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On Tuesday's show: What will HISD do now that no new bond money is coming? The district's state-appointed board of managers has been mulling over options to pivot after voters this month rejected a massive bond proposal for school upgrades. The board also heard an earful from parents last week about what motivated that rejection. We talk it over with with Houston Public Media's Adam Zuvanich.Also this hour: We learn how indigenous groups are resurrecting their people's ancient names for geographic places, including one tribal group's name for what is now Houston. We talk with two members of the Atakapa-Ishak Nation and learn what their people once called our city.And we reflect on the history of Houston's Arte Público Press, the oldest publisher dedicated to Latino literature in the United States, with its founder and incoming leader.
Producción y conducción: Irene Mora. Sistema Jalisciense de Radio y Televisión. Visita: www.jaliscoradio.com
Producción y conducción: Irene Mora. Sistema Jalisciense de Radio y Televisión. Visita: www.jaliscoradio.com
Karyy concierto el 15 de Noviembre en el teatro Maria Teresa. Hayde Martínez directora del proyecto "De cero a Cien" Producción y conducción: Irene Mora. Sistema Jalisciense de Radio y Televisión. Visita: www.jaliscoradio.com
Producción y conducción: Irene Mora. Sistema Jalisciense de Radio y Televisión. Visita: www.jaliscoradio.com
Producción y conducción: Irene Mora. Sistema Jalisciense de Radio y Televisión. Visita: www.jaliscoradio.com
Producción y conducción: Irene Mora. Sistema Jalisciense de Radio y Televisión. Visita: www.jaliscoradio.com
Producción y conducción: Irene Mora. Sistema Jalisciense de Radio y Televisión. Visita: www.jaliscoradio.com
Producción y conducción: Irene Mora Sistema Jalisciense de Radio y Televisión. Visita: www.jaliscoradio.com
Producción y conducción: Irene Mora Sistema Jalisciense de Radio y Televisión. Visita: www.jaliscoradio.com
Producción y conducción: Irene Mora Sistema Jalisciense de Radio y Televisión. Visita: www.jaliscoradio.com
Producción y conducción: Irene Mora Sistema Jalisciense de Radio y Televisión. Visita: www.jaliscoradio.com
Producción y conducción: Irene Mora Sistema Jalisciense de Radio y Televisión. Visita: www.jaliscoradio.com
Producción y conducción: Irene Mora Sistema Jalisciense de Radio y Televisión. Visita: www.jaliscoradio.com
Invitadas: LunaEm y Paola Meza. Producción y conducción: Irene Mora Sistema Jalisciense de Radio y Televisión. Visita: www.jaliscoradio.com
Producción y conducción: Irene Mora Sistema Jalisciense de Radio y Televisión. Visita: www.jaliscoradio.com
Producción y conducción: Irene Mora Sistema Jalisciense de Radio y Televisión. Visita: www.jaliscoradio.com
Producción y conducción: Irene Mora Sistema Jalisciense de Radio y Televisión. Visita: www.jaliscoradio.com
Producción y conducción: Irene Mora Sistema Jalisciense de Radio y Televisión. Visita: www.jaliscoradio.com
Producción y conducción: Irene Mora Sistema Jalisciense de Radio y Televisión. Visita: www.jaliscoradio.com
Invitadas: Cristina Alfaro, socióloga, antropóloga y productora cinematográfica. María Fernanda Márquez y Luciana Ortiz, estudiantes de la lic. de cinematografía del CEC. Producción y conducción: Irene Mora Sistema Jalisciense de Radio y Televisión. Visita: www.jaliscoradio.com
Invitada: Dafna Viniegra. Nos presenta su libro: "Sanar para crecer y trascender", una historia real para detener el abuso infantil. Producción y conducción: Irene Mora Sistema Jalisciense de Radio y Televisión. Visita: www.jaliscoradio.com
Producción y conducción: Irene Mora Sistema Jalisciense de Radio y Televisión. Visita: www.jaliscoradio.com
Invitada: Karla Ramos - Proyecto "Ese buen lugar cafetería " Producción y conducción: Irene Mora Sistema Jalisciense de Radio y Televisión. Visita: www.jaliscoradio.com
Producción y conducción: Irene Mora Sistema Jalisciense de Radio y Televisión. Visita: www.jaliscoradio.com
Invitadas: Andrea Lozano & Alejandra Nava. Producción y conducción: Irene Mora Sistema Jalisciense de Radio y Televisión. Visita: www.jaliscoradio.com
Producción y conducción: Irene Mora Sistema Jalisciense de Radio y Televisión. Visita: www.jaliscoradio.com
Invitada: Nancy Flores creadora de Vaaflor. Producción y conducción: Irene Mora Sistema Jalisciense de Radio y Televisión. Visita: www.jaliscoradio.com
Uma equipe de pesquisadores da UFES transformou monumentos históricos e personalidades do Espírito Santo em miniaturas 3D. O objetivo? Ajudar deficientes visuais a conhecer esses destaques capixabas através do tato. O projeto, realizado pelo Laboratório de Extensão e Pesquisa em Artes (Lenna), utilizou uma impressora 3D para conseguir desenvolver as miniaturas. Até o momento, já foram confeccionados 19 mini esculturas que vão da Cruz do Papa até a dona Domingas. Em entrevista à CBN Vitória, o coordenador do projeto e pesquisador do Laboratório de Extensão e Pesquisa em Artes da UFES, José Cirillo detalha a importância de compartilhar com as novas gerações o patrimônio do ES. E você pode conhecer o projeto no site Arte Pública Capixaba. Ouça a conversa completa!
NCC 04/09/2023 Son sus palabras. El Gobernador tiene que hacer un gran esfuerzo para hablar con la verdad. Resucita el contratista Carlos Román González de Aguadilla Pier y pide revisión de la decisión de la Secretaria de DRNA de imponerle la restauración del hábitat y multas por construir sobre la Cueva Las Golondrinas. Cuatro asesinatos de mujeres en el fin de semana. Arte Público, quién lo entiende y dónde quedó. ¡Sintoniza y Comparte! #periodismoindependiente #periodismodigital #puertorico #migueltorrestorres #yaniraraices #pedropierluisi
Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! NCC 04/09/2023 Son sus palabras. El Gobernador tiene que hacer un gran esfuerzo para hablar con la verdad. Resucita el contratista Carlos Román González de Aguadilla Pier y pide revisión de la decisión de la Secretaria de DRNA de imponerle la restauración del hábitat y multas por construir sobre la Cueva Las Golondrinas. Cuatro asesinatos de mujeres en el fin de semana. Arte Público, quién lo entiende y dónde quedó. ¡Sintoniza y Comparte! #periodismoindependiente #periodismodigital #puertorico #migueltorrestorres #yaniraraices #pedropierluisi Escucha este episodio completo y accede a todo el contenido exclusivo de Bonita Radio. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/90599
No Irritações desta semana, Carla Quevedo discute a arte pública em Portugal, recente, dando o exemplo do "último trambolho de homenagem aos enfermeiros", que é representada pela imagem de dois médicos: "A homenagem aos enfermeiros foi bater palminhas no início da pandemia, depois acabou". Luís Pedro Nunes aborda os novos comportamentos num elevador, para assumir que, depois da Covid, ainda se mantém um "certo desconforto" nas pessoas. José de Pina volta aos CTT e às raspadinhas, com Luana do Bem a nomear os "funcionários chico-espertos". Com moderação de Pedro Boucherie Mendes, o Irritações foi emitido a 24 de fevereiro, na SIC Radical, e terminou com a música 'Elvis', de Noble Son.See omnystudio.com/listener for privacy information.
El arte público tiene el poder de transformar vidas y más si se trata de las vidas de estudiantes ávidos por aprender dentro de una universidad. Así es como la Universidad de Houston se preocupa por que sus alumnos tengan acceso a instalaciones increíbles de artistas de todas partes del mundo como parte de sus inmediaciones habituales, para así inspirarlos dentro de un ambiente artístico y creativo, sin importar la carrera que estén estudiando. Si quieren entender más acerca de cómo logra una universidad esta misión, no se pueden perder la plática que tuvimos con María Gaztambide, director ejecutiva y curadora del Public Art of the University of Houston, acerca de su incansable labor de buscar la intersección entre el arte, la tecnología, y el ámbito público.María nació en San Juan, Puerto Rico y fue muy interesante también el conocer cómo vive una mujer puertorriqueña su biculturalidad y cómo ha influido su sangre latina en su vida personal y profesional.María fue directora asociada del Centro Internacional de Arte de las Américas del Museo de Fine Arts por más de diez años. Ahí participó en exposiciones muy importantes como Contesting Modernity: Informalism in Venezuela, Contingent Beauty: Contermporary Art from Latin America y también Intersecting Modernities: Latin American Art from the Brilllembourg Capriles Collection.Además, fue curadora y profesora en la Universidad de Tulane, así como también trabajó para el Smithsonian en Washington, al igual que en Nueva York y Puerto Rico.María ha estado enfocada en imagen y tecnologías digitales en las artes visuales y publica regularmente acerca de arte moderno y contemporáneo, además de ser autora del libro El Techo de la Ballena, Retro Modernity in Venezuela.Hoy nos platica también de la nueva instalación, “Folly” del artista cubano americano, Jorge Pardo y todo lo que hay detrás de traer a la Universidad de Houston una instalación de este calibre.Disfruten de la conversación que tuvimos con María y si les gustó lo que escucharon aquí, denle follow y suscríbanse en cualquier plataforma que estén escuchando y compártanlo con sus amigas.PUBLIC ART U OF HLibro: El Techo de la Ballena Amazonnstagram @ciudadhpodcast @ana_beat @yomarianablog
In this episode, Tiffany speaks with Professor Cynthia Orozco about her new book, Pioneer of Mexican-American Civil Rights: Alonso S. Perales, published with Arte Público Press in 2020. Alonso S. Perales is a leading Latino lawyer of the twentieth century. Though he has remained overlooked in the historical record until now. In Orozco's newest publication, she argues that Perales was a significant player in civil rights politics and made a profound impact by founding the League of United Latin American Citizens (LULAC) and organized many Latinos to engage in political and educational reform. From primary and rich secondary sources across Texas, Orozco masterfully crafted an intriguing life story of Perales. Chapters include Perales upbringing in south Texas, pursuing an education in Washington, D.C., organizing Latinos in San Antonio, the founding of LULAC, familial influence in his personal and political decisions, the rivalries and solidarities he formed over time, and the events leading up to his death. There are not enough political biographies on Latina/o peoples in the U.S. But Orozco's work continues to pave a path for opening discussions about the need for biography writing. And more people should take notice. Tiffany González is an Assistant Professor of History at James Madison University. She is a historian of Chicana/Latinx history, American politics, and social movements. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latino-studies
In this episode, Tiffany speaks with Professor Cynthia Orozco about her new book, Pioneer of Mexican-American Civil Rights: Alonso S. Perales, published with Arte Público Press in 2020. Alonso S. Perales is a leading Latino lawyer of the twentieth century. Though he has remained overlooked in the historical record until now. In Orozco's newest publication, she argues that Perales was a significant player in civil rights politics and made a profound impact by founding the League of United Latin American Citizens (LULAC) and organized many Latinos to engage in political and educational reform. From primary and rich secondary sources across Texas, Orozco masterfully crafted an intriguing life story of Perales. Chapters include Perales upbringing in south Texas, pursuing an education in Washington, D.C., organizing Latinos in San Antonio, the founding of LULAC, familial influence in his personal and political decisions, the rivalries and solidarities he formed over time, and the events leading up to his death. There are not enough political biographies on Latina/o peoples in the U.S. But Orozco's work continues to pave a path for opening discussions about the need for biography writing. And more people should take notice. Tiffany González is an Assistant Professor of History at James Madison University. She is a historian of Chicana/Latinx history, American politics, and social movements. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In this episode, Tiffany speaks with Professor Cynthia Orozco about her new book, Pioneer of Mexican-American Civil Rights: Alonso S. Perales, published with Arte Público Press in 2020. Alonso S. Perales is a leading Latino lawyer of the twentieth century. Though he has remained overlooked in the historical record until now. In Orozco's newest publication, she argues that Perales was a significant player in civil rights politics and made a profound impact by founding the League of United Latin American Citizens (LULAC) and organized many Latinos to engage in political and educational reform. From primary and rich secondary sources across Texas, Orozco masterfully crafted an intriguing life story of Perales. Chapters include Perales upbringing in south Texas, pursuing an education in Washington, D.C., organizing Latinos in San Antonio, the founding of LULAC, familial influence in his personal and political decisions, the rivalries and solidarities he formed over time, and the events leading up to his death. There are not enough political biographies on Latina/o peoples in the U.S. But Orozco's work continues to pave a path for opening discussions about the need for biography writing. And more people should take notice. Tiffany González is an Assistant Professor of History at James Madison University. She is a historian of Chicana/Latinx history, American politics, and social movements. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
In this episode, Tiffany speaks with Professor Cynthia Orozco about her new book, Pioneer of Mexican-American Civil Rights: Alonso S. Perales, published with Arte Público Press in 2020. Alonso S. Perales is a leading Latino lawyer of the twentieth century. Though he has remained overlooked in the historical record until now. In Orozco's newest publication, she argues that Perales was a significant player in civil rights politics and made a profound impact by founding the League of United Latin American Citizens (LULAC) and organized many Latinos to engage in political and educational reform. From primary and rich secondary sources across Texas, Orozco masterfully crafted an intriguing life story of Perales. Chapters include Perales upbringing in south Texas, pursuing an education in Washington, D.C., organizing Latinos in San Antonio, the founding of LULAC, familial influence in his personal and political decisions, the rivalries and solidarities he formed over time, and the events leading up to his death. There are not enough political biographies on Latina/o peoples in the U.S. But Orozco's work continues to pave a path for opening discussions about the need for biography writing. And more people should take notice. Tiffany González is an Assistant Professor of History at James Madison University. She is a historian of Chicana/Latinx history, American politics, and social movements. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
In this episode, Tiffany speaks with Professor Cynthia Orozco about her new book, Pioneer of Mexican-American Civil Rights: Alonso S. Perales, published with Arte Público Press in 2020. Alonso S. Perales is a leading Latino lawyer of the twentieth century. Though he has remained overlooked in the historical record until now. In Orozco's newest publication, she argues that Perales was a significant player in civil rights politics and made a profound impact by founding the League of United Latin American Citizens (LULAC) and organized many Latinos to engage in political and educational reform. From primary and rich secondary sources across Texas, Orozco masterfully crafted an intriguing life story of Perales. Chapters include Perales upbringing in south Texas, pursuing an education in Washington, D.C., organizing Latinos in San Antonio, the founding of LULAC, familial influence in his personal and political decisions, the rivalries and solidarities he formed over time, and the events leading up to his death. There are not enough political biographies on Latina/o peoples in the U.S. But Orozco's work continues to pave a path for opening discussions about the need for biography writing. And more people should take notice. Tiffany González is an Assistant Professor of History at James Madison University. She is a historian of Chicana/Latinx history, American politics, and social movements. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
In this episode, Tiffany speaks with Professor Cynthia Orozco about her new book, Pioneer of Mexican-American Civil Rights: Alonso S. Perales, published with Arte Público Press in 2020. Alonso S. Perales is a leading Latino lawyer of the twentieth century. Though he has remained overlooked in the historical record until now. In Orozco's newest publication, she argues that Perales was a significant player in civil rights politics and made a profound impact by founding the League of United Latin American Citizens (LULAC) and organized many Latinos to engage in political and educational reform. From primary and rich secondary sources across Texas, Orozco masterfully crafted an intriguing life story of Perales. Chapters include Perales upbringing in south Texas, pursuing an education in Washington, D.C., organizing Latinos in San Antonio, the founding of LULAC, familial influence in his personal and political decisions, the rivalries and solidarities he formed over time, and the events leading up to his death. There are not enough political biographies on Latina/o peoples in the U.S. But Orozco's work continues to pave a path for opening discussions about the need for biography writing. And more people should take notice. Tiffany González is an Assistant Professor of History at James Madison University. She is a historian of Chicana/Latinx history, American politics, and social movements. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west
In this episode, Tiffany speaks with Professor Cynthia Orozco about her new book, Pioneer of Mexican-American Civil Rights: Alonso S. Perales, published with Arte Público Press in 2020. Alonso S. Perales is a leading Latino lawyer of the twentieth century. Though he has remained overlooked in the historical record until now. In Orozco's newest publication, she argues that Perales was a significant player in civil rights politics and made a profound impact by founding the League of United Latin American Citizens (LULAC) and organized many Latinos to engage in political and educational reform. From primary and rich secondary sources across Texas, Orozco masterfully crafted an intriguing life story of Perales. Chapters include Perales upbringing in south Texas, pursuing an education in Washington, D.C., organizing Latinos in San Antonio, the founding of LULAC, familial influence in his personal and political decisions, the rivalries and solidarities he formed over time, and the events leading up to his death. There are not enough political biographies on Latina/o peoples in the U.S. But Orozco's work continues to pave a path for opening discussions about the need for biography writing. And more people should take notice. Tiffany González is an Assistant Professor of History at James Madison University. She is a historian of Chicana/Latinx history, American politics, and social movements. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode, Tiffany speaks with Professor Cynthia Orozco about her new book, Pioneer of Mexican-American Civil Rights: Alonso S. Perales, published with Arte Público Press in 2020. Alonso S. Perales is a leading Latino lawyer of the twentieth century. Though he has remained overlooked in the historical record until now. In Orozco's newest publication, she argues that Perales was a significant player in civil rights politics and made a profound impact by founding the League of United Latin American Citizens (LULAC) and organized many Latinos to engage in political and educational reform. From primary and rich secondary sources across Texas, Orozco masterfully crafted an intriguing life story of Perales. Chapters include Perales upbringing in south Texas, pursuing an education in Washington, D.C., organizing Latinos in San Antonio, the founding of LULAC, familial influence in his personal and political decisions, the rivalries and solidarities he formed over time, and the events leading up to his death. There are not enough political biographies on Latina/o peoples in the U.S. But Orozco's work continues to pave a path for opening discussions about the need for biography writing. And more people should take notice. Tiffany González is an Assistant Professor of History at James Madison University. She is a historian of Chicana/Latinx history, American politics, and social movements. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode, Tiffany speaks with Professor Cynthia Orozco about her new book, Pioneer of Mexican-American Civil Rights: Alonso S. Perales, published with Arte Público Press in 2020. Alonso S. Perales is a leading Latino lawyer of the twentieth century. Though he has remained overlooked in the historical record until now. In Orozco's newest publication, she argues that Perales was a significant player in civil rights politics and made a profound impact by founding the League of United Latin American Citizens (LULAC) and organized many Latinos to engage in political and educational reform. From primary and rich secondary sources across Texas, Orozco masterfully crafted an intriguing life story of Perales. Chapters include Perales upbringing in south Texas, pursuing an education in Washington, D.C., organizing Latinos in San Antonio, the founding of LULAC, familial influence in his personal and political decisions, the rivalries and solidarities he formed over time, and the events leading up to his death. There are not enough political biographies on Latina/o peoples in the U.S. But Orozco's work continues to pave a path for opening discussions about the need for biography writing. And more people should take notice. Tiffany González is an Assistant Professor of History at James Madison University. She is a historian of Chicana/Latinx history, American politics, and social movements. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day
Episódio 3 da temporada especial do Appleton Podcast - 15 anos MACE - Aqui somos rede - numa parceria com a Colecção António CacholaJoão Pinharanda Vive e trabalha em Lisboa. Em 2022 assume a direcção artística do MAAT.Foi professor auxiliar convidado do Departamento de Arquitectura, na Universidade Autónoma de Lisboa; trabalhou como professor auxiliar convidado do Mestrado de Gestão de Mercados de Arte (ISCTE, Lisboa); foi presidente da Secção Portuguesa da Associação International dos Críticos de Arte (AICA); director de programação do Museu de Arte Contemporânea de Elvas (2007-2010) – Colecção António Cachola, que tinha organizado em 1999; participou em numerosos júris de exposições e Prémios de Arte em Portugal, Espanha e Brasil; em numerosas conferências em Portugal, Espanha, México, Brasil, Rússia e França; colaborou na imprensa como crítico de arte entre 1984 e 2001 (no jornal Público foi responsável pela secção de artes plásticas entre 1990-2000); tem também colaboração em revistas especializadas portuguesas e internacionais (Arte Ibérica, Flash Art, Neue Kunst in Europa, Spazio Umano, Arena...). É consultor artístico e responsável pela programação de exposições da Fundação EDP, desde 2000, onde organizou mais de uma centena de exposições e catálogos; organizador dos Prémios de Arte da Fundação EDP (Prémio EDP – Novos Artistas e Grande Prémio EDP); responsável pela Colecção de Arte da Fundação EDP; comissário e coordenador do Programa da Fundation EDP «Arte e Arquitectura em Barragens»; comissário e coordenador do Programa de Arte Pública do Parque de Escultura Contemporânea do Parque Almourol (Vila Nova da Barquinha); projecto de intervenção na paisagem na zona da Barragem do Alqueva (Aldeia da Luz/Museu da Luz); é comissário de numerosas exposições individuais e colectivas em museus nacionais e internationais (Espanha, França, Rússia, México, Brasil). António AlbertinoAlbertino dos Santos, mandou construir um armazém e escritórios para as suas empresas de produtos de pintura e reparação automóvel, e antes de o ocupar com o necessário para as suas funções industriais, apresentou nesse espaço a sua colecção de arte contemporânea, durante uns dias, em Maio de 2015, na exposição “Primeira Pessoa Plural”.A colecção de arte contemporânea de Ana Cristina e Albertino dos Santos é composta por obras de artistas portugueses e estrangeiros, escolhidas pessoalmente pelos colecionadores, junto dos artistas. Os colecionadores anunciam a intenção de criar um museu, que «terá de ser desagarrado do mainstream da lógica do funcionamento público, estatal, de tudo o que isso transportaria de ”dificuldades, constrangimentos de horários, incompetência nos lugares de destaque, burocracia…”» afirma Ana Cristina dos Santos. Será um «museu particular, permanentemente aberto às instituições, comunidade artística, escolas e amigos». Em 2021 a Colecção AA é a escolhida para a 4ª edição de “Arte em São Bento” apresentando um total de 41 peças.Links:https://expresso.pt/cultura/2022-01-27-faltam-nos-milionarios-cultos-que-apostem-em-arte.-grande-entrevista-a-joao-pinharandahttps://rr.sapo.pt/noticia/politica/2021/10/05/costa-diz-que-vira-do-porto-a-proxima-arte-em-sao-bento-um-investimento-para-continuar/255737/Episódio gravado a 22.06.2022 http://www.appleton.pt Mecenas Appleton:HCI / Colecção Maria e Armando Cabral Financiamento:República Portuguesa - Cultura / DGArtes Apoio:Câmara Municipal de Lisboa
Rodrigo Guendelman conversó con Andrés y Nicolás Lira Vigneaux se refirieron a Lira Vigneaux Studio y el trabajo que han realizado, como el edificio consistorial de Villa O'Higgins, la Plaza de Galpón Flotante en Río Ibanez y la costanera en Puerto Tranquilo. En el segundo bloque Esteban Barrera de Lira Arte Público comentó sobre el nuevo mural "Cultivando Sueños" ubicado cerca a Estación Mapocho, el cual fue pintado por Rodrigo Estoy, además entregó detalles sobre "Paisajes invisibles", la muestra que presentarán en GAM, entre otros.
En el estreno de hoy la contrabajista #AdrianaCamacho nos lleva por nuevos caminos sonoros, musicales y visuales se fusionan para dar vida a #Loope: Paisajes oníricos#, su proyecto solista. En él la exploración de sonoridades, ambientes, paisajes, épocas e imágenes se da a través del procesamiento del contrabajo, voz, ocarinas, objetos y juguetes; y teniendo el contrabajo como base, además de efectos y looperas, creando una improvisación en tiempo real, en la que se generan capas que crean texturas, narraciones abstractas y paisajes sonoros. Adriana Camacho nace en la Ciudad de México y es egresada de Comunicación en la Universidad Iberoamericana, es documentalista y contrabajista. Realiza sus estudios musicales con el maestro Enrique Valadez; talleres y clases de contrabajo e improvisación con Joelle Leandre, Eddie Gomez, Sebastian Gramss, Lelio Gianneto, David Sanchez, Remi Álvarez (FAM), Germán Bringas y Ensambles de Jazz en la Escuela Superior de Música, entre otros. Activa en la escena de la improvisación y el free jazz, ha tocado en festivales, ciclos y foros nacionales e internacionales dedicados a esta música como el Bosque Sonoro Museo de Arte Moderno CDMX; Festival Cervantino; Chalton Gallery en Londres; Museo de Arte Moderno Ugo Cara y foro Knulp en Trieste, Italia; Pabellón 02 en Venecia, Italia; Festival Resist!Vienna, Austria; FÏME Festival Internacional de Música Radical Querétaro; Fundación Sebastián y Sala de Arte Público Siqueiros, entre otros foros. Su búsqueda en el ámbito de la improvisación la ha llevado a tener constantes colaboraciones con varios músicos, poetas y artistas plásticos. Actualmente es contrabajista de varios grupos: Cihuatl, Sociedad Acústica de Capital Variable, Eyi Xochimeh, Cataratas del Niágara, Sesión Libre Trío, Cuerdas no tan Cuerdas, Los Verdaderos, David Contreras Trío, Humanas y su proyecto como solista Loope. Música sin Fronteras MX es un podcast para difundir el oficio de músicos mexicanos, quienes nos comparten en nuestro ciclo de exposiciones, su proceso creativo desarrollado a lo largo de sus trayectorias. Un espacio para fomentar diálogo y con ello nuevas audiencias. Esta actividad se realiza con apoyo del Sistema de Apoyos a la Creación y Proyectos Culturales (SACPC) FONCA, en colaboración con Cultura UACM UACM San Lorenzo Tezonco, +Musica MX y Cim cenzontle Iztapalapa. Síguenos en redes y plataformas o nuestra página: https://musicasinfronterasmx.com/ Conoce más de Adriana Camacho en: https://www.adrianacamacho.com/
The #LatinoBookStore #TAS Texas Author Series every first Friday features a lineup cultivated by Mouthfeel Press (MFP). As a preview, Tony Diaz features several of the talented artists of Mouthfeel Press including: Liliana Valenzuela is the author of the poetry collections Codex of Love: Bendita ternura (FlowerSong Press, 2020) and Codex of Journeys: Bendito camino (Mouthfeel Press, 2013). Her poetry and essays have been widely anthologized, most recently in Latinas: An Anthology of Struggles & Protests in 21st Century USA. Valenzuela is also the acclaimed Spanish language translator of works by Cristina García, Julia Alvarez, Denise Chávez, and many other writers. Her most recent translation is Martita, I Remember You/Martita, te recuerdo, by Sandra Cisneros. And this fall, Vintage Español will publish her translation of Sandra Cisneros' new poetry collection, Woman Without Shame/Mujer sin vergüenza. A CantoMundo and Macondo fellow, she collaborates with the Hablemos, escritoras podcast. Valenzuela is currently the editor of the Latin American Journalism Review at the University of Texas at Austin. Maria Miranda Maloney is a Latina poet, editor, and bilingual publisher. She was born in El Paso, Texas, and raised in a small farm community of mostly immigrant families. Her family's outings consisted of crossing the U.S-Mexico border every Sunday to visit family in Zaragoza, a town outside Cd. Juárez, Chihuahua, Mexico. She learned to navigate two different worlds, including language and traditions. Maria is the founder of Mouthfeel Press a bilingual press that has published dozens of books of poetry in English and Spanish, and the author of Cracked Spaces (Pandora Lobo, 2021), The Lost Letters of Mileva (Pandora Lobo Productions Press, 2014) and The City I Love (Ranchos Press, 2011). Her poetry and essays have appeared in Bellevue Literary Review, MiPoesias, The Catholic Reporter, The Texas Review, Acentos Review, and other literary and international journals. She is the literary curator and Outreach Coordinator for The Smithsonian Latino Center, Washington D.C., and curator for the Wise Latina International's Writing Ourselves into History. Maria is editor for Arte Público Press, and a BorderSenses board member. She is currently a reading and writing teacher in East Texas. Her next book The Moon in Her Eyes is scheduled for release in 2023. She's currently working on her manuscript When We Were Sisters. Carolina Monsiváis is the author of Somewhere Between Houston and El Paso, Elisa's Hunger, and Descent. A dedicated advocate in the field of domestic violence and sexual assault, she has worked with survivors in Texas, New Mexico and Juárez. She earned degrees from the University of Houston (B.A) and New Mexico State University Vincent "Chente" Cooper is a writer and previous US Marine living in San Antonio. His productions in collections incorporate Boundless, Refreshing San Antonio, Ban This: An Anthology of Chicano Literaturek, and Big Bridge Magazine: Refreshing San Antonio. His chapbook, Where the Reckless Ones Come was distributed by Aztlan Libre Press. "Zarzamora' his latest work has been described as poetry of survival and recounts through prose expereiences along one of San Antonio Texas' throughfares. Lastly, he is a member of The Macondo Writer's Workshop. His poems can be found in Huizache and Riversedge. He currently resides in the westside of San Antonio, TX. www.Librotraficante.com www.NuestraPalabra.org www.TonyDiaz.net
Tony Diaz speaks with Richard Santos and Monica Villarreal regarding the importance of representation, whether in the work Richard does providing literary access to youth in Austin, or through the arts and performances Monica does through her dancing. Richard Z. Santos is a novelist and the Executive Director of Austin Bat Cave, a nonprofit that provides creative writing workshops to students in underrepresented areas. He's a former high school English and Social Studies teacher, and in a previous career worked for some of the nation's top political campaigns, consulting firms, and labor unions. Trust Me, published by Arte Público Press, was named one of the best debuts of 2020 by Crime Reads and was a finalist for The Writers League of Texas Novel Prize. Monica Villarreal is an interdisciplinary artist native to Houston. Her art explores ethnic identity, gender roles, migrant and environmental issues. She is a recipient of multiple awards in photography and filmmaking, and has participated in installation and performing art productions organized by Voices Breaking Boundaries, Project Row Houses, Houston Arts Alliance, Multicultural Education and Counseling through the Arts, Santa Fe Arts Institute, and Alabama Song. Monica studied typography under Mainz Gutenberg Award winner Mahendra Patel and is currently learning printmaking from Master Printer Armando Rodriguez. She has a B.A. in Entrepreneurship from the University of Houston and an M.A. in Digital Media Studies from the University of Houston-CL. Monica wears various hats, as the founder of Creative Women Unite, a local feminist arts collaborative and as a traditional Aztec dancer with Danza Azteca Taxcayolot, a local group that practices Mexican indigenous traditions through spirituality, and community engaging performances. She has over a decade of experience organizing with local grassroots and nonprofit organizations. Staying active allows her to continue her research and create art focused on issues she's passionate about. Thanks to Roxana Guzman, Multiplatform Producer Rodrigo Bravo, Jr., Audio Producer Radame Ortiez, SEO Director Marc-Antony Piñón, Graphics Designer Leti Lopez, Music Director Bryan Parras, co-host and producer emeritus Liana Lopez, co-host and producer emeritus Lupe Mendez, Texas Poet Laureate, co-host, and producer emeritus Writer and activist Tony Diaz, El Librotraficante, hosts Latino Politics and News and the Nuestra Palabra Radio Show on 90.1 FM, KPFT, Houston's Community Station. He is also a political analyst on “What's Your Point?” on Fox 26 Houston. He is the author of the forthcoming book: The Tip of the Pyramid: Cultivating Community Cultural Capital. www.Librotraficante.com www.NuestraPalabra.org www.TonyDiaz.net
En esta sesión de charla la contrabajista Adriana Camacho nos habla sobre su trabajo en la música y como este se ha ido conformado el proyecto Loope, que nace en 2018 y en él explora sonoridades, ambientes, paisajes, épocas e imágenes a través de procesar el contrabajo, voz, ocarinas, objetos y juguetes. Ello es parte de lo que presentará en concierto el viernes 13 de mayo 13 hrs. en el plantel San Lorenzo Tezonco de la #UACM de la #CMDX Adriana Camacho nace en Ciudad de México en Octubre de 1974 es contrabajista y documentalista (Universidad Iberoamericana). Realizó sus estudios musicales con el maestro Enrique Valadez, talleres y clases de contrabajo e improvisación con Joelle Leandre, Eddie Gomez, Sebastian Gramss, Lelio Gianneto, David Sánchez, Remi Álvarez (FAM), Germán Bringas, Ensambles de Jazz en la Escuela Superior de Música, entre otros. Activa en la escena de la improvisación y el free jazz ha tocado en festivales, ciclos y foros nacionales e internacionales dedicados a esta música como el Bosque Sonoro Museo de Arte Moderno CDMX, Festival Cervantino, Chalton Gallery en Londres, Museo de Arte Moderno Ugo Cara y foro Knulp en Trieste, Italia, Pabellón 02 en Venecia, Italia, Festival Resist!Vienna, Austria, FÏME Festival Internacional de Música Radical Querétaro, Fundación Sebastián, Sala de Arte Público Siqueiros, entre muchos otros. Su búsqueda en el ámbito de la improvisación la ha llevado a tener constantes colaboraciones con varios músicos, poetas y artistas plásticos. Actualmente es contrabajista de varios grupos y tiene su proyecto individual Loope }, del que recientemente lanzo su primer grabación en la plataforma #bandcamp #MúsicasinFronterasMX es un #podcast para difundir el oficio de músicos mexicanos, quienes nos comparten en nuestro ciclo de exposiciones, su proceso creativo desarrollado a lo largo de sus trayectorias. Un espacio para fomentar diálogo y con ello nuevas audiencias a través del #lenguajevivo de la música. Síguenos en nuestros canales: linktr.ee/musicasinfronterasmx Esta actividad se realiza con apoyo del Sistema de Apoyos a la Creación y Proyectos Culturales (SACPC) FONCA, en colaboración con Cultura UACM UACM San Lorenzo #Iztapalapa, +Musica MX y Cim cenzontle Iztapalapa.
Rodrigo Guendelman conversó con Lucas Iribarren, fundador de la comercializadora de pickles y salsas "By María" sobre su nueva inauguración gastronómica. Además, se comentó el último proyecto de Lira Arte Público, que entregó cuatro murales a edificios de Providencia
In this episode of Words on a Wire, host Daniel Chacón interviews Estella González about her debut short story collection, Chola Salvation, published in 2021 by Arte Público Press. González was born and raised in East Los Angeles which inspires her writing. Her writing has been recognized with a Pushcart Prize “Special Mention” and as a “Reading Notable” for The Best American Non-Required Reading.
Hoy conversamos con la curadora y escritora Andrea Torreblanca, actualmente directora de Proyectos Curatoriales de INSITE - una organización dedicada desde 1992 a la producción de proyectos de arte en la esfera pública . Andrea conversa sobre los cambios en el futuro y el presente inmediato de la orgnización, y de la nueva plataforma llamada “Commonplaces,” junto con otras iniciativas basadas en el archivo de insite y en el Journal del mismo. Commonplaces surgió a partir de reflexionar sobre la relevancia y sustentabilidad de la práctica de Insite a lo largo de casi tres décadas. Andrea Torreblanca obtuvo una Maestría en Estudios Curatoriales en el Bard College de Nueva York (2008-2010). Fue curadora asociada del Museo Tamayo (2012-2015), coordinadora de la Sala de Arte Público Siqueiros-La Tallera (2010-2011); subdirectora de curaduría y registro para la Colección de Arte Moderno y Contemporáneo de Jacques y Natasha Gelman, en el Centro Cultural Muros (2004-2008); coordinadora de la colección del Museo de las Californias en el Centro Cultural Tijuana (1998-2000), así como consultora de Programas Culturales de la Fundación BBVA Bancomer durante 2017 y en 2018 .
José Pedro Croft nascido no Porto em 1957, vive e trabalha em Lisboa.Croft é um dos principais expoentes da renovação da escultura portuguesa. A sua carreira, tanto como escultor como desenhador, tem sido caracterizada desde as suas fases iniciais por um meticuloso processo construtivo que combina o seu universo formal com o seu mundo pessoal. Em suma, o projecto artístico de Croft situa-se fora do caminho determinado pelas escolas e grupos.Em relação a esta noção, os seus trabalhos resultam sempre dos processos desencadeados no seu interior, onde as dimensões visuais, plásticas e poéticas dos objectos criados se misturam, produzindo uma impressão de equilíbrio precário entre o estável e o instável que, para o artista português, "reflecte a natureza transitória do universo".As suas esculturas desenvolvem relações complexas com o seu contexto e com as suas próprias formas e volumes, através de estruturas simples quase minimalistas que combinam a natureza material do objecto com os seus aspectos formais.Expondo individualmente pela primeira vez em 1983, desde então tem participado em várias exposições individuais e coletivas em Portugal e no estrangeiro. Representou Portugal na 46ª Bienal de Veneza, em 1995, e apresentou uma retrospetiva do seu trabalho no Centro Cultural de Belém, Lisboa e no Centro Galego de Arte Contemporánea Santiago de Compostela em 2002 e 2003 respectivamente. Em 2017 representou Portugal com a instalação “Medida Incerta” na 57ª Biennale di Venezia, comissariada por João Pinharanda.Em 2002 recebeu o Prémio EDP – Desenho. Tem também realizado obras de arte pública, tendo recebido em 2001 o Prémio Nacional de Arte Pública Tabaqueira. Está representado em várias colecções institucionais e privadas das quais se destacam: Centro de Arte Moderna - Fundação Calouste Gulbenkian (PT), Fundação de Serralves (PT), Colecção Berardo (PT), Secretaria de Estado da Cultura (PT), Fundação Luso-Americana para o Desenvolvimento (PT), Colecção Caixa Geral de Depósitos (PT), Museo Nacional Centro de Arte Reina Sofía (ES), MEIAC (ES), Centro Georges Pompidou (FR), Museu Albertina (AT), Fundação La Caixa (ES), Banco de España (ES), Museu de Arte Moderna do Rio de Janeiro (BR) e Pinacoteca do Estado de São Paulo (BR) entre outros. Links: http://helgadealvear.com/en/artists/jose-pedro-croft/https://www.galeriamaior.es/en/artists/jose-pedro-croft/ https://www.veracortes.com/artists/jose-pedro-croft/ http://projectomap.com/visitas-atelier/jose-pedro-croft/ https://irenelaubgallery.com/artistes/jose-pedro-croft/ https://observador.pt/especiais/jose-pedro-croft-de-vidro-e-aco-em-veneza-nao-tenho-uma-carreira-tenho-uma-forma-de-viver/ https://www.dgartes.gov.pt/pt/noticia/479 https://www.publico.pt/2017/05/10/culturaipsilon/noticia/as-esculturas-de-jose-pedro-croft-sao-capazes-de-pintar-veneza-1771695 https://www.youtube.com/watch?v=dCJs5dCLZw0 https://www.youtube.com/watch?v=-fI6Jb2LbvU https://www.rtp.pt/noticias/cultura/jose-pedro-croft_v935619 https://contemporanea.pt/edicoes/12-2017/conversa-dois-entre-dois-desenhos-e-duas-esculturas https://makingarthappen.com/2012/10/18/dois-desenhos-uma-escultura-jose-pedro-croft/ http://www.museuartecontemporanea.gov.pt/pt/artistas/ver/103/artistsEpisódio gravado a03.12.2021 http://www.appleton.pt Mecenas Appleton:HCI / Colecção Maria eArmando Cabral Financiamento:República Portuguesa -Cultura / DGArtes Apoio:Câmara Municipal de Lisboa
Carlos Rivera Villafañe: Artista autor de las “LETRAS DE PONCE” 16 Años de la icónica obra Parte del proyecto de Arte Público de Sila María Calderón Historia y desarrollo del Proyecto El respeto por las letras “El paso a la inmortalidad” Qué hay esta Navidad sobre historia, y para niños en El Candil Los Chulos de La Pobreza de Editoria Educación Emergente Rima Brusi - Gil de Lamadrid: autora Lissette Rolón Collazo: editora Sobre las ilustraciones Zueira Soto Román ¿Por qué escribir de cosas tan intimas? ¿Qué tiene Editora Educación Emergente?
Town Square with Ernie Manouse airs at 3 p.m. CT. Tune in on 88.7FM, listen online or subscribe to the podcast. Join the discussion at 888-486-9677, questions@townsquaretalk.org or @townsquaretalk. The Latino population makes about 18 percent of the United States with over 60 million Latino residents throughout the country. However, our screens and books paint a different picture. UCLA's 2021 Hollywood Diversity Report found that Latinos actors, directors, and scriptwriters make up just under 6% in Hollywood. And print media is not seeing much a higher rate in representation either. University of Wisconsin-Madison's survey into children's literature found that Latino characters published were at 6% as well. Today, experts in the arts discuss Latino representation in the media, their impact on stereotypes, and our perception of their roles in the U.S. What has the oldest, and largest, non-profit publisher of Hispanic literature in the United States seen throughout its run? And how are Latinos breaking barriers on and off the page? Some recommendations by our guests include: We Were Always Here: A Mexican American's Odyssey by Ricardo Chavira Secrets of the Casa Rosada by Alex Temblador Wishbone by Anna Garcia Shaper La Borinqueña by Edgardo Miranda-Rodriguez Editing by Design: The Classic Guide to Word-and-Picture Communication for Art Directors, Editors, Designers, and Students Book by Alex W. White and Jan V. White Guests: Dr. Nicolás Kanellos Founder and director of Arte Público Press Brown Foundation Professor of Hispanic Studies at the University of Houston Charles Ramírez Berg Professor in Media Studies at the University of Texas at Austin Author Latino Images in Film: Stereotypes, Subversion, and Resistance Dr. Raquel Ortiz Author of bilingual picture books for children, including When Julia Danced Bomba Ph.D. in Social Anthropology from the University of Salamanca Terry Blas Comic book artist and writer with Marvel, Vox, and independent publishing Creator of You Can Say Latino and You Can Say Latinx Town Square with Ernie Manouse is a gathering space for the community to come together and discuss the day's most important and pressing issues. Audio from today's show will be available after 5 p.m. CT. We also offer a free podcast here, on iTunes, and other apps.
En 1973, la “Sala de Arte Público Siqueiros” y “La Tallera” Casa Estudio de David Alfaro Siqueiros fueron legadas mediante testamento público por David Alfaro Siqueiros al “pueblo de México”. Hoy hablamos del colectivo independiente que se derivó de dichas acciones en lo que hoy es “La Tallera”.
O que é afinal isso da arte pública e o que pode essa arte — que a maioria entende ser para todos, feita com todos e por todos — fazer pelas cidades? Da street art e de como ela deixou de ser (apenas) contracultura às dinâmicas culturais que, aliadas ou não a processos mais amplos de revitalização urbana, dão nova vida a determinadas zonas de uma cidade ou a todo um território, uma conversa com o artista urbano MrDheo, o director executivo da candidatura da Guarda a Capital Europeia da Cultura em 2027, Pedro Gadanho, e Pedro Pinto, sócio maioritário da Livraria Lello e proprietário do Teatro Sá da Bandeira, duas "jóias" do Porto. Produção: Ana Isabel Pereira (Ao Vivo/PÚBLICO) Subscreva o Conversas Urbanas na Apple Podcasts, Spotify, SoundCloud ou outras aplicações para podcasts. Conheça os podcasts do PÚBLICO em www.publico.pt/podcasts. Este programa tem o apoio da Gaiurb.
Kristina Velfu platicó con el director de la Sala de Arte Público Siqueiros, un espacio de resguardo, exhibición y revisión del archivo y obra de David Alfaro Siqueiros.
Siga o 100 Fitas podcast no instagram para não perder nada. https://www.instagram.com/100fitas_podcast/ E caso goste dos membros: Instagram do Lorenzo: https://www.instagram.com/lorenzo.franzatto/ Facebook do Lorenzo: https://www.facebook.com/lorenzo.franzatto/ Caso queira trocar uma ideia é so mandar mensagem.
Descobrindo os meus movimentos em dança.
Descobrindo a Dança.
Descobrindo informações sobre a cultura brasileira.
Descobrindo os meus movimentos em dança.
Descobrindo os meus movimentos em dança.
Las prácticas sonoras van tomando cada vez mayor protagonismo en la escena actual del arte contemporáneo. Revisamos dos artistas que tienen distintas aproximaciones artísticas pero utilizan el mismo medio: arte sonoro. Brevemente platicamos de Pamela Z, artista que utiliza el sonido como performance; también de Susan Philipsz, quien realiza piezas de arte sonoro para el espacio público. Escríbenos a hola@artpodcastmx.com
Un equipo de la Universidad de Zaragoza ha sido galardonado con el premio Arte Público 2020, después de que se enviaran 33 propuestas de 59 participantes que optaban a conseguir 42MIL euros en premios. La primera edición de estos premios busca impulsar proyectos de estudiantes para que realicen acciones artísticas conjuntas y de diseño arquitectónico aplicado de la arquitectura sostenible e integrada con el entorno.
Ernesto Matos, designer, fotógrafo e editor, é o nosso maior especialista e divulgador da calçada artística portuguesa, património que investiga, descobre e fotografa nos 4 cantos do mundo See omnystudio.com/listener for privacy information.
En este episodio conversamos con la artista plástica Yiriane Kahn, también docente en la Universidad Peruana de Ciencias Aplicadas, sobre su trabajo y el concepto de Arte Monumental y Público . Conducido por la Arq. Melissa Elbers: www.melissaelbers.com.pe/ Entrevista: https://sumacjupiterfund.com / Producido por: www.palcastpodcast.com/ Esta entrevista fue grabada de manera remota.
Arte, página de Instagram deep, médico com filha em casa, assistentes de saúde, Ricardo Araújo Pereira, aceitação dos outros, ler.Quero agradecer com este episódio a todos os profissionais de saúde que estão na frente nesta luta e fazem todos os dias os possíveis e impossíveis pela nossa poluição ❤️
Hoy en día el vandalismo al arte en espacios públicos es cada vez más común, por eso en este episodio abordamos el tema para hablar sobre dos tipos de vandalismo que hay y discutimos sobre la pregunta ¿Sirve de algo el vandalismo al arte público?
Eva Moya, Associate Professor, and Silvia Chavez-Baray, Post Doctoral Fellow, at the Department of Social Work, University of Texas at El Paso, talk about the unique characteristics of the US-Mexico border, the health of its residents, and the challenges and opportunities of managing health policy and outcomes during the Covid-19 pandemic. Their research can be found in the edited volume "The Future of US-Mexico Relations: Strategic Foresight" available at Arte Público Press and Amazon. For more information on the Baker Institute Center for the United States and Mexico visit our website at https://www.bakerinstitute.org/USMEX , and follow us on Twitter and LinkedIn. To join our mailing list, please subscribe here and make sure to opt-in to "Center for the U.S. and Mexico Communications."
Lucas McMillan, Dean, College of Behavioral & Social Sciences, Lander University; and Jorge Schiavon, Professor of International Relations at the International Studies Department, CID, talk about the ways in which subnational actors in Mexico and the U.S. engage to further international cooperation in benefit of their state or locality; how the current dynamics between the U.S. and Mexico have promoted or hindered these relationships; and what we can expect to see in the future. Their research can be found in the edited volume "The Future of US-Mexico Relations: Strategic Foresight" available at Arte Público Press and Amazon. For more information on the Baker Institute Center for the United States and Mexico visit our website and follow us on Twitter and LinkedIn. To join our mailing list, please subscribe here and make sure to opt-in to "Center for the U.S. and Mexico Communications."
Fantastic advice from the authors, poets, & industry professionals at #AWP20. This is part one of a three-episode series featuring Bloomsday Literary’s partnership with #AWP20 to bring you all the literary goings-on from this year’s conference. Here’s Day Three!Richard Z. Santos 1:22Santos’ debut novel Trust Me came out on 3/31/20 from Arte Público Press. The main character is an “East Coast political hack” who moves from D.C. to Sante Fe and “stumbles into corruption and danger.” We talked multiple POVs, airport mottos (Sante Fe: Connecting You to the World!), and the similarities between teaching American high school students and working on political campaigns. Having his novel helpfully ‘shredded’ by Tim O’Brien led to a final draft, and after “50 encouraging rejection” letters from agents, Arte Público said a resounding YES. Working with them was a great experience. He has a finished draft of his second novel, and he’ll be planning the Writers, Agents, and Editors Conference for the Writers League of Texas that will hopefully still be happening in June. Follow him on Twitter @richardzsantos.Yodassa Williams 12:26Delightful cannot even begin to describe Yodassa Williams, whose beautiful debut YA fantasy novel, The Goddess Twins, comes out on May 19th. It follows identical sisters who discover they are goddesses when their mother goes missing - “in other words, true life.” As a teen, Williams spent a summer in London with cousins who encouraged her to explore her creative side. Inspired by these black magical girls (“literal black girl magic”), her book is a coming of age run through the Fantasy filter (her dad’s obsession with Dune had to figure in somehow!). In 2014, a revelation at Burning Man resulted in Williams leaving her industry fashion job and writing The Goddess Twins. Her advice for finding a publisher? Look for publishing contests and use contest dates as your deadline. She continues to tell stories through words and clothing. Follow her at @yodawill on Twitter and @yodawill12 on instagram.Alia Volz 27:53We speak with Alia Volz about her fascinating debut memoir, Home Baked: My Mom, Marijuana, And The Stoning Of San Francisco. A hybrid of heavy social issues and personal history, the book comes out, surprise, surprise, on 4/20. Volz’s folks ran the first high volume cannabis edibles business in San Francisco - underground, illegal, and very popular. After AIDS hit SF, the famous brownies “became part of the dawn of medical marijuana” and “the transition from party drug to panacea.” The book started out as an oral history: Volz started recording her mom and other people in the community, and even a SFPD police officer! She shopped that version in 2009 and it did not sell because publishers thought the market was “too niche.” Now, of course, that seems quaint and hilariously short-sighted since cannabis culture is so ubiquitous (and big business). Ultimately Volz became even more interested in the historical context and used the memoiristic voice as a way “into and through” the 70s and 80s in SF. A Macdowell Colony fellow -“transformative” for her - Volz called out fellow authors Bridgett M. Davis (The World According to Fannie Davis: My Mother's Life in the Detroit Numbers) and Tony Dokoupil (The Last Pirate). Follow her @aliavolz.Sonia Hamer 42:00On this special installment of the Blazer, Danial Peña interviews Hamer, a student in the University of Houston Creative Writing program. “A lot of different kinds of nerd,” she talks about wearing orange to scare away viruses (her fave virus are bacteriophages) and how “Bacteriophages” could be a cool D&D character who casts spells.David Laidacker-Luna 45:12Fiesta Youth LGBT is an organization for kids 12-18 years old that meets every Tuesday in San Antonio. Laidacker-Luna connected with the LGBT Writers Caucus who invited Fiesta Youth to AWP. It’s their first conference ever, and both Laidacker-Luna and the kids who were able to attend are bowled over by the welcoming and fun group at AWP. Austin is an established partner and Fiesta Youth has a sister organization in Corpus Christi. Recently, the McAllen AIDS council visited to learn about opening their own facility in South Texas - it’s all about partnerships and how accepting people can be. Follow @Fiesta_Youth on Twitter.Chad Abushanab 55:13Abushanab is the author of the poetry collection The Last Visit, which won the 2018 Donald Justice Prize judged by Jericho Brown and now out from Autumn House Press. The collection began as Abushanab’s dissertation project. He read “Halloween” for us (on page 31!) - a triptych of masculinity, violence, and addiction. He drafted the last poem, a Ghazal, initially as one poem, but he and Jericho Brown simultaneously had the idea to break it up throughout the book. Ghazals appeals to Chad because of his Middleastern heritage and the intrinsic musicality (meter, rhyme) of the form. He was afraid to show his poems to his mom, so he dedicated the book to her. His enviable collection of bylines is the result of both doing the work of creating memorable poems, and being extremely particular about where he submits. He only queries poetry journals he absolutely loves, so that his poems can join a known and beloved poetry community. Follow him on Instagram and Twitter @chad_abushanab. Viktoria Valenzuela 1:07:56The Blazer with Daniel Peña speaks with Valenzuela, who’s wearing a 100,000 Poets for Change t-shirt. People around the world wear the shirt on the last Saturday of September to mourn and continue to call out BP for the oil spill. Valenzuela hails from Oswego (near Daniel’s beloved Ithaca) and is wearing a “Prince purple” Mayan design swirl depicting a person breathing a flower into the air (i.e. poetry). Victoria is currently shopping her poetry chapbook about motherhood, In Bed. Her activism is human rights for mothers, including the mothers separated from their children at the borders. Daniel quotes Caroryn Forché: “It is possible that we are not human beings to them.” According to her, Daniel is wearing the wrong Puma. Follow all the things she’s doing for and about mothers @ViktoriaValenz.Tori Cárdenas 1:17:55We met at AWP last year in Portland, which makes us all old friends by now. Newly the Executive Editor of Skull + Wind Press - publisher of Leslie Contreras Schwartz’s new book WHO SPEAKS FOR US HERE - Cárdenas’ goal is to help all the different circles of writers in Albuquerque interact. The dream is to have a brick and mortar and a reading series. Their “sci-fi + green chili” podcast with a friend, Eminent Domain, will be recorded on set in Sante Fe, and they found an actor who sounds exactly like Cárdenas’ real life Grandpa: “I’ve sanded away my northern mountain Taos accent” so hearing it in this context is yet another reminder of how important both representation and language are, and how entwined the two are. David Heska Wanbli Weiden 1:32:05Winter Counts, a literary thriller-cum tale of identity set on the Rosebud Indian reservation, comes out from Echo Harper Collins in August 2020. A member of the Sicangu Lakota nation, David Heska Wanbli Weiden grew up in Denver and on Rosebud. The novel follows Virgil Wounded Horse, a so-called “enforcer,” who’s hired to dole out “justice” on the reservation. A law called the Major Crimes Act forbids native nations from prosecuting felonies that occur on the reservation. Since the FBI almost always declines to prosecute as well, someone like Virgil is hired to beat up the criminal. David’s agent, Michelle Brower of Aevitas, signed him on the spot at AWP 2018’s writer-to-agent program, and overall his journey was relatively smooth. Now he does everything he can to lift up marginalized voices as an AWP mentor. One of eight winners of the PEN America Writing for Justice Fellowships, an academic, and a teacher of fiction (he recs the Save the Cat series for plot), Wanbli Weiden enjoys “marrying” different genres of writing. Up next: a nonfiction collection of essays about the mass incarceration of American Indians along with a sequel to Winter Counts. His children’s book Spotted Tail was just nominated for the Colorado Book award for Children's book for 2019. Follow him on Twitter @WanbliWeiden and on Instagram @wanbliweiden. Annie Shepherd 1:40:52The Blazer with Daniel Peña interviews Shepherd, a doctoral student in the UH creative writing PhD program, who writes about small towns in West Texas around Lubbock Buddy Holly’s “the island.” The verdict on Daniel’s fashion? Too monochrome: “Gotta get some contrast.” The friction between elements is essential, in clothes and fiction writing.
Bret Maney, assistant professor in the English department at CUNY’s Lehman College and Cristina Perez Jimenez, assistant professor in English at Manhattan College, talk about the English translation of Guillermo Cotto-Thorner’s 1951 novel, Manhattan Tropics (Trópico en Manhattan), published by Arte Público Press.
In the late 1960s, the California Rural Legal Assistance (CRLA) filed two class-action lawsuits that advocated for fair education opportunities for Mexican-American children in California. A statewide problem, at least 13,000 farmworker and other second-language students were victims of culturally biased IQ tests and sent to dead-end classes and dubbed “Educable Mentally Retarded” -- in one class, 12 out of 13 students were from farmworker families in the Salinas Valley. SOLEDAD, California – Ten-year-old Arturo Velázquez was born and raised in a farm labor camp in the small Salinas Valley town of Soledad. He was bright and gregarious, but he was still learning English when he entered third grade in 1968. A psychologist at Soledad Elementary School gave him a culturally biased IQ test in English only and without translation. Based on the results, he was labeled “retarded” and placed in a class for the “Educable Mentally Retarded.” Arturo joined 12 other children, varying in age from 6-13, in that one classroom. All but one were from farmworker families. All were devastated by the stigma and name calling by other children and by their lack of opportunity to learn. Brand new at the time was the Lyndon Johnson and Sargent Shriver inspired national legal services program and one of its grantees, California Rural Legal Assistance (CRLA), had evening office hours at the Catholic church in Soledad. In 1969, two Soledad parents had the courage to complain to CRLA staff. The CRLA attorneys knew that the problem was statewide with at least 13,000 farmworker and other second language students sent to dead end classes where they were given coloring books and magazines to cut pictures out of and, if old enough, made to wash school buses. Another generation of over 100,000 was in line to get the same mistreatment. The legal battle to stop the practice and rescue the mostly Mexican-American children ensued. That case was followed closely by a fight to end the use of the same biased IQ tests with African-American students. While African-American and Mexican-American students made up 21.5% of the state population, they were 48% of special education programs. Written by Marty Glick and Maurice Jourdane, the two attorneys who led the charge “The Soledad Children” (Arte Público Press, Sept. 30, 2019) recounts the history of the advent of rural justice through CRLA and the two class-action suit filed in 1970 and 1972, Diana v. the State Board of Education and Larry P v Riles. ABOUT THE AUTHORS MARTY GLICK is a litigator with the international firm, Arnold & Porter, and is listed in Best Lawyers in America in Intellectual Property and Patent Law. He worked in Mississippi for the Justice Department in the 1960s and for the California Rural Legal Assistance for eight years. He has been CRLA’s outside counsel for four decades and has been lead counsel on countless pro bono cases. He lives and works in the San Francisco Bay Area. MAURICE “MO” JOURDANE is the author of “The Struggle for the Health and Legal Protection of Farm Workers: El Cortito” (Arte Público Press, 2005). His work at California Rural Legal Assistance helped secure farmworkers’ rights during the nation’s civil rights gains of the 1960s and 1970s. He lives and works in San Diego, California.
En esta quinta sección radiofónica sobre “Imagina Madrid” programa de Arte Público y Comunitario de Intermediae-Matadero, Diego Sabanés, Jana Pacheco y David Carrasco nos hablan de “Plantación de la Memoria” proyecto del que recreamos dos de las piezas sonoras pertenecientes a de “Voz en Voz” obra de teatro caminada que junto a otras actividades que tuvieron lugar en Febrero de 2019 en Vicálvaro.
Margarida Pinto Coelho esteve 20 anos ligada à comunicação social, começando na imprensa escrita e desenvolvendo depois uma grande experiência em televisão e em rádio. Sempre com uma forte ligação a movimentos de cidadania e a ações de solidariedade e voluntariado, esteve durante 9 anos à frente da Fundação do Gil focando-se principalmente na reintegração de crianças vítimas de doença crónica e internamentos prolongados. Em 2013 aceitou o desafio de ser diretora de Inovação Social da Fundação EDP cujo pilar de atuação é a inclusão e a melhoria da qualidade de vida de pessoas e comunidades em situação vulnerável. Esta atuação assenta em 3 programas: no programa EDP solidária; em projetos próprios como o programa Escolas Solidárias, Orquestra Energia e Arte Pública; e no apoio a negócios sociais. Para mais informações: https://www.fundacaoedp.pt/pt Junte-se a nós em https://juiceacademy.net/
What does "creative resilience" mean for curators in the year 2019? One evening, we decide to find out. Setting up a temporary recording studio in a poolside cabana, at a Miami Beach hotel, we sit down with a dozen curators and cultural producers to document their stories. In this marathon recording session, you’ll hear curatorial strategies for engaging new communities, increasing the visibility of underrepresented artists, and addressing some of today's most pressing social, political and environmental challenges. We recorded this special program when the annual Congress of the Association of International Curators of Contemporary Art (IKT) took place in the United States for the first time. Curators from the U.S., Europe and the Caribbean gathered in Miami, Florida, to explore the contemporary art scene and participate in a symposium about art and resilience in the climate crisis. Voices in the episode: (alpha order) Eva Asp, Bayardo Blandino, Aldeide Delgado, Yucef Merhi, Thale Fastvold and Tanja Torjussen, Michele Fiedler, O'Neil Lawrence, Lorie Mertes, Najja Moon, Marina Reyes Franco, Sofía Shaula Reeser-del Rio Sound Editor: Anamnesis Audio | Special Audio: (in order of appearance) Spectres in Change: FoAM / Maja Kuzmanovic and Nik Gaffney; The Quilt Performing Arts Group for Beyond Fashion exhibition, National Gallery of Jamaica; Contemporary Art Museum of Caracas (Hacked!) 2000-2004; The BLCK Family Dinner Related Episodes: Art and the Climate Crisis with IKT Miami, Art and the Rising Sea, Curating in a Time of Global Change: IKT Norway, Sounds of Contemporary Art in Norway with IKT Related Links: International Association of Curators of Contemporary Art, FoAM Spectres in Change, Sala de Arte Público Siqueiros, Contemporary Art Museum of Caracas (Hacked!) 2000-2004, National Gallery of Jamaica, Resisting Paradise, Locust Projects, The BLCK Family, Gävle Konstcentrum, International Cities of Refuge Network, SALA MAC / Contemporary Visual Arts Center of Women in the Arts in Honduras, Women Photographers International Archive, Locus Art
James Charlesworth 3:56James Charlesworth is the recipient of a Martin Dibner Fellowship from the Maine Community Foundation. He attended Penn State University and Emerson College in Boston and his debut novel, The Patricide of George Benjamin Hill (published by Arcade) was released January 15th, 2019. He joins us at AWP to talk about his publishing journey from 2007 to 2019, wherein he learned the art of failure...er, patience. Hannah Meredith 8:59Hannah Meredith teaches Composition and Sophomore Literature at the University of Louisiana at Monroe. From oral performance project, Beer and Bards, Hannah gives an amazing short fiction reading called "Ms. Shuffles" and shares a few of her most embarrassing moments. Shena McAuliffe 22:23Shena McAuliffe is an Assistant Professor of Fiction at Union College in Schenectady, New York. Her essay, Endnotes to a Seizure was chosen by Maggie Nelson as the winner of the 2012 Black Warrior Review Nonfiction Prize and her stories have been twice named as notable in the Best American Short Stories anthologies (2008, 2010), and once in the Best American Nonrequired Reading series (2007). She holds a PhD in Literature and Creative Writing from the University of Utah.Shena discusses her first novel, The Good Echo from Black Orange Press, which is a historical piece about a dentist and his wife whose son dies after they perform a root canal on him. Daniel Peña 27:13Daniel Peña is a Mexican-American novelist, essayist, and critic frequently published in The Guardian and Ploughshares blogs. He received the Pushcart Prize in 2016 for his short story Safe Home which appeared in the 2017 Pushcart anthology. His debut novel, Bang, was originally published on January 30, 2018 through Arte Público Press, a publisher of contemporary literature by Hispanic authors. Listen to us talk AWP fashion, bodegas, “club” poets, and Fuck la Migra — a printing press in Mexico City that created the F***ing Shakespeare t-shirts for Bloomsday. Daniela Petrova — 42:17Daniela Petrova’s stories, poems and essays have appeared in The New York Times, The Washington Post, Salon, and Marie Claire, among others. She holds a BA in Philosophy from Columbia University, an MA in Counseling for Mental Health and Wellness from New York University, and is a recipient of an Artist Fellowship in Writing from the Massachusetts Cultural Council.Her first novel titled, Her Daughter’s Mother, is a domestic suspense thriller about a woman who encounters and befriends her egg donor on a subway. The woman disappears a week later. Her Daughter’s Mother is forthcoming from Putnam in June 2019. You can find her on Twitter and Instagram @danielagpetrova.Tori Cardenas — 49:07Tori Cardenas is an MFA Candidate in Fiction at the University of New Mexico. She received her dual Bachelor's of Arts in History and English-Creative Writing from the University of New Mexico in 2014. Her poetry has appeared in Conceptions Southwest, Cloudthroat Journal, Lavender Review, and the Taos Journal of Poetry and Art. Listen as we discuss classroom politics versus the real world. You can find her on Twitter @monsoonpoet and online at www.cardenaspoetry.com. Ben Ristow — 57:14Ben Ristow is a fiction writer and academic scholar who teaches at Hobart and William Smith College. He joins us to talk about Craft Consciousness and Artistic Practice in Creative Writing, which will be published as part of the series, Participating in the Research in Creative Writing by Bloomsbury (forthcoming in 2020). In this book, Ben will examine how to conceptualize craft which includes international perspectives. We have the pleasure of discussing how he connected with Bloomsbury, what he does on the side, and what is exciting at AWP. M.S. Coe — 1:08:12M.S. Coe is an animal lover and travel agent. She joins us with guest host, Daniel Peña, aka Rodney Danielfield, to discuss her book New Vernonia, which comes out in November 2019 from Clash Books. Set in Delaware and Florida, Coe follows a group of teenage boys who are “losers,” and whose anger and frustration bleeds into their friendships.
La artista visual Helen Marriage monta increíbles espectáculos públicos, exhibiciones artísticas a gran escala, con el objeto de ampliar las fronteras de lo posible. En este recorrido visual de su trabajo, Helen nos cuenta cómo logró transformar tres ciudades en espacios lúdicos para la imaginación. Uno de ellos fue Londres, donde montó un elefante gigante que recorrió las calles de la ciudad. También nos habla de lo que ocurre cuando las personas se reúnen y experimentan la maravilla de un momento compartido.
A artista visual Helen Marriage promove eventos públicos de arte estonteantes de larga-escala, que expandem as fronteiras do possível. Neste passeio virtual por seu trabalho, ela conta a história de três cidades que transformou em parques de diversão da imaginação -- imaginem um elefante mecânico gigante marchando pelas ruas de Londres -- e mostra o que acontece quando as pessoas param para se maravilhar e vivenciar um momento juntas.
Mark Pryor 01:50 Mark Pryor, novelist Amber Elby, YA novelist Dylan Powell, mystery writer George Vance McGee, author Daniel Peña, novelist Leza Cantoral, author and panda Cat with book Phuc with dog Mark Pryor is the author of ten novels, including The Hollow Man, which introduced everyone’s favorite misanthrope*, Dominic. His latest, The Book Artist, a Hugo Marston novel, launches February 2019. He has also published the true-crime book As She Lay Sleeping. A native of Hertfordshire, England, he is an assistant district attorney in Austin, Texas, where he lives with his wife and three children.Laura Elvebak 12:03Born in North Dakota, but raised in Los Angeles and San Francisco, Laura draws from her nomad kind of existence in various cities to craft her mysteries with a touch of noir. Laura’s writing career follows a winding career path through oil and gas companies, law firms, a stint as a go-go dancer in the sixties. Amber Elby 18:45Amber Elby was born in Grand Ledge, Michigan but spent much of her childhood in the United Kingdom. She began writing when she was three years old and created miniature books by asking her family how to spell every, single, word. She studied creative writing at Michigan State University’s Honors College before earning her Master of Fine Arts degree in Screenwriting at the University of Texas at Austin. She currently resides in Texas with her husband and two daughters and spends her time teaching, traveling, and getting lost in imaginary worlds. Dylan Powell 25:22Dylan Powell is an award-winning author who writes crime stories, mystery fiction and books about Texas. Powell's work has been featured in Ellery Queen's Mystery Magazine, Alfred Hitchcock's Mystery Magazine, the Best American Mysteries 2018 and a host of fine truck stop bathroom walls across the Texas badlands. Kathryn Lane 33:07Kathryn Lane is the award-winning author of Coyote Zone, the second book in the Nikki Garcia thriller series. A transplant to Houston, Lane draws inspiration for her work from her love of world travel. She is a member of the Mystery Writers of America, the Writers League of Texas, and she lives in the Woodlands, Texas with her husband, Bob.George Vance McGee 40:56Born in Austin, George Vance McGee is a liberal arts graduate from the University of Texas. He is the author of Attractive Tales from Grand Cities: A Social Memoir. He spent five years living and working in NYC before returning to his hometown of Austin, where he writes and works as a realtor. Daniel García Ordaz 49:53Daniel García Ordaz is the founder of the Rio Grande Valley International Poetry Festival and the author of You Know What Iâ’m Sayin’? (El Zarape Press, 2006) and Cenzontle/Mockingbird: Songs of Empowerment (FlowerSong Books, 2018). His writing centers on the creative power of language. García has been a featured reader and guest at numerous literary events, including the Dallas International Book Fair, McAllen Book Festival, Texas Library Association, and Border Book Bash.Daniel Peña 57:45 Daniel Peña is a Pushcart Prize-winning writer and Assistant Professor in the Department of English at the University of Houston-Downtown. He was formerly based out of the UNAM in Mexico City where he worked as a Fulbright-Garcia Robles Scholar. A graduate of Cornell University and a former Picador Guest Professor in Leipzig, Germany, his writing has appeared in Ploughshares, The Rumpus, the Kenyon Review, NBC News, and Arcturus among other venues. He’s currently a regular contributor to the Guardian and the Ploughshares blog. His novel, Bang, is out now from Arte Público Press. He lives in beautiful Houston, Texas. David Bowles 01:07:49A Mexican-American author from deep South Texas, David Bowles is an assistant professor at the University of Texas Rio Grande Valley. Recipient of awards from the American Library Association, Texas Institute of Letters and Texas Associated Press, he has written a dozen or so books, including Flower, Song, Dance: Aztec and Mayan Poetry, the critically acclaimed Feathered Serpent, Dark Heart of Sky: Mexican Myths, and They Call Me Güero: A Border Kid’s Poems, which is a recent recipient of the Claudia Lewis Award. In 2019, Penguin will publish The Chupacabras of the Rio Grande, co-written with Adam Gidwitz, and Tu Books will release his steampunk graphic novel Clockwork Curandera. In April 2017, David was inducted into the Texas Institute of Letters for his literary work.Leza Cantoral 01:18:39Leza Cantoral is a Xicana writer & editor who lives on the internet. She is the Editor in Chief of CLASH Books & host of the Get Lit With Leza podcast where she talks to cool-ass writers. Tragedy Queens: Stories Inspired by Lana Del Rey & Sylvia Plath is a CLASH Books anthology of stories that she edited as a result of being a Lana Del Rey & Sylvia Plath megafan. You can find her on YouTube at Get Lit With Leza. She blogs at lezacantoral.com.A Texas-sized thank you to all of the authors who were generous enough to share their time at the festival with us. Please do click through to each of the authors’ sites and support these women and men of the word by buying more books & by reading more widely today.**misanthropy is a really fun word. I mean, so fun.
Activism has long been a way for artists and curators, writers and filmmakers to engage with global flashpoints, inspiring new perspectives on visible and unseen causes. Over the last century, public interventions, performative protests, and works created for public marches and events have led communities to participate in art experiences and make art themselves. The Me Too Movement, Black Lives Matter, Dreamers and Climate Change Activists expose sexual harassment and assault, race-based violence, immigrant rights violations, and the impact of sea level rise. The issues have energized today’s culture production. Contemporary artists and curators increasingly lead and invite calls to action in response to these vital concerns. Voices in this conversation: Andrea Bowers, Ralph Rugoff, Catherine Morris, Gary Carrion-Murayari, Manolis D. Lemos, Tania Bruguera, Maria Elena Ortiz, Maria Alyokina Sound Editor: Julien Borrelli | Special Audio: Andrea Bowers, Manolis D. Lemos, Pussy Riot | Photography: Credits in captions Related episodes: Andrea Bowers on Environmental Activism, Ralph Rugoff on the 13th Lyon Biennial, Catherine Morris and A Year Of Yes, Tania Bruguera on Art Activism, Maria Aloykhina on Political Art Related links: Agora, The Highline, New York; Elizabeth A. Sackler Center for Feminism Art, Brooklyn Museum; Songs for Sabotage, New Museum, Sala de Arte Público Siquieros
A little over a week ago I journeyed to Ecuador to perform in the Festival de Arte Público GRAFFF Numero 18 which took place in the tiny Andean town of Pujili. Graff is presented by this talented group of curators, artists, and activists called Revista Dogma, and much like Never Records they believe in the power of art and performance to transcend division and galvanize communities.
This past weekend I journeyed to Ecuador to perform in the Festival de Arte Público GRAFFF Numero 18 which took place in the tiny Andean town of Pujili. Graff is presented by this talented group of curators, artists, and activists called Revista Dogma, and much like Never Records they believe in the power of art and performance to transcend division and galvanize communities.
Literary Pachanga showcases three Chicano authors. Skylight Books will host a trio of authors to celebrate Southern California’s ties to the Ellis Island of the West – El Paso, Texas. Chicano writers Jesús Treviño, Alicia Gaspar de Alba and Christine Granados will read from their collective works. All artists were born or raised in El Paso, Texas and two (Treviño and de Alba) make their home in Southern California. Jesús Salvador Treviño is writer/director whose television directing credits include Criminal Minds, Law & Order Criminal Intent and many others. He has written, directed and produced several PBS documentaries about Latinos. Trevino’s latest effort is a video website showcasing Latino history, art, music, theater, literature, cinema and food. He will read from his most recent collection of short stories Return to Arroyo Grande which was published in 2015 and won the 2016 American Book Award. Alicia Gaspar de Alba, a native of the El Paso/Juárez border has published 11 books, among them award-winning novels and collections of poetry and short fiction. Since 1994, she has been a professor of Chicana/o Studies, English, and Gender Studies at UCLA, and is currently Chair of the LGBTQ Studies program. She will read from Calligraphy of the Witch published by St. Martin’s Press in 2007, released in paperback by Arte Público Press in 2012. Christine Granados has been a Spur Award finalist and received Sandra Cisneros’ literary prize the Alfredo Cisneros del Moral Foundation Award in 2006 for her first book of fiction Brides and Sinners in El Chuco, published by the University of Arizona Press and her stories have been in many anthologies. She will read from and discuss her second book, a novella and short stories about strong Mexican American women who live along the border, titled Fight Like a Man and Other Stories We Tell Our Children.
In episode 2 of Ink Well—a podcast by Tintero Projects and Inprint for anyone engaged in the world of reading and writing from Houston, Texas—hosts Jasminne and Lupe Mendez chat with Pushcart Prize winner Daniel Peña about family, being a writer, and his debut novel BANG, recently published by Arte Público Press. For feedback on the show, email inkwell@inprinthouston.org. http://inprinthouston.org/for-readers/ink-well-a-podcast-by-tintero-projects-inprint/
I Göteborg inför publik på Draken. Det bjuds på pjäs, bearbetad av K, kulturspaningar, gäster och mycket, tror mig, mycket mer! See acast.com/privacy for privacy and opt-out information.
Olá caros ouvintes!Hoje Erick Siqueira, Fellipe Reis e José Augusto tentam discutir (ao mesmo tempo em que mais parecem fazer críticas) sobre a arte dita como "pós-moderna".Se faz necessário dizer que este programa saiu pouco didático e mais se parece com uma conversa maluca de bar mesmo. Isso tudo para falar de noções como clássico e contemporâneo, arte e muito mais!Para nos perguntar algo, xingar ou elogiar, mande um e-mail para:paradoxoconcreto@gmail.comPara baixar, clique aqui com o Botão Direito do Mouse > Salvar link como...Assine nosso Feed!http://feeds.feedburner.com/paradoxoconcretoCurta nos no facebook:facebook.com/paradoxoconcreto
A propósito de la celebración del Día Internacional de los Museos, que se celebra este 18 de mayo, el Museo Libre de Arte Público de Colombia lanzará una aplicación que permitirá a los usuarios llevar el arte en sus dispositivos. See omnystudio.com/listener for privacy information.
Álvaro Barajas, productor digital de Caracol TV, comentó en La Nube cómo funciona la aplicación que crearon el canal y el Museo Libre de Arte Público... See omnystudio.com/listener for privacy information.
En este capítulo vamos a charlar sobre las obras que solemos ver todos los dias en la calle y en las rotondas de nuestras ciudades. Dani acabará su resumen de la II GM con el frente asiático, y Lluis hará una pequeña introducción al arte Romano.
Peruvian-born Eduardo González Viaña pens bold and powerful depictions of immigrant life as they face fierce challenges adapting to life on this side of the border. His book Los sueños de América, published in Spain, by Alfaguara was a best seller among the books in Spanish. It was translated to English by Arte Público, University of Houston. His most recent book is the novel “El corrido de Dante”(Arte Público 2007) published in English as “Dante’s Ballad”, Arte Público, 2007 , an language as La Ballata di Dante, Gorée, 2007. Dante’s Ballad received the Latino International Prize of Novel of the USA.
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