Podcasts about los angeles art

Los Angeles is a big place. Sprawling is the description most give it, and that feels so apt once you spend a few days here. It's not a top to bottom type of city, but left to right, almost like a city laid out like a book. A city of narratives and chapters. And right now, there aren't many an artists who seem to be writing a tale quite like Ozzie Juarez. As a painter, curator and incubator, Juarez and his Tlaloc Studios is telling the modern story of LA to not only the rest of the world, but to itself. It's LA about LA; and it's unlike any story being told today. On this episode of the Radio Juxtapoz podcast, Jux editor Evan Pricco sits down with Ozzie days after the opening of one of the most talked about shows of the LA season: his solo OXI-DIOS at Charlie James Gallery. He still feels the buzz, but will soon turn his attention back to his curatorial duties with TRADITIONS at Muzeo down the road in Orange County and taking part in what may be the show of the year, At the Edge of the Sun, opening at Jeffrey Deitch Gallery just in time for Frieze LA. This is where Ozzie is at. Whether its in the blue chip galleries of West LA, Tlaloc in South Central or his own solo show in Chinatown, he is the pulse of LA. The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 131 was recorded on January 25, 2024 in Los Angeles. Follow us on ⁠@radiojuxtapoz⁠

Omar y Argelia le rinden tributo a la legendaria voz de la radio en los angeles el gran,Art Laboe. Escucha mas con Omar y Argelia 7am en Mega 96.3 Learn more about your ad choices. Visit megaphone.fm/adchoices

Listen in on this Spanglish gem of an episode with Chicago based artist Jaqui Almaguer . I haven’t laughed this much in a while. I literally get my Chicano card revoked and get a well rounded education on some Mexican and Chicano culture. The artist talks about growing up in Los Angeles and Chicago, and how Bob Ross and cholo culture influenced her art and studio practice. Jaqui shares some entrepreneurial tips for artists and some technical advice on going live while listening to your favorite music, without having to pay for copyright (yes, this is a thing)! We also talk about being Queer artists and how it can manifest in our work and empowering cross cultural references. Join the conversation! …ps. it is pronounce “Ale-bree-heh”… (lol)!   Follow the artist and watch there Live Painting events on Instagram at @artejaqui    

Safety Third Productions' Katherine Helen Fisher and Shimmy Boyle discuss the process behind creating Linear Sympathy, a made-for-camera, documentary dance film and live experience that debuted at LA Dance Project Studios in May 2019.It also featured dancer Patricia Zhou, cinematographer Nathan Kim, composer Joshua Kadish, and photographer Sinziana Velicescu, produced in collaboration with Todd McQuade for LA Dance Project. UnSequenced is a podcast in which we discover the stories and emotions behind the movement. Each episode dives deep into the creative process with a choreographer, documenting what compels them as an artist, what drives their artistic decisions for a particular work, and what unexpected things come up along the way.

In this episode, I chatted with a Los Angeles-based musician and theta healer - Alexandra Molina Crotta, a.k.a. Uppy. Alexandra gave me a completely live and raw theta session, we talked about her music, then we hit on a few controversial topics - abortion and trans rights. More about Alexandra: Instagram: @imuppy Her music: https://music.apple.com/us/album/medicute/1437480882 https://www.stonesthrow.com/store/album/uppy/medicute https://leavingrecords.com/releases/lr148-medicute/ Papermag Interview: http://www.papermag.com/uppy-medicute-1-2630666218.amp.html Subscribe to Bearing the How on YouTube: https://www.youtube.com/bearingthehow?sub_confirmation=1 Listen on: iTunes: https://itunes.apple.com/us/podcast/bearing-the-how-with-kole-lyndon-lee/id1454595686?mt=2 Spotify: https://open.spotify.com/show/77awHCbBSuy6JCQ68zh0xg Google: https://tinyurl.com/y54s237x Website: https://www.bearingthehow.com/ Connect with me: Instagram: https://www.instagram.com/bearingthehow/ Facebook: https://www.facebook.com/bearingthehow/

Last year, editor Elisa Wouk Almino relocated from Hyperallergic’s New York-based office to Los Angeles to help expand coverage along the West Coast. In this podcast, she chats with Editor-in-Chief Hrag Vartanian about her initial impressions of the city, where artists have been increasingly flocking to. We then speak with Catherine G. Wagley, a veteran Los Angeles art critic and reporter who has contributed nuanced op-eds and reported stories to the site. She shares her thoughts on why Los Angeles is such an appealing city for artists and how it differentiates itself from other major centers like New York. She also talks about how students at the California Institute of the Arts (CalArts) have been battling for more transparent financial policies — a fight that is relevant for art schools across the country. Finally, two of our frequent contributors, Matt Stromberg and Abe Ahn, share some of their favorite art spaces and experiences in Los Angeles. If you live in the city or are planning a summer trip, don’t miss out on their fun, off-beat, and insightful recommendations. A special thanks to April + VISTA for the music to this week’s episode. If you’re in Los Angeles, the band will be performing at the Echo on June 13. You can listen to more of their music on Spotify and other streaming services.

Edward Goldman talks about exhibitions full of challenges and surprises at Skirball Cultural Center and Vielmetter Los Angeles.

In this episode, we talk about living unconditionally, being authentic, what does "law of attraction" actually mean (not the woo woo definition), how life is just a gradual process of learning, creating reality vs choosing reality, good/bad momentum causing good/bad days, Graham Hancock on Joe Rogan, stigma around natural substances, the victim mentality and much more. Check out Mary's Instagram. She's a local artist in LA: https://www.instagram.com/mary_andre_art/ Subscribe to my YouTube: https://www.youtube.com/c/bearingthehow?sub_confirmation=1 Podcast: iTunes: https://itunes.apple.com/us/podcast/bearing-the-how-with-kole-lyndon-lee/id1454595686?mt=2 Spotify: https://open.spotify.com/show/77awHCbBSuy6JCQ68zh0xg Website: https://www.bearingthehow.com/ Connect with me: Instagram: https://www.instagram.com/bearingthehow/ Facebook: https://www.facebook.com/bearingthehow/

Hosted by Lindsay Preston ZappasWriter's Room:Lindsay is joined by Carla contributor, Catherine Wagley to discuss her article from Carla Issue 14 called “Celeste Dupuy-Spencer And Figurative Religion,” which discusses Dupuy-Spencer's recent show The Chiefest of Ten Thousand at Nino Mier Gallery. We talk about figurative art in Christianity, the subjectivity of figuration, and how Dupuy-Spencer straddles these lines within her work. L.A. at LargeLindsay is joined by Frieze L.A.'s executive director Bettina Korek, and the Talks and Music curator Hamza Walker. Here, we discuss what to expect from the upcoming art fair, why it's coming to L.A., and ways they hope the fair engages the art community in Los Angeles. Dear Carla:Lindsay continues the conversation with Sam Parker (Parker Gallery) to answer a listener submitted question about how to price an artwork. 

In Jonathan T.D.Neil’s decades long career, he’s been an art critic, an art educator, an art consultant, an art historian, and even an architect. His diverse background makes him uniquely suited to comment on macro trends in the art world, and lead him to start a brand new interdisciplinary MA in Art Business, and Information Systems and Technology at Sotheby’s Institute of Art, Los Angeles; where he is the Director, and Head of Global Business Development. In today’s episode, he and Ethan chat about what makes Sotheby’s different from other art schools, what his hopes are for graduates of his new MA program, and where he sees the art world going in the near future.- About Jonathan T.D. Neil -Jonathan T. D. Neil is head of Global Business Development for Sotheby’s Institute of Art and founding Director of Sotheby’s Institute of Art – Los Angeles, a partnership with Claremont Graduate University, the Getty Leadership Institute, the Peter F. Drucker and Masatoshi Ito Graduate School of Management and CGU’s School of Arts and Humanities. He also serves as Associate Editor for ArtReview magazine.From 2011-2015 he was editor of the Held Essays on Visual Art for The Brooklyn Rail, and from 2008 until 2014 he was Executive Editor at The Drawing Center in New York. In 2005 he co-founded Boyd Level LLC, a private curatorial firm and consultancy that specializes in contemporary art.Jonathan has a PhD in 20th-century Art History from Columbia University and a B.Arch from Cornell University. He has taught courses on modern and contemporary art and architectural history, the international art market, critical writing, critical theory, and the history of photography at Columbia University, Parsons The New School for Design, and the Sotheby’s Institute of Art in New York. He is a member of the New York Chapter of the International Association of Art Critics (AICA).Jonathan can be contacted directly at jonathan.neil@cgu.edu. You can follow him on Twitter or Instagram @jtdneil.- About Sotheby’s Institute of Art -Evolving from a small connoisseurship program begun by Sotheby's Auction House in 1969 Sotheby's Institute is now the leader in art business education and object based learning.- About Vango Studio - Vango Studio makes the entrepreneurial side of being an artist easy and efficient, saving artists an average of 4 hours per week. In addition to powering artists with an award winning marketplace, we offer artists the ability to create their own website with little to no maintenance, distribute work across platforms, and access detailed insights about their collectors and what is selling across platforms.Follow Vango on Instagram @vango and @art, and visit www.vangoart.co .

Tom Wiscombe is Principal of Tom Wiscombe Architecture which is currently planning the Main Museum of Los Angeles Art with Developer Tom Gilmore in Downtown LA. As well as the West Hollywood Belltower on Sunset Blvd in Los Angeles. Wiscombe is Chair of the B.Arch Program at SCI-Arc, where he has taught for over 10 years.  Previously to all this, Tom worked for Coop Himmelb(l)au, where he was Chief Designer for BMW Welt, Munich, the Lyon Museum of Confluences, and the Dresden Cinema Center.

Estevan Oriol is an internationally celebrated professional photographer, director and urban lifestyle entrepreneur. Beginning his career as a hip-hop club bouncer turned tour manager for popular Los Angeles-based rap groups Cypress Hill and House of Pain, Estevan’s passion for photography developed while traveling the world. With an influential nudge and old camera from his father, renowned photographer Eriberto Oriol, Estevan began documenting life on the road and established a name for himself amid the emerging hip-hop scene. Nearly 20 years later, Oriol’s extensive portfolio juxtaposes the glamorous and gritty planes of LA culture, featuring portraits of famous athletes, artists, celebrities and musicians as well as Latino, urban, gang, and tattoo counterculture lifestyles. He has photographed Al Pacino, Robert Dinero, Dennis Hopper, Marissa Miller, Kim Kardashian, Kanye West, Snoop Dogg, Floyd Mayweather, and Lance Armstrong amongst others. He has also produced shoots for internationally-acclaimed photographers such as Ellen von Unwerth for Sang Bleu and Luca Babini for GQ Italy. In addition to shooting campaigns for companies including Cadillac, Nike and Rockford Fosgate and directing new media projects for My Cadillac Stories, MetroPCS, MTV and Apple, Estevan has designed album covers and/or directed music videos for artists including Eminem, Cypress Hill, Blink 182, Snoop Dogg and Xzibit. His work has been showcased in select galleries and institutions—such as Smithsonian Center for Latino Initiatives, Mesa Contemporary Art Center, Petersen Automotive Museum, and The Museum of Contemporary Art, Los Angeles’ Art in the Streets exhibit—concluding with a best-selling book of his work: LA Woman, capturing the dangerous and alluring beauty of women shot in his uniquely provocative and raw style. His photography has been featured in Complex, FHM, Juxtapoz, GQ, Vibe, Rolling Stone and other publications, with appearances on popular television shows such as, HBO’s Entourage and Last Call With Carson Daly. Resources: Estevan Oriol http://www.estevanoriol.com/EstevanOriol.com.html Eriberto Oriol   Download the free Candid Frame app for your favorite smart device. Click here to download for . Click here to download Click here to download for Support the work we do at The Candid Frame with contributing to our Patreon effort.  You can do this by visiting or visiting the website and clicking on the Patreon button.  

In this week’s episode of the ArtTactic Podcast, Jori Finkel, Los Angeles correspondent for The Art Newspaper and a regular contributor to the New York Times, joins us to to chat about the buzzing art scene in LA. First, Jori discusses the trend of galleries expanding into Los Angeles in order to protect their west-coast based artists from joining local galleries or to scoop up LA artists without representation at home. Then, Jori explains why despite the increasing presence of artists and galleries in LA, the collector base in the area has not grown significantly. Also, she reveals how impactful the new Broad Museum has been on the LA art scene. Lastly, Jori compares the Los Angeles art market with New York City’s.

Literary Los Angeles has always existed apart from our country's publishing capital--3,000 miles apart, to be exact. What does this distance offer writers and book artists? What are the freedoms and the challenges of being outside the traditions and trends of literature? A panel of L.A. writers-authors of fiction, essays, graphic novels, screenplays, and poetry-delve into these questions, considering their impact on both the individual and the community. Part of Pacific Standard Time, Los Angeles Art 1945-1980