Podcasts about Du Maurier

You've seen the iconic Hitchcock film from 1963, and perhaps you've read Daphne Du Maurier's chilling story. Now, experience The Birds like never before in this spine-tingling radio drama, produced by The Lux Radio Theatre (1953).This immersive horror production delivers edge-of-your-seat suspense with stellar voice performances, including the incomparable Herbert Marshall, and bone-chilling sound effects. What makes it even more remarkable is that it was recorded before a live audience.Join Greg and Mary as they compare this radio drama to both Hitchcock's film and Du Maurier's original novel, offering a fresh perspective on this timeless thriller.Tune in now to The Birds, and you'll never look at our fine-feathered friends the same way again. Thank you for listening! If you like the show, please share us with your friends and family AND give us a review! If you have a suggestion for a show or a question, please drop it in the comments!Watch us on YouTube:https://www.youtube.com/@shivershowpodcastFollow The Shiver Show https://www.facebook.com/theshivershowor check out our website at https://www.timewarpstudios.com Other podcast platforms: https://linktr.ee/theshivershow

A clip from our Patreon only episode "Rebecca." Daphne Du Maurier and the Queer Rebecca. We discuss Du Maurier's Rebecca and Hitchcock's adaptation and how it explores gender and sexuality. https://www.patreon.com/LostFuturesPod⁠⁠  Rate⁠⁠ us on Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/lost-futures-a-mark-fisher-podcast/id1685663806⁠⁠ ⁠ ⁠Spotify:⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/show/0EnwNGZijCDZVIl5JtjwGT⁠ Follow⁠⁠⁠ us on Twitter: @lostfuturespod Theme Song By: EvilJekyll Art/animation by: Gregory Cristiani

Pour ce premier épisode, on revient sur la nouvelle Les Oiseaux de Daphné du Maurier, publiée en 1952. Au programme : méchantes mouettes et vilains roitelets. Bonne écoute !

he story made famous by a later Hitchcock movie. Man at war against the birds. Escape brings you Daphne Du Maurier's story The Birds adapted for radio by Robert Wright. Set in a farmhouse on the southern coast of England, the autumn countryside around is desolate and bleak. Nat notices that the birds on the coast are unusually restless and that the land and sea birds are mingling together in an unnatural partnership. That night he is woken by a tapping on the bedroom window and discovers a bird trying to get in. When he goes to shoo it away there are half a dozen of them and they seem to be attacking him pecking at his face and eyes with their sharp beaks. This is a gripping tale which was previously portrayed by Lux Radio Theater on 20th July 1953 though this version is closer to Du Maurier's 1952 novel.

Named Peru's "Golfer of the 20th Century", Jenny Lidback recounts her days as a touring professional getting her start on the Epson Tour before graduating to the LPGA circuit. If you're going to win once on the LPGA Tour it might as well be a major championship. Jenny looks back on her win at the 1995 du Maurier Classic where she prevailed by one stroke over Liselotte Neumann at Beaconsfield Golf Club. She played for the World Team eight times in the Handa Cup and dabbled with golf on the Legends Tour before settling into retirement and developing her passion for helping kids through the use of horse and dog therapy. Jenny Lidback wraps up her life story, "FORE the Good of the Game."Support the showFollow our show and/or leave a review/rating on: Our Website https://www.forethegoodofthegame.com/reviews/new/ Apple Podcasts https://podcasts.apple.com/us/podcast/fore-the-good-of-the-game/id1562581853 Spotify Podcasts https://open.spotify.com/show/0XSuVGjwQg6bm78COkIhZO?si=b4c9d47ea8b24b2d Google Podcasts https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5idXp6c3Byb3V0LmNvbS8xNzM3Mjc1LnJzcw About "FORE the Good of the Game” is a golf podcast featuring interviews with World Golf Hall of Fame members, winners of major championships and other people of influence in and around the game of golf. Highlighting the positive aspects of the game, we aim to create and provide an engaging and timeless repository of content that listeners can enjoy now and forever. Co-hosted by PGA Tour star Bruce Devlin, our podcast focuses on telling their life stories, in their voices. Join Bruce and Mike Gonzalez “FORE the Good of the Game.” Thanks so much for listening!

We begin this second installment of our interview with Brandie Burton with her recounting life on the road as an LPGA newbie. Brandie earned Rookie of the Year honors in 1991 and was the youngest player ever to surpass $1M in career earnings. It didn't take her long to secure her first win at the 1992 PING/Welch's Championship and her first major win came the next year as a 21-year-old at the 1993 du Maurier Classic in a playoff with Betsy King. She won her second major  in 1998, again at the du Maurier Classic and this time by one shot over Annika Sorenstam, making Brandie one of only five multiple winners of that event. She didn't know it at the time but this would be her final victory on Tour as physical challenges interrupted what was looking to be a very promising career. Brandie Burton looks back at her life on the LPGA Tour, "FORE the Good of the Game."Support the showFollow our show and/or leave a review/rating on: Our Website https://www.forethegoodofthegame.com/reviews/new/ Apple Podcasts https://podcasts.apple.com/us/podcast/fore-the-good-of-the-game/id1562581853 Spotify Podcasts https://open.spotify.com/show/0XSuVGjwQg6bm78COkIhZO?si=b4c9d47ea8b24b2d Google Podcasts https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5idXp6c3Byb3V0LmNvbS8xNzM3Mjc1LnJzcw About "FORE the Good of the Game” is a golf podcast featuring interviews with World Golf Hall of Fame members, winners of major championships and other people of influence in and around the game of golf. Highlighting the positive aspects of the game, we aim to create and provide an engaging and timeless repository of content that listeners can enjoy now and forever. Co-hosted by PGA Tour star Bruce Devlin, our podcast focuses on telling their life stories, in their voices. Join Bruce and Mike Gonzalez “FORE the Good of the Game.” Thanks so much for listening!

À l'occasion d'Halloween, je vous embarque aujourd'hui au royaume de la peur, celui du gentil frisson et des battements de coeur qui s'accélèrent. Je vous propose de vous plonger dans deux livres que j'ai adorés et qui filent délicieusement la frousse. Dans cet épisode, je vous parle de : -"Esprit d'hiver" de laura Kasishke  -"Rebecca" de Daphné du Maurier Pour avoir les dernières nouveautés du podcast, d'autres conseils de lecture, ou seulement me faire part de vos questions ou de vos remarques, vous pouvez me suivre sur mon compte Instagram.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

In this captivating second portion of our four-part interview with Australian golf legend Karrie Webb, we delve deeper into the making of a champion. Often considered one of the greatest female golfers of all time, Karrie offers invaluable insights into the intricate layers that have built her Hall of Fame career. This episode is more than just a casual chat about golf; it's an intimate journey through the highs and lows, triumphs and tribulations of Karrie's professional life. We discuss the pivotal moments that not only defined her as a golfer but shaped her as a person. From her early start in the sport, mentored by fellow Australian greats, to the immense discipline and mental fortitude it takes to succeed on the world stage, Karrie leaves no stone unturned.What sets this episode apart is Karrie's candor. She opens up about the sacrifices required to achieve greatness, the resilience it takes to bounce back from disappointments, and the crucial role of mentorship in her life. Karrie pays homage to those who've inspired her while laying down her own wisdom for the next generation of golfers.For the true golf enthusiast, this episode is a masterclass in understanding the sheer effort, passion, and lifetime commitment it takes to ascend the ranks and claim a spot in the World Golf Hall of Fame. For the casual listener, it's an inspiring narrative that transcends the sport, touching upon universal themes of dedication, perseverance, and the indomitable human spirit.Whether you're a seasoned golfer, a weekend warrior, or someone who simply appreciates compelling life stories, this episode offers something for everyone. Tune in to hear one of golf's greatest narrate her story, in her own words, and prepare to be inspired.Don't miss this captivating chapter in our four-part series with Karrie Webb. And remember, it's all "FORE the Good of the Game."Support the showFollow our show and/or leave a review/rating on: Our Website https://www.forethegoodofthegame.com/reviews/new/ Apple Podcasts https://podcasts.apple.com/us/podcast/fore-the-good-of-the-game/id1562581853 Spotify Podcasts https://open.spotify.com/show/0XSuVGjwQg6bm78COkIhZO?si=b4c9d47ea8b24b2d Google Podcasts https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5idXp6c3Byb3V0LmNvbS8xNzM3Mjc1LnJzcw About "FORE the Good of the Game” is a golf podcast featuring interviews with World Golf Hall of Fame members, winners of major championships and other people of influence in and around the game of golf. Highlighting the positive aspects of the game, we aim to create and provide an engaging and timeless repository of content that listeners can enjoy now and forever. Co-hosted by PGA Tour star Bruce Devlin, our podcast focuses on telling their life stories, in their voices. Join Bruce and Mike Gonzalez “FORE the Good of the Game.” Thanks so much for listening!

durée : 00:07:07 - La chronique de Juliette Arnaud - par : Juliette ARNAUD - Juliette Arnaud décrypte avec humour Les Oiseaux. Pas le film d'Alfred Hitchcock, mais la nouvelle éponyme de l'autrice britannique Daphné du Maurier, dont ce long-métrage effrayant s'inspire.

Step back in time to the golden age of radio as Vintage Classic Radio proudly presents "My Cousin Rachel," a captivating radio play written by the renowned Daphne du Maurier. On this week's Sunday Night Playhouse, airing on September 7th, 1953, audiences will be transported into a world of mystery and intrigue, brought to life by a stellar cast led by the iconic Olivia De Havilland. Join us as we follow the gripping tale of Philip Ashley, portrayed by Olivia De Havilland, whose world is shattered by the sudden demise of his beloved cousin Ambrose. Set against the backdrop of the picturesque villa in Florence, Italy, Philip arrives too late, only to find Ambrose's cryptic letter hinting at his torment and his belief that his wife, Rachel, played by De Havilland, was responsible for his untimely death. Ambrose's beautiful and enigmatic wife, Rachel, a double widow, arrives in England a few months later, unsettling Philip's suspicions with her charm and grace. As Philip grapples with his distrust, an unexpected emotion begins to take hold - love. Has Rachel truly ensnared his heart, or is her allure merely a facade hiding a sinister agenda? This Vintage Classic Radio production boasts stellar performances by a talented cast that includes: Olivia De Havilland as Rachel as Philip Ashley as Ambrose Experience the seductive power of love and deception in "My Cousin Rachel," as timeless performances and Du Maurier's masterful storytelling weave a tale that will leave you questioning motives and unraveling truths. Tune in to Sunday Night Playhouse on Vintage Classic Radio where we bring to life timeless classics of the golden age of radio from the 1930s to the 1960s.

Du Maurier's family were well known to the British public when her first book of short stories was published, leading to instant success. Most of her books were set in Cornwall including Jamaica Inn.

DEAD AIRWAVES EPISODE 53 Not after Midnight by Daphne du Maurier Read by Louella Richardson Dame Daphne du Maurier, Lady Browning,[1] DBE (/duː ˈmɒrieɪ/; 13 May 1907 – 19 April 1989) was an English novelist, biographer and playwright. Her parents were actor-manager Sir Gerald du Maurier and his wife, actress Muriel Beaumont. Her grandfather was George du Maurier, a writer and cartoonist. Although du Maurier is classed as a romantic novelist, her stories have been described as "moody and resonant" with overtones of the paranormal. Her bestselling works were not at first taken seriously by critics, but they have since earned an enduring reputation for narrative craft. Many have been successfully adapted into films, including the novels Rebecca, Frenchman's Creek, My Cousin Rachel and Jamaica Inn, and the short stories "The Birds" and "Don't Look Now". Du Maurier spent much of her life in Cornwall, where most of her works are set. As her fame increased, she became more reclusive. --- Send in a voice message: https://podcasters.spotify.com/pod/show/mslade/message

Winner of five major championships, Amy Alcott continues with stories of playing with Mickey Wright, JoAnne Carner and many other greats of their time. Amy takes us back to her first three major wins and regales us with her impersonations of Ed Sullivan and Howard Cosell before breaking out in song (something you don't want to miss). She wraps up this episode by looking back on the fun she had working at the Butterfly Bakery and recalls her craziest career win. One of our favorite guests ever, Amy Alcott will leave you laughing, "FORE the Good of the Game."Support the showFollow our show and/or leave a review/rating on: Our Website https://www.forethegoodofthegame.com/reviews/new/ Apple Podcasts https://podcasts.apple.com/us/podcast/fore-the-good-of-the-game/id1562581853 Spotify Podcasts https://open.spotify.com/show/0XSuVGjwQg6bm78COkIhZO?si=b4c9d47ea8b24b2d Google Podcasts https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5idXp6c3Byb3V0LmNvbS8xNzM3Mjc1LnJzcw About "FORE the Good of the Game” is a golf podcast featuring interviews with World Golf Hall of Fame members, winners of major championships and other people of influence in and around the game of golf. Highlighting the positive aspects of the game, we aim to create and provide an engaging and timeless repository of content that listeners can enjoy now and forever. Co-hosted by PGA Tour star Bruce Devlin, our podcast focuses on telling their life stories, in their voices. Join Bruce and Mike Gonzalez “FORE the Good of the Game.” Thanks so much for listening!

Winner of four major championships, Meg Mallon takes us through many of her 18 tour wins including the 1991 LPGA Championship where she birdied the last to win, the 1991 Women's U.S. Open just two weeks later where play was so slow Lori Garbacz ordered a pizza on the 14th hole and had it delivered on the 17th tee, and the 2000 du Maurier Classic where she won her third different major. In between are great stories of life on the tour competing in her prime. Meg Mallon continues her life story, "FORE the Good of the Game."Follow our show and/or leave a review/rating on: Our Website https://www.forethegoodofthegame.com/reviews/new/ Apple Podcasts https://podcasts.apple.com/us/podcast/fore-the-good-of-the-game/id1562581853 Spotify Podcasts https://open.spotify.com/show/0XSuVGjwQg6bm78COkIhZO?si=b4c9d47ea8b24b2d Google Podcasts https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5idXp6c3Byb3V0LmNvbS8xNzM3Mjc1LnJzcw About "FORE the Good of the Game” is a golf podcast featuring interviews with World Golf Hall of Fame members, winners of major championships and other people of influence in and around the game of golf. Highlighting the positive aspects of the game, we aim to create and provide an engaging and timeless repository of content that listeners can enjoy now and forever. Co-hosted by PGA Tour star Bruce Devlin, our podcast focuses on telling their life stories, in their voices. Join Bruce and Mike Gonzalez “FORE the Good of the Game.” Thanks so much for listening!

Social Pictorial Satire

Jack acredita que Chesapeake Ripper foi só mais uma vítima. Enquanto isso, Will é atormentado com pesadelos com Abigail Hobbs. Hannibal visita seu psiquiatra Dr. Du Maurier, e um jantar é preparado no estilo canibal. Versão em podcast da live de terça feira, dia 29 de Março de 2023 Festim, é programa apresentado por Angélica Hellish onde se faz a revisão da série Hannibal (2013-2016)  criada por Brian Fuller! Acesse a Twitch e acompanhe a live. Todas as terças 21h.  IMPORTANTE! NOSSA CAMPANHA E TODOS OS LINKS ESTÃO AQUI: https://linktr.ee/masmorracine SIGA A GENTE NO NOSSO CANAL NA TWITCH @AngelMasmorra https://www.twitch.tv/angelmasmorra ACESSE!

Jack acredita que Chesapeake Ripper foi só mais uma vítima. Enquanto isso, Will é atormentado com pesadelos com Abigail Hobbs. Hannibal visita seu psiquiatra Dr. Du Maurier, e um jantar é preparado no estilo canibal. Versão em podcast da live de terça feira, dia 29 de Março de 2023 Festim, é programa apresentado por Angélica Hellish onde se faz a revisão da série Hannibal (2013-2016)  criada por Brian Fuller! Acesse a Twitch e acompanhe a live. Todas as terças 21h.  IMPORTANTE! NOSSA CAMPANHA E TODOS OS LINKS ESTÃO AQUI: https://linktr.ee/masmorracine SIGA A GENTE NO NOSSO CANAL NA TWITCH @AngelMasmorra https://www.twitch.tv/angelmasmorra ACESSE!

durée : 00:04:06 - L'ami.e du vendredi - "Rebecca", c'est le chef d'œuvre psycho terrifiant d'Alfred Hitchcock, mais c'est avant tout le chef d'œuvre d'une de mes amies, la romancière Daphné du Maurier.

World Golf Hall of Fame member Sandra Haynie continues her story with the 1973 season and fondly recalls her six titles the following year including two majors, her second LPGA Championship and the Women's U.S. Open where she birdied the final two holes to win. Sandra explains her decision to step away from the Tour in 1977 citing  the toll various injuries were taking on her body, impacting her ability to compete at the highest level. She returned in 1981 and won her final major and Tour event, the  Peter Jackson Classic (du Maurier), the following year. In 1991, after 42 wins on the LPGA Tour, 9th on the all-time list, she decided to step away from Tour play and devote herself to giving back to the game. Sandra Haynie completes her remarkable life story, "FORE the Good of the Game."Follow our show and/or leave a review/rating on: Our Website https://www.forethegoodofthegame.com/reviews/new/ Apple Podcasts https://podcasts.apple.com/us/podcast/fore-the-good-of-the-game/id1562581853 Spotify Podcasts https://open.spotify.com/show/0XSuVGjwQg6bm78COkIhZO?si=b4c9d47ea8b24b2d Google Podcasts https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5idXp6c3Byb3V0LmNvbS8xNzM3Mjc1LnJzcw About "FORE the Good of the Game” is a golf podcast featuring interviews with World Golf Hall of Fame members, winners of major championships and other people of influence in and around the game of golf. Highlighting the positive aspects of the game, we aim to create and provide an engaging and timeless repository of content that listeners can enjoy now and forever. Co-hosted by PGA Tour star Bruce Devlin, our podcast focuses on telling their life stories, in their voices. Join Bruce and Mike Gonzalez “FORE the Good of the Game.” Thanks so much for listening!

Two-time major championship winner Sherri Steinhauer begins her story learning golf with her parents and four older brothers at Nakoma Golf Club in Wisconsin. After winning the WI State Junior Championship 3-straight years, Sherri was off to play for Coach Pat Weis and the Texas Longhorns. She was low amateur at the 1983 Women's U.S. Open, had five college wins and was All-American in 1985 but she knew long before then, at age 12, what she wanted to do for a living. Sherri joined the LPGA Tour in 1986 and finally broke through with a win at the 1992 du Maurier Classic, her first win and major. She concludes this episode by recounting her first British Open win at Royal Lytham & St. Annes, three years before the LPGA was to recognize that event as a major. Sherri Steinhauer begins her life story, "FORE the Good of the Game."

Martha Nause relates the story of her finish at the LPGA Sun-Times Shoot-Out in 1991 going birdie, birdie, birdie, eagle to win, but tragically followed months later by the passing of her mother. Martha felt that the stress caused by her sudden loss brought on a rare condition that affected her balance and made if difficult to compete for over a year. With the help of a mental coach she came back with a flourish, winning the 1994 du Maurier Classic by 1 over Michelle McGann, shooting an opening round course-record 65. This comeback of sorts earned her the 1996 Heather Farr Player Award.  Martha went on to play the LPGA Legends Tour and was their leading money winner in 2006. She also coached college golf for the men's and women's teams at Macalester College and was inducted into the Wisconsin Golf Hall of Fame in 1995. Martha Nause wraps up her life story, "FORE the Good of the Game."

Rebecca ist zweifellos der beste Roman, den Du Maurier in ihrem Leben verfasst hat. Er wurde 1938 unter großem Beifall veröffentlicht und ist auch heute noch begehrt. Das Original war nicht ein einziges Mal vergriffen, außer natürlich bei uns. Musik von Kevin MacLeod.

The Doll by Daphne du MaurierDame Daphne du Maurier, Lady Browning was born in 1907 in London in 1931 and died in 1989 in Cornwall. She is a famous novelist with such best-sellers as Rebecca, Frenchman's Creek, The Birds and the novella Don't Look Now. This story is taken from a collection of short stories written before her famous novels. She was clearly fond of the name Rebecca for the dark-spirited anima-like femme fatale.I did a recording of Don't Look Now, which has proved to be my most popular recording on Youtube.(If You Appreciate The Work I've Put In Here - You could buy me a coffee at https://ko-fi.com/tonywalker or join as a Patron for exclusive content here: https://www.patreon.com/barcud)Her father was an actor and theatre manager who was knighted for her services to the arts.  Her mother Muriel Beaumont was also an actress.   Daphne's sister Angela was also an author and an actress and her other sister Jeanne who was part of the painter colony in St Ives Cornwall.  Daphne and her sister Jeanne look very like their mother in the photographs on the internet.  Their cousins were the inspiration for the children in J M Barrie's Peter Pan.  Her great-great-grandmother was mistress of Frederick Augustus, Duke of York and Albany. She was born when the family were living in a rather grand house on Cumberland Terrace on the eastern side of Regent's Park in a house that is now a grade I listed building designed by the famous architect John Nash. Her father's success made this possible. She was born in a house Daphne du Maurier became more reclusive as she got more famous and spent her time n her beloved Cornwall. As she grew, the family had two houses — one in Hampstead, north London ( a grade II listed building from 1720) and a house in Fowey, Cornwall, where they lived exclusively during the Second World War.  She got married to a prominent soldier and had three children, of whom both girls married prominent soldiers. The Wiki notes that her marriage was somewhat chilly and she herself could be distant from her children. Her husband died in 1965, when she was 34.  She moved permanently to Kilmarth, Cornwall. She was made a dame (equivalent of a knight) in 1969 but was very reticent about mentioning it and never made much of it. After she died in 1989, biographers discussed whether she was a lesbian. Her sister Jeanne had a close relationship with another woman. She notes that her father always wanted a son and so she was a tomboy. Her children denied that she was a lesbian. When she died of heart failure aged 81, her body was privately cremated.  In her obituary, Kate Kellaway said: “Du Maurier was mistress of calculated irresolution. She did not want to put her readers' minds at rest. She wanted her riddles to persist. She wanted the novels to continue to haunt us beyond their endings.”The DollThis story was published in 1937, that is two years after the death of her husband, and one year before the publication of Rebecca.   Apparently she was only 21 when she wrote The Doll. And you can join my mailing list and get a  free audiobook: https://bit.ly/dalstonvampireMusic By The Heartwood Institutehttps://bit.ly/somecomeback***The Jordan Harbinger ShowApple Best of 2018-Learn the stories, secrets & skills of the world's most fascinating pplListen on: Apple Podcasts SpotifySupport the show

Mission encre noire Tome 34 Chapitre 382. L'incendiaire de Sudbury par Chloé Laduchesse paru en 2022 aux éditions Héliotrope dans la collection noir. Longtemps Emmanuelle fumera une cigarette accoudée à sa fenêtre, pour observer la rue et ses gens. Invariablement, Paul qui déteste respirer sa fumée secondaire, lui demandera de l'éteindre. Ielles résident dans un des quartiers les plus populaires de Sudbury, le Donovan, une sorte d'Hochelaga ontarien. Comme à son habitude, Emm, de retour d'un de ses contrats de design web pour des clients plus ou moins réglos, c'est presque devenu un rituel, descendra de l'autobus pour regagner le dépanneur au-dessus duquel elle habite. Elle entrera furtivement pour acheter un paquet de Du Maurier jumelé à un petit sac de Doritos et un paquet de Skittles. Quelques caresses plus tard pour Dog, le chat obèse de l'épicier, elle finira affalée sur son divan, pour brancher son écran, Love, sa série préférée, un verre de vodka à portée de main. Tout irait pour le mieux si ce n'est la disparition subite de son ancien amant, César Lascif, le mari de la docteur Herman, une notable en charge d'un programme de recherche bien particulier. Comble du hasard ou riche opportunité, une aînée à la main légère lui remet l'agenda de son ex, fraîchement dérobé. C'est d'autant plus intrigant que d'autres hommes manquent à l'appel ces derniers temps. Tout en se laissant bercer par La valse à Mille temps de Jacques Brel, il semblerait qu'elle soit la femme de la situation pour démêler les fils de cette étrange affaire. Dans l'anciennement nommée Sainte-Anne-Des-Pins, la gentrification menace et elle encourage les plus vils manant à s'emparer du pactole. Peuplé de personnages haut en couleur et saupoudré de l'humour caustique de l'autrice, ce premier roman hors Québec chez Héliotrope noir, fait mouche. Nous prenons la route vers les bords du lac Ramsey, pour rencontrer Chloé Laduchesse, ce soir, à Mission encre noire. Extrait:« L'agenda datait de l'année précédente. La page d'identification avait été laissée vierge, à l'exception d'un mauvais croquis de cube. Je tournais les pages, de plus en plus intriguée par cette écriture qui me semblait familière. Les rendez-vous étaient peu nombreux, changements de pneus, appels à passer, joutes amicales de soccer l'été, de hockey l'hiver. Beaucoup de signes, d'inscriptions codées ; une lettre seule, un symbole ; puis, vers le mois d'octobre, plus rien. Oui, je reconnaissais cette calligraphie, toute en petites majuscules aux traits nerveux ; le stylo à l'encre noire avait, en s'enfonçant dans le papier, gravé les mots, et les pages étaient ponctuées de bosses et de creux que j'aurai pu lire du bout des doigts. L'écriture d'une personne anxieuse. Créative. Secrète. Une personne qui n'a pas d'emploi. Qui évite la vérité. Ou, pour faire simple, qui ment. César. Ça ne pouvait être que lui.» Héroïne par Tristan Saule paru en 2021 aux éditions Le Quartanier dans la collection Parallèle noir. C'est le retour des Chroniques de la place carrée, un cycle de romans noirs débuté avec Mathilde ne dit rien paru en 2021 aux mêmes éditions Le quartanier. Cette place, souvenez vous, se trouve dans un quartier populaire, dans une ville moyenne de France. Même si elle boîte, Mathilde fait encore une brève apparition ici. Ce deuxième volet, nous présente d'autres facettes du quartier à travers une nouvelle panoplie de personnages. Laura est infirmière, à la vie amoureuse compliquée. Tonio, un petit dealer d'ecstasy à la petite semaine qui se retrouve devant l'affaire du siècle, un kilo d'héroïne en provenance de Belgique. Thierry, Zacharie, Idriss, Bolleg, le Manouche veulent tous se sortir de la misère et de l'ennuie. Or, le confinement de 2020 va changer sévèrement la donne. L'arrivée de ces stupéfiants menace l'ADN même du quartier. Subitement, un an après les événements de Mathilde ne dit rien, les habitants de Monzelle se trouvent pris dans la tourmente d'événements incontrôlables. Nous prenons la direction de la France, ce soir, à Mission encre noire, pour rencontrer Tristan Saule. Extrait:« On ne s'y fait pas. Une ville morte comme ça, qu'on soit à pied ou en bagnole, c'est quelque chose. Tonio a l'impression d'être le seul survivant d'une catastrophe. En un sens c'est vrai. À la télé, ils racontent que des gens meurent. Des centaines par jour. Ceux qui restent sont des survivants, non ? Tonio ne sait pas trop quoi penser de cette situation. D'un côté, il se dit que tout ça, c'est des conneries. De l'autre, il a un peu peur. Un tout petit peu. Il arrive au bas de l'avenue qui relie les Hauts au centre-ville historique. Les maisons sont de plus en plus grandes, les jardins de mieux en mieux entretenus. Sur les boulevards qui enserrent l'hypercentre, les propriétés sont cachées derrière de hauts portails en fer forgé que dépassent des arbres centenaires. Des cèdres majestueux, des chênes, des marronniers, et même un séquoia. Une voiture de flics débouche à l'angle d'une rue. Tonio s'accroupit. Putain, c'est quel genre de catastrophe qui épargne seulement lui et les bleus ? Il y a plus que ça, dans les rues, des bagnoles de flics, des ambulances et des pompiers. Des bleus, des blancs et des rouges. Vive la France !»

L'Histoire de Rebecca. Hors-sujet, mais que devient Rebecca Black ?Auteure des textes : Sophie AstrabieDirection Editoriale: Pénélope BoeufVoix : Pénélope BoeufProduction : La Toile Sur Écoute Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

"second to the left and straight on till mourning"

Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!Daphne du Maurier (1907–1989) is one of the best-loved authors of popular fiction of her generation. Her novels established her as a master storyteller, but she also wrote plays, short stories and biographies. Haunting and atmospheric, her work occupies a unique place in 20th century literature, appealing to a broad audience yet worthy of literary merit. Daphne du Maurier's first novel, The Loving Spirit, was published in 1931 to critical acclaim. She married Major Frederick Arthur Montague ('Boy') Browning in 1932 and had her first daughter, Tessa, in 1933. Her frank biography of her father, Gerald: A Portrait (1934) shocked some of her father's admirers but also gained her recognition as a talented writer. In 1936, publication of Jamaica Inn propelled her to the top of the best-seller lists. An unhappy period in Egypt as an army wife gave rise to Daphne du Maurier's best-known novel, Rebecca (1938). An intense study of female jealousy, Rebecca was made into a successful film in 1940, directed by Alfred Hitchcock.  Frenchman's Creek (1941) and Hungry Hill (1943) followed, both of which were also made into successful films. She had another daughter, Flavia, in 1937, and a son, Christian, in 1940, and while her husband was away at war, she moved back to Cornwall with the children to live in 'Menabilly', a house which she had loved since her early 20s. During and after the war, the du Mauriers' marriage became strained. This prompted her to write a play, The Years Between (performed in 1944), which explored the effects of war on marriage. My Cousin Rachel (1951) was followed by two collections of short stories, The Apple Tree (1952) and The Breaking Point(1959); the latter was also influenced by her psychological stress. The Scapegoat (1957), a novel exploring themes of stolen identity and the self, is appreciated by critics as a more serious work, though at the time it was pigeonholed as another of her romantic thrillers. In 1963, Alfred Hitchcock's film version of her short story The Birds, was released and became a cult classic. The death of her husband, in 1965, affected Daphne du Maurier profoundly and her unease was compounded by a growing sense that her imaginative talent was waning. Unable to renew the lease on her treasured home, Menabilly, she moved to Kilmarth, in Par, where she wrote the well-received The House on the Strand in 1969, the same year that she was made a DBE. She subsequently entered into a period of creative and personal decline, culminating with a nervous breakdown in 1981. She died at home in Cornwall in 1989 at the age of 81.From https://www.bl.uk/people/daphne-du-maurier. For more information about Daphne du Maurier:“In Praise of Daphne du Maurier”: https://www.nytimes.com/2017/07/06/books/daphne-du-maurier-enthusiast.html“Daphne du Maurier: In Rebecca's Footsteps”: ​​https://player.pbs.org/widget/partnerplayer/3051784528/?callsign=WLIW

The Martian, by George du Maurier, is a largely autobiographical novel published in 1898 and the author's third. It describes the life of Barty Josselin as told by his close friend Robert Maurice, starting from their school days in Paris in the 1850s. Written in long descriptive passages with very little dialogue and many digressions, the book had considerably less success in its time than its predecessor, the popular Trilby. Genre(s): General Fiction George du Maurier (1834 - 1896) --- Support this podcast: https://anchor.fm/3daudiobooks0/support

Ahora puedes apoyar a ELDT con un único pago y la cantidad que prefieras: paypal.me/LibroTobias Du Maurier se convirtió en una de las grandes damas de la literatura británica del siglo XX. Mujer adelantada a su tiempo, muchos de sus libros se convirtieron en éxitos indiscutibles, pese a no gozar con el respaldo de gran parte de la crítica. Además de novelas, Du Maurier también escribió obras de teatro y recibió premios y reconocimientos como el National Book Award de los Estados Unidos y la Orden del Imperio Británico. Varias de sus novelas y relatos fueron llevados al cine, en algunas de las películas más recordadas de Alfred Hitchcock, como son Los pájaros o Rebeca. Temas: • Last Night I Dreamt I Went To Manderley Again - Clint Mansell (Rebecca Music From The Netflix Film) • The Shadow Between Us - Clint Mansell (Rebecca Music From The Netflix Film) Narración, edición y montaje: Asier Menéndez Marín Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Belinda Alexandra is an international bestselling author with a whole string of blockbuster historicals to her credit, but she has taken a new path with her latest book, The Mystery Woman. It has been characterized by one reviewer as “Australian Gothic”, a story of secrets, lies and unexplained death in a 1950s country town. In some ways it has a few similarities to Daphne du Maurier's Rebecca, or hints of it. Hi there, I'm your host, Jenny Wheeler and today in Binge Reading Belinda talks about her long road to publication, her passion for cats, and why psychopathic personality traits seem to be more evident today than ever before. Armchair Traveller Draw To Win We've got three E-book copies of Belinda's The Mystery Woman to give away to three lucky readers. Enter the draw to win. Offer closes July 27. ENTER DRAW TO WIN A COPY Six things you'll learn from this Joys of Binge Reading episode: The long road to publicationWriting books with a fulltime jobThe family story that gave Belinda breakthroughWhy cats are a life long loveIs psychopathology a sign of our times?The writers she admires the most Where to find Belinda Alexandra:  Website: https://www.belinda-alexandra.com/ Instagram: https://www.instagram.com/belinda_alexandra_author/ Facebook: https://www.facebook.com/BelindaAlexandraAuthor Pinterest: https://www.pinterest.com.au/hellobelindaalexandra/_created/ What follows is a "near as" transcript of our conversation, not word for word but pretty close to it, with links to important mentions. But now, here's Belinda. Introducing Belinda Alexandra Jenny Wheeler: Hello there, Belinda and welcome to the show. It's so good to have you with us. Belinda Alexandra: It's so good to be speaking with you, Jenny. Jenny Wheeler: You are a bestselling and highly successful author. When I started this podcast and asked around amongst my friends, a lot of times they said, “get Belinda Alexandra on”, so your name is really well known. Belinda Alexandra - Blockbuster international author The latest book we are going to be talking about today is The Mystery Woman. It has been called "Australian Gothic" by one reviewer, and you have said that it's a bit of a departure from some of your earlier books. Tell us about how it's different. Belinda Alexandra: A lot of my earlier books were big historical sagas – sweeping generations and across countries and so on. But I think there comes a time in every author's life, especially when we have written quite a few books, when there is that other book inside of us we want to write. I had been very influenced by classic noir mystery stories. My mother used to gobble those down and I used to watch them with her when I was a child, so I think I always had that desire in me to write something more contained. It was an opportunity to do that. I think we like to stretch ourselves as authors and to do something a bit different, so I wanted to create a story that was in a more claustrophobic environment in a small Australian town – the sort of thing that you could imagine you would watch on TV, looking through your fingers, with a sense of suspense and an atmosphere about it. Shades of du Maurier's Rebecca Jenny Wheeler: As you've been talking, and as I was picturing you with your mother, it does have shades of Rebecca, doesn't it? Belinda Alexandra: Yes. I wanted to give a nod to that because that was one of the books I've loved, but also the classic film by Alfred Hitchcock was so wonderfully done. When we talk about Gothic, a lot of the time people get confused by that term. They think it might mean vampire novels or horror fiction, but a classic Gothic story is a story that has elements of suspense, and usually a setting that could be naturally beautiful, but it has a sense of foreboding about it. Several movie of Du Maurier's Rebecca - which one is your favorite?

durée : 00:04:45 - La chronique de Juliette Arnaud - Juliette Arnaud continue la lecture de ce classique de la littérature anglaise, et réussit même à faire le lien avec le G7, Angela Merkel et la Reine d'Angleterre.

durée : 00:04:45 - La chronique de Juliette Arnaud - Juliette Arnaud continue la lecture de ce classique de la littérature anglaise, et réussit même à faire le lien avec le G7, Angela Merkel et la Reine d'Angleterre.

durée : 00:05:04 - La chronique de Juliette Arnaud - Une jeune fille orpheline et pauvre, l'obligation de quitter le pays de son enfance, une auberge sans vrais voyageurs... La romancière anglais Daphné de Maurier nous emmène au coeur d'un pays de marais battu par la tempête et de landes où persistent la sauvagerie d'antan des naufrageurs et des pirates...

durée : 00:05:04 - La chronique de Juliette Arnaud - Une jeune fille orpheline et pauvre, l'obligation de quitter le pays de son enfance, une auberge sans vrais voyageurs... La romancière anglais Daphné de Maurier nous emmène au coeur d'un pays de marais battu par la tempête et de landes où persistent la sauvagerie d'antan des naufrageurs et des pirates...

Thierry Dancourt vit et travaille à Paris. Il a notamment publié en 2008 à La Table Ronde «Hôtel de Lausanne», couronné par le prix du Premier Roman et le prix Bertrand de Jouvenel de l'Académie française.  À l'occasion de la fête de la radio et de son nouveau roman qui se déroule dans les coulisses d'une radio suisse, l'émission vous propose d'entrer dans son univers littéraire par les sons et les ambiances qui traversent «Silence Radio».   "1960. Cécile vit à Paris, mais son amant vit en Suisse. C'est là-bas qu'elle l'a rencontré, quand tous deux travaillaient pour Radio Lausanne, et là-bas qu'elle continue de le retrouver. De chambres d'hôtel en gares de province, elle fume ses Du Maurier, avale de l'Alka-Seltzer comme de l'eau en écoutant les silences de Franck, qui se ferme comme une huître dès que l'on évoque le passé. Leur séjour dans une station thermale désaffectée avec Richard, un vieil ami, n'échappe pas à la règle : au bout de quelques jours, Franck s'absente, laissant un mot des plus vagues. Richard ne sait pas plus que Cécile quand il reviendra, ni pourquoi il est parti. Malgré tout, il croit pouvoir éclairer Cécile sur l'histoire de Franck. Il faut remonter au temps de la guerre, traverser de nouveau la frontière, vers le Paris occupé. Dans la station déserte, guidée par la voix de Richard, Cécile entreprend ce voyage à rebours, du silence enneigé des montagnes suisses à celui, plus inquiétant, d'une radio qui n'émet plus"  (Présentation des éditions de La Table Ronde)

En este nuevo encuentro en el café de Mendel José Carlos y Jan hablan de sus últimas lecturas, que van de Grassic Gibbon a Cartarescu, pasando por Woolf, Du Maurier, Mairal y Nabokov, y cuentan sus sensaciones de este Sant Jordi / Día del Libro. Además, respondiendo a preguntas vuestras, hablan de la literatura española del siglo XIX, la novela gráfica y cómo gestionamos los conflictos de interés a la hora de reseñar un libro.

This week we invited Patreon supporters to join us for a special live episode and here it is! Join David, Heidi, and Tim (and the live audience) for a discussion of the first seven chapters of Daphne Du Maurier's Rebecca. Topics of conversation include the gothic nature of the novel, Du Maurier's unique writing style, and (as usual with mysteries of this sort) the question of who the antagonist is. See acast.com/privacy for privacy and opt-out information.

Unfortunately, very little information can be found about the English pianist/teacher, Annette Hullah. Apart from an English newspaper having announced her return from Vienna, in 1893, following the completion of her studies with Theodor Leschetizky and the publication of an American newspaper having referred to her as “young” in 1902, one estimates that she was born in the 1870s. Annette Hullah was the daughter of the famed English organist, teacher and composer, Sir John Pyke Hullah (1812-84). Interestingly, Hullah’s father knew Charles Dickens, the latter having wrote a failed comic opera entitled, The Village Coquettes for which the former was to have composed the music. Years later (ca. 1930) Hullah sold the letters that were written to her father by Dickens. Hullah's mother was Frances Rosser Hullah. In addition to being a student of Leschetizky (one of the most famous and legendary piano teachers of all time) Hullah was one of his teaching assistants and, judging by her book, Theodor Leschetizky it appears as though she had a firm grasp of the teaching principles of her master. Published in 1906 as part of the “Living Masters of Music Series” by John Lane Company, Hullah’s short book serves more as biography than memoir. A few personal stories do pepper the text and make for an enjoyable read, particularly when read alongside Leschetizky As I Knew Him written by Hullah’s classmate, Ethel Newcomb. (The first seventeen episodes of this podcast are devoted to the book.) Following her return to England in 1893, Hullah apparently taught piano and performed, although no major tours or orchestral debuts appear to have been documented and it is not known whether or not she made any recordings. Following some health issues, particularly with regards to weak lungs, Hullah resided for some time in California at the turn of the century. Her health having been improved by the weather, she later returned to England where she secured a wealthy patron. It is interesting to note that during Hullah’s time in California, she performed both solo and chamber music in and around San Francisco and was frequently the guest at the teas, suppers and musicales of noted individuals, including Mr. and Mrs. Thomas Magee. Magee had been a millionaire property owner and was a retired real estate broker when he died in 1902 at the age of seventy. While there exists very little biographical information about Hullah, one thing that evidently did not go unnoticed was her looks, numerous reporters having described her physical attributes in accounts such as: “Her head reminds you of Du Maurier’s Women…” Not unlike the Polish pianist, Ignacy Jan Paderewski (another pupil of Leschetizky) Hullah’s hair was described as having reminded one of the pre-Raphaelite faces painted by Sir Edward Burne-Jones and Sir Lawrence Alma-Tadema. Another reporter wrote that Hullah “looks like an angel when she plays, for she has a halo of bright gold hair which is really much like an aureole, and her face is decidedly spirituelle.” Hullah was also frequently described as that “fascinating little English girl,” or the “pretty little English pianist with the aureole of bright hair” and that “dainty and charming little lady.” As for her character, Hullah has been described as being of the “scholarly, academic, logical school – an intellectual rather than emotional conception” and it has been said that her distinguishing characteristics were “an admirable conscientiousness, considerable technical attainment and unusual poise.” As a pianist, she was said to have played “exceedingly well.” Hullah also wrote A Little History of Music. ---------- PayPal.me/pennypiano Support for this podcast is greatly appreciated!

Unfortunately, very little information can be found about the English pianist/teacher, Annette Hullah. Apart from an English newspaper having announced her return from Vienna, in 1893, following the completion of her studies with Theodor Leschetizky and the publication of an American newspaper having referred to her as “young” in 1902, one estimates that she was born in the 1870s. Annette Hullah was the daughter of the famed English organist, teacher and composer, Sir John Pyke Hullah (1812-84). Interestingly, Hullah’s father knew Charles Dickens, the latter having wrote a failed comic opera entitled, The Village Coquettes for which the former was to have composed the music. Years later (ca. 1930) Hullah sold the letters that were written to her father by Dickens. Hullah's mother was Frances Rosser Hullah. In addition to being a student of Leschetizky (one of the most famous and legendary piano teachers of all time) Hullah was one of his teaching assistants and, judging by her book, Theodor Leschetizky it appears as though she had a firm grasp of the teaching principles of her master. Published in 1906 as part of the “Living Masters of Music Series” by John Lane Company, Hullah’s short book serves more as biography than memoir. A few personal stories do pepper the text and make for an enjoyable read, particularly when read alongside Leschetizky As I Knew Him written by Hullah’s classmate, Ethel Newcomb. (The first seventeen episodes of this podcast are devoted to the book.) Following her return to England in 1893, Hullah apparently taught piano and performed, although no major tours or orchestral debuts appear to have been documented and it is not known whether or not she made any recordings. Following some health issues, particularly with regards to weak lungs, Hullah resided for some time in California at the turn of the century. Her health having been improved by the weather, she later returned to England where she secured a wealthy patron. It is interesting to note that during Hullah’s time in California, she performed both solo and chamber music in and around San Francisco and was frequently the guest at the teas, suppers and musicales of noted individuals, including Mr. and Mrs. Thomas Magee. Magee had been a millionaire property owner and was a retired real estate broker when he died in 1902 at the age of seventy. While there exists very little biographical information about Hullah, one thing that evidently did not go unnoticed was her looks, numerous reporters having described her physical attributes in accounts such as: “Her head reminds you of Du Maurier’s Women…” Not unlike the Polish pianist, Ignacy Jan Paderewski (another pupil of Leschetizky) Hullah’s hair was described as having reminded one of the pre-Raphaelite faces painted by Sir Edward Burne-Jones and Sir Lawrence Alma-Tadema. Another reporter wrote that Hullah “looks like an angel when she plays, for she has a halo of bright gold hair which is really much like an aureole, and her face is decidedly spirituelle.” Hullah was also frequently described as that “fascinating little English girl,” or the “pretty little English pianist with the aureole of bright hair” and that “dainty and charming little lady.” As for her character, Hullah has been described as being of the “scholarly, academic, logical school – an intellectual rather than emotional conception” and it has been said that her distinguishing characteristics were “an admirable conscientiousness, considerable technical attainment and unusual poise.” As a pianist, she was said to have played “exceedingly well.” Hullah also wrote A Little History of Music. ---------- PayPal.me/pennypiano Support for this podcast is greatly appreciated!

Unfortunately, very little information can be found about the English pianist/teacher, Annette Hullah. Apart from an English newspaper having announced her return from Vienna, in 1893, following the completion of her studies with Theodor Leschetizky and the publication of an American newspaper having referred to her as “young” in 1902, one estimates that she was born in the 1870s. Annette Hullah was the daughter of the famed English organist, teacher and composer, Sir John Pyke Hullah (1812-84). Interestingly, Hullah’s father knew Charles Dickens, the latter having wrote a failed comic opera entitled, The Village Coquettes for which the former was to have composed the music. Years later (ca. 1930) Hullah sold the letters that were written to her father by Dickens. Hullah's mother was Frances Rosser Hullah. In addition to being a student of Leschetizky (one of the most famous and legendary piano teachers of all time) Hullah was one of his teaching assistants and, judging by her book, Theodor Leschetizky it appears as though she had a firm grasp of the teaching principles of her master. Published in 1906 as part of the “Living Masters of Music Series” by John Lane Company, Hullah’s short book serves more as biography than memoir. A few personal stories do pepper the text and make for an enjoyable read, particularly when read alongside Leschetizky As I Knew Him written by Hullah’s classmate, Ethel Newcomb. (The first seventeen episodes of this podcast are devoted to the book.) Following her return to England in 1893, Hullah apparently taught piano and performed, although no major tours or orchestral debuts appear to have been documented and it is not known whether or not she made any recordings. Following some health issues, particularly with regards to weak lungs, Hullah resided for some time in California at the turn of the century. Her health having been improved by the weather, she later returned to England where she secured a wealthy patron. It is interesting to note that during Hullah’s time in California, she performed both solo and chamber music in and around San Francisco and was frequently the guest at the teas, suppers and musicales of noted individuals, including Mr. and Mrs. Thomas Magee. Magee had been a millionaire property owner and was a retired real estate broker when he died in 1902 at the age of seventy. While there exists very little biographical information about Hullah, one thing that evidently did not go unnoticed was her looks, numerous reporters having described her physical attributes in accounts such as: “Her head reminds you of Du Maurier’s Women…” Not unlike the Polish pianist, Ignacy Jan Paderewski (another pupil of Leschetizky) Hullah’s hair was described as having reminded one of the pre-Raphaelite faces painted by Sir Edward Burne-Jones and Sir Lawrence Alma-Tadema. Another reporter wrote that Hullah “looks like an angel when she plays, for she has a halo of bright gold hair which is really much like an aureole, and her face is decidedly spirituelle.” Hullah was also frequently described as that “fascinating little English girl,” or the “pretty little English pianist with the aureole of bright hair” and that “dainty and charming little lady.” As for her character, Hullah has been described as being of the “scholarly, academic, logical school – an intellectual rather than emotional conception” and it has been said that her distinguishing characteristics were “an admirable conscientiousness, considerable technical attainment and unusual poise.” As a pianist, she was said to have played “exceedingly well.” Hullah also wrote A Little History of Music. ---------- PayPal.me/pennypiano Support for this podcast is greatly appreciated!

Unfortunately, very little information can be found about the English pianist/teacher, Annette Hullah. Apart from an English newspaper having announced her return from Vienna, in 1893, following the completion of her studies with Theodor Leschetizky and the publication of an American newspaper having referred to her as “young” in 1902, one estimates that she was born in the 1870s. Annette Hullah was the daughter of the famed English organist, teacher and composer, Sir John Pyke Hullah (1812-84). Interestingly, Hullah’s father knew Charles Dickens, the latter having wrote a failed comic opera entitled, The Village Coquettes for which the former was to have composed the music. Years later (ca. 1930) Hullah sold the letters that were written to her father by Dickens. Hullah's mother was Frances Rosser Hullah. In addition to being a student of Leschetizky (one of the most famous and legendary piano teachers of all time) Hullah was one of his teaching assistants and, judging by her book, Theodor Leschetizky it appears as though she had a firm grasp of the teaching principles of her master. Published in 1906 as part of the “Living Masters of Music Series” by John Lane Company, Hullah’s short book serves more as biography than memoir. A few personal stories do pepper the text and make for an enjoyable read, particularly when read alongside Leschetizky As I Knew Him written by Hullah’s classmate, Ethel Newcomb. (The first seventeen episodes of this podcast are devoted to the book.) Following her return to England in 1893, Hullah apparently taught piano and performed, although no major tours or orchestral debuts appear to have been documented and it is not known whether or not she made any recordings. Following some health issues, particularly with regards to weak lungs, Hullah resided for some time in California at the turn of the century. Her health having been improved by the weather, she later returned to England where she secured a wealthy patron. It is interesting to note that during Hullah’s time in California, she performed both solo and chamber music in and around San Francisco and was frequently the guest at the teas, suppers and musicales of noted individuals, including Mr. and Mrs. Thomas Magee. Magee had been a millionaire property owner and was a retired real estate broker when he died in 1902 at the age of seventy. While there exists very little biographical information about Hullah, one thing that evidently did not go unnoticed was her looks, numerous reporters having described her physical attributes in accounts such as: “Her head reminds you of Du Maurier’s Women…” Not unlike the Polish pianist, Ignacy Jan Paderewski (another pupil of Leschetizky) Hullah’s hair was described as having reminded one of the pre-Raphaelite faces painted by Sir Edward Burne-Jones and Sir Lawrence Alma-Tadema. Another reporter wrote that Hullah “looks like an angel when she plays, for she has a halo of bright gold hair which is really much like an aureole, and her face is decidedly spirituelle.” Hullah was also frequently described as that “fascinating little English girl,” or the “pretty little English pianist with the aureole of bright hair” and that “dainty and charming little lady.” As for her character, Hullah has been described as being of the “scholarly, academic, logical school – an intellectual rather than emotional conception” and it has been said that her distinguishing characteristics were “an admirable conscientiousness, considerable technical attainment and unusual poise.” As a pianist, she was said to have played “exceedingly well.” Hullah also wrote A Little History of Music. ---------- PayPal.me/pennypiano Support for this podcast is greatly appreciated!

Unfortunately, very little information can be found about the English pianist/teacher, Annette Hullah. Apart from an English newspaper having announced her return from Vienna, in 1893, following the completion of her studies with Theodor Leschetizky and the publication of an American newspaper having referred to her as “young” in 1902, one estimates that she was born in the 1870s. Annette Hullah was the daughter of the famed English organist, teacher and composer, Sir John Pyke Hullah (1812-84). Interestingly, Hullah’s father knew Charles Dickens, the latter having wrote a failed comic opera entitled, The Village Coquettes for which the former was to have composed the music. Years later (ca. 1930) Hullah sold the letters that were written to her father by Dickens. Hullah's mother was Frances Rosser Hullah. In addition to being a student of Leschetizky (one of the most famous and legendary piano teachers of all time) Hullah was one of his teaching assistants and, judging by her book, Theodor Leschetizky it appears as though she had a firm grasp of the teaching principles of her master. Published in 1906 as part of the “Living Masters of Music Series” by John Lane Company, Hullah’s short book serves more as biography than memoir. A few personal stories do pepper the text and make for an enjoyable read, particularly when read alongside Leschetizky As I Knew Him written by Hullah’s classmate, Ethel Newcomb. (The first seventeen episodes of this podcast are devoted to the book.) Following her return to England in 1893, Hullah apparently taught piano and performed, although no major tours or orchestral debuts appear to have been documented and it is not known whether or not she made any recordings. Following some health issues, particularly with regards to weak lungs, Hullah resided for some time in California at the turn of the century. Her health having been improved by the weather, she later returned to England where she secured a wealthy patron. It is interesting to note that during Hullah’s time in California, she performed both solo and chamber music in and around San Francisco and was frequently the guest at the teas, suppers and musicales of noted individuals, including Mr. and Mrs. Thomas Magee. Magee had been a millionaire property owner and was a retired real estate broker when he died in 1902 at the age of seventy. While there exists very little biographical information about Hullah, one thing that evidently did not go unnoticed was her looks, numerous reporters having described her physical attributes in accounts such as: “Her head reminds you of Du Maurier’s Women…” Not unlike the Polish pianist, Ignacy Jan Paderewski (another pupil of Leschetizky) Hullah’s hair was described as having reminded one of the pre-Raphaelite faces painted by Sir Edward Burne-Jones and Sir Lawrence Alma-Tadema. Another reporter wrote that Hullah “looks like an angel when she plays, for she has a halo of bright gold hair which is really much like an aureole, and her face is decidedly spirituelle.” Hullah was also frequently described as that “fascinating little English girl,” or the “pretty little English pianist with the aureole of bright hair” and that “dainty and charming little lady.” As for her character, Hullah has been described as being of the “scholarly, academic, logical school – an intellectual rather than emotional conception” and it has been said that her distinguishing characteristics were “an admirable conscientiousness, considerable technical attainment and unusual poise.” As a pianist, she was said to have played “exceedingly well.” Hullah also wrote A Little History of Music. ---------- PayPal.me/pennypiano Support for this podcast is greatly appreciated!

Unfortunately, very little information can be found about the English pianist/teacher, Annette Hullah. Apart from an English newspaper having announced her return from Vienna, in 1893, following the completion of her studies with Theodor Leschetizky and the publication of an American newspaper having referred to her as “young” in 1902, one estimates that she was born in the 1870s. Annette Hullah was the daughter of the famed English organist, teacher and composer, Sir John Pyke Hullah (1812-84). Interestingly, Hullah’s father knew Charles Dickens, the latter having wrote a failed comic opera entitled, The Village Coquettes for which the former was to have composed the music. Years later (ca. 1930) Hullah sold the letters that were written to her father by Dickens. Hullah's mother was Frances Rosser Hullah. In addition to being a student of Leschetizky (one of the most famous and legendary piano teachers of all time) Hullah was one of his teaching assistants and, judging by her book, Theodor Leschetizky it appears as though she had a firm grasp of the teaching principles of her master. Published in 1906 as part of the “Living Masters of Music Series” by John Lane Company, Hullah’s short book serves more as biography than memoir. A few personal stories do pepper the text and make for an enjoyable read, particularly when read alongside Leschetizky As I Knew Him written by Hullah’s classmate, Ethel Newcomb. (The first seventeen episodes of this podcast are devoted to the book.) Following her return to England in 1893, Hullah apparently taught piano and performed, although no major tours or orchestral debuts appear to have been documented and it is not known whether or not she made any recordings. Following some health issues, particularly with regards to weak lungs, Hullah resided for some time in California at the turn of the century. Her health having been improved by the weather, she later returned to England where she secured a wealthy patron. It is interesting to note that during Hullah’s time in California, she performed both solo and chamber music in and around San Francisco and was frequently the guest at the teas, suppers and musicales of noted individuals, including Mr. and Mrs. Thomas Magee. Magee had been a millionaire property owner and was a retired real estate broker when he died in 1902 at the age of seventy. While there exists very little biographical information about Hullah, one thing that evidently did not go unnoticed was her looks, numerous reporters having described her physical attributes in accounts such as: “Her head reminds you of Du Maurier’s Women…” Not unlike the Polish pianist, Ignacy Jan Paderewski (another pupil of Leschetizky) Hullah’s hair was described as having reminded one of the pre-Raphaelite faces painted by Sir Edward Burne-Jones and Sir Lawrence Alma-Tadema. Another reporter wrote that Hullah “looks like an angel when she plays, for she has a halo of bright gold hair which is really much like an aureole, and her face is decidedly spirituelle.” Hullah was also frequently described as that “fascinating little English girl,” or the “pretty little English pianist with the aureole of bright hair” and that “dainty and charming little lady.” As for her character, Hullah has been described as being of the “scholarly, academic, logical school – an intellectual rather than emotional conception” and it has been said that her distinguishing characteristics were “an admirable conscientiousness, considerable technical attainment and unusual poise.” As a pianist, she was said to have played “exceedingly well.” Hullah also wrote A Little History of Music. ---------- PayPal.me/pennypiano Support for this podcast is greatly appreciated!

Unfortunately, very little information can be found about the English pianist/teacher, Annette Hullah. Apart from an English newspaper having announced her return from Vienna, in 1893, following the completion of her studies with Theodor Leschetizky and the publication of an American newspaper having referred to her as “young” in 1902, one estimates that she was born in the 1870s. Annette Hullah was the daughter of the famed English organist, teacher and composer, Sir John Pyke Hullah (1812-84). Interestingly, Hullah’s father knew Charles Dickens, the latter having wrote a failed comic opera entitled, The Village Coquettes for which the former was to have composed the music. Years later (ca. 1930) Hullah sold the letters that were written to her father by Dickens. Hullah's mother was Frances Rosser Hullah. In addition to being a student of Leschetizky (one of the most famous and legendary piano teachers of all time) Hullah was one of his teaching assistants and, judging by her book, Theodor Leschetizky it appears as though she had a firm grasp of the teaching principles of her master. Published in 1906 as part of the “Living Masters of Music Series” by John Lane Company, Hullah’s short book serves more as biography than memoir. A few personal stories do pepper the text and make for an enjoyable read, particularly when read alongside Leschetizky As I Knew Him written by Hullah’s classmate, Ethel Newcomb. (The first seventeen episodes of this podcast are devoted to the book.) Following her return to England in 1893, Hullah apparently taught piano and performed, although no major tours or orchestral debuts appear to have been documented and it is not known whether or not she made any recordings. Following some health issues, particularly with regards to weak lungs, Hullah resided for some time in California at the turn of the century. Her health having been improved by the weather, she later returned to England where she secured a wealthy patron. It is interesting to note that during Hullah’s time in California, she performed both solo and chamber music in and around San Francisco and was frequently the guest at the teas, suppers and musicales of noted individuals, including Mr. and Mrs. Thomas Magee. Magee had been a millionaire property owner and was a retired real estate broker when he died in 1902 at the age of seventy. While there exists very little biographical information about Hullah, one thing that evidently did not go unnoticed was her looks, numerous reporters having described her physical attributes in accounts such as: “Her head reminds you of Du Maurier’s Women…” Not unlike the Polish pianist, Ignacy Jan Paderewski (another pupil of Leschetizky) Hullah’s hair was described as having reminded one of the pre-Raphaelite faces painted by Sir Edward Burne-Jones and Sir Lawrence Alma-Tadema. Another reporter wrote that Hullah “looks like an angel when she plays, for she has a halo of bright gold hair which is really much like an aureole, and her face is decidedly spirituelle.” Hullah was also frequently described as that “fascinating little English girl,” or the “pretty little English pianist with the aureole of bright hair” and that “dainty and charming little lady.” As for her character, Hullah has been described as being of the “scholarly, academic, logical school – an intellectual rather than emotional conception” and it has been said that her distinguishing characteristics were “an admirable conscientiousness, considerable technical attainment and unusual poise.” As a pianist, she was said to have played “exceedingly well.” Hullah also wrote A Little History of Music. ---------- PayPal.me/pennypiano Support for this podcast is greatly appreciated!

"Last night I dreamt I went to Manderley again…" Famous first words of Daphne Du Maurier's "Rebecca." But, are they famous enough? Nicole and Rolando get into this week as they discuss the novel and how it'd give the world, "Rebecca," the 1940 film directed by Alfred Hitchcock starring Laurence Olivier, Joan Fontaine, and Judith Anderson. What effect did the Hays Code have on the film when adapting the gothic-romance-thriller? Do the performances stand the test of time? And how faithful is Hitchcock to Du Maurier's work? Then, Nicole and Rolando turn their attention on Netflix's "Rebecca," starring Armie Hammer and Lily James. As Mrs. De Winter finds herself living under Rebecca's shadow, director Ben Wheatley finds himself under Hitchcock's looming shadow. Can he find the light to make Rebecca his own? How do the performances compare to the 1940 classic? Does the movie work as a period piece or could it use a face-lift? And, how faithful is this film to Du Maurier's novel? And more importantly, is Netflix obsessed with the ghosts that haunt mansions? Listen to find out. Follow Us Be sure to follow us on social media for news, polls, and fun behind the scenes content. FACEBOOK: facebook.com/remakesrebootsrevivals INSTAGRAM: instagram.com/remakesrebootsrevivals And we always want to hear from you! Email us at remakesrebootsrevivals@gmail.com

Robert Chambers era hiijo de un abogado, nieto de un médico y descendiente directo del fundador de Rhode Island. En 1894 publicó su primer libro, In the Quarter, un muestrario de escenas de la vida bohemia a la manera de Murger o Du Maurier basadas en las notas que tomó en París. Se supone que nadie esperaba que se dedicase a escribir, ni siquiera él mismo, aunque según sus amigos tenía una facilidad natural para contar historias. Sea como fuere, en 1895 publicó su segundo libro, The King in Yellow ("El Rey de Amarillo"), en el que combinaba nuevos retratos parisienses con originales historias de fantasía y terror que tuvieron un enorme éxito. Ahí empezó su carrera literaria y su continua y pasmosa variación de temas y estilos. En The Maker of Moons (1896) y The Mystery of Choice (1897) siguió aún la estela de "El Rey de Amarillo", pero en The Search of the Unknown (1904) se decantó más bien por la ficción científica. Después escribió un sinfín de novelas históricas, relatos de detectives y novelas rosa ambientados en la alta sociedad de Nueva York. Todos sus libros se vendieron bien y un par de ellos incluso alcanzaron la condición oficial de best-seller. No necesitaba ese dinero para vivir y lo invirtió en sus muchas y onerosas aficiones: coleccionar mariposas, muebles, porcelana japonesa, alfombras y arte chino. Todo eso parecía importarle mucho más que la reputación literaria. Narración, producción y edición: David Martínez Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

It's our Hallowe'en special ! For this year’s Hallowe’en episode our subject is the Old English poem, Beowulf, composed somewhere in England more than a thousand years ago. The atmospheric tale of supernatural monsters and human heroes has inspired scores of translations over the centuries and we will discuss several, including versions by Seamus Heaney, J.R.R. Tolkien, Michael Morpurgo and the powerful new translation by Maria Dahvana Headley (the 2007 computer-animated film adaptation by Robert Zemeckis and Neil Gaiman also makes an appearance). Andy and John are joined by regular Backlisted Hallowe’en guest Andrew Male, the senior associate editor of MOJO magazine, and Dr Laura Varnam, who first appeared on our last Hallowe’en episode to discuss Daphne Du Maurier’s collection, The Breaking Point. As well as being a Du Maurier expert, Laura is also the Lecturer in Old and Middle English Literature at University College, Oxford and teaches Beowulf to undergraduates. Before that, to put everyone in a suitably spooky mood, we all discuss stories taken from Robert Shearman’s remarkable experiment in storytelling, We All Hear Stories in the Dark.

As Halloween approaches and we near the end of the spooky season, it's time to delve back into the world of the dark and sinister. And who better to take us there than the queen of mystery, suspense and menace, author Daphne du Maurier.Du Maurier spent her formative years exploring the windswept coast of Cornwall where her imagination was fired by shipwrecks and derelict mansions, with the ever present backdrop of the ocean churning nearby. Du Maurier would go on to spend most of her life along the rugged Cornish coastline, and it was also here that she set her most enduring work, Rebecca. Published over eighty years ago, Rebecca has never been out of print, and its thrilling and gothic tone still haunts readers today. But Rebecca was only one of a string of successful works for du Maurier, whose short stories and novels have been endlessly dramatised for the big and small screens, continuing to inspire adaptations to this day. But du Maurier herself was also a woman of secrets, and her personal life bled into her fiction, informing the dark and brooding worlds she so often created. So keep a lamp burning in the dark night as we open the pages on the life and work of Daphne du Maurier.De Rosney, Tatiana. Manderley Forever: A Biography of Daphne Du Maurier. St Martin's Publishing Group, 2017.Forster, Margaret. Daphne Du Maurier. Random House, 2012.Horner, Avril & Zlosnik, Sue. Daphne du Maurier: Writing, Identity and the Gothic Imagination. Palgrave Macmillan, 1998.Pryor, Cathy. 'Venetian tendencies; Daphne du Maurier, born 100 years ago today, kept a dark secret behind the facade of the respectable English wife'. The Independent of Sunday, 13 May 2007.White, Sophie. 'The menacing Daphne du Maurier'. The Independent, 2 October 2017. See acast.com/privacy for privacy and opt-out information.

Madeline Tells Lesley about Daphane du Maurier, the writer of Rebecca and other stories known as movies by Alfred Hitchcock. We're drinking a new made up cocktail we're calling "Daphane Fleewoods"... maybe. 

durée : 01:25:00 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - Une vie, une oeuvre - Daphné du Maurier (1ère diffusion : 26/12/1996) - réalisation : Virginie Mourthé - invités : Anne Rabinovitch traductrice et romancière; Jeanne Labrune Réalisatrice, scénariste et écrivaine; Michel Cazenave Ecrivain, ancien producteur à France Culture; Claude Pujade-Renaud Ecrivain

Book Vs Movie Podcast (Replay) “Rebecca” The Classic 1938 Novel by Daphne du Maurier Vs. the 1940 Film Directed by Alfred Hitchcock The Margos are dreaming about Manderley in this listener-suggested episode--Rebecca. The Daphne du Maurier 1938 novel which was a bestseller at the time and has never been out of print. In 1940--Alfred Hitchcock adapted it as his first American feature.  (You can watch it on YouTube!) Du Maurier is a fascinating subject as she was a cousin of the Llewelyn Davies boys who were the object of the obsession of J.M. Barrie--the creator of Peter Pan. The Margos talk about her love of Cornwall, England, her distaste for small talk and how her marriage resembled the one featured in Rebecca. We decided to visit again due to the news that new poems written by DuMaurier have been discovered.  The book & movie are both considered classics and we have all of the tidbits, trivia and behind the scenes gossip.  Get ready for a gothically good time! In this episode the Margos discuss : Du Maurier’s backstory (and rumors about her plagiarizing materials) The main plot of book & movie (and how they differ) The style (and temper) of Alfred Hitchcock The casting of the movie including Sir Laurence Olivier, Joan Fontaine, Judith Anderson and George Sanders The gay subtext in the movie The different endings between book and movie Clips Featured: Rebecca  trailer   “Mrs. de Winter” (Joan Fontaine) meets Mrs. Danvers (Judith Anderson) Mrs. Danvers and Rebecca’s nightgown Maxim de Winter (Laurence Olivier) confesses her never loved his late wife “Theme to Rebecca” Franz Waxman Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/ Twitter @bookversusmovie www.bookversusmovie.com Email us at bookversusmoviepodcast@gmail.com Brought to you by Audible.com You can sign up for a FREE 30-day trial here http://www.audible.com/?source_code=PDTGBPD060314004R Margo D. @BrooklynFitChik www.brooklynfitchick.com brooklynfitchick@gmail.com Margo P. @ShesNachoMama http://thechingonahomesteader.weebly.com/  

For Episode 2, we’re off to Falmouth, Cornwall. The Wild West has been inspiring writers for 100s of years, from Du Maurier to DH Lawrence and it’s the home of our very special guest, Cathy Rentzenbrink. Many readers will be familiar with Cathy from her bestselling memoir, The Last Act Of Love and her beautiful book, A Manual For Heartache. So you might not associate Cathy with comedy – but she’s fiercely funny. Her books will make you cry, but her conversation will definitely make you laugh. Cathy also talks, openly and honestly, about how books saved her life…BOOKSCathy Rentzenbrink - The Last Act of LoveCathy Rentzenbrink - A Manual For HeartacheHilary Mantel - Giving Up the GhostJulian Barnes - Nothing to Be Frightened Of Barbara Trapido - Brother of the More Famous JackErica Jong - Fear of FlyingNancy Mitford - Pursuit of LoveDH Lawrence - Lady Chatterley's LoverDH Lawrence - Women in LoveDH Lawrence - The RainbowJane Austen - EmmaJane Austen - Mansfield ParkJane Austen - Pride and PrejudiceZadie Smith - Feel FreeJon Ronson - So You've Been Publicly ShamedCaroline Kepnes - YouJulian Barnes - Flaubert's ParrotJulian Barnes - A History of the World in 10 1/2 ChaptersMary Wesley - Not That Sort of GirlNora Ephron - HeartburnNora Ephron - Scribble ScribbleLM Montgomery - Emily of New MoonLM Montgomery - Anne of Green GablesLM Montgomery - Anne of the IslandLM Montgomery - Anne of AvonleaLM Montgomery - Complete JournalsSusan Coolidge - What Katy DidSusan Coolidge - CloverLucy Mangan - BookwormGeorgette Heyer - FredericaAlberto Manguel - History of... See acast.com/privacy for privacy and opt-out information.

Direct from the Spiegeltent at the Norfolk & Norwich Festival, this week on the podcast we join Sarah Perry, Fiona Sampson and Peggy Hughes to talk about Mary Shelley, Daphne du Maurier and Muriel Spark, chaired by Caroline O'Donoghue. Hosted by Simon Jones, writer and Digital Marketing Manager at the National Centre for Writing. Find out more about the National Centre for Writing: https://nationalcentreforwriting.org.uk/introducing-the-national-centre-for-writing/ Useful links: Norfolk & Norwich Festival: nnfestival.org.uk Music by Bennet Maples: http://sonicfruit.co.uk/

Amazon mystery bestselling author Mary Castillo finds a fine balance in her novels between the paranormal, historical fiction and mystery. After a hiatus that lasted longer than I anticipated (and included a move across the country, a very bad cold, and a couple of weeks of couch surfing with some very dear -and very patient - friends), I am thrilled to be back to broadcasting It's a Mystery Podcast. Thank you for joining me again. I've got lots of great mystery author guests lined up and I'm very excited to bring you the first of these, Mary Castillo. Mary and I share a love of history and in this interview she talks about some of the inspiration for her Dori O paranormal mysteries, including growing up in a haunted house (!), San Diego gangsters from the prohibition era, and a nurse from WWII. You can find out more about today's guest, Mary Castillo, and all her books on her website MaryCastillo.com. You can also find her on Twitter @MCastilloWrites. This episode of It's a Mystery Podcast is sponsored by the free novella, Charlie Horse. This is the first book in the Town Called Horse mystery series that fans are calling witty, colourful, engaging and suspenseful. Charlie Horse is a historical mystery with a modern twist. This is a book that's not available at any of the online retailers where the rest of my books are sold. But, for a limited time, it's easy to get your free copy. Click here or on the book cover at right and it will be very obvious where to click to grab the free ebook. Happy reading! Links and resources mentioned in this episode Click on any of the book covers to go to Mary's books on Amazon Mary mentions being inspired by Mary Stuart, who is one of my favorites from my teenage years as well. Ms. Stewart passed away in 2014 but you can still find her books online. Mary also mentions the influence of Daphne Du Maurier on her work. Here's Ms. Du Maurier's website. Press play (above) to listen to the show, or read the transcript below. Remember you can also subscribe to the show on Apple Podcasts. And listen on Stitcher. You can also click here to watch the interview on YouTube. Transcription of Interview with Mary Castillo Alexandra: Hi, mystery readers. I'm Alexandra Amor. This is It's a Mystery podcast. I'm here today with Mary Castillo. Hi, Mary. Mary: Hi. How are you? Alexandra: Very well. How are you? Mary: Doing good. I'm in Southern California and we're getting a heat wave for Thanksgiving. So I was really excited. I have my scarves out now. I got to pull out this summer stuff. Alexandra: Once again. Well, that's a nice problem to have. Mary: It is. Alexandra: Yes. So let me introduce our listeners to you. Amazon mystery bestselling author, Mary Castillo, loves a great startle story even though she makes her husband get up with her in the middle of the night after watching a scary movie. When she's not gardening, hiking or knitting, she's engrossed in a book. She writes books she loves, chilling, paranormal mysteries mixed with heartwarming romance and compelling characters who keep you turning the pages long past your bedtime. Mary grew up in a haunted house in National City California that inspired the "Dori O" paranormal mystery series which is what we're going to talk about here today. Mary, why don't you just give us a little overview of the series itself? Mary: The "Dori O" paranormal mystery series started as a novella. It was a chick lit novella back in 2005 to 2008. I wrote romantic comedies, chick lit, and I put together anthology called Names I Call My Sister. I started the story about this family wedding gone awry. Dori and her grammy, and her sister were the central characters in the story. Afterwards, Dori stayed in my mind. She's a robbery detective with San Diego PD. She's the white sheep in a family of black sheep.

What is the relationship between the sea and culture? In Sea Narratives: Cultural Responses to the Sea, 1600-Present (Palgrave, 2016) , Charlotte Mathieson, a lecturer in English Literature at the University of Surrey, assembles a new collection of essays to explore this question. The book develops the concept of a “sea narrative,” thinking through the connection between this and a variety of forms of cultural production. The essays are eclectic, but unified, reflecting the emerging interest in both the subject and the approach the book uses. The book travels across the globe as well as across the centuries since 1600, taking in French accounts of the Atlantic crossing; prisoners of war; newspaper articles; Soviet technology and propaganda; Irishness and Ireland's sense of itself; Du Maurier's understanding of the coast; A S Byatt's work; the idea of the Anthropocene; and “coastal exceptionalism.” Each essay is fascinating in its own right, but the collection builds to reorientate the study of the sea for historians and literary scholars, as well as any academic interested in how we narrate and culturally produce the sea. Learn more about your ad choices. Visit megaphone.fm/adchoices

What is the relationship between the sea and culture? In Sea Narratives: Cultural Responses to the Sea, 1600-Present (Palgrave, 2016) , Charlotte Mathieson, a lecturer in English Literature at the University of Surrey, assembles a new collection of essays to explore this question. The book develops the concept of a “sea narrative,” thinking through the connection between this and a variety of forms of cultural production. The essays are eclectic, but unified, reflecting the emerging interest in both the subject and the approach the book uses. The book travels across the globe as well as across the centuries since 1600, taking in French accounts of the Atlantic crossing; prisoners of war; newspaper articles; Soviet technology and propaganda; Irishness and Ireland’s sense of itself; Du Maurier’s understanding of the coast; A S Byatt’s work; the idea of the Anthropocene; and “coastal exceptionalism.” Each essay is fascinating in its own right, but the collection builds to reorientate the study of the sea for historians and literary scholars, as well as any academic interested in how we narrate and culturally produce the sea. Learn more about your ad choices. Visit megaphone.fm/adchoices

What is the relationship between the sea and culture? In Sea Narratives: Cultural Responses to the Sea, 1600-Present (Palgrave, 2016) , Charlotte Mathieson, a lecturer in English Literature at the University of Surrey, assembles a new collection of essays to explore this question. The book develops the concept of a “sea narrative,” thinking through the connection between this and a variety of forms of cultural production. The essays are eclectic, but unified, reflecting the emerging interest in both the subject and the approach the book uses. The book travels across the globe as well as across the centuries since 1600, taking in French accounts of the Atlantic crossing; prisoners of war; newspaper articles; Soviet technology and propaganda; Irishness and Ireland’s sense of itself; Du Maurier’s understanding of the coast; A S Byatt’s work; the idea of the Anthropocene; and “coastal exceptionalism.” Each essay is fascinating in its own right, but the collection builds to reorientate the study of the sea for historians and literary scholars, as well as any academic interested in how we narrate and culturally produce the sea. Learn more about your ad choices. Visit megaphone.fm/adchoices

What is the relationship between the sea and culture? In Sea Narratives: Cultural Responses to the Sea, 1600-Present (Palgrave, 2016) , Charlotte Mathieson, a lecturer in English Literature at the University of Surrey, assembles a new collection of essays to explore this question. The book develops the concept of a “sea narrative,” thinking through the connection between this and a variety of forms of cultural production. The essays are eclectic, but unified, reflecting the emerging interest in both the subject and the approach the book uses. The book travels across the globe as well as across the centuries since 1600, taking in French accounts of the Atlantic crossing; prisoners of war; newspaper articles; Soviet technology and propaganda; Irishness and Ireland’s sense of itself; Du Maurier’s understanding of the coast; A S Byatt’s work; the idea of the Anthropocene; and “coastal exceptionalism.” Each essay is fascinating in its own right, but the collection builds to reorientate the study of the sea for historians and literary scholars, as well as any academic interested in how we narrate and culturally produce the sea. Learn more about your ad choices. Visit megaphone.fm/adchoices

What is the relationship between the sea and culture? In Sea Narratives: Cultural Responses to the Sea, 1600-Present (Palgrave, 2016) , Charlotte Mathieson, a lecturer in English Literature at the University of Surrey, assembles a new collection of essays to explore this question. The book develops the concept of a “sea narrative,” thinking through the connection between this and a variety of forms of cultural production. The essays are eclectic, but unified, reflecting the emerging interest in both the subject and the approach the book uses. The book travels across the globe as well as across the centuries since 1600, taking in French accounts of the Atlantic crossing; prisoners of war; newspaper articles; Soviet technology and propaganda; Irishness and Ireland’s sense of itself; Du Maurier’s understanding of the coast; A S Byatt’s work; the idea of the Anthropocene; and “coastal exceptionalism.” Each essay is fascinating in its own right, but the collection builds to reorientate the study of the sea for historians and literary scholars, as well as any academic interested in how we narrate and culturally produce the sea. Learn more about your ad choices. Visit megaphone.fm/adchoices

What is the relationship between the sea and culture? In Sea Narratives: Cultural Responses to the Sea, 1600-Present (Palgrave, 2016) , Charlotte Mathieson, a lecturer in English Literature at the University of Surrey, assembles a new collection of essays to explore this question. The book develops the concept of a “sea narrative,” thinking through the connection between this and a variety of forms of cultural production. The essays are eclectic, but unified, reflecting the emerging interest in both the subject and the approach the book uses. The book travels across the globe as well as across the centuries since 1600, taking in French accounts of the Atlantic crossing; prisoners of war; newspaper articles; Soviet technology and propaganda; Irishness and Ireland’s sense of itself; Du Maurier’s understanding of the coast; A S Byatt’s work; the idea of the Anthropocene; and “coastal exceptionalism.” Each essay is fascinating in its own right, but the collection builds to reorientate the study of the sea for historians and literary scholars, as well as any academic interested in how we narrate and culturally produce the sea. Learn more about your ad choices. Visit megaphone.fm/adchoices

  Bonsoir Fannibals! What a season opener! Despite the lack of Will Graham, Season 3 episode 1 of Hannibal, “Antipasto,” was everything we could have wanted and more. The flashbacks! The innuendo! The hat! We talk at length about Bedelia’s striking fashion choices, her role in Hannibal’s antics, why she may have agreed to accompany him […]

Krystene comes from a long line of psychic channels and musicians so it is no surprise that her work is focused in two specific areas: the Intuitive Arts and sound healing. She has a BA in piano performance and has studied with some of the greatest musical minds in the world. This deep internal relationship with sound birthed her gifts s an Intuitive and psychic channel, for they are one and the same. She regularly composes new and inspiring music and performs to the public when her schedule allows. She is a passionate voice for inspiration, change and awakening, one beautiful and unique individual at a time.

Daphne Du Maurier lived and worked in Cornwall and the area surrounding Fowey features in many of her novels. Today the town is home to the annual Daphne Du Maurier festival and this year is it's 10th anniversary. Clare Balding discovers how the area inspired many features of Du Mauriers work and meets local experts including Du Maurier's son.