Podcast appearances and mentions of everett true

Emission 995 Nirvana #2 (1993 – 94) - Foo Fighters - La Playlist - Nirvana - All Apologies - Heart-Shaped Box - Serve - The Servants - Very Ape – Radio Friendly Unit Shifter – Scentless Apprentice – Milk It - Tourett's… - The Man Who Sold The World - About a Girl - You Know You're Right - Lake of Fire - All Apologies - Where Did You Sleep Last Night Foo Fighters- This Is A Call - Big Me - Good Grief - Exhausted - Stacked Actors - Bridge Burning - Back & Forth - Arrows Bonne Ecoute... Bibliographie : Les Inrockuptibles n°#33 janv - fév 1992 SPIN janvier 1992 SPIN décembre 1992 SPIN octobre 1993 Les Inrockuptibles n°#49 octobre 1993 SPIN juin 1994 Les Inrockuptibles n°060 novembre 1994 Nirvana – L'ultime Biographie, Michael Azerrad, Austral, 1996 Les Inrockuptibles n°150 mai 1998 SPIN octobre 2001 Les Inrockuptibles, n°362 octobre 2002 Les Inrockuptibles n°363 novembre 2002 Les Inrockuptibles n°402 aout 2003 Les Inrockuptibles n°438 avril 2004 Les Inrocks 2: 50 ans de Rock vol 1: les années 80/90, 2004 SPIN avril 2004 Le journal de Kurt Cobain, traduit par Laurence Romance, 2004 Télérama Hors-Série - 33 tours dans l'Histoire du Rock, mai 2004 Nirvana & le grunge, 15 ans de rock underground américain, Florent Mazzoleni, Hors Collection, 2006 Les Inrockuptibles n°627 décembre 2007 Hors-série des Inrockuptibles: Le Rock Pète les plombs, 2007 Les Inrockuptibles n°678 décembre 2008 Nirvana - La Véritable Histoire, Everett True, Camion Blanc, 2008 Les Inrockuptibles n°699 avril 2009 Rock Strips, Vincent Brunner, Flammarion, 2009 Just Gimme Indie Rock !, Halfbob, Vide cocagne, 2011 SPIN août 2011 Rock & Folk n°530 octobre 2011 Les Inrocks 2 - 2011 Rock & Folk n°554 octobre 2013 Les Inrockuptibles n°932 octobre 2013 New Noise n°19 déc - janv 2014 Les Inrockuptibles n°957 avril 2014 Les Inrocks 2: Les étoiles filantes du rock, 2015 Kurt Cobain « When I Was An Alien », Danilo Deninotti & Toni Bruno, Urban Comics, 2017 Pop Fin de Siècle, Guillaume Belhomme, Editions du Layeur, 2019 Alternative Nation, La scène indépendante américaine 1979-2001 – Jean-Marie Pottier, Le Mot et le Reste, 2021

Emission 894 Nirvana #1 (1991 - 1992) Révélé à l'automne 1991 avec le morceau « Smells Like Teen Spirit » et l'album Nevermind, Nirvana est une trio de Seattle qui a d'abord été associé au grunge, mouvement venu du nord-ouest des Etats-Unis, ... fusionnant des éléments de punk-rock et de heavy metal - Malgré sa courte carrière, il a su évoquer, à travers le talent et la personnalité de son chanteur, un sentiment d'inadaptation au monde où beaucoup se sont reconnus... La Playlist: In Bloom - About A Girl - Come As You Are - Jesus Doesn't Want Me For A Sunbeam - the Man Who Sold The World - Pennyroyal Tea - Dumb - Polly - On A Plain - Something In the Way - Plateau - Oh Me - Come as You are - Big Cheese - Love Buzz - Swap Meet – Mr Moustache – Floyd the Barber - School – About a Girl - Polly (album) // Polly (Rennes, 12/02) - Something in the Way - Smells Like Teen Spirit – Lithium - Stay Away – Breed - Territorial Pissings Bonne Ecoute... Bibliographie : Les Inrockuptibles n°#33 janv - fév 1992 SPIN janvier 1992 SPIN décembre 1992 SPIN octobre 1993 Les Inrockuptibles n°#49 octobre 1993 SPIN juin 1994 Les Inrockuptibles n°060 novembre 1994 Nirvana – L'ultime Biographie, Michael Azerrad, Austral, 1996 Les Inrockuptibles n°150 mai 1998 SPIN octobre 2001 Les Inrockuptibles, n°362 octobre 2002 Les Inrockuptibles n°363 novembre 2002 Les Inrockuptibles n°402 aout 2003 Les Inrockuptibles n°438 avril 2004 Les Inrocks 2: 50 ans de Rock vol 1: les années 80/90, 2004 SPIN avril 2004 Le journal de Kurt Cobain, traduit par Laurence Romance, 2004 Télérama Hors-Série - 33 tours dans l'Histoire du Rock, mai 2004 Nirvana & le grunge, 15 ans de rock underground américain, Florent Mazzoleni, Hors Collection, 2006 Les Inrockuptibles n°627 décembre 2007 Hors-série des Inrockuptibles: Le Rock Pète les plombs, 2007 Les Inrockuptibles n°678 décembre 2008 Nirvana - La Véritable Histoire, Everett True, Camion Blanc, 2008 Les Inrockuptibles n°699 avril 2009 Rock Strips, Vincent Brunner, Flammarion, 2009 Just Gimme Indie Rock !, Halfbob, Vide cocagne, 2011 SPIN août 2011 Rock & Folk n°530 octobre 2011 Les Inrocks 2 - 2011 Rock & Folk n°554 octobre 2013 Les Inrockuptibles n°932 octobre 2013 New Noise n°19 déc - janv 2014 Les Inrockuptibles n°957 avril 2014 Les Inrocks 2: Les étoiles filantes du rock, 2015 Kurt Cobain « When I Was An Alien », Danilo Deninotti & Toni Bruno, Urban Comics, 2017 Pop Fin de Siècle, Guillaume Belhomme, Editions du Layeur, 2019 Alternative Nation, La scène indépendante américaine 1979-2001 – Jean-Marie Pottier, Le Mot et le Reste, 2021

Det här är berättelsen om bandet som bröt ny mark, men allra mest drömde om att få en stor hit. Hösten 1974, New York. Trots att det är fredagskväll så är det inget större drag inne på rockklubben CB-GB´s. Längst in i den mörka klubben finns en liten anspråkslös scen. Men dom få besökarna som är här ikväll verkar måttligt intresserade av bandet som ska spela. När de fyra unga killarna kliver ut i strålkastarljuset ser de inte mycket ut för världen. I tajta jeans, t-shirts, svarta skinnjackor och stora kalufser som hänger ner över ögonen - intar trummisen Tommy, basisten Dee Dee, gitarristen Johnny och sångaren Joey sina platser på den lilla scenen.När Dee Dee räknar in och den första låten drar igång står det däremot snabbt klart att det här bandet inte låter som något annat. Det är som att dom fyra killarna släppt loss en musikalisk orkan över de få besökarna i lokalen. Musiken är simpel, näst intill amatörmässig, vilket inte är så konstigt. Medlemmarna har nyss lärt sig spela sina instrument. Publiken är som i chock och snart kommer stämningen att bli än märkligare. När sångaren Joey ska introducera nästa låt börjar trummisen Tommy tjafsa. Irriterat fräser han att han istället vill spela en annan låt. Men då får HAN mothugg av basisten Dee Dee. Gitarristen Johnny är märkbart frustrerad, han vill bara komma igång med nästa låt. Tommy blir förbannad och svär åt dom andra, men ger till slut med sig.Konserten är kort och när den är över är publiken lika tagen som förvirrad. Halva tiden har bandet tjafsat. Halva tiden har bestått av korta låtar som rivits av i ett vansinnigt tempo.Vad besökarna inne på CBGB's inte vet där och då, är att bandet dom just sett inom några år kommer att förändra rockhistorien - samtidigt som det interna tjafset på scen med tiden kommer utvecklas till rent förakt.P3 Musikdokumentär om Ramones är en berättelse om ett banbrytande punkband som vägrade att kallas för punk, ett band som drömde om att slå stort i USA och därför stod ut med varandra alldeles för länge.Dokumentären är gjord av Stefan Sundberg våren 2023Producent Joanna KorbutiakExekutiv producent Lars TruedsonSlutmix Fredrik NilssonProgramledare Siri HillMedverkande: Janne Lagerström och Gustav StjernqvistHuvudsakliga källor som använts som underlag för dokumentären är böckerna “Hey Ho Let´s Go: The Story of The Ramones” av Everett True, “Commando: The Autobiography of Johnny Ramone” av Johnny Ramone, “Ramones I Sverige” av Sven Lindström, Janne Lagerström, Petter Lönegård & Kjell Magnusson samt dokumentären “End of the Century: The Story of the Ramones” (2003).Ljudklippen i dokumentären kommer från dokumentären “End of the Century” (2003), Tomorrow Show (1981), The Noise (1989), Modern Rock at the Jersey Shore (1995), Howard Stern Show (1996), Brass Tracks - A Punk Documentary (1977), The Year Of Punk (1978), The London Weekend Show (1976),

Everett True put them on the cover of the 29 March 1997 Melody Maker calling them the "best live band in Britain". Symposium played support to Red Hot Chilli Peppers, Foo Fighters, Deftones, No Doubt and toured the United States on the Warped Tour with NOFX, Bad Religion & Rancid. https://www.facebook.com/symposiumofficial.ukhttps://www.instagram.com/symposium_band/https://open.spotify.com/artist/3YUqeikmjlNZDLLImxLPuq?si=NL9vpO4CQl-toDVLkj2zbAhttps://www.facebook.com/thesplashclubGet in touch with Splash Stories : splashclubtv@gmail.comhttps://www.instagram.com/thewonderstuffofficial/https://www.instagram.com/rickywarwickofficial/https://www.instagram.com/echobelly_official/https://www.instagram.com/officialskunkanansie/https://www.instagram.com/feederofficial/https://www.instagram.com/kcmanc/?hl=enhttps://www.facebook.com/kerbdogband/https://www.instagram.com/sohoradiohttps://www.facebook.com/groups/SoundAsEverhttps://www.pearllowe.co.ukhttps://www.supergrass.comhttps://www.wienerworld.com/product/gary-crowleys-indie-90s-playback-classics-curveballs-and-bangers/https://www.therapyquestionmark.co.uk/https://vivelerock.net/

Welcome to a week of What Was First episodes! We got a pile of suggestions for this series, so we decided to dive right in.   We begin with a suggestion from Steven Routledge, who thought the first release on Creation Records would make a good episode and we think he's right!   So kick your week off right by hitting play and learning about Alan McGee, Everett True and The Legend! Subscribe to Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Twitter, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com Update Description

Here it is!!! Matt & Scott finally get to the first proper release on Creation. (Quality takes time, right??!) Your hosts debate the merit of the (much-maligned-in-its-time) record that started it all, and then they talk to the man himself, JERRY THACKRAY a.k.a. THE LEGEND! a.k.a. EVERETT TRUE. Best known for his writing in the NME and Melody Maker, as well as for his and books on NIRVANA, WHITE STRIPES, and THE RAMONES, Mr. Thackray is a fascinating and Zelig-like character. And we LOVE his later (post-Creation) EPs (links below), so you'll hear a few clips of those as well. It's a sprawling and wild ride, but trust us, it's worth sticking around for the whole thing. There's music, there's sadness, there's drama, there's brushes with fame. It's got everything, even a live song. Links of note: The Legend! “73 in 83” (CRE001): https://www.youtube.com/watch?v=5DPe-2HuApE The Legend: “Talk Open”: https://www.youtube.com/watch?v=wNc8tbK89E0&t=43s Everette True's first interview with Young Marble Giants: http://www.collapseboard.com/the-first-interview-i-ever-did/ Everett True's Song-A-Day on Youtube (almost up to 300!!): https://www.youtube.com/channel/UCQwfu13Cg4of5pFAbXiWD2w Stuff that comes up: CREATION RECORDS The Legend Television Personalities Revolving Paint Dream The Laughing Apple Marine Girls The McTells Go-Betweens Daniel Johnston Bruce Pavitt Jad Fair / Half Japanese Bobby Gillespie The Smiths The Pastels Oasis John Peel Cherry Red Stephen Pastel Cannanes Huggy Bear David Nichols Young Marble Giants Biff! Bang! Pow! Soup Dragons Jasmine Minks John Robb / Membranes Twelve Cubic Feet (great band) Alan McGee Geoff Travis The Ramones Rough Trade The Go Team, Beat Happening, Calvin Johnson, Tobi Vail, Bikini Kill Kill Rock Stars Sub Pop Graham Fellows Nirvana …And the Native Hipsters Talulah Gosh & Amelia Fletcher Special thanks to The Reds, Pinks & Purples for our theme music

On this Jace Everett interview, Jace talks about finding Jesus at a young age, and then “opting out” of religion... dropping out of the music business for 5 years to raise his son and provide for his family... losing his publishing deal, his record deal and going through a miserable divorce - all at once!… Backstory to his new records, favorite song he wrote (NOT what you’re thinking), being a dad, understanding how others hear him (and don’t hear him), forgiveness, France, loads more. SUPER cool and intelligent guy  Jace Everett dropped out of Belmont University to become a full-time musician. He then moved to France, had a son, then dropped out of the music business for 5 years. Made  a bro country album that flopped - but it did have a song called “Bad Things” on it. In 2008 HBO stumbled upon “Bad Things” and made the song the theme to “True Blood.” Since then, Jace has made 6 full length albums and an EP as an independent artist. He’s toured all over the world, has dozens of sync placements in film, TV & ads... cuts with artists from Nashville, Texas, Canada, Norway, Australia and the UK. He has 2 new records , “Lost in the Flood” created with Norwegian guitarist Amund Maarud, and an Ambient record called YLEM. Both albums are great Support this Show: http://www.everyonelovesguitar.com/support  Subscribe https://www.everyonelovesguitar.com/subscribe/  Facebook: https://www.facebook.com/EveryoneLovesGuitar/ Instagram: https://www.instagram.com/everyonelovesguitar/ 

Everett True shares the story of music journalism, discovering grunge, and his friendship with Nirvana, Kurt Cobain, and Courtney Love.Everett is the pen name of Jerry Thackray, who now holds a PhD in Music Journalism. He discusses the early years of befriending Alan McGee of Creation Records, through tomid-90s music journalism at NME and Melody Maker.We cover the Nirvana years in depth, as he shares how he introduced Courtney Love to Kurt Cobain, and then famously wheelchaired Kurt on stage at the Reading Festival.There is also an exclusive reading from one of his books at the end of the podcast about going to Kurt's house the day his body was found.If you enjoyed the podcast, please like, subscribe, or comment. You can find us on Instagram (just search for Makers of the Universe). And you can email us on makersoftheuniverse@outlook.com with any feedback or ideas.

On May 1st of 2016 Trevor Blake and I took to the lectern at Mother Foucault’s bookstore in Portland Oregon. The event was to announce the release of Underworld Amusements’ The Outbursts of Everett True that featured an introduction by Trevor Blake and OVO’s Max Stirner Bibliography by Trevor Blake. The entire event was recorded and […]

This week on the show Damian is joined by one of the BEST people in music (in Damian’s opinion), Sebastian Granger. Listen in as Damian digs deep with one of his good friends, who also may have started the whole: "Cool Canada” thing. Also talked about -A wink from some punks on street -Dressing like a punk on New Years -“Hardcore is lifestyle, punk is fashion” - Everett True -Meeting the Mason: setting up a show -A natural curiosity -Stones, Kinks, and the Who > Beatles: Dad’s a Mod -Quadrophenia -Breaking down the realness about drugs to a grade 11 class -Sting -The Spaghetti Incident -“This is a song that U2 stole from Charles Manson” -Chuck Berry -“When you look in the window of a child’s bedroom” -Ska From Above1979 -Planet Smashers: good time music -Actually a bottle of “November rain”: The greatest teenage GnR cover EVER -The band that never broke up -“I’m a huge fan of Sunny Day Real Estate” meeting Nate -The dude that burped really loudly in a campers face and made him puke -Daniel Lanois: “The shlep, eh? It never ends.” -Supernova: where the shlep begins -The other Pezz: pre-Billy Talent -Moving to Montreal -Playing in the weird Montreal Jam band with trust fund dudes -“Whatever isn’t good enough" -Jesse recruiting for band members/housemates -Jesse’s scene building chops -The physical pain caused by playing drums -The nuances the separated Blow Up and Mod Club -A Pro-Wrestler telling -Not knowing dbs: the sacrilege -Sex work, porn and punk -Vice -Touring with Alexisonfire -Andrew Scott: unsung hero of Billy Talent -Going for it vs. Self-indulgence -“Can you open for Anthrax tonight, like now?” -Not fitting in, in the rock world -Sparks and all the drama it brings -AND MORE!!!!

Everett True is a freelance music critic and author. Born in England, True was involved with several key British music magazines throughout the 1990s and 2000s, including NME, Melody Maker and Plan B. He moved to Brisbane in 2008 and immediately made a name for himself by deriding popular bands such as Silverchair, The Vines and Savage Garden as “musical abominations” in a memorable article for The Guardian. At the time, these comments caused significant waves among the Australian music writing fraternity. As an arrogant, opinionated young writer myself, it took some time for me to see past True’s brash, abrasive style of writing and view him as a real person with real feelings. Over the years, we became friends and colleagues, supporting each others’ work as freelancers and forming an unlikely bond. Besides his work as a prominent music critic, True is an accomplished author, having written books on Nirvana, Ramones and The White Stripes. More recently, while living in Brisbane, he has been a PhD student at Queensland University of Technology, and when I met him at his home in the western suburb of The Gap in early June he had just submitted his PhD thesis. You’ll hear his children running around and playing nearby, as we talk about how he failed English in high school, the Blondie song that first endeared him to pop music, the origins of his pen names, his tumultuous relationship with alcohol, and the time when he pushed Kurt Cobain in a wheelchair in front of tens of thousands of people at Reading Festival in 1992. Everett True is a former editor of Melody Maker, VOX, Careless Talk Costs Lives and Plan B in the U.K. He has written for more rock publications than most people can name. He is the author of several books on rock music featuring Nirvana, Ramones, The White Stripes and others, and was a key writer covering the rise of Nirvana and the Seattle scene in the early 1990s. Nick Cave described one of his live performances as "more entertaining than Nina Simone," while Karen O from the Yeah Yeah Yeahs called him "the coolest man in England." The Gossip's members say he's the most important music critic of their generation. Show notes and links to Everett's writing discussed in this episode: http://penmanshippodcast.com/episode-6-everett-true/   Everett True on Twitter: @EverettTrue Penmanship on Twitter: @PenmanshipAU penmanshippodcast.com

Jerry Thackray, or rather his pen name Everett True, is a name synonymous with quality music journalism and rock’n'roll spirit. The Chelmsford-born music journalist’s life is a stream of experiences with guitar music’s biggest names from Alan McGee to Kurt Cobain. He has written for the NME, Melody Maker and the Guardian. Here, he picks the eight tunes he couldn’t live without when thrust into the lonesome desert and talks me through his early years, the changing face of music journalism, why he was sacked from NME and his relationship with Nirvana. Stream the show below or download is as a podcast by typing shadowplayboys. See acast.com/privacy for privacy and opt-out information.