Podcast appearances and mentions of Gustavo Dudamel

En #HoyEsRisco del viernes 13 de junio, Brenda Estefan analizó el orígen del conflicto en Medio Oriente entre Israel e Irán y la participación de Estados Unidos. Enrique Acevedo, conductor de Grupo Fórmula, comentó sobre la expectativa que hay entorno al desfile militar de mañana, en medio de las protesta por las redadas de su gobierno en contra de los migrantes- Además, se presentó una entrevista con el director Gustavo Dudamel, una ópera con músicos sordos. que demuestra que el arte es una necesidad y la búsqueda de la belleza. Finalmente, como todos los viernes, Melisa Moreno nos presentó las recomendaciones para el fin de semana.

Having grown up in Atlanta, with a long lineage of preachers and connections to gospel music to inspire him, GRAMMY-nominated Carlos Simon's music ranges from concert music for large and small ensembles, to film scores with influences of jazz, gospel, and neo-romanticism.Carlos is the current composer-in-residence for the John F. Kennedy Center for the Performing Arts and he frequently composes for its National Symphony Orchestra and Washington National Opera.This past season featured the premiere of his Gospel Mass, with Gustavo Dudamel and the Los Angeles Philharmonic, a work reimagining the traditional mass with gospel soloists and choir, with visual creations from Melina Matsoukas.Carlos frequently curates concert programs, which often highlight his own music as well as that of close collaborators. Curation concerts have recently been programmed by Atlanta Symphony Orchestra, Boston Chamber Players, Tanglewood Festival for Contemporary Music, and the Kennedy Center.Carlos also released the live premiere recording of brea(d)th, a landmark work commissioned by Minnesota Orchestra and written in collaboration with Marc Bamuthi Joseph, conducted by Jonathan Taylor Rush. “Arguably the most important commission of Simon's career so far” (The New York Times), brea(d)th was written following George Floyd's murder as a direct response to America's unfulfilled promises and history of systemic oppression against Black Americans.  I'm especially proud to have discussed the piece with Carlos in this episode.

Conversación con Beethzart Acosta: De Caibo a su Carrera SolistaEn este episodio, conversamos con Beethzart Acosta ( @beetacosta  ) exintegrante de Caibo, sobre su carrera desde los inicios en la banda hasta su proyecto actual como solista. Beethzart nos cuenta sobre su participación en un proyecto musical con Gustavo Dudamel, las dificultades técnicas que enfrentaron durante la grabación y cómo afecta la calidad del sonido. Además, profundizamos en las colaboraciones con otros artistas, su proceso de creación de discos y la selección de canciones. También hablamos de su relación con Guaco, sus shows y su experiencia grabando canciones. ¡No te pierdas esta increíble charla con uno de los talentos más prominentes de la música venezolana!Suscríbete a mi newsletter: https://substack.com/@danielmartinez787651Más material exclusivo en mi Patreon: www.patreon.com/danielnecesita01:52 Nuevos proyectos02:08 Disco nuevo05:22 Colaboraciones e invitaciones08:45 Gaita18:23 inicios - influencias20:21 Guaco23:12 Incógnito - Kyen31:02 Desilusión y Nuevos Proyectos32:47 Reflexiones sobre Caibo y la Separación37:36 Desafíos y Adaptaciones en el Extranjero48:22 Proyectos Musicales y Colaboraciones57:35 Conclusiones y Agradecimientos

When was just 26 years old, Gustavo Dudamel arrived from Venezuela to become conductor and music director of the Los Angeles Philharmonic. He immediately became one of the world's most beloved figures in classical music. He's collaborated with pop stars (including Billie Eilish, Nas and Christina Aguilera). He's played the Super Bowl half-time show. He even the model for the main character in the hit tv series "Mozart in the Jungle". Sixteen years later, after making an enormous mark on the LA Phil and the city of LA, Gustavo Dudamel is preparing to move east, as music director and artistic director of the New York Philharmonic. He talks here about coming up as a musician and a budding conductor in "El Sistema", Venezuela's classical music training ground for children of all backgrounds. He describes conducting his toy figurines while listening to the world's greatest orchestras, before he even understood what conductors actually do. And he shares his love of music - all music - and his work to erase boundaries between audiences. 

The Horn Signal is proudly brought to you by Bob Reeves Brass. Join hosts John Snell and Preston Shepard as they interview horn players around the world.  Today's episode features Greg Roosa, 2nd horn of the Los Angeles Philharmonic. About Greg: Gregory Roosa was appointed Second Horn of the Los Angeles Philharmonic by Gustavo Dudamel in September 2012. Prior to that he held the Fourth Horn position in the St. Louis Symphony Orchestra beginning in 2003. His previous positions include Fourth Horn with the Kennedy Center Opera and Ballet Orchestra, and Fourth Horn with the Colorado Symphony in Denver. A native of Troy, Michigan, Roosa attended the University of Illinois and studied with Ralph Froelich at the University of South Florida. In 1992, he moved to Chicago to study with Dale Clevenger, Principal Horn of the Chicago Symphony. He was a member of the Civic Orchestra of Chicago for three seasons. Active as a freelance musician in the Chicago area for eight years, Roosa played in the Broadway shows Ragtime, Phantom of the Opera, and Miss Saigon. He also played with the Chicago Symphony Orchestra, including a European tour and two recordings. Roosa has appeared as soloist and clinician at numerous universities and horn workshops around the world. Roosa has performed with the Melbourne Symphony Orchestra and Queensland Orchestra in Australia, as well as with the Florida Orchestra and Detroit Symphony in the U.S. He was a member of the Colorado Music Festival Orchestra from 1999 to 2012, where he met his wife, Amy Jo Rhine, the Third Horn of LA Phil. Together they have two young boys, Norton and Sutton.

Dans le supplément de ce samedi, direction la Syrie, qui a connu depuis le mois de décembre dernier la chute de Bachar al-Assad. Il était à la tête du pays depuis des décennies...  En seconde partie, direction le Venezuela, avec une école de musique de prestige qui produit des étoiles. Mais des affaires d'abus sexuels sont rendues publiques... Syrie : après la chute de Bachar al-Assad, la difficile unification du pays Des décennies de dictature en Syrie, treize années de guerre et moins d'une semaine pour faire tomber le régime de Bachar al-Assad. Le 8 décembre 2024, les combattants d'Hayat Tahrir al-Sham prenaient le pouvoir à Damas. Celui qui a conduit la rébellion sous le nom de Abou al-Joulani, Ahmed al-Charaa, vient d'être nommé président par intérim. Il multiplie les initiatives pour rétablir le dialogue au sein de la société syrienne.Un défi de taille, tant les communautés, Druzes, Alaouites, Kurdes, Sunnites, et factions armées, sont nombreuses.Dans le pays, les poches de contestations subsistent. Et une guerre, celle qui oppose les factions pro-turques aux combattants kurdes.Un Grand reportage de Manon Chapelain qui s'entretient avec Jacques Allix. El Sistema, la glorieuse école de musique du Venezuela, entre mythe et réalité Le Système National d'Orchestre, connu tout simplement comme Le Système au Venezuela, est un programme d'enseignement de la musique à travers la pratique orchestrale. Un programme qui fêtera ses 50 ans l'an prochain (2026). Un projet tentaculaire, avec plus de 400 écoles à travers tout le pays et qui a produit des étoiles de la musique classique dans le monde.On retrouve des élèves du Système aux quatre coins de la planète : dans la Philharmonie de Los Angeles, celle du Luxembourg, dans les orchestres symphoniques de Berlin ou de Lille. Le plus connu d'entre eux : Gustavo Dudamel, directeur musical de l'Opéra de Paris jusqu'en 2023.Un projet mille fois encensé par la presse, et supporté par les organisations internationales pour son impact social, l'enseignement de la musique dans des zones défavorisées. Mais le Système a ses parts d'ombre, qui, malgré avoir été révélées, n'ont pas fait réagir à la hauteur de leur gravité. Des abus sexuels de la part de professeurs sur leurs élèves ont été rendus publics, mais il semblerait que les autorités n'aient pas pris la mesure de la gravité de la situation.Un Grand reportage de Alice Campaignolle qui s'entretient avec Jacques Allix. 

Le Système National d'Orchestre, connu tout simplement comme Le Système au Venezuela, est un programme d'enseignement de la musique à travers la pratique orchestrale. Un programme qui fêtera ses 50 ans l'an prochain (2026). Un projet tentaculaire, avec plus de 400 écoles à travers tout le pays et qui a produit des étoiles de la musique classique dans le monde. On retrouve des élèves du Système aux quatre coins de la planète : dans la Philharmonie de Los Angeles, celle du Luxembourg, dans les orchestres symphoniques de Berlin ou de Lille. Le plus connu d'entre eux : Gustavo Dudamel, directeur musical de l'Opéra de Paris jusqu'en 2023.Un projet mille fois encensé par la presse, et supporté par les organisations internationales pour son impact social, l'enseignement de la musique dans des zones défavorisées. Mais le Système a ses parts d'ombre, qui, malgré avoir été révélées, n'ont pas fait réagir à la hauteur de leur gravité. Des abus sexuels de la part de professeurs sur leurs élèves ont été rendus publics, mais il semblerait que les autorités n'aient pas pris la mesure de la gravité de la situation.«El Sistema, la glorieuse école de musique du Venezuela, entre mythe et réalité», un Grand Reportage d'Alice Campaignolle.

Aram Khachaturian galt als Wunderkind und großer Komponist. Die LA Philharmonic unter Gustavo Dudamel und Pianist Jean-Yves Thibaudet haben sein Klavierkonzert aufgenommen.

Las campanas de Notre-Dame de París resuenan desde el sábado. La catedral más conocida del mundo, sus torres, sus vitrales, han estado allí desde hace siglos, pero el incendio del 15 de abril de 2019 la condenó a un silencio de 5 años. Este fin de semana, Notre-Dame renació de sus cenizas, en una celebración solemne que comenzó cuando el arzobispo de París, Laurent Ullrich, golpeó con su báculo el gran portal de la catedral gótica. El templo más emblemático de Francia espera volver a recibir a millones de personas.  Informe de la enviada especial a Notre-Dame, María Carolina PiñaLas puestas de Notre-Dame se abrieron de par en par dejando ver el interior del templo, restaurado y resplandeciente, donde se encontraban más de 40 jefes de Estado y de gobierno. Entre ellos, el presidente electo de Estados Unidos, Donald Trump y el ucraniano, Volodimir Zelenski, a quienes Emmanuel Macron colocó en primera fila. La lluvia también estuvo presente en esta celebración lo que obligó al mandatario francés a pronunciar su discurso en el interior del templo."Notre-Dame nos recuerda que nuestros sueños, incluso los más audaces solo se hacen posibles con la voluntad de cada quien y el compromiso de todos. La catedral nos recuerda que somos los herederos de un pasado mucho más grande que nuestras propias existencias y que puede desaparecer en cualquier momento", dijo. En esta ceremonia estuvieron presentes el cuerpo de bomberos que luchó contra las llamas en 2019, y representantes de los 2.000 artesanos que trabajaron durante estos últimos cinco años en la reconstrucción de Notre-Dame, quienes desfilaron por la nave central en medio de un largo aplauso.El renacimiento de Notre-Dame, limpia y completamente restaurada, se acompañó del "despertar" del Gran Órgano, el más grande de Francia, con sus 13 metros de altura y 3 siglos de antigüedad. El incendio no lo afectó directamente, pero fue necesario desmontar sus 8.000 tubos para limpiarlos del polvo de plomo.La inauguración de la catedral el sábado por la noche finalizó con un concierto de música sacra y profana, donde brillaron el director venezolano Gustavo Dudamel, a cargo de la orquesta filarmónica de Radio France y numerosos artistas que se sucedieron, para celebrar a la catedral de ayer y de hoy."Nuestro patrimonio, nuestras raíces"El domingo se celebraron no una sino dos misas.  En la primera, por la mañana, se consagró el altar de bronce diseñado especialmente para Notre-Dame, con lo cual la catedral quedó destinada oficialmente al culto.Por la tarde, recibió la visita de cientos de personas que reservaron por Internet y que esperaron la apertura bajo la lluvia. "Esto es tan emotivo, estoy realmente maravillado y muy emocionado", declaraba a RFI uno de los visitantes. "Tengo muchas ganas de verla. Es nuestro patrimonio, nuestras raíces francesas y debemos estar orgullosos", decía una parisina antes de entrar en el templo. Una vez dentro, muchos se sorprendieron con las paredes de la catedral,  inmaculadas después de una limpieza profunda. Fue el caso de Cyriac quien forma parte de los scouts de Francia. "Estoy deslumbrado con tanta luz. La catedral ahora es blanca, antes era gris y sucia. Para la gente es como ir hacia la luz", afirmó. Las celebraciones por la reapertura de Notre-Dame durarán seis meses, hasta  el 8 de junio de 2025, Día de Pentecostés. Así, quedó atrás la página más trágica de la historia de la catedral. Notre-Dame restaurada debería recibir la visita de entre 14 y 15 millones de personas por año, lo que corresponde a 41.000 visitantes por día. De ser así, volverá a liderar la lista de los monumentos más visitados de Francia. Un vasto programa para la más emblemática, histórica y hermosa catedral del mundo. 

Las campanas de Notre-Dame de París resuenan desde el sábado. La catedral más conocida del mundo, sus torres, sus vitrales, han estado allí desde hace siglos, pero el incendio del 15 de abril de 2019 la condenó a un silencio de 5 años. Este fin de semana, Notre-Dame renació de sus cenizas, en una celebración solemne que comenzó cuando el arzobispo de París, Laurent Ullrich, golpeó con su báculo el gran portal de la catedral gótica. El templo más emblemático de Francia espera volver a recibir a millones de personas.  Informe de la enviada especial a Notre-Dame, María Carolina PiñaLas puestas de Notre-Dame se abrieron de par en par dejando ver el interior del templo, restaurado y resplandeciente, donde se encontraban más de 40 jefes de Estado y de gobierno. Entre ellos, el presidente electo de Estados Unidos, Donald Trump y el ucraniano, Volodimir Zelenski, a quienes Emmanuel Macron colocó en primera fila. La lluvia también estuvo presente en esta celebración lo que obligó al mandatario francés a pronunciar su discurso en el interior del templo."Notre-Dame nos recuerda que nuestros sueños, incluso los más audaces solo se hacen posibles con la voluntad de cada quien y el compromiso de todos. La catedral nos recuerda que somos los herederos de un pasado mucho más grande que nuestras propias existencias y que puede desaparecer en cualquier momento", dijo. En esta ceremonia estuvieron presentes el cuerpo de bomberos que luchó contra las llamas en 2019, y representantes de los 2.000 artesanos que trabajaron durante estos últimos cinco años en la reconstrucción de Notre-Dame, quienes desfilaron por la nave central en medio de un largo aplauso.El renacimiento de Notre-Dame, limpia y completamente restaurada, se acompañó del "despertar" del Gran Órgano, el más grande de Francia, con sus 13 metros de altura y 3 siglos de antigüedad. El incendio no lo afectó directamente, pero fue necesario desmontar sus 8.000 tubos para limpiarlos del polvo de plomo.La inauguración de la catedral el sábado por la noche finalizó con un concierto de música sacra y profana, donde brillaron el director venezolano Gustavo Dudamel, a cargo de la orquesta filarmónica de Radio France y numerosos artistas que se sucedieron, para celebrar a la catedral de ayer y de hoy."Nuestro patrimonio, nuestras raíces"El domingo se celebraron no una sino dos misas.  En la primera, por la mañana, se consagró el altar de bronce diseñado especialmente para Notre-Dame, con lo cual la catedral quedó destinada oficialmente al culto.Por la tarde, recibió la visita de cientos de personas que reservaron por Internet y que esperaron la apertura bajo la lluvia. "Esto es tan emotivo, estoy realmente maravillado y muy emocionado", declaraba a RFI uno de los visitantes. "Tengo muchas ganas de verla. Es nuestro patrimonio, nuestras raíces francesas y debemos estar orgullosos", decía una parisina antes de entrar en el templo. Una vez dentro, muchos se sorprendieron con las paredes de la catedral,  inmaculadas después de una limpieza profunda. Fue el caso de Cyriac quien forma parte de los scouts de Francia. "Estoy deslumbrado con tanta luz. La catedral ahora es blanca, antes era gris y sucia. Para la gente es como ir hacia la luz", afirmó. Las celebraciones por la reapertura de Notre-Dame durarán seis meses, hasta  el 8 de junio de 2025, Día de Pentecostés. Así, quedó atrás la página más trágica de la historia de la catedral. Notre-Dame restaurada debería recibir la visita de entre 14 y 15 millones de personas por año, lo que corresponde a 41.000 visitantes por día. De ser así, volverá a liderar la lista de los monumentos más visitados de Francia. Un vasto programa para la más emblemática, histórica y hermosa catedral del mundo. 

In this exclusive interview, Nick Zanetti sits down with Johannes Moser, one of the most brilliant cellists of our time. Hailed by Gramophone magazine as "one of the finest among the astonishing gallery of young virtuoso cellists," Johannes Moser has performed with the world's leading orchestras such as the Berliner Philharmoniker, New York Philharmonic, Los Angeles Philharmonic, and many more. He has worked with legendary conductors including Riccardo Muti, Zubin Mehta, Pierre Boulez, Gustavo Dudamel, and others. Johannes shares his experiences on tour, his passion for music, and the importance of innovation in his field. He also talks about his commitment to expanding the classical repertoire by commissioning new works from contemporary composers, and his dedication to teaching. He has collaborated with artists like Emanuel Ax, Joshua Bell, and Leonidas Kavakos, and participated in international festivals such as the Verbier and Gstaad Festivals. In the 2024/25 season, Johannes will have the privilege of performing the world premiere of Anna Thorvaldsdottir's Cello Concerto with the San Francisco Symphony, and will collaborate with major orchestras like the Chicago Symphony Orchestra and the Sydney Symphony Orchestra. Don't miss this unique opportunity to discover the secrets of one of the greatest cellists of his generation, as he discusses music, nutrition, and how he keeps his body and mind at their best for his performances. In questa intervista esclusiva, Nick Zanetti parla con Johannes Moser, uno dei più brillanti violoncellisti del nostro tempo. Acclamato dalla rivista Gramophone come "uno dei più straordinari tra i giovani violoncellisti", Johannes Moser ha collaborato con le orchestre più prestigiose al mondo, come la Berliner Philharmoniker, la New York Philharmonic, la Los Angeles Philharmonic e molte altre. È stato diretto da leggendari direttori d'orchestra come Riccardo Muti, Zubin Mehta, Pierre Boulez, Gustavo Dudamel e molti altri. Johannes condivide la sua esperienza in tournée, la passione per la musica e l'importanza dell'innovazione nel suo campo. Parla anche del suo impegno per ampliare il repertorio classico, commissionando nuove opere a compositori contemporanei e la sua dedizione nell'insegnamento. Ha lavorato con artisti di fama come Emanuel Ax, Joshua Bell e Leonidas Kavakos, e ha partecipato a festival internazionali come il Verbier Festival e il Gstaad Festival. Nella stagione 2024/25, Johannes avrà il privilegio di eseguire la prima mondiale del Concerto per Violoncello di Anna Thorvaldsdottir con la San Francisco Symphony e di collaborare con importanti orchestre come la Chicago Symphony Orchestra e la Sydney Symphony Orchestra. Non perdere questa opportunità unica di scoprire i segreti di uno dei più grandi violoncellisti della sua generazione, mentre discute di musica, nutrizione, e come mantiene il suo corpo e la sua mente al meglio per le sue esibizioni.

durée : 00:28:24 - Henri Chalet, directeur et chef de chœur principal de la Maîtrise Notre-Dame de Paris et Gustavo Dudamel, chef d'orchestre - À l'occasion de la réouverture de la Cathédrale, Henri Chalet dirigera la Maîtrise de Notre-Dame de Paris ce samedi 7 décembre. La Maîtrise sera également en concert les 17 et 18 décembre dans l'édifice restauré.

XIX amžiuje kone visi dirigentai buvo kompozitoriai – vėliau ši perskyra tarp profesijų gilėjo. Vis dėlto komponuojantys dirigentai nėra retenybė.Amerikietis dirigentas ir kompozitorius Michael Tilson Thomas (g. 1944) klausia: „Menininko gyvenime yra du pagrindiniai laikotarpiai. Pirmasis yra savęs kūrimas. Antroji, sunkesnė dalis – nueiti kelią. Kaip išlaikyti viziją, ją auginti ir ja dalytis?“Venesuelietis dirigentas ir kompozitorius Gustavo Dudamel (g. 1981) teigia: „Taip, klasikinė muzika turi žavų techninį sudėtingumą. Bet galiausiai svarbu tai, ką tu jauti ir ką žmonės suvokia. Turime panaikinti žmonių baimes dėl klasikinės muzikos. Ji gali būti intelektuali, tačiau jos poveikis yra dvasinis.“Ved. Šarūnas Nakas ir Mindaugas Urbaitis

Ladies and gentlemen, with honesty, tenderness and, yes, sometimes humor, the film Facing the Wind invites viewers into the lives of people with Lewy body dementia and their caregivers…real people in real time.  FACING THE WIND, a sixty-minute documentary film, reveals how a mutual support community can be an antidote to despair, letting people know they are not alone.  You will follow their journey, laughing and crying with them, while taking an unflinching look at dementia care with its overwhelming and isolating aspects. The struggle is real, but so is the love. Ladies and gentlemen, Lewy body dementia is not a rare disease. It affects more than 1.4 million people in America. It is the second most common form of dementia, but it still being misdiagnosed. Alzheimer's disease is the gradual decline of memory as Lewy body dementia is the roller coaster ride with ups and downs. One moment the patient can be fully present and lucid and the next be completely lost or deal with hallucinations from mild to severe. There is no cure, but this very powerful film documentary is not for those suffering with Lewy body dementia, but for the people who care for them. Many spouses and family members are thrust into being a caregiver and navigating the vast ocean of the unknown. FACING THE WIND is a starting place for caregivers and to know that it's ok to not be ok. Head over to LewyBodyResourceCenter.org for more information. If your loved one was diagnosed with Lewy body dementia, you are not alone and there are resources right now that can help you. Mary Lou Falcone, author of the book, “I Didn't See It Coming: Scenes of Love, Loss and Lewy Body Dementia”. Mary Lou Falcone, author of I DIDN'T SEE IT COMING: Scenes of Love, Loss, and Lewy Body Dementia, is internationally known as a classical music publicist/strategist who for 50 years has helped guide the careers of celebrated artists – Van Cliburn, Gustavo Dudamel, Renée Fleming, Sir Georg Solti, James Taylor – and advised many institutions including Carnegie Hall, Chicago Symphony, Los Angeles Philharmonic, Philadelphia Orchestra, New York Philharmonic, Vienna Philharmonic.  Combining communication skills with her background as a performer and educator, she now adds another layer: advocate for Lewy body dementia (LBD) awareness.  Her late husband, the illustrator/painter Nicky Zann who died from LBD in 2020, was the catalyst for her book.  She is also an Executive Producer of a new documentary film about LBD entitled Facing the Wind, a love story about people with Lewy body dementia, the spouses who care for them, and the remarkable community where they find sustenance and support. #lewybodydementia #lewybody #dementia #alzheimersdisease #alzheimers #parkinsonsdisease #brainhealth #medicine #filmdocumentary #documentary #health #wellness #caregiving #caregivers 

Ladies and gentlemen, with honesty, tenderness and, yes, sometimes humor, the film Facing the Wind invites viewers into the lives of people with Lewy body dementia and their caregivers…real people in real time.  FACING THE WIND, a sixty-minute documentary film, reveals how a mutual support community can be an antidote to despair, letting people know they are not alone.  You will follow their journey, laughing and crying with them, while taking an unflinching look at dementia care with its overwhelming and isolating aspects. The struggle is real, but so is the love. Ladies and gentlemen, Lewy body dementia is not a rare disease. It affects more than 1.4 million people in America. It is the second most common form of dementia, but it still being misdiagnosed. Alzheimer's disease is the gradual decline of memory as Lewy body dementia is the roller coaster ride with ups and downs. One moment the patient can be fully present and lucid and the next be completely lost or deal with hallucinations from mild to severe. There is no cure, but this very powerful film documentary is not for those suffering with Lewy body dementia, but for the people who care for them. Many spouses and family members are thrust into being a caregiver and navigating the vast ocean of the unknown. FACING THE WIND is a starting place for caregivers and to know that it's ok to not be ok. Head over to LewyBodyResourceCenter.org for more information. If your loved one was diagnosed with Lewy body dementia, you are not alone and there are resources right now that can help you. Mary Lou Falcone, author of the book, “I Didn't See It Coming: Scenes of Love, Loss and Lewy Body Dementia”. Mary Lou Falcone, author of I DIDN'T SEE IT COMING: Scenes of Love, Loss, and Lewy Body Dementia, is internationally known as a classical music publicist/strategist who for 50 years has helped guide the careers of celebrated artists – Van Cliburn, Gustavo Dudamel, Renée Fleming, Sir Georg Solti, James Taylor – and advised many institutions including Carnegie Hall, Chicago Symphony, Los Angeles Philharmonic, Philadelphia Orchestra, New York Philharmonic, Vienna Philharmonic.  Combining communication skills with her background as a performer and educator, she now adds another layer: advocate for Lewy body dementia (LBD) awareness.  Her late husband, the illustrator/painter Nicky Zann who died from LBD in 2020, was the catalyst for her book.  She is also an Executive Producer of a new documentary film about LBD entitled Facing the Wind, a love story about people with Lewy body dementia, the spouses who care for them, and the remarkable community where they find sustenance and support. #lewybodydementia #lewybody #dementia #alzheimersdisease #alzheimers #parkinsonsdisease #brainhealth #medicine #filmdocumentary #documentary #health #wellness #caregiving #caregivers 

In this weeks episode of the world's-fastest-movie-review podcast Jackson and Mike review TWO new films!!! First “MUSIC BY JOHN WILLIAMS”. a documentary on the life and career of  legendary composer John Williams. featuring interviews with Steven Spielberg, Kathleen Kennedy, Frank Marshall, Kate Capshaw, Gustavo Dudamel, J.J. Abrams, Chris Martin, and Ron Howard. Then a quick review of “THE GUTTER”. A bowling alley employee, discovers his hidden skill and faces challenges from rivals and critics. Starring Shameik Moore, D'Arcy Carden, Paul Reiser and Susan Sarandon.

Send us a textMusic By John Williams Trailer Reaction  |  John Williams | Stephen Spielberg! Kathy, Mark and Burk react to the trailer for Music By John Williams, an all-new documentary on the life and career of the legendary composer streaming November 1 on Disney+. The documentary features interviews with Steven Spielberg, Kathleen Kennedy, Frank Marshall, Kate Capshaw, Gustavo Dudamel, J.J. Abrams, Chris Martin, Ron Howard, Chris Columbus, George Lucas, Itzhak Perlman, Lawrence Kasdan, Yo-Yo Ma, Ke Huy Quan, James Mangold, Alan Silvestri, David Newman, Thomas Newman, Seth MacFarlane, Anne-Sophie Mutter, and Branford Marsalis#musicbyjohnwiliams #johnwilliams #stephenspielberg#documentary #composer #moviesoundtracks  Get early access to these reviews by joining Patreon or our YouTube channel! YouTube Membershiphttps://www.youtube.com/channel/UCvt8UhKoTahIIRGIwxzUVVA/joinPatreonhttps://www.patreon.com/CinemondoPodcastJoin this channel to get access to fun perks like exclusive content and private Discord channel!:https://www.youtube.com/channel/UCvt8UhKoTahIIRGIwxzUVVA/joinOfficial Swag https://shop.spreadshirt.com/cinemondoNew videos daily!!Subscribe for the latest movie reviewshttps://www.youtube.com/channel/UCvt8UhKoTahIIRGIwxzUVVA?sub_confirmation=1

Michael Urie talks new season of 'Shrinking'; Trump and Harris stump for votes in battleground states; A whimsical night with Natalia Lafourcade and Gustavo Dudamel. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Michael Urie talks new season of 'Shrinking'; Trump and Harris stump for votes in battleground states; A whimsical night with Natalia Lafourcade and Gustavo Dudamel. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Los 'Cantos de pleamar' del turolense Antón García Abril o la 'Novena Sinfonía' de Beethoven inauguraron el Auditorio de Zaragoza hace 30 años. Por él han pasado directores como Riccardo Muti, Zubin Mehta o Gustavo Dudamel que han aplaudido la acústica de la Sala Mozart. Con su director, Miguel Ángel Tapia, recordamos sus tres décadas de historia.

Para celebrar el centenario del nacimiento del compositor, su familia ha organizado el disco 'Henry Mancini The 100th sessions. Henry has company', que incluye grabaciones de 'Lujon (Slow hot wind)' (Pat Metheny), 'The days of wine and roses' (Take 6 y Monica Mancini), 'Moon river' (Audrey Hepburn, Stevie Wonder y Orquesta Filarmónica de Los Angeles con Gustavo Dudamel), 'Peter Gunn' (Quincy Jones, John Williams, Herbie Hancock y Arturo Sandoval), 'Pink panther' (Lizzo y Sir James Galway) y 'Baby elephant walk' (Snarky Puppy), Y dos obras más de Mancini en los discos de Charlie Haden y Pat Metheny 'Beyond the Missouri sky' ('Two for the road') y Kyle Eastwood 'Cinematic' ('Charade'). Además, adelantos de los discos de Pat Metheny ('Moondial', 'You´re everything') y Esperanza Spalding y Milton Nascimento ('Outubro', 'O vento passou' -con Paul Simon-).Escuchar audio

LA Philharmonic Music and Artistic Director Gustavo Dudamel talks about conducting Beethoven's only opera, plus his choice to start leading the New York Philharmonic in 2026. The New York Times/Siena College polls show Biden losing to Trump in Michigan, Nevada, Pennsylvania, Arizona and Georgia. Biden has lost support with key Democratic demographics.   The state of California tried to stop a lawsuit relating to a fatal COVID-19 outbreak at San Quentin prison. Today, the Supreme Court allowed it to go forward. Roger Corman, who died last Thursday, helped launch the careers of directors like Francis Ford Coppola, Martin Scorsese, Ron Howard, and James Cameron.

Mamileiros e mamiletes, no Mamilos Cultura dessa semana, Cris Bartis recebe Ju Wallauer pra contar as reflexões que teve a partir da experiência de assistir a Filarmônica de Nova Iorque, regida por Gustavo Dudamel, no evento de Spring Gala no Lincoln Center. Dá o play e vem com a gente! _____ FALE CONOSCO . Email: mamilos@mamilos.me _____ CONTRIBUA COM O MAMILOS Quem apoia o Mamilos ajuda a manter o podcast no ar e ainda participa do nosso grupo especial no Telegram. É só R$9,90 por mês! Quem assina não abre mão. https://www.catarse.me/mamilos _____ Equipe Mamilos Mamilos é uma produção do B9 A apresentação é de Cris Bartis e Ju Wallauer. Pra ouvir todos episódios, assine nosso feed ou acesse mamilos.b9.com.br Quem coordenou essa produção foi Beatriz Souza. Com a estrutura de pauta e roteiro escrito por Cris Bartis e Ju Wallauer. A edição foi de Mariana Leão e as trilhas sonoras, de Angie Lopez. A coordenação digital é feita por Agê Barros. O B9 tem direção executiva de Cris Bartis, Ju Wallauer e Carlos Merigo. O atendimento e negócios é feito por Telma Zennaro.

Introduction: In this episode, we delve into the profound journey of Mary Lou, a dedicated caregiver to her husband, the renowned artist and rocker, Nicholas ‘Nicky' Zann. Mary Lou candidly shares their story of navigating life with Lewy body dementia, shedding light on the challenges, resilience, and the importance of understanding and support. Key Points Covered: Understanding Lewy Body Dementia (LBD): Mary Lou describes how LBD differs from Alzheimer's, with fluctuating symptoms affecting memory and behavior. It's a condition affecting 1.4 million Americans and 11 million globally, though it remains relatively less known. The Caregiver's Perspective: Mary Lou emphasizes the need to meet the person with dementia where they are, suspending personal needs to prioritize theirs. Caregiving is described as improvisation, requiring adaptability and a willingness to accept failures. Lessons in Forgiveness and Vulnerability: She reflects on her book, “I Didn't See it Coming, Scenes of Love, Loss and Lewy Body Dementia,” as a journey of reconciliation with herself as a caregiver. Forgiveness and vulnerability are central themes, offering insights into the complexities of caregiving. Nicky's Messages and Final Moments: Mary Lou shares Nicky's enduring messages and the profound experience of understanding his needs in his final moments. She highlights the transformative potential of grief, turning it into catharsis. Raising Awareness and Encouraging Support: Mary Lou advocates for greater awareness of Lewy body dementia, urging celebrities and public figures to help shine a light on this condition. She underscores the importance of creating supportive communities for family caregivers. Notable Quotes from Mary Lou: “You have to join the person where they are, you can't expect them to come to you in their former state. It's just not possible.” “Suspend what you need and give them what they need.” “Grief doesn't have to be your nemesis, it can be your catharsis.” Closing Thoughts: Mary Lou concludes by emphasizing the moments of light and hope amidst the challenges of caregiving. Her story serves as an inspiration and a call to action for increased understanding and support for those affected by Lewy body dementia. ABOUT THE AUTHOR & ILLUSTRATOR Mary Lou Falcone is internationally known as a classical music publicist/strategist who for 50 years has helped guide the careers of celebrated artists – Van Cliburn, Gustavo Dudamel, Renée Fleming, Sir Georg Solti, James Taylor – and advised many institutions including Carnegie Hall, Chicago Symphony, Los Angeles Philharmonic, Philadelphia Orchestra, New York Philharmonic, and Vienna Philharmonic. Combining communication skills with her background as a performer and educator, she now adds another layer: advocate for Lewy body dementia (LBD) awareness. Her late husband, the illustrator Nicky Zann, who died from LBD in 2020, was the catalyst for this, her first book. Nicholas ‘Nicky' Zann, the inspiration for this book, was a popular 1950s rock 'n' roll musician who became a world-renowned cartoonist, illustrator, and painter. His work hangs in the permanent collection of London's Victoria and Albert Museum, and the illustrations featured throughout this book come from his bestselling fortune-telling card game, The Answer Deck. Visit Mary Lou's website HERE. Buy her book HERE.

Jess Gillam swaps music with pianist James Baillieu, including works by Mozart, Bach, and Ella Fitzgerald.Pianist James Baillieu has worked with musicians including Lise Davidsen, Timothy Ridout and Pretty Yende, and has performed everywhere from Carnegie Hall to Vienna Musikverein. He is also Senior Professor of Ensemble Piano and a Fellow at the Royal Academy of Music in London. He's brought Martha Argerich playing Schumann and a classic Bob Dylan song, while Jess's choices include Mahler and Goldfrapp.PLAYLIST: WOLFGANG AMADEUS MOZART – “Signori, di fuori” (Le nozze de Figaro: Act 2, Scene 9) [Lorenzo Regazzo (bass), Simon Keenlyside (baritone), Patrizia Ciofi (sop), Véronique Gens (sop), Concerto Köln, René Jacobs (cond)] JOHN ADAMS – Hallelujah Junction (1st mvt) [Nicolas Hodges (piano), Rolf Hind (piano)] BOB DYLAN – Blowin' in the Wind GUSTAV MAHLER – Symphony No 5 in C sharp minor (4th mvt, Adagietto) [Simón Bolívar Youth Orchestra of Venezuela, Gustavo Dudamel (cond)] JUAN TIZOL/DUKE ELLINGTON/IRVING MILLS – Caravan [Ella Fitzgerald (singer), Duke Ellington and his Orchestra] JOHANN SEBASTIAN BACH – Cello Suite No 2 in D minor, BWV 1008 (4th mvt, Sarabande) [Yo-Yo Ma (cello)] ROBERT SCHUMANN - Von fremden Ländern und Menschen (Kinderszenen, Op 15: No 1) [Martha Argerich (piano)] GOLDFRAPP – Lovely HeadProduced by Rachel Gill.

Two-time Grammy-winning mezzo-soprano, Curtis Institute of Music graduate, and former varsity basketball captain J'Nai Bridges joins host Khadija Mbowe for a free-flowing conversation about her wide-ranging musical influences, structured systems for success, and the public humiliation that (inadvertently) led to her becoming a star. In February 2024, Bridges joined The Philadelphia Orchestra to announce the upcoming rededication of its home inside the Kimmel Center for the Performing Arts as Marian Anderson Hall. It will be the first major concert venue in the world to honor the late performer and trailblazer.Music from this episode: BIZET, HABANERA,  J'Nai Bridges in the Canadian Opera Company's 2022 production of CarmenJ'Nai Bridges with Gustavo Dudamel, Los Angeles Philharmonic, and YOLA (Youth Orchestra Los Angeles) perform “Whole World In Your Hand” during Global Goal: Unite for Our Future on June 27. Links from this episode:READ MORE: The Philadelphia Orchestra to Rename Its Home at the Kimmel Center for the Performing Arts MARIAN ANDERSON HALL in Honor of the Legendary Contralto, Civil Rights Icon, and Philadelphian:  https://www.philorch.org/about-us/contact-us/press-room/news-releases/the-philadelphia-orchestra-to-rename-its-home-at-the-kimmel-center-for-the-performing-arts-marian-anderson-hall-in-honor-of-the-legendary-contralto-civil-rights-icon-and-philadelphian/Want more Marian Anderson? Listen to our season one episode with Jillian Patricia Pirtles, CEO of the National Marian Anderson Museum: https://www.buzzsprout.com/1364857/5986438 Marian Anderson Museum: http://marianandersonhistoricalsociety.weebly.com/J'Nai Bridges:https://jnaibridgesmezzo.com/https://www.instagram.com/jnaibmezzo/https://www.facebook.com/jnaibridgesmezzo/The Philadelphia Orchestra's HearTOGETHER series is generously supported by lead corporate sponsor Accordant Advisors. Additional major support has been provided by the Otto Haas Charitable Trust.

Esa-Pekka Salonen took over the helm of the San Francisco Symphony in 2020 from Michael Tilson Thomas. Both men have had a major impact on symphonic music in California, and Salonen is one of the three guiding figures – with the LA Phil's Gustavo Dudamel and the San Diego Symphony's Rafael Payare – behind the California Festival, a statewide celebration of music that launched in November. James Jolly spoke to Salonen at Davies Symphony Hall in San Francisco following an afternoon concert, as part of the California Festival, in November.

Classical music publicist, educator, performer, and dementia advocate Mary Lou Falcone joins Being Patient Live Talks to discuss her book, I Didn't See It Coming. In this memoir of “love, loss, and Lewy Body dementia,” Falcone details the caregiving journey for her late husband, Nicholas ‘Nicky' Zann, whose illustrations introduce each chapter. Falcone is an internationally known classical music publicist/strategist who has helped guide the careers of celebrated artists like Van Cliburn, Gustavo Dudamel, Renée Fleming, Sir Georg Solti, and James Taylor for fifty years. She's also advised institutions like Carnegie Hall, Chicago Symphony, Los Angeles Philharmonic, Philadelphia Orchestra, New York Philharmonic, and Vienna Philharmonic. Combining her communication skills with her background as a performer and educator, she now advocates for Lewy body dementia awareness by sharing her story. Watch the live talk to learn more about her caregiving journey with Lewy Body dementia and her experience writing this memoir. ___ If you loved watching this Live Talk, visit our website to find more of our Alzheimer's coverage and subscribe to our newsletter: https://www.beingpatient.com/ Follow Being Patient: Twitter: https://twitter.com/Being_Patient_ Instagram: https://www.instagram.com/beingpatientvoices/ Facebook: https://www.facebook.com/beingpatientalzheimers LinkedIn: https://www.linkedin.com/company/being-patient

Putting on a new record can feel like an instant sonic vacation for your mind - or maybe it's the best type of time travel? This week we take a trip to the teaming clubs of Bogotá and Cali Colombia (or shall we say, Colombia came to a movie studio conference room here in LA) to talk to multi-lingual lead singer Catalina García who for the last fourteen years has led adored jazzy roots-pop icons Monsieur Periné along with master instrumentalist Santiago Prieto.  It's heady times for the band: their newest LP Bolero Apocalíptico was just crowned best alternative music album at the Latin Grammys and I was able to catch up with Catalina the night before her performance at Disney Hall with the LA Philharmonic and Gustavo Dudamel. While her infectious laugh and the band's often nostalgic and cheerful sounds may lean one way - listen closer and the new LP dives into some serious subjects that hit close to home for Catalina - like the desperation of climate change, government sponsored violence and poverty.  Harnessing her love of cumbia, swing, bossa nova, and folk styles from across Latin American, Catalina  sings in Spanish, French, Portuguese and English depending on the mood and with her work in Monsieur Periné, she's been able to collaborate with some of the brightest lights in Latin music such as Ana Tijoux, Vanesa Martin, Vicente Garcia and more. Take a listen to “Cumbia Valiante” featuring Tijoux which touches on the massive protests against corruption that she and her family have participated in in her native Colombia.  While the world was shut down over the pandemic - an unexpected surprise happened for the band. An older jazzy song of theirs "Nuestra Canción” (a fan favorite) from their 2015 record Caja De Música somehow became a Tik-Tok sensation, rising to the top of the music chart and was then streamed over 150 million times. If you're in a bad mood? Put that one on ASAP.  Indeed, the group rarely comes to California - but when asked about her favorite all time show - Garcia mentions playing at sunset at the Santa Monica pier many years before. Truly the amount of travel she and her bandmates have undertaken across three continents is staggering - and there are many more stories to come. 

Hoy tenemos una conversación con el cuatrista venezolano Jorge Glem. Originalmente de Cumaná, Venezuela y residente de la ciudad de Nueva York, hoy esta aquí en el área de la baya de San francisco para presentar su arte y representar la música Venezolana subiendo al escenario con la prestigiosa Orquesta Sinfónica de San Francisco bajo la batuta del maestro de renombre mundial, y compatriota Gustavo Dudamel. Nacido en un rico tapiz de tradición musical venezolana, nuestro invitado se ha embarcado en una extraordinaria trayectoria de vida, compartiendo los vibrantes ritmos de Venezuela a través de las cuerdas de su cuatro. Desde las calles de Cumana, hasta la grandeza de diversos escenarios internacionales, su viaje refleja un profundo compromiso con la preservación y evolución del patrimonio cultural de sus raíces. El cuatro, es el instrumento nacional de Venezuela, y se convierte no sólo en un recipiente de melodía sino en un conducto para contar historias, llevando los ecos de generaciones y los latidos del corazón de una nación hoy en día regada por el mundo. El cuatro, mientras que representa el folklore venezolano, también ha demostrado que habla un lenguaje universal, rompiendo barreras y fomentando un aprecio más profundo por la [...]

My co-host , Don, and I have been blessed with so many amazing guests, but truth be told, our 81st guest, Mary Lou Falcone , ranks as one of our very favorites!! We fell in love with this EXTRAORDINARY woman and we have no doubt you will, too.For over 50 years, Mary  helped guide the careers of celebrated artists – Van Cliburn, Gustavo Dudamel, Renée Fleming, Sir Georg Solti, James Taylor – and advised many institutions including Carnegie Hall, Chicago Symphony, Los Angeles Philharmonic, Philadelphia Orchestra, New York Philharmonic, Vienna Philharmonic. Then combining communication skills with her background as a performer and educator, she now adds another layer: advocate for Lewy body dementia (LBD) awareness.Mary became a caregiver when her father had a massive stroke. She was 10 years old. The experience prepared her for the day, many years later, when her husband, a world-renowned cartoonist, illustrator, painter, and 1950s rocker, Nicholas 'Nicky' Zann, was diagnosed with Lewy Body Dementia (LBD).  Nicky, who died from LBD in 2020, was the catalyst for Mary's first book,  I Didn't See It Coming: Scenes of Love, Loss, and Lewy Body Dementia.     "Mary Lou Falcone is an expert storyteller. After years of telling other people's stories, she now tells her own compelling story." Friend and client, James Taylor. In her memoir of love, loss, and Lewy body dementia (LBD), Mary Lou Falcone takes readers on a cathartic journey of caregiving that is filled with hope, laughter, and tears, making stops along the way for music, romance, and surprises. Written to inspire and give hope, Mary Lou unflinchingly shares in detail her late husband's struggle with LBD, providing informative, compassionate, and inspiring insights into dementia. As she emerges transformed and energized, so will you after reading I Didn't See It Coming: Scenes of Love, Loss, and Lewy Body Dementia . Learn about Lewy Body Dementia, why it is difficult to diagnose, and the special challenges faced by caregivers. Enjoy Episode 81!!Love conquers alz,Susie xoSupport the showJOIN THE MOVEMENT FOR NURSING HOME REFORM BY SUPPORTING THE COMPLETION OF OUR DOCUMENTARY "NO COUNTRY FOR OLD PEOPLE" BY MAKING A TAX DEDUCTIBLE DONATION THROUGH THE NATIONAL CONSUMER VOICE HERE or GO FUND ME Follow us on Twitter, FB, IG, & TiK Tok

My co-host , Don, and I have been blessed with so many amazing guests, but truth be told, our 81st guest, Mary Lou Falcone , ranks as one of our very favorites!! We fell in love with this EXTRAORDINARY woman and we have no doubt you will, too. For over 50 years, Mary helped guide the careers of celebrated artists – Van Cliburn, Gustavo Dudamel, Renée Fleming, Sir Georg Solti, James Taylor – and advised many institutions including Carnegie Hall, Chicago Symphony, Los Angeles Philharmonic, Philadelphia Orchestra, New York Philharmonic, Vienna Philharmonic. Then combining communication skills with her background as a performer and educator, she now adds another layer: advocate for Lewy body dementia (LBD) awareness. Mary became a caregiver when her father had a massive stroke. She was 10 years old. The experience prepared her for the day, many years later, when her husband, a world-renowned cartoonist, illustrator, painter, and 1950s rocker, Nicholas 'Nicky' Zann, was diagnosed with Lewy Body Dementia (LBD). Nicky, who died from LBD in 2020, was the catalyst for Mary's first book, I Didn't See It Coming: Scenes of Love, Loss, and Lewy Body Dementia. "Mary Lou Falcone is an expert storyteller. After years of telling other people's stories, she now tells her own compelling story." Friend and client, James Taylor. In her memoir of love, loss, and Lewy body dementia (LBD), Mary Lou Falcone takes readers on a cathartic journey of caregiving that is filled with hope, laughter, and tears, making stops along the way for music, romance, and surprises. Written to inspire and give hope, Mary Lou unflinchingly shares in detail her late husband's struggle with LBD, providing informative, compassionate, and inspiring insights into dementia. As she emerges transformed and energized, so will you after reading I Didn't See It Coming: Scenes of Love, Loss, and Lewy Body Dementia . Learn about Lewy Body Dementia, why it is difficult to diagnose, and the special challenges faced by caregivers. Enjoy Episode 81!! Love conquers alz, Susie xo Support the show JOIN THE MOVEMENT FOR NURSING HOME REFORM BY SUPPORTING THE COMPLETION OF OUR DOCUMENTARY "NO COUNTRY FOR OLD PEOPLE" BY MAKING A TAX DEDUCTIBLE DONATION THROUGH THE NATIONAL CONSUMER VOICE HERE or GO FUND ME Follow us on Twitter, FB, IG, & TiK Tok

Gustavo Dudamel is one of the most famous and acclaimed conductors in the world. He's been the Music and Artistic Director of the Los Angeles Philharmonic since 2009, when he was just 27 years old. El maestro is the best-known graduate of El Sistema, Venezuela's national youth music education program. In the years since, Dudamel made a name for himself conducting world-famous orchestras, running his own arts charity — The Gustavo Dudamel Foundation — and founding the Youth Orchestra Los Angeles. Even amid the ongoing COVID-19 pandemic, Dudamel has been living up to his personal passion of finding creative ways to play and expand access to music, all while stressing the importance of staying in touch with his Venezuelan roots. In this episode of Latino USA, Dudamel talks about staying indoors, calling family home, and his belief that music will inspire a stronger future for all. This episode originally aired in February of 2021.

Mary Lou Falcone was a talented singer and then a publicist for some of the biggest classical musical stars of our time, like conductor Gustavo Dudamel and opera singer Renee Fleming. She has advised institutions like Carnegie Hall, the Chicago Symphony, the New York Philharmonic — the list goes on. She started her public relations career with the Saint Paul Opera back in 1974. And she returns to Minnesota this week to share her own story. MPR News Host Cathy Wurzer spoke with Falcone about her new memoir, I Didn't See it Coming: Scenes of Love, Loss, and Lewy Body Dementia, which details her journey of caregiving for her husband, the artist and pioneering rock ‘n' roller Nicky Zann. He died of Lewy Body Dementia in 2020.

Some people are born different. Talented, special, prodigies… whatever you want to call them, they are able to do things others could only dream of. Gustavo Dudamel is one such man – from a young age, he demonstrated an immense ability in the world of music. This music conductor not only became the best of his nation, Venezuela, by the age of 18, but also soon dominated South America, Europe, and the entire world with his ability to lead orchestras of all shapes and sizes.  Discover the story of this man who has not only broken all kinds of records in Venezuela but in music history, and who continues to amaze the world of art and music with his accomplishments, in the latest episode of the Learn Spanish with Stories podcast. Transcript of this episode is available at: https://podcast.lingomastery.com/listen/1173

Today on the podcast, you'll hear from Mary Lou Falcone, Founder and owner of M.L. Falcone, Public Relations Mary Lou Falcone is internationally known as a classical music publicist/strategist who for 50 years has helped guide the careers of celebrated artists – Van Cliburn, Gustavo Dudamel, Renée Fleming, Sir Georg Solti, James Taylor – and advised many institutions including Carnegie Hall, Chicago Symphony, Los Angeles Philharmonic, Philadelphia Orchestra, New York Philharmonic, Vienna Philharmonic.  Combining communication skills with her background as a performer and educator, she now adds another layer: advocate for Lewy body dementia (LBD) awareness.  Her late husband, the illustrator Nicky Zann who died from LBD in 2020, was the catalyst for this her first book. This conversation was so inspiring to me - Mary Lou has SO MUCH wisdom to share for musicians today about seeing opportunities, about learning on the job, about taking agency, about integrity and kindness and paying it forward. She has such beautiful words about caregiving, and she relates it so beautifully to what we do in so many realms of our lives. I wanted her to keep talking forever.   The book, I Didn't See it Coming, came out October 3 and I recommend it highly, but first please listen to this beautiful conversation. Mary Lou's website is https://maryloufalcone.com/   Thanks for joining me on Crushing Classical!  Theme music and audio editing by DreamVance. You can join my email list HERE, so you never miss an episode! Or you could hop on a short call with me to brainstorm your next plan.  I'm your host, Jennet Ingle. I love you all. Stay safe out there!  

This podcast is a commentary and does not contain any copyrighted material of the reference source. We strongly recommend accessing/buying the reference source at the same time. ■Reference Source https://www.ted.com/talks/gustavo_dudamel_and_the_teresa_carreno_youth_orchestra_el_sistema_s_top_youth_orchestra ■Post on this topic (You can get FREE learning materials!) https://englist.me/9-academic-words-reference-from-gustavo-dudamel-and-the-teresa-carreno-youth-orchestra-el-sistemas-top-youth-orchestra-ted-talk/ ■Youtube Video https://youtu.be/y1eI8mqehsQ (All Words) https://youtu.be/GQFnGJWNP58 (Advanced Words) https://youtu.be/PQxQNCfjODo (Quick Look) ■Top Page for Further Materials https://englist.me/ ■SNS (Please follow!)

durée : 00:02:58 - Le Regard culturel - par : Lucile Commeaux - Alors que l'Opéra de Paris se cherche un nouveau directeur artistique après le brusque départ du vénézuélien Gustavo Dudamel, retour sur le rôle très politique des chefs d'orchestre.

Philharmonic, conducted by Yannick Nézet-Séguin with Mezzo-soprano Elina Garanca as soloist. The Summer Night Concert was performed this year on June 8th, 2023. It is an annual open-air event, which has been held since 2008. The park of Schönbrunn Palace in Vienna/Austria is the magical setting for the concert. The illustrious conductors who have previously led the orchestra at this event are Georges Prêtre, Daniel Barenboim, Franz Welser-Möst, Lorin Maazel, Christoph Eschenbach, Zubin Mehta, Semyon Bychkov, Gustavo Dudamel, Daniel Harding, and Andris Nelsons.1. Georges Bizet, Suite Nr. 1 aus der Oper Carmen (Arrangement Ernest Guiraud 1885)             Nr. 5. Les Toréadors (Vorspiel zum 1. Akt)             Nr. 2. Intermezzo (Vorspiel zum 3. Akt)             Nr. 1a. Aragonaise (Vorspiel zum 4. Akt) 2. Georges Bizet, Habanera aus der Oper Carmen3. Lili Boulanger, D‘un matin de printemps. Fassung für Orchester 19184. Hector Berlioz, Ouvertüre zur Oper Le Corsaire op. 215. Charles Gounod, „O ma lyre immortelle“ Arie aus der Oper Sapho6. Maurice Ravel, Daphnis et Cloé. Suite Nr. 27. Camille Saint-Saëns, „Mon cœur s'ouvre à ta voix” Arie aus der Oper Samson et Dalila8. Maurice Ravel, BoleroHelp support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber and Apple Classical. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

Marissa Benedict was born in San Francisco, California and raised in Marin County where she started playing piano at age 7, violin at age 9 and trumpet at age 10 (studying with Joe Alessi, Sr.). She continued playing all three instruments until graduating from high school and moving to Los Angeles to attend USC, earning a Bachelor of Music degree in Trumpet Performance (June 1984), studying with Boyde Hood. Marissa is the Assistant Professor of Trumpet at the University of Minnesota, Twin Cities. Before leaving for Minnesota she was a freelance trumpet player in Los Angeles for 34 years. She is currently principal trumpet for The Pasadena Symphony/Pasadena Pops and plays regularly with the Minnesota Orchestra, St. Paul Chamber Orchestra, Los Angeles Philharmonic, Los Angeles Chamber Orchestra and Los Angeles Master Chorale. Marissa recently performed and recorded Mahler's 8th symphony in the Minnesota Orchestra's Mahler Project, played for Charles Lazarus' CD Merrier and Brighter (2022), Jack Stamp's Chamber Music Volume 1 (released July 2023), and the Los Angeles Trumpet Ensemble's Homage (release: August 2023), featuring eight of the top trumpeters in Southern California. She also toured with the L.A. Philharmonic on their “Boston to London” 2018 tour, and on 2019 tours to Asia and Scotland. She played for the 2019 Academy Awards (Oscars®) and recorded Celebrating John Williams with the L.A. Phil under the direction of Gustavo Dudamel. A very active and in-demand studio player, she can be heard on nearly 160 motion picture recordings, including Spider-Man No Way Home, Avatar 2: The Way of the Water, Lightyear, Incredibles II, Spider-Man Far from Home, Coco, Moana, Rogue One, Spider-Man, Homecoming, Indiana Jones IV, Avatar, The Polar Express, Spider-Man 2, Monsters, Inc., and War of the Worlds. Her television studio recording credits include Star Trek : Discovery, Star Trek: Enterprise, Star Trek: Voyager and Deep Space Nine, JAG, Commander in Chief and Galavant. Marissa's current trumpet studio consists of 16 trumpet students (Undergraduate, Master's degree and Doctoral of Musical Arts), ranging from Bachelor of Arts, Music Ed, Music Performance, double majors of Computer Science/Performance and MuEd/Performance. All of her graduated MuEd and Performance majors are currently teaching music and/or performing in the Minneapolis area. She continues to recruit and give masterclasses and special guest performances throughout the Twin Cities and across the US and remains very active in the community.

Diego speaks to Gotopo, a multi-talented singer, composer, producer, and provocative performer from Venezuela who sees the future in her South American past. She's skilled in folkloric stringed instruments and writes techno-inspired jams that reveal an Afro-indigenous legacy. Gotopo began her musical training in the town of Barquisimeto. In her youth, she participated in the youth orchestra system, a program in charge of the director of the Los Angeles Philharmonic, Gustavo Dudamel. When she moved to Berlin, Gotopo became a street performer, also participating in avant-garde musical events at the prestigious Humboldt Forum. Diego recorded his conversation with Gotopo in Bryant Park.Photo courtesy of Nikol Pizarro.Heritage Radio Network is a listener supported nonprofit podcast network. Support Buenlimon Radio by becoming a member!Buenlimon Radio is Powered by Simplecast.

In this episode, Kelly sits down with Dr. Dave Gerhart to have a conversation about how musicians can become more marketable as they navigate through different career opportunities. Dave is Segment Marketing Manager, Education for the Yamaha Corporation of America and Lecturer of Percussion at the Bob Cole Conservatory of Music at CSU, Long Beach, is a nationally recognized performer, composer, and educator. Dr. Gerhart, originally from Fairfield, California, holds a D.M.A. from the University of Southern California in Percussion Performance with a secondary emphasis in Music Education, Ethnomusicology, and Music Industry & Technology. He received a M.M. in Percussion Performance and Instrumental Conducting and a B.M. in Music Education from California State University, Long Beach. Dr. Gerhart has been featured on CDs with the Robin Cox Ensemble, Steven Hartke, and Gabriela Ortiz. As a freelance musician, Dave has performed under Gustavo Dudamel, Zubin Mehta, Carl St. Clair, Enrique Diemecke, Mehli Mehta, and has performed with Yo-Yo Ma, Bobby McFerrin, Michael Kamen, Liam Teague, Yefim Bronfman, Ray Holman, Robert Greenidge and the Blue Man Group. His principle teachers include Dr. Michael Carney, Erik Forrester, Brad Dutz, and Raynor Carroll, principal percussionist of the Los Angeles Philharmonic. His steel drum ensemble, the Island Hoppin' Steel Drum Band, performs throughout Southern California. Dave serves on the Board of Advisors and the World Percussion Committee for the Percussive Arts Society. An advocate of using technology in the classroom, Dr. Gerhart was featured in Technology and Its Use by Percussion Educators in the 21st Century (Published in Percussive Notes – January 2012) by Tracy Wiggins and part of the case study Using Technology to Enhance Performance Pedagogy in the Postsecondary Brass Studio by Adam Snider. In 2010, Dave co-founded https://DrumChattr.com and currently curates percussion related content for https://PercussionEducation.com. Dave's compositions and arrangements for triangle, timpani, percussion ensemble and steel drum orchestra are published by Bachovich Music Publications, Boxfish Music Publishing and Living Sounds Publications. For more on Dave, check out: https://davegerhart.com/ The Entrepreneurial Muse - Jeffrey Nytch: https://www.amazon.com/Entrepreneurial-Muse-Inspiring-Career-Classical/dp/0190630973Watch more Outside The Bachs podcast episodes on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠Listen on Apple Podcasts⁠⁠⁠⁠⁠⁠ Get More Students For Your Private Music Studio: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠OutsideTheBachs.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠Follow Kelly on Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Kelly on TikTok⁠⁠⁠⁠⁠⁠ Facebook Group: ⁠⁠⁠⁠⁠⁠Private Music Instructors, Piano Lesson Teachers, and Music Studio Owners

durée : 00:28:03 - Actualités de l'orchestre - par : Christian Merlin - La démission surprise de Gustavo Dudamel à l'Opéra de Paris et la nomination de Joseph Swensen comme directeur musical de l'Orchestre National Bordeaux-Aquitaine seront les deux seules actualités de ce vendredi 2 juin. - réalisé par : Marie Grout

In this episode, two stories about trying to figure out what's on someone's mind. In the first, we ogle the news media's obsession over the story of a woman who may or may not have had a "full-body orgasm" during a performance of Tchaikovsky's Symphony No. 5 at the LA Philharmonic Orchestra. The only folks who hope the music moved her to sexual ecstasy more than the press? The LA Phil, no doubt. The story hinges on the frustrating fact that we just can't get into that woman's head, and so — speculation is the mother of titillation. But the technology to read minds may now be here, according to a new study out of the University of Texas at Austin. Participants got fed hours of podcast audio in an fMRI and had their reactions to the words and phrases recorded. When participants were asked later to think of a particular story, the researchers (with help from some artificial intelligence) were apparently able to figure out with crazy accuracy the content of the story. Naturally, this took us straight into fears of LL Bean reading our minds to find out our deepest feelings on fleece, and we had to dig into the current state of research on "mental privacy." Come with us (so to speak) and be reminded why the brain is the biggest sex organ ... and why it's a flimsy, see-through little number. Listen to this so many times a machine can hear it in your thoughts. NOTES The "Orgasm Audio" is a sexual Zapruder film // The fMRI technically just reads your blood, not your thoughts // The original performance of Maurice Ravel's "Bolero" also made people a little nutty // The "Bolero" we sampled is from a 2010 Lucerne Festival performance by the Wiener Philharmoniker with conductor Gustavo Dudamel, who went on to (possibly) conduct a woman to orgasm over at the LA Phil. 

Emmy, Grammy, and Tony Award-winning actress Lily Tomlin reflects on her biggest roles and female representation in Hollywood. In Texas today, a federal judge heard a case that could undo the Food and Drug Administration's decades-old approval of the abortion pill mifepristone. LA Metro's trains and buses are facing a huge increase in crime and drug overdose deaths. Fewer commuters are using public transportation now. Gustavo Dudamel will leave for the NY Philharmonic in three years. One of his greatest legacies in LA is spreading youth music education. Who might replace him?

Gustavo Dudamel brought classical music to the masses in Los Angeles. Now he's announced that he's taking his talents to New York, which could revive classical music on one of its biggest stages. This episode was produced by Victoria Chamberlin, edited by Jolie Myers, fact-checked by Laura Bullard, engineered by Paul Robert Mounsey, and hosted by Sean Rameswaram. Transcript at vox.com/todayexplained   Support Today, Explained by making a financial contribution to Vox! bit.ly/givepodcasts Learn more about your ad choices. Visit podcastchoices.com/adchoices

Chris is ambivalent about celebrity conductor Gustavo Dudamel's surprise move from LA to New York, and Liz is still awed by the amazing food she ate during a trip to LA. Then, we talk about work: Once upon a time, it felt like our generation was all about finding a job we love so we'd never have to work a day in our lives, but judging from the conversations we've been having lately, it sounds like that's changed. Why was "do what you love" such a thing for millennials? Was it a generational thing or a developmental thing? How do we think about work now? What do you do if you don't want to sell your soul to work, but not advancing means the risk of getting fired? This is real adult shit. Finally, inspired by the Off Menu podcast (Liz's current favorite), we share our top five starters/appetizers. Turns out we both agree that appetizers are low-key better than entrees, so this was a mouth-watering joy to put together! facebook.com/topfivepod Instagram: @topfivepod Twitter: @thetopfivepod Art by Colin Turnbull (colinpturnbull.com) Music by Origami Pigeon --- Support this podcast: https://anchor.fm/topfivepod/support

Today on AirTalk, Gustavo Dudamel is heading to the New York Philharmonic– the legacy he leaves behind in L.A. Also on the show, Mayor Karen Bass on her 50 days in office; Lakers Lebron James now the highest scoring player in NBA history; and more. Gustavo Dudamel Leaving LA Philharmonic, Will Conduct For New York Phil (0:15) King James Officially Takes The Lead In NBA Scoring History (22:08) A.I. Is A Growing Tool For Hiring Managers, How Is That Affecting The General Makeup Of Workplaces? (35:09) LA Mayor Karen Bass On 50 Days In Office, LA's Quake Preparedness, Inside Safe Progress And More (51:24) New Book “Sorry, Sorry, Sorry” Makes The Case For Good Apologies (1:16:55)

Nina Bernat is the first prize winner at the 2019 International Society of Bassists Solo Competition and first and grand prize winner of the 2022 Minnesota Orchestra Young Artist Competition.    At the age of 19, she performed as guest principal of the Israel Philharmonic under Adrás Schiff and Osmo Vänskä and the New York Philharmonic under Gustavo Dudamel. As a recipient of the 2019 Keston MAX Fellowship, she performed with the London Symphony Orchestra on a subscription series concert at the Barbican Centre and in a chamber music concert for LSO Discovery Day at LSO St. Lukes.   We dig into her journey so far, what it was like having her dad as her teacher, the great Discover Double Bass interview she did with Geoff Chalmers, her father Mark Bernat's recent second recording of the Bach Cello Suites, and more.   Enjoy, and be sure to follow along with Nina on her website, Instagram, and YouTube!   Subscribe to the podcast to get these interviews delivered to you automatically!   Connect with us: all things double bass double bass merch double bass sheet music   Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle. Check out my Beginner's Classical Bass course and Intermediate to Advanced Classical Bass course, available exclusively from Discover Double Bass.   Thank you to our sponsor!   Carnegie Mellon University Double Bass Studio - CMU is dedicated to helping each student achieve their goals as a musician. Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city's ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah's website and to sign up for a free online trial lesson.   theme music by Eric Hochberg