Podcasts about plurabelle

Peter O'Brien is an artist, a visionary, and a life-long Joycean, with the energy to not only dream up one major Finnegans Wake-centric artistic offshoot, but is busy scheming about how to top it. We first became aware of Peter as a brilliant artist, using “letterism” to artistically annotate the pages of Finnegans Wake. Exhibited around the world and widely published, most would be satisfied with that: but not Peter, who is now pouring his unmatched attention into a new opera despite (by his own admission) knowing little about music. Join us on this fascinatingly palimpsestuous discussion that touches on the nature of genius, memorisation, Glenn Gould, Virgil, nudity, and Wagner, and shows us that you may think you can be finished with the Wake, but it's never really finished with you. This week's chatters: Peter O'Brien, Toby Malone, TJ Young Contextual Notes Peter's Wake-inspired art: https://www.peterobrienart.com/about.html Limited edition Wake prints: https://www.peterobrienart.com/store/c2/LOFWFW_-_LIMITED_EDITION.html  Peter's Globe and Mail article on his art: https://tpob.me/wp-content/uploads/2019/04/obrien-on-lofwfw-in-globe-and-mail-5.pdf  O'Brien, P. (2018). Drawing Upon Finnegans Wake. Art/Research/International:/A/Transdisciplinary/Journal, 3(2), 196–215. https://doi.org/10.18432/ari29381  Pitch deck for Plurabelle: https://tpob.me/wp-content/uploads/2023/11/p-l-u-r-a-b-e-l-l-e-pitch-27-oct-2023.pdf  For early drops, community and show notes, join us at our free Patreon, at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/wakepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or check out our Linktree, at ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/wake.pod⁠⁠⁠⁠⁠⁠⁠⁠⁠. We welcome comments from everyone: even, nay, especially, the dreaded purists. Come and "um actually" us!

durée : 00:25:11 - Anna Livia Plurabelle d'André Hodeir, Joyce en musique - par : Anne-Charlotte Rémond - Dans cet épisode de Musicopolis, Anne-Charlotte Rémond revient sur Anna Livia Plurabelle, une œuvre d'André Hodeir pour orchestre de jazz et deux voix de femmes ! - réalisé par : Claire Lagarde

Anna Livia Plurabelle ist die bezauberndste Figur in James Joyce' berühmtem Roman "Finnegan’s Wake". Geboren in den Wassern des irischen Flusses Liffey, begleiten wir sie auf ihrer Reise bis zum Ozean. Man könne Joyce' Roman nicht lesen, man müsse ihn hören, sagte Samuel Backett ... Ein Hörspiel in englischer und deutscher Sprache von Grace Yoon// Mit David Norris und Martin Engler// Musik Sam Bardfeld, Tim Khia und Napoleon Maddox// rbb 2012

About the future, a poem by V. Leac (English, Romanian, German) Author: Cristian Fierbințeanu, 2020 about the future (V.Leac) it is undoubtable that the giant wave will wash through the dryland with an amazing speed. it is difficult to imagine such a speed... the flish are hidden somewhere in the wave, right on the tip of the wave, they are helpless, so they just sit there… the wave crashes into a mountain – boom! and the flish are thrown into the desert. everyone thinks they are dead; it’s just an illusion, a false illusion. now, please, pay attention: - look carefully at this spot. do you notice something very very fast is moving and getting thicker? well, gentlemen, it’s the double-jawed worm. it is born inside the flish and then it eats it from within – did you see? it’s very easy. then, by scent, the kangaroo-snail comes – you can see it in this picture; it’s got one leg, and this leg was once a tail. life is extremely tough in the desert. everything happens very very fast – and when you least expect it out comes the dragonfly-lizard that runs/flies with over 115 km per hour. it grabs the snail and devours it ultra-rapidly. the dragonfly-lizard is chocked by a trapping flower. everything happens...life is extremely tough… now we’re entering the giant super-forest: - see how the canopy moves? you’re scared, aren’t you? don’t worry. it’s just an eight-legged mammoth, it’s vegetarian. - see this green spot on the tree? it crawls after the mammoth and makes it so that the mammoth steps in it; it is highly intelligent: it has set up house inside the mammoth. can you believe that this spot currently unknown to us can bring the mammoth on the brink of despair? at first we were also amazed. it all happens very fast. in two million years from now, life will be extremely tough… we have showed you these images to get an idea about how life on earth is going to be. it all happens very very fast. Translated from Romanian to English by Alexandra M. Păun and to German by Gabriela Fierbințeanu. The piece is composed by Cristian Fierbințeanu with a poem by V. Leac in the frame of POLYPHONIC ECHOES, a project organized by Jumătatea plină for SEMI SILENT. Partners: Czech Center and the National Museum of Romanian Literature. With the support of the Administration of the National Cultural Fund. * Cristian Fierbințeanu is an independent musician, author, producer and composer, member of art-pop project Fierbințeanu. The band performed live on several important European scenes, including Berlin Konzerthaus (Dvorak remastered), and released albums via independent Romanian labels. Their work have been presented in international contemporary art festivals, Fierbințeanu being the winners of multiple "best" video and music awards (Phonurgia Nova, UK International Radio Drama Festival, Grand Prix Nova, Dvorak Marathon). As part of electronic band Plurabelle, he released an album via the French label Stellar Kinematics. He was also member of free-impro/contemporary collective PFA Orchestra, powered by Sâmbăta Sonoră. V. Leac lives and works between Arad and Bucharest. Published poetry : Seymour: sonată pentru cornet de hârtie, Vinea Publishing (2005, 2006, 2013); Dicționar de vise, Cartea Românească Publishing, 2006; Lucian, CDPL, 2009; Toți sunt îngrijorați, TracusArte Publishing, Collection NEO, 2010, 2015; Unchiul este încântat, Charmides Publishing, 2013. Founding member of the literary collectiv Celebrul animal and of the magazine Ca și Cum. Founder of MOI in Timișoara in 2012, together with Bianca Baila; curator of W.A.D. Arad, 2014. Films: 2014, The Village Drones (I); 2015, The Village Drones (II); Trasee descriptive cu intrus. His latest volume, Monoideal, published by Nemira in 2018, was granted the Radio România Cultural Award for Poetry. All sounds (recorded, composed, edited) by Cristian Fierbințeanu for SEMI SILENT

As the world reacts to the Trump administration's new US border policies, Aziz's situation is as uncertain as ever, with no end in sight. Life on Manus grinds on.  ‘When we see someone who is just hurting himself or he is trying to commit suicide, sometimes you just drag yourself away because of not getting the pictures in your head.' Aziz In this episode, Aziz and Michael start to get to know each other – and Aziz begins to paint a picture for Michael of daily life in the detention centre.Where is it, and why is it there? What are the conditions really like, and what's it like to live there with more than 800 other men and no prospect of release?Back in Melbourne, Michael meets Aziz's friend John Zammit, a former Manus Island psychologist who shares his experiences of the detention centre, and his recollections of Aziz. With help from John, and from Aziz's many messages, Michael pieces together a sense of Aziz's daily routine, just as order in the camp gets turned upside down … Warning: This episode of The Messenger mentions suicide and self-harm. If you or someone you know needs help, you can contact one of Australia's national 24/7 crisis services such as Lifeline on 13 11 14 or at lifeline.org.au, or the Suicide Call Back Service on 1300 659 467. Transcript Download a PDF transcript of this episode here. Further reading 'What Trump's Executive Order on Immigration Does – and Doesn't Do' by Krishnadev Calamur, Atlantic, accessed 30 January 2017 ‘US could resettle zero refugees from Manus and Nauru and still 'honour' deal' by Helen Davidson and Ben Doherty, Guardian, accessed 31 January 2017 In this episode Abdul Aziz Muhamat Michael Green John Zammit, former Manus Island psychologist Our theme music was composed by Raya Slavin. Music used in this episode includes: '02-07-02', ‘03-19-02', ‘03-03-02' and ‘03-23-02' by Taylor Deupree and Kenneth Kirschner, ‘Nord' by Radian, ‘Organ in the Attic Sings the Blues' by Deadbeat, ‘Iberia Eteria' by Biosphere, ‘Forskjellige Gode Ting' and ‘Alt Maste Bli Anorlunda' by Kim Hiorthøy, ‘Mario Bava Sleeps In a Little Later Than He Expected To' and ‘What True Self? Feels Bogus, Let's Watch Jason X' by Chris Zabriskie, ‘Northern Maine Junction' by Chessie, ‘Pilot' by Markus Guentner, ‘So Quick, Bright Things Come to Confusion' by Because of Ghosts, ‘Stereo Music For Yamaha Disklavier Prototype, Electric Guitar, And Computer' by Keith Fullerton Whitman, ‘Transmission 2' by DJ Shadow, ‘Lips' by Plurabelle and ‘Burnt Klubgirl Lid Tone' by Nels Cline and Thurston Moore. More information The Messenger is a co-production of Behind The Wire and the Wheeler Centre. It's produced by Michael Green, André Dao, Hannah Reich and Bec Fary, with Jon Tjhia and Sophie Black at the Wheeler Centre.Narration by Michael Green. Reporting by Abdul Aziz Muhamat. Additional fact checking by the Guardian's Ben Doherty; transcription by Claire McGregor, Victoria Grey, Marie-Louise Bethune, Julia Earley, and many more​. This episode was edited and mixed by Bec Fary and Jon Tjhia. Thank you Dana Affleck, Angelica Neville and Sienna Merope. Also to Cameron Ford and to Behind the Wire's many participants and volunteers. Behind the Wire is supported by the Bertha Foundation.See omnystudio.com/listener for privacy information.

Edward Snowden. Chelsea Manning. Julian Assange. While divisive figures such as these have dominated news cycles and been the subject of fierce debate throughout the last decade, whistleblowing is neither a new phenomenon nor one that is strictly American. Who are some key Canadian whistleblowers? How might the law protect those who disclose? And what is the role of hacking in whistleblowing and what are the effects?  Yuan Stevens and Doron Lurie spoke with Prof. Gabriella Coleman to answer these questions and more. Music in this episode: "The Collector" and "Night Owl" by Broke for Free, "Candlepower", "Readers! Do You Read?", and "We Always Thought the Future Would Be Kind of Fun" by Chris Zabriskie, "hydroscope" by Gallery Six, "In the Streets" by Indian Wells, "Chantiers Navals 412" by LJ Kruzer, and "Lips" by Plurabelle.

Rachna Leveque, Urban Planner and doctoral student at UCL, joins us to talk about how density relates to governance and resilience in cities, with a special look at Mumbai. What exactly do planners mean when they talk about density, and why is it important? How are resilience and density linked? What can we learn from Mumbai's example? Follow Rachna (https://twitter.com/RachnaLeveque) and the UCL Centre for Urban Sustainability and Resilience (https://twitter.com/UCL_USAR) on Twitter and find out more about USAR and their work (http://www.ucl.ac.uk/usar). Catch up on past episodes of Keep it Civil (soundcloud.com/cege_ucl/sets/keep-it-civil) Music: "Helix Nebula" by Anamanaguchi via CC BY-NC-SA 3.0 (http://freemusicarchive.org/music/Anamanaguchi/Party_in_Space/kzz007_-_14_-_anamanaguchi_-_helix_nebula) "Wallflower" by Plurabelle via CC BY-NC-SA 3.0 (http://freemusicarchive.org/music/Plurabelle/Money_Blood_and_Light/Wallflower)

Could the mud and soil a person walks through be used to identify where they've been? In part two of our forensic microbiology special, we look at the ways that soil from crime scenes can help pinpoint the whereabouts of people and objects in police investigations. We spoke to Professor Lorna Dawson from the James Hutton Institute about her work on criminal cases, and how microbiology is being used to enhance the field of soil forensics. Image credit: Alan Cleaver on Flickr under CC BY 2.0 Music: 'Submerging Blue-Black' by Podington Bear, under CC BY-NC 3.0 'I Am Running Down the Long Hallway of Viewmont Elementary' by Chris Zabriskie, under CC BY 4.0 'Trio for Piano Violin and Viola' by Kevin MacLeod, under CC BY 3.0 'Lips' by Plurabelle under CC BY-NC-SA 3.0   Sound Effects: From freesound.org. 'Walking1_gravel' by tec studios, under CC0 1.0 'CarStartAndDriveOff' by jmdh, under CC0 1.0 'BikeBellWhileRiding' byqubodup, under CC BY 3.0 'Woodland Birdsong June' by justkiddink, under CC BY 3.0  

Today, we generate data with every mouse click, phone call, and even every breath. This week on State of the Human, you'll hear about how an 18th century historian, a poet, a computer scientist, a composer, and a mysterious future being are all trying to interpret that data to understand something about the human experience. We're asking: what do we learn from seeing ourselves as data? And what is lost in translation? Host: Kate Nelson Producers: Rachel Hamburg, Miles S, Charlie Mintz, Kate Nelson, Rosie La Puma Featuring: Dr. Daniel Rosenberg, Naomi Shihab Nye, Jonathan Berger, Raven Jiang, Alec Glassford Music used during transitions: Aboombong (Drag Along Behind), Chuzausen, Koona (Starkey), Kai Engel Story 1: Straws on the River of Time Description: Joseph Priestley was an 18th Renaissance man who helped discover oxygen. But he also invented something: the Chart of Biography. Here’s why he shouldn’t get too much credit for doing either of those things. It’s a story about one of the first times that people were turned into data. Producers: Jess Peterson and Charlie Mintz Featuring: Dr. Dan Rosenberg Music: Jared C Balogh, Ergo Phizmiz, Dexter Britain, and Circus Marcus. Story 2: Exposed Description: Kyle is on a mission to scrape every last piece of his data off the internet. He’s devoted to navigating cyberspace without leaving a trace - but privacy has a cost. Producers: Niuniu Teo and Charlie Mintz Featuring: Haha, like we’d tell you Music: Rod Hamilton (Bird); Pork Secret (Cool Crocs); Podington Bear (Operatives, Clouds Pass Softly); Marcel Pequel (Seven) Story 3: The Stories that Feed Us Description: Naomi Shihab Nye is a novelist, songwriter, and wandering poet. She tells a story about staring at people on planes, and how googling strangers can lead to a bigger life. Producers: Justine Beed, Jack Dewey, and Will Rogers Featuring: Naomi Shihab Nye Music: Podington Bear Story 4: Breathing Data Link to Image: composition Description: Jonathan Berger, a composer, teams up with a radiologist who needs to figure out a way to help calm anxious patients. His solution - have patients listen to their own data. Producer: Kate Nelson Featuring: Dr. Jonathan Berger Music: Advent Chamber Orchestra, SJ Mellia, deef, Plurabelle, ZOE.LEELA, Gustav Landin Sounds?: Coffee Shop, Deep Breath Story 5: A Single Lifetime Description: A new consciousness has just emerged - a product of all data and the interactions between it. That consciousness exists as a detached force, until falling in love teaches it to be human. Producer: Alec Glassford and Rachel Hamburg Featuring: Alec Glassford, Raven Jiang Music: YACHT (Ring the Bell (Instrumental), The Afterlife), Podington Bear (Rythn), The Shivers (Kisses, Only Mine)

Hello, my name is Tom and welcome to my podcast. Finally! :D Music: Lips by Plurabelle.

After watching sports ball all day, KAt and Devin sit down to talk about some dead scientists that were really important to the advancement of science. You would not have the life you have now without these people.James Watt - http://en.wikipedia.org/wiki/James_WattAda Lovelace - http://en.wikipedia.org/wiki/Ada_LovelaceMarie Curie - http://en.wikipedia.org/wiki/Marie_CurieRosalind Franklin - http://en.wikipedia.org/wiki/Rosalind_FranklinHosts:Devin Hunter - http://goo.gl/btHDLKathryn MarvinMusic Credits:Opening: "Wallflower" by Plurabelle - http://localrec.ro/?category_name=plurabelleClosing: "Alive" by Jahzzar - http://betterwithmusic.com/Download: http://archive.org/download/NeatStuffPodcast-Episode29/Neat-EP29.mp3