Podcasts about art business

Join our next BoldBrush LIVE! Webinar by signing up here:register.boldbrush.com/live-guestOrder your exclusive da Vinci BoldBrush paintbrush set!brushoffer.com/collections/allLearn the magic of marketing  with us here at BoldBrush!boldbrushshow.comGet over 50% off your first year on your artist website with FASO:FASO.com/podcast---For today's episode, we sat down with Chantel Lynn Barber, an award-winning contemporary artist and educator, renowned for her expressive acrylic portraits and dedication to inspiring creativity in others. Chantel discusses her artistic journey, emphasizing her transition from oil to acrylic paints due to practicality and personal preference. She highlights her 20-year career, including running a storefront business and creating various art forms like furniture painting and glassware. Chantel stresses the importance of using high-quality materials, such as professional-grade acrylics, and shares her techniques for maintaining paint consistency. She also touches on the emotional and financial aspects of being an artist, advocating for self-respect and strategic marketing to reach the right audience. Chantel believes success is about continuous growth and not stagnation, and she values the personal and professional development that comes from her art. She also discusses her definition of success as an artist, emphasizing the importance of creating joyful and uplifting work that resonates with others while also nurturing her own soul. She highlights the value of beauty in enriching lives and the necessity of self-care and positive self-talk in the face of artistic challenges while reminding artists that they should let go of perfectionism. She also advises setting goals, networking with other artists, and being open to new opportunities. Finally, Chantel mentions her upcoming exhibitions and workshops!Chantel's FASO site:chantellynnbarber.com/Chantel's Social Media:instagram.com/fineartofchantel

Why is in-person connection so important? Jake Parker and Lee White discuss the value of learning from and uplifting other artists in real life as Jake reflects on his takeaways from New York Comic Con.  3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

What if your art business could grow through joy instead of hustle? In this episode of The Art Coaching Club, host Hayley Price White sits down with Jen Carmiel, watercolor artist, illustrator, and founder of The Small Joys Club — a monthly art-and-letter membership inspiring people to find beauty in the little things. Jen shares how she built a thriving, sustainable art business through watercolor painting, local art markets, and YouTube — all while working part-time. You'll hear how she turned her creative ideas into consistent income, earned artist grants, and built a growing online community around authenticity and connection. We cover: How Jen grew The Small Joys Club from one subscriber to hundreds Turning art markets into long-term collectors Getting artist grants and local funding opportunities Monetizing YouTube as an artist (and loving it!) Why being a part-time artist can actually help your creativity thrive The mindset shifts needed to build a joyful, sustainable business If you've ever wondered how to grow your art career your way — this episode is full of inspiration and practical ideas you can start using today. Listen now on The Art Coaching Club and get inspired to build your version of success. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

For much of his working life, Kevin Champeny has operated in the shadows. He was a tradesman, sculpting products ranging from over-the-counter tablets to Obama's cereal bowl. Now, Kevin works full time as a mosaic artist. In this episode of the Artist Business Plan, we revisit our 2021 conversation with Kevin. He tells us the story of his career and encourages listeners to ask for help with running their art business. For more information on applying to The Superfair as well as recordings of this and all of our past episodes, visit www.thesuperfair.com.Follow us on Instagram: @thesuperfair, @theartistbusinessplanKevin Champeny: @kevinchampenyEmail questions and comments to abp@thesuperfair.com.Hosted and Executive Produced by James Miille and Alexander MitowSenior Producer: Parth Shah

Chichester Chats Ep #50: The Art & Business of Comics with J.M. DeMatteis   Welcome back to the Chichester Chats! This time Phil, Lilith, and D.G. Chichester chat with writer J.M. DeMatteis about the experience of writing comics including characters like Daredevil, Spider-Man and Batman.   Tune in today and don't forget to review the show on Apple Podcasts, Spotify, YouTube, and anywhere else you can!    Chichester Chats Links  → Bluesky https://bsky.app/profile/capesnetwork.bsky.social → Twitter https://www.twitter.com/ChichesterChats → Instagram https://www.instagram.com/capeslunatics/ → Facebook https://www.facebook.com/ChichesterChats → YouTube https://www.youtube.com/c/CapesandLunatics   ==================  

Summary / IntroIn this episode, Megan Wimberley sits down with Dr. Tara Fox, Assistant Clinical Professor and Clinical Director at Sacred Heart University, to unpack the complex relationship between anxiety and creativity.Together they explore how anxiety shows up for artists and art business owners, how to recognize when it becomes more than a passing feeling, and how to build tools that help rather than hinder your creative life.They discuss real experiences—from living with anxiety as an artist and business owner to understanding the science behind stress responses. They also share practical ways to find balance, self-compassion, and forward momentum in your art and daily life.Show NotesAnxiety touches so many artists- from racing thoughts in the studio, perfectionism disguised as productivity, or the moment you freeze before sharing a new piece of work. In this heartfelt conversation, Megan Wimberley sits down with Dr. Tara Fox, Assistant Clinical Professor and licensed professional counselor, to unpack the layers of anxiety and what it really means to live (and create) with it.Dr. Fox shares her personal journey with ADHD and anxiety, breaking down the difference between everyday worry and a diagnosable disorder. Together, Megan and Dr. Fox explore why getting a diagnosis isn't about labeling yourself—it's about understanding yourself, and learning how to find your own version of balance.They talk about how anxiety often hides behind ambition and overwork, especially for artists trying to build a career. From the outside, it can look like drive or discipline—but underneath might be fear, self-doubt, or a nervous system constantly on alert. Through laughter, honesty, and vulnerability, they shed light on how our brains trick us into thinking we're “just fine” when really we're running on fumes.You'll hear about the four anxiety responses—fight, flight, freeze, and fawn—and how each can show up in an artist's life: sending that angry email after a rejection, abandoning a creative project out of fear, or over-committing to please everyone else. But you'll also hear how awareness and compassion can transform those same patterns into strength—how sensitivity can become intuition, and how anxiety can actually deepen your creativity when it's managed with care.If you've ever felt like your anxiety keeps you from showing up fully as an artist—or if you're simply curious about how creativity and mental health intertwine—this episode will remind you that you're not alone, and that there's strength in understanding yourself deeply.Key TakeawaysAnxiety is normal—but when it consistently interferes with your work, relationships, or well-being, it deserves attention and care.Diagnosis brings information, not identity. It's a tool for understanding, not a label of limitation.Artists often live in the gray area between high sensitivity and high performance—learning to pause, breathe, and check in with your body is crucial.The body keeps the score. Chronic stress patterns can become automatic; awareness helps you break them.Anxiety can fuel creativity when managed well—enhancing empathy, intuition, and depth of perception.Healthy coping means returning to balance, not escaping.Self-compassion is non-negotiable. Your compassion is incomplete if you don't extend it to yourself.Help exists. Finding the right therapist or counselor is a sign of strength, not weakness.Resources & LinksReferenced in this episode:The Body Keeps the Score by Bessel van der KolkThe Artist's Way by Julia CameronPsychology Today – Find a TherapistOpen Path Collective – Affordable Counseling DirectoryCowgirl Artists of America –...

What's the best schedule for illustrators? How do you choose your materials? What keeps you motivated? Anthony Wheeler, Samantha Cotterill, and Lee White tackle their most commonly asked questions and pepper in time-tested advice. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

In this Write Big Session, Jennie and KJ dive into what it really means to “write big” when you're deep in the messy middle of a novel. KJ shares how she's tackling her new book by working backward from the ending—mapping out the emotional and plot arcs for each character to keep herself focused and out of the coffee-chat scenes she loves to write. Jennie cheers her on, unpacking how this kind of clarity, self-awareness, and trust in the reader is what turns a good book into a great one.TRANSCRIPT BELOW!THINGS MENTIONED IN THIS PODCAST* The Correspondent* KJ's Review of The CorrespondentSPONSORSHIP MESSAGEHey, this is Jennie Nash, and I wanted to invite you to check out my Substack newsletter, The Art & Business of Book Coaching. It's totally free unless you choose to support me, and it's secretly really great for writers. The reason is that book coaches are in the business of helping writers do their best work. So I'm always talking about writer mindset and things like helping a writer find their structure or find an agent or find their position in the marketplace. If you're considering investing in having somebody help you, it's a great way to get prepared to know who you might want to pick and what you might want to ask of them. You'll get an inside peek at the way that the people who are in the business of helping writers think about writers, and so in that way, it can help you become a better writer just by tuning in. I have a lot of writers following me over there, so if you're interested, come check it out you can find it at substack.com/@JennieNash. That's substack.com/@JennieNash, and it's J-E-N-N-I-E.EPISODE TRANSCRIPTJennie NashHi, I'm Jennie Nash, and you're listening to the Hashtag AmWriting Podcast. This is a Write Big Session, where I'm bringing you short episodes about the mindset shifts that help you stop playing small and write like it matters. Today I'm talking to KJ, and we're going to be doing recurring episodes where we talk about her efforts to play big and write big in her new novel. Hi, KJ.KJ Dell'AntoniaHi! This is going to be so fun. Okay, so I'll tell you what—yeah, I'll tell you what I've been working on. What I'm thinking—like, my theory here is sort of avoid the muddly middle by writing the end, or kind of outlining to the end. So I have about 30,000 words. I've really established things. The main events have really started to happen, and I know kind of where they're going, but I kind of hit a point where I wasn't sure, like, what should happen next, in what order. And I know myself—I am very prone, at this point, to just flaking off into people having coffee and talking.Jennie NashYes, you are! You are really good at that.KJ Dell'AntoniaExactly. And they would be very entertaining and enjoyable scenes of people having coffee and—or doing whatever. But there is—I mean, I have five point-of-view characters, one main one, but—and all of them have lots of stuff going on in their lives, some of which has to do with this, and some of which doesn't. Well, all of it does, but you don't—it's not all the core, either the core emotional plot or the core actual plot. So what I did was to start sketching out the stuff that happens next, and then I kind of have jumped ahead, and what I'm working on now—and I'd love your sort of feedback on this as an idea—is I wrote out, like, okay, here's the emotional end for each of these characters. Here's where they need to end up, and then here's the plot end for each of these characters in, like, the happy ending, if there was an epilogue—which this is not really that kind of book kind of way—just so I know, like, this is where… And now I am focused on, okay, what should, like, the last scene of this be? I know what happens, but I'm trying to figure out, like, what would be the—what would be the last thing? And I may get this in the wrong order, but anyway, that's where I am, and I'm going to build those backwards until I catch up to my middle, and I'm thinking that will keep me—keep my eye on the ball. What do you think?Jennie NashWell, I could not love this more for you. I really couldn't, because I know what you're trying to do, and I feel like you're doing it, and we're getting at this idea of what does it mean to write big, and you're trying to solve for something that you just identified for us—that you have it, you tend to fall into—and you're trying to not do that. And you're trying to write a bigger, better book because of it, and it's so interesting because it's a super nuanced thing you're talking about, but it's also where the difference—that's how you get from good to great—and you're trying to get to great. So I just love this so much. And what I hear is that you've outlined this book, which I know is hard for you, and now you're kind of using that outline to scaffold yourself to write an emotionally satisfying story. So I just—I love it as a tactic for writing big.KJ Dell'AntoniaBecause even if I go back to that outline, like, there are some things happening in these people's personal lives that are deeply important to them—and, I think, important to the reader—but not in the sense that I need pages and pages of either discussion or introspection about them. It's more that those are—that they really need to stay back, not background exactly, but in this intense moment of these people's lives, those things are still in their heads. Like, they're still going, you know, Wait, what just happened means that I am never going to get a resolution to this thing that I'm deeply worried about—but also I have to deal with this, with this death and this crisis. And so I was thinking that doing this would keep me focused on the emotionality of the crisis.Jennie NashYeah, because you're really good at plot. You're really good at plot, and the other component that—underlying what is—the emotion of this person is something you've had to work harder at. And what I love about that is that this is how you get really fully fleshed-out characters. Because, like, I have a friend who is going through a heartbreak, and every single thing she does right now is done through the lens of that heartbreak. So even if she says, “Hey, do you want to go on a whale-watching trip out to the islands this weekend?” it's not just about let's go on a whale-watching trip, right? It's about—KJ Dell'AntoniaRight.Jennie NashBut she's not going to say that when she asks me to go on the whale-watching trip. She's not going to say, “Because, you know, I'm lonely and sad,” you know? So what you're doing is giving your characters these rich lives. But that's not the story.KJ Dell'AntoniaAnd also, I think it will help me to trust the readers—to pay attention to what matters about the rich lives. So, you know, to trust the reader to keep in their head that if someone has a passing, fleeting thought about one of those emotional—you know, one of those pieces of emotional background—that they will still either be wondering about it, if I haven't revealed it yet, or, you know, recognize it for what it is. And I suspect that I'm going to forget some of them. As I go back through my outline, I'm like, Oh yeah, totally forgot she had this particular problem, and this is how this is going to be resolved. And that may mean that some of them don't stay, although I think they will. I think it just means that I got—that, you know, ninety thousand words' worth of story is a lot to keep in your head.Jennie NashSo when you sit down to write, how are you doing it differently? I mean, we know that you're very good at productivity—doing the stickers, sitting down, doing the work—but how are you making yourself think in this different way this time?KJ Dell'AntoniaI am not drafting. I am staring. And I have two—oh, I have a Google Doc of about forty-six files at this point. Then—actually, no, I think it's twenty-eight. So I have an outline that you are sometimes looking at, which has everything that I've written so far, and then a chunk of things that I know are coming up, where I could write those pretty quickly. The problem is… I would hit a wall at the end of them. So I want to come back and make sure that they're what I want to—or at least what I think I want to—write. So I'm going into a sort of a secondary outline, and I'm writing things like—because a lot of what's happening now is also that I am figuring out things that are happening now in the story that the reader won't know till the end, because a lot of people did a lot of stuff—Jennie NashYeah.KJ Dell'Antonia—in this twenty-four-hour period, and some of it you may never know, but I need to know how and why—Jennie NashYeah.KJ Dell'Antonia…they did those things. So I'm kind of writing like, “What if he did this?” and, “Oh, you know, but—but wait, why? Why would he show up there at this moment?” and, like, resolving that and kind of coming up with all of that, even though that isn't going to go in those pages. So I did—I worked on that this morning, and then I worked on—I wrote out the emotional ends for everyone. And now I'm just trying to—I'm thinking what I'll kind of do is I'll plot-outline backwards, and then I'll emotion-outline backwards-forwards from there.Jennie NashYeah. Yeah.KJ Dell'AntoniaNo, no—well, backwards, I think, maybe because I know where they're going to end. I don't know whether—or I'll sketch, I'll sketch in the emotional bit. So what you—when you were looking at this, you could see that there's a section of about seven lines that are pure plot.Jennie NashYeah. Yeah.KJ Dell'AntoniaBecause… that's just me. I think, at this point, because this is a thriller and it's complicated, I need to figure out—and then you and I—we had this great moment where, in one of those, I was like, I don't know whose point of view the scene was from, and you said something very useful to me, which is, “Whose story would seeing this affect most?” And I knew—and I immediately knew the answer to that. So—Jennie NashI… I thought that you might.KJ Dell'AntoniaThat was a great way to deal with that.Jennie NashYeah.KJ Dell'AntoniaYeah. I thought that you might. So I know we're talking vaguely, but it's this idea that when you have something that happens in the story, and there's choices about what is the result of that action in the story—that different things could happen, different people could show up, different things could be said, different, you know, directions could go from this plot point. And right—the quest—you were saying, I'm not sure who's going to be part of this action?Jennie NashWho's going to find it?KJ Dell'AntoniaRight?Jennie NashYeah, who's going to find this one character having this—I don't—I know—I don't want it to be from that character's point of view. Somebody needs to come upon a character, you know, who's just made a really crushing emotional discovery. And the question of who would—seeing that—whose emotional story would that alter the most? Because the plot at that point is going to be rolling. Like, I almost don't have just the facts of what's happening here; like, the plots are basically almost a one-line thing. So, like, the plot goes… yeah…Jennie NashThat's what we're getting at here. This is what it means to write big—it's what you're thinking about. We know what the plot is. It's really quite simple. I mean, it's straightforward, I should say—how you present it is not simple. And the emotional part—that's what's going to give us the emotional punch—is not simple. And so the decisions about every—at every plot point—what's going to give the most emotional resonance here—that's what writing big is. And you said something that I want to point back to, which is, you're holding all of this in your head. I have always said that I think the primary skill of a really skillful novelist is holding multiple things in their head at one time, right?KJ Dell'AntoniaIt's all in there. It's like a big—it's like a big sack of Jell-O.Jennie NashYeah? But the ability to—I mean, it's funny you use that metaphor—but it's more, it's more like, I think of it as threads. And you're like, “Okay, got this thread, and I got this thread, I'm holding these threads, and I'm weaving them together, and I have a grasp of all the threads.” That's what you're doing, and it's that—it's that skill. You have to have self-awareness, you have to have story awareness, you have to have confidence and authority—like, there are so many things that you have to have to pull that off, and I see that that's what you're trying to do here. And it's so cool to watch. I love it.KJ Dell'AntoniaAnd I don't feel like I have those things. And I do think, you know, as I'm thinking about listeners out there going, I don't have those things, I mean, I get that. I don't feel like I have them either. I think when we, as readers, are also seeing ourselves as a writer, like, a really common thing that we think as a reader is, Oh, I know how a story works because I've read so many of them. And then I personally had to learn from Jennie quite a few years ago now that that did not actually teach me how to do this—structure the spot—but the holding the whole mess in your head, I think that may be what you get from a lifetime of reading—is this ability to have a big, loose grasp and, you know, keep enough notes to know that you've put a—you know, a pin in some section to come back to it, and that kind of thing. I feel like that might be the thing that we do have within us.Jennie NashAbsolutely. I'm looking—I'm trying to find—I just started reading a book based on your recommendation, and I can't, I can't find it, but you're going to know what it is. It's the novel in letters, the—uh…KJ Dell'AntoniaOh, The Correspondent.Jennie NashThe Correspondent, thank you. I mean, I—KJ Dell'AntoniaThat's a first novel, but from a very adult human being. You know, it's not a first-first novel by a twenty-two-year-old. It's a first novel from probably somebody who's probably written a few.Jennie NashBut the reason that I—well, I always love the way that you talk about books. Your sense as a reader, I just really appreciate. But you said something about it—that this book really trusts the reader to fill in the blanks, to figure out what's happening. They're not spoon-feeding you. And you mentioned how that felt unusual these days. And I thought, Oh, I want that experience as a reader. And also, I love that experience as a person who studies how books are made, and that trying to build that experience for the reader—that's what you're trying to do. By holding all those things in your head and deciding how and when to share them, or whose hands to put them in in a particular scene, or that sort of thing—that's how you build that. And it's hard. It's really hard. So I applaud you for—you're in there, it's messy, you're doing it, you're doing it. It's so exciting.KJ Dell'AntoniaAnd one of the other things that we've talked about is how, like, every time many of us write, we're trying to write bigger. Like, this—it's not an insult to our past work; it's just we're trying to do bigger and do more. And so I'm thinking about—so when I was writing my earliest books, I remember that one of the things I was focusing on in books that I was reading was how people began things, and where, you know, where the turning points were—kind of where the Save the Cat!, moments were, absolutely, in terms of… but not just where those were, but sort of how they were done—like how people regret, and how they demonstrated who the protagonists were. And then I remember moving on to a question of how little does someone put in a book about a secondary character, or someone who really mattered to the protagonist's life, that tells me what I need to know as a reader but doesn't take up a lot of pages.Jennie NashYeah.KJ Dell'AntoniaAnd I would literally go in and count—like, okay, how many times did we see this mother that I fully understand how important they were to the protagonist? And it'll be, like, twice and a couple of references. So I remember doing that. And now I feel like what I'm really paying attention to is how little does a book that I really enjoy—the process of sort of working my way through—how little does it give people, and how much does it demand that you figure out?Jennie NashYeah.KJ Dell'AntoniaHow little information are you given so that you can do—because that's the good work of a reader. Sometimes you don't want to do that, you know? Sometimes you kind of want it all served up, or you kind of want something where the tropes are simple enough that you can—but sometimes you really want something where you have to do some figuring out. And it doesn't—The Correspondent is not a thriller.Jennie NashRight.KJ Dell'AntoniaBut you really have to figure out, like, who is this person, and why do they do this, and why are they able to do this, and why—how are they making mistakes by doing—and by “do this,” I mean, she's a letter writer. She's the correspondent. She writes letters instead of, as it turns out, really, instead of talking to people. But it's really good, so I do recommend it.Jennie NashSo I like to end these short episodes with a reflection that the listener can do, or something that they can take away to think about based on what we've talked about. Is there something that comes to your mind that you would recommend?KJ Dell'AntoniaWell, it's a little dependent on where you are in your manuscript, but I think—so what I'm really going to recommend is, come at what you're doing from a different angle within the book. Start from something you know happens, and either work backwards up to it or forwards or backwards from it, instead of working chronologically—not necessarily in terms of drafting, but just in terms of figuring out what are the very most important things that have to show up on the page.Jennie NashI love that. Well, until next time, for everyone listening—stop playing small and write like it matters.NarratorThe Hashtag AmWriting Podcast is produced by Andrew Perrella. Our intro music, aptly titled Unemployed Monday, was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work.#AmWriting: A Groupstack is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

What do travel, recording technology, and illustration have in common? Lee White, Samantha Cotterill, and Anthony Wheeler explore how new (and sometimes uncomfortable) experiences expand your skills and feed your creative bank account. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

Jake Parker is back from tabling at New York Comic Con; was it worth it? Crunch the numbers, hear the stories, and learn more about the experience alongside Samantha Cotterill and Anthony Wheeler. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

If you've ever felt like you're running your art business alone — juggling painting, packaging, marketing, and a million tabs open in your brain — this episode is for you. This week, we're talking about delegation — how to build systems, support, and structure so you can spend more time creating and less time drowning in admin. My guest is Cara Alford, founder of Allegory Art Consulting, who helps artists and collectors navigate the business side of the art world. Cara works as both an art consultant and a studio manager, supporting artists with everything from pricing and organization to gallery outreach and project management. In this conversation, we talk about:– What art consultants actually do (and how to work with one)– How to know when it's time to ask for help or hire support– The emotional side of delegation (and letting go of control)– Pricing, growth, and staying aligned in your creative business– How to balance creativity with structure — without losing the magic If you're ready to stop doing everything yourself and start building a business that supports your art (not the other way around), this episode will show you where to start. Listen now to learn how to grow with ease, delegate with intention, and create more space for what you love most — making art. Connect with Cara:Instagram — @allegoryartconsultingWebsite — allegoryartconsulting.com Thank you to our sponsor:The Next Chapter Travel — designing all-women, small group luxury tours that blend adventure, authenticity, and connection. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Feeling stuck in the day-to-day of your art business? In this episode, I'm sharing how to create your own Art Business Planning Weekend: a dedicated space to step away from client work, distractions, and daily chaos, and give yourself time to think big about your creative future.I'll walk you through why taking time out matters, how to organise your weekend (even on a budget), what to actually do once you're there, and how to come home with a clear, achievable action plan.Whether you're booking a beachside Airbnb, house-sitting for a friend, or locking yourself in the studio with snacks and a solid playlist, this episode will help you reconnect with your creative goals, refocus your energy, and fall back in love with your business direction. ✨ Mentioned in this episode:– Creative Business Group Coaching Program– Creative Business Development Workbook ——— Thank you so much for tuning into the Art + Business + Murals PodcastIf you'd like to say ‘hi' to me, or if you have any podcast topic ideas or artists you'd like me to interview, please email: podcast@sarahsculley.com Please follow along: Instagram // https://www.instagram.com/sculleydesign/ Facebook // https://www.facebook.com/sculleydesign You Tube // https://www.youtube.com/@SarahSculley/videos Website // https://www.sculleydesign.comFeel free to give this podcast a star rating and ‘follow' so you are notified when new episodes come out each Monday. Please share it with any creatives in your life.

Alice Edy is a lifelong doodler, professional listener, and the illustrator behind her business, Live Drawing. She transforms complex conversations, workshops and events into hand-drawn visuals. Her work may look like drawing, but really it's about listening. Alice has an incredible ability to tune in to what matters - in her work and also (I can attest) in her daily life. In today's episode we hear about how Alice moved from almost resenting her business to absolutely loving it. And I press her for the secret to pro-level listening. Turns out, it's something we can ALL do. Alice is one of those people who's just really good at converation (we chat about that too!). I'm sure you're going to enjoy this episode. Connect with Alice EdyLinkedIn: Alice EdyWebsite: www.LiveDrawing.com.auInstagram: @graphicrecording  Let's Connect! Please get in touch with any questions, suggestions for future episode topics, and to let me know how you're going applying what I share in the podcast in your own life. Come say hi on instagram: @_anniecarterAnd head to my website anniecarter.com.au for some free gifts, and to sign up for emails from me. You can find out more about my business, Eve Studio at evestudio.com.au or follow us on instagram: @_evestudio_ I'd love your supportPlease help me to continue to grow this podcast. Some small and very helpful things you could do: share an episode with a friend subscribe to the podcast on your favourite player leave a (5 star!) rating and review share a screenshot of an episode (and your reflection) on your socials Thanks so much!

Our best portfolio tips, all in one place! Tune in to hear Jake Parker, Lee White, and multiple guests share how to build a portfolio that stands out and lands the jobs you want. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

In this episode, Jennie digs into the sneaky ways writers “play small”—circling endlessly around an idea, polishing the same chapters, getting lost in research, or waiting for perfect timing instead of taking real action. With stories from her years as a book coach, including one writer who finally broke free from years of fear and went on to become a full-time author, Jennie shows how smallness hides behind busyness and perfectionism. She challenges you to spot where you're holding back and take the courageous step toward playing big.Transcript Below!#AmWriting: A Groupstack is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.SPONSORSHIP MESSAGEHey, this is Jennie Nash, and I wanted to invite you to check out my Substack newsletter, The Art & Business of Book Coaching. It's totally free unless you choose to support me, and it's secretly really great for writers. The reason is that book coaches are in the business of helping writers do their best work. So I'm always talking about writer mindset and things like helping a writer find their structure or find an agent or find their position in the marketplace. If you're considering investing in having somebody help you, it's a great way to get prepared to know who you might want to pick and what you might want to ask of them. You'll get an inside peek at the way that the people who are in the business of helping writers think about writers, and so in that way, it can help you become a better writer just by tuning in. I have a lot of writers following me over there, so if you're interested, come check it out you can find it at substack.com/@JennieNash. That's substack.com/@JennieNash, and it's J-E-N-N-I-E.EPISODE TRANSCRIPTHi, I'm Jennie Nash, and you're listening to the Hashtag AmWriting Podcast. This is a Write Big Session, where I'm bringing you short episodes about the mindset shifts that help you stop playing small and write like it matters.Today, we're talking about playing small—and what exactly it is—because playing small is sneaky. Writers are not going around saying, “I want to hold myself back,” or, “I'm giving in to my fear,” or, “I'm making decisions to protect myself.” Instead, they tell themselves that they're being realistic.Maybe they think that they need more training, or they need to take more courses, or they need to take more time. But as a book coach, I see the same patterns over and over again in writers playing small — and this is what it looks like.It's this person, who I don't see very often, but whenever I do see them—maybe once or twice a year—they always tell me that they're circling around the idea of writing a book. It's the same book that they've been circling around all these years, and they feel compelled to tell me that they're still thinking about it—they're still just about to do that someday, when they have time.The smallness comes in never even starting.I also think of the writer who polishes the same three chapters over and over again until they just shine brightly and there's not one single, solitary thing wrong with them. But that writer never moves forward with their draft. They never actually get to the point where they're going to finish, and then have to decide how to revise that book, or whether to take it out into the world, or even show it to anyone. They just noodle around with those same chapters in this endless loop of procrastination.So again, it's not taking action.You also see this with nonfiction writers, or memoir writers, or sci-fi writers—where they focus incredibly deeply on their world-building or their research, and they have copious notes and spreadsheets and all kinds of information that they're gathering so that, when they're ready to write, they'll have all this info—but they never actually get ready to write. They just stay stuck in the loop of research.Perhaps the most poignant story I have of a writer playing small comes from a conference that I went to many years ago. I met this writer who had been going to the same conference for about five years, and she was getting ready to pitch. She actually had come to me in a kind of speed-dating situation, where you worked with an expert to get your pitch ready before you went in to the agents to pitch, and I thought her pitch was really good. I thought her material was really good, and we worked on tweaking it a little bit.And then I said, you know, had she ever pitched before? Was this her first time? And she said, “No, I've been coming to this conference all these years, and I've been pitching every year.”And I said, “Well, what happened all those years?” And she said that each one of those years, she had agents request to send in her manuscript. She had this collection of agents who were waiting for her manuscript, and she had never sent it to them because she didn't think that it was ready.She kept coming to the conference, kept going to these pitches, kept getting requests, and never sending the manuscript in. She thought that she would continue to work on it—to make it as good as it could be—before she took that leap and sent those pitches in.And surely my mouth hung open in shock, because this just seemed so sad to me—and a perfect example of playing small. And so, instead of working on her pitch, I used my time with her to work on her mindset and to help her try to find and tap into that bravery to, this year, actually do it—to actually send the work in. And maybe go back to those agents from years past and send it to them as well. Sometimes there's a period of time when the agents will still welcome those pitches—or not.But the point was, it was time for her to get out there and pitch, without a doubt. And after that conference, she did, in fact, get more requests to submit—and she did submit—and now, all these years later, she's a very successful writer. She's actually working on her third series. She is a full-time writer. She's made the leap to be that, which is a thing so many people want to be.It was just one moment of fear that she had to get over. And I said in the last episode that playing big rarely happens in one moment — but sometimes it does. Sometimes it's literally just hitting the send key and saying, “Okay, I'm doing this. I'm putting it out there.” And that's what this writer needed to do to make that shift from playing small to playing big.It's very easy to just stay busy with our writing—to stay productive—and to never do the work that's actually going to get us the thing we want. Playing small often looks like busyness or it looks like waiting for permission—waiting for more time, for perfect pages, for someone else to open the door and welcome us in.But this is just another form of hiding. Playing small means not stepping forward. It means not sending that pitch, not finishing the draft, not carving out the time to do the work, and constantly coming up with reasons why it's not happening.So the reflection I want to leave you with today is to think about where you know you're playing small—and where you know you need to shine the light of courage and bravery in order to make that shift and play big.The place where you're playing small is probably glaringly obvious to you, so you probably know. And I would encourage you to write it down so you can look at it—maybe share it. Everything is better when it's shared and brought into the light.And once you do that, you can take action toward making the shift and playing big. Until next time, stop playing small and write like it matters.NarratorThe Hashtag AmWriting Podcast is produced by Andrew Perrella. Our intro music, aptly titled Unemployed Monday was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work.#AmWriting is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

In this episode of the Write Big series, Jennie unpacks what it really means to “write big”—not chasing bestseller lists or movie deals, but making the bold internal shifts that bring your truest work to the page. Through stories of writers daring to name their ambition, rebuild drafts, honor personal truths, and even reimagine entire projects, Jennie shows how writing big looks different for everyone but always comes down to honesty, courage, and clarity.Transcript Below!#AmWriting: A Groupstack is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.SPONSORSHIP MESSAGEHey, this is Jennie Nash, and I wanted to invite you to check out my Substack newsletter, The Art & Business of Book Coaching. It's totally free unless you choose to support me, and it's secretly really great for writers. The reason is that book coaches are in the business of helping writers do their best work. So I'm always talking about writer mindset and things like helping a writer find their structure or find an agent or find their position in the marketplace. If you're considering investing in having somebody help you, it's a great way to get prepared to know who you might want to pick and what you might want to ask of them. You'll get an inside peek at the way that the people who are in the business of helping writers think about writers, and so in that way, it can help you become a better writer just by tuning in. I have a lot of writers following me over there, so if you're interested, come check it out you can find it at substack.com/@JennieNash. That's substack.com/@JennieNash, and it's J-E-N-N-I-E.EPISODE TRANSCRIPTHi, I'm Jennie Nash, and you're listening to the Hashtag AmWriting Podcast. This is a Write Big Session—a short episode about the mindset shifts that help you stop playing small and write like it matters. Today we're talking about what Write Big really means. A lot of writers think that writing big means chasing splashy goals like bestseller lists or big advances or movie deals, and sometimes it looks like that, but more often writing big is a subtle internal shift. It's daring to face what isn't working, listening to hard feedback, writing the thing you really want to write, and letting yourself own what you're dreaming about.I think the best way to explain it is to tell a few stories.So in the last episode, I mentioned my client, Dr. Diana Hill. When I met Diana, she had a full draft of the book that she was writing, and it was her third book. She was about two months away from turning it in to her publisher. She asked if I would take a look at the manuscript to see if there was anything that I might be able to suggest to make the book better.We were new friends, and I thought it would be a kind thing to do, and so I said yes, but as soon as I started reading the manuscript, I thought, uh oh. It was good—it was fine—but there was nothing special about the pages. Diana had done the thing that a lot of academics do, which is point to all the other thinkers who had gone before them and written things or studied things. It was all just a little flat, but I could tell that the ideas in it were really big. And so I went back to Diana, and I said, “What's your goal for this book? Where do you want it to sit on the shelf?” And what I mean by that question is: what other books are near it, what other books are like it, what other books are your ideal reader reading?And usually, when I ask people this, they talk about actual shelves in the bookstore and books that are on those shelves. But what Diana said was something I'd never heard anybody say before. She said, “I don't want my book to be on the shelf. I want it to be on the front table.” That was her version of playing big—naming her ambition out loud and allowing it to shape her choices. Because when she told me that, I was then able to say, “I don't think what you've written is going to be that book.” And then I said, “How much are you willing to risk to make it so?”She looked at me sort of horrified, because she was really close to actually being done with this book, and she said, “I'll do anything that it takes.” And so we set about working together over those two months to basically rip the entire thing down to the studs—if we're talking about house-building imagery. I have rarely seen somebody work as hard over such a long sustained period of time as Diana did to rebuild that book. She did anything that I suggested if she thought it was right, and she worked night and day to build it back up. I'm recording this the week before her book comes out, and so we have no idea how the book is going to be received in the marketplace. But what we do know is this: she played big. She gave that book everything that she had. She was willing to ask for help. She was willing to sacrifice time with her family and even time at her job. She's a therapist, and she took a week off from seeing clients in order to go on a retreat and get this writing done. She also risked her ego, because she really put out there what she wanted. She wanted this book to be a big deal, and all of that is playing big.But playing big does not have to be tied to ambition.I once worked with an ad executive who came into a course that I was teaching at UCLA, and he wanted to write a memoir. He'd spent his whole career writing ad copy—short, little, catchy lines—and he was a really good wordsmith, but he was terrified of writing anything longer than about a paragraph.But he had this story that he was burning to tell, and the story had to do with a road trip that he took when he was 16 years old. At the time that he came into my class, he was retired and had gray hair, and he was thinking about this trip that had taken place way back in the day when America was really a different kind of country, and cars were new, and the roads that opened the country were new, and this idea that you could hit the road and go anywhere you wanted was new.And so he had this romantic image of what that trip was. But the trip had also haunted him for 50 years, because he took it with his buddy, another friend from Ohio, who he was going to school with. After that trip was over and they returned back home from California, that friend took his own life, and this ad executive had never stopped thinking about it, and never stopped thinking about his friend, and this vibrant time they had, and this aliveness that they felt, and this freedom that they enjoyed, and he wanted to capture that story for his 50th high school reunion.He didn't have any intention of publishing it wider than that. He was going to print maybe 100 copies and take them to the reunion and hand them out to people, because the people in that room at that reunion were the only people who would have cared as much as he did about that friend and about that time. This was the audience that he wanted to please, but he really wanted to do this idea justice. He did not want to just write something down or write something that didn't have depth, or, you know, have a sort of travel log of the places they went and the adventures that they had. He wanted to write something that was deeply meaningful to him and to that friend's memory and to that audience.And working with him, I was struck that this was playing big too—just knowing what he wanted and being willing to do whatever it took to get it right. It was very hard for him to write that book, because, like I said, he was really good at writing little bits of words but not so good at writing whole scenes and chapters. He really had to teach himself how to do that and teach himself about narrative design and holding tension, and, as with any memoir, centering the reader and not just himself.Plus, he was digging up memories and wanting to get things right and wanting to get the spirit of the thing right. He worked so hard, and publishing that book and taking it to that reunion was a triumph for him. It was absolutely playing big.And then just a few weeks ago, I had an experience of a writer playing big. This is a friend of mine, Lisa B., and she had spent about three years noodling around with a nonfiction book, a biography that just wasn't working. She is a journalist, and she adheres very closely to the truth—that matters a lot to her—and she was intrigued by this story, but she couldn't get it to work, and it was really starting to grind at her. So she sat down with a brain trust of people, and I was part of that brain trust, and she asked us for some real feedback.It wasn't about the pages. We actually didn't read any pages or notes or anything that she had written. It was about her story and what it was going to be, and if maybe it was time to let it go. So she was arguing for what she loved about the story and explaining about what wasn't working, and she was listening to our critiques and our curiosity and our prodding and really trying to understand what to do with this story that wasn't working. Should she try to somehow make it work? Was there another wrinkle that she hadn't seen to bring this whole thing to life? Or should she let it go?And we had this very rich and deep conversation, and then that night she had a sudden realization. She said it was kind of like a lightning-bolt strike, and she realized that the story was actually not about the person she thought it was about. It was about a minor character. And if she shifted the spotlight onto this other character, the whole book would work in the way that she envisioned it working, and it would mean writing it as a novel, which, for her, was something she had really fought against doing. It went against her adherence to the truth, and so she had to embrace this really big, scary thing in order to do this story justice.But what was so cool in listening to her talk about this revelation was that she was practically vibrating with excitement as she described what this book was going to be. She knew she had it. She was just owning it. And that's what playing big feels like. It's this act of courage and clarity and passion and possibility, and you could just feel it in her. Playing big here has nothing to do with what happens to that book in the world. She's just at the beginning. We don't know what's going to happen to that book in the world, but we know that she is writing big.So writing big is about honesty with your own self. It's choosing to tell the truth about your ambition and your story and your vision. And sometimes that looks like wanting your book to be on the front table of the bookstore. Other times it looks like wanting to write for 100 people and really get that story right. And sometimes it looks like tearing apart a draft and reimagining the whole thing.There's just a thousand different ways that it looks like to write big, and you have to find it for your own self.What matters is that you're willing to stop hiding and let the work be as powerful as it can be.So I would ask you to think about your own current project, and if there's anything about it that you're tamping down—your ambition or your vision for it or what you want it to be, maybe how much you want this work to work, or maybe about what you're avoiding.And if there's something that you find that you need to change, write a bold statement about what that change needs to be and put it up where you can see it every day or share it with someone you trust.Writing big doesn't happen all at one time. It's often a subtle shift that unfolds over time. So having either a reminder of what that shift is or an accountability partner to help you remember is a really great way of making sure that you write big.Until next time, stop playing small and write like it matters.NarratorThe Hashtag AmWriting Podcast is produced by Andrew Perrella. Our intro music, aptly titled, Unemployed Monday was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work.#AmWriting is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

Jennie kicks off the new Write Big series with a conversation about what it really means to stop playing small in your writing life. If you've ever felt the tug to bring more of yourself to the page—or wondered why your words aren't landing the way you want—this episode will spark reflection and give you permission to choose courage, clarity, and creativity in your work.Transcript Below!#AmWriting: A Groupstack is a reader-supported publication. To receive new posts and support our work, consider becoming a free or paid subscriber.SPONSORSHIP MESSAGEHey, this is Jennie Nash, and I wanted to invite you to check out my Substack newsletter, The Art & Business of Book Coaching. It's totally free unless you choose to support me, and it's secretly really great for writers. The reason is that book coaches are in the business of helping writers do their best work. So I'm always talking about writer mindset and things like helping a writer find their structure or find an agent or find their position in the marketplace. If you're considering investing in having somebody help you, it's a great way to get prepared to know who you might want to pick and what you might want to ask of them. You'll get an inside peek at the way that the people who are in the business of helping writers think about writers, and so in that way, it can help you become a better writer just by tuning in. I have a lot of writers following me over there, so if you're interested, come check it out you can find it at substack.com/@JennieNash. That's substack.com/@JennieNash, and it's J-E-N-N-I-E.EPISODE TRANSCRIPTHi, I'm Jennie Nash, and you're listening to the Hashtag AmWriting Podcast, and today, we're starting something new. It's a special series here on Hashtag AmWriting where we explore what happens when writers hold back, play it safe, or hide in the shadows—and what changes when they step into their full creative power. I'm calling these the Write Big Sessions.I'll be sharing solo reflections, interviewing different writers and industry professionals about the ways they play big, talking with KJ about these ideas, and offering the chance for you to reflect at key times of the year, all circling around one big question: How are you playing small in your writing life? And here's the good news: you don't have to keep doing that. You can choose to Write Big, with courage, clarity, and the power to bring your whole self to the page.Today I'm talking about why I'm obsessed with the whole concept of writing big, and why I've committed my whole career to helping writers do it.In April, I went on a wellness retreat in Costa Rica, which was being run by Dr. Diana Hill, one of my book coaching clients, and the author of the book Wise Effort. When we arrived, there were the usual introductions—where are you from? What do you do? What brought you here? One woman heard about my work with Diana and said, “Oh, that's so crazy. I'm dying to write a book. I'd love to talk to you.”I smiled and said something polite, because this is something I hear all the time. I'm a book coach, and whenever anybody hears about what I do, they always say that either they or their sister or cousin or brother or neighbor or somebody is dying to write a book. They say that 82% of American adults want to write a book. And from my experience out in the world, I don't doubt it.In the middle of the week, Diana guided us through a visualization exercise designed to help us reconnect with our values and desires, and it was intense. We had to write for 15 minutes about what we would do if we only had a year left to live. We then had to write about what we would do if we only had a month left to live, and then a week, and then a minute.After we did the writing exercises, we partnered up with whoever was sitting next to us to share what we had discovered, and my partner happened to be the woman who wanted to write the book. I shared with her that if I had a year left to live, I would absolutely be writing a book to try to capture everything that I've learned throughout my career. I'm just wired to teach and to inspire others, and it's what I would do.If I only had a month left to live, I'd still have that on my list. I imagined a burst of creative energy at the end of my life to propel me through this creativity, and of course leave me time to be with my husband and my two kids. We would probably watch silly movies and play games and fight about it, and we would probably take walks, and I would tell them how much I've loved loving them.When I got down to one week left to live, and then one minute, writing reluctantly dropped off my list because I had to face the limits of time and my priorities of being with my family. But what was interesting is that the woman who literally told me she was dying to write a book did not include writing on any of her lists.And to be honest, this didn't surprise me. So many people say they want to write a book, but they don't want it to cost them anything. They don't want to give up anything in order to do it. They're not ready to Write Big.But I find that the writers who are ready to Write Big—the ones who are yearning to connect with their deepest creative desires and write something they love that their readers might love—those people are motivated to do whatever it takes, if only they knew what those things were.These writers are already probably spending time, effort, energy, and money writing their morning pages, clocking 1000 words a day, maybe turning out shitty first drafts and maybe even publishing. They're doing work, but the books they're writing are falling flat, failing to make an impact, and leaving them frustrated and desperate to figure out what's missing in their creative life. They can't quite figure out why they're not writing something that feels as amazing to them as the writing that they love feels when they read it.Compounding this frustration is the glut of craft resources, productivity tips, and marketing strategies coming at us every day. It's easy to get lulled into the belief that knowing how to write and publish is all it takes to fulfill your creative dreams. But I know better.In my work at Author Accelerator, where I train and certify people to be book coaches, mostly what we're doing is helping people figure out how to help writers to Write Big. At the end of the day, what an excellent book coach does is help a writer step into their full creative power.And I want to be clear about what I mean by writing big. It's not about hitting bestseller lists or being loud on the internet. It's bringing your whole self to the page, choosing courage over comfort, and daring to be seen. It's the difference between spending time on your writing—and committing your whole self to it.The ironic thing is that when writers decide to play big, the rewards of the marketplace often follow, because readers can tell when you're playing small, holding back, dialing it in, or not really connecting with yourself or them.I sometimes think there are bigger problems in the world than helping writers make a shift in their relationship to their work. But then I'm reminded of what happens when writers bring their whole selves to the page. Hearts and minds get changed, people feel less alone, the world becomes more connected.So what I'll be talking about in these Write Big Sessions is BIG! I'll be keeping the episodes short on purpose, and I'll usually end with a reflection or action step. I'm a book coach, after all—it's what I do.For today, I would just ask you to think about what the concept of writing big has brought up for you, just hearing about it. What feelings or thoughts arise?Until next time, stop playing small, and write like it matters.NarratorThe Hashtag AmWriting Podcast is produced by Andrew Perrella. Our intro music, aptly titled, Unemployed Monday was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work.#AmWriting is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

Takeaways: The necessity of aligning your work habits with your natural rhythms cannot be overstated, as this alignment fosters productivity and satisfaction in your artistic endeavors. Self-awareness is paramount; understanding your body's needs and energy levels allows you to create an environment that supports your creative process effectively. Rituals and routines serve as powerful tools to facilitate creativity, as they prepare both your mind and body for focused work and engagement in your artistic practice. In recognizing the pitfalls of external comparisons, one must learn to measure success by personal standards, thereby fostering a sustainable and fulfilling artistic journey. Links referenced in this episode:cowgirlartistofamerica.orgCompanies mentioned in this episode: Cowgirl Artists of America

Jake Parker, Anthony Wheeler, and Lee White update us on their latest projects, wins and losses, and the lessons they're learning. Tune in for some illustrator's insider baseball.  3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

Hello, beautiful friends. It's spooky season, with cold mornings, hot coffee, and time to face the real ghosts that haunt artists and creative entrepreneurs: scarcity, unworthiness, dabbling, and fear of expansion. In this episode, we walk room by room through the haunted house of money. Kat shares practical tools, mindset reframes, and nervous system rituals to help you release fear, build self-trust, and transform your financial story into fertile ground for growth. Nothing is wasted. Even past mistakes can become compost for future abundance. In This Episode The ghost of scarcity and how to feel safe in success The phantom of unworthiness that hides behind perfectionism The spirit of dabbling and how to replace distraction with devotion The fear of expansion and how to stay grounded while growing Practical rituals for safety, clarity, and abundance Listen If You Want To Stop letting money anxiety control your art practice Reconnect with your creativity as a source of abundance Learn how to regulate your nervous system when success feels scary Feel empowered to charge your worth and grow sustainably Join The Art of Money If you're ready to heal your relationship with money, worth, and abundance, join Kat's live group program:

Scared of “being cringe” on social media? Here's how to sell art on Instagram and attract real collectors.  Most artists avoid Instagram because they're afraid of being seen, of bragging, or of looking silly. But that fear is keeping your art hidden from the very people who want to buy it.  In this episode of the Honest Art® Podcast, I break down how to sell art on Instagram without feeling fake, forced, or like you have to learn a TikTok dance.  You'll learn: The surprising reason most artists avoid Instagram (and how to most past it) The “3 P's” formula that makes your feed irresistible to collectors How to write captions that inspire, educate, or entertain (instead of putting people to sleep) Why posting your sales isn't bragging, it's inspiring Your art deserves to be seen. Instagram is the free, powerful tool that makes it possible. It's time to bloom.  Make sure to subscribe to this podcast so you don't miss a thing! And don't forget to come hang with me on Instagram @jodie_king_.  Interested in being a guest on a future episode of Honest Art®? Email me at amy@jodieking.com! Resources mentioned: Give Jodie a follow on Instagram to see how she does it:  https://www.instagram.com/jodie_king_/ Let's sling some paint together in person!!: https://jodieking.com/workshop  Join The Honest Art® Society Community: https://www.jodiekingart.com/has Purchase An Artist's Guide to Instagram: https://jodieking.com/mini-courses  Studio Elite: https://www.jodiekingart.com/studioelite   Episode 108: An Inside Look At Art Consulting With Amy Sawtelle: https://jodieking.com/episode-108-an-inside-look-at-art-consulting-with-amy-sawtelle/  Episode Episode 112: The Art of Transformation: Stacy Solodkin's Inspiring Creative Journey: https://jodieking.com/episode-112-the-art-of-transformation-stacy-solodkins-inspiring-creative-journey/  Stacy Solodking Instagram: https://www.instagram.com/stacysolodkin/  Episode 39: Ana Stapleton: A Creative Force: https://jodieking.com/episode-39-ana-stapleton-a-creative-force/  Ana Stapleton Instagram: https://www.instagram.com/anastapletonart/  Have a question for Jodie? Ask it here: https://forms.gle/hxrVu4oL4PVCKwZm6  How are you liking the Honest Art® Podcast? Leave us a review on your favorite podcast platform and let us know!     Watch this full episode on my YouTube channel: https://www.youtube.com/playlist?list=PLMquJfuMsSg0fr46BRdia1cWd-81GThzF For a full list of show notes and links, check out my blog: www.jodieking.com/podcast 

Taking Your Art to the Next Level Stefan Baumann interviews Michael Atkins where they talk about giving good advice on what to know! The top tips interview with top artist making it as an artist! Moving from amateur to professional artist requires more than just talent. It means making a decision to pursue art as a serious career with focus, discipline, and commitment to growth. What inspired Mark Atkins to transition was seeing someone like Stefan Baumann on his PBS show, The Grand View, touring national parks and painting professionally. That moment sparked the realization that he wanted more for his life and that becoming a professional artist was possible. 1. Understand what it means to be a professional artist — it's about focusing your energy on creating art consistently and making money from it, even if it is not your sole income. 2. Recognize the difference between learning as a hobbyist and dedicating yourself as a professional who works regularly to refine craft and develop a market presence. 3. Focus is key — you get what you focus on. Direct your effort toward improving your art and understanding the business side of the art world. 4. Coaching and mentorship are invaluable. They can help you avoid common mistakes, accelerate your growth, and show you how to balance the creative and business sides of your career. 5. Learn key concepts that help your work stand out, such as Stefan Baumann's “13 Keys,” including effective use of light and sense of place, which are essential to creating impactful plein air paintings. 6. Build your audience and create opportunities by engaging actively on social media platforms like Instagram, Facebook, and YouTube, where Stefan has found much of his success. 7. Develop the mindset and discipline to treat your art seriously. This means dedicating time to your craft, planning your career steps, and balancing creativity with business skills like marketing and sales. 8. Measure your progress not only by sales and exhibitions but by your artistic growth and the milestones you achieve along your journey. 9. Avoid common pitfalls such as trying to go it alone without guidance. Finding a coach or mentor can keep you motivated, focused, and help you navigate the complexities of turning your passion into a profession. 10. Stay open to feedback and continuous learning. Professional development thrives with support from others who can offer perspective and advice. Making the leap from hobbyist to professional artist is a combination of mindset, skill development, and strategy. By committing to this path with focus and support, you can confidently grow your art career and achieve your artistic goals. Art Career, Professional Artist, Artist Journey, Art Mentorship, Plein Air Painting, Art Business, Creative Growth, Artist Mindset, Stefan Baumann, Artistic Development, Art Focus, Art Discipline, Art Marketing, Social Media Art, Artist Coaching, Art Skills, Creative Business, Art Progress, Art Feedback, Art Strategy, Art Commitment, Art Profession, Creative Career, Artist Development, Art Branding, Art Networking, Creative Mindset, Art Success, Artist Growth, Art CommunitySupport the showFor more information go to www.StefanBaumann.com https://www.stefanbaumann.com/Free Book For painting, coaching call me on my phone at 415-606-9074

Caldecott medalist Jason Chin joins Jake Parker and Lee White to discuss life as an award-winning illustrator, the mentorship that shaped his journey, and his dedication to making art that matters to kids and himself. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

Are your amateur habits blocking your progress? Jake Parker, Sam Cotterill, and Lee White divulge the secrets professional illustrators know that will advance your career to the next level. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

Join our next BoldBrush LIVE! Webinar by signing up here:https://register.boldbrush.com/live-guestOrder your exclusive da Vinci BoldBrush paintbrush set!https://brushoffer.com/collections/boldbrushLearn the magic of marketing  with us here at BoldBrush!https://www.boldbrushshow.com/Get over 50% off your first year on your artist website with FASO:https://www.FASO.com/podcast/---To finish off season 11, we created a compilation of basic art marketing tips for artists to consider as they begin their career. Our past guests state that artists should focus on developing authentic, personal relationships with their collectors, often by communicating directly through email newsletters. Many pasta guests also attest to the importance of building and regularly growing an email list for maintaining long-term connections and driving sales outside of social media platforms. They also emphasize the importance of presenting oneself as a professional through a polished website and a consistent portfolio to help foster trust with galleries and clients. Also, consistent and strategic pricing, without undercutting galleries or offering variable discounts, supports an artist's reputation and business relationships. Separating administrative and creative tasks, and managing one's schedule effectively, enables artists to maximize their productivity and balance business demands. Finally, our guests remind us that artists should continue to adapt to changes in the art market, such as increased social media and marketing responsibilities, which is vital to thrive as a professional artist today.Episodes mentioned in order of appearance:37 Catherine Bobkoski42 Tina Garrett60 Gladys Roldan-de-Moras74 Arthur Gain81 Steve Atkinson96 Brienne Brown97 Elizabeth Robbins114 Kyle Stuckey117 Poppy Balser

Are your business chops lacking? Jake Parker, Anthony Wheeler, and Lee White teach how to market your work, communicate with clients, unravel contracts, and more to create a sustainable career. Tune in to take your business from good to great. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

In this episode, I (host Ekaterina Popova) dive into what I call The 2025 Creator Stack for Artists. These are the four simple tools you need to build trust, grow your audience, and create consistent income without burning out. We are in what I call a trust recession. Algorithms keep changing, AI noise is everywhere, and collectors are more selective than ever. That does not mean your art business has to suffer. I am sharing what has been working for me this year, the lessons I have learned, and how you can lean into connection, trust, and real growth.

Are people still buying art? The answer is yes. But how you talk about your work, connect with collectors, and navigate uncertainty can make all the difference. In this episode of The Create! Podcast, host Ekaterina Popova sits down with gallerist, author, and art advocate Liz Lidgett to discuss her upcoming book Art for Everyone, how to make art conversations more accessible, and the principles that keep artists and entrepreneurs resilient through shifting times. Liz shares powerful insights on: Why collectors are still buying and how to build trust in today's market Simple, accessible ways to talk about your art without overcomplicating it The key role consistency, systems, and flexibility play in long-term success How to stay authentic and connected while showing up online and in person This conversation is packed with practical wisdom and encouragement for artists and entrepreneurs ready to thrive in today's art world.

Are you unknowingly exposing yourself as an amateur? Learn the most common mistakes new illustrators make and how to create more professional results with Lee White, Sam Cotterill, and Jake Parker! 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

Got a graveyard of abandoned canvases in your art studio? You're not alone. Every artist has a pile of half-finished or fugly paintings collecting dust. But here's the good news: they're not failures. They're opportunities. In this episode of the Honest Art® Podcast, I'm giving you 9 creative, cathartic, and sometimes rebellious ways to deal with those ghost canvases. From painting over them to cutting them into journals or even burning them in a ritual of release … you'll never look at abandoned work the same way again. Make sure to subscribe to this podcast so you don't miss a thing! And don't forget to come hang with me on Instagram @jodie_king_. Interested in being a guest on a future episode of Honest Art®? Email me at amy@jodieking.com! Resources mentioned: Honest Art Painting Workshop - Austin, TX October 22-26, 2025 : https://jodieking.com/honest-art-workshop-austin-october-2025  Honest Art Society Monthly Membership: https://www.jodiekingart.com/has  Electric Sander: https://amzn.to/3V8e9xh  Exacto Knife: https://amzn.to/3Vvqhsp  Art From The Streets non-profit organization: https://artfromthestreets.org/  Purchase Jodie's Honest Art Journal here: https://shop.jodieking.com/collections/jodie-king-merch/products/the-honest-art-mixed-media-journal  Gesso Surface Prep Medium: https://amzn.to/3JTRu5r  Episode 103: The Texture Toolbox: Tips on How to Elevate Your Art with Texture: https://jodieking.com/episode-103-the-texture-toolbox-tips-on-how-to-elevate-your-art-with-texture/  Episode 16: How to Get Out of the Fugly Stage of Art: https://jodieking.com/episode-16-how-to-get-out-of-the-fugly-stage-of-art/ Have a question for Jodie? Ask it here: https://forms.gle/hxrVu4oL4PVCKwZm6  How are you liking the Honest Art® Podcast? Leave us a review on your favorite podcast platform and let us know!     Watch this full episode on my YouTube channel: https://www.youtube.com/playlist?list=PLMquJfuMsSg0fr46BRdia1cWd-81GThzF For a full list of show notes and links, check out my blog: www.jodieking.com/podcast    

In this episode, Stacie sits down with Australian artist and entrepreneur Georgia Norton Lodge to explore the winding road from drawing houses as a side hustle to running multiple thriving businesses. Georgia shares how transparency, pricing strategy, creative pivots, and an unshakeable community-first mindset have helped her build a million-dollar business. Whether you're drawing houses or dreaming big, Georgia brings both the tough love and encouragement creatives need to hear. Today on Art + Audience: The Accidental Beginning: How a botched book cover project sparked a booming business drawing people's homes. The $35 Principle: Why Georgia started cheap, and how that decision helped her build a global brand. Murals, Agencies, and Side Hustles: How she runs multiple ventures, serves high-profile clients, and nurtures a team of young designers. Tough Love and Real Talk: The difference between being an artist and building an art business, Georgia gets real about pricing, criticism, and toxic positivity. Two Roads to Success: The quiet, word-of-mouth service path vs. the loud, social-media-driven audience path, and how to choose what's right for you. Impact Beyond Art: Why transitioning into education created deeper, more lasting transformation than drawing thousands of houses ever could.   Connect with Georgia Norton Lodge: Website: georgiadrawsahouse.com | secretartistsbusiness.au Instagram: @georgiadrawsahouse Connect with Stacie Bloomfield: Subscribe, Rate, and Review: Art + Audience Podcast Website: staciebloomfield.com | leverageyourart.com Instagram: @gingiber | @leverageyourart  Facebook: @ShopGingiber Pinterest: pinterest.com/gingiber Got questions? Call the Art + Audience Podcast hotline: (479) 966-9561 Pre-order Stacie's book: The Artist's Side Hustle

Nicolas Cole—digital writer, entrepreneur, and co-founder of Ship 30 for 30, Premium Ghostwriting Academy, Typeshare, and Write With AI—on building a portfolio of writing businesses, ghostwriting as a path for writers, and how to balance art and commerce.  We discuss:How poetry kept him creatively grounded while building businessesWhy every piece of writing answers a question Career paths to making money as a writer todayThe power of ghostwriting for skill and incomeHow AI changes (and doesn't change) the job of a writerBuilding consistent writing systems and habitsHow to focus when you have too many ideas + other mindset shifts to scale businesses and find creative clarity About Nicolas ColeNicolas Cole is a digital writer, entrepreneur, and co-founder of Ship 30 for 30, Premium Ghostwriting Academy, Typeshare, and Write With AI. He first rose to prominence as the #1 most-read writer on Quora, later writing a popular column for Inc Magazine. He has ghostwritten for hundreds of entrepreneurs, artists, and authors, and is the author of The Art & Business of Online Writing and The Art & Business of Ghostwriting. Today, he helps writers build sustainable careers by mastering both the art and the business of writing.Resources and Links:

Join Jake Parker, Lee White, and Anthony Wheeler for a discussion about Google's AI storybook app, a recently rediscovered N.C. Wyeth mural, and a children's book that can detect color blindness.  3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

https://schulmanart.com/review-podcastYou're going to be inspired by these powerful artists who share the real stories behind transforming their art businesses. These artists prove that growth is possible no matter where you're starting from. You'll hear how they overcame self-doubt, found the courage to treat their art like a business, and created opportunities that once felt out of reach. Whether you're just starting out or ready to level up, their stories will give you the clarity and motivation to take bold action in your own art career. In this episode, you'll… Create accountability by finding the right community and support system. Explore how email marketing and publicity became game-changers. Find encouragement to embrace your artist identity with confidence. For full show notes, go to schulmanart.com/372

SongStats: For 10% off lifetime subscription use the code word "WILLCLARKE" or follow the link https://songstats.com/app?ref=WILLCLARKESign up for the latest podcast info - https://laylo.com/willclarke/uqFWnJKaPodcast Overview: In this conversation, Sam and Will discuss the complexities of navigating life as musicians between different cities, the impact of seasons on creativity, and the cultural significance of Detroit. They reflect on the evolution of SG Lewis's music career, the balance between technical skill and artistic freedom, and the challenges of live performances versus DJing. The discussion also delves into the financial realities of touring, the pressures of the music industry, and the importance of maintaining artistic integrity while adapting to modern marketing demands.Who is SG Lewis: SG Lewis is an English artist, singer, songwriter, multi-instrumentalist, and record producer who is best known for his emotive and euphoric approach to electronic pop music. As both an artist and writer/producer, SG has collaborated with the likes of Dua Lipa, Robyn, Elton John, Nile Rodgers, Khalid, Clairo, Disclosure, among many others. Earlier this year, SG dropped his full length album AudioLust & Higher Love, featuring collaborations with Tove Lo, Ty Dolla $ign, Lucky Daye, Charlotte Day Wilson, and Channel Tres. SG also notably produced and co-wrote Dua Lipa's single “Hallucinate” on her Future Nostalgia album, and earlier this year became the first person in history to remix the Bee Gees' iconic record “More Than a Woman” in his Paradise Edit.Join for updates: https://laylo.com/willclarke⏲ Follow Will Clarke ⏱https://djwillclarke.com/https://open.spotify.com/artist/1OmOdgwIzub8DYPxQYbbbi?si=hEx8GCJAR3mhhhWd_iSuewhttps://www.instagram.com/djwillclarkehttps://www.facebook.com/willclarkedjhttps://twitter.com/djwillclarkehttps://www.tiktok.com/@djwillclarke Hosted on Acast. See acast.com/privacy for more information.

Think you need a perfect website to sell your art? Total BS. Here's what actually matters (and what to skip). I've worked with countless artists who sold plenty before ever hitting “publish” on a site. But if you do have a website, you'd better make sure it's not silently sabotaging your sales. In this episode of the Honest Art® Podcast, I'm breaking down exactly what artist websites need to connect with collectors (and the fluff you can ditch right now).  Make sure to subscribe to this podcast so you don't miss a thing! And don't forget to come hang with me on Instagram @jodie_king_. Interested in being a guest on a future episode of Honest Art®? Email me at amy@jodieking.com! Resources mentioned: Save On Your First Year of Artwork Archive: https://www.artworkarchive.com/jk Join the Honest Art® Society: https://www.jodiekingart.com/has Learn More about In-Person Workshops with Jodie: https://jodieking.com/workshop  Check out Jodie's website here: www.jodieking.com  Join Jodie's Email List here: https://www.jodiekingart.com/jointhelist  Squarespace: https://www.squarespace.com/  Learn How to Hang & Wire a Painting: https://www.jodiekingart.com/how-to-hang-a-painting  Mailchimp: https://mailchimp.com/  Episode 67: Fight Me! Yes, An Artist Needs An Email List With Yasmine Kashefi: https://jodieking.com/episode-67-fight-me-yes-an-artist-needs-an-email-list-with-yasmine-kashefi/  ChatGPT: https://chatgpt.com/  VSCO photo editing platform: https://www.vsco.co/  Matte Varnish: https://amzn.to/3JHIsbH  Let's be Instagram friends!: https://www.instagram.com/jodie_king_/   Have a question for Jodie? Ask it here: https://forms.gle/hxrVu4oL4PVCKwZm6  How are you liking the Honest Art® Podcast? Leave us a review on your favorite podcast platform and let us know!     Watch this full episode on my YouTube channel: https://www.youtube.com/playlist?list=PLMquJfuMsSg0fr46BRdia1cWd-81GThzF For a full list of show notes and links, check out my blog: www.jodieking.com/podcast  

In this episode, I, Kat Popova, founder and editor of Create! Magazine and certified master coach, share practical ways for artists and creatives to strengthen their money and success mindset, even during uncertain times. You will learn how to release what is outside your control, rewrite limiting beliefs, focus on your desires and goals, and take small but powerful actions toward the future you want to create. Connect with us: Instagram: @createmagazine Resources: www.createmagazine.co

What would your art (and your life) look like if you reinvented yourself by the New Year? Jake Parker, Sam Cotterill, and Lee White share habits to start today so you can hit the ground running in 2026. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

Have you ever wanted to quit it all? The studio, the business, the endless to-do list? If so, you're not alone.   In this episode of Art & Cocktails, I share how I nearly walked away, and what brought me back. From seeing members across the world to a simple but powerful reminder about harmony, I'll take you behind the scenes of my own turning point.   Inside, you'll discover: How to identify your roots and branches and use pruning season to your advantage Why harmony (not balance) helps you integrate art, business, and life Five practical strategies to help you move forward with clarity and confidence Reflection exercises you can apply right away   ✨ Special Invitation Enrollment is now open for Art Queens Society. Early bird closes September 15, 2025 Final day to join this year is September 30, 2025 This is your chance to step into a supportive, inspiring community of ambitious women artists. Learn more at aqsociety.com.   Learn More & Connect With Us Create! Magazine Create! Substack Art & Cocktails Podcast Art Queens Society  

Have you lost the fun of making art? Lee White, Sam Cotterill, and Anthony Wheeler share how to rediscover the delight of creating through play. You'll learn how limitations give you freedom, how letting loose might be the antidote to your burnout, and much more. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

It's time for an update! Samantha Cotterill, Lee White, and Anthony Wheeler share what they're working on and the lessons they're learning in the process. Tune in to discover how to listen to your creative voice and maintain play in your illustration practice. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

Kristy returns to Art and Cocktails to share the inspiring story behind writing and publishing her book. We talk about the dream that began in childhood, the process of bringing it to life, and the milestones that followed. These include holding the finished copy in her hands, receiving an endorsement from Jerry Saltz, and seeing her work translated into Taiwanese. Kristy also addresses the myths that hold artists back from writing, why you do not have to identify as a “real writer” to publish a book, and how to navigate both traditional and self-publishing while keeping your vision intact. She shares details about her upcoming Essential Publishing Bootcamp with Frannie, a live two-day workshop that helps artists and creatives turn their book ideas into reality. Participants will learn about the different publishing paths, receive a step-by-step workflow for bringing a book to life, and review examples of real winning pitches that secured book deals. Whether you are interested in traditional publishing, indie presses, or self-publishing on Amazon, this workshop will provide the tools to make it happen. Kristy Gordon is a Canadian-born artist based in New York City whose paintings have been exhibited internationally, including at the Metropolitan Museum of Art's Uris Center, the European Museum of Modern Art in Barcelona, and the National Academy Museum in New York City. She is a three-time recipient of the Elizabeth Greenshields Foundation Grant and earned her MFA from the New York Academy of Art, where she now teaches. Her work appears in more than 600 collections worldwide and has been featured in Vogue, Hyperallergic, and Fine Art Connoisseur. She is represented by Garvey|Simon, Blumka Contemporary, and Grenning Gallery. Learn more about Kristy's Essential Publishing Bootcamp and sign up at https://www.down2art.com/Write-Your-book. Create! Magazine is now accepting submissions for our upcoming issue. Apply to the current call for art at https://www.createmagazine.co/call-for-art. Publish your own art catalog: https://www.createmagazine.co/art-catalog  

Trying to impress the wrong crowd? Samantha Cotterill, Jake Parker, and Lee White discuss the temptation to create for your peers and how to return to your authentic expression. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

In this enlightening episode, Stacie sits down with surface pattern designer Juliana Tipton to talk about launching a creative career in your 40s, navigating art licensing, and staying grounded through the highs and lows of the design world. From graphic design and higher education to licensing with top retailers like Target and Barnes & Noble, Juliana shares how she pivoted careers, learned to trust her gut, and built a successful business centered around authenticity and perseverance.   Today on Art + Audience: Juliana's Unconventional Start: How she launched her surface design career in her early 40s after two previous careers. Leveraging Graphic Design: How her background gave her a solid foundation but also revealed the challenges of working solo. Licensing Lessons: From being ghosted by a fabric company to finding better partnerships—what she learned and would do differently. Pitching and Portfolios: The importance of following up, crafting one-sheets, and using classes from Bonnie Christine and Shannon McNab to hone her process. Navigating Red Flags: How Juliana discerns between fear and instinct when evaluating licensing deals—and why good communication is non-negotiable. The Truth About Money: Why licensing isn't always lucrative at first and how Juliana balances surface design with graphic design work. Honest Talk About Contracts: What Juliana looks for in licensing agreements and how she scrutinizes the fine print.   Connect with Juliana Tipton: Website: julianatipton.com Instagram: @jultipdesign   Connect with Stacie Bloomfield: Subscribe, Rate, and Review: Art + Audience Podcast Website: staciebloomfield.com | leverageyourart.com Instagram: @gingiber | @leverageyourart  Facebook: @ShopGingiber Pinterest: pinterest.com/gingiber Leverage Your Art: Stacie's signature course, opening again this August 2025 Got questions? Call the Art + Audience Podcast hotline: (479) 966-9561  

Margo is joined by illustrator, surface designer, educator, and art business mentor Vanessa Stoilova—better known online as Art Business with Ness. Since 2015, Vanessa has navigated the creative industry from mobile games to picture book illustration to surface design, and now shares her hard-earned insights with thousands of aspiring artists through her courses, YouTube channel, and mentorship programs. Vanessa has a knack for making the business side of art feel approachable, actionable, and even exciting. In this conversation, she and Margo dig into how to position yourself for real opportunities, land clients without waiting to “be discovered,” and build a sustainable creative career. They discuss: Building a client-ready portfolio before you get hired What actually works when pitching yourself (and why Instagram isn't enough) Why niching down doesn't limit you—it frees you Creating her own online art business summit with 20+ teachers How to stop overthinking and start making moves toward your goals Links & Resources: Free 3-day training: Your First Step to Illustration Clients YouTube: Art Business with Ness   Connect with Margo: www.windowsillchats.com www.instagram.com/windowsillchats www.patreon.com/inthewindowsill www.yourtantaustudio.com/thefoundry

Is your website looking dusty? Jake Parker, Sam Cotterill, and Lee White discuss the proper care and feeding of your portfolio site. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

Sculptor and installation artist Marianne Lettieri creates intricate, meditative work from salvaged and domestic materials. In this episode, she shares her journey from marketing to art, and how she has centered her practice around intention, discernment, and clarity—rather than urgency or trends. She talks with host Alyson Stanfield about how she defines success, the importance of showing up in the studio (even if it's just to sweep the floor), and why research, ritual, and creative constraint are essential to her process. HIGHLIGHTS 01:50 – Marianne's career shift from PR to full-time artist 03:54 – Why Marianne is drawn to historical artifacts and “slow” art 08:19 – Defining success: critical acclaim vs. financial success 13:14 – Income sources: sales, commissions, and artist estates 17:57 – How she tracks ideas and builds inventory systems 22:02 – How she's using only what she already has 24:56 – Making over 100 collages from studio leftovers 26:54 – A rejection story: the San Francisco dump residency 32:10 – Building community through art and faith 38:45 – How location (Granbury, TX) shapes her art 46:42 – Where to find Marianne + Alyson's closing takeaway  

So many ideas, so little time! How do you decide which project to take to the finish line? Jake Parker, Anthony Wheeler, and Lee White teach how to prioritize your time and make the most meaningful selection. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

Want to join the professional league? Learn what it takes to become a career artist or illustrator in this compilation episode, containing some of our best advice to creatives in your shoes. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

Ever strolled through an art festival and thought, “I could do this”? Lee White, David Hohn, and Jake Parker share what it takes to sell at live events and how to maximize the experience. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.