Podcasts about good booty love

For decades, Joni Mitchell's life and music have enraptured listeners. One of the most celebrated artists of her generation, Mitchell has inspired countless musicians--from peers like James Taylor, to inheritors like Prince and Brandi Carlile--and authors, who have dissected her music and her life in their writing. At the same time, Mitchell has always been a force beckoning us still closer, as--with the other arm--she pushes us away. Given this, music critic Ann Powers wondered if there was another way to draw insights from the life of this singular musician who never stops moving, never stops experimenting. In Traveling: On the Path of Joni Mitchell (Dey Street Books, 2024), Powers seeks to understand Mitchell through her myriad journeys. Through extensive interviews with Mitchell's peers and deep archival research, she takes readers to rural Canada, mapping the singer's childhood battle with polio. She charts the course of Mitchell's musical evolution, ranging from early folk to jazz fusion to experimentation with pop synthetics. She follows the winding road of Mitchell's collaborations with other greats, and the loves that emerged along the way, all the way through to the remarkable return of Mitchell to music-making after the 2015 aneurysm that nearly took her life. Along this journey, Powers' wide-ranging musings on the artist's life and career reconsider the biographer's role and the way it twines against the reality of a fan. In doing so, Traveling illustrates the shifting nature of biography, and the ultimate contradiction of celebrity: that an icon cannot truly, completely be known to a fan. Kaleidoscopic in scope, and intimate in its detail, Traveling is a fresh and fascinating addition to the Joni Mitchell canon, written by a biographer in full command of her gifts who asks as much of herself as of her subject. Ann Powers has been a music critic for more than thirty years, working for NPR, the Los Angeles Times, the New York Times, and other publications. In the decade she has worked with NPR, she has written extensively on music and culture and appeared regularly on the All Songs Considered podcast and on news shows including All Things Considered and Morning Edition. Her books include a memoir, Weird Like Us: My Bohemian America; Good Booty: Love and Sex, Black and White, Body and Soul in American Music; and Piece by Piece with Tori Amos. Powers lives in Nashville. Ann Powers on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. His forthcoming books are Frank Zappa's America: Music, Satire, & the Battle Against the Christian Right (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

For decades, Joni Mitchell's life and music have enraptured listeners. One of the most celebrated artists of her generation, Mitchell has inspired countless musicians--from peers like James Taylor, to inheritors like Prince and Brandi Carlile--and authors, who have dissected her music and her life in their writing. At the same time, Mitchell has always been a force beckoning us still closer, as--with the other arm--she pushes us away. Given this, music critic Ann Powers wondered if there was another way to draw insights from the life of this singular musician who never stops moving, never stops experimenting. In Traveling: On the Path of Joni Mitchell (Dey Street Books, 2024), Powers seeks to understand Mitchell through her myriad journeys. Through extensive interviews with Mitchell's peers and deep archival research, she takes readers to rural Canada, mapping the singer's childhood battle with polio. She charts the course of Mitchell's musical evolution, ranging from early folk to jazz fusion to experimentation with pop synthetics. She follows the winding road of Mitchell's collaborations with other greats, and the loves that emerged along the way, all the way through to the remarkable return of Mitchell to music-making after the 2015 aneurysm that nearly took her life. Along this journey, Powers' wide-ranging musings on the artist's life and career reconsider the biographer's role and the way it twines against the reality of a fan. In doing so, Traveling illustrates the shifting nature of biography, and the ultimate contradiction of celebrity: that an icon cannot truly, completely be known to a fan. Kaleidoscopic in scope, and intimate in its detail, Traveling is a fresh and fascinating addition to the Joni Mitchell canon, written by a biographer in full command of her gifts who asks as much of herself as of her subject. Ann Powers has been a music critic for more than thirty years, working for NPR, the Los Angeles Times, the New York Times, and other publications. In the decade she has worked with NPR, she has written extensively on music and culture and appeared regularly on the All Songs Considered podcast and on news shows including All Things Considered and Morning Edition. Her books include a memoir, Weird Like Us: My Bohemian America; Good Booty: Love and Sex, Black and White, Body and Soul in American Music; and Piece by Piece with Tori Amos. Powers lives in Nashville. Ann Powers on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. His forthcoming books are Frank Zappa's America: Music, Satire, & the Battle Against the Christian Right (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

For decades, Joni Mitchell's life and music have enraptured listeners. One of the most celebrated artists of her generation, Mitchell has inspired countless musicians--from peers like James Taylor, to inheritors like Prince and Brandi Carlile--and authors, who have dissected her music and her life in their writing. At the same time, Mitchell has always been a force beckoning us still closer, as--with the other arm--she pushes us away. Given this, music critic Ann Powers wondered if there was another way to draw insights from the life of this singular musician who never stops moving, never stops experimenting. In Traveling: On the Path of Joni Mitchell (Dey Street Books, 2024), Powers seeks to understand Mitchell through her myriad journeys. Through extensive interviews with Mitchell's peers and deep archival research, she takes readers to rural Canada, mapping the singer's childhood battle with polio. She charts the course of Mitchell's musical evolution, ranging from early folk to jazz fusion to experimentation with pop synthetics. She follows the winding road of Mitchell's collaborations with other greats, and the loves that emerged along the way, all the way through to the remarkable return of Mitchell to music-making after the 2015 aneurysm that nearly took her life. Along this journey, Powers' wide-ranging musings on the artist's life and career reconsider the biographer's role and the way it twines against the reality of a fan. In doing so, Traveling illustrates the shifting nature of biography, and the ultimate contradiction of celebrity: that an icon cannot truly, completely be known to a fan. Kaleidoscopic in scope, and intimate in its detail, Traveling is a fresh and fascinating addition to the Joni Mitchell canon, written by a biographer in full command of her gifts who asks as much of herself as of her subject. Ann Powers has been a music critic for more than thirty years, working for NPR, the Los Angeles Times, the New York Times, and other publications. In the decade she has worked with NPR, she has written extensively on music and culture and appeared regularly on the All Songs Considered podcast and on news shows including All Things Considered and Morning Edition. Her books include a memoir, Weird Like Us: My Bohemian America; Good Booty: Love and Sex, Black and White, Body and Soul in American Music; and Piece by Piece with Tori Amos. Powers lives in Nashville. Ann Powers on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. His forthcoming books are Frank Zappa's America: Music, Satire, & the Battle Against the Christian Right (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

For decades, Joni Mitchell's life and music have enraptured listeners. One of the most celebrated artists of her generation, Mitchell has inspired countless musicians--from peers like James Taylor, to inheritors like Prince and Brandi Carlile--and authors, who have dissected her music and her life in their writing. At the same time, Mitchell has always been a force beckoning us still closer, as--with the other arm--she pushes us away. Given this, music critic Ann Powers wondered if there was another way to draw insights from the life of this singular musician who never stops moving, never stops experimenting. In Traveling: On the Path of Joni Mitchell (Dey Street Books, 2024), Powers seeks to understand Mitchell through her myriad journeys. Through extensive interviews with Mitchell's peers and deep archival research, she takes readers to rural Canada, mapping the singer's childhood battle with polio. She charts the course of Mitchell's musical evolution, ranging from early folk to jazz fusion to experimentation with pop synthetics. She follows the winding road of Mitchell's collaborations with other greats, and the loves that emerged along the way, all the way through to the remarkable return of Mitchell to music-making after the 2015 aneurysm that nearly took her life. Along this journey, Powers' wide-ranging musings on the artist's life and career reconsider the biographer's role and the way it twines against the reality of a fan. In doing so, Traveling illustrates the shifting nature of biography, and the ultimate contradiction of celebrity: that an icon cannot truly, completely be known to a fan. Kaleidoscopic in scope, and intimate in its detail, Traveling is a fresh and fascinating addition to the Joni Mitchell canon, written by a biographer in full command of her gifts who asks as much of herself as of her subject. Ann Powers has been a music critic for more than thirty years, working for NPR, the Los Angeles Times, the New York Times, and other publications. In the decade she has worked with NPR, she has written extensively on music and culture and appeared regularly on the All Songs Considered podcast and on news shows including All Things Considered and Morning Edition. Her books include a memoir, Weird Like Us: My Bohemian America; Good Booty: Love and Sex, Black and White, Body and Soul in American Music; and Piece by Piece with Tori Amos. Powers lives in Nashville. Ann Powers on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. His forthcoming books are Frank Zappa's America: Music, Satire, & the Battle Against the Christian Right (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

For decades, Joni Mitchell's life and music have enraptured listeners. One of the most celebrated artists of her generation, Mitchell has inspired countless musicians--from peers like James Taylor, to inheritors like Prince and Brandi Carlile--and authors, who have dissected her music and her life in their writing. At the same time, Mitchell has always been a force beckoning us still closer, as--with the other arm--she pushes us away. Given this, music critic Ann Powers wondered if there was another way to draw insights from the life of this singular musician who never stops moving, never stops experimenting. In Traveling: On the Path of Joni Mitchell (Dey Street Books, 2024), Powers seeks to understand Mitchell through her myriad journeys. Through extensive interviews with Mitchell's peers and deep archival research, she takes readers to rural Canada, mapping the singer's childhood battle with polio. She charts the course of Mitchell's musical evolution, ranging from early folk to jazz fusion to experimentation with pop synthetics. She follows the winding road of Mitchell's collaborations with other greats, and the loves that emerged along the way, all the way through to the remarkable return of Mitchell to music-making after the 2015 aneurysm that nearly took her life. Along this journey, Powers' wide-ranging musings on the artist's life and career reconsider the biographer's role and the way it twines against the reality of a fan. In doing so, Traveling illustrates the shifting nature of biography, and the ultimate contradiction of celebrity: that an icon cannot truly, completely be known to a fan. Kaleidoscopic in scope, and intimate in its detail, Traveling is a fresh and fascinating addition to the Joni Mitchell canon, written by a biographer in full command of her gifts who asks as much of herself as of her subject. Ann Powers has been a music critic for more than thirty years, working for NPR, the Los Angeles Times, the New York Times, and other publications. In the decade she has worked with NPR, she has written extensively on music and culture and appeared regularly on the All Songs Considered podcast and on news shows including All Things Considered and Morning Edition. Her books include a memoir, Weird Like Us: My Bohemian America; Good Booty: Love and Sex, Black and White, Body and Soul in American Music; and Piece by Piece with Tori Amos. Powers lives in Nashville. Ann Powers on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. His forthcoming books are Frank Zappa's America: Music, Satire, & the Battle Against the Christian Right (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

For decades, Joni Mitchell's life and music have enraptured listeners. One of the most celebrated artists of her generation, Mitchell has inspired countless musicians--from peers like James Taylor, to inheritors like Prince and Brandi Carlile--and authors, who have dissected her music and her life in their writing. At the same time, Mitchell has always been a force beckoning us still closer, as--with the other arm--she pushes us away. Given this, music critic Ann Powers wondered if there was another way to draw insights from the life of this singular musician who never stops moving, never stops experimenting. In Traveling: On the Path of Joni Mitchell (Dey Street Books, 2024), Powers seeks to understand Mitchell through her myriad journeys. Through extensive interviews with Mitchell's peers and deep archival research, she takes readers to rural Canada, mapping the singer's childhood battle with polio. She charts the course of Mitchell's musical evolution, ranging from early folk to jazz fusion to experimentation with pop synthetics. She follows the winding road of Mitchell's collaborations with other greats, and the loves that emerged along the way, all the way through to the remarkable return of Mitchell to music-making after the 2015 aneurysm that nearly took her life. Along this journey, Powers' wide-ranging musings on the artist's life and career reconsider the biographer's role and the way it twines against the reality of a fan. In doing so, Traveling illustrates the shifting nature of biography, and the ultimate contradiction of celebrity: that an icon cannot truly, completely be known to a fan. Kaleidoscopic in scope, and intimate in its detail, Traveling is a fresh and fascinating addition to the Joni Mitchell canon, written by a biographer in full command of her gifts who asks as much of herself as of her subject. Ann Powers has been a music critic for more than thirty years, working for NPR, the Los Angeles Times, the New York Times, and other publications. In the decade she has worked with NPR, she has written extensively on music and culture and appeared regularly on the All Songs Considered podcast and on news shows including All Things Considered and Morning Edition. Her books include a memoir, Weird Like Us: My Bohemian America; Good Booty: Love and Sex, Black and White, Body and Soul in American Music; and Piece by Piece with Tori Amos. Powers lives in Nashville. Ann Powers on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. His forthcoming books are Frank Zappa's America: Music, Satire, & the Battle Against the Christian Right (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

For over 40 years, Ann Powers has been writing about music and pop culture for outlets such as The Village Voice, The New York Times and The Los Angeles Times. She's probably interviewed all of the relevant music artists of the past four decades — from Prince to Madonna — and she's authored many books.They include: "Weird Like Us: My Bohemian America, a memoir"; "Good Booty: Love and Sex, Black & White, Body and Soul in American Music, on eroticism in American pop music"; and "Piece by Piece," which she co-authored with Tori Amos. Her latest is the highly anticipated "Traveling: On the Path of Joni Mitchell."Since 2011, Powers has been writing for NPR as a music critic. She also spearheaded their multi-platform project, called Turning the Tables, that explored the 150 greatest albums by women.After living all over the country, Ann Powers now calls Nashville her home. So, what stories does she have about her storied career? And after living in San Francisco and New York, what does she think of our city?

Long before she became the face and voice of NPR Music, Ann Powers was just a Catholic school girl and new wave music fan who in 1979 was guided on a musical journey by Chris, an influential Tower Mercer Street clerk. Chris regularly assisted and turned Ann on to some great groups and albums at Tower  Seattle's  landmark location.On today's episode Ann tells us about her roots in writing about music and culture, the amazing local Seattle scene of the late 70's and early 80's, Catholic folk masses featuring little known Elton John songs, the joy of being a Beatles fan in the early 1970's, why straight up indie stores like the iconic Celophane Square initially scared Ann, perusing the Tower racks for British music magazines, getting a job at the Columbus and Bay Tower Records store in San Francisco while attending college in the mid 1980's and how her writing career took off while in San Francisco.In addition to working for NPR Music, Ann writes about music and culture for the Los Angeles Times. Previously Ann wrote for Seattle's The Rocket, The New York Times, Blender Magazine and The Village Voice. Ann has authored five books. Her last one was “Good Booty: Love & Sex, Black & White, Body & Soul in American Music”. On June 11th her new book “Travelling: On The Path of Joni Mitchell” will be released.Join us for a fun, informative conversation with Ann Powers. 

Ann Powers returns for part 2 of PJ Harvey, covering the next period of Harvey's prolific career—from To Bring You My Love on—which was punctuated by confident creative expansions, big-hitting collaborations, flirtations with pop success, and continued artistic investigations into riveting subjects. Follow Ann Powers on Twitter at @annkpowers, and find her latest book, Good Booty: Love and Sex, Black and White, Body and Soul in American Music wherever fine books are sold. Learn more about your ad choices. Visit podcastchoices.com/adchoices

For Yasi's birthday, she can have a two part PJ Harvey episode as a treat. Ann Powers of NPR Music is welcomed back to Bandsplain to dissect the lauded work and cinematic life of Polly Jean Harvey, who Ann calls “the artiest rock star of the late 20th century” and a vector for deep discussions on gender, sexuality, mysticism, mythmaking, and art. Follow Ann Powers on Twitter at @annkpowers, and find her latest book, Good Booty: Love and Sex, Black and White, Body and Soul in American Music wherever fine books are sold. Learn more about your ad choices. Visit podcastchoices.com/adchoices

We're thrilled to welcome back Ann Powers of NPR Music, and author of Good Booty: Love and Sex, Black and White, Body and Soul in American Music to talk to us about the future of music. We explore other critics' predictions about the future, including Ted Gioia's speculation that we may have more dead musicians performing for us in the form of holograms, deep fake vocals, and more. From A.I. K-Pop artists, to Kanye's STEM player, and what Karen calls “micro-dosing mega mixes,” all three peer into the future together, while also listening to our past.  Wynter tells us what's up on Love is Blind season 2, while Karen gives us the final word on her wife Sarah's viral tweet about “cat butter.” Plus, the two get into Netflix's Inventing Anna, which they each binged in a single sitting. Nuo-lingo explores the “vibe shift” and a resurrected SOTW accompanies a brand new one to close out the show. Kurt Cobain and Nirvana learning how much money they make per show: https://www.youtube.com/watch?v=cdb271UMb50&feature=youtu.be

Author and critic Ann Powers maps the pioneering path of one of pop music's most inventive, mystical, and artistic trailblazers: Kate Bush.  Follow Ann Powers on Twitter at @annkpowers, and find her latest book, Good Booty: Love and Sex, Black and White, Body and Soul in American Music wherever fine books are sold. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ann Powers, writer and lead music critic for America's National Public Radio, joins us from her East Nashville home to discuss gender, sexuality and “the body” in Bob Dylan's work. Sparked off by an emotional encounter involving Joni Mitchell, Ann compares Mitchell's work with Dylan's and discusses other groundbreaking female artists like Roberta Flack, Kate Bush, Madonna, Megan Thee Stallion, Candi Staton, Chaka Khan and Sarah Silverman.With Ann, we contemplate Dylan's early years as a “baggy elephant”, discover what Prince, Bob and Game Of Thrones have in common, explore the Jewish art in Dylan's work and learn why Lay Lady Lay is the beginning of the genre of soft porn/soft rock “instructional songs about sex”. Ann cheerfully admits that her Bob Dylan theories are often “a provocation and a tease”. Join us for a particularly provocative discussion of “the parrot that talks”.Ann Powers is one of America's leading music writers. She began her career at San Francisco Weekly, and has held positions at the New York Times, the Los Angeles Times, the Village Voice, Blender, and the Experience Music Project. Her books include Weird Like Us: My Bohemian America, Tori Amos: Piece by Piece (which she cowrote with Amos), Rock She Wrote: Women Write About Rock, Rap, and Pop. Her latest book is Good Booty: Love and Sex, Black & White, Body and Soul in American Music. Ann's chapter in The World of Bob Dylan (Cambridge University Press, 2021) was “Gender and Sexuality: Bob Dylan's Body”.BBC Radio 4, Archive On 4: A Night With Prince, presented by Ann PowersTrailerTwitterSpotify playlistListeners: please subscribe and/or leave a review and a rating.Twitter @isitrollingpodRecorded 30th March 2021This show is part of Pantheon Podcasts

Ann Powers, writer and lead music critic for America's National Public Radio, joins us from her East Nashville home to discuss gender, sexuality and “the body” in Bob Dylan's work. Sparked off by an emotional encounter involving Joni Mitchell, Ann compares Mitchell's work with Dylan's and discusses other groundbreaking female artists like Roberta Flack, Kate Bush, Madonna, Megan Thee Stallion, Candi Staton, Chaka Khan and Sarah Silverman.With Ann, we contemplate Dylan's early years as a “baggy elephant”, discover what Prince, Bob and Game Of Thrones have in common, explore the Jewish art in Dylan's work and learn why Lay Lady Lay is the beginning of the genre of soft porn/soft rock “instructional songs about sex”. Ann cheerfully admits that her Bob Dylan theories are often “a provocation and a tease”. Join us for a particularly provocative discussion of “the parrot that talks”.Ann Powers is one of America's leading music writers. She began her career at San Francisco Weekly, and has held positions at the New York Times, the Los Angeles Times, the Village Voice, Blender, and the Experience Music Project. Her books include Weird Like Us: My Bohemian America, Tori Amos: Piece by Piece (which she cowrote with Amos), Rock She Wrote: Women Write About Rock, Rap, and Pop. Her latest book is Good Booty: Love and Sex, Black & White, Body and Soul in American Music. Ann's chapter in The World of Bob Dylan (Cambridge University Press, 2021) was “Gender and Sexuality: Bob Dylan's Body”.BBC Radio 4, Archive On 4: A Night With Prince, presented by Ann PowersTrailerTwitterEpisode playlist on AppleEpisode playlist on SpotifyListeners: please subscribe and/or leave a review and a rating.Twitter @isitrollingpodRecorded 30th March 2021This show is part of Pantheon Podcasts

Ann Powers, writer and lead music critic for America's National Public Radio, joins us from her East Nashville home to discuss gender, sexuality and “the body” in Bob Dylan's work. Sparked off by an emotional encounter involving Joni Mitchell, Ann compares Mitchell's work with Dylan's and discusses other groundbreaking female artists like Roberta Flack, Kate Bush, Madonna, Megan Thee Stallion, Candi Staton, Chaka Khan and Sarah Silverman. With Ann, we contemplate Dylan's early years as a “baggy elephant”, discover what Prince, Bob and Game Of Thrones have in common, explore the Jewish art in Dylan's work and learn why Lay Lady Lay is the beginning of the genre of soft porn/soft rock “instructional songs about sex”. Ann cheerfully admits that her Bob Dylan theories are often “a provocation and a tease”. Join us for a particularly provocative discussion of “the parrot that talks”. Ann Powers is one of America's leading music writers. She began her career at San Francisco Weekly, and has held positions at the New York Times, the Los Angeles Times, the Village Voice, Blender, and the Experience Music Project. Her books include Weird Like Us: My Bohemian America, Tori Amos: Piece by Piece (which she cowrote with Amos), Rock She Wrote: Women Write About Rock, Rap, and Pop. Her latest book is Good Booty: Love and Sex, Black & White, Body and Soul in American Music. Ann's chapter in The World of Bob Dylan (Cambridge University Press, 2021) was “Gender and Sexuality: Bob Dylan's Body”. BBC Radio 4, Archive On 4: A Night With Prince, presented by Ann Powers Trailer Twitter Spotify playlist Listeners: please subscribe and/or leave a review and a rating. Twitter @isitrollingpod Recorded 30th March 2021 This show is part of Pantheon Podcasts

The Culture Journalist is an independent journalism project that relies on word-of-mouth and is funded by listeners. If this podcast adds something meaningful to your day, please consider supporting this work by becoming a paid subscriber. You can also help us out by leaving a review on Apple podcasts, which allows more people to find us.There are plenty of reasons to complain about music journalism these days. If you're a music journalist, the shrinking career prospects and low wages are probably the first thing that come to mind—along with the feeling that it's becoming harder to land a pitch on an artist or developing news story if it doesn't seem destined to hit the algorithmic jackpot. If you're an artist or casual reader, you might feel, to borrow a phrase from writer Soraya Roberts, like the craft is "drowning" in a culture of sameness—endlessly litigating the fashion choices and 280-character utterances of the same handful of big pop stars at the expense of other voices and communities that need to be heard.Or maybe you're of the mind that the writing itself leaves something to be desired. In an age of declining advertising revenue, prompting for-profit publications to cut back on headcount while prioritizing rapid-fire output and page views at all costs, this isn't necessarily writers' fault, but we can't say we always disagree. (Though seriously, if you're looking for some gorgeous music writing, read New York Magazine critic and recent Pulitzer Prize finalist Craig Jenkins. Congrats Craig!)Which brings us to the question we want to talk about on this week's episode: Has music journalism lost its way? Earlier this week, the debate bubbled up on music Twitter after a user named @cllnsmith posted a viral joke about Pitchfork that (understandably) made a lot of people in the music journo community pretty mad. The timing, for our own opportunistic purposes, was perfect, because we happened to be putting the finishing touches on an episode with veteran music journalist and NPR music critic Ann Powers, inspired by a Facebook post she published that offered a refreshingly nuanced take on the forces beleaguering the field. "Here's something I think music writers might want to think/talk about," she wrote. "The rise of the quick react/hot take colliding with the unmanageable proliferation of accessible music releases and streaming platforms'  algorithmic favoritism of the very few have combined to enforce media focus on pop's 1 per cent to the extreme." Noting the extent to which underground and mid-level artists appear to have been crowded out of the conversation, she raises a thought-provoking question: "Is this a correlation to the rise of the one per cent in other aspects of the culture?”Lucky for us, Ann was kind enough to join us to talk about how we got here. And as someone who has been chronicling American pop music and youth culture on the ground for nearly four decades, from the scrappy alt weekly scene of 1980s of San Francisco to the august halls of the Los Angeles Times and The New York Times, she seemed like the perfect person to help us make sense of the shifting role of the music journalist, along with the economic, technological, and wider cultural forces that have shaped it.There's no denying that a robust music press is crucial for the future of the industry and the artists trying to find their way within it. But it's hard to chart a path forward without getting clear on what it is we're losing when we lament music journalism's decline. What is the point of music journalism and criticism? Why did we need it in the first place? What remains—even in the era of streaming and social media—that makes it still important to have now?Join Emilie and Andrea as we go long on these questions with Ann and compare notes on our respective journeys through the field. Follow Ann on TwitterRead Ann's latest book, Good Booty: Love and Sex, Black and White, Body and Soul in American Music Check out Turning the Tables, an ongoing NPR Music series Ann spearheaded dedicated to “refocusing the canon on stories and voices that have been overlooked, marginalized or hidden in plain sight”Read Ann's 50-year retrospective on Joni Mitchell's BlueRead Ann's 2020 year-end essay, “Diary of a Fugue Year”Listen to Ann talk about Prince on BBC Radio 4Read more“On flooding: Drowning the culture in sameness” (Soraya Roberts, Longreads)“Can music journalism transcend its access problem?” (Jeremy Gordon, CJR) This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit theculturejournalist.substack.com/subscribe

As 2020 draws to a close, enjoy this dive into history with some of our favorite guests: Kenneth C. Davis, author of the "Don't Know Much About" series and the young adult history, More Deadly Than War: The Hidden History of the Spanish Flu and the First World War (Henry Holt and Co., 2018), talks about one unintended consequence of the 1918 Spanish Flu epidemic; As part of the Books That Changed My Mind series, hear from two historians who wrote mind-changing books: Isabel Wilkerson (The Warmth of Other Suns: The Epic Story of America's Great Migration) and Stephanie Coontz (The Way We Never Were: American Families And The Nostalgia Trap). From water tanks to public school door knobs, from the Anthora coffee cup to the black and white cookie, Sam Roberts, urban affairs correspondent for The New York Times, and now the author of A History of New York in 101 Objects (Simon & Schuster, 2014), presents a history of the five boroughs through intriguing artifacts.  Note: Follow along with the "slide show" at the link below. David Blight, professor of American history and director of the Gilder Lehrman Center for the Study of Slavery, Resistance, and Abolition at Yale University, talks about his book Frederick Douglass: Prophet of Freedom (Simon & Schuster, 2018). Stokely Carmichael was a controversial figure in black rights, straddling both the non-violent and Black Panther movements. In his biography of Carmichael, Stokely: A Life, Peniel Joseph, now professor of history and director of the Center for the Study of Race and Democracy at the University of Texas at Austin and the author of The Sword and the Shield: The Revolutionary Lives of Malcolm X and Martin Luther King Jr. (Basic Books, 2020), traces Carmichael’s life and what it says about the struggles for black power. Ann Powers, NPR Music critic and correspondent, talks about the evolution of popular music in America and her book, Good Booty: Love and Sex, Black and White, Body and Soul in American Music (Dey Street Books, 2017). These interviews were edited slightly for time, the original versions are available here: What the Spanish Flu Had to do With Women's Suffrage (Mar. 9, 2018) Books That Changed My Mind: History (Nov. 13, 2014) New York in 101 Objects (Sept. 23, 2014) The Life of Frederick Douglass (Jan. 11, 2019) Stokely Carmichael's Life (Mar. 5, 2014) How Pop Music Influences Americans (Aug. 22, 2017)  

In Good Booty: Love and Sex, Black and White, Body and Soul in American Music (Dey St. Books, HarperCollins, 2017), Ann Powers explores the rich and, at times, unexpected intersections of love, sex, race, gender, sexuality, and American popular music. This heavily-researched book features colorful stories about sex, eroticism, and American music, while engaging source material in the realms of African American and American history, black feminist and womanist theory, American dance, and more. Good Booty begins in the 19th century in New Orleans’ Congo Square, and it ends with a discussion of Britney Spears and Beyoncé as cyborg and avatar, respectively. In other chapters, Powers engages early 20th-century American music and dance, eroticism in gospel music, sexuality and teen-girl rock and roll fandom, rock groupie culture, popular music in the early years of the AIDS crisis, and more. Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor of African-American literature at the University of Toledo in Toledo, Ohio. Her book, Fade to Black: Blues Music and the Art of Narrative Self-Invention from Bessie Smith to Jack White, is under contract with the University of Massachusetts Press. She is also a music journalist who has contributed her work to national and international publications, including Music Connection, Relix, Village Voice, PopMatters, and Hot Press. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Good Booty: Love and Sex, Black and White, Body and Soul in American Music (Dey St. Books, HarperCollins, 2017), Ann Powers explores the rich and, at times, unexpected intersections of love, sex, race, gender, sexuality, and American popular music. This heavily-researched book features colorful stories about sex, eroticism, and American music, while engaging source material in the realms of African American and American history, black feminist and womanist theory, American dance, and more. Good Booty begins in the 19th century in New Orleans’ Congo Square, and it ends with a discussion of Britney Spears and Beyoncé as cyborg and avatar, respectively. In other chapters, Powers engages early 20th-century American music and dance, eroticism in gospel music, sexuality and teen-girl rock and roll fandom, rock groupie culture, popular music in the early years of the AIDS crisis, and more. Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor of African-American literature at the University of Toledo in Toledo, Ohio. Her book, Fade to Black: Blues Music and the Art of Narrative Self-Invention from Bessie Smith to Jack White, is under contract with the University of Massachusetts Press. She is also a music journalist who has contributed her work to national and international publications, including Music Connection, Relix, Village Voice, PopMatters, and Hot Press. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Good Booty: Love and Sex, Black and White, Body and Soul in American Music (Dey St. Books, HarperCollins, 2017), Ann Powers explores the rich and, at times, unexpected intersections of love, sex, race, gender, sexuality, and American popular music. This heavily-researched book features colorful stories about sex, eroticism, and American music, while engaging source material in the realms of African American and American history, black feminist and womanist theory, American dance, and more. Good Booty begins in the 19th century in New Orleans’ Congo Square, and it ends with a discussion of Britney Spears and Beyoncé as cyborg and avatar, respectively. In other chapters, Powers engages early 20th-century American music and dance, eroticism in gospel music, sexuality and teen-girl rock and roll fandom, rock groupie culture, popular music in the early years of the AIDS crisis, and more. Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor of African-American literature at the University of Toledo in Toledo, Ohio. Her book, Fade to Black: Blues Music and the Art of Narrative Self-Invention from Bessie Smith to Jack White, is under contract with the University of Massachusetts Press. She is also a music journalist who has contributed her work to national and international publications, including Music Connection, Relix, Village Voice, PopMatters, and Hot Press. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Good Booty: Love and Sex, Black and White, Body and Soul in American Music (Dey St. Books, HarperCollins, 2017), Ann Powers explores the rich and, at times, unexpected intersections of love, sex, race, gender, sexuality, and American popular music. This heavily-researched book features colorful stories about sex, eroticism, and American music, while engaging source material in the realms of African American and American history, black feminist and womanist theory, American dance, and more. Good Booty begins in the 19th century in New Orleans’ Congo Square, and it ends with a discussion of Britney Spears and Beyoncé as cyborg and avatar, respectively. In other chapters, Powers engages early 20th-century American music and dance, eroticism in gospel music, sexuality and teen-girl rock and roll fandom, rock groupie culture, popular music in the early years of the AIDS crisis, and more. Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor of African-American literature at the University of Toledo in Toledo, Ohio. Her book, Fade to Black: Blues Music and the Art of Narrative Self-Invention from Bessie Smith to Jack White, is under contract with the University of Massachusetts Press. She is also a music journalist who has contributed her work to national and international publications, including Music Connection, Relix, Village Voice, PopMatters, and Hot Press. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Good Booty: Love and Sex, Black and White, Body and Soul in American Music (Dey St. Books, HarperCollins, 2017), Ann Powers explores the rich and, at times, unexpected intersections of love, sex, race, gender, sexuality, and American popular music. This heavily-researched book features colorful stories about sex, eroticism, and American music, while engaging source material in the realms of African American and American history, black feminist and womanist theory, American dance, and more. Good Booty begins in the 19th century in New Orleans’ Congo Square, and it ends with a discussion of Britney Spears and Beyoncé as cyborg and avatar, respectively. In other chapters, Powers engages early 20th-century American music and dance, eroticism in gospel music, sexuality and teen-girl rock and roll fandom, rock groupie culture, popular music in the early years of the AIDS crisis, and more. Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor of African-American literature at the University of Toledo in Toledo, Ohio. Her book, Fade to Black: Blues Music and the Art of Narrative Self-Invention from Bessie Smith to Jack White, is under contract with the University of Massachusetts Press. She is also a music journalist who has contributed her work to national and international publications, including Music Connection, Relix, Village Voice, PopMatters, and Hot Press. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Good Booty: Love and Sex, Black and White, Body and Soul in American Music (Dey St. Books, HarperCollins, 2017), Ann Powers explores the rich and, at times, unexpected intersections of love, sex, race, gender, sexuality, and American popular music. This heavily-researched book features colorful stories about sex, eroticism, and American music, while engaging source material in the realms of African American and American history, black feminist and womanist theory, American dance, and more. Good Booty begins in the 19th century in New Orleans' Congo Square, and it ends with a discussion of Britney Spears and Beyoncé as cyborg and avatar, respectively. In other chapters, Powers engages early 20th-century American music and dance, eroticism in gospel music, sexuality and teen-girl rock and roll fandom, rock groupie culture, popular music in the early years of the AIDS crisis, and more. Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor of African-American literature at the University of Toledo in Toledo, Ohio. Her book, Fade to Black: Blues Music and the Art of Narrative Self-Invention from Bessie Smith to Jack White, is under contract with the University of Massachusetts Press. She is also a music journalist who has contributed her work to national and international publications, including Music Connection, Relix, Village Voice, PopMatters, and Hot Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Good Booty: Love and Sex, Black and White, Body and Soul in American Music (Dey St. Books, HarperCollins, 2017), Ann Powers explores the rich and, at times, unexpected intersections of love, sex, race, gender, sexuality, and American popular music. This heavily-researched book features colorful stories about sex, eroticism, and American music, while engaging source material in the realms of African American and American history, black feminist and womanist theory, American dance, and more. Good Booty begins in the 19th century in New Orleans’ Congo Square, and it ends with a discussion of Britney Spears and Beyoncé as cyborg and avatar, respectively. In other chapters, Powers engages early 20th-century American music and dance, eroticism in gospel music, sexuality and teen-girl rock and roll fandom, rock groupie culture, popular music in the early years of the AIDS crisis, and more. Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor of African-American literature at the University of Toledo in Toledo, Ohio. Her book, Fade to Black: Blues Music and the Art of Narrative Self-Invention from Bessie Smith to Jack White, is under contract with the University of Massachusetts Press. She is also a music journalist who has contributed her work to national and international publications, including Music Connection, Relix, Village Voice, PopMatters, and Hot Press. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Good Booty: Love and Sex, Black and White, Body and Soul in American Music (Dey St. Books, HarperCollins, 2017), Ann Powers explores the rich and, at times, unexpected intersections of love, sex, race, gender, sexuality, and American popular music. This heavily-researched book features colorful stories about sex, eroticism, and American music, while engaging source material in the realms of African American and American history, black feminist and womanist theory, American dance, and more. Good Booty begins in the 19th century in New Orleans' Congo Square, and it ends with a discussion of Britney Spears and Beyoncé as cyborg and avatar, respectively. In other chapters, Powers engages early 20th-century American music and dance, eroticism in gospel music, sexuality and teen-girl rock and roll fandom, rock groupie culture, popular music in the early years of the AIDS crisis, and more. Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor of African-American literature at the University of Toledo in Toledo, Ohio. Her book, Fade to Black: Blues Music and the Art of Narrative Self-Invention from Bessie Smith to Jack White, is under contract with the University of Massachusetts Press. She is also a music journalist who has contributed her work to national and international publications, including Music Connection, Relix, Village Voice, PopMatters, and Hot Press.

In this sweeping history of popular music in the United States, National Public Radio’s acclaimed music critic examines how popular music shapes fundamental American ideas and beliefs, allowing us to communicate difficult emotions and truths about our most fraught social issues, most notably sex and race. In Good Booty, Ann Powers explores how popular music became America’s primary erotic art form. Powers takes us from nineteenth-century New Orleans through dance-crazed Jazz Age New York to the teen scream years of mid-twentieth century rock-and-roll to the cutting-edge adventures of today’s web-based pop stars. Drawing on her deep knowledge and insights on gender and sexuality, Powers recounts stories of forbidden lovers, wild shimmy-shakers, orgasmic gospel singers, countercultural perverts, soft-rock sensitivos, punk Puritans, and the cyborg known as Britney Spears to illuminate how eroticism—not merely sex, but love, bodily freedom, and liberating joy—became entwined within the rhythms and melodies of American song. This cohesion, she reveals, touches the heart of America's anxieties and hopes about race, feminism, marriage, youth, and freedom. In a survey that spans more than a century of music, Powers both heralds little known artists such as Florence Mills, a contemporary of Josephine Baker, and gospel queen Dorothy Love Coates, and sheds new light on artists we think we know well, from the Beatles and Jim Morrison to Madonna and Beyoncé. In telling the history of how American popular music and sexuality intersect—a magnum opus over two decades in the making—Powers offers new insights into our nation psyche and our soul. Martin’s interview with Ann Powers was recorded on September 27, 2017.

Welcome to recordings from the 2017 Festival of Faith & Music. The biennial festival brings together musicians, critics, journalists, artists, and listeners for three days of concerts, lectures, and conversations that explore the intersection of music and spirituality. What follows is an interview with Ann Powers, a critic for NPR Music and the author of several books, including her recent Good Booty: Love and Sex, Black and White, Body and Soul in American Music. Here she discusses her path to becoming a music critic, and the politics and power of art. This interview was recorded on the campus of Calvin College in Grand Rapids, Michigan on March 30th, 2017. A note to our listeners: some language may not be appropriate for younger audiences. Thank you to everyone who spoke or performed or attended the 2017 Festival of Faith & Music. These recordings were produced in collaboration between the Student Activities Office at Calvin College and the Calvin Center for Faith & Writing. You can find more recordings from the 2017 Festival of Faith & Music and short films from the festival concerts at ccfw.calvin.edu.

Did the sexual revolution inspire rock ’n’ roll or vice versa? Was Elvis Presley a knowing sex symbol or a total innocent? Is it true that there are still blue laws on the books against playing “Tutti Frutti” after dark? NPR’s music critic Ann Powers tackles these and other questions in her book, Good Booty: Love and Sex, Black and White, Body and Soul in American Music.  In the Spiel, the perfect late-summer sports scandal.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Did the sexual revolution inspire rock ’n’ roll or vice versa? Was Elvis Presley a knowing sex symbol or a total innocent? Is it true that there are still blue laws on the books against playing “Tutti Frutti” after dark? NPR’s music critic Ann Powers tackles these and other questions in her book, Good Booty: Love and Sex, Black and White, Body and Soul in American Music.  In the Spiel, the perfect late-summer sports scandal.  Learn more about your ad choices. Visit megaphone.fm/adchoices

“It’s always in the hips:” NPR music critic Ann Powers discusses her latest book, “Good Booty: Love and Sex, Black and White, Rock and Roll in American Music,” why we need women at the center of “Best of” music lists, and her ear plug hindsights. The post Ep 11 NPR Music Critic Ann Powers appeared first on Midlife Mixtape .