Podcasts about Juxtapoz

Oakland-based graphic artist Hugh D'Andrade, author of the graphic novel “The Murder Next Door,” talks about: His first graphic novel, The Murder Next Door, including what led him to finally making a graphic novel after being a big fan of them for a long time; studying fine art at the California College of Arts and Crafts back in the 1980s, and then going back to the same school, now called simply California College of the Arts, to get a masters in graphic novels; graphic novelists who have been influential to Hugh, including Adrian Tomine from nearby Berkeley, Chris Ware, who he refers to as both a giant and a genius in the field, as well Art Spiegelman, Thi Bui (whom he had as one of his graphic novel professors), Marjane Satrapi, and Phoebe Glockner; how the graphic novelists he's met have generally been very talkative and have quirky sensibilities, but also have introverted streaks which are necessary for long stretches alone that are necessary for producing their work; how he worked on the beginning of his graphic novel while in grad school, where the crits were very nurturing and supportive, unlike crits from back in the day (undergrad); where graphic novel reading falls in our attention economy; the value he puts on the hand-drawn in comics, with modest digital intervention; and how Vipassana meditation, the first chapter of the book, played a big role in Hugh's healing journey…. [the Conversation continues for another hour in the BONUS episode for Patreon supporters] In the 2nd half of the full conversation (available to Patreon supporters), Hugh talks about: the distinction between cartooning and illustration, and how challenging it is to render a person from multiple views in that style; what feedback he's gotten so far, with at least one reader saying that it was ‘very unique,' probably meaning they found it too dark; the roll his parents played (or didn't play) in healing from his trauma (the murder the book is focused on); his trolling of conspiracy theorists on social media (which is described in the book), which came out of his reaction to people making things up about who was responsible for the murder, along with the pros and cons of engaging with a conspiracy theorist; his description of 3 or 4 major career trajectory paths for artists in big art capitals, inspired by his nephew and students and their impending career paths- the A path/A-train: rock star; B path/B train: you have a partner who has a job/supports you financially;  C path/train: artist with a day job;  D-train: you live just outside of a major city, or in a college town, or rural areas; housing in the U.S., particularly in the art capitals (a sort of passion of both of ours) and how he bought a house in East Oakland, a part of the city he had never been in and he'd been living in the East Bay for decades; how he's in a ‘coffee dessert,' meaning he needs to drive at least 10 minutes to get to a good coffee spot, leading to a beautiful paradox: as a participant in gentrifying his neighborhood, he realizes that as soon as that fancy coffee place pops up in his neighborhood, the gentrification will essentially be complete; the neighborhoods Hugh lived in in San Francisco, particularly the Mission, Hayes Valley and the Tenderloin, and their respective reputations and what he experienced living there as an older young person going to punk shows and the like; his friend Rebecca Solnit's book Hollow City, about how gentrification displaces people of color as well as creative communities; we dig quite a bit into the weeds of the housing crisis, and how he lived on the cheap in the Bay Area for years, including getting around by bike up until 10 years ago; and finally he talks about his music show highlights over the years, including his changing relationship to the Grateful Dead over the decades. 

The serpent has been around for a quite some time. It's biblical stature as the representation of the temptation of the devil to Eve in the Garden of Eden has often been part of Western thought, but the asp was a powerful symbol in ancient Egyptian culture, representing "divine authority of the pharaohs." The serpent has been a protector and mischievous creature, chaotic and a form of order. And this is where we find Montreal-born, LA-based sculpture artist David Altmejd, on the border of chaos and order, restraint and rawness, realism and fantasy. We are in the underworld but also inverting the hierarchy of the world above it all in one.I spoke with David on the occasion of his solo show, The Serpent, at White Cube Gallery in NYC, a show exploring a theme he had wanted to challenge himself for years and one that brought out a whole new direction and subconscious expression that he plans to explore in future shows and works. On a sunny April morning, I visited David's now almost-empty-but-in-the-process-of-new-ideas studio in Echo Park and found that this was just the time to get the story of where he is at in 2025. David digs himself into quite a personal world when he is making a show, and he told me he is often unprepared or able to speak of his work until it leaves his studio. So here we are. On this episode of The Uniborw's Radio Juxtapoz podcast, we speak with David Altmejd about feline energy, biology, physical space, the beauty of a sculpture that is almost always in motion, and what The Serpent means to him. ⁠Subscribe to the Radio Juxtapoz podcast! The Unibrow's Radio Juxtapoz podcast⁠ is hosted by Juxtapoz editor, ⁠⁠⁠Evan Pricco⁠⁠⁠. Episode 160 was recorded in Los Angeles on April 7, 2025.This episode of Radio Juxtapoz is brought to you by the generous support of the ⁠⁠⁠Artemizia Foundation⁠⁠,⁠ a world class museum of contemporary, graffiti and street art in Bisbee, Arizona.

Barcelona-born Noelia Towers has been painting a form deconstructing power structures for years now, but it seems like over the last few years her subject matter has received a heightened attention. And importance. Not like a typical activist painter, Noelia is placing herself right in the center of both a personal biography and a universal appeal for action against patriarchy and a prevailing mood across the world of a new form of masculine power structures. I wrote a few months back, "She plays with ideas of myth, both personal and universal, using imagery that creates a feeling of familiarity but abstracted to make you rethink your expectation of memory," and this holds up even more after our conversation. On this episode of the Unibrow's Radio Juxtapoz podcast, Noelia talks to me about her move to Chicago, the traumas she carries with her in her practice today and how her recent show, An Account of Preceding Events at de boer, Los Angeles came quickly and was one of her best experiences in the studio in years. The Unibrow's Radio Juxtapoz podcast⁠ is hosted by Juxtapoz editor, ⁠⁠⁠Evan Pricco⁠⁠⁠. Episode 159 was recorded in New York and Chicago on March 26, 2025.This episode of Radio Juxtapoz is brought to you by the generous support of the ⁠⁠Artemizia Foundation⁠,⁠ a world class museum of contemporary, graffiti and street art in Bisbee, Arizona.

Mark Whalen has been with us for almost 20 years, from the streets of Sydney, Australia to a new life of a sculpture studio in Los Angeles. Now it is time we are with him: after losing his home in the Altadena fire of January 2025, I got in touch with Mark about a visit to The Unibrow's Radio Juxtapoz, but also to catch up on an immersive, darkly humorous series of works he was creating. It felt like the right time. In this conversation on the podcast, we find the inspiration behind the world Whalen has created, the stream of consciousness and deeply investigative construction of the sculptures, the materials, the fun, the pain, and how losing his home will inevitably transform the power of the work. Subscribe to the Radio Juxtapoz podcast! The Unibrow's Radio Juxtapoz podcast⁠ is hosted by Juxtapoz editor, ⁠⁠⁠Evan Pricco⁠⁠⁠. Episode 158 was recorded in Los Angeles on March 14, 2025. This episode of Radio Juxtapoz is brought to you by the generous support of the ⁠Artemizia Foundation,⁠ a world class museum of contemporary, graffiti and street art in Bisbee, Arizona.

Daniel Gibson is a painter of the California landscape, a visualizer of a certain kind of desert oasis dreamt of in a surreal dream as opposed to a place you have been. But to be honest, I wasn't aware of this fantastical world of desert sun, flora and fauna in Gibson's work; I just wanted it all to be real. I don't think that is important; what is important is that Gibson is capturing an essence of fantasy and freedom, a rural and desert basins, the Imperial Valley of Southeast California. This is where Daniel grew up, and though he has lived in San Diego and now Los Angeles for years, he takes this childhood daydream of his surroundings with him in some of the most beautifully phantasmagorical paintings being made today. Gibson's path to a fine art career took many twists and turns, from ArtCenter to graphic design, street posters to working at Levi's. He found himself in the studio of Mary Weatherford, another artist of color bursts and abstractions, where he learned the details of a career artists and the blueprint for dedication. The pandemic allowed him more time in the studio, and when the world was shut away, Gibson developed a body of work that has seen the galleries of Almine Rech, Nazarian / Curcio and new show just about to open at Marquez Art Projects (MAP) in Miami. In this conversation on The Unibrow's Radio Juxtapoz podcast, Gibson speaks to Juxtapoz editor Evan Pricco about a semi-retirement set for 2025 (aka, a break from shows to develop new work), growing up near the California-Mexico border, being self-taught at painting, the emotional parts of paintings and what he learned from Weatherford's practice. The Unibrow's Radio Juxtapoz podcast is hosted by Juxtapoz editor, ⁠⁠⁠Evan Pricco⁠⁠⁠. Episode 157 was recorded in Los Angeles on March 11, 2025. This episode of Radio Juxtapoz is brought to you by the generous support of the Artemizia Foundation, a world class museum of contemporary, graffiti and street art in Bisbee, Arizona.

There have been many iterations of the man we know as Nehemiah Cisneros, but right now, in the most moment, he is most himself. If you know Nehemiah, he is a thoughtful, insightful and evolving figure in art who is a filmmaker in a painters' body. We met him as AUGOR, the graffiti writer who took over Los Angles in the late aughts with billboards and walls that were just as influenced by comics, video games and low brow art as it was the history of lettering and monikers. He was fresh air in a scene that was already full of major creative forces: SABER, REVOK, RETNA and the MSK crew members. Cisneros was the young buck making a name, with LA in his blood and something theatric in his vision. Across a few art schools, going through addiction and his own "trouble" that we mention in this podcast, Cisneros found a new voice in the art departments of Santa Monica City College, Kansas City Art Institute and then an MFA at UCLA. What that voice does is create a vision of his youth in Los Angeles and the aesthetic of a city of narratives, literally in its DNA. Cisneros, even now with a body of work on its way to Josh Lilley in London, has taken a life of influence from film, arcades, city streets, low brow and fine art into a beautiful and often overwhelmingly dense series of paintings. In this conversation on The Unibrow's Radio Juxtapoz podcast, Evan Pricco and Cisneros talk about life after an MFA, his time working in the arts and studying painting, how Mark Ryden influenced his early years and how now he is looking to Theodore Gericault, Max Ernst, gamer culture and Black Exploitation films for his new works. Off the the "goon cave"... Radio Juxtapoz' Unibrow podcast is hosted by Juxtapoz editor, ⁠⁠⁠Evan Pricco⁠⁠⁠. Episode 156 was recorded in Los Angeles on March 5, 2025 Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠

Hannah Lupton Reinhard's paintings always have a consistency in intent, and yet an interpretation of intention seems to be flexible for some, perhaps even malleable. The theme of moving goal posts to secure your own meaning is rife in modern society, perhaps more so than ever as we all have the unique ability to erase our own history so easily. We all, at the touch of a button, can share and manipulate our opinions, often in an instant. I don't know if we, as a collective, were ready for this, and we are struggling. We are angry. We are confused. Reinhard has been making paintings about being Jewish since her time at RISD, has explored Jewish "displacement, diaspora, and the weight of inherited identity." In her celebratory work, she speaks of something quite universal: the complex idea of home and, as she notes from the philosopher Judith Butler, "that cohabitation—living among and alongside others—is central to Jewishness itself." As war in the Middle East began to explore, her work was being re-evauluated, her inclusive opinions causing her anger from her community and re-reading of her artwork that was never her intention. It brought out broader conversations about coexistence, and how a proudly Jewish artist can criticize Zionism while remaining as proud of her heritage as ever? In this conversation on the Radio Juxtapoz podcast, Evan Pricco speaks with Reinhard at Rusha & Co just as her solo show, Are We Here Yet? was opening. They spoke about how the fires in Los Angeles gave her work an extra dimension, finding identity in art school and how she painted through a major shift in her public life and how it caused a uncertainty in her private life. (Editor's note: Click here to see imagery that connects with the conversation, a gives context for some of Reinhard's older works)Radio Juxtapoz' Unibrow podcast is hosted by Juxtapoz editor, ⁠⁠⁠Evan Pricco⁠⁠⁠. Episode 155 was recorded in Los Angeles on February 12, 2025 Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠

Episode 458 / Emily Wise Emily Wise (born 1988, Baltimore, MD) received her BFA from the Pacific Northwest College of Art in Portland, OR, where she currently lives and works. Exploring themes related to femininity, intimacy, and the mysteries of the natural world, her paintings have been featured in national publications such as Juxtapoz and Artsy. She has exhibited across Portland, LA and NYC with Chefas Projects and DTLA based gallery Simard Bilodeau Contemporary.

It took Melbourne's Jeremy Geddes over 5 years to make his newest solo show, Periphery, for Thinkspace Projects, and it's been over a decade since he last had a show all together. He is a patient man, a man who loves the details, making personal and universal works that are about the human condition in relation to explorations of space, our soul and our relationship the technology all around us. He is an explorer of the smallest details, a painter who doesn't just have the technical skill of past masters from centuries before, but a problem of solver of the self. So it took him 5 years to make this show, and, while on the plane to Los Angeles in the first week of January, 2025, it took Los Anglees a few hours to be changed forever. Time is fascinating that way; an artist and mother nature have different schedules. Speaking of schedules, we schedules this conversation with Jeremy a few weeks ago, just before he made his trip to Los Angeles for the solo show at Thinkspace Projects, his first solo show in over a decade and a culmination of work made since 2019. Before the pandemic, to now. Quite a significant moment for him, and for us, a moment to connect with a past cover artist, a vital artist in our history. As fires were ravaging LA's hills and communities, Jeremy and I had this conversation with heavy hearts. With heavy minds. Past guest of Radio Juxtapoz, featured artists in the magazine, friends, family, colleagues, all lost homes in these fires. Friends, family and colleagues have homes threatened right now, as I recond this. It's a tragedy, it's unthinkable, it's been quite unimaginable. In this conversation, Jeremy and I speak about that attention to detail, about how he sees the scope of his life finally seeing this show all together and how much of his work isn't informed by science fiction but our need to explore what it is that moves us, no matter how small or how significant. —Evan Pricco Radio Juxtapoz' Unibrow podcast is hosted by Juxtapoz editor, ⁠⁠⁠Evan Pricco⁠⁠⁠. Episode 154 was recorded in Los Angeles on January 10, 2025 Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠

Gretchen Scherer  (b. 1979, Indianapolis, IN) received a MFA from Hunter College, NY and a BFA from The University of Illinois at Chicago, IL. Scherer has been awarded residencies at Skowhegan School of Sculpture and Painting, ME and Vermont Studio Center, VT. Recent exhibitions include Richard Heller Gallery, LA; Patricia Low Gallery, Gstaad,Switzerland; Gowen Contemporary, Geneva, Switzerland; Taymour Grahne, London; and Monya Rowe Gallery, NY. Scherer's work was highlighted in Harper's Bazaar Latin Art Issue in “Artists to Follow in 2022”, and in New York Magazine by Jerry Saltz in “The Best Art Shows of 2021”. Scherer's work was recently profiled in the Spring 2024 issue of Juxtapoz magazine (“Gretchen Scherer: If Rooms Could Talk”). Her work is also included in “New Surrealism: The Uncanny in Contemporary Painting” by Robert Zeller, published by Monacelli Press (2024), an imprint of Phaidon. The artist lives and works in West Creek, NJ and Brooklyn, NY. GRETCHEN SCHERER Sir John Soane's Museum, Drawing Office, 2024 oil and acrylic on panel 24 by 30 inches Courtesy of Monya Rowe Gallery, NY. GRETCHEN SCHERER Palazzo Borromeo, Isola Bella, Berthier Gallery, 2024 oil and acrylic on panel 18 by 24 inches Courtesy of Monya Rowe Gallery, NY GRETCHEN SCHERER Palace of Aranjuez, Porcelain Room, 2024 oil and acrylic on panel 18 by 24 inches Courtesy of Monya Rowe Gallery, NY.

It isn't often we invite a guest to come onto Radio Juxtapoz for a second time, but Umar Rashid is beyond an exception. He's a friend with something to talk about, a new show, yes, The Kingdom of the Two Californias. La Época del Totalitarismo Part 2 at BLUM in Los Angeles... but we are also talking two days after the American election and an artist dedicated to history has something to say. A lot to say. "This epoch is exhausting," Rashid says, as we explore his own explorations of history and the cacophony of noise of the contemporary. In our wide-ranging conversation, we talk about making art in the midst of history happening around you, how you can tell stories from the past that explain our current and future selves and how much it takes to prepare a body of work that is about a narrative that demands a deeper read. Umar never shies away from telling us how our history is often over-looked, and although that seems simple, it's a plague of humanity to not look back in order to move forward. And art is his language... Radio Juxtapoz' Unibrow podcast is hosted by Juxtapoz editor, ⁠⁠Evan Pricco⁠⁠. Episode 153 was recorded in Los Angeles on November 7, 2024. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠

Something that will always exist, regardless of political landscapes and the changing of societal norms, is the need to honor space. ⁠Danielle Mckinney⁠ knows something about space, and waiting, and watching, and observing. As a photographer she practices these disciplines, and when she began to explore her desire to paint, she found something remarkably powerful: the space for the body to rest. Whether it was a fantasy or a dream, Mckinney's work is a powerful reminder that the art of protest can come in unexpected ways, that sound can reverberate from the quietest of moments and just how much rest and the act of being seen resonates so deeply. In this episode of the ⁠Radio Juxtapoz's Unibrow podcast⁠, Jux editor ⁠Evan Pricco⁠ speaks to Mckinney the day before the American election of 2024, which envelops the conversation with a bit of realistic uncertainty. Mckinney speaks of her shows in Europe in 2024, listening to Thom Yorke and the Cocteau Twins, her youth in Alabama and Georgia and giving woman of color the space and place to be seen. ⁠Subscribe to the Radio Juxtapoz podcast⁠⁠.  Radio Juxtapoz' Unibrow podcast is hosted by Juxtapoz editor, ⁠Evan Pricco⁠. Episode 152was recorded in Los Angeles and New York on November 4, 2024. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠ Photo of Danielle Mckinney by Pierre Le Hors, provided by Kunsthal n in Copenhagen

San Francisco's ⁠Koak⁠ has always been a mystery to us. Yes, of course she is an internationally exhibited painter and the cover of the Juxtapoz Fall 2024 Quarterly in time with her solo show at Perrotin in Paris in September, but that there is something non-era-specific about the work she makes. Timeless get overused, but Koak makes otherworldly paintings that are personal, emotional, universal, environmental and narrative all in one. In this episode of the Radio Juxtapoz's new Unibrow series, a more raw, uncut version of our podcast, Koak talks to me about her teen years in Santa Cruz, how she thinks of composing her installations in the vein of comic book storytelling, how a very difficult year led to quite a compulsive, painstaking process to make her show in Paris and how an upcoming institutional show in London makes her feel right at home. Subscribe to the Radio Juxtapoz podcast⁠.  Radio Juxtapoz' Unibrow podcast is hosted by Juxtapoz editor, Evan Pricco. Episode 151 was recorded in Los Angeles and San Francisco on October 29, 2024. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠

Anthony Cudahy is at an interest time in his life when we spoke for the Radio Juxtapoz podast: he hadn't been in the studio for a bit. And who could blame him? He had concurrent solo shows open at Grimm and Hales in NYC, and his first museum show, Spinneret, had opened Ogunquit Museum of American Art in Maine earlier in the year and was about to open at the Green Family Art Foundation in Dallas the week of our conversation. A break, or at least taking it all in, seemed quite relatable.  And on this episode of Radio Juxtapoz, it does feel like Anthony is thinking about what is next, giving his most recent work and past works a little deeper look, deeper thoughts and really taking note of how the past 5 years of his life have really taking off. He is a painter of stories, of narratives, capturing his husband and friends in fragments that almost take on a life of their own. Maybe that is what it is all about; letting a painting take you somewhere, outside of yourself by of yourself, and just taking you to another place. That is what Anthony is really, really good at that.  The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 150 was recorded in the NYC in October 2024. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠

Chris Pappan is an enrolled member of the Kaw Nation and honors his Osage and Lakota heritage. His cited artistic influences are the Lowbrow art movement, Heavy Metal and Juxtapoz magazines, and taps into the American cultural roots of 1970s underground comics, punk, and hot rod cultures. His art literally reflects the dominant culture's distorted perceptions of Native peoples and is based on the Plains Native art tradition known as Ledger Art. A graduate of the Institute of American Indian Arts in Santa Fe and a nationally recognized painter and ledger artist, Chris' work is in numerous museums such as the National Museum of the American Indian, Washington D.C.; the Tia collection in Santa Fe NM and the Speed Museum of Art in Louisville KY among many other important collections both nationally and internationally. He is represented by Blue Rain Gallery in Santa Fe NM. Chris is currently a board member of the Illinois State Museum and is a co-founder of the Center for Native Futures, a Native American gallery and studio space in Chicago's Loop. He lives and works in Chicago with his wife Debra Yepa-Pappan, and their daughter Ji Hae. headshot photo by Tran Tran Website: http://chrispappan.com/ Center for Native Futures Website: https://www.centerfornativefutures.org/ Unbound: Narrative Art of the Plains https://americanindian.si.edu/explore/exhibitions/item?id=1005

Matt Bollinger's aim is both to define America but also define himself. Okay, okay, that seems like a wide net to throw, and it maybe it even seems simplistic, but there is his contemporary approach to social realistic, Ashcan School style that has made Bollinger one of the most interesting artists working today in painting, drawing and animation that speaks about and creates narratives of midwest America. His characters often show up in different bodies of work, different mediums, as we follow them through recessions and pandemics and aging, and really just life. Originally from Missouri and now working out of upstate New York, this is a time where Bollinger's voice seems as vital as ever. On this episode of the Radio Juxtapoz podcast, we get the band back together, so to speak, where hosts Evan Pricco and Doug Gillen interview Bollinger about his recent body of work shown in London and the state of America through the lens of his characters. On the heels of our conversation with Patrisse Cullors, this could be the beginning of our "state of the union" series of pods. The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 149 was recorded in the Los Angeles, Margate and Ithaca in September 2024. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠

As a co-founder of the Black Lives Matter movement, and a career as an artist, writer, abolitionist, Patrisse Cullors is one of the most influential figures in contemporary culture of the 21st century. What the Los Angeles-born Cullors has found in art is something quite fascinating in contrast to work as a activist: space to explore the limitations of language and the expansive nature of creating histories in physical form. I met Cullors at picnic table outside Charlie James Gallery in Los Angeles' Chinatown on the occasion of the artist's first solo show with the gallery, "Between the Warp and Weft: Weaving Shields of Strength and Spirituality." That conversation led to this episode of Radio Juxtapoz, where. Cullors and I discussed the expanded world of activism, her history in making art and the influences of Black American artists in her work and where she sees America at now with the looming elections just months away. —Evan Pricco The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 148 was recorded in the Los Angeles in August 2024. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠

The first time we encountered the works of London-based Christian Quin Newell was at his stunning Earth altar solo show at Public Gallery. Newell works in an otherworldly realm, dreamscapes if you will (more on this in a second). His newest solo show, The Way, at the same London-based Public Gallery, created what we could say are cosmological paintings, a combination of fictional mysticism, medieval and futuristic at the same time. It's his universe, and we are walking into it. On this episode of the Radio Juxtapoz podcast, we speak to Newell about the characters and universe, his influences and his incredible ability of documenting and then painting his dreams in almost real time. The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 147 was recorded in the London in August 2024. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠

When you open up the Fall 2024 Juxtapoz Quarterly, our colleague Kristin Farr brings up a caveat when looking (or hearing) about the works of Hannah Wilson. "Embedded in this interview is a required watchlist: Motion pictures that catalyze the arresting paintings of Hannah Wilson." What perhaps you need to know is that Wilson's works are dramatic in that they are the in-between moments of film, stills of the often-missed moments of repose and turmoil. Backs of heads, faces turned down, whispers, grimaces, stress. This is the world of Hannah Wilson is investigating. The Glasgow-based painter has had quite the few years in the public eye, from a solo show at Steve Turner in Los Angeles and residency in Norwich with the team at Moosey and a new feature in our Fall Quarterly. When we asked Wilson how 2024 was going to wrap up, they said "I'll be continuing my research, watching lots of films and painting what feels good. Also failing, of course, if I'm lucky." The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 146 was recorded in the London in August 2024. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠

We often said with Juxtapoz that the power of art is to make people feel engaged, feel good and feel ownership over both their community and the world-at-large. Art makes you feel alive, makes you thoughtfully engaged, whether the art challenges you or makes you just have a smile on your face. It's the beauty of it: art allows you to activate yourself. On the occasion of Ken Nwadiogbu taking part in the River Centre Development at Hellesdon Hospital in Norwich, where he the London-based painter transformed the walls of Hellesdon hospital, we found it a good time to finally get a chance here at Radio Juxtapoz to pay Ken and visit and see what he is up to. With Ken's solo show at Kristin Hjellegjerde Gallery in Berlin on this summer, we had a lot to catch up on with the Nigerian-bon painter. The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 145 was recorded in the London in August 2024. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠⁠ ⁠⁠⁠⁠

We often ask ourselves how art can heal or make us better understand the world around us. It's the function of art, isn't it? We may not have a universal or agreed upon definition of what art is or means, but we have an understanding that art is an expression of creativity in response to both personal and communal experiences. It's complicated, but good art makes you feel and understand something deeper about the human experience. On the occasion of "Don't Forget to Remember," a documentary film by director Ross Killeen that follows the Irish street artist "Asbestos as he and his family learn to navigate his mother's diagnosis of Alzheimer's and cope with her fading memories," Radio Juxtapoz sits down with the artist to discuss this incredible transformation in his personal life and how this has created a new direction in his artistic life. The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 144 was recorded in the UK in August 2024. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠⁠ ⁠⁠⁠

A new season of the Radio Juxtapoz podcast is here, and we start with something that feels quite relevant as we cross-over into the halfway mark of 2024. The concept is this: Truth is a Moving Target, and the artist and exhibition it pertains to is Southern California's Jaime Muñoz who just opened his first solo museum show at LA Plaza de Cultura y Artes in Los Angeles. When Jaime makes work, he is thinking about movement, how labor moves through our world, how we get from one place to another, and the illusions that some have about what it means to be labor. I wrote this about Jaime earlier this month prior to the podcast, that he "uses the utilitarian methods to speak about a history of California, immigration, migration, labor commodification and the automobile." Over the course of this episode, we talk about these ideas and his unique craft of airbrush and ink drawings, through a unique visual collage of the things we see across our commutes and highway landscape and the political truths we tell ourselves in the midst of all of this. The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 143 was recorded in Los Angeles at LA Plaza de Cultura y Artes in July 2024. Follow us on ⁠⁠⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠⁠ ⁠⁠

Ep.210 For Gerald Lovell (b. 1992), painting is an act of biography. Combining flat and impressionistic painting with thick daubs of impasto, Lovell's monumental portraits depict loving scenes often lost to the abyss of memory. Lovell's portraits refuse the notion that all Black figures put down on canvas are somehow political. Rather, his work records a deep commitment to fostering alternative community narratives by imbuing his subjects with social agency and self determinative power, while also revealing individualistic details that lay their essential humanity bare. Born in Chicago to Puerto Rican and Black parents, Lovell began painting at the age of 22 after dropping out of the graphic design program at the University of West Georgia. He has exhibited at P·P·O·W, New York; Jeffrey Deitch, Moore Building, Miami, FL; Anthony Gallery, Chicago, IL; Kohn Gallery, Los Angeles, CA; The Harvey B. Gantt Center for African-American Arts + Culture, Charlotte, NC; MINT, Atlanta, GA; and Galerie Peter Kilchmann, Zurich, Switzerland, among others. In 2022, Lovell's work was on view in What is Left Unspoken, Love at the High Museum of Art, Atlanta, GA, and is in the museum's permanent collection. Lovell completed the Fountainhead Artists Residency in October 2023. His second exhibition with P·P·O·W, verde, was held in Spring 2024. Portrait ~ Courtesy of Fountainhead, Miami. Photo, Cornelius Tulloch PPOW Gallery https://www.ppowgallery.com/artists/gerald-lovell#tab:thumbnails https://www.ppowgallery.com/exhibitions/gerald-lovell2#tab:thumbnails;tab-1:slideshow Anthony Gallery https://anthonygallery.com/exhibition/in-the-eye-of-the-beholder/ Juxtapoz https://www.juxtapoz.com/news/painting/gerald-lovell-verde-p-p-o-w-gallery-nyc/ Culture Type https://www.culturetype.com/2024/03/02/new-york-closing-soon-5-gallery-shows-featuring-works-by-nathaniel-oliver-tuli-mekondjo-theaster-gates-richmond-barthe-christopher-udemezue-and-gerald-lovell/ The Atlantic Journal-Constitution https://www.ajc.com/things-to-do/atlanta-painter-gerald-lovell-creates-portraits-of-family-friends-black-life/2PBC7PXW65AGLAGW4EI5U3K5SE/ whitewall https://whitewall.art/art/gerald-lovells-exhibition-at-ppow-captures-all-that-he-has/ Anderson Ranch https://www.andersonranch.org/people/gerald-lovell/ Artrabbit https://www.artrabbit.com/events/gerald-lovell-verde-ppow-390-broadway Black Art and Design https://www.blackartanddesign.com/artists/gerald-lovell-artist-overview/ The Galllery | Wish https://www.wishatlgallery.com/gerald-lovell Office Magazine https://officemagazine.net/gerald-lovell-finds-beauty-mundane Art in NYC https://artinnewyorkcity.com/2021/01/23/all-that-i-have-paintings-by-gerald-lovell-at-p-p-o-w/

Jamie Luoto (b. 1987) lives and works in the San Francisco North Bay. Her work has been featured in publications such as Booooooom, Art Maze Mag, and New American Paintings; appeared on platforms such as Juxtapoz and Hyperallergic; and is in international private and public collections including the Green Family Art Foundation (Dallas, USA). Selected recent exhibitions include: (Upcoming) Reflections and Refractions, Green Family Art Foundation, (2026); (Upcoming) The Armory Show, Kristin Hjellegjerde Gallery, New York, USA (2024); (Upcoming) When Dusk Falls, Kristin Hjellegjerde Gallery, Berlin, Germany (2024, duo); Mirror, Mirror, Kristin Hjellegjerde Gallery, London, UK (2024); EXPO Chicago, Kristin Hjellegjerde Gallery, Chicago, USA (2024); The de Young Open, de Young Museum, San Francisco, USA (2023); Nude, Manifest Gallery, Cincinnati, USA (2023); True North, di Rosa Center for Contemporary Art, Napa, USA (2022); Stories from My Childhood, Northern Illinois University Art Museum, DeKalb, USA (2022); All About Women, Marin Society of Artists' Gallery, San Rafael, USA (2021); Chasing Ghosts V, Verum Ultimum Gallery, Portland, USA (2020); Art the Library Featuring Jamie L. Luoto, Napa County Library, Napa, USA (2019, solo); It's Time: An Uncensored Look at the Time's Up and #MeToo Movements, Orange County Center for Contemporary Art, Santa Ana, USA (2018); Pride and Prejudice: Gender Realities in the 21st Century, Arc Gallery, Chicago, USA (2018); Identity Spectrum, Susquehanna Art Museum, Harrisburg, USA (2018).

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily features a conversation with Oakland based painter Héctor Muñoz-Guzmán. Hector discusses his life and artistic journey, including his upbringing in Berkeley, education at Parsons School of Design and Rhode Island School of Design, and the challenges he faced with his health. He shares insights into his artwork, including his first solo show 'Tocando Tierra' in Los Angeles, which represents men in his life and himself at different stages. Hector also talks about his experiences teaching at Creative Growth in Oakland, working on a mural with artist William Scott at SFMOMA, and his forthcoming studies in the MFA program at UC Berkeley. The episode highlights Hector's deep connection to his culture and community, and how these influences shape his artwork.About Artist  Héctor Muñoz-Guzmán:Hector spent his foundation year at The Parsons School of Design and a year in The Rhode Island School of Design's painting department. He was a finalist for the Tournesol Award at The Headlands Art Center and has received the Berkeley Individual Artist Grant. His work has been exhibited at Fall River MoCA, Bureau Gallery, Movimiento De Arte y Cultura Latino Americana (MACLA), Good Mother Studio, and Part 2 Gallery. He published an art book with Sming Sming Books. He works as an artist instructor for William E. Scott. He currently lives in Oakland, CA.Héctor's work has been published in Juxtapoz, 48 Hills, Mousse Magazine and Graphite Journal “POCKET” at the Hammer Museum.To learn more about and purchase his book, Brown Eyes  From Russell Street, CLICK HERE. For more about his exhibit in Los Angeles, Tocando Tierra, CLICK HERE. Follow  on Instagram:  @HectorFMunoz--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

Welcome back to ARTMATTERS: The Podcast for Artists On today's episode I speak with NYC-based artist, Langdon Graves!Together we sit down in her Bushwick studio and speak about building objects, combining mediums, Trompe-l'oil, different kinds of drawing, efficiency, the lead-up to an exhibition, different kinds of flow-states, preciousness, physical fatigue after long studio sessions, teaching, mentorship and community, a few ideas about contemporary art education, relief printmaking, variations, reading, and multi-tasking. Langdon Graves is a New York City-based artist with a BFA from Virginia Commonwealth University in Painting and Printmaking and an MFA from Parsons School of Design. She is adjunct faculty now at both Parsons and the MFA program at Pratt Institute. Langdon is represented by Dinner Gallery in New York and has had solo exhibitions in New York, Florida, Virginia, Arkansas, Vermont and Massachusetts and has participated in group shows and fairs throughout the United States, Canada, Europe and Australia. Langdon has attended the Fountainhead Residency in Miami, the Kunstenaarsinitiatief Residency and Exhibition Program in the Netherlands, the Object Limited residency in Bisbee, Arizona and STONELEAF Retreat in upstate New York. She is a recipient of Canson & Beautiful Decay's Wet Paint Grant and has been featured in Art in America and Artnet, Maake, VICE Creators, Juxtapoz, Art F City, Blouin Artinfo, Hyperallergic and Madeline Schwartzman's See Yourself X.You can now support this podcast by clicking HERE where you can donate using PATREON or PayPal!If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM!  If you have an any questions you want answered, write in to artmatterspodcast@gmail.com host: Isaac Mann www.isaacmann.com insta: @isaac.mann guest: Langdon Graveswww.langdongraves.com insta: @laaang 

Continuing our series of podcasts from the Crystal Ship festival in Ostend, Belgium, Radio Juxtapoz' Doug Gillen sat down with Spanish muralist and painter DULK to capture the essence of his practice that has long featured wild animals in a new urban context. The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 1412was recorded in Ostend in April 2024 during Crystal Ship. Follow us on ⁠⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠⁠ ⁠

Ah, its nice to have a little color talk here on the podcast. Dublin, Irelands' ACHES is a theorist of color. He combines a multitude of ideas and styles into his work, whether graffiti, murals, painting, graphic design, all into an aesthetic that is deservedly his and one of the more unique in the street genre. When you see an ACHES, you know its him. Now on this occasion we aren't in Dublin or the UK to speak with the artist, but in Hong Kong during Basel Week 2024 and the HK Walls festival. It's always a good time to speak to an artist away from home because you understand a certain idea of perception about their work, and a great conversation usually occurs when you have a little jet lag and hard work going on at the same time. What ACHES describes here is his history and his style that he calls a "subtractive and additive color theory." That's the good stuff. The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 141 was recorded in Hong Kong in March 2024 during HK Walls. Follow us on ⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠⁠

It was always as much as an intervention as it was a hotel. When Banksy opened the Walled Off Hotel in Bethlehem in Palestine in the West Bank in 2017, it was met by both amazement and a bit of shock. In what, in a way, like, "Wait, he opened an actual hotel in the West Bank? By the wall? How did he get that done?" And of course there was the simple: "I want to go. Can I go? Is it safe? I need to go." But there were also more vital questions and anwsers that the hotel offered: what is the history of this region? What is the West's role in this history? The year 2017 was important as it marked the 100 years since the "British took control of Palestine and helped kick start a century of confusion and conflict." And of course in true Banksy fashion, he noted, "At the time of writing there are no special events being planned to mark the occasion." This was a real hotel, with real world implications in a region occupied by Israel with wartime conditions dominating the consciousness of the people there. For Banksy and Walled Off Hotel manager, Wisam Salsaa, this was the opportunity to tell the story of a people, a region and a culture.  After our Israel-Palestine episode at the end of 2023, Radio Juxtapoz wanted to return to the stories of the region but also highlight those who help give Palestinian artists a voice and platform. Wisam, for his years as a tour guide in Bethlehem and now the manager of the Walled Off Hotel (which, of course, is currently closed), helped make Banksy's vision for the hotel come to life and continued to operate it through the following years. In this episode, Jux editor Evan Pricco speaks to Wisam about the creation of the Walled Off, the artistic culture in the West Bank, how street art brought international attention to the region and how Banky changed the way many in the West began to think about its role in the history of Palestine. You can follow the Walled Off Hotel at @walledoffhotel The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 140 was recorded in May 2024. Follow us on ⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠⁠

When Cindy Bernhard found the cats she found herself. That is the short summary of the story. During the pandemic, and years of trying to find her artistic voice, Chicago-based Bernhard painted a cat in her work and found that voice, that direction, that narrative, the character that was her but also something so universal. The cats aren't just lying about, they are sleekily wandering beautiful rooms, hiding behind beautiful objects, with candles and purple and the night as the backdrop. They are inquisitive and curious, much like Bernhard herself.  On the eve of her solo show Take Me to Church at Richard Heller Gallery, Radio Juxtapoz sat down with Bernhard to discuss religion, growing up on a farm, a brief move to Los Angeles, finding a home in Chicago and how the cats and the candles made it into her work.  The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 139 was recorded in Los Angeles and Chicago in April 2024. Follow us on ⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠⁠  

The thing about FAILE is that they are always trying to take you somewhere you feel like you have been but may have dreamt. Since coming into street art at the pivotal moment of the early 2000s and their various explorations into installation, muralism, nightlife and fine art, you recongnize the world of FAILE even though it's something completely fresh and new. I think of it as the imaginary world you always wanted but could never quite find.  And at the moment they open their new solo show, Don't Stop, at CONTROL Gallery in Los Angeles, Radio Juxtapoz wanted to talk to the duo that is FAILE and discuss what it is they saw and see now as pioneers of street work but also transformative artists who think of place and space and experience in everything they do.  The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 138 was recorded in Los Angeles and Brooklyn in April 2024. Follow us on ⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠⁠ 

Ep.199 Luke Agada is a Nigerian artist living and working in Chicago. His practice examines themes of globalization, migration and cultural dislocation within the framework of a postcolonial world, as he reflects on the African diaspora and its impact on neo-cultural evolution. He obtained an MFA in Painting and drawing at the School of the Art Institute of Chicago in 2023. In recent years, Agada has participated in shows in Lagos, New York, Chicago, Beijing, Accra, Berlin, Casablanca. His work has been featured in several publications including Newcity Magazine, Culture type, The Pinch Journal publication at the University of Memphis, Tennessee, Nigeria Art archives, Juxtapoz, Whitewall. He has also been a recipient of various awards and fellowship including the Global warming international art prize, AII, New Yorkin 2020, Janet and Russell Doubleday Award at The Art Students league of New York in 2022, The Helen Frankenthaler Award in 2022 and The James Nelson Raymond Fellowship Award in 2023. Agada was Resident Fellow at the Massachusetts Museum of Contemporary Art in 2023. He was recently named a 2024 Breakout Artist by NewCity Magazine and is currently a Teaching Fellow at the Painting and Drawing Department at the School of the Art Institute of Chicago, IL.  Photo: Courtesy The Artist and moniquemeloche Chicago, IL.   Artist https://lukeagada.com/ moniquemeloche https://www.moniquemeloche.com/artists/208-luke-agada/biography/ Newcity 2024 https://art.newcity.com/2024/04/02/breakout-artists-2024-chicagos-next-generation-of-image-makers/ Newcity 2023 https://www.newcity.com/2023/10/04/today-in-culture-october-4-2023-report-says-arts-sector-not-so-healthy-equity-jeffs-love-goodman-chicago-is-still-the-best-says-conde-nast-traveler/ School of The Art Institute of Chicago https://sites.saic.edu/gradshow2023/artists/luke-agada/ Culture Type https://www.culturetype.com/2023/10/12/latest-news-in-black-art-luke-agada-joined-monique-meloche-gallery-new-atlanta-art-fair-black-studies-x-art-history-more/ La voce di New York https://lavocedinewyork.com/en/new-york/2023/09/16/luke-agada-arms-feet-and-fitful-dreams-at-monique-meloche-gallery/  Artsy https://www.artsy.net/article/artsy-editorial-6-rising-artists-discovered-galleries-summer-group The Artists Feature https://theartistsfeature.com/features/luke-agada

Ep.197 Peter Uka (b. 1975,Nigeria; lives and works in Cologne, Germany) devises figurative paintings which draw from his childhood memories of Nigeria. With a classical training in realistic figuration Uka combines various image references of time specific objects with images from his memory to convey innate and timeless human emotion.  Scenes of growing up in Nigeria, including elements like afro hair styles and bell-bottom jeans, bright mannerisms, and local customs are captured in vibrant, visual narrative.  His compositions also capture international trends from the late 20th century and the ways globalization connects countries around the world. These narratives uncover historical precedents of globalization and dynamic cultural signifiers connecting two countries that Uka calls home, while reminding the rest of the world of collective reciprocity, closeness, and connection.  Uka completed his studies in2017 at the  Kunstakademie in Düsseldorf (Germany) and has exhibited at National Museum Onikan(Lagos, Nigeria), Haus der Kunst (Munich, Germany),  Kunsthaus  Mettman (Germany) and DIDI Museum(Lagos, Nigeria). His work has been shown at the Flag Art Foundation and is included in collections such as the Long Museum.   Portrait of Peter Uka by Kai Schmidt. Courtesy of Mariane   Marian Ibrahim  https://marianeibrahim.com/press/247-peter-uka-galerie-magazine/ Financial Times https://marianeibrahim.com/press/115-peter-uka-financial-times-weekend/ Long Museum https://marianeibrahim.com/news/89-being-in-the-world-peter-uka-i-long-museum/ Flag Art Foundation https://marianeibrahim.com/news/68-peter-uka-remembrance-peter-uka-the-flag-art-foundation/ Colossal  https://www.thisiscolossal.com/2024/03/peter-uka-portraits/ Culture Type https://www.culturetype.com/2022/01/12/longing-new-paintings-by-peter-uka-channel-fond-memories-of-nigeria-this-for-me-is-a-moment-in-time-a-time-when-all-was-well-all-was-good/ Newcity Art https://art.newcity.com/2022/01/10/unapologetically-authentic-a-review-of-peter-uka-at-mariane-ibrahim/ It's Nice That https://www.itsnicethat.com/articles/peter-uka-art-080421 African Digital Art  https://www.africandigitalart.com/on-painting-nigerian-contemporary-artist-peter-uka/ Galerie Magazine https://galeriemagazine.com/5-must-see-exhibitions-see-paris-month/ The Jealous Curator https://thejealouscurator.substack.com/p/art-delivery-112323 WhiteWall https://whitewall.art/art/best-paris-exhibitions-art-imitating-life/ Juxtapoz  https://www.juxtapoz.com/news/magazine/features/peter-uka-abc-to-xyz/ Metal Magazine https://metalmagazine.eu/en/post/peter-uka W Magazine https://www.wmagazine.com/culture/peter-uka-longing-mariane-ibrahim-gallery-interview Artnet https://www.artnet.com/artists/peter-uka/

As these things happen when we are on the road, we met a Canadian in Ostend, Belgium. Radio Juxtapoz was on the road for the annual Crystal Ship and as we love with the mural festivals we get to see the process, the ideas and the creation of so many works from so many different practices. Katie Green creates masks, what she calls "intimate watercolour personas that are eerie and ethereal." On a mural level, this requires participation and something quite unique.  Her project, as she notes on her IG, "is a community driven process which uses handmade masks as a way to build community, find healing, and explore aspects of self. By designing and wearing a mask, invited participants are given the opportunity to present society with an internal, alternate, or imagined part of themselves. The mask creates a safe space—both expressive and anonymous—to share oneself with the outside world."Like Ostends' beloved James Ensor, "Katie uses masks as a symbol for intrigue. Masks are a passageway between what we perceive on the outside and the mystery of what lies beyond. In Ensor's work, his masks are unpredictable and we are invited to befriend our own imaginations as we ponder the hidden subjects. In this project masks become an extension of self, where each participant is guided through a curated process that brings them closer to their internal landscape." So for Crystal Ship, Green worked with the community to create masks, and chose this particular mask as an ode to the city and Ensor's work. And we have her on this episode of Radio Juxtapoz. The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 137 was recorded by Gillen in Ostend in April 2024 during Crystal Ship. Follow us on ⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠⁠ 

Hong Kong was the center of the art world a few weeks back, as Basel week set the stage for the prominent art capital to get some much overdue love from the pandemic era shutdowns. Juxtapoz, and mainly Radio Juxtapoz, was there for HK Walls, the esteemed mural fest celebrating its 9th edition with a roster of international and Hong Kong-based painters. On the occasion, as we always like to make a little time with the artists at a mural festival, we spoke with German-based Bond Truluv, the calligraphic and futurist who transforms walls into alternate universes. He's a portal maker. The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 136 was recorded in Hong Kong in March 2024 during HK Walls. Follow us on ⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠⁠ 

On this episode of Art Affairs, i talk with artist Molly Gruninger.We discuss how she transitioned from doing commercial graphic design work to focusing on her fine art career, the story of identity and social façades that she tells with her work, what she's been up to lately, and a whole lot more!Also mentioned in this episode: Thinkspace, Juxtapoz, Branded Arts, Ryan Joseph Gallery, Arch Enemy, and Soey Milk.Follow MollyWebsite: mollygruninger.comInstagram: @mollgrun Follow the ShowWebsite: artaffairspodcast.comPatreon: artaffairsInstagram: @artaffairspodcastTikTok: @themichaelfaith© 2019-2024 michael faith

This week on The Curatorial Blonde, Ep. 48 features Artist, Luke Agada. Luke Agada is a Nigerian artist living and working in Chicago. His practice examines themes of globalization, migration, and cultural dislocation within the framework of a postcolonial world, as he reflects on the African diaspora and its impact on neo-cultural evolution. He obtained an MFA in Painting and drawing at the School of the Art Institute of Chicago in 2023. In recent years, Agada has participated in shows in Lagos, New York, Chicago, Beijing, Accra, Berlin, and Casablanca. His work has been featured in several publications including The Pinch Journal publication at the University of Memphis, Tennessee, Nigeria Art archives, Juxtapoz, Newcity, and Whitewall. Listen now on all major streaming platforms including Apple Podcasts, and Spotify. Link in bio. . . . . . . . . . #lukeagada #thecuratorialblonde #nigerianartist #chicagoartist #artjorunalism #artpodcast #cairamoreira

We love when an old friend becomes a new friend all at once. We have known and featured the works of German-artist Cathrin Hoffmann many times through the years and one of the things we love about her practice of going from digital to analog all while keeping the spirit of something from another world. Not alien, but just something beyond human. But, in that, she seems to be capturing the exact innate quality it is to be human. Get it? Got it. On this episode of Radio Juxtapoz, we catch up with Hoffmann as she takes part in a group show at Christine König Galerie in Vienna and where her ability to create an atmosphere with her paintings and sculptures, side by side, is hitting its stride. The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 135 was recorded in London and Hamburg in March 2024 . Follow us on ⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠⁠

The first thing we researched when we came across the paintings of Johanna Bath was this simple declaration "I am madly in love with life." That is a great place to start, because sometimes a painter just needs to love the life they are inspired by. Maybe, in her distorted and almost hazy representations of life and in her fate to become an artist, she finds life just a little more exhilarating. After seeing the German-born painter's work at Pipeline Contemporay in London and a residency at the Fores Project in 2023 and 2024, Radio Juxtapoz's Doug Gillen sat down with Bath to her about her route to the art world and her lust for life. The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 134 was recorded in London in February 2024 . Follow us on ⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠⁠ 

Stuart Snoddy was born inHonduras and lives and works in Indianapolis, IN. He holds an MFA from Northern Illinois University and a BFA from the Herron School of Art and Design in Indianapolis. Stuart has had shown his work at Massey Klein, Edington Gallery, Future Fair, Tyger Tyger Gallery, Cat Head Press, Farmer Family Gallery at Ohio State, Trestle Gallery and many others. He has received a Harrison Center for the Arts Award, an Atlantic Center Master Artist-In-Residence Award, an Oxbow Fellowship and others. His work has been covered in Juxtapoz, Artmaze, New American Paintings, Blissmag and others.

On the occasion of his newest solo show, Abstract Figurativism: Loving Fiercely, at BSMT in London's Dalston, Radio Juxtapoz sat down with Ben Wakeling for a special conversation about art, healing, community, loss, grief and love. As the Artist in Residence of the North London Trust NHS Arts Programme that he helped found, Wakeling collaborates with patients experiencing episodes of mania or psychosis. The beauty of the works lies in both the sublime brushstokes and the channeling of energy, creating something fresh and introspective for abstract painting. You don't want to miss this one. The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 133 was recorded in London in February 2024 . Follow us on ⁠⁠⁠@radiojuxtapoz⁠⁠⁠ // You can buy the SPRING Quarterly now at Shop.Juxtapoz.com

Christian Rex van Minnen and I decided to talk on Valentine's Day. He was about to be announced as the cover artist for the SPRING 2024 Juxtapoz Quarterly and, like two old friends should do, we wanted to have a talk on a day where sharing your feelings is a rite of passage. Over the years, the Santa Cruz-based painter and I have had a long history of, you guessed it, long talks, but we haven't spoken since the pandemic started and it felt like it was time for a catch up. His masterful paintings had recently graced the walls of Veta Galerie in Madrid, and there seemed to be a slight evolution of his visual language that I couldn't quite put my finger on. So, let's chat it out. What we found on this episode of the Radio Juxtapoz podcast is an artist not just in an evolution of his craft but in an evolution of his psyche, his philosophies, his selfhood. I've always felt like Christian was wise beyond his year, a thinker who takes those deeply meditative moments alone in the studio and used them to contemplate the history of painting, the history of the self and man's ability to understand it's own darkness. It's own weaknesses, it's strengths. We didn't talk much about painting on this day (although I got some stories about the gummies), but we did talk about life and how much we each have changed over the last 16 years. —Evan Pricco The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 132 was recorded in Santa Cruz and Los Angeles on February 14, 2024 in Los Angeles. Follow us on ⁠⁠@radiojuxtapoz⁠⁠

The Story of Punk Under The Sun: '80s Punk and New Wave in South Florida with authors Joey Seeman & Chris Potash☞ Follow Florida Sound Archive on Instagram! @floridasoundarchivePUNK UINDER THE SUNBUY PUNK UNDER THE SUN HERE: https://hozacrecords.com/product/pre-order-punk-in-the-sun-punk-new-wave-in-south-florida-book-by-joey-seeman-chris-potash/JOIN THE DISCUSSION on FACEBOOK HERE: https://www.facebook.com/people/Punk-Under-the-Sun/61550336397863/ Follow on Instagram: Authors Chris Potash & Joey Seeman @punkunderthesunReviews of PUNK UNDER THE SUN: https://linktr.ee/punkunderthesun?utm_source=linktree_admin_share*****About The Episode*****Authors Joey Seeman and Chris Potash were there, participating in and documenting the first, second, and subsequent waves of musicians, indie labels, DJs, record stores, radio stations, publications, and players who came together to create a unique cultural moment and movement in South Florida history. In this episode, Joey and Chris tell the story behind their book Punk Under The Sun: '80s PUNK & NEW WAVE in SOUTH FLORIDA. [Episode 71: Recorded 01/29/2024]****About The Authors****Joey Seeman is a writer, graphic designer, painter, and DJ. His artwork has been published in SPIN, Art Alternatives, Ocean Drive, and Juxtapoz and been shown in galleries in Portland, Los Angeles, Dallas, and Miami, including in the Museum of Contemporary Art in North Miami. In the 1980s he played bass in several local Miami bands, including Fade II Gray and Naughty Puritans.Chris Potash wrote about music, film, and art in South Florida for the weekly Wave and daily Miami News from 1986 through 1988. His “Off the Record” column gave him insider access to local bands and touring acts.Music:The Cichlids - Tourists Are Pink (1980)Z Toyz - Miami Beakdown (Mid 80s)Related Episodes:Oscar Herrera (The Sleep Of Reason) - https://youtu.be/eb07jcgiiUo?si=5mzT0wYGqhCqb-iwRichard Shelter (Promoter) - https://youtu.be/UV8Ap-NGG3k?si=wzRm8p4dKpz9QqJXJeremy Kolosine (Futurisk) - https://youtu.be/FhTbxmrG8EM?si=fBjnMlffUj9ok3auRobert Price & Priya Ray (Kreamy 'Lectric Santa/Prom Sluts) - https://youtu.be/Fzo_by24Agc?si=6C2UeWEQH3axXG2R Rob Elba (The Record Got Me High Podcast) - https://youtu.be/qSea8-JBWbw?si=zE3m1CZTnt-jHrZiGreg McLaughlin (The Front) - https://youtu.be/hDRP57mS9vg?si=JWQHaVYy3NA2G7ViCharlie Pickett - https://youtu.be/-geZ4dTJEG8?si=X9o5YekWo38EOuwRRussel Mofsky (Quit) - https://youtu.be/TM5q2aKo4_M?si=3-vU1JJVqiCLin0o

Los Angeles is a big place. Sprawling is the description most give it, and that feels so apt once you spend a few days here. It's not a top to bottom type of city, but left to right, almost like a city laid out like a book. A city of narratives and chapters. And right now, there aren't many an artists who seem to be writing a tale quite like Ozzie Juarez. As a painter, curator and incubator, Juarez and his Tlaloc Studios is telling the modern story of LA to not only the rest of the world, but to itself. It's LA about LA; and it's unlike any story being told today. On this episode of the Radio Juxtapoz podcast, Jux editor Evan Pricco sits down with Ozzie days after the opening of one of the most talked about shows of the LA season: his solo OXI-DIOS at Charlie James Gallery. He still feels the buzz, but will soon turn his attention back to his curatorial duties with TRADITIONS at Muzeo down the road in Orange County and taking part in what may be the show of the year, At the Edge of the Sun, opening at Jeffrey Deitch Gallery just in time for Frieze LA. This is where Ozzie is at. Whether its in the blue chip galleries of West LA, Tlaloc in South Central or his own solo show in Chinatown, he is the pulse of LA. The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 131 was recorded on January 25, 2024 in Los Angeles. Follow us on ⁠@radiojuxtapoz⁠

We are back in London for the 2nd episode of the 15th season of Radio Juxtapoz with a conversation with British painter, Kemi Onabulé. One of the things that stood out for us and why we wanted to speak with Kemi was this quote she said about her new show, All The Land Is Spoken For, on view now at Sim Smith. "There is so much to enjoy from a tree as a painter, you can paint its skeleton as if it were a body.” This is how 2024 begins. One of the ideas of this show, and our conversation is the idea of how we all have a desire, or at least many of us, to own the place that we come from. Not just as a place where we live and grew up in, but in terms of ecological and cultural terms. Maybe we don't think about it often enough, but where we come from define us, both personally and how others perceive us; this is how we start to define ourselves and what we make of our life. But what Onabulé talks about is this idea of a game of aesthetics, how we interact with the viewer, what the viewer understands, and the power of a visual. The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 130 was produced and recorded in January 2024 by Doug Gillen. Follow us on @radiojuxtapoz

Welcome to a new season of Radio Juxtapoz. And why not kick off the 15th season with someone who not only pushes the boundaries of a medium but plays a bit on the absurdity that is modern life, contemporary art and the ways we experience both. William Cobbing explores both a physical and digital world with something quite antiquated: clay. He can be both a performance artist and a studio practitioner, playfully using his social media accounts to create interactive "plays" and "scenes" of his art in motion. It's playful, other-worldly, and probably exactly what we need. In this episode of the Radio Juxtapoz podcast, Doug Gillen speaks with Cobbing in England at the end of 2023, just as the British Ceramics Biennial closed and just in time to have him kick off a new season. The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 129 was produced and recorded in December by Doug Gillen. Follow us on @radiojuxtapoz

We close out our 14th season and the 2023 with a special conversation with friends, about the story of the year, the impact it has had on each of their lives and how art can be a conduit to understanding, care and shared humanity. "The Israel-Palestine Episode" features conversations with two Radio Juxtapoz alums, Israeli artist Know Hope, Palestinian-American artist Saj Issa, as well as Anthropologist and Curator, Dr. Rafael Schacter. The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 128 was produced and recorded in November and December by Doug Gillen. Follow us on @radiojuxtapoz

When you go to Miami each year, you are hoping to discover something new, something fresh, an artist that changes the way you look at the contemporary art landscape. For Radio Juxtapoz, we were able to go North while heading South, where we hosted a live panel conversation with Saimaiyu Akesuk, an Iqaluit born, Kinngait-based artist whose distinctive patterns and oil pastel animal drawings drew the eye of Canada Goose and the Canada Goose Art Collection. Last week at the Canada Goose pop-up store in Miami's Design District, and in an evolution of its longstanding program, Canada Goose commissioned Saimaiyu to create three new print works, with proceeds from the sales of the works to benefit Inuit artists and communities across Canada. On the occasion,and on this episode of the Radio Juxtapoz podcast, Jux editor Evan Pricco spoke with Saimaiyu and Canada Goose Art Collection curator, Natalie MacNamara to discuss Saimaiyu's early influences in her community, her grandfather's lasting impression on her pastel drawings and the inspirations behind her birds and bears. The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 127 was recorded on December 7, 2023 at the Canada Goose pop-up in Miami. Follow us on @radiojuxtapoz

Nat Meade is a Brooklyn-based painter and educator who uses his work to reflect on the complex feelings that surround the experience of moving through different phases of life. Nat received his BFA from the University of Oregon and his MFA from Pratt Institute. His work has shown in numerous group and solo exhibitions nationally and internationally, and has been reviewed in publications such as Artforum, Juxtapoz, The Boston Globe, Artsy and Hyperallergic. He attended the Skowhegan School for Painting and Sculpture 2009, the Sharpe-Walentas Studio Program in 2016, the Siena Art Institute in 2018, and the James Castle House Summer Residency in Boise, Idaho in Summer 2021. Meade lives and works in Brooklyn, NY.

Hiejin Yoo is a German born, Korean artist currently living and working in Los Angeles Her work has been shown at The High Museum of Art in Atlanta, Half Gallery, Frederic Snitzer, Blum & Poe, Almine Rech, Konig Gallery, Loyal Gallery, Stems Gallery, The Pit, Spurs Gallery in Beijing and many others. Her work has been covered in Galerie Magazine, Juxtapoz, Hypebeast, Whitewall, ArtForum, It's Nice That, Elle Indonasia, New American Paintings, the LA Times and many more.