Podcasts about Arch

JOIN ELEVATED GP Follow @dr.melissa_seibert on Instagram   Dr. Dichter brings nearly 20 years of clinical, research and teaching experience — as a general practitioner and prosthodontist — to his position with Spear. He serves as an instructor in the Treating the Terminal Dentition and Fully Edentulous Patient seminar, in addition to multiple Spear Workshops. Dr. Dichter has served as a guest lecturer and clinical instructor at Oregon Health and Science University School of Dentistry, teaching occlusion and esthetics. He has been a Spear faculty member since the company's inception, as well as a contributing author for Spear Digest. He is passionate about education and is involved with multiple study groups in the U.S. and Canada. After earning his D.M.D. from OHSU in 1995, Dr. Dichter practiced general dentistry and eventually joined a startup practice in his hometown in coastal Oregon before moving to a practice in Portland. He brought 16 years of restorative dental experience into UCLA's world-renowned, full-time advanced prosthodontics residency, which he completed in 2014.

durée : 00:57:57 - Avec philosophie - par : Géraldine Muhlmann, Nassim El Kabli - Thèse majeure de son doctorat en 1961, "Histoire de la folie à l'âge classique" est l'une des premières grandes œuvres de Michel Foucault. Le jeune penseur y délivre une fine analyse de la notion de "folie" et révèle la mécanique froide et excluante du pouvoir médical moderne. - réalisation : Nicolas Berger - invités : Georges Didi-Huberman Historien de l'art et philosophe, maître de conférences à l'EHESS; Frédéric Gros Philosophe, professeur d'humanités politiques à Sciences Po

Every Saturday at Midnight on Radio Dance Roma

En este programa nos adentramos en el universo de Reinos Olvidados para analizar el primer libro de El legado del drow de R. A. Salvatore. Desgranamos la novela comentando trama, personajes, evolución de Drizzt Do'Urden, conflictos, momentos clave y todo lo que hace que esta saga siga siendo un pilar de la fantasía heroica. ⚔️ Hablamos de: El contexto dentro de la historia de Drizzt Los temas principales del libro Desarrollo de personajes icónicos Lo que mejor (y peor) ha envejecido Por qué Salvatore sigue siendo referencia en fantasía Un episodio ideal para lectores veteranos, nuevos fans de Drizzt o amantes de la fantasía clásica. Déjanos en comentarios: ¿Cuál es tu libro favorito de Drizzt? ¿Cómo descubriste a R. A. Salvatore? ¿Te gustaría que analicemos más libros de Reinos Olvidados? Compra tus camisetas en https://www.pampling.com/ usando nuestro código para obtener regalos con tu compra y contribuir al podcast! Código: Puente4Podcast Redes Sociales Puente4Podcast: Discord: https://discord.gg/EZFntbKdUF Instagram: https://www.instagram.com/puente4podcast/ Twitter: https://twitter.com/Puente4Podcast TikTok: https://www.tiktok.com/@puente4podcast? iVoox: https://www.ivoox.com/s_p2_1105139_1.html Patreon: https://Patreon.com/puente4podcast Reddit: https://www.reddit.com/r/Puente4Podcast/

Kinderreporter Raphael ist fasziniert vom alten Rom. In der Ausstellung "Gladiatoren - Helden des Kolosseums" der Archäologischen Staatssammlung München, kommt er voll auf seine Kosten. Dort kann ihm Dr. Harald Schulze all seine brennenden Fragen beantworten. Wie kämpften die Gladiatoren? Und wie schwer war eigentlich so ein Gladiatorenhelm? Hört selbst.

In this episode, Stephan Livera and Dhruv Patel, CEO of Arch Lending, discuss the current state of Bitcoin lending, market trends, and the unique products offered by Arch Lending. They explore the mechanics of Bitcoin-backed loans, risk management strategies for borrowers, and the importance of custody and security in the lending process. The conversation also touches on the future of Bitcoin lending, growth strategies, and the evolving landscape of financial products in the cryptocurrency space.Takeaways:

Arch West had the heart of an entrepreneur and liked to take risks. Unfortunately he worked for Frito-Lay and had bosses to convince. Dave Young: Welcome to the Empire Builders Podcast, teaching business owners the not so secret techniques that took famous businesses from mom and pop to major brands. Stephen Semple is a marketing consultant, story collector and storyteller. I’m Stephen’s sidekick and business partner, Dave Young. Before we get into today’s episode, a word from our sponsor, which is, well, it’s us, but we’re highlighting ads we’ve written and produced for our clients. So here’s one of those. [AirVantage Heating & Cooling Ad] Dave Young: Welcome back to the Empire Builders Podcast. I’m Dave Young and Stephen Semple is here with another Empire Builders story. And today, whispered in my ear as the countdown started that we’re going to talk about Doritos and Tostitos. And my brain instantly had electric shot go through it because are they the same? Are Tostitos and Doritos, is it the same company? Is Frito-Lay- Stephen Semple: Same company. Yeah, yep. Frito-Lay. Dave Young: Yeah. How about Takis? Stephen Semple: Oh, I don’t know. Dave Young: They get bought up yet? Stephen Semple: I don’t know. But [inaudible 00:02:04] did, they were actually created by Frito-Lay. Dave Young: By Frito-Lay. Again, back to my childhood, we’d go to the lake in the summer and always had bags and bags of nacho cheese flavored Doritos. Stephen Semple: There you go. Dave Young: And my mom used to say, “We’re going to eat so many of these. There’s just going to be corners poking out of us.” Oh my gosh. They’ve been around a while. Stephen Semple: They have been around a while. Yeah, they were launched in 1966. Dave Young: Doritos or … Stephen Semple: Doritos was done first and it was launched by Frito-Lay in 1966. Dave Young: All right. Stephen Semple: Yeah. Today, Doritos is part of Pepsi. And the estimated sales coming from Doritos is like 2 to $3 billion a year in sales. That’s a lot of cheese nachos. Dave Young: It is. Stephen Semple: It’s one of the top snack brands in the world sold in over 100 countries. So now while it’s a product inside of a big company, there’s a reason why I feel like it’s a bit of an empire building story because it’s an interesting little story of risk taking an entrepreneurship inside of this big corporation. That’s why I felt like it still kind of fits. Dave Young: Okay. Stephen Semple: And it’s all because of the actions of a guy by the name of Arch West, who’s a Frito-Lay executive. And when you hear this story, you realize he’s got a heart of an entrepreneur and is a bit of a risk-taker. Dave Young: Arch West. Stephen Semple: Arch West. So Arch came from nothing. He was raised in a youth home. He went to the military. And after the military, he gets into food marketing and he becomes a VP at Frito-Lay. Now, our story starts in the late 1950s. And like all good stories, it starts with a visit to Disneyland at Anaheim because that’s where all great stories start. Dave Young: So Arch goes to Disneyland. Stephen Semple: So Arch goes to Disneyland. And in Disneyland, there’s a restaurant called Casa de Fritos, which of course has been created. I don’t know if it’s still there, but at the time Casa de Fritos, which was basically created for distributing Frito’s products. It’s like this made up Mexican restaurant in the international food area of Disneyland. And remember, this is the ’50s. Dave Young: So Frito’s was in existence. Stephen Semple: Yes. Fritos was in existence. Dave Young: The little curly corn chip thingies. Stephen Semple: Correct. That was in existence. Dave Young: So I keep thinking like Lay’s Corporation- Stephen Semple: Frito-Lay had already merged at this point. Dave Young: So Frito became Frito-Lay? Stephen Semple: Yep. So it was Frito-Lay, wasn’t part of Pepsi yet, but it was Frito-Lay. Dave Young: Yeah. Stephen Semple: And they had this restaurant in Disneyland called Casa De Fritos for distributing Frito products. And as I said, it’s this made up Mexican restaurant, because remember this is the 50s in Disneyland. So how authentic is it? Probably not at all. Dave Young: Probably had Speedy Gonzalez and his friends. Stephen Semple: Right- Dave Young: … Taking orders. Sure. Stephen Semple: As you can imagine. But as the story goes, what was happening was they were throwing out … At the end of the day, if tortillas were left over, they were throwing them out. And a Mexican delivery guy said, “You shouldn’t be throwing these things out. You should cut them up and deep-fry them and serve them as tortilla chips.” Dave Young: Yeah. Stephen Semple: So Arch tastes these tortilla chips and he was like, “Wow, these have a really interesting flavor.” And he thinks to himself, I think there’s an untapped opportunity here and we can make something of this. So first he’s got to sell the ideas to his bosses. So Arch West makes a presentation to the executives and they’ll look at him and say, “Yeah, leave development to R&D. They create the stuff you sell it.” Dave Young: Stay in your lane, buddy. Stephen Semple: Stay in your lane, buddy. Now remember I said at the beginning, Arch is a risk-taker and has the heart of an entrepreneur? So what does Arch do with this no? Dave Young: I mean, he’s going to take them home and fry them. I don’t know. Stephen Semple: Yeah, he ignores it. He takes some discretionary funds that he has and he applies them to developing the chip. Dave Young: Okay. Good for Arch. Stephen Semple: He does this for three years. Dave Young: Three years- Stephen Semple: … Inside of Frito-Lay, he’s developing these chips with these discretionary funds for three years because he can’t make them the way they made them in the restaurant because it’s got to be shelf stable. So there’s kind of a bit of a challenge to making them. So after three years, he creates this secret shelf staple tortilla that he now has to get approved by the bosses, the very same bosses who three years ago told him, stick in his lane that he’s used company funds to develop. Dave Young: Oh, Arch, I love you. Stephen Semple: Right. Do you see why I believe this story deserved to be here? So he has this plan to convince bosses. He arranges to have the chips secretly supplied to the bosses before the meeting and he arrives late on purpose because he figures they’ll all try them. And his hope is, well, they better like them. Dave Young: They better like them. Yeah. Stephen Semple: So it turns out the board likes them. And at this point, he already has a name for them because he wanted it to sound like something easy and he wanted to have this foreign feeling. And he also liked this idea of combining Fritos and Cheetos because Cheetos had already been out there. So Fritos, Cheetos, Doritos. Dave Young: Doritos. Stephen Semple: Yeah. And they decide to launch it. So they launch it in 1966. Doritos is launched and it’s the only tortilla chip around. And the Baby Boomers are coming of age. They want to market this chip to the Baby Boomers. So if you’re going to market to it, what do you call it? You call it the With It Chip. This is the With It Chip because that’s the with it generation. Dave Young: Because it’s with it. Stephen Semple: Yeah. Yeah, yeah, yeah. So just tell people it’s with it and it’ll all work out because they’ll all think it’s hip and cool. Dave Young: Yeah. I can see that happen. Stephen Semple: Yeah. Bombed- Dave Young: … Calling it riz. Stephen Semple: Yeah, it bombed because here’s the problem. The chips were plain and chips at the time are used for dipping and dips were popular at parties, but that was with the Boomers’ parents, not the kids. So it was not so with it actually. Turns out to be not with it at all. So there was this great disconnect because the kids are like, “We don’t do dip.” The parents were the ones doing dip and the parents didn’t want to do … It was this complete failure in terms of positioning. So around this time, Wayne Calloway joins the company. Wayne doesn’t see that product as a failure because he looks at it and he says, “Look, here’s the problem. Boomers don’t want to use it as a dip, but they still want the flavor, so we need to add flavor.” And around this time- Dave Young: “We need to make the dip into a powder and apply it to the chips.” Stephen Semple: Right. And around this time, Frito-Lay had been investing tons of money into food science. And there was this new emerging technology called gas chromatography, which basically breaks down the elements so you can figure out how to make an artificial powdered form of things. Dave Young: Okay. Stephen Semple: So after months of experiments, the team presents a range of options. So they now have to choose a flavor. And here’s how they looked at things. And this is the other reason why I think there’s great lessons here, because we always talk about looking around the world for ideas. Taco Bell had come on the scene around this time and was growing really, really quickly and was super popular. When Taco Bell first came out, it exploded. So the first flavor they looked at was … Dave Young: Stay tuned. We’re going to wrap up this story and tell you how to apply this lesson to your business right after this. Dave Young: Let’s pick up our story where we left off and trust me you haven’t missed a thing. Stephen Semple: Taco Bell had come on the scene around this time and was growing really, really quickly and was super popular. When Taco Bell first came out, it exploded. So the first flavor they looked at was taco flavor. Dave Young: Okay. Yeah. Stephen Semple: Because they’re like, “Well, look, there’s this thing going on over here.” Dave Young: Sure. Stephen Semple: And it sells well, but they’re still not completely satisfied. So what they noticed was as Mexican food is growing, they noticed that nachos are starting to become a common restaurant idea. Dave Young: Yeah. And that’s just cheese. There’s no such thing as nacho cheese. It’s just cheese. Stephen Semple: It’s just cheese. So in 1972, they launch nacho flavored Doritos and in the first year, sales rise $60 million on the back of that. Dave Young: Yeah. Stephen Semple: So West gets promoted, Calloway’s now President. Dave Young: What year? Stephen Semple: That was 1972. Dave Young: ’72. Yeah. Yeah. Stephen Semple: Yeah. So West gets promoted. Calloway’s now President. And the other thing, trend that’s going on U.S. is in the 1970s, vacationing in Mexico becomes really popular. It’s happening in record numbers and Mexican restaurant chains are popping up all over the place because people experience Mexican food, want to have it at home. And what’s really popping up? Guacamole. Big trend is guacamole. So they decide they need to create a restaurant style chip for dipping. Isn’t it interesting now we’re going back to dipping? Dave Young: Now we’re going back to the dips because people love this guacamole. Stephen Semple: Yeah. So dipping is back. And so what they do is they create Tostitos, a restaurant style chip for dipping and guacamole. And in less than a year, they do $140 million in sales and it’s the most successful product in Frito-Lay history. Dave Young: Wow. Stephen Semple: The other fun thing they do is in 1986, they create a flavor for Doritos called Cool Ranch flavor. And the only reason why I love sharing this is this has a really funny circular story because they came across this ranch dressing from this little tiny company called Hidden Valley. Dave Young: Right. Stephen Semple: And they looked at that flavor and they went, “That’d be a great flavor for the Doritos.” And they just called it Cool Ranch Rather than Ranch. And it was another home run, $120 million in the first year, but it worked out so well that it actually inspired Hidden Valley to take their product national. Dave Young: Oh, wow. Okay. Stephen Semple: So it was like Doritos discovered from Hidden Valley, sold all this stuff. Cool Ranch became so popular that Hidden Valley went, “Wait a minute, we could do this salad dressing now nationwide.” And in 1990, Doritos becomes the most popular chip in the world with a billion dollars in sales. Dave Young: Wow. Okay. Stephen Semple: Yeah. So while it was already a big company well established, I still kind of felt like there was a cool little story in there because again, it was about … They’d be looking out and looking at these trends and going, “Well, let’s tap into this trend. Let’s tap into this trend. Let’s tap into this trend,” while it was in the food space, it wasn’t in the snack space. So it was still an industry beside them. I have to admire his chutzpah of being told no and then taking company discretionary funds and basically spending three years developing the product right under their noses. Dave Young: Yeah, definitely an entrepreneurial streak in there. Stephen Semple: Yeah, no [inaudible 00:13:56]. Dave Young: Well, cool. I’m glad I know all this now. Back in the day, I started eating those chips right when they first came out, Stephen, I’m pretty sure. Stephen Semple: Yeah. The other part I found interesting on it was that, again, this whole idea of, let’s call it the With It chip and thinking just by saying that, that that’s enough. And then on top of that, having a product that was also completely out of sync with the market that you were trying to go to because it had to be dipped and their target market was not dipping. It was their parents that was dipping. I just found that so interesting that there was that much of a disconnect in terms of, “Well, let’s just call it, let’s just call … Our socioeconomic studies say this, so let’s just call it that and we’ll make it so.” And we see that so often as a mistake in marketing where it’s like, no, you actually have to freaking understand your customer and not just from, “Oh, they’re 26 years old and they drop …” How do they think? How do they behave? How do they act? Where are they consuming? Oh, they consume. Oh, they consume the product while at the beach. Okay. Well, they’re not freaking taking dip. Dave Young: Right, right. Stephen Semple: Right. It was such a miss and so typical of how a lot of companies look at things when they put together their marketing plan. Dave Young: Here’s the thing. People were starting long distance cross country road trips too. Stephen Semple: Yes. Dave Young: Man, it’s hard to eat. It’s hard to eat chips and dips while you’re driving. Stephen Semple: Not happening. Dave Young: You can eat a bag of Doritos all day long behind the wheel of a car and stop and get another [inaudible 00:15:28]. Stephen Semple: So I also have to give credit to Wayne Calloway that he came along and saw that disconnect. He said, “No, this is a great product, but here’s the disconnect. The disconnect is not that the product isn’t great. The disconnect is people aren’t going to dip it. That’s the disconnect.” But then to later notice that dip is coming back, because it’ll be easy to go with dip is out, later noticing dip coming back in the form of guacamole and saying, “Hey, in fact, let’s go back to really what the original Dorito was, which was this unflavored tortilla that you could use for dipping.” It’s kind of funny that it went full circle. Dave Young: But even so, like my parents, because they were of the dipper generation, had a recipe for chili cheese dip that you would use with the nacho cheese Doritos. Stephen Semple: Yeah. Okay. Dave Young: It was really good. Stephen Semple: All right. All right. Dave Young: Not so much if you’re driving. Stephen Semple: But you were a very sophisticated family having something like that. Dave Young: Well, yeah. Absolutely. Stephen Semple: So again, I just thought it was an interesting story. And again, one of those ones, keeping your eye out, looking a little bit outside of your industry, because all of these ideas came from trends they saw in the restaurant industry, not the snack food industry. Dave Young: Yeah. Yeah. Good observations. Well, thank you. Now I know a lot more about Doritos and Tostitos and why I don’t dip anymore. Stephen Semple: And it’s funny when you think about the recent Doritos advertising, when you talk about your mom making the comment, Doritos now runs a lot of ads where they don’t even use the word Doritos in the ad. They just show the triangle. Dave Young: Sure. Stephen Semple: And as soon as you show that triangle, what do we all think? Dave Young: That’s classic brand code. Stephen Semple: Right. Yes. Dave Young: McDonald’s is doing that. They’re just either using- Stephen Semple: The arches. Dave Young: Yeah. Just the arch or- Stephen Semple: Or even a piece of the arch. Dave Young: And then just the sound, just ba-ba-ba-ba-ba. That’s it. Once you get into empire territory, you can start doing fun things like that. Stephen Semple: Yep. And really own the mind and really own the space. Hats off to the host of Frito-Lay in terms of the stuff that happened over there. And I just, again, didn’t exactly fit our stuff, but I thought it did enough just because of the craziness. So that happened inside the company. Dave Young: I’m down for a fun story about business and food. Stephen Semple: Yeah. Rebels inside the four walls. Dave Young: That’s right. Thanks, Stephen. Stephen Semple: All right. Thanks, David. Dave Young: Thanks for listening to the podcast. Please share us, subscribe on your favorite podcast app and leave us a big, fat, juicy five star rating and review at Apple Podcasts. And if you’d like to schedule your own 90-minute Empire Building session, you can do it at empirebuildingprogram.com.

Drei Studierende aus Rostock werden von dem renommierten Archäologen Prof. Dr. Armitage auf eine Ausgrabung nach Ägypten mitgenommen. Er ist überzeugt das Grab Nyarlathoteps gefunden zu haben. Doch er hat sich geirrt und die Situation läuft aus dem Ruder. Außer Schlangen und Skorpionen ist nichts zu finden. Ein regionales Märchen ist der Schlüssel bei der Suche nach der tatsächlichen Grabstelle. Ein Hügel Mitten in der Wüste. Ohne Genehmigung beginnt Armitage zu graben. Da ist ein Zugang. Euphorie. Doch Schrecken wird folgen.  Mit Max Schimmelpfenning, Nisan Arikan, Ulrich Bähnk u.a. Regie: Lars Henriks Podcast-Tipp: Auf der Spur https://1.ard.de/aufderspur

With a cast of your Arch D favourite announcers, all former students for whom Arch D has been a deeply influential part of their lives, we bid goodbye to the Life FM radio show as it reaches 15 years on-air and 654 episodes.

It never ceases to amaze, how crossword constructors can take a simple phrase and spin it out into as good a puzzle as, say, this one, by Matthew Stock. We liked the theme, and, frankly, everything else in the grid. It included one of our favorite attractions, 15A, St. Louis's Gateway ___ National Park, ARCH; one of our favorite modern British writers, 9D, British novelist Jones, SADIE; and our favorite topographic feature, 40A, Steep-walled canyon, GORGE.Today's episode also contains our latest JAMCOTWA™️ (Jean And Mike Crossword Of The Week Award), going to a debut constructor, no less! Deets inside.Show note imagery: A Trireme, propelled by a multitude of OARs.We love feedback! Send us a text...Contact Info:We love listener mail! Drop us a line, crosswordpodcast@icloud.com.Also, we're on FaceBook, so feel free to drop by there and strike up a conversation!

First up, for our concrete fans, art critic and author Blake Gopnik looks inside modernism through his book, Brutalist Interiors.  Holland Murphy solves the mystery of a house in Dallas. From there, we head to St. Louis, where Pam Sanfilippo of the Eero Saarinen-designed Gateway Arch National Park shares how Saarinen's soaring 630-foot monument endures for millions of visitors.  And we wrap up with the Rolling Stones of swing, the Tommy Dorsey Orchestra, carrying forward one of the greatest big bands with leader Jeff Bush. 

Nick Cellini and Chris Dimino talk everything Atlanta Sports, the National Sports picture and the current (and WAY back when) in pop culture! Get the latest and your fill of Atlanta Braves, Georgia Bulldogs, Atlanta Falcons, Atlanta Hawks daily from two "Southern" Yankees daily Mon-Fri from 10a-2p! The 11 o'clock hour is brought to you by TRAJAN WEALTH; Planning for tomorrow starts today. Visit Trajan Wealth dot com to learn more about retirement and state planning On Campus- Cooper Manning on Arch's Critics Drive Around the Sports World- Incredible Kicking in the Super Bowl The NFL Pro Bowl is on its deathbed See omnystudio.com/listener for privacy information.

In „Pompejis letzter Sommer“ erzählt Archäologe Gabriel Zuchtriegel mitreißend vom Leben kurz vor der Katastrophe und davon, wie nah uns diese untergegangene Welt noch ist.

In „Pompejis letzter Sommer“ erzählt Archäologe Gabriel Zuchtriegel mitreißend vom Leben kurz vor der Katastrophe und davon, wie nah uns diese untergegangene Welt noch ist.

Archäologin Ingrid Tamerl-Seiler erklärt, wie Holzfässer in der römischen Antike genutzt wurden – von Lagerung, über Brandbomben bis zum Brunnenbau. Interview: Georg Brandl.

Is Billie Eilish hot or disgusting? Kelly Osbourne is rail thin and blending in with walls. AOC lets it all hang out. The McDonald's CEO hits a major pause during his review of The Big Arch. Support the boyz at the IDM Merch Shop: TinyURL.com/IDMMerch Follow us on socials: https://linktr.ee/itdoesntmatterpod

L'Ukraine, la Birmanie, le Soudan, la Syrie, Gaza… Chaque année, les conflits semblent se multiplier aux quatre coins du globe. Aujourd'hui, je vous propose de revenir ensemble sur les moyens mis en œuvre pour protéger le patrimoine en situation de guerre, en utilisant un exemple très actuel : Gaza. Le 11 septembre 2025, suite à la menace de frappes israéliennes, une équipe d'archéologues de l'École Biblique et Archéologique Française, l'EBAF, et de l'ONG Première Urgence Internationale, évacue en urgence un dépôt archéologique situé dans une tour d'habitation gazaouie. En quelques heures, l'équipe sur place doit faire des choix cruciaux. Parmi des milliers d'objets provenant de sites archéologiques majeurs de la bande de Gaza, il faut décider quoi sauver…Bonne écoute !➤ Un grand merci à René Elter pour avoir accepté de répondre à toutes nos questions ! Il a dirigé le livre "Gaza : comment transmettre le patrimoine, le programme Intiqal" : https://www.riveneuve.com/catalogue/gaza-comment-transmettre-le-patrimoine-le-programme-intiqal/

Archéologie préhistorique - Littérature : troisième roman de Miřenka Čechová sur la vengeance

Archéologie préhistorique - Littérature : troisième roman de Miřenka Čechová sur la vengeance

Jackie and Dunlap on Don Lemon, Mark Kelly, Bruce Springsteen, Melania, Kennedy Center closing, Trump floats nationalizing voting, the Trump Arch, the Trump ballroom, Minnesota, ICE, Nashville ice storm, ICE and DHS lawyers are saying take these jobs and shove 'em, Trump raking in unbelievable amounts of cash from unbelievable amounts of corruption, and les dossiers Epstein-- somehow they're worse than we thought, somehow nobody's gonna do nothin', somehow Bill Clinton is back in the news.  Get 20 Extra Minutes with Jackie and Dunlap over at http://patreon.com/redstateupdate    

Landschaften, Stillleben, Gesichter, Kinderbilder – Paula Modersohn-Becker hat gemalt, wie sie die Welt sah. In ihrer Zeit war die junge Künstlerin eine Ausnahmegestalt. Stur und willensstark hat sie sich als Frau mit ihrer Leidenschaft für die Kunst und Malerei, auch gegen familiäre Skepsis, durchgesetzt. Ihre Bilder zeigen Menschen und Natur neu, modern, anders, schonungslos und ungeschönt. Bahnbrechend wurde ihr weiblicher Selbstakt von 1906. Bereits 1907, kurz nach der Geburt ihrer Tochter, starb die junge Künstlerin im Alter von 31 Jahren.Wer war diese unangepasste, selbstbewusste Pionierin des deutschen Expressionismus? Das Landesmuseum Hannover beherbergt eine der weltweit größten Sammlungen von Werken Modersohn-Beckers. Aus Anlass des 150. Geburtstages der Künstlerin, am 8. Februar 2026, ist Katja Lembke, Direktorin des Landesmuseums, zu Gast in NDR Kultur à la carte. Sie hat als Archäologin und Ägyptologin auch einen besonderen Blick auf die weniger bekannten Zeichnungen und Skizzen von Paula Modersohn-Becker, die während ihrer Paris-Aufenthalte im Louvre entstanden.

Stranded's new EP 'The Dead' arrives at that hour when the city finally shuts up - all sub-bass rumble and skeletal beats, the kind of thing that sounds best through headphones on the last bus home. It's got that Bristol thing in its bones: dub's cavernous space, post-punk's wire-tight nerves, hip-hop's head-nod. Opening track "Arch Groves" sets the tone for the whole record - vocal samples drift like smoke through low-end weight and slow-burning unease, swelling and receding without ever fully resolving. The guitars don't lead so much as lurk at the edges, scraping and hovering. It's the sound of something haunted, patient, built for dark rooms and quiet contemplation. Stream it here and pre order the EP: https://www.theransomnote.com/music/premiere-stranded-arch-groves/

Women, Theory, Praxis, and Performativities: Transoceanic Entanglements in Francophone Settings (Liverpool UP, 2025) bridges the gap between the Caribbean, the Indian Ocean and the Pacific. It collectively fosters new transoceanic modes of thinking to reframe postcolonial debates and reveal the interconnected dialogues led by women from former French colonies and post-contact island territories. Thus, the volume unsettles the male agenda (captains, missionaries, mariners, ethnographers), and pays attention to the ways in which artists, writers, and activists have theorized or poetized women and the seas, reclaimed agency and created transformative possibilities. To critically map out a gendered conversation with the ocean, the contributors explore activisms and feminisms, intersectional praxes of care, ecological and health impacts of nuclear radiation and chlordecone contamination, queerness, decolonizing dance, the unsettling of official archives and female tidalectical corporeality and embodiments, Mā'ohi epistemologies and ontologies, silence as empowerment against colonial violence, forced migration and vulnerability. The volume's overarching approach belongs to a "politics of refusal" which brings forth formerly discarded archives and discredited sites of knowledge to counter ideologies and doctrinal apparatus that promote forgetting or erasure among non-sovereign populations. In exploring transoceanic feminine spaces as vital sites of knowledge production, this interdisciplinary collaboration aims to ensure that readers actively engage with feminine praxes, understanding their significance not only as theoretical constructs but as lived experiences (re)occupying, (re)appropriating and transcending patriarchal and postcolonial spaces. Jacqueline Couti is the Laurence H. Favrot Professor of French in the Department of Modern & Classical Literatures & Cultures at Rice University and the author of 2016's Dangerous Creole Liaisons: Sexuality and Nationalism in French Caribbean Discourses from 1806 to 1897 and 2021's Sex, Sea, and Self: Sexuality and Nationalism in French Caribbean Discourses 1924–1948, as well as editing several critical editions and special journal issues, and authoring numerous articles and book chapters.  Anny-Dominique Curtius is Professor of Francophone Studies in the Department of French and Italian at the University of Iowa, and has published two monographs : Symbioses d'une mémoire: Manifestations religieuses et littératures de la Caraibe in 2006 and Suzanne Césaire. Archéologie littéraire et artistique d'une mémoire empêchée in 2020. She has also co-edited a special issue of Esprit Créateur on “Francophonies of the Early Modern,” and published extensively in academic journals and edited volumes. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progress on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Women, Theory, Praxis, and Performativities: Transoceanic Entanglements in Francophone Settings (Liverpool UP, 2025) bridges the gap between the Caribbean, the Indian Ocean and the Pacific. It collectively fosters new transoceanic modes of thinking to reframe postcolonial debates and reveal the interconnected dialogues led by women from former French colonies and post-contact island territories. Thus, the volume unsettles the male agenda (captains, missionaries, mariners, ethnographers), and pays attention to the ways in which artists, writers, and activists have theorized or poetized women and the seas, reclaimed agency and created transformative possibilities. To critically map out a gendered conversation with the ocean, the contributors explore activisms and feminisms, intersectional praxes of care, ecological and health impacts of nuclear radiation and chlordecone contamination, queerness, decolonizing dance, the unsettling of official archives and female tidalectical corporeality and embodiments, Mā'ohi epistemologies and ontologies, silence as empowerment against colonial violence, forced migration and vulnerability. The volume's overarching approach belongs to a "politics of refusal" which brings forth formerly discarded archives and discredited sites of knowledge to counter ideologies and doctrinal apparatus that promote forgetting or erasure among non-sovereign populations. In exploring transoceanic feminine spaces as vital sites of knowledge production, this interdisciplinary collaboration aims to ensure that readers actively engage with feminine praxes, understanding their significance not only as theoretical constructs but as lived experiences (re)occupying, (re)appropriating and transcending patriarchal and postcolonial spaces. Jacqueline Couti is the Laurence H. Favrot Professor of French in the Department of Modern & Classical Literatures & Cultures at Rice University and the author of 2016's Dangerous Creole Liaisons: Sexuality and Nationalism in French Caribbean Discourses from 1806 to 1897 and 2021's Sex, Sea, and Self: Sexuality and Nationalism in French Caribbean Discourses 1924–1948, as well as editing several critical editions and special journal issues, and authoring numerous articles and book chapters.  Anny-Dominique Curtius is Professor of Francophone Studies in the Department of French and Italian at the University of Iowa, and has published two monographs : Symbioses d'une mémoire: Manifestations religieuses et littératures de la Caraibe in 2006 and Suzanne Césaire. Archéologie littéraire et artistique d'une mémoire empêchée in 2020. She has also co-edited a special issue of Esprit Créateur on “Francophonies of the Early Modern,” and published extensively in academic journals and edited volumes. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progress on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Women, Theory, Praxis, and Performativities: Transoceanic Entanglements in Francophone Settings (Liverpool UP, 2025) bridges the gap between the Caribbean, the Indian Ocean and the Pacific. It collectively fosters new transoceanic modes of thinking to reframe postcolonial debates and reveal the interconnected dialogues led by women from former French colonies and post-contact island territories. Thus, the volume unsettles the male agenda (captains, missionaries, mariners, ethnographers), and pays attention to the ways in which artists, writers, and activists have theorized or poetized women and the seas, reclaimed agency and created transformative possibilities. To critically map out a gendered conversation with the ocean, the contributors explore activisms and feminisms, intersectional praxes of care, ecological and health impacts of nuclear radiation and chlordecone contamination, queerness, decolonizing dance, the unsettling of official archives and female tidalectical corporeality and embodiments, Mā'ohi epistemologies and ontologies, silence as empowerment against colonial violence, forced migration and vulnerability. The volume's overarching approach belongs to a "politics of refusal" which brings forth formerly discarded archives and discredited sites of knowledge to counter ideologies and doctrinal apparatus that promote forgetting or erasure among non-sovereign populations. In exploring transoceanic feminine spaces as vital sites of knowledge production, this interdisciplinary collaboration aims to ensure that readers actively engage with feminine praxes, understanding their significance not only as theoretical constructs but as lived experiences (re)occupying, (re)appropriating and transcending patriarchal and postcolonial spaces. Jacqueline Couti is the Laurence H. Favrot Professor of French in the Department of Modern & Classical Literatures & Cultures at Rice University and the author of 2016's Dangerous Creole Liaisons: Sexuality and Nationalism in French Caribbean Discourses from 1806 to 1897 and 2021's Sex, Sea, and Self: Sexuality and Nationalism in French Caribbean Discourses 1924–1948, as well as editing several critical editions and special journal issues, and authoring numerous articles and book chapters.  Anny-Dominique Curtius is Professor of Francophone Studies in the Department of French and Italian at the University of Iowa, and has published two monographs : Symbioses d'une mémoire: Manifestations religieuses et littératures de la Caraibe in 2006 and Suzanne Césaire. Archéologie littéraire et artistique d'une mémoire empêchée in 2020. She has also co-edited a special issue of Esprit Créateur on “Francophonies of the Early Modern,” and published extensively in academic journals and edited volumes. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progress on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Women, Theory, Praxis, and Performativities: Transoceanic Entanglements in Francophone Settings (Liverpool UP, 2025) bridges the gap between the Caribbean, the Indian Ocean and the Pacific. It collectively fosters new transoceanic modes of thinking to reframe postcolonial debates and reveal the interconnected dialogues led by women from former French colonies and post-contact island territories. Thus, the volume unsettles the male agenda (captains, missionaries, mariners, ethnographers), and pays attention to the ways in which artists, writers, and activists have theorized or poetized women and the seas, reclaimed agency and created transformative possibilities. To critically map out a gendered conversation with the ocean, the contributors explore activisms and feminisms, intersectional praxes of care, ecological and health impacts of nuclear radiation and chlordecone contamination, queerness, decolonizing dance, the unsettling of official archives and female tidalectical corporeality and embodiments, Mā'ohi epistemologies and ontologies, silence as empowerment against colonial violence, forced migration and vulnerability. The volume's overarching approach belongs to a "politics of refusal" which brings forth formerly discarded archives and discredited sites of knowledge to counter ideologies and doctrinal apparatus that promote forgetting or erasure among non-sovereign populations. In exploring transoceanic feminine spaces as vital sites of knowledge production, this interdisciplinary collaboration aims to ensure that readers actively engage with feminine praxes, understanding their significance not only as theoretical constructs but as lived experiences (re)occupying, (re)appropriating and transcending patriarchal and postcolonial spaces. Jacqueline Couti is the Laurence H. Favrot Professor of French in the Department of Modern & Classical Literatures & Cultures at Rice University and the author of 2016's Dangerous Creole Liaisons: Sexuality and Nationalism in French Caribbean Discourses from 1806 to 1897 and 2021's Sex, Sea, and Self: Sexuality and Nationalism in French Caribbean Discourses 1924–1948, as well as editing several critical editions and special journal issues, and authoring numerous articles and book chapters.  Anny-Dominique Curtius is Professor of Francophone Studies in the Department of French and Italian at the University of Iowa, and has published two monographs : Symbioses d'une mémoire: Manifestations religieuses et littératures de la Caraibe in 2006 and Suzanne Césaire. Archéologie littéraire et artistique d'une mémoire empêchée in 2020. She has also co-edited a special issue of Esprit Créateur on “Francophonies of the Early Modern,” and published extensively in academic journals and edited volumes. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progress on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

Women, Theory, Praxis, and Performativities: Transoceanic Entanglements in Francophone Settings (Liverpool UP, 2025) bridges the gap between the Caribbean, the Indian Ocean and the Pacific. It collectively fosters new transoceanic modes of thinking to reframe postcolonial debates and reveal the interconnected dialogues led by women from former French colonies and post-contact island territories. Thus, the volume unsettles the male agenda (captains, missionaries, mariners, ethnographers), and pays attention to the ways in which artists, writers, and activists have theorized or poetized women and the seas, reclaimed agency and created transformative possibilities. To critically map out a gendered conversation with the ocean, the contributors explore activisms and feminisms, intersectional praxes of care, ecological and health impacts of nuclear radiation and chlordecone contamination, queerness, decolonizing dance, the unsettling of official archives and female tidalectical corporeality and embodiments, Mā'ohi epistemologies and ontologies, silence as empowerment against colonial violence, forced migration and vulnerability. The volume's overarching approach belongs to a "politics of refusal" which brings forth formerly discarded archives and discredited sites of knowledge to counter ideologies and doctrinal apparatus that promote forgetting or erasure among non-sovereign populations. In exploring transoceanic feminine spaces as vital sites of knowledge production, this interdisciplinary collaboration aims to ensure that readers actively engage with feminine praxes, understanding their significance not only as theoretical constructs but as lived experiences (re)occupying, (re)appropriating and transcending patriarchal and postcolonial spaces. Jacqueline Couti is the Laurence H. Favrot Professor of French in the Department of Modern & Classical Literatures & Cultures at Rice University and the author of 2016's Dangerous Creole Liaisons: Sexuality and Nationalism in French Caribbean Discourses from 1806 to 1897 and 2021's Sex, Sea, and Self: Sexuality and Nationalism in French Caribbean Discourses 1924–1948, as well as editing several critical editions and special journal issues, and authoring numerous articles and book chapters.  Anny-Dominique Curtius is Professor of Francophone Studies in the Department of French and Italian at the University of Iowa, and has published two monographs : Symbioses d'une mémoire: Manifestations religieuses et littératures de la Caraibe in 2006 and Suzanne Césaire. Archéologie littéraire et artistique d'une mémoire empêchée in 2020. She has also co-edited a special issue of Esprit Créateur on “Francophonies of the Early Modern,” and published extensively in academic journals and edited volumes. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progress on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Women, Theory, Praxis, and Performativities: Transoceanic Entanglements in Francophone Settings (Liverpool UP, 2025) bridges the gap between the Caribbean, the Indian Ocean and the Pacific. It collectively fosters new transoceanic modes of thinking to reframe postcolonial debates and reveal the interconnected dialogues led by women from former French colonies and post-contact island territories. Thus, the volume unsettles the male agenda (captains, missionaries, mariners, ethnographers), and pays attention to the ways in which artists, writers, and activists have theorized or poetized women and the seas, reclaimed agency and created transformative possibilities. To critically map out a gendered conversation with the ocean, the contributors explore activisms and feminisms, intersectional praxes of care, ecological and health impacts of nuclear radiation and chlordecone contamination, queerness, decolonizing dance, the unsettling of official archives and female tidalectical corporeality and embodiments, Mā'ohi epistemologies and ontologies, silence as empowerment against colonial violence, forced migration and vulnerability. The volume's overarching approach belongs to a "politics of refusal" which brings forth formerly discarded archives and discredited sites of knowledge to counter ideologies and doctrinal apparatus that promote forgetting or erasure among non-sovereign populations. In exploring transoceanic feminine spaces as vital sites of knowledge production, this interdisciplinary collaboration aims to ensure that readers actively engage with feminine praxes, understanding their significance not only as theoretical constructs but as lived experiences (re)occupying, (re)appropriating and transcending patriarchal and postcolonial spaces. Jacqueline Couti is the Laurence H. Favrot Professor of French in the Department of Modern & Classical Literatures & Cultures at Rice University and the author of 2016's Dangerous Creole Liaisons: Sexuality and Nationalism in French Caribbean Discourses from 1806 to 1897 and 2021's Sex, Sea, and Self: Sexuality and Nationalism in French Caribbean Discourses 1924–1948, as well as editing several critical editions and special journal issues, and authoring numerous articles and book chapters.  Anny-Dominique Curtius is Professor of Francophone Studies in the Department of French and Italian at the University of Iowa, and has published two monographs : Symbioses d'une mémoire: Manifestations religieuses et littératures de la Caraibe in 2006 and Suzanne Césaire. Archéologie littéraire et artistique d'une mémoire empêchée in 2020. She has also co-edited a special issue of Esprit Créateur on “Francophonies of the Early Modern,” and published extensively in academic journals and edited volumes. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progress on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Jeff Howe and CJ Vogel break down the two standout year-over-year improvements with Arch as QB: turnover control & red zone production / reliability!   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Season 4 of the Midtown Madness Podcast is brought to you by Two Men and a Garden! That's right they are fueling this podcast with not only delicious pickles, but salsas and most recently Harissa sauce. They are the real deal! Their products are delicious and more importantly local to St. Louis. You can pick up their many products at any local grocery stores or online where they ship nationwide!

durée : 00:29:54 - L'Entretien archéologique - par : Antoine Beauchamp - Quelle archéologie mener dans les camps de concentration et d'extermination ? Cette question anime le documentaire “Sous la terre” d'Ania Szczepanska qui suit la trace d'Andrzej Brzozowski dont le film “Archeologia” (1967) rendait compte des premières fouilles réalisées à Auschwitz-Birkenau. - réalisation : Olivier Bétard - invités : Alain Schnapp Archéologue et historien, professeur émérite d'archéologie grecque à l'université Paris I Panthéon-Sorbonne; Ania Szczepanska Maîtresse de conférences en histoire de l'art à l'université Paris 1 Panthéon-Sorbonne.

A: https://x.com/TArchcast https://www.youtube.com/@TheArchCast J: https://findmyfrens.net/jburden/ Buy me a coffee: https://www.buymeacoffee.com/j.burden Substack: https://substack.com/@jburden Patreon: https://patreon.com/Jburden GUMROAD: https://radiofreechicago.gumroad.com/l/ucduc Axios: https://axios-remote-fitness-coaching.kit.com/affiliate ETH: 0xB06aF86d23B9304818729abfe02c07513e68Cb70 BTC: 33xLknSCeXFkpFsXRRMqYjGu43x14X1iEt

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Another chapter in the Classic House series, v39 stays rooted in timeless grooves and soulful energy. Warm rhythms, smooth transitions, and that familiar house feeling that never goes out of style.This mix is built for the long ride — driving, working, or unwinding — keeping the vibe steady, deep, and uplifting from start to finish. Classic house, delivered with purpose.

This show has been flagged as Clean by the host. Development isn't over until it's packaged Most software development I've done has been utilities for highly specific workflows. I've written code to ensure that metadata for a company's custom file format gets copied along with the rest of the data when the file gets archived, code that ensures a search field doesn't mangle input, lots of Git hooks, file converters, parsers, and of course my fair share of dirty hacks. Because most software projects I work on are designed for a specific task, very few of them have required packaging. My utilities have been either integrated into a larger code base I'm not responsible for, or else distributed across an infrastructure by an admin. It's like a magic trick, which has made my life conveniently easier but, as magic does, it has also tricked me into thinking that my development work is done once I can prove that my code does its job. The reality is that code development isn't actually done until you can deliver it to your users in a format they can install. I don't think I'm alone in forgetting that software delivery is the real final product. There are many reasons some developers stop short of providing an installable package for the code they've worked on for weeks or months or years. First of all, packaging is work, and after writing and troubleshooting code for months, sometimes you just want your work to be over just as soon as everything functions as expected. Secondly, there are a lot of software package formats out there, regardless of what platform you're delivering to. However, I view packaging as part of quality assurance. There are lots of benefits you gain by packaging your code into an installer, and you don't have to target every package format. In fact, you get the benefits of packaging by creating just one package. Checking for consistency When you package your code as an installable file, whether it's an RPM file or a Bash script or a Flatpak or AppImage or EXE or MSI or anything else, you are checking your code base for consistency. Pick whatever package format you're most comfortable with, or the one you think represents the bulk of your target audience, and you're sure to find that the package tooling expects to be automated. Nobody wants to start packaging from scratch every time they update code, so naturally packaging tools are designed to be configured once for a specific code base and then to create updated packages each time the code base is updated. If you're building a package for your project and discover that you have to manually intervene, then you've discovered a bug in your code. Imagine that you've got a project repository with a name in camel-case. You hadn't noticed before, but your code refers to itself in a mix of lowercase and camel-case. Your package build grinds to a halt because a variable used by the packaging tools suddenly can't find your code base because it was set to a lowercase title but the archive of your code uses camel-case. If this happens to you, it's also going to happen for every software packager trying to help you deliver your project to their users. Fix it for yourself, and you've fixed it for everyone. Discover surprise dependencies For decades, one of the most common problems of software troubleshooting has been the phrase “well, it works on my machine.” No matter how many tools we developers have at our disposal to make it easy to build and run software on a clean system, it's still common to accidentally deliver software with surprise dependencies. It's easy to forget to revert to a clean snapshot in a virtual machine, or to use a container that just happens to have a more recent version of a library than you'd realised, or to get the path of an important executable wrong in a script, or to forget that not all computers ship with a thing you take for granted. Not all packaging tools are immune to this problem, but very robust ones (like RPM and DEB, Flatpak, and AppImage) are. I can't count the times I've tried to deliver an RPM only to be reminded by rpmbuild that I haven't included the -devel version of a dependency (many Linux distributions separate development libraries from binaries.) You may not literally fix every problem with dependency management by building a single package, but you can clearly identify what your code requires. It only takes a single warning from your packaging tool for you to add a note to other packagers about what they must include in their own builds. As an additional bonus, it's also a good reminder to double check the licenses your project is using. In the haze of desperate hacking to get something to just-work-already, it's helpful to get a gentle reminder that you've linked to a library with a different license than everything else. Few packaging tools (if any?) detect licensing requirements directly, but sometimes all it takes is a reminder that you're using a library that comes from a non-standard repo for you to remember to review licensing. Every package is an example package Once you've packaged your code once, you create an example for everyone coming to your project to turn it into a package of their own. It doesn't matter whether your example package is an RPM or a DEB or just a TGZ for a front-end like SlackBuild or Arch's AUR, it's the interaction between a packaging system and the input script that counts. Even a novice package maintainer is likely to be able to reverse engineer a packaging script enough to reuse the same logic for their own package. Here's the build and install section of the RPM for GNU Hello: %prep %autosetup %build %configure make %{?_smp_mflags} %install %make_install %find_lang %{name} rm -f %{buildroot}/%{_infodir}/dir %post /sbin/install-info %{_infodir}/%{name}.info %{_infodir}/dir || : Here's the GNU Hello build script for Arch Linux: source=(https://ftp.gnu.org/gnu/hello/$pkgname-$pkgver.tar.gz) md5sums=('5cf598783b9541527e17c9b5e525b7eb') build(){ cd "$pkgname-$pkgver" ./configure --prefix=/usr make } package(){ cd "$pkgname-$pkgver" make DESTDIR="$pkgdir/" install } There are differences, but you can see the shared logic. There are macros or functions that abstract some common steps of the build process, there are variables to ensure consistency, and they both benefit from using automake as provided by the source code. Armed with these examples, you could probably write a DEB package or Flatpak ref for GNU Hello in an afternoon. Package your code at least once Packaging is quality assurance. Even though a packaging system is really just a front-end for whatever build system your code uses anyway, the rigour of creating a repeatable and automated process for delivering your project is a helpful exercise. It benefits your project, and it benefits the people eager to deliver your project to other users. Software development isn't over until it's packaged.Shownotes taken from https://www.both.org/?p=13264Provide feedback on this episode.

The Intro to AOX Course is coming to Tempe, AZ! Join us for a hands-on deep dive into the clinical and business systems behind predictable full-arch success. Seats are limited - register now to secure your spot. https://products.sharedpractices.com/tfap-intro-to-aox-2026 In this episode of The Full Arch Podcast, Dr. Steven Vorholt sits down with Dr. Paige Moorhead to talk about an often-overlooked factor in long-term surgical success: the surgeon's body. They explore how strength training, conditioning, and recovery directly impact focus, stamina, and longevity in full-arch dentistry. From managing long surgical days to preventing chronic pain and burnout, this conversation reframes fitness not as a personal hobby—but as a professional responsibility. This episode highlights why treating your body as an asset is just as important as refining surgical skill, especially for clinicians committed to sustaining a long, high-performing career. Key Highlights:

Kultstätte am Ionischen Meer - (5) Die Forschungen gehen weiter Mit: Birgitta Eder, Archäologin und Leiterin der Außenstelle Athen des Österreichischen Archäologischen Instituts an der Österreichischen Akademie der Wissenschaften - Gestaltung: Barbara Volfing- Sendung vom 23.01.2026

In this episode of ChainLeak, we break down "Arch Lending – Institutional Design" with Himanshu Sahay, CTO of Arch. Exploring how institutional credit is being rebuilt on-chain using collateral, code, and transparency instead of traditional credit scoring models.This conversation focuses on how Arch Lending integrates into the first tokenized collateralized loan obligation (CLO), the technical role of the Galaxy partnership, and why Avalanche was chosen as the deployment layer for institutional-grade credit infrastructure.

Handabdrücke in Indonesien sind mindestens 68.000 Jahre alt und damit die älteste Höhlenmalerei der Welt. Forscher glauben, ihre Schöpfer sind mit den Vorfahren Ureinwohner Australiens verwandt und gibt Erkenntnisse für Migrationsrouten. Stang, Michael www.deutschlandfunk.de, Forschung aktuell

Kultstätte am Ionischen Meer - (4) Ein Magnet der Region Mit: Birgitta Eder, Archäologin und Leiterin der Außenstelle Athen des Österreichischen Archäologischen Instituts an der Österreichischen Akademie der Wissenschaften - Gestaltung: Barbara Volfing- Sendung vom 22.01.2026

On n'a ni gardé les cochons, ni été en classe ensemble… et pourtant, je sais un truc certain sur votre passé à l'école, que ce soit en France, en Belgique ou au Canada, en primaire ou au lycée, qu'importe ! Vos profs vous ont forcément fait cours sur Léonard de Vinci. Pourquoi ? Peut-être pour se simplifier la vie ! En effet, la Renaissance a compté une foule d'artistes, peintres, sculpteurs, architectes et inventeurs de génie. Mais Léonard, sans être le meilleur dans chaque catégorie, avait un atout. Il les a toutes essayées. Donc, en un seul nom, en une seule vie, votre maître ou maîtresse pouvait vous faire comprendre presque toute la Renaissance. Mais moi je pose la question qui dérange : est-ce que Léonard était particulièrement bon ? Ou est-ce que dans chaque domaine, c'était l'éternel second, le touche-à-tout qui n'approfondit et ne finit jamais son travail ? Pour le savoir, on va creuser un aspect de sa vie : ses inventions !Bonne écoute !

Debbie Monterrey speaks with Ella Gross from the Tower Grove Community Development Corp. regarding the Arch by Home Screen Damage Mitigation Fund available for landlords of possible renters.

Kultstätte am Ionischen Meer - (3) Was eine Bronzetafel erzählt Mit: Birgitta Eder, Archäologin und Leiterin der Außenstelle Athen des Österreichischen Archäologischen Instituts an der Österreichischen Akademie der Wissenschaften - Gestaltung: Barbara Volfing- Sendung vom 21.01.2026

Kultstätte am Ionischen Meer - (2) Kein gewöhnlicher Tempel Mit: Birgitta Eder, Archäologin und Leiterin der Außenstelle Athen des Österreichischen Archäologischen Instituts an der Österreichischen Akademie der Wissenschaften - Gestaltung: Barbara Volfing- Sendung vom 20.01.2026

Kultstätte am Ionischen Meer - (1) Ein überraschender Fund Mit: Birgitta Eder, Archäologin und Leiterin der Außenstelle Athen des Österreichischen Archäologischen Instituts an der Österreichischen Akademie der Wissenschaften - Gestaltung: Barbara Volfing- Sendung vom 19.01.2026

Le Journal en français facile du vendredi 16 janvier 2026, 17 h 00 à Paris.Retrouvez votre épisode avec la transcription synchronisée et des exercices pédagogiques pour progresser en français : http://rfi.my/CMBq.A

durée : 00:26:51 - L'Entretien archéologique - par : Antoine Beauchamp - La découverte d'une nécropole antique, à Orléans, intrigue les archéologues depuis 2022. Le site est unique par son organisation étonnante mais aussi par la présence de 22 plaquettes en plomb gravé. Ces tablettes de malédiction sont des témoins précieux d'une pratique de la magie en Gaule romaine. - réalisation : Olivier Bétard - invités : Julien Courtois Archéologue responsable d'opérations spécialisées de l'époque romaine au sein du service d'archéologie de la ville d'Orléans; Caroline Millereux Archéologue spécialiste de la Proto-histoire au service Archéologie de la Ville d'Orléans et responsable des dernières fouilles du site de la Porte-Madeleine

In todays episode, Dr. Lisa talks through the 2 different medial arch types and when to focus on addressing them, especially if you are injured. She talks through why having a flat foot is not necessarily a bad thing and why high arches don't do well with an orthotic.Links and Resources:Foot and Ankle Program: At home rehab program for injuries including plantar fasciitis, shin splints, achilles tendinopathy, ankle sprains, posterior tibialis pain and big toe painHip Program: At home rehab program for hip injuries including hip impingement, gluteal tendinopathy, low back soreness/pain, SIJ pain, psoas/hip flexor pain, piriformis syndrome and ITB syndromeRunners Knee Program: At home rehab program for pain around the kneecap, under the knee cap or around the joint lineToe Spacers (use discount code DRLISA10)Mobo Board (use discount code DRLISAMITRO10)Email Dr. Lisa at drlisadpt@gmail.com

Go to https://zippixtoothpicks.com/discount/SSP10 for 10% off!⚔️ Arch: https://www.youtube.com/@TheArchCast If you're a Normal Man, hit the subscribe button: https://bit.ly/SubToSideScrollers. If not, regret it forever.➕Become a Side Scrollers PLUS Member at http://www.SideScrollersPlus.comUse promo code “PLUS” for a big discountSupport Our Partners on Side Scrollers PLUS:

Breaking news: Kevin Stefanski has been fired, and Boomer thinks the Giants need to call him immediately. Jerry's final update tackles the Giants' future, whether Arch Manning should declare now to escape the Jets, and Mike Tomlin's legendary "aunt/uncle" quote. Finally, we wrap with the Moment of the Day: a roast-heavy studio visit from Carton & C-Mac.