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We're back at The Tabernacle in March with another fantastic line-up of speakers! Join us for an inspiring evening of storytelling. Nick Makoha is a Ugandan poet and playwright based in London. His debut collection, Kingdom of Gravity, was shortlisted for the Felix Dennis Prize and was one of the Guardian's Best Books of the Year. His poems have appeared in The New York Times, the Poetry Review, Poetry Wales, Wasafiri, Boston Review, and Callaloo. He is the founder of Obsidian Foundation, winner of the 2021 Ivan Juritz Prize and the Poetry London Prize. His new collection, The New Carthaginians, is inspired by the artistic techniques of Basquiat. Learn more about 5x15 events: 5x15stories.com Twitter: www.twitter.com/5x15stories Facebook: www.facebook.com/5x15stories Instagram: www.instagram.com/5x15stories
In this episode of The Poetry Exchange, poet Nick Makoha talks with us about the poem that has been a friend to him: 'White Egrets (I)' by Derek Walcott.Nick actually joined us back in 2017 at Pushkin House, London, and we are delighted to be sharing this conversation with you now. It is very special to hear Fiona in this conversation, with all her usual warmth and brilliance.Nick Makoha's latest collection 'The New Carthaginians' is published this month from Allen Lane - you can order/buy your copy here.The event for 'On the Brink of Touch' by Fiona Bennett is on 26th February at The Bedford in Balham, London, and live streamed. We'd love for you to join us, and you can book your places here!Dr Nick Makoha is a Ugandan poet. His new collection is The New Carthaginians published by Penguin UK. Winner of the 2021 Ivan Juritz Prize and the Poetry London Prize. In 2017, Nick's debut collection, Kingdom of Gravity, was shortlisted for the Felix Dennis Prize for Best First Collection and was one of the Guardian's best books of the year. He was the ICA 2023 Writer-in-Residence. He was the 2019 Writer-in-Residence for The Wordsworth Trust and Wasafiri. A Cave Canem Graduate Fellow and Complete Works alumnus. He won the 2015 Brunel African Poetry Prize and the 2016 Toi Derricotte & Cornelius Eady Prize for his pamphlet Resurrection Man. His play The Dark—produced by Fuel Theatre and directed by JMK award-winner Roy Alexander—was on a national tour in 2019. It was shortlisted for the 2019 Alfred Fagon Award and won the 2021 Columbia International Play Reading prize. His poems have appeared in the Cambridge Review, the New York Times, Poetry Review, Poetry Wales, Rialto, Poetry London, TriQuarterly Review, 5 Dials, Boston Review, Callaloo Birmingham Lit Journal and Wasafiri.*********White EgretsBy Derek Walcott I The chessmen are as rigid on their chessboard as those life-sized terra-cotta warriors whose vowsto their emperor with bridle, shield and swordwere sworn by a chorus that has lost its voice;no echo in that astonishing excavation.Each soldier gave an oath, each gave his wordto die for his emperor, his clan, his nation,to become a chess soldier, breathlessly erectin shade or crossing sunlight, without hours – from clay to clay and odourlessly strict.If vows were visible they might see oursas changeless chessmen in the changing lighton the lawn outside where bannered breakers tossand palms gust with music that is time's above the chessmen's silence. Motion brings loss.A sable blackbird twitters in the limes. From White Egrets by Derek Walcott, Faber & Faber 2010. Hosted on Acast. See acast.com/privacy for more information.
This is an interview you will LOVE, start to finish. Get ready to be overjoyed. Elisabeth Sharp McKetta is an award-winning writer and writing teacher and a mother of two. With a PhD on the intersections between fairy tales and autobiography, as well as a seven-year streak of writing weekly poems for strangers, she teaches writing for Oxford Department for Continuing Education and for Harvard Extension School, where she won their highest teaching award. She has authored thirteen books, most recently the personal growth guide Edit Your Life, based on the experience of living three years in a 275-square foot backyard guest house with her family of four (five, if you count the Labrador)—and the middle grade novel Ark, set during the pandemic and described by Kirkus Reviews as “infectiously hopeful.” Elisabeth co-edited the anthology What Doesn't Kill Her: Women's Stories of Resilience, which Gloria Steinem described as stories that “will help each of us to trust and tell our own.” Her poetry and short work have been published widely, including in The Poetry Review and Real Simple; her work with myth and memoir has been spotlighted in Harvard Magazine. Elisabeth and her family call Boise home and travel widely. (elisabethsharpmcketta.com)❤️ Adventure 52 - Patreon
This is a special live episode, hosted at Storysmith to mark the launch of Strange Relations by Ralf Webb. We think about the contemporary crisis in masculinity through the lives and work of mid-century American writers John Cheever, Tennessee Williams, Carson McCullers and James Baldwin, considering how their legacies might inform the current moment. We speak about the censorship of radical elements of these writers' work, including elements of their politics, queerness and intimacy, and consider the role of their interpersonal and intertextual relationships in understanding their work. We speak about what it means to reclaim space in the canon and expanding terms such as bisexuality, as well as notions of boyishness. We discuss the relationship between poetry and prose, the use of novelistic techniques in non-fiction and the ethical responsibility involved in writing about well-known literary figures. Ralf Webb is a poet, writer and editor based in Bristol. His debut collection of poems, Rotten Days in Late Summer was published by Penguin in 2021, and was shortlisted for the Felix Dennis Prize for Best First Collection. Webb's poetry and critical writing has appeared in Granta, the Guardian, the London Review of Books, Fantastic Man, and The Poetry Review. He currently manages a creative writing mentorship programme in collaboration with Folio and First Story, which supports school-age writers from low-income backgrounds. References Strange Relations by Ralf Webb Late Days in Rotten Summer by Ralf Webb Warped Pastoral: Ralf Webb and Sam Buchan-Watts in conversation Visit Storysmith for 10% discount on Ralf's work.
The guest for this Episode is Brian Robert Moore. He spoke about his stint in Italy as a publisher and Editor and his Translation of the beautiful Short story collection 'You-Bleeding Childhood' written by the great Italian Author Michele Mari. Brian Robert Moore is a literary translator originally from New York City. His published and forthcoming translations from Italian include Meeting in Positano by Goliarda Sapienza (Other Press), A Silence Shared by Lalla Romano (Pushkin Press), and You, Bleeding Childhood and Verdigris by Michele Mari (And Other Stories). His translations of shorter works have appeared in 3:AM Magazine, Asymptote, Brick, the Nation, the Poetry Review, and elsewhere. His Translation of Michele Mari's Story, ‘The Soccer Balls of Mr. Kurz,' has won the O'Henry Prize for Short Story for the year 2023. He also won the 2021 PEN Grant for the English Translation of Italian Literature and was selected for a translation residency at the Casa delle Traduzioni in Rome. After receiving degrees from Brown University (BA in comparative literature and Italian studies) and Trinity College Dublin (MPhil in Irish writing), he worked for several years in Italian publishing, including as an editor of literary fiction in translation.To Buy 'You-Bleeding Childhood' - https://shorturl.at/0hjfkPhoto Credit: Daniel Horowitz* For your Valuable feedback on this Episode - Please click the link below.https://tinyurl.com/4zbdhrwrHarshaneeyam on Spotify App –https://harshaneeyam.captivate.fm/onspotHarshaneeyam on Apple App – https://harshaneeyam.captivate.fm/onapple*Contact us - harshaneeyam@gmail.com ***Disclaimer: The views and opinions expressed by Interviewees in interviews conducted by Harshaneeyam Podcast are those of the Interviewees and do not necessarily reflect the official policy or position of Harshaneeyam Podcast. Any content provided by Interviewees is of their opinion and is not intended to malign any religion, ethnic group, club, organization, company, individual, or anyone or anything.This podcast uses the following third-party services for analysis: Podtrac - https://analytics.podtrac.com/privacy-policy-gdrpChartable - https://chartable.com/privacy
Does reading really encourage empathy? Are we asked to perform a role when we walk into the workplace? How was early film and technicolour embraced for political ends? Eleanor Rosamund Barraclough finds out about the latest research being undertaken by ten academics chosen to work with the BBC and the Arts and Humanities Research Council as the 2024 New Generation Thinkers. They'll be sharing their research on a series of BBC Radio 4 programmes across the coming year and here's a taster from the 2024 New Generation Thinkers. Dr Emily Baughan, a historian at the University of Sheffield, is researching childcare. She is the author of Saving the Children: Humanitarianism, Internationalism, and Empire. Dr Jaswinder Blackwell-Pal, lectures in drama at Queen Mary, University of London. Her research looks at the way workplaces, from serving coffee to providing care, ask people to perform a role. Dr Janine Bradbury is an award-winning poet and critic who is interested in exploring reading, empathy and sentimentality. A lecturer at the University of York, she has recently published a poetry pamphlet “Sometimes Real Love Comes Quick & Easy”. Jade Cuttle is writing a book called Silthood and studying for a PhD at the University of Cambridge, looking at the language used by British nature poets of colour and their new word coinings. She has released an album of songs and written poems and articles including for The Times, The TLS, The Guardian, Poetry Review, Ledbury Poetry Festival and the BBC Proms. Dr Jacob Downs is departmental lecturer in music at the University of Oxford. He has written on AI-generated music, Beyoncé, how people use headphones for listening and is also an active musician and arranger, and recently worked on Erland Cooper's Folded Landscapes. Jonathan Egid has spent the past few years digging through the archives on the trail of a brilliant and neglected thinker from 17th century Ethiopia, and the question of whether or not Zera Jacob existed. Based at King's College, London, he also hosts the podcast and interview series ‘Philosophising In…' on philosophy in lesser-studied languages. Dr Shona Minson is a criminologist at the University of Oxford. Originally from Belfast, her work on mothers in prison has helped changed legal professional practice in the UK and overseas. Dr Kirsty Sinclair Dootson is interested in the politics of making images in colour. Based at University College London, she has published a book exploring this called The Rainbow's Gravity. Dr Jack Symes is a public philosopher and researcher at Durham University. He hosts The Panpsycast Philosophy Podcast, and edits Bloomsbury's Talking about Philosophy book series. His most recent book was called Defeating the Evil-God Challenge: In Defence of God's Goodness Dr Becca Voelcker's research explores artistic and filmic responses to the environmental crisis. Based at Goldsmiths, University of London, she writes for Sight & Sound and Frieze magazines, introduces films at the BFI, and serves on film festival juries.Dr Eleanor Rosamund Barraclough has made a series of programmes for the BBC about Norse sagas, forest bathing, the history of runes, the far north, Roman bathing since being chosen as a New Generation Thinker in 2013. This New Thinking podcast and the New Generation Thinkers scheme are run as a partnership between the BBC and the Arts and Humanities Research Council, part of UKRI. You can hear more insights from academics based at a host of UK universities in a New Research playlist on BBC Radio 4's Free Thinking programme website.
Eavan Boland is the latest subject of the Nothing But The Poem podcast. With our regular podcast host Sam Tongue on paternity leave this edition has Bloodaxe poet Aoife Lyall taking an immersive look into two of Eavan Boland's poems, which were discussed at the online monthly meet-up of the Nothing But The Poem group. Eavan Boland is one of the central figures of modern Irish poetry, a poet who, according to her publishers Carcanet, "came to be known for her exquisite ability to weave myth, history, and the life of an ordinary woman into mesmerising poetry." Elaine Feinstein, writing in the Poetry Review, said: "Boland is one of the finest and boldest poets of the last half-century." Iain Crichton Smith wrote: "She has the equipment of the true poet, that is to say an image-making faculty, a true devoted eye and an ear for rhythm." The two poems discussed in this podcast are The Poets from New Territory (Allen Figgis, 1967) and Moths from In A Time Of Violence (Carcanet, 1994).
In this episode of The Poetry Exchange, we talk with one of poetry's greatest leading lights, Malika Booker, about the poem that has been a friend to her: ‘The Domestic Science of Sunday Dinner' by Lorna Goodison.Malika Booker, currently based in Leeds, is a lecturer at Manchester Metropolitan University, a British poet of Guyanese and Grenadian Parentage, and co-founder of Malika's Poetry Kitchen (A writer's collective). Her pamphlet Breadfruit, (flippedeye, 2007) received a Poetry Society recommendation and her poetry collection Pepper Seed (Peepal Tree Press, 2013) was shortlisted for the OCM Bocas prize and the Seamus Heaney Centre 2014 prize for first full collection. She is published with the Poets Sharon Olds and Warsan Shire in The Penguin Modern Poet Series 3: Your Family: Your Body (2017). A Cave Canem Fellow, and inaugural Poet in Residence at The Royal Shakespeare Company, Malika was awarded the Cholmondeley Award (2019) for outstanding contribution to poetry and elected a Royal Society of Literature Fellow (2022).Malika has won the Forward Prize for Best Single Poem TWICE: in 2020 for 'The Little Miracles' (Magma, 2019), and most recently in 2023 for 'Libation', which you can hear her read in this episode.'Libation' was first published in The Poetry Review (112:4). ‘The Domestic Science of Sunday Dinner' by Lorna Goodison is published in Turn Thanks by Lorna Goodison, University of Illinois Press, 1999.You can read the full text of ‘The Domestic Science of Sunday Dinner' on our website.P.S. don't forget you can pre-order your copy of Poems as Friends – The Poetry Exchange 10th Anniversary Anthology – which is published by Quercus Editions on 9th May 2024. Hosted on Acast. See acast.com/privacy for more information.
Elisabeth Sharp McKetta is an award-winning writer and writing teacher and a mother of two. With a PhD on the intersections between fairy tales and autobiography, as well as a seven-year streak of writing weekly poems for strangers, she teaches writing for Oxford Department for Continuing Education and for Harvard Extension School, where she won their highest teaching award. She has authored thirteen books, most recently the personal growth guide Edit Your Life, based on the experience of living three years in a 275-square foot backyard guest house with her family of four (five, if you count the Labrador)—and the middle grade novel Ark, set during the pandemic and described by Kirkus Reviews as “infectiously hopeful.” Elisabeth co-edited the anthology What Doesn't Kill Her: Women's Stories of Resilience, which Gloria Steinem described as stories that “will help each of us to trust and tell our own.” Her poetry and short work have been published widely, including in The Poetry Review and Real Simple; her work with myth and memoir has been spotlighted in Harvard Magazine. Elisabeth and her family call Boise home and travel widely. (elisabethsharpmcketta.com)
‘We've always been here. As long as there has been soldiers, there have been poets. And it's a long sad, venerable tradition.' (Peter Gizzi) A Poetry Review podcast between Richard Scott and Peter Gizzi to accompany the Poetry Review Summer 2022 issue. Richard co-edited the issue with Andre Bagoo. You can read more about their issue here: poetrysociety.org.uk/publications/v…2-summer-2022/ You can buy the issue here: bit.ly/ThePoetryReview Richard Scott's first book is Soho (2018), he guested edited The Poetry Review with Andre Bagoo in Summer 2022. Peter Gizzi's recent books include, Now It's Dark (Wesleyan, 2020), Sky Burial: New and Selected Poems (Carcanet, 2020), Archeophonics (Finalist for the National Book Award, Wesleyan, 2016) and In Defense of Nothing (Finalist for the LA Times Book Award, Wesleyan, 2014). His honours include fellowships from the Rex Foundation, the Howard Foundation, the Foundation for Contemporary Arts, and the Guggenheim Foundation. He has twice been the recipient of the Judith E. Wilson Visiting Fellowship in Poetry at the University of Cambridge. In 2018 Wesleyan published In the Air: Essays on the Poetry of Peter Gizzi. His most recent collection, Fierce Elegy, is available in the Wesleyan Poetry Series in the US, and will be published in the UK by Penguin in July 2024. Music credit: 'A very minimalist improvisation' by Circus Marcus
Recorded October 26th, 2023. A lecture by Professor Kimberly Campanello (University of Leeds) as part of the Medical and Health Humanities Seminar Series. Professor Kimberly Campanello (University of Leeds) will read from recent work on her experience of chronic illness and disability and discuss her writing process and approach with reference to key touchstones, including Dante's acedia, Proust's corked wall and ill objects, and Alison Kafer's 'crip time'. Kimberly Campanello is best known for MOTHERBABYHOME, a 796-page visual poetry-object and reader's edition book (zimZalla, 2019), and sorry that you were not moved (2022), an interactive digital poetry publication produced in collaboration with Christodoulos Makris and Fallow Media. She is an inaugural Markievicz Award winner from Ireland's Department of Culture, Heritage and the Gaeltacht and the Arts Council, and she represented the UK in Munich at Klang Farben Text: Visual Poetry for the 21st Century, a festival organised by the British Council, the National Poetry Library, and Lyrik Kabinett. New poems have appeared in Granta, Poetry Review, Cambridge Literary Review, The White Review, and Poetry Ireland Review. New prose features in Tolka and in Somesuch Stories. She was diagnosed with Young Onset Parkinson's in 2021 (age 43) and was awarded a Developing Your Creative Practice Grant by Arts Council England to support her writing of chronic illness and disability. She is Professor of Poetry at the University of Leeds.
Poets Jason Schneiderman, Cate Marvin, R. A. Villanueva, Lynn Xu and Rachel Zucker consider the pleasures, challenges, eccentricities and value of live, in-person poetry readings. These musings are followed by excerpts of the June 6, 2023 reading in Bryant Park (hosted by Jason and featuring Cate, Ron, Lynn and Rachel) and comments from the audience. PODCAST: PLAY IN NEW WINDOW | TRANSCRIPT SUBSCRIBE:APPLE PODCASTS | GOOGLE PODCASTS | AMAZON PODCASTSSUPPORT: PATREON | VENMO: @Rachel_ZuckerLinks, Bios, & Support InfoBryant Park Reading SeriesUniversity of MarylandLibrary of CongressWilliam MeredithKim NovakBMCCKGB reading seriesDavid LehmanStar BlackPaul RomeroSonia SanchezAllen Ginsberg's “Sunflower Sutra”Phllyis Levin Matt YeagerDavid LehmanWill Harris's Brother PoemJosé Oliverez's Promises of GoldMartha Graham CrackerJustin Vivian BondPatty LuPoneBridget EverettKGB Bar ReadingRichard McCann Kinokuniya BookstoreWillam Blake's “Ah! Sun-flower” June Jordan's “Sunflower Sonnet Number 1"June Jordan's “Sunflower Sonnet Number 2"Bios, in order of appearance:Jason Schneiderman is the author of four poetry collections, most recently Hold Me Tight (Red Hen, 2020). He is Professor of English at CUNY's BMCC and teaches in the MFA Program for Writers at Warren Wilson College. His next collection, Self Portrait of Icarus as a Country on Fire, will be published by Red Hen Press in 2024. Cate Marvin's latest book of poems is Event Horizon (Copper Canyon Press, 2022). She teaches at the College of Staten Island, City University of New York and resides in Southern Maine. Her poems have recently appeared in The Kenyon Review.R. A. Villanueva is the author of Reliquaria, winner of the Prairie Schooner Book Prize. New work has been featured by the Academy of American Poets, Ploughshares, Poetry, and National Public Radio—and his writing appears widely in international publications such as Poetry London and The Poetry Review. His honors include commendations from the Forward Prizes and fellowships from the Sewanee Writers' Conference, the Constance Saltonstall Foundation for the Arts, and Kundiman. Born in New Jersey, he lives in Brooklyn.Born in Shanghai, Lynn Xu is the author of And Those Ashen Heaps That Cantilevered Vase of Moonlight (Wave, 2022) and Debts & Lessons (Omnidawn, 2013) and the chapbooks: June (Corollary Press, 2006) and Tournesol (Compline, 2021). She has performed cross-disciplinary works at the MOCA Tucson, Guggenheim Museum, The Renaissance Society, Rising Tide Projects, and 300 S. Kelly Street. She teaches at Columbia University, coedits Canarium Books, and lives with her family in New York City and West Texas. Rachel Zucker is the author of a bunch of books, including, most recently, The Poetics of Wrongness. She is the founder and host of Commonplace and directrix of the Commonplace School of Embodied Poetics. She lives in Washington Heights, NY and Scarborough, ME and is mother to three sons.Please support Commonplace by becoming a patron here!Sign up for “Reading with Rachel,” the newest course in The Commonplace School for Embodied Poetics.
Owen Good is a Northern Irish translator of Hungarian poetry and prose. Good is the translator of Krisztina Tóth's short story collection ‘Pixel', Zsolt Lang's ‘The Birth of Emma K'. His translations have been published in Modern Poetry in Translation and The Poetry Review. He also co-edits Continental Literary magazine and Hungarian Literature Online. He teaches translations too.His rendition of Krisztina Tóth's work received Close Approximations Prize and was nominated for the TA First Translation Prize, the EBRD Literary Prize, and the Warwick Prize for Women in Translation.In this episode, he spoke about his craft, work, contemporary Hungarian literature and his authors Krisztina Toth and Zsolt Lang.* For your Valuable feedback on this Episode - Please click the below linkhttps://bit.ly/epfedbckHarshaneeyam on Spotify App –http://bit.ly/harshaneeyam Harshaneeyam on Apple App –http://apple.co/3qmhis5 *Contact us - harshaneeyam@gmail.com ***Disclaimer: The views and opinions expressed by Interviewees in interviews conducted by Harshaneeyam Podcast are those of the Interviewees and do not necessarily reflect the official policy or position of Harshaneeyam Podcast. Any content provided by Interviewees is of their opinion and is not intended to malign any religion, ethnic group, club, organization, company, individual, or anyone or anything.This podcast uses the following third-party services for analysis: Podtrac - https://analytics.podtrac.com/privacy-policy-gdrpChartable - https://chartable.com/privacy
What would you do if you discovered a new path in a forest you know well? Would you ignore the warning signs or embark on a new adventure? Jacqueline Gabbitas lives on a canal boat in the UK. She has published three short collections of poetry, Mid Lands (Hearing Eye), Earthworks and Small Grass (Stonewood Press) and her work has been featured in various magazines, including Poetry Review, anthologies such as the Forward Prize Anthology, and broadcast on BBC radio. She has won two Arts Council England awards, and is a Hawthornden Fellow. As a child, Jacqueline cut her teeth on ghost stories and fairytales (greedily reading the Armada Book of Ghost Stories, Poe, King, Koontz, Herbert and whoever she could get her hands on). During the first lockdown she returned to reading and writing ghost stories (especially focusing on stories written by women). She found it a way to try to understand the isolation and loss of contact many of us were feeling. Her stories can be found in New Ghost Stories IV (The Fiction Desk) and Unfeared: a podcast of ghost stories written by women, which she hosts. The ruins in ‘Forest House' exist. So does the nail.You can read "Forest House" at https://www.kaidankaistories.com.Website: kaidankaistories.comFollow us on: TwitterInstagramFacebook
Today's Spoken Label Podcast (Spoken Word / Poetry Podcast) features our returning friend, Yvonne Reddick. Yvonne Reddick is an award-winning writer, editor, ecopoetry scholar and climber. She has received a Leadership Fellowship from the AHRC, the Poetry Society's inaugural Peggy Poole Award,a Northern Writer's Award and a Creative Futures Literary Award. Her work has appeared in The Guardian Review, Poetry Review and New Statesman, and has been broadcast on BBC Radio 3 and BBC North West Tonight. She has published four pamphlets, including Translating Mountains (Seren, 2017), winner of the Mslexia Women's Pamphlet Competition, and Spikenard (Laureate'sChoice, 2019), which was a poetry recommendation in the London Review of Books. Our chat today covers mostly her first book length collection, Burning Season, published by Blood Axe. Burning Season is a book about fire and survival, climate change and nature's defiance. Yvonne Reddick's understanding of climate change is uniquely personal: her father was a petroleum engineer, and many members of her family worked in the fossil fuel industry. The collection speaks of the paradox that her Dad's gift to her was her love of nature and mountain landscapes. Burning Season includes a series of vivid, moving and heartfelt poems that explore her grief following her father's death in a hiking accident. These are set against a wider backdrop of ecological loss and heartbreak. Yvonne's website is: http://yvonnereddick.org/
We want to empower you to choose whether you listen to this episode or not, and let you know that in this episode slavery is mentioned. If you are affected by anything discussed in this episode, we have provided links to organisations you may find helpful at the bottom of these show notes. The mightiness of this episode is next level! Join us as we talk with Safiya about the power that language carries - through the lens of her debut poetry collection Cane, Corn & Gully, ancestry, dance and poetry. A powerful & passionate choreo-poet who is just getting started. Safiya Kamaria Kinshasa is a British born Barbadian raised choreo-poet and PhD student at the University of Leeds in Cultural Studies. Her interdisciplinary art braids dance and poetry on the page and stage. She is an Obsidian Foundation fellow and an Apples & Snakes/ Jerwood Arts Poetry in Performance recipient. Her work has appeared in a variety of journals including Poetry London, Poetry Review and Wasafiri. Safiya is also a national and international spoken word champion and came third place in The London Magazine Poetry Prize (2022). Mentions: Connect with Safiya: Website: https://www.safiyakamaria.com/ IG: @safiyakamaria Buy Cane, Corn and Gully: https://www.safiyakamaria.com/product-page/cane-corn-gully Hair & MUA, Consultant - Kamanza IG: @kamanzaa Labanotation: Graphic notation for dance/dance scores The Kamaria technique Ep 41: We Move in Circles with Thomas "Talawa" Presto https://open.spotify.com/episode/1549ahF6J5dojFC35OvC3i?si=daff6659ad68482e Poem read: Speightstown Is Such a Darling Place Connect with us: Ama Rouge Website: www.wearewildwithin.com IG: @powerup.podcast @ama.rouge @wearewildwithin LinkedIn: linkedin.com/in/ama-rouge-870b60138 FB: AmaRougemoves Twitter: @podcastpowerup Ella Mesma Website: www.ellamesma.co.uk, www.mayagandaia.com, LinkedIn: https://www.linkedin.com/in/ella-mesma-b6071320/ IG: @powerup.podcast @Ellamesma FB:@EllaMesma Twitter: @podcastpowerup Music by Tomo Carter IG: @tomocarter Everything else brought to you by us, the PowerUp! power team If you are or have been affected by any of the topics we've discussed in this episode here are some organisations you may find helpful: https://www.blackmindsmatteruk.com/ www.mind.org.uk https://thenapministry.wordpress.com/
In this latest episode, writer Rosie Garland talks to us about the poem that has been a friend to her: 'My Dark Horses' by Jodie Hollander.Writer and singer with post-punk band The March Violets, Rosie Garland has a passion for language nurtured by public libraries. Her poetry collection ‘What Girls do the Dark' (Nine Arches Press) was shortlisted for the Polari Prize 2021, & her novel The Night Brother was described by The Times as “a delight...with shades of Angela Carter.” Val McDermid has named her one of the UK's most compelling LGBT writers. http://www.rosiegarland.comJodie Hollander, originally from Milwaukee, Wisconsin, was raised in a family of classical musicians. She studied poetry in England, and her poems have appeared in journals such as The Poetry Review, The Yale Review and The Dark Horse. Her debut full-length collection, My Dark Horses, was published with Liverpool University Press (Pavilion Poetry) in 2017. Her second collection, Nocturne, was published with Liverpool & Oxford University Press in the spring of 2023. https://www.jodiehollander.comRosie Garland is in conversation with The Poetry Exchange team members Sally Anglesea and John Prebble.In the introduction, Fiona also mentions Glyn Maxwell's extraordinary new collection, 'The Big Calls', which was published by Live Canon in March 2023.We hope you enjoy being with all the poems featured in this episode!*********My Dark Horsesby Jodie HollanderIf only I were more like my dark horses, I wouldn't have to worry all the time that I was running too little and resting too much. I'd spend my hours grazing in the sunlight, taking long naps in the vast pastures. And when it was time to move along I'd know; I'd spend some time with all those that I'd loved, then disappear into a gathering of trees.If only I were more like my dark horses, I wouldn't be so frightened of the storms; instead, when the clouds began to gather and fill I'd make my way calmly to the shed, and stand close to all the other horses. Together, we'd let the rain fall round us, knowing as darkness passes overhead that above all, this is the time to be still.From 'My Dark Horses' by Jodie Hollander, Liverpool University Press, 2017. Hosted on Acast. See acast.com/privacy for more information.
"I think affinity bias is the one where I feel is the deal breaker , if you can meet someone, and you can see something in them, that reflect you be a principle, be a belief, be it a way that you would like to be seen. I think that's the one that draws you in, you know, we talk about being charismatic, we talk about being charming,some people are very naturally charismatic, which means it's not, you know, they're not learned. It's not trained. But I also think there's an element of how does that charisma impact and affect us in different ways?" Anthony Anaxagorou is a British-born Cypriot poet, fiction writer, essayist, publisher and poetry educator. Anthony is the winner of the 2023 Royal Society of Literature Ondaatje prize for his most recent poetry collection “Heritage Aesthetics” published by Granta. The chair of judges, journalist Samira Ahmed, said Anthony's poetry “is beautiful, but does not sugar coat. The arsenic of historical imperial arrogance permeates the Britain he explores in his writing. And the joy of this collection comes from his strength, knowledge, maturity, but also from deeply felt love.” His poetry has been published in POETRY, The Poetry Review, Poetry London, New Statesman, Granta, and elsewhere. His work has also appeared on BBC Newsnight, BBC Radio 4, ITV, Vice UK, Channel 4 and Sky Arts. His second collection After the Formalities published with Penned in the Margins is a Poetry Book Society Recommendation and was shortlisted for the 2019 T.S Eliot Prize along with the 2021 Ledbury Munthe Poetry Prize for Second Collections. It was also a Telegraph and Guardian poetry book of the year. In 2022 he founded Propel Magazine, an online literary journal featuring the work of poets yet to publish a first collection. Anthony is artistic director of Out-Spoken, a monthly poetry and music night held at London's Southbank Centre, and publisher of Out-Spoken Press. This is what one reviewer says of Anthony and his work ‘One of the most politically engaged poets of our time, Anthony holds the busy intersectionality of history, politics and ideology in poems that remain fresh and open. To stay up to date, follow @SmitaTharoor on Smita Tharoor (@SmitaTharoor) / Twitter or Smita Tharoor (@smitatharoor) | Instagram and follow the podcast on your favorite streaming service.
This week, Sally is reading The Girls of Slender Means, a novella by one of her favourite writers, Scottish novelist, poet and essayist Muriel Spark (1918 to 2006). During the Second World War, Spark came to London to work in British intelligence. She took up residence at the Helena Club in London, a hostel in Lancaster Gate, described as “a strict club for young ladies”. In 1963, she published A Girl of Slender Means, based on her experiences at the Helena Club. Spark was also editor of the Poetry Review from 1947 to 1948; one of the few female editors of the time. She wrote other acclaimed novels such as The Prime of Miss Jean Brodie (1961). Sally also reads a passage from Twelfth Night, a speech by Viola. Shipwrecked, posing as a servant, uncertain of her position and future, and in love, Viola is some ways a girl of slender means. The producer of the podcast is Andrew Smith: https://www.fleetingyearfilms.com The extra voice in this episode is Emma Fielding. Thanks to everyone who has supported us so far. Special thanks go to Violet Henderson, Kris Dyer, and Maeve Magnus.
Ilya Kaminsky reads at the launch of The Poetry Review 109:2, Summer 2019, held at The Poetry Café, London. Ilya Kaminsky will be giving this year's Poetry Society Annual Lecture / Liverpool University Allott Lecture on Poetry in a Time of Crisis on Monday 15 May 7:30pm. You can book to attend the lecture online here: bit.ly/AnnualLectureOnline You can book to attend the lecture in person here: bit.ly/AnnualLectureKaminsky
Today on the podcast we welcome Jenni Quilter. Jenni teaches at New York University and is the author of New York School Painters & Poets: Neon in Daylight, for which she was a finalist for the 2014 AICA Award for Best Criticism. She has written for the Los Angeles Review of Books, The Times Literary Supplement (London), Poetry Review, and the London Review of Books. Her new book, Hatching, was recently released and is a provocative examination of reproductive technologies that questions our understanding of fertility, motherhood, and the female body. In this conversation, we discuss Jenni's fertility journey, infertility, IVF, and have a detailed conversation about what it means to desire a child and how much freedom reproductive technologies actually offer. To learn more and purchase: "Hatching: Experiments in Motherhood and Technology” you can click here. To listen to our conversation on fertility + egg freezing, mentioned in the episode, with Jaqueline and Kibby on Apple Podcasts click here. It is also available everywhere you listen to podcasts. If you would like to work with us and receive a free health coaching consultation-- get in touch at courageouswellness.net or email aly@courageouswellness.net or erica@courageouswellness.net Don't forget to subscribe, rate, and review Courageous Wellness! We release new episodes each #WellnessWednesday You can also follow us on instagram @CourageousWellness and visit our website: www.courageouswellness.net to get in touch. Shop Vintners Daughter + Get 2-Day Free Shipping This episode is brought to you by Milk+Honey. To receive 20% off your purchase visit www.milkandhoney.com and use code: CWPODCAST (all one word) at checkout! Milk+Honey is a line of non-toxic, effective, and safe bath, body, and skincare products made in small batches in Austin, Texas. You can also save 20% on all spa treatments at Milk+Honey Spa locations in Los Angeles, Chicago, Texas, Miami and get a special rate on a curated Courageous Wellness Retreat Spa Package that includes a 60 minute massage and dry brushing. Book over the phone or online and visit: milkandhoneyspa.com Meet NED: You can receive 15% off our favorite Ned CBD products, including the Hormone Balance Blend and the Full Spectrum Hemp Oil, go to www.helloned.com and enter the code CWPODCAST at checkout We are so excited to partner with Seed! You can save 15% on Seed Synbiotic by using code: courageous15 at checkout. Head to www.seed.com to learn more. Save 20% on Sakara clean boutique and meal delivery with code: xocourageous at checkout! Are you interested in becoming a health coach or furthering your nutrition education? We loved our program at the Institute for Integrative Nutrition and are happy to offer our listeners a discount on tuition! To receive up to $2000 off tuition (for payments in full and $1000 off tuition for payment plans) you can use our name Aly French or Erica Stein when you enroll. To learn more you can also take a Sample Class, check out the Curriculum Guide, or visit the application page to enroll. This Episode is Sponsored by Sprout Living. To Save 20% on Our Favorite Plant Based Protein Powders by Sprout Living visit: http://www.sproutliving.com and use code CWPodcast at checkout.
Dean Browne won the Geoffrey Dearmer Prize in 2021 and his pamphlet, Kitchens at Night, was a winner of the Poetry Business International Pamphlet Competition; it was published by Smith|Doorstop in 2022. His poems have appeared widely in journals such as Banshee, Poetry (Chicago), Poetry Ireland Review, Poetry Review, PN Review, Southword, The Stinging Fly, and elsewhere.This week's Southword poem is ‘Egyptian Wing' by Heather Treseler, which appears in issue 41. You can buy single issues, subscribe, or find out how to submit to Southword here.
Asking for help is a thing of bravery. A poet describes her journey towards that help. Molly Twomey is a poet and editor from Lismore, County Waterford in Ireland. Twomey graduated in 2019 with a Masters in Creative Writing from University College Cork. Her work has been featured in Poetry Review, Poetry Ireland Review, Banshee, The Irish Times, Mslexia, and The Stinging Fly, among other publications. Twomey is the host of the monthly poetry discussion “Just to Say,” sponsored by Jacar Press. Her first collection of poetry, Raised Among Vultures, was published in 2022 by The Gallery Press. Find the transcript for this show at onbeing.org.We're pleased to offer Molly Twomey's poem, and invite you to connect with Poetry Unbound throughout this season.Pre-order the forthcoming book Poetry Unbound: 50 Poems to Open Your World and join us in our new conversational space on Substack.
Molly Twomey grew up in Lismore, County Waterford, and graduated in 2019 with an MA in Creative Writing from University College Cork. She has been published in Poetry Review, Poetry Ireland Review, Banshee, The Irish Times, Mslexia, The Stinging Fly and elsewhere. She runs an online international poetry event, Just to Say, sponsored by Jacar Press. In 2021, she was chosen for Poetry Ireland's Introductions series and awarded an Arts Council Literature Bursary. Her debut collection, Raised Among Vultures, will be published in May 2022 with The Gallery Press.This week's Southword poem is ‘Reading Ilya Kaminsky' by Gerard Smyth, which appears in issue 42. You can buy single issues, subscribe, or find out how to submit to Southword here.
Poet Naush Sabah is re-visiting her childhood home in Sparkbrook, Birmingham Naush is a poet, writer, editor, critic and educator based in the West Midlands. In 2019, she co-founded the Poetry Birmingham Literary Journal where she is currently Editor and Publishing Director. Naush also co-founded Pallina Press where she is Editor-at-Large and she currently serves as a trustee at Poetry London. Her writing has appeared in The Poetry Review, the TLS, PN Review, The Dark Horse, Modern Poetry in Translation, and elsewhere. She was shortlisted for the Royal Society of Literature's 2021 Sky Arts Writers Award. Her debut pamphlet Litanies was published by Guillemot Press in November 2021. She's a visiting lecturer in creative writing at Birmingham City University. Producers: Rosie Boulton and Melvin Rickarby A Must Try Softer Production A co-commission between BBC Radio 3 and the Space with funding from Arts Council England.
Dzifa Benson speaks to Clementine E. Burnley and Zakia Carpenter-Hall. Clementine E. Burnley and Zakia Carpenter-Hall are both alumni of the Obsidian Foundation writing retreat. Their poems were published in the The Poetry Review, Winter 2021. The Obsidian Foundation writing retreat, a week-long retreat of selected Black poets of African descent. The Obsidian Foundation's goal is to create a community of Black creative diversity where poets are fully self-expressed free from racism. Discover more on their website: obsidianfoundation.co.uk Clementine E. Burnley and Zakia Carpenter-Hall discuss their experience on the Obsidian Foundation writing retreat, what it means to write in vernacular and how poetry can speak on behalf of a community. They read their poems: 'How To Eat Frogs' (Clementine E. Burnley), 'The Gold Price' (Zakia Carpenter-Hall), 'She Found God In Herself and She Loved Her Fiercely' (Zakia Carpenter-Hall) and 'A Swiss Lace Front Wig' (Clementine E. Burnley).
In this podcast, the T.S. Eliot Prize-winning poet Sarah Howe talks to Jennifer Williams about kicking off the 2016 Edinburgh International Book Festival, writing with multiple languages and alphabets, sense and non-sense in poetry and much more. Sarah Howe is a British poet, academic and editor. Her first book, Loop of Jade (Chatto & Windus, 2015), won the T.S. Eliot Prize and The Sunday Times / PFD Young Writer of the Year Award, and was shortlisted for the Seamus Heaney Centre Poetry Prize and the Forward Prize for Best First Collection. Born in Hong Kong in 1983 to an English father and Chinese mother, she moved to England as a child. Her pamphlet, A Certain Chinese Encyclopedia (Tall-lighthouse, 2009), won an Eric Gregory Award from the Society of Authors. Her poems have appeared in journals including Poetry Review, Poetry London, The Guardian, The Financial Times, Ploughshares and Poetry, and she has performed her work at festivals internationally and on BBC Radio 3 & 4. If you would prefer to read, rather than listen to, our podcast with Sarah Howe, click here to see a transcript of the interview.
hasti is a British-Iranian poet and screenwriter living in South East London. A member of the Ledbury Poetry Critics and the Southbank New Poets Collective, hasti has published poems in The Poetry Review and PERVERSE mag, and runs monthly open mic night Fresh Lip.order a copy of the mag for yourself @ zindabadzine.bigcartel.com Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.
Miriam wonders what a Poetry Review is and is it fair for Kim to keep kicking Whitley out every time. Synopsis: The presence of Kim's boyfriend annoys Whitley. --- Send in a voice message: https://anchor.fm/blacktvshowpodcast/message
The Playcast is back!We return with the first episode of the season brining you an interview with Caroline Bird. Caroline is the writer of Red Ellen which arrives at Nottingham Playhouse on Weds 13th April. Get your tickets hereBioCaroline won The Forward Prize for best poetry collection in 2020. She was shortlisted for the Costa Prize 2020, the TS Eliot Prize 2017, the Ted Hughes Award 2017, and the Dylan Thomas Prize twice in 2008 and 2010. She was a finalist for the Susan Smith Blackburn Prize 2014. She has also won an Eric Gregory Award (2002) and the Foyle Young Poet of the Year award two years running (1999, 2000), and was a winner of the Poetry London Competition in 2007, the Peterloo Poetry Competition in 2004, 2003 and 2002. Caroline was on the shortlist for Shell Woman Of The Future Awards 2011.Caroline has had six collections of poetry published by Carcanet. Her first collection Looking Through Letterboxes (published in 2002 when she was only 15) is a topical, zesty and formally delightful collection of poems built on the traditions of fairy tale, fantasy and romance. Her second collection, Trouble Came to the Turnip, was published in September 2006 to critical acclaim. Watering Can, her third collection published in November 2009 celebrates life as an early twenty-something with comedy, wordplay and bright self-deprecation. Her fourth collection, The Hat-Stand Union, was described by Simon Armitage as ‘spring-loaded, funny, sad and deadly.' Her fifth collection, In These Days of Prohibition (published July 2017) was shortlisted for the 2017 TS Eliot Prize and the 2017 Ted Hughes Award. Her sixth collection, The Air Year was published in February 2020, and was book of the month in The Telegraph, book of the year in the Guardian, shortlisted for the Costa Prize, and winner of the Forward Prize.Bird's poems have been published in several anthologies and journals including Poetry Magazine, PN Review, Poetry Review and The North magazine. Several of her poems and a commissioned short story, Sucking Eggs, have been broadcast on BBC Radio 4 and BBC Radio 3. She was one of the five official poets at London Olympics 2012. Her poem, The Fun Palace, which celebrates the life and work of Joan Littlewood, is now erected on the Olympic Site outside the main stadium.In recent years, Caroline has given poetry performances at Aldeburgh Festival, Latitude Festival, the Manchester Literature Festival, the Wellcome Collection, the Royal Festival Hall, the Wordsworth Trust, Cheltenham Festival, and Ledbury Festival, amongst others.Caroline Bird began writing plays as a teenager when she was the youngest ever member of the Royal Court Young Writer's Programme, tutored by Simon Stephens. In 2011 Caroline was invited to take part in Sixty Six Books by the Bush Theatre. She wrote a piece inspired by Leviticus, directed by Peter Gill. In February 2012, her Beano-inspired musical, The Trial of Dennis the Menace was performed in the Purcell Room at the Southbank Centre.Caroline's new version of The Trojan Women premiered at the Gate Theatre at the end of 2012 to wide critical acclaim. Caroline's plSupport the show (https://nottinghamplayhouse.co.uk/support-us/donate/curtain-up-appeal/)
This week we are joined by award-winning poet John McCullough whose poems have appeared in magazines including Poetry Review, The Guardian, The New Statesman, Poetry London and Best British Poetry. His first collection The Frost Fairs (Salt, 2011) won the Polari First Book Prize and was Book of the Year for The Independent and The Poetry School. His last collection Reckless Paper Birds was shortlisted for the Costa Poetry Award. Finally he has his new collection called Panic Response out with Penned in the Margins. Today he gives us a poem by the brilliant Caroline Bird. We talk space, pauses and line-breaks in this fearless breakdown of an absolute belter.
On January 25th, 2022, the Lannan Center presented a reading and talk featuring poets Valzhyna Mort and Michael Prior. Moderated by Carolyn Forché.About Valzhyna Mort Valzhyna Mort is a poet and translator born in Minsk, Belarus. She is the author of three poetry collections, Factory of Tears (Copper Canyon Press 2008), Collected Body (Copper Canyon Press 2011) and, mostly recently, Music for the Dead and Resurrected (FSG, 2020). Mort is a recipient of fellowships from the Lannan Foundation, the Amy Clampitt residency, and the Civitella Raineri residency. Her work has been honored with the Bess Hokin Prize from Poetry and the Glenna Luschei Prairie Schooner Award. Her work has appeared in Best American Poetry, New Yorker, Poetry, Poetry Review, Poetry International, Prairie Schooner, Granta, Gulf Coast, White Review, and many more. With Ilya Kaminsky and Katie Farris, Mort co-edited Gossip and Metaphysics: Russian Modernist Poems and Prose. Mort teaches at Cornell University and writes in English and Belarusian. About Michael PriorMichael Prior is a writer and teacher born in Vancouver, Canada. He is the author of two books of poems: Burning Province (McClelland & Stewart/Penguin Random House, 2020), which won the Canada-Japan Literary Award and the BC & Yukon Book Prizes' Dorothy Livesay Poetry Prize, and Model Disciple (Véhicule Press, 2016). Prior is the recent recipient of fellowships from the New York Public Library's Cullman Center, the Jerome Foundation, and Hawthornden Literary Retreat. His poems have appeared in Poetry, The New Republic, Narrative Magazine, the Sewanee Review, PN Review, the Academy of American Poets' Poem-A-Day series, and elsewhere. He is an Assistant Professor of English and an ACM Mellon Faculty Fellow at Macalester College.Music: Quantum Jazz — "Orbiting A Distant Planet" — Provided by Jamendo.
In a taxi, a poet speaks to the driver. It's the only taxi in town. He mentions travel, mentions Afghanistan, that he was there with the forces. She's from Afghanistan and the conversation continues — awkward; complicated; him trying to say good things, but failing; her feeling like she should rescue him, but deciding not to. War is upended by the point of view of a person in whose country the war was fought. Underneath the action of the poem is a question about whether conversation is possible, and an appreciation for silence.Aria Aber is based in Oakland, CA. Her poems are forthcoming or have appeared in The New Yorker, Poetry Magazine, Kenyon Review, The Poetry Review and elsewhere. She is the author of Hard Damage, which won the Prairie Schooner Book Prize in Poetry and a Whiting Award. She is currently a Stegner Fellow in Poetry at Stanford University.Find the transcript for this show at onbeing.org.
Today Paul McMahon reads his poem Milltown. From Belfast, Paul McMahon now lives in Cork. His poetry has appeared in The Poetry Review, The Irish Times, Poetry Ireland Review and elsewhere. Also a playwright, Paul is developing his new play with The Abbey Theatre. His poem The Pups in the Boghole won the Westival international Poetry Prize.
Your last encounter with a poem may well have taken place in a grim classroom, perhaps a painful dissection of WB Yeats or Matthew Arnold. Poetry can be something entirely different, however, and prize-winning poet John McCullough gives us poetry that is a source of joy, mindfulness and sheer fun. John McCullough “guides us through a world of déjà vu, doubt and rapture” (Helen Mort). His poetry gives us “fresh insight into vulnerability and suffering”, according to the judges of the Costa Poetry Award. His poems reference Kate Bush, Lady Gaga, birdlife, Grindr and My Little Pony, while exploring love, loneliness and issues like homelessness and homophobia. In this episode Andrew and John talk about the ways poetry can make your life richer, deeper and more meaningful. Poetry helps us live in the moment, it offers a rest from relentless rational thinking and it helps us to process our experiences and make sense of them. John McCullough's latest book of poems, Reckless Paper Birds, won the 2020 Hawthornden Prize for Literature and was shortlisted for the Costa Poetry Award. He has also won the Polari First Book Prize and his collections have been named Books of the Year in The Independent, The Guardian and The Observer. He is featured regularly in magazines such as Poetry London, Poetry Review and The New Statesman. Most recently, his poem 'Flower of Sulphur' was shortlisted for the 2021 Forward Prize for Best Single Poem. John lives in Hove with his partner and two cats, and teaches creative writing at the Open University and the University of Brighton. Follow Up Join our Supporters Club to access exclusive behind-the-scenes content, fan requests and the chance to ask Andrew your own questions. Membership starts at just £4.50. Read Reckless Paper Birds, John McCullough's Hawthornden Prize winning collection. Find out about John McCullough's other books. Follow John McCullough on Twitter @JohnMcCullough_ and Instagram @mrjohnmccullough Get Andrew's advice on creating change in your life and relationships in his book Wake Up and Change Your Life: How to Survive a Crisis and Be Stronger, Wiser and Happier. Listen to Andrew's interview with author Josh Cohen on “How to Live: What You Can Learn From Your Favourite Literary Character”. Andrew offers regular advice on love, marriage and finding meaning in your life via his social channels. Follow him on Twitter, Facebook and YouTube @andrewgmarshall
A club is a place for dancing, for abandon, for music, and for meeting strangers. Romeo Oriogun recalls a gay club that was for all those things, but also for escape. Living in a place where queer lives were under threat, he offers a praise song for this cathedral of safety and movement. Outside the world is silent, but inside the bar, people carry stories of their own desire, of their families, of their hopes; both for the future and the present.Romeo Oriogun is a Nigerian poet, essayist, and author of Sacrament of Bodies (University of Nebraska) and three chapbooks. He is the winner of the 2017 Brunel International African Poetry Prize. His poems have appeared in Poetry, Harvard Review, American Poetry Review, Poetry London, The Poetry Review, Narrative Magazine, The Common, and others. A graduate of the Iowa Writers' Workshop, his poems have been translated into several languages.Find the transcript for this show at onbeing.org.
Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!Poet and activist Warsan Shire grew up in London. She is the author of the collections Teaching My Mother How to Give Birth (flipped eye, 2011), Her Blue Body (flipped eye, 2015), Our Men Do Not Belong to Us (Slapering Hol Press and Poetry Foundation, 2015), and Bless The Daughter Raised By A Voice In Her Head (Random House, forthcoming 2021). Her poems have appeared in journals and magazines, including Poetry Review, Wasafiri, and Sable LitMag; in the anthologies Salt Book of Younger Poets (2011), Long Journeys: African Migrants on the Road (2013), and Poems That Make Grown Women Cry (2016); as well as in Beyoncé's visual album Lemonade (2016) and film Black Is King (2020).According to Alexis Okeowo in the New Yorker, Shire's work “embodies the kind of shape-shifting, culture-juggling spirit lurking in most people who can't trace their ancestors to their country's founding fathers, or whose ancestors look nothing like those fathers. In that limbo, Shire conjures up a new language for belonging and displacement.” Shire's poems connect gender, war, sex, and cultural assumptions; in her work, poetry is a healing agent for the trauma of exile and suffering. In an interview, Shire noted, “Character driven poetry is important for me—it's being able to tell the stories of those people, especially refugees and immigrants, that otherwise wouldn't be told, or they'll be told really inaccurately. And I don't want to write victims, or martyrs, or vacuous stereotypes … my family are really amazing—they'll tell me, ‘I have a new story for you,' and I'll get my Dictaphone and record it, so I can stay as true as possible to the story before I make it into a poem.”Shire has read her work in South Africa, Italy, Germany, and the United States. In 2013, she won Brunel University's first African Poetry Prize. In 2014, she was named the first Young Poet Laureate for London and chosen as poet-in-residence for Queensland, Australia. In 2017 she was included in the Penguin Modern Poets series. In 2019 she wrote the short film Brave Girl Rising,narrated by Tess Thompson and David Oyelowo, and became the youngest person to ever be inducted into the Royal Society of Literature.Shire is poetry editor of Spook Magazine and guest edited Young Sable LitMag.For more information about Warsan Shire:Previously on The Quarantine Tapes:Suketu Mehta on Shire, at 09:18: https://quarantine-tapes.simplecast.com/episodes/the-quarantine-tapes-079-suketu-mehtaTim Robbins on Shire, at 07:10: https://quarantine-tapes.simplecast.com/episodes/the-quarantine-tapes-113-tim-robbinsHome read by Warsan Shire: "Home" by Warsan ShireNY Times: Warsan Shire, the Woman Who Gave Poetry to Beyoncé's ‘Lemonade'https://www.nytimes.com/2016/04/28/arts/music/warsan-shire-who-gave-poetry-to-beyonces-lemonade.html
In a poem considering trees, Jason Allen-Paisant opens up many associations with trees: in a woodland, there's a dead tree, from which new forms of life are finding sustenance. He, a Black man in the woods, is aware of people looking suspiciously at him. The poem reflects on how trees were used for building the ships of enslavers, who considered countries and people their property. In light of this, he shares a nature poem about all the things that nature holds.Jason Allen-Paisant is a Jamaican poet whose first poetry collection, Thinking with Trees, was published by Carcanet Press in 2021. His work has also appeared in PN Review, the Poetry Review and Callaloo. He teaches in the School of English at the University of Leeds.Find the transcript for this show at onbeing.org.
Paul Mc Mahon reads The Pups in the Boghole. From Belfast, Paul McMahon now lives in Cork. His poetry has appeared in The Poetry Review, The Irish Times, Poetry Ireland Review and elsewhere. Also a playwright, Paul is developing his new play with The Abbey Theatre. His poem The Pups in the Boghole won the Westival international Poetry Prize.
Today's Daily Quotation:Home by Warsan Shireno one leaves home unlesshome is the mouth of a sharkyou only run for the borderwhen you see the whole city running as wellyour neighbors running faster than youbreath bloody in their throatsthe boy you went to school withwho kissed you dizzy behind the old tin factoryis holding a gun bigger than his bodyyou only leave homewhen home won't let you stay.no one leaves home unless home chases youfire under feethot blood in your bellyit's not something you ever thought of doinguntil the blade burnt threats intoyour neckand even then you carried the anthem underyour breathonly tearing up your passport in an airport toiletsobbing as each mouthful of papermade it clear that you wouldn't be going back.you have to understand,that no one puts their children in a boatunless the water is safer than the landno one burns their palmsunder trainsbeneath carriagesno one spends days and nights in the stomach of a truckfeeding on newspaper unless the miles travelledmeans something more than journey.no one crawls under fencesno one wants to be beatenpitiedno one chooses refugee campsor strip searches where yourbody is left achingor prison,because prison is saferthan a city of fireand one prison guardin the nightis better than a truckloadof men who look like your fatherno one could take itno one could stomach itno one skin would be tough enoughthego home blacksrefugeesdirty immigrantsasylum seekerssucking our country dryniggers with their hands outthey smell strangesavagemessed up their country and now they wantto mess ours uphow do the wordsthe dirty looksroll off your backsmaybe because the blow is softerthan a limb torn offor the words are more tenderthan fourteen men betweenyour legsor the insults are easierto swallowthan rubblethan bonethan your child bodyin pieces.i want to go home,but home is the mouth of a sharkhome is the barrel of the gunand no one would leave homeunless home chased you to the shoreunless home told youto quicken your legsleave your clothes behindcrawl through the desertwade through the oceansdrownsavebe hungerbegforget prideyour survival is more importantno one leaves home until home is a sweaty voice in your earsaying-leave,run away from me nowi don't know what i've becomebut i know that anywhereis safer than here__________________________________________ Poet and activist Warsan Shire grew up in London. She is the author of the collections Teaching My Mother How to Give Birth (flipped eye, 2011), Her Blue Body (flipped eye, 2015), Our Men Do Not Belong to Us (Slapering Hol Press and Poetry Foundation, 2015), and Bless The Daughter Raised By A Voice In Her Head (Random House, forthcoming 2021). Her poems have appeared in journals and magazines, including Poetry Review, Wasafiri, and Sable LitMag; in the anthologies Salt Book of Younger Poets (2011), Long Journeys: African Migrants on the Road (2013), and Poems That Make Grown Women Cry (2016); as well as in Beyoncé's visual album Lemonade (2016) and film Black Is King (2020).According to Alexis Okeowo in the New Yorker, Shire's work “embodies the kind of shape-shifting, culture-juggling spirit lurking in most people who can't trace their ancestors to their country's founding fathers, or whose ancestors look nothing like those fathers. In that limbo, Shire conjures up a new language for belonging and displacement.” Shire's poems connect gender, war, sex, and cultural assumptions; in her work, poetry is a healing agent for the trauma of exile and suffering. In an interview, Shire noted, “Character driven poetry is important for me—it's being able to tell the stories of those people, especially refugees and immigrants, that otherwise wouldn't be told, or they'll be told really inaccurately. And I don't want to write victims, or martyrs, or vacuous stereotypes … my family are really amazing—they'll tell me, ‘I have a new story for you,' and I'll get my Dictaphone and record it, so I can stay as true as possible to the story before I make it into a poem.”Shire has read her work in South Africa, Italy, Germany, and the United States. In 2013, she won Brunel University's first African Poetry Prize. In 2014, she was named the first Young Poet Laureate for London and chosen as poet-in-residence for Queensland, Australia. In 2017 she was included in the Penguin Modern Poets series. In 2019 she wrote the short film Brave Girl Rising,narrated by Tess Thompson and David Oyelowo, and became the youngest person to ever be inducted into the Royal Society of Literature.Shire is poetry editor of Spook Magazine and guest edited Young Sable LitMag.
In the latest Poetry Review podcast, Gail McConnell talks to Emily Berry about loss, parenthood and the resource of language in her debut collection The Sun is Open. Published this September, the book works with archival material related to the life and death of McConnell's father, who was murdered by the IRA outside their home in Belfast in 1984. “Language does the work if you let it,” she observes of this "fraught undertaking". Together they discuss poetry form and performance – typography, breath, sound and “the event of the poem” – and the poets and thinkers who have influenced McConnell's thinking: Bob Scanlan of The Poets' Theatre, Jay Bernard, Raymond Antrobus, Denise Riley, Ciaran Carson, D.W. Winnicott and others. McConnell gives astonishing readings of her poems published in the Review: excerpts from ‘The Sun is Open' and ‘Untitled / Villanelle'.
In this special episode, we talk with all three of the nominees for the 2021 Desmond Elliott Prize, the showcase award for debut authors from the National Centre for Writing.First up, we talk with AK Blakemore, author of The Manningtree Witches, a brilliant literary historical fiction novel set in England in 1643. AK is the author of two full-length collections of poetry: Humbert Summer (Eyewear, 2015) and Fondue (Offord Road Books, 2018), which was awarded the 2019 Ledbury Forte Prize for Best Second Collection. She has also translated the work of Sichuanese poet Yu Yoyo (My Tenantless Body, Poetry Translation Centre, 2019). Her poetry and prose writing has been widely published and anthologised, appearing in the The London Review of Books, Poetry, Poetry Review and The White Review, among others.Then we chat with Rebecca Watson, author of the incredible little scratch, an experimental literary novel told in immediate first person. Rebecca is one of The Observer‘s 10 best debut novelists of 2021. Her work has been published in the TLS, The Guardian, Granta and elsewhere. In 2018, she was shortlisted for the White Review Short Story Prize. She works part-time as Assistant Arts Editor at the Financial Times and lives in London.Finally, we speak with Eley Williams, author of The Liar's Dictionary, a dual timeline literary novel revolving around false entries in dictionaries. Eley lectures at Royal Holloway, University of London. Her short story collection Attrib. and Other Stories (Influx Press) won the James Tait Black Prize and the Republic of Consciousness Prize. The Liar's Dictionary is her debut novel.Links:Read about the Desmond Elliott PrizeBuy The Manningtree WitchesBuy little scratchBuy The Liar's DictionaryWatch our video panel Page One Sessions as we discuss writing with great authors: https://youtu.be/gmE6iCDYn-sThe Page One Podcast is brought to you by Write Gear, creators of Page One - the Writer's Notebook. Learn more and order yours now: https://www.writegear.co.uk/page-oneFollow us on Twitter: @write_gearFollow us on Facebook: www.facebook.com/WriteGearUK/Follow us on Instagram: write_gear_uk See acast.com/privacy for privacy and opt-out information.
Another brand-spankingly new episode of the Pickle Jar. This week we speak to Charlotte Ansell. Charlotte performs her poems regularly and her work has appeared in Poetry Review, Mslexia, Butcher’s Dog, Prole, Algebra of Owls and various anthologies; most recently ‘These are the hands’ – an anthology of poems by NHS workers. She has won various competitions (Red Shed, BBC Write Science competition in 2015, Watermarks in 2016, commended in Yorkmix in 2016 and shortlisted in the Poetry in film category of the Outspoken prize for poetry in 2017). Her latest collection Deluge was a PBS Winter choice and is out with Flipped Eye. Today we dig deep into a Sylvia Plath poem called Stillborn. You can have a read of it here - https://hellopoetry.com/poem/695/stillborn/
C.R. Leverette "I Know My Way," Poetry Review by Greg Aurgulmir --- Send in a voice message: https://anchor.fm/brutally-delicious/message
In a searching, wide-ranging and often very funny exchange, Selima Hill talks to Review editor Emily Berry about being both a prolific writer and a private person, about secrecy and rebellion, embodiedness and encodedness. Her writing process is, she says, less about cutting (“which sounds so violent”) and rather like “lifting your hair – loosen, loosen, then tighten, tighten, tighten – spread it as far as you can, then tighten”. They discuss relationships with family, men, audiences, Eastern European literature and animals, including Hill's pet giant land snail. She also describes how her diagnosis of Asperger's Syndrome, her experiences in psychiatric hospital, and periods of muteness have affected her writing. Hill gives vivid readings of all of her poems published in the winter 2020 issue of The Poetry Review, including ‘Standing on his doorstep', ‘Jelly' and ‘Berries', which will appear in Men Who Feed Pigeons, published by Bloodaxe this September.
Episode 088. Isabelle Baafi reveals poetic echoes and how intricate experiences allow her to explore expression in various ways. Isabelle Baafi is a writer and poet from London. She was the winner of the 2019 Vincent Cooper Literary Prize, and was shortlisted for the 2020 Bridport Prize and the 2019 Oxford Brookes International Poetry Competition. Her work has been published in Poetry Review, Magma, Anthropocene, Finished Creatures, Lammergeier, petrichor, Tentacular, harana poetry, and elsewhere. She is an Editor at Magma. Her debut pamphlet Ripe (2020) was recently published by ignitionpress.
Back for series two. This week we are joined by Poet, Mentor and Facilitator Katrina Naomi. She has four collections under her belt. these include Wild Persistence, published by Seren and Typhoon Etiquette, published in 2019 by Verve Poetry Press. She has also had her poetry appear on on Poems on the Underground, BBC Radio 4’s Front Row and Poetry Please, and in The TLS, The Poetry Review and Modern Poetry in Translation. Today she is bringing Ink-Light by Natalie Diaz. It is a wonderfully magical poem so come have a listen.
Join Review editor Emily Berry and poet and novelist Luke Kennard, for an exhilarating unravelling of the prophetic voice and its uses for poetry, the liberating restriction of the poem sequence, and prose poetry as “a space in which to be convolutedly honest” – with passing references to Baudelaire, Chekhov, Ted Hughes, James Tait, Anne Carson and Maggie Nelson, contemporary morality, and anger as a motivating force. Luke also reads his three poems in the autumn 2020 issue of The Poetry Review, from his future project inspired by the Book of Jonah.
From surrealism and science fiction to inspiration drawn from historic objects in stately homes and the painting of Francis Bacon: Shahidha Bari hosts a conversation with Will Harris, who has written long-form poems; new Fellows of the Royal Society of Literature Max Porter and Chloe Aridjis, who have written poetic novels which play with form; and academic Christine Yao, who looks at speculative fiction. Max Porter is the author of Grief Is The Thing With Feathers and Lanny. He has also collaborated with the Indie folk band Tunng and has a book out in January called The Death of Francis Bacon. You can hear dramatizations of Lanny at https://www.bbc.co.uk/programmes/m000pqdc and Grief Is The Thing with Feathers on BBC Sounds https://www.bbc.co.uk/programmes/m000plzl Chloe Aridjis is a London-based Mexican writer who has published the novels Book of Clouds, Asunder and Sea Monsters, and was awarded the PEN/Faulkner Award for Fiction in 2020. She was co-curator of a Leonora Carrington exhibition at Tate Liverpool and writes for Frieze. They have been announced as Fellows of the Royal Society of Literature to mark the 200th anniversary of the RSL https://rsliterature.org/ Will Harris is a writer of Chinese Indonesian and British heritage who won the Forward Prize for Best First Collection 2020 and is shortlisted for the T.S. Eliot Prize 2021 for his collection RENDANG. He co-edited the spring 2020 issue of The Poetry Review with Mary Jean Chan. Christine Yao is one of the 2020 New Generation Thinkers on the scheme run by BBC Radio 3 and the AHRC to turn research into radio. She teaches at UCL on American Literature in English to 1900, with an interest in literatures in English from the Black and Asian diasporas, science fiction, the Gothic, and comics/graphic novels. You can find more conversations in the playlist Prose and Poetry on the Free Thinking website, which includes Max Porter discussing empathy, Christine Yao looking at science fiction and the experimental writing of the Oulipo group, and a whole series of conversations recorded in partnership with the Royal Society of Literature. https://www.bbc.co.uk/programmes/p047v6vh Producer: Emma Wallace
Hoy en “Hablemos de …” celebramos en el National Heritage Month el talento de las escritoras hispanohablantes en los Estados Unidos; damos tributo a voces pioneras como la de Gloria Anzaldúa; hablamos de la urgencia de difundir y dar a conocer esta producción literaria a nivel nacional e internacional y traer la obra de escritoras produciendo desde Latinoamérica, España y otros países de habla del español a los Estados Unidos; y hacemos una radiografía de la escena y los circuitos literarios actuales. Nos acompaña la poeta, traductora bilingüe, e investigadora Violeta Orozco (CDMX, 1989), quien es ganadora del Premio Nacional Universitario de Poesía José Emilio Pacheco (2014) y segundo lugar en el Concurso de Poesía en voz alta de Casa del lago (2014). Actualmente realiza el doctorado en Hispanic Literature and Culture en Rutgers University. Es colaboradora del Nueva York Poetry Review https://www.nuevayorkpoetryreview.com/Nueva-york-Poetry-Review-2671-2-poesia-chicana-amanda-galvan-huynh. Junto con la periodista peruana Claudia Cisneros funda la revista FemLatam https://speakupwomenorg.wordpress.com/
Index of Haunted Houses, the debut collection by Adam O. Davis, uses ghosts and hauntings to talk about the perilous economic and social moment the United States finds itself in currently. During this podcast, released in time for Halloween, Davis discusses how we've come to use the language of the uncanny to describe the world we live in today, why hauntings are, counter-intuitively, a great metaphors for the nature of life, and what capitalism has in common with Bruce Willis' character in The Sixth Sense. Adam O. Davis is a poet, teacher and photographer, and his haunting photos appear throughout Index of Haunted Houses. He was in born in Tucson, Arizona and raised in various places including Utah, France, New Jersey, California, and Scotland. His work has appeared in many journals, including The believer, the Paris review, and the Poetry Review.
Review contributor Sandeep Parmar talks to Mary Jean Chan, guest co-editor with Will Harris of the spring 2020 issue of The Poetry Review. Sandeep reads her poem, ‘The Nineties', and reflects on its origins – growing up in California at the time of the L.A. riots, which followed the arrest and beating of Rodney King, the trial of O.J. Simpson and the 1994 Northridge earthquake – and their relevance now, following the killing of George Floyd and the Black Lives Matter movement as a catalyst for change. In an exhilarating conversation Sandeep and Mary Jean discuss race and contemporary literature, the lyric 'I' and, post-Claudia Rankine's Citizen: An American Lyric, the fluidities and opportunities of the second-person ‘you', and changing the critical context of BAME writing with the Ledbury Emerging Critics scheme, which Sandeep co-founded with Sarah Howe.
Will Harris and Nick Makoha, prizewinning poets both, talk about Nick's poems in the spring 2020 issue of The Poetry Review and how these poems exemplify his interest in song, story and myth, the parameters of self, reconfiguring the problem of the white lens, and how the act of writing poems produces unlooked-for discoveries. Nick gives electrifying readings of his poems ‘Codex 1' and Codex 2, both published in the Review, and ‘Bird In Flames' from his Forward-shortlisted debut Kingdom of Gravity.
“In the end, we will not remember the words of our enemies, but the silence of our friends.” —Martin Luther King, Jr.Those are the words that inspired Andrea Hope's powerful new poem and book "Will You Break The Silence?: Poetic Practical Steps Toward Race Unity". It's a passionate call from a Black voice to friends in the white community to break the silence and speak out on matters of racial injustice.In light of the recent surge for racial justice across the United States and around the world in response to the unjust murder of George Floyd, among several other members of the Black community, Andrea has felt called to reach out to members of the white community and encourage them to take action. "Will You Break The Silence?" lays out a beginner's manual for taking action in poetic form.In Episode 16 of Elevated Conversations, we explore Andrea's journey as a poet and the inspiration behind her powerful and inspiring poem.You can purchase a copy of Andrea's poem as a physical book, which also includes compelling black and white graphics using the link below:Will You Break The Silence? on Amazon:https://www.amazon.com/dp/B089M43484/For future updates on Andrea's amazing poetry, be sure to follow her on social media:Facebook: https://www.facebook.com/andreahope.org/Instagram: https://www.instagram.com/andreahopethepoet/To listen to Andrea's podcast "To Mother", use this link:https://pod.link/1502412825
“In the end, we will not remember the words of our enemies, but the silence of our friends.” —Martin Luther King, Jr.Those are the words that inspired Andrea Hope's powerful new poem and book "Will You Break The Silence?: Poetic Practical Steps Toward Race Unity". It's a passionate call from a Black voice to friends in the white community to break the silence and speak out on matters of racial injustice.In light of the recent surge for racial justice across the United States and around the world in response to the unjust murder of George Floyd, among several other members of the Black community, Andrea has felt called to reach out to members of the white community and encourage them to take action. "Will You Break The Silence?" lays out a beginner's manual for taking action in poetic form.In Episode 16 of Elevated Conversations, we explore Andrea's journey as a poet and the inspiration behind her powerful and inspiring poem.You can purchase a copy of Andrea's poem as a physical book, which also includes compelling black and white graphics using the link below:Will You Break The Silence? on Amazon:https://www.amazon.com/dp/B089M43484/For future updates on Andrea's amazing poetry, be sure to follow her on social media:Facebook: https://www.facebook.com/andreahope.org/Instagram: https://www.instagram.com/andreahopethepoet/To listen to Andrea's podcast "To Mother", use this link:https://pod.link/1502412825
In a conversation that will lighten spirits and fire up brain cells, Emily Berry talks to Mark Waldron in the latest Poetry Review podcast. They discuss children's books, the theatre and performance, Beckett, Ashbery and “meant silliness”. “I like mixing up childhood and adulthood,” says Waldron, “things from childhood I want to resolve – or look at anyway.” His interest is in the separation between inside and outside – “letting the inside out and seeing if people will accept that.” He also offers two wonderful readings of his poems ‘Contingency' and ‘To Dig', first published in The Poetry Review, 109:3, Autumn 2019.
Listen to Anthony Anaxagorou performing his beautiful poem ‘Things Already Lost’ especially for the Salon at the recent Cheltenham Literature Festival. Anthony is a British-born Cypriot poet, fiction writer, essayist, publisher and poetry educator. His poetry has been published in POETRY, The Poetry Review, Poetry London, Granta, and more, and has appeared on BBC Newsnight, BBC Radio 4, ITV, Vice UK, Channel 4 and Sky Arts. This poem is from his second collection After the Formalities, published by Penned in the Margins in September 2019, which is a Poetry Book Society Recommendation and has been shortlisted for the 2019 T.S Eliot Prize. Anthony was awarded the 2019 H-100 Award for writing and publishing, and the 2015 Groucho Maverick Award for his poetry and fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices
In the penultimate episode of the second series, Ilya Kaminsky and Sophie Robinson join Jack and Rachael in the studio to discuss, among other things, poems with ‘big dick energy’, the blurring of poetry with other literary forms and the tension between metaphor and the denial of metaphor. Audio postcards are from Daisy Lafarge, Anthony Anaxagorou and Hugo Williams. Listen to this episode and subscribe to the podcast so you don’t miss forthcoming episodes from the new season. Show notes Studio guests ILYA KAMINSKY was born in the former Soviet Union and is now an American citizen. He is the author of two collections of poetry, Deaf Republic and Dancing in Odessa (https://www.amazon.co.uk/Dancing-Odessa-Ilya-Kaminsky/dp/1908376120) , and co-editor of The Ecco Anthology of International Poetry. Deaf Republic (https://www.faber.co.uk/9780571351411-deaf-republic.html) has been shortlisted for the 2019 Forward Poetry Prize for Best Collection, the T. S. Eliot Prize and the National Book Award for Poetry. He has received a Whiting Award, a Lannan Literary Fellowship and a Guggenheim Fellowship. His work has been translated into more than twenty languages. @ilya_poet (https://twitter.com/ilya_poet) SOPHIE ROBINSON teaches Creative Writing at the University of East Anglia and is the author of A and The Institute of Our Love in Disrepair. Her third collection, Rabbit (https://www.boilerhouse.press/product-page/rabbit) , was published by Boiler House Press in 2018 and was chosen for the winter PBS Wild Card Choice. Recent work has appeared in n+1, The White Review, Poetry Review, The Brooklyn Rail, Ploughshares, BOMB Magazine, and Granta. @sophiepoetry (https://twitter.com/sophiepoetry) Audio postcards featured in this episode ‘the willows on the common are still on fire’, written and read by Daisy Lafarge. Her pamphlets understudies for air (https://sadpresspoetry.com/our-books/) and capriccio (https://shop.spamzine.co.uk/product/capriccio) were published by Sad Press in 2017 and Spam Press in 2019 respectively. @janepaulette (https://twitter.com/janepaulette) ‘Cause’, written and read by Anthony Anaxagorou. Anthony’s most recent collection, After the Formalities (http://www.pennedinthemargins.co.uk/index.php/2019/08/after-the-formalities/) , is out now from Penned in the Margins and is shortlisted for the 2019 T. S. Eliot Prize for Poetry. @Anthony1983 (https://twitter.com/Anthony1983) ‘Tara Browne’, written and read by Hugo Williams. Lines Off (https://www.faber.co.uk/9780571349753-lines-off.html) , Hugo’s latest collection, was published by Faber in June 2019. About the presenters RACHAEL ALLEN is the poetry editor at Granta, co-editor at the poetry press Clinic and of online journal tender. A pamphlet of her poems was published as part of the Faber New Poets scheme, and her first collection, Kingdomland (https://www.faber.co.uk/9780571341115-kingdomland.html) , was published by Faber in January 2019. She is the recipient of an Eric Gregory award and New Writing North’s Andrew Waterhouse award. @r_vallen (https://twitter.com/r_vallen) JACK UNDERWOOD is a poet, who also writes short fiction and non-fiction. A recipient of the Eric Gregory Award in 2007, he published his debut pamphlet in 2009 as part of the Faber New Poets series. His first collection Happiness (https://www.waterstones.com/book/happiness/jack-underwood/9780571313617) was published by Faber in 2015 and was winner of the 2016 Somerset Maugham prize. He is a lecturer in creative writing at Goldsmiths College and is currently writing a non-fiction book about poetry and uncertainty. Two pamphlets, Solo for Mascha Voice and Tenuous Rooms were published by Test Centre in 2018. @underwood_jack (https://twitter.com/underwood_jack) The Faber Poetry Podcast is produced by Rachael Allen, Jack Underwood and Hannah Marshall for Faber & Faber. Editing by Strathmore Publishing. Special thanks to Anthony Anaxagorou, Ilya Kaminskyi, Daisy Lafarge, Sophie Robinson and Hugo Williams.
Chris and Rifa return with their bitesize weekly review show, covering culture, tech and diversity. We check out the major retrospective of William Blake's work at Tate Britain and Rifa is down the front row of the cinema for J-Lo's new movie Hustlers. Chris is reading Jia Tolentino's Trick Mirror and also enjoyed John Higgs' William Blake Now. Rifa is reading Poetry Review magazine. Find us online at: Instagram.com/refigureuk, Facebook.com/refigurepod and on Twitter: @christt I @rifa I @Refigurepod. Thank you for listening. XX
In this episode of Poetry Koan, Richard Scott prescribes Practising by Marie Howe which you can read here: https://www.poetryfoundation.org/poems/54778/practicing. RICHARD SCOTT was born in London in 1981. His poems have appeared widely in magazines and anthologies including Poetry Review, Poetry London, PN Review, Swimmers, The Poetry of Sex (Penguin) and Butt Magazine. He has been a winner of the Wasafiri New Writing Prize, a Jerwood/Arvon Poetry Mentee and a member of the Aldeburgh 8. His pamphlet ‘Wound’ (Rialto) won the Michael Marks Poetry Award 2016 and his poem ‘crocodile’ won the 2017 Poetry London Competition. Soho (Faber & Faber) is his first book. Richard is on Twitter @iamrichardscott.
Today in the Poetry Pharmacy, we had a visit from MARY JEAN CHAN. Mary Jean’s work has appeared in The Poetry Review, Ambit, The Rialto, The London Magazine, Callaloo and elsewhere. She is also a Co-Editor at Oxford Poetry. Her poem “//” is currently shortlisted for the Forward Prize for Best Single Poem. She also recently won the Poetry Society Members’ Competition, as well as the Poetry and Psychoanalysis Competition. Mary Jean brought in Adrienne Rich’s poem DEDICATIONS to read and discuss. We also talked about our love for the poet Chen Chen and read his poem WINTER, followed by a reading of Mary Jean’s own SELF-PORTRAIT, a poem I’ve recently been by-heart dosing myself on. If you’ve enjoyed the episode, please (pretty please) could you leave us a nice review on iTunes, Also, in the next year, I’m trying to raise funds for the S.H.E College Fund initiative in Kenya by learning 52 poems in 52 weeks. Here is my 52 Poems in 52 Weeks Donations Page: https://chuffed.org/project/52-poems-in-52-weeks If you’re feeling some poetry-love after listening, a donation, no matter how small (or large) would be greatly appreciated. Don’t forget, the Poetry Pharmacy is open every day on Twitter, dispensing poems for whatever ails body and soul. Feel free to @/DM us there, or email us here (thepoetrypharmacy AT gmail.com) with your requests for a poem prescription. [Theme music for the podcast is from Vladimir Martynov’s The Beatitudes played by the wonderful coversart on YouTube]
In the latest Poetry Review podcast, Emily Berry talks to Ilya Kaminsky, author of the astonishing and internationally acclaimed collection Deaf Republic. Their conversation ranges across political poetry (only in English do people try to divide poetry that is political and not political, everywhere else poetry is political, says Kaminsky), of matching your method to show what it is you see as a writer, about the need to witness the good as well as the bad, and the poet as a private person. Kaminsky, born in the former Soviet Union but now an American citizen, describes his unrequited love for English: “sometimes a stranger can make love to the language a little better than the native person... of course it can also be very awkward too”.
Watching birds, watching things, watching yourself. Williams, Hugo. Birdwatching. The Poetry Review, Vol. 106, No 4, Winter 2016.
In a brilliant, wide-ranging discussion with Emily Berry, Editor of The Poetry Review, the celebrated poet Denise Riley talks about the art of composition – of indifferent mechanicals and of jigsaws pieced into sense from the edge pieces, confessional literature, lyric shame and strategies for repair. She also reads two poems just published in The Poetry Review: ‘How does anyone get over these things' and ‘Another Agony in the Garden'.
Raymond Antrobus was born in London to an English mother and Jamaican father, and is the author of To Sweeten Bitter (Out-Spoken Press) and The Perseverance (Penned In The Margins) which was awarded the UK Poetry Book Society’s Winter Choice in 2018 and was named a poetry book of the year by The Guardian and The Sunday Times as well as being awarded the Ted Hughes award in 2019 and Rathbones Folio award in 2019. He’s also the author of children’s picture book, Bears Can Ski, which will be published by Walker Books and illustrated by Polly Dunbar in April 2020. His poetry has previously been published in POETRY, The Poetry Review, Poets.org, The Deaf Poets Society, News Statesman, The Guardian among others. He is a founding member of Chill Pill and Keats House Poets Forum. @RaymondAntrobus 5x15 brings together five outstanding individuals to tell of their lives, passions and inspirations. There are only two rules - no scripts and only 15 minutes each. Learn more about 5x15 events: 5x15stories.com Twitter: www.twitter.com/5x15stories Facebook: www.facebook.com/5x15stories Instagram: www.instagram.com/5x15stories
'Poem of the Nile' was published in The London Review of Books one of the rare occasions the LRB has published poetry translated from Arabic and the first time they featured the work of an African poet. Al-Saddiq Al-Raddi's poems have also been published in Poetry Review and The Times Literary Supplement. This is a real indication of Saddiq's growing status as an important international poet. This is part of our new rebranded weekly release: the Dual Poetry Podcast, one poem in two languages from the Poetry Translation Centre. As ever we will be releasing a translated poem each week. Please take a moment to rate and review this podcast on iTunes or wherever you download.
Will Harris, Poetry Review contributor and the most recent winner of the Arts Foundation poetry fellowship, started writing poetry when it wasn't cool. Here, he talks to Review Editor Emily Berry about discovering dreams as inspiration, Emily Bronte, the meanings – problematic and otherwise – of 'white', video games and putting together his first full collection. He also reads from his wonderful sequence 'The White Jumper' (which he has also written about in the Review section of poetrysociety.org.uk).
Listen in on influential US poet Chelsey Minnis, author of Poemland, Zirconia, Foxina, Bad Bad and the just-published Baby, I Don't Care, in a highly entertaining interview with Poetry Review editor Emily Berry. Their conversation ranges across Chelsey's obsession with Turner Classic Movies TV channel, the usefulness of screenplay structures, being influenced and being an influencer, reading and rereading Plath, Whitman, Chekhov's plays and Patricia Highsmith's novels, and the relationships between poetry, play and money.
Congratulations to Will Harris, who reads here his poem 'SAY'. First published in The Poetry Review, Winter 2017, it has been shortlisted for the Forward Prize for Best Individual Poem .
“I think shame is very unhelpful, that taboos can be very unhelpful – maybe we should try and be as brave as our poems.” Fiona Benson, author of the prize-winning collection Bright Travellers, talks to Review Editor Emily Berry, about her new collection Vertigo & Ghost, forthcoming from Cape in 2019. They consider questions of shame, permission and catharsis, the challenges of working with difficult material and ‘breaking through' – the ways in which writing works to bring the inside outside, and the influence of writers such as Sylvia Plath, Sharon Olds and Lucille Clifton. Benson also reflects on the sublime and its possibilities in contemporary poetry, with reference to Whitman, Rilke and Ginsberg. She reads her astonishing poems ‘Fly' and ‘[Zeus] Anatomical Dolls', both first published in The Poetry Review. To connect with more poetry, visit poetrysociety.org.uk
Mona Arshi is a British poet and lawyer. Her debut collection 'Small Hands' won the Forward Prize for best first collection in 2015. She has also won the Magma, Troubadour and Manchester creative writing prizes and in 2017 was on the judging panel for the Forward prize. Her work has appeared in Poetry Review, The Guardian, and Sunday Times and on the London Underground. She has been commissioned and appeared on radio and appeared at many literary festivals both here and abroad. Prior to her poetry career Mona worked as a litigator for a decade at the Human Rights organization Liberty. Recorded at The Tabernacle in London in March 2018. 5x15 brings together five outstanding individuals to tell of their lives, passions and inspirations. There are only two rules - no scripts and only 15 minutes each. Learn more about 5x15 events: http://5x15stories.com Twitter: http://www.twitter.com/5x15stories Facebook: https://www.facebook.com/5x15stories Instagram: https://www.instagram.com/5x15stories
“Poetry is an inner armour available to anyone,” says the celebrated Jamaican poet Ishion Hutchinson in this latest in The Poetry Review podcast series. In conversation with Review Editor Emily Berry, Hutchinson talks about his influences (citing Donne, Eliot and George Seferis) and his poetics; about homesickness, travel and "returning responsibly". Hutchinson also reads his poems, ‘West Ride Out' and ‘Travel Axe', both first published in The Poetry Review. To connect with more poetry, visit poetrysociety.org.uk
Kate Clanchy is the author of two prize-winning collections of poetry, 'Slattern' which won the Forward Poetry Prize (Best First Collection) and a Somerset Maugham Award, and 'Samarkand', which was shortlisted for the Forward Poetry Prize (Best Poetry Collection of the Year) and won a Scottish Arts Council Book Award. Her poetry has been broadcast by BBC Radio and published in The Scotsman, the New Statesman and Poetry Review. She writes for radio and broadcasts on the World Service and BBC Radio 3 and 4. Her poetry collection 'Newborn' covers pregnancy, birth and caring for a new baby, and she wrote a poetic picture book for children, 'Our Cat Henry Comes to the Swings'. 'What Is She Doing Here?: A Refugee's Story' (2008) won the 2008 Writers' Guild Award (Best Book) and in 2013 her first novel 'Meeting the English' was published.
Liz Berry's debut collection, Black Country (Chatto & Windus, 2014), was a Poetry Book Society Recommendation, received a Somerset Maugham Award, won the Geoffrey Faber Memorial Award and won the Forward Prize for Best First Collection 2014. Black Country was chosen as a book of the year by The Guardian, The Telegraph, The Mail, The Big Issue and The Morning Star. Liz’s poems have been broadcast on BBC Radio, television and recorded for the Poetry Archive. She has been a judge for major prizes including The Forward Prizes for Poetry and Foyle Young Poets. Liz works as a tutor for The Arvon Foundation, Writer’s Centre Norwich and Writing West Midlands. Mona Arshi is a poet and lawyer. Her poem 'Hummingbird' won first prize in the Magma Magazine poetry competition in 2012. She also was one of the Competition winners for the World Events Young Artists Festival in September 2012. She was also an award winner in the Troubadour International Competition for her poem ‘Bad day in the Office’. In 2014, she was joint winner of the Manchester Creative Writing Competition. A portfolio of her poems appeared in TEN-THE NEW WAVE in 2014 by Bloodaxe books. Mona’s poetry has been published widely in magazines including Poetry Review, Magma, Rialto and the Sunday Times. Her début collection of poem ‘Small Hands’ was published by Liverpool University in 2015 and won the Forward Prize for best first collection. Mona was one of ten poets selected for the ‘Complete Works’, a national development programme funded by the Arts Council.
Maurice Riordan is a poet much preoccupied with time - how time suddenly stands still, or speeds up, or loops you back in dreams to childhood - in his case, to the countryside of County Cork where he grew up. It's a theme he's explored in four prize-winning collections of verse, alongside translations and a series of anthologies - including an anthology of very early Irish poetry, scribbled by Irish monks in the margins of Latin texts. In his day job, he's professor of poetry at Sheffield Hallam University and was until recently editor of Poetry Review. In Private Passions, Maurice Riordan talks to Michael Berkeley about his childhood in the "horse-drawn, candle-lit" Irish countryside and the music which inspires him, beginning with the Gregorian Chant he heard as a young altar boy. We hear the haunting unaccompanied voice of the traditional Irish singer Darach Ó Cathain, and of the Traveller and banjo player Margaret Barry. Other choices include Debussy, Piazzola and Samuel Barber. Ian Bostridge sings an aria from Monteverdi's Orfeo, begging the boatman Charon to carry him to the underworld: a metaphor, Riordan believes, for what poets do. They take you, he claims, deep down into the underworld of the unconscious. To illustrate this, he reads "The January Birds", a poem about hearing birds singing in a local cemetery: The birds in Nunhead Cemetery begin Before I've flicked a switch, turned on the gas. There must be some advantage to the light I tell myself, viewing my slackened chin Mirrored in the rain-dark window glass, While from the graveyard's trees, the birds begin... Produced by Elizabeth Burke A Loftus production for BBC Radio 3.
The prize-wining American poet Jane Yeh, author of Marabou and The Ninjas (both Carcanet) talks to Sarah Howe, co-editor of the winter issue of The Poetry Review. They discuss Yeh's use of dramatic monologue and the often fantastical personas she adopts (ninjas, rabbits, androids) to hilarious effect. “I think of Oscar Wilde's phrase, ‘the truth of masks' – how when you wear a mask it reveals your identity in a way,” Yeh explains. They also discuss contemporary art, installations and film and influences such as Amy Woolard, Stephen Burt, Lucie Brock-Broido and the work of fellow-writers Safiya Sinclair, Ocean Vuong and Timothy Donnelly. Yeh reads her poems ‘Rabbit Empire' and ‘A Short History of Patience', first published in The Poetry Review. To connect with more poetry, visit poetrysociety.org.uk
Jacob Polley reads his poem 'Applejack' from his latest Jackself, winner of the T.S. Eliot Prize 2016. The poem was first published in The Poetry Review, 106:3, autumn 2016, co-edited by Kayo Chingonyi and Maurice Riordan. To connect with more poetry, visit poetrysociety.org.uk
Jacob Polley, winner of the T.S. Eliot Prize 2016, talks to Kayo Chingonyi, co-editor of the autumn issue of The Poetry Review, about his Eliot prize-winning collection, Jackself. “The self is at the root of all my work, but maybe my work springs from the tension between self-expression and concealment, of running the self through a magic lantern and seeing what comes out the other side,” Polley says. They discuss Polley's recent collaborations with musician John Alder, the influence of Cumbria or the ‘Debatable Lands' in which he grew up, acceptance and rejection, and of working with his editor Don Paterson. Jacob also reads the poem ‘Snow Dad', first published in The Poetry Review. To connect with more poetry, visit poetrysociety.org.uk
Writing in The Poetry Review, Paul Batchelor described the publication of The Poems of Basil Bunting (Faber), edited by Don Share, as “a major event”. “It is to be hoped,” he continued, “that this excellent edition will mark a turning point in Bunting's fortunes among English readers, for he has yet to receive his due.” To connect with more poetry, visit poetrysociety.org.uk Don Share and Paul Batchelor joined Matthew Sperling at University College London recently to reflect on Bunting's “due”: his place among the greatest of British poets, the triumph that is his masterpiece Briggflatts, and the contemporary relevance of his internationalist, non-isolationist and intellectually curious outlook. You can listen in on the exchange of views in this recording of their discussion.
In this podcast, the poet Sarah Howe talks to Jennifer Williams about kicking off the 2016 Edinburgh International Book Festival, writing with multiple languages and alphabets, sense and non-sense in poetry and much more. http://sarahhowepoetry.com/home.html Sarah Howe is a British poet, academic and editor. Her first book, Loop of Jade (Chatto & Windus, 2015), won the T.S. Eliot Prize and The Sunday Times / PFD Young Writer of the Year Award, and was shortlisted for the Seamus Heaney Centre Poetry Prize and the Forward Prize for Best First Collection. Born in Hong Kong in 1983 to an English father and Chinese mother, she moved to England as a child. Her pamphlet, A Certain Chinese Encyclopedia (Tall-lighthouse, 2009), won an Eric Gregory Award from the Society of Authors. Her poems have appeared in journals including Poetry Review, Poetry London, The Guardian, The Financial Times, Ploughshares and Poetry, as well as anthologies such as Ten: The New Wave and four editions of The Best British Poetry. She has performed her work at festivals internationally and on BBC Radio 3 & 4. She is the founding editor of Prac Crit, an online journal of poetry and criticism. Previous fellowships include a Research Fellowship at Gonville and Caius College, Cambridge, a Hawthornden Fellowship, the Harper-Wood Studentship for English Poetry and a Fellowship at Harvard University’s Radcliffe Institute. Find out more about her latest academic projects here. She is currently a Leverhulme Fellow in English at University College London. Photo credit: Hayley Madden
ALEMU TEBEJE is an Ethiopian journalist, poet and web-campaigner based in London. His poems have been published in the anthologies Forever Spoken and No Serenity Here, featuring 26 poets from 12 African countries. His website is: www.debteraw.com * CHRIS BECKETT grew up in Ethiopia and his translations of contemporary Amharic poets such as Bewketu Seyoum and Zewdu Milikit have appeared in MPT, Poetry Review and Wasafiri. His collection of praise shouts and laments, Ethiopia Boy, was published by Carcanet/Oxford Poets in spring 2013. More information on www.chrisbeckettpoems.com
In this podcast Jennifer Williams talks to Illinois-born, Bath-based poet Carrie Etter about her newest collection, Scar (Shearsman 2016), a sequence exploring the impact of climate change on her home state of Illinois which speaks to problems faced by all of us as we enter this period of environmental catastrophe. They also discuss the importance of introducing students to a diverse range of poetic styles and voices, trends in American and UK poetry, and much more. http://carrieetter.blogspot.co.uk/ http://www.shearsman.com/ws-shop/category/1096-etter-carrie https://www.serenbooks.com/author/carrie-etter Carrie Etter is an American poet resident in England since 2001. Previously she lived in Normal, Illinois (until age 19) and southern California (from age 19 to 32). In the UK, her poems have appeared in, amongst others, New Welsh Review, Poetry Wales, Poetry Review, PN Review, Shearsman, Stand and TLS, while in the US her poems have appeared in magazines such as Aufgabe, Columbia, Court Green, The Iowa Review, The New Republic, Seneca Review. Her first collection, The Tethers, was published by Seren in June 2009, and her second, Divining for Starters, containing more experimental work, was published by Shearsman in 2011. Her third collection, Imagined Sons, was published by Seren in 2014. Scar, her newest book, was published by Shearsman in 2016. She is Senior Lecturer in Creative Writing for Bath Spa University and has been a tutor for The Poetry School since 2005.
Emily Berry, who will jointly edit the summer 2016 issue of The Poetry Review, talks to Maurice Riordan about taste, humour and subverting conventional power relationships. They discuss her Forward Prize-winning debut collection, Dear Boy, and shift in tone and subject matter of her upcoming collection Stranger, Baby. Emily also reads her poem ‘Aqua'.
Frank Ormsby was Editor of The Honest Ulsterman during one of the most illustrious phases of Irish poetry. He talks about the involvement of poets such as Heaney, Longley, Carson and Muldoon, and his own long career as a writer. His poems – modest, humorous, deeply felt and generally slow to appear – have latterly been written in a “mad excitement” he remains suspicious of – “the belated release of something”. Ormsby also talks movingly about suffering from Parkinson's disease and its effect on his writing. He reads his poem ‘Grandfather's Week', published in The Poetry Review, 105:4. His latest book is Goat's Milk, New & Selected Poems, published by Bloodaxe in 2015.
Don Share, editor of Poetry, talks to Maurice Riordan, editor of The Poetry Review, about their magazines' latest exchange of American and British poems, and how writers and readers on both sides of the Atlantic benefit from wider exposure to the two traditions. They also discuss 'Prufrock' – first published in Poetry 150 years ago – Young Turks, Old Possums, an editor's luck and typos.
"Many writers write not because they're fluent or because they have any kind of ability in a language but for the exact opposite reason." Paul Muldoon talks to Maurice Riordan, Editor of The Poetry Review, about Heaney, Beckett and Joyce, and reads 'A Dent' from his new collection, One Thousand Things Worth Knowing (Faber).
US poet Kim Addonizio talks to Maurice Riordan, Editor of The Poetry Review, about riffing on the canon and traditional forms, her view that "emotional experience is the essence of any art" and how "the best humour is also dark and traffics with something else" – how she uses poetry as a process of discovery. She also reads her new poem 'White Flower, Red Flower'.
In this podcast Jennifer Williams talks to Ilyse Kusnetz who was visiting Scotland during the StAnza Festival 2014. They talk about when to put the poem in the closet, feminism and politics in poetry and what the Scottish Referendum looks like from across the Atlantic. Ilyse Kusnetz received her MA in Creative Writing from Syracuse University and her Ph.D. in Feminist and Postcolonial British Fiction from the University of Edinburgh. Her poetry has been published in journals such as Rattle, Crazyhorse, the Atlanta Review, Stone Canoe, Poetry Review, the Cimarron Review, Poet Lore, and MiPOesias, and her book reviews and interviews have appeared in The Scotsman, Scotland on Sunday, The New Statesman, the Orlando Sentinel, and The Florida Review. She is the author of a chapbook, The Gravity of Falling. Currently, she teaches English and Creative Writing at Valencia College in Orlando, where she lives with her husband, the poet Brian Turner. Ilyse Kusnetz is the winner of the 2014 T. S. Eliot Prize for Poetry for her collection, “Small Hours.” Music by James Iremonger www.jamesiremonger.co.uk This podcast was recorded in association with StAnza, Scotland’s International Poetry Festival at StAnza 2014.
Colette Bryce talks to Maurice Riordan, Editor of Poetry Review, about "omphalos", Seamus Heaney's idea of the place that is central to a poet's imaginative world. They discuss Bryce's work in relation to Northern Ireland, the Troubles, Sylvia Plath and Paul Muldoon. Colette reads her poem, 'Helicopters', first published in the autumn issue of Poetry Review.
Colette Bryce reads her poem 'The Full Indian Rope Trick' at the Autumn 2013 Poetry Review launch party in November 2013.
Patrick McGuinness, poet, novelist and Guest Editor of Poetry Review, talks to Sam Willetts, contributor to the summer 2013 issue, 'Poetry &'. Recorded at St Anne's College, Oxford, June 2013. Produced by Michael Sims and Michael Umney.
Publication in Poetry Review is generally a cause for celebration and fanfare. So how did Esther Morgan and Moniza Alvi. Guest Editors of the spring 2013 issue, 'The Anonymous Invitation', persuade eight established poets to publish their work without a credit? Was it liberating or unnerving for those who took part? And what does it tell us about our assumptions as readers? The fascinating conversation between Esther and Moniza was recorded at Keats House, London, on 18 April.
A fascinating conversation between Bernardine Evaristo, Guest Editor of Poetry Review, and contributing poets Edward Doegar, Sophie Mayer, Richard Scott and Warsan Shire, about 'Offending Frequencies', the winter 2012 issue of Poetry Review. Recorded at Keats House, London, on 24 January 2013. Produced by Michael Sims and Michael Umney. Music: 'Tara' by Salam (http://www.wmrecordings.com/releases/wm016.htm)
Fiona Sampson, former editor of Poetry Review and author of several collections including 2010's Rough Music and soon-to-be-published Collehill, took time out during her appearance at 2012's Edinburgh International Book Festival to talk to Jennifer Williams ahead of the publication of her latest collection and Poem, the new magazine she has begun. Music by James Iremonger (www.jamesiremonger.co.uk).
Glyn Maxwell offers us a guide to reading poetry in seven chapters: ‘White’, ‘Black’, ‘Form’, ‘Pulse’, ‘Chime’, ‘Space’ and ‘Time’. Described by Katy Evans-Bush in Poetry Review as being ‘as highly charged as a stick of poetry dynamite’, On Poetry sold out its first printing in less than a week. See acast.com/privacy for privacy and opt-out information.
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