Podcast appearances and mentions of Ted Gioia

My very dear friend Lisa Beerman joins me for this episode, and we talk all things Purgatory. Since we share a deep love for this book of the Divine Comedy she's our perfect companion for this part of the journey.We have a wide ranging conversation about translations, "ways in" to the Comedy, and the usefulness of Dante in everyday life. I hope you enjoy this conversation! Links to a few of the resources we discussed are below.We left Dante and Virgil climbing down Lucifer's frozen body—and suddenly what was down is now up. They emerge at the base of Mt. Purgatory and climb past shades until reaching its gates in Canto 9, just a quarter of the way into the book. From there, the journey ascends through purgation, penance, and eventual joy. At the summit, Virgil departs, and Beatrice steps in as Dante's new guide, leading him into the spheres of Paradise and toward the Highest Heaven.Reading Purgatory quickly has given me a fresh perspective. Unlike Hell's hostility, the shades here are eager to talk with Dante, sometimes asking for prayers, sometimes simply glad to meet him. Light is everywhere—Dante's shadow a reminder of the sun, not the flames of Hell. Each sin is purged through fitting penance: the proud bowed low under heavy stones, the slothful running ceaselessly, each step of the mountain carved with examples of virtue--carvings that move!One highlight: the poet Statius meeting Virgil through Dante's introduction. One heartbreak: Virgil's final farewell.If you missed the first episode about the Divine Comedy, check out "Week 24" for a discussion of Inferno and Dante's Nuovo Vitae. Next week we finish in Paradise with another guest and Crack-the-Book frequent flyer, my son Jack!This is a year-long reading list from Ted Gioia and his Honest Broker Substack. This is Part 1 of Week 25.LINKTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!)My Amazon Book List (NOT an affiliate link)Robin Fitzpatrick's Divine Comedy translation100 Days of DanteCONNECTThe complete list of Crack the Book Episodes: https://cheryldrury.substack.com/p/crack-the-book-start-here?r=u3t2rTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/ LISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts - https://podcasts.apple.com/us/podcast/crack-the-book/id1749793321 Captivate - https://crackthebook.captivate.fm

This week marks the halfway point in my year-long reading project through Ted Gioia's *Immersive Humanities* list, and instead of turning to Dante just yet, I'm stopping to take stock. Call it my “halftime report.”When Gioia built his list, he gave himself some rules: keep each week under 250 pages, make it global not just Western, mix in art and music, and move (mostly) in chronological order. I've tried to follow his structure, but I've also set some rules of my own: stick to the weekly schedule, read hard copies whenever possible, take notes faithfully, and—my personal favorite—skip the introductions until after finishing the book. These boundaries have kept me grounded and helped me push through the tough weeks.Along the way I've discovered a few key tools that make this project work. “Warm-ups” like short lyric poetry before longer epics have been surprisingly helpful in easing into a big text. Good translations (thank you, Penguin Classics) have been essential, while flashy but unreadable editions only get in the way. Writing in my books, flagging footnotes, and taking notes have become indispensable habits. And yes, the occasional YouTube lecture has saved me when I got stuck—no shame in that.There have been highs: falling in love with epic poetry, discovering Boethius' *Consolation of Philosophy* with my son, and realizing Aristotle's *Ethics* was hard but worth it. There have also been lows: weeks that felt too open-ended, a disappointing second half of *Confessions*, and the frustration of wanting more time to chase connections between authors. But even the “hate-reads” (looking at you, Mwindo Epic) have taught me something: knowing why you dislike a book can be as valuable as knowing why you love one.Most of all, I've learned that this project has changed how I read. I'm less afraid of poetry, drama, or “hard books.” I've discovered that reading fast has its place, that writing alongside an author can deepen the experience, and that I actually thrive on having a big, purposeful challenge in front of me.So here I am halfway through, still going strong, and more convinced than ever that the classics have something to offer ordinary readers like you and me. Next week we begin Dante, and I can't wait. This is a year-long challenge! LINKTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!)My Amazon Book List (NOT an affiliate link)CONNECTTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/ LISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts - https://podcasts.apple.com/us/podcast/crack-the-book/id1749793321 Captivate - https://crackthebook.captivate.fm

This week on The Professional Noticer, Andy holds a discussion with YOU.   Tune in to hear Andy's take on an article from one of his favorite writers, “The Honest Broker,” Ted Gioia. The article dissects a dangerous aspect to Artificial Intelligence and Andy seems to agree. When you hear what NPR, The Atlantic, and The Wall Street Journal have reported, will you decide “no big deal?” Or will you be as disturbed as Andy? See if you can discern the truth in this shocking episode. Follow Ted's "The Honest Broker" on Substack: https://www.honest-broker.com/

I try not to write about Substack itself on Substack too often—I know it can feel a bit too meta. But as a writer in this space, I'm invested in how the platform evolves, especially as more writers are finding both a community and livelihood here. At a time when authors' salaries are shrinking, AI technologies are rapidly advancing, and many people I care about in publishing are being made redundant, it's hard to ignore how much the landscape is shifting.Yesterday, I was offered some interview time with the co-founders of Substack Hamish McKenzie and Chris Best. I don't interview many people these days—it's been years since I swapped my podcasting and journalism work to focus on writing more fiction and nonfiction books—but Substack is an interesting place, and they had some news to share.Today, Substack announced $100 million in new funding. I don't know much about the running of big companies—I'm a solo worker, and I like it that way—but I've always assumed big investment means big targets and more pressure. Still, this feels like a turning point for the platform. Clearly they're aiming to go big or go home. During the interview, I kept my focus simple: What does this mean for us writers?In their blog post today: they assure us that they want to help people build “livelihoods based on trust, quality, and creative freedom.” They want to help us protect our “independence, amplify [our] voices, and foster deep and direct relationships.”I asked them some direct questions: What do you do with $100 million investment? How do you plan to grow? What lessons are you taking from what went wrong at Twitter (X)? Are Notes cannibalizing the Substack newsletter model? And ultimately—what are you hoping to achieve longterm? How will you help writers and artists make their stuff and get paid?There are plenty of writers who are more interested in the business side of things than me and will continue to watch it all unfold—I just want to use this platform to write and live my quiet, happy life. But I'm glad I had the chance to have this conversation and share it with you, because I care deeply about the empowerment of writers and artists—and right now, we're in the middle of something pretty exciting. Hope you enjoy the interview! Big thanks to Hamish and Chris for their time xoxoInterviewing the co-founders of Substack, Hamish McKenzie and Chris Best:EMMA GANNON: First of all, I want to say thank you, because, you know, the media industry was quite demoralising before you guys came along. CHRIS BEST: Thanks, and thank you for using Substack.EMMA: Never a dull day in your offices. On that note, you've got some quite big news.CHRIS: Yeah, we're announcing $100 million in Series C funding led by investors at Bond and The Chernin Group with participation from Andreessen Horowitz and Rich Paul. You know who Rich Paul is? The CEO of Klutch Sports Group.EMMA: As in, Adele's Rich Paul? I saw her in Las Vegas last year, and then went deep into Google. CHRIS: Funny the many different paths to knowing who Rich Paul is. Also Jens Grede who's the CEO co-founder of SKIMS, and Mood Rowghani from BOND is joining the board. Basically, we're just thrilled. It's very exciting. There's something kind of special happening on Substack. We're building the plumbing for it. We're building the tools, technology and network and the bits that enable it, but it's really sort of you and everybody that's using the platform that's willing this thing into the world. Now we have this massive set of resources to make this thing the biggest and best version that it can possibly be.EMMA: Lots of people who follow my newsletter are solo entrepreneurs. They don't have teams, they don't necessarily have targets, they don't build the platforms but want to make things. For you, what happens next? Where do you put the money? I'm assuming you hire more people and make a better platform?CHRIS: Yeah, this gives us a chance to look really long term at what the biggest and best version of this thing that we're building can be. To build a company that can move fast enough and well enough to realise the biggest version of that. And so it means investing in the teams who are building the tools, building the network, helping writers and creators succeed.EMMA: What about learnings from other tech companies and learning from the past? In 2013, I was in Twitter HQ in London with my little mug with the bird on, and having an amazing time. And, well, we all know what happened to that. I was so sad about the decline of a great place. Do you keep that in mind? All of the stuff that other social networks got wrong?CHRIS: Yeah, we try to learn from what other people have done. We've learned what other people have got wrong and what other people have got right. You know, one of our core theories we have at Substack is, ultimately, you want to have a business model that's aligned with the values of what you're building. We make money when writers and creators on Substack make money. They make money when they're doing the work they believe in. I think that's maybe one of the most important lessons we've taken from some of the first generation social networks: they had these really lofty ambitions (and in many cases, quite good goals) but then wound up with these business models, which, on the one hand, were massively successful, but on the other hand, kind of pulled against the interests of the human beings who are using the networks.EMMA: How do you maintain that human element that makes everything so special at the beginning, when something grows? Because on one hand, it's like, I want everyone to know what Substack is, and on the other hand, it's like the cool band that I feel like I discovered, and I don't want people to come in and dilute it!CHRIS: We're trying to make something that is, essentially, a positive sum game. Some people have this feeling like, oh, man, if some well known person comes to Substack, or somebody else on Substack is really succeeding, that must be taking away from me, because there's this limited set of attention and money and universe. I think people (especially coming from from media over the past few decades) have this feeling of like, Alright, there's a declining share of resources, and I need to grab my piece of it. But the thing that I think is special about Substack is that it's positive, right? As more people come in, more people participate. It's this pie that's actually growing, and the more that it grows, the more benefit it can throw off for everybody. HAMISH MCKENZIE: And the better the pie tastes. It's not just a crappy pie, it's gonna be a delicious, nutritious pie.CHRIS: And it can't be just for cool people. It can't just be for any sort of one group. Not for Substack to be the place that's like, Oh, this is where the cool literary scene is, or this is where the in the know politics people hang out, or this is where the musicians are making something interesting, but rather, for us to build a platform that has enough structure that all those spaces can exist.EMMA: Yeah, that's so well put. I love that. Because even though I'm sure there is a small top percentage of people earning the most on Substack, wouldn't it be amazing if there is the ability for everyone to maybe have a lovely income stream through Substack, if they want to?CHRIS: Yeah. I mean, you want the tools to take payments, and then you want to be able to grow. We sometimes joke that the product proposition for Substack is, we'll do everything for you, except the hard part.EMMA: The hard part as in coming up with the ideas?CHRIS: Making the creative work that is actually valuable.EMMA: It's also the joyful part.CHRIS: We want to make like a machine that makes everything else magically work.EMMA: The recommendations network within Substack is the best thing. I talk about it all the time. So many of my new readers come from the inner network of Substack, and that's incredible. I have noticed a little bit of a plateau though. I know things can't grow like crazy forever. Are you working on more tools to foster this growth within the Substack eco-system?CHRIS: This is a huge focus for us. This is why the Substack app is a crucial part of the strategy. We think a lot about not just the volume of growth, but the quality of growth. Like, are you getting subscribers that are going to want to read you? Are you getting subscribers that want to pay? You know, the core of the Substack is really the value of that subscription relationship. EMMA: I do love the app, but I also want to make sure that I write and I sit at my desk and I think about things deeply. And I want to sit at my desk and write, and think about the world. On the app, sometimes I do end up mindlessly scrolling, and I'm like, ‘Oh, this is what I wanted to escape from on other social media.' Do you think Notes takes attention away from the deeper essays or long reads that we want to read?CHRIS: You know, originally the Substack app was just a quiet reader app. Instead of reading things in your inbox, you can read them in this quiet, nice space. That was kind of like a cool tool. But what it didn't do is help you discover new things, and it didn't help you grow. It just meant that you had to go to other places, like Twitter, Instagram, LinkedIn, Reddit, and you were sort of dependent on these other networks to actually fill that need of discovering and reaching out and being part of the discourse. So the real advantage of the Substack Notes feed, is: we want to make something that's fun and engaging, that you actually want to go to and spend some time on—but so that you discover things that you fall in love with, enough that you might want to pay for them.EMMA: I love following you on Notes and what you're up to. You also get so many people being like “add this/do this/change this.” Is it cool to be in a position now where you've got, like, a shopping list of things to upgrade?HAMISH: Yeah, our build list is just going to be determined by the things that people tag us about in Notes. [laughs]EMMA: It must be annoying. [laughs]CHRIS: Well, I always appreciate getting feedback, and I always appreciate people telling us what they're feeling and how it's working. I will say that lobbying for things on Notes is not effective.EMMA: That's a good tip. Is there anything that you're excited about personally right now? To do with Substack?CHRIS: There are lots of things. One thing is this Live product that we've been building. The idea of the Live product is I can have something that basically feels like a FaceTime call. It's as simple as just calling somebody up, but it magically turns into a collaborative Live moment where we can both grow and then have a longform podcast artefact that can go in a podcast app or on YouTube. HAMISH: I'm really excited about the development of this network that is now established. It's not the largest network on the internet, but it's established, and it's growing, and it has so much potential, that could serve as the core for an entirely new cultural ecosystem (a challenger to the ones that have dominated for the last 10 years). We had high hopes for them, but they've ended up—in most cases—disappointing us or dividing us. And so that this is now established, and we get a ton of resources now to go and recruit more and more people to this revolution. That is thrilling to me.EMMA: At the Substack summer party in London, I looked around and it was full of TV presenters and radio DJs and documentary makers and authors, these amazing people. And I think it was Ted Gioia who said “the talent base of Substack is the impressive thing”. Do you want to focus on that retention of these types of people on the platform?CHRIS: Yes, it's very exciting when established names come to Substack, but it's also very exciting when a new generation of people can make those names for themselves and get their start. You know, who did not come from having some famous media job or having some being a bestselling author. If you're a young person right now who has the ambition to make something great, I think it would be very easy to look at the world and think: how can I find my way into that (media) world? EMMA: I think that's so true, and that's why the engine that you're building is so important, because we all know the feeling of starting something and then it's just in a vacuum. No one sees it, no one's engaging with it. So yeah, I love that you're focusing on making things discoverable for people. HAMISH: Yeah, that's the game. That's the game we're trying to play here. Bring people together, convene about culture, and then help them find each other.EMMA: I saw the Airmail piece about Sophia and Matt in your events team — it very cool, very chic — essentially profiling members of your team. It's basically saying “this is the cool place to be”. I love that Substack do events, is that something you want to continue doing?HAMISH: I think representing the Substack culture and values in the real world, as well as just on the internet (not that the internet's not the real world), but having a place where people come together and enjoy culture together and have these meaningful shared experiences, there's very much a continuation of the ethos that lies at the heart of the platform. Sophia Efthimiatou and Matt Starr (who have been responsible for the incredible events a large number of them, at least in New York) in particular embody the spirit of people who really value culture.EMMA: I sense a deep rooted motivation from you both, I always have, from the start, that this platform feels slightly different. There's an integrity and a really great energy. What is your ultimate goal for Substack? Is it just to continue on being a great place, or do you have a specific moment that you are hoping to reach in the next few years?CHRIS: I think we're living through a period of profound change right now. I think there's new technology coming online that's changing everything. I think there is social and cultural and geopolitical change, and those things come with problems and peril. You know, when you have massive technological shifts, there's always downsides, there's always things that come up, but there are also massive opportunity. I think of it as like building the plumbing that enables a renaissance. We want to build a successful, independent company that can power that thing to be the biggest and best version of itself.HAMISH: It's not about a particular moment. Just every day that the network gets bigger and better and then more and more people can succeed as a result is a next celebration for us. This is a long term work in progress where we're not looking for a specific business outcome or a specific even ecosystem outcome. It is a living and breathing culture.EMMA: Thanks so much for your time. I feel very invigorated at the moment, and a large part of that is the empowerment I feel to be paid for my work in such a direct way via Substack. As much as I love being traditionally published as a writer, I think one day I'm going to look back and think it is kind of crazy that I have to go into a building to record an audiobook, be ‘picked' as a person that's allowed to do that, and then be paid money in royalties. I don't think we're quite grasping how revolutionary life is for writers/creators right now. I hope you have a good week and look forward to seeing you again soon.HAMISH. Thank you, Emma. Thanks for showing the way for others as well. You're a huge leader on the Substack platform and an advocate for a different way of thinking about things. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit thehyphen.substack.com/subscribe

This week, we take on Apuleius' The Golden Ass, a hilarious surprise from Ted Gioia's Immersive Humanities Course. Written in the mid-300s A.D., this is the very first Latin prose novel, penned by Algerian-born Apuleius. Lucius, our hero, is a young man who meddles in magic, transforms into a donkey, and embarks on wild adventures before returning to human form. We were so captivated that note-taking fell by the wayside, much like with Herodotus' Histories. This rollicking tale, brimming with late-Roman-Empire themes, proved both hilarious and profound.Unlike Aristotle's structured tragedy guidelines (see Week 5's Poetics), The Golden Ass defies unity of action, place, and time, weaving a tapestry of digressions and sub-stories. Lucius' transformation serves as a spine for tales like “I heard…” or “So they told me…,” echoing the nested narratives of The Odyssey and The Aeneid. The standout sub-story is the myth of Cupid and Psyche, the earliest known version, which stunned us as the inspiration for C.S. Lewis' Till We Have Faces. Its late appearance for a myth feels significant, reflecting a decadent, fatigued Roman worldview. Fortune, personified as in Boethius' Consolation of Philosophy, reappears, underscoring this era's preoccupations.Sarah Ruden's translation is a triumph, preserving Apuleius' puns, alliteration, and bawdy humor. This farce, second only to Lysistrata in humor, is delightfully NSFW, with outrageous scenes that shocked even our son Jack. Ruden notes comparisons to modern humorists like Wodehouse or George MacDonald Fraser's Flashman series, and we see parallels to Forrest Gump—Lucius stumbles through events without driving the plot. The book's influence extends to A Confederacy of Dunces, sparking new reading threads for us, exactly why we joined this course.We paired this with Scott Joplin's ragtime, evoking The Sting's lively vibe. Initially, the rags blended together, but subtle differences, like occasional piano percussion, emerged over time, enriching our listening. Next week, we continue with more narrative, music, and art, including Vincent van Gogh's works, in this eclectic journey. Join us next week as we travel east and read The Arabian Nights.LINKTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!)My Amazon Book List (NOT an affiliate link)O Brother Where Art ThouCirceRagtime (The Sting, YouTube)Young Gun Silver FoxTed's "New" Yacht Rock postCONNECTTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/ LISTENSpotify -

I'm reading and talking about Ted Gioia's "Immersive Humanities Course," 52 weeks of World Classics.Before we start, though, we talk about graduation speeches...and share the graduation speech we wish we'd heard.Next, we journey from Western literature back to ancient China to explore two timeless texts: Lao Tzu's Tao Te Ching (c. 500 B.C.) and Sun Tzu's The Art of War (c. 400 B.C.), roughly contemporary with Confucius and Plato. After a lukewarm experience with Confucius' Analects in Week 4, we adjusted our approach to these aphoristic works, splitting each into five parts and interleaving them daily. While this didn't make reading easier, it encouraged comparisons between the two.The Tao Te Ching offers a serene philosophy of “the Way,” advocating a life of detachment and flow, like a leaf on a stream. Key insights include prioritizing essence over form (e.g., the space within walls over the walls themselves), embracing hands-off leadership, and avoiding rules or weapons that may incite vice or war. But it's passive: retreating rather than advancing in the face of evil feels challenging, especially compared to active resistance like Gandhi's. The Tao's detachment felt isolating, distinct from the interconnected self-emptying of the Dhammapada or Boethius' Christian-Stoic blend.In contrast, The Art of War is a ruthless manual of military strategy. Sun Tzu, who famously beheaded two concubines to prove his methods to King Ho Lu, emphasizes deception, swift victory, and avoiding prolonged conflict. Key takeaways: defensive measures prevent defeat but don't ensure victory; desperate soldiers fight hardest; and spies are a humane, cost-effective tool. We ponder the status of Sun's soldiers (free or enslaved?), recalling Herodotus' Spartan-Persian debates on free men's ferocity. The texts seem to clash: the Tao's passivity versus Sun's calculated control, though Sun's strategic setups might align with the Tao's inevitable flow.We noted a cultural contrast: Chinese texts lack the narrative epics of Western heroes like Odysseus or Gilgamesh, hinting at differing worldviews. Unlike Confucius' moral focus, neither text emphasizes goodness, which surprised us. Our Tao edition (Stephen Miller's) felt overly modernized, while our unannotated Art of War was dry but tactically insightful, especially for business or military studies. Pairing it with Herodotus or Machiavelli could be illuminating.Don't skip the music! Three albums each from the Beatles and The Rolling Stones...when was the last time you listened to one all the way through?Next week, we return to narrative with Apuleius' Golden Ass, explore Scott Joplin's ragtime, and admire van Gogh's art. LINKTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!)My Amazon Book List (NOT an affiliate link)CONNECTTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/ LISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts -

In this episode of Crack the Book, we take a look at Week Fourteen of Ted Gioia's Humanities Course, covering Virgil's The Aeneid (Books 1–2), Ovid's Metamorphoses (Book 1), and selections from The Portable Roman Reader. The focus is on key texts from Roman literature, their historical context, and their connections to earlier Greek works, providing an overview of their content and significance.Key Discussion Points: Virgil's The Aeneid (Robert Fagles' Translation): Written between 29–19 BCE, The Aeneid serves as Rome's foundational epic, modeled on Homer's Iliad and Odyssey. Book 1 opens with Aeneas, a Trojan survivor, shipwrecked on Carthage's shore due to Juno's interference, meeting Queen Dido, an exile from Tyre. Book 2 recounts Troy's fall, including the Trojan Horse stratagem and Aeneas' escape with his father Anchises and son Ascanius, losing his wife Creusa. The text emphasizes Aeneas' pietas (duty to gods, family, state). Divine rivalries, notably Juno's grudge from the Judgment of Paris and Venus' protection of Aeneas, drive the narrative. The Fagles translation includes maps and a glossary for accessibility. Ovid's Metamorphoses (David Raeburn's Translation): Composed around 8 CE, Metamorphoses is a 15-book poem chronicling transformations from creation to Ovid's era. Book 1 covers the creation of the cosmos from Chaos, the division into four elements (fire, water, earth, air), and humanity's decline from the Golden to Iron Age. It includes a flood narrative with Deucalion and Pyrrha and the story of Io, transformed into a cow by Jupiter to evade Juno. The Raeburn edition organizes vignettes with titled sections for clarity. The Portable Roman Reader (Basil Davenport, Ed.): Published in 1951, this anthology includes poetry from Rome's Republic, Augustan, and later Empire periods. Catullus (c. 60s–50s BCE) offers direct, personal verses, translated by Byron. Horace (65–8 BCE) writes complex, philosophical odes, less accessible due to style. Martial (c. 38–104 CE) provides epigrams on public life, including two elegies for a deceased young girl. Davenport's notes contextualize each era, and the anthology features prose by Livy, Caesar, and Tacitus for future study. Contextual Notes: The texts reflect Rome's engagement with Greek literary traditions, adapting gods' names (e.g., Hera to Juno) and themes. The course's schedule prioritizes rapid coverage to identify key works and connections.Takeaways:I loved this week so much! It felt great to come "home" to Rome. I've got specific ideas about how to approach each of these books, but in my opinion they are all worth the time for certain people. The music was gorgeous, arias and overtures from Puccini and Verdi! You must listen...check out my link below. And the cave paintings were worth examining as well, especially the handprints from Indonesia. See that link below, too.This is a year-long challenge! Join me next week for WHATEVER IS NEXTLINKSTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!)My Amazon Book List (NOT an affiliate link)Spotify Play List of Puccini and Verdi without wordsCave...

The jazz standard "All The Things You Are" has been performed countless times by master jazz vocalists, 30s big bands, bebop small groups, hard-bop combos, modern deconstructionists, and even soon-to-be Kings of Pop. On this episode, Kirk takes listeners through the history of the now-famous tune, from its humble Broadway origins all the way to his recording studio in Portland, where he and some friends recorded an all-new arrangement just for Strong Songs.Music/Lyrics: Jerome Kern & Oscar Hammerstein IIVersions Featured:Broadway Original Cast Recording of "Very Warm for May," - 1939Tommy Dorsey and His Orchestra, feat. Jack Leonard, 1939Artie Shaw w/ Hellen Forrest, 1939Dizzy Gillespie w/ Charlie Parker, 1945Johnny Griffin w/ Hank Mobley, John Coltrane, Lee Morgan, Wynton Kelly, Paul Chambers, Art Blakey on A Blowing Session, 1957Ella Fitzgerald from Sings the Jerome Kern Songbook, 1963Michael Jackson, 1973Sonny Rollins w/ Coleman Hawkins from Sonny Meets Hawk!, 1963Bill Evans w/ Chuck Israels, bass, and Larry Bunker, drums at Shelly's Mane-Hole, 1963Keith Jarrett Trio, from Standards, Vol.1, 1983Brad Mehldau Trio, from Art of the Trio 4, 1999Jim Hall & Pat Metheney, 1999Strong Songs Version Featuring:Kirk Hamilton, tenor saxAndrew Oliver, keyboardScott Pemberton, guitarSam Howard, bassTyson Stubelek, drumsThe "All The Things You Are" Playlist:Spotify | Apple | YouTube MusicALSO REFERENCED/DISCUSSED:The Jazz Standards: A Guide To The Repertoire by Ted Gioia, 2012The terrific 99% Invisible episode about The Real Book“Autumn Leaves” by Joseph Kosma as recorded by Cannonball Adderley and Miles Davis on Somethin' Else, 1958“Pennies From Heaven” by Johnston and Burke, recorded by Stan Getz with the Oscar Peterson Trio, 1957“Bye Bye Blackbird” by Henderson/Dixon, recorded by Miles Davis on ‘Round About Midnight, 1957“All Of Me” by Marks and Simons, played by Charlie Parker, Lennie Tristano and Kenny Clarke, 1951“I Got Rhythm” by George Gershwin, recorded by Sonny Stitt on The Hard Swing, 1961Rachmaninoff: Prelude in C-Sharp Minor,  performed by Jason Minnis, 2011“Goodbye Yellow Brick Road” by Elton John, 1973“Bird of Paradise,” recorded by Charlie Parker w/ Howard McGhee, Tpt. on The Complete Dial Recordings, Feb 1947“Prince Albert” recorded by Art Blakey's Jazz Messengers (Mobley, Dorham, Watkins, Silver) live at Cafe Bohemia, 1955“Poinciana” by Simon/Bernier recorded by Amhad Jamal Live At The Pershing, 1958----LINKS-----

Episode OverviewThis week, I consider the Stoic philosophy of Marcus Aurelius' Meditations and Epictetus' Enchiridion, part of Ted Gioia's Humanities List (link below!). Moving from Greek dramas to 2nd-century Roman Stoics, we first talk about the move from Greek lit to Roman, how the mindset and history will impact what we read. I cover Marcus Aurelius and Epictetus in depth, mention Admiral Stockdale (a modern Stoic) and end the episode with Rudyard Kipling's poem "If." Marcus Aurelius' MeditationsMeditations, the private journal of a Roman emperor, emphasizes self-focus, humility, and inner peace. Key takeaways include: Focus on your own mind and skills, not others' actions or opinions. Embrace nature to cultivate curiosity and appreciation for the world. Accept life's brevity and smallness, acting virtuously without expecting rewards. Find peace within, not in external escapes like vacation homes. Hold pleasures loosely to achieve contentment in the present moment.I note the surprising modernity of Aurelius' advice but question its contradictions, like the futility of life versus the call to virtue.Epictetus' EnchiridionEpictetus, a former slave turned philosopher, offers a direct, practical guide in The Enchiridion. I prefer Epictetus' straightforward style, finding it more relatable than Aurelius' introspections. Highlights include: Distinguish what harms the body from what affects the will—Epictetus' own lameness adds poignancy to this teaching. Know your limits and operate fully within them, committing wholeheartedly to your purpose. Avoid excess in speech, laughter, or indulgence, embracing simplicity.Consider the parallels to Biblical teachings like Colossians 3:17.Reflections and ChallengesI don't love Stoicism, as I think it sacrifices deep love and beauty. But there's no doubt that its ideals have a place in society--Stockdale and Kipling both reflect that. Translation struggles (George Long's arcane 1877 version versus Gregory Hays' readable Meditations) and time management issues due to travel delayed this week's reading. Classical music (Haydn's Symphonies 45, 94, and 104) enriched the experience, though I skipped the art.What's NextNext week, I explore Suetonius' Twelve Caesars with Mozart's symphonies and Italian art by Botticelli and Caravaggio. Subscribe to follow the journey! LINKSTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!)My Amazon Book List (NOT an affiliate link)Haydn's Surprise SymphonyAdmiral James StockdaleSpencer Klavan (Modern Classicist)CONNECTTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/ LISTENSpotify -

I'm reading and talking about Ted Gioia's "Immersive Humanities Course," 52 weeks of World Classics.Reading a familiar text in a bigger reading list like this offers its own special challenges. I start with a little insight about what to do when that happens.I think the best way to talk about these very familiar books is to take them one at a time. Then I have some thoughts about translations (again) and reading in general. Genesis: This is a much longer book than you think! The story starts out very broad and then narrows to tell how God decides to work through a man named Abram. We then see how God continues to work through now-Abraham's family, through Isaac, Jacob and Joseph. None of these men are perfect, or even very heroic except possibly Joseph, but God uses them anyway. Genesis is different than the other very old texts (religious and otherwise) we've read in this schedule, and it's certainly quite different than the Greek philosophy. We see a God who is personal and emotional, capable of anger and also great love, and who is both all-powerful and yet interested in every individual in the entire world.Ecclesiastes: This is a poem of sorts, and you definitely know part of it because of the Byrds' “Turn Turn Turn.” The main character, the Preacher (likely King Solomon), reflects at the end of his days on “What's it all for?” He never settles on a real answer but reflects on how to live, so in its themes it is a lot more like Plato or Aristotle. It's not didactic like Confucius' Analects. It feels a lot more like the Dhammapada, but less fatalistic and actually lovelier in its construction. I think the weariness of Ecclesiastes speaks to the human condition, common across time and geography.Matthew: The first Gospel opens with Jesus' genealogy through Joseph, and I think Matthew's emphasis as he relates the story of Jesus' life is on the fact that the very people who should have been most willing to hear the message did not. Matthew is rooted in Jewish scripture, continually quoting prophets as he relates Jesus' ministry. The book starts with three chapters known as the Sermon on the Mount, which is harder to read straight through than I expected. It is a lot of sayings and aphorisms, not a lot of story, and you know by now how I feel about that. The book then moves into more narrative as the miracles increase in type and scope, leading to the crucifixion. The teachings from Jesus and Matthew's own writing are aimed squarely at the Jewish leaders here, pointing out what they are missing and their refusal to see Jesus for who he is.Mark: This is the shortest Gospel, and I also think of it as the “immediately” Gospel. Mark uses that word at almost every transition from one scene to another, and it makes the book feel very action-oriented. I felt like Mark was sitting with me saying, “Let me tell you what happened!”Luke: Luke is not an eyewitness at all, and even opens the book up saying he has talked to lots of people so he can get an accurate history put down. Luke's always been my favorite for a variety of reasons...John: But I was wrong. John is the single best piece of writing I have read so far in this program. It is amazing. The entire book is crafted beautifully, and it's now my favorite Gospel. Also, it has the very best ending you could hope for. Read it.Romans: Okay, full disclosure, my Bible study group is doing Romans this year, walking slowly through Paul's longest letter. Coming to Romans after the previous readings, I was absolutely struck by the vigor of Paul's writing. It's energetic, masculine, wide-ranging and urgent. It is deeply personal in a way that none of the previous readings were. I loved reading it in one big chunk and offer reflections on how...

Whenever The Flood appears in public — as it did at Bahnhof WVrsthaus & Biergarten earlier this month — it positions itself the way most bands do at gigs: in a simple straight line politely facing the audience.Nothing novel in that, of course, just the time-honored way of letting players and listeners make eye contact, feeding off each other's reactions as the music rolls along.However, an entirely different geometry — a circle, not a line — frames the music that has always been featured in The Flood's weekly podcasts.A Table at the Center of the SongsA table in the middle of the Bowen House's library has been the center of the Floodisphere's weekly rehearsal for more than three decades now. Almost all of the nearly 800 episodes of the podcast have been recorded in that room, with a recorder happily stationed at the center of the table and all the players and visitors gathered around it.More than one visitor to The Flood band room, imagining the years of music those walls have heard, has commented on the space's “vibe,” as if its years of music are somehow preserved in the walls and between the very pages of the books on the shelves.Honestly, that's a little too new-age-y for some of us. Still, there's no doubt that as much fun as the guys have at gigs, it never compares to the joy in the music made around that table each week. Here's a sample from last week's gathering.About the SongAs reported here earlier, “All of Me” — the featured song in this week's podcast — was an original “bad boy song” from the 1930s. "I peddled my song up and down the street,” composer Gerald Marks once noted, “and every single publisher turned it down.”The problem was Seymour Simons' lyric. Oh, its moaning over lonely lips and empty arms was pretty standard fare, but it was that follow-up line — "Why not take all of me?" — that publishers found, well, downright dirty by 1930s standards. It was not until a superstar of the day — songstress Belle Baker — embraced it that the song showed promise. Baker first incorporated “All of Me” it into her act in Detroit, where it received seven encores. A few days later, she introduced it on the radio in New York.After that, the song took off. In 1931, Mildred Bailey recorded it with Paul Whiteman's orchestra; it went to the top of the US pop charts. Within weeks, two more versions also were charting, including Louis Armstrong's rendition which reached No. 1 and Ben Selvin's and his orchestra, which hit No. 19. Now, of course, the song's a standard. Jazz critic Ted Gioia believes the definitive version was recorded in 1941 by Billie Holiday. Click here for more of the song's history, as reported in an earlier Flood Watch article.More About That TableBy the way, the table at the center of The Flood's world also was the starting point for the band's first legacy film, 2018's “Flood and Friends.” If you'd like to see the guys reminiscing about some of the many good people who have visited that room over the years, give this a view below: This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

I'm reading and talking about Ted Gioia's "Immersive Humanities Course," 52 weeks of World Classics.Ted listed SIX Greek dramas for this week: Bacchae (Euripides), Lysistrata (Aristophanes), Agamemnon (Aeschylus), and the three Theban plays from Sophocles, Oedipus the King, Oedipus in Colonus and Antigone. We discuss how to read drama in general. I tried to read a little bit of background on each play before I dove in. One thing that's easy to forget with Greek drama is that the audience didn't have any spoilers; they knew all of these stories really well. They were there to see HOW it came together. That meant that some of the plot gets treated with shorthand in some ways. I tried to figure out the major players, and how they might have interacted with characters I had met elsewhere. It's astonishing how all of these characters are connected by one or two degrees of separation. Bill and I joke that it feels exactly like when we moved to Charleston a couple of years ago. I swear that every person we meet knows someone else we know through one or two people. It's the strangest thing, and Greek drama is exactly like that.I also flag my books like crazy: one flag for the cast of characters; one for the endnotes; one for a map, even if it's in a different book. As a matter of fact, my Fagles translation of the Odyssey came in handy this week. Not only are there some great maps, there is also a glossary of all the proper names in the Odyssey. Many, many of the characters I came across this week also put in an appearance in the Odyssey.Finally, I kept a brief “plot summary” of each play as I read. Only Bacchae was divided into scenes, but for each play I tried to keep a brief synopsis of the action as I read. This kept me from mixing up characters too much, and also it helped me to get an idea of how the various stories fit together. In addition, I read out loud occasionally, especially if I found myself alone in the house. It's easy to lose the thread of some of these long passages, especially where the chorus has an extended explication of action taking place off stage. Reading out loud helped me capture the rhythm of the language and also the drama of it in a way that reading silently could never do.I started with Euripedes' Bacchae, translated by Paul Woodruff. To be honest, half the reason I bought this edition was that it had Elvis on the cover as Dionysus! Not long after the founding of Thebes, Dionysus appears to bring his cult to the city. Dionysus is a son of Zeus but also the grandson of the founder of Thebes, Cadmus. Dionysus' cousin Pentheus is now king, and he refuses to acknowledge the god-status of Dionysus. Let's just say Pentheus regretted that decision. This play was shockingly brutal to me, even though all the violence always takes place off-stage in a Greek drama. There are ideas of redemption, and lack of it, woven throughout the play. Bacchae left me curious about anything related to the practice of the cult of Dionysus. Apparently the rites were so secret that nothing, not one thing, survives to help us understand what they did.Next I read Aristophanes' Lysistrata. This is a comedy, truly a farce, whose entire plot revolves around the women of Greece coming together to deny all their men sex so they will quit fighting with each other. It is hilarious, and I'd love to see this one performed live. I love a good marriage quote:“No man can live a happy life unless his wife allows it.”—AristophanesHappily, I bought an edition of Lysistrata that also had three other plays translated by Aaron Poochigian. Clouds, in particular, is a send-up of Socrates and that one is...

I'm reading and talking about Ted Gioia's "Immersive Humanities Course," 52 weeks of World Classics.This week's reading was the Egyptian Book of the Dead. Somehow I did not get Ted's recommended translation by Susan Hollis. Instead, I had the gigantic and very, very beautiful reproduction of the complete Papyrus of Ani. This edition had a huge influence on my week "in" Egypt.The Book of the Dead isn't really one book; at the time of its writing (around 1300 BC) it was common to have a papyrus scroll of spells and directions placed in the coffin with the deceased. In this case, the priest Ani had died and this is his scroll. There have been many such scrolls, and pieces of scrolls, found in various tombs across Egypt. Each section of the scroll contains a text that has, for modern purposes, been called a chapter. Many scrolls have many “chapters” in common, but so far no scroll has all of them. On top of that, the chapters can be in any order. The chapters (are they prayers? Spells? Opinions seem split.) are, for the most part, pretty obscure. We spend some time reading excerpts, just to get a sense of them. There really isn't a description of how a person might become “spiritualized” or “pure.” Everything is instruction for the dead in the afterlife.Here are a few more thoughts about this reading. It might seem a little random, but this reading felt a little random, too:Until the Rosetta Stone was found in 1820, the text was completely unknown. The guess was that it was a book of wisdom similar to our Bible. That's actually completely wrong—none of it is oriented toward the living. The text is all about the god Osiris, who was murdered, mourned and buried. Later myths tell of Osiris' resurrection. The vignettes are personalized, in this case for the priest Ani (and his wife Tutu).Burials apparently re-enacted the death of Osiris in ritual form, delivering the deceased to the point of the weighing of the heart. There are prayers to open the deceased's mouth, ears, and eyes in the afterlife, because all of these would be necessary to live there. There is debate whether the myth created the ritual, or did the burial ritual arise first, with the myth developing around it later to explain the actions? It's interesting to me that we can't know based on what the Egyptians left behind.Judgment in the afterlife is the literal weighing of the deceased's heart against a feather! (I would definitely not pass.) The feather is called a ma'at, and is “Truth” or “Rightful Order.” If you are found to have a light heart, you can pass to the good afterlife, the Field of Reeds.The heart is the single most important part of a person, living or dead. It's the engine of the body and the seat of both emotions and intelligence. In the afterlife it was very important not to lose your heart, even though it was now outside of your body thanks to the mummification process.The Egyptians saw death as the confrontation with nonexistence and irrationality. The goal of weight your heart was to travel as an akh, in the sun and in order. The Book of the Dead is a guide to thwart the chaos of the universe, and even the gods had to contend with that disorder.Words, images and reality were a unity in Egyptian thought. The images in the scrolls function as text, and all of it is real. In drawing or writing things, they take on reality. In fact, this was why defacing the name of a king would be regarded as a capital crime; it was no better than assaulting or murdering the king himself.Many gods are represented by animal faces or body parts. Interestingly, this wasn't meant to...

El nuevo entretenimiento: La cultura de la dopaminaEstamos viviendo la cultura de la dopamina. La dopamina es un neurotransmisor clave en el sistema de recompensa del cerebro, responsable de generar sensaciones de placer y motivación. Pero ahora se ha vuelto un problema con la adicción digital. Te explico en este episodio.La cultura de la dopamina detrás de la adicción digitalCuando realizamos actividades gratificantes, como recibir un "me gusta" en redes sociales, se libera dopamina, lo que refuerza ese comportamiento y nos impulsa a repetirlo. En el contexto de las redes sociales, cada notificación, comentario o interacción positiva puede desencadenar una liberación de dopamina, creando un ciclo de retroalimentación que refuerza el uso continuo de estas plataformas. Este mecanismo es similar al que se observa en otras formas de adicción, donde el cerebro busca constantemente estímulos que generen placer. Dice National Geographic que el uso excesivo de redes sociales puede llevar a una sobreestimulación del sistema dopaminérgico, lo que con el tiempo puede resultar en una disminución de la sensibilidad a la dopamina.Esto significa que se necesita una mayor exposición a estos estímulos para alcanzar el mismo nivel de satisfacción, lo que puede conducir a un uso compulsivo y a dificultades para experimentar placer en otras actividades cotidianas. Además, la constante comparación con otros usuarios y la búsqueda de validación en línea pueden afectar negativamente la autoestima y el bienestar emocional, especialmente en adolescentes y jóvenes. La exposición continua a contenidos idealizados puede generar sentimientos de insuficiencia y ansiedad. Cómo salir de la cultura de la dopaminaEstablecer límites de tiempo: Definir períodos específicos para el uso de redes sociales y evitar su uso durante actividades importantes o antes de dormir.Fomentar actividades fuera de línea: Participar en hobbies, ejercicio físico y relaciones interpersonales cara a cara para equilibrar las fuentes de recompensa y satisfacción.Practicar la autorreflexión: Ser consciente de cómo el uso de las redes sociales afecta nuestro estado de ánimo y bienestar general. Considerar pausas digitales: Tomarse descansos periódicos de las redes sociales puede ayudar a restablecer el equilibrio del sistema de recompensa del cerebro y mejorar la salud mental.Si sientes que el uso de las redes sociales está interfiriendo significativamente en tu vida diaria o bienestar emocional, puede ser útil buscar apoyo profesional para desarrollar estrategias personalizadas de manejo y recuperación.Un artículo sobre la cultura de la dopamina para abrir los ojosTed Gioia ha escrito un artículo fantástico de cómo estamos consumiendo el arte y el entretenimiento. Este episodio es un resumen de esa reflexión. No es que las redes sociales o los recursos digitales estén mal. El problema es cómo los estamos usando. Te invito a escuchar el episodio. Y te dejo aquí el artículo original.https://www.honest-broker.com/p/the-state-of-the-culture-2024La Cultura De La Dopamina, Ted Gioia, Redes Sociales, Adicción a Redes Sociales, Adicción Digital, podcast, Podcast Corporativo, Comunicación Organizacional, Recursos Humanos, Desarrollo Profesional, Desarrollo Personal, Comunicación Efectiva, Santiago Ríos, Mil Palabras

I'm reading and talking about Ted Gioia's "Immersive Humanities Course," 52 weeks of World Classics.This week I tackled the Epic of Gilgamesh and also The Dhammapada. Gilgamesh was written in approximately 2000 BC, the oldest known story in the world, and is about 1500 years older than anything I've read to date. The Dhammapada is the oldest writings of the Buddha, from approximately 450 BC, which is a lot more in line with some of the other things I've been reading. I think it's important to note the relative ages of these works and know how they fit together. Gilgamesh was an actual, historical king of a Mesopotamian city called Uruk, around 2750 BC. The poem tells the story of how he angers the gods and then makes a best friend from a former wild man, Enkidu. They go rampaging, killing beasts for the sport of it, and that angers the gods. Enkidu is cursed and falls ill. When he dies, Gilgamesh is heartbroken and goes in search of a cure for his own mortality. He fails in that quest. Here are a few of my take-aways:The style of writing feels extraordinarily primitive to me. There is something very, very basic about the story, and many times it feels like it's written with the mindset of a sixth grade boy: lots of graphic talk about sex and body parts, and lots of bloody killing. Until the last part, there wasn't much nuance and there wasn't a lot of reflection on anyone's part.The Flood story is well-described here, lending credence to an actual, world-changing flood taking place at some point in history. The narrative of it is very interesting, especially the description of a square “boat” constructed and filled with pairs of animals.Book X is much more thoughtful than earlier sections. Gilgamesh is mourning his dead friend, searching for ways that he himself might become immortal. But the only immortal human tells him:Humans are born, they live, then they die, this is the order that the gods have decreed. But until the end comes, enjoy your life, spend it in happiness, not despair. Savor your food, make each of your days a delight, bathe and anoint yourself, wear bright clothes that are sparkling clean, let music and dancing fill your house, love the child who holds you by the hand, and give your wife pleasure in your embrace. This is the best way for a man to live.And that's what it comes down to. Man will always and forever struggle with his mortality. We have and we will. The oldest and most enduring story is about the oldest and most enduring question.There is just not a lot of man-woman romance in these old stories. Only Penelope and Odysseus come to mind in the last few weeks. Here, Enkidu is seduced by the temple prostitute but there's not much more mention of women than that. I was actually surprised to see a wife mentioned in the quote above!The Dhammapada reminded me very, very much of The Analects of Confucius (Week 4). Books of aphorisms are very hard to read in big chunks, as I've already noted. It's more a matter of scanning, trying to see how things fit together, if there are over-arching themes. I have a few thoughts here as well:Some of these sayings of Buddha are good sense, and we saw them in Confucius, and we see them in Proverbs. A wrongly-directed mind will do to you far worse than any enemy; a rightly-directed one will do you good.All the talk of “emptying” and forgetting the self is bleak to me. It's a completely different mindset from the Greek philosophy I've read until now. It's not Stoic; it's a kind of blankness, a rejection of self but not an embrace of anything else as far as I can tell. Reading...

I'm reading and talking about Ted Gioia's "Immersive Humanities Course," 52 weeks of World Classics.An interesting combination this week. Ted Gioia, the creator of my reading list, called it “Love and War,” but it felt like a lot more than that. And last week, I called it a hodgepodge, but I can admit I was wrong.Plato's Symposium is the third of Plato's works on this list. After wrestling with Ethics in particular last week, I was happy to get back to my friend. Symposium is written as a dialogue among friends, recalled by one who wasn't there, a little like the game of “Telephone” we'e all played. The friends' topic? Love, specifically eros. Given that this is upper-class Ancient Greece, there is a significant discussion of love between men; honestly romantic love between men and women is practically ignored. The reading plan only covered a few portion of Herodotus' Histories, Books 1 and 6-8. For full disclosure, I did NOT complete the reading but stopped with Book 7. In my edition of Histories the assigned books were more than 350 pages and I simply ran out of time. If I had done all the reading this week I would have been around 430 pages! Given that I “signed up” for about 250 pages per week, I had to stop. Confession time over.As always, I have so many, many thoughts about these works. For Symposium, I summarized each person's eulogy as a way to get my hands around the text. A few ideas:Obviously Love held an important place in the lives of Greeks. This entire dialogue is centered around it, but it doesn't look like love in many ways. I'm accustomed to thinking of love as wanting and being willing to work for the best of your beloved, and that being mutual. That desiring “for” someone else, rather than merely desiring them, was absent at least as far as I could see.There are a number of points made about Love as the dialogue progresses, and they definitely don't agree. As always, you're left to parse out the better and worse arguments. “You complete me” (yes, Jerry Maguire) makes an appearance! That attitude has been around a looooong time. Aristophanes tells a long and pretty funny tale about how human beings were at one time two-headed, eight-limbed creatures, but when Zeus got mad and split everyone in two. Now we go around looking for our other half.Does Love motivate us to honor? What kind of Love would do that? Or maybe Love is a moderating force? (I found that a weak argument.) Is its purpose beauty? Those are all offered as arguments, and all are rejected by Socrates. Socrates, via his mentor Diotima, argues that Love's purpose is procreation. As someone who has actually been pregnant several times, I found Socrates' discussion of pregnancy to be uncomfortable, to say the least. There is a ton of homoerotic talk, especially from Socrates and Alcibiades. It is just so strange to me that there is virtually no discussion of love between men and women, but tons between older and younger men. As usual, my bias shows, but it's who I am.On to Herodotus. He's been on my radar since I read History of the Ancient World by Susan Wise Bauer about a year and a half ago, and seeing him on the reading list was part of my motivation to jump in. He did not disappoint. The sections that I read were the origin stories of Croesus and Cyrus, and Persia, and then the beginning of the Persian War. I ended with the Battle of Thermopylae, which is an amazing story in its own right. A few takeaways:Every military leader should read this book. I may actually send it to my son who is in the Navy! There are examples of excellent leadership, and cranky...

I'm reading and talking about Ted Gioia's "Immersive Humanities Course," 52 weeks of World Classics.Ethics is the most challenging reading I've done, possibly ever. I'm not sure if it's because I am out of the habit of reading deeply, or my attention span rivals a gnat's, or if this text is actually that hard, but I pushed through. After reading about virtue, and habit, and endurance, and choosing pain because you know it will lead to the good thing, I was not about to stop.We talk a little about the importance of a good translation (more on that to come!) and take a deep dive into note-taking. This is a big project, and I wanted to be sure to retain the big ideas as I went along. I share the things I'm doing, what seems to be working and what I don't do.There is so much to this text. (Maybe that's another reason it was so intense?) In no particular order, just a few notes. There are three basic ways of life: pleasure, politics, and contemplation. Don't confuse pleasure with happiness, because they aren't the same. Contemplation is great—you might be happy—but there's no real action, and that is part of what virtue requires. So, political life, a life lived in relation to others, is the highest good.A virtue is typically the middle way between the vices of too much and too little. For example, courage is the middle way between recklessness and cowardice.Reciprocity is what holds a community together (there's the politics!), and economics is even based on the idea of reciprocity.Friendship. My goodness, I could have used these thoughts at 18, or 24, and can definitely use them now. There are three types of friendships: of utility, of pleasure, and complete. Complete is rare, and so you should attend to it. But it can end if the friends become markedly less equal in some way. Knowing that might help you inoculate against it.Aristotle breaks everything into taxonomies—I mean, the man was obsessed with categorizing everything. It's much more of an engineer's approach to life than Plato's with his ideas about Forms.Regarding Poetics, what amazing guidance about storytelling in tragedy or epic. I wonder if modern filmmakers ever have to read this.Metaphor is the master poet's tool.When I began this project I said I'd read introductions minimally and try to engage solely with the text as much as possible. I needed help with Aristotle, and I highly recommend Larry Arn's series from Hillsdale College.Music this week was Bach's Cello Concertos. Beautiful, lush, varied. I have a real love affair with the cello so this was a pleasure to listen to! You can listen here.This is a year-long challenge! Join me next week as we return for love with Plato and war with Herodotus.LINKTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!)My Amazon Book List (NOT an affiliate link)CONNECTTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/ LISTENSpotify -

Was passiert, wenn Literatur zum endlosen Unterhaltungsautomaten wird? Marie und Gregor analysieren, wie KI die Grenze zwischen aktivem Lesen und passivem Konsum verwischt, wenn wir mit Mephisto aus "Faust” Pizza essen oder durch Hogwarts streifen. Sie diskutieren, ob der literarische "unendliche Spaß" uns intellektuell verkümmern lässt oder ob wir mit KI eine neue, bewusstere Form des Lesens entwickeln können. Diese Folge wurde am 30. April 2025 auf der Leipziger Buchmesse aufgezeichnet. Über die Hosts: Gregor Schmalzried ist freier Tech-Journalist, Speaker und Berater, u.a. beim Bayerischen Rundfunk. Marie Kilg ist Chief AI Officer bei der Deutschen Welle. Zuvor war sie Produkt-Managerin bei Amazon Alexa. In dieser Folge: 0:00 Interaktive Literatur 12:30 Die perfekte Unterhaltung? 25:30 Wie wir uns gegen KI-Unterhaltung wappnen Links und Quellen: Podcast-Tipp "Eat.Read.Sleep” https://1.ard.de/eatreadsleep-cp Alternativer "Faust” von ChatGPT https://chatgpt.com/share/67e8f353-3ea4-800b-8ac9-3dd78ed7cde7 Ted Gioia über Sucht und Unterhaltung https://www.honest-broker.com/p/the-state-of-the-culture-2024 Faris Yakobs Medienpyramide https://faris.medium.com/you-are-what-you-eat-7881b962ed3b Fediverse und Mastodon https://www.tagesschau.de/inland/innenpolitik/mastodon-tagesschau-102.html Redaktion und Mitarbeit: David Beck, Cristina Cletiu, Chris Eckardt, Fritz Espenlaub, Elisa Harlan, Franziska Hübl, Marie Kilg, Mark Kleber, Gudrun Riedl, Christian Schiffer, Gregor Schmalzried Kontakt: Wir freuen uns über Fragen und Kommentare an kipodcast@br.de. Unterstützt uns: Wenn euch dieser Podcast gefällt, freuen wir uns über eine Bewertung auf eurer liebsten Podcast-Plattform. Abonniert den KI-Podcast in der ARD Audiothek oder wo immer ihr eure Podcasts hört, um keine Episode zu verpassen. Und empfehlt uns gerne weiter!

I'm reading Ted Gioia's "Immersive Humanities Course," 52 weeks of World Classics. We continue with the Odyssey this week. I'm joined this week by my son Jack Drury. Jack is pursuing a Masters in Classics at the University of Chicago, so we are on familiar ground for him here.I'm a beginner at reading the classics, but I've decided to just "crack the book" and get started. Here are a few of my key take-aways from this week:What will I take from this week? Let's see:A deeper understanding of Greek mythology. I have a copy of Bullfinch's Mythology on my bookshelf and will probably be dipping in and out of it soon. A better view of the ancient world, its customs and habits of life. I know it's fiction, but the way the poem describes the interactions between people of different classes, between men and women, and between city-states is eye-opening. I'm tempted to carry my modern worldview into these stories, and to find fault with various people. Instead, I really have to suspend my judgement to understand what is going on and how it compares to what I already know.A richer view of the Bible, believe it or not. I've read the Bible through about ten times (maybe more). Reading other ancient works ADDS to my understanding of the world the ancient Hebrews lived in. It's one thing to understand the Old Testament, but so much richer to understand how very different the Hebrews' struggles with God were compared to the Greeks' encounters with their array of gods and goddesses.Finally, my last take-away is one that deserves its own paragraph. I am angry, honestly, that every bit of this kind of literature was erased from my education. Who did that? Why? Who decided that Flowers for Algernon was worth my attention but Odysseus and Telemachus and Pallas Athena and Penelope weren't?Jack and I also have a long discussion about the heart of the Odyssey. What is it truly about? Is it a homecoming, or a story of exiles, or a model for suffering? How can we as 21st-century Americans relate to these ancient Greeks?This is a year-long challenge! Join me next week as we head to eastward and read Confucius.CONNECTTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/ LISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts - https://podcasts.apple.com/us/podcast/crack-the-book/id1749793321 Captivate - https://crackthebook.captivate.fm

This week, we tried an experiment: a Substack live event! Matthew Gasda wrote a popular article about Romanticism, his contribution to an ongoing debate. Samuel Kimbriel had a few disagreements with Gasda's piece. In the spirit of Wisdom of Crowds, we hosted our first-ever live-streamed Substack debate.It went pretty well! We hope to host more. By popular demand, here is a video recording of that debate. Please continue the discussion in the comments below!— Santiago Ramos, executive editorRequired Reading:* Matthew Gasda, “A Few Doubts About Neo-Romanticism” (WoC).* CrowdSource: “Hopeful Romantics” (WoC).* Ted Gioia, “Notes Toward a New Romanticism” (The Honest Broker).* Ross Barkan, “The zeitgeist is changing. A strange, romantic backlash to the tech era looms” (Guardian).Recommendations:Matthew Gasda: * Terence Malick, To the Wonder (YouTube).* Johann Wolfgang von Goethe, The Sorrows of Young Werther (Amazon). * Any biography of Goethe (Amazon). Samuel Kimbriel:* Percy Bysshe Shelley, “Hymn to Intellectual Beauty” (Poets.org). * Novalis, Hymns to the Night (Amazon). Santiago Ramos:* Ludwig von Beethoven, Piano Concerto Number 4, Second Movement (YouTube). Wisdom of Crowds is a platform challenging premises and understanding first principles on politics and culture. Join us! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit wisdomofcrowds.live/subscribe

It took a long time after I first read David Menconi's work to finally meet him, and longer still to sit with him for an extended conversation, but fortunately, the time has finally come. And if the saying “good things come to those who wait” applies here, if I was indeed waiting years for that Tuesday afternoon interview in late September 2024, then it is doubly appropriate now that our conversation sees the light of day in this podcast nearly another half a year afterwards. Decades after first reading his work, more than a year after first meeting him, and another stretch of months after interviewing him, now is the moment for all of this to come together. It all feels a bit fortuitous, a feeling which is echoed in our conversation, especially regarding the subject of David Menconi's latest book. David Menconi was a staff writer at the Raleigh News & Observer for 28 years, beginning in 1991, when the music scene in the region was exploding nationwide. He has also written for Rolling Stone, Billboard, Spin and New York Times. His latest book is titled Oh, Didn't They Ramble: Rounder Records and the Transformation of American Roots Music. David Menconi spoke with me at the IBMA conference in his adopted hometown of Raleigh, North Carolina, in a conversation which touches on the remarkable story of Rounder Records, a music label whose story, as David put it, is the kismet story. A label formed by three idealistic folkies fresh out of college, it went on to champion the music of artists ranging from Alice Gerard to Alison Krauss, from the Blake Babies to Billy Strings, and from Ted Hawkins to Tony Rice. David talks about the Rounder Records story, the current state of the music industry, the challenges faced by writers and musicians alike, as well as the significant history of bluegrass music in the city of Raleigh and the state of North Carolina and more, including music excerpts from Rounder Records artists like Norman Blake and George Thorogood in this episode Southern Songs and Stories. David Menconi Songs heard in this episode:Tony Rice “Monroe's Hornpipe”, from The Bluegrass Album Band, Volume 6“Tango Cool“ by Ted Gioia & Mark Lewis, from Tango Cool, excerpt“Ginseng Sullivan” by Norman Blake, from Back Home In Sulphur Springs, excerpt“Move It On Over” by George Thorogood & the Destroyers, from Move It On Over, excerpt“Away From the Mire” by Billy Strings, from HomeThanks for being here! We hope you can help spread awareness of what we are doing. It is as easy as telling a friend and following this podcast on your platform of choice. You can find us on Apple here, Spotify here and YouTube here — hundreds more episodes await, filled with artists you may know by name, or musicians and bands that are ready to become your next favorites. This series is a part of the lineup of both public radio WNCW and Osiris Media, with all of the Osiris shows available here. You can also hear new episodes on Bluegrass Planet Radio here. Thanks to everyone at the International Bluegrass Music Association for helping to make this interview possible, and to Jaclyn Anthony for producing the radio adaptations of this series on WNCW, where we worked with Joshua Meng, who wrote and performed our theme songs. This is Southern Songs and Stories: the music of the South and the artists who make it. - Joe Kendrick

I'm reading Ted Gioia's "Immersive Humanities Course," 52 weeks of World Classics. Week 2 starts with Greek Poetry, and then we start Homer and The Odyssey. What a great week!I'm a beginner at reading the classics, but I've decided to just "crack the book" and get started. Here are a few of my key take-aways from this week:The surviving Greek Lyrics are very male-dominated, full of war and fighting and politics, with not a lot of attention paid to nature or beauty, or even romance. That is, until you get to Sappho, a woman. Her verses are really beautiful. I can't help but wonder why. Is it just what survived? Or is that an accurate reflection of Greek society? I thought it was the second until I read Homer.The Odyssey is full of male and female characters, and they are both important to the story. So where the poetry was very male-centric (except for Sappho) Homer absolutely isn't. I mean, Penelope seems kind of weak, but Athena is absolutely crucial to the plot. I will have to think about this a lot more.Odysseus is a pain in the neck. While I love the story, I'm not a fan of the guy himself so far, at least by Book 10. For instance, when he gets ready to pass by the Sirens, he is told to lash himself to the mast of the ship IF he wants to hear the Siren Song. And that's what he chose to do! Why would he not just say, “Nope, I'll put beeswax in my ears like the rest of the crew and we will just sail on by.” It seems supremely arrogant.Telemachus, on the other hand, seems to me to possibly be the better hero. I'm looking forward to seeing him find his dad.I have a lot of other thoughts this week, especially about the Fagles translation I read.This is a year-long challenge! Join me next week to finish the Odyssey. We'll be joined by a fun guest!CONNECTTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/ LISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts - https://podcasts.apple.com/us/podcast/crack-the-book/id1749793321 Captivate - https://crackthebook.captivate.fm

I'm reading Ted Gioia's "Immersive Humanities Course," 52 weeks of World Classics. We start with Plato! The Last Days of Socrates and excerpts from The Republic. I'm a beginner at reading the classics, but I've decided to just "crack the book" and get started. Here are a few of my key take-aways from Plato:Human nature just doesn't change. Socrates talks about how to influence a crowd (by misrepresenting ideas), and he gives a pretty funny explanation of misanthropy that I didn't expect. (You hate people because you expect them to be perfect and they aren't. Grow up, get real, and understand that the vast majority are neither purely good or purely evil, but somewhere in the middle.)The distinction between an Idea (maybe think of it as a quality, like Beauty) and the thing that has the beauty (like a beautiful vase, for example) is important. The object can point to the Truth of the quality but never perfectly. It is critical to be very clear on what is the Idea and what is the object exemplifying that Idea. That sounds very obvious when I write it but in the real world it is easy to skip over.These books covered things I had heard of, like the Theory of Ideas, the Argument from Affinity, and the Theory of Recollection. I won't go into them here, but I have kept notes to trace them for myself. There was a surprising amount of reflection on the nature of the soul. Now, of course, I'm wondering exactly when did the Greeks divide man into body and soul, and what exactly did “soul” mean for them? I know they didn't necessarily think of it like I think of my soul as a Christian.Book I of The Republic is all about “doing right,” a phrase for a Greek word that is also translated “justice” but incorporates a much bigger and more moral sense than mere legal justice. There is a lot to think about for people who are considering leadership, especially political leadership. Finally, the Cave Allegory. I thought it was basically about not seeing things clearly, but learning to see them as they really are. In fact it is much, much more than that. In particular, Socrates talks about learning to see in the bright light, and then trying to come back to those inside the cave, trying to explain the truth. And there's a line that I'll misquote, but the point is, “Are you blind because you have always been in the dark, or are you blind because you were dazzled by brightness?” What a question.This is a year-long challenge! Join me next week for Greek Poetry and The Odyssey.CONNECTTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/ LISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts - https://podcasts.apple.com/us/podcast/crack-the-book/id1749793321 Captivate - https://crackthebook.captivate.fm

Sostiene el musicólogo Ted Gioia que la historia de la música es una disputa sin fin entre quienes inventaron el ritmo de una partitura: nuestras extremidades.

Intro: Inexpensive tea and microplastics on cutting boards5:12: Complaining shrinks your brain9:40: Characteristics of depression and bad therapy, complaining is contagious.12:00: What was designed to help us, now makes things works. So much of it is backwards; the internet, technology, etc.19:00: Mel's Kitchen Cafe has nothing to gain from a publisher.23:51: Bypassing gatekeepers, going organic.27:07: Dude Perfect, platforming others.30:30: Being a good (judo) partner and working well with others.35:19: Instilling empathy in our kids for others.38:52: The teeter-totter example of feeling better about yourself and your sense of righteousness.44:45: Show Close Too Busy to Flush Telegram GroupSend us a PostcardCanavoxThe Milk Frother Currently Being Tested!Pique Tea - Referral Link (it's super-delicious and healthy)Ledger Hardware Wallet - Referral Link (store your crypto securely!)

Episode 233 On this week's edition of the YMC podcast, your hosts Jay Gilbert and Mike Etchart break down these important stories: "The Playlist Power Broker Who Makes Or Breaks New Artists" (The Wall Street Journal); "Is The Album Dead? Are We Facing A World Of Endless Singles & EP's?" (Soundmatters); "In The Music Business, 80 Is The New 20" (Ted Gioia). Plus an audio clip from a presentation by Darren Hemmings.   Subscribe to the newsletter! YourMorning.Coffee

Today the Pugs discuss a post by Ted Gioia on his Substack, The Honest Broker. The title of the post is, "The State of the Culture, 2024" Gioia is a well known music critic, and is actually the brother of Dana Gioia (the poet). Ted Gioia's Substack is nearing 200,000 subscribers--that's very impressive. In the post the Pug discuss he outlines the demise both of art and entertainment by two new forces unleashed by Silicon Valley. It isn't a pretty picture. The guys respond with suggested spiritual disciplines that can counter the developments Gioia describes. Tune in to see if you agree! Substack Article: https://www.honest-broker.com/p/the-state-of-the-culture-2024?r=3mqy0&utm_campaign=post&utm_medium=web Support the Pugcast on Patreon: https://www.patreon.com/thetheologypugcast?fbclid=IwAR17UHhfzjphO52C_kkZfursA_C784t0ldFix0wyB4fd-YOJpmOQ3dyqGf8 Catch our new documentary ‘A Pugcast Pilgrimage: Lewis, Oxford, and Our Postmodern Age’ on Canon+: https://canonplus.com/tabs/discover/videos/34865?fbclid=IwY2xjawF-J-9leHRuA2FlbQIxMQABHXqj6CIhUs6mTwkMc-AHhKiP1E4dPAtOm60rgu69RZ2LfhqYLJg2JHx4uQ_aem_LV-nOWc1vnhV6scW9cGZpA The Theology Pugcast is a ministry of Trinity Reformed Church in Huntsville Alabama. To view more media from TRC, visit their website: https://trinityreformedkirk.com/media-podcasts

Today the Pugs discuss a post by Ted Gioia on his Substack, The Honest Broker. The title of the post is, "The State of the Culture, 2024" Gioia is a well known music critic, and is actually the brother of Dana Gioia (the poet). Ted Gioia's Substack is nearing 200,000 subscribers--that's very impressive. In the post the Pug discuss he outlines the demise both of art and entertainment by two new forces unleashed by Silicon Valley. It isn't a pretty picture. The guys respond with suggested spiritual disciplines that can counter the developments Gioia describes. Tune in to see if you agree! Substack Article: https://www.honest-broker.com/p/the-state-of-the-culture-2024?r=3mqy0&utm_campaign=post&utm_medium=web Support the Pugcast on Patreon: https://www.patreon.com/thetheologypugcast?fbclid=IwAR17UHhfzjphO52C_kkZfursA_C784t0ldFix0wyB4fd-YOJpmOQ3dyqGf8 Catch our new documentary ‘A Pugcast Pilgrimage: Lewis, Oxford, and Our Postmodern Age' on Canon+: https://canonplus.com/tabs/discover/videos/34865?fbclid=IwY2xjawF-J-9leHRuA2FlbQIxMQABHXqj6CIhUs6mTwkMc-AHhKiP1E4dPAtOm60rgu69RZ2LfhqYLJg2JHx4uQ_aem_LV-nOWc1vnhV6scW9cGZpA The Theology Pugcast is a ministry of Trinity Reformed Church in Huntsville Alabama. To view more media from TRC, visit their website: https://trinityreformedkirk.com/media-podcasts

Today the Pugs discuss a post by Ted Gioia on his Substack, The Honest Broker. The title of the post is, "The State of the Culture, 2024" Gioia is a well known music critic, and is actually the brother of Dana Gioia (the poet). Ted Gioia's Substack is nearing 200,000 subscribers--that's very impressive. In the post the Pug discuss he outlines the demise both of art and entertainment by two new forces unleashed by Silicon Valley. It isn't a pretty picture. The guys respond with suggested spiritual disciplines that can counter the developments Gioia describes. Tune in to see if you agree! Substack Article: https://www.honest-broker.com/p/the-state-of-the-culture-2024?r=3mqy0&utm_campaign=post&utm_medium=web Support the Pugcast on Patreon: https://www.patreon.com/thetheologypugcast?fbclid=IwAR17UHhfzjphO52C_kkZfursA_C784t0ldFix0wyB4fd-YOJpmOQ3dyqGf8 Catch our new documentary ‘A Pugcast Pilgrimage: Lewis, Oxford, and Our Postmodern Age’ on Canon+: https://canonplus.com/tabs/discover/videos/34865?fbclid=IwY2xjawF-J-9leHRuA2FlbQIxMQABHXqj6CIhUs6mTwkMc-AHhKiP1E4dPAtOm60rgu69RZ2LfhqYLJg2JHx4uQ_aem_LV-nOWc1vnhV6scW9cGZpA The Theology Pugcast is a ministry of Trinity Reformed Church in Huntsville Alabama. To view more media from TRC, visit their website: https://trinityreformedkirk.com/media-podcasts

Today the Pugs discuss a post by Ted Gioia on his Substack, The Honest Broker. The title of the post is, "The State of the Culture, 2024" Gioia is a well known music critic, and is actually the brother of Dana Gioia (the poet). Ted Gioia's Substack is nearing 200,000 subscribers--that's very impressive. In the post the Pug discuss he outlines the demise both of art and entertainment by two new forces unleashed by Silicon Valley. It isn't a pretty picture. The guys respond with suggested spiritual disciplines that can counter the developments Gioia describes. Tune in to see if you agree! Substack Article: https://www.honest-broker.com/p/the-state-of-the-culture-2024?r=3mqy0&utm_campaign=post&utm_medium=web Support the Pugcast on Patreon: https://www.patreon.com/thetheologypugcast?fbclid=IwAR17UHhfzjphO52C_kkZfursA_C784t0ldFix0wyB4fd-YOJpmOQ3dyqGf8 Catch our new documentary ‘A Pugcast Pilgrimage: Lewis, Oxford, and Our Postmodern Age’ on Canon+: https://canonplus.com/tabs/discover/videos/34865?fbclid=IwY2xjawF-J-9leHRuA2FlbQIxMQABHXqj6CIhUs6mTwkMc-AHhKiP1E4dPAtOm60rgu69RZ2LfhqYLJg2JHx4uQ_aem_LV-nOWc1vnhV6scW9cGZpA The Theology Pugcast is a ministry of Trinity Reformed Church in Huntsville Alabama. To view more media from TRC, visit their website: https://trinityreformedkirk.com/media-podcasts

Are visionary artists mentally ill? Reading and commenting on an article by Ted Gioia that discusses that issue. You can find his article here: https://substack.com/home/post/p-144759867. And here's my post on songwriting https://millermanschool.substack.com/p/on-songwriting and on music from earlier this yearhttps://millermanschool.substack.com/p/some-easy-thoughts-on-music. Enjoy!

OpenAI Is A Bad Business Are We Now Living in a Parasite Culture? Taylor Lorenz, Chronicler of Digital Culture, Will Start Own Newsletter Twitter's value in freefall: Fidelity cuts estimate by whopping 79% Masnick: Gavin Newsom Vetoes Terrible AI Bill 1047, But Brace For Something Worse Google showcases bizarre double-sided Japanese keyboard, which it won't sell — the keyboard uses a Möbius strip as its foundation Hosts: Leo Laporte, Jeff Jarvis, and Emily Dreibelbis Guest: Ed Zitron Download or subscribe to this show at https://twit.tv/shows/this-week-in-google. Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsors: e-e.com/twit bitwarden.com/twit

OpenAI Is A Bad Business Are We Now Living in a Parasite Culture? Taylor Lorenz, Chronicler of Digital Culture, Will Start Own Newsletter Twitter's value in freefall: Fidelity cuts estimate by whopping 79% Masnick: Gavin Newsom Vetoes Terrible AI Bill 1047, But Brace For Something Worse Google showcases bizarre double-sided Japanese keyboard, which it won't sell — the keyboard uses a Möbius strip as its foundation Hosts: Leo Laporte, Jeff Jarvis, and Emily Dreibelbis Guest: Ed Zitron Download or subscribe to this show at https://twit.tv/shows/this-week-in-google. Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsors: e-e.com/twit bitwarden.com/twit

OpenAI Is A Bad Business Are We Now Living in a Parasite Culture? Taylor Lorenz, Chronicler of Digital Culture, Will Start Own Newsletter Twitter's value in freefall: Fidelity cuts estimate by whopping 79% Masnick: Gavin Newsom Vetoes Terrible AI Bill 1047, But Brace For Something Worse Google showcases bizarre double-sided Japanese keyboard, which it won't sell — the keyboard uses a Möbius strip as its foundation Hosts: Leo Laporte, Jeff Jarvis, and Emily Dreibelbis Guest: Ed Zitron Download or subscribe to this show at https://twit.tv/shows/this-week-in-google. Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsors: e-e.com/twit bitwarden.com/twit

OpenAI Is A Bad Business Are We Now Living in a Parasite Culture? Taylor Lorenz, Chronicler of Digital Culture, Will Start Own Newsletter Twitter's value in freefall: Fidelity cuts estimate by whopping 79% Masnick: Gavin Newsom Vetoes Terrible AI Bill 1047, But Brace For Something Worse Google showcases bizarre double-sided Japanese keyboard, which it won't sell — the keyboard uses a Möbius strip as its foundation Hosts: Leo Laporte, Jeff Jarvis, and Emily Dreibelbis Guest: Ed Zitron Download or subscribe to this show at https://twit.tv/shows/this-week-in-google. Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsors: e-e.com/twit bitwarden.com/twit

OpenAI Is A Bad Business Are We Now Living in a Parasite Culture? Taylor Lorenz, Chronicler of Digital Culture, Will Start Own Newsletter Twitter's value in freefall: Fidelity cuts estimate by whopping 79% Masnick: Gavin Newsom Vetoes Terrible AI Bill 1047, But Brace For Something Worse Google showcases bizarre double-sided Japanese keyboard, which it won't sell — the keyboard uses a Möbius strip as its foundation Hosts: Leo Laporte, Jeff Jarvis, and Emily Dreibelbis Guest: Ed Zitron Download or subscribe to this show at https://twit.tv/shows/this-week-in-google. Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsors: e-e.com/twit bitwarden.com/twit

We're on Patreon now! Find us at https://www.patreon.com/AudioUnleashed This week, Brent and Dennis opine about whether or not an elaborate AI-powered streaming music scam is any worse than most of what Spotify does, pontificate about whether or not anyone needs to read amplifier reviews, and dig through the mid-year revenue report from the RIAA for clues about the future of music formats.   Buy-now links for products mentioned herein (As Amazon Associates, we may earn a small cut from qualifying purchases):  

Após um longo dia de trabalho mandando e-mail, escrevendo roteiro, aprovando edições, fazendo reunião, enfim, olhando para uma tela, nada melhor para relaxar do que… olhar para mais telas! Pode ser na TV, mas provavelmente no telefone. E muitas vezes no mesmo computador que trabalhei o dia todo, só que agora jogando.Tá, eu sei. Não precisa ser assim. Eu posso ler um livro, fazer… sei lá, artesanato? Só que eu não sei você, eu não consigo. Não dá. A cabeça não consegue focar, é que nada tem graça, é tudo um grande tédio. E quando a gente está com tédio, por menor que seja, faz o quê? Tira o telefone do bolso!Nem futebol eu consigo mais ver direito. Quem tem tempo de ver noventa minutos de pessoas correndo atrás de uma bola. Fora os intervalos! Como assim, intervalo?O resultado é que eu e muita gente acaba fazendo mais de uma coisa ao mesmo tempo. Olha para TV e para o telefone. Joga alguma coisa ouvindo podcast. (Eu sei que você está fazendo outra coisa enquanto ouve esse podcast aqui, tudo bem.) Será que a gente está viciado em dopamina?Segundo o crítico cultural americano Ted Gioia, em um artigo que ele publicou em fevereiro, a cultura mundial passou séculos produzindo arte, a criação pela criação em si, para agradar a Deus — ou o nobre que pagou as contas. Em algum ponto do século XX esta arte passou a ser entretenimento, precisou ser divertida, interessante. Foi mais ou menos nessa época, por exemplo, que a política mundial mudou e a gente passou a votar nos políticos mais carismáticos, que iam bem na TV, especialmente em debates.Até aí tudo bem! Quem não gosta de um filminho ou série divertida? O problema, segundo o Gioia, é que na hora que o controle da cultura sai de empresas de mídia e vai para empresas de tecnologia, o grande negócio, o big business passa a ser a distração. Aquelas coisas que a gente consome "só para passar o tempo". Só para dar uma risada, ou para ver que fofinho aquele cachorro. Não existe história, não existe arte, nem conversa, nem sentimento, só há reação, estímulo e conteúdo, essa palavra que nivela toda a produção cultural por baixo. Somos criadores de conteúdo, eu, o Luva de Pedreiro ou o Martin Scorsese.Se os “patronos das artes”, dos Medici de Florença aos Moreira Salles do Brasil eram admirados por usar sua fortuna em nome da arte, os bilionários de hoje são idolatrados pelo simples fato de serem ricos. Porque geraram valor, inventaram aplicativos e empresas que faturam bilhões. Não precisa de arte. E o melhor jeito de fazer isso é otimizando seus aplicativos para que a gente passe cada vez mais tempo neles, com constantes doses de dopamina, um neurotransmissor importante para nossa sobrevivência, mas que hoje nos deixa viciados em conteúdo vazio.Só tem um problema de falar nisso aqui. Se tem uma coisa que eu odeio é ser o cara do "antigamente é que era bom". Até porque não era. A TV tinha muita porcaria, a sociedade era muito mais cruel com quem não nasceu na família certa e por aí vai.Eu não quero ser o saudosista chato nem o podcaster que chega com uma lista de reclamações para mostrar como o mundo todo está errado. Porque isso também é parte da indústria de distração atual: usar nossos medos e vieses para gerar mais clicks, mais views.Por isso chamei para conversar esta semana o Michel Alcofrado, antropólogo e pesquisador de comportamento e cultura — tanto é que ele tem um podcast chamado É tudo culpa da cultura, além de ser palestrante, comentarista da rádio CBN, colunista do Uol e fundador do Grupo Consumoteca. Ele me ajudou muito a entender esse cenário atual, o que é verdade, o que é só exagero e o que é melhor eu só deixar acontecer.Além de tudo isso, o Michel também é o cara que me ajudou, no dia da entrevista, a arrumar na minha cabeça a nova novidade das Indústrias Boa Noite Internet, o nosso Clube de Cultura! Pois é.Funciona assim: todo mês a gente vai pegar um filme, livro, série, sei lá, qualquer coisa que estimula a nossa cultura e inteligência — que não é só distração — e conversar juntos lá no site do Boa Noite Internet.Agora em agosto a conversa é sobre um livro que tem muito a ver com o episódio de hoje, é o Resista, não faça nada: A batalha pela economia da atenção, da americana Jenny Odell, meu livro preferido de 2020, que também entrou na lista dos livros do ano do Barack Obama em 2019. Então a cada semana eu vou resumir dois capítulos do livro, comentar no meio o que cada história me fez pensar e depois a gente se pega nos comentários.Mas atenção para um detalhe muito importante.Se não quiser ler o livro, não precisa. (Mas se quiser, pode.)Eu leio e comento para você. Tudo isso já incluído no seu apoio ao Boa Noite Internet.Links do episódio* As grandes cidades e a vida do espírito — Georg SimmelThanks for reading Boa Noite Internet! This post is public so feel free to share it. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit boanoiteinternet.com.br/subscribe

Is your phone hurting your discipleship? It almost certainly is. How can we continue to grow in this culture of distraction? Cole and Terry discuss some trends in our technology and media as well as some thoughts on how to continue to grow and thrive as Christians in any environment.   Resources:  “State of the Culture 2024” - Ted Gioia, The Honest Broker  “How to Break Free from Dopamine Culture” - Ted Gioia, The Honest Broker  “Desire, Dopamine, and the Internet” - L. M. Sacasas, The Convivial Society “Get Phones Out of Schools Now” - Jonathan Haidt, The Atlantic  “Bixby Public Schools Prohibiting Cell Phone Use” - Kristen Weaver, News on 6 “Why Your Smart Phone Might Be Stopping You from Following Jesus” - Martin Saunders, Premier Christian  Dopamine Nation - Anna Lembke The Burnout Society - Byung-Chul Han

An update on what's next now that Season Six is complete, along with some book and music recommendations!BOOK RECOMMENDATIONSThe History of Jazz by Ted Gioia, 3rd edition - 1997, revised 2021Guitar Zero: The New Musician and the Science of Learning by Gary Marcus, 2012MUSIC RECOMMENDATION LINKSSteve Pardo - DOS - (also in Video Game form on Steam)Completions - I Needed HelpRuth Moody - WandererThe Onesies - The Onesies Dig With the Wrong FootSheena Ringo - HiizurutokoroAdi Oasis - Lotus GlowSt. Vincent - All Born ScreamingLaura Marling - Short Movie (Director's Cut)----LINKS-----SUPPORT STRONG SONGS!Paypal | Patreon.com/StrongsongsMERCH STOREstore.strongsongspodcast.comSOCIAL MEDIAIG: @Kirk_Hamilton | Threads: @Kirk_HamiltonNEWSLETTERnewsletter.kirkhamilton.comJOIN THE DISCORDhttps://discord.gg/GCvKqAM8SmSTRONG SONGS PLAYLISTSSpotify | Apple Music | YouTube MusicSHOW ARTTom Deja, Bossman Graphics--------------------JULY 2024 WHOLE-NOTE PATRONSRobyn MetcalfeBrian TempletCesarBob TuckerCorpus FriskyBen BarronCatherine WarnerDamon WhiteKaya WoodallJay SwartzMiriam JoyRushDaniel Hannon-BarryChristopher MillerJamie WhiteChristopher McConnellDavid MascettiJoe LaskaKen HirshMelanie AndrichJenness GardnerPaul DelaneyDave SharpeSami SamhuriJeremy DawsonAccessViolationAndre BremerDave FloreyJULY 2024 HALF-NOTE PATRONSAshleyThe Seattle Trans And Nonbinary Choral EnsembleKevin MarceloMatt CSamantha CoatesJamesMark NadasdiJeffDan CutterJoseph RomeroOl ParkerJohn BerryDanielle KrizMichael YorkClint McElroyMordok's Vape PenInmar GivoniMichael SingerMerv AdrianJoe GalloLauren KnottsDave KolasHenry MindlinMonica St. AngeloStephen WolkwitzSuzanneRand LeShayMaxeric spMatthew JonesThomasAnthony MentzJames McMurryEthan LaserBrian John PeterChris RemoMatt SchoenthalAaron WilsonDent EarlCarlos LernerMisty HaisfieldAbraham BenrubiChris KotarbaCallum WebbLynda MacNeilDick MorganBen SteinSusan GreenGrettir AsmundarsonSean MurphyAlan BroughRandal VegterGo Birds!Robert Granatdave malloyNick GallowayHeather Jjohn halpinPeter HardingDavidJohn BaumanMartín SalíasStu BakerSteve MartinoDr Arthur A GrayCarolinaGary PierceMatt BaxterLuigi BocciaE Margaret WartonCharles McGeeCatherine ClauseEthan BaumanKenIsWearingAHatJordan BlockAaron WadeJeff UlmDavid FutterJamieDeebsPortland Eye CareRichard SneddonCliff WhitlockJanice BerryDoreen CarlsonDavid McDarbyWendy GilchristElliot RosenLisa TurnerPaul WayperMiles FormanBruno GaetaKenneth JungAdam StofskyZak RemerRishi SahayJeffrey BeanJason ReitmanAilie FraserRob TsukNATALIE MISTILISJosh SingerAmy Lynn ThornsenAdam WKelli BrockingtonVictoria Yumino caposselaSteve PaquinDavid JoskeBernard KhooRobert HeuerDavid NoahGeraldine ButlerMadeleine MaderJason PrattAbbie BergDoug BelewDermot CrowleyAchint SrivastavaRyan RairighMichael BermanLinda DuffyBonnie PrinsenLiz SegerEoin de BurcaKevin PotterM Shane BordersDallas HockleyJason GerryNell MorseNathan GouwensLauren ReayEric PrestemonCookies250Damian BradyAngela LivingstoneDiane HughesMichael CasnerLowell MeyerStephen TsoneffJoshua HillGeoff GoldenPascal RuegerRandy SouzaClare HolbertonDiane TurnerTom ColemanDhu WikMelmaniacEric HelmJonathan DanielsMichael FlahertyCaro Fieldmichael bochnerNaomi WatsonDavid CushmanAlexanderChris KGavin DoigSam FennTanner MortonAJ SchusterJennifer BushDavid StroudBrad CallahanAmanda FurlottiAndrew BakerAndrew FairL.B. MorseBill ThorntonBrian AmoebasBrett DouvilleJeffrey OlsonMatt BetzelNate from KalamazooMelanie StiversRichard TollerAlexander PolsonEarl LozadaJustin McElroyArjun SharmaJames JohnsonKevin MorrellColin Hodo

We're on Patreon now! Find us at https://www.patreon.com/AudioUnleashed This week, Brent and Dennis talk about the flaming dumpster fire that is Spotify, get straight to the heart of what a “Speaker Improver” actually improves, and ponder the age-old question: When do DACs stop burning in? And for Patrons: a virtual tour of High End Munich 2024. Buy-now links for products mentioned herein (As Amazon Associates, we may earn a small cut from qualifying purchases):

A recent article by Ted Gioia on the decadent state of our culture pushed us to ask, “Are things really that bad?” It's a question on many people's minds these days, so we decided to explore it on this episode.

You may know Ted as a music historian, and the go-to expert on jazz. Or, you may know him as The Honest Broker on Substack. Either way, he's the most erudite guest this show has ever seen. Ted gives a masterclass on the state of our culture at large. What's up with our obsession with minimalism? Why do we value speed over beauty? Do we even realize that we're distracting ourselves into oblivion? And, of course, what does this mean for us as writers? This episode zooms out to look at where we've been, where we are, and where we're going. It's an upheaval of mediocrity, a call-to-arms for the pursuit of excellence. If you've been wanting to reclaim the magic, the beauty, and the awe-struck wonder of the written word, this episode is for you. WRITE OF PASSAGE: Want to learn more about the next class Write of Passage? https://writeofpassage.com/ SPEAKER LINKS: Website: https://www.tedgioia.com/ Twitter: https://twitter.com/tedgioia Newsletter: https://www.honest-broker.com/ YouTube: https://www.youtube.com/channel/UCTuRY58GauTM6wHA3_PPWRw Books: https://www.amazon.com/stores/Ted-Gioia/author/B001ITVXZS PODCAST LINKS:  Website: https://writeofpassage.com/how-i-write YouTube: https://www.youtube.com/@DavidPerellChannel/videos Apple: https://podcasts.apple.com/us/podcast/how-i-write/id1700171470 Spotify: https://open.spotify.com/show/2DjMSboniFAeGA8v9NpoPv Learn more about your ad choices. Visit megaphone.fm/adchoices

Jazz is a national treasure, but is no longer a common pastime. First, rock and then hip-hop eclipsed its popularity long ago. Historian Gerald Early claims that three things uniquely define America: the Constitution, baseball, and jazz. Yet the sale of jazz records accounts for only a small fraction of the music market. The last time I checked, it was 4%. Many of my students at Denver Seminary and at other institutions where I teach know very little about it, and are a bit puzzled if not flummoxed by my references to it. Others claim they “do not understand jazz,” perhaps with a twinge of guilt that they should. Last summer, a very intelligent and godly campus minister and long-time friend attended a jazz concert with me. Afterward, he said, “The music has a center, but I cannot find it.” I humbly or not-so-humbly told him that I had found it and that I loved it. I love it for many reasons. One outstanding reason is that it can help inform and reform our apologetics engagements through its distinctive genius. All that is needed is a bit of transposition from the sensibilities of jazz to the skills of apologetics. . . . Jazz Skills for Apologetics Know the standard arguments in apologetics. See Douglas Groothuis, Christian Apologetics, 2nd (InterVarsity, 2022) and Douglas Groothuis and Andrew Shepardson, The Knowledge of God in the World and in the Word (Zondervan, 2022). (1 Peter 3:15; Jude 3) Spend time in the woodshed. Study and practice. (2 Timothy 2:15; Hebrews 5:11-14) Improvise according to your knowledge. (John 15:5) Learn to syncopate, or be creative in apologetics. (Luke 19:1-10; see also Acts 17:16-34) Recommended books William Edgar, A Supreme Love. Robert Gelinas, Finding the Groove. Ted Gioia, The Imperfect Art. Ted Gioia, Douglas Groothuis articles about jazz at AllAboutJazz.com. Discover more Christian podcasts at lifeaudio.com and inquire about advertising opportunities at lifeaudio.com/contact-us.

Any jazz aficionado knows the musical virtues of jazz, whether they are a musician, a jazz writer, or simply a committed jazz listener. In classical Western thought (that is, in the musings of cats like Aristotle and Plato) a virtue is a kind of excellence in performance that flows from a settled habit. One who plays the flute as it ought to be played—the proper tone, pitch, and timing—displays a virtue or sharp skill in that musical instrument. One may be virtuous with respect to any endeavor worth doing, since anything worth doing is worth doing well. One who masters a worthwhile skill is a virtuoso. The four virtues of jazz that translate to other areas of life: Tradition Collaboration Improvisation Transcendence For more, see Douglas Groothuis's articles on jazz at www.AllAboutJazz.com and Ted Gioia, The Imperfect Art.  Discover more Christian podcasts at lifeaudio.com and inquire about advertising opportunities at lifeaudio.com/contact-us.

Jeff and Rebecca note a customer survey Bookshop.org sent to customers about their audiobook habits, decide no-new news is good news as Jesmyn Ward stays on at S&S, really resonate with Ted Gioia's "State of Culture, 2024," and more. Subscribe to the podcast via RSS, Apple Podcasts, and Spotify. For more industry news, sign up for our Today in Books daily newsletter! Sign up for Better Living Through Books and the BR Pod newsletter Want to make your book club the best club? Sign up for our In the Club newsletter. In the Club will deliver recommendations for the best books to discuss in your book clubs. From buzzy new releases to brilliant throwbacks, the books highlighted in this newsletter will drive your book club discussions. We'll also share some book club-friendly recipes and interesting bookish updates from all over. If you become a paid subscriber, you get even more recommendations plus community features. In other words, we'll keep you well-met, well-read, and well-fed. Sign up today! Discussed in this episode: First Edition! The Book Riot Podcast Patreon Bookshop.org appears to be interested in audiobooks Jesmyn Ward signs 3-book deal with Scribner TikTok-famous librarian quits because of harassment And I think we have to talk about Ted Gioia and the state of the culture Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's episode, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) discuss Ted Gioia's breakdown of how the culture has moved from art to entertainment, into a world of distraction, and is now veering toward addiction. (Or, how we moved from Kubrick and Coppola to TikTok and IG Stories in several easy steps.) Then they reviewed Drive-Away Dolls, the new lesbian neo-noir from Ethan Coen and Tricia Cooke. Is it an instant cult classic or something less impressive? Make sure to swing by Friday for our bonus episode on the Criterion Channel's Razzies program. And if you enjoyed this episode, share it with a friend!

This week, Emily Bazelon and David Plotz are reunited with John Dickerson to discuss the Wisconsin Republicans' effort to impeach Justice Janet Protasiewicz and protect their gerrymander; Speaker Kevin McCarthy's decision to start an impeachment inquiry of President Joe Biden and prevent a government shutdown; and Biden's age problem and Donald Trump's battleground-state difficulties. Join us for Political Gabfest Live in Madison, Wisconsin on October 25! Here are some notes and references from this week's show: Scott Bauer for AP: “Why Wisconsin Republicans are talking about impeaching a new state Supreme Court justice” City Cast Madison podcast: “How We Know Wisconsin's Maps are Gerrymandered” Republican Party of Minnesota v. White, 536 U.S. 765 (2002) Luke Broadwater for The New York Times: “What We Know About the Impeachment Case Against Biden” and Carl Hulse and Luke Broadwater: “McCarthy Tries to Leverage Biden Impeachment to Avoid a Shutdown” Nate Cohn for The New York Times: “Trump's Electoral College Edge Seems to Be Fading” and “How to Interpret Polling Showing Biden's Loss of Nonwhite Support” FiveThirtyEight Politics Podcast: “Why Biden Is Losing Support Among Voters Of Color” Paul Waldman for MSNBC: “You can talk about Biden's age. Just not like this.” The Hardest Job in the World: The American Presidency by John Dickerson The Last Politician: Inside Joe Biden's White House and the Struggle for America's Future by Franklin Foer Dan Balz for The Washington Post: “Mitt Romney says he will not seek a second term in the Senate” McKay Coppins for The Atlantic: “What Mitt Romney Saw In The Senate” “Mitt” on Netflix  Laura Vozzella for The Washington Post: “Va. Dem. House candidate performed sex online with husband for tips” Here are this week's chatters: Emily: The Knockout Queen: A Novel by Rufi Thorpe and The Vaster Wilds: A Novel by Lauren Groff John: The Journals of John Cheever edited by Robert Gottlieb; CBS News Sunday Morning; Ted Gioia in The Honest Broker: “Why Is Music Getting Sadder?”; and Chris Dalla Riva: “Tears Are Falling And I Feel The Pain” David: Zhong sauce by Fly By Jing Listener chatter from Ben: Tyler Vigen's “The Mystery of the Bloomfield Bridge” For this week's Slate Plus bonus segment, Emily, John, and David discuss Susanna Gibson, the Virginia Democratic House candidate who “performed sex online with husband for tips.”  In the latest Gabfest Reads, Emily, David, and John talk with Barbara Kingsolver about her best-selling book, Demon Copperhead.  Email your chatters, questions, and comments to gabfest@slate.com or X us @SlateGabfest. (Messages may be quoted by name unless the writer stipulates otherwise.) Podcast production by Jared Downing and Cheyna Roth Research by Julie Huygen Hosts Emily Bazelon, John Dickerson, and David Plotz Follow @SlateGabfest on X / https://twitter.com/SlateGabfest Slate Gabfest on Facebook / https://www.facebook.com/Gabfest/ Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Emily Bazelon and David Plotz are reunited with John Dickerson to discuss the Wisconsin Republicans' effort to impeach Justice Janet Protasiewicz and protect their gerrymander; Speaker Kevin McCarthy's decision to start an impeachment inquiry of President Joe Biden and prevent a government shutdown; and Biden's age problem and Donald Trump's battleground-state difficulties. Join us for Political Gabfest Live in Madison, Wisconsin on October 25! Here are some notes and references from this week's show: Scott Bauer for AP: “Why Wisconsin Republicans are talking about impeaching a new state Supreme Court justice” City Cast Madison podcast: “How We Know Wisconsin's Maps are Gerrymandered” Republican Party of Minnesota v. White, 536 U.S. 765 (2002) Luke Broadwater for The New York Times: “What We Know About the Impeachment Case Against Biden” and Carl Hulse and Luke Broadwater: “McCarthy Tries to Leverage Biden Impeachment to Avoid a Shutdown” Nate Cohn for The New York Times: “Trump's Electoral College Edge Seems to Be Fading” and “How to Interpret Polling Showing Biden's Loss of Nonwhite Support” FiveThirtyEight Politics Podcast: “Why Biden Is Losing Support Among Voters Of Color” Paul Waldman for MSNBC: “You can talk about Biden's age. Just not like this.” The Hardest Job in the World: The American Presidency by John Dickerson The Last Politician: Inside Joe Biden's White House and the Struggle for America's Future by Franklin Foer Dan Balz for The Washington Post: “Mitt Romney says he will not seek a second term in the Senate” McKay Coppins for The Atlantic: “What Mitt Romney Saw In The Senate” “Mitt” on Netflix  Laura Vozzella for The Washington Post: “Va. Dem. House candidate performed sex online with husband for tips” Here are this week's chatters: Emily: The Knockout Queen: A Novel by Rufi Thorpe and The Vaster Wilds: A Novel by Lauren Groff John: The Journals of John Cheever edited by Robert Gottlieb; CBS News Sunday Morning; Ted Gioia in The Honest Broker: “Why Is Music Getting Sadder?”; and Chris Dalla Riva: “Tears Are Falling And I Feel The Pain” David: Zhong sauce by Fly By Jing Listener chatter from Ben: Tyler Vigen's “The Mystery of the Bloomfield Bridge” For this week's Slate Plus bonus segment, Emily, John, and David discuss Susanna Gibson, the Virginia Democratic House candidate who “performed sex online with husband for tips.”  In the latest Gabfest Reads, Emily, David, and John talk with Barbara Kingsolver about her best-selling book, Demon Copperhead.  Email your chatters, questions, and comments to gabfest@slate.com or X us @SlateGabfest. (Messages may be quoted by name unless the writer stipulates otherwise.) Podcast production by Jared Downing and Cheyna Roth Research by Julie Huygen Hosts Emily Bazelon, John Dickerson, and David Plotz Follow @SlateGabfest on X / https://twitter.com/SlateGabfest Slate Gabfest on Facebook / https://www.facebook.com/Gabfest/ Learn more about your ad choices. Visit megaphone.fm/adchoices