Podcasts about fluffhead

"Neil Young's 2024 Tour with Crazy Horse: A Legendary Performance"Larry Mishkin discusses the creation of the song "The Music Never Stopped" by Bob Weir and John Perry Barlow. Weir explains his collaborative process with Barlow, where they developed lyrics together over the phone, inspired by Barlow's description of a scene from Wyoming. Weir also reflects on the importance of lyrical and musical cohesion, and the song's debut and history of performances, including at venues like the Great American Music Hall and the Palladium. The discussion transitions to Neil Young's recent tour with Crazy Horse, highlighting the band's performance and Young's energy despite his age. He also mentions upcoming events and concludes with a focus on the Grateful Dead's performance of "St. Stephen" and other songs from 47 years ago. Grateful DeadApril 30, 1977  (47 years ago, tomorrow)PalladiumNYCGrateful Dead Live at The Palladium on 1977-04-30 : Free Download, Borrow, and Streaming : Internet ArchiveAudience Tape This is another good show from 1977, but the recording quality is actually not bad considering this is an audience recording.  Since then the show has been commercially released as the first volume of the Grateful Dead Download Series if you want to hear the crisper soundboard recording.Highlights from this show are the first set Mississippi Half Step and even Looks Like Rain is played with a passion that is moving even if the song always is not. In the second set, the Dead start off with a Scarlet Begonias>Fire on the Mountain (pretty good), swing into a fun mid-set Good Lovin (common for that time, but for the last 15 years, it was almost always a set closer as an alternative to Sugar Mag) or an encore tune (send everyone home with a smile), Friend of the Devil , Estimated Prophet.  And then they blow the doors off the place with a St. Stephen>Not Fade Away>Stella Blue>St. Stephen sandwich that must be heard in full to be truly appreciated.  It's pretty awesome to hear Stella Blue transition back into the St. Stephen, an unusual pairing to say the least. Close with a Saturday Night and then yet another 1977 Terrapin Stationencore.   INTRO:                                 Music Never Stopped                                                Track #2                                                0:00 – 1:26                 Hunter Weir tune, released on Blues For Allah (Sept. 1,1975). Bob:  As a lyricist I'm glacially slow. I can generally get the job done, but it takes too damned long. So I like to work with people who have a little more facility with that—you know, John Barlow, Garrett Grant, Robert Hunter.Or I may have a general notion of the color of the rhythm and the harmonic or melodic development, and I'll sit with a guy and we just fire blank verse at each other until we start to corner that color—and then often the song will fall right out of the sky. Other times, I may have no notion of where the song wants to go, in which case I'll let whoever I'm working with surprise me. . . .“The Music Never Stopped” is a song that we wrote over the telephone. I had this business going [plays opening guitar riff, Example 13 below]. So I played this over the phone to John, and he just started spitting stuff at me. The first line came out, “There's mosquitoes on the river / Fish are rising up like birds.” He was living in Wyoming at the time on a ranch, and he started describing a situation that I'd seen with him, where it was late summer on a dry year and things were hot and kind of dull and dead.So where are we going to take this? Well, first I figured the verse is going to have to be twice as long as I originally figured, because if you're starting with an image that thick, you have to get into some detail about it. “It's been hot for seven weeks now / Too hot to even speak now / Did you hear what I just heard?” That last line came after some deliberation. It's a pregnant line, sort of like a leading tone in a harmonic development.The success of the endeavor, if you're working with a lyricist, depends on how closely the lyric marries the music. With Barlow or Gerrit Graham or whoever, there's a lot of back and forth. I guess I get to be the decider, because the words are going to have to come from my lips. And so I have to be able to tell the story.I have to be that character, because my job is to get the hell out of the way and let the character tell the story, musically and lyrically. When I'm standing in front of the microphone, I may look like me, but I'm not.If the character arrives with a really defined face and features, then it's easy for me to do my job.Fun version because almost always a first set closer and here it is opening the show.  Love that.            236 times            First:  August 13, 1975 at Great American Music Hall, San Francisco, CA, USA            Last:  June 28, 1995 at The Palace of Auburn Hills                      The Palladium:  The Palladium (originally called the Academy of Music) was a movie theatre, concert hall, and finally nightclub in New York City. It was located on the south side of East 14th Street, between Irving Place and Third Avenue.Designed by Thomas W. Lamb, it was built in 1927 across the street from the site of the original Academy of Music established by financier Moses H. Grinnell in 1852. Opened as a deluxe movie palace by movie mogul William Fox, the academy operated as a cinema through the early 1970s.Beginning in the 1960s, it was also utilized as a rock concert venue, particularly following the June 1971 closure of the Fillmore East. It was rechristened the Palladium on September 18, 1976, with the Band live radio broadcast,[1] and continued to serve as a concert hall into the following decade.In 1985, the Palladium was converted into a nightclub by Steve Rubell and Ian Schrager, after their success with Studio 54. Japanese architect Arata Isozaki redesigned the building's interior for the club.[2]Peter Gatien owned and operated the club from 1992 until 1997.The Palladium closed in August 1997 following its purchase by New York University.[3] In August 1998, the building was demolished in order to build a twelve-story residence hall that students affectionately referred to as Palladium HalThe Dead also played there when it was called the Academy of Music in a series of seven shows on their way to Europe for the '72 tour.  One of the those shows, the entire March 28, 1972 performance plus selections from March 25, 1972 and March 27, 1972 were released as Dick's Picks Vol. 30This five night Palladium run, of which today's show was the second, is famous for a lot of reasons including the part of 1977 when the Dead put together a string of some of their best shows ever, peaking on May 8, 1977, just over one week later, at Barton Hall in Ithaca, NY.  All five of these shows are well played, great tunes, and a very grooving feel that you can still pick up off of the CD or down load 47 years later.  I had most of these shows on tape and wore them out from so much playing.  Love that they previously released this show as Download Series Vol. 1 and the new Dave's Picks release, No. 50!!, is the May 3, 1977 show including some extra songs from the next night as well as the annual Dave's Picks Bonus Disc that is even more songs from the May 4th show).  If you are not listening to Dave's Picks, you are missing out on quality recordings of some of the best shows ever.How hot was the band, check out this extended jam at the end of ½ Step, the second to last song of the first set (ending with a great Promised Land) and be sure to listen for Jerry and Keith going back and forth throughout this clip:                                             SHOW No. 1:                    Mississippi ½ Step                                                Track #11                                                7:06 – 9:29 Garcia/Huner tune released on Wake of the Flood in 1973.  Also live versions included on Steal Your Face, Dick's Picks Vol. 1, Without a Net and who knows how many other Dick's/Dave's Picks releases, etc.  If you want to hear it, you can find it, easily. First performed July 16, 1972 at Dillon Stadium in Hartford, Connecticut. Followed "Me and My Uncle" and led into "Sing Me Back Home," which closed out the first set. A staple of the repertoire ever since. 236 times (exact same as Music Never stopped!)First:  July 16, 1972 at Dillon Stadium, Hartford, CT, USALast:  July 6, 1995 at Riverport Amphitheater Maryland Heights, MO Music News: Neil Young Tour  SHOW No. 2:                    St. Stephen                                                Track #1                                                              0:00 – 1:49 Blah Blah Blah, everyone knows about St. Stephen.  Dead's Fluffhead apparently.  Because of its true melodic nature and strong lyrics, it existed long outside and after the end of Primal Dead.  Still only played a total of 187 times:                 First:  May 24, 1968 at National Guard Armory, St. Louis, MO, USA            Last:  October 31, 1983 at Marin Veteran's Memorial Auditorium, San RafaelBut post Dead hiatus year, they started making song sandwiches often based around this song.  This four song sandwich at the end of the show is so good that I had to feature all of it at the expense of some other really great tunes like Bertha, Peggy O, Looks Like Rain, Promised Land, and any tune in the second set.  This sandwich is just too cool to ignore or not give it proper due. Here is the first layer change: SHOW No. 3:                    St. Stephen>Not Fade Away                                                St. Stephen                                                Track #19                                                4:10 – end                                                INTO                                                Not Fade Away                                                Track #20                                                0:00 – 1:15 Great switch out of St. Stephen and into an amazing opening jam of NFA. I wanted to try and catch the opening lyrics but the jam went on for almost 4 minutes which is too long even for these extended clips. MJ News Check out this next transition that they pull off seamlessly: SHOW No. 4:                    Not Fade Away>Stella Blue                                                Not Fade Away                                                Track #20                                                14:15 – end                                                INTO                                                Stella Blue                                                Track #21                                                0:00 – 1:30 Beautiful how they downshift on cue from the raucous NFA into the gentle and beautiful ballad mode required for Stella Blue.  Jerry's voice is so strong and clear.  Really a treat. Not even getting to the last tune of the encore today.  Not enough time but had to close out the episode with the final sandwich transition, from Stella back into an immediate upbeat St. Stephen that is so strong I told Dan we could not edit out any of it!  What a great (almost ending) to such a great show.   Deadheads walked out knowing there were still 3 more to go!  Like going to bed and already being told the next day is a snow day! Thank you all for listening.  Please be sure to join us next week when I am joined by Rob Bleetstein of Grateful Dead Radio (show host), Pearl Jam radio and he is also the Curator for the New Riders of the Purple Sage.  He is joining us to discuss, among other things, the newly released NRPS live album “Hempsteader”.  If you haven't heard it yet, check it out.  I'm looking forward to hearing from Rob how this was all put together and what the NRSP are up to these days. Also, a Birthday shoutout to very good buddy, Sam who is turning old tomorrow.  At his age, the actual number doesn't matter but we love him anyway. ENCORE:                            Stella Blue>St Stephen                                                Stella Blue                                                Track #21                                                7:50 – end                                                INTO                                                St. Stephen                                                Track #22                                                Start - end .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Intro song: Punch You In the Eye (N1 SPAC)5. Fuego (N4 Dick's)4. Sand (N1 SPAC)3. Piper (N3 Dick's)2. Split Open and Melt (N2 Dick's)1. Golden Age (N2 SPAC)Honorable Mentions:N1 SPAC: Rock & Roll and Chalk Dust TortureN2 SPAC: First Tube and PossumN1 Dick's: Carini and TweezerN2 Dick's: Wolfman's Brother and Bathtub GinN3 Dick's: Fluffhead and Run Like an AntelopeN4 Dick's: Down With Disease and 2001Outro song: Tweezer Reprise (N4 Dick's)

Hi everybody and welcome to this week's episode of Attendance Bias. I am your host, Brian Weinstein. A few months ago, I arranged an episode with a guest who wanted to talk about Phish's performance of “Free” from August 2, 2022 at the Blossom Music Center in Cuyahoga Falls, Ohio. After trying to set up a recording date and time with the guest, things eventually fell through. I was left with a great jam and a boatload of notes with no one to talk to about it.I put out a call on Phish Twitter and got such a response! It seemed like everybody wanted to talk about this jam, and I can see why. Luckily, we were able to arrange two guests for this fantastic jam: one returning guest–Mike Lowe, who was previously on Attendance Bias to discuss the all-time version of “Fluffhead” from Alpine Valley ‘99, and a brand-new guest: Mercedes from Phish Twitter, or you may know her better as ZzBenz. Either way, it was a perfect way to blend the familiar with the new to go over what several people referred to as the 2022 Jam of the Year.Moving through several sections, Phish took the second set opener and took the audience on a musical journey that felt like it was composed and spontaneous at the same time. But I don't want to spoil it. Let's join Mercedes and Mike to talk about Summer 2022, planetarium music, and Hansen, as we discuss “Free” from August 2, 2022 at Blossom.

Welcome back to HFPod On Tour (Live)! Today we share our own Summer 2022 Jams Playlist. We each picked a jam from the venues Phish is playing this Summer Tour and discuss why we selected it. FF to 1:06:52 to hear the playlist in full.HFPod Summer 2022 Playlist:Orange Beach (Brian): 3/8/91 Tweezer -> DEG -> Tweezer -> BBFCFM - TuscaloosaCharleston (RJ): 10/28/94 David Bowie > Manteca > David BowieDeer Creek (Megan): 8/10/97 Cities - Deer CreekGreat Woods (Jonathan): 7/8/94 Reba - Great WoodsBangor (Brian): 8/16/98 Ghost - LimestonePhiladelphia (RJ): 7/8/14 Harry HoodBethel (Megan): 7/10/94 Stash - SPACHartford (Jonathan): 8/14/09 Psycho Killer > Catapult > Icculus Meadows Music TheaterJones Beach (Brian): 6/29/95 David Bowie - Jones BeachRaleigh (RJ): 12/16/99 SandMPP (Megan): 8/8/98 2001 - MPPBlossom (Jonathan): 6/20/95 If I Could BlossomPine Knob (Brian): 11/9/96 You Enjoy Myself - Auburn HillsAC (RJ): 6/17/12 Chalk Dust > Caspian OR 11/1/13 Twist > JibbooToronto (Megan): 12/12/1992 SOAM - Spectrum, TorontoAlpine Valley (Jonathan): 7/24/99 Fluffhead > Jam Alpine ValleyDick's (Brian): 9/27/00 - Piper - Englewood---Tune into our LIVE SHOWS every Monday & Wednesday at 4:30pm ET.Please subscribe to OSIRIS MEDIA on Apple Podcasts to hear BONUS HFPod Episodes as well as all of Osiris Media Ad Free!Visit Sunset Lake CBD and enter the promo code HFPOD for 20% off your order.We're thrilled to be sponsored by Cash or Trade!HFPod on Tour is hosted and produced by Jonathan Hart, Brian Brinkman and RJ Bee and Megan Glionna. Brought to you by Osiris Media. See acast.com/privacy for privacy and opt-out information.

Hi everybody, and welcome to Attendance Bias. I am your host, Brian Weinstein. And boy, do I have a heck of a show for you today. A few things to note before we get started:First, I was so excited to talk to today's guests that I literally forgot to plug in my microphone before I hit record. Yes, really. As a result, the computer mic picked up my voice, and it doesn't sound as clear as usual. I couldn't believe it once I noticed, but after about two minutes of listening back to the recording, I barely noticed. I hope that you have the same experience. Sorry about that.Second, today's episode features a lot--and I mean a lot--of references and name-checks of locations around Long Island. There are two guests today, and all three of us are from the area. Plus, the focus of today's episode is a store that was on Long Island, along with a show from the Nassau Coliseum. So if you grew up on or near Long Island--especially in the 80s or 90s, today's conversation will stir up tons of memories, and put a smile on your face. If you're not from Long Island, you can either break out a map or you can just nod along as the references come out fast and hard.All that said, today's episode completes a full circle for me, and answered questions that I've been wondering about for decades. This podcast is a passion project of mine, and speaking to today's guests is something I've wanted to do for a long time. As personal as it is, I suspect that it will be meaningful to fans who had a similar upbringing to mine, and especially fans from the northeast, or at least the tri-state area.Today's guests are Don Kantor and Cara Polizzi, the owner and manager, respectively, of Prime Cuts, a no-longer-operational head shop that was primarily located in Rockville Center and then Bellmore, Long Island.You'll hear me say this in just a few minutes, but soon after I discovered Phish, I discovered Phish tapes. For a young teenager who didn't have full time access to the internet and not knowing other fans made it pretty difficult to access any unofficial Phish recordings. Through a friend's sister, I discovered Prime Cuts. And Prime Cuts is where I discovered the world of Phish tapes, as well as tapes from many many other bands.Prime Cuts was more than a store. It was a discovery, it was a connection to a wider world, it was a community center, and it was an oasis for those who were into the scene and didn't know how to find like minded fans. In today's conversation with Don and Cara, we all go deep into the origins of the store, the nuts and bolts of how the taping process worked and answer the long-debated question of whether or not Prime Cuts' taping allowance was sanctioned by Phish.For the Attendance Bias segment of the episode, Don chose to discuss the 2nd set of April 3, 1998 at the Nassau Coliseum, and Cara chose to talk about Fluffhead and You Enjoy Myself from Phish's 3.0 comeback show on March 6, 2009 at the Hampton Colisum. Both picks are epic highlights of the band's career and I was also thrilled at how much crossover there was with other Attendance Bias stories from past guests. Well, enough from me. I hope you can feel the love and joy in this conversation with Don and Cara of Prime Cuts.

Hello everybody and welcome to this week's episode of Attendance Bias. This week's guest is trumpet for DC-based bands, Skyscrapers and the Monumental Brass Quintet, Mike Lowe. As Mike's band played their first gigs and figured out their sound as indie jam rock, COVID hit and the band had to take a forced hiatus from the stage. But as you'll hear him say in today's episode, they're getting ready to return to the U Street bars in Washington.For today's episode, Mike picked a monster jam; “Fluffhead” from July 24, 1999 at Alpine Valley. Indeed, this version of Fluffhead is unlike any other that the band has played. Stretching for over 32 minutes, with a type 2 jam that is almost entirely led by Mike's melodic bass playing, the band has yet to play a version that displays an equal amount of musical creativity. Mike describes how fans had their jaws drop to the floor after it was played, unexpectedly as the second song of the show. So let's join Mike to talk about his band Skyscrapers, Phish's sound in 1998, and "Fluffhead" from July 24, 1999 at Alpine Valley.

Justin welcomes guest host Brian Weinstein from the Attendance Bias Podcast to highlight October 7th, 1999 at the Nassau Coliseum in Uniondale, New York. Selections from My Soul, David Bowie, Possum, Fluffhead, Tube, Back On The Train, Mike's Song, McGrupp, Weekapaug, and I Am Hydrogen  are included in this episode. Listen to the full show at phish.in and read the set list and reviews at Phish.net.

Welcome to Part 2 of my conversation with Dartmouth College professor David Lutz about Camp Oswego, day two, on 7/18/99. If you haven't listened to Part 1, please go back and listen to it as its own separate episode and as a prelude to this episode. Part 1 focused on Dave's history as a Phish fan, his background, and how he ended up at Camp Oswego as a teenager without a car. We got so deep into our nerdy Phish chatter that it took us over an hour just to get to set 1 of the show!We pick up here where we left off. Part 2 requires no introduction and we kick off with the set two opener, which happened to be a 24 minute Runaway Jim! In most shows, that Jim would be the highlight of the show. But Oswego was no ordinary show. Throughout this episode, we go over the mega-fast Piper, the Catapult/Icculus/Smoke of the Water insanity, and the legendary closing of Fluffhead and Harry Hood.If Part 1 was a deep dive into Phish geekery, theories, and history, then Part 2 is fully about the MUSIC. Both episodes add up to a comprehensive look back at what may be Phish's most under-appreciated festival.Audio for this episode: http://phish.in/1999-07-18

It's been 10 long years since Phish came back, and we hope for many many more! Dan walks us through his excursion down to Hampton, why the Relix/Trey/GotF article left him wanting more and he explains the meaning behind Tobacco Road in connection with the 10/12/90 Tweezer from Cat's Cradle in Chapel Hill, NC. Camp Bisco lineup is out, something something Woodstock, Bobby is a savage in the gym and Formula 5 is taking an indefinite break. Plus the Hogan Family music benefit at John and Peter's.

Episode Notes TheLza and TheKid talk Phish Cocktails and answer questions. They also discuss TheLza's visit to Greenport Harbor Brewing Co. and craft beer. Phish Segment: 0:00:00 - 0:39:00 Beer Segment: 0:00:00 - 1:27:00Playlist: Weekapaug Groove 6-17-10 Fluffhead 8-4-17 Lawn Boy 7-25-17 Alaska 6-17-10 Beer list: Green port Harbor: Summer Ale, Citrus Blue Persuasion, Otherside IPA, Far Out There

Episode 022 - November 2017 Set 1Farmhouse (2008-08-02) Friends[1] (2016-07-10) Foreplay/Long Time[1] (1999-07-12) Fluffhead (1994-05-26) Faht[1] (1995-10-03) Flat Fee[1] (1988-06-21) Fee (1994-04-16) Foam (1994-04-25) Fikus[1] (1998-11-07) Fuego (2016-07-02) Fat Man in the Bathtub[1] (2010-10-31) Friday[1] (2004-06-26) Frankie Says[1] (2003-12-28) Free (1999-06-30) Free Bird[1] (2000-06-22) First Tube[1] (2012-06-15) [1] Phish Phantasy Debut

This week we're joined by 2 old school fans, Lee and Jamie, who share their Phish journeys and memories with us. They have been seeing shows since 1990, and we discuss and play a show they were at from the Capitol Theater, 5.14.92. We hope you enjoy this discussion and the music! The setlist is below, and set 1 music starts around 31 minutes and set 2 starts around 1 hour 57 minutes. If you can, please support HF Pod Plus! We appreciate it and hope you enjoy the extra content. Also, take our survey on how Phish has impacted your life. We'll be highlighting some of the initial takeaways in next week's episode. Here are some details on the Bakers' Dozen pre-show events and late night shows. See you all there! You can subscribe and review us on iTunes and follow us on Twitter. Also like us on Facebook. And check out CashorTrade for face value tickets to shows across the country. -- Phish, 5.14.92, The Capitol Theater, Port Chester , NY Set 1: Suzy Greenberg > All Things Reconsidered, The Sloth, Sparkle, Maze, Horn, Reba, Poor Heart > My Friend, My Friend, Bouncing Around the Room > Run Like an Antelope > Secret Language Instructions > Run Like an Antelope > Secret Language Instructions > Run Like an AntelopeSet 2: Glide, Cavern, Rift, Fluffhead, Eliza > Mike's Song > I Am Hydrogen > Weekapaug Groove -> Wait -> Weekapaug Groove , McGrupp and the Watchful Hosemasters > Stash, Cold as Ice > Cracklin' Rosie > Hold Your Head Up, PossumE: Sleeping Monkey > Rocky Top Intro/Outro Music: Jerry Garcia & Merl Saunders, Finders Keepers See acast.com/privacy for privacy and opt-out information.

Episode 005 - March 2017 Set 1Fluffhead (2009-03-06)Possum (1993-03-21)It's Ice (1992-07-14)Brother (1991-11-22)Fast Enough For You (1995-11-30)Fee (1990-07-08)Theme From the Bottom (1999-07-26)Wilson-> Mound (2011-07-03)The Mango Song (1992-04-19)Split Open and Melt (1994-04-25)

This week's guest is Daniel Pinchbeck, the author of How Soon Is Now?, which comes out on February 20. It's a fascinating and timely book that talks about how we can collectively get out of the ecological and environmental disasters we've gotten ourselves into. You can read more about Daniel here. This is a bit of a departure from our typical subject matter, but the overlap of consciousness, psychedelics, music and culture seemed appropriate to probe into, especially at this inflection point in American history. Really thought provoking conversation. Of course, there is some music. Went back to the archive for some early Phish, which we think was probably influenced by psychedelics. Enjoy! Please subscribe and review us on iTunes and follow us on Twitter. Also like us on Facebook. And check out CashorTrade for face value tickets to shows across the country. If you are on Stitcher, give us a review. -- Phish, 10.31.87, Sculpture Room, Goddard College, Plainfield, VT Set 2: The Man Who Stepped Into Yesterday > Avenu Malkenu > The Man Who Stepped Into Yesterday > Peaches en Regalia, Take the 'A' Train > Timber (Jerry), The Chase > I Am Hydrogen > Who Do? We Do!, Fee > Divided Sky > McGrupp and the Watchful Hosemasters > Who Do? We Do! > Clod, Alumni Blues > Letter to Jimmy Page > Alumni Blues > Fluffhead, David Bowie Intro/Outro Music: The Beatles, All You Need Is Love See acast.com/privacy for privacy and opt-out information.

This week it's just us, and we're bringing you the first set of Phish from the Greek Theater, from August 28, 1993. This is a classic show from an amazing year for the band, and we really felt like this first set represented where the band was at that time. The setlist is below. Please, review us on iTunes, like us on Facebook and follow us on Twitter. -- Phish, 8.28.93, Greek Theater, Berkeley, CA Set 1: Llama > Bouncing Around the Room, Foam, Ginseng Sullivan, Maze, Fluffhead > Stash, The Squirming Coil, Crimes of the Mind* *w/The Dude of Life See acast.com/privacy for privacy and opt-out information.

6 - taperchrispisodeBest FeelingWhite Light->The Box->White LightWildfireDoinkenbonk!!!Beethoven And Greene->Roar Like A Lion->Beethoven And GreeneDaydream FarmerSubconscious Prelude->Polluted Beauty->Subconscious PreludeCarter CandlestickLatin TangJamflowmanKarma Police->Big Country->Divided Sky->Fluffhead->Big Country->Gatsby Reprise

This week we were very fortunate to be joined by 3 great tapers and members of the Phish community: Craig Hillwig, Lenny Stubbe and Scott Bernstein. Tapers have a unique perspective on the band, the music, and they've been the way we've heard most of this band's music for the majority of the last 30 years. We're grateful for all of the work they do. The format of this episode is slightly different. We asked each of our guests to pick a few tracks that represent quality audience recordings from across Phish's history. For each pick, we play the track and then discuss the recording and the music. Before the tracks, we have a great conversation with our 3 guests. Really fun episode. Chapter markers are below. Visit http://hfpod.blogspot.com/ for more information. Lastly, please take a moment and review us on iTunes! Chapter 1 0:00 Chat with Craig, Lenny & Scott Chapter 2 55:19 7.2.11 McGrupp and the Watchful Hosemasters (Craig) Chapter 3 1:10:00 8.11.93 Mike’s Song (Lenny) Chapter 4 1:26:57 8.6.96 Purple Rain (Scott) Chapter 5 1:39:32 7.2.98 Ghost (Craig) Chapter 6 2:11:57 8.17.96 Fluffhead > Run Like An Antelope (Lenny) Chapter 7 2:35:35 2.5.94 Crimes Of The Mind (Scott) Chapter 8 2:48:29 12.31.97 Emotional Rescue (Craig) Chapter 9 3:09:05 7.12.13 A Song I Heard The Ocean Sing (Scott) Chapter 10 3:19:49 7.3.11 Down With Disease > No Quarter (Lenny) Chapter 11 3:40:02 4.13.94 David Bowie (Scott) See acast.com/privacy for privacy and opt-out information.

Hope everyone had a great Thanksgiving. This week we have another guest pick, this time from our friend Scott. We had a great conversation, and we discussed and played Phish 11.16.91, from Washington, DC. The show's setlist is below, and visit http://hfpod.blogspot.com/ for our Listener Notes and for more information. One quick appeal: Please review us on iTunes! -- Phish 11.16.91, The Bayou, Washington, DC Set 1: The Landlady, Uncle Pen, Wilson > Runaway Jim, It's Ice > Sparkle > Fluffhead, Foam, Stash, Ya Mar, Cavern Set 2: Tube > My Sweet One > Bathtub Gin, Brother, You Enjoy Myself, Horn > Chalk Dust Torture, Hold Your Head Up > Terrapin > Hold Your Head Up, Llama E: Glide, Rocky Top See acast.com/privacy for privacy and opt-out information.