Podcasts about Modern rock

In this high-octane episode of Caught on the Mike, Mike sits down with Cody Hanson and Marshal Dutton of the multi-platinum rock band Hinder to talk all things music, creativity, and the fire behind their latest album. From the gritty realities of songwriting on the road to the evolution of their sound and chemistry in the studio, Cody and Marshal open up about what fuels their process and what fans can expect from their newest work. Whether you're a longtime Hinder fan or a lover of the creative grind, this episode delivers insight, laughs, and plenty of rock ‘n' roll energy.

Label: Spring 127Year: 1972Condition: M Price: $20.00One of Jackson's finest singles, Kev Roberts puts this one at #100 in his list of the 500 greatest Northern Soul 45s. And for good reason! Check out the mp3 "snippet". Note: This beautiful copy comes in a vintage Spring Records factory sleeve. This record has no notable flaws, grading Mint across the board (Labels, Vinyl, Audio) (This scan is a representative image from our archives.)

Interview by Kris PetersFusing modern rock with classic undertones, American rock outfit Limberlost bring together the best of two worlds to create a powerful and infectious sonic palette that transcends the underlying barriers that separate the old from the new.Known for their anthemic sound, raw energy, and emotionally charged storytelling, the band create music that resonates with fans of classic rock legends and contemporary rock revivalists alike. Their songs capture themes of strength, resilience, and empowerment, making them a force in the rock scene.Featuring two captivating, classically trained and accomplished opera singers in Brittany Lauren and Sammie Gorham, Limberlost have also just added guitarist Devon Unger on lead guitar and bass player Steve Unger (Metal Church), further expanding their musical influences while simultaneously strengthening their engine room.The band are poised to release their dynamic new album Beautiful Scars on June 13, with the whole band - including drummer Mike Burt and keyboardist Anthony Ciarochi, but excluding Gorham - joining HEAVY for an entertaining chat from their home base."It's been like getting ready to give birth," laughed Burt. "I mean, we've been cultivating this thing since last November, getting ready to be exactly where we are."We ask the band to tell us more about the musical nature of Beautiful Scars."Beautiful Scars was so much fun," Lauren enthused, "because it's a concept album. It takes on the Japanese art form of Kintsugi, which is an art form of repair, where, when a piece of pottery is shattered, they will repair it using gold. And so it becomes more beautiful because it was broken. So we took this and used it as an analogy to a person and how a person goes through their life, and they get all these scars, or they get these certain things. People make a lot of memes about it, but what if we made it mean that it made you more beautiful, and what if this is like coming to terms with who you are? So the whole concept of the album is that, and then what's cool is that Limberlost ended up kind of living that. We broke up, and then we got pieced together with some gold here, and we're making it work. It starts with Alien, and you'll hear lyrics that give you a sense of dysphoria about not feeling safe or feeling alien, and then it moves into just recognition of who you are."In the full interview, we dove deeper into the conceptual nature of Beautiful Scars, what they were going for musically and how it differs from Limberlost's previous work.The band acknowledged the challenge of balancing their diverse influences while evolving their sound to appeal to a broader audience and delved into the dynamics of having two female lead vocalists, reflecting on their classical training and how it has shaped their musical journey. The integration of new members Steve and Devon was discussed, with both expressing excitement about the album and upcoming live performances. The chat concluded with information on how fans can access Limberlost's music and exclusive content, as well as their plans for future performances, including aspirations to perform in Australia and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Label: Threshold 67006Year: 1971Condition: MLast Price: $22.00. Not currently available for sale.This great single is one of the few occasions when the group really rocked out big time... an essential Moody Blues track! Note: This 45 record omes in a Near Mint copy of the release's cool picture sleeve. The labels look Mint. The vinyl (styrene) looks almost untouched, and the audio comes through pristine Mint!

This week on QSJ Radio, we sit down with James Sebastian, the electrifying artist breathing new life into the golden age of rock. With a sound that fuses the soul of the '70s with raw modern grit, James is carving out a lane all his own — where storytelling meets power chords, and nostalgia meets now. From analog dreams to digital hustle, James shares his journey, the influences that shaped his sound, and what it means to channel the spirit of legends while staying true to your own voice.

Label: Gee 1071Year: 1961Condition: M-Price: $30.00This is an extraordinarily clean copy of this great single. The labels are almost Mint, and the vinyl and audio are Near Mint as well.

Label: ABC 11272Year: 1970Condition: M-Price: $18.00This, the group's first single to crack the Hot 100, was a new version of Funk #48, which they released the previous year on Bluesway. Both are to-die-for classics of guitar rock, showcases for Joe Walsh. On this pressing, the title is spelled "Funk No. 49" rather than "Funk #49." Though not mentioned on the label, the Mono-mix 45 has a superior, edited version of a longer album track (the 45 edit is about 30 seconds shorter). Note: This copy comes in a vintage ABC Records factory sleeve.

Label: RCA 0876Year: 1973Condition: M-Last Price: $25.00. Not currently available for sale.Most people born after 1980 assume that Nirvana wrote the classic "Man Who Sold The World," and they certainly did record an impressive version of it. In fact, the song fit so well with the grunge sound and modern rock in general that the mistake of youth is understandable. However, you've got to hear the original version by the song's author to appreciate it fully. Note that this release has the 5:05 version of "Space Oddity," which became Bowie's first top 40 hit in the U.S. This is a beautiful copy of both the vinyl record and its original picture sleeve.

The story of Nevermind, Nirvana's genre-defining breakthrough, is a familiar one. Less well known is the saga of Billboard's Modern Rock chart—and how college-rock staples of the 1980s like R.E.M. and The Cure gave way to heavier, more commercially dominant groups of the ‘90s like Soundgarden, Alice in Chains, Pearl Jam, and The Smashing Pumpkins. What sparked the grungification of the charts? How did Modern Rock become the new Top 40? And how did the Seattle sound pave the way for post-grunge bands like Sublime, Third Eye Blind, and even Creed? Join Chris Molanphy as he explores alternative rock's evolution from the cutting edge to the middle of the road. Podcast production by Olivia Briley and Kevin Bendis Learn more about your ad choices. Visit megaphone.fm/adchoices

The story of Nevermind, Nirvana's genre-defining breakthrough, is a familiar one. Less well known is the saga of Billboard's Modern Rock chart—and how college-rock staples of the 1980s like R.E.M. and The Cure gave way to heavier, more commercially dominant groups of the ‘90s like Soundgarden, Alice in Chains, Pearl Jam, and The Smashing Pumpkins. What sparked the grungification of the charts? How did Modern Rock become the new Top 40? And how did the Seattle sound pave the way for post-grunge bands like Sublime, Third Eye Blind, and even Creed? Join Chris Molanphy as he explores alternative rock's evolution from the cutting edge to the middle of the road. Podcast production by Olivia Briley and Kevin Bendis Learn more about your ad choices. Visit megaphone.fm/adchoices

The story of Nevermind, Nirvana's genre-defining breakthrough, is a familiar one. Less well known is the saga of Billboard's Modern Rock chart—and how college-rock staples of the 1980s like R.E.M. and The Cure gave way to heavier, more commercially dominant groups of the ‘90s like Soundgarden, Alice in Chains, Pearl Jam, and The Smashing Pumpkins. What sparked the grungification of the charts? How did Modern Rock become the new Top 40? And how did the Seattle sound pave the way for post-grunge bands like Sublime, Third Eye Blind, and even Creed? Join Chris Molanphy as he explores alternative rock's evolution from the cutting edge to the middle of the road. Podcast production by Olivia Briley and Kevin Bendis Learn more about your ad choices. Visit megaphone.fm/adchoices

Label: Coral 62558Year: 1969Condition: MPrice: $60.00This is a beautiful Mint copy of a single released in 1969 to commemorate Buddy Holly's untimely 1959 death, along with its striking picture sleeve. I had first heard this lovely version many years ago on a U.K.-released double album set Buddy Holly: Legend. The liner notes to that album describe the track as follows: "Love Is Strange" was one of Buddy's favorite songs. The version he recorded was around a minute long and the track included here has been "stretched" by splicing and re-recording the original tape. Norman Petty's later treatment of the recording, adding organ sounds to create the impression of strings, probably comes fairly close to Buddy's own ideas for the song. As for the B side, this rarity was cowritten with Waylon Jennings and not released until well after Holly's death. Among other places, it appeared on the B side of U.K. single in 1964. Upon hearing it, I knew I'd heard it before and after wracking my brain for awhile, I remembered that it was a version by the neo-Rockabilly singer/songwriter Billy Swan released in 1976 that was in my head. Other than that, I haven't heard any other versions, though it's indubitably hit material! Note: The 45 itself has Mint labels. The vinyl looks untouched, and the audio sounds pristine. The great picture sleeve is nearly flawless!

Label: Wand 11215Year: 1970Condition: M-Price: $30.00Both sides of this obscure 1970 Soul single are top-notch keepers! The A side features some surprising, catchy rhythms that'll definitely keep your feet moving, and the B side has become a favorite... quite special. Listen to the MP3 snippet we've added to the "jukebox" to see if you agree. Note: This beautiful copy comes in a vintage Wand Records factory sleeve. Both sides of this styrene pressing have pristine mint audio.

Label: Estill 1000Year: 1968Condition: MPrice: $20.00From a warehouse find, this is a new, unplayed stock copy of the first issue of this terrific single, with the original South Carolina address shown for the record company.

The story of Nevermind, Nirvana's genre-defining breakthrough, is a familiar one. Less well known is the saga of Billboard's Modern Rock chart—and how college-rock staples of the 1980s like R.E.M. and The Cure gave way to heavier, more commercially dominant groups of the ‘90s like Soundgarden, Alice in Chains, Pearl Jam, and The Smashing Pumpkins. What sparked the grungification of the charts? How did Modern Rock become the new Top 40? And how did the Seattle sound pave the way for post-grunge bands like Sublime, Third Eye Blind, and even Creed? Join Chris Molanphy as he explores alternative rock's evolution from the cutting edge to the middle of the road. Podcast production by Olivia Briley and Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

The story of Nevermind, Nirvana's genre-defining breakthrough, is a familiar one. Less well known is the saga of Billboard's Modern Rock chart—and how college-rock staples of the 1980s like R.E.M. and The Cure gave way to heavier, more commercially dominant groups of the ‘90s like Soundgarden, Alice in Chains, Pearl Jam, and The Smashing Pumpkins. What sparked the grungification of the charts? How did Modern Rock become the new Top 40? And how did the Seattle sound pave the way for post-grunge bands like Sublime, Third Eye Blind, and even Creed? Join Chris Molanphy as he explores alternative rock's evolution from the cutting edge to the middle of the road. Podcast production by Olivia Briley and Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

The story of Nevermind, Nirvana's genre-defining breakthrough, is a familiar one. Less well known is the saga of Billboard's Modern Rock chart—and how college-rock staples of the 1980s like R.E.M. and The Cure gave way to heavier, more commercially dominant groups of the ‘90s like Soundgarden, Alice in Chains, Pearl Jam, and The Smashing Pumpkins. What sparked the grungification of the charts? How did Modern Rock become the new Top 40? And how did the Seattle sound pave the way for post-grunge bands like Sublime, Third Eye Blind, and even Creed? Join Chris Molanphy as he explores alternative rock's evolution from the cutting edge to the middle of the road. Podcast production by Olivia Briley and Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

Label: Columbia 45472Year: 1971Condition: MPrice: $8.00From a warehouse find, this is a new, unplayed stock copy with a drillhole--in its original Columbia factory sleeve. Check out the mp3 "snippet" of this great, lesser-known Santana track from 1971.

Label: Dynamo 112Year: 1967Condition: M-Price: $20.00A real sleeper, this great track sneaks up on you and demands that you recognize how great it is. Eventually, you do... and you're hooked! Take a listen and hear for yourself. Note: This beautiful pressing looks Near Mint and has pristine Mint sound. (This scan is a representative image from our archives.)

Label: Profile 5084Year: 1986Condition: M-Price: $9.00Essential mid-1980s techno dance pop, served up with a dollop of quirky humor. Flip is an instrumental version. This 45 has a dramatically edited version of the 6:05 album track. Note: This beautiful copy comes in a vintage Profile Records factory sleeve. It looks Near Mint and has pristine Mint sound!

Label: Capitol 4565Year: 1978Condition: MPrice: $15.00Essential Disco... Remember that guitar? That break? It's always great to hear this one again. Note: This beautiful 45 record has no notable flaws, grading Mint across the board (Labels, Vinyl, Audio), and the picture sleeve is Near Mint with just a touch of wear.

Label: Double Shot 104Year: 1966Condition: M-Price: $25.00This is one of the essential singles in the history of Psychedelic Rock. The flip is terrific too... I wonder how they got so paranoid? This is a first pressing, with the label name at the top of the label. Note: This beautiful copy has Near Mint labels with a touch of wear. The vinyl (styrene) looks Near Mint with a few scuffs, and the audio sounds pristine Mint! (This scan is a representative image from our archives.)

Label: Dimension 1013Year: 1963Condition: M-Price: $30.00Not one of Little Eva's big hits, but definitely a worthy destination for fans of Girl Group Rock... check out the mp3 "snippet" I've posted for the A side. Note: This beautiful copy has Near Mint labels, with a small abrasion on the A side. The vinyl and audio grade Near Mint ... the A side audio is pristine!

Label: Sire 29840Year: 1982Condition: MLast Price: $16.00. Not currently available for sale.Terrific, almost-retro, power pop hit, backed with the very dark but beautiful 'My City Was Gone,' which incidentally places at #949 in Marsh's top 1001. That B side is an edited version of the 5:14 album cut. Note: This beautiful 45 has no notable flaws, grading Mint across the board (Labels, Vinyl, Audio), and the picture sleeve is nearly flawless!

Label: Columbia 04463Year: 1984Condition: M-Price: $15.00The terrific B side is a previously unreleased, non-LP cut. The A-label has two numbered stickers as well as an clear address label. The vinyl and audio are very close to mint. We are always happy to find this one with a virtually flawless picture sleeve -- no ringwear and bright, shiny and crisp!

Label: Atco 6359Year: 1965Condition: M-Price: $25.00This is one of the nicest copies of this classic single that I've had to offer since opening the store in 2001... a solid Near Mint copy with Mint audio. Check out the mp3 "snippet". (Collector's note: This release is common in conditions less than Near Mint, but copies in truly collectable condition are quite rare.) It's also worth noting that this single appears on both the Dave Marsh Top 1,001 Singles (#228) and the Rolling Stone Top 500 Songs (#451) lists! That's one of the reasons it's hard to keep in stock! Also check out Sonny Bono's stab at Garage Rock on the B side... it's really pretty nasty! :-) Note: This beautiful copy comes in a vintage Atco Records factory sleeve. The labels grade Near Mint with a touch of wear. The vinyl looks Near Mint with a few light scuffs, and the audio sounds pristine Mint.

Label: WB 7163Year: 1968Condition: MPrice: $14.00From a warehouse find, this is a new, unplayed stock copy, in its original factory sleeve. OK, how many of you remember this song but had no idea what it was called? I see lots of hands out there! For Sunshine Pop lovers, this is a truly blissful experience and a must for your Association collection. Note: This beautiful copy has no notable flaws, grading Mint across the board (Labels, Vinyl, Audio).

Label: World Pacific 77808Year: 1966Condition: M-Last Price: $14.00. Not currently available for sale.After you soak in the early morning bliss on the A side, be sure to check out the B side of this great single... one of my personal favorite sunshine pop tracks, with a hook that just won't quit! Note: This beautiful copy comes in a vintage World Pacific Records factory sleeve. Note: This scan is a representative image from our archives.

Label: Reprise 0564Year: 1967Condition: M-Price: $25.00The B side of this monster Psych-rocker may not have charted, but I actually think it tops the Top 40 A side. Note: This beautiful copy comes in a vintage Reprise Records factory sleeve. It grades close to Mint across the board (Labels, Vinyl, Audio).

Label: Liberty 55829Year: 1965Condition: M-Price: $25.00Classic Garage, plus a terrific flip. Note: This beautiful copy comes in a vintage Liberty Records factory sleeve. The labels are Near Mint with a touch of ringwear, more so on the B label. The vinyl looks Near Mint with a touch of scuffing. The audiio is very close to Mint.

Linkin Park's Emily Armstrong and Phoenix reflect on the band's legacy, what's on the horizon and share their thoughts on how they prep for major shows.

Label: MGM 13567Year: 1966Condition: M-Price: $20.00British singer Farlowe had success with a number of Jagger-Richards compositions in the mid-1960's, including this one also produced by Mick Jagger. Jagger has brought in arranger Art Greenslade for this recording, who adds some very effective and arty touches to the lesser-known Stones classic. Check out the mp3 "snippet" of the song. "Out Of Time" was on the U.K. version of the Stones LP Aftermath, but it was left off of the U.S. version for some reason, winding up on a compilation LP the following year. The Stones didn't release the song as a single, letting Farlowe's Jagger-produced version become a #1 hit in the U.K. and producing his only brush with the U.S. Hot 100. In the U.S., Farlowe's 45 was a non-album single. Note: This beautiful copy has a drillhole and comes in a vintage MGM Records factory sleeve. It grades Near Mint across the board (Labels, Vinyl, Audio).

Label: Shelter 40238 djYear: 1974Condition: M-Last Price: $10.00. Not currently available for sale.Stereo/Mono promo copy. This is one of Cale's greatest tracks that nobody ever heard... absolutely delicious to the ear. Have a listen to the mp3 "snippet" to hear what I mean. Note: This beautiful promo 45 grades Near Mint across the board, with the labels having a small date penned on one side, a small stamp on the other. (This scan is a representative image from our archives.)

Label: MGM 13813 djYear: 1967Condition: M-Price: $16.00From a warehouse find, this is a new, unplayed promo copy, in its original factory sleeve. Sunshine Pop lovers of the world unite! Here's a Greenaway-Cook rarity that will keep your toe tappin' and your mouth smilin'. This was the group's last single on Co & Ce, and unfortunately never made it onto Top 40 playlists. When MGM picked up the Co & Ce catalog, they released this one Vogues single. It would be a year and a half before the group re-emerged on Warner Bros.' Reprise label to score a couple of hits in 1968-69. Note: This copy comes in a vintage MGM Records factory sleeve.

Label: Atlantic 2682Year: 1969Condition: MLast Price: $8.00. Not currently available for sale.From a warehouse find, this is a new, unplayed stock copy with a drillhole, in its original factory sleeve.

Label: Atco 6588Year: 1968Condition: MPrice: $15.00From a warehouse find, this is a new, unplayed stock copy with a drillhole, in its original factory sleeve. Both sides are terrific, rare slices of late 1960's soul. I particularly like the Deep Soul B side...

Label: Parkway 6000Year: 1967Condition: MPrice: $18.00From a warehouse find, this is a new, unplayed stock copy with a drillhole, in its original Cameo/Parkway factory sleeve. If Sigler's turbocharged medleys from 1967 aren't to your taste, you may have missed out on the terrific flip side to this single. If so, be sure to check it out!!

Label: Lenox 5555Year: 1962Condition: M-Price: $22.00One of my personal all-time favorites: When "Little Esther" Phillips starts singing, I literally get goosebumps — the recording's that powerful! And what a voice! Note: This copy has nearly pristine-looking labels and Near Mint vinyl. The audio is close to Mint, with just a touch of surface noise.

Label: Stone Flower 9001Year: 1970Condition: M-Price: $8.00This is a beautiful Near Mint stock copy in its original factory sleeve. Some of Sly Stone's best work outside of the Family Stone recordings... both sides! (This scan is a representative image from our archives--the copy for sale has NO drillhole).

Label: Acta 815Year: 1968Condition: MLast Price: $12.00. Not currently available for sale.The very best kind of melodic, romantic pop that'll just wrap you up in warm sunshine. :-) Check out the mp3 "snippet" of it in our "jukebox." (Click the blue "play" button.) By the way, the B side is a non-album cut. Note: This beautiful copy comes in a vintage Acta Records factory sleeve. It has no notable flaws, grading Mint across the board (Labels, Vinyl, Audio).

Label: A&M 8578Year: 1969Condition: M-Price: $8.00Originally released on A&M 1039, this is a powerful Phil Spector production with a great vocal by Sonny Charles. The Checkmates' first single, it's just as great--though not nearly so famous--as the hit 'Black Pearl' that followed. A must-have for Spector collectors. This is a copy of the A&M "Forget Me Nots" reissue. This beautiful reissue has pristine Mint audio!

Label: I.R.S. 9907Year: 1982Condition: M-Price: $12.00This is a beautiful stock copy, in its original picture sleeve. This is simply one of the very best girl group songs of all time. Unlike their Sixties counterparts, though, these girls write their own songs, play their own electric guitars and drums, and sing about the lovelife of working girls who are way past sweet sixteen! The audio is pristine Mint!

Some freakish one hit wonders and big time hits too - 80 and 90 alternative club and rock.  Full moon and a freaked out planet!  Oh and it's friday, freak! beatbox - art of noise we will rock you - queen vs fat boy slim fashion - david bowie hollywood - u2 jump around - house of pain one week - bare naked ladies sugar daddy - thompson twins elevate your mind - stereo mc's betty davis eyes - kim carnes living on the ceiling - blancmange hollywood blvd - big audio dynamite running - information society true faith - new order ant rap - adam ant (adam and the ants) sex machine - flying lizards kiss me - stephen duffy passion - the flirts victim of love - erasure you aint seen nothin yet - figures on the beach hey music lover - s'express dont go - yaz jolene - strawberry switchblade pop song - rem behind the wheel / route 66 - depeche ooh la la - wiseguys new pollution - beck time on my hands - Styx money - flying lizards dont leave me this way - communards uptown love shack for a fly guy - billy J vs B-52s vs offspring the cutter - echo and the bunnymen goo goo muck - the cramps in your room - the bangles

Label: Columbia 11388Year: 1980Condition: MLast Price: $10.00. Not currently available for sale.From a warehouse find, this is a new, unplayed stock copy, in its original factory sleeve. This is one of two great, hard-to-find singles released from the Rockpile album Seconds of Pleasure. Rockpile was a band formed by Nick Lowe and Dave Edmunds. Of the two singles, this was the first, and also the only one that charted. Note: This beautiful stock copy has Mint labels and pristine audio. The vinyl (styrene) is graded Near Mint to reflect some faint storage wear.

Label: Elektra 45720Year: 1971Condition: M-Last Price: $18.00. Not currently available for sale.I still think this is my favorite Bread track... the lyrics are hopelessly romantic, but that's just what you want when you're hopelessly in love. And the arrangement suits the mood perfectly. David Gates has concocted a perfect Pop confection that should not be dismissed merely because it is so. The sheer beauty of the music, song, voice, lyrics literally brings me to tears when I'm in a certain mood. The vision of my dear wife coming and "pouring herself on me" when I'm feeling down, and of our ultimately "flying away" from our worldly cares and woes together, evokes such poignancy for me that I feel it's happening... as the music plays. I finally found a copy of with audio good enough to record for my iTunes library, but when I began to make the mp3 "snippet" for Classic 45s, I simply could not find a reasonable place to edit this nearly perfect musical "poem," so I ended up including the entire 2:33 song as the snippet. If you are inclined to dismiss Bread and David Gates, do me a favor and listen to the entirety of the snippet. This level of creativity in Soft Rock definitely deserves our 2-star recommendation, and I hope you agree. Enjoy! Note: This beautiful copy comes in a Near Mint picture sleeve with no notable flaws. The labels look Mint, and the vinyl (styrene) looks almost Mint. Fortunately, this copy, while not perfect, is close enough to earn a rare (for this pressing) Near Mint audio rating. Have a listen to the snippet, and you'll agree you can imagine a more perfect rendition, but you have to admit this Mono mix is gorgeous!

Label: Columbia 45259 djYear: 1970Condition: M-Last Price: $40.00. Not currently available for sale.One of the group's last singles, this is a neglected classic. Great melodic story with an unforgettable hook on the A side, and a sea of shimmering guitars on the B side. This promo copy grades close to Mint across the board (Labels, Vinyl, Audio). (This scan is a representative image from our archives; this copy doesn't have the stamp shown.)

Label: Atlanta Artists 818384Year: 1984Condition: M-Price: $6.50This is a beautiful Near Mint stock copy. Essential 1980s Rap/Funk. This is an edited version of the 7:12 album track. The audio is very close to Mint.

Label: Colgems 1001Year: 1966Condition: MPrice: $45.00This was the group's first chart single, and what a great debut it was! No, they weren't a new Beatles, but this was first-rate pop for sure. Be sure to check out the wonderful Goffin-King tune on the B side, with its delightful little psychedelic interludes. This single's picture sleeve came in several variations... some in full color like this one, some in 2 colors, some with the white banner at the bottom, some not, etc. Note: This copy's picture sleeve, which has the white bottom banner, is nearly flawless. The 45 record itself has Mint labels and pristine sound.

Label: Gordy 7056Year: 1966Condition: MPrice: $32.00This beautiful copy has pristine audio... awesome to hear this classic in its original pounding clarity. This is a first pressing with the "It's in the grooves" Gordy label. There were many label variations on this release. This copy has the title and artist at the bottom of the label, with no quotes. Note: This beautiful copy has Mint labels with a drillhole. The vinyl looks untouched, and the audio is pristine Mint. (This scan is a representative image from our archives.)

Howard Benson is a Grammy winning rock producer who has made records with My Chemical Romance, Three Days Grace, Daughtry, All American Rejects, POD, and Hoobastank.In this episode, you'll learn about:Why having hits is a "numbers game"How producer royalties have changed over the past three decadesHow DAWs are hurting artistsDisguising pop music as rock musicThe Howard Benson vocal chainHow to find harmony parts, even if you don't singCowriting in RockAI's role in modern songwriting and productionConnect with Howard Benson: