Podcasts about leschetizky

Keyboard Immortals - ep 22 - Fanny Bloomfield Zeisler Plays Piano. Born July 16, 1863 and died August 20, 1927. She was an Austrian-born U.S. pianist. At the age of six, before receiving any musical instruction, she began picking out tunes on the piano. Her first teachers were in Chicago; Bernard Ziehn and Carl Wolfsohn. In 1877, Annette Essipova, then on tour in the United States, heard her play and advised that she became a pupil of Theodor Leschetizky. She made her debut at the age of 11 in February 1875. In 1878, she returned to Austria to study in Vienna, under Leschetizky. While in Austria, she changed her name from Blumenfeld to Bloomfield. She returned to Chicago in 1883. Bloomfield performed in concert in Chicago in April 1884. In January 1885, she debuted in New York City. Around the turn of the century, she made piano rolls of various piano compositions.

Unfortunately, very little information can be found about the English pianist/teacher, Annette Hullah. Apart from an English newspaper having announced her return from Vienna, in 1893, following the completion of her studies with Theodor Leschetizky and the publication of an American newspaper having referred to her as “young” in 1902, one estimates that she was born in the 1870s. Annette Hullah was the daughter of the famed English organist, teacher and composer, Sir John Pyke Hullah (1812-84). Interestingly, Hullah’s father knew Charles Dickens, the latter having wrote a failed comic opera entitled, The Village Coquettes for which the former was to have composed the music. Years later (ca. 1930) Hullah sold the letters that were written to her father by Dickens. Hullah's mother was Frances Rosser Hullah. In addition to being a student of Leschetizky (one of the most famous and legendary piano teachers of all time) Hullah was one of his teaching assistants and, judging by her book, Theodor Leschetizky it appears as though she had a firm grasp of the teaching principles of her master. Published in 1906 as part of the “Living Masters of Music Series” by John Lane Company, Hullah’s short book serves more as biography than memoir. A few personal stories do pepper the text and make for an enjoyable read, particularly when read alongside Leschetizky As I Knew Him written by Hullah’s classmate, Ethel Newcomb. (The first seventeen episodes of this podcast are devoted to the book.) Following her return to England in 1893, Hullah apparently taught piano and performed, although no major tours or orchestral debuts appear to have been documented and it is not known whether or not she made any recordings. Following some health issues, particularly with regards to weak lungs, Hullah resided for some time in California at the turn of the century. Her health having been improved by the weather, she later returned to England where she secured a wealthy patron. It is interesting to note that during Hullah’s time in California, she performed both solo and chamber music in and around San Francisco and was frequently the guest at the teas, suppers and musicales of noted individuals, including Mr. and Mrs. Thomas Magee. Magee had been a millionaire property owner and was a retired real estate broker when he died in 1902 at the age of seventy. While there exists very little biographical information about Hullah, one thing that evidently did not go unnoticed was her looks, numerous reporters having described her physical attributes in accounts such as: “Her head reminds you of Du Maurier’s Women…” Not unlike the Polish pianist, Ignacy Jan Paderewski (another pupil of Leschetizky) Hullah’s hair was described as having reminded one of the pre-Raphaelite faces painted by Sir Edward Burne-Jones and Sir Lawrence Alma-Tadema. Another reporter wrote that Hullah “looks like an angel when she plays, for she has a halo of bright gold hair which is really much like an aureole, and her face is decidedly spirituelle.” Hullah was also frequently described as that “fascinating little English girl,” or the “pretty little English pianist with the aureole of bright hair” and that “dainty and charming little lady.” As for her character, Hullah has been described as being of the “scholarly, academic, logical school – an intellectual rather than emotional conception” and it has been said that her distinguishing characteristics were “an admirable conscientiousness, considerable technical attainment and unusual poise.” As a pianist, she was said to have played “exceedingly well.” Hullah also wrote A Little History of Music. ---------- PayPal.me/pennypiano Support for this podcast is greatly appreciated!

Unfortunately, very little information can be found about the English pianist/teacher, Annette Hullah. Apart from an English newspaper having announced her return from Vienna, in 1893, following the completion of her studies with Theodor Leschetizky and the publication of an American newspaper having referred to her as “young” in 1902, one estimates that she was born in the 1870s. Annette Hullah was the daughter of the famed English organist, teacher and composer, Sir John Pyke Hullah (1812-84). Interestingly, Hullah’s father knew Charles Dickens, the latter having wrote a failed comic opera entitled, The Village Coquettes for which the former was to have composed the music. Years later (ca. 1930) Hullah sold the letters that were written to her father by Dickens. Hullah's mother was Frances Rosser Hullah. In addition to being a student of Leschetizky (one of the most famous and legendary piano teachers of all time) Hullah was one of his teaching assistants and, judging by her book, Theodor Leschetizky it appears as though she had a firm grasp of the teaching principles of her master. Published in 1906 as part of the “Living Masters of Music Series” by John Lane Company, Hullah’s short book serves more as biography than memoir. A few personal stories do pepper the text and make for an enjoyable read, particularly when read alongside Leschetizky As I Knew Him written by Hullah’s classmate, Ethel Newcomb. (The first seventeen episodes of this podcast are devoted to the book.) Following her return to England in 1893, Hullah apparently taught piano and performed, although no major tours or orchestral debuts appear to have been documented and it is not known whether or not she made any recordings. Following some health issues, particularly with regards to weak lungs, Hullah resided for some time in California at the turn of the century. Her health having been improved by the weather, she later returned to England where she secured a wealthy patron. It is interesting to note that during Hullah’s time in California, she performed both solo and chamber music in and around San Francisco and was frequently the guest at the teas, suppers and musicales of noted individuals, including Mr. and Mrs. Thomas Magee. Magee had been a millionaire property owner and was a retired real estate broker when he died in 1902 at the age of seventy. While there exists very little biographical information about Hullah, one thing that evidently did not go unnoticed was her looks, numerous reporters having described her physical attributes in accounts such as: “Her head reminds you of Du Maurier’s Women…” Not unlike the Polish pianist, Ignacy Jan Paderewski (another pupil of Leschetizky) Hullah’s hair was described as having reminded one of the pre-Raphaelite faces painted by Sir Edward Burne-Jones and Sir Lawrence Alma-Tadema. Another reporter wrote that Hullah “looks like an angel when she plays, for she has a halo of bright gold hair which is really much like an aureole, and her face is decidedly spirituelle.” Hullah was also frequently described as that “fascinating little English girl,” or the “pretty little English pianist with the aureole of bright hair” and that “dainty and charming little lady.” As for her character, Hullah has been described as being of the “scholarly, academic, logical school – an intellectual rather than emotional conception” and it has been said that her distinguishing characteristics were “an admirable conscientiousness, considerable technical attainment and unusual poise.” As a pianist, she was said to have played “exceedingly well.” Hullah also wrote A Little History of Music. ---------- PayPal.me/pennypiano Support for this podcast is greatly appreciated!

Unfortunately, very little information can be found about the English pianist/teacher, Annette Hullah. Apart from an English newspaper having announced her return from Vienna, in 1893, following the completion of her studies with Theodor Leschetizky and the publication of an American newspaper having referred to her as “young” in 1902, one estimates that she was born in the 1870s. Annette Hullah was the daughter of the famed English organist, teacher and composer, Sir John Pyke Hullah (1812-84). Interestingly, Hullah’s father knew Charles Dickens, the latter having wrote a failed comic opera entitled, The Village Coquettes for which the former was to have composed the music. Years later (ca. 1930) Hullah sold the letters that were written to her father by Dickens. Hullah's mother was Frances Rosser Hullah. In addition to being a student of Leschetizky (one of the most famous and legendary piano teachers of all time) Hullah was one of his teaching assistants and, judging by her book, Theodor Leschetizky it appears as though she had a firm grasp of the teaching principles of her master. Published in 1906 as part of the “Living Masters of Music Series” by John Lane Company, Hullah’s short book serves more as biography than memoir. A few personal stories do pepper the text and make for an enjoyable read, particularly when read alongside Leschetizky As I Knew Him written by Hullah’s classmate, Ethel Newcomb. (The first seventeen episodes of this podcast are devoted to the book.) Following her return to England in 1893, Hullah apparently taught piano and performed, although no major tours or orchestral debuts appear to have been documented and it is not known whether or not she made any recordings. Following some health issues, particularly with regards to weak lungs, Hullah resided for some time in California at the turn of the century. Her health having been improved by the weather, she later returned to England where she secured a wealthy patron. It is interesting to note that during Hullah’s time in California, she performed both solo and chamber music in and around San Francisco and was frequently the guest at the teas, suppers and musicales of noted individuals, including Mr. and Mrs. Thomas Magee. Magee had been a millionaire property owner and was a retired real estate broker when he died in 1902 at the age of seventy. While there exists very little biographical information about Hullah, one thing that evidently did not go unnoticed was her looks, numerous reporters having described her physical attributes in accounts such as: “Her head reminds you of Du Maurier’s Women…” Not unlike the Polish pianist, Ignacy Jan Paderewski (another pupil of Leschetizky) Hullah’s hair was described as having reminded one of the pre-Raphaelite faces painted by Sir Edward Burne-Jones and Sir Lawrence Alma-Tadema. Another reporter wrote that Hullah “looks like an angel when she plays, for she has a halo of bright gold hair which is really much like an aureole, and her face is decidedly spirituelle.” Hullah was also frequently described as that “fascinating little English girl,” or the “pretty little English pianist with the aureole of bright hair” and that “dainty and charming little lady.” As for her character, Hullah has been described as being of the “scholarly, academic, logical school – an intellectual rather than emotional conception” and it has been said that her distinguishing characteristics were “an admirable conscientiousness, considerable technical attainment and unusual poise.” As a pianist, she was said to have played “exceedingly well.” Hullah also wrote A Little History of Music. ---------- PayPal.me/pennypiano Support for this podcast is greatly appreciated!

Unfortunately, very little information can be found about the English pianist/teacher, Annette Hullah. Apart from an English newspaper having announced her return from Vienna, in 1893, following the completion of her studies with Theodor Leschetizky and the publication of an American newspaper having referred to her as “young” in 1902, one estimates that she was born in the 1870s. Annette Hullah was the daughter of the famed English organist, teacher and composer, Sir John Pyke Hullah (1812-84). Interestingly, Hullah’s father knew Charles Dickens, the latter having wrote a failed comic opera entitled, The Village Coquettes for which the former was to have composed the music. Years later (ca. 1930) Hullah sold the letters that were written to her father by Dickens. Hullah's mother was Frances Rosser Hullah. In addition to being a student of Leschetizky (one of the most famous and legendary piano teachers of all time) Hullah was one of his teaching assistants and, judging by her book, Theodor Leschetizky it appears as though she had a firm grasp of the teaching principles of her master. Published in 1906 as part of the “Living Masters of Music Series” by John Lane Company, Hullah’s short book serves more as biography than memoir. A few personal stories do pepper the text and make for an enjoyable read, particularly when read alongside Leschetizky As I Knew Him written by Hullah’s classmate, Ethel Newcomb. (The first seventeen episodes of this podcast are devoted to the book.) Following her return to England in 1893, Hullah apparently taught piano and performed, although no major tours or orchestral debuts appear to have been documented and it is not known whether or not she made any recordings. Following some health issues, particularly with regards to weak lungs, Hullah resided for some time in California at the turn of the century. Her health having been improved by the weather, she later returned to England where she secured a wealthy patron. It is interesting to note that during Hullah’s time in California, she performed both solo and chamber music in and around San Francisco and was frequently the guest at the teas, suppers and musicales of noted individuals, including Mr. and Mrs. Thomas Magee. Magee had been a millionaire property owner and was a retired real estate broker when he died in 1902 at the age of seventy. While there exists very little biographical information about Hullah, one thing that evidently did not go unnoticed was her looks, numerous reporters having described her physical attributes in accounts such as: “Her head reminds you of Du Maurier’s Women…” Not unlike the Polish pianist, Ignacy Jan Paderewski (another pupil of Leschetizky) Hullah’s hair was described as having reminded one of the pre-Raphaelite faces painted by Sir Edward Burne-Jones and Sir Lawrence Alma-Tadema. Another reporter wrote that Hullah “looks like an angel when she plays, for she has a halo of bright gold hair which is really much like an aureole, and her face is decidedly spirituelle.” Hullah was also frequently described as that “fascinating little English girl,” or the “pretty little English pianist with the aureole of bright hair” and that “dainty and charming little lady.” As for her character, Hullah has been described as being of the “scholarly, academic, logical school – an intellectual rather than emotional conception” and it has been said that her distinguishing characteristics were “an admirable conscientiousness, considerable technical attainment and unusual poise.” As a pianist, she was said to have played “exceedingly well.” Hullah also wrote A Little History of Music. ---------- PayPal.me/pennypiano Support for this podcast is greatly appreciated!

Unfortunately, very little information can be found about the English pianist/teacher, Annette Hullah. Apart from an English newspaper having announced her return from Vienna, in 1893, following the completion of her studies with Theodor Leschetizky and the publication of an American newspaper having referred to her as “young” in 1902, one estimates that she was born in the 1870s. Annette Hullah was the daughter of the famed English organist, teacher and composer, Sir John Pyke Hullah (1812-84). Interestingly, Hullah’s father knew Charles Dickens, the latter having wrote a failed comic opera entitled, The Village Coquettes for which the former was to have composed the music. Years later (ca. 1930) Hullah sold the letters that were written to her father by Dickens. Hullah's mother was Frances Rosser Hullah. In addition to being a student of Leschetizky (one of the most famous and legendary piano teachers of all time) Hullah was one of his teaching assistants and, judging by her book, Theodor Leschetizky it appears as though she had a firm grasp of the teaching principles of her master. Published in 1906 as part of the “Living Masters of Music Series” by John Lane Company, Hullah’s short book serves more as biography than memoir. A few personal stories do pepper the text and make for an enjoyable read, particularly when read alongside Leschetizky As I Knew Him written by Hullah’s classmate, Ethel Newcomb. (The first seventeen episodes of this podcast are devoted to the book.) Following her return to England in 1893, Hullah apparently taught piano and performed, although no major tours or orchestral debuts appear to have been documented and it is not known whether or not she made any recordings. Following some health issues, particularly with regards to weak lungs, Hullah resided for some time in California at the turn of the century. Her health having been improved by the weather, she later returned to England where she secured a wealthy patron. It is interesting to note that during Hullah’s time in California, she performed both solo and chamber music in and around San Francisco and was frequently the guest at the teas, suppers and musicales of noted individuals, including Mr. and Mrs. Thomas Magee. Magee had been a millionaire property owner and was a retired real estate broker when he died in 1902 at the age of seventy. While there exists very little biographical information about Hullah, one thing that evidently did not go unnoticed was her looks, numerous reporters having described her physical attributes in accounts such as: “Her head reminds you of Du Maurier’s Women…” Not unlike the Polish pianist, Ignacy Jan Paderewski (another pupil of Leschetizky) Hullah’s hair was described as having reminded one of the pre-Raphaelite faces painted by Sir Edward Burne-Jones and Sir Lawrence Alma-Tadema. Another reporter wrote that Hullah “looks like an angel when she plays, for she has a halo of bright gold hair which is really much like an aureole, and her face is decidedly spirituelle.” Hullah was also frequently described as that “fascinating little English girl,” or the “pretty little English pianist with the aureole of bright hair” and that “dainty and charming little lady.” As for her character, Hullah has been described as being of the “scholarly, academic, logical school – an intellectual rather than emotional conception” and it has been said that her distinguishing characteristics were “an admirable conscientiousness, considerable technical attainment and unusual poise.” As a pianist, she was said to have played “exceedingly well.” Hullah also wrote A Little History of Music. ---------- PayPal.me/pennypiano Support for this podcast is greatly appreciated!

Unfortunately, very little information can be found about the English pianist/teacher, Annette Hullah. Apart from an English newspaper having announced her return from Vienna, in 1893, following the completion of her studies with Theodor Leschetizky and the publication of an American newspaper having referred to her as “young” in 1902, one estimates that she was born in the 1870s. Annette Hullah was the daughter of the famed English organist, teacher and composer, Sir John Pyke Hullah (1812-84). Interestingly, Hullah’s father knew Charles Dickens, the latter having wrote a failed comic opera entitled, The Village Coquettes for which the former was to have composed the music. Years later (ca. 1930) Hullah sold the letters that were written to her father by Dickens. Hullah's mother was Frances Rosser Hullah. In addition to being a student of Leschetizky (one of the most famous and legendary piano teachers of all time) Hullah was one of his teaching assistants and, judging by her book, Theodor Leschetizky it appears as though she had a firm grasp of the teaching principles of her master. Published in 1906 as part of the “Living Masters of Music Series” by John Lane Company, Hullah’s short book serves more as biography than memoir. A few personal stories do pepper the text and make for an enjoyable read, particularly when read alongside Leschetizky As I Knew Him written by Hullah’s classmate, Ethel Newcomb. (The first seventeen episodes of this podcast are devoted to the book.) Following her return to England in 1893, Hullah apparently taught piano and performed, although no major tours or orchestral debuts appear to have been documented and it is not known whether or not she made any recordings. Following some health issues, particularly with regards to weak lungs, Hullah resided for some time in California at the turn of the century. Her health having been improved by the weather, she later returned to England where she secured a wealthy patron. It is interesting to note that during Hullah’s time in California, she performed both solo and chamber music in and around San Francisco and was frequently the guest at the teas, suppers and musicales of noted individuals, including Mr. and Mrs. Thomas Magee. Magee had been a millionaire property owner and was a retired real estate broker when he died in 1902 at the age of seventy. While there exists very little biographical information about Hullah, one thing that evidently did not go unnoticed was her looks, numerous reporters having described her physical attributes in accounts such as: “Her head reminds you of Du Maurier’s Women…” Not unlike the Polish pianist, Ignacy Jan Paderewski (another pupil of Leschetizky) Hullah’s hair was described as having reminded one of the pre-Raphaelite faces painted by Sir Edward Burne-Jones and Sir Lawrence Alma-Tadema. Another reporter wrote that Hullah “looks like an angel when she plays, for she has a halo of bright gold hair which is really much like an aureole, and her face is decidedly spirituelle.” Hullah was also frequently described as that “fascinating little English girl,” or the “pretty little English pianist with the aureole of bright hair” and that “dainty and charming little lady.” As for her character, Hullah has been described as being of the “scholarly, academic, logical school – an intellectual rather than emotional conception” and it has been said that her distinguishing characteristics were “an admirable conscientiousness, considerable technical attainment and unusual poise.” As a pianist, she was said to have played “exceedingly well.” Hullah also wrote A Little History of Music. ---------- PayPal.me/pennypiano Support for this podcast is greatly appreciated!

Unfortunately, very little information can be found about the English pianist/teacher, Annette Hullah. Apart from an English newspaper having announced her return from Vienna, in 1893, following the completion of her studies with Theodor Leschetizky and the publication of an American newspaper having referred to her as “young” in 1902, one estimates that she was born in the 1870s. Annette Hullah was the daughter of the famed English organist, teacher and composer, Sir John Pyke Hullah (1812-84). Interestingly, Hullah’s father knew Charles Dickens, the latter having wrote a failed comic opera entitled, The Village Coquettes for which the former was to have composed the music. Years later (ca. 1930) Hullah sold the letters that were written to her father by Dickens. Hullah's mother was Frances Rosser Hullah. In addition to being a student of Leschetizky (one of the most famous and legendary piano teachers of all time) Hullah was one of his teaching assistants and, judging by her book, Theodor Leschetizky it appears as though she had a firm grasp of the teaching principles of her master. Published in 1906 as part of the “Living Masters of Music Series” by John Lane Company, Hullah’s short book serves more as biography than memoir. A few personal stories do pepper the text and make for an enjoyable read, particularly when read alongside Leschetizky As I Knew Him written by Hullah’s classmate, Ethel Newcomb. (The first seventeen episodes of this podcast are devoted to the book.) Following her return to England in 1893, Hullah apparently taught piano and performed, although no major tours or orchestral debuts appear to have been documented and it is not known whether or not she made any recordings. Following some health issues, particularly with regards to weak lungs, Hullah resided for some time in California at the turn of the century. Her health having been improved by the weather, she later returned to England where she secured a wealthy patron. It is interesting to note that during Hullah’s time in California, she performed both solo and chamber music in and around San Francisco and was frequently the guest at the teas, suppers and musicales of noted individuals, including Mr. and Mrs. Thomas Magee. Magee had been a millionaire property owner and was a retired real estate broker when he died in 1902 at the age of seventy. While there exists very little biographical information about Hullah, one thing that evidently did not go unnoticed was her looks, numerous reporters having described her physical attributes in accounts such as: “Her head reminds you of Du Maurier’s Women…” Not unlike the Polish pianist, Ignacy Jan Paderewski (another pupil of Leschetizky) Hullah’s hair was described as having reminded one of the pre-Raphaelite faces painted by Sir Edward Burne-Jones and Sir Lawrence Alma-Tadema. Another reporter wrote that Hullah “looks like an angel when she plays, for she has a halo of bright gold hair which is really much like an aureole, and her face is decidedly spirituelle.” Hullah was also frequently described as that “fascinating little English girl,” or the “pretty little English pianist with the aureole of bright hair” and that “dainty and charming little lady.” As for her character, Hullah has been described as being of the “scholarly, academic, logical school – an intellectual rather than emotional conception” and it has been said that her distinguishing characteristics were “an admirable conscientiousness, considerable technical attainment and unusual poise.” As a pianist, she was said to have played “exceedingly well.” Hullah also wrote A Little History of Music. ---------- PayPal.me/pennypiano Support for this podcast is greatly appreciated!

Born in Whitney Point, New York, in 1875, Ethel Newcomb would go on to have an important career as a concert pianist, having performed across Europe and the United States in the early 1900s, including under the batons of Richard Strauss and Ossip Gabrilowitsch. In later years, she devoted her attention to teaching. She died in 1959 at the age of eighty-three. Ethel Newcomb is perhaps best known for her book, Leschetizky As I Knew Him, published in 1921. Brimming with detail and written in an easy, conversational style, the book recounts endless stories from her period of study in Vienna, under the guidance of the celebrated piano teacher, Theodore Leschetizky. Newcomb studied with Leschetizky from 1895-1903 and, in the years immediately following, served as one of his teaching assistants. From stories about Leschetizky's infamous Wednesday evening classes to those about Viennese cultural life, as well as firsthand accounts of celebrated artists, patrons and members of the nobility, including Emperor Franz Joseph I, the book offers a friendly window into the world of a young American female pianist studying in Europe during the years leading up to the First World War. ---------- PayPal.me/pennypiano Support for this podcast is greatly appreciated!

Born in Whitney Point, New York, in 1875, Ethel Newcomb would go on to have an important career as a concert pianist, having performed across Europe and the United States in the early 1900s, including under the batons of Richard Strauss and Ossip Gabrilowitsch. In later years, she devoted her attention to teaching. She died in 1959 at the age of eighty-three. Ethel Newcomb is perhaps best known for her book, Leschetizky As I Knew Him, published in 1921. Brimming with detail and written in an easy, conversational style, the book recounts endless stories from her period of study in Vienna, under the guidance of the celebrated piano teacher, Theodore Leschetizky. Newcomb studied with Leschetizky from 1895-1903 and, in the years immediately following, served as one of his teaching assistants. From stories about Leschetizky's infamous Wednesday evening classes to those about Viennese cultural life, as well as firsthand accounts of celebrated artists, patrons and members of the nobility, including Emperor Franz Joseph I, the book offers a friendly window into the world of a young American female pianist studying in Europe during the years leading up to the First World War. ---------- PayPal.me/pennypiano Support for this podcast is greatly appreciated!

Born in Whitney Point, New York, in 1875, Ethel Newcomb would go on to have an important career as a concert pianist, having performed across Europe and the United States in the early 1900s, including under the batons of Richard Strauss and Ossip Gabrilowitsch. In later years, she devoted her attention to teaching. She died in 1959 at the age of eighty-three. Ethel Newcomb is perhaps best known for her book, Leschetizky As I Knew Him, published in 1921. Brimming with detail and written in an easy, conversational style, the book recounts endless stories from her period of study in Vienna, under the guidance of the celebrated piano teacher, Theodore Leschetizky. Newcomb studied with Leschetizky from 1895-1903 and, in the years immediately following, served as one of his teaching assistants. From stories about Leschetizky's infamous Wednesday evening classes to those about Viennese cultural life, as well as firsthand accounts of celebrated artists, patrons and members of the nobility, including Emperor Franz Joseph I, the book offers a friendly window into the world of a young American female pianist studying in Europe during the years leading up to the First World War. ---------- PayPal.me/pennypiano Support for this podcast is greatly appreciated!

Born in Whitney Point, New York, in 1875, Ethel Newcomb would go on to have an important career as a concert pianist, having performed across Europe and the United States in the early 1900s, including under the batons of Richard Strauss and Ossip Gabrilowitsch. In later years, she devoted her attention to teaching. She died in 1959 at the age of eighty-three. Ethel Newcomb is perhaps best known for her book, Leschetizky As I Knew Him, published in 1921. Brimming with detail and written in an easy, conversational style, the book recounts endless stories from her period of study in Vienna, under the guidance of the celebrated piano teacher, Theodore Leschetizky. Newcomb studied with Leschetizky from 1895-1903 and, in the years immediately following, served as one of his teaching assistants. From stories about Leschetizky's infamous Wednesday evening classes to those about Viennese cultural life, as well as firsthand accounts of celebrated artists, patrons and members of the nobility, including Emperor Franz Joseph I, the book offers a friendly window into the world of a young American female pianist studying in Europe during the years leading up to the First World War. ---------- PayPal.me/pennypiano Support for this podcast is greatly appreciated!

Born in Whitney Point, New York, in 1875, Ethel Newcomb would go on to have an important career as a concert pianist, having performed across Europe and the United States in the early 1900s, including under the batons of Richard Strauss and Ossip Gabrilowitsch. In later years, she devoted her attention to teaching. She died in 1959 at the age of eighty-three. Ethel Newcomb is perhaps best known for her book, Leschetizky As I Knew Him, published in 1921. Brimming with detail and written in an easy, conversational style, the book recounts endless stories from her period of study in Vienna, under the guidance of the celebrated piano teacher, Theodore Leschetizky. Newcomb studied with Leschetizky from 1895-1903 and, in the years immediately following, served as one of his teaching assistants. From stories about Leschetizky's infamous Wednesday evening classes to those about Viennese cultural life, as well as firsthand accounts of celebrated artists, patrons and members of the nobility, including Emperor Franz Joseph I, the book offers a friendly window into the world of a young American female pianist studying in Europe during the years leading up to the First World War. ---------- PayPal.me/pennypiano Support for this podcast is greatly appreciated!

Born in Whitney Point, New York, in 1875, Ethel Newcomb would go on to have an important career as a concert pianist, having performed across Europe and the United States in the early 1900s, including under the batons of Richard Strauss and Ossip Gabrilowitsch. In later years, she devoted her attention to teaching. She died in 1959 at the age of eighty-three. Ethel Newcomb is perhaps best known for her book, Leschetizky As I Knew Him, published in 1921. Brimming with detail and written in an easy, conversational style, the book recounts endless stories from her period of study in Vienna, under the guidance of the celebrated piano teacher, Theodore Leschetizky. Newcomb studied with Leschetizky from 1895-1903 and, in the years immediately following, served as one of his teaching assistants. From stories about Leschetizky's infamous Wednesday evening classes to those about Viennese cultural life, as well as firsthand accounts of celebrated artists, patrons and members of the nobility, including Emperor Franz Joseph I, the book offers a friendly window into the world of a young American female pianist studying in Europe during the years leading up to the First World War. ---------- PayPal.me/pennypiano Support for this podcast is greatly appreciated!

Born in Whitney Point, New York, in 1875, Ethel Newcomb would go on to have an important career as a concert pianist, having performed across Europe and the United States in the early 1900s, including under the batons of Richard Strauss and Ossip Gabrilowitsch. In later years, she devoted her attention to teaching. She died in 1959 at the age of eighty-three. Ethel Newcomb is perhaps best known for her book, Leschetizky As I Knew Him, published in 1921. Brimming with detail and written in an easy, conversational style, the book recounts endless stories from her period of study in Vienna, under the guidance of the celebrated piano teacher, Theodore Leschetizky. Newcomb studied with Leschetizky from 1895-1903 and, in the years immediately following, served as one of his teaching assistants. From stories about Leschetizky's infamous Wednesday evening classes to those about Viennese cultural life, as well as firsthand accounts of celebrated artists, patrons and members of the nobility, including Emperor Franz Joseph I, the book offers a friendly window into the world of a young American female pianist studying in Europe during the years leading up to the First World War. ---------- PayPal.me/pennypiano Support for this podcast is greatly appreciated!

Born in Whitney Point, New York, in 1875, Ethel Newcomb would go on to have an important career as a concert pianist, having performed across Europe and the United States in the early 1900s, including under the batons of Richard Strauss and Ossip Gabrilowitsch. In later years, she devoted her attention to teaching. She died in 1959 at the age of eighty-three. Ethel Newcomb is perhaps best known for her book, Leschetizky As I Knew Him, published in 1921. Brimming with detail and written in an easy, conversational style, the book recounts endless stories from her period of study in Vienna, under the guidance of the celebrated piano teacher, Theodore Leschetizky. Newcomb studied with Leschetizky from 1895-1903 and, in the years immediately following, served as one of his teaching assistants. From stories about Leschetizky's infamous Wednesday evening classes to those about Viennese cultural life, as well as firsthand accounts of celebrated artists, patrons and members of the nobility, including Emperor Franz Joseph I, the book offers a friendly window into the world of a young American female pianist studying in Europe during the years leading up to the First World War. ---------- PayPal.me/pennypiano Support for this podcast is greatly appreciated!

Born in Whitney Point, New York, in 1875, Ethel Newcomb would go on to have an important career as a concert pianist, having performed across Europe and the United States in the early 1900s, including under the batons of Richard Strauss and Ossip Gabrilowitsch. In later years, she devoted her attention to teaching. She died in 1959 at the age of eighty-three. Ethel Newcomb is perhaps best known for her book, Leschetizky As I Knew Him, published in 1921. Brimming with detail and written in an easy, conversational style, the book recounts endless stories from her period of study in Vienna, under the guidance of the celebrated piano teacher, Theodore Leschetizky. Newcomb studied with Leschetizky from 1895-1903 and, in the years immediately following, served as one of his teaching assistants. From stories about Leschetizky's infamous Wednesday evening classes to those about Viennese cultural life, as well as firsthand accounts of celebrated artists, patrons and members of the nobility, including Emperor Franz Joseph I, the book offers a friendly window into the world of a young American female pianist studying in Europe during the years leading up to the First World War. ---------- PayPal.me/pennypiano Support for this podcast is greatly appreciated!

Born in Whitney Point, New York, in 1875, Ethel Newcomb would go on to have an important career as a concert pianist, having performed across Europe and the United States in the early 1900s, including under the batons of Richard Strauss and Ossip Gabrilowitsch. In later years, she devoted her attention to teaching. She died in 1959 at the age of eighty-three. Ethel Newcomb is perhaps best known for her book, Leschetizky As I Knew Him, published in 1921. Brimming with detail and written in an easy, conversational style, the book recounts endless stories from her period of study in Vienna, under the guidance of the celebrated piano teacher, Theodore Leschetizky. Newcomb studied with Leschetizky from 1895-1903 and, in the years immediately following, served as one of his teaching assistants. From stories about Leschetizky's infamous Wednesday evening classes to those about Viennese cultural life, as well as firsthand accounts of celebrated artists, patrons and members of the nobility, including Emperor Franz Joseph I, the book offers a friendly window into the world of a young American female pianist studying in Europe during the years leading up to the First World War. ---------- PayPal.me/pennypiano Support for this podcast is greatly appreciated!

Born in Whitney Point, New York, in 1875, Ethel Newcomb would go on to have an important career as a concert pianist, having performed across Europe and the United States in the early 1900s, including under the batons of Richard Strauss and Ossip Gabrilowitsch. In later years, she devoted her attention to teaching. She died in 1959 at the age of eighty-three. Ethel Newcomb is perhaps best known for her book, Leschetizky As I Knew Him, published in 1921. Brimming with detail and written in an easy, conversational style, the book recounts endless stories from her period of study in Vienna, under the guidance of the celebrated piano teacher, Theodore Leschetizky. Newcomb studied with Leschetizky from 1895-1903 and, in the years immediately following, served as one of his teaching assistants. From stories about Leschetizky's infamous Wednesday evening classes to those about Viennese cultural life, as well as firsthand accounts of celebrated artists, patrons and members of the nobility, including Emperor Franz Joseph I, the book offers a friendly window into the world of a young American female pianist studying in Europe during the years leading up to the First World War. ---------- PayPal.me/pennypiano Support for this podcast is greatly appreciated!

Born in Whitney Point, New York, in 1875, Ethel Newcomb would go on to have an important career as a concert pianist, having performed across Europe and the United States in the early 1900s, including under the batons of Richard Strauss and Ossip Gabrilowitsch. In later years, she devoted her attention to teaching. She died in 1959 at the age of eighty-three. Ethel Newcomb is perhaps best known for her book, Leschetizky As I Knew Him, published in 1921. Brimming with detail and written in an easy, conversational style, the book recounts endless stories from her period of study in Vienna, under the guidance of the celebrated piano teacher, Theodore Leschetizky. Newcomb studied with Leschetizky from 1895-1903 and, in the years immediately following, served as one of his teaching assistants. From stories about Leschetizky's infamous Wednesday evening classes to those about Viennese cultural life, as well as firsthand accounts of celebrated artists, patrons and members of the nobility, including Emperor Franz Joseph I, the book offers a friendly window into the world of a young American female pianist studying in Europe during the years leading up to the First World War. ---------- PayPal.me/pennypiano Support for this podcast is greatly appreciated!

Born in Whitney Point, New York, in 1875, Ethel Newcomb would go on to have an important career as a concert pianist, having performed across Europe and the United States in the early 1900s, including under the batons of Richard Strauss and Ossip Gabrilowitsch. In later years, she devoted her attention to teaching. She died in 1959 at the age of eighty-three. Ethel Newcomb is perhaps best known for her book, Leschetizky As I Knew Him, published in 1921. Brimming with detail and written in an easy, conversational style, the book recounts endless stories from her period of study in Vienna, under the guidance of the celebrated piano teacher, Theodore Leschetizky. Newcomb studied with Leschetizky from 1895-1903 and, in the years immediately following, served as one of his teaching assistants. From stories about Leschetizky's infamous Wednesday evening classes to those about Viennese cultural life, as well as firsthand accounts of celebrated artists, patrons and members of the nobility, including Emperor Franz Joseph I, the book offers a friendly window into the world of a young American female pianist studying in Europe during the years leading up to the First World War. ---------- PayPal.me/pennypiano Support for this podcast is greatly appreciated!

Born in Whitney Point, New York, in 1875, Ethel Newcomb would go on to have an important career as a concert pianist, having performed across Europe and the United States in the early 1900s, including under the batons of Richard Strauss and Ossip Gabrilowitsch. In later years, she devoted her attention to teaching. She died in 1959 at the age of eighty-three. Ethel Newcomb is perhaps best known for her book, Leschetizky As I Knew Him, published in 1921. Brimming with detail and written in an easy, conversational style, the book recounts endless stories from her period of study in Vienna, under the guidance of the celebrated piano teacher, Theodore Leschetizky. Newcomb studied with Leschetizky from 1895-1903 and, in the years immediately following, served as one of his teaching assistants. From stories about Leschetizky's infamous Wednesday evening classes to those about Viennese cultural life, as well as firsthand accounts of celebrated artists, patrons and members of the nobility, including Emperor Franz Joseph I, the book offers a friendly window into the world of a young American female pianist studying in Europe during the years leading up to the First World War. ---------- PayPal.me/pennypiano Support for this podcast is greatly appreciated!

Born in Whitney Point, New York, in 1875, Ethel Newcomb would go on to have an important career as a concert pianist, having performed across Europe and the United States in the early 1900s, including under the batons of Richard Strauss and Ossip Gabrilowitsch. In later years, she devoted her attention to teaching. She died in 1959 at the age of eighty-three. Ethel Newcomb is perhaps best known for her book, Leschetizky As I Knew Him, published in 1921. Brimming with detail and written in an easy, conversational style, the book recounts endless stories from her period of study in Vienna, under the guidance of the celebrated piano teacher, Theodore Leschetizky. Newcomb studied with Leschetizky from 1895-1903 and, in the years immediately following, served as one of his teaching assistants. From stories about Leschetizky's infamous Wednesday evening classes to those about Viennese cultural life, as well as firsthand accounts of celebrated artists, patrons and members of the nobility, including Emperor Franz Joseph I, the book offers a friendly window into the world of a young American female pianist studying in Europe during the years leading up to the First World War. ---------- PayPal.me/pennypiano Support for this podcast is greatly appreciated!

Born in Whitney Point, New York, in 1875, Ethel Newcomb would go on to have an important career as a concert pianist, having performed across Europe and the United States in the early 1900s, including under the batons of Richard Strauss and Ossip Gabrilowitsch. In later years, she devoted her attention to teaching. She died in 1959 at the age of eighty-three. Ethel Newcomb is perhaps best known for her book, Leschetizky As I Knew Him, published in 1921. Brimming with detail and written in an easy, conversational style, the book recounts endless stories from her period of study in Vienna, under the guidance of the celebrated piano teacher, Theodore Leschetizky. Newcomb studied with Leschetizky from 1895-1903 and, in the years immediately following, served as one of his teaching assistants. From stories about Leschetizky's infamous Wednesday evening classes to those about Viennese cultural life, as well as firsthand accounts of celebrated artists, patrons and members of the nobility, including Emperor Franz Joseph I, the book offers a friendly window into the world of a young American female pianist studying in Europe during the years leading up to the First World War. ---------- PayPal.me/pennypiano Support for this podcast is greatly appreciated!

Born in Whitney Point, New York, in 1875, Ethel Newcomb would go on to have an important career as a concert pianist, having performed across Europe and the United States in the early 1900s, including under the batons of Richard Strauss and Ossip Gabrilowitsch. In later years, she devoted her attention to teaching. She died in 1959 at the age of eighty-three. Ethel Newcomb is perhaps best known for her book, Leschetizky As I Knew Him, published in 1921. Brimming with detail and written in an easy, conversational style, the book recounts endless stories from her period of study in Vienna, under the guidance of the celebrated piano teacher, Theodore Leschetizky. Newcomb studied with Leschetizky from 1895-1903 and, in the years immediately following, served as one of his teaching assistants. From stories about Leschetizky's infamous Wednesday evening classes to those about Viennese cultural life, as well as firsthand accounts of celebrated artists, patrons and members of the nobility, including Emperor Franz Joseph I, the book offers a friendly window into the world of a young American female pianist studying in Europe during the years leading up to the First World War. ---------- PayPal.me/pennypiano Support for this podcast is greatly appreciated!

Liebe Hörerinnen und Hörer! Heute geht es weiter mit dem ersten Teil des Vortrags von Prof. Hubert Rutkowski, dem Präsidenten der Leschetizky-Gesellschaft Warschau und Fachbereichsleiter für Klavier an der Hochschule für Musik und Theater in Hamburg, Deutschland. Er erzählt uns von der Methode, die Leschetizky so prägend für die Klavierwelt war, nämlich der "Bel Canto"-Stil am Klavier. www.leszetycki.org/de Hier noch einige interessante Links: www.leschetizky.com www.paderewskimusicsociety.org Paderewski Festival in Raleigh paderewski-festival.org Viel Freude beim Hören! Eure, Barbara Marie-Louise Pavelka P.S: Falls ihr meinen Podcast und meine Kulturverein unterstützen möchtet, könnt ihr das hier tun. A Lyrical Singers Life - Kulturverein IBAN AT16 2011 1839 7351 0200 BIC GIBAATWWXXX --- Send in a voice message: https://anchor.fm/a-lyrical-singers-life/message

Liebe Hörerinnen und Hörer! Heute geht es weiter mit dem ersten Teil des Vortrags von Prof. Hubert Rutkowski, dem Präsidenten der Leschetizky-Gesellschaft Warschau und Fachbereichsleiter für Klavier an der Hochschule für Musik und Theater in Hamburg, Deutschland. Er erzählt uns von der Methode, die Leschetizky so prägend für die Klavierwelt war, nämlich der "Bel Canto"-Stil am Klavier. www.leszetycki.org/de Hier noch einige interessante Links: www.leschetizky.com www.paderewskimusicsociety.org Paderewski Festival in Raleigh paderewski-festival.org Viel Freude beim Hören! Eure, Barbara Marie-Louise Pavelka P.S: Falls ihr meinen Podcast und meine Kulturverein unterstützen möchtet, könnt ihr das hier tun. A Lyrical Singers Life - Kulturverein IBAN AT16 2011 1839 7351 0200 BIC GIBAATWWXXX --- Send in a voice message: https://anchor.fm/a-lyrical-singers-life/message

Liebe Hörerinnen und Hörer! Heute geht es weiter mit dem ersten Teil des Vortrags von Prof. Hubert Rutkowski, dem Präsidenten der Leschetizky-Gesellschaft Warschau und Fachbereichsleiter für Klavier an der Hochschule für Musik und Theater in Hamburg, Deutschland. Er erzählt uns von der Methode, die Leschetizky so prägend für die Klavierwelt war, nämlich der "Bel Canto"-Stil am Klavier. www.leszetycki.org/de Hier noch einige interessante Links: www.leschetizky.com www.paderewskimusicsociety.org Paderewski Festival in Raleigh paderewski-festival.org Viel Freude beim Hören! Eure, Barbara Marie-Louise Pavelka P.S: Falls ihr meinen Podcast und meine Kulturverein unterstützen möchtet, könnt ihr das hier tun. A Lyrical Singers Life - Kulturverein IBAN AT16 2011 1839 7351 0200 BIC GIBAATWWXXX --- Send in a voice message: https://anchor.fm/a-lyrical-singers-life/message

Liebe Hörerinnen und Hörer! Heute geht es weiter mit dem ersten Teil des Vortrags von Prof. Hubert Rutkowski, dem Präsidenten der Leschetizky-Gesellschaft Warschau und Fachbereichsleiter für Klavier an der Hochschule für Musik und Theater in Hamburg, Deutschland.  Er erzählt uns von der Methode, die Leschetizky so prägend für die Klavierwelt war, nämlich der "Bel Canto"-Stil am Klavier. www.leszetycki.org/de Hier noch einige interessante Links: www.leschetizky.com www.paderewskimusicsociety.org Paderewski Festival in Raleigh paderewski-festival.org Viel Freude beim Hören! Eure, Barbara Marie-Louise Pavelka P.S: Falls ihr meinen Podcast und meine Kulturverein unterstützen möchtet, könnt ihr das hier tun. A Lyrical Singers Life - Kulturverein IBAN AT16 2011 1839 7351 0200 BIC  GIBAATWWXXX --- Send in a voice message: https://anchor.fm/a-lyrical-singers-life/message

Liebe Hörerinnen und Hörer! In der heutigen Folge geht es weiter mit dem Vortrag von Prof. Adam Wibrowski, dem Präsident der Paderewski Gesellschaft in Paris und dem Direktor des Paderewski Festivals in Raleigh (USA) mit dem Titel: "Von Krakau nach Paris - Jahres des Studiums mit Leschetizky in Wien, ein Wendepunkt in Paderewski Karriere" Hier noch einige interessante Links: www.leschetizky.com www.paderewskimusicsociety.org Paderewski Festival in Raleigh paderewski-festival.org Viel Freude beim Hören! Eure, Barbara Marie-Louise Pavelka P.S: Falls ihr meinen Podcast und meine Kulturverein unterstützen möchtet, könnt ihr das hier tun. A Lyrical Singers Life - Kulturverein IBAN AT16 2011 1839 7351 0200 BIC GIBAATWWXXX --- Send in a voice message: https://anchor.fm/a-lyrical-singers-life/message

Liebe Hörerinnen und Hörer! In der heutigen Folge geht es weiter mit dem Vortrag von Prof. Adam Wibrowski, dem Präsident der Paderewski Gesellschaft in Paris und dem Direktor des Paderewski Festivals in Raleigh (USA) mit dem Titel: "Von Krakau nach Paris - Jahres des Studiums mit Leschetizky in Wien, ein Wendepunkt in Paderewski Karriere" Hier noch einige interessante Links: www.leschetizky.com www.paderewskimusicsociety.org Paderewski Festival in Raleigh paderewski-festival.org Viel Freude beim Hören! Eure, Barbara Marie-Louise Pavelka P.S: Falls ihr meinen Podcast und meine Kulturverein unterstützen möchtet, könnt ihr das hier tun. A Lyrical Singers Life - Kulturverein IBAN AT16 2011 1839 7351 0200 BIC GIBAATWWXXX --- Send in a voice message: https://anchor.fm/a-lyrical-singers-life/message

Liebe Hörerinnen und Hörer! In der heutigen Episode geht es weiter mit der Analyse des Liedes "Frage nicht warum" und ihr könnt es ein weiteres Mal von mir gesungen hören! Vortragender: Dr. Werner Pelinka, Vizepräsident der Ges. der New Cosmos Freunde in Wien Sopran: Barbara Marie-Louise Pavelka Viel Freude beim Hören! Eure Barbara Marie-Louise Pavelka P.S: Falls ihr meinen Podcast und meine Kulturverein unterstützen möchtet, könnt ihr das hier tun. A Lyrical Singers Life - Kulturverein IBAN AT16 2011 1839 7351 0200 BIC GIBAATWWXXX --- Send in a voice message: https://anchor.fm/a-lyrical-singers-life/message

Liebe Hörerinnen und Hörer! In der heutigen Folge hören wir den Vortrag von Dr. Werner Pelinka, der drei Lieder von Th. Leschetizky analysiert. Ebenso hört ihr mich diese drei Lieder singen, begleitet von Werner Pelinka. "Frage nicht warum", "Zwei Wölkchen" und "Das Waldvöglein". Viel Freude beim Hörern! Eure Barbara Marie-Louise Pavelka P.S: Falls ihr meinen Podcast und meine Kulturverein unterstützen möchtet, könnt ihr das hier tun. A Lyrical Singers Life - Kulturverein IBAN AT16 2011 1839 7351 0200 BIC GIBAATWWXXX --- Send in a voice message: https://anchor.fm/a-lyrical-singers-life/message

Liebe Hörerinnen und Hörer! Heute geht es weiter mit den Vorträgen des Leschitzky World Congresses. Dr. Peter Brugger referierte über den Künstlertreffpunkt im Salzkammergut - Impulse für das Lehren und Lernen in der Region am Beispiel von Theodor Leschetizky. Er selbst ist der Direktor der Musikschule in Bad Goisern. Viel Freude beim diesem spannenden Vortrag! Eure Barbara Marie-Louise Pavelka P.S: Falls ihr meinen Podcast und meine Kulturverein unterstützen möchtet, könnt ihr das hier tun. A Lyrical Singers Life - Kulturverein IBAN AT16 2011 1839 7351 0200 BIC GIBAATWWXXX --- Send in a voice message: https://anchor.fm/a-lyrical-singers-life/message

Liebe Hörerinnen und Hörer! Heute hört ihr die Klaviereinlage von Ralph Petruschka, die er beim Leschetizky World Congress in Bad Ischl gab. Stück: Eduard Schütt Moto appassionato Aus dem Album: « Was ihr wollt » 1910 von Theodor Leschetizky: 1. Impromptu As-Dur op. 2/1 "Les deux alouettes" (die zwei Lerchen) 2. Walzer in Des-Dur op35/2, gewidmet der Stadt Bad Ischl « Souvenir de Ischl » 3. Étude In F-Moll op. 43/2 , gewidmet der Ischler Pianistin Ella Paltschera , « La Piccola », benannt nach der Villa Th. Leschetitzkys Viel Freude beim Hören! Eure, Barbara Marie-Louise Pavelka P.S: Falls ihr meinen Podcast und meine Kulturverein unterstützen möchtet, könnt ihr das hier tun. A Lyrical Singers Life - Kulturverein IBAN AT16 2011 1839 7351 0200 BIC GIBAATWWXXX --- Send in a voice message: https://anchor.fm/a-lyrical-singers-life/message

Liebe Hörerinnen und Hörer! Burkhard Muth erzählte uns über die vielen verschiedenen Wege, wie man zu Th. Leschetizky gelangen kann. Das könnt ihr nun hier hören! www.leschetizky.com Hier der Link zur deutschen Leschetizky Gesellschaft: deutsche-leschetizky-ges.jimdo.com Mitglied in der deutschen Leschetizky-Gesellschaft werden! Viel Freude dabei! Eure, Barbara Marie-Louise Pavelka P.S: Falls ihr meinen Podcast und meine Kulturverein unterstützen möchtet, könnt ihr das hier tun. A Lyrical Singers Life - Kulturverein IBAN AT16 2011 1839 7351 0200 BIC GIBAATWWXXX --- Send in a voice message: https://anchor.fm/a-lyrical-singers-life/message

Liebe Hörerinnen und Hörer! Marianne Müller führte uns in das Leben und Werk von Theodor Leschetizky ein. Das könnt ihr nun hier hören! www.leschetizky.com Hier der Link zur deutschen Leschetizky Gesellschaft: deutsche-leschetizky-ges.jimdo.com Mitglied in der deutschen Leschetizky-Gesellschaft werden! Viel Freude dabei! Eure, Barbara Marie-Louise Pavelka P.S: Falls ihr meinen Podcast und meine Kulturverein unterstützen möchtet, könnt ihr das hier tun. A Lyrical Singers Life - Kulturverein IBAN AT16 2011 1839 7351 0200 BIC GIBAATWWXXX --- Send in a voice message: https://anchor.fm/a-lyrical-singers-life/message

Liebe Hörerinnen und Hörer! Der Kongressdirektor und 1. Vorsitzende der Dr. Leschetizky-Gesellschaft hat die Eröffnungsrede der Vortragsreihe gehalten. Diese könnt ihr nun hier hören! www.leschetizky.com Hier der Link zur deutschen Leschetizky Gesellschaft: deutsche-leschetizky-ges.jimdo.com Mitglied in der deutschen Leschetizky-Gesellschaft werden! Viel Freude dabei! Eure, Barbara Marie-Louise Pavelka P. S. Wenn ihr meinen Podcast und Kulturverein unterstützen möchtet, dann könnt ihr da hier tun: A Lyrical Singers Life - Kulturverein IBAN AT16 2011 1839 7351 0200 BIC GIBAATWWXXX --- Send in a voice message: https://anchor.fm/a-lyrical-singers-life/message

Liebe Hörerinnen und Hörer! Heute geht es weiter vom Leschetizky Gala Konzert mit: Radetzkymarsch - (Armeemarsch II, 145) Johann Strauss Vater (1804-1849) Dirigent: Peter Ritzen Orchester: New Cosmos Philharmonics Mehr erfährt ihr hier: www.leschetizky.com Viel Freude beim Hören! Eure, Barbara Marie-Louise Pavelka P.S: Falls ihr meinen Podcast und Kulturverein unterstützen möchtet, könnt ihr das hier tun: A Lyrical Singers Life - Kulturverein IBAN AT16 2011 1839 7351 0200 BIC GIBAATWWXXX --- Send in a voice message: https://anchor.fm/a-lyrical-singers-life/message

Liebe Hörerinnen und Hörer! Heute geht es weiter vom Leschetizky Gala Konzert mit: Ouverture solennelle "Das Jahr 1812" op. 49 Peter Iljitsch Tschaikowsky (1840-1893) Dirigent: Peter Ritzen Orchester: New Cosmos Philharmonics Mehr erfährt ihr hier: www.leschetizky.com Viel Freude beim Hören! Eure, Barbara Marie-Louise Pavelka P.S. Falls ihr meinen Podcast und Kulturverein unterstützen möchtet, könnt ihr das hier tun. A Lyrical Singers Life - Kulturverein IBAN AT16 2011 1839 7351 0200 BIC GIBAATWWXXX --- Send in a voice message: https://anchor.fm/a-lyrical-singers-life/message

Liebe Hörerinnen und Hörer! Heute geht es weiter vom Leschetizky Gala Konzert mit: "Lippen schweigen" aus der Operette "Die Lustige Witwe" von Franz Lehár (1870-1948) Dirigent: Peter Ritzen Orchester: New Cosmos Philharmonics Mehr erfährt ihr hier: www.leschetizky.com Viel Freude beim Hören! Eure, Barbara Marie-Louise Pavelka P.S: Falls ihr meinen Podcast und Kulturverein unterstützen möchtet, könnt ihr das hier tun: A Lyrical Singers Life - Kulturverein IBAN AT16 2011 1839 7351 0200 BIC GIBAATWWXXX --- Send in a voice message: https://anchor.fm/a-lyrical-singers-life/message

Liebe Hörerinnen und Hörer! Weiter ging es beim Gala Konzert mit der Ouvertüre aus Leschetizkys einziger Oper "Die erste Falte", die wir hier auf dem Kongress auch sehen werden und ebenso in diesem Podcast hören werden! www.leschetizky.com Viel Freude beim Hören! Eure, Barbara Marie-Louise Pavelka P.S: Falls ihr meinen Podcast und Kulturverein unterstützen möchtet, könnt ihr das hier tun: A Lyrical Singers Life - Kulturverein IBAN AT16 2011 1839 7351 0200 BIC GIBAATWWXXX --- Send in a voice message: https://anchor.fm/a-lyrical-singers-life/message

Liebe Hörerinnen und Hörer! Heute geht es weiter mit dem 3. Stück des Gala Konzerts des Leschetizky World Congress in Bad Ischl! Johannes Brahms (1833 - 1897) Akademische Festouvertüre op. 80 (komponiert in Bad Ischl) Dirigent: Peter Ritzen Orchester: New Cosmos Philharmonic Mehr auf www.leschetizky.com Viel Freude beim Hören! Eure Barbara Marie-Louise Pavelka P.S: Falls ihr meinen Podcast und Kulturverein unterstützen möchtet, könnt ihr das hier tun: A Lyrical Singers Life - Kulturverein IBAN AT16 2011 1839 7351 0200 BIC GIBAATWWXXX --- Send in a voice message: https://anchor.fm/a-lyrical-singers-life/message

Liebe Hörerinnen und Hörer! Heute geht es weiter vom Leschetizky World Congress mit dem zweiten Stück des Leschetizky Gala Konzerts: Ludwig van Beethoven (1770 - 1827) Egmont Ouvertüre op. 84 Dirigent: Peter Ritzen Orchester: New Cosmos Philharmonic Viel Freude beim Hören! Mehr über den Kongress auf www.leschetizky.com Einen wunderschönen Morgen, Abend oder Gute Nacht, wann immer ihr diesen Podcast hört! Eure, Barbara Marie-Louise Pavelka P.S: Falls ihr meinen Podcast und Kulturverein unterstützen möchtet, könnt ihr das hier tun: A Lyrical Singers Life - Kulturverein IBAN AT16 2011 1839 7351 0200 BIC GIBAATWWXXX --- Send in a voice message: https://anchor.fm/a-lyrical-singers-life/message

I unga år studerade Artur Schnabel för Theodor Leschetizky i Wien. Schnabel sade att Leschetizky inte lärde ut någon metod alls, utan frigjorde den slumrande vitaliteten i eleven. Från 1900 bodde han Berlin, där han ägnade sig åt Schubert och Beethoven. På 1930-talet spelade Schnabel in Beethovens samtliga pianosonater på skiva, vilket ingen hade gjort förut. Han spelade också flera gånger Beethovens alla pianosonater på konsert. Schnabel blev amerikansk medborgare 1944. Han fick där inte samma genomslag som i Europa. Schnabel är berömd för sin Mozart och Schubert och inte minst sin Beethoven. Mer information på sverigesradio.se/p2

I unga år studerade Artur Schnabel för Theodor Leschetizky i Wien. Schnabel sade att Leschetizky inte lärde ut någon metod alls, utan frigjorde den slumrande vitaliteten i eleven. Från 1900 bodde han Berlin, där han ägnade sig åt Schubert och Beethoven. På 1930-talet spelade Schnabel in Beethovens samtliga pianosonater på skiva, vilket ingen hade gjort förut. Han spelade också flera gånger Beethovens alla pianosonater på konsert. Schnabel blev amerikansk medborgare 1944. Han fick där inte samma genomslag som i Europa. Schnabel är berömd för sin Mozart och Schubert och inte minst sin Beethoven. Mer information på sverigesradio.se/p2

I unga år studerade Artur Schnabel för Theodor Leschetizky i Wien. Schnabel sade att Leschetizky inte lärde ut någon metod alls, utan frigjorde den slumrande vitaliteten i eleven. Från 1900 bodde han Berlin, där han ägnade sig åt Schubert och Beethoven. På 1930-talet spelade Schnabel in Beethovens samtliga pianosonater på skiva, vilket ingen hade gjort förut. Han spelade också flera gånger Beethovens alla pianosonater på konsert. Schnabel blev amerikansk medborgare 1944. Han fick där inte samma genomslag som i Europa. Schnabel är berömd för sin Mozart och Schubert och inte minst sin Beethoven. Mer information på sverigesradio.se/p2

I unga år studerade Artur Schnabel för Theodor Leschetizky i Wien. Schnabel sade att Leschetizky inte lärde ut någon metod alls, utan frigjorde den slumrande vitaliteten i eleven. Från 1900 bodde han Berlin, där han ägnade sig åt Schubert och Beethoven. På 1930-talet spelade Schnabel in Beethovens samtliga pianosonater på skiva, vilket ingen hade gjort förut. Han spelade också flera gånger Beethovens alla pianosonater på konsert. Schnabel blev amerikansk medborgare 1944. Han fick där inte samma genomslag som i Europa. Schnabel är berömd för sin Mozart och Schubert och inte minst sin Beethoven. Mer information på sverigesradio.se/p2

I unga år studerade Artur Schnabel för Theodor Leschetizky i Wien. Schnabel sade att Leschetizky inte lärde ut någon metod alls, utan frigjorde den slumrande vitaliteten i eleven. Från 1900 bodde han Berlin, där han ägnade sig åt Schubert och Beethoven. På 1930-talet spelade Schnabel in Beethovens samtliga pianosonater på skiva, vilket ingen hade gjort förut. Han spelade också flera gånger Beethovens alla pianosonater på konsert. Schnabel blev amerikansk medborgare 1944. Han fick där inte samma genomslag som i Europa. Schnabel är berömd för sin Mozart och Schubert – och inte minst sin Beethoven. Mer information på sverigesradio.se/p2

I unga år studerade Artur Schnabel för Theodor Leschetizky i Wien. Schnabel sade att Leschetizky inte lärde ut någon metod alls, utan frigjorde den slumrande vitaliteten i eleven. Från 1900 bodde han Berlin, där han ägnade sig åt Schubert och Beethoven. På 1930-talet spelade Schnabel in Beethovens samtliga pianosonater på skiva, vilket ingen hade gjort förut. Han spelade också flera gånger Beethovens alla pianosonater på konsert. Schnabel blev amerikansk medborgare 1944. Han fick där inte samma genomslag som i Europa. Schnabel är berömd för sin Mozart och Schubert – och inte minst sin Beethoven. Mer information på sverigesradio.se/p2

I unga år studerade Artur Schnabel för Theodor Leschetizky i Wien. Schnabel sade att Leschetizky inte lärde ut någon metod alls, utan frigjorde den slumrande vitaliteten i eleven. Från 1900 bodde han Berlin, där han ägnade sig åt Schubert och Beethoven. På 1930-talet spelade Schnabel in Beethovens samtliga pianosonater på skiva, vilket ingen hade gjort förut. Han spelade också flera gånger Beethovens alla pianosonater på konsert. Schnabel blev amerikansk medborgare 1944. Han fick där inte samma genomslag som i Europa. Schnabel är berömd för sin Mozart och Schubert och inte minst sin Beethoven. Mer information på sverigesradio.se/p2

I unga år studerade Artur Schnabel för Theodor Leschetizky i Wien. Schnabel sade att Leschetizky inte lärde ut någon metod alls, utan frigjorde den slumrande vitaliteten i eleven. Från 1900 bodde han Berlin, där han ägnade sig åt Schubert och Beethoven. På 1930-talet spelade Schnabel in Beethovens samtliga pianosonater på skiva, vilket ingen hade gjort förut. Han spelade också flera gånger Beethovens alla pianosonater på konsert. Schnabel blev amerikansk medborgare 1944. Han fick där inte samma genomslag som i Europa. Schnabel är berömd för sin Mozart och Schubert och inte minst sin Beethoven. Mer information på sverigesradio.se/p2

Den polske pianisten och läraren Theodor Leschetizky debuterade 1839, vid nio års ålder. Han spelade en pianokonsert av Czerny vid en konsert som dirigerades av Wolfgang Amadeus Mozarts son Franz Xaver Mozart. Sedan blev Leschetizky elev till Czerny. På 1840-talet turnerade han som virtuos. 1852 spelade han inför tsar Nikolaj I i Sankt Petersburg. Han flyttade dit och 1862 blev han ledare för pianoavdelningen vid konservatoriet där. Han kom att bli tidens främste pianolärare. Under 75 år hade han mer än 1200 pianoelever. Han insisterade han inte på långa övningspass med ständiga upprepningar. I stället skulle eleverna förbereda musiken mentalt, så att de hade en klar idé om vad de ville uppnå. Mer information på sverigesradio.se/p2

Den polske pianisten och läraren Theodor Leschetizky debuterade 1839, vid nio års ålder. Han spelade en pianokonsert av Czerny vid en konsert som dirigerades av Wolfgang Amadeus Mozarts son Franz Xaver Mozart. Sedan blev Leschetizky elev till Czerny. På 1840-talet turnerade han som virtuos. 1852 spelade han inför tsar Nikolaj I i Sankt Petersburg. Han flyttade dit och 1862 blev han ledare för pianoavdelningen vid konservatoriet där. Han kom att bli tidens främste pianolärare. Under 75 år hade han mer än 1200 pianoelever. Han insisterade han inte på långa övningspass med ständiga upprepningar. I stället skulle eleverna förbereda musiken mentalt, så att de hade en klar idé om vad de ville uppnå. Mer information på sverigesradio.se/p2

Den polske pianisten och läraren Theodor Leschetizky debuterade 1839, vid nio års ålder. Han spelade en pianokonsert av Czerny vid en konsert som dirigerades av Wolfgang Amadeus Mozarts son Franz Xaver Mozart. Sedan blev Leschetizky elev till Czerny. På 1840-talet turnerade han som virtuos. 1852 spelade han inför tsar Nikolaj I i Sankt Petersburg. Han flyttade dit och 1862 blev han ledare för pianoavdelningen vid konservatoriet där. Han kom att bli tidens främste pianolärare. Under 75 år hade han mer än 1200 pianoelever. Han insisterade han inte på långa övningspass med ständiga upprepningar. I stället skulle eleverna förbereda musiken mentalt, så att de hade en klar idé om vad de ville uppnå. Mer information på sverigesradio.se/p2

I unga år studerade Artur Schnabel för Theodor Leschetizky i Wien. Schnabel sade att Leschetizky inte lärde ut någon metod alls, utan frigjorde den slumrande vitaliteten i eleven. Från 1900 bodde han Berlin, där han ägnade sig åt Schubert och Beethoven. På 1930-talet spelade Schnabel in Beethovens samtliga pianosonater på skiva, vilket ingen hade gjort förut. Han spelade också flera gånger Beethovens alla pianosonater på konsert. Schnabel blev amerikansk medborgare 1944. Han fick där inte samma genomslag som i Europa. Schnabel är berömd för sin Mozart och Schubert – och inte minst sin Beethoven. Mer information på sverigesradio.se/p2

I unga år studerade Artur Schnabel för Theodor Leschetizky i Wien. Schnabel sade att Leschetizky inte lärde ut någon metod alls, utan frigjorde den slumrande vitaliteten i eleven. Från 1900 bodde han Berlin, där han ägnade sig åt Schubert och Beethoven. På 1930-talet spelade Schnabel in Beethovens samtliga pianosonater på skiva, vilket ingen hade gjort förut. Han spelade också flera gånger Beethovens alla pianosonater på konsert. Schnabel blev amerikansk medborgare 1944. Han fick där inte samma genomslag som i Europa. Schnabel är berömd för sin Mozart och Schubert – och inte minst sin Beethoven. Mer information på sverigesradio.se/p2

I unga år studerade Artur Schnabel för Theodor Leschetizky i Wien. Schnabel sade att Leschetizky inte lärde ut någon metod alls, utan frigjorde den slumrande vitaliteten i eleven. Från 1900 bodde han Berlin, där han ägnade sig åt Schubert och Beethoven. På 1930-talet spelade Schnabel in Beethovens samtliga pianosonater på skiva, vilket ingen hade gjort förut. Han spelade också flera gånger Beethovens alla pianosonater på konsert. Schnabel blev amerikansk medborgare 1944. Han fick där inte samma genomslag som i Europa. Schnabel är berömd för sin Mozart och Schubert - och inte minst sin Beethoven. Mer information på sverigesradio.se/p2

I unga år studerade Artur Schnabel för Theodor Leschetizky i Wien. Schnabel sade att Leschetizky inte lärde ut någon metod alls, utan frigjorde den slumrande vitaliteten i eleven. Från 1900 bodde han Berlin, där han ägnade sig åt Schubert och Beethoven. På 1930-talet spelade Schnabel in Beethovens samtliga pianosonater på skiva, vilket ingen hade gjort förut. Han spelade också flera gånger Beethovens alla pianosonater på konsert. Schnabel blev amerikansk medborgare 1944. Han fick där inte samma genomslag som i Europa. Schnabel är berömd för sin Mozart och Schubert - och inte minst sin Beethoven. Mer information på sverigesradio.se/p2

I unga år studerade Artur Schnabel för Theodor Leschetizky i Wien. Schnabel sade att Leschetizky inte lärde ut någon metod alls, utan frigjorde den slumrande vitaliteten i eleven. Från 1900 bodde han Berlin, där han ägnade sig åt Schubert och Beethoven. På 1930-talet spelade Schnabel in Beethovens samtliga pianosonater på skiva, vilket ingen hade gjort förut. Han spelade också flera gånger Beethovens alla pianosonater på konsert. Schnabel blev amerikansk medborgare 1944. Han fick där inte samma genomslag som i Europa. Schnabel är berömd för sin Mozart och Schubert - och inte minst sin Beethoven. Mer information på sverigesradio.se/p2

I unga år studerade Artur Schnabel för Theodor Leschetizky i Wien. Schnabel sade att Leschetizky inte lärde ut någon metod alls, utan frigjorde den slumrande vitaliteten i eleven. Från 1900 bodde han Berlin, där han ägnade sig åt Schubert och Beethoven. På 1930-talet spelade Schnabel in Beethovens samtliga pianosonater på skiva, vilket ingen hade gjort förut. Han spelade också flera gånger Beethovens alla pianosonater på konsert. Schnabel blev amerikansk medborgare 1944. Han fick där inte samma genomslag som i Europa. Schnabel är berömd för sin Mozart och Schubert - och inte minst sin Beethoven. Mer information på sverigesradio.se/p2

I unga år studerade Artur Schnabel för Theodor Leschetizky i Wien. Schnabel sade att Leschetizky inte lärde ut någon metod alls, utan frigjorde den slumrande vitaliteten i eleven. Från 1900 bodde han Berlin, där han ägnade sig åt Schubert och Beethoven. På 1930-talet spelade Schnabel in Beethovens samtliga pianosonater på skiva, vilket ingen hade gjort förut. Han spelade också flera gånger Beethovens alla pianosonater på konsert. Schnabel blev amerikansk medborgare 1944. Han fick där inte samma genomslag som i Europa. Schnabel är berömd för sin Mozart och Schubert - och inte minst sin Beethoven. Mer information på sverigesradio.se/p2

I unga år studerade Artur Schnabel för Theodor Leschetizky i Wien. Schnabel sade att Leschetizky inte lärde ut någon metod alls, utan frigjorde den slumrande vitaliteten i eleven. Från 1900 bodde han Berlin, där han ägnade sig åt Schubert och Beethoven. På 1930-talet spelade Schnabel in Beethovens samtliga pianosonater på skiva, vilket ingen hade gjort förut. Han spelade också flera gånger Beethovens alla pianosonater på konsert. Schnabel blev amerikansk medborgare 1944. Han fick där inte samma genomslag som i Europa. Schnabel är berömd för sin Mozart och Schubert - och inte minst sin Beethoven. Mer information på sverigesradio.se/p2

I unga år studerade Artur Schnabel för Theodor Leschetizky i Wien. Schnabel sade att Leschetizky inte lärde ut någon metod alls, utan frigjorde den slumrande vitaliteten i eleven. Från 1900 bodde han Berlin, där han ägnade sig åt Schubert och Beethoven. På 1930-talet spelade Schnabel in Beethovens samtliga pianosonater på skiva, vilket ingen hade gjort förut. Han spelade också flera gånger Beethovens alla pianosonater på konsert. Schnabel blev amerikansk medborgare 1944. Han fick där inte samma genomslag som i Europa. Schnabel är berömd för sin Mozart och Schubert - och inte minst sin Beethoven. Mer information på sverigesradio.se/p2

I unga år studerade Artur Schnabel för Theodor Leschetizky i Wien. Schnabel sade att Leschetizky inte lärde ut någon metod alls, utan frigjorde den slumrande vitaliteten i eleven. Från 1900 bodde han Berlin, där han ägnade sig åt Schubert och Beethoven. På 1930-talet spelade Schnabel in Beethovens samtliga pianosonater på skiva, vilket ingen hade gjort förut. Han spelade också flera gånger Beethovens alla pianosonater på konsert. Schnabel blev amerikansk medborgare 1944. Han fick där inte samma genomslag som i Europa. Schnabel är berömd för sin Mozart och Schubert - och inte minst sin Beethoven. Mer information på sverigesradio.se/p2

I unga år studerade Artur Schnabel för Theodor Leschetizky i Wien. Schnabel sade att Leschetizky inte lärde ut någon metod alls, utan frigjorde den slumrande vitaliteten i eleven. Från 1900 bodde han Berlin, där han ägnade sig åt Schubert och Beethoven. På 1930-talet spelade Schnabel in Beethovens samtliga pianosonater på skiva, vilket ingen hade gjort förut. Han spelade också flera gånger Beethovens alla pianosonater på konsert. Schnabel blev amerikansk medborgare 1944. Han fick där inte samma genomslag som i Europa. Schnabel är berömd för sin Mozart och Schubert - och inte minst sin Beethoven. Mer information på sverigesradio.se/p2

I unga år studerade Artur Schnabel för Theodor Leschetizky i Wien. Schnabel sade att Leschetizky inte lärde ut någon metod alls, utan frigjorde den slumrande vitaliteten i eleven. Från 1900 bodde han Berlin, där han ägnade sig åt Schubert och Beethoven. På 1930-talet spelade Schnabel in Beethovens samtliga pianosonater på skiva, vilket ingen hade gjort förut. Han spelade också flera gånger Beethovens alla pianosonater på konsert. Schnabel blev amerikansk medborgare 1944. Han fick där inte samma genomslag som i Europa. Schnabel är berömd för sin Mozart och Schubert - och inte minst sin Beethoven. Mer information på sverigesradio.se/p2

Den polske pianisten och läraren Theodor Leschetizky debuterade 1839, vid nio års ålder. Han spelade en pianokonsert av Czerny vid en konsert som dirigerades av Wolfgang Amadeus Mozarts son Franz Xaver Mozart. Sedan blev Leschetizky elev till Czerny. På 1840-talet turnerade han som virtuos. 1852 spelade han inför tsar Nikolaj I i Sankt Petersburg. Han flyttade dit och 1862 blev han ledare för pianoavdelningen vid konservatoriet där. Han kom att bli tidens främste pianolärare. Under 75 år hade han mer än 1200 pianoelever. Han insisterade han inte på långa övningspass med ständiga upprepningar. I stället skulle eleverna förbereda musiken mentalt, så att de hade en klar idé om vad de ville uppnå. Mer information på sverigesradio.se/p2

Den polske pianisten och läraren Theodor Leschetizky debuterade 1839, vid nio års ålder. Han spelade en pianokonsert av Czerny vid en konsert som dirigerades av Wolfgang Amadeus Mozarts son Franz Xaver Mozart. Sedan blev Leschetizky elev till Czerny. På 1840-talet turnerade han som virtuos. 1852 spelade han inför tsar Nikolaj I i Sankt Petersburg. Han flyttade dit och 1862 blev han ledare för pianoavdelningen vid konservatoriet där. Han kom att bli tidens främste pianolärare. Under 75 år hade han mer än 1200 pianoelever. Han insisterade han inte på långa övningspass med ständiga upprepningar. I stället skulle eleverna förbereda musiken mentalt, så att de hade en klar idé om vad de ville uppnå. Mer information på sverigesradio.se/p2

Den polske pianisten och läraren Theodor Leschetizky debuterade 1839, vid nio års ålder. Han spelade en pianokonsert av Czerny vid en konsert som dirigerades av Wolfgang Amadeus Mozarts son Franz Xaver Mozart. Sedan blev Leschetizky elev till Czerny. På 1840-talet turnerade han som virtuos. 1852 spelade han inför tsar Nikolaj I i Sankt Petersburg. Han flyttade dit och 1862 blev han ledare för pianoavdelningen vid konservatoriet där. Han kom att bli tidens främste pianolärare. Under 75 år hade han mer än 1200 pianoelever. Han insisterade han inte på långa övningspass med ständiga upprepningar. I stället skulle eleverna förbereda musiken mentalt, så att de hade en klar idé om vad de ville uppnå. Mer information på sverigesradio.se/p2