Podcasts about copies

At some point, every serious collector learns the same lesson:You can wait for the perfect copy.Or you can own the card.This week, Pack and Brett discuss how scarcity changes collecting decisions.When a card only surfaces once every few years, grades start to matter less and ownership starts to matter more.The conversation spans: Rare cards versus perfect grades  The psychology of chasing low-pop football cards  Why some cards never stay available for long  Market observations from the Midwest Monster  Black Finite sales and football card demand  Andre Johnson versus Calvin Johnson  Tom Brady's market strength  Madden nostalgia and football culture The longer you collect, the more you realize that some opportunities don't come around twice.I would lean toward the first title. It has a story built into it and connects directly to the Frank Gore moment, which is the most memorable moment in the episode.Check out Card Ladder the official data partner of Stacking SlabsFollow The Football Card Podcast on Instagram for memes and stuff.Get your free copy of Collecting For Keeps: Finding Meaning In A Hobby Built On HypeGet exclusive content, promote your cards, and connect with other collectors who listen to the pod today by joining the Patreon: Join Stacking Slabs Podcast PatreonSign up for Hobby Jobs and The Weekly Rip for freeFollow Stacking Slabs: | Twitter | Instagram | Facebook | TiktokFollow Pack: | Instagram ★ Support this podcast on Patreon ★

At Summer Game Fest 2026, I sat down with Véronique Lallier, Chief Development Officer at IO Interactive, to talk about the explosive launch of 007 First Light — 2.7 million copies sold in its first week — and what's next for both James Bond and Hitman.We get into the 7-year journey to build the new 007, why First Light plays nothing like Hitman, reimagining Bond for a new generation while staying authentic, the star-studded cast (Patrick Gibson as the young Bond, plus Lenny Kravitz), launching across 14 platforms, Hitman crossing 1 billion eliminations, and the Wiz Khalifa Elusive Target coming to Hitman.Enjoying the channel? Hit the Hype button to help more people find this one, and subscribe to Spawn On Me for developer interviews, previews, and reviews.

Soumil Arora and Kunal Shah preview the upcoming and first-ever 2026 Barcelona-Catalunya Grand Prix at the Circuit de Barcelona-Catalunya. Can Kimi Antonelli continue his race winning streak, or will George Russell end his run of misery and strike back? Crucially, will Charles Leclerc beat Lewis Hamilton - by using Hamilton's brake configuration? Lots to decipher & dissect on the Inside Line F1 Podcast. Most of us think brakes are just those pedals we stomp on to stop. At Ferrari, they're the real MVP—and the hottest drama of 2026. Kunal and Soumil peel back the curtain on Lewis Hamilton's masterstroke to rewrite Ferrari's brake game, pitting Lewis vs. Leclerc in a fierce war of carbon discs and Italian legacy. It's a tale packed with politics, passion, and wheel-to-wheel suspense that could make even your favorite soap opera blush. They break down: why Brembo's longstanding relationship with Ferrari is the real secret sauce, how Lewis's tactical brake choices are shaking up the entire grid, and why Charles Leclerc's frustrations are actually red flags for Ferrari's future. Plus, learn how a tiny tweak on brake material could decide whether Leclerc wins his fierce internal battle—or if Lewis is cruising toward his next legendary season. It's a masterclass in driver politics, technical warfare, and the quiet art of the race weekend chess game. You'll discover: the surprising history of brake wars at Ferrari, the behind-the-scenes playmaking of Fred Vassour who's got Hamilton's back, and the shocking single statistic that proves Mercedes is secretly the brake king of 2026. If you've ever wondered what really makes a Formula One car tick—and why it could be the defining factor of the entire season—this episode is your pit stop. Perfect for F1 fans who love a good conspiracy, tech junkies craving the details, or anyone who enjoys watching drama unfold faster than a pit lane sprint. This episode isn't just about brakes—it's about the power plays that could shake up the 2026 season and beyond. Hit play, and join the race to understand the most incredible saga happening behind the scenes in Formula One right now. And oh, don't forget—the next episode might feature a legend. Stay tuned. #F1 #F1Podcast #BarcelonaGP Learn more about your ad choices. Visit megaphone.fm/adchoices

Way back in the early days of the Camerosity Podcast, we did a show with Canon historian and author Peter Kitchingman, and recently as the gang looked back at what topics were worth revisiting we decided to come back to Canon rangefinders.  But what expert would we get this time?  As it turned out, Peter was available and willing to come back so we decided to retread this bountiful topic and deliver a "Part Deux" to Canon rangefinders. Joining Peter and the regular hosts were Greg Harp, another excellent resource for these cameras who has a great deal of knowledge, plus listeners A.J. Gentile, Ben Ryerson, Ira Cohen, Jeremy Scott, Joan, John Roberts, Norris Liu, William Smith, and Will Pinkham. We start off with some brief history and then get into some of the earliest Canon rangefinders like the original Canon and the slightly later Canon J and JII.  Moving onto the historically significant S, SII, and IIBs and eventually covering the II, III, and IV series.  We move along to the back loaders like the V, VI, P, and 7 series, covering various lenses, including the 0.95 Dream lens, a very rare original Canon mount wide angle lens, and others.  Greg and Peter even share a bit of knowledge about Canon's X-Ray cameras which they made during and after the war. Although a majority of you probably wanted to hear the most about the interchangeable lens models, we give some love to the fixed lens Canonet models like the trigger wind Canonet, the Canonet QL17 G-III, and even some of the more economically priced models. Unusual to a Camerosity episode, we largely stayed on topic for this only only slightly veering into one Argus lens (blame Mike for that), but we answer a bunch of questions such as why is having different magnification ratios for the rangefinder useful, why is having separate viewfinder and rangefinder windows better, and what role did Nippon Kogaku play in Canon's history. As always, the topics we discuss on the Camerosity Podcast are influenced by you!  Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are into shooting or collecting cameras, no matter how long you've been doing it, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. Our next episode will be number 110, and we listened to you all for a topic and you chose 110 "Pocket Instamatic" cameras.  This means the Pentax and Minolta 110 SLRs will definitely make an appearance, but in the event we can't fill a whole episode about 110 cameras, we are opening up the discussion to all 16mm subminiature cameras.  We will record Episode 110 on Monday, June 8th at 7pm Central Daylight Time, 8pm Eastern Daylight Time, and 6pm Canada Saskatchewan Time.  For more time zones, please consult the World Time Buddy calculator and plug in your time.  Make sure you set your calendars and look out for the show announcement at the usual locations and be prepared to join us! In This Episode Peter Kitchingman is Back / Peter Still has Hundreds of Copies of His Book for Sale A Show Listener Recently Picked up a Canon JII and Asked What it Was The Origins of Canon's Early Models / Rangefinder Less Canon J Nippon Kogaku's Role with the Early Canon Cameras / Serial Numbers are Difficult to Track Canon J-Mount vs Leica Thread Mount (24 tpi vs 26 tpi) / The Canon SII Was the First LTM Canon Canon Remained Profitable During the War Making X-Ray Cameras Mike Thinks the Rotating Prism Was One of Canon's Best Features Which Canon is Good for a First Time Canon Rangefinder Owner? Quick Ways to Differentiate a Canon II, III, and IV / Canon IV Sb The Never Ending Questions About the EP Mark Some Canon Sleeper Lenses / Canon Often Launched Cameras with Wide-Angle Options The Canon V-Series / Lever Wind Models and the VT Trigger Wind Models Japanese Summilix 50mm f/1.4 Canon Lens / Trigger Film Advances CR Skinner and the Canon 1950 Model / Origin of the Name "Dream Lens" Canon 7 / Canon f/0.95 Lens and its Use in Hollywood / Stanley Kubrick's f/0.7 Zeiss Planar Lens Differences Between the Canon 7s and 7sZ / Lenses with Hoods Which Block the Viewfinder Why Do Some Lenses Inexplicably Skyrocket in Value? / Influencers The Helios-44 is Influencer Proof / Getting Stuff from Ukraine Canon Made Some Decent Fixed Lens Rangefinders Too / Trigger Winds Canonet 19 / Canonet QL17 GIII / Canonet QL25 and 28 Models Canon Cameras at the Leitz Auction / Repainted Black Cameras Tips on Identifying a Repainted Camera vs an Original Painted Camera What Are the Advantages of Having Multiple Magnification Ratios in a Rangefinder? Auxiliary Viewfinders / Canon V and VIs Have Built in Automatic Parallax for Viewfinders Experiences with Canon or Konishiroku Collapsible 50/3.5 LTM Lenses Keeping a Record of Camera Provenance and History Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, Stephen, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. Order Your Very Own Camerosity Podcast T-Shirt! - https://www.zazzle.com/z/tbykl0hg Camerosity Podcast Episode 18 w/ Peter Kitchingman - https://camerosity.podbean.com/e/episode-18-canon-rangefinders-with-peter-kitchingman/ If you would like to order Peter Kitchingman's book, email him at peterkcrf@iinet.net.au. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Camerosity in Spanish Podcast - https://camerosity.es/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris - https://thisoldcamera.net/ Anthony Rue - https://www.instagram.com/kino_pravda/

Ignite your taste buds with a Firework Freeze 5-hour ENERGY® flavor explosion.https://click2cart.com/274100cb?utm_source=kf&utm_medium=paid_video&utm_campaign=fwf_bnReddit is where all the real gamers are. Download the Reddit app and dive into r/GamingLeaksandRumors for the latest gaming updates. Download the Reddit app today. A reported Nintendo Direct is happening, Schreier reports on Mina The Hollower sales, and Michael Jackson almost made a game with the Enter The Matrix studio. Thank you for the support! Run of Show - - Start - A Nintendo Direct is reportedly coming next week, just after Summer Game Fest - Chris Scullion @ VGC - Ad - Indie Video Game ‘Mina the Hollower' Sells 300,000 Copies in Three Days - Jason Schreier @ Bloomberg - Michael Jackson nearly made a game called Dark Rim with Enter the Matrix studio Shiny Entertainment - Chris Scullion @ VGC - Pokémon Champions Comes to Android and iOS on June 17 - Press Release - Wee News! - SuperChats & You‘re Wrong Learn more about your ad choices. Visit megaphone.fm/adchoices

A secret White House office copies vote.govMillions face losing Medicaid over red tapeWho funds Congress's Israel tripsPlus mosquitoes and a mayor who repealed bedtimeSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Perhaps you recall from high school biology that you have 23 pairs of chromosomes. A Johns Hopkins study has shown that one arm of chromosome one, the biggest chromosome, is often copied many times in pancreas cancer, and that part … Can too many copies of a gene drive pancreas cancer? Elizabeth Tracey reports Read More »

There are too many copies of one arm of chromosome one in pancreas cancer, a Johns Hopkins study finds. William Nelson, director of the Kimmel Cancer Center at Hopkins, says the stage of tumor development where this finding was seen … What does too many copies of a part of a chromosome in pancreas cancer tell us? Elizabeth Tracey reports Read More »

Tous les jours à 12h45, Léa Benaim vous fait découvrir les dernières actus techno, dans Estelle Midi, sur RMC.

Tous les jours à 12h45, Léa Benaim vous fait découvrir les dernières actus techno, dans Estelle Midi, sur RMC.

Ecoutez Vous allez en entendre parler avec Tom Lefevre du 19 mai 2026.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Check out all of our Kinda Funny podcasts on Spotify! Watch, rate, and comment! GTA 6 could be taking extra precautions to prevent leaks, PS Plus prices are going up for new subscribers, and Xbox rebrands to XBOX. Thank you for the support! Run of Show - - Start - GTA 6 Pre-Orders Are Not Opening Monday and Review Copies Won't Be Sent to Press, According to Insiders - Sony is raising short-subscription prices for PlayStation Plus - Ad - After a fan poll, Microsoft's new games boss is rebranding Xbox, to ‘XBOX' - Arkham dev Rocksteady is credited as co-developer on new Lego Batman - ZERO PARADES Impressions - PlayStation Has Started Revealing Public Player Counts - Wee News! - Tom Kane Passed - SuperChats & You‘re Wrong Learn more about your ad choices. Visit megaphone.fm/adchoices

La correction des évaluations est un passage obligé qui peut prendre beaucoup de temps. Les élèves, eux, ont hâte de connaître leur note, mais pas forcément de se pencher sur ce qui a plus ou moins bien marché. Quel temps consacrer à la correction des copies en classe ? Aurélie Hollard, professeure de SVT en collège REP+, partage son expérience avec Entre profs.Découvrez la synthèse de l'épisode en sketchnote.Vous aussi, vous avez des questions ? Rejoignez-nous sur le groupe Facebook « Extra classe - Podcast et enseignement ».Et retrouvez toutes les questions dans la playlist Entre profs.Abonnez-vous à la newsletter.Extra classe à partager et à écouter sur toutes vos plateformes de podcasts :https://smartlink.ausha.co/extra-classeExtra classe, le podcast produit par Réseau Canopé.Équipe de réalisation : Simon Gattegno, Magali DevanceRéalisation du sketchnote : Florian RobinDirecteur de publication : Samuel VitelCoordination et production : Hélène Audard et Magali DevanceContactez-nous sur : contact@reseau-canope.frHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Stop Using VSS as a Backup Before Ransomware Deletes Your Shadow CopiesRansomware deletes shadow copies using your own built-in Windows tools against you — and if VSS was your backup plan, you just found out the hard way that it wasn't. In this episode, W. Curtis Preston (Mr. Backup), Prasanna Malaiyandi, and Dr. Mike Saylor break down exactly what shadow copies are, why they don't qualify as a real backup, and how attackers are weaponizing vssadmin to wipe your recovery options before you even know you're under attack.If you've got Windows systems and you've been thinking "eh, we've got shadow copies," this episode is for you. We cover the history of VSS — what it was actually designed for, why it became a crutch, and why using it as your primary backup strategy is a bad idea on multiple levels. Performance, the 3-2-1 rule, and the fact that one attacker with admin rights can delete every single copy in seconds. We also get into the living off the land angle: how attackers do recon on your shadow copies, how they use them to scope out valuable data before going full ransomware, and what you can actually do to detect and respond to this behavior using EDR tools.The bottom line: VSS is a great tool. It was just never meant to be your backup. Get a real one.Chapters:0:00 — Intro1:39 — Welcome & Book Talk3:26 — What Are Shadow Copies and Why Do People Use Them as Backups?9:14 — Performance Problems with VSS as a Backup10:19 — Living Off the Land: How Ransomware Uses VSS Against You12:36 — Can You Monitor or Lock Down VSS Admin?14:26 — Why Shadow Copies Fail the 3-2-1 Rule (They're Not a Backup)18:01 — How to Protect Yourself: Configuring Your EDR21:31 — The Local Admin Problem and Security Culture27:00 — Virtualization, Snapshots, and Shadow Copies29:00 — Final Thoughts: Just Don't Do That

Au programme de l'émission des Vraies Voix du 24 avril 2026 : Bac, faut-il tenir compte des fautes dans la notation des copies ? / Vacances de Pâques : allez-vous réduire vos déplacements ?

Welcome to Arcade Church's Online service. We are so glad you are watching this week's sermon! The service is at 10 AM on Sundays. Watch our last sermon series, "The Jesus Way":  https://www.youtube.com/playlist?list=PLhBJrLsRRcp8xuay1OUPYVz4_Jhd27bHp Check Out the Behold Podcast:   @behold.podcast     Do you have a prayer request? https://www.arcadechurchonline.com/prayer.  If you want to know more about Jesus, email us info@arcadechurchonline.com. Follow us on Social Media Instagram: @arcadechurch   Facebook: Arcade Church Visit us at www.arcadechurch.com

Zebedy Colt is one of least likely characters we expected to feature in a podcast interview when The Rialto Report first began. For a start, Zebedy passed away in 2004 at the age of 74, after a wildly varied and peripatetic acting career that had started with small parts as a child actor in Hollywood in the 1930s and continued on to regional theater and summer stock across the country, including several Broadway productions. Along the way, he also had a parallel music career, recording an LP with the London Philharmonic Orchestra entitled, ‘I’ll Sing For You,' which consisted of torch standards about men, originally intended to be sung by women but sung by Zebedy from a gay perspective. And then, in 1974, he lost his job when the theater he was working for folded due to financial problems, so he answered an ad in a New York newspaper that had been placed by Leonard Kirtman, perhaps the most prolific producer of low budget hardcore adult films in New York. Far from being put off by the nature of the films that Leonard was making, Zebedy did the unexpected: he entered an industry that was known for being sleazy and taboo, and made it a lot more transgressive. Over the following decade, he moved effortlessly between well-regarded mainstream theatrical productions and making his own unique brand of violent and twisted pornographic films, such as Sex Wish (1975) (where he plays a crazed serial killer terrorizing the city), The Devil Inside Her (1977) (in which a woman sells her soul to the devil to get to the man she loves), and Unwilling Lovers (1977) (in which Zebedy is a killer with the mind of a child who lives in the backwoods with his domineering mother and a penchant for playing with corpses) to name but a few. All very weird, and all very Zebedy. So who was this man who brought such a bizarre vision to the New York sex film scene? As part of the research for the oral history of The Freaky Gang, Leonard Kirtman's gang of misfits who made films for his studio in the mid 1970s, we discovered a collection of audio interviews with Zebedy that give us the chance to listen to man himself instead of one of the crazy characters that he played on film. Sadly, many of these conversations have such poor sound quality that they're unfit to be presented as a podcast, but due to their rarity, we wanted to present one here. It’s a conversation with Barbara Nitke, who worked as a still photographer on adult films sets. Unlike other Rialto Report podcasts, this isn't a career retrospective – instead it's a free-ranging, casual conversation that took place in a bar in 1986. It finds Zebedy in a world-weary state of mind. He's at a crossroads, the mainstream acting roles are drying up, his music career hadn't taken off, and the adult film business had recently turned to video thus taking away the opportunity to make more of his strange psychodramas on 16mm. This is Zebedy Colt. Shooting the Breeze. This podcast is 32 minutes long. Many thanks to Barbara Nitke for sharing the interview with us. You can find more details about her work at Barbara's website and hear our podcast interview with her here. Copies of her book, ‘American Ecstasy', can be purchased here. —————————————————————————————————————————- Zebedy Colt * The post Zebedy Colt – Shooting the Breeze with the Eccentric Thespian of XXX: Podcast 161 appeared first on The Rialto Report.

SECURE YOUR SPOT FOR THE:MULTI-AGENT ORCHESTRATION AI COURSE: https://multiplai.ai/multi-agent-orchestration-course/AI BUSINESS TRANSFORMATION COURSE: https://multiplai.ai/ai-course/ Are AI tools finally ready to run parts of your business without you?The latest wave of AI releases suggests the answer is shifting from “not yet” to “sooner than you think.” From dramatically improved autonomous agents to major leaps in multimodal capabilities—and growing cybersecurity concerns—this episode breaks down what's changing and why it matters.If you're leading a business, the opportunity is massive—but so is the responsibility to adapt quickly and safely. This episode gives you a clear, practical lens on both.In this session, you'll discover:How Claude Opus 4.7 is unlocking longer-running, more reliable AI agentsWhy improved image understanding is a major business advantage (not just a tech upgrade)What real gains in legal, finance, and enterprise workflows mean for productivityWhy Meta's new model is a serious comeback—and what makes it differentHow lower token usage could reshape AI cost structuresWhy OpenAI's cybersecurity model signals a shift in how AI risks are handledThe growing tension between innovation, access, and control in AI developmentReal-world proof of how teams can go from zero AI experience to building applications in 48 hoursWhy cybersecurity risks are accelerating—and what leaders should be thinking about nowThe critical need for collaboration between tech companies, governments, and organizationsAbout Leveraging AIThe Ultimate AI Course for Business People: https://multiplai.ai/ai-course/YouTube Full Episodes: https://www.youtube.com/@Multiplai_AI/Connect with Isar Meitis: https://www.linkedin.com/in/isarmeitis/ Join our Live Sessions, AI Hangouts and newsletter: https://services.multiplai.ai/eventsIf you've enjoyed or benefited from some of the insights of this episode, leave us a five-star review on your favorite podcast platform, and let us know what you learned, found helpful, or liked most about this show!

DC will release a Supergirl art book tracing the comic to movie. Ben 10 comic sells 82,000 copies. A Clayface miniseries is coming.SUBSCRIBE ON RSS, APPLE, SPOTIFY, OR THE APP OF YOUR CHOICE. FOLLOW US ON BLUESKY, INSTAGRAM, TIKTOK, AND FACEBOOK. SUPPORT OUR SHOWS ON PATREON.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this extended clip, taken from a recent interview on the Aubrey Marcus podcast, I unpack my grand theory about the origin, mechanics, and destiny of the American Empire. I develop the full framework of this theory in my 2025 book "The Coming World Nation." Copies are available on Amazon. See my website for a link:www.alexsachon.com

In this episode, we break down the publishing developments editors and agents are talking about right now and what they mean for working writers.

Tony didn't set out to become a commercial real estate authority. He was trying to fix a gap that kept costing people money. Deals were slowing down. Agents were missing opportunities sitting right in front of them. And most didn't even realize it.Tony Hardy is a commercial real estate broker and Executive Director at Keller Williams One Chicago Commercial. He's spent more than 20 years across lending, development, and brokerage, closing deals that stretch into the tens of millions. But his biggest edge isn't just deal size. It's how he sees the market.The shift came when the industry started tightening. Interest rates jumped fast. Regulations changed how commissions worked. Residential agents had to negotiate more. Commercial brokers were already built for that. Tony saw two worlds starting to collide.He created his book as a practical tool to close that gap. Something agents could use in real time. “It was really to solve an industry problem,” he said. Not theory. Not fluff. Just a way to move deals forward faster.What happened next surprised him. The book spread far beyond his network. Copies landed in Switzerland. Turkey. Jamaica. Then came a call from an investment group overseas looking to place capital in Chicago. “It's really exciting… with the leverage of the book.”That moment points to something bigger. Content, when done right, isn't just branding. It becomes deal flow.Tony's core idea is simple but overlooked. Every investor lives in a house. Every business owner has already built a relationship with a residential agent. The opportunity isn't new. It's ignored.“It's kind of sad that we sell them the houses… but they're having those conversations with a totally different set of real estate people.”That's the gap.If you're in residential, the move isn't to start over. It's to expand the conversation. Ask your clients what their business needs are. Growth. Space. Expansion. Most agents never ask, so they never enter the deal.Tony keeps the execution grounded. First, don't try to learn everything at once. “You're gonna have to do 12 of these deals before you even figure out how much you don't know.” That mindset protects your credibility.Second, use referrals strategically. The average commercial deal in Chicago is north of $3 million. Refer one deal and earn a portion, and you've created the equivalent of a high-end residential commission without carrying the full load. Stack a few of those and your income profile changes fast.Third, build systems before you scale. Commercial deals require precision. You're dealing with larger numbers, longer timelines, and more moving parts. You can't fake your way through it.Tony's own path reflects that evolution. He started in residential, working first-time buyers. Early deals fell apart. Clients made financial mistakes. Transactions collapsed at the finish line. It pushed him toward investors, where the behavior was different.Investors moved faster. They bought more often. Even if margins were smaller at first, the volume created consistency.Then came the moment that changed everything. Tony noticed a 25-story building next to where he lived getting sold. He asked a simple question. Did that deal require a different license? It didn't. That realization shifted his focus.Years later, he sold that same building. The buyer became a long-term client.That's how commercial compounds. Relationships don't reset. They expand. Many of the people you work with are already sophisticated. “Most of the buyers and sellers have a license. They're attorneys. They're very successful.”There's also a structural advantage. Only about 2% of agents operate in commercial real estate. That scarcity creates space for those willing to step in and learn it the right way.Tony sees the future clearly. Residential and commercial are merging. The agents who win will be the ones who can operate across both without losing focus. He calls it “reserver,” a blend of both disciplines.For you, the opportunity is already in your database. People you've helped buy homes are running businesses, scaling companies, and making decisions about space. The relationship is built. The trust is there.Now it's about asking better questions and plugging into the right systems to execute.“The opportunity is already there,” Tony said. “They've already built the relationship.”The difference is whether you act on it.

This is the eleventh lesson in Dr. Lane G. Tipton's Reformed Academy course, The Theology of Heaven in the Book of Hebrews. This lesson covers the following topics: 00:00 Christ's Advancement to Beatitude by Ascension, Not Incarnation 06:31 The Regalizing and Sanctifying of Heaven Itself 09:42 Christ, Not a Priest on Earth 13:17 Copies and Shadows of the True Tabernacle 15:38 Vos on The Vertical and Horizontal Aspects of Typology 25:26 The Use of Tupos in Hebrews 8:5 and 9:24 Register for this free on-demand course on our website to track your progress and assess your understanding through quizzes for each lesson. You will also receive free access to dozens of additional video courses in covenant theology, apologetics, biblical studies, church history, and more: https://reformedacademy.org/course/th... Your donations help us to provide free Reformed resources for students like you worldwide: https://reformedforum.org/donate/ #heaven #hebrews #reformedtheology #biblestudy

In this episode of the Message-To-Go Podcast, Pr Kenneth Chin delivers a challenging message on the dangers of settling for spiritual "copies" and the trap of a convenient faith. He explains that we are often tempted to compromise between what God truly wants and what we want, leading us to serve the "gods" of ease, comfort, and speed rather than the living God. Drawing from the heart of King David, who refused to offer God anything that cost him nothing, Pr Kenneth emphasizes that true worship requires sacrifice and a refusal to give God "loose change" instead of our best.The message further warns against the "new okay"—a gradual lowering of spiritual standards and values that we eventually pass down to the next generation. Pr Kenneth highlights that God is not interested in mere lip service or doctrines based on human convenience, but in a heart that is truly near to Him. By choosing radical faith over a comfortable imitation, we can break through stagnant cycles and lead our families into a genuine, costly, and rewarding relationship with God.

I chat with Sebastian Drew about how went from knowing nothing to selling 67,000 copies of his game.► Play Constance: https://store.steampowered.com/app/2313700/Constance/► Join my game dev program for 50% off for the Spring Sale: https://fulltimegamedev.mykajabi.com/full-time-game-dev-sale► Wishlist my game Twisted Tower: https://store.steampowered.com/app/1575990/Twisted_Tower/

Stress is something every manager experiences. Tight deadlines, constant decisions, competing priorities; it can feel like pressure is simply part of the job.Most leaders treat stress like one big, unavoidable force. In reality, stress isn't just one thing. It appears in different forms, and each requires a different response. When leaders don't understand the source of their stress, they often try to solve the wrong problem or end up stuck in cycles of overthinking and burnout.Fortunately, this week's guest shares a practical framework for understanding stress and turning it into something leaders can actually manage.Amy Leneker is a former C-suite executive, a leadership advisor to Fortune 100 companies, and the author of Cheers to Monday: The Surprisingly Simple Method to Lead and Live with Less Stress and More Joy. Her work focuses on helping leaders identify the sources of stress in their work and create simple systems to reduce it while increasing clarity and joy.In this conversation, we explore the different types of stress leaders experience, how stress flows through teams, and practical ways managers can help their teams talk about stress more openly and productively.Conversation Topics(00:00) Introduction(01:34) Why isn't all stress the same, and why that matter for leaders(04:12) The different types of stress managers experience at work(07:25) Why identifying the source of stress is the first step to solving it(10:48) How unmanaged stress quietly spreads through teams(14:22) Why leaders often underestimate the stress their words create(18:36) Helping teams talk about stress without judgment(22:41) Why unclear priorities create unnecessary stress for teams(27:18) Practical ways leaders can reduce stress while improving clarity and trust(30:02) Simple leadership habits that create more moments of joy at work(33:01) [Extended Episode Only] The three-step “unstressing” method for identifying and solving stressors(36:21) [Extended Episode Only] A powerful team exercise that revealed 73 hidden stressors(41:58) [Extended Episode Only] Avoiding toxic positivity and creating real moments of connection on your team

On the first quarter finale of The Catered Quiz, photographer Samer Ghani joins the show to talk about his new book Memories of a Street Cat and to answer questions about Old School RuneScape and Blink-182. We also talk about South Dakota, burning cds and tab books. Copies of Samer's book can be purchased here. The book release show for Memories of a Street Cat is this Wednesday at Cactus Club. As mentioned in the episode, Deanna Ortiz will be performing here solo show at the Interchange Theater on Saturday, March 28th. The Catered Quiz will return on Tuesday, April 7th.  

Episode Notes In this episode of On Record, we sit down with Special Collections Director Brenda Gunn to discuss the University's copies of the Declaration of Independence. Listen to hear about the importance of having physical copies, the unique story of the McGregor Copy and how students can get involved with Special Collections.

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Ep. 139 - Kids Ask Dr. Friendtastic: Copycat friend | Friendship advice for kidsParents, check out my online workshops for kids at workshops.eileenkennedymoore.com.FREE quiz: Is Your Child a Good Friend? https://eileenkennedymoore.ck.page/e37dcc098fWould YOUR KID like to be featured on the podcast?SUBMIT A QUESTION TO DR. FRIENDTASTIC at https://DrFriendtastic.com/submit (Obviously, this is not psychotherapy, and it's not for emergency situations.)For an easy-to-read TRANSCRIPT, go to: https://DrFriendtastic.com/podcast/Like the podcast? Check out my books at https://EileenKennedyMoore.com.Subscribe to my NEWSLETTER, https://DrFriendtastic.substack.com, to get podcast episodes sent to your email plus articles for parents.*** DISCUSSION QUESTIONS:- What are some reasons why a kid might copy another kid? - Why do you think kids often feel annoyed when someone copies them? - What's the difference between copying someone versus being inspired by someone? - How is copying someone's outfit or favorite sports team different from copying someone's art or writing? *** You might also like these podcast episodes:Ep. 18 - Building great leadership skills (Kai, Age 9) https://drfriendtastic.substack.com/p/kids-ask-dr-friendtastic-ep-18-kai Ep. 31: When someone tries to be annoying (Mila, age 10)https://drfriendtastic.substack.com/p/kids-ask-dr-friendtastic-ep31-mila Ep. 30 - Why do some kids push others around? (Michael, Age 10)https://drfriendtastic.substack.com/p/kids-ask-dr-friendtastic-ep-30-michael Get full access to Dr. Friendtastic for Parents at drfriendtastic.substack.com/subscribe

In today's episode, Kelly pulls back the curtain on how I'm approaching the launch of The Miracle Hour completely differently than any launch she's done before. Instead of treating this as just another book release, Kelly is using this launch as a strategic rehearsal for an even bigger vision. She breaks down five key ways this launch is different and why the strategy behind it matters not just for authors, but for any entrepreneur building influence, community, and long-term brand equity. From grassroots bulk buy campaigns to a live launch day experience, Kelly shares the thinking behind the strategy, and why the Miracle Hour philosophy is guiding the launch itself. You'll also hear why this book matters so much right now. In an era dominated by algorithms, automation, and AI, the Miracle Hour offers a relationship-driven system for daily sales that helps business owners break founder dependency, build predictable revenue, and reclaim their freedom. If you've ever wondered how successful entrepreneurs think about launching books, building movements, or activating their communities, this episode offers a rare behind-the-scenes look. And if you want to be part of the Miracle Hour movement, Kelly shares how you can get involved: including opportunities to attend the live launch experience on April 29th. Timestamps:  01:05 — The strategic shift behind the Miracle Hour book launch. 03:50 — What the Miracle Hour Actually Is 06:30 — The Internal Goal: Selling 10,000 Copies 07:00 — The Power of Bulk Buys 09:30 — Targeted Relationship Lists 10:45 — Using this launch as a rehearsal for traditional publishing success. 11:45 — The Bestseller Lists We're Aiming For 13:15 —Why this launch is becoming a transformational event instead of a party. 17:40 — Using the system itself to drive book sales and community engagement. 20:00 — How to Join the Miracle Hour Movement Resources: Grab your copy of The Miracle Hour book or gift copies in bulk to unlock tens of thousands of dollars in added bonuses: https://www.themiraclehourbook.com/the-miracle-hour-bulk-buys  Join the Street Team and Help Us Spread The Word: https://www.themiraclehourbook.com/join   

What if the real reason people aren't buying from you… is because they haven't experienced your value yet?This episode breaks down the brilliant marketing system Estée Lauder built long before influencer marketing, social media, or venture capital. Instead of relying on advertising, she created a repeatable trust-building system that let customers experience her product before committing.For founders trying to scale without becoming the bottleneck, this story reveals a powerful leadership lesson: trust must be designed into your systems.If you're building a business that needs to grow beyond your personal presence, this episode will show you how to create experiences that sell for you.If you want to build systems that scale your leadership instead of trapping you in daily operations, join the AI for Founders Community. It's a free space where ambitious women are learning how to design smarter workflows, automate decision support, and build businesses that don't depend on them being everywhere.Key TakeawaysWhy lack of trust is usually an experience problem, not a marketing problemThe system behind the famous “gift with purchase” strategyHow founders accidentally become the bottleneck in their own brand experienceHow to identify the trust leak in your customer journeyHow AI can help founders audit their customer journey in minutesResources & LinksAI for Founders Community 10 Ways AI Will Make You a Better Leader Related EpisodeSHE BUILT THIS Ep. 1: She Built a Scalable Empire in 1906 With No Tech Stack. What's Your Excuse? Send a text AI in Action Conference March 19th and 20th in Grand Rapids, Michigan. Get In the Room! https://hellodawn.live/Action2026Want to increase revenue and impact? Listen to “She's That Founder” for insights on business strategy and female leadership to scale your business. Each episode offers advice on effective communication, team building, and management. Learn to master routines and systems to boost productivity and prevent burnout. Our delegation tips and business consulting will advance your executive leadership skills and presence.

In this podcast episode, I talk about selling 10,000 copies of my book, "Speak Easy," and how I feel. Surprisingly, I feel calm, and there were not many fireworks. CONQUER SHYNESS

A recap of iOS 26.4 Beta 2, the upcoming touchscreen MacBook Pro, Jeff and Fernando are impressed by the Samsung Galaxy S26 Ultra's new Privacy Display feature, 1Password vs. Apple Passwords, and the subscriptions we can't live without. 9to5Mac Overtime is a weekly video-first podcast exploring fun and interesting observations in the Apple ecosystem, featuring 9to5Mac's Fernando Silva & Jeff Benjamin. Subscribe to Overtime via Apple Podcasts and our YouTube channel for more. Hosts Fernando Silva Jeff Benjamin Links iOS 26.4 Beta 2 changes and features The touch screen MacBook Pro [Video] 1Password price hike Subscribe 9to5Mac Overtime on Apple Podcasts 9to5Mac on YouTube 9to5Mac on YouTube membership with bonus perks

Drifting rarely feels dramatic—but over time it can take us far from where we're meant to be. In this message from Hebrews 6–8, Will Warren calls us to anchor our lives in the unchanging promises of God. Because Jesus has already gone behind the curtain on our behalf, our hope is firm and secure. When waiting feels long and faith feels sluggish, this sermon reminds us to trust the One who never changes and never fails.

In this segment, we're discussing the state of California's jock tax and its impact on professional athletes. Sam Darnold, the quarterback of the Seattle Seahawks, recently owed the state $70,000 for the privilege of playing in the Super Bowl. The state's jock tax, which is one of the most aggressive in the country, takes a percentage of an athlete's salary based on the number of duty days they spend in the state. We're exploring the implications of this tax and how it's affecting athletes and the states that are trying to lure them with similar tax deals.See omnystudio.com/listener for privacy information.

Seven minutes, a freight elevator, and an angle grinder, that's all a small team of robbers needed to steal jewelry from the Louvre's Apollo Gallery on October 19, 2025. And this isn't unprecedented: in 1911, the Mona Lisa was stolen by a museum employee and only resurfaced two years later. Faced with that kind of risk, some museums now quietly display reproductions instead of originals. Is this common? When are copies used? But can copies deceive? Do we feel the same emotion facing a copy? So, should museums swap originals for copies? In under 3 minutes, we answer your questions! To listen to the latest episodes, click here: Will the British museum finally give back the Parthenon marbles? What is the 9/11 Museum? What are the dangers of hustle culture? A Bababam Originals podcast written and realised by Amber Minogue. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jonathan Epstein (IG: @RexCards24) joins Sports Cards Live for his first ever hobby appearance after years of consuming content quietly from the sidelines. We talk about finally stepping into the community, taking the Hobby Spectrum assessment, and landing in the Nostalgic range. Jonathan shares key pieces from his vintage collection including a 1952 Topps Mantle, and we dig into the psychology of price ceilings, emotional attachment to “your copies,” and why upgrading often feels harder than it should. This is a collector conversation about identity, memory, and the invisible rules we all carry into the hobby. In this episode, we cover: Moving from hobby lurker to active community member The Hobby Spectrum result and why it hit so hard Psychological price ceilings and the trap of old prices “My copies” vs upgrading and downgrading decisions Why storytelling matters more than flexing How community actually forms in the hobby Follow Sports Cards Live on Apple Podcasts, Spotify, or wherever you listen Subscribe to Sports Cards Live on YouTube for full episodes and live shows Leave a rating and review to help more collectors find the show Share this episode with a collector who still watches from the sidelines Follow @jlee_sportscardslive on Instagram for clips and updates Request your access code and take the Hobby Spectrum assessment at TheHobbySpectrum.com Learn more about your ad choices. Visit megaphone.fm/adchoices

DINO, AND SAMMY, AND FRANK - O MY!What tomfoolery! It's 4 o'clock in the morning, and these bad boys are just getting started. This recording is a rare glimpse into the real, live, Rat Pack experience - and, the slightly distorted, overloaded sound is just part of the cinema verite. “YOU ARE THERE,” as Walter Cronkite once intoned. The year is 1962. Dean Martin has circled back to the 500 club in Atlantic City, where his career with Jerry Lewis first exploded, and his rat pack brothers in arms are there to support. For anybody devoted to, or interested in this celebrated entourage of 20th century entertainers, you can't get any closer to the actual experience of being there. The banter is not particularly clever (they're enjoying themselves, I won't say MORE than the audience, but equally, at least). There are lapses in taste and attention to keeping the show moving - (an extended drunken improv about stools is one example) - and, though the finest singers of that generation are not always on perfect pitch here, it matters not a jot! The real personalities of these icons is vividly on display. The pecking order and inter-relationships are fascinating. And, as far as sheer entertainment value goes: The band swings hard, the legendary Sammy Davis Jr. sings, dances, and does impressions; Sinatra and Dino croon medleys to die for, and the whole 40 minutes is boffo. Not to be missed!“The 4AM Rat Pack performance presented here was privately pressed on vinyl as a special gift to very special 500 Club patrons.We present this untouched audio from the original acetate as it represents the taste and feel of this historic occasion.”By Don AltobellI will never forget August 26, 1962.I was 24 at the time and after having the good fortune of seeing Dean Martin's appearance at the 500 Club in Atlantic City on Aug 19 -- his first solo gig since his split with Jerry Lewis -- the following week gave me an added treat.Thanks to a drawing I did of Dean, I was able to see his opening shows and also attend rehearsals. And 500 Club owner Skinny Damato introduced me to Dean, who autographed my drawing, which still hangs on my living room wall.Fans knew that Dean's pal, Frank Sinatra, would join him midweek to conclude the engagement. Atlantic City was bursting at the seams, with all hotels, motels, and restaurants jam-packed. At the club itself, tables were pushed together to make room for more patrons. It was a bonanza time for Atlantic City long before the first casino was opened.That closing night after early dinner, I made my way through the block-long line and was ushered inside by a policeman who remembered me after seeing me at so many shows. I didn't mind that I had no seat.Dean was introduced as the star of the show and opened with "I'm Gonna Sit Right Down and Write Myself a Letter" followed by "Volare," "On An Evening in Roma" and "Goody, Goody."Then Sinatra sang, "I Get a Kick Out Of You," followed by Sammy Davis' Jr. doing "The Lady Is A Tramp." (Davis also imitated some actors singing the song including James Cagney and Marlon Brando).Then Frank, Dean and Sammy clowned around and sang "You Are Too Beautiful," "Love Walked Right In" and "This Is My First Affair."While Dean and Frank sang, Sammy danced to "I Can't Give You Anything But Love," "Too Marvelous for Words," "It Had To Be You," and "I've Got the World on a String."Then all three stars joined to close the s

THE LEGACY OF THE AMATEUR SPIES Colleague Charles Spicer. Graham Christie and Philip Conwell-Evanscompiled a rare book titled None So Blind, printing only 100 copies to document their warnings to the Britishgovernment about the Nazi threat. Their efforts went largely unrecognized until historian Martin Gilbert began to correct the record, moving beyond the simplistic "Guilty Men" narrative to acknowledge that appeasement was a widely supported strategy at the time. The protagonists met modest ends: Ernest Tennant's memoir was overlooked, Conwell-Evans lived quietly in Notting Hill, and the heroic Christie died by suicide in his nineties, leaving behind only a small plaque in St. Paul's Cathedral. The Travelers Club remains one of the few places where their story—and the history of these attempts to civilize the Nazis—is remembered. NUMBER 16 1945-46 GORING AT NUREMBERG

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight's show features Asian Refugees United and Lavender Phoenix in conversation about art, culture, and organizing, and how artists help us imagine and build liberation. Important Links: Lavender Phoenix: Website | Instagram Asian Refugees United: Website | Instagram | QTViệt Cafe Collective Transcript: Cheryl: Hey everyone. Good evening. You tuned in to APEX Express. I'm your host, Cheryl, and tonight is an AACRE Night. AACRE, which is short for Asian Americans for Civil Rights and Equality is a network made up of 11 Asian American social justice organizations who work together to build long-term movements for justice. Across the AACRE network, our groups are organizing against deportations, confronting anti-blackness, xenophobia, advancing language justice, developing trans and queer leaders, and imagine new systems of safety and care. It's all very good, very important stuff. And all of this from the campaigns to the Organizing to Movement building raises a question that I keep coming back to, which is, where does art live In all of this, Acts of resistance do not only take place in courtrooms or city halls. It takes place wherever people are still able to imagine. It is part of how movements survive and and grow. Art is not adjacent to revolution, but rather it is one of its most enduring forms, and tonight's show sits in that very spirit, and I hope that by the end of this episode, maybe you'll see what I mean. I;d like to bring in my friends from Lavender Phoenix, a trans queer API organization, building people power in the Bay Area, who are also a part of the AACRE Network. This summer, Lavender Phoenix held a workshop that got right to the heart of this very question that we're sitting with tonight, which is what is the role of the artist in social movements? As they were planning the workshop, they were really inspired by a quote from Toni Cade Bambara, who in an interview from 1982 said, as a cultural worker who belongs to an oppressed people, my job is to make the revolution irresistible. So that raises a few questions worth slowing down for, which are, who was Toni Cade Bambara? What does it mean to be a cultural organizer and why does that matter? Especially in this political moment? Lavender Phoenix has been grappling with these questions in practice, and I think they have some powerful answers to share. So without further ado, I'd like to introduce you to angel who is a member of Lavender Phoenix. Angel: My name is Angel. I use he and she pronouns, and I'm part of the communications committee at LavNix. So, let's explore what exactly is the meaning of cultural work.  Cultural workers are the creators of narratives through various forms of artistic expression, and we literally drive the production of culture. Cultural work reflects the perspectives and attitudes of artists and therefore the people and communities that they belong to. Art does not exist in a vacuum. You may have heard the phrase before. Art is always political. It serves a purpose to tell a story, to document the times to perpetuate and give longevity to ideas. It may conform to the status quo or choose to resist it. I wanted to share a little bit about one cultural worker who's made a really big impact and paved the way for how we think about cultural work and this framework. Toni Cade Bambara was a black feminist, cultural worker, writer, and organizer whose literary work celebrated black art, culture and life, and radically supported a movement for collective liberation. She believed that it's the artist's role to serve the community they belong to, and that an artist is of no higher status than a factory worker, social worker, or teacher. Is the idea of even reframing art making as cultural work. Reclaimed the arts from the elite capitalist class and made clear that it is work, it does not have more value than or take precedence over any other type of movement work. This is a quote from an interview from 1982 when Toni Cade Bambara said, as a cultural worker who belongs to an oppressed people, my job is to make revolution irresistible. But in this country, we're not encouraged and equipped at any particular time to view things that way. And so the artwork or the art practice that sells that capitalist ideology is considered art. And anything that deviates from that is considered political, propagandist, polemical, or didactic, strange, weird, subversive or ugly. Cheryl: After reading that quote, angel then invited the workshop participants to think about what that means for them. What does it mean to make the revolution irresistible? After giving people a bit of time to reflect, angel then reads some of the things that were shared in the chat. Angel: I want my art to point out the inconsistencies within our society to surprised, enraged, elicit a strong enough reaction that they feel they must do something. Cheryl: Another person said, Angel: I love that art can be a way of bridging relationships. Connecting people together, building community. Cheryl: And someone else said. Angel: I want people to feel connected to my art, find themselves in it, and have it make them think and realize that they have the ability to do something themselves. Cheryl: I think what is rather striking in these responses that Angel has read aloud to what it means to make art that makes the revolution irresistible isn't just aesthetics alone, but rather its ability to help us connect and communicate and find one another to enact feelings and responses in each other. It's about the way it makes people feel implicated and connected and also capable of acting. Tony Cade Bambara when she poses that the role of cultural workers is to make the revolution irresistible is posing to us a challenge to tap into our creativity and create art that makes people unable to return comfortably to the world as is, and it makes revolution necessary, desirable not as an abstract idea, but as something people can want and move towards  now I'm going to invite Jenica, who is the cultural organizer at Lavender Phoenix to break down for us why we need cultural work in this political moment. . Speaker: Jenica: So many of us as artists have really internalized the power of art and are really eager to connect it to the movement.  This section is about answering this question of why is cultural work important.  Cultural work plays a really vital role in organizing and achieving our political goals, right? So if our goal is to advance radical solutions to everyday people, we also have to ask ourselves how are we going to reach those peoples? Ideas of revolution and liberation are majorly inaccessible to the masses, to everyday people. Families are being separated. Attacks on the working class are getting worse and worse. How are we really propping up these ideas of revolution, especially right in America, where propaganda for the state, for policing, for a corrupt government runs really high. Therefore our messaging in political organizing works to combat that propaganda. So in a sense we have to make our own propaganda. So let's look at this term together. Propaganda is art that we make that accurately reflects and makes people aware of the true nature of the conditions of their oppression and inspires them to take control of transforming this condition. We really want to make art that seeks to make the broader society aware of its implications in the daily violences, facilitated in the name of capitalism, imperialism, and shows that error of maintaining or ignoring the status quo. So it's really our goal to arm people with the tools to better struggle against their own points of views, their ways of thinking, because not everyone is already aligned with like revolution already, right? No one's born an organizer. No one's born 100% willing to be in this cause. So, we really focus on the creative and cultural processes, as artists build that revolutionary culture. Propaganda is really a means of liberation. It's an instrument to help clarify information education and a way to mobilize our people. And not only that, our cultural work can really model to others what it's like to envision a better world for ourselves, right? Our imagination can be so expansive when it comes to creating art. As organizers and activists when we create communication, zines, et cetera, we're also asking ourselves, how does this bring us one step closer to revolution? How are we challenging the status quo? So this is exactly what our role as artists is in this movement. It's to create propaganda that serves two different purposes. One, subvert the enemy and cultivate a culture that constantly challenges the status quo. And also awaken and mobilize the people. How can we, through our art, really uplift the genuine interests of the most exploited of people of the working class, of everyday people who are targets of the state and really empower those whose stories are often kept outside of this master narrative. Because when they are talked about, people in power will often misrepresent marginalized communities. An example of this, Lavender Phoenix, a couple years ago took up this campaign called Justice for Jaxon Sales. Trigger warning here, hate crime, violence against queer people and death. Um, so Jaxon Sales was a young, queer, Korean adoptee living in the Bay Area who went on a blind like dating app date and was found dead the next morning in a high-rise apartment in San Francisco. Lavender Phoenix worked really closely and is still connected really closely with Jaxon's parents, Jim and Angie Solas to really fight, and organize for justice for Jaxon and demand investigation into what happened to him and his death, and have answers for his family. I bring that up, this campaign because when his parents spoke to the chief medical examiner in San Francisco, they had told his family Jaxon died of an accidental overdose he was gay. Like gay people just these kinds of drugs. So that was the narrative that was being presented to us from the state. Like literally, their own words: he's dead because he's gay. And our narrative, as we continue to organize and support his family, was to really address the stigma surrounding drug use. Also reiterating the fact that justice was deserved for Jaxon, and that no one should ever have to go through this. We all deserve to be safe, that a better world is possible. So that's an example of combating the status quo and then uplifting the genuine interest of our people and his family. One of our key values at Lavender Phoenix is honoring our histories, because the propaganda against our own people is so intense. I just think about the everyday people, the working class, our immigrant communities and ancestors, other queer and trans people of color that really fought so hard to have their story told. So when we do this work and think about honoring our histories, let's also ask ourselves what will we do to keep those stories alive? Cheryl: We're going to take a quick music break and listen to some music by Namgar, an international ethno music collective that fuses traditional Buryat and Mongolian music with pop, jazz, funk, ambient soundscapes, and art- pop. We'll be back in just a moment with more after we listen to “part two” by Namgar.    Cheryl: Welcome back.  You are tuned in to APEX express on 94.1 KPFA and 89.3 KPFB B in Berkeley and online at kpfa.org.  That song you just heard was “part two” by Namgar, an incredible four- piece Buryat- Mongolian ensemble that is revitalizing and preserving the Buryat language and culture through music. For those just tuning in tonight's episode of APEX Express is all about the role of the artist in social movements. We're joined by members of Lavender Phoenix, often referred to as LavNix, which is a grassroots organization in the Bay Area building Trans and queer API Power. You can learn more about their work in our show notes. We talked about why cultural work is a core part of organizing. We grounded that conversation in the words of Toni Cade Bambara, who said in a 1982 interview, as a cultural worker who belongs to an oppressed people, my job is to make revolution irresistible. We unpacked what that looks like in practice and lifted up Lavender Phoenix's Justice for Jaxon Sales campaign as a powerful example of cultural organizing, which really demonstrates how art and narrative work and cultural work are essential to building power Now Jenica from Levner Phoenix is going to walk us through some powerful examples of cultural organizing that have occurred in social movements across time and across the world. Speaker: Jenica: Now we're going to look at some really specific examples of powerful cultural work in our movements. For our framework today, we'll start with an international example, then a national one, a local example, and then finally one from LavNix. As we go through them, we ask that you take notes on what makes these examples, impactful forms of cultural work. How does it subvert the status quo? How is it uplifting the genuine interest of the people? Our international example is actually from the Philippines. Every year, the Corrupt Philippines president delivers a state of the nation address to share the current conditions of the country. However, on a day that the people are meant to hear about the genuine concrete needs of the Filipino masses, they're met instead with lies and deceit that's broadcasted and also built upon like years of disinformation and really just feeds the selfish interests of the ruling class and the imperialist powers. In response to this, every year, BAYAN, which is an alliance in the Philippines with overseas chapters here in the US as well. Their purpose is to fight for the national sovereignty and genuine democracy in the Philippines, they hold a Peoples' State of the Nation Address , or PSONA, to protest and deliver the genuine concerns and demands of the masses. So part of PSONA are effigies. Effigies have been regular fixtures in protest rallies, including PSONA. So for those of you who don't know, an effigy is a sculptural representation, often life size of a hated person or group. These makeshift dummies are used for symbolic punishment in political protests, and the figures are often burned. In the case of PSONA, these effigies are set on fire by protestors criticizing government neglect, especially of the poor. Lisa Ito, who is a progressive artists explained that the effigy is constructed not only as a mockery of the person represented, but also of the larger system that his or her likeness embodies. Ito pointed out that effigies have evolved considerably as a form of popular protest art in the Philippines, used by progressive people's movements, not only to entertain, but also to agitate, mobilize and capture the sentiments of the people. This year, organizers created this effigy that they titled ‘ZomBBM,' ‘Sara-nanggal' . This is a play on words calling the corrupt president of the Philippines, Bongbong Marcos, or BBM, a zombie. And the vice president Sara Duterte a Manananggal, which is a, Filipino vampire to put it in short, brief words. Organizers burnt this effigy as a symbol of DK and preservation of the current ruling class. I love this effigy so much. You can see BBM who's depicted like his head is taken off and inside of his head is Trump because he's considered like a puppet president of the Philippines just serving US interests. Awesome. I'm gonna pass it to Angel for our national perspective. Angel: Our next piece is from the national perspective and it was in response to the AIDS crisis. The global pandemic of HIV AIDS began in 1981 and continues today. AIDS is the late stage of HIV infection, human immunodeficiency virus, and this crisis has been marked largely by government indifference, widespread stigma against gay people, and virtually no federal funding towards research or services for everyday people impacted. There was a really devastating lack of public attention about the seriousness of HIV. The Ronald Reagan administration treated the crisis as a joke because of its association with gay men, and Reagan didn't even publicly acknowledge AIDS until 19 85, 4 years into the pandemic. Thousands of HIV positive people across backgrounds and their supporters organize one of the most influential patient advocacy groups in history. They called themselves the AIDS Coalition to Unleash Power or ACT up. They ultimately organize and force the government and the scientific community to fundamentally change the way medical research is conducted. Paving the way for the discovery of a treatment that today keeps alive, an estimated half million HIV positive Americans and millions more worldwide. Sarah Schulman, a writer and former member of ACT Up, wrote a list of ACT UPS achievements, including changing the CDC C'S definition of aids to include women legalizing needle exchange in New York City and establishing housing services for HIV positive unhoused people. To highlight some cultural work within ACT Up, the AIDS activist artist Collective Grand Fury formed out of ACT Up and CR and created works for the public sphere that drew attention to the medical, moral and public issues related to the AIDS crisis. Essentially, the government was fine with the mass deaths and had a large role in the active killing off of people who are not just queer, but people who are poor working class and of color. We still see parallels in these roadblocks. Today, Trump is cutting public healthcare ongoing, and in recent memory, the COVID crisis, the political situation of LGBTQ people then and now is not divorced from this class analysis. So in response, we have the AIDS Memorial Quilt, this collective installation memorializes people who died in the US from the AIDS crisis and from government neglect. Each panel is dedicated to a life lost and created by hand by their friends, family, loved ones, and community. This artwork was originally conceived by Cleve Jones in SF for the 1985 candlelight March, and later it was expanded upon and displayed in Washington DC in 1987. Its enormity demonstrated the sheer number at which queer folk were killed in the hiv aids crisis, as well as created a space in the public for dialogue about the health disparities that harm and silence our community. Today, it's returned home to San Francisco and can be accessed through an interactive online archive. 50,000 individual panels and around a hundred thousand names make up the patchwork quilt, which is insane, and it's one of the largest pieces of grassroots community art in the world. Moving on to a more local perspective. In the Bay Area, we're talking about the Black Panther Party. So in October of 1966 in Oakland, California, Huey Newton and Bobby Seale founded the Black Panther Party for self-defense. The Panthers practiced militant self-defense of black communities against the US government and fought to establish socialism through organizing and community-based programs. The Black Panthers began by organizing arm patrols of black people to monitor the Oakland Police Department and challenge rampant rampant police brutality. At its peak, the party had offices in 68 cities and thousands of members. The party's 10 point program was a set of demands, guidelines, and values, calling for self-determination, full employment of black people, and the end of exploitation of black workers housing for all black people, and so much more. The party's money programs directly addressed their platform as they instituted a free B Breakfast for Children program to address food scarcity Founded community health clinics to address the lack of adequate, adequate healthcare for black people and treat sickle cell anemia, tuberculosis, and HIV aids and more. The cultural work created by the Black Panther Party included the Black Panther Party newspaper known as the Black Panther. It was a four page newsletter in Oakland, California in 1967. It was the main publication of the party and was soon sold in several large cities across the US as well as having an international readership. The Black Panther issue number two. The newspaper, distributed information about the party's activities and expressed through articles, the ideology of the Black Panther Party, focusing on both international revolutions as inspiration and contemporary racial struggles of African Americans across the United States. Solidarity with other resistance movements was a major draw for readers. The paper's international section reported on liberation struggles across the world. Under Editor-in-Chief, David Du Bois, the stepson of WEB Du Bois, the section deepened party support for revolutionary efforts in South Africa and Cuba. Copies of the paper traveled abroad with students and activists and were tra translated into Hebrew and Japanese. It reflected that the idea of resistance to police oppression had spread like wildfire. Judy Juanita, a former editor in Chief Ads, it shows that this pattern of oppression was systemic. End quote. Paper regularly featured fiery rhetoric called out racist organizations and was unabashed in its disdain for the existing political system. Its first cover story reported on the police killing of Denzel Doel, a 22-year-old black man in Richmond, California. In all caps, the paper stated, brothers and sisters, these racist murders are happening every day. They could happen to any one of us. And it became well known for its bold cover art, woodcut style images of protestors, armed panthers, and police depicted as bloodied pigs. Speaker: Jenica: I'm gonna go into the LavNix example of cultural work that we've done. For some context, we had mentioned that we are taking up this campaign called Care Not Cops. Just to give some brief background to LavNix, as systems have continued to fail us, lavender Phoenix's work has always been about the safety of our communities. We've trained people in deescalation crisis intervention set up counseling networks, right? Then in 2022, we had joined the Sales family to fight for justice for Jaxon Sales. And with them we demanded answers for untimely death from the sheriff's department and the medical examiner. Something we noticed during that campaign is that every year we watch as people in power vote on another city budget that funds the same institutions that hurt our people and steal money from our communities. Do people know what the budget is for the San Francisco Police Department? Every year, we see that city services and programs are gutted. Meanwhile, this year, SFPD has $849 million, and the sheriff has $345 million. So, honestly, policing in general in the city is over $1 billion. And they will not experience any cuts. Their bloated budgets will remain largely intact. We've really been watching, Mayor Lurie , his first months and like, honestly like first more than half a year, with a lot of concern. We've seen him declare the unlawful fentanyl state of emergency, which he can't really do, and continue to increase police presence downtown. Ultimately we know that mayor Lurie and our supervisors need to hear from us everyday people who demand care, not cops. So that leads me into our cultural work. In March of this year, lavender Phoenix had collaborated with youth organizations across the city, youth groups from Chinese Progressive Association, PODER, CYC, to host a bilingual care, not cops, zine making workshop for youth. Our organizers engaged with the youth with agitating statistics on the egregious SFPD budget, and facilitated a space for them to warm up their brains and hearts to imagine a world without prisons and policing. And to really further envision one that centers on care healing for our people, all through art. What I really learned is that working class San Francisco youth are the ones who really know the city's fascist conditions the most intimately. It's clear through their zine contributions that they've really internalized these intense forms of policing in the schools on the streets with the unhoused, witnessing ice raids and fearing for their families. The zine was really a collective practice with working class youth where they connected their own personal experiences to the material facts of policing in the city, the budget, and put those experiences to paper.   Cheryl: Hey everyone. Cheryl here. So we've heard about Effigies in the Philippines, the AIDS Memorial Quilt, the Black Panther Party's newspaper, the Black Panther and Lavender Phoenix's Care Cop zine. Through these examples, we've learned about cultural work and art and narrative work on different scales internationally, nationally, locally and organizationally. With lavender Phoenix. What we're seeing is across movements across time. Cultural work has always been central to organizing. We're going to take another music break, but when we return, I'll introduce you to our next speaker. Hai, from Asian Refugees United, who will walk us through, their creative practice, which is food, as a form of cultural resistance, and we'll learn about how food ways can function as acts of survival, resistance, and also decolonization. So stay with us more soon when we return.   Cheryl: And we're back!!. You're listening to APEX express on 94.1 KPFA, 89.3 KPFB in Berkeley. 88.1. KFCF in Fresno and online@kpfa.org. That was “Juniper” by Minjoona, a project led by Korean American musician, Jackson Wright.  huge thanks to Jackson and the whole crew behind that track.  I am here with Hai from Asian Refugees United, who is a member QTViet Cafe Collective. A project under Asian Refugees United. QTViet Viet Cafe is a creative cultural hub that is dedicated to queer and trans viet Liberation through ancestral practices, the arts and intergenerational connection. This is a clip from what was a much longer conversation. This episode is all about the role of the artist in social movements and I think Hai brings a very interesting take to the conversation. Hai (ARU): I think that what is helping me is one, just building the muscle. So when we're so true to our vision and heart meets mind and body. So much of what QTViet Cafe is, and by extension Asian refugees and like, we're really using our cultural arts and in many ways, whether that's movement or poetry or written word or song or dance. And in many ways I've had a lot of experience in our food ways, and reclaiming those food ways. That's a very embodied experience. We're really trying to restore wholeness and health and healing in our communities, in our bodies and our minds and our families and our communities that have been displaced because of colonization, imperialism, capitalism. And so how do we restore, how do we have a different relationship and how do we restore? I think that from moving from hurt to healing is life and art. And so we need to take risk and trying to define life through art and whatever means that we can to make meaning and purpose and intention. I feel like so much of what art is, is trying to make meaning of the hurt in order to bring in more healing in our lives. For so long, I think I've been wanting a different relationship to food. For example, because I grew up section eight, food stamps, food bank. My mom and my parents doing the best they could, but also, yeah, grew up with Viet food, grew up with ingredients for my parents making food, mostly my mom that weren't necessarily all the best. And I think compared to Vietnam, where it's easier access. And there's a different kind of system around, needs around food and just easier access, more people are involved around the food system in Vietnam I think growing up in Turtle Island and seeing my parents struggle not just with food, but just with money and jobs it's just all connected. And I think that impacted my journey and. My own imbalance around health and I became a byproduct of diabetes and high cholesterol and noticed that in my family. So when I noticed, when I had type two diabetes when I was 18, made the conscious choice to, I knew I needed to have some type of, uh, I need to have a different relationship to my life and food included and just like cut soda, started kind of what I knew at the time, exercising as ways to take care of my body. And then it's honestly been now a 20 year journey of having a different relationship to not just food, but health and connection to mind, body, spirit. For me, choosing to have a different relationship in my life, like that is a risk. Choosing to eat something different like that is both a risk and an opportunity. For me that's like part of movement building like you have to. Be so in tune with my body to notice and the changes that are needed in order to live again. When I noticed, you know, , hearing other Viet folks experiencing diet related stuff and I think knowing what I know also, like politically around what's happening around our food system, both for the vie community here and also in Vietnam, how do we, how can this regular act of nourishing ourselves both be not just in art, something that should actually just honestly be an everyday need and an everyday symbol of caregiving and caretaking and care that can just be part of our everyday lives. I want a world where, it's not just one night where we're tasting the best and eating the best and being nourished, just in one Saturday night, but that it's just happening all the time because we're in right relationship with ourselves and each other and the earth that everything is beauty and we don't have to take so many risks because things are already in its natural divine. I think it takes being very conscious of our circumstances and our surroundings and our relationships with each other for that to happen. I remember reading in my early twenties, reading the role of, bring Coke basically to Vietnam during the war. I was always fascinated like, why are, why is Coke like on Viet altars all the time? And I always see them in different places. Whenever I would go back to Vietnam, I remember when I was seven and 12. Going to a family party and the classic shiny vinyl plastic, floral like sheet on a round table and the stools, and then these beautiful platters of food. But I'm always like, why are we drinking soda or coke and whatever else? My dad and the men and then my family, like drinking beer. And I was like, why? I've had periods in my life when I've gotten sick, physically and mentally sick. Those moments open up doors to take the risk and then also the opportunity to try different truth or different path. When I was 23 and I had just like crazy eczema and psoriasis and went back home to my parents for a while and I just started to learn about nourishing traditions, movement. I was Very critical of the us traditional nutrition ideas of what good nutrition is and very adamantly like opposing the food pyramid. And then in that kind of research, I was one thinking well, they're talking about the science of broths and like soups and talking about hard boiling and straining the broth and getting the gunk on the top. And I'm like, wait, my mom did that. And I was starting to connect what has my mom known culturally that now like science is catching up, you know? And then I started just reading, you know, like I think that my mom didn't know the sign mom. I was like, asked my mom like, did you know about this? And she's like, I mean, I just, this is, is like what ba ngoai said, you know? And so I'm like, okay, so culturally this, this is happening scientifically. This is what's being shared. And then I started reading about the politics of US-centric upheaval of monocultural agriculture essentially. When the US started to do the industrial Revolution and started to basically grow wheat and soy and just basically make sugar to feed lots of cows and create sugar to be put in products like Coke was one of them. And, and then, yeah, that was basically a way for the US government to make money from Vietnam to bring that over, to Vietnam. And that was introduced to our culture. It's just another wave of imperialism and colonization. And sadly, we know what, overprocessed, like refined sugars can do to our health. And sadly, I can't help but make the connections with what happened. In many ways, food and sugar are introduced through these systems of colonization and imperialism are so far removed from what we ate pre colonization. And so, so much of my journey around food has been, you know, it's not even art, it's just like trying to understand, how do we survive and we thrive even before so many. And you know, in some ways it is art. 'cause I making 40 pounds of cha ga for event, , the fish cake, like, that's something that, that our people have been doing for a long time and hand making all that. And people love the dish and I'm really glad that people enjoyed it and mm, it's like, oh yeah, it's art. But it's what people have been doing to survive and thrive for long, for so long, you know? , We have the right to be able to practice our traditional food ways and we have the right for food sovereignty and food justice. And we have the right to, by extension, like have clean waters and hospitable places to live and for our animal kin to live and for our plant kin to be able to thrive. bun cha ga, I think like it's an artful hopeful symbol of what is seasonal and relevant and culturally symbolic of our time. I think that, yes, the imminent, violent, traumatic war that are happening between people, in Vietnam and Palestine and Sudan. Honestly, like here in America. That is important. And I think we need to show, honestly, not just to a direct violence, but also very indirect violence on our bodies through the food that we're eating. Our land and waters are living through indirect violence with just like everyday pollutants and top soil being removed and industrialization. And so I think I'm just very cognizant of the kind of everyday art ways, life ways, ways of being that I think that are important to be aware of and both practice as resistance against the forces that are trying to strip away our livelihood every day. Cheryl: We just heard from Hai of Asian refugees United who shared about how food ways function as an embodied form of cultural work that is rooted in memory and also survival and healing. Hai talked about food as a practice and art that is lived in the body and is also shaped by displacement and colonization and capitalism and imperialism. I shared that through their journey with QTV at Cafe and Asian Refugees United. High was able to reflect on reclaiming traditional food ways as a way to restore health and wholeness and relationship to our bodies and to our families, to our communities, and to the earth. High. Also, traced out illness and imbalance as deeply connected to political systems that have disrupted ancestral knowledge and instead introduced extractive food systems and normalized everyday forms of soft violence through what we consume and the impact it has on our land. And I think the most important thing I got from our conversation was that high reminded us that nourishing ourselves can be both an act of care, an art form, and an act of resistance. And what we call art is often what people have always done to survive and thrive Food. For them is a practice of memory, and it's also a refusal of erasure and also a very radical vision of food sovereignty and healing and collective life outside of colonial violence and harm. As we close out tonight's episode, I want to return to the question that has guided us from the beginning, which is, what is the role of the artist in social movements? What we've heard tonight from Tony Cade Bambara call to make revolution irresistible to lavender Phoenix's cultural organizing here, internationally to Hai, reflections on food ways, and nourishing ourselves as resistance. It is Really clear to me. Art is not separate from struggle. It is how people make sense of systems of violence and carry memory and also practice healing and reimagining new worlds in the middle of ongoing violence. Cultural work helps our movements. Endure and gives us language when words fail, or ritual when grief is heavy, and practices that connect us, that reconnect us to our bodies and our histories and to each other. So whether that's through zines, or songs or murals, newspapers, or shared meals, art is a way of liberation again and again. I wanna thank all of our speakers today, Jenica, Angel. From Lavender Phoenix. Hi, from QTV Cafe, Asian Refugees United, And I also wanna thank you, our listeners for staying with us. You've been listening to Apex Express on KPFA. Take care of yourselves, take care of each other, and keep imagining the world that we're trying to build. That's important stuff. Cheryl Truong (she/they): Apex express is produced by Miko Lee, Paige Chung, Jalena Keane-Lee, Preeti Mangala Shekar. Shekar, Anuj Vaidya, Kiki Rivera, Swati Rayasam, Nate Tan, Hien Nguyen, Nikki Chan, and Cheryl Truong  Cheryl Truong: Tonight's show was produced by me, cheryl. Thanks to the team at KPFA for all of their support. And thank you for listening!  The post APEX Express – January 1, 2026 – The Role of the Artist in Social Movements appeared first on KPFA.

Why not finish the year with a geek-strength pile-on: we've got everything from robot cars freezing up in blackouts to electric Jeeps blowing up in garages, rich fat girls getting high and running over the NYPD, the importance of being prepared for your adventure (whether at sea in your sweet fishing boat or on-trail in your busted up rock rig), and electric school busses that can't keep kids warm (let alone work on hills, in the cold, with a load, or in any municipality's budget).  There's also a maddening report on the ongoing inability of bureaucrats to make the Dem's watermelon nightmare of electric everything actually work (stupid physics always getting in the way).  More: another way that pinko Chinese manufacturing is destroying the free world, and some analysis of the problem posed by folks who think the Second Amendment is a second-class right (or don't even have one in backsliding nations like Australia) and that bans on guns will stop the evil in a man's heart (when it just stops law-abiding citizens from defending themselves). Going for broke: a rare exception to the Good Soundtrack/Bad Movie Rule, an Excellent Weirdo R.I.P. for Gil Gerrard (Buck Rogers his own damn self), some Morty & Rick, and music from the Chemical Bros., Prodigy, Bio-Mechanical Degeneration, Josh Wink, Naked Funk, Soul Coughing, Poker Face, Mirwais and Korn.

Why not finish the year with a geek-strength pile-on: we've got everything from robot cars freezing up in blackouts to electric Jeeps blowing up in garages, rich fat girls getting high and running over the NYPD, the importance of being prepared for your adventure (whether at sea in your sweet fishing boat or on-trail in your busted up rock rig), and electric school busses that can't keep kids warm (let alone work on hills, in the cold, with a load, or in any municipality's budget).  There's also a maddening report on the ongoing inability of bureaucrats to make the Dem's watermelon nightmare of electric everything actually work (stupid physics always getting in the way).  More: another way that pinko Chinese manufacturing is destroying the free world, and some analysis of the problem posed by folks who think the Second Amendment is a second-class right (or don't even have one in backsliding nations like Australia) and that bans on guns will stop the evil in a man's heart (when it just stops law-abiding citizens from defending themselves). Going for broke: a rare exception to the Good Soundtrack/Bad Movie Rule, an Excellent Weirdo R.I.P. for Gil Gerrard (Buck Rogers his own damn self), some Morty & Rick, and music from the Chemical Bros., Prodigy, Bio-Mechanical Degeneration, Josh Wink, Naked Funk, Soul Coughing, Poker Face, Mirwais and Korn.

CLICK HERE if you're interested in joining my online community for Christian women who are growing their online brands, now available for the limited introductory rate of $27 per month. Goes up to $47 per month in 2026!On episode #199, I'm sharing another replay episode. This time, I'm bringing you a compilation of moms who turned their passions and gifts into profitable businesses. Hopefully, this episode will inspire you to keep pursuing your passions as we head into the new year!Dylan Jahraus on Etsy Success: On episode #86, Dylan Jahraus, a mom who started selling products on Etsy, made a multi-six figure profit. She's now teaching other women how to make money from Etsy.Mom Turns Nurse-Tutoring Side Hustle Into 6-Figure Biz: On episode #89, I spoke with a mom who was a nurse and homeschooling mom of six. She was gifted in helping nurses pass various nursing tests, so she turned her side hustle into a six-figure business.Mom Earns 200K Blogging After Quitting Job: On episode #92, Whitney Bonds, a pastor's wife and mom of three left her job to stay home with the kids. She started a blog which has since grown into a six-figure business.Bipolar Mompreneur Builds 7-Figure Digital Products Business: On episode #94, Becky Beach, a bipolar mom who refused to let her mental illness stop her success of selling digital products. She's since grown her business to over seven figures.Stay-at-Home Mom Turns Passion Into a Sleep Consulting Business: On episode #102, Jayne Havens, a mom who had a gift for getting her kids to sleep, turned that into a full-time business.Mom's Gaming Passion Turns Into 6-Figure Business: On episode #110, I spoke with Devyn Ricks, a mom who had a strong gaming passion. She used that passion to start helping kids game online.From BuzzFeed to Full-Time Content Creator: On episode #112, Hannah Williams Shares Her Journey of Using Passions to Become an InfluencerAfter Infidelity Traumatized Her Marriage, Emily Spigelmire Found Healing: On episode #114, Emily Spigelmire talks about how her husband's infidelity wrecked her marriage, but together they found healing and created a business that's helping others.From Classroom Teacher to 7-Figure Educator with Kayse Morris: On episode #120, Kayse Morris talks about how she went from a classroom teacher to a seven-figure CEO, helping other educators.Mom Self-Publishes Children's Book: Sells 13,000 Copies in 6 Months! On episode #122, Megan Rogers talks about how her passion for dance transitioned to writing and how she self-published her book and sold 13,000 copies in just six months.*This podcast is brought to you by Tinseltown Mom*

Send us a textOrder a copy of my debut film, Cape Cod Cthulhu!The 30th anniversary of a movie that changed the industry. Some of the worst Christmas specials ever made. A video game that might have only sold 27 copies?Episode 223 is leaving the gift of GenX nostalgia under the tree.It all begins with a look back at a movie that changed the industry. Toy Story could have been just another animated film, but instead it ushered in a whole new way of creating hit movies. 30 years ago it burst onto the scene and nothing was the same. We take a look back at what made this film so groundbreaking.Some video games smash sales records. Then there is Uncle Henry's Playground. Is it true that this game only sold 27 copies in the U.S.? It's hard to say for sure but the fact is this game has become a punchline and a curiosity in the nearly 30 years since it was released to crickets.Like lumps of coal in a stocking, this week's Top 5 is filled with things you wouldn't want to see. We will look at some of the worst Christmas specials ever produced. Poor stories, poor animation, and nonsensical descriptions are all represented on this list.There is a brand new This Week In History and Time Capsule, looking back at the tragic death of music legend John Lennon.You can support my work by becoming a member on Patreon. Or you can Buy Me A Coffee!Helpful Links from this EpisodeBuy My New Book, In Their Footsteps!Searching For the Lady of the Dunes True Crime BookHooked By Kiwi - Etsy.comDJ Williams MusicKeeKee's Cape Cod KitchenChristopher Setterlund.comCape Cod Living - Zazzle StoreSubscribe on YouTube!Initial Impressions 2.0 BlogCJSetterlundPhotos on EtsyCape Cod Cthulhu: Exclusive InterviewListen to Episode 222 hereSupport the show

In the latest doctrinal note, Mater Populi Fidelis, the Roman Catholic Church clarifies and modifies some of its language about the work of Mary. As a Protestant, Pastor Adriel Sanchez shares what he appreciates, and where he still pushes back, on the Catholic teaching about Mary. BOOK GIVEAWAY: 100 COPIES! - https://solamedia.org/offers/creeds?sc=NN2511VYIn partnership with Crossway, we're excited to give away 100 copies of Chad Van Dixhoorn's Creeds, Confessions, and Catechisms, which gathers 13 of Christian history's most important documents—including the Apostles' Creed, the Belgic Confession, and the Heidelberg Catechism—into one beautiful collection. FOLLOW US YouTube | Instagram | X/Twitter | Facebook | Newsletter WHO WE ARE Sola is home to White Horse Inn, Core Christianity, Modern Reformation, and Theo Global. Our mission is to serve today's global church by producing resources for reformation grounded in the historic Christian faith. Our vision is to see reformation in hearts, homes, and churches around the world. Learn more: https://solamedia.org/

Are you showing up as your full, authentic self or just the version you think others expect?Authenticity isn't a matter of oversharing or saying whatever's on your mind. It's about honesty balanced with humility and vulnerability, the kind that builds genuine trust and stronger teams.Thankfully, today's guest brings both experience and expertise to this conversation. Mike Robbins is the author of five books, including Bring Your Whole Self to Work and his latest, We're All In This Together. For the past 25 years, Mike has been a sought-after keynote speaker and executive coach who delivers keynotes, workshops, and coaching programs for some of the top companies in the world. His clients include Google, Wells Fargo, Microsoft, Walmart, eBay, Schwab, and many more.In this episode, we delve into what it truly means to “bring your whole self to work,” examine why self-righteousness undermines connection, and explore how vulnerability cultivates trust and psychological safety. Mike shares his “authenticity equation” and practical ways managers can model openness without crossing professional boundaries.In the extended conversation, Mike delves deeper into the art of authentic appreciation, why most people are uncomfortable receiving praise, how to cultivate a culture of gratitude on your team, and the key distinction between appreciation and recognition. He also shares a powerful team practice, “the appreciation seat,” that helps managers cultivate belonging and empathy at work.Get FREE mini-episode guides with the big idea from the week's episode delivered to your inbox when you subscribe to my weekly email.Join the conversation now!Conversation Topics(00:00) Introduction: Why Authenticity Matters at Work(01:03) The Challenge of Showing Up Authentically(01:46) The Authenticity Equation Explained(03:14) Removing Self-Righteousness from Your Leadership(06:55) The Subtle Ways Self-Righteousness Shows Up in Coaching(10:21) Lowering the Waterline on the Iceberg(16:24) The Art of Appropriate Disclosure(18:53) Navigating Grief and Personal Struggles at Work(22:30) Authenticity, Identity, and Belonging(26:11) The Power of Sweaty Palm Conversations(30:18) Connect with Mike Robbins(31:07) [Extended Only] The art of appreciation: how to give and receive it authentically(37:38) [Extended Only] Recognition vs. appreciation—what every manager should know

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠https://ow.ly/msoH50WCu0K⁠Analytic Dreamz dives deep into the latest Battlefield 6 metrics and insights. Explore launch performance, gameplay mechanics, and revenue milestones from EA's next-gen FPS. This segment unpacks how Battlefield 6 set a franchise record with 7M+ units sold in 3 days, broke Steam's concurrent player record, and redefined destruction physics with its REDSEC BR mode. Insight-driven and detail-rich, this is your full Battlefield data analysis in one Mass Effect-worthy briefing by Analytic Dreamz.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy