Podcasts about Tancredi

Ti sei mai chiesto come si scrive una buona recensione di un libro in italiano? In questo articolo, lo scopriremo insieme, analizzando uno dei capolavori della letteratura italiana: "Il Gattopardo" di Giuseppe Tomasi di Lampedusa. Recensisci Come un Critico Letterario: una Guida Pronto a diventare un critico letterario? Allora, iniziamo questa avventura! 1. INIZIA CON LE INFORMAZIONI DI BASE La prima cosa da fare quando recensisci un libro è fornire le informazioni essenziali. Pensa a questo come a presentare un nuovo amico: nome, cognome e qualche dettaglio importante! Esempio con Il Gattopardo: "Il Gattopardo" è un romanzo storico scritto da Giuseppe Tomasi di Lampedusa, pubblicato postumo nel 1958. L'autore, un aristocratico siciliano, morì prima di vedere il suo unico romanzo diventare uno dei libri più importanti della letteratura italiana del XX secolo. Curiosità: sapevi che il titolo si riferisce allo stemma della famiglia del protagonista, che raffigura un gattopardo (simile a un leopardo)? 2. RACCONTA BREVEMENTE LA TRAMA (SENZA SPOILER!) Riassumere la trama è come raccontare una barzelletta: devi dire abbastanza per incuriosire, ma non troppo da rovinare il finale! La trama de Il Gattopardo: Il romanzo è ambientato in Sicilia durante il Risorgimento italiano (1860-1861) e segue le vicende del Principe Don Fabrizio Salina, un aristocratico che assiste al declino della nobiltà siciliana mentre una nuova classe sociale, la borghesia, emerge. Il nipote del Principe, Tancredi, si adatta ai cambiamenti sposando Angelica, la bella figlia di un nuovo ricco. Don Fabrizio osserva con malinconia questi cambiamenti, consapevole che "tutto deve cambiare perché tutto rimanga come prima" – forse la frase più famosa del libro! Prova tu: riesci a riassumere l'ultimo libro che hai letto in 3-4 frasi? Non è facile, vero? 3. ANALIZZA LO STILE E LA LINGUA Parliamo ora dello stile dell'autore. È come descrivere il modo di vestire di qualcuno: elegante? Casual? Eccentrico? Lo stile de Il Gattopardo: Lampedusa scrive con uno stile ricco e dettagliato, quasi pittorico, che trasporta il lettore nella Sicilia del XIX secolo. La sua prosa è elegante ma accessibile, con descrizioni vivide dei paesaggi siciliani, dei sontuosi palazzi nobiliari e dei personaggi complessi. La lingua è raffinata ma non pretenziosamente accademica, con un sapiente uso di termini siciliani che aggiungono autenticità al racconto. Che tipo di stile preferisci quando leggi? Semplice e diretto o elaborato e descrittivo? 4. ESPRIMI LA TUA OPINIONE PERSONALE Ecco la parte divertente: dire cosa ne pensi! È come quando dici a un amico se ti è piaciuto il ristorante dove hai cenato ieri sera. La mia opinione su Il Gattopardo: Personalmente, trovo "Il Gattopardo" un romanzo affascinante che offre molto più di una semplice storia. È un'opera che invita alla riflessione sul cambiamento sociale e sulla resistenza umana ad esso. La figura di Don Fabrizio, orgoglioso ma consapevole dell'inevitabilità del declino della sua classe, è straordinariamente ben costruita. Ciò che mi ha colpito di più è come Lampedusa riesca a rendere universale una storia così specificamente siciliana e italiana. 5. IDENTIFICA I TEMI PRINCIPALI Ogni buon libro ha dei temi importanti. È come trovare gli ingredienti in un piatto delizioso: "Mmm, sento un po' di amore, un pizzico di morte e una spruzzata di ribellione!" I temi de Il Gattopardo: I temi centrali del romanzo sono il cambiamento sociale e la resistenza ad esso, il declino dell'aristocrazia, il passaggio di potere tra classi sociali e la natura ciclica della storia. C'è anche una profonda riflessione sulla morte e sulla mortalità, simboleggiata dalla contemplazione del Principe delle stelle e dell'eternità. La Sicilia stessa diventa un personaggio, con la sua bellezza, il suo caldo opprimente e le sue tradizioni immutabili.

Nella Sicilia della Meta, il Tancredi del Gattopardo ci ammoniva dicendo "Se vogliamo che tutto rimanga com'è, bisogna che tutto cambi". I Greci rappresentavano l'energia universale che si consuma e si rinnova di continuo con la figura dell'Uroboro. Noi, prosaicamente, la chiamiamo Fulvio Colini in semifinale dei playoff. Dall'Uroboro all'Uruguay è un attimo: in chiusura, Emanuele ci parla di Copa Libertadores come Lele Adani.

En las últimas semanas, las principales agencias espaciales han monitoreado de cerca al asteroide 2024 YR4. El objeto captó la atención de los astrónomos cuando apareció en la lista de riesgo de la NASA, en la que figura con una probabilidad mayor a cero de impactar en la Tierra en 2032. El asteroide fue descubierto el 27 de diciembre del año pasado desde Río Hurtado, Chile, por un telescopio del sistema ATLAS (Última Alerta de Impacto Terrestre de Asteroides). A fines de enero, la Red Internacional de Alerta por Asteroides emitió la primera alerta por el posible impacto y potencial riesgo que significa para la Tierra este asteroide. Las estimaciones de la probabilidad de impacto están en un 3% aproximadamente, registradas por agencias como la NASA o la ESA (la Agencia Espacial Europea). Por otra parte, la Escala de Torinio, una herramienta que clasifica el riesgo de impacto de asteroides y cometas contra la Tierra, ubica al asteroide 2024 YR4 en un nivel 3 de un máximo de 10 en la escala. ¿Cuál es el significado de esta alerta? ¿Qué posibilidades hay de que efectivamente el asteroide colisiones con la Tierra? ¿Dónde caería? ¿Qué medidas se pueden tomar y qué consecuencias tendría el posible impacto? Conversamos En Perspectiva con el astrónomo Gonzalo Tancredi, director del departamento de Astronomía de la Universidad de la República, miembro de la Unión Astronómica Internacional, miembro del comité ejecutivo de la IAWN (red de alertas sobre asteroides), y presidente de la asociación de investigadores de Uruguay.

In this episode of My DPC Story, host Dr. Maryal Concepcion talks with Lauren Tancredi, a successful DPC entrepreneur, about the benefits and challenges of the direct primary care (DPC) model. The discussion addresses common concerns from potential patients about insurance coverage and the advantages of building a direct relationship with a primary care provider. Lauren shares valuable strategies for converting skeptical patients, emphasizing the importance of personalized care and transparent pricing. The episode also covers practical tips for DPC practices to educate and nurture prospective patients effectively, ultimately highlighting the transformative potential of DPC in improving patient satisfaction and healthcare outcomes. JOIN THE LIVE EVENT HERE on February 11th!I'd LOVE to hear from you! Now you can send a TEXT MESSAGE! Be sure to leave your contact EMAIL so I can return your message!REGISTER FOR THE LIVE EVENT ON FEB 11th WITH LAUREN TANCREDI HERE! -> SPRUCE HEALTH: NEW USERS get 20% off your SPRUCE HEALTH paid plan with code: MARYAL20Support the showBe A My DPC Story PATREON MEMBER! SPONSOR THE PODMy DPC Story VOICEMAIL! DPC SWAG!FACEBOOK * INSTAGRAM * LinkedIn * TWITTER * TIKTOK * YouTube

Send us a textBest Job of 2025 Indeed ArticleThank you to our sponsors and biggest fans who keep the podcast going!Dr. Tancredi was mentioned on the episode for his practical AI tips for veterinary practice. Follow Dr. William Tancredi's Substack for some more AI and other practical insights that are sometimes a little firey. Support the showMore Vet Life Reimagined?

Ospite del nostro spazio, in vista della partita con il Genoa, contro cui si è laureato campione d'Italia nel 1983, è l'indimenticabile Franco Tancredi, che ha da poco compiuto 70 anni. 

Álbum Destacado| Uncle Acid & The Deadbeats, Novedades| Mina, Negramaro, Brunori Sas, Squid, Fat Dog, Pinguini Tattici Nucleari, coma_Cose, Tancredi, Angelica Bove, Cosmonauti Borghesi, Alex Wyse, Selmi, Giin, Marianne Mirage, Dua Lipa, etc... ¡Suscríbete a nuestro canal en Telegram! https://t.co/d64vSXTYT9 ¡Suscríbete a nuestro canal en WhatsApp! https://whatsapp.com/channel/0029VaRw86Q1yT2FeNzrfv2g ¡Síguenos en Twitter! https://twitter.com/HNMagES ¡Síguenos en Instagram! https://www.instagram.com/hnmages/ ¡Síguenos en Facebook! https://www.facebook.com/HNMagES ¡Síguenos en Threads! https://www.threads.net/@hnmages

Il cantautore e producer bolognese Tancredi Bin è un’autentica rivelazione poiché nel suo intenso “Mappa di ogni corpo” l’artista riesce a catturare l’attenzione partendo da origini it-pop che vengono arricchite da sperimentazioni tra psichedelia, slowcore, elettronica e frammenti di aggressivo alternative rock, senza dimenticare la scuola cantautoriale italiana 70. Insomma la sua proposta è di

Step into the world of House Groove by Rodrigo Tancredi, a carefully curated journey through Chicago House, Bargrooves, and Disco House vibes. Featuring tracks from legendary artists like Steve Robinson, Joey Negro, Groove P, Josh Butler, and Dennis Cruz, this podcast delivers a smooth yet energizing sound. Perfect for adding rhythm to your day—whether you're relaxing at home, focusing at work, or pushing through a gym session. Dive into the groove and experience the true essence of house music. I hope you like it!

Join us for a compelling episode of Safety Corner powered by S1 and The Construction Life, featuring industry veteran Frank Tancredi, who brings nearly four decades of experience to the table. Frank's career began in his early 20s with a decade of hands-on work in heavy demolition, setting the stage for a lifelong commitment to the construction industry. He then transitioned to an impactful 21-year tenure with the Ministry of Labour, overseeing safety and regulatory compliance across all levels of construction. The past five years saw Frank sharing his wealth of knowledge through private consulting before taking a well-deserved hiatus as he plans his next project.Tune in to hear Frank's reflections on industry evolution, insights into maintaining safety standards, and lessons learned from his extensive career. You're listening to Safety Corner powered by TCL and S1 for workers by workersOnline and In Person Health and SafetyPrograms and TrainingAvailable in 10 plus languagesEnglish French Portuguese Italian Russian Tagalog Turkish Arabic and ChineseReach out to www.mys1.ca and DM then @my_s1 for more information

LUCIA TANCREDI - OGNI COSA E' PER GIULIA - presentato da Ira Rubini

A 14 anni Franco Tancredi inizia a giocare da ala destra e solo per caso si ritrova a sostituire un portiere in un torneo balneare a Giulianova.Da allora non ha più abbandonato i pali. Con 289 presenze con la maglia giallorossa, di cui 258 consecutive tra il 1980 ed il 1989, Franco Tancredi è diventato uno dei migliori portieri della storia della Roma. 

Il commovente saluto dell'attrice all'amico di sempre.

Dr. Tancredi joins us again. This time, we are talking about Summer Safety and Your Corgi! Know the signs of overheating, cool down gradually but not extreme (no ice baths) and get to a vet immediately. We also talk about paws, overexertion, and how we have to set limits for our pups because they just don't know better. References: https://www.linkedin.com/in/william-tancredi https://doctortanc.substack.com/ #podcast #veterinarymedicine #summersafety #doghealth --- Support this podcast: https://podcasters.spotify.com/pod/show/candie-kemp/support

While in Paris, the Doctor and Romana sense a time distortion. They observe the Countess Scarlioni using an alien device to scan the security systems housing Leonardo da Vinci's Mona Lisa at the Louvre. The pair meet Inspector Duggan, who suspects the Countess to be involved in an ongoing art theft scheme with her husband, Count Scarlioni. Duggan joins the Doctor and Romana in investigating the Scarlioni mansion. There, they find equipment used by Dr. Kerensky to experiment in time, the source of the time distortions, as well as six exact copies of the Mona Lisa. The Doctor instructs Romana and Duggan to continue investigating while he returns to the TARDIS to visit Leonardo, a good friend of his. After the Doctor leaves, the Count returns after successfully stealing the Mona Lisa and captures Romana and Duggan. Learning that Romana is familiar with time, he kills Dr. Kerensky and forces Romana to continue the tests. In the past, the Doctor arrives at Leonardo's home but is captured by Captain Tancredi, who is Count Scarlioni. Tancredi reveals he is really Scaroth, a member of the Jagaroth race. They had arrived on Earth 400 million years ago, but due to an explosion in their craft, all of the others died and his own body was fragmented across time. Collectively, the fragments of Scaroth have manipulated humanity so that by the 20th century, they will have technology that will enable him to go back in time to stop the explosion. Tancredi is currently employing Leonardo to create copies of the Mona Lisa in order to finance Scarlioni's work. After Tancredi leaves, the Doctor knocks out his captor, marks the blank canvases with a felt-tip pen with the phrase, "This is a fake", and leaves a message to Leonardo to paint over his writing before returning to the present. The Doctor learns Scaroth threatens to destroy Paris if Romana does not continue the work. He tries to gain the Countess' help by showing the Count's true form, but he kills her. Romana completes the work and Scaroth uses it to travel to the past. The Doctor ushers Romana and Duggan into the TARDIS, fearing that the ship's explosion was the spark that started the development of life on Earth, and if Scaroth should prevent it, humanity would not exist. They arrive in time for Duggan to knock Scaroth out before he can reach the ship. Scaroth returns to present Earth, where he is discovered in his alien form by his bodyguard Hermann, and they get into a fight which damages the equipment and sets the mansion on fire. Hermann escapes, but Scaroth burns to death. By the time the Doctor, Romana, and Duggan arrive, the original Mona Lisa and 5 of the 6 copies have been burned in the fire, but the last copy remains safe. Duggan argues that they've lost an invaluable piece of art, but the Doctor assures him that the copy, still done by Leonardo's hand, will go unnoticed, and that art is worthless if its monetary value is all that matters. The Doctor and Romana say goodbye to Duggan at the Eiffel Tower.

Der Nürnberger Schauspielchef Jan Philipp Gloger müht sich im Bregenzer Festspielhaus redlich mit dem ersten Opernerfolg des 20-jährigen Gioachino Rossini. Die Regie macht die absurde Handlung um zwei verfeindete Familien so nachvollziehbar wie zeitgemäß. Dennoch keimt zunehmend Langweile auf.

Dass Gioachino Rossini auch ernste Opern geschrieben hat, ist den meisten nicht bekannt. Dabei bedeutete eine sogenannte Opera Seria seinen Durchbruch als junger Komponist: Mit „Tancredi“ feierte er als 20-Jähriger in Venedig Erfolge. Das Stück wird selten inszeniert, jetzt ist sie bei den Bregenzer Festspielen zu sehen.

Friedrich, Uwe www.deutschlandfunkkultur.de, Fazit

La nouvelle saison musicale des Concerts d'été à Saint-Germain s'annonce exceptionnelle. Avec dix-huit concerts programmés dans la magnifique église de Saint-Germain, cette saison promet un voyage à travers les siècles de musique, du Moyen Âge à la période contemporaine. Les mélomanes pourront profiter d'interprétations variées allant du duo à des ensembles plus larges, célébrant notamment le 400e anniversaire du Combattimento di Tancredi e Clorinda de Monteverdi. La programmation inclut des artistes de renommée internationale ainsi que des jeunes talents comme le Theresia Orchestra et le NOVO Quartet.  Entretien téléphonique avec Chiara Banchini, conseillère artistique des concerts d'été de St Germain. 

Hey folks, welcome to this week's podcast! Get ready for a solid hour packed with bangers and pure vibes, featuring tracks from the likes of Green Velvet, Dummore Brothers, Archie Hamilton, Hannah Wants, FIRZA, and more. Don't forget to catch me live at the Fresca Party next Saturday 08/06/2024 at Metropolis Club, spinning from 22:30 to 00:00. The party kicks off at 15:00 and lasts until 4:00 AM Sunday, delivering non-stop house music vibes all night long. It's an event you won't want to miss! So tune in and crank up the volume. See you on the dance floor!

A Future of Finance interview with Tony Mclaughlin, Emerging Payments and Business Development at CitiThe Regulated Liability Network (RLN) embodies an idea of the future of money that, unlike most conceptual novelties in the field, has become more voguish rather than less since it was first unveiled in a white paper of November 2022. In fact, the RLN can lay claim to have pioneered an approach to scaling the tokenisation of assets that has captured the interest of supranationals and central banks. The white paper may have coincided with the International Monetary Fund (IMF) advancing the idea of an “X-C platform” but it appeared months before the Bank for International Settlements (BIS) outlined its notion of a “unified ledger” or “single programmable platform” and the Monetary Authority of Singapore (MAS) announced it was working with four banks on Global Layer One (GL1), an open digital infrastructure to host tokenised financial assets and applications. But it would be a mistake to label the RLN as avant-garde. It is based in a sound understanding of the classic theory of computation and aims unashamedly to preserve fiat currencies and their twin variants of commercial and central bank money as the foundations of the financial systems of the future. Its design for a common settlement infrastructure for tokenised money also bears an uncanny resemblance to the way payments are settled today, in terms of intermediation as well as technique. Which is why RLN might just be adopted widely once banks understand its design. Dominic Hobson, co-founder of Future of Finance, spoke to Tony McLaughlin, Managing Director, Emerging Payments and Business Development at Citi Treasury and Trade Solutions, and one of the 11 industry leaders that contributed to the development of the original idea of the RLN. Hosted on Acast. See acast.com/privacy for more information.

Welcome to the Exist party podcast, where we're taking you on a nostalgic journey from the 90s to today, featuring the best in house and electronic classics music. Get ready to dance as we take you through a journey of sounds that have defined our community over the years. Join us for the ultimate celebration on April 20th from 2pm until 10pm at Electric Brixton. Don't miss out on this epic event! I'll see you on the dance floor

En los carnavales venecianos de 1624, hace exactamente 400 años, Monteverdi presentó Il combattimento di Tancredi e Clorinda en el palacio de Girolamo Mocenigo. La dramática lucha de Tancredo y Clorinda, amantes y enemigos, llevó a Monteverdi a inventar soluciones musicales para poder transmitir todas las emociones presentes durante la batalla. La partitura fue publicada en su Octavo Libro de madrigales, junto con otras obras, como Il lamento della ninfa.Escuchar audio

Podcast 05.04.2024 Franco Tancredi Learn more about your ad choices. Visit megaphone.fm/adchoices

Have you ever had trouble finding where you fit in? Or maybe found it difficult to be yourself? I have and so has our guest today. Our guest is Dr. Bill Tancredi. We met at VMX this year as we were both invited to a small dinner that Instinct Science put together. And we've become really good friends. If you know of Bill's writing in his SubStack called Doc's FIRE, you may find him a little ... direct in his writing style.  But Bill and I get along so well because we love to learn, love the veterinary profession, and both strive to do things that matter in this world. No matter the challenges we face including people who disagree with us or finding a place where we fit in, when you find the thing worth fighting for, you find your purpose. Now, Bill owns a solo doctor practice, which also won a NAVC Vetty award last year, which he shares how they achieved. In this episode, we talk about finding your authentic self and how there's no such thing as a one-fits-all leadership style. Resources:Episode on YouTubeDoc's FIRE: Facts, Insights, Research, EducationAdmired LeadershipGift guide for veterinary peopleSupport the showMore Vet Life Reimagined?

Episode 005 Summary: In this episode of The Junto, Scott Rattigan interviews Claire Bodtke and Lauren Castle, founders of Mediava. They discuss the importance of creating an exceptional patient experience in cash-pay medicine and the need for practitioners to focus on the business side of their practice. They also highlight the role of technology, such as ReveliaDx, in automating clinical processes and improving patient outcomes. The conversation emphasizes the importance of personal connection and communication in building trust with patients and setting clear expectations. Overall, the episode provides valuable insights and practical tips for practitioners in the functional medicine field. In this conversation, Claire Bodtke emphasizes the importance of understanding the different skill sets between practitioners and business people. She encourages practitioners to focus on their expertise in healing and not feel like failures if they don't immediately grasp business concepts. Claire also highlights the significance of implementation and offers support in building schedules and funnels. She suggests using a free 15-minute consult to get to know potential clients and determine if there is a good fit. Claire emphasizes the need for practitioners to actively listen to client concerns and provide value in their interactions. She emphasizes the importance of tracking leads and following up with potential clients, as it can take multiple touch points for someone to make a purchasing decision. Claire also discusses the importance of understanding the value of health and effectively communicating the benefits of a program or package to potential clients. Finally, she encourages practitioners to recognize their worth and consider raising their prices as they grow. Takeaways: Creating an exceptional patient experience is crucial in cash-pay medicine. Practitioners need to focus on the business side of their practice and create systems and processes to optimize efficiency. Technology, such as ReveliaDx, can automate clinical processes and improve patient outcomes. Personal connection and communication are key in building trust with patients and setting clear expectations. Practitioners should focus on their expertise in healing and not feel like failures if they struggle with business concepts. Implementation is key, and practitioners can seek support in building schedules and funnels. Offering a free 15-minute consult can help determine if there is a good fit with potential clients. Active listening and addressing client concerns are crucial in building trust and making sales. Tracking leads and following up with potential clients is essential, as it can take multiple touch points for someone to make a purchasing decision. Practitioners should effectively communicate the value and benefits of their programs or packages to potential clients. Recognize your worth and consider raising prices as you grow. Chapters: 00:00 Introduction to Medicava 01:26 How Medicava Started 03:18 Meeting and Collaboration 05:26 Experience and Expertise 09:37 Working with Household Names 14:36 Overcoming Sales Challenges 15:21 Improving the Patient Experience 22:23 Using Videos to Enhance the Experience 24:09 Leveraging Courses and Education 26:19 The Importance of Execution 27:09 The Challenges of Business for Practitioners 28:08 The Implementation Side 29:22 The Valley of Despair 30:49 Sticking with a Strategy 31:37 Setting Boundaries and Expectations 33:34 Practical Takeaways: Discovery Calls 34:24 Setting Boundaries and Expectations (Continued) 35:16 Active Listening in Discovery Calls 37:16 Asking the Right Questions 38:24 Creating a Valuable Patient Experience 39:23 Tracking and Following Up with Leads 41:17 Understanding the Value of Your Program 42:45 Pricing and Communicating Value 45:41 The Value of Health 46:35 Knowing Your Worth 47:45 Raising Prices and Setting Boundaries 48:50 Delivering Value and Making a Difference 49:55 Final Thoughts and Encouragement

Inizia Sanremo e quale occasione migliore per raccontare qualche aneddoto che lega le scommese a quel grande evento nazional popolare che è il Festival di Sanremo. Alessandro racconta di come le scommesse su eventi di costume siano diventate legali in Italia dal 2013 e del suo coinvolgimento personale in questo cambiamento. Epica l'audace campagna di marketing durante il Festival di Sanremo fatta nel 2013 quando manager in Paddy Power, illustrando il suo approccio creativo e le strategie utilizzate. L'episodio è arricchito dai contributi di Tancredi Palmieri, giornalista sportivo e volto social e di Sportitalia. Questo episodio dà il via alla settimana di Sanremo in cui Alessandro e Tancredi di diletteranno in live su instagram per raccontare aneddoti e formulare pronostici. For fun. Scritto da Alessandro Allara e Alessio Albano. Una produzione 7:31 LAB. Scrivici le tue storie a confessioni.bookmaker@gmail.com. I contenuti di questo podcast sono puramente informativi e non rappresentano in alcun modo un invito al gioco d'azzardo. Learn more about your ad choices. Visit megaphone.fm/adchoices

Learn more about your ad choices. Visit megaphone.fm/adchoices

Dr. Tancredi is responsible for reclassifying Pluto as a "dwarf planet" and also used the Double Asteroid Redirection Test (DART) mission of NASA to study how impact ejecta evolve into a tail. He also shared how he missed discovering the "asteroid of the century" and that once he had a talk advertised using smoke signals. Check out this amazing episode!!

Giaches de Wert, il celebre maestro di cappella del ducato dei Gonzaga, fu il primo a mettere in musica alcune ottave della Gerusalemme liberata di Torquato Tasso. I risultati musicali raggiunti da Wert dovettero sorprendere non poco lo stesso poeta quando nel 1586 vide il musicista pubblicare l'Ottavo Libro a 5 voci dove sono presenti ben sei madrigali che mettono in musica dodici stanze della Gerusalemme. Nel 1590 si unisce alla cappella musicale dei Gonzaga un promettente compositore e suonatore di viola poco più che ventenne: Claudio Monteverdi che nel Terzo Libro del 1592 fa comparire accenti intensamente drammatici in particolare proprio nelle due terzine della Gerusalemme: Vivrò fra i miei tormenti (canto di disperazione di Tancredi per la morte di Clorinda) e Vattene pur crudel (l'ira di Armida respinta).Anche Luca Marenzio, all'epoca unanimemente riconosciuto come il miglior compositore di madrigali, dedicò alla Gerusalemme il brano di esordio del Quarto Libro a 5 voci del 1584. Furono dunque certamente i madrigali di Wert, Marenzio e Monteverdi che portarono nel 1594 Tasso a dire «possono i poemi eroici esser con quella sorte di musica ch'è perfettissima».

The history of bass drum head art dates back over a century ago when pipe bands would paint the name of their town and group on the calf skin head. This evolved over time with beautifully painted scenic paintings that were sold directly from the major manufacturers in catalogs, then drummers began adding initials and band names to the heads and the rest is history! Dominic Tancredi and Luke Condrich join us from Woodshed Stage Art to give us a very detailed look at how bass drum art has evolved since the 1920's through all the decades up to today. We talk about how Gene and Buddy made the shield logo iconic, how Ringo's Beatle head made history, and then the era of stickers and modern digital printing. Check out everything that Woodshed Stage Art offers at https://woodshedstageart.com/ and order your own custom head! Thanks for watching! Join my YouTube membership channel to get access to perks: https://www.youtube.com/channel/UC6-idkIENcqobRy0s9Jc5Yw/join ** CHECK OUT MY GEAR ON SWEETWATER ** https://imp.i114863.net/yRYRGN ** 30 DAY FREE DRUMEO TRIAL ** https://drumeo.pxf.io/c/3607735/1268414/14652 **JOIN PATREON** https://www.patreon.com/drumhistorypodcast **I record interviews with Riverside.FM - I highly recommend it. Here is my affiliate link: https://riverside.fm/?via=bart-vanderzee

The history of bass drum head art dates back over a century ago when pipe bands would paint the name of their town and group on the calf skin head. This evolved over time with beautifully painted scenic paintings that were sold directly from the major manufacturers in catalogs, then drummers began adding initials and band names to the heads and the rest is history! Dominic Tancredi and Luke Condrich join us from Woodshed Stage Art to give us a very detailed look at how bass drum art has evolved since the 1920's through all the decades up to today. We talk about how Gene and Buddy made the shield logo iconic, how Ringo's Beatle head made history, and then the era of stickers and modern digital printing. Check out everything that Woodshed Stage Art offers at https://woodshedstageart.com/ and order your own custom head! Thanks for watching! Join my YouTube membership channel to get access to perks: https://www.youtube.com/channel/UC6-idkIENcqobRy0s9Jc5Yw/join ** CHECK OUT MY GEAR ON SWEETWATER ** https://imp.i114863.net/yRYRGN ** 30 DAY FREE DRUMEO TRIAL ** https://drumeo.pxf.io/c/3607735/1268414/14652 **JOIN PATREON** https://www.patreon.com/drumhistorypodcast **I record interviews with Riverside.FM - I highly recommend it. Here is my affiliate link: https://riverside.fm/?via=bart-vanderzee

Gioachino ROSSINI TANCREDITancredi, Marylin HorneAmenaide, Lella CuberliArgirio, Ernesto PalacioOrbazzano, Nicola ZaccariaIsaura, Bernardette Manca Di NissaRoggiero, Patricia SchumannCoro e Orchestra del Teatro La FeniceRalf Weikert, direttore

Lucia Tancredi"Jacopa dei Settesoli"La ricca amica di FrancescoCittà Nuova Editricehttps://www.cittanuova.it/Nella ricostruzione, tra vero storico e verosimile letterario, di un Medioevo cortese, devoto al servizio d'amore come itinerario per giungere a Dio, Jacopa dei Settesoli non è solo l'amica e la protettrice di Francesco, ma una delle declinazioni del femminile sacro. La giovane matrona romana dalle trecce bionde, ricchissima e padrona del suo destino, stabilisce con Francesco un'intesa in cui l'amore è accettazione e valorizzazione della reciproca alterità come complemento e bene spirituale. La coralità dei Fratelli e delle Sorelle, un Oriente molto prossimo nei suoi scontri e nei suoi incanti, la difficile e controversa eredità di Francesco sono il contesto in cui si individua e si riscatta la figura di Jacopa, nella luminosa e coraggiosa fedeltà a se stessa, pur nell'esperienza di una vicenda d'amore straordinaria e assoluta.Lucia Tancredi è nata a San Marco in Lamis. Vive a Macerata dove insegnaLetteratura. Ha raccontato per Città Nuova due mistiche: “Io Monica, Le confessioni dellamadre di Agostino” e “Ildegarda”. Appassionata delle vite degli altri, per la casa editrice evha scritto i romanzi: “Côté Bach”, “La vita privata di Giulia Schucht”, “L'otto”. Ha pubblicatoracconti di viaggio e spaesamento dedicati alla Marca Maceratese, al Gargano, alloSferisterio di Macerata.IL POSTO DELLE PAROLEAscoltare fa Pensarehttps://ilpostodelleparole.it/

Anoche, a las 20.15 hora de Uruguay, a 11 millones de kilómetros de la Tierra, se ejecutó una misión espacial de tintes hollywoodenses. Como en la película Armagedón, en la que Bruce Willis busca destruir un asteroide para que no impacte contra la Tierra, pero sin tanto show. Así podríamos caracterizar a la misión DART, cuya nave despegó en noviembre desde California, Estados Unidos, con el objetivo de desviar a un asteroide llamado Dimorphos. Si bien Dimorphos no es una amenaza para el planeta, la intención era practicar para estar preparados para ejecutar una operación de ese tipo cuando sea necesario actuar ante una amenaza real. Así celebraron ayer en la NASA el momento en que el vehículo impactó contra el asteroide: ¿Fue un éxito, entonces, la misión? ¿Qué información existe de lo que ocurrió anoche, además de lo que mostró la cámara hasta el instante del impacto? ¿Cómo sigue esta misión? Conversamos En Perspectiva con un uruguayo que es parte del equipo internacional de trabajo, el astrónomo y docente Gonzalo Tancredi.

Entrevista al astrónomo Gonzalo Tancredi (PEDECIBA Geociencias - Facultad de Ciencias), único latinoamericano integrante del equipo DART. La misión DART (Double Asteroid Redirection Test) de la NASA planea poner a punto las defensas planetarias disparando un proyectil contra un asteroide para desviarlo de su curso.

Donald explores composer Claudio Monteverdi, one of the most important figures in the development of Western music. As a composer of both secular and sacred music, over the course of his career he worked for court, church and was one of the key figures in the development of opera. Across this week of programmes, Donald Macleod tracks Monteverdi's career across three cities, from promising child prodigy, through poverty and plague, to his final years in the priesthood, with huge artistic successes along the way. Music Featured: Toccata (Orfeo) Surge propera amica mea (Sacrae cantiunculae) O bone Iesu, illumine oculos meus (Sacrae cantiunculae) Surgens Iesu (Sacrae cantiunculae) Iusti tulerunt spolia impioru (Sacrae cantiunculae) Non si levav'ancor l'alba novella (2nd book of Madrigals) E dicea l'una sospirand'all'hora (2nd book of Madrigals) O come e gran martire (3rd book of Madrigals) O primavera (3rd book of Madrigals) Occhi, un tempo (3rd book of Madrigals) Rimanti in pace (3rd book of Madrigals) Questi vaghi concenti Vespro della Beata Vergine (Ave maris stella a 8) Zefiro torna e di soavi accenti Il Combattimento di Tancredi e Clorinda De la Bellezza le dovute lodi, SV 245 Anima mia, perdona (4th book of madrigals) Che se tu se il cor mio (4th book of madrigals) Cruda Amarilli (5th book of madrigals) Ah, dolente partita! (4th book of madrigals) Quel augellin che canta (4th book of madrigals) Pur ti miro (L'incoronazione di Poppea, Act 3 Sc 8) Orfeo (Act 5 : Final ritornello and Moresca) Orfeo (Act 3: excerpt) Lamento d'Arianna Missa da capella a sei voci “In illo tempore” (Kyrie and Gloria Il Ballo della Ingrate (Overture) Misero alceo, SV 114 (6th book of Madrigals) Zefiro torna, SV 108 (6th book of Madrigals) Presso un fiume tranquillo, SV 116 (6th book of Madrigals) Dixit Dominus (Vespers, 1610) Tirsi e Clori (7th book of Madrigals) Litanie della Beata Virgine, SV 204 Oblivion soave (L'incoronazione di Poppea, Act 2) Gloria a 7 (Selve morale e spirituale) Ardo avvampo, mi struggo, ardo, accorrete, Madrigali guerrieri, No 7 (8th book of Madrigals) Lamento della ninfa, Madrigali amorosi, No 9 (8th book of Madrigals) Torna, torna, deh torna Ulisse (Il ritorno d'Ulisse, Act 1 Sc 1) Beatus Vir Presented by Donald Macleod Produced by Sam Phillips For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Claudio Monteverdi (1567-1643) https://www.bbc.co.uk/programmes/m0019knl And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

In episode 3 we discuss the risks of tapering for patients on long-term, high-dose opioids.Article citation: Agnoli, A., Xing, G., Tancredi, D. J., Magnan, E., Jerant, A., & Fenton, J. Association of Dose Tapering With Overdose or Mental Health Crisis Among Patients Prescribed Long-term Opioids. JAMA, 326(5), 411–419. August 3, 2021.We also discuss how to get your DEA waiver to prescribe buprenorphine in just 5 minutes.If you want to start prescribing buprenorphine right away take a look at the SAMHSA quick-start guide, or the ASAM one-hour mini-course.This is Addiction Medicine Journal Club with Dr. Sonya Del Tredici and Dr. John Keenan. We practice addiction medicine and primary care, and we believe that addiction is a disease that can be treated. In this podcast we review current articles to help you stay up to date with research that you can use in your addiction medicine practice. The best part of any journal club is the conversation, and we want to hear what you have to say. To have your opinions about the articles included in a future episode, you can email us at addictionmedicinejournalclub@gmail.com or talk to us on Twitter @AddictionMedJC. You can also record a voice memo on your phone and email it to us, and we might include your comment in your own voice on the air. Credits:Original theme music composed and performed by Benjamin KennedyAudio production by Angela OhlfestAddiction Medicine Journal Club is intended for educational purposes only, and should not be considered medical advice. The views expressed here are our own, and do not necessarily reflect those of our employers or the authors of the articles we review. All patient information has been modified to protect their identities.

Welcome to our 200th episode!In the past four years, we've covered a lot: dating, drug use, homework, hormones, screen time, sexuality, mental health, race and much more. We have had an incredible array of experts share their knowledge with us, and couldn't be more grateful to see how our little show has spread to a worldwide community of parents of teens. To help our newest listeners peer into our archives and remind long-time listeners of favorite gems, we've pulled together snippets from our most beloved interviews into a Supercut for our big 200th episode. We're so happy to have you here as we reach this important milestone. From all of us here at Talking to Teens–Andy, Virginia, Brian, Priya, and Tancredi–thanks for tuning in. Whether it's your first week listening or you've been here since episode one, we couldn't do this without you. We're honored to be a part of your parenting journey.

Aethelflaed and Bertha are two of the figures discussed in the new history of women in the Middle Ages written by Janina Ramirez. Choreographer Shobana Jeyasingh has taken the heroine who fights Tancredi the crusading knight and reframed the story set to the music composed by Monteverdi's Il Combattimento. Cat Jarman is a bioarchaeologist who has tracked the way a Viking ‘Carnelian' bead travelled to England from 8th-century Baghdad, with all that it tells us about women and power. They join Shahidha Bari to discuss ideas about women as warriors and power brokers. Femina: A New History of the Middle Ages, Through the Women Written Out of It by Janina Ramirez is published July 21st 2022 Shobana Jeyasingh's new dance work Clorinda Agonistes premieres on July 13th and 14th at Grange Park, Hampshire and then can be seen at Sadlers Wells Sept 9th and 10th, Snape Maltings October 8th, the Lowry Oct 18th and 19th, Oxford Playhouse 15th and 16th November. River Kings: A New History of the Vikings from Scandinavia to the Silk Roads by Cat Jarman is out now. Producer in Salford: Cecile Wright You might be interested in another discussion about women fighting hearing from Maaza Mengiste, Christina Lamb, Julie Wheelwright https://www.bbc.co.uk/programmes/m000g4bz available on the Free Thinking programme website and to download as an Arts & Ideas podcast our our discussion about Vikings https://www.bbc.co.uk/programmes/m0015582 and we have a whole collection called Women in the World https://www.bbc.co.uk/programmes/p084ttwp

Mets fan and host of The Card Foundation Podcast John Tancredi joins the show to discuss the Reds and Mets after the final game of their 3-game series at Great American Ballpark. They'll talk about the series, Luis Castillo trade rumors and what a potential trade to the Mets would look like, the return of Nick Lodolo to the Reds rotation and more.

El monto de los recursos adicionales que el Poder Ejecutivo iba a destinar en la Rendiciómn de Cuentas a la Ciencia, la Tecnología y la Innovación había generado expectativa en las semanas previas al envío del proyecto al parlamento. Por ejemplo, el presidente de la Academia Nacional de Ciencias, Rafael Radi, había señalado que llegada la mitad del período de gobierno y luego del importancia que tuvo la ciencia durante la pandemia, era hora de que el gobierno “diera una señal” de apoyo. Finalmente, el proyecto agrega 52 millones de dólares para el rubro entre los años 2023 y 2024. ¿Cómo toman esta asignación desde la comunidad científica? Hoy conversamos En Perspectiva con el presidente de la asociación civil Investigauy, el astrónomo Gonzalo Tancredi.

Steven Line l'attore porno che arriva dal Piemonte. Mega blob. Boomer TV, la tv che spiega ai boomer le nuove tecnologie. Il piccolo Tancredi e le serie TV.

Meet Beth Tancredi Chunn, a writer and expert in product management, marketing, and content strategy, who transitioned into a role as Editor-in-Chief at a political startup. After 25 years of working for various industries, writing her own book, and starting her own business, Beth felt the ups and downs of climbing the ranks as a female in the business world. Now, Beth has a role where she is in charge, she knows her worth, and she can make a difference in her company on her own terms. Listen and be inspired by Beth Tancredi Chunn's Second Act Success story. Connect with Beth Tancredi Chunn on social:LinkedIn - Beth Tancredi ChunnFacebook - @bethtancrediPolitical IQ - https://www.politicaliq.com/ To learn more about the show visit http://www.secondactsuccess.co, and please subscribe to the podcast so you don't miss an episode.If you would like to share your story with our listeners or recommend a guest for the show, please email info@secondactsuccess.co.Connect with our host Shannon Russell and the Second Act Success Team:Facebook | Instagram | Website

Entrevista al Dr. Gonzalo Tancredi, presidente de InvestigaUY, la primera asociación de investigadoras e investigadores de Uruguay. El científico hizo referencia a la situación económica de la ciencia en Uruguay, expresó que “los números que tiene Uruguay son bajos. Mantenemos un porcentaje menor al 0,5% del PBI en inversión. Si uno lo compara con otros países, estamos muy mal. Uruguay tiene una baja inversión y un bajo número de investigadores por población activa”. Agregó además que hay que considerar dos factores: la cantidad de proyectos que se presentan, y los que se aprueban. “Los montos de financiación en términos internacionales son ridículos”, remarcó.

“Sparkling” mezzo-soprano Madison Marie McIntosh has been praised for her “wondrouslyflexible voice,” “prodigious vocal skills,” and “richly textured and strong lower register” (Vocedi Meche). OperaWire has praised her “vocal power,” “enchanting voice,” “velvety mezzosoprano,”and “abundant vocal and dramatic technique, with no shortage of soaring high notesand flexible roulades.” She won The American Prize in Vocal Performance in 2020 and thenperformed a benefit concert for The American Prize that featured world premieres of works by eight composers. Madison has performed Ernesta (Un avvertimento ai gelosi) at Caramoor, Delia (Il viaggio a Reims) with the Rossini Opera Festival in Pesaro, and Alto Soloist (Messiah) with New Amsterdam Opera. In 2022, she performed in concerts with Gulfshore Opera and will sing the title role in La Cenerentola with Fargo Moorhead Opera, the title role in Giulio Cesare with Connecticut Lyric Opera, and Francesca Da Ponte in the premiere of Da Ponte, by composer Roger Neill and librettist Neil Cohen. In 2021, she sang Beppe in Teatro Grattacielo's production of L'amico Fritz at the Phoenicia International Festival of the Voice, the Domme in Three Way with Fargo Moorhead Opera, Melissa in La liberazione di Ruggiero with Connecticut Lyric Opera, Ruggiero in Alter Ego Chamber Opera's production of Alcina REVAMPED at the Philadelphia Fringe Festival, and Lola Lowell in the virtual premiere of Theodore Christman's opera The Impresario and the Dueling Divas with Mo. Eve Queler. Madison has also performed Rosina (Il barbiere di Siviglia), the title role in Carmen, Isabella (L'Italiana in Algeri), Angelina (La Cenerentola), Cesare (Giulio Cesare in Egitto), Hansel (Hansel and Gretel), Dido (Dido and Aeneas), Sara (Roberto Devereux), Giovanna Seymour (Anna Bolena), Zerlina (Don Giovanni), and lead roles in the world premieres of six operas. She has premiered song cycles and other works by composers such as Peter Breiner, Paula Kimper, Roger Neill, Amy Scurria, Jeff Shankley, Myron Silberstein, Webster Young, and Paul Ayres. In 2019, she joined Eve Queler as a soloist in her 25th annual Bel Canto Opera Concert. She has been featured as a soloist in venues such as Weill Recital Hall at Carnegie Hall, Avery Fisher Hall, the Kravis Center for the Performing Arts, Bruno Walter Auditorium at Lincoln Center, Symphony Space, the DiMenna Center, and the Teatro Rossini. She covered the title role in Tancredi and sang the Eco in the inaugural season of Will Crutchfield's Teatro Nuovo. In 2019, she performed the role of Prinz Orlofsky (Die Fledermaus) at the Wiener Kammeroper as a result of winning First Prize in the Vienna Summer Music Festival Competition. She worked with the late Mo. Alberto Zedda as a young artist of the Accademia Rossiniana in 2014 and was an Apprentice Artist of Sarasota Opera in 2018. Last season, she was presented in a solo virtual concert in the Kravis Center's series Kravis @ Home. “Sparkling” mezzo-soprano Madison Marie McIntosh has been praised for her “wondrously flexible voice,” “prodigious vocal skills,” and “richly textured and strong lower register” (Voce di Meche). OperaWire has praised her “vocal power,” “enchanting voice,” “velvety mezzosoprano,”and “abundant vocal and dramatic technique, with no shortage of soaring high notesand flexible roulades.” She won The American Prize in Vocal Performance in 2020 and thenperformed a benefit concert for The American Prize that featured world premieres of works by eight composers. Madison has performed Ernesta (Un avvertimento ai gelosi) at Caramoor, Delia (Il viaggio a Reims) with the Rossini Opera Festival in Pesaro, and Alto Soloist (Messiah) with New Amsterdam Opera. In 2022, she performed in concerts with Gulfshore Opera and will sing the title role in La Cenerentola with Fargo Moorhead Opera, the title role in Giulio Cesare with Connecticut Lyric Opera, and Francesca Da Ponte in the premiere of Da Ponte, by composer Roger Neill and librettist Neil Cohen. In 2021, she sang Beppe in Teatro Grattacielo's production of L'amico Fritz at the Phoenicia International Festival of the Voice, the Domme in Three Way with Fargo Moorhead Opera, Melissa in La liberazione di Ruggiero with Connecticut Lyric Opera, Ruggiero in Alter Ego Chamber Opera's production of Alcina REVAMPED at the Philadelphia Fringe Festival, anLola Lowell in the virtual premiere of Theodore Christman's opera The Impresario and theDueling Divas with Mo. Eve Queler. Madison has also performed Rosina (Il barbiere di Siviglia), the title role in Carmen, Isabella (L'Italiana in Algeri), Angelina (La Cenerentola), Cesare (Giulio Cesare in Egitto), Hansel (Hansel and Gretel), Dido (Dido and Aeneas), Sara (Roberto Devereux), Giovanna Seymour (Anna Bolena), Zerlina (Don Giovanni), and lead roles in the world premieres of six operas. S has premiered song cycles and other works by composers such as Peter Breiner, Paula Kimper, Roger Neill, Amy Scurria, Jeff Shankley, Myron Silberstein, Webster Young, and Paul Ayres. In 2019, she joined Eve Queler as a soloist in her 25th annual Bel Canto Opera Concert. She has been featured as a soloist in venues such as Weill Recital Hall at Carnegie Hall, Avery Fisher Hall, the Kravis Center for the Performing Arts, Bruno Walter Auditorium at Lincoln Center, Symphony Space, the DiMenna Center, and the Teatro Rossini. She covered the title role in Tancredi and sang the Eco in the inaugural season of Will Crutchfield's Teatro Nuovo. In 2019, she performed the role of Prinz Orlofsky (Die Fledermaus) at the Wiener Kammeroper as a result of winning First Prize in the Vienna Summer Music Festival Competition. She worked with the late Mo. Alberto Zedda as a young artist of the Accademia Rossiniana in 2014 and was an Apprentice Artist of Sarasota Opera in 2018. Last season, she was presented in a solo virtual concert in the Kravis Center's series Kravis @ Home. She also sang in virtual events presented by Fort Worth Opera, Maryland Opera, and the Art Song Preservation Society of New York. She performed one of the 22 ariette by Vaccai in Will Crutchfield's video “Bel Canto in Thirty Minutes,” which also includes singers such as Lawrence Brownlee, Jennifer Rowley, Lisette Oropesa, Angela Meade, and Tamara Mumford. She later collaborated with Mo. Crutchfield on a recording for Teatro Nuovo's Bel Canto Collection. She performed one of the 22 ariette by Vaccai in Will Crutchfield's video “Bel Canto in Thirty Minutes,” which also includes singers such as Lawrence Brownlee, Jennifer Rowley, Lisette Oropesa, Angela Meade, and Tamara Mumford. She later collaborated with Mo. Crutchfield on a recording for Teatro Nuovo's Bel Canto Collection.

In this weeks episode Mrs. Tancredi joins Mr. Ross and Mr. Miley on the podcast to talk about testing season. She brings up the potential stress surrounding ISAT season and discusses reframing that potential "stress" into something positive. Timestamps below:Testing Season Discussion (00:14)Going-ons: (9:31)

In this weeks episode, Brian is joined by the guys from the Card Foundation Podcast; Papabear Paul, Danny and Johnny Tancredi! The guys sit down with Brian to talk about how they became fans of wrestling, their holy grail when it comes to wrestling cards, throwing crotch chops in the 90's, WCW vs. WWF, dressing up as wrestlers for Halloween, WWE's Most Wanted Treasures, what they're watching today, and of course, the Card Foundation Podcast! Plus, they reveal some EXCLUSIVE news as it pertains to their own cards! In addition, Brian discusses AEW's move to TBS, The Miz's potential injury, and are we getting KofiMania 2!? All that and so much more! @BrianChaires7 @TLChairesPod @CardFoundPod Linktr.ee/TLChairesPod Prowrestlingtees.com/TLChairesPod Sponsored by: Stackofcardz.com and Anchor.fm.