Greek theatre
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2 episodes with greek theater
2 episodes with greek theater
This week we present the second set from the band's performance at the Greek Theater in Berkeley California on May 22, 1982. A fine recording that starts off with a tight 'China>Rider', to lead off a nice pre-drums set. 'Man Smart, Woman Smarter' always got the crowd fired up and we also have a Brent number, and a great 'He's Gone' into Drums.. post Drums highlights include a nice 'Not Fade Away' and a rockin' 'Good Lovin' to close the set. While it is a Saturday show, we get a 'U.S. Blues' encore ! Grateful Dead Greek Theatre - University of California Berkeley, CA 5/22/1982 - Saturday Two China Cat Sunflower [6:51] > I Know You Rider [5:28] > Man Smart (Woman Smarter) [6:21] Never Trust A Woman [5:51] Lost Sailor [6:25] > Saint Of Circumstance [6:40] > He's Gone [10:#33] > Drums > Space [9:19] > Not Fade Away [10:05] > Wharf Rat [8:28] > Around And Around [3:48] > Good Lovin' [8:31] Encore U.S. Blues You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod053025.mp3 Thank you so much for your kind support of the Deadpod!
This week we venture back to a favorite venue, the Greek Theater at the University of California at Berkeley for the middle show of a three night run in the spring of 1982. Astute listeners will remember that I played the first night of this run just about a year ago, and this show is at least equally worth hearing.. The band treats us to a 'Jack Straw' opener, which then goes into a nice long 'Sugaree' with plenty of fireworks from Garcia. 'Cassidy' follows, then a funky 'Tennessee Jed' into a 'New New Minglewood Blues'. As always, the 'Cumberland Blues' that follows is a rocker, but the 'Lazy Lighting>Supplication' combo is no slouch! The set closes with a smokin' hot 'Deal'. Grateful Dead Greek Theatre - University of California Berkeley, CA 5/22/1982 - Saturday Set 1: Jack Straw > Sugaree Cassidy Tennessee Jed > New New Minglewood Blues Cumberland Blues Lazy Lightning > Supplication Deal You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod052325.mp3 home cooking is always best....
The Art of Value host JJ breaks down how legendary rocker Neil Young has debuted a politically charged new song at a live concert in Los Angeles. In the song, young delivers criticism of President Trump, Elon Musk and Elon's company Tesla, implying that you'd have to be a fascist to buy a Tesla at this point.Related episodes:ELON MUSK IS COOKED. DONE! https://youtu.be/qzMcVgfBWt4Free Speech? X Allegedly Shadow-Bans Elon's Critics https://youtu.be/nGJ8BJ5Q2IcWhy BYD Just Left Tesla in the Dust! https://youtu.be/-BsNRGDxnXMNew! The Art of Value: Politics channel https://www.youtube.com/@TheArtofValuePoliticsTo support The Art of Value channel, become a member https://www.youtube.com/@TheArtofValue/joinReferenced content:Neil Young Live Debut “Let's Roll Again” 04/26/25 Greek Theater, Los Angeles https://youtu.be/dLYHby4N5Nk?si=rBTfnA9v4jUetfut&t=162‘If you're a fascist, get a Tesla': Neil Young targets Elon Musk in new song | San Francisco Chroniclehttps://www.sfchronicle.com/entertainment/article/neil-young-new-song-musk-trump-20298731.phpDisclaimer: I am not a financial adviser and nothing in this content is financial advice. This content is for general education and entertainment purposes only. Do your own analysis and seek professional financial advice before making any investment decision.
The Art of Value host JJ breaks down how legendary rocker Neil Young has debuted a politically charged new song at a live concert in Los Angeles. In the song, young delivers criticism of President Trump, Elon Musk and Elon's company Tesla, implying that you'd have to be a fascist to buy a Tesla at this point.Related episodes:ELON MUSK IS COOKED. DONE! https://youtu.be/qzMcVgfBWt4Free Speech? X Allegedly Shadow-Bans Elon's Critics https://youtu.be/nGJ8BJ5Q2IcWhy BYD Just Left Tesla in the Dust! https://youtu.be/-BsNRGDxnXMNew! The Art of Value: Politics channel https://www.youtube.com/@TheArtofValuePoliticsTo support The Art of Value channel, become a member https://www.youtube.com/@TheArtofValue/joinReferenced content:Neil Young Live Debut “Let's Roll Again” 04/26/25 Greek Theater, Los Angeles https://youtu.be/dLYHby4N5Nk?si=rBTfnA9v4jUetfut&t=162‘If you're a fascist, get a Tesla': Neil Young targets Elon Musk in new song | San Francisco Chroniclehttps://www.sfchronicle.com/entertainment/article/neil-young-new-song-musk-trump-20298731.phpDisclaimer: I am not a financial adviser and nothing in this content is financial advice. This content is for general education and entertainment purposes only. Do your own analysis and seek professional financial advice before making any investment decision.
The Deadcast's tour of Enjoying the Ride trucks all the way to the East Bay, exploring beloved venues including the Greek Theater & Kaiser Auditorium, with tales of the Hog Farm's Skeleton Crew & vintage field recordings from Oakland Coliseum Arena's parking lot. Guests: David Lemieux, Ron Rakow, Kevin Schmevin, Mark Pinkus, Blair Jackson, Steve Silberman, Rebecca Adams, David Gans, Johnny Dwork, Tyler Roy-Hart, Steven Bernstein, Robert Nyberg, Chad KroegerSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
100% Live Fab Four G.Harrison I want to tell you (live) Live in Japon (92)G.Harrison-Old Brown Shoe (live)-Live in Japon (92)P.McCartney-Lady Madonna (live)-Over America (76)P.McCartney-I've just seen a face (live)-Over America (76)P.McCartney/R.Starr-Sgt Pepper's.../With a little help... (live)-Tripping the live fantastic (90)/VH1 Storytellers (98)P.McCartney-Venus and Mars/Rockshow/Jet (live)-Tripping the live fantastic (90)G.Harrison-Cloud 9 (live)-Live in Japon (92)G.Harrison-My sweet Lord (live)-Live in Japon (92)J.Lennon-Instant Karma (live)-Live in New York City (86)J.Lennon-Imagine (live)-Live in New York City (86)R.Starr-You're sixteen (live)-Live at the Greek Theater 2019 (22)R.Starr-Photograph (live)-Live at the Greek Theater 2019 (22)G.Harrison-Isn't it a pity (live)-Live in Japon (92)G.Harrison-What is life (live)-Live in Japon (92)P.McCartney-Maybe I'm amazed (live)-Last flight Glasgow (79)P.McCartney-Ebony and ivory (live)-Tripping the live fantastic (90)G.Harrison-Give me love (give me peace on Earth) (live)-Live in Japon (92)G.Harrison-All those years ago (live)-Live in Japon (92)P.McCartney-Looking for changes (live)-Paul is live (93)P.McCartney-We can work it out (live)-Paul is live (93)P.McCartney-Here, there and everywhere (live)-Paul is live (93)G.Harrison-While my guitar gently weeps (live)-Live in Japon (92)G.Harrison-Here comes the sun (live)-Live in Japon (92)P.McCartney-Got to get you I to my life (live)-Good evening New York City (09)P.McCartney-Best friend (live)-Red Rose Speedway (Deluxe version) (18-73)G.Harrison-Got my mind set on you (live)-Live in Japon (92)R.Starr-Give peace a chance (live)-Live at the Greek Theater 2019 (22)
Put on your shades and pull back that convertible top because we're headed to Los Angeles for this episode where we chat with Alex Hodges, Chief Executive Officer of Nederlander Concerts. Alex, who is in the Georgia Music Hall of Fame, recipient of the T.J. Martell Foundation's “Spirit of Excellence” Award, and recipient of the SEVT Lifetime Achievement Award, has decades of experience in all aspects of the live event industry. After we discuss Nederlander Concerts and the numerous venues they work with, we learn how Alex developed a passion for the industry, from seeing shows as a kid at Fox Theatre in Atlanta to booking bands with his college fraternity brother at Mercer University. We talk about his time as an agent, representing emerging artists at the time such as Otis Redding, The Allman Brothers Band, The Police, and many more, as well as founding Paragon and Empire Agencies. He tells us about his time as the personal manager for Gregg Allman and Stevie Ray Vaughan before joining Nederlander Concerts the first time, working at House of Blues Concerts, and then returning back to Nederlander Concerts. Alex provides an incredible perspective of the industry over the years and how things have evolved – imparting advice and valuable insight into an ever-changing landscape. You'll love this episode with this legendary trailblazer that is chock full of amazing stories, great career tips, and plenty of laughs.Alex Hodges: EmailNederlander Concerts: Facebook | Instagram | X/Twitter ––––––ADVENTURES IN VENUELANDFollow on Instagram, LinkedIn, Facebook, or X/TwitterLearn more about Event & Venue Marketing ConferenceMeet our team:Paul Hooper | Co-host, Booking, Branding & MarketingDave Redelberger | Co-host & Guest ResearchMegan Ebeck | Marketing, Design & Digital AdvertisingSamantha Marker | Marketing, Copywriting & PublicityCamille Faulkner | Audio Editing & MixingHave a suggestion for a guest or bonus episode? We'd love to hear it! Send us an email.
On this week's Talkhouse Podcast we've got a pair of performers—and also friends—who recently collaborated on a great single: Suki Waterhouse and Ashe. Waterhouse came into the public eye as a model and later an actress, but she's always had a passion for music: As you'll hear in this chat, she started recording songs before she had any notion that they might end up out in the world. Her slightly subdued Sub Pop debut came out in 2022, after which she had a sort of unexpected viral hit with an older song called “Good Looking.” A second album, the more upbeat Memoir of a Sparklemuffin, came out just a few months ago, and she's been on tour behind it while also juggling new motherhood. In fact, she Zoomed into this conversation while visiting her movie-star dude in Boston before heading out to play more shows. (You can Google the boyfriend if you must know.) The other half of today's conversation is Ashe, a Nashville-based songwriter who had a pretty big hit with her 2019 song “Moral of the Story” and another a couple of years later with Finneas, “Till Forever Falls Apart.” But the grind of success forced Ashe to hit the brakes on her career for a bit in order to regroup and hang on to her sanity. But a collaboration with Waterhouse lit the spark for Ashe once again, and she came back this year with a great record called Willson—and retook the stage to perform their song, “Pushing Daisies” at the Greek Theater. Check out that song right here. In this lively chat, Waterhouse and Ashe talk about the intensity of performing live in front of thousands of people, about how Suki is having fun playing the more lively songs from her new record, and about the need to not overschedule yourself, even when the pressure is on. Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Suki Waterhouse and Ashe for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and check out all the great stuff at Talkhouse.com. This episode was produced by Myron Kaplan and the Talkhouse theme is composed and performed by the Range. See you next time! This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/talkhouse Find more illuminating podcasts on the Talkhouse Podcast Network. Visit talkhouse.com to read essays, reviews, and more. Follow @talkhouse on Instagram, Bluesky, Twitter (X), Threads, and Facebook.
Join me as chat with Ferdia Lennon, author of Glorious Exploits, a wonderful debut novel listed in the Theater category on Art In Fiction.View the video on YouTube: https://youtu.be/3ZFFQ4rg4DUGenesis for Glorious ExploitsBased on true events that occurred in Syracuse, Sicily during the Peloponnesian war.The theme of friendship in Glorious ExploitsTheater and research of ancient Greek theater in the writing of Glorious ExploitsTraveling to Greece and Syracuse as part of the research processWhy Euripedes? Discussion of Medea and The Trojan Women, the two Euripedes plays put on by the Athenian soldiers in the quarryThe voice of Lampo and why he sounds IrishThe similarities between Ireland as an island nature separate from and yet related to England, and Sicily also an island separate from and yet related to the culture of GreeceThe size and breadth of the ancient world and its many influencesDiscussion of Ferdia's compelling writing styleHow Lampo's character changes and grows in the novelThe making of the audiobook that Ferdia narratedParallels between Glorious Exploits and our own timeReading from Glorious ExploitsPublication journey of Glorious ExploitsOne thing Ferdia learned from writing his novel that he didn't know beforePress Play now & be sure to check out Glorious Exploits by Ferdia Lennon on Art In Fiction: https://www.artinfiction.com/novels/glorious-exploitsFerdia Lennon's website: https://www.ferdialennon.com/Music CreditPaganology, performed by The Paul Plimley Trio; composed by Gregg SimpsonThis website contains affiliate links. If you use these links to make a purchase, I may earn a commission. As an Amazon Associate, I earn from qualifying purchases. Thank you. Are you enjoying The Art In Fiction Podcast? Consider giving us a small donation so we can continue bringing you interviews with your favorite arts-inspired novelists. Click this link to donate: https://ko-fi.com/artinfiction.Also, check out the Art In Fiction website at https://www.artinfiction.com and explore 2200+ novels inspired by the arts in 10 categories: Architecture, Dance, Decorative Arts, Film, Literature, Music, Textile Arts, Theater, Visual Arts, & Other.Want to learn more about Carol Cram, the host of The Art In Fiction Podcast? She's the author of several award-winning novels, including The Towers of Tuscany and Love Among the Recipes. Find out more on her website.
Aaron Peskin is incredibly easy to talk with. And his life story is one you have to hear to believe. In this podcast, Episode 1 of Season 7 of Storied: San Francisco, the multi-term D3 supervisor-slash-president of the Board of Supervisors-slash-current candidate for mayor of San Francisco shares his story, beginning with the tales of his parents and their families' migration to the United States. On Aaron's mom's side, the story goes back to Russia. His maternal grandfather was one of five boys born to a Jewish family in Saint Petersburg. Two of the boys stayed in Russia, one came to San Francisco, and the other two migrated across Russia amid revolutionary upheaval there to the Mediterranean and later, to Haifa in Palestine. Aaron's grandfather ended up in Tel Aviv. His mom was born there in 1940, when it was still Palestine. She migrated to the US in 1963 to visit her sister, who taught at a temple in Oakland. Aaron's mom ended up meeting his dad on that fateful trip, and the two were married five weeks later. On his dad's side, his grandparents came to the US from Poland before the Nazi invasion in 1939, arriving in New York City where they ran a candy store. Aaron's dad went to City College of New York, where he graduated and got into UC Berkeley grad school for psychology. On his bus ride west, though, the elder Peskin got drafted to serve the US Army in its war in Korea. After service, he finished his doctorate at Berkeley and got a job teaching at SF State, where he stayed for 40 years until he retired. Aaron goes on a sidebar about running into many of his dad's students from over the years, something that happens to him up to this day. His parents settled in Berkeley shortly after they got married, in 1963. They had Aaron in 1964. As a kid, in the 1970s, he remembers some of the goings on at SF State, when student-led protests and sit-ins were happening and the Ethnic Studies was founded. Back in the East Bay, Aaron attended the first fully integrated public school class in Berkeley. One of his classmates, from kindergarten through third, was none other than Kamala Harris. (See photos in the episode post on our website!) Aaron's younger brother is a professor at Arizona State University. Both his parents ended up in higher education. He calls himself the "black sheep" of his family in this regard, as he "only" ended up with a bachelor's degree. Both parents were also therapists, something they carried on amid their academic careers. Growing up in the 1970s, the family spent significant time in The City, coming over as often as possible from their home in Berkeley. Aaron rattles off a litany of activities his parents engaged him and his brother in when they were young. He says that his time in high school in the East Bay was idyllic. He went to Berkeley High, still the only high school in that city. He fell in with a group of four other boys who took weekend hiking and backpacking trips as much as possible. Also around this time, in his later teen/high school years, Aaron popped over to San Francisco to do things like see kung-fu movies in Chinatown or go to The Keystone to see The Cure and punk bands. He saw The Greg Kihn Band, Talking Heads, and other legendary groups at places like the Greek Theater and Mabuhay Gardens. He graduated Berkeley High in 1982, though he and a handful of friends got out a semester earlier than everyone else. They packed up a van, the five of them, and drove around the Western United States and Canada for 100 days. They ended their trip spending the night in the van in the Berkeley High parking lot. The friend group then scattered, predictably, with Aaron and a couple others heading down to UC Santa Cruz. In his freshman year, he and a friend took the spring semester off and rode their bikes from California to North Carolina and up to Washington, DC, as you do. Santa Cruz was different enough from home, but not too far away. The school provided a challenging academic environment for him, also. He ended up studying animal behavior, specifically the northern elephant seal. Through that program, he lived with a team in experimental housing on Año Nuevo Island off the San Mateo coast doing research. But physical chemistry precluded Aaron from going for a marine biology degree. He instead got into a liberal arts program called "Modern Society and Social Thought." While he was going to school in Santa Cruz, he experienced his first political awakening. Aaron was involved in the effort to make the banana slug become the school's official mascot. The student government wanted the slug, but the chancellor wanted the elephant seal. Aaron had the idea of putting the decision to a vote of the student body. They put ballot boxes all over campus, and the slug won overwhelmingly. But the chancellor rejected the results. News articles helped the students' cause, and they won in the end. During his college years, he travelled to Asia on money he'd saved from a job at a photo store. Neighbors in Berkeley had climbed the Himalayas several times, and it had an effect on Aaron. He and some friends went and travelled over parts of South Asia to do some climbing themselves. He was gone for a year and four months. Upon his return to the US, still working toward getting his bachelor's, Aaron ran into trouble getting student housing. And so he set up a tent in the woods above campus, slept there, went to class during the day, and then did it all again the next day. Check back next week for Part 2 and Aaron's life after college. Photography by Jeff Hunt We recorded this podcast at Aaron Peskin for Mayor HQ on Market Street in July 2024.
Todos los jueves Fernando Urban nos trae la historia de un disco de bandas y artistas de Argentina y el mundo.
SINGER SONGWRITER ROSLYN KIND Roslyn Kind is a dynamic, multi-talented entertainer who has forged a successful career in all facets of entertainment from critically acclaimed recordings to sold-out performances on Broadway and in top concert venues and nightclubs the world over. Ms. Kind recently performed with her sister, Barbra Streisand, during an 8 city US/Canadian tour and a 6 city International tour, which brought her to acclaimed venues including the Hollywood Bowl, The 02 Arena in London and Rogers Arena in Vancouver. In addition to performing historic duets with her sister, Ms. Kind shared the stage with her nephew Jason Gould and famed trumpeteer Chris Botti. A vibrant musical artist, Ms. Kind is familiar to both national and international audiences for her headlining appearances at some of the most prestigious venues including Lincoln Center, The Greek Theater and London's Cafe Royal. The London Times noted "To say she is superb would be an understatement." In 2006 she made her long awaited and rapturously received Carnegie Hall debut with her frequent musical collaborator and friend, Michael Feinstein. She began her performing career while still in her teens with the release of her first album, Give Me You . A whirlwind of performing activity followed including engagements at the nation's top nightclubs, acclaim from Time Magazine and three appearances on The Ed Sullivan Show leading up to her show-stopping New York debut at the Plaza Hotel's legendary Persian Room. Her follow up singles and a second album, This is Roslyn Kind , showcased her growth as a recording artist comfortable in a wide range of musical genres. Ms. Kind's latest CD release, Come What May , which the New York Times described as "splendid and sizzling," further establishes her reputation as a virtuoso vocalist possessing impeccable phrasing, a richness and clarity of tone and an undeniable emotional connection to her always first-rate material. Concurrent with her recording career, Ms. Kind is an accomplished theatrical performer. On Broadway, she starred in the crowd- pleasing musical revue 3 from Brooklyn . Additional theatrical credits include the Off-Broadway production of Show Me Where the Good Times Are, Leader of the Pack and Ferguson the Tailor . She also stopped the show in a critically lauded Los Angeles production of William Finn's Elegies ; The Hollywood Reporter noted, "Roslyn Kind sings like a dream." Ms. Kind's extensive list of television credits include the film Switched at Birth , multiple episodes of NBC's Gimme a Break, Throb starring Jane Leeves and a humorously memorable turn as herself on CBS's The Nanny . This appearance also showcased her talent as a songwriter in a performance of her composition, Light of Love. She also performed the title song for the made-for-TV movie Not Just Another Affair, as well as the song Hold On for the award winning film Tru Loved . She was recently in the Hallmark movie Ladies of the House with Florence Henderson and Donna Mills. Ms. Kind has appeared on virtually every major talk/variety show including the Tonight Show, Saturday Night Live, Entertainment Tonight, Access Hollywood and Good Morning America . Among her international television credits are England's Pebble Mill Show, Canada's Musique Plus , and Unscripted Bio as well as For Me, Formidable , a Charles Aznavour special for European TV co-starring Dusty Springfield. In motion pictures, Ms. Kind has had starring roles in The Underachievers and I'm Going to Be Famous . Ms. Kind also takes pride in her work for various animal welfare, Alzheimer's and AIDS related charitable organizations including HSUS, APLA and Broadway Cares Equity Fights AIDS for which she contributed a song selection to Cabaret Noel, a recent volume in their annual series of holiday CD releases. One of the premiere interpreters of popular song, Roslyn Kind continues to succeed in every new facet of her performing career delighting audiences with her spellbinding talent. Roslyn's unique artistry is equally at home on stage, screen and disc.
From Saturday Night Live and Pretty Woman, Rhonda Hansome's comedy has opened for stars including Anita Baker, Diana Ross, James Brown and Aretha Franklin; in venues from LA's Greek Theater to NY's Radio City. She was Artist Coordinator and Host of Laughing Liberally (NY's top political comics) Off-Broadway production of Indictment Excitement. Every Monday on Sirius XM, Rhonda is John Fugelsang's guest. She's an award winning director and offers an online Solo Show Development Workshop. When not regaling Storytelling audiences, Rhonda writes and anchors Real Newz on Politipod. In her free time she writes Politoonitics cartoons on Facebook and rollerblades. Check out this tremendous talent! Hosted on Acast. See acast.com/privacy for more information.
Author David Cain is a first-time guest. He's the author of the brand new book Infinite Dead: A Daily Guide to Grateful Dead Concert Performances Volume 2: July.Infinite Dead is a groundbreaking guide to Grateful Dead concerts. Authoritative and entertaining, Volume 2 features detailed reviews of every Grateful Dead concert performed in the month of July—A total of 170 concerts from 1966 to 1995. It covers the band's first performances at Red Rocks, their 1984 revival of “Dark Star” at the Greek Theater in Berkeley, multiple performances with Bob Dylan, as well as the eight concerts patriotically played on July 4th.Visit David Cain's Amazon page to purchase Infinite Dead: A Daily Guide to Grateful Dead Concert Performances Volume 2: July as soon as it's releasedPurchase Infinite Dead: A Daily Guide to Grateful Dead Concert Performances Volume 1: OctoberVisit The Infinite Dead WebsiteEpisode Playlist---------- BookedOnRock.com The Booked On Rock YouTube Channel Follow The Booked On Rock with Eric Senich:FACEBOOKINSTAGRAMTIKTOKX Find Your Nearest Independent Bookstore Contact The Booked On Rock Podcast: thebookedonrockpodcast@gmail.com The Booked On Rock Music: “Whoosh” by Crowander / “Last Train North” & “No Mercy” by TrackTribe
"Deadhead Adventures: From Minneapolis to Alpine Valley"Larry Mishkin delves into a nostalgic recount of a Grateful Dead concert he attended on June 17, 1988, in Minneapolis, part of their Midwest Summer Tour. He reminisces about attending the show with friends Mikey and JT, detailing their travel adventures and the concert's setlist, which included memorable performances of "Hell in a Bucket" and "Far From Me."Larry also shares personal anecdotes about his experiences following the Grateful Dead, including the challenges of balancing concert trips with his professional life and the thrill of attending multiple shows in a short span. He transitions into discussing the significance of the song "Hell in a Bucket," its debut, and its frequent performance as a show opener. He explains the concept of "Mondegreens," humorous misheard lyrics, using an example from a Grateful Dead song review.The show revisits a story about a Phish fan who was initially banned from all Madison Square Garden Entertainment venues for smoking a bong at the Sphere. MSG later rescinded the ban, citing an internal error. Larry expresses surprise and amusement at the quick reversal and discusses the implications for fans.Finally, Larry discusses the resale of Dead & Company tickets for their Las Vegas Sphere shows, noting that many are being sold at face value or below on cashertrade.org. He expresses mixed feelings about fans having to sell tickets at a loss but appreciates the platform's role in preventing scalping. Grateful DeadJune 17, 2024 (36 years ago)Met CenterMinneapolis, MNGrateful Dead Live at Metropolitan Sports Center on 1988-06-17 : Free Download, Borrow, and Streaming : Internet ArchiveAudience Tape First show of the 1988 Midwest Summer TourWith my good buddies Mikey and JT – weekend in Minny, Friday night show but had to stay until Sunday to fly home because if you stayed over a Saturday night, round trip airfare was much less expensive. Got home on Sunday and headed straight for Alpine Valley for the first of four shows S, M, W, Th. Each night headed home, slept for 4 hours, got up for work, left work at 3 p.m., ride the El to the middle of the Kennedy Expressway at Addison, hop in a car and drive straight up. Fight the crazy post show traffic in that horridlbe parking lot (unless you have one-armed Lary as your driver). Hardcore. My law firm didn't know what to make of it. I got in four shows at home with no vacation days taken! INTRO: Hell In A Bucket Track #2 0:00 – 1:34 [From David Dowd]: The Bob Weir / John Barlow / Brent Mydland song “Hell in a Bucket” directly references the biker scene, and I'm sure that somehow Barlow just wanted to put that element into the band's repertoire somehow. After all, there are plenty of outlaw elements sprinkled through the band's songs. “Bucket” debuted on May 13, 1983, at the Greek Theater in Berkeley. Alice Kahn wrote a review of the show, in which she promulgated one of the best-ever Mondegreens, referring to the song as “Police on a Joy Ride.” The song frequently featured as the show opener over the course of the next two-plus decades, although it wasn't used in that role until about a year after its first performance. It was performed by the Dead for the final time on June 30, 1995, at Three Rivers Stadium in Pittsburgh, Pennsylvania.“Hell in a Bucket” appeared on In the Dark, released in July 1987 (aka Touch of Grey album).Played: 217 timesFirst: May 13, 1983 at William Randolph Hearst Greek Theatre, Berkeley, CA, USALast: June 30, 1995, at Three Rivers Stadium in Pittsburgh, PennsylvaniaSHOW No. 1: Far From Me Track #6 3:18 – 4:45Brent MydlandGo To Heaven (April 28, 1980)Strong Brent tune. I saw them open the second set with it a my second show ever (also with my buddy Mikey) in the Carrier Dome on September 24, 1982, the night I got on the bus forever.Played: 74 timesFirst: March 30, 1980 at Capitol Theatre, Passaic, NJ, USALast: July 22, 1990 at World Music Theatre, Tinley Park, IL, USA (the night before Brent's last show). It died with him.MUSIC NEWS:MSG ENERTRAINMENT REDACTS INDEFINITE VENUE RESTRICTION FOLLOWING PHISH FAN BONG/SPHERE CONTROVERSY 2. Dead & Company Sphere Tickets Listed for Face Value or Below on CashorTrade! Dead & Company announced 24 dates at the Las Vegas Sphere, and many fans eagerly bought tickets. Now, some can't attend and are selling their tickets at face value or less on CashorTrade.org. Built by fellow Deadheads in 2009 to protect fans from scalped tickets, 3. Roger Daltrey Shares Thoughts on Sharing Setlists Online and More, Ahead of The Voice of The Who Tour - Touching on his feeling toward revealing the contents of a performance online, Daltrey asserted, “I'm not gonna talk about songs.” Providing reasoning, he added, “Too many people reveal songs. There's no surprises left with concerts these days, 'cause everybody wants to see the setlist. I'm f–king sick of it. The Internet's ruined the live shows for me. Who wants to know what's coming next? People forget about surprises. I can't stand it. Here's an idea for Roger – don't play the exact same show every night! Mix up your songs and then set lists can only give you probabilities of what might get played. See the Grateful Dead, Phish and every other jam band ever. 4. As promised last week, here are the deets on Trey playing with Billy Joel in MSG last week: Madison Square Garden residencies have long been a career-defining staple of the New York City live entertainment location, with names like Billy Joel and Phish dominating multi-night show cycles, making the venue a known place to catch a memorable Big Apple performance. However, last night's performance was a truly unique event, a planned convergence for the two title-holders, Joel and Phish's Trey Anastasio. They teamed up on select songs, including “Sleeping With the Television On,” a cover of Derek and the Dominos' “Layla” and night closing “You Might Be Right,” featuring a Led Zeppelin “Rock and Roll” insert, sung by Mike DelGuidice. SHOW No. 2: Victim Or The Crime (First time played) Track #9 0:00 – 2:13 (long clip but it's the first time played so I had to run with it) Written by Bob Weir and Gerrit Graham Garcia – “It's one of Weir's stunningly odd compositions, but it's also very adventurous. It's uncompromising; it's what it is, and the challenge of coming up with stuff to play that sounds intelligent in the context has been incredible, but also appropriately gnarly. I really wanted that part of it to work.I think we did a nice job on the record with it. It works. Whatever it is, it works. I'm real happy with it because it was one of those things that was like, "What are we going to do with this?" It's like having a monster brother that you lock in the attic. It's like a relative that you -- "God, I hope nobody comes over when he's eating...." But that's one of the things that makes the Grateful Dead fun.” “The text of it -- I don't believe I've ever actually listened to all the words to it. Ever. I have the gist of it; by now I probably could recite it if I really had to, but the text of it is more of the same in a way, it doesn't have a whole lot of light in it. It's very dense, and it's angst-ridden to boot.” Played 96 times, “Victim” debuted on June 17, 1988, at the Metropolitan Sports Center in Bloomington, Minnesota THIS SHOW. It remained in the rotation thereafter, and was played for the final time on July 2, 1995 at Deer Creek Music Center in Noblesville, Indiana. SHOW No. 3: All Along The Watchtower Track #19 1:22 – 3:22 (another long one but could not break up the jam) "All Along the Watchtower" is a song by American singer-songwriter Bob Dylan from his eighth studio album, John Wesley Harding (1967). The song was written by Dylan and produced by Bob Johnston. Covered by numerous artists, "All Along the Watchtower" is strongly identified with the interpretation Jimi Hendrix recorded with the Jimi Hendrix Experience for their third studio album, Electric Ladyland (1968). The Hendrix version, released six months after Dylan's original recording, became a Top 20 single in 1968, received a Grammy Hall of Fame award in 2001, and was ranked 48th in Rolling Stone magazine's 500 Greatest Songs of All Time in 2004 (40th in the 2021 version). Dylan first played the song live in concert on the Bob Dylan and the Band 1974 Tour, his first tour since 1966. His live performances have been influenced by Hendrix's cover, to the extent that they have been called covers of a cover. The singer has performed the song live more than any of his other ones, with over 2,250 recitals. I always loved the Dead's cover of this tune. As you heard in the clip, it is a rocking tune and Jerry would really jam hard on it. Great snappy second set tune that would always get the crowd moving in the next gear. Played: 118 timesFirst: June 20, 1987 at William Randolph Hearst Greek Theatre, Berkeley, CA, USALast: June 22, 1995 at Knickerbocker Arena, Albany, NY, USA MJ NEWS 1. Biden Admin Is ‘Mischaracterizing' Marijuana Rescheduling Impact As Big Pharma Is ‘Waiting In The Wings,' Former Massachusetts Regulator Says (Marijuana Moment) 2. GOP Congressman Says ‘Millions Of Marijuana Users' Own Guns And Shouldn't Face Prosecution Like Hunter Biden Did 3. Marijuana Rolling Paper Company Will Pay $4.20 To Volunteers To ‘Smoke Joints For Science' SHOW No. 4: Black Peter Track #20 1:36 – 3:11 Garcia/Hunter tune released on Workingman's Dead in 1970. Robert Hunter was not afraid of death; he experienced it a thousand times over. The American musician composed the lyrics to many of The Grateful Dead's most successful songs and played an essential role in curating the band's mythos, one that saw the psychedelic rock outfit earn hordes of dedicated fans, or ‘deadheads'. One such song was ‘Black Peter' – written for the band's 1970 album Workingman's Dead. By 1969, The Dead were practically synonymous with the liberal drug culture of the hippie era. In the June of that year, Robert Hunter and the gang were given a glass of apple juice laced with “probably a full gram of crystal LSD … worth perhaps $50,000.” The intense trip that followed would completely reinvigorate Hunter's understanding of death and influence his subsequent lyrics for ‘Black Peter'. Bassist Phil Lesh would later recall tasting the LSD in the juice after a single sip: “I wish you could be where I am right now—it's so beautiful,” he told drummer Mickey Hart, “but I couldn't possibly play music now. I don't even know what music is.” Still, there was a job to do, so the band played anyway. In the ‘80's and ‘90's, one of Jerry's rotating post-drums second set ballads along with Morning Dew, Wharf Rat and Stella Blue. This version was one of the highlights of this show. Jerry's voice is strong if not a bit “ragged” around the edges just the way Deadheads liked it, with just enough emotion to really convey the song's meaning and its statement about the end of life. Played: 351 timesFirst: December 4, 1969 at Fillmore West, San Francisco, CA, USALast: June 22, 1995 at Knickerbocker Arena in Albany, NY OUTRO: Black Muddy River Track #23 4:09 – 5:55 Played: 66 timesFirst: December 15, 1986 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast: July 9, 1995 at Soldier Field, Chicago, Il – looked like it was going to the last song of the show (encore) and the last song of the difficult summer tour. Turns out, it could have been the last song ever played in concert by the Dead, until Phil stepped in to leave everyone with a smile on their face and no bad taste in their mouths with a great second encore Box of Rain which then became the last song ever played by the Dead in concert. By contrast, this version is outstanding with strong playing and singing by Jerry. And, with the show practically on the banks of the Mississippi, it was a geographically appropriate song for the venue. Mikey, JT and I rolled off into the night, a crazy weekend in Minny, and then the next four shows on the tour at Alpine. Ah, to have the kind of energy again, even if just for a night. Thank you psychedelics!! Enjoy the Summer Solstice and the beginning of summer. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
Remembering Bill Walton: Basketball Star and Grateful Dead SuperfanIn this episode of the Deadhead Cannabis Show, Larry Mishkin covers various topics, including a historic Grateful Dead show, personal concert experiences, and music news. Larry starts with a deep dive into the Grateful Dead's June 3, 1976, concert at the Paramount Theater in Portland, Oregon. This show marked the band's return after a year-long hiatus, featuring five new songs and a revived tune from a four-year break. He highlights the opening track, written by Jerry Garcia and Robert Hunter, which nostalgically reflects on the band's Festival Express tour, a legendary 1970 train journey across Canada with prominent rock bands.Larry then discusses the song "Lazy Lightning," introduced at the same 1976 concert. Written by Bobby and John Perry Barlow, it became a fan favorite for its melody and message of living in the moment, though it was retired from the Grateful Dead's repertoire by 1984. He transitions into music news by honoring Doug Ingle of Iron Butterfly, who recently passed away. Larry reminisces about the band's iconic 1968 track "In-A-Gadda-Da-Vida" and its influence on the late 60s music scene.The podcast also pays tribute to Bill Walton, the legendary basketball player and devoted Deadhead who passed away at 71. Larry shares stories of Walton's deep connection with the Grateful Dead, including his record of attending 869 concerts, significantly more than his total basketball games played. Larry recounts Walton's influence on fellow athletes and his unique presence at Dead shows.Finally, Larry describes his recent experience at a Dead & Company concert at the Sphere in Las Vegas. He marvels at the venue's immersive visual technology, which enhanced the concert experience, likening it to a planetarium. Despite the advanced visuals sometimes overshadowing the music, Larry enjoyed the performance and the unique atmosphere. He also mentions a mini-exhibition featuring Dave Lemieux's tape collection and the significance of tape trading in Grateful Dead fandom.In summary, this episode covers a blend of Grateful Dead history, personal concert experiences, tributes to influential music figures, and the latest in concert technology, providing a rich narrative for Deadheads and music enthusiasts alike. Grateful DeadJune 3, 1976 (48 Years Ago)Paramount TheaterPortland, ORGrateful Dead Live at Paramount Theatre on 1976-06-03 : Free Borrow & Streaming : Internet Archive First show back after 1975 year offPrior show: Sept. 28, 1975 – last of the four shows in 1975, this show is 9 months later. Long wait for Deadheads. Dead did not disappoint with five new songs and a breakout after a 4 year hiatus. INTRO: Might As Well Track #1 1:15 – 2:50 “Take that ride again” Might as Well” is a song written by Jerry Garcia with lyrics penned by Robert Hunter. Released on Garcia's 3d solo album, Reflections, in February, 1976. It's one of the tracks from Garcia's solo career, showcasing his musical versatility and unique ability to transform personal experiences into joyful music. The song takes a nostalgic look back at the Grateful Dead's time on the Festival Express Tour, a memorable rail trip that brought together prominent artists of the '60s for a raucous, whisky-fueled journey across America. Festival Express is the 1970 train tour of the same name across Canada taken by some of North America's most popular rock bands, including Grateful Dead, Janis Joplin, The Band, Buddy Guy, Flying Burrito Bros, Ian & Sylvia's Great Speckled Bird, Mountain and Delaney & Bonnie & Friends. Later made into a movie Festival Express was staged in three Canadian cities: Toronto, Winnipeg, and Calgary (Montreal and Vancouver were also originally scheduled but both dropped) during the summer of 1970. Rather than flying into each city, the musicians traveled by chartered Canadian National Railwaystrain, in a total of 14 cars (two engines, one diner, five sleepers, two lounge cars, two flat cars, one baggage car, and one staff car).[5] The train journey between cities ultimately became a combination of non-stop jam sessions and partying fueled by alcohol. One highlight of the documentary is a drunken jam session featuring The Band's Rick Danko, the Grateful Dead's Jerry Garcia and Bob Weir, New Riders of the Purple Sage's John Dawson, as well as Janis Joplin. Here, it is played as the show opener. Ultimately, became more of a first set closer, a popular one along with Deal, another Garcia solo tune. Played 111 times First: June 3, 1976 at Paramount Theatre, Portland, OR, USA THIS SHOW 19 times that year Last: March 23, 1994 at Nassau Veterans Memorial Coliseum, Uniondale, NY, USA – only time played that year, 6 times in ‘91 SHOW No. 1: Lazy Lightning Track #6 0:00 – 1:46 Written by Bobby and John Perry Barlow, paired with Supplication in concert and released with Supplication as the opening tracks on the album, Kingfish, released in March, 1976. Lazy Lightning is often interpreted as a metaphorical representation of the pursuit of a carefree and leisurely lifestyle amidst the chaos and hardships of reality. The lyrics depict a whimsical scenario where the protagonist encounters a bolt of lightning that transforms into a woman, symbolizing the allure and transitory nature of fleeting pleasures. The song encourages listeners to embrace the present moment and let go of the rigid expectations and responsibilities that burden their lives. It is a celebration of spontaneity, freedom, and the pursuit of personal bliss. Lazy Lightning became a fan favorite due to its infectious melody, poetic lyrics, and the sense of liberation it evoked. Grateful Dead fans often resonated with the song's message of embracing the present moment and shedding societal expectations. It became a rallying cry for those seeking to live life on their own terms, igniting a sense of camaraderie and freedom among concert-goers. Usually, a late first set number. Unfortunately, dropped from the repertoire in 1984. I got to hear it three or four times. A fun number. Played: also played 111 timesFirst: June 3, 1976 at Paramount Theatre, Portland, OR, USA THIS SHOW!!Last: October 31, 1984 at Berkeley Community Theatre, Berkeley, CA, USA MUSIC NEWS – Intro music: In A Gadda Da Vida: IRON BUTTERFLY - IN A GADDA DA VIDA - 1968 (ORIGINAL FULL VERSION) CD SOUND & 3D VIDEO (youtube.com)Start - :45 is a song recorded by Iron Butterfly, written by band member Doug Ingle and released on their 1968 album of the same name.At slightly over 17 minutes, it occupies the entire second side of the album. The lyrics, a love song from the biblical Adam to his mate Eve, are simple and are heard only at the beginning and the end. The middle of the song features a two-and-a-half-minute Ron Bushy drum solo. Famously featured on a Simpson's episode when Bart switches the organist's regular music for this tune and hands out the words to the congregation who sing along. The older organ player plays the entire organ solo (although they only feature a part of it) and then at the end promptly slumps over at the keyboard. Featured today as a tribute to Doug Ingle, songwriter, keyboard player and vocalist for the song, who passed away on May 24th at the age of 78. He was the last surviving member of the original band lineup.Bill Walton passed away on last Monday, May 27th at the all too young age of 71. Couldn't miss him at the shows, 7 foot redhead dancing away or else up on stage.Dead & Co. at the Sphere, saw the June 1st show. SHOW No. 2: Supplication Track #7 2:00 – 3:30 Written by Bobby and John Perry Barlow, paired with Lazy Lightning in concert and released with Lazy Lightning as the opening tracks on the album, Kingfish, released in March, 1976. The song delves into the universal theme of the human experience, specifically emphasizing the concept of surrender and humility. It explores the idea of surrendering oneself to a higher power, relinquishing control, and embracing the unknown. The lyrics touch upon the vulnerability and humility required to let go and trust in something beyond our comprehension. Supplication encourages listeners to reflect upon their own lives, urging them to question their beliefs, values, and the significance of surrendering to a greater force. Played: 111 times (a good number for the lottery, keeps coming up), always paired with Lazy LightningFirst: June 3, 1976 at Paramount Theatre, Portland, OR, USA THIS SHOW!!Last: October 31, 1984 at Berkeley Community Theatre, Berkeley, CA, USA SHOW No. 3: Dancin In the Streets Track #11 0:00 – 1:42 "Dancing in the Street" is a song written by Marvin Gaye, William Stevenson, and Ivy Jo Hunter. It first became popular in 1964 when recorded by Martha and the Vandellas whose version was released on July 31, 1964 and reached No. 2 on the Billboard Hot 100 chart for two weeks, behind "Do Wah Diddy Diddy" by Manfred Mann and it also peaked at No. 4 on the UK Singles Chart. It is one of Motown's signature songs and is the group's premier signature song.A 1966 cover by the Mamas & the Papas was a minor hit on the Hot 100 reaching No. 73. In 1982, the rock group Van Halen took their cover of "Dancing in the Street" to No. 38 on the Hot 100 chart and No. 15 in Canada on the RPM chart. A 1985 duet cover by David Bowie and Mick Jagger charted at No. 1 in the UK and reached No. 7 in the US. The song has been covered by many other artists, including The Kinks, Tages, Black Oak Arkansas, Grateful Dead, Little Richard, Myra and Karen Carpenter. I saw it as the first night show opener on June 14, 1985 at the Greek Theater as part of the band's 20 Anniversary celebration. A really fun concert tune. The 1970's versions always had strong Donna support backing up Bobby's lead vocals. This show was the first time the band had played the song since Dec. 31, 1971 (203 shows) Played: 131 timesFirst: July 3, 1966 at Fillmore Auditorium, San Francisco, CA, USALast: April 6, 1987 at Brendan Byrne Arena, East Rutherford, NJ, USA MJ NEWS Blake Schneider passed away May 27th at 69. Legendary cultivator who created the best strain of marijuana I ever smoked. We just called it Blake weed and put it up against any other strain, anywhere, any time. Folks would say they had the best weed until I let them smoke some of the Blake weed. They never failed to concede. Eccentric, temperamental, hospitable, mentor and good friend. And self titled “best joint roller in the worlds.” Was one of my Bulls season ticket partners during the Jordan era. Every home game began with a pregame at Blake's loop residences including great wines, gourmet appetizers and snacks, top shelf liquor (on the way out the door we always did our “Go Bulls” shots) and more marijuana than anyone should ever smoke. With four of us in the room, he would have 3 joints circulating at all times. With his ever present life partner, Jeanne, an evening at Blakes was as much fun as the actual game itself. Ran into a problem with the Green County Sheriff, but gave them the finger when the feds took the case over and Blake only had to serve 11 months at a fed minimum risk prison instead of the 20 years that Green County said was a done deal given the number of plants he was growing at his farm house in Argyle, WI. They were not happy campers when the feds moved in to take over the case due to the value of the property they could sieve and force Blake to buy back from them. Blake was a true party legend and will be sorely missed by those of us that knew him, loved him and tolerated him. 2. Marijuana Terpenes Are ‘As Effective As Morphine' For Pain Relief And Have Fewer Side Effects, New Study Finds 3. CBD Is Effective In Treating Anxiety, Depression And Poor Sleep, Study Finds4. Marijuana And Hemp Businesses At Odds Over Consumable Cannabinoid Ban In House Farm Bill SHOW No. 4: Samson and Delilah Track #12 0:00 – 1:45 "Samson and Delilah" is a traditional song based on the Biblical tale of Samson and his betrayal by Delilah. Its best known performer is perhaps the Grateful Dead, who first performed the song live in 1976, with Bobby singing lead vocals and in the ‘70's with Donna joining in. It was frequently played on Sundays due to the biblical reference. Released by the band in 1977 on their album Terrapin Station. Although Weir learned the song from Reverend Gary Davis, several earlier versions had been recorded under various titles, including "If I Had My Way I'd Tear the Building Down"/"Oh Lord If I Had My Way" by Blind Willie Johnson in 1927.[1] The song has since been performed by a wide variety of artists ranging from Dave van Ronk, Bob Dylan, Charlie Parr, The Staple Singers, Ike and Tina Turner, Clara Ward, Dorothy Love Coates & The Gospel Harmonettes, to Peter, Paul and Mary, The Washington Squares, The Blasters, Willie Watson, Elizabeth Cook, Robert Randolph and the Family Band, and Bruce Springsteen and the Seeger Sessions Band (in Verona, Italy 2006). Guest star Simon Oakland sings the song with the drovers around a campfire in the Rawhide episode "Incident of the Travellin' Man", aired in season six on October 17, 1963. A long time favorite tune with a distinctive drummers intro that tipped off the song and got the crowd fired up. Settled into a set opener, more frequently a second set opener and often played on Sundays due to its biblical reference with Bobby's “This being Sunday . .” Played: 365 timesFirst: June 3, 1976 at Paramount Theatre, Portland, OR, USA THIS SHOWLast: July 9, 1995 at Soldier Field OUTRO: The Wheel Track #22 2:48 – 4:30 One of their most beloved songs, “The Wheel,” holds a special place in the hearts of fans worldwide. Written by Jerry Garcia, Robert Hunter, and Bill Kreutzmann, this folk-rock anthem has captivated listeners with its enigmatic lyrics and catchy melody. The song's meaning has been widely debated among enthusiasts, and its cryptic nature has allowed for multiple interpretations. “The Wheel” reflects the transient nature of life, offering a philosophical perspective on the cycles we all experience. The lyrics suggest that life is like a wheel, constantly turning and repeating itself. The song evokes a sense of impermanence and reminds us of the cyclical patterns we encounter throughout our existence. This theme resonates strongly with the band's philosophy and their connection to the spiritual and psychedelic culture of the late 1960s and early 1970s. “The Wheel” was released on the Grateful Dead's album “Garcia” in 1972. “The Wheel” is characterized by its infectious melody and intricate guitar work. The song showcases the Grateful Dead's ability to seamlessly blend folk, rock, and improvisational elements into a cohesive piece of music. Normally, a second set tune, into or out of drums/space although it moved around a bit in the second set. Here it is the encore which is more of a rarity. Played 259 times First: June 3, 1976 at Paramount Theatre, Portland, OR, USA THIS SHOW Last: May 25, 1995 at Memorial Stadium, Seattle, WA .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
Bill Burr, one of the funniest people on the planet, joins Willard and Dibs ahead of his show at the Greek Theater on June 8th to roast the guys for a few minutes.
Kelly's birthday at the Greek Theater triggers trouble all over the place.Valerie and Ginger are up to no good per usual, Collin is already being a jerk, and Ray is headed for a concert confrontation.While Donna's boyfriend is eventually cleared of being a klepto, the girls reveal who actually had sticky fingers behind the scenes!Plus, no shade whatsoever, but how did Dave Koz come about?See omnystudio.com/listener for privacy information.
This week we go to the wonderful Greek Theater in Berkeley California for the band's performance on May 21, 1982. I think this was one of the better years in terms of the band's history and this is not only a fine recording but a well-played set that I'm sure you'll enjoy. The first set starts with a 'Bertha>Greatest Story' combo, one that was fairly new at the time. Jerry slows it down with a 'Friend of the Devil' but the 'Uncle'>'Big River' that follows benefits greatly from his nimble guitar. A nice 'Bird Song' flows into Bobby's 'CC Rider', then we have an excellent 'Althea', not only is Jerry in fine voice, but his delivery is just exactly perfect. Bob delivers a nice 'Looks like Rain' and they close with a boppin' 'Might as Well'. Grateful Dead Greek Theatre - University of California Berkeley, CA 5/21/1982 - Friday One Bertha [6:35] > Greatest Story Ever Told [3:50] Friend Of The Devil [8:44] Me And My Uncle [2:55] > Big River [5:09] Bird Song [10:45] > C C Rider [7:27] Althea [7:47] Looks Like Rain [7:35] Might As Well [4:01] You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod051024.mp3 Thank you friends for listening and for your kind support.
Charles welcomes Rick Onstop who hosts the Rock Talk Studio podcast. Rick is a seasoned veteran of the music industry with a rich history in music distribution, blogging, and podcasting. Rick shares his journey from working in a record store in Hollywood, experiencing in-store appearances by big names like Bruce Springsteen, Alice Cooper, Patrick Swayze and Itzhak Perlman, to attending iconic concerts, including an unforgettable KISS concert at the young age of 14. Rick's deep-rooted connections within the music scene unfold as he describes his personal encounters with music legends and one near encounter with Bob Dylan.Among the live music experiences Rick delves into, he recounts the electric atmosphere of U2 concerts that deeply moved him, leaving a lasting impression. Rick's narrative brings to life the profound impact these live performances had on him. Additionally, Rick reflects on his near encounter with Bob Dylan, sharing a candid story that nearly brought him face-to-face with the music legend in an intimate backstage moment, further illustrating the unpredictability and excitement inherent to the music industry.The conversation shifts to Rick's podcast, "Rock Talk Studio," where he shares his passion for rock music through book and documentary reviews. Rick explains his unique rating system to help listeners gauge the depth of content suitable for casual fans versus enthusiasts, underscoring his commitment to providing insightful and honest reviews. Through discussions on various topics, from music books to documentaries, Rick and Charles illustrate the vast landscapes of rock music culture and its enduring legacy, highlighting the storytelling aspect of Rick's work that captivates and educates his audience.BANDS:Alice Cooper, The Band, Billy Idol, Blind Melon, Bruce Springsteen, Dylan, Fleetwood Mac, Geddy Lee, Guns N Roses, Harry Styles, J Giles Band, James Brown, Kiss, Lindsey Buckingham, Little Richard, Prince, Stevie Wonder, Suicidal Tendencies, The Allman Brothers, The Immediate Family, The Violent Femmes, Tina Turner, Tommy Lee, U2, Yes, ZZ Top.VENUES:Aragon Ballroom, Athenium Center, Belly Up, Bushnell Theater, Chicago Theater, Greek Theater, LA Sports Arena, Solider Field, Springfield Civic Center, UIC Pavilion. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708
Dane Clark is an Indiana native who has been honing his instrumental (drums, bass, guitar and keyboards) and songwriting skills from an early age. His early influences of British Invasion rock and Dylan era folk music still resonate in his musical vision. Clark began making a name for himself as a session drummer in the Indianapolis area in the early 1980's. As well as 28 years with John Mellencamp, Dane has recorded with John Prine, Steve Earle, Ian Hunter, Janis Ian, Carrie Newcomer, The Bob And Tom Band and a multitude of others. Dane has released 7 critically acclaimed singer/songwriter projects of his own including 2019's Americana tour-de-force “Rebel Town” (featuring Carlene Carter) in October of 2019. His latest release “Songs From Isolation”, by Dane Clark and the Backroom Boys featuring John Sebastian was released in August of 2020 to widespread acclaim and national press. He has produced and played multiple instruments on releases by rock and roll hall of fame inductee Donovan( Ritual Groove) and Don Stevenson of the legendary 60's band Moby Grape. His eclectic percussive signature has been heard on stage with diverse musical giants such as Dizzy Gillespie, Josh Grobin and John Fogerty. For 20 years he has led his own “full blast rock combo”,The Dane Clark Band, playing in countless regional and local venues as well as opening for artists such as Allman Betts Band, Gin Blossoms, John Waite, The Nitty Gritty Dirt Band and 38 Special. Some Things That Came Up: -2:00 Newest Mellencamp band member has been there 15 years -2:30 The return of Lisa Germano -4:45 Working with Nashville bassist Mark Hill at Blackbird Studios -7:30 Thundersound Studio in Andersen, Indiana -9:00 Drums are Dave's THIRD instrument -9:50 The Dane Clark band for 22 years -10:45 John Prine, Ian Hunter's Janis Ian, and Steve Earle -11:00 Ian Hunter's “Defiant One”, sharing credits with Ringo Starr, and the late greats Jeff Beck and Taylor Hawkins. Also features Mike Campbell and Waddy Wachtel -16:30 Embracing all of the ways to record remotely -18:40 Mellencamp's “Orpheus Descending” and “Sad Clowns and Hillbillies”. -19:20 Standout tracks are: “Hey God”, “Perfect World” (written by Bruce Springsteen), and “Amen” -21:00 The influence of drummer B.J. Wilson (Procol Harum) -23:20 The 1993 audition -31:00 Too many crashes in modern music? -42:15 The heaviness of Ginger Baker -44:00 The performance degree -45:00 The beauty of Steve Gadd. Checkout “Smokin' in the Pit” by Steps Ahead -46:00 Transcribing Vinnie Colaiuta -47:20 Discovering Tony Williams and The New Tony Williams Lifetime -49:00 Wrote, produced, performed and mixed his “Songs From Isolation” record -60:00 Dane's Podcast: “The Morning Buzzz” -65:10 Seeing Dane at The Greek Theater -66:15 The Gear -73:00 “The Fave 5” -78:00 Stephen King's work ethic Follow: www.daneclark.com X: @daneclarkmusic IG: @daneclarkmusic The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 25 of which have been #1 hits! Rich can also be seen in several films and TV shows and has also written an Amazon Best-Selling book, "CRASH! Course for Success: 5 Ways to Supercharge Your Personal and Professional Life" currently available at: https://www.amazon.com/CRASH-Course-Success-Supercharge-Professional/dp/B07YTCG5DS/ref=sr_1_1?keywords=crash+redmond&qid=1576602865&sr=8-1 One Book: Three Ways to consume....Physical (delivered to your front door, Digital (download to your kindle, ipad or e-reader), or Audio (read to you by me on your device...on the go)! Buy Rich's exact gear at www.lessonsquad.com/rich-redmond Follow Rich: @richredmond www.richredmond.com Jim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur. Follow Jim: @jimmccarthy www.jimmccarthyvoiceovers.com RICH REDMOND Drummer, Speaker, Author, Host, Emcee, Actor www.richredmond.com
A vibrant musical artist, Ms. Kind is familiar to both national and international audiences for her headlining appearances at some of the most prestigious venues including Lincoln Center, The Greek Theater and London's Cafe Royal. The London Times noted “To say she is superb would be an understatement.” In 2006 she made her long awaited and received Carnegie Hall debut with her frequent musical collaborator and friend, Michael Feinstein.She began her performing career while still in her teens with the release of her first album, Give Me You. A whirlwind of performing activity followed including engagements at the nation's top nightclubs, acclaim from Time Magazine and three appearances on The Ed Sullivan Show leading up to her show-stopping New York debut at the Plaza Hotel's legendary Persian Room.Her follow up singles and a second album, This is Roslyn Kind, showcased her growth as a recording artist comfortable in a wide range of musical genres. Ms. Kind's latest CD release, Come What May, which the New York Times described as “splendid and sizzling,” further establishes her reputation as a virtuoso vocalist possessing impeccable phrasing, a richness and clarity of tone and an undeniable emotional connection to her always first-rate material.Concurrent with her recording career, Ms. Kind is an accomplished theatrical performer. On Broadway, she starred in the crowd-pleasing musical revue 3 from Brooklyn. Additional theatrical credits include the Off-Broadway production of Show Me Where the Good Times Are, Leader of the Pack and Ferguson the Tailor. She also stopped the show in a critically lauded Los Angeles production of William Finn's Elegies; The Hollywood Reporter noted, “Roslyn Kind sings like a dream.”Ms. Kind's extensive list of television credits include the film Switched at Birth, multiple episodes of NBC's Gimme a Break, Throb starring Jane Leeves and a humorously memorable turn as herself on CBS's The Nanny. This appearance also showcased her talent as a songwriter in a performance of her composition, Light of Love. She also performed the title song for the made-for-TV movie Not Just Another Affair, as well as the song Hold On for the award-winning film Tru Loved. Roslyn appeared in the Hallmark movie “Ladies of the House” with Florence Henderson and Donna Mills. Ms. Kind has appeared on virtually every major talk/variety show including the Tonight Show, Saturday Night Live, Entertainment Tonight, Access Hollywood and Good Morning America. Among her international television credits are England's Pebble Mill Show, Canada's Musique Plus, and Unscripted Bio as well as For Me, Formidable, a Charles Aznavour special for European TV co-starring Dusty Springfield. In motion pictures, Ms. Kind has had starring roles in The Underachievers and I'm Going to Be Famous.Ms. Kind also takes pride in her work for various animal welfare, Alzheimer's and AIDS related charitable organizations including HSUS, APLA and Broadway Cares Equity Fights AIDS for which she contributed a song selection to Cabaret Noel, a volume in their annual series of holiday CD releases. Rolsyn has recently become a proud member of the Sea Angels, women supporting women by awarding grants to grassroots, female founded, non-profit organizations that provide mentorship, funding and resources to a diverse portfolio a of womens and girls causes.One of the premiere interpreters of popular song, Roslyn Kind continues to succeed in every new facet of her performing career delighting audiences with her spellbinding talent. Roslyn's unique artistry is equally at home on stage, screen and disc.The New York Post summed it up best “She's so good on so many levels; it's difficult to categorize her. This elegant, beautiful, petite, dynamo delight rules the stage with a royal command that demands adoration from every seat in the house.” A native of Brooklyn, New York she currently resides in Los Angeles.Please check out Rozzie's latest digital releases and videos: “Save the Country,” “Light of Love,” and the newest, “It Only Takes A Moment / Kiss Her Now” on YouTube. Become a supporter of this podcast: https://www.spreaker.com/podcast/gary-s-night-dreamers-talk-radio-show--2788432/support.
This week, we present an encore of our 2016 conversation with songwriter and musician Paul Simon. Simon has been the recipient of many honors and awards including 12 Grammy Awards, three of which (“Bridge Over Troubled Water”, “Still Crazy After All These Years” and “Graceland”) were albums of the year. In 2003 he was given a Grammy Lifetime Achievement Award for his work as half of the duo Simon and Garfunkel. He is in the Rock n' Roll Hall of Fame as a member of Simon and Garfunkel and as a solo artist. He was a recipient of The Kennedy Center Honors in 2002 and was named as one of Time Magazine's “100 People Who Shape Our World” in 2006. In 2007, Mr. Simon was awarded the first annual Library of Congress Gershwin Prize for Popular Song. On June 6, 2016, Paul Simon came to the Nourse Theater in San Francisco for an on-stage conversation with Dave Eggers, after performing at the Greek Theater in Berkeley on June 3 and 4. His album “Stranger to Stranger” had been released that same week. Paul Simon's latest work, “Seven Psalms” came out in 2023.
More interviews from the green room at Great American Music Hall in San Francisco during Grateful Guitars' inaugural benefit concert with members of Dark Star Orchestra (DSO). Keyboard player, Rob Baracco details his his experiences playing piano and organ on original Grateful Dead gear; drummer Dino English gives a lesson on tone and shares detail on his amazing side projects; and bass player Skip Vangelas is effusive about his appreciation for a special gift bestowed on him that evening by Grateful Guitars. Plus, close friend of DSO and incomparable guitar player, Stu Allen, offers his take on playing the benefit and has some endearing moments with the hosts; and DSO original member, John Kadlecik imparts some words of wisdom about his musical collaborations and the meaning of playing Jerry Garcia's “Alligator” guitar. CreditsJohn Mclaughlin, Elvin Jones, Joey Defrancesco-Jazz a Juan, 1996.https://www.youtube.com/watch?v=FjPUrUI4_ekYouTube Channel: Pavel Levinhttp://www.youtube.com/@paulviolinoGrateful Dead Live at the Greek Theater, Berkeley, CA - 7/13/1984 Soundboardhttps://www.youtube.com/watch?v=P4uvsyfQSDc&t=5496sYouTube Channel: Chris From Jam Buzzhttp://www.youtube.com/@jambuzzCalifornia Kind - 8-19-23 Set 1 - Fairfax, CAKatie Skene, Barry Sless, Pete Sears, Rob Barraco, John Molohttps://www.youtube.com/watch?v=3uaGx_Q8kZ0YouTube Channel: The 11http://www.youtube.com/@The-11Alan Hertz killin ithttps://www.youtube.com/watch?v=DJDzW9lfwrUYouTube Channel: carl palileiohttp://www.youtube.com/@carlpalileo7972Hard Headed WomenFrom Shimmy Shack by Dino Englishhttps://shimmyshack.bandcamp.com/track/hard-headed-womencontinued…Grateful Dead 8-6-74 Eyes of the World: Roosevelt Stadiumhttps://www.youtube.com/watch?v=vzhqlsN2xRsYouTube Channel: Positively Garciahttp://www.youtube.com/@Catfishgarcia82MOUNTAIN - Mississippi Queen (Live on "The Show" 02-24-1970) - * RARE * remastered audiohttps://www.youtube.com/watch?v=Ss1EyyXL4GkYouTube Channel: Mountain MilSim - Private Suprohttp://www.youtube.com/@suprotwinRide Captain Ride•Skip Vangelas w Cosmic Jerry Band•Donovan's Reef•Sea Bright, NJ•06-20-2023https://www.youtube.com/watch?v=Fo2z5PQMTzgYouTube Channel: Hey Tom Banjohttp://www.youtube.com/@heytombanjo6195Stu Allen + Reflections - Money HoneyThe Junction, Mill Valley, CA 9/12/23https://www.youtube.com/watch?v=Ncg4BOT0i4IYouTube Channel: The 11http://www.youtube.com/@The-11"Cucamonga Carl" and More - Neighbor Live From Capitol Theatre | 01/13/23 | Relixhttps://www.youtube.com/watch?v=z-cSvLJI_18YouTube Channel: Relixhttp://www.youtube.com/@RelixMagI Feel Like Dynamite - Legion of Melvin at The Solano County Fairgrounds, Vallejo, CA - May 30, 2021https://www.youtube.com/watch?v=Ne_UtV7m47UYouTube Channel: Ted Silverman AKA TedToobhttp://www.youtube.com/@TedToobMountain Song HD (Furthur) - TRI Studios - 6/7/2011https://www.youtube.com/watch?v=vGmul2OXQNAYouTube Channel: pairdochttp://www.youtube.com/@pairdocFranklin's TowerThe Latin DeadProvided to YouTube by CDBabyYouTube Channel: The Latin Dead - Topichttp://www.youtube.com/channel/UCcTGAfcR2TQ9ip0515g25yALinkshttps://www.darkstarorchestra.net/https://www.instagram.com/californiakindmusic/https://www.katieskene.com/tourhttp://dinoenglish.net/Home.htmlhttps://shimmyshack.bandcamp.com/album/shimmy-shackhttps://wallofnews.love/season02-08/dso/https://cosmicjerryband.com/homehttps://www.lylebrewermusic.com/https://www.neighbortunes.com/https://www.johnkmusic.net/https://www.latindead.com/
Andy Logan, Founder/President of Grateful Guitars and owner/steward of the famed “Alligator” guitar which was once gifted to Jerry Garcia by Graham Nash, talks about sharing and gifting his amazing collection of instruments with prominent members of the jam band scene. Listen to the story of one of the community's most beloved members as he talks about guitars, gear, music, and family two weeks before Grateful Guitar's Inaugural Benefit Concert featuring members of Dark Star Orchestra and an array of others honoring Andy's spirit and generosity.CreditsCold Rain & SnowGrateful Dead 4-3-1988 Civic Center - Hartford, CT https://www.youtube.com/watch?v=p8rOUmfwPHoYouTube Channel - Half Stephttp://www.youtube.com/@halfstep1973West L.A. FadeawayGrateful Dead - 12/27/1983 - San Francisco Civic Auditoriumhttps://www.youtube.com/watch?v=k34pupy5CHUYouTube Channel - Wolfgang's Grateful Deadhttp://www.youtube.com/@WolfgangsgratefuldeadMy Sisters and BrothersJerry Garcia Band - Jerry Garcia Facebook Pagehttps://fb.watch/pBq0El9LyC/www.jerrygarcia.comTeach Your ChildrenCrosby, Stills, Nash & Young * Deja Vu * 1970Written by: Graham NashProduced by: David Crosby, Graham Nash, Neil Young, Stephen Stillshttps://open.spotify.com/track/29HaKOpeLSYvqdFyEQSRdjHow Sweet it Is To Be Loved By You(Marvin Gaye)Keystone RevisitedSweetwater Music Hall, Mill Valley, CA July 27, 2023Tony Saunders, Johny Mojo, Scott Guberman , Larry Vann, Sunshine Garcia Becker, Stephanie MandelaYouTube Channel - Ted Silverman AKS TedToobhttp://www.youtube.com/@TedToobLooks Like RainGrateful Dead 5/8/1984 - Hult Center, Eugene, ORhttps://www.youtube.com/watch?v=vz8Mn1aHoc4YouTube Channel - OkieDeadheadhttp://www.youtube.com/@OkieDeadheadKeys To The HighwayTedeschi Trucks w/Susan playing Jerry's Alligator!Greek Theater, Berkeley, CA 8/20/2022https://www.youtube.com/watch?v=vUCPdrf_GooYouTube Channel - MrTopdoggerhttp://www.youtube.com/@MrTopdoggerhttps://gratefulguitars.org/https://www.facebook.com/keystonerevisitedband/https://achilleswheel.com/aw-bios/jonny-mojo-flores/https://www.alexjordanjams.com/https://www.darkstarorchestra.net/http://www.natelapointe.com/Sunshine (Garcia) Beckerhttps://www.tedeschitrucksband.com/https://www.loslobos.org/site/https://jerrysmiddlefinger.com/https://www.blakesberg.com/ https://stefaniejatkinson.photoshelter.com/index
Bob Dylan's Extended Tour and Upcoming Phil Lesh and Friends ConcertLarry Michigan relives a classic Grateful Dead show from exactly 37 years ago on January 29th, 1987, at the San Francisco Civic Center. The performance marked the middle night of a three-night run celebrating the Chinese New Year.Larry delves into the opening song, "Hell in a Bucket," reminiscing about the quirky banter and Bobby's guitar troubles. Larry shares amusing anecdotes, including the infamous "Police on a Joyride" mix-up in a Chicago Tribune article. The podcast crew laughs about past experiences and the unique anticipation of a Grateful Dead show.He also reflects on the significance of the Chinese New Year celebration during the shows and the dragon dance that captivated the audience. The conversation shifts to Jerry Garcia's remarkable comeback after a diabetic coma in 1986, making these shows even more special.As they discuss the performances of "Hell in a Bucket" and "Sugaree," the hosts highlight Jerry's exceptional guitar playing and the overall energy of the band during this period. Larry also shares the latest cannabis news and provides with updates on upcoming music events, including Phil Lesh and Bob Dylan's tours, and a nod to the Live Dead and the Brothers tour. Grateful DeadJanuary 29, 1987 (37 years ago)San Francisco Civic CenterS.F., Ca CHINESE NEW YEARS SHOW with the Dragon Dance during DrumsThis three night run (Jan. 28 – 30) were the last shows played by the band within S. F. city limits, after this, shows at Shoreline, Oakland Auditorium, Oakland Stadium, Greek Theater, maybe Berkeley Community Theater or Henry J. Kaiser.Barely one month since Jerry returned from his diabetic coma on Dec. 15, 1986.Bobby's dog, Otis, died earlier in the day before the show. Best known from Reckoning, Ripple when in the middle of a verse the dog walks on stage and Jerry says, “that's Otis”. Good stuff.I was at this show and the next nightWent with my good buddy Tommy who lived in the area Grateful Dead Live at San Francisco Civic Auditorium on 1987-01-29 : Free Borrow & Streaming : Internet Archive INTRO: Hell In a Bucket Track #1 (Don't be fooled by Finiculi Finicula intro - the song starts after a brief noodle, this is the correct track) 1:55 – 3:33 SHOW No. 1: Sugaree Track #2 1:19 – 3:02 SHOW No. 2: Drums Track # 13 2:30 – 4:00 Features the Chinese Dragon Dance portion of the Drums SHOW No. 3: Scarlet>Fire Track #9: 7:50 – end Track #10: Start 0:41 This is the transition between the two songs just keep taping from the end of Scarlet through the beginning of Fire SHOW No. 4: Stella Blue Track # 14 (On the Archive page for this track it shows I Need A Miracle > Stella Blue, just use the time signatures below to get to the Stella Blue part 7:06 – 8:44 OUTRO: Going Down The Road Feeling Bad Track #15 1:23 – 2:53 .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
"Marijuana Dispensaries and Predictive Football: A Quirky Comparison"Larry is excited about Michigan's win over Alabama and in tribute to their upcoming January 8th college football championship game against Washington he features a Grateful Dead concert from January 8th, 1978. He detail the song "Jack Straw" and its history, especially focusing on the singer distribution due to Jerry Garcia's laryngitis during the San Diego show.The conversation veers into the significance of the songs "Lazy Lightning" and "Supplication" within the Grateful Dead's repertoire, reminiscing about experiencing these songs live. It briefly touches on personal events, birthdays, and music preferences.The host humorously correlates the predicted football game winner to the number of Grateful Dead performances and marijuana dispensaries in Michigan and Washington. They discuss cannabis-related legislation and the market dynamics in these states, concluding with light-hearted references to personal travels and cannabis availability across regions.Produced by PodConx Grateful DeadJanuary 8, 1978Golden Hall Community ConcourseSan Diego, CAGrateful Dead Live at Golden Hall, Community Concourse on 1978-01-08 : Free Borrow & Streaming : Internet Archive Jerry has laryngitis so he did not singDonna filled in for him INTRO: Jack Straw Track #2 0:07 – 1:38 Not on any studio album. Featured on Europe ‘72 First time played: October 19, 1971, Minneapolis (Keith Godchaux's first show) Last played: July 8, 1995, Soldier Field, Chicago Total times played = 476 (No. 11 on list of all time songs played) SHOW No. 1: Lazy Lightning>Supplication Track #8: 3:00 – end and then straight intoTrack #9: 0:00 – 1:15 DAVID DODD: The pair of songs was recorded on the Kingfish album, with Bob Weir as a member of the band. Barlow notes that he wrote the song in Mill Valley in October 1975. The two tracks opened the album, which was released in March 1976. The Grateful Dead first played the pair in concert on June 3, 1976, at the Paramount Theater in Portland, Oregon. That show also included the first performances of “Might As Well,” “Samson and Delilah,” and “The Wheel.” “Lazy Lightning” was always followed in concert by “Supplication,” and the final performance of the two songs took place on Halloween, 1984, at the Berkeley Community Theater. “Supplication” was played by itself, according to DeadBase X, on one occasion subsequently, although it was also played as an instrumental jam more frequently over the years. The final “Supplication” was played 597 shows after the last “Lazy Lightning>Supplication,” on May 22, 1993 at the Shoreline Amphitheatre in Mountain View, California. Interestingly, “Supplication” was played one other time separately from “Lazy Lightning,” on September 24, 1976, when it was sandwiched in the middle of a “Playing in the Band.” a very strong case could be made that “Supplication” is no more a separate song from “Lazy Lightning” than “Sunshine Daydream” is from “Sugar Magnolia.” It's a coda, carrying forward the same themes—only the form of the verse has changed. Lazy Lightning – 111 total times playedSupplication – 123 total times played SHOW No. 2: Estimated Prophet Track #14 2:35 – 4:15 Weir/BarlowReleased on Terrapin Station released on July 27, 1977 (first studio album released by the band after it returned to live touring after its 1975 hiatus. DAVID DODD: “Estimated Prophet” was first performed by the Grateful Dead on February 26, 1977, at the Swing Auditorium in San Bernardino, California. The Dead also premiered “Terrapin Station” at that show. They played it 390 times in the years that followed, with the longest time between performances being 15 shows—mostly it stayed at the every third or fourth show rank. Its final performance was on June 28, 1995, at The Palace in Auburn Hills, Michigan. It appeared on Terrapin Station, released July 27, 1977. Blair Jackson quotes Weir, discussing the song, in his biography of the band: “According to Weir, he and Barlow wrote the song from the perspective of a crazy, messianic zealot, a type which one invariably encounters in Deadhead crowds now and again. As Weir explains: ‘The basis of it is this guy I see at nearly every backstage door. There's always some guy who's taken a lot of dope and he's really bug-eyed, and he's having some kind of vision. He's got a rave he's got to deliver.' “ This is one of those songs, and there are quite a number of them in the Dead's repertoire, in which a not-entirely-sympathetic character is brought to life, and, in the course of being brought to life, is made more sympathetic. I've always thought this was a big strong suit of theire songs, whether in “Wharf Rat” or in “Jack Straw”; whether in “Candyman” or “Friend of the Devil.” Not only is it a recurring trope in the lyrics, but I think it is key to understanding the whole body of the songs, and perhaps literature generally. SHOW No. 3: The Other One Track # 16 13:30 – 15:07 The imagery conjured up by Bob Weir, in his portion of the suite, “That's It for the Other One,” on Anthem of the Sun, is clearly and intentionally a psychedelic ode to the Pranksters and all that entailed. Whether the singer was “escapin' through the lily fields,” or “tripping through the lily fields,” or “skipping through the lily fields” (all versions of the line sung by Weir at various points, according to several extremely careful listeners), the fact is that it was akin to Alice's rabbit hole, because of where it led. “The bus came by and I got on...that's when it all began.”That line captures so much, in so many different ways, in so few words, that it is a model of what poetry can do—over time, and in a wide variety of circumstances, the line takes on a wide spectrum of association and meaning. The Dead, of course, were quite literally on THE bus, along with Cowboy Neal (see earlier blog entry on “Cassidy”) and Ken Kesey and Ken Babbs and Mountain Girl and many others whose names are legend among our tribe. What must that have been like? Surely, worthy of a song or two. And Weir came up with a couple of winners, between “The Other One” and “Cassidy.” There is something wonderfully cartoonish about the scenes described in the lyrics. A “Spanish lady” hands the singer a rose, which then starts swirling around and explodes—kind of like Yosemite Sam left holding a lit firecracker, leaving a smoking crater of his mind. The police arrest him for having a smile on his face despite the bad weather—clearly, this kid is doing something illegal. Weir's interview with David Gans (along with Phil Lesh) cited in The Complete Annotated Grateful Dead Lyrics refers to a particular incident:Gans: Now, I remember a version from a little bit earlier, maybe late in '67, you had a different set of lyrics; the first verse is “the heat come ‘round and busted me”...and then there was a second verse that was about “the heat in the jail weren't very smart,” or somethin' like that...Weir: Yeah, that was after my little...Lesh: Water balloon episode?Weir: I got him good. I was on the third floor of our place in the Haight-Ashbury. And there was this cop who was illegally searching a car belonging to a friend of ours, down on the street—the cops used to harass us every chance they got. They didn't care for the hippies back then. And so I had a water balloon, and what was I gonna do with this water balloon? Come on.Lesh: Just happened to have a water balloon, in his hand... Ladies and gentlemen...Weir: And so I got him right square on the head, and...Lesh: A prettier shot you never saw.Weir: ...and he couldn't tell where it was comin' from, but then I had to go and go downstairs and walk across the street and just grin at him...and sorta rub it in a little bit.Gans: Smilin' on a cloudy day. I understand now.Weir: And at that point, he decided to hell with due process of law, this kid's goin' to jail. So, as to the debut. If we take Weir and Lesh at their word, that the first performance of the song as it now stands coincided with the night Neal Cassady died, in the early morning hours of February 4, 1968. And sure enough, there is a performance of “The Other One” on February 3, 1968, whose verses correspond to the verses as we all know them, for the first time, at the Crystal Ballroom in Portland, Oregon. The song was a fixture in the repertoire from then on, performed at least 586 times that we know of. The only year in which it was not listed as being performed was 1975, the hiatus year. Part of the suite of songs, That's It For The Other One from Anthem of the Sun. Made up of four sections: "Cryptical Envelopment", "Quadlibet for Tenderfeet", "The Faster We Go, the Rounder We Get" (the part everyone knows as “the other one”), and "We Leave the Castle". Like other tracks on the album, is a combination of studio and live performances mixed together to create the final product. appears that way on Anthem of the Sun, bracketed by Garcia's “Cryptical Envelopment.” But it stands alone most of the time in performance—“Cryptical” was dropped completely from 1973 through 1984, reappeared for five performances in 1985 (the 20th anniversary period—it was broken out following a lapse of 791 shows at the June 16, 1985 Greek Theater show (I WAS THERE!!) in Berkeley), then disappeared again for the remainder of the band's careerI. "Cryptical Envelopment" (Garcia)[edit]"Cryptical Envelopment" is one of the few Grateful Dead songs with lyrics written by Garcia. It was performed from 1967 to 1971 (when it was then dropped), and brought back for a few performances in 1985. Post-Grateful Dead bands such as Dead & Company have returned to performing the song, sometimes as a standalone track separate from the rest of the suite.II. "Quadlibet for Tenderfeet" (Garcia, Kreutzmann, Lesh, McKernan, Weir)[edit]"Quadlibet for Tenderfeet" is a short jam section linking "Cryptical Envelopment" and "The Faster We Go, the Rounder We Get". Transitions between studio and live performances are very audible during this section.III. "The Faster We Go, the Rounder We Get" (Kreutzmann, Weir)[edit]One of the few Grateful Dead songs to have lyrics written by Weir, "The Faster We Go, the Rounder We Get" became one of the Dead's most-played songs (being performed a known 586 times[2]) and most popular vehicles for improvisation, with some performances reaching 30+ minutes in length. The song's lyrics reference the influence of the Merry Pranksters and in particular Neal Cassady.[2] Additionally, the line "the heat came 'round and busted me for smilin' on a cloudy day" refers to a time Weir was arrested for throwing a water balloon at a cop.[2] This section ends with a reprise of "Cryptical Envelopment".IV. "We Leave the Castle" (Constanten)[edit]The only Grateful Dead composition written by Tom Constanten, "We Leave the Castle" is an avant-garde piece featuring prepared piano and other studio trickery.[While the "We Leave the Castle" portion of the song was never performed live by the band, the first three sections were all featured in concert to differing extents. "Cryptical Envelopment", written and sung by Jerry Garcia, was performed from 1967 to 1971, when it was then dropped aside from a select few performances in 1985. "The Faster We Go, the Rounder We Get", written by Bill Kreutzmann and Bob Weir and sung by Weir, became one of the band's most frequently performed songs in concert (usually denoted as simply "The Other One"). The Other one– performed 549 times First played: Oct. 31, 1967 at Winterland, S.F. Last played: July 8, 1995, Soldier Field, Chicago That's It For The Other One – performed 79 times First played: October 22, 1967 at Winterland, S.F. Last played: Cryptical Envelopment – performed 73 times First played: Oct. 21, 1967 at Winterland, S.F. Last played: Sept. 3, 1985 – Starlight Theater, K.C. SHOW No. 4: Truckin' Track # 17 4:22 – 6:03 The lyrics were written under pressure, in the studio, during the recording of American Beauty (Nov. 1970) (released as a single backed by Ripple in Jan. 1971), with Hunter running back and forth with hastily-written verses that somehow, despite the fact that were purpose-written on the spot, seem to have some pretty good staying power. There are rumors that he originally wrote “Garlands of neon and flashing marquees out on Main Street” as an intentionally hard-to-sing line, just to enjoy watching Weir try to wrap his mouth around them, eventually relenting and substituting “arrows of neon,” just to make it possible to sing.The music credit is shared by Jerry Garcia, Bob Weir, and Phil Lesh. Hunter gets the credit for the lyrics. And Hunter took the bare bones outline of some of the band's adventures and misadventures and fleshed them out with memorable features, highlighting their trips around the country with specific references to places and occurrences. In the process, he came up with a chorus consisting of a couple of phrases that are now, eternally, in the cultural psyche: “Sometimes the light's all shining on me / Other times I can barely see. Lately it occurs to me / What a long strange trip it's been.”At some point, Hunter was accused of using a cliché in that final phrase of the chorus. When something you make up becomes such a commonly-used turn of phrase that your own invention of it is accused of being cliché, that's some measure of wordsmithing success, I would say. Truckin'” was first performed on August 18, 1970, at the Fillmore West. The show opened with an acoustic set, and “Truckin'” was the first song. Other firsts that night included “Ripple,” “Brokedown Palace,” and “Operator.” The song was performed 532 times, placing it at number 8 in the list of most-played songs, with the final performance on July 6, 1995, at Riverport Amphitheatre in Maryland Heights, Missouri. OUTRO: Johnny B. Goode Track #19 1:10 – 2:51 Johnny B. Goode" is a song by American musician Chuck Berry, written and sung by Berry in 1958. Released as a single in 1958, it peaked at number two on the Hot R&B Sides chart and number eight on its pre-Hot 100 chart.[1] The song remains a staple of early and later rock music."Johnny B. Goode" is considered one of the most recognizable songs in the history of popular music. Credited as "the first rock & roll hit about rock & roll stardom",[2] it has been covered by various other artists and has received several honors and accolades. These include being ranked 33rd on Rolling Stones's 2021 version[3] and 7th on the 2004 version of the "500 Greatest Songs of All Time"[2][4] and included as one of the 27 songs on the Voyager Golden Record, a collection of music, images, and sounds designed to serve as a record of humanity.Written by Berry in 1955, the song is about a semi-literate "country boy" from the New Orleans area, who plays a guitar "just like ringing a bell", and who might one day have his "name in lights".[5] Berry acknowledged that the song is partly autobiographical and that the original lyrics referred to Johnny as a "colored boy", but he changed it to "country boy" to ensure radio play.[6] As well as suggesting that the guitar player is good, the title hints at autobiographic elements, because Berry was born at 2520 Goode Avenue, in St. Louis.[5]The song was initially inspired by Johnnie Johnson, the regular piano player in Berry's band,[7] but developed into a song mainly about Berry himself. Johnson played on many recordings by Berry, but for the Chess recording session Lafayette Leake played the piano, along with Willie Dixon on bass and Fred Below on drums.[5][8] The session was produced by Leonard and Phil Chess.[8] The guitarist Keith Richards later suggested that the song's chords are more typical of compositions written for piano than for guitar.[9]The opening guitar riff of "Johnny B. Goode" borrows from the opening single-note solo on Louis Jordan's "Ain't That Just Like a Woman" (1946), played by guitarist Carl HoganA cover version is featured in the film Back to the Future (1985), when the lead character Marty McFly, played by actor Michael J. Fox, performs it at a high school dance.Played 283 times, almost always as an encore or show closer (back in the days where there were no encores)First played on Sept. 7, 1969 at Family Dog on the Great Highway, S.F.Last played on April 5, 1995 at Birmingham-Jefferson Civic Center Coliseum in Birmingham, AL .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
Caleb grew up listening to gospel greats and his entire family all performed in the church choir. In his hometown, country living, tobacco and corn fields are prevalent and have become a part of Caleb's upbringing. After high school, Caleb earned a BS in music business from the University of North Carolina at Pembroke. While there, he met his girlfriend, DeAndrea, who is an opera singer. In 2021, he and DeAndrea decided to move to Los Angeles to pursue music. Soon after arriving, he has performed in Kanye West's Sunday Service at the Colosseum and with Alicia Keys' choir at the Greek Theater and Sofar Sounds. Now, he teaches voice and keyboard at Isana Academies. Caleb loves soul food and cooking and, as he was growing up, he would say he wanted to be a "singing chef."
Caleb grew up listening to gospel greats and his entire family all performed in the church choir. In his hometown, country living, tobacco and corn fields are prevalent and have become a part of Caleb's upbringing. After high school, Caleb earned a BS in music business from the University of North Carolina at Pembroke. While there, he met his girlfriend, DeAndrea, who is an opera singer. In 2021, he and DeAndrea decided to move to Los Angeles to pursue music. Soon after arriving, he has performed in Kanye West's Sunday Service at the Colosseum and with Alicia Keys' choir at the Greek Theater and Sofar Sounds. Now, he teaches voice and keyboard at Isana Academies. Caleb loves soul food and cooking and, as he was growing up, he would say he wanted to be a "singing chef."
Hi Sweet Friends- Enjoy this replay of episode #45 with this look back at the early days of Hollywood and the dream of Griffith Park. Tonight's episode includes a beautiful attunement of Divine Joy brought to you by the angels. It's a lovely way to infuse your energy field with the vibrancy of vitality and light. Then Laurel reads to you about Hollywood in 1919 (the neighborhood, not the entertainment industry) from the publication Holly Leaves. This was when Griffith Park, the Greek Theater and the Griffith Observatory were still in the visioning state. The land and plans were left to the city by Colonel Griffith. He had a big dream for the land. Thankfully, his dream came to fruition and Griffith Park became a well-loved, much-visited oasis in Los Angeles.The story begins at 21:50You can learn more about Laurel and the angels at illuminatingsouls.comReceive an inspirational message from Laurel + Illuminating Souls each day via email. Join our Daily Inspiration Blast for a sweet little morsel of goodness delivered to your mailbox Monday thru Friday. Find daily inspirational messages on the Illuminating Souls Facebook page
Roslyn Kind is a dynamic, multi-talented entertainer who has forged a successful career in all facets of entertainment from critically acclaimed recordings to sold-out performances on Broadway. Ms. Kind recently performed with her sister, Barbra Streisand, during an 8 city US/Canadian tour and a 6 city International tour, which brought her to acclaimed venues including the Hollywood Bowl, The 02 Arena in London and Rogers Arena in Vancouver. She began her performing career while still in her teens with the release of her first album, Give Me You. A whirlwind of performing activity followed including engagements at the nation's top nightclubs, acclaim from Time Magazine and three appearances on The Ed Sullivan Show leading up to her show-stopping New York debut at the Plaza Hotel's legendary Persian Room. A vibrant musical artist, Ms. Kind is familiar to both national and international audiences for her headlining appearances at some of the most prestigious venues including Lincoln Center, The Greek Theater and London's Cafe Royal. The London Times noted “To say she is superb would be an understatement.”
Tyler and Konnery are joined by Lupe Cornejo as they continue their zombie franchise quest with "Resident Evil: Apocalypse"! Together they discuss Digimon in detail, Lupe's affection for this action-zombie thriller, weird water-healing apparati, and so much more on this graveyard-neck-breaking episode of The Friendchise Podcast! Kon: Baldur's Gate 3 (PS5) Tyler: Sigur Rós (Greek Theater), 28 Days Later (Good luck, buy an old dvd maybe) Lupe: Digimon Adventure (2020) (Hulu)
With the NFL regular season around the corner, the Compas Gilberto Manzano and Fernando Ramirez share their predictions for the yearly awards. But they won't be alone, with Dan in Daygo and Vic, the Producer, also providing wild takes that the Chargers and Rams will appreciate. But before they get to the NFL awards, Gilberto will tell us about his experience at the Sigur Ros concert at The Greek Theater. Will the Compas now have a live show from Iceland? Anything is possible. TIMESTAMPSWhat's up, Bro: Gilberto's concert experience (3:05)Compas on the L.A. Beat: Chargers, Rams trim to 53 (9:34)Compas on the NFL Beat: Jacobs returns to Raiders (18:22)NFL awards predictions: Staley coach of the year? (34:30)SUBSCRIBE TO THE COMPAS YOUTUBE CHANNELSCompas on the BeatCombat CompasWhat's Up BoltsHouse of HornsFOLLOW THE COMPAS ON SOCIALTikTok: @compasonthebeatInstagram: @compasonthebeatTwitter: @CompasOTBTwitter: @gmanzano24Twitter: @realframirez
George Lopez checked in with the Cruz Show befoer his show at the Greek Theater. He told us some amazing Kobe stories & talked about his comedy show. Lots of Laughs, check in!
A very very Special Guest coming at you HOT. It's been an increasingly long hiatus so we wanted to give you lovely listeners a little gift appetizer for the forthcoming season for La Cucaracha. It was a record long recording session that we should have broken up into two separate eps but we waned to give you all the raw uncut goodness in one gigantor 2hr episode. Buckle Up. Also we traditionally command you to give all of your money to Ween but this week take a little slice of that cheddar and hand it to our Special Guest. He's performing under the name "Where is your dog now" and you can find him on Spotify, Bandcamp, and the below website. Do us a solid and listen to his tunes and then buy some of them tunes. Make it so. https://www.whereisyourdognow.com
Tom welcomes the band DEER TICK to perform a live set of music and promote their new album: 'Emotional Contracts' out now! Tom recounts his experience seeing NEIL YOUNG at the Greek Theater with a terrible crowd! Incredible artist and friend of the show, COOP swings by the studio! Phones ring on the topic: WHO HAS THE WORST FANS?! Tom gets a call from WADE IN SUEDEBRIDGE! And MUCH MORE! SUPPORT THE BEST SHOW ON PATREON! WEEKLY BONUS EPISODES & VIDEO EPISODES! https://www.patreon.com/TheBestShow WATCH THE BEST SHOW LIVE EVERY TUESDAY NIGHT 6PM PT ON TWITCH https://www.twitch.tv/bestshow4life FOLLOW THE BEST SHOW: https://twitter.com/bestshow4life https://instagram.com/bestshow4life https://tiktok.com/@bestshow4life https://www.youtube.com/bestshow4life THE BEST SHOW IS A FOREVER DOG PODCAST https://thebestshow.net https://foreverdogpodcasts.com/podcasts/the-best-show Learn more about your ad choices. Visit megaphone.fm/adchoices
Not gonna lie, Stef and Cec do a LOT of mostly C and D name dropping in this episode. Cecily shares a story a story about being at The Greek Theater, and also a weird thing that happened at The Flash press screening. Both ladies are disappointed with people who don't dance at concerts! And more!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5780561/advertisement
The Bee-Man is flying on another solo mission and this time he's taking the hilarious Gareth Reynolds from The Dollop Podcast along for the ride. Join the Patreon to win a pair of #WEEN tickets at the Greek Theater in Los Angeles July 28th! https://www.patreon.com/posts/join-patreon-and-82012455?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link Join the Patreon HERE: http://www.patreon.com/worldrecordpodcast Buy merch and more here: https://www.worldrecordpodcast.com This episode is #sponsored by Better Help - get 10% off your first month here: https://www.betterhelp.com/worldrecord
Oedipus Rex - Episode #1 - The philosophy, the predicaments, the purpose in Greek Theater Hosted on Acast. See acast.com/privacy for more information.
You need a carrier oil if for your tea tree oil or else it will mess you up. Also, the Bee Man is suffering from opioid withdrawals. This is the best podcast episode in recorded history. Join the Patreon to win a pair of #WEEN tickets at the Greek Theater in Los Angeles July 28th! https://www.patreon.com/posts/join-patreon-and-82012455?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link Buy merch and more here: https://www.worldrecordpodcast.com
The heir to the Cooperman Tire fortune, Liz Cooperman joins us on the podcast and Matt Farley calls into the show. Go to Matt's Motern Extravaganza on May 20th: https://moternmedia.com/live-shows Go to Lizzy's taping on May 19th: http://www.lizzycooperman.com/ Join the Patreon to win a pair of #WEEN tickets at the Greek Theater in Los Angeles July 28th! https://www.patreon.com/posts/join-patreon-and-82012455?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link Buy merch and more here: https://www.worldrecordpodcast.com This episode is #sponsored by Better Help - get 10% off your first month here: https://www.betterhelp.com/worldrecord
Johnny Pemberton comes into the WRP studio to hang with us and do some goofs! https://www.johnnypemberton.dog Join the Patreon to win a pair of #WEEN tickets at the Greek Theater in Los Angeles July 28th! https://www.patreon.com/posts/join-patreon-and-82012455?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link Join the Patreon HERE: http://www.patreon.com/worldrecordpodcast Buy merch and more here: https://www.worldrecordpodcast.com This episode is #sponsored by Better Help - get 10% off your first month here: https://www.betterhelp.com/worldrecord
Phish Rift 6:09 2023/04/19 Berkeley, CA Phish Bathtub Gin 23:17 2023/04/18 Berkeley, CA Phish 555 8:27 2023/04/18 Berkeley, CA Phish Don't Doubt Me 12:02 2023/04/18 Berkeley, CA Phish Kill Devil Falls 13:39 2023/04/18 Berkeley, CA Phish Fuego 21:30 2023/04/18 Berkeley, CA Phish Timber 8:54 2023/04/19 Berkeley, CA Phish Winterqueen 8:22 2023/04/19 Berkeley, CA Phish 46 […]
Good morning from Chinatown NYC, where there are no avocados in my 42-square foot (including counters and all appliances, listen, it's like walking a gang plank) kitchen, just a COVID test in-progress and some excellent coffee from Panther Coffee, based out of Miami. The owners, Joel and Leticia Pollock, are friends from the iteration of my life after Los Angeles, we met them in Portland, from whence they decamped for Miami, to open a coffee roasting business.“Nency, Nency, can you write something for us?” This is Leticia - and here I am badly botching her Brazilian accent - asking back in 2009 that I write to the local licensing bureau explaining what coffee roasting was, the idea being totally foreign and apparently causing officials to think someone was trying to burn down the city. I did; Panther opened in 2010 and now has something like four million locations in Miami (okay, six). You should go. We are going back further today! To 1990, when my daughter was less than a year old and I saw two young women my age pushing baby strollers past my house on the street that led up to the Hollywood Reservoir. Stay to the end for a sweet addendum.Two corrections: Charlie's first band was the Plugz. (The Cruzados were second.) And toward the end I accidentally say “mash the garlic” when of course I mean, mash the avocado. Also: COVID, negative.Episode notes: Charlie Quintana, whose first and only job besides as a drummer was delivering flowers for one day in his native El Paso. He was sixteen when the band he formed and The Plugz (video) became successful. Charlie went on to become part of the Cruzados, The Havalinas and other bands, and toured and/or recorded with Bon Dylan, Social Distortion, John Doe, Cracker, Joan Osborne and, if I am not mistaken, the Gin Blossoms. I remember (though I am finding no confirmation of) this because sometimes when Charlie played in Los Angeles he would nab me some tickets, and when the Wallflowers played at the Greek Theater, lead singer Jakob Dylan announced (I am not kidding here), “This goes out to Nancy,” before launching into, “One Headlight.” (I had told Charlie I loved the song.) Maybe I'm wrong! But that's my story and I'm sticking to it.Well lookie here, I found some audio of “Meet the Neighbors.” (Or you can read it.)“Charlie Quintana, drummer for the Plugz and Social Distortion, dies at 56,” by Randy Lewis (Los Angeles Times)“Taking My Ex Back In (for His Own Good),” by Nancy Rommelmann (New York Times Modern Love)Guacamole, adapted from Charlie Quintana* 5 ripe avocados* Salt* One-half yellow onion, chopped small* 2 - 3 jalapenos, chopped small, leave some seeds* Handful of cilantro, chopped* Juice of 2 - 3 limesMash the avocado and salt. Add onion, jalapeno, cilantro and stir. Squeeze on lime juice. Adjust to taste.Charlie playing with Bob Dylan on David Letterman 1984 This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit smokeempodcast.substack.com/subscribe
As with all past ‘Reflection' year-end mixes, I start with a collection of music I have enjoyed over the past year. Through the process of compiling a mix, songs are whittled down and selected from this collection. This means many of my favorite tracks and albums are often omitted in this process, due to the need for them to fit in a mix that comes together as organically as possible. As I say every year, this isn't a definitive ‘best-of' list, but a selection of just *some* of my favorite music from the year in one easily listenable format. It's the most enjoyable way for me to boil down the music I've loved from the year using these self-imposed restrictions, for you to then enjoy and hopefully discover more. I encourage you to use the mix to jump off and explore each artist, listen to the album in full and see what else is on the label (and check the Buy Music Club list at the bottom). Of course, releases or aliases that are a part of our own label/s are not considered for this mix (head over here for our label-specific 2022 showcase!), and if you want to see the majority of what I've been supporting, head over to my Bandcamp collection.~Mixes paint a memory, and in many ways better than a photo. That's half the reason I do these year-end mixes. Listening back to some of the past ten ‘Reflection on' editions, each one still does the job of invoking specific memories for me. From the time I made the mix or tracks that trigger a time and place, maybe a gig I went to, an album that soundtracked a special moment, or just a record that didn't leave my turntable. All of these things influence what tracks go into my year-end mix. It makes it challenging to try and capture, but also rewarding when I come out of the other side with something to listen back to that really shaped my year in listening. Despite this feature taking many, many hours, it's much easier than doing a list, because not only do I dislike ranking music, but I really enjoy putting together mixes (so any excuse really!).I haven't written in-depth track notes for the past few Reflection mixes, mostly due to the sheer high number of track inclusions, but I want to go into depth on the inclusions this time around. I miss writing about music here, and it's been a few years now since I've even posted a review. So hit play below, keep scrolling for the track notes, and link to a BuyMusicClub list to support all the featured music. astrangelyisolatedplace · ASIP - Reflection on 2022 Listen on Soundcloud, or the ASIP Podcast.Download MP3~Firstly, let's sweep it under the rug; I've broken the biggest rule of the mix and included a track that wasn't from 2022 (in fact, a couple aren't strictly, but more on that later). The first track (and album), by maarja nut and ruum was such a lovely discovery for me this year that I missed in 2018, it accidentally slipped into my 2022 playlist due to being on high rotation. Of course, it was the very first track in the mix that set the tone- a hard one to undo when you've completed the set. So, because I have no one to answer to but myself, it stays! And I doubt you will regret this decision either if this album is new to you. Malibu made an appearance in 2020's mix, and she's perhaps a good reason for igniting a stronghold in female vocal led-ambient music recently. But few attempts are as ethereal as Malibu's latest, going full-on Salt Tank (as a fellow Trance lover nicely put it once).Ecovillage have made some gorgeous music over the years, and their latest album was a work of collaborations with some impressive producers such as Fennesz and harpist Nailah Hunter. My favorite track of the bunch was Memories of Spring featuring Japanese vibraphone player Masayoshi Fujita (the Erased Tapes stalwart). Raum, a collaborative project by Jefre Cantu-Ledesma and Liz Harris (Grouper) released a long-awaited follow-up to their 2013 album, and it didn't disappoint. Whilst used more as a texture/segue in this mix, I encourage you to explore the full album. And, in a nod to Liz Harris' involvement in the artwork for one of our releases this year, it felt fitting to include her project in this mix (thanks Liz!).I've admired GiGi FM's DJ'ing abilities for a few years now (check out her isolatedmix) but only last year did she debut her production chops with Kiwi Synthesis Diary 21k. I didn't get around to listening to the album until this year (along with her latest, Magnetite EP) and so it didn't make last year's mix which was already out in the world. So here's another little cheat, albeit a very short inclusion. You can't say "In Every Dream Home A Heartache” without reading it like the Roxy Music intro, and Romance and Dean Hurley's similarly named album is just as memorable for me in many ways. Whilst this track is not my favorite from the album, it reminds me of the church bells and distant music playing from across the farm fields in my hometown back in England.Fallen, aka Lorenzo Bracaloni seems to have released quite a few albums this year, but I was introduced to Moonlight Romance by Noah M (who creates many of our own artworks and was behind the art for this one). It's like a new-new-age album, full of life and color, and a really pleasant listen from front to back.One thing I find hard with this annual mix is whether to include tracks that have appeared in some other mixes of mine this year. Ultimately, I want to try and present new listening experiences with each mix, but then again, I am sure it's very few of you who actually listen to all of them!… . Steve Roach's What Remains appeared in a previous mix of mine this year, but this track is him at his very best. Refined, patient, bellowing, and glistening - a master of the style.Pretty sure nthng has appeared in the last two Reflection mixes, but what can I say… whether he is releasing pounding atmospheric techno or soaring trance-inducing textures like this one, he somehow manages to draw me in with each of his releases. (I think, secretly, he's a trance head and there's a subconscious/ telepathic attraction going on between us).At this point I got lost in the bellows of the last few tracks, so decided to find a way out of this musical chapter, and IKSRE provided a nice euphoric bridge with her vocals. Released on the ‘Healing Together' compilation curated by Cynthia Bernard / Marine Eyes, plenty of tracks from this comp could've made it onto this mix, so you know what to do after...There was no doubt I was going to try and include a Norm Chambers track in here somewhere, both due to his unfortunate passing this year and his undeniable contribution to the ambient and experimental community. I seeked out a jolt in the mix at this point, so his music didn't go unnoticed. As someone I follow recently said, you could make five mixes from his library of music and each one would sound different. Thank you for the music Norm - RIP.Chicago artists Purelink seems to be at the front of this new 'jungle/beat infused choppy ambience™, that I've seen becoming quite popular lately (how old do I sound). And one member of this trio features a bit later under a different alias. There is lots to explore in this world - whether it be following each of the member artists, their labels, or some of their own self-released music on Bandcamp. This track fits my dreamy chill-out world perfectly and was a much-needed segue into a more beat-driven chapter of the mix. Spoiler alert, Mikkel Rev will be making an appearance in the ASIP fam in 2023, so until he does, he's OK to be included in this mix (!) As part of the Ute Collective hailing from Norway, it's another rabbit hole of amazing young talent should you be into the more trance-infused sound of ambient music (or indeed, full-on trance music - plenty of that there). He makes some superb atmospheric chugging downtempo that ranges from the delicate to the beat-driven.Whenever a new Biosphere album drops, it's met with slight trepidation on my end. Not least because his albums take forever to reach the US on vinyl, but, how do you live up to the classics you created that helped define a genre? But that feeling is always short-lived and none so short as 2022's effort. In what is a direct throwback to some of his earlier electronic styles, Shortwave Memories is one of his best in the past 10 years - at least. The N-Plants vibe in this particular track is the show-stopper. ReKaB was a new discovery for me this year, and the Móatún 7 label that homes this release, is a goldmine for electro-leaning music (even featuring a Yagya 10” recently). I think I played this ReKaB album front to back more than five times in the car one day. It's such an enjoyable listen - not too pretentious, just enough old-school vibe, and energy to keep things present as opposed to wallpaper. OK, a couple more records were not strictly new in 2022 but I've always debated including reissues in this mix, and finally come around to the idea given the proliferation recently. After all, there was never a Reflection on 1993 was there?! Spacetime Continuum and the always-on-point Musique Por La Danse label provide the 90's throwback. (The similar-era Detroit Escalator reissue would have also made it in here, but I had to stop somewhere). Daniel Avery's album is a monolith. Throwbacks to Aphex on a SAW tip, mixed in with wall-shuddering bass and cave-mentality breakdowns. Any electronic fan that spent time in a dimly lit rave is going to enjoy his latest, just as much as the IDM/Electronica fan in all of us. I'm not sure if the track in the mix is my fave of the album yet, but the bigger tracks on the album would have sent this mix into a whole new dimension. Seeing James Devane pop up this year was weird. Back in my blog days (they still exist today but this specific instance was 13 years ago), I uploaded a cover of Aphex Twin's Rhubarb by James Devane to Soundcloud to host on the blog (remember those days) - it has 26k plays and the majority of us I'm sure really had no idea who he was until this year. With just one prior release on Discogs, I thought he dropped off radar. I guess he kind of did. This album was therefore a surprise to see, and its Gas-like fringed-techno a pleasant reintroduction. Prior to Covid, I was due to DJ at an Astral Industries gig in London, and Transcendence Orchestra was on the bill for the second night I was there (when I'd get to relax and enjoy the full night!) It didn't happen, unfortunately, but I always keep an ear out for their output and regret not being able to see them live. Back to the mix though, I didn't go too hard on the modular synth-heavy tracks this year, but as with all Reflection mixes, I try and cover the variety of music I've been listening to. Whilst the full Transcendence Orchestra album ‘Dreams, Waking Thoughts and Incidents' is a dark trance-inducing affair that might have felt like a rabbit hole at this point in the mix, this track formed a nice segue into the next with a similar sound…This was the year Abul Mogard no longer hid behind his “old man steel factory worker” story and came out of the shadows on Houndstooth alongside COH (Gone is my idea for an “I AM THEREFORE I AM (ABUL MOGARD)” t-shirt). I've always wondered what Abul Mogard's (real name Guido Zen) music would sound like if you added some fizz and more obvious structure, and this track can still be found bouncing around in my head somewhere. Another track not ‘new' in 2022, but once again, there are no rules when you're documenting someone so profound. And to lose Low's Mimi Parker was a shock to everyone this year. I was late to the Low party given how long they have been around, but Mimi's vocals on this track from one of their most recent albums (Double Negative) are purely angelic. I took liberties with the layering in the mix here, respectfully, so I hope it pays off in the listen as a moment of true reflection. It's not often you get treated to some of this early 90's music for the very first time, but stumbling across Bowery Electric is like finding a long-lost favorite. Originally released in 1996, this is an example of why Kranky is so legendary all those years later, playing host to gems like this. Nosaj Thing isn't normally the type of music that stays in my periphery, but my colleagues were sharing the news of this new album, existing on the fringes of hip-hop and electronica, and when Julianna Barwick is involved, I tend to put it at the top of the pile. Whilst the beat closely reminded me of Massive Attack's Teardrop, there's no hiding the track's beauty in totality. Add to this, I took a friend to see Nosaj Thing at The Greek Theater in LA, and we drank way too many Caipirinha's before stumbling up the hill to the venue and missed Nosaj playing altogether… We did catch Toro Y Moi after though, so it's a perfect memory captured for 2022. I'm glad Synkro returned with music this year, and it's an amazing little EP on R&S to boot. Maybe even more atmospheric than his previous work, the beats are a little more smudged across this EP, but everything he touches has a considered, unique touch that can be heard strongly throughout his work and within collaborations (such as Kiyoko). There's a substantial amount of music to discover from Neglect on Bandcamp, someone I've admired from afar for a while now. This track, taken from his latest album is amongst a beautiful bunch of nostalgic electronica that cries quality. It's always hard to single out an Astral Industries release. The consistency of releases are faultless, so my shortlist this year with AI releases to include, was, well… not very short. Mystic AM, however, is the first release by Astral label boss Ario, alongside none other than Rod Modell, so it quickly became top of the pile by reason of a special moment in 2022, not least because of the beauty found in its original Iranian field recordings. Perhaps one of the most extensive releases of the year comes from the always intriguing Stroom label, and Voice Actor. 109 pieces of music and a surprising quality found throughout. It's more collage than music when listened to as one, but you'll find some lovely moments hidden amongst the 8(?) hours. “Will it be available on vinyl” I hear you jest? I've seen this popping up in lots of EOY lists already too. There's talk within my small circles that Music For Animals is Nils Frahm's best album yet. I'm not sticking by that just yet, as Spaces is probably in my top 10 of all time so far, but it certainly represents a stunning (d)evolution? Not a piano in sight you say? I immediately disbelieved it. But alas. It's like Nils kept getting put into Ambient playlists on Spotify and was like "OK, I'll give you what you really want…”.I'm not quite sure how I stumbled across Ben Bondy. I think a friend might've recommended an album of his (Hadi, was that you?!) but It was enough for me to stalk his many Bandcamp releases and find some lovey instances. This track reminds me of a classic chill-out room track in its swirling laid-back mystery and vocal. I wouldn't have come across the All India Radio track if it wasn't for the great compilation it was presented on this year by Mystic and Quantum (a label responsible for some lovely releases over the years). New to me, it looks like they have quite the discography I'm yet to dig into, but this was a lovely moment that flowed nicely after the previous. Time to do some digging.Concave Reflection (see Purelink reference above) is another artist in the fringes of my frequent listens but one I'm fully dipping my toes in right now. The full-length album 'The Best People Are Like Water' is a really interesting listen - kind of metallic, chopped-up ambiance that the Spheric label are becoming known for (and seems to be all the hype right now). Whilst the next track was originally from an album released a few years back, you've probably learned by now I'm bending the rules a little. However, this version of Hania Rani's track Leaving, is a live recording released in 2022. After watching her live performance on KEXP, (shout to Alex Ruder!) I was truly mind-blown at her talent. It's easy to make comparisons to Nils of course, but Hania has that vocal element which adds a whole new dimension. If I had to be pushed, my favorite non-ambient album this year might have come from Mike Paradinas / µ-Ziq. Magic Pony Ride is just pure fun. And you need that in your listening repertoire nowadays, right? The bank of melodies and creativity this guy has amassed over the years must be unbelievable. To think, only some of it makes itself out into the world as a record. He followed this album up with another similar stunner too - spoiled!I've already given Wardown his superlatives for the year in his isolatedmix feature, but in summary, Wardown II followed up his nostalgic DnB/Jungle debut under this alias in style. Will there be a third that can keep the standard this high??I could've launched into a complete Jungle/DnB hour at this point, but being 2hrs in, I really had to start winding this beast down and get all the end-of-the-night feels going. Bot1500's latest EP stepped in nicely here - a lovely collection of melodic IDM and the track Chartreuse 8 felt rather emotional. Royksopp really don't do things by halves, and whether the entirety of their music is enjoyed or not when it crosses into the Pop realm, they still manage to conjure up some magic moments. I wanted to try and include a track out of the 3(!) albums they released this year but really couldn't find one that fit outside of this weird sample here. It worked on a few levels for me here though, “Press R to continue” …Rose Riebl…With three compilations curated by Headphone Commute, the quality found amongst the ‘For Ukraine' comps should go down as monumental and unmissable. I knew I had to get a track in this mix from the many on display, and this one felt like a perfect near-conclusion to the mix. Don't miss out on supporting a great cause and listening to some of the best artists creating modern classical music right now. The final track of the mix comes from EXM. While I normally try and end these mixes with a closer that is potentially surprising or off-genre (maybe a glance at other weird music I listen to) this one just somehow felt right. Uplifting and melodic, you can't help but mirror its gradual progression with your volume-up button. ~The art for this mix might feel a little unflattering at first, but I wanted to capture the mass AI hysteria as part of this year's memory and mix. So, fittingly, this is what I got back with the creative input of ‘A Strangely Isolated Place'. Why so literal, bot?Tracklist + Buy Music Club:01. maarja nuut & ruum - Mahe (Fat Cat Records)02. Malibu - Iliad (UNO NYC)03. Ecovillage - Memories of Spring feat. Masayoshi Fujita (LAAPS)04. Raum - Daughter (Self)05. GiGi FM - Rosé (Louise) (Self)06. Romance & Dean Hurley - The Flesh Is Weak (Ecstatic)07. Fallen - Under A Glass Moon Of Wonder (Aural Canyon)08. Steve Roach - What Remains (Self)09. nthng - Some Clouds Are Destined To Break (Transatlantic)10. IKSRE - You Will Find (PITP)11. Norm Chambers - Resonant Foam (Self)12. Purelink - Butterfly Jam (uWu Dust Bath)13. Mikkel Rev - Ende (Translusid)14. Biosphere - Night Shift (Biophon Records)15. ReKaB - The Lightest Touch (Móatún 7)16. Spacetime Continuum - Drift (Musique Pour La Danse)17. Daniel Avery - Lone Swordsman (Mute)18. James Devane - Orange and Tan (Umeboshi)19. Transcendence Orchestra - The Hills Are Alive (Old Technology)20. COH meets Abul Mogard - Traverse Within (Houndstooth)21. Low - Fly (Subpop)22. Bowery Electric - Postscript (Kranky)23. Nosaj Thing feat. Julianna Barwick - Blue Hour (Lucky Me)24. Synkro - Last Breath (R&S Records)25. Neglect - In The Bondage of Your Identity (Unsilent Desert Press)26. Mystic AM - This Spoke Zarathustra (Astral Industries)27. Voice Actor - Hurt With Me (STROOM)28. Nils Frahm - Right Right Right (Leiter)29. Ben Bondy - Spring (Self)30. All India Radio - Ancient Invocations (Mystic & Quantum)31. Concave Reflection -Daylight Portrait (Theory Therapy)32. Hania Rani - Leaving (Live from Studio S2) (Gondwana)33. µ-Ziq - Turquoise Hyperfizz (Planet Mu)34. Wardown - Stimulus Progression Pattern (Blu Mar Ten)35. Bot1500 - Chartreuse 8 (Lith Dolina)36. Royksopp - Press (Self)37. Rose Riebl - Near Dark (Headphone Commute)38. EXM - Autumn is Coming (Dyadik) ~Buy Music Club list >>
Morrissey quit after 5 songs at the Greek Theater in L.A.
It's spooky season and we have a monster sized episode to celebrate the freaky era that was the 1980's! The decadent decade that brought us such Haunted Halloween jams like "Thriller," "Ghostbusters," "Bela Lugosi's Dead," "Dead Man's Party," and many more. Join Lyndsey Parker (Yahoo Entertainment Music Editor) and special guests the Mistress of the Dark herself, Elvira, musician, DJ, and humanitarian Bright Light Bright Light and electro-pop recording artist, record producer and songwriter MNDR as they discuss this eerie time of year and their fright night favorites.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Broken Record with Rick Rubin, Malcolm Gladwell, Bruce Headlam and Justin Richmond
Today we have Susan Tedeschi and Derek Trucks of the Tedeschi Trucks Band on the show. Derek Trucks made his name as a slide guitar prodigy with a Hall of Fame pedigree. He's the nephew of Butch Trucks, drummer of the Allman Brothers Band, who Derek toured with extensively throughout the 2000s before forming the Derek Trucks Band. Somewhere along the road, Derek met another great guitarist with a Berklee-pedigree, Susan Tedeschi, who is one of the best singers working today. Eventually the two married and merged their bands in 2010. Their latest album, I Am The Moon, is a collection of 24 songs across four different albums. On today's episode, Justin Richmond speaks with Susan and Derek about the beginnings of their band, and how their new album came to be. They also play some of their new songs live from backstage at the Greek Theater in Los Angeles. You can listen to a playlist of some of our favorite Tedeschi Trucks Band favorite songs HERE.See omnystudio.com/listener for privacy information.
We had the pleasure of interviewing Mt. Joy over Zoom video.Mt. Joy recently released their third full-length offering, Orange Blood, along with the latest single, “Evergreen.” The track boasts upbeat guitar curls around a punk-y groove before colliding with an intoxicating refrain. The track's accompanying music video stars The Office star Creed Bratton, a personal friend of the band who last fall, joined the band on stage at The Greek Theater in Los Angeles. In the video, Creed sets off on a journey to prove it is never too late to chase what makes you happy.Kicking off their forthcoming album, Mt. Joy released “Lemon Tree” which was hailed as “a next-level song” by NPR and is currently Top 20 at AAA radio, followed by the colorful album title track, “Orange Blood.” The band is currently on their US Headlining “Orange Blood” 2022 Tour (with special guests Grammy®-nominated West Coast singer-songwriter Madison Cunningham, L.A. based indie-folk trio Wilderado, and The Brook & The Bluff). The tour kicked off in South Carolina on June 16 and make stops in Seattle, Los Angeles, New York City, Chicago, New Orleans, and Dallas before wrapping in Austin, Texas on November 5. Go to http://www.mtjoyband.com/tour for more info on tickets. About Mt. JoyThe Philadelphia quintet—Matt Quinn [vocals, guitar], Sam Cooper [guitar], Sotiris Eliopoulos [drums], Jackie Miclau [keys, piano], and Michael Byrnes [bass]— take their name from the quiet rural town in southwest Pennsylvania, about four hours from their Philadelphia base. Forming in 2016, they made their mark two years later when their self-titled Mt. Joy debut album spun off "Silver Lining," an uplifting power ballad that went to #1 at AAA radio (Billboard Adult Alternative Airplay) and has eclipsed over 120 million Spotify streams to date. Their second album, Rearrange Us (2018) drew widespread critical raves. Over the past four years Mt. Joy has amassed over half a billion streams and have earned acclaim from NPR, Billboard, Rolling Stone, The Line of Best Fit, and more. The band has performed at a variety of festivals such as Lollapalooza, Austin City Limits, Bonnaroo and has toured with The Lumineers, Rainbow Kitten Surprise, The Revivalists, and The Head and The Heart. Additionally, the band has performed on Stephen Colbert, CBS Morning, Samantha Bee, Seth Meyers, Jimmy Kimmel, and Conan.We want to hear from you! Please email Tera@BringinitBackwards.com. www.BringinitBackwards.com #podcast #interview #bringinbackpod #MtJoy #OrangeBlood #Evergreen #NewMusic #zoom Listen & Subscribe to BiB https://www.bringinitbackwards.com/follow/ Follow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpod
Today's episode is a treat for comedy fans, a 3 hour dive with The Machine, Bert Kreischer gets into it with Mark Normand and Sam Morril. Don't miss Mark opening for Bert at the Greek Theater on May 5th, and Red Rocks later this year! Also get out to LA during the Netflix Is A Joke festival and see Sam and Mark. @Bert Kreischer @mark normand @Sam Morril https://www.bertbertbert.com/ http://marknormandcomedy.com/ https://www.sammorril.com/shows Drink: Tito's Vodka Pink Lemonade Kool-Aid Mint Leaves St. Germain Support the show and get 20% off with the code DRUNK at SheathUnderwear.com Support the show and use promo code DRUNK at https://DietSmoke.com for 20% off your order. Visit http://marknormandcomedy.com/ and https://www.sammorril.com/shows for more details! Join the Patreon for bonus episodes weekly and more bonus content: Patreon.com/WeMightBeDrunkPod Send us emails WeMightBeDrunkPod@gmail.com
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