Podcasts about cantomundo

Deborah Paredez is Chair and Associate Professor of Writing at the School of the Arts and the Center for the Study of Ethnicity and Race at Columbia University. Paredez is the author of four books: the critical memoir American Diva: Extraordinary, Unruly, Fabulous (Norton, 2024), the scholarly study Selenidad: Selena, Latinos, and the Performance of Memory (Duke, 2009), and the poetry collections This Side of Skin (Wings Press, 2002) and Year of the Dog (BOA Editions, 2020), winner of the 2020 Writers' League of Texas Poetry Book Award and a New York Times New and Notable Book. Her poetry and essays have appeared in The New York Times, Los Angeles Review of Books, The Boston Review, Poetry, and elsewhere. She is the co-founder of CantoMundo, a national organization dedicated to Latinx poets and poetry. She holds a PhD in Interdisciplinary Theatre and Performance Studies from Northwestern University.Deborah Paredez https://www.deborahparedez.com

“You would've made a lousy nun.” The narrator of Diannely Antigua's “Another Poem about God, but Really It's about Me” overhears these words, and they jolt her into contrasting her life experience with the limited archetypes offered by her church — good daughter, good sister, holy woman, whore. Which of these has she been? Where does her devotion lie? And what virtue can she claim?Diannely Antigua is a Dominican-American poet and educator who was born and raised in Massachusetts. Her debut collection, Ugly Music, won a 2020 Whiting Award and the Pamet River Prize. She received her MFA in Creative Writing from NYU, where she was awarded a Global Research Initiative Fellowship to study in Florence, Italy. She was a finalist for the 2021 Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship and the recipient of fellowships from CantoMundo, Community of Writers, and the Academy of American Poets. Her work has appeared in the Best of the Net Anthology and has been nominated for the Pushcart Prize. She currently serves as the poet laureate of Portsmouth, New Hampshire, and is the host of the podcast Bread & Poetry. Her most recent poetry collection is Good Monster.Find the transcript for this show at onbeing.org.We're pleased to offer Diannely Antigua's poem and invite you to subscribe to Pádraig's weekly Poetry Unbound Substack newsletter, read the Poetry Unbound book, or listen to past episodes of the podcast. We also have two books coming out in early 2025 — Kitchen Hymns (new poems from Pádraig) and 44 Poems on Being with Each Other (new essays by Pádraig). You can pre-order them wherever you buy books.

Many people say their experience of time changes after they have children, a phenomenon that Diego Báez captures in “Inheritance.” In this poem, a past, present, and future starring the same child shift ceaselessly in a parent's mind, like photos flipped through in an album, dots placed on a timeline, moments that one wishes they could build monuments for.Diego Báez, is a writer and educator in Chicago, where he teaches at the City Colleges of Chicago. He earned an MFA in Creative Writing from Rutgers University - Newark. A writer of fiction, nonfiction, and poetry, Báez's work has been published in Freeman's, The Rumpus, The Georgia Review, The Thing Itself Journal, Number Eleven Magazine, and Hobart. His poetry has appeared in Luna Luna, la fovea, Granta, and elsewhere. He serves as a Director of the Board for the National Book Critics Circle and the International David Foster Wallace Society. Báez was an inaugural fellow at CantoMundo in 2010. Yaguareté White, published in 2024 by The University of Arizona Press, is his debut poetry collection.Find the transcript for this show at onbeing.org.We're pleased to offer Diego Báez's poem and invite you to subscribe to Pádraig's weekly Poetry Unbound Substack newsletter, read the Poetry Unbound book, or listen to past episodes of the podcast. We also have two books coming out in early 2025 — Kitchen Hymns (new poems from Pádraig) and 44 Poems on Being with Each Other (new essays by Pádraig). You can pre-order them wherever you buy books.

Deborah Paredez is the author of the critical study, Selenidad: Selena, Latinos, and the Performance of Memory (Duke 2009) and the poetry collections, This Side of Skin (Wings Press 2002) and Year of the Dog (BOA 2020). Her poetry, essays, and commentary have appeared in The New York Times, Los Angeles Review of Books, National Public Radio, Boston Review, The Georgia Review, Feminist Studies, and elsewhere. She is a professor of creative writing and ethnic studies at Columbia University and is the Co-Founder of CantoMundo, a national organization for Latinx poets. At Columbia, Professor Pah Red dez Paredez is a recipient of a Lenfest Distinguished Faculty Award. Her new book is American Diva, just published by W.W. Norton. The QWERTY podcast is brought to you by the book The Memoir Project: A Thoroughly Non-Standardized Text for Writing & Life. Read it, and begin your own journey to writing what you know. To learn more, join The Memoir Project free newsletter list and keep up to date on all our free webinars and instructive posts and online classes in how to write memoir, as well as our talented, available memoir editors and memoir coaches, podcast guests and more.

Planet Poet-Words in Space – NEW PODCAST!  LISTEN to my WIOX show (originally aired July 16th, 2024) featuring award-winning poet and President and Executive Director of the Academy of American Poets, Ricardo Maldonado.  Pamela Manché Pearce, Planet Poet's Poet-at-Large, is also featured on the show. Visit: Sharonisraelpoet.com. Visit: https://poets.org/academy-american-poets and https://poets.org/poet/ricardo-alberto-maldonado.  Visit:  https://www.pamelampearce.com Ricardo Alberto Maldonado was born and raised in Puerto Rico. A graduate of Tufts and Columbia University's School of the Arts, he is the author of The Life Assignment (Four Way Books, 2020), a finalist for the Poetry Society of America's Norma Farber First Book Award, one of Remezcla's Best Books by Latina or Latin American Authors, and Silver Medalist for the Juan Felipe Herrera Best Poetry Book Award. He is also the translator of Dinapier DiDonato's Colaterales/ Collateral (National Poetry Series / Akashic Books, 2013) and coeditor of Puerto Rico en mi corazón (Anomalous Press, 2019), a bilingual anthology that raised funds for grassroots recovery efforts in Puerto Rico after Hurricane Maria. Maldonado is the Academy of American Poets' President and Executive Director. Previously, he served as the co-director of 92NY's Unterberg Poetry Center in New York City. He is the recipient of fellowships from the New York Foundation for the Arts, CantoMundo, Queer|Art|Mentorship, and the T. S. Eliot and Hawthornden foundations. Praise for The Life Assignment Lynn Melnick… Complex and unblinking, with heaps of sorrow and grace, Maldonado has a knack for the impossible, and for making his readers look headlong into it until we all come out the other side more compassionate and honest. Emily Skillings… This bilingual collection asks us to consider how we as readers and citizens reconcile self and state, body and landscape, desire and capital, language and communication . . . Urayoan Noel-The Life Assignment is, in its own startling terms, an ecology of late capitalist grief… This outstanding first book, merciless in its beauty and wit, is a ‘schema for our lapsed world,' a way to make sense of our ‘somber city' and ‘the grief / we happen to be around.

In this episode of UIndy's Potluck Podcast, where we host conversations about the arts, ENGL 478 students Emma Knaack and Griffin Cloyer interview poet, José Olivarez, a guest of the Kellogg Writers Series, which is a series that brings writers of distinction to the University of Indianapolis campus for classroom discussions and free public readings. A big thank you to UIndy Music major Gabriel Bynoe for editing this episode. José Olivarez is the son of Mexican immigrants, the author of Citizen Illegal and Promises of Gold, the co-author of Home Court, co-editor of BreakBeat Poets 4: LatiNEXT, and the co-host of the poetry podcast The Poetry Gods. His work has been published in the BreakBeat Poets, the Adroit Journal, the Rumpus, and other places. He earned a BA from Harvard University. Named a Debut Poet of 2018 by Poets & Writers, he is the recipient of fellowships from CantoMundo, Poets House, the Bronx Council on the Arts, the Poetry Foundation, and the Conversation Literary Festival.  We thank you for listening to UIndy's Potluck Podcast, which is hosted by students and faculty of the University of Indianapolis. We would like to thank our guests and the Shaheen College of Arts and Sciences. To learn more about the Potluck Podcast and hear other episodes, please visit etchings [dot] uindy [dot] edu [forward slash] the [hyphen] potluck [hyphen] podcast. Thank you for your support. 

Carina del Valle Schorske is a writer, translator, and wannabe backup dancer. Her debut essay collection, The Other Island, is forthcoming from Riverhead Books. It was recently awarded a Whiting Creative Nonfiction Grant. She writes about Caribbean culture, literary politics, diasporic dramas, and the songs she can't stop singing to herself. Her essays have been published many places including The Believer, The Cut, The Point, and the New York Times Magazine, where she is now a contributing writer. As a translator, she focuses on Puerto Rican poetry, especially the work of Marigloria Palma. Her own poetry has been featured in a variety of small journals and anthologies, and supported by fellowships from CantoMundo, MacDowell, and the Bread Loaf Writers' Conference. Recorded October 17, 2023 at the Shapiro Center at Wesleyan University Edited by Michele Moses Music by Dani Lencioni Art by Leanne Shapton Sponsored by the Shapiro Center for Creative Writing and Criticism at Wesleyan University, New York Review of Books, Lit Hub, and Knopf

In the latest installment of our minisode series, Poetry Corner,  Kendra Winchester is joined by Amy M. Alvarez.Books MentionedMakeshift Altar by Amy M. AlvarezBlue on a Blue Palette by Lynne ThompsonBecoming AppalAsian by Lisa KwongIncendiary Art by Patricia SmithMothman Apologia Volume 116 by Robert Wood LynnGuest InfoAmy M. Alvarez's work has appeared in Ploughshares, The Missouri Review, swamp pink (Crazyhorse), and The Cincinnati Review, among others. She has been awarded fellowships from CantoMundo, VONA, Macondo, Virginia Center for the Creative Arts, and the Furious Flower Poetry Center. Alvarez is coeditor of Essential Voices: A COVID-19 Anthology and teaches writing and literature at West Virginia University. In 2022, she was inducted as an Affrilachian Poet. Learn more at amymalvarez.com. X / Twitter | Website---Show Your Love for Read Appalachia! You can support Read Appalachia by heading over to our merch store, tipping us over on Ko-fi, or by sharing the podcast with a friend! For more ways to support the show, head over to our Support page. Follow Read Appalachia Facebook | Twitter | Instagram | TikTok ContactFor feedback or to just say “hi,” you can reach us at readappalachia[at]gmail.comMusic by Olexy from Pixabay

Immigration remains a hot-button in American politics, but Javier Zamora tells the story of his own entry into the United States—a journey and a story that put a human face on the issue.    Zamora is the author of “SOLITO,” his New York Times bestselling memoir and is the 2024 Reading Across Rhode Island Selection. Born in La Herradura, El Salvador in 1990, his parents fled the country due to the U.S.-funded Salvadoran Civil War from 1980-1992. Zamora was raised by his grandparents until the age of nine when he began his nine-week odyssey to Arizona. His memoir recounts the perilous journey. He is the author of a poetry collection entitled, “Unaccompanied.” He holds fellowships from CantoMundo, Colgate University, MacDowell, Macondo, the National Endowment for the Arts, Poetry Foundation, Stanford University and Yaddo. He is the recipient of a 2017 Lannan Literary Fellowship, the 2017 Narrative Prize and the 2016 Barnes & Noble Writer for Writers Award for his work in the Undocupoets Campaign. See omnystudio.com/listener for privacy information.

Day 3: Leslie Sainz reads her poem “At the Center of the Story & Utterly Left Out”, originally published in The Common (2023).  Leslie Sainz is the author of Have You Been Long Enough at Table (Tin House, 2023), a finalist for the 2024 Audre Lorde Award. The daughter of Cuban exiles, her work has appeared in the Academy of American Poets' Poem-a-Day, the Yale Review, Kenyon Review, American Poetry Review, and elsewhere. A three-time National Poetry Series finalist, she's received fellowships from the National Endowment for the Arts, CantoMundo, and the Stadler Center for Poetry & Literary Arts at Bucknell University. Originally from Miami, she lives in Vermont and works as the managing editor of New England Review. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language. Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.

Happy Monday, Fabulous Listener! Welcome to Inside the Minds of Authors. A podcast dedicated to bringing you passionate authors with exciting books. I have an uplifting interview for you this evening. The talented Mr. Diego Báez, is joining us with his incredible book, White Yaguarete. A collection of memory poems that will have you captivated. Diego Báez is a writer, educator, and abolitionist. He is the recipient of fellowships from CantoMundo, the Surge Institute, and the Poetry Foundation's Incubator for Community-Engaged Poets. His writing has appeared in Freeman's, The Rumpus, Harriet Books, and The Georgia Review. He lives in Chicago and teaches at the City Colleges. To Connect with Diego and learn more about his book and works, check out his Instagram page at https://www.instagram.com/profebaez/. If you are enjoying the podcast and would like to stay in touch, subscribe. You don't want to miss a single episode. Happy Listening, DC

Molly talks with Diego Báez about his book, "Yagueareté White: Poems (Camino del Sol).   ABOUT YAGUEARETÉ WHITE: POEMS In Diego Báez's debut collection, Yaguareté White, English, Spanish, and Guaraní encounter each other through the elusive yet potent figure of the jaguar. The son of a Paraguayan father and a mother from Pennsylvania, Báez grew up in central Illinois as one of the only brown kids on the block—but that didn't keep him from feeling like a gringo on family visits to Paraguay. Exploring this contradiction as it weaves through experiences of language, self, and place, Báez revels in showing up the absurdities of empire and chafes at the limits of patrimony, but he always reserves his most trenchant irony for the gaze he turns on himself. Notably, this raucous collection also wrestles with Guaraní, a state-recognized Indigenous language widely spoken in Paraguay. Guaraní both structures and punctures the book, surfacing in a sequence of jokes that double as poems, and introducing but leaving unresolved ambient questions about local histories of militarism, masculine bravado, and the outlook of the campos. Cutting across borders of every kind, Báez's poems attempt to reconcile the incomplete, contradictory, and inconsistent experiences of a speaking self that resides between languages, nations, and generations. Yaguareté White is a lyrical exploration of Paraguayan American identity and what it means to see through a colored whiteness in all of its tangled contradictions. ABOUT DIEGO BAEZ Diego Báez is a writer, educator, and abolitionist. He is the author of Yaguareté White (Univ. Arizona, 2024), a finalist for The Georgia Poetry Prize and a semi-finalist for the Berkshire Prize for Poetry. A recipient of fellowships from CantoMundo, the Surge Institute, the Poetry Foundation Incubator for Community-Engaged Poets, and DreamYard's Rad(ical) Poetry Consortium, Diego has served on the boards of the National Book Critics Circle, the International David Foster Wallace Society, and Families Together Cooperative Nursery School. Poems have previously appeared or are forthcoming in Freeman's, Poetry Northwest, and Latino Poetry: A New Anthology. Diego lives in Chicago and teaches poetry, English composition, and first-year seminars at the City Colleges, where he is an Assistant Professor of Multidisciplinary Studies.   _______________________________________________________________ One easy way to support this show is to rate and review Read Between the Lines wherever you listen to our podcast.  Those ratings really help us and help others find our show. Read Between the Lines is hosted by Molly Southgate and is produced/edited by Rob Southgate for Southgate Media Group.    Follow this show on Facebook @ReadBetweentheLinesPod Follow our parent network on Twitter at @SMGPods Make sure to follow SMG on Facebook too at @SouthgateMediaGroup Learn more, subscribe, or contact Southgate Media Group at www.southgatemediagroup.com.   Check out our webpage at southgatemediagroup.com  

About: Elizabeth Acevedo is the New York Times-bestselling author of The Poet X, which won the National Book Award for Young People's Literature, the Michael L. Printz Award, the Pura Belpré Award, the Carnegie medal, the Boston Globe–Horn Book Award, and the Walter Award. She is also the author of numerous other titles including Family Lore; With the Fire on High, which was named a best book of the year by the New York Public Library, NPR, Publishers Weekly, and School Library Journal; and Clap When You Land, a Boston Globe–Horn Book Honor book and a Kirkus finalist. Acevedo has been a fellow of Cave Canem, Cantomundo, and a participant in the Callaloo Writer's Workshops. She is a National Poetry Slam Champion, and resides in Washington, DC with her husband.       Find out more at gloryedim.com

Host Tim Z. Hernandez speaks with writer and educator Diego Báez. Diego is the author of Yaguarete White (Univ. Arizona, 2024), a finalist for the Georgia Poetry Prize and a semifinalist for the Berkshire Prize for Poetry. A fellow at CantoMundo, the Surge Institute, and the Poetry Foundation's Incubator for Community-Engaged Poets, Báez has served on the boards of the National Book Critics Circle, the International David Foster Wallace Society, and Families Together Co-operative Nursery School. His poems, book reviews, and essays have appeared online and in print. He lives in Chicago and teaches at the City Colleges.You can visit Diego's website at: https://www.diegobaez.com/

Phuc and Kate speak with the acclaimed and straight-up luminous Texas Poet Laureate, ire'ne lara silva, at the 2023 Writer's Family Reunion sponsored by Writespace.We had the opportunity to chat about her process, the bold and unapologetic treatment of grief in her writing, and how she finds cracks of light in the depths. silva, who is an inductee in the Texas Institute of Letters and an inaugural CantoMundo fellow, runs a workshop called “Forget Discipline,” where she and fellow writers practice the art of creating without constraints. Though she has authored books of poetry, short stories, and a forthcoming comic book, silva hardly considers herself prolific. “I've spent hours debating a comma,” she quipped in response to this characterization of her work, “I don't let anything go until I'm ready.” Perhaps these principles are what drive her acclaimed work, which has been described as “candid and fearless.” True to this portrayal, silva's work is unafraid of approaching heavier themes, and she recognizes this authenticity and honesty as critical to creating a space where readers can see themselves in her stories. This approach lends itself well to silva's exploration of grief in many of her works, which she artfully conceives of as a transformative process that signifies the importance of those close to us in our lives. Concluding with an elegant summation of her creative process, silva muses, “what's the point of transforming all these things if it's not to live a joyous life, if it's not to find love and friends and work worth doing and to appreciate our creativity?” We couldn't have asked for a more fitting conclusion for season 6 of the podcast. Stay tuned for more from the desks of Bloomsday Literary. If you've heard all the podcast episodes, and still want more, we have short interviews with publishing insiders in our Instagram Live archive series called “Dear Sirs.” Check it out @bloomsdayliterary on IG. Honorable mentions: Writer's Workshop, Macondo Workshop (next workshop begins July 23, 2024!)the eaters of flowers, Saddle Road Press silva's books and reviewsfor Uvalde by ire'ne lara silva Photo credit Jana Birchum

Iliana Rocha earned her PhD in Literature and Creative Writing from Western Michigan University. She is the 2019 winner of the Berkshire Prize for her book The Many Deaths of Inocencio Rodriguez (Tupelo Press). Her first book, Karankawa, won the 2014 AWP Donald Hall Prize for Poetry. Her work has appeared or is forthcoming in the Best New Poets anthology, Poetry, Poem-a-Day, The Nation, Virginia Quarterly Review, Latin American Literature Today, and many others. She has won fellowships from CantoMundo and MacDowell. She serves as Poetry Co-Editor for Waxwing Literary Journal, and she is an Assistant Professor at the University of Tennessee.Delmira Agustini is considered one of the most important South American poets of the 20th century. She was born to upper-middle-class parents in Montevideo, Uruguay in October of 1886. She began writing poetry at the age of 10, and her first major work, El Libro Blanco, was published in 1907, when she was just 20 years old. She went on to publish several other books that were well-received by writers and critics. Links:Read "Still Life," "Houston," and "Landscape with Graceland Crumbling in My Hands"Read "Explosión" in Spanish and EnglishIliana RochaIliana Rocha's websiteBio and poems at the Poetry Foundation's website"The Many Deaths of Inocencio Rodriguez" in New York Times Magazine"Mexican American Sonnet" at Poets.org"Three Poems" in Latin American Literature Today“like the building that reflects his death in every window: A Conversation with Iliana Rocha about The Many Deaths of Inocencio Rodriguez” — curated by Tiffany Troy in Tupelo QuarterlyDelmira AgustiniBio and "The Vampire" at Poets.orgSix Poems by Delmira Agustini (translated by Valerie Martinez) at Drunken Boat

Iliana Rocha earned her PhD in Literature and Creative Writing from Western Michigan University. She is the 2019 winner of the Berkshire Prize for her book The Many Deaths of Inocencio Rodriguez (Tupelo Press). Her first book, Karankawa, won the 2014 AWP Donald Hall Prize for Poetry. Her work has appeared or is forthcoming in the Best New Poets anthology, Poetry, Poem-a-Day, The Nation, Virginia Quarterly Review, Latin American Literature Today, and many others. She has won fellowships from CantoMundo and MacDowell. She serves as Poetry Co-Editor for Waxwing Literary Journal, and she is an Assistant Professor at the University of Tennessee.Delmira Agustini is considered one of the most important South American poets of the 20th century. She was born to upper-middle-class parents in Montevideo, Uruguay in October of 1886. She began writing poetry at the age of 10, and her first major work, El Libro Blanco, was published in 1907, when she was just 20 years old. She went on to publish several other books that were well-received by writers and critics. Links:Read "Still Life," "Houston," and "Landscape with Graceland Crumbling in My Hands"Read "Explosión" in Spanish and EnglishIliana RochaIliana Rocha's websiteBio and poems at the Poetry Foundation's website"The Many Deaths of Inocencio Rodriguez" in New York Times Magazine"Mexican American Sonnet" at Poets.org"Three Poems" in Latin American Literature Today“like the building that reflects his death in every window: A Conversation with Iliana Rocha about The Many Deaths of Inocencio Rodriguez” — curated by Tiffany Troy in Tupelo QuarterlyDelmira AgustiniBio and "The Vampire" at Poets.orgSix Poems by Delmira Agustini (translated by Valerie Martinez) at Drunken Boat

Millicent Borges Accardi, a Portuguese-American writer, is the author of four poetry collections, including Only More So (Salmon Poetry, Ireland), and Quarantine Highway (FlowerSong Press). Among her awards are fellowships from the National Endowment for the Arts (NEA), Fulbright, CantoMundo, Creative Capacity, the California Arts Council, Foundation for Contemporary Arts (Covid grant), Yaddo, Portuegese National Cultural Foundation, and the Barbara Deming Foundation, "Money for Women." She lives in Topanga canyon. From re-definition to re-calibration, the poems in Quarantine Highway are artifacts to the early and mid-days of the pandemic. Though not specifically labeled as "Covid poems," they strike to the heart of the universal yet individual struggles of solitude, confinement, justice, isolation and, ultimately, self-reckoning. The poems push and pull between the constantly knocking global news cycle to the stillness of a surreal inner world. Find more of Millicent's writings here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Millicent Borges Accardi, a Portuguese-American writer, is the author of four poetry collections, including Only More So (Salmon Poetry, Ireland), and Quarantine Highway (FlowerSong Press). Among her awards are fellowships from the National Endowment for the Arts (NEA), Fulbright, CantoMundo, Creative Capacity, the California Arts Council, Foundation for Contemporary Arts (Covid grant), Yaddo, Portuegese National Cultural Foundation, and the Barbara Deming Foundation, "Money for Women." She lives in Topanga canyon. From re-definition to re-calibration, the poems in Quarantine Highway are artifacts to the early and mid-days of the pandemic. Though not specifically labeled as "Covid poems," they strike to the heart of the universal yet individual struggles of solitude, confinement, justice, isolation and, ultimately, self-reckoning. The poems push and pull between the constantly knocking global news cycle to the stillness of a surreal inner world. Find more of Millicent's writings here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Millicent Borges Accardi, a Portuguese-American writer, is the author of four poetry collections, including Only More So (Salmon Poetry, Ireland), and Quarantine Highway (FlowerSong Press). Among her awards are fellowships from the National Endowment for the Arts (NEA), Fulbright, CantoMundo, Creative Capacity, the California Arts Council, Foundation for Contemporary Arts (Covid grant), Yaddo, Portuegese National Cultural Foundation, and the Barbara Deming Foundation, "Money for Women." She lives in Topanga canyon. From re-definition to re-calibration, the poems in Quarantine Highway are artifacts to the early and mid-days of the pandemic. Though not specifically labeled as "Covid poems," they strike to the heart of the universal yet individual struggles of solitude, confinement, justice, isolation and, ultimately, self-reckoning. The poems push and pull between the constantly knocking global news cycle to the stillness of a surreal inner world. Find more of Millicent's writings here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

"This weirdness swims up..." Alexandra Regalado talks to Farnaz Fatemi about teeth as relics, finding inspiration in visual artists, attempting to say the unsaid, writing things in poems that might never get said aloud--and more serious and not-so-serious preoccupations. Our conversation focuses on Regalado's second book, the National Poetry Series publication Relinquenda, from Beacon Press. Alexandra Lytton Regalado is a Salvadoran-American author, editor, and translator. She is the author of Relinquenda, winner of the National Poetry Series (Beacon Press, 2022); the chapbook Piedra (La Chifurnia, 2022); and the poetry collection, Matria, the winner of the St. Lawrence Book Award (Black Lawrence Press, 2017). Alexandra holds fellowships at CantoMundo and Letras Latinas; she is winner of the Coniston Prize, and her work has appeared in The Best American Poetry, poets.org, World Literature Today, Narrative, and The Poetry Foundation's Harriet blog, among others. Her translations of contemporary Latin American poetry appear in Poetry International, FENCE, and Tupelo Quarterly and she is translator of Family or Oblivion by Elena Salamanca. She is co-founding editor of Kalina, a press that showcases bilingual, Central American-themed books and she is assistant editor at SWWIM Every Day an online daily poetry journal for women-identifying poets. www.alexandralyttonregalado.com

Join Alexa Patrick and special guests for a celebration of her debut poetry collection Remedies for Disappearing. This event took place on June 6, 2023. In this beautiful debut from an exciting new poet, Alexa Patrick's Remedies for Disappearing memorializes Blackness in its quiet and unexpected forms, bringing the peripheral into focus. These poems muddy Black life and death, observe lineage and love stories, and question what “disappearing” teaches about Blackness and bodies. Remedies for Disappearing is gritty, sharp, and formally inventive, demonstrating Patrick's imaginative curiosity, lyrical restraint, and confidence in her handling of language. Moments of aphoristic confession are balanced with imagistic precision as the speaker recounts the ways her aunties, sisters, and even herself have disappeared in order to survive. Patrick's poetry is haunting and hopeful, striving to provide readers with the tools and context to acknowledge, define, and honor the complexity of Black girl/womanhood. Remedies for Disappearing connects Black girls and women to each other and to their own histories, and insists that they be fully and wholly seen. Get Remedies for Disappearing from Haymarket: https://www.haymarketbooks.org/books/... Speakers: Alexa Patrick is a poet and vocalist from Connecticut. She is a Cave Canem fellow and Tin House alumna. She has also been cast in the featured role of Unsung in We Shall Not Be Moved, an opera under the direction of Bill T. Jones. You may find Alexa's work published in The Quarry, The Rumpus, CRWN Magazine, and The BreakBeat Poets Vol. 2: Black Girl Magic. Raina León is a teacher, writer, artist, curator, scholar, and speaker. You might know her as a founding editor of The Acentos Review, the lead coordinator for Nomadic Press Philadelphia, the author of black god mother this body, and co-founder of StoryJoy, Inc. with Dr. Norma Thomas. She does lots of things and invites you to dream with her sometime. Jasmine Mans is a Black poet and performance artist from Newark, New Jersey. Jasmine's poetry book, BLACK GIRL, CALL HOME has been named one of Oprah's Most Anticipated LGBTQ Books and a TIME Magazine Must Read, to name a few; and Jasmine herself named as Essence's #1 Contemporary Black Poet to Know. Jasmine most recently collaborated with the Brooklyn Ballet on an original performance piece titled Unnatural Surrounding at the prestigious Brooklyn Academy of Music. Gabriel Ramirez, a Queer Afro-Latinx poet and teaching artist has received fellowships from Palm Beach Poetry Festival, The Watering Hole, The Conversation Literary Arts Festival, CantoMundo, Miami Book Fair, and a participant in the Callaloo Writers Workshops. You can find his work in publications like The Volta, Split This Rock, VINYL, Acentos Review as well as Bettering American Poetry Anthology, What Saves Us: Poems of Empathy and Outrage in the Age of Trump and The Breakbeat Poets Vol. 4: LatiNEXT. Kush Thompson, author of A Church Beneath the Bulldozer (2014), is a Chicago-born poet, painter, archivist, educator, and Cave Canem fellow. Voted runner-up best local poet of 2014 by The Chicago Reader, a 2015 Young Futurist by The Root, and a 2017 Pink Door & Luminarts Creative Writing Fellow, Thompson's contributed over a decade of performances and creative writing workshops, both nationally and internationally. Watch the live event recording: https://youtube.com/live/naG3oOfqw6g Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

Why do we do the things we do when we're young? Brenda Cárdenas recalls nights sneaking out of the house as a teenager, looking for highs, looking for company. “Why would you do that?” is the adult question throughout the poem. “Why wouldn't I?” is a reply.Brenda Cárdenas is the author of the poetry collection Trace (Red Hen Press, 2023). Cárdena's works include Boomerang (Bilingual Press, 2009), the chapbook Bread of the Earth/The Last Colors (Decentralized Publications, 2011), co-authored with her husband Roberto Harrison, and From the Tongues of Brick and Stone (Momotombo Press, 2005). She also co-edited Resist Much/Obey Little: Inaugural Poems to the Resistance (Spuyten Duyvil Press, 2017) and Between the Heart and the Land: Latina Poets in the Midwest (MARCH/Abrazo Press, 2001). She has served as faculty for the CantoMundo writers' retreat and as Milwaukee Poet Laureate. She currently teaches creative writing and Latinx literature at University of Wisconsin-Milwaukee.Find the transcript for this show at onbeing.org.We're pleased to offer Brenda Cárdenas's poem, and invite you to connect with Poetry Unbound throughout this season.

Join local writers, musicians, and activists for an evening of songs, poetry, and witness.  Alex Gallo-Brown has worked as a barista, a server, a cook, an organic farmer, a caregiver for people with disabilities, an educator, and a union organizer, among other professions. He has also published two books, The Language of Grief (2012) and Variations of Labor (2019). Called “the poet of the service economy” by author and critic Valerie Trueblood, he has been awarded the Barry Lopez Fellowship from Seattle's Hugo House, the Walthall Fellowship from Atlanta's WonderRoot, and the Emerging Artist Award from the City of Atlanta. He holds degrees in writing from Pratt Institute in Brooklyn and Georgia State University in Atlanta. He lives in Seattle with his wife and two daughters. Louis Ramon Garcia is a PNW-native and a Washington State University alumnus, where he double majored in political science and philosophy. He led the unionization of workers at Storyville Coffee in Seattle when he was employed in early 2022. Since then, Louis has begun developing a career within the worker/labor rights movement and seeks to pursue higher education for himself and justice and equity for workers everywhere. Victory Rose is a PNW based singer-songwriter and former Starbucks barista who worked at the first unionized Starbucks store in Seattle, Broadway and Denny. She found her voice as a chant leader, accompanist and organizer over the past year's SBWU strike and rally actions.  Paul Hlava Ceballos is the author of banana [ ], a finalist for the National Book Critics Circle Award and winner of the AWP Donald Hall Prize for Poetry. He has fellowships from CantoMundo, Artist Trust, and the Poets House. His work has been published in Poetry Magazine, BOMB, and the LA Times, and has been translated into Ukrainian. He organized ESL teachers' unions in New York, helping found a union at Kaplan International Colleges, which was the first union at a for-profit English school in America. Working with 99 Pickets, he also participated in campaigns for the NYU Graduate Students Union, Hot and Crusty, and the Laundry Workers Center United.

The Poet's Cove welcomes Aldo Amparán, author of the poetry collection Brothers Sleep (Alice James Books, 2022), winner of the Alice James Award. Host Daniel Chacón and Aldo's discuss everything from the writing process to imposter syndrome. Aldo also reads a poem from Brothers Sleep, “Thanatophobia, or Sleep Addresses His Brother.” Aldo Amparán is a poet, writer, & translator born and raised in the border cities of El Paso, TX, USA, & Ciudad Juárez, CH, MX. They are the recipient of fellowships from the National Endowment for the Arts & CantoMundo. Their work has been widely published in anthologies and literary journals including AGNI, Best New Poets, Gulf Coast, Kenyon Review Online, Ploughshares, Poetry Magazine, & elsewhere. They hold an MFA in Creative Writing from the University of Texas at El Paso.

Episode 158 Notes and Links to Javier Zamora's Work       On Episode 158 of The Chills at Will Podcast, Pete welcomes Javier Zamora, and the two discuss, among other things, his early love of learning and influences in his native Él Salvador, the effects of his family members on his world view, the accolades that have come with his writing and his original and continuing goals for his work, his memoir and his light and masterful touch with a young kid's POV, the ways in which traumas and bonding and love were intertwined in his journey to the US, and how writing the book brought him to a greater understanding of the vagaries of human behavior and his own behaviors.      Javier Zamora was born in La Herradura, El Salvador, in 1990. At the age of nine he migrated to the United States to be reunited with his parents. Zamora holds a BA from the University of California, Berkeley, where he studied and taught in June Jordan's Poetry for the People; and an MFA from New York University. He is the recipient of scholarships to Bread Loaf, Frost Place, Napa Valley, Squaw Valley, and VONA Writer's Conferences; and fellowships from CantoMundo and Colgate University where he is the Olive B. O'Connor fellow. His poems also appear in Best New Poets 2013, Indiana Review, Narrative, Ploughshares, Poet Lore, Theatre Under My Skin (Kalina Press: El Salvador), and elsewhere. Zamora has had his work recognized with a Meridian Editor's Prize, CONSEQUENCE Poetry Prize, and the Organic Weapon Arts Chapbook Contest.e enjoys hiking, camping, and is just getting into backpacking.   Buy Solito   Javier Zamora's Website   The New York Times Book Review of Solito   September 2022 from The Los Angeles Times: “At 9, Javier Zamora walked 4,000 miles to the U.S. At 29, he was ready to tell the story” At about 7:30, Pete asks the important question: Does Salvadoran Spanish have the best groseria?    At about 8:10, Javier responds to Pete's questions about his use of Spanish/Spanglish, and Salvadoran-specific words and his rationale/process in using the words    At about 11:50, Pete asks Javier about the awards and acclaim he has received and how it registers compared to the experience of sharing this personal story with the world   At about 14:45, Javier talks about pressures-external and internal-that have weighed him down and how therapy and healing through writing have lifted much of these pressures    At about 19:20, Javier speaks to Pete's question about the writers who have inspired and thrilled and challenged him; Javier mentions the outsized encouragement provided by Roberto Lovato   At about 21:00, Javier cites the huge influences of June Jordan and Roque Dalton    At about 22:25, Pete asks Javier about his early relationship with the written word, and he mentions his grandfather's and parents' educational and political backgrounds and how they shaped his reading     At about 27:05, Javier traces his fairly-circuitous route to becoming a writer, including the impact of Guevara's Motorcycle Diaries   At about 28:55, Javier responds to Pete's question about how the Bay Area's ethic has shaped him   At about 30: 10, Javier discusses the teaching of Salvadoran history in Él Salvador and how he was guided by this    At about 31:00, Javier and Pete highlight Immortal Technique and Rage Against the Machine as educational and radical musicians and inspirations   At about 32:10, Pete asks Javier about the meanings of the book's title, and Javier focuses on the three main parts/time periods of him being ”solito”   At about 34:20, Pete wonders about Javier's individual story and how it compares to, and was inspired by, more recent migrations of Salvadorans and Central Americans, particularly minors, and how journalism has erred in covering the    At about 39:30, Pete reads the epigraphs and Javier expands upon their importance and connections to the book   At about 41:00, Javier puts forth interesting ideas about the use of the word “immigrant” and suggests a possible substitute   At about 43:00, Javier expands upon ideas of the natural affinity that people (Americans, for one) have for children, and connections to the American immigration system     At about 44:30, Pete, stunned at the masterful ways in which Javier uses the POV of 9 yr old him, asks Javier how he managed to pull it off, and Javier talks about how his traumas have affected his growth   At about 47:10, Pete outlines the book's beginnings before Javier goes to the US   At about 48:00, Javier discusses the importance of his bonding time with his grandfather right before he headed North; he highlights The Body Keeps the Score and how he saw his ACES Index.   At about 51:00, Javier explains the Cadejo and its significance for him   At about 52:40, Javier recounts the tortuous boat trip that is depicted in the book and describes the overwhelming fear   At about 54:55, Javier talks about the “Big Four” (formerly the “Big Six” the people who become bonded for life with Javier and ideas of “surviving” as manifested by different people on Javier's journey   At about 58:30, Pete cites examples of charity depicted in the memoir and Pete compliments Javier's humanizing his characters; Javier responds with his views of the coyotes and the ways in which the border “world of 1999 that [he] described is different than now”   At about 1:01:20, Pete asks Javier if his stated goal for the writing of the book has been accomplished    At about 1:03:00, Javier talks about his involvement with Undocupoets, and how the writing world deals with issues of citizenship   At about 1:05:55, Javier describes his upcoming project    At about 1:06:45, Loca the Cat makes an appearance!      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.    Please tune in for Episode 159 with Amanda Korz, whose poetry witnesses previous versions of herself and intimately digs into mental illness, disability, and witchcraft. Her poetry collection, It's Just a Little Blood.    The episode will air on December 27.  

Episode 157 Notes and Links to Ilana Masad's Work       On Episode 157 of The Chills at Will Podcast, Pete welcomes Ilana Masad, and the two discuss, among other things, Ilana being raised bilingual and bicultural, her early reading and shifting literary interests, formative and transformative classes and mentors and books, her podcasting days, her work as a critic, and the myriad cultural issues and themes that manifest in her standout novel, All My Mother's Lovers.    Ilana Masad is a queer Israeli-American writer of fiction, nonfiction, and criticism. Her work has appeared in The New Yorker, New York Times, LA Times, Washington Post, NPR, StoryQuartlerly, Tin House's Open Bar, 7x7, Catapult, Buzzfeed, and many more. A graduate of Sarah Lawrence College, she has received her Masters in English from the University of Nebraska-Lincoln where she is currently a doctoral student. She is the author of the novel All My Mother's Lovers.   Buy All My Mother's Lovers   Ilana Masad's Website   Ilana Reviews Rachel Monroe's Savage Appetites for NPR   The Last Episode of The Other Stories Podcast   The Other Stories Podcast   At about 7:00, Ilana discusses her academic work as she finishes up her    At about 7:50, Ilana talks about growing up in Israel and homes in on her bilingual education and writing and reading in her early days   At about 10:30, Ilana responds to Pete wondering if Hebrew in particular in its structure informs her English writing; she cites formative experiences with Etgar Keret and his poetry reading series   At about 15:00, Ilana discusses early reading that inspired and thrilled her-including works by Tamora Pierce   At about 20:15, Ilana talks about the impact of realist fiction on her    At about 22:30, Brian Morton is referenced as Pete asks Ilana about how she began to gain momentum towards becoming a professional writer   At about 24:00, Ilana shares an anecdote about Kieron Winn and her time at Oxford; this anecdote is partly-related in this article printed in December 18, 2022's Atlantic    At about 26:10, Ilana outlines her plan in transition from publishing into writing   At about 26:50, Pete asks Ilana about reading for “pleasure”/for “business”   At about 28:15, Pete wonders about book criticism involving “bad” books   At about 31:25, Ilana lists some favorite contemporary writers and writing, including Moriel Rothman-Zecher's Before All the World   At about 34:00, Pete cites some background info on Ilana's submission process that he learned from the great I'm a Writer…But Podcast, and Ilana responds to his question about the maxim “Kill your darlings”-she quotes R.O. Kwon's advice   At about 35:45, Ilana gives background on some seeds for the book, including the dynamic opening line    At about 38:00, The two discuss the book's three epigraphs and the book's inciting incident in creating significance for the mother-daughter relationship throughout   At about 39:20, Pete compliments the book's interesting structure and moving scene near the end as he asks Ilana about how she maintained continuity for the storyline   At about 41:50, The two discuss grief as presented in the book, and Pete asks Ilana to expound upon the connections between sex and death   At about 45:50, The two discuss the main character, Maggie's, father Peter, and Pete makes a guess about his name's provenance    At about 47:00, Pete asks Iris and her tastes and behaviors and personality and connections to intergenerational traumas and her history with an ex-husband    At about 48:25, Ilana responds to Pete's questions about Maggie's behaviors after feeling left out/forgotten by her mom, due to Maggie's open lesbian lifestyle    At about 49:45, The idea of the shiva and the cool plot device that unveils with the letters to be delivered is brought up and explored; Ilana expands upon Maggie's feelings     At about 52:00, Ilana discusses the vagaries of grief and how it manifests in life and in the book   At about 53:30, The two shout out Sacramento's appearance in the book!   At about 55:00, Ilana discusses the varied men that Iris had as lovers and their connections to Maggie and her relationship with her mother   At about 56:00, Ilana compares and contrasts Maggie with herself and talks about Maggie's “commitment issues” and its “self-sabotage”   At about 58:30, Ilana delineates the ways in which American/WASP cultures often deal with death in such different ways than what she is used to; this leads to discussion of ideas of wellness in the United States    At about 1:02:50, Ilana talks about how mourning and views of death are tied in to the byzantine healthcare system in the US; she uses Erin Brockovich as an example of the system's faults   At about 1:05:35, Ilana gives background on Mac Lopez from the book as an “homage” to Zahn McClarnon   At about 1:09:00, Pete cites the last scenes as beautiful and stirring and shouts out the “loveable character” Peter-without giving spoilers!   At about 1:09:55, Ilana shares “lovely messages” from readers and highly encourages readers to reach out authors   At about 1:11:10, Ilana discusses her time as a podcast host for The Other Stories Podcast    You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.    Please tune in for Episode 158 with Javier Zamora. Born in El Salvador, he came unaccompanied to the US at age nine, much of the basis for his debut New York Times bestselling memoir, Solito, which has been featured on The Today Show and many other pubs; holds fellowships from, among many others, CantoMundo and the National Endowment for the Arts    The episode will air later tonight, on December 20.

Millicent Borges Accardi, an NEA fellow, is a Portuguese-American writer. She has four poetry collections, including Only More So (Salmon Poetry, Ireland). Among her awards are poetry fellowships from the National Endowment for the Arts, California Arts Council, CantoMundo, Fulbright, Foundation for Contemporary Arts NYC (Covid grant), Creative Capacity, Fundação Luso-Americana, and Barbara Deming Foundation, “Money for Women.” She lives in the hippie-arts community of Topanga, CA, where she curates Kale Soup for the Soul and Loose Lips poetry readings. https://www.amazon.com/Millicent-Borges-Accardi/e/B003AOMTEI/ref=dp_byline_cont_pop_book_1 https://twitter.com/TopangaHippie https://www.instagram.com/topangahippie/ https://www.facebook.com/MillB/ https://www.youtube.com/watch?v=fwbXwQAICIc https://www.linkedin.com/in/millicent-borges-accardi-bb4b964/

Episode 153 Notes and Links to Luivette Resto's Work       On Episode 153 of The Chills at Will Podcast, Pete welcomes Luivette Resto, and the two discuss, among other topics, her childhood in Puerto Rico and the Bronx, her pride in her Puerto Ricanidad, Spanglish, formative reading and writing, mentors and inspirations like Helena Maria Viramontes, ideas of home and identity and inheritance that populate her poetry, and how form and family dynamics inform her work.       Luivette Resto, a mother, teacher, poet, and Wonder Woman fanatic, was born in Aguas Buenas, Puerto Rico but proudly raised in the Bronx. She is a CantoMundo and Macondo Fellow, and a Pushcart Prize nominee. She is on the Board of Directors for Women Who Submit, a non profit organization in Los Angeles focused on women and nonbinary writers. Some of her latest work can be read on Spillway, North American Review, and the latest anthology, Gathering. Her latest collection Living On Islands Not Found On Maps is  published by FlowerSong Press.  Her first two books of poetry Unfinished Portrait and Ascension have been published by Tía Chucha Press. Some of her latest work can be found in the anthology titled What Saves Us: Poems of Empathy and Outrage in the Age of Trump edited by Martín Espada and on the University of Arizona's Poetry Center website. She lives in the San Gabriel Valley with her three children aka her revolutionaries. Buy Living on Islands Not Found on Maps   Luivette Resto's Website   “Becoming Guazabara: A Interview with Luivette Resto” by Ivelisse Rodríguez   Luivette Resto's Poetry Foundation Page     At about 7:50, Luivette gives background on her early and lasting connections to her birthplace of Puerto Rico and to the Bronx   At about 12:40, Luivette describes her growing understanding of hyphenated identities and being part of the “Nuyorican culture”   At about 16:45, Luivette lists some of the countless books she read as a kid   At about 19:10, Luivette looks back on the dearth of writers of color to whom she was exposed as a kid and high schooler    At about 20:15, Luivette describes Mrs. Quigley jostl[ing] some things” as Luivette    At about 21:00, Luivette describes the wonderful and creative leadership and mentorship provided by Helena Maria Viramontes    At about 22:40, Luivette cites Viramontes' leading Luivette to great Puerto Rican writers like Martin Espada and Judith Ortiz Cofer (Latin Deli)   At about 24:30, Luivette references a few words that are particular to Puerto Rico that Martin Espada uses in his work that thrilled her     At about 26:50, Pete tells the story about a banal and thrilling experience with Helena Maria Viramontes    At about 28:00, Luivette responds to Pete's questions about transformational moments along the way to becoming a writer-she cites Helena Maria Viramontes' influence    At about 31:50, Luivette shouts out Martin Espada (read Floaters!) and Pedro Pietri and as two of the many writers who inspire her   At about 35:00, Pete and Luivette talk about precision with words and discuss Luivette's philosophy on poetry and how she is a poet on a daily basis   At about 38:30, Luivette gives the seeds and background for her collection, which was “seven years in the making”   At about 41:15, The two discuss the continuity of the collection    At about 42:20, Luivette summarizes themes of Parts I and II in the collection and gives background on the process of splitting up the collection    At about 45:25, The two discuss the collection's opening poem and ideas of the poet as speaker and connections to the ocean and the protectoress, as well as the forms of pantoum and her “Didactic” poems    At about 50:40, Pete cites the masculine and feminine natures of the sea, as posed by Hemingway's Santiago   At about 51:45, Inheritance is explored through some early poems in the collection and real-life connections to Luivette's mother and grandmother   At about 57:55, Ideas of home and personality that come up in a few poems are referenced and discussed    At about 59:40, Pete compliments the “fresh spin” that Luivette puts on ideas of sexism and misogyny   At about 1:00:50, Luivette reads her poem “MILF”   At about 1:02:00, Luivette connects ideas of home and father-daughter relationships with some of her work   At about 1:04:00, Ideas of potential and hope and a lifesaving experience dramatized in Luivette's work are discussed    At about 1:05:35, Home and identity and languages as themes are discussed    At about 1:06:45, Luivette provides background on the writing of the title poem with help from Diana Marie Delgado   At about 1:10:00, Pete cites some standout lines from the collection's second part, especially those revolving around intimacy and love and loss   At about 1:12:20, Highlighting misogyny and ideas of the power of women as depicted in the poetry, Pete asks Luivette about the cool double-meaning of “coqueta”   At about 1:13:50, Luivette reads the title poem    You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.   Please tune in for Episode 154 with Ian MacAllen, the author of Red Sauce: How Italian Food Became American. He is a writer, editor, and graphic designer living in Brooklyn. Pete can't wait to talk sauce and gravy and sugo.    The episode will air on November 29.

Ep 46 DuEwa interviews poet Raina J. León about her writing life and new book, black god mother this body (Black Freighter Press. 2022). Visit www.rainaleón.com. FOLLOW/FAN/LIKE NERDACITY on IG @nerdacitypodcast on TWITTER @nerdacitypod1 on FACEBOOK @NerdacityPodcast page. SUBSCRIBE & LIKE on ALL podcast platforms (Apple, Anchor, Radio Public, iHeartRadio, Spotify) and YOUTUBE.COM/DuEwaWorld for videos of the podcast and vlogs. Support Anchor.fm/duewafrazier/support or Paypal.me/duewaworld or Cash app $duewaworld BIO Raina J. León, PhD is Black, Afro-Boricua, and from Philadelphia (Lenni Lenape ancestral lands). She is a mother, daughter, sister, madrina, comadre, partner, poet, writer, and teacher educator. She believes in collective action and community work, the profound power of holding space for the telling of our stories, and the liberatory practice of humanizing education. She seeks out communities of care and craft and is a member of the Carolina African American Writers Collective, Cave Canem, CantoMundo, Macondo. She is the author of Canticle of Idols, Boogeyman Dawn, sombra : (dis)locate, and the chapbooks, , profeta without refuge and Areyto to Atabey: Essays on the Mother(ing) Self. She publishes across forms in visual art, poetry, nonfiction, fiction, and scholarly work. She has received fellowships and residencies with the Obsidian Foundation, Community of Writers, Montana Artists Refuge, Macdowell, Kimmel Harding Nelson Center for the Arts, Vermont Studio Center, the Tyrone Guthrie Center in Annamaghkerrig, Ireland and Ragdale, among others. She is a founding editor of The Acentos Review, an online quarterly, international journal devoted to the promotion and publication of Latinx arts. She educates our present and future agitators/educators as a full professor of education at Saint Mary's College of California, only the third Black person (all Black women) and the first Afro-Latina to achieve that rank there. She is additionally a digital archivist, emerging visual artist, writing coach, and curriculum developer. --- Support this podcast: https://anchor.fm/duewafrazier/support

Episode 152 Notes and Links to Tommy Dean's Work       On Episode 152 of The Chills at Will Podcast, Pete welcomes Tommy Dean, and the two discuss, among other topics, his reading trajectory which started with sports biographies and has branched out in many directions, his start writing in undergrad, his views of flash fiction vs. short shorts, the craft of writing flash fiction, Tommy's recurring themes and development as a writer, and inspiring works by Tobias Wolff and other titans of the trade.      Tommy Dean lives in Indiana with his wife and two children. He is the author of a flash fiction chapbook entitled Special Like the People on TV from Redbird Chapbooks. He is the Editor at Fractured Lit. He has been previously published in the BULL Magazine, The MacGuffin, The Lascaux Review, New World Writing, Pithead Chapel, and New Flash Fiction Review. His story “You've Stopped” was chosen by Dan Chaon to be included in Best Microfiction 2019. It will also be included in Best Small Fiction 2019. His interviews have been previously published in New Flash Fiction Review, The Rumpus, CRAFT Literary, and The Town Crier (The Puritan). Find him @TommyDeanWriter on Twitter.   Tommy Dean's Website   Buy Hollows    A.E. Weisberger Reviews Special Like the People on TV   “Past Lives” Story from Atlas and Alice Magazine-2020   “You've Stopped” from Pithead Chapel   2017 Mini-Interview with Megan Giddings   At about 7:30, Tommy discusses her early reading (a lot of sports and biographies and horror and “heavy genre”) and writing, with the writing mostly coming after undergrad    At about 10:00, the two discuss character as seen in these shared sports biographies   At about 11:30, Tommy describes his love for the library and its easy access to Sports Illustrated/SI for Kids   At about 12:30, Tommy and Pete discuss their shared loves for basketball and baseball, the former especially    At about 14:25, Tommy gives background on how he came to become interested in flash fiction/short shorts   At about 17:20, Tommy responds to Pete's questions about how he has honed his craft   At about 19:00, Tommy describes what it is about flash fiction that appeals to him   At about 19:50, Tommy differentiates between “flash fiction” and “short short”   At about 22:50, Tommy gives some of the formative texts, literary journals (like SmokeLong Quarterly and Vestal Review)  and writers that are classics of the flash fiction forms, like Stuart Dybek, Dan Chaon, Robin Black and “Pine,” and Elizabeth Tallent and her story, “No One's a Mystery”   At about 27:00, Pete recounts the connections between the podcast title and Tobias Wolff's “Bullet in the Brain”   At about 28:30, Tommy discusses the power of flash in its granularity   At about 29:30, The two discuss Hemingway and his “interludes” or works that could be classified as “flash”; they also discuss breaking convention   At about 34:20, Pete corrects himself on the pivotal line that inspired the podcast title   At about 35:10, Pete cites a powerful use of understatement from Elie Wiesel's Night   At about 36:30, Tommy talks about how teaching/editing inform his writing, and vice versa   At about 42:35, Pete quotes interviews with Tommy and Megan Giddings and talks about his “lifejackets” as character    At about 44:00, Pete references powerful opening lines from Tommy and asks about the connections between title and subject matter; Tommy talks about work that became awarded and his process   At about 45:35, Tommy talks about his philosophy of dialogue in flash fiction   At about 47:15, Tommy explains conscious choices in using quotation marks or not   At about 48:30, Pete and Tommy discuss the idea that dialogue to begin a story is fraught; Pete provides an example of a short he wrote that     At about 52:15, Pete highlights a stunning open line from “Past Lives”; Tommy gives real-life connections to the story before reading it   At about 55:45, Tommy describes an “in” for writers involving unique characters   At about 56:45, Tommy talks about his two chapbooks   At about 57:15, Pete reads a review from the first collection and talks about themes of childlessness and craft shared by Hemingway's “Hills Like White Elephants” and Tommy's early writing   At about 59:15, Tommy responds to Pete's questions about development as a writer between his first and most recent collections; he traces his development via “cuts” and themes used    At about 1:03:20, Pete shares a reader's review of Tommy's Hollows and Tommy discusses why he appreciates these particular sentiments   At about 1:05:25, Tommy reads “Baby Alone”   At about 1:14:30, Tommy gives out his social media and contact info, including Alternate Currents and ELJ Editions    You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.    Please tune in for Episode 153 with Luivette Resto, a mother, teacher, poet, and Wonder Woman fanatic born in Aguas Buenas, Puerto Rico, and proudly raised in the Bronx. A CantoMundo and Macondo Fellow, and Pushcart Prize nominee, she is on the Board of Directors for Women Who Submit.      The episode will air on November 22.

The sounds of a city can be overwhelming — but in the imagination of this poem, they are made into something new. Carolina Ebeid is a multimedia poet. Her first book, You Ask Me to Talk About the Interior, was published by Noemi Press as part of the Akrilica Series, and selected as one of ten best debuts of 2016 by Poets & Writers. Her work has been supported by the Stadler Center for Poetry at Bucknell University, Bread Loaf, CantoMundo, as well as a residency fellowship from the Lannan Foundation. Ebeid currently edits poetry at The Rumpus and the multimedia zine Visible Binary.Find the transcript for this show at onbeing.org.We're pleased to offer Carolina Ebeid's poem, and invite you to connect with Poetry Unbound throughout this season.Pre-order the forthcoming book Poetry Unbound: 50 Poems to Open Your World and join us in our new conversational space on Substack.

Executive Director and Diversity & Inclusion Director's opening remarks and Luivette Resto's selection of poems.   Luivette Resto is an award-winning poet, a mother of 3 revolutionary humans, a Wonder Woman, and a middle school English teacher. She was born in Aguas Buenas, Puerto Rico but proudly raised in the Bronx. She attended Cornell University, earning her B.A. in English Literature with a minor in U.S. Latinx history. Later, she received her MFA in Creative Writing, Poetry from the University of Massachusetts, Amherst. She is a CantoMundo and Macondo Fellow and a Pushcart Prize nominee. She is the executive editor of Angel's Flight Literary West magazine and a member of the board of directors for Women Who Submit. Her two books of poetry Unfinished Portrait and Ascension have been published by Tía Chucha Press. Unfinished Portrait was a finalist for the 2008 Paterson Poetry Prize, and in 2014 Ascension was honored with the Paterson Award for Literary Excellence. Some of her latest work can be found on Bozalta, Spillway, and North American Review. Her third poetry collection Living on Islands Not Found on Map, published by FlowerSong Press, is a finalist for the 2022 Juan Felipe Herrera Best Poetry Book Award at the International Latino Book Awards. She lives in the San Gabriel Valley in Los Angeles.   Luivette Resto Twitter: @lulubell.96 Check out more information about Luivette's books: https://www.luivette.com/books https://youtu.be/f6wB0DgKkm4 https://vimeo.com/750917097

Motherhood is a varied yet permanent stage of life. No mother's experience is identical to another, but somewhere along the way motherhood touches all humans. This episode highlights the diversity of experiences motherhood offers with editors of The Long Devotion: Poets Writing Motherhood. This anthology is a collection of poems, essays, and writing prompts that represent and describe a wide range of experiences. Edited by Emily Pérez and Nancy Reddy, The Long Devotion celebrates the multifaceted types and lifestyles of motherhood ranging from intersections of parenting and race; single parenting; adoptive, foster, and step-parenting; life with chronic illness, mental illness, and disability; and the choice to remain childless.Emily and Nancy share a poem from the book called “Feed” which speaks to the various forms of transitions women experience through motherhood. Our conversation touches on topics such a Matrescence, navigating work and motherhood, as well as learning how to adjust to motherhood and finding a creative spark again. Show Notes: In this episode of the Thryving Mother Podcast, we discuss, What led Emily and Nancy to create this anthology.What their findings were on “what it means to be a mother who writes?”Areas of the book focusing on transitions and balancing being a mom and creative professional including Nancy reading a poem from the book called “Feed”.  Their suggestions for mothers who would like to begin to write their experiences in motherhood.About the Writers: Emily Pérez is the author of What Flies Want, winner of the Iowa Prize; House of Sugar, House of Stone; and two chapbooks. She is co-editor of the anthology The Long Devotion: Poets Writing Motherhood. A CantoMundo fellow and Ledbury Critic, she's received support from Hedgebrook, Bread Loaf, The Community of Writers, Jack Straw Writers, and The Artist Trust. Her poetry has appeared in Poetry Northwest, Prairie Schooner, Copper Nickel, Poetry, and Fairy Tale Review, and her reviews can be found in RHINO, LA Review of Books, The Guardian, and The Georgia Review. She teaches high school in Denver, where she lives with her family. Find more at www.emilyperez.org.Nancy Reddy is the author of Pocket Universe (LSU, 2022); Double Jinx (Milkweed Editions, 2015), a 2014 winner of the National Poetry Series; and Acadiana (Black Lawrence Press, 2018). With Emily Pérez, she's co-editor of The Long Devotion: Poets Writing Motherhood (UGA, 2022). Her essays have appeared in Slate, Poets & Writers, Electric Literature, Romper, Brevity, The Millions, and elsewhere. The recipient of a Walter E. Dakin Fellowship from the Sewanee Writers' Conference and grants from the New Jersey State Council on the Arts and the Sustainable Arts Foundation, she teaches writing at Stockton University.Learn more about Emily and Nancy at: @theemperez | @nancy.o.reddy & www.emilyperez.org Links to Thryve:Thryve WebsiteThryve Living InstagramPodcast Website 

Benjamin Garcia's first collection, THROWN IN THE THROAT, won the National Poetry Series and the Eugene Paul Nassar Poetry Prize, in addition to being a finalist for the Kate Tufts Discovery Award. He works as a sexual health and harm reduction educator in New York's Finger Lakes region, where he received the Jill Gonzalez Health Educator Award recognizing contributions to HIV treatment and prevention. A CantoMundo and Lambda Literary fellow, he serves as core faculty at Alma College's low-residency MFA program. His poems and essays have recently appeared or are forthcoming in: AGNI, American Poetry Review, Kenyon Review, and New England Review. His video poem “Ode to the Peacok” is available for viewing at the Broad Museum's website as part of El Poder de la Poesia: Latinx Voices in Response to HIV/AIDS. Copyright © 2018 by Benjamin Francis. This poem first appeared in Nimrod International.  Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is directed by poet and teacher Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this second year of our series is the first movement, Schéhérazade, from Masques, Op. 34, by Karol Szymanowski, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission. Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language. 

The #LatinoBookStore #TAS Texas Author Series every first Friday features a lineup cultivated by Mouthfeel Press (MFP). As a preview, Tony Diaz features several of the talented artists of Mouthfeel Press including: Liliana Valenzuela is the author of the poetry collections Codex of Love: Bendita ternura (FlowerSong Press, 2020) and Codex of Journeys: Bendito camino (Mouthfeel Press, 2013). Her poetry and essays have been widely anthologized, most recently in Latinas: An Anthology of Struggles & Protests in 21st Century USA. Valenzuela is also the acclaimed Spanish language translator of works by Cristina García, Julia Alvarez, Denise Chávez, and many other writers. Her most recent translation is Martita, I Remember You/Martita, te recuerdo, by Sandra Cisneros. And this fall, Vintage Español will publish her translation of Sandra Cisneros' new poetry collection, Woman Without Shame/Mujer sin vergüenza. A CantoMundo and Macondo fellow, she collaborates with the Hablemos, escritoras podcast. Valenzuela is currently the editor of the Latin American Journalism Review at the University of Texas at Austin. Maria Miranda Maloney is a Latina poet, editor, and bilingual publisher. She was born in El Paso, Texas, and raised in a small farm community of mostly immigrant families. Her family's outings consisted of crossing the U.S-Mexico border every Sunday to visit family in Zaragoza, a town outside Cd. Juárez, Chihuahua, Mexico. She learned to navigate two different worlds, including language and traditions. Maria is the founder of Mouthfeel Press a bilingual press that has published dozens of books of poetry in English and Spanish, and the author of Cracked Spaces (Pandora Lobo, 2021), The Lost Letters of Mileva (Pandora Lobo Productions Press, 2014) and The City I Love (Ranchos Press, 2011). Her poetry and essays have appeared in Bellevue Literary Review, MiPoesias, The Catholic Reporter, The Texas Review, Acentos Review, and other literary and international journals. She is the literary curator and Outreach Coordinator for The Smithsonian Latino Center, Washington D.C., and curator for the Wise Latina International's Writing Ourselves into History. Maria is editor for Arte Público Press, and a BorderSenses board member. She is currently a reading and writing teacher in East Texas. Her next book The Moon in Her Eyes is scheduled for release in 2023. She's currently working on her manuscript When We Were Sisters. Carolina Monsiváis is the author of Somewhere Between Houston and El Paso, Elisa's Hunger, and Descent. A dedicated advocate in the field of domestic violence and sexual assault, she has worked with survivors in Texas, New Mexico and Juárez. She earned degrees from the University of Houston (B.A) and New Mexico State University Vincent "Chente" Cooper is a writer and previous US Marine living in San Antonio. His productions in collections incorporate Boundless, Refreshing San Antonio, Ban This: An Anthology of Chicano Literaturek, and Big Bridge Magazine: Refreshing San Antonio. His chapbook, Where the Reckless Ones Come was distributed by Aztlan Libre Press. "Zarzamora' his latest work has been described as poetry of survival and recounts through prose expereiences along one of San Antonio Texas' throughfares. Lastly, he is a member of The Macondo Writer's Workshop. His poems can be found in Huizache and Riversedge. He currently resides in the westside of San Antonio, TX. www.Librotraficante.com www.NuestraPalabra.org www.TonyDiaz.net

Darrel Alejandro Holnes is the author of the poetry collection Stepmotherland (University of Notre Dame Press). It is the winner of the Andres Montoya Poetry Prize. Holnes is an Afro-Panamanian American writer and is the recipient of a National Endowment for the Arts Literature Fellowship in Creative Writing (Poetry). His poems have previously appeared in the American Poetry Review, Poetry, Callaloo, Best American Experimental Writing, and elsewhere. Holnes is a Cave Canem and CantoMundo fellow who has earned scholarships to the Bread Loaf Writers' Conference, Fine Arts Work Center in Provincetown, Postgraduate Writers Conference at Vermont College of Fine Arts, and residencies nationwide, including a residency at MacDowell. His poem "Praise Song for My Mutilated World" won the C. P. Cavafy Poetry Prize from Poetry International. He is an assistant professor of English at Medgar Evers College, a senior college of the City University of New York (CUNY), where he teaches creative writing and playwriting, and a faculty member of the Gallatin School of Individualized Study at New York University. *** Otherppl with Brad Listi is a weekly literary podcast featuring in-depth interviews with today's leading writers. Launched in 2011. Books. Literature. Writing. Publishing. Authors. Screenwriters. Etc. Available where podcasts are available: Apple Podcasts, Spotify, Stitcher, iHeart Radio, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch @otherppl Instagram  YouTube Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 121 Notes and Links to Michael Torres' Work          On Episode 121 of The Chills at Will Podcast, Pete welcomes Michael Torres, and the two discuss, among other topics, his growing up in Pomona, CA, and his childhood and adolescence influences on his work, the speaker as poet and vice versa, his early reading prompted by a generous older sister, works and writers that have thrilled him and impelled him to write, his poetry collection's themes of identity and masculinity, and the real-life background of his dynamite lines and strong images.       Michael Torres is a VONA distinguished alum and CantoMundo fellow. In 2016 he received his MFA in creative writing from Minnesota State University, Mankato, was a winner of the Loft Mentor Series, received an Individual Artist Initiative Grant from the Minnesota State Arts Board, and was awarded a Jerome Foundation Research and Travel Grant to visit the pueblo in Jalisco, Mexico where his father grew up. In 2019 he received fellowships and awards from the National Endowment for the Arts, the Bread Loaf Writers' Conference, and The Loft Literary Center for the Mirrors & Windows Program. A former Artist-in-Residence at the Camargo Foundation in Cassis, France as well as a McKnight Writing Fellow, he is currently a 2021-22 Jerome Hill Artist Fellow.     His first collection of poems, AN INCOMPLETE LIST OF NAMES, (Beacon Press, 2020) was selected by Raquel Salas Rivera for the National Poetry Series, named one of NPR's Best Books of 2020, and was featured on the podcast Code Switch.     His writing has been featured or is forthcoming in Best New Poets 2020, The New Yorker, POETRY, Ploughshares, Smartish Pace, Los Angeles Review of Books, The Georgia Review, The Sun, Water~Stone Review, Southern Indiana Review, Ninth Letter, Poetry Northwest, Copper Nickel, Fifth Wednesday Journal, Tinderbox Poetry Journal, The McNeese Review, MIRAMAR, Green Mountains Review, Forklift, Ohio, Hot Metal Bridge, The Boiler Journal, Paper Darts, River Teeth, The Acentos Review, Okey-Panky, Sycamore Review, SALT, Huizache, online as The Missouri Review's Poem of the Week, on The Slowdown with Tracy K. Smith.     Michael was born and brought up in Pomona, CA, where he spent his adolescence as a graffiti artist. Currently, he teaches in the MFA program at Minnesota State University, Mankato, and through the Minnesota Prison Writing Workshop.     Michael Torres' Website   Buy An Incomplete List of Names   Michael's Appearance on NPR's Code Switch   "In The Field: Conversations With Our Contributors–Michael Torres" At about 3:20, Michael talks about growing up in Pomona, CA, and his relationship with language and literature   At about 6:00, Michael highlights his older sister's contributions in introducing him to great literature, and Michael details being immediately intrigued by Luis Rodriguez's Always Running   At about 10:00, Pete connects Luis Rodriguez and getting attention through his nickname and Michael's views of tagging and identity    At about 13:50, Michael responds to Pete's questions about connections between peer pressure and growing up, including how Michael's “Down” was inspired by Kendrick Lamar's “The Art of Peer Pressure”   At about 18:00, Pete flits from A Bronx Tale to a phenomenon with students' writing their full names in past years as the two “discuss the “desire to leave something behind”   At about 20:10, Pete cites profound and interesting lines from An Incomplete List of Names that deal with identity, and Pete asks about “Michael” and the delineation between his name and “Remek”   At about 22:00, Michael discusses what reading and writers inspired and thrilled him as he got into late high school and college, including 2Pac and The Rose that Grew From Concrete, Charles Bukowski, Gary Soto's The Elements of San Joaquin, and Albert Camus' The Stranger   At about 26:40, Michael further explains hip-hop's influence on him, including from groups like Dilated Peoples, A Tribe Called Quest, Pharcyde, Jurassic 5   At about 30:00, Michael lays out events and people who helped him find his writing voice and skill and community    At about 32:00, Michael highlights moments that convinced him of his love for poetry    At about 34:00, Michael highlights John Bramingham and others who helped him learn about the publication process   At about 35:30, A Mic and Dim Lights is highlighted as a open mic spot that fostered Michael's skills and confidence   At about 37:00, Pete asks about the transition from student to teacher/mentor for Michael, as Michael shouts out UC Riverside and Freddy Lopez   At about 40:10, Pete asks Michael about “Stop Looking My Name Like That” and ideas of the speaker as the poet   At about 42:40, Michael describes “writing in resistance” to conversations had at a conference he attended   At about 44:30, Pete talks about his favorite scene in moviedom, and its connections to innocence and nostalgia and Michael's writing   At about 45:30, Pete quotes some dynamite lines and asks Michael about ideas of identity   At about 49:30, Michael analyzes a profound line and connects it to memory and nostalgia    At about 51:00, Michael discusses community and connections to a “transaction” and the moving (no pun intended) poem “Push”   At about 52:10, Michael gives background on his father and perspectives on his dad's background and its connection to their relationship   At about 54:15, ideas of masculinity are explored through standout lines, including “Down” and its three iterations    At about 56:45, Michael talks about “masks” and tough exteriors and acting tough as ways of getting by and not getting “clowned”   At about 58:45, Michael gives background on an interesting and fitting phrase he uses in his poetry   At about 1:00:25, Pete and Michael discuss a tender line from “Down/II” as Michael gives background on the line as a mix of moments in his life   At about 1:03:30, Michael discusses ideas of youth valuing themselves as touched upon in his work   At about 1:05:20, Pete highlights a line from the collection that is representative of the whole   At about 1:07:00, Pete asks about Michael's community of writers and who moves him in 2022; Michael cites Willie Perdomo, Mary Szybist and “Incarnadine,” Patricia Smith, Paul Tran, Dustin Pearson, Emily Yoon, Chris McCormick, Eduardo Corral, and Chen Chen   At about 1:09:10, Michael reads from “Down/I”   At about 1:15:00, Michael reads Part VI and X of “Elegy Roll Call”   At about 1:17:00, Michael details upcoming projects   At about 1:21:00, Michael gives out social media/contact info     You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.      This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 122 with Sonora Reyes, the author of the forthcoming contemporary young adult novel, THE LESBIANA'S GUIDE TO CATHOLIC SCHOOL. They write fiction full of queer and Latinx characters in a variety of genres, with current projects in both kidlit and adult categories. Sonora is also the creator and host of the Twitter chat #QPOCChat, a monthly community-building chat for queer writers of color.     The episode will air on May 10.

Julian Randall is a Living Queer Black poet from Chicago. He has received fellowships from Cave Canem, CantoMundo, Callaloo, BOAAT, and the Watering Hole. Julian is the recipient of a Pushcart Prize. Julian is the winner of the 2019 Betty Berzon Emerging Writer Award from the Publishing Triangle. On this podcast (part 2 of 2) Julian talks about The Dead Don't Need Reminding (Essay Collection), running from a REAL tornado, the Chicago Bulls and their playoff hopes, and so much more! Apologizes for the audio on my end. It is a little muffled during the conversation. I hope it does not ruin your experience listening to Julian and his story. Website: juliandavidrandall.com/ Instagram: www.instagram.com/julianthepoet/ Twitter: twitter.com/julianthepoet

Episode 120 Notes and Links to traci kato-kiriyama's Work         On Episode 120 of The Chills at Will Podcast, Pete welcomes traci kato-kiriyama, and the two discuss, among other topics, traci's upbringing with her thoughtful and well-read curators of history and art-her parents-her life as a creative, both as an individual and in collective spaces, themes from her work that are inspired by various muses within and without her family and her local communities, racism against Japanese and Japanese-American and other marginalized communities, and her creative and thought-provoking Navigating With(out) Instruments.      traci kato-kiriyama (they+she), author of Navigating With(out) Instruments--based on unceded Tongva land in the south bay of Los Angeles-- is an award-winning multi-, inter- and transdisciplinary artist, recognized for their work as a writer/performer, theatre deviser, cultural producer, and community organizer. As a storyteller and Artivist, tkk is grounded in collaborative process, collective self-determination, and art+community as intrinsically tied and a critical means toward connection and healing. She is a performer & principal writer for PULLproject Ensemble, two-time NET recipient; NEFA 2021-22 finalist for their show TALES OF CLAMOR.  tkk —presented for over 25 years in hundreds of venues throughout North America as a writer, actor, poet, speaker, guest lecturer, facilitator, Artist-in-Residence, and organizing / arts & culture consultant— has come to appreciate a wildly hybrid career (w/ presenters incl. LaMaMa Cabaret; Enwave Theatre; The Smithsonian; The Getty; Skirball Cultural Center; and Hammer Museum, to Zero Gravity; Grand Park; Whisky a Go Go; Hotel Cafe; House Of Blues Foundation Room; and countless universities, arts spaces, and community centers across the country).  Their work is also featured in a wide swath of media and print publications (incl. NPR; PBS; Elle.com; Entropy; Chapparal Canyon Press; Tia Chucha Press; Bamboo Ridge Press; Heyday Books; Regent Press). tkk is a core artist of Vigilant Love, member of the H.R. 40 Coalition and organizer with the Nikkei Progressives & NCRR joint Reparations Committee, and Director/Co-Founder of Tuesday Night Project (presenter of the Tea & Letterwriting initiative and Tuesday Night Cafe series in Little Tokyo).     traci kato kiriyama's website   Buy Navigating with(out) Instruments   traci's profile on DiscoverNikkei.org   traci's bio for Tuesday Night Project   traci reads "Remember All the Children Who Were Never Born to Me" for Poetry Lab At about 4:00, Pete asks traci about notions of the “writer as speaker,” including a profound quote from Zora Satchell   At about 6:20, traci's cat makes an appearance!   At about 6:30, traci talks about her background and her parents' focus on education and intellectual and historical curiosity, including how The Japanese American Historical Society was founded by her parents    At about 8:30, traci discusses what stories drew her interest in adolescence, including song lyrics, theater, and art of all types   At about 11:30, Pete and traci freak out over their collective love and admiration for Tori Amos   At about 12:25, traci describes the artists and writers-often playwrights-who thrilled her through high school into college and beyond, such as Wakako Yamauchi, Rumi, Yusuf, Adrienne Rich, Nikki Giovanni, and Janice Mirikitani    At about 15:30, Pete wonders about the connection between natural sociability and performance for traci   At about 17:30, traci responds to Pete's question about which artists and creatives inspires her Nancy Keystone and Kennedy Kabasares, Howard Ho, and LA and West Coast standouts Writ Large Press, Not a Cult, Kaia Press, The Accomplices   At about 21:20, traci discusses ideas of “representation,” especially with regard to her childhood and the Japanese-American communities of which she was part   At about 23:15, traci recounts her experience in seeing Sixteen Candles and the thought process that followed the viewing-regarding racist representations in Hollywood and beyond   At about 27:45, traci gives background knowledge on a poem from her collection that references her mother and Dec. 7; it is instructive about the ways in which memory works   At about 30:35, traci talks about the aforementioned incident in the school and connections to Michi Weglyn's book/if and how the story was a microcosm   At about 33:35, traci gives background on the book, includiing an impetus from Ed Lin that didn't exactly bring immediate publication   At about 34:40, traci discusses inspiration for the book's title   At about 38:00, traci discusses the idea of the “muse,” including inspiration from her grandfather, Taz Ahmed, her mom, and others   At about 40:00, traci responds to Pete's questions about the rationale for the many different forms used in her collection   At about 45:50, Pete and traci discuss “Where We Would Have Gone” and the ideas of “what if” and “predicting the past”   At about 48:10, the two talk about the spectrum of sexuality as a theme in traci's collection, as well as meanings of “queer” and pronoun usage and comfortability with names   At about 51:20, traci references her longest acronym and ideas of a “collective coming out” that comes from real life and a poem of hers   At about 53:20, traci explains some background on “Death Notes” that are featured in the collection, as well as ideas/themes associated with being close to death; she highlights editor Chiwan Choi's great help in sharing difficult and “heavy and important” moments   At about 58:00, traci discusses her use of “bury” throughout her work   At about 59:25, the two explore ideas of racism, family, and resistance in traci's family; traci shows the photo of her bearded grandfather and talks of discovering his rebellion, which is instructive in many ways   At about 1:02:55, traci talks about her mother's political awareness and Yuri Kochiyama's “massive impact”; she talks about how traci spoke at a Los Angeles memorial   At about 1:06:00, traci connects the “collectivity” of art with artists and the “continuum” of the world's people and the world's artists and activists; traci cites WorldMeter as an addictive and important website    At about 1:07:45, traci talks about the poems/letters in the collection that serve as conversations between her and Taz Ahmed, including conversations where the subject matter evolved   At about 1:09:45, traci and Pete discuss ideas of “eminent domain” that populate her work   At about 1:10:50, traci reads a poem about her grandfather/reparations after reminding listeners about the annual visits/pilgrimages to Manzanar   At about 1:14:25, traci reads “Remember All the Children who were Never Born to Me”    You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.  This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.    Please tune in for Episode 121 with Michael Torres, a VONA distinguished alum and CantoMundo fellow. His first collection of poems, AN INCOMPLETE LIST OF NAMES, (Beacon Press, 2020) was selected by Raquel Salas Rivera for the National Poetry Series, named one of NPR's Best Books of 2020, and was featured on the podcast Code Switch. He teaches in the MFA program at Minnesota State University, Mankato, and through the Minnesota Prison Writing Workshop.    The episode will air on May 3. 

Julian Randall is a Living Queer Black poet from Chicago. He has received fellowships from Cave Canem, CantoMundo, Callaloo, BOAAT, and the Watering Hole. Julian is the recipient of a Pushcart Prize. Julian is the winner of the 2019 Betty Berzon Emerging Writer Award from the Publishing Triangle. On this podcast (part 1 of 2) Julian talks in-depth about his first published book, accepting the idea of being a "writer", family influence, and is magic just for white kids. Apologizes for the audio on my end. It is a little muffled during the conversation. I hope it does not ruin your experience listening to Julian and his story. Website: https://juliandavidrandall.com/ Instagram: https://www.instagram.com/julianthepoet/ Twitter: https://twitter.com/julianthepoet

Join Chris & Courtney of The Poetry Question in a sit down with Julian Randall, author of Refuse (Pitt, 2018), Pilar Ramirez & the Escape from Zafa (Holt), and the upcoming The Dead Don't Need Reminding: Essays (Bold Type Books), about passions, process, pitfalls, and poetry. Julian Randall is a Living Queer Black poet from Chicago. He has received fellowships from Cave Canem, CantoMundo, Callaloo, BOAAT and the Watering Hole. Julian is the recipient of a Pushcart Prize. Julian is the winner of the 2019 Betty Berzon Emerging Writer Award from the Publishing Triangle. His writing has been published in New York Times Magazine, Ploughshares, and POETRY, and anthologized in Black Boy Joy (which debuted at #1 on the NYT Best Seller list), Wild Tongues Can't Be Tamed and Furious Flower. He has essays in The Atlantic, Vibe Magazine, Los Angeles Review of Books, and other venues. He holds an MFA in Poetry from Ole Miss. He is the author of Refuse (Pitt, 2018), winner of the 2017 Cave Canem Poetry Prize and a finalist for a 2019 NAACP Image Award, as well as the middle grade novel Pilar Ramirez And The Escape from Zafa (Holt, Winter 2022), and The Dead Don't Need Reminding: Essays (Bold Type Books, Spring 2023). He can be found on Twitter @JulianThePoet. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

"When I was younger, I never really thought of living past twenty-five…I felt like I was in a movie. I thought that I was living this movie idea of things and there'd be gunshots around you. You hear it hitting the concrete, and you're like ‘Oh, shit'. Seriously, I didn't think of it as real life. When you're young, the idea that I'd known people that were killed early, you go to prison. These just felt like matter of fact. They seemed to be this part of life and you just accepted them.”David Tomas Martinez is the author of two collections of poetry, Hustle and Post Traumatic Hood Disorder, both from Sarabande Books. Martinez is a Pushcart winner, CantoMundo fellow, a Breadloaf Stanley P. Young Fellow, NEA poetry fellow, and NEA Big Read author. Martinez lives in Brooklyn.· davidtomasmartinez.com
· www.creativeprocess.info

David Tomas Martinez is the author of two collections of poetry, Hustle and Post Traumatic Hood Disorder, both from Sarabande Books. Martinez is a Pushcart winner, CantoMundo fellow, a Breadloaf Stanley P. Young Fellow, NEA poetry fellow, and NEA Big Read author. Martinez lives in Brooklyn.· davidtomasmartinez.com · www.creativeprocess.info

"When I was younger, I never really thought of living past twenty-five…I felt like I was in a movie. I thought that I was living this movie idea of things and there'd be gunshots around you. You hear it hitting the concrete, and you're like ‘Oh, shit'. Seriously, I didn't think of it as real life. When you're young, the idea that I'd known people that were killed early, you go to prison. These just felt like matter of fact. They seemed to be this part of life and you just accepted them.”David Tomas Martinez is the author of two collections of poetry, Hustle and Post Traumatic Hood Disorder, both from Sarabande Books. Martinez is a Pushcart winner, CantoMundo fellow, a Breadloaf Stanley P. Young Fellow, NEA poetry fellow, and NEA Big Read author. Martinez lives in Brooklyn.· davidtomasmartinez.com
· www.creativeprocess.info

David Tomas Martinez is the author of two collections of poetry, Hustle and Post Traumatic Hood Disorder, both from Sarabande Books. Martinez is a Pushcart winner, CantoMundo fellow, a Breadloaf Stanley P. Young Fellow, NEA poetry fellow, and NEA Big Read author. Martinez lives in Brooklyn.· davidtomasmartinez.com · www.creativeprocess.info

David Tomas Martinez is the author of two collections of poetry, Hustle and Post Traumatic Hood Disorder, both from Sarabande Books. Martinez is a Pushcart winner, CantoMundo fellow, a Breadloaf Stanley P. Young Fellow, NEA poetry fellow, and NEA Big Read author. Martinez lives in Brooklyn.· davidtomasmartinez.com · www.creativeprocess.info

"When I was younger, I never really thought of living past twenty-five…I felt like I was in a movie. I thought that I was living this movie idea of things and there'd be gunshots around you. You hear it hitting the concrete, and you're like ‘Oh, shit'. Seriously, I didn't think of it as real life. When you're young, the idea that I'd known people that were killed early, you go to prison. These just felt like matter of fact. They seemed to be this part of life and you just accepted them.”David Tomas Martinez is the author of two collections of poetry, Hustle and Post Traumatic Hood Disorder, both from Sarabande Books. Martinez is a Pushcart winner, CantoMundo fellow, a Breadloaf Stanley P. Young Fellow, NEA poetry fellow, and NEA Big Read author. Martinez lives in Brooklyn.· davidtomasmartinez.com
· www.creativeprocess.info

David Tomas Martinez - Poet and author of “The Only Mexican” (Highlights) “When I was younger, I never really thought of living past twenty-five…I felt like I was in a movie. I thought that I was living this movie idea of things and there'd be gunshots around you. You hear it hitting the concrete, and you're like ‘Oh, shit'. Seriously, I didn't think of it as real life. When you're young, the idea that I'd known people that were killed early, you go to prison. These just felt like matter of fact. They seemed to be this part of life and you just accepted them.”David Tomas Martinez is the author of two collections of poetry, Hustle and Post Traumatic Hood Disorder, both from Sarabande Books. Martinez is a Pushcart winner, CantoMundo fellow, a Breadloaf Stanley P. Young Fellow, NEA poetry fellow, and NEA Big Read author. Martinez lives in Brooklyn.· davidtomasmartinez.com · www.creativeprocess.info

David Tomas Martinez is the author of two collections of poetry, Hustle and Post Traumatic Hood Disorder, both from Sarabande Books. Martinez is a Pushcart winner, CantoMundo fellow, a Breadloaf Stanley P. Young Fellow, NEA poetry fellow, and NEA Big Read author. Martinez lives in Brooklyn.· davidtomasmartinez.com · www.creativeprocess.info

"When I was younger, I never really thought of living past twenty-five…I felt like I was in a movie. I thought that I was living this movie idea of things and there'd be gunshots around you. You hear it hitting the concrete, and you're like ‘Oh, shit'. Seriously, I didn't think of it as real life. When you're young, the idea that I'd known people that were killed early, you go to prison. These just felt like matter of fact. They seemed to be this part of life and you just accepted them.”David Tomas Martinez is the author of two collections of poetry, Hustle and Post Traumatic Hood Disorder, both from Sarabande Books. Martinez is a Pushcart winner, CantoMundo fellow, a Breadloaf Stanley P. Young Fellow, NEA poetry fellow, and NEA Big Read author. Martinez lives in Brooklyn.· davidtomasmartinez.com
· www.creativeprocess.info

In today's episode, Divinia chats with Aldo Amparán (he/him). Aldo's bio: "Aldo Amparán is the author of Brother Sleep (Alice James Books, forthcoming 2022), winner of the 2020 Alice James Award. He has received fellowships from the National Endowment for the Arts & CantoMundo. His work most recently appears in the Academy of American Poets' Poem-a-Day, AGNI, Best New Poets, Ploughshares, & elsewhere.  He lives in the border cities of El Paso, TX, & Ciudad Juárez, CHIH, México." Aldo's website: https://www.aldoamparan.com/ (https://www.aldoamparan.com/) Host: Divinia Shorter Producer: Jacob Zeranko Charity of Choice: Mariposas Sin Fronteras. For more information, check out their website: https://mariposassinfronteras.org/ (https://mariposassinfronteras.org/) Follow us! Twitter: @greatestcityco Instagram: @greatestcityco Facebook: @greatestcityco Website: https://www.greatestcitycollective.org/ (https://www.greatestcitycollective.org/)

Cintia Santana's work has appeared in the Best New Poets 2020 anthology, The Iowa Review, The Kenyon Review, and many other literary journals. She was awarded fellowships from CantoMundo, the Atlantic Center for the Arts, and the Djerassi Resident Artists Program. She teaches literary translation, as well as poetry and fiction workshops in Spanish, at Stanford University.  Links: https://files.captivate.fm/library/43d3f64c-7a32-4087-861b-372b7720d4ac/ode-to-the-j-and-f-cintia-santana.pdf (Read "Ode to the J" and "[F]") Cintia Santana's websitehttps://www.cintiasantana.com/ ( ) https://kenyonreview.org/conversation/cintia-santana/ (Interview at The Kenyon Review) https://kenyonreview.org/writer/cintia-santana/ (Poems at Kenyon Review Online ) https://harvardreview.org/content/kintsugi/ (“Kintsugi” at Harvard Review Online) https://www.bpj.org/contributors/santana-cintia (Poems at Beloit Poetry Journal) “Plosive” (visual poem) at Pleiades Music: "https://freemusicarchive.org/music/Chad_Crouch/field-report-vol-vi-bayocean-instrumental/just-a-memory-now-instrumental (Just A Memory Now (Instrumental))" by https://www.soundofpicture.com/ (Chad Crouch) is licensed under https://creativecommons.org/licenses/by-nc/4.0 (CC) https://creativecommons.org/licenses/by-nc/4.0 (BY NC 4.0) with modifications

Cintia Santana’s work has appeared in the Best New Poets 2020 anthology, The Iowa Review, The Kenyon Review, and many other literary journals. She was awarded fellowships from CantoMundo, the Atlantic Center for the Arts, and the Djerassi Resident Artists Program. She teaches literary translation, as well as poetry and fiction workshops in Spanish, at Stanford University. Links: https://www.cintiasantana.com/ (Cintia Santana’s Website ) https://kenyonreview.org/conversation/cintia-santana/ (Interview at The Kenyon Review) https://kenyonreview.org/writer/cintia-santana/ (Poems at Kenyon Review Online ) https://harvardreview.org/content/kintsugi/ (“Kintsugi” at Harvard Review Online) https://www.bpj.org/contributors/santana-cintia (Poems at Beloit Poetry Journal) https://pleiadesmag.com/featured-poem-plosive-by-cintia-santana/ (“Plosive” (visual poem) at Pleiades) Music: "https://freemusicarchive.org/music/Chad_Crouch/field-report-vol-vi-bayocean-instrumental/just-a-memory-now-instrumental (Just A Memory Now (Instrumental))" by https://www.soundofpicture.com/ (Chad Crouch) is licensed under https://creativecommons.org/licenses/by-nc/4.0 (CC) https://creativecommons.org/licenses/by-nc/4.0 (BY NC 4.0) with modifications

This is the third and final in a series of events curated by Cortney Lamar Charleston in collaboration with The BreakBeat Poets and Haymarket Books, to celebrate the release of his new collection, Doppelgangbanger. Poets: Cortney Lamar Charleston is originally from the Chicago suburbs. He completed his undergraduate education at the University of Pennsylvania, earning a BS in Economics from the Wharton School and BA in Urban Studies from the College of Arts & Sciences. While attending Penn, he was most interested in the business as a political entity, the relationship between the public and private sectors and the physical and sociological construction of cities. It was during his college years that he began writing and performing poetry as a member of The Excelano Project. Charleston's academic interests, coupled with his upbringing spent bouncing between Chicago's South Side and its South and West suburbs, immediately influence his written work. Charleston's poems paint themselves against the backgrounds of past and present; they grapple with race, masculinity, class, family, faith and how identity is, functionally, a transition zone between all of these competing markers. Said differently, his poetry is a kind of marriage between art and activism, a call for a more involved and empathetic understanding of the diversity of the human experience. This same line of thought frames his philosophy as Poetry Editor at The Rumpus. He also currently serves on the Alice James Books Editorial Board. Julian Randall is a Living Queer Black poet from Chicago. He has received fellowships from Cave Canem, CantoMundo, Callaloo, BOAAT, Tin House, Milkweed Editions, and The Watering Hole. Julian is the recipient of a Pushcart Prize. Julian is the winner of the 2019 Betty Berzon Emerging Writer Award from the Publishing Triangle and the 2019 Frederick Bock Prize. His poetry has been published in New York Times Magazine, Ploughshares, and POETRY and anthologized in The Breakbeat Poets Vol.4, Nepantla and Furious Flower. He has essays in Vibe, Black Nerd Problems, and other venues. He holds an MFA in Poetry from Ole Miss. He is the author of Refuse (Pitt, Fall 2018), winner of the 2017 Cave Canem Poetry Prize, and a finalist for a 2019 NAACP Image Award, the Middle Grade novel Pilar Ramirez And The Prison of Zafa (Holt, Winter 2022). He talks a lot about poems and other things on Twitter at @JulianThePoet. José Olivarez is the son of Mexican immigrants. His debut book of poems, Citizen Illegal, was a finalist for the PEN/ Jean Stein Award and a winner of the 2018 Chicago Review of Books Poetry Prize. It was named a top book of 2018 by The Adroit Journal, NPR, and the New York Public Library. Along with Felicia Chavez and Willie Perdomo, he co-edited the poetry anthology, The BreakBeat Poets Vol. 4: LatiNEXT. He is the co-host of the poetry podcast, The Poetry Gods. In 2018, he was awarded the first annual Author and Artist in Justice Award from the Phillips Brooks House Association and named a Debut Poet of 2018 by Poets & Writers. In 2019, he was awarded a Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship from the Poetry Foundation. His work has been featured in The New York Times, The Paris Review, and elsewhere. Watch the live event recording: https://youtu.be/d7eErci3NLs Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

Poets Joseph Ross and Michael Torres read from and discuss their new books. Joseph Ross is the author of four books of poetry: Raising King (2020), Ache (2017), Gospel of Dust (2013), and Meeting Bone Man (2012). His poems appear in many places including The New York Times Magazine, The Los Angeles Times, Poet Lore, Xavier Review, Southern Quarterly, and Drumvoices Revue. He has received multiple Pushcart Prize nominations and won the 2012 Pratt Library / Little Patuxent Review Poetry Prize. He recently served as the 23rd Poet-in-Residence for the Howard County Poetry and Literature Society in Howard County, Maryland. He teaches English and Creative Writing at Gonzaga College High School in Washington, D.C., and writes regularly at www.JosephRoss.net. Michael Torres was born and brought up in Pomona, California, where he spent his adolescence as a graffiti artist. His debut collection of poems, An Incomplete List of Names (Beacon Press, 2020), was selected by Raquel Salas Rivera for the National Poetry Series. His honors include awards and support from the National Endowment for the Arts, the McKnight Foundation, the Bread Loaf Writers’ Conference, CantoMundo, VONA Voices, the Minnesota State Arts Board, the Jerome Foundation, the Camargo Foundation, and the Loft Literary Center. Currently he’s an Assistant Professor in the MFA program at Minnesota State University, Mankato, and a teaching artist with the Minnesota Prison Writing Workshop. Visit him at: michaeltorreswriter.com. Read "On John Coltrane's 'After the Rain'" by Joseph Ross. Read "Stop Looking at My Last Name Like That" by Michael Torres. Recorded On: Wednesday, March 10, 2021

The BreakBeat Poets Live! is a virtual, multi-generational showcase of some of the illest writers on the planet rock. Each chapter features writers and performers who are part of the Haymarket Books family. While all of our events are freely available, we ask that those who are able make a solidarity donation in support of our continuing to do this important work. Penelope Alegria is the 2019 Chicago Youth Poet Laureate and a two-time member of Young Chicago Authors' artistic apprenticeship, Louder Than a Bomb Squad. Her work has been featured or is forthcoming in La Nueva Semana, El Beisman, Muse/A Journal, The Breakbeat Poets Vol. 4: LatiNext, as well as BBC Radio 4 and WBEZ Radio Archives. She is a Brain Mill Press Editor's Pick, and she was awarded the 2018 Literary Award by Julian Randall and both the 2019 and 2020 Poetry Award by the Niles West English Department. She has performed spoken word at the Obama Foundation Summit, Pitchfork Music Festival, and other venues in the Chicagoland area. She started at Harvard College in the fall of 2020. Nilah Foster is considered a part of the queer black youth that comes from the far south side of Chicago and represents it all with her pen. She was a Louder Than A Bomb Indy finalist of 2019 and Indy winner of 2020 which also allowed her to be a part of the bombsquad 2019 and 2020 cohort. But nothing serves a better medium of learning about her than from her writing where she interrogates her own truths and where she and the audience learn together. E'Mon Lauren is from the South Side of Chicago. She is a Scorpio enthusiast and a firm believer in Dorthy Dandridge reincarnation. E'mon uses poetry and playwriting to explore a philosophy of hood womanism. She was named Chicago's first Youth Poet Laureate. A former Kuumba Lynx Performance Ensemble slam team member and Louder Than a Bomb champion, E'mon has performed in many venues including The Brave New Voices International Youth Poetry Festival and The Chicago Hip Hop Theatre Fest. She was a 2016 finalist for The Gwendolyn Brooks Open Mic Award. E'mon has been published in The BreakBeat Poets: New American Poetry in the Age of Hip-Hop, The Down Dirty Word, and elsewhere. She has been featured in Chicago Magazine, The Chicago Tribune, and on WGN Radio. She is a member of Young Chicago Authors Teaching Artist Corps. José Olivarez is the son of Mexican immigrants. His book, Citizen Illegal, won of the 2018 Chicago Review of Books Poetry Prize and was named a top book of 2018 by NPR. ​He holds fellowships from CantoMundo, Poets House, and the Bronx Council on the Arts. Olivarez was awarded the Author and Artist in Justice award from the Phillips Brooks House Association and named a Debut Poet of 2018 by Poets & Writers. He is a recipient of the Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship from the Poetry Foundation. Jamila Woods is an activist, award-winning poet, and singer/songwriter whose inspirations include Gwendolyn Brooks and Toni Morrison, as well as Erykah Badu and Kendrick Lamar. As a solo artist, she specializes in an accessible yet non-commercial form of R&B that is rooted in soul and wholly modern, which can be heard on her albums HEAVN (2016) and LEGACY! LEGACY! (2019). She is also the co-editor of The BreakBeat Poets Vol. 2: Black Girl Magic. Kevin Coval is a poet and author of A People's History of Chicago and over ten other collections, anthologies, and chapbooks. ​He is the founder and editor of the BreakBeat Poets series for Haymarket Books, artistic director for Young Chicago Authors, and the founder of Louder than a Bomb: The Chicago Youth Poetry Festival. Watch the live event recording: https://youtu.be/NPvZi_3U_ZE Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

The BreakBeat Poets Live is a virtual, multi-generational showcase of some of the illest writers on the planet rock. Hosted by Kevin Coval and Idris Goodwin, The BreakBeat Poets Live! is a virtual, multi-generational showcase of some of the illest writers on the planet rock. Each chapter features writers and performers who are part of the Haymarket Books family. --- Kevin Coval is a poet and author of A People's History of Chicago and over ten other collections, anthologies, and chapbooks. ​He is the founder and editor of the BreakBeat Poets series for Haymarket Books, artistic director for Young Chicago Authors, and the founder of Louder than a Bomb: The Chicago Youth Poetry Festival. --- Idris Goodwin is the playwright, producer, educator, who coined the term “breakbeat poet.” He is the author of Can I Kick It? and the Pushcart–nominated collection These Are the Breaks. His publications also include Inauguration, cowritten with Nico Wilkinson, and Human Highlight: An Ode to Dominique Wilkins and This Is Modern Art, both cowritten with Kevin Coval. --------- Maya Marshall, a writer and editor, is co-founder of underbelly, the journal on the practical magic of poetic revision. Marshall has earned fellowships from MacDowell, Vermont Studio Center, Callaloo, The Watering Hole, and Cave Canem. She is the author of Secondhand (Dancing Girl Press, 2016) and a former senior editor for [PANK]. Her writing appears in Best New Poets 2019, Muzzle Magazine, RHINO, Blackbird, the Volta, and elsewhere. She lives in Chicago where she works as a manuscript editor for Haymarket Books. Her debut poetry collection All the Blood Involved in Love is forthcoming from Haymarket Books. --------- Mother Nature is the irresistible force of Klevah and TRUTH—emcees devoted to building a legacy founded on defiance and self-discovery. The Chicago-based duo is the answer for listeners seeking both substance and simplicity. As educators, they have mastered the ability to deliver weighty content through uplifting BARZ that pierce the conscience. With Peace and Love as their weapon and community at their foundation, these Gr8Thinkaz are on their way to provoking a pivotal shift in the next generation. --------- José Olivarez is the son of Mexican immigrants. His book, Citizen Illegal, won of the 2018 Chicago Review of Books Poetry Prize and was named a top book of 2018 by NPR. ​He holds fellowships from CantoMundo, Poets House, and the Bronx Council on the Arts. Olivarez was awarded the Author and Artist in Justice award from the Phillips Brooks House Association and named a Debut Poet of 2018 by Poets & Writers. He is a recipient of the Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship from the Poetry Foundation. Watch the live event recording: https://youtu.be/L_xDzEE9_k4 Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

The BreakBeat Poets Live! is a virtual, multi-generational showcase of some of the illest writers on the planet rock. Each chapter features writers and performers who are part of the Haymarket Books family. Mixing lofi soul instrumentals with funk influences and smooth vocals. Elton Aura has a unique knack for words, flow, and beat selection. He opened up for Noname on her Room 25 tour in 2019 and is in the later stages of his next project coming in 2020. Cortney Lamar Charleston is a Cave Canem fellow and Pushcart Prize-winning author of Telepathologies (Saturnalia Books, 2017) and the forthcoming Doppelgangbanger (Haymarket Books, 2021). Aracelis Girmay is the author of the poetry books Teeth, Kingdom Animalia, and the black maria, and the picture book changing, changing. She is on the editorial board of the African Poetry Book Fund and recently edited a new Selected of Lucille Clifton poems entitled How to Carry Water. --- Juan J. Morales is the son of an Ecuadorian mother and Puerto Rican father. He is the author of three poetry collections, including The Handyman's Guide to End Times, Winner of the 2019 International Latino Book Award. He is a CantoMundo Fellow, a Macondo Fellow, the Editor/Publisher of Pilgrimage Press, and Professor and Department Chair of English & World Languages at Colorado State University-Pueblo. --- José Olivarez is the son of Mexican immigrants. His book, Citizen Illegal, won of the 2018 Chicago Review of Books Poetry Prize and was named a top book of 2018 by NPR. ​He holds fellowships from CantoMundo, Poets House, and the Bronx Council on the Arts. Olivarez was awarded the Author and Artist in Justice award from the Phillips Brooks House Association and named a Debut Poet of 2018 by Poets & Writers. He is a recipient of the Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship from the Poetry Foundation. --- Willie Perdomo is the author of The Crazy Bunch, which recently won the New York City Book Award for poetry, The Essential Hits of Shorty Bon Bon, a finalist for the National Book Critics Circle Award, Smoking Lovely, winner of the PEN Open Book Award, and Where a Nickel Costs a Dime, a finalist for the Poetry Society of America Norma Farber First Book Award. He is also a co-editor of The BreakBeat Poets Vol. 4: LatiNext. His work has appeared in The New York Times Magazine, Poetry, The Best American Poetry 2019, and African Voices. He is currently a Lucas Arts Literary Fellow and teaches at Phillips Exeter Academy. --- Diamond Sharp is a poet and essayist from Chicago. She has performed at Chicago's Stage 773 and her work has been featured on Chicago Public Radio. She has been published in the New York Times Magazine, New York Magazine, Vice, Pitchfork, Lenny, PANK, and others. A Callaloo fellow, she has also attended the Wright/Hurston workshop and is a member of the inaugural Poetry Foundation Incubator class. Her debut book of poetry, Super Sad Black Girl, is forthcoming from Haymarket Books. Diamond is an alumna of Wellesley College. Watch the live event recording: https://youtu.be/9fyjCPbIKCM Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

In today´s episode, host Daniel Chacon interviews Anthony Cody, author of Borderland Apocrypha (Omnidawn, 2020). Cody was winner of the 2018 Omnidawn Open Book Contest, and finalist for the 2020 National Book Award in Poetry. He is a CantoMundo fellow from Fresno, California.

Noel Quiñones is a Puerto Rican writer, performer, and community organizer from the Bronx. As a writer, he's received fellowships from Poets House, the Poetry Foundation, CantoMundo, Candor Arts, and SAFTA (Sundress Academy for the Arts). His work has been published in POETRY, the Latin American Review, Rattle, Kweli Journal, and elsewhere. As a performer, he's featured at Lincoln Center, Harvard University, BAM, the 9/11 Memorial & Museum, and the Honolulu Museum of Art to name a few. He is the founder and former director of Project X, a Bronx-based arts organization, and a current M.F.A. candidate in poetry at the University of Mississippi. Follow him at noelpquinones.com or online @noelpquinones.

Writer Raina León joins the GrottoPod this week as part of our summer reading series to share her piece "Solstice in Solidified Sugar." León is a full professor of education at Saint Mary’s College of California, only the third Black person (all women) and the first Afro-Latina to achieve that rank there. She is a member of the Carolina African American Writers Collective, Cave Canem, CantoMundo, and Macondo. She is the author of three collections of poetry: Canticle of Idols, Boogeyman Dawn and sombra: dis(locate), and the chapbooks profeta without refuge and Areyto to Atabey: Essays on the Mother(ing) Self.

Two Latina poet laureates join Tony Diaz to discuss the power of poetry to heal and its role in a just and thriving society: Texas Poet Laureate Emmy Pérez and Madison Poet Laureate Angela C. Trudell Vasquez. This episode aired Tuesday, June 9, 2020, 6pm 90.1 FM KPFT Houston. Tune in for NP Radio every Tuesday 6 pm – 7 pm CST on 90.1 FM KPFT, Houston. Livestream on www.KPFT.org. On Demand at www.NuestraPalabra.org. Bios Emmy Pérez, Texas Poet Laureate 2020, is the author of With the River on Our Face and Solstice. Her work also appears in Other Musics: New Latina Poetry, Ghost Fishing: An Eco-Justice Poetry Anthology, What Saves Us: Poems of Empathy and Outrage in the Age of Tr---, and other publications. She is a recipient of a poets laureate fellowship with the Academy of American Poets, an NEA poetry fellowship, a CantoMundo fellowship, and the Alfredo Cisneros Del Moral Foundation Award. Since 2008, she has been a member of the Macondo Writers Workshop, and for the past 20 years, she's taught writing in the Texas borderlands. In 2017, she co-founded Poets Against Walls and makes #RascuacheProductions poetry videos. Currently, she is Professor of Creative Writing and Associate Director of the Center for Mexican American Studies at the University of Texas Rio Grande Valley. Angie Trudell Vasquez received her MFA in creative writing with a concentration in poetry from the Institute of American Indian Arts in Santa Fe, New Mexico. Her work has been published in Taos Journal of Poetry, Yellow Medicine Review, Raven Chronicles, Return to the Gathering Place of the Waters, and Cloudthroat among other journals and anthologies. She has a page and poems from her first two books on the Poetry Foundation’s website, and was a Ruth Lilly fellow as an undergraduate at Drake University. She has new work forthcoming from RED INK: International Journal of Indigenous Literature, Arts & Humanities. There are no regular shows about our art, culture, and politics on commercial television or radio. KPFT hosts a monopoly on community cultural capital. We answer to our community. Please budget a donation to KPFT, and make it support of Latino Politics and News today. Visit www.kpft.org. We thank you in advance for your support. Thanks to our crew for donating their cultural capital to the show: Leti Lopez, Rodrigo Bravo, who mixed the show remotely, Claudia Soler Alfonso, MD., Jesse Aranda Comer our summer inter through Rice University, Laurie Flores, Stefano Cavezza, and Al Castillo President of LULAC Council 60. Tune in every Tuesday from 2 pm to 3 pm for Latino Politics and News with Tony Diaz on 90.1 FM KPFT. That's followed by Nuestra Palabra: Latino Writers Having Their Say at 6 pm. And catch Tony Diaz on the political talk show What's Your Point on Fox 26 Houston, Sundays at 7 am. www.KPFT.org www.NuestraPalabra.org www.Librotraficante.com www.TonyDiaz.net

Poet Maritza Estrada is poetry editor at Hayden’s Ferry Review, a 2020 CantoMundo fellow, poetry post-graduate student, and more besides. I spoke with Maritza via Zoom about finding poetry, her ongoing exploration of language in poetry, and using it to make sense of identify and sense of the world. She aims for her poetry to disrupt our typical ways of seeing and being. A delightful addition is that Maritza also reads some of her work.

This week our guest is Deborah Paredez, co-founder of CantoMundo, and author of Year of the Dog, a book of poetry. In this episode, we discuss her writing process, andSubmitting more, and submitting after rejectionReckoning with silenceAnd moreIf you’re a new listener to Fierce Womxn Writing, I would love to hear from you. Please visit my Contact Page and tell me about your writing challenges.Follow this WriterVisit her WebsiteOrder her poetry collection, Year of the Dog, that explores themes of grief, the Vietnam War, and poetic formFollow the PodcastVisit the Website for more info on the podcastFollow the HostSlide into Sara Gallagher’s DM’s on InstagramFollow our PartnersLearn more about The Feminist Press, which lifts up insurgent and marginalized voices from around the world to build a more just future. Become an AdvertiserUse my Contact Page or hit me up on InstaThis Week’s Writing PromptEach week the featured author offers a writing prompt for you to use at home. I suggest setting a timer for 6 or 8 minutes, putting the writing prompt at the top of your page, and free writing whatever comes to mind. Remember, the important part is keeping your pen moving. You can always edit later. Right now we just want to write something new and see what happens.This week’s writing prompt is: Make a list of language, stories, figures, or images that we see as so completely mundane that we don’t even notice them. Then write what you know and notice about that familiar piece of language. Then write a story to pull it from its familiarity to something more strange or wondrous or meaningful. Explore Womxn AuthorsIn this episode, the author recommended these womxn writers:Aracelis Girmay, author of Black MariaLucille Clifton, author of Blessing the BoatsEnsure the Podcast ContinuesLove what you’re hearing? Show your appreciation and become a Supporter with a monthly contribution.Check Out More ShowsEpisode 21: Dallas Woodburn - Author of The Best Week That Never HappenedEpisode 20: Kristen Millares Young - Author of SubductionEpisode 17: Hala Alyan - Author of The Twenty-Ninth YearEpisode 16: Writing in the Time of COVID-19 with host Sara Gallagher and poem Perhaps Prayer by Kristy MilliganSupport the show (https://fiercewomxnwriting.com/support)

Liliana Valenzuela (CDMX 1 jun 1960) es la traductora y poeta radicada en Texas por más 3 décadas. Ha traducido la obra de escritores como Sandra Cisneros, Julia Alvarez, Denise Chávez, Dagoberto Gilb, Cristina García y muchos más. Recibió el premio Alicia Gordon Award for Word Artistry in Translation y forma parte de American Translators Association. Valenzuela ha publicado los poemarios Codex of Love: Bendita ternura (FlowerSong Books, 2020) y Codex of Journeys: Bendito Camino (Mouthfeel Press, 2013) y es miembro del colectivo de escritores Macondo Writers Workshop, fundado por Sandra Cisneros, y CantoMundo, una organización internacional de poetas. Ella es la voz lectora del audiobook La casa en Mango Street de Sandra Cisneros por Random House Audio.

Deborah Paredez ’93 is the author of the critical study, Selenidad: Selena, Latinos, and the Performance of Memory, and the poetry volumes, This Side of Skin and Year of the Dog. She is a professor of creative writing and ethnic studies at Columbia University and the co-founder of CantoMundo, a national organization for Latinx poets. Hear her story on this podcast.

What's good fam—did our first a live episode with the inimitable Natalie Scenters-Zapico as part of Lit Crawl: Seattle. It was wonderful. Hear us chop it up about Concha Piquer, ending poems, and the ethics of repetition.  Natalie Scenters-Zapico is a fronteriza from the sister cities of El Paso, Texas, U.S.A., and Cd. Juárez, Chihuahua, México. She is the author of Lima :: Limón (Copper Canyon 2019), which has been reviewed widely in prominent periodicals including The New Yorker, and The Verging Cities (Center for Literary Publishing 2015), which won the PENAmerican/Joyce Osterweil Award, GLCA's New Writers Award, and more. She has won fellowships from the Lannan Foundation (2017), CantoMundo (2015), and a Ruth Lilly and Dorothy Sargent Rosenberg Fellowship from the Poetry Foundation (2018). Her poems have appeared in a wide range of anthologies and literary magazines including Best American Poetry 2015, POETRY, Tin House, Kenyon Review, and more. She teaches poetry workshops in English and Spanish through the Department of English and the Latina/o Studies Program at the University of Puget Sound in Tacoma, Washington.  

Watch the YouTube episode here: (https://youtu.be/ZCqxFC-Nc1U) Writer and educator Casandra Lopez reads and discusses her original work, the ethics of trauma narratives, & fostering art, creativity, and connection through car remodeling. -- About Casandra: Casandra Lopez is a Chicana and California Indian (Cahuilla/Tongva/Luiseño) writer who's received support from CantoMundo, Bread Loaf and Jackstraw. She's been selected for residencies with the School of Advanced Research and Hedgebrook. Her chapbook, Where Bullet Breaks was published by the Sequoyah National Research Center and her poetry collection, Brother Bullet is forthcoming from University of Arizona. She's a founding editor of As/Us: A Space For Women Of The World and teaches at Northwest Indian College. Website: (https://casandramlopez.com) // Twitter: (https://twitter.com/casandramlopez) // ● The Poetry Vlog is a YouTube Channel and Podcast dedicated to building social justice coalitions through poetry, pop culture, cultural studies, and related arts dialogues. Subscribe to our YouTube channel to join our fast-growing arts & scholarship community (youtube.com/c/thepoetryvlog?sub_confirmation=1). Connect with us on Instagram (instagram.com/thepoetryvlog), Twitter (twitter.com/thepoetryvlog), Facebook (facebook.com/thepoetryvlog), and our website (thepoetryvlog.com). Sign up for our newsletter on (thepoetryvlog.com) and get a free snail-mail welcome kit! ● The Fall 2019 Student Team: Mandy Cook - Team Manager // Wil Engstrom - Video Editor // Parker Kennedy - Video Editor // Kristin Ruopp - Digital Marketing & Outreach // Reagan Welsh - Social Media & Communications // Mel Kuoch - Video Editor // Season 3 of The Poetry Vlog is supported by The Simpson Center for the Humanities, with support from The Andrew W. Mellon Foundation and the Jack Straw Cultural Center. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Danielle shares Carmen Giménez Smith's "Something New" with Max. Talking points include love as work, marriage as labor, plushy chambers, and the etymology of mortgage.

Manuel Paul López’s books include These Days of Candy (Noemi Press, 2017), The Yearning Feed (University of Notre Dame Press, 2013), winner of the Ernest Sandeen Poetry Prize, 1984 (Amsterdam Press, 2010) and Death of a Mexican and Other Poems (Bear Star Press, 2006). He also co-edited Reclaiming Our Stories (City Works Press, 2016). A CantoMundo fellow, his work has been published in Bilingual Review, Denver Quarterly, Hanging Loose, Huizache, Puerto del Sol, and ZYZZYVA, among others. He lives in San Diego and teaches at San Diego City College.

What's good fam. If you're caught up, you know we sat with Casandra and discussed grief, community, obsessions, and writing across genres. This week, she brought in a lovely poem "Birds of Illegal Trade" by Benjamin Garcia, and, here, you can hear us geek out over it! CASANDRA LÓPEZ is a Chicana and California Indian (Cahuilla/Tongva/Luiseño) writer who's received support from CantoMundo, Bread Loaf and Jackstraw. She's been selected for residencies with the School of Advanced Research and Hedgebrook. Her chapbook, Where Bullet Breaks was published by the Sequoyah National Research Center and her poetry collection, Brother Bullet is forthcoming from University of Arizona. She's a founding editor of As/Us: A Space For Women Of The World  and teaches at Northwest Indian College. You can follow her on Twitter @casandramlopez.  BENJAMIN GARCIA is a Community Health Specialist who provides HIV/HCV/STD and opioid overdose prevention education to higher risk communities throughout New York's Finger Lakes region. He had the honor of being the 2017 Latin@ Scholar at the Frost Place and the 2018 CantoMundo Fellow at the Palm Beach Poetry Festival. His work has recently appeared or is forthcoming in, among others, New England Review, American Poetry Review, Prairie Schooner, Puerto del Sol, Nimrod International, RHINO, Four Way Review, Newfound, The Acentos Review, Barrelhouse, Lambda Literary, Boston Review, Kenyon Review Online, Best New Poets 2016, and Gulf Coast.

Hello lovely people. This week we sat and drank with Casandra López. She schooled us on obsessions, building a poetry community, grief, and the difference between writing poetry and writing fiction. Y'all don't want to miss this. Trust.  CASANDRA LÓPEZ is a Chicana and California Indian (Cahuilla/Tongva/Luiseño) writer who's received support from CantoMundo, Bread Loaf and Jackstraw. She's been selected for residencies with the School of Advanced Research and Hedgebrook. Her chapbook, Where Bullet Breaks was published by the Sequoyah National Research Center and her poetry collection, Brother Bullet is forthcoming from University of Arizona. She's a founding editor of As/Us: A Space For Women Of The World  and teaches at Northwest Indian College. You can follow her on Twitter @casandramlopez.  The drink, "A Rose is a Rose is a Rose," alludes to "Sacred Emily," by modernist poet, Gertrude Stein. Ingredients: Sparkling rosé, pomplemousse rose liqueur, and fresh grapefruit juice combine sweet, pink forces in this strong, celebratory cocktail (which—much like a Gertrude Stein sentence—has a way of leaving those who partake in it delightfully bewildered). References: As Us Journal, Simon J. Ortiz, Dana Levin, VONA, CantoMundo, Macondo Writers Workshop, AWP, Trauma & Recovery by Judith Herman

Celeste Guzmán Mendoza (San Antonio, Texas, 10 may 1975) es poeta, dramaturga y actriz, con estudios en Teatro y Literatura inglesa de Barnard College y Columbia University. Es co-fundadora de “CantoMundo, taller internacional para poetas latinas/os.” y ha participado en el taller Macondo Writers y en Hedgebrook. Su primer poemario es Beneath the Halo(Wings Press en el 2013) y otros de sus trabajos han aparecido en: Entre Guadalupe and Malinche: Tejanas in Literature and Art (University of Texas Press: 2016); Her Texas: Story, Image, Poem and Song (Wings Press: 2016); Goodbye Mexico: Poems of Rememberance (Texas Review Press: 2015).

Poetry? Hell yes we do that. Bio from the Poetry Foundation: Poet and editor Jacob Saenz was born in Chicago and raised in Cicero, Illinois. He earned a BA in creative writing from Columbia College in Chicago. His first collection of poetry, Throwing the Crown, was awarded the 2018 American Poetry Review/Honickman First Book Prize and is forthcoming from Coppery Canyon Press. Saenz has been an editor at Columbia Poetry Review and an associate editor at RHINO. He works as an acquisitions assistant at the Columbia College library and has read his poetry at a number of Chicago venues. A CantoMundo fellow, he has also been the recipient of a Letras Latinas Residency Fellowship and a Ruth Lilly Poetry Fellowship.  

Latinx Poet Laureate of Philadelphia. Witness the Isthmus. Books for Unaccompanied Minors. Guests: Raquel Salas Rivera is poet Laureate of Philadelphia, and Geographer and storyteller Jessica Ofelia Alvarenga created the powerful exhibit Witness the Isthmus. Find out about a book drive for unaccompanied minors trapped in the immigration system. Bios Jessica Ofelia Alvarenga is a visual geographer and storyteller based out of Houston, Texas. Coupled with her background in journalism and social justice organizing, she uses photography as a way to document and reimagine immigrant narratives, particularly that of the Central American Diaspora. Her interests include urban political economies; religion and sexuality; diasporic identities; and volcanoes. She is the co-founder of Mujeres en Medio, an online media collective for women of color. In Spring 2017, she was awarded an Individual Artist Grant from the Houston Arts Alliance and the City of Houston. Jessica holds a Bachelor’s degree in Geography from the University of Texas-Austin. Raquel Salas Rivera es la poeta laureada de la ciudad de Filadelfia del 2018-19 y becaria de CantoMundo del 2018. Sus poemas han aparecido en revistas tales como la Revista del Instituto de Cultura Puertorriqueña, Apogee y el Boston Review. Es la autora de Caneca de anhelos turbios (Editora Educación Emergente), oropel/tinsel (Lark Books), tierra intermitente (Ediciones Alayubia) y lo terciario/the tertiary (Timeless, Infinite Light). En la actualidad, es co-editora para The Wanderer y co-editora de Puerto Rico en mi corazón, una colección bilingüe de volantes de poetas puertorriqueños contemporáneos. Producers: Leti Lopez & Marlen Treviño. Board Operators: Alex Sorto, and Joe Anthony Trevino. Founder and Director: Tony Diaz, El Librotraicante NP Radio airs live Tuesdays 6pm-7pm cst 90.1 FM KPFT Houston, TX. Livestream www.KPFT.org. More podcasts at www.NuestraPalabra.org. The Nuestra Palabra Radio Show is archived at the University of Houston Digital Archives. Our hard copy archives are kept at the Houston Public Library’s Special Collections Hispanic Archives. Tony Diaz Sundays, Mondays, & Tuesdays & The Other Side Sun 7am "What's Your Point" Fox 26 Houston Mon Noon "The Cultural Accelerator" at www.TonyDiaz.net Tues 6pm NP Lit Radio 90.1 FM KPFT, Houston www.NuestraPalabra.org 24/7 The Other Side TV www.TheOtherSideTele.com

Rachel Zucker talks with poet, editor/publisher and professor, Carmen Gimenez Smith, about the intersection of the lyric and the spoken word, the long poem, punctuation, working on several books at once, Cantomundo, Carmen’s writing process, writing long poems, being an editor, working with editors as a creator, the imagined or intended audience, the importance of getting feedback, political charge, the politicization of the bodies of women and people of color, Carmen’s mother and father, poetry as a form of recuperation, destabilizing the lyric “I”, writing about adolescents, Trump, “self-help” books, privilege, and the gift of entitlement.

Welcome to Season 2, Episode 4 of The Poetry Gods! On this episode of The Poetry Gods, we talk to 2016 Poets House Emerging Fellow and one of the co-founders of Project X, Noel Quiñones! We talk about Ice-T, Soulja Boy, poetry, community, and so much more! Check out the episode and let us know what you think. As always you can reach us at emailthepoetrygods@gmail.com. NOEL QUIÑONES BIO: Noel Quiñones is a writer, performer, and educator raised in the Bronx. A CantoMundo, Brooklyn Poets, and Emerging Poets Fellow at Poets House, he was most recently a member of the 2016 Bowery Poetry Slam team. He has performed at historic locations such as Lincoln Center, the Nuyorican Poets Cafe, and Apples and Snakes - London. His work has appeared in The Acentos Review, Pilgrimage Press, Kweli Journal, and Asymptote. Follow him @NQNino322 Follow Noel Quiñones on Twitter and Instagram: @NQNino322 Follow The Poetry Gods on all social media: @_joseolivarez, @azizabarnes, @iamjonsands, @thepoetrygods & CHECK OUR WEBSITE: thepoetrygods.com/ (much thanks to José Ortiz for designing the website! shouts to Jess X Snow for making our logo)

In this week's episode, we talk to Mario Ariza about the solar energy situation in Florida. We cover the gamut from the amendments proposed last year to pie in the sky technology and everything in between. Mario Alejandro Ariza is a Dominican immigrant to the United States who grew up in Santo Domingo and Miami. He is currently a Michener Fellow in poetry at the University of Miami’s Master in Fine Arts program, and he holds a Master’s degree in Hispanic Cultural Studies from Columbia University.  He has held a waiter-ship from the Breadloaf Writer’s conference, is the winner of the 2015 Small Axe magazine poetry contest, and was a 2016 Cantomundo fellow. His poetry can be found in Gulf Coast, The Raleigh Review, The Baffler, Luna Luna, and The Rumpus. You can find his feature journalism in places like The Atlantic and The Miami New Times, and The New Tropic. His essays appear in Cigar Snob Magazine and are forthcoming in The New Inquiry. He is working on a book about one of his greatest obsessions, human-driven climate change, and its effects on South Florida. Theme Credit At Launch Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

Daniel & Ben talk with Laurie Ann Guerrero, author of "A Tongue in the Mouth of the Dying," winner of the 2012 Andres Montoya Poetry Prize. Guerrero talks about the overwhelming feeling of winning the prize for a book that took over 10 years to write. Guerrero, who is also a CantoMundo Fellow, talks about why she felt like an outsider when getting her MFA, but instantly felt a sense of familia, support, and freedom when she attended a CantoMundo workshop. Many of Guerrero's poems focus on food and the violence that often accompanies the preparation of food, and she explains why her background has everything to do with the inspiration behind her poems. For this week's Poem of the Week, Laurie Ann Guerrero reads "When I Made Eggs This Morning" from her collection "A Tongue in the Mouth of the Dying."