Podcasts about mipoesias

The #LatinoBookStore #TAS Texas Author Series every first Friday features a lineup cultivated by Mouthfeel Press (MFP). As a preview, Tony Diaz features several of the talented artists of Mouthfeel Press including: Liliana Valenzuela is the author of the poetry collections Codex of Love: Bendita ternura (FlowerSong Press, 2020) and Codex of Journeys: Bendito camino (Mouthfeel Press, 2013). Her poetry and essays have been widely anthologized, most recently in Latinas: An Anthology of Struggles & Protests in 21st Century USA. Valenzuela is also the acclaimed Spanish language translator of works by Cristina García, Julia Alvarez, Denise Chávez, and many other writers. Her most recent translation is Martita, I Remember You/Martita, te recuerdo, by Sandra Cisneros. And this fall, Vintage Español will publish her translation of Sandra Cisneros' new poetry collection, Woman Without Shame/Mujer sin vergüenza. A CantoMundo and Macondo fellow, she collaborates with the Hablemos, escritoras podcast. Valenzuela is currently the editor of the Latin American Journalism Review at the University of Texas at Austin. Maria Miranda Maloney is a Latina poet, editor, and bilingual publisher. She was born in El Paso, Texas, and raised in a small farm community of mostly immigrant families. Her family's outings consisted of crossing the U.S-Mexico border every Sunday to visit family in Zaragoza, a town outside Cd. Juárez, Chihuahua, Mexico. She learned to navigate two different worlds, including language and traditions. Maria is the founder of Mouthfeel Press a bilingual press that has published dozens of books of poetry in English and Spanish, and the author of Cracked Spaces (Pandora Lobo, 2021), The Lost Letters of Mileva (Pandora Lobo Productions Press, 2014) and The City I Love (Ranchos Press, 2011). Her poetry and essays have appeared in Bellevue Literary Review, MiPoesias, The Catholic Reporter, The Texas Review, Acentos Review, and other literary and international journals. She is the literary curator and Outreach Coordinator for The Smithsonian Latino Center, Washington D.C., and curator for the Wise Latina International's Writing Ourselves into History. Maria is editor for Arte Público Press, and a BorderSenses board member. She is currently a reading and writing teacher in East Texas. Her next book The Moon in Her Eyes is scheduled for release in 2023. She's currently working on her manuscript When We Were Sisters. Carolina Monsiváis is the author of Somewhere Between Houston and El Paso, Elisa's Hunger, and Descent. A dedicated advocate in the field of domestic violence and sexual assault, she has worked with survivors in Texas, New Mexico and Juárez. She earned degrees from the University of Houston (B.A) and New Mexico State University Vincent "Chente" Cooper is a writer and previous US Marine living in San Antonio. His productions in collections incorporate Boundless, Refreshing San Antonio, Ban This: An Anthology of Chicano Literaturek, and Big Bridge Magazine: Refreshing San Antonio. His chapbook, Where the Reckless Ones Come was distributed by Aztlan Libre Press. "Zarzamora' his latest work has been described as poetry of survival and recounts through prose expereiences along one of San Antonio Texas' throughfares. Lastly, he is a member of The Macondo Writer's Workshop. His poems can be found in Huizache and Riversedge. He currently resides in the westside of San Antonio, TX. www.Librotraficante.com www.NuestraPalabra.org www.TonyDiaz.net

Catherine Esposito Prescott is the author of the chapbooks Maria Sings and The Living Ruin. Recent poems appear in Bellevue Literary Review, Gone Lawn, Green Mountains Review Online, Flyway, MiPOesias, NELLE, Pleiades, Poetry East, Southern Poetry Review, South Florida Poetry Journal, as well as The Orison Anthology, and Grabbed: Writers Respond to Sexual Assault. Co-founder and editor in chief of SWWIM Every Day, Prescott teaches vinyasa yoga and yoga philosophy. She lives in Miami Beach with her family.Jen Karetnick's fourth full-length book is The Burning Where Breath Used to Be (David Robert Books, September 2020). She is the author of nine other poetry books, including a collection forthcoming from Salmon Poetry in 2023. Karetnick has been awarded the 2020 Tiferet Writing Contest for Poetry, the Hart Crane Memorial Prize, the Romeo Lemay Poetry Prize, the Anna Davidson Rosenberg Prize, and two Dorothy Sargent Rosenberg Prizes, among others. Her work appears recently or is forthcoming in Barrow Street, The Comstock Review, december, Michigan Quarterly Review, Terrain.org, and elsewhere. She is co-founder and managing editor of SWWIM Every Day, and has been an Artist in Residence in the Everglades, a Deering Estate Artist in Residence, and a Maryland Purple Line Transit grant recipient, among other honors. She works as a food-travel-lifestyle journalist and is the author of eight cookbooks and guidebooks.

Catherine Esposito Prescott is the author of the chapbooks Maria Sings and The Living Ruin. Recent poems appear in Bellevue Literary Review, Gone Lawn, Green Mountains Review Online, Flyway, MiPOesias, NELLE, Pleiades, Poetry East, Southern Poetry Review, South Florida Poetry Journal, as well as The Orison Anthology, and Grabbed: Writers Respond to Sexual Assault. Co-founder and editor in chief of SWWIM Every Day, Prescott teaches vinyasa yoga and yoga philosophy. She lives in Miami Beach with her family. Jen Karetnick's fourth full-length book is The Burning Where Breath Used to Be (David Robert Books, September 2020). She is the author of nine other poetry books, including a collection forthcoming from Salmon Poetry in 2023. Karetnick has been awarded the 2020 Tiferet Writing Contest for Poetry, the Hart Crane Memorial Prize, the Romeo Lemay Poetry Prize, the Anna Davidson Rosenberg Prize, and two Dorothy Sargent Rosenberg Prizes, among others. Her work appears recently or is forthcoming in Barrow Street, The Comstock Review, december, Michigan Quarterly Review, Terrain.org, and elsewhere. She is co-founder and managing editor of SWWIM Every Day, and has been an Artist in Residence in the Everglades, a Deering Estate Artist in Residence, and a Maryland Purple Line Transit grant recipient, among other honors. She works as a food-travel-lifestyle journalist and is the author of eight cookbooks and guidebooks.

Octavio is Assistant Professor of English and Creative Writing at Wellesley College. His first poetry collection, The Book of Ours, was a selection of the chapbook series at Letras Latinas, University of Notre Dame (Momotombo Press, 2009). He is currently working on a second poetry manuscript, tentatively titled "The Wingless Hour." Some poems from this collection appear in Lambda Literary's Poetry Spotlight (shorturl.at/bgxKN), Anomaly, La Guagua, and the "Taboo" series at the La Casita Grande, as well as an anthology of Dominican poets in the diaspora (Retrato íntimo de poetas dominicanos, https://amzn.to/2Sz051V). Other poems appear in Puerto del Sol, OCHO, and MiPoesias, among other journals. González is also at work on what he calls an "ekphrastic memoir," the first part of which appears in the inaugural issue of the bilingual Latino Book Review; as well as on a closet drama (or dramatic dialogue), "Q & A." Act Two of "Q & A" will be dramatized for this radio hour. You can follow him on Twitter @TaviRGonzalez.

Gregory Luce is the author of the chapbooks Signs of Small Grace (Pudding House Publications) and Drinking Weather (Finishing Line Press), the collection Memory and Desire (Sweatshoppe Publications), and the chapbook Tile, (Finishing Line). His poems have appeared in numerous print and online journals, including Kansas Quarterly, Cimarron Review, Innisfree Poetry Review, Northern Virginia Review, Foundling Review, MiPOesias, Little Patuxent Review, Words Dance, Rising Tide Review, Wordgathering, Faircloth Review, Broadkill Review, Bourgeon, Deaf Poets Society, Maryland Poetry Review, Mile Nine, and in the anthologies Living in Storms (Eastern Washington University Press), Bigger Than They Appear (Accents Publishing), and Unrequited: An Anthology of Love Poems about Inanimate Objects. In 2014, he was awarded the Larry Neal Award for adult poetry by the D.C. Commission on the Arts and Humanities. He is retired from the National Geographic Society, volunteers as a writing tutor/mentor for 826DC, and lives in Arlington, VA.

Celebrating the release of Little Patuxent Review's Summer 2014 issue, LPR is excited to host a reading and conversation with four writers. Joseph Ross, Alan King, Michael Brokos, and Tafisha Edwards will read a selection of original work published in LPR and other journals, followed by a panel discussion on the role of small press journals in the career of poets. Copies of the latest issue of Little Patuxent Review and books by the authors will be on sale at the event.Joseph Ross is the author of two poetry collections: Gospel of Dust (2013) and Meeting Bone Man (2012). His poems appear in many anthologies and literary journals including Poet Lore, Tidal Basin Review and Drumvoices Revue. He has received three Pushcart Prize nominations and is the winner of the 2012 Pratt Library / Little Patuxent Review Poetry Prize. He teaches English at Gonzaga College High School in Washington, D.C., and writes regularly at www.JosephRoss.net.Alan King is an author, poet and journalist who blogs about art and social issues at alanwking.com. A Cave Canem graduate fellow, he holds a Masters of Fine Arts in Creative Writing from the Stonecoast Program at the University of Southern Maine. He is the recipient of the Best City Poem of 2006 (3rd Muses Prize), and was a 2009 and 2012 Best of the Net nominee and a two-time Pushcart Prize nominee. His work has been published in 11 anthologies and dozens of journals─Tidal Basin Review, MiPOesias, Compass Rose, Black Arts Quarterly, and Indiana Review, to name a few. His debut collection of poems, Drift, was published by Aquarius Press in 2012.Michael Brokos received an MFA in poetry from Boston University in 2012.  He is the recent recipient of a Bakeless Fellowship from the Bread Loaf Writers’ Conference and the Camargo Foundation, during which he spent the month of May 2014 in southern France.  His work appears in Little Patuxent Review, Hobart, Salamander, Sixfold, and other journals.  He lives in Baltimore, where he works as a writer and editor.Tafisha Edwards is a Guyanese Canadian poet, Cave Canem fellow, and graduate of the Jiménez-Porter Writers House. She lives and works in the Washington, D.C., metropolitan area after earning her B.A. in Journalism from the University of Maryland, College Park. You can find her most recent works in Little Patuxent Review, Vinyl Poetry, Toe Good Poetry, and Stylus. She is working on her first collection of poems entitled Glamourpuss.Recorded On: Tuesday, July 29, 2014

In this podcast Jennifer Williams talks to Ilyse Kusnetz who was visiting Scotland during the StAnza Festival 2014. They talk about when to put the poem in the closet, feminism and politics in poetry and what the Scottish Referendum looks like from across the Atlantic. Ilyse Kusnetz received her MA in Creative Writing from Syracuse University and her Ph.D. in Feminist and Postcolonial British Fiction from the University of Edinburgh. Her poetry has been published in journals such as Rattle, Crazyhorse, the Atlanta Review, Stone Canoe, Poetry Review, the Cimarron Review, Poet Lore, and MiPOesias, and her book reviews and interviews have appeared in The Scotsman, Scotland on Sunday, The New Statesman, the Orlando Sentinel, and The Florida Review. She is the author of a chapbook, The Gravity of Falling. Currently, she teaches English and Creative Writing at Valencia College in Orlando, where she lives with her husband, the poet Brian Turner. Ilyse Kusnetz is the winner of the 2014 T. S. Eliot Prize for Poetry for her collection, “Small Hours.” Music by James Iremonger www.jamesiremonger.co.uk This podcast was recorded in association with StAnza, Scotland’s International Poetry Festival at StAnza 2014.

The Wishing Tomb (Perugia Press) by Auchter; Night Radio (University of Utah Press) by Young Two accomplished poets, Amanda Auchter and Kim Young, will visit Skylight to read and sign their new collections, The Wishing Tomb and Night Radio, respectively. "The Wishing Tomb is a lyric history of New Orleans' beauty and brutality, both human and environmental. Amanda Auchter is a poet of rare elegance and dexterity who writes just as movingly about gunshot as she does the markings of brick-scratch left on the tomb of Marie Laveau. Every city deserves the subtle attention of such a poet, a poet brave and nimble enough to touch every line of the city's rough, loved, and disastrous skin." --Katie Ford "The sounds of Night Radio move between hard-won revelation and pulsing music; they spread across the dry outlands of LA, a world of 'silt and turkey vultures' where men in trucks hunt for girls, and where girls kiss their 'practice-hopes,' then run like ambulances toward a 'slick gentleman lighting matches under a streetlight.' Watchful, vulnerable, quick, and shrewd. All this, joined in radiant waves to the 'little signal towers' of the body. A brave and accomplished first book." --David Gewanter Amanda Auchter is the founding editor of Pebble Lake Review and the author of The Glass Crib, winner of the Zone 3 Press First Book Award for Poetry, and the chapbook Light Under Skin. She has received awards and honors from Bellevue Literary Review, BOMB Magazine, Bread Loaf Writers Conference, Crab Orchard Review, Southern Indiana Review, Mid-American Review, and was a 2007 finalist for the Ruth Lilly Poetry Fellowship from The Poetry Foundation. She holds an MFA from Bennington College and teaches creative writing and literature at Lone Star College. Kim Young is the author of Night Radio, winner of the 2011 Agha Shahid Ali Poetry Prize (The University of Utah Press) and the chapbook Divided Highway (Dancing Girl Press, 2008). She is the founding editor of Chaparral—an online journal featuring poetry from Southern California. Her poems have appeared in Los Angeles Review, MiPOesias, No Tell Motel, POOL and elsewhere. She holds an MA at Cal State University Northridge and an MFA at Bennington College, where she received a Jane Kenyon Scholarship in poetry. She was born in Los Angeles and lives in LA with her husband and daughter. THIS EVENT WAS RECORDED LIVE AT SKYLIGHT BOOKS OCTOBER 26, 2012.

Click here to listen to So Here We Are on Miporadio. SoHereWeAre John Kinsella teaches at Cambridge University and Kenyon College and is very much a global poet of place. Born in Perth, Western... [[ This is a content summary only. Visit my website for full links, other content, and more! ]]

Click here for issuu link SoHereWeAre Click here to listen to So Here We Are on MiPoradio SoHereWeAre My first recollection of entering Piddles Wood near Fiddleford in the mid-Sixties is of... [[ This is a content summary only. Visit my website for full links, other content, and more! ]]

Click here to listen to So Here We Are on MiPOradio. SoHereWeAre Poetic fashions ebb and flow and there are always marginalised figures that pursue fields of interest that are on the edge of... [[ This is a content summary only. Visit my website for full links, other content, and more! ]]

Click here to listen to So Here We Are on MiPOradio. SoHereWeAre In my last talk I mentioned that Andrew Crozier shared some affinities with the poet, John Riley, an early contributor to The... [[ This is a content summary only. Visit my website for full links, other content, and more! ]]

Click here to listen to So here We Are on Miporadio. SoHereWeAre In my last talk I mentioned J.H. Prynne’s contribution to The English Intelligencer. I would now like to say a few words about... [[ This is a content summary only. Visit my website for full links, other content, and more! ]]

Click here to listen to So Here We Are on Miporadio SoHereWeAre In February 2004, Randall Stevenson writing in The Oxford English Literary History Vol. 12 1960-2000: The Last of England? (OUP 2004)... [[ This is a content summary only. Visit my website for full links, other content, and more! ]]

Click here to listen to So Here We Are on Miporadio SoHereWeAre I thought that I might approach the idea of celebrity and issues around that cultural phenomenon in relation to English... [[ This is a content summary only. Visit my website for full links, other content, and more! ]]

Click here to listen to So Here We Are on Miporadio SoHereWeAre I first encountered the poetry of Tom Raworth in Michael Horovitz’s Children of Albion: Poetry of the ‘Underground’ in Britain... [[ This is a content summary only. Visit my website for full links, other content, and more! ]]

Click here to listen to So Here We Are on Miporadio. SoHereWeAre I want to say a few words about the second part of Basil Bunting’s poem Briggflatts (1966), which begins: Poet appointed dare not... [[ This is a content summary only. Visit my website for full links, other content, and more! ]]

Click here to listen to So Here We Are on miporadio. So Here We Are A great variety of absorbing poetry is obscured by its omission from mainstream publishing, newspaper reviews and the critical... [[ This is a content summary only. Visit my website for full links, other content, and more! ]]

Click here to listen to So Here We Are on Miporadio So Here We Are Thomas A. Clark, born in Greenock, Scotland in 1944, writes an attentive poetry, giving space to each word and statement so that... [[ This is a content summary only. Visit my website for full links, other content, and more! ]]

Click below to listen to So Here We Are on Miporadio. So Here We Are: Poetic Letters From England I would like to say a few words about the poet and translator, Bill Griffiths, who died in... [[ This is a content summary only. Visit my website for full links, other content, and more! ]]

Click below to listen to So Here We Are 2 on Miporadio. Please give time for the link to download. So Here We Are: Poetic Letters From England I first encountered the poetry of William Barnes... [[ This is a content summary only. Visit my website for full links, other content, and more! ]]

Click here to listen to So Here We Are on Miporadio. Please give time for the link to download. So Here We Are: Poetic Letters From England So Here We Are 1 You are listening to So Here We Are:... [[ This is a content summary only. Visit my website for full links, other content, and more! ]]

Click on the link below to hear So Here We Are on Miporadio. Please give time for the link to download. So Here We Are: Poetic Letters From England I first walked along the Euston Road, London... [[ This is a content summary only. Visit my website for full links, other content, and more! ]]

Download mp3 and link here. So Here We Are: Poetic Letters From England Travelling on the Damory Bus from my home to Salisbury is an event in itself. The bus company’s website and bus stop... [[ This is a content summary only. Visit my website for full links, other content, and more! ]]

Click here to hear So Here We Are on Miporadio. Please give time for the link to download. So Here We Are: Poetic Letters From England I first saw the American poet and editor, Jerome Rothenberg... [[ This is a content summary only. Visit my website for full links, other content, and more! ]]

Click on the link below to hear So here We Are on Miporadio. Please give time for the link to download. So Here We Are: Poetic Letters From England As this is the 250th anniversary of the birth of... [[ This is a content summary only. Visit my website for full links, other content, and more! ]]