 2003 – “Lucia di Lammermoor” | Gaetano Donizetti, Teatro di San Carlo, Stagione Lirica 1955-1956 – “Mosè in Egitto” | Gioachino Rossini, Teatro di San Carlo, stagione lirica 2017-2018, in occasione delle Celebrazioni Rossiniane 2018

Synopsis Some classical music snobs look down their nose at film scores, considering them less “serious” than “art” music written for the concert hall. Aaron Copland, for one, deplored this attitude. He admired the work of composers like Bernard Herrmann, Alex North, David Raksin, and Elmer Bernstein, whose successful Hollywood careers earned them financial rewards on the West Coast, if not the respect of the snootier East Coast music critics. Copland himself had spent some time in Hollywood, and knew what was involved in completing a film score on time AND on budget. On today’s date in 1940, at Grauman’s Chinese Theater in Hollywood, the press was invited to a special preview showing of a new film version of Thornton Wilder’s popular stage play “Our Town.” To match Thornton Wilder’s nostalgic play about American life in Grover’s Corners, New Hampshire, Copland’s score employed harmonies suggestive of old New England church hymns. For once, audiences AND the critics were impressed, and Copland quickly arranged an “Our Town” concert suite, which premiered on a CBS Radio broadcast in June of 1940, and reworked this suite for its first public performance by the Boston Pops and Leonard Bernstein in May of 1944. Music Played in Today's Program Aaron Copland (1900 – 1990) Our Town Suite Saint Louis Symphony; Leonard Slatkin, cond. BMG 61699 On This Day Births 1740 - Italian composer Giovanni Paisiello, in Roccaforzata, near Taranto; 1814 - German pianist and composer Adolph von Henselt, in Schwabach,Bavaria; Deaths 1707 - German organist and composer Dietrich Buxtehunde, age c. 70, in Lübeck; 1770 - (on May 9 or 10) English composer, conductor and writer on music Charles Avison, age 61, in Newcastle upon Tyne ; 1791 - American statesman and songwriter Francis Hopkinson, age 53, in Philadelphia; He was one of the signers of the Declaration of Independence, and dedicated a book of his songs to George Washington; 1799 - French composer Claude Balbastre, age c. 72, in Paris; Premieres 1812 - Rossini's opera "La Scala di seta" (The Silken Ladder), in Venice; 1868 - Bruckner: Symphony No. 1, in Linz, composer conducting; 1893 - Rachmaninoff: opera "Aleko," in Moscow at the Bolshoi Theater (Julian date: April 27); 1924 - R. Strauss: ballet "Schlagobers" (Whipped Cream), in Vienna; 1940 - The film "Our Town" opens in Hollywood at Grauman's Chinese Theater; The film was based on the play of the same name by Thorton Wilder, and featured a filmscore by Aaron Copland; Copland arranged a suite of music from his filmscore, which premiered on CBS Radio on June 9, 1940; A revised version of the suite was given its first public performance by the Boston Pops conducted by Leonard Bernstein on May 7, 1944; 1981 - Christopher Rouse: "The Infernal Machine" for orchestra (Movement II of Rouse's "Phantasmata"), at the Evian Festival, France, by the University of Michigan Symphony Orchestra, Gustav Meier conducting; 1986 - Ellen Taaffe Zwilich: "Concerto Grosso" (after Handel's Sonata in D), by the Handel Festival Orchestra of Washington, Stephen Simon conducting; 1988 - Bernstein: "Arias and Barcarolles," at Equitable Center Auditorium in New York City, by vocalists Louise Edeiken, JoyceCastle, John Brandstetter, and Mordechai Kaston, with the composer and Michael Tilson Thomas at the piano; An orchestrated version of this work prepared by Bright Sheng premiered on September 22, 1989, at the Tilles Center of Long Island University with the New York Chamber Symphony conducted by Gerard Schwarz and featuring vocalists Susan Graham and Kurt Ollmann; 1990 - John Harbison: "Words from Patterson" (to texts by William Carlos Williams), at the Kennedy Center in Washington, D.C., with baritone William Sharp and the members of the New Jersey Chamber Music Society; 1998 - John Tavener: "Wake Up and Die," for solo cello and orchestral cello section, at the Beauvais Cello Festival in Beavais , France; 1999 - Zwillich: "Upbeat!" by National Symphony, Anthony Aibel conducting; Others 1863 - American premiere of Berlioz's "Harold in Italy," by the Theodore Thomas Orchestra in New York. Links and Resources On the film "Our Town" The Copland Collection at the Library of Congress

Synopsis Some classical music snobs look down their nose at film scores, considering them less “serious” than “art” music written for the concert hall. Aaron Copland, for one, deplored this attitude. He admired the work of composers like Bernard Herrmann, Alex North, David Raksin, and Elmer Bernstein, whose successful Hollywood careers earned them financial rewards on the West Coast, if not the respect of the snootier East Coast music critics. Copland himself had spent some time in Hollywood, and knew what was involved in completing a film score on time AND on budget. On today’s date in 1940, at Grauman’s Chinese Theater in Hollywood, the press was invited to a special preview showing of a new film version of Thornton Wilder’s popular stage play “Our Town.” To match Thornton Wilder’s nostalgic play about American life in Grover’s Corners, New Hampshire, Copland’s score employed harmonies suggestive of old New England church hymns. For once, audiences AND the critics were impressed, and Copland quickly arranged an “Our Town” concert suite, which premiered on a CBS Radio broadcast in June of 1940, and reworked this suite for its first public performance by the Boston Pops and Leonard Bernstein in May of 1944. Music Played in Today's Program Aaron Copland (1900 – 1990) Our Town Suite Saint Louis Symphony; Leonard Slatkin, cond. BMG 61699 On This Day Births 1740 - Italian composer Giovanni Paisiello, in Roccaforzata, near Taranto; 1814 - German pianist and composer Adolph von Henselt, in Schwabach,Bavaria; Deaths 1707 - German organist and composer Dietrich Buxtehunde, age c. 70, in Lübeck; 1770 - (on May 9 or 10) English composer, conductor and writer on music Charles Avison, age 61, in Newcastle upon Tyne ; 1791 - American statesman and songwriter Francis Hopkinson, age 53, in Philadelphia; He was one of the signers of the Declaration of Independence, and dedicated a book of his songs to George Washington; 1799 - French composer Claude Balbastre, age c. 72, in Paris; Premieres 1812 - Rossini's opera "La Scala di seta" (The Silken Ladder), in Venice; 1868 - Bruckner: Symphony No. 1, in Linz, composer conducting; 1893 - Rachmaninoff: opera "Aleko," in Moscow at the Bolshoi Theater (Julian date: April 27); 1924 - R. Strauss: ballet "Schlagobers" (Whipped Cream), in Vienna; 1940 - The film "Our Town" opens in Hollywood at Grauman's Chinese Theater; The film was based on the play of the same name by Thorton Wilder, and featured a filmscore by Aaron Copland; Copland arranged a suite of music from his filmscore, which premiered on CBS Radio on June 9, 1940; A revised version of the suite was given its first public performance by the Boston Pops conducted by Leonard Bernstein on May 7, 1944; 1981 - Christopher Rouse: "The Infernal Machine" for orchestra (Movement II of Rouse's "Phantasmata"), at the Evian Festival, France, by the University of Michigan Symphony Orchestra, Gustav Meier conducting; 1986 - Ellen Taaffe Zwilich: "Concerto Grosso" (after Handel's Sonata in D), by the Handel Festival Orchestra of Washington, Stephen Simon conducting; 1988 - Bernstein: "Arias and Barcarolles," at Equitable Center Auditorium in New York City, by vocalists Louise Edeiken, JoyceCastle, John Brandstetter, and Mordechai Kaston, with the composer and Michael Tilson Thomas at the piano; An orchestrated version of this work prepared by Bright Sheng premiered on September 22, 1989, at the Tilles Center of Long Island University with the New York Chamber Symphony conducted by Gerard Schwarz and featuring vocalists Susan Graham and Kurt Ollmann; 1990 - John Harbison: "Words from Patterson" (to texts by William Carlos Williams), at the Kennedy Center in Washington, D.C., with baritone William Sharp and the members of the New Jersey Chamber Music Society; 1998 - John Tavener: "Wake Up and Die," for solo cello and orchestral cello section, at the Beauvais Cello Festival in Beavais , France; 1999 - Zwillich: "Upbeat!" by National Symphony, Anthony Aibel conducting; Others 1863 - American premiere of Berlioz's "Harold in Italy," by the Theodore Thomas Orchestra in New York. Links and Resources On the film "Our Town" The Copland Collection at the Library of Congress

Un día como hoy, 9 de mayo: Nace: 1740: Giovanni Paisiello, compositor italiano (f. 1816). 1833: Frédéric Borgella, pintor francés (f. 1901). 1860: James Matthew Barrie, novelista y dramaturgo escocés, creador del personaje de Peter Pan (f. 1937). 1883: José Ortega y Gasset, filósofo español (f. 1955). 1949: Billy Joel, músico estadounidense 1955: Anne-Sofie von Otter, mezzosoprano sueca. Fallece: 1707: Dietrich Buxtehude, compositor alemán (n. 1637). 1805: Friedrich Schiller, historiador y poeta alemán (n. 1759). 1903: Paul Gauguin (54), pintor postimpresionista francés (n. 1848). Una producción de Sala Prisma Podcast. 2021

“Una reggia, due teatri: la musica nel Palazzo del Re”MARIO EPIFANI, Direttore del nuovo museo autonomo del Palazzo Reale di Napoli Una sapiente narrazione della storia del Palazzo sul filo delle musiche che l'hanno accompagnata: il racconto di Mario Epifani guida il visitatore in un itinerario attraverso le sale, i giardini e i cortili, descrive gli spazi e gli oggetti, indaga il rapporto tra arti figurative e musica, regalando all'ascoltatore atmosfere e ambientazioni di epoca borbonica, al tempo in cui il Real Teatro di San Carlo viene inaugurato proprio da Re Carlo di Borbone, scandito dalle Feste Teatrali e dalla scena vivace del Teatro di Corte, palcoscenico privilegiato dell'opera buffa e del Settecento napoletano. “Il Palazzo è tutto un'immensa scenografia urbana nel cuore della città - racconta Epifani - e fu il centro del potere a Napoli dal tempo dei Viceré fino alla fine della monarchia del Regno d'Italia con i Savoia...Il Teatro è una dimensione naturale di questo Palazzo: all'interno del complesso si trova infatti un Teatro…che è ancora parte integrante di questo complesso ma si rivolge alla città. Un Teatro “pubblico” di origine reale”.Estratti musicali:“Achille in Sciro” | Domenico Sarro, Sinfonia dall'opera (revisione critica e direzione d'orchestra Ivano Caiazza), registrazione effettuata presso il Teatro di San Carlo, settembre 2016 - “Zenobia in Palmira” | Giovanni Paisiello (direttore Francesco Ommassini - revisione dall'autografo di Ivano Caiazza), registrazione effettuata dal vivo al Teatro di Corte del Palazzo Reale di Napoli, maggio 2016 – “Il Flaminio” | Giovan Battista Pergolesi (direttore Salvatore Accardo - regia Roberto De Simone – revisione sull'autografo di Marcello Panni), Teatro di San Carlo, 1993 - “Socrate immaginario” | Giovanni Paisiello (direttore Franco Caracciolo - regia Corrado Pavolini – revisione di Gian Francesco Malipiero), IV Autunno Musicale Napoletano in collaborazione con la RAI di Napoli, registrazione effettuata dal vivo al Teatro di Corte del Palazzo Reale di Napoli, 1961

Why We Should Expose Our Kids To Classical Music https://ourtownlive.net #herbw79The William Tell Overture was written to open an opera by Gioachino Rossini. The opera is based on a legend about the Swiss hero William Tell. According to the legend, William Tell was an expert with a bow and arrow who shot an apple off his son's head.Gioachino Antonio Rossin (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity.Born in Pesaro to parents who were both musicians (his father a trumpeter, his mother a singer), Rossini began to compose by the age of 12 and was educated at music school in Bologna. His first opera was performed in Venice in 1810 when he was 18 years old. In 1815 he was engaged to write operas and manage theatres in Naples. In the period 1810–1823 he wrote 34 operas for the Italian stage that were performed in Venice, Milan, Ferrara, Naples and elsewhere; this productivity necessitated an almost formulaic approach for some components (such as overtures) and a certain amount of self-borrowing. During this period he produced his most popular works including the comic operas L'italiana in Algeri, Il barbiere di Siviglia (known in English as The Barber of Seville) and La Cenerentola, which brought to a peak the opera buffa tradition he inherited from masters such as Domenico Cimarosa and Giovanni Paisiello. He also composed opera seria works such as Otello, Tancredi and Semiramide. All of these attracted admiration for their innovation in melody, harmonic and instrumental colour, and dramatic form. In 1824 he was contracted by the Opéra in Paris, for which he produced an opera to celebrate the coronation of Charles X, Il viaggio a Reims (later cannibalised for his first opera in French, Le comte Ory), revisions of two of his Italian operas, Le siège de Corinthe and Moïse, and in 1829 his last opera, Guillaume Tell.

“Il lavoro che crea la magia”GIUSI GIUSTINO, Direttore della Sartoria del Teatro di San CarloLa sartoria e la magia del teatro nel racconto di un mestiere antico, che rimanda ad una tradizione di eccellenza nel segno di un'antica bottega artigiana. Qui è dove le stoffe danno forma ad un personaggio immaginario e dove, al tempo stesso, per anni ed anni sono stati conservati i bozzetti e i figurini degli allestimenti più significativi del Novecento. Questo è il luogo in cui prende vita il racconto del patrimonio dei costumi del Teatro di San Carlo.Estratti musicali:“Aida” | Giuseppe Verdi, 2013, Inaugurazione Stagione 2013-2014, Teatro di San Carlo – Notturno n. 1 op.70 | Giuseppe Martucci, 2020, Teatro di San Carlo - “Ermione” | Gioachino Rossini, 2019, Teatro di San Carlo – “La bohème” | Giacomo Puccini, 2004, Teatro di San Carlo - “Socrate immaginario” | Giovanni Paisiello, 1961 - IV Autunno Musicale Napoletano (in collaborazione con la RAI di Napoli), Teatro di Corte, Palazzo Reale di Napoli

"Un patrimonio che risuona". Dinko Fabris, Responsabile scientifico del Dipartimento di ricerca, editoria, comunicazione, Archivio Storico e MeMUS del Teatro di San Carlo.Un patrimonio che risuona: come coniugare un patrimonio storico-artistico variegato e multiforme con la contemporaneità per costruire un rapporto attivo con la città. Le sfide per il futuro del Dipartimento di Ricerca editoria comunicazione che ingloba anche l'Archivio storico e il museo MeMUS del Teatro. Il MeMUS, struttura museale innovativa, costituirà la sede privilegiata per raccontare la storia del Teatro, come se fosse la centrale di emissione di una Radio Teatro di San Carlo che abbatte le barriere del tempo; sede delle memorie storiche provenienti dal patrimonio di tre secoli di storia del Teatro napoletano, fulcro di attività di studio e di formazione, ma anche motore di ricerca di nuovi linguaggi capaci di generare valori condivisi con la comunità, attraverso una fruizione attiva del patrimonio museale.Estratti musicali:"Socrate immaginario" | Giovanni Paisiello, 1961 - IV Autunno Musicale Napoletano (in collaborazione con la RAI di Napoli). Teatro di Corte, Palazzo reale, Napoli - 29 settembre 1961 (registrazione live, Archivio Storico del Teatro di San Carlo, pubblicata in Ascoltando il San Carlo, progetto a cura della Fondazione Teatro di San Carlo-MeMUS, 2015)

Rachel Cowgill interviews Robert Crowe about his work as a male soprano and research on Giovanni Battista Velluti, the last operatic castrato. Robert and Rachel discuss the differences between the castrato, countertenor, and male soprano voices, how the public reacted to Velluti in nineteenth-century London, and what it means to be an artist at the end of an era. This episode features extracts from Robert's award-winning CD, 'The Romantic Castrato' (Toccata Classics, 2020), on which he sings music from Velluti's repertoire. Clip 1: ‘Eco o numi' from Carlo Magno by Giuseppe Nicolini. Clip 2: ‘Nel cor più non mi sento' from La Molinara by Giovanni Paisiello. Clip 3: ‘Ah can I think of days gone by?' by Thomas Welsh. Thanks to Martin Anderson and David Weuste for generously allowing us to play these tracks. You can stream 'The Romatic Castrato' or buy it here: https://toccataclassics.com/product/the-romantic-castrato/ Rachel Cowgill's profile: https://www.york.ac.uk/music/staff/academic/rachelcowgill/ Robert Crowe's website: https://www.robertcrowe.com/ Bent Notes is produced by the LGBTQ+ Music Study Group: https://www.lgbtqmusicstudygroup.com/

A cura di Massimiliano SamsaAlessandro Scarlatti (1660-1725) - Concerto grosso No. 1 in fa minore per due violini, archi, e continuo 1. Grave2. Allegro3. Largo4. Allemande [Allegro]Orchestra Europa GalanteFabio Biondi, direttore---------------------------------------Nicola Porpora (1686-1766) - Salve ReginaI. Salve regina (Adagio)II. Ad te clamamus (Allegretto)III. Ad te suspiramus (Adagio)IV. Eia ergo (Allegro)V. Illos tuos misericordes (Adagio)VI. O clemens (Affettuoso)Orchestre Nationale de FranceElīna Garanča, mezzosopranoRiccardo Muti, direttore-----------------------------------Niccolò Jommelli (1714-1774) - Sinfonia in Sol MaggioreI. AllegroII. LargoIII. Allegro assaiMünchener KammerorchesterKarl-Heinz Schickhaus, salterioHans Stadlmair, direttore-------------------------------------Giovanni Paisiello (1740-1816) - Concerto in mi bemolle maggiore per mandolino e orchestra 1. Allegro Maestoso 2. Larghetto 3. AllegrettoI Solisti Veneti , direttore : Ugo Orlandi, mandolino Claudio Scimone, direttore---------------------------------------Domenico Cimarosa (1749-1801) - Concerto per Oboe in do minore1. Introduzione - Larghetto2. Allegro3. Siciliana4. Allegro giustoGrand Orchestre de Radio-Télé-LuxembourgNorbert Mattern, oboeLouis De Froment, direttore-------------------------------Domenico Cimarosa (1749-1801) - Inno della Repubblica PartenopeaL' "Inno della Repubblica Partenopea" fu composto da Cimarosa nel 1799 per l'amata terra.

I'm thrilled to introduce my guest today, Harpischordist and Organist Professor Nicoleta Paraschivescu! She teaches the organ at the Academy of Music in Basel (AMS) and is organist at the church of St. Theodor in Basel.  In 2015 she received her PhD from the University of Leiden for her doctoral dissertation about Giovanni Paisiello's Partimenti. She was awarded the hibou-Stiftung Prize in 2016 in recognition of her outstanding research on partimenti. She is an expert in partimento realization and has contributed to partimento research. Her latest album is Partimenti napolitani, featuring her realizations of the partimenti of Paisiello, Durante and Doll. ----- 0:57 When did you start playing the keyboard? 2:42 Do you have Absolute or Perfect Pitch? 2:52 Did you take lessons from the age of 6 all the way to university? 4:14 Did you always improvise in your life? 5:43 What year did you discover partimento? 7:00 How did you teach yourself to realize this music authentically? 8:58 How did you come to choose Giovanni Paisiello as your main focus? 10:25 Paisiello's high profile professional career 12:38 On Catherine the Great not being really a great lover of music 14:02 Do we have alot of documentation on Paisiello's life? 16:00 The amazing discovery of a 2nd book of partimenti by Paisiello 18:13 Paisiello's use of partimenti as counterpoint exercises 21:07 Partimenti as genre types 21:46 What did you mean by the bass line needing to be filled out? 24:25 Does the counterpoint notebook by Talleyrand have evidence of Paisiello himself correcting or giving model answers? 26:52 How extensively were intavolature used at the Neapolitan conservatories? 29:38 On the contrapuntal “mistakes” in the intavolature? 31:13 How should someone start learning partimento? 33:05 What's good collection of partimenti for beginners? 36:33 What are some common mistakes that you've found students make when learning partimento? 37:59 How has been the reaction to your development in improvisation and partimento in the classical world? 41:29 What's the difference in popularity of partimento today vs when you discovered? 42:48 On her album “Partimento napolitani” 44:31 What is your realization style? 46:28 What's the best way to learn counterpoint? 47:36 On her recordings of Marianna Martines' music 49:18 Can you give recommendations of good music that people can listen to 50:59 If you could change music education, how would you change it? 53:37 Do you find that you look at modern music differently now with your partimento training? 56:01 Do you have any use for roman numerals or harmonic functions? 57:22 So you don't really use roman numerals? 58:14 Wrapping Up

con Luca Damiani

con Luca Damiani

durée : 00:25:13 - Paisiello, le Barbier de Séville - par : Anne-Charlotte Rémond - Le Petit Ermitage. C'est là que l'impératrice Catherine II de Russie se plaît à se retirer avec quelques proches pour son divertissement après une journée de travail. Ce soir, elle se réjouit, sans doute, d'assister à la première du nouvel opéra de son maestro di cappella : Giovanni Paisiello. - réalisé par : Philippe Petit

Si torna a parlare di Fil e Daniele Gatti a Milano, della "Missa defunctorum" di Giovanni Paisiello con Riccardo Muti..a Pavia. Intervista ad Harvey Sachs sulla biografia "Toscanini" (il Saggiatore).

Si torna a parlare di Fil e Daniele Gatti a Milano, della "Missa defunctorum" di Giovanni Paisiello con Riccardo Muti..a Pavia. Intervista ad Harvey Sachs sulla biografia "Toscanini" (il Saggiatore).

Si torna a parlare di Fil e Daniele Gatti a Milano, della "Missa defunctorum" di Giovanni Paisiello con Riccardo Muti..a Pavia. Intervista ad Harvey Sachs sulla biografia "Toscanini" (il Saggiatore).

Hur påverkar romsk folkmusik den klassiska musiken och vice versa? Hur skildrar operorna romer? Franske gitarristen Django Reinhardt spelar ett tema ur Tjajkovskijs sjätte symfoni, Pathetique.Ungerske tonsättaren Franz Liszt komponerade Ungerska Rapsodier.Violinisten och tonsättaren Sándor Déki Lakatos komponerade Hommage a Franz Liszt.Ungerske violinisten Roby Lakatos spelar Ungersk Rapsodi Nr 2 av Franz Liszt och Ave Maria, tonsatt av Ilia II, den nuvarande patriarken för kyrkan i Georgien.Tyske tonsättaren Ludwig van Beethoven komponerade ett Rondo i "zigenarstil" i G-dur, Opus 129.Tjeckiska violinisten och sångerskan Iva Bittová spelar Bela Bartoks 44 Duetter för två violiner och Obrázek milého av Leos Janáek.Ungerske pianisten Robert Lakatos improviserar en kadens i Mozarts Pianokonsert nr 21.Spanske violinisten och tonsättaren Pablo Sarasate komponerade Zigeunerweisen. Rumänske violinisten Ion Voicu spelar den vackraste versionen av Zigeunerweisen.Tjeckiske tonsättaren Antonín Dvoák komponerade Zigeunermelodien Op.55.Österrikiske tonsättaren Joseph Haydn komponerade en sats i sin Piano Trio No. 39 i "Zigenarstil".Ungerske Kálmán Balogh spelar en långsam Czárdás på cimbalom.Italienske tonsättaren Giovanni Paisiello skrev den komiska operan I zingari in fiera.Ryske tonsättaren och pianisten Sergej Rachmaninov komponerade operan Aleko. Aleko lever med romer och utvecklas i operan till en svartsjuk mördare.Franske tonsättaren George Bizets opera Carmen är en fantasi om zigenare, det vill säga romer, och den romska kulturen har ofta fått representera det mystiska, erotiska och farliga i den västerländska konsten.Italienska tonsättaren Verdis opera Trubaduren skildrar en romsk kvinna, Azucena, som stjäl ett barn och tänker bränna upp det på bål.Brittiske operakompositören Michael William Balf skrev The Bohemian Girl eller Zigenerskan. Ännu en opera där romer spelar en kriminell och moraliskt förkastlig roll.Svenske tonsättaren Gunnar de Frumerie komponerade operan Singoalla. Om Singoalla-gestalten har det skrivits att porträttet av henne förenar en naiv och oskuldsfull sensualitet med en asocial och förbjuden erotik.Låtlista: 12:03 Esperanza Fernandez, David Pena - Djelem Djelem 12:05 Roby Lakatos - Ungersk Rapsodi Nr 2 (Arr) 12:09 Sándor Déki Lakatos & His Gypsy Band - Hommage À Franz Liszt 12:11 Iva Bittová - A Fair Tale 12:14 Iva Bittová - Teasing Song 12:17 Iva Bittova, Sång. Skampa Quartet - Obrázek Milého 12:17 Quintette Du Hot Club De France, - Medlemmar, Django Reinhardt, Stephane Grappelly, Gianni Safred, Carlo Pecori, Aurelio De Carolis, Quintette Du Hot Club De France - Symfoni Nr 6 H-Moll Op 74: Sats 1, Adagio. Allegro Non Troppo (Arr) 12:20 Jevgenij Kisin - Rondo A Capriccio För Piano Op 129 G-Dur 12:24 Ion Voicu, Heinz Bongartz, Dresdner Philharmonie - Zigeunerweisen (Op 20:1) 12:28 Magdalena Kozena, Malcolm Martineau - Ciganske Melodie (Op 55): Nr 4, Kdyz Mne Stara Matka Zpivat 12:31 Ciganski Diabli - Trio För Piano, Violin & Violoncell Hv Xv:25 G-Dur: Sats 3, Rondo All'Ongarese (Arr) 12:34 Kálmán Balogh - Mezosegi Ciganytanc Es Lassu Csardas 12:37 Robert Lakatos - Piano Concerto No. 20 In D Minor 12:42 Robert Lakatos - Piano Concerto No. 20 In D Minor 12:45 Cecilia Bartoli, György Fischer - I Zingari In Fiera: Chi Vuol La Zingarella 12:48 Joan Sutherland, Richard Bonynge, London Symphony Orchestra - The Bohemian Girl: Akt 2, "I Dreamt I Dwelt In Marble Halls" 12:51 Vladimir Grisjko, Volodymyr Sirenko, Ukrainska Radions Symfoniorkester (Kiev) - Aleko: Nr 12, "Vzgljani Pod Udaljonnym Svodom" 12:53 Yuri Ahronovitch, Stockholms Filharmoniska Orkester, Lasse Bergström, Anne Sofie Von Otter, Catharina Olsson, Inger Blom, Björn Haugan, Anders (1) Andersson, Per-Arne Wahlgren, Erik Saedén, Stig Tyskl - Singoalla 12:56 Roby Lakatos Gabriel Laufer Dominique Corbiau Bryssels Chamber Orchestra - Ave Maria

Klassisk musik och romer. Hur påverkar romsk folkmusik den klassiska musiken och vice versa? Hur skildrar operorna romer? Fjärde programmet av fem av Birgitta Tollan. Franske gitarristen Django Reinhardt spelar ett tema ur Tjajkovskijs sjätte symfoni, Pathetique. Ungerske tonsättaren Franz Liszt komponerade Ungerska Rapsodier. Violinisten och tonsättaren Sándor Déki Lakatos komponerade Hommage a Franz Liszt. Ungerske violinisten Roby Lakatos spelar Ungersk Rapsodi Nr 2 av Franz Liszt och Ave Maria, tonsatt av Ilia II, den nuvarande patriarken för kyrkan i Georgien. Tyske tonsättaren Ludwig van Beethoven komponerade ett Rondo i "zigenarstil" i G-dur, Opus 129. Tjeckiska violinisten och sångerskan Iva Bittová spelar Bela Bartoks 44 Duetter för två violiner och Obrázek milého av Leos Janáek. Ungerske pianisten Robert Lakatos improviserar en kadens i Mozarts Pianokonsert nr 21. Spanske violinisten och tonsättaren Pablo Sarasate komponerade Zigeunerweisen. Rumänske violinisten Ion Voicu spelar den vackraste versionen av Zigeunerweisen. Tjeckiske tonsättaren Antonín Dvoák komponerade Zigeunermelodien Op.55. Österrikiske tonsättaren Joseph Haydn komponerade en sats i sin Piano Trio No. 39 i "Zigenarstil". Ungerske Kálmán Balogh spelar en långsam Czárdás på cimbalom. Italienske tonsättaren Giovanni Paisiello skrev den komiska operan I zingari in fiera. Ryske tonsättaren och pianisten Sergej Rachmaninov komponerade operan Aleko. Aleko lever med romer och utvecklas i operan till en svartsjuk mördare. Franske tonsättaren George Bizets opera Carmen är en fantasi om zigenare, det vill säga romer, och den romska kulturen har ofta fått representera det mystiska, erotiska och farliga i den västerländska konsten. Italienska tonsättaren Verdis opera Trubaduren skildrar en romsk kvinna, Azucena, som stjäl ett barn och tänker bränna upp det på bål. Brittiske operakompositören Michael William Balf skrev The Bohemian Girl eller Zigenerskan. Ännu en opera där romer spelar en kriminell och moraliskt förkastlig roll. Svenske tonsättaren Gunnar de Frumerie komponerade operan Singoalla. Om Singoalla-gestalten har det skrivits att ”porträttet av henne förenar en naiv och oskuldsfull sensualitet med en asocial och förbjuden erotik”.

Arien von Georg Friedrich Händel, Wolfgang Amadeus Mozart, Giovanni Paisiello, Tomaso Albinoni u.a. | Mandolinenkonzerte von Johann Adolf Hasse und Carlo Arrigoni | Nuria Rial (Sopran) | Ensemble Artemandoline

Donald Macleod explores the life and music of Giovanni Paisiello.