Podcasts about Modern rock

Label: MCA 40825Year: 1977Condition: MPrice: $9.00From a warehouse find, this is a new, unplayed stock copy, in its original MCA factory sleeve. This amazing disco/funk classic has a groove that just won't quit... and that you don't soon forget! The single has a significantly shorter version than the 7:00 album track ? concentrated goodness! Note: This beautiful 45 has no notable flaws, grading Mint across the board (Labels, Vinyl, Audio).

Label: Atco 7035 djYear: 1975Condition: MPrice: $12.00From a warehouse find, this is a new, unplayed Stereo/Mono promo copy, in its original factory sleeve. This early Sister Sledge single is an absolutely perfect neo-Motown dance number, from the strings and sax to the great vocals. Check out the Mp3 snippet (in Mono)! By the way, this tune wasn't on their only Atco album, making this a non-album single. (This scan is a representative image from our archives.)

Label: Buddah 507 djYear: 1975Condition: M-Price: $15.00Stereo/Mono promo copy. Was there ever a better instrumental buildup to the climactic opening of this song? Not many, if any... check out the mp3 "snippet" of it. By the way, this is definitely more in the Northern Soul style than in a Disco style, but somehow it's never become a huge hit in that scene. The wonderful B side instrumental is more of a Disco track. This hit version is specially edited from a 3:54 album track. Note: This beautiful copy comes in a vintage Buddah Records factory sleeve. It has Near Mint labels and vinyl (styrene), and pristine Mint sound! (This scan is a representative image from our archives.)

Label: Arista 1054 djYear: 1983Condition: MPrice: $15.00This is a new, unplayed Stereo/Mono promo copy, in its original picture sleeve. A well deserved hit from the early 1980's, this was the Kinks' last visit to the U.S. top 10. It's an edited version of the 4:34 album track. Note: This beautiful 45 has no notable flaws, grading Mint across the board (Labels, Vinyl, Audio), and the picture sleeve is nearly flawless!

Label: Roulette 4738Year: 1967Condition: M-Price: $20.00This essential Garage Rock single not only has a truly awesome A side, but a B side winner as well. In fact, this is the rare first pressing of this single, whose matrix numbers indicate that "I'm Going Home" is the A side (number for "It's Cold Outside" is 19155 rather than 19154 on later pressings). Three members of this group joined Eric Carmen in the early 1970's to form the Raspberries. Note: This beautiful copy comes in a vintage Roulette Records factory sleeve.

Label: Deram 7529Year: 1970Condition: M-Last Price: $18.00. Not currently available for sale.The A side is a must-have early metal track, featuring the distinctive electric guitar of Alvin Lee. It's specially edited from a much longer (7:13) album track. Note: This beautiful copy comes in a vintage Deram/London Records factory sleeve. It has Near Mint labels, and the vinyl (styrene) looks almost untouched. The audio sounds pristine Mint!

Label: Pendulum 64674Year: 1992Condition: M-Price: $40.00One of the defining Rap songs of the early 1990s. Note: This beautiful copy grades very close to Mint across the board (Labels, Vinyl, Audio).

In this high-octane episode of Caught on the Mike, Mike sits down with Cody Hanson and Marshal Dutton of the multi-platinum rock band Hinder to talk all things music, creativity, and the fire behind their latest album. From the gritty realities of songwriting on the road to the evolution of their sound and chemistry in the studio, Cody and Marshal open up about what fuels their process and what fans can expect from their newest work. Whether you're a longtime Hinder fan or a lover of the creative grind, this episode delivers insight, laughs, and plenty of rock ‘n' roll energy.

Label: Def American 19245Year: 1990Condition: MLast Price: $15.00. Not currently available for sale.From a warehouse find, this is a new, unplayed stock copy... pristine Mint! Do the Black Crowes top Otis Redding's original version of this tune? Ahh, who cares... they're so different, and both so great that it's impossible to choose. I'd be happy with either one on a desert island, myself. :-) The terrific B side rocker is a non-album cut... one of the reasons you gotta collect the 45! Last Mint copy!

Label: Spring 127Year: 1972Condition: M Price: $20.00One of Jackson's finest singles, Kev Roberts puts this one at #100 in his list of the 500 greatest Northern Soul 45s. And for good reason! Check out the mp3 "snippet". Note: This beautiful copy comes in a vintage Spring Records factory sleeve. This record has no notable flaws, grading Mint across the board (Labels, Vinyl, Audio) (This scan is a representative image from our archives.)

Interview by Kris PetersFusing modern rock with classic undertones, American rock outfit Limberlost bring together the best of two worlds to create a powerful and infectious sonic palette that transcends the underlying barriers that separate the old from the new.Known for their anthemic sound, raw energy, and emotionally charged storytelling, the band create music that resonates with fans of classic rock legends and contemporary rock revivalists alike. Their songs capture themes of strength, resilience, and empowerment, making them a force in the rock scene.Featuring two captivating, classically trained and accomplished opera singers in Brittany Lauren and Sammie Gorham, Limberlost have also just added guitarist Devon Unger on lead guitar and bass player Steve Unger (Metal Church), further expanding their musical influences while simultaneously strengthening their engine room.The band are poised to release their dynamic new album Beautiful Scars on June 13, with the whole band - including drummer Mike Burt and keyboardist Anthony Ciarochi, but excluding Gorham - joining HEAVY for an entertaining chat from their home base."It's been like getting ready to give birth," laughed Burt. "I mean, we've been cultivating this thing since last November, getting ready to be exactly where we are."We ask the band to tell us more about the musical nature of Beautiful Scars."Beautiful Scars was so much fun," Lauren enthused, "because it's a concept album. It takes on the Japanese art form of Kintsugi, which is an art form of repair, where, when a piece of pottery is shattered, they will repair it using gold. And so it becomes more beautiful because it was broken. So we took this and used it as an analogy to a person and how a person goes through their life, and they get all these scars, or they get these certain things. People make a lot of memes about it, but what if we made it mean that it made you more beautiful, and what if this is like coming to terms with who you are? So the whole concept of the album is that, and then what's cool is that Limberlost ended up kind of living that. We broke up, and then we got pieced together with some gold here, and we're making it work. It starts with Alien, and you'll hear lyrics that give you a sense of dysphoria about not feeling safe or feeling alien, and then it moves into just recognition of who you are."In the full interview, we dove deeper into the conceptual nature of Beautiful Scars, what they were going for musically and how it differs from Limberlost's previous work.The band acknowledged the challenge of balancing their diverse influences while evolving their sound to appeal to a broader audience and delved into the dynamics of having two female lead vocalists, reflecting on their classical training and how it has shaped their musical journey. The integration of new members Steve and Devon was discussed, with both expressing excitement about the album and upcoming live performances. The chat concluded with information on how fans can access Limberlost's music and exclusive content, as well as their plans for future performances, including aspirations to perform in Australia and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Label: Threshold 67006Year: 1971Condition: MLast Price: $22.00. Not currently available for sale.This great single is one of the few occasions when the group really rocked out big time... an essential Moody Blues track! Note: This 45 record omes in a Near Mint copy of the release's cool picture sleeve. The labels look Mint. The vinyl (styrene) looks almost untouched, and the audio comes through pristine Mint!

This week on QSJ Radio, we sit down with James Sebastian, the electrifying artist breathing new life into the golden age of rock. With a sound that fuses the soul of the '70s with raw modern grit, James is carving out a lane all his own — where storytelling meets power chords, and nostalgia meets now. From analog dreams to digital hustle, James shares his journey, the influences that shaped his sound, and what it means to channel the spirit of legends while staying true to your own voice.

Label: Gee 1071Year: 1961Condition: M-Price: $30.00This is an extraordinarily clean copy of this great single. The labels are almost Mint, and the vinyl and audio are Near Mint as well.

Label: ABC 11272Year: 1970Condition: M-Price: $18.00This, the group's first single to crack the Hot 100, was a new version of Funk #48, which they released the previous year on Bluesway. Both are to-die-for classics of guitar rock, showcases for Joe Walsh. On this pressing, the title is spelled "Funk No. 49" rather than "Funk #49." Though not mentioned on the label, the Mono-mix 45 has a superior, edited version of a longer album track (the 45 edit is about 30 seconds shorter). Note: This copy comes in a vintage ABC Records factory sleeve.

Label: RCA 0876Year: 1973Condition: M-Last Price: $25.00. Not currently available for sale.Most people born after 1980 assume that Nirvana wrote the classic "Man Who Sold The World," and they certainly did record an impressive version of it. In fact, the song fit so well with the grunge sound and modern rock in general that the mistake of youth is understandable. However, you've got to hear the original version by the song's author to appreciate it fully. Note that this release has the 5:05 version of "Space Oddity," which became Bowie's first top 40 hit in the U.S. This is a beautiful copy of both the vinyl record and its original picture sleeve.

The story of Nevermind, Nirvana's genre-defining breakthrough, is a familiar one. Less well known is the saga of Billboard's Modern Rock chart—and how college-rock staples of the 1980s like R.E.M. and The Cure gave way to heavier, more commercially dominant groups of the ‘90s like Soundgarden, Alice in Chains, Pearl Jam, and The Smashing Pumpkins. What sparked the grungification of the charts? How did Modern Rock become the new Top 40? And how did the Seattle sound pave the way for post-grunge bands like Sublime, Third Eye Blind, and even Creed? Join Chris Molanphy as he explores alternative rock's evolution from the cutting edge to the middle of the road. Podcast production by Olivia Briley and Kevin Bendis Learn more about your ad choices. Visit megaphone.fm/adchoices

The story of Nevermind, Nirvana's genre-defining breakthrough, is a familiar one. Less well known is the saga of Billboard's Modern Rock chart—and how college-rock staples of the 1980s like R.E.M. and The Cure gave way to heavier, more commercially dominant groups of the ‘90s like Soundgarden, Alice in Chains, Pearl Jam, and The Smashing Pumpkins. What sparked the grungification of the charts? How did Modern Rock become the new Top 40? And how did the Seattle sound pave the way for post-grunge bands like Sublime, Third Eye Blind, and even Creed? Join Chris Molanphy as he explores alternative rock's evolution from the cutting edge to the middle of the road. Podcast production by Olivia Briley and Kevin Bendis Learn more about your ad choices. Visit megaphone.fm/adchoices

The story of Nevermind, Nirvana's genre-defining breakthrough, is a familiar one. Less well known is the saga of Billboard's Modern Rock chart—and how college-rock staples of the 1980s like R.E.M. and The Cure gave way to heavier, more commercially dominant groups of the ‘90s like Soundgarden, Alice in Chains, Pearl Jam, and The Smashing Pumpkins. What sparked the grungification of the charts? How did Modern Rock become the new Top 40? And how did the Seattle sound pave the way for post-grunge bands like Sublime, Third Eye Blind, and even Creed? Join Chris Molanphy as he explores alternative rock's evolution from the cutting edge to the middle of the road. Podcast production by Olivia Briley and Kevin Bendis Learn more about your ad choices. Visit megaphone.fm/adchoices

Label: Coral 62558Year: 1969Condition: MPrice: $60.00This is a beautiful Mint copy of a single released in 1969 to commemorate Buddy Holly's untimely 1959 death, along with its striking picture sleeve. I had first heard this lovely version many years ago on a U.K.-released double album set Buddy Holly: Legend. The liner notes to that album describe the track as follows: "Love Is Strange" was one of Buddy's favorite songs. The version he recorded was around a minute long and the track included here has been "stretched" by splicing and re-recording the original tape. Norman Petty's later treatment of the recording, adding organ sounds to create the impression of strings, probably comes fairly close to Buddy's own ideas for the song. As for the B side, this rarity was cowritten with Waylon Jennings and not released until well after Holly's death. Among other places, it appeared on the B side of U.K. single in 1964. Upon hearing it, I knew I'd heard it before and after wracking my brain for awhile, I remembered that it was a version by the neo-Rockabilly singer/songwriter Billy Swan released in 1976 that was in my head. Other than that, I haven't heard any other versions, though it's indubitably hit material! Note: The 45 itself has Mint labels. The vinyl looks untouched, and the audio sounds pristine. The great picture sleeve is nearly flawless!

Label: Wand 11215Year: 1970Condition: M-Price: $30.00Both sides of this obscure 1970 Soul single are top-notch keepers! The A side features some surprising, catchy rhythms that'll definitely keep your feet moving, and the B side has become a favorite... quite special. Listen to the MP3 snippet we've added to the "jukebox" to see if you agree. Note: This beautiful copy comes in a vintage Wand Records factory sleeve. Both sides of this styrene pressing have pristine mint audio.

Label: Estill 1000Year: 1968Condition: MPrice: $20.00From a warehouse find, this is a new, unplayed stock copy of the first issue of this terrific single, with the original South Carolina address shown for the record company.

The story of Nevermind, Nirvana's genre-defining breakthrough, is a familiar one. Less well known is the saga of Billboard's Modern Rock chart—and how college-rock staples of the 1980s like R.E.M. and The Cure gave way to heavier, more commercially dominant groups of the ‘90s like Soundgarden, Alice in Chains, Pearl Jam, and The Smashing Pumpkins. What sparked the grungification of the charts? How did Modern Rock become the new Top 40? And how did the Seattle sound pave the way for post-grunge bands like Sublime, Third Eye Blind, and even Creed? Join Chris Molanphy as he explores alternative rock's evolution from the cutting edge to the middle of the road. Podcast production by Olivia Briley and Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

The story of Nevermind, Nirvana's genre-defining breakthrough, is a familiar one. Less well known is the saga of Billboard's Modern Rock chart—and how college-rock staples of the 1980s like R.E.M. and The Cure gave way to heavier, more commercially dominant groups of the ‘90s like Soundgarden, Alice in Chains, Pearl Jam, and The Smashing Pumpkins. What sparked the grungification of the charts? How did Modern Rock become the new Top 40? And how did the Seattle sound pave the way for post-grunge bands like Sublime, Third Eye Blind, and even Creed? Join Chris Molanphy as he explores alternative rock's evolution from the cutting edge to the middle of the road. Podcast production by Olivia Briley and Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

The story of Nevermind, Nirvana's genre-defining breakthrough, is a familiar one. Less well known is the saga of Billboard's Modern Rock chart—and how college-rock staples of the 1980s like R.E.M. and The Cure gave way to heavier, more commercially dominant groups of the ‘90s like Soundgarden, Alice in Chains, Pearl Jam, and The Smashing Pumpkins. What sparked the grungification of the charts? How did Modern Rock become the new Top 40? And how did the Seattle sound pave the way for post-grunge bands like Sublime, Third Eye Blind, and even Creed? Join Chris Molanphy as he explores alternative rock's evolution from the cutting edge to the middle of the road. Podcast production by Olivia Briley and Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

Label: Dynamo 112Year: 1967Condition: M-Price: $20.00A real sleeper, this great track sneaks up on you and demands that you recognize how great it is. Eventually, you do... and you're hooked! Take a listen and hear for yourself. Note: This beautiful pressing looks Near Mint and has pristine Mint sound. (This scan is a representative image from our archives.)

Label: Columbia 45472Year: 1971Condition: MPrice: $8.00From a warehouse find, this is a new, unplayed stock copy with a drillhole--in its original Columbia factory sleeve. Check out the mp3 "snippet" of this great, lesser-known Santana track from 1971.

Label: Profile 5084Year: 1986Condition: M-Price: $9.00Essential mid-1980s techno dance pop, served up with a dollop of quirky humor. Flip is an instrumental version. This 45 has a dramatically edited version of the 6:05 album track. Note: This beautiful copy comes in a vintage Profile Records factory sleeve. It looks Near Mint and has pristine Mint sound!

Label: Capitol 4565Year: 1978Condition: MPrice: $15.00Essential Disco... Remember that guitar? That break? It's always great to hear this one again. Note: This beautiful 45 record has no notable flaws, grading Mint across the board (Labels, Vinyl, Audio), and the picture sleeve is Near Mint with just a touch of wear.

Label: Double Shot 104Year: 1966Condition: M-Price: $25.00This is one of the essential singles in the history of Psychedelic Rock. The flip is terrific too... I wonder how they got so paranoid? This is a first pressing, with the label name at the top of the label. Note: This beautiful copy has Near Mint labels with a touch of wear. The vinyl (styrene) looks Near Mint with a few scuffs, and the audio sounds pristine Mint! (This scan is a representative image from our archives.)

Label: Dimension 1013Year: 1963Condition: M-Price: $30.00Not one of Little Eva's big hits, but definitely a worthy destination for fans of Girl Group Rock... check out the mp3 "snippet" I've posted for the A side. Note: This beautiful copy has Near Mint labels, with a small abrasion on the A side. The vinyl and audio grade Near Mint ... the A side audio is pristine!

Label: Columbia 04463Year: 1984Condition: M-Price: $15.00The terrific B side is a previously unreleased, non-LP cut. The A-label has two numbered stickers as well as an clear address label. The vinyl and audio are very close to mint. We are always happy to find this one with a virtually flawless picture sleeve -- no ringwear and bright, shiny and crisp!

Label: Sire 29840Year: 1982Condition: MLast Price: $16.00. Not currently available for sale.Terrific, almost-retro, power pop hit, backed with the very dark but beautiful 'My City Was Gone,' which incidentally places at #949 in Marsh's top 1001. That B side is an edited version of the 5:14 album cut. Note: This beautiful 45 has no notable flaws, grading Mint across the board (Labels, Vinyl, Audio), and the picture sleeve is nearly flawless!

Label: Liberty 55829Year: 1965Condition: M-Price: $25.00Classic Garage, plus a terrific flip. Note: This beautiful copy comes in a vintage Liberty Records factory sleeve. The labels are Near Mint with a touch of ringwear, more so on the B label. The vinyl looks Near Mint with a touch of scuffing. The audiio is very close to Mint.

Label: Reprise 0564Year: 1967Condition: M-Price: $25.00The B side of this monster Psych-rocker may not have charted, but I actually think it tops the Top 40 A side. Note: This beautiful copy comes in a vintage Reprise Records factory sleeve. It grades close to Mint across the board (Labels, Vinyl, Audio).

Label: Atco 6359Year: 1965Condition: M-Price: $25.00This is one of the nicest copies of this classic single that I've had to offer since opening the store in 2001... a solid Near Mint copy with Mint audio. Check out the mp3 "snippet". (Collector's note: This release is common in conditions less than Near Mint, but copies in truly collectable condition are quite rare.) It's also worth noting that this single appears on both the Dave Marsh Top 1,001 Singles (#228) and the Rolling Stone Top 500 Songs (#451) lists! That's one of the reasons it's hard to keep in stock! Also check out Sonny Bono's stab at Garage Rock on the B side... it's really pretty nasty! :-) Note: This beautiful copy comes in a vintage Atco Records factory sleeve. The labels grade Near Mint with a touch of wear. The vinyl looks Near Mint with a few light scuffs, and the audio sounds pristine Mint.

Label: WB 7163Year: 1968Condition: MPrice: $14.00From a warehouse find, this is a new, unplayed stock copy, in its original factory sleeve. OK, how many of you remember this song but had no idea what it was called? I see lots of hands out there! For Sunshine Pop lovers, this is a truly blissful experience and a must for your Association collection. Note: This beautiful copy has no notable flaws, grading Mint across the board (Labels, Vinyl, Audio).

Label: World Pacific 77808Year: 1966Condition: M-Last Price: $14.00. Not currently available for sale.After you soak in the early morning bliss on the A side, be sure to check out the B side of this great single... one of my personal favorite sunshine pop tracks, with a hook that just won't quit! Note: This beautiful copy comes in a vintage World Pacific Records factory sleeve. Note: This scan is a representative image from our archives.

Linkin Park's Emily Armstrong and Phoenix reflect on the band's legacy, what's on the horizon and share their thoughts on how they prep for major shows.

Label: MGM 13567Year: 1966Condition: M-Price: $20.00British singer Farlowe had success with a number of Jagger-Richards compositions in the mid-1960's, including this one also produced by Mick Jagger. Jagger has brought in arranger Art Greenslade for this recording, who adds some very effective and arty touches to the lesser-known Stones classic. Check out the mp3 "snippet" of the song. "Out Of Time" was on the U.K. version of the Stones LP Aftermath, but it was left off of the U.S. version for some reason, winding up on a compilation LP the following year. The Stones didn't release the song as a single, letting Farlowe's Jagger-produced version become a #1 hit in the U.K. and producing his only brush with the U.S. Hot 100. In the U.S., Farlowe's 45 was a non-album single. Note: This beautiful copy has a drillhole and comes in a vintage MGM Records factory sleeve. It grades Near Mint across the board (Labels, Vinyl, Audio).

Label: Shelter 40238 djYear: 1974Condition: M-Last Price: $10.00. Not currently available for sale.Stereo/Mono promo copy. This is one of Cale's greatest tracks that nobody ever heard... absolutely delicious to the ear. Have a listen to the mp3 "snippet" to hear what I mean. Note: This beautiful promo 45 grades Near Mint across the board, with the labels having a small date penned on one side, a small stamp on the other. (This scan is a representative image from our archives.)

Label: MGM 13813 djYear: 1967Condition: M-Price: $16.00From a warehouse find, this is a new, unplayed promo copy, in its original factory sleeve. Sunshine Pop lovers of the world unite! Here's a Greenaway-Cook rarity that will keep your toe tappin' and your mouth smilin'. This was the group's last single on Co & Ce, and unfortunately never made it onto Top 40 playlists. When MGM picked up the Co & Ce catalog, they released this one Vogues single. It would be a year and a half before the group re-emerged on Warner Bros.' Reprise label to score a couple of hits in 1968-69. Note: This copy comes in a vintage MGM Records factory sleeve.

Label: Atlantic 2682Year: 1969Condition: MLast Price: $8.00. Not currently available for sale.From a warehouse find, this is a new, unplayed stock copy with a drillhole, in its original factory sleeve.

Label: Parkway 6000Year: 1967Condition: MPrice: $18.00From a warehouse find, this is a new, unplayed stock copy with a drillhole, in its original Cameo/Parkway factory sleeve. If Sigler's turbocharged medleys from 1967 aren't to your taste, you may have missed out on the terrific flip side to this single. If so, be sure to check it out!!

Label: Atco 6588Year: 1968Condition: MPrice: $15.00From a warehouse find, this is a new, unplayed stock copy with a drillhole, in its original factory sleeve. Both sides are terrific, rare slices of late 1960's soul. I particularly like the Deep Soul B side...

Label: Lenox 5555Year: 1962Condition: M-Price: $22.00One of my personal all-time favorites: When "Little Esther" Phillips starts singing, I literally get goosebumps — the recording's that powerful! And what a voice! Note: This copy has nearly pristine-looking labels and Near Mint vinyl. The audio is close to Mint, with just a touch of surface noise.

Label: Stone Flower 9001Year: 1970Condition: M-Price: $8.00This is a beautiful Near Mint stock copy in its original factory sleeve. Some of Sly Stone's best work outside of the Family Stone recordings... both sides! (This scan is a representative image from our archives--the copy for sale has NO drillhole).

Label: Acta 815Year: 1968Condition: MLast Price: $12.00. Not currently available for sale.The very best kind of melodic, romantic pop that'll just wrap you up in warm sunshine. :-) Check out the mp3 "snippet" of it in our "jukebox." (Click the blue "play" button.) By the way, the B side is a non-album cut. Note: This beautiful copy comes in a vintage Acta Records factory sleeve. It has no notable flaws, grading Mint across the board (Labels, Vinyl, Audio).

Label: A&M 8578Year: 1969Condition: M-Price: $8.00Originally released on A&M 1039, this is a powerful Phil Spector production with a great vocal by Sonny Charles. The Checkmates' first single, it's just as great--though not nearly so famous--as the hit 'Black Pearl' that followed. A must-have for Spector collectors. This is a copy of the A&M "Forget Me Nots" reissue. This beautiful reissue has pristine Mint audio!

Some freakish one hit wonders and big time hits too - 80 and 90 alternative club and rock.  Full moon and a freaked out planet!  Oh and it's friday, freak! beatbox - art of noise we will rock you - queen vs fat boy slim fashion - david bowie hollywood - u2 jump around - house of pain one week - bare naked ladies sugar daddy - thompson twins elevate your mind - stereo mc's betty davis eyes - kim carnes living on the ceiling - blancmange hollywood blvd - big audio dynamite running - information society true faith - new order ant rap - adam ant (adam and the ants) sex machine - flying lizards kiss me - stephen duffy passion - the flirts victim of love - erasure you aint seen nothin yet - figures on the beach hey music lover - s'express dont go - yaz jolene - strawberry switchblade pop song - rem behind the wheel / route 66 - depeche ooh la la - wiseguys new pollution - beck time on my hands - Styx money - flying lizards dont leave me this way - communards uptown love shack for a fly guy - billy J vs B-52s vs offspring the cutter - echo and the bunnymen goo goo muck - the cramps in your room - the bangles