Podcasts about DJ Shadow

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emocleW, emocleW, emocleW to the Distraction Pieces Podcast with Scroobius Pip!This is your bonus FRIDAY REWIND episode! Today, we catch up with DJ Shadow, originally episode 298 from 2019-11-13.Original episode intro:"Guess who's coming… IT'S… Guess who's coming… IT'S j-j-j-just your favourite DJ saviour / using and confusing beats that you never heard / since / 1990… Ladies and gentlemen, he'll put a smile on your face like Ultra Brite - it's DJ SHADOW!"(* now that is a solid intro).Original writeup below:“…Not every musical moment affects people the same way…”A great rare treat for Shadow heads and crate digging nerds, and those who appreciate a good old fashioned music chat right here, but not only that - of course Pip and Shadow get to some really interesting ground when not dealing with the musical matters at hand, including his growing up in a remote town with limited access to hip hop which leads nicely onto how he eventually did find his way in, which then leads us into the whole Mo Wax side of things where he met and worked with James Lavelle extensively for a contained period (the foundation for which being laid by discovering NME, Melody Maker and also by the very intro of Nation Of Millions by Public Enemy - “LONDON, ENGLAND…!!!”), the Entroducing / Soldesides / Unkle / Brainfreeze eras, dealing with fan expectations and of course being taken out of context in hilarious style, nutritional value of rap from then and now, the current album ‘Our Pathetic Age' and a breakdown of lead track ‘Rosie', conjuring live sets and so much more which is all there for you to discover! Such a good one. You'll love it.PIP'S PATREON PAGE if you're of a supporting natureDJ SHADOW onlineDJ SHADOW on INSTAGRAMOUR PATHETIC AGEROSIEPHILL MOST CHILL - 'On Tempo Jack' (for reference!)PIP TWITCH • (music stuff)PIP INSTAGRAMSPEECH DEVELOPMENT WEBSTOREPIP TWITTERPIP IMDBPOD BIBLE Hosted on Acast. See acast.com/privacy for more information.

We gathered to listen through one of the most singular debut albums ever made. Here's the recording of the chat. Niall is joined at our live listening event Listen Closely in the Big Romance by Cian Galvin aka Irish hip-hop producer and crate digger The Expert to discuss... DJ Shadow - Endtroducing (1996) A towering achievement in sample-based plunderphonics, music arrangements and turntablist-lead production techniques, DJ Shadow's 1996's debut album Endtroducing remains one of the most evocative and singular classic albums of recent times. Entirely built of obscure crate-dug samples using an Akai MPC60 sampler, Endtroducing's cinematic soundscapes finds a transportive space where emotionally resonant electronica and hip-hop meet - the middle ground between light and shadow. It is considered one of the best albums of all-time, and is certainly one of mine. * Support Nialler9 on Patreon, get event discounts, playlists, ad-free episodes and join our Discord community Listen on Apple | Android  | Patreon | Pocketcasts | CastBox | Stitcher | Spotify | RSS Feed | Pod.Link The third instalment of our loosely titled Plunderphonics series for the Nialler9 Listening Party brought us to a record that, thirty years on, still doesn't quite sound like anything else. DJ Shadow's Endtroducing, released September 16th 1996 on Mo' Wax, is a record built entirely from other records - and yet it sounds like nothing any of those records ever sounded like. If you missed the night, the podcast recording is above. What follows is a bit of context and some of what we got into. The trilogy so far We've now done The Avalanches' Since I Left You and J Dilla's Donuts as part of this loose series. All three are sample-based records. All three feel like complete worlds unto themselves. There's something about the constraint of working entirely within found sound that produces a particular kind of magic - you're hearing music that was already forgotten being given an entirely new life, filtered through the taste and instincts of one person with a singular obsession. Endtroducing is the most melancholic of the three. It's not a party record or a rap record in any conventional sense. It's a cinematic, introspective piece of work - breakbeats, jazz, psychedelia, hip-hop, all of it dissolved into something that feels like its own atmosphere. The kid from Davis, California Josh Davis grew up in Davis, California, then San Jose - both outside the main cultural centres, which is something he and Mo' Wax founder James Lavelle bonded over immediately when they first spoke by phone. Lavelle had grown up in Oxford. Both felt like outsiders to the scenes they were drawn to. Shadow was experimenting with a four-track recorder in high school and DJing on the campus radio station KDVS at UC Davis before he'd made a single release. By 1993 he was part of the Solesides underground hip-hop collective alongside Blackalicious, Lateef, and Lyrics Born. Lavelle found him through a B-side remix on a forgotten hip-hop promo, tracked him down through a friend at Tommy Boy Records, and told him: "Don't worry about choruses and verses, just push your sound further." That's more or less what he did. The equipment The entire album was made on an Akai MPC60 II, a pair of turntables, and an Alesis ADAT tape recorder that belonged to Dan the Automator. Shadow was 23 years old. The MPC could sample 2.5 seconds of stereo and store 13 seconds total. Everything on the record - the beats, the melodies, the percussion - had to be constructed within those limits. Self-imposed limitation producing something that infinite digital possibilities probably couldn't. There's a reason we don't really get records like this anymore, and it's partly because the tools have become too open-ended. The seams and the constraints are part of what gives Endtroducing its particular texture. The crates Shadow spent his days in the basement of Rare Records in Sacramento, a shop with records piled to the ceiling. He found a mummified bat down there once. The cover photograph, taken by B+, shows producer Chief Xcel and Lyrics Born (in a wig) in that same basement. It's as good a visual summary of the album's ethos as you'll find anywhere. He made it a rule to avoid sampling obvious or well-known material. The samples he pulled were largely from forgotten funk, soul, jazz, experimental, and sound library records - music that had no audience left and no commercial future. He rescued them. The liner notes credit everything, including the big clearance cases: Metallica, Björk, and the David Axelrod piano loop that anchors 'Midnight in a Perfect World'. Lavelle handled the clearances. "The samples were pretty easy to clear," he said. "It's different when you're sampling some Swedish drum break from 1970 than sampling James Brown." The album itself Endtroducing feels like a place. Not a collection of tracks but a world you enter at the start and leave at the end, slightly altered. The drums on 'Building Steam with a Grain of Salt', the disorienting loop of 'Changeling', the controlled chaos of the second half of 'Scatter Brain', the three-part sweep of 'Stem/Long Stem', the ache of 'Midnight in a Perfect World'. It's not a happy record. Shadow said himself that feelings of self-doubt and depression came through in the music during production. You can hear it. The Wire's first ever review called it "a debut of melancholic mediocrity." Melody Maker said "you need this record. You are incomplete without it." The bigger question There's a clip of Shadow in the Rare Records basement that gets used a lot in discussions about Endtroducing. He gestures around at the records and says: "Almost none of these artists still have a career. Ten years down the line, you'll be in here." It's a bleak thought, but also the central one. Sampling asks us to reckon with music's ephemerality - but it also offers a counter-argument. These records survived because Shadow found them. Their sounds are in the album. They're still being heard.

In this episode, Eddie Bazil breaks down the different types of EQ, explains their most common uses in mixing and production, and demonstrates how they shape and enhance sound with practical audio examples.Chapters00:00 - Introduction00:48 - What EQ Is And Different Types01:33 - Active And Passive02:45 - Linear Phase And Minimum Phase03:46 - High-Pass and Low-Pass Filters04:36 - Example 1: Using Synth Filters06:47 - Common Functions Of EQ07:27 - Example 2: Shaping A Kick Drum10:31 - Example 3: Rebalancing An Acoustic Guitar13:48 - Selecting The Right EQ Shape15:55 - Managing Redundant Frequencies18:15 - Example 4: Rebalancing A Mix#PultecEQP-1 #XferSerum #BozDigitalTransgressor2 #EventideSplitEQ #SonibleEntropyEQ+ #SSLNativeXSaturator #SSLValveComp #TokyoDawnTDRArbiterTrack CreditsExample 2: from 'Puppet' by John Walden.Example 3: from James Perret.Example 4: from 'Another Way' by forester. Written, performed and produced by René Schneeberger.https://foresterdnb.bandcamp.com/musichttps://open.spotify.com/intl-de/artist/2BtzZiEDaReXLveskYtYkmhttps://soundcloud.com/foresterdnbhttps://cambridge-mt.com/Eddie Bazil BiogEddie Bazil launched his music industry career at the age of 17 as a synth programmer for a range of Electro / New Wave bands, including Art Of Noise, Spandau Ballet, Pet Shop Boys, Bobin, Paul Dee, DJ Krush, DJ Shadow, Jets Orchestra, and many more. By his 20s, he was working as a sound designer for Akai, Roland, Emu/Ensoniq, eventually signing on exclusively with the latter. Later, due to a growing demand for software instruments and libraries, Eddie began developing libraries for various software manufacturers, including Native Instruments, Kiesel, Sound Effects Library, Rob Papen, Arturia, and Propellerheads.During this time, he trained in music production. He soon gained several prominent contracts working with some notable artistes such as Busta Rhymes, Greensleeves, 9 Bar, SFP, Sleeveless, Chris Campbell and Gam Productions. He contracted to Island Records and Chrysalis as a producer and remixer, and was commissioned to write the score for Macbeth that ran at 2 Way Mirror at Alexander Palace for the Cambridge Shakespeare Company. This led to him offering educational workshops and classes, and becoming a contributing creator and Forum moderator for Sound On Sound.Recently, he was invited by the Recording Academy to become a professional member, approved educator, and mentor for their member base. Eddie now concentrates on providing private sound design and mixing/production tuition, and creating content for Sound On Sound magazine.https://eddiebazil.co.uk/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

Our guest today is George Evelyn aka DJ EASE, he is the songwriter and producer behind the iconic band Nightmares on wax. If like me you came up through the 90s then Nightmares on wax were an inescapable joy that sat alongside Massive Attack, Portishead, DJ Shadow and other legends of the down beat music scene that provided many a soft landing for every raver. Since 1989 George has been creating Jazz inflected, dub tinged, Hip-Hop influenced mood music with a timeless feeling of craft and soul. This 13 album journey has taken him from humble beginnings to sell out shows at Royal The Albert Hall. Nightmares on wax are celebrating the classic albums 'Inna Space - Outta Sound' & 'Smokers Delight' which have matured to an amazing 20 and 30 years respectively. To mark the anniversary of 'Inna Space - Outta Sound' George has commissioned (friend of the pod) and reggae legend Adrian Sherwood to reconstruct the record in his own inimitable style. It is, of course, yet another triumph and a fitting tribute to the legacy of Nightmares on wax. Still moving forward and seemingly still in love with music - we are delighted to welcome George Evelyn to the podcast. Hosted on Acast. See acast.com/privacy for more information.

Como poco, resulta curioso que le pongas tu propio nombre a una banda y, en cambio, para tu proyecto en solitario elijas un alias que suena casi a advertencia. Porque The Marías es la banda de María Zardoya, pero en su debut en solitario ha optado por llamarse Not For Radio. Es cierto que sus canciones quizá no encajan en la radio comercial, aunque sí encuentran su lugar en una emisora diferente, como Radio 3. En esta sesión te invitamos a adentrarte en Bloom, el EP que acaba de publicar.Además, Cora Yako responden a nuestro cuestionario cultural en FAQ! Y planteamos un Punto de Encuentro a través del tiempo a propósito de 'Mi querida señorita'. El director de la relectura actual, Fernando González Molina, reacciona a las respuestas del director original, Jaime de Armiñán, en una entrevista en TVE en 1972. Playlist:BRONQUIO, CARLANGAS - Contigo, Contigo, ContigoLorenzo Soria, Sebastián Orellana - Tus Ojitos MorosPaco Moreno - Mirada de piradaJapanese Breakfast - Be SweetParcels - LightenupFuture Islands - A Dream of You and MeMGMT - Electric FeelAlizzz - DestellosC. Tangana, Alizzz - Llorando en la LimoC. Tangana - BolsasChucho - Abre todas las ventanasCarolina Durante - Dios PlanDinosaur Jr. - The WagonMilitarie Gun - Very HighMargarita Quebrada - AzulSal del Coche - Año 2000Squid - G.S.K.Fontaines D.C - Sha Sha Sha Broken Social Scene - Not Around AnymoreAlabama Shakes - American DreamDj Shadow, Run The Jewels - Nobody SpeakAvalon Emerson - Happy BirthdayVegyn - Sexy Boy (Blue Moon Safari version)Fontaines D.C. - Skinty FiaKneecap - Irish Goodbye (feat. Kae Tempest)Vince Staples - Blackberry MarmaladePovoa - Shut Me DownFcukers - If you wanna party, come over to my houseNine Inch Nails, Boys Noize - HeresyGraham Coxon - Billy SaysGorillaz - Casablanca (feat. Paul Simonon, Johnny Marr)Blur - Charmless ManYerai Cortés - ROTO X TIROSALIA - Focu ‘ranniBon Iver - HEY, MA (Pitchfork Music Festival, Chicago IL. July 23 2023)Gia Margaret - Good FriendSofia Comas, Julieta Venegas - El PrecipicioBuscabulla - MeraverahíThe National - Fake EmpireDeath Cab For Cutie - Punching the FlowersAmerican Football, Brendan Yates - No Feelingdani dicostas - Ya no llueveNot for Radio - KittenJessie Ware - Love You ForFillas de Cassandra - am0rLykke Li - Lucky AgainDesire - Bizarre Love TriangleEscuchar audio

J. Willgoose, Esq. is a multi-instrumentalist, composer, and producer best known as the founding member of the conceptual electronic rock group Public Service Broadcasting. Blending vintage synthesizers, samplers, and traditional instrumentation with extensive archival audio, he is recognized for constructing thematic musical narratives based around historical events. Known for his focused approach to sequencing and live looping, Willgoose effectively integrates old broadcast samples and public information films into atmospheric electronic and rock textures across albums like The Race for Space and Every Valley. We chat his and PSB’s career to date and get some great insights into what is an incredibly complicated live show. To listen / watch: Audio-only: click on the play button in the audio player above, or: Video: watch the embedded video below or check it and previous episodes out on our YouTube Channel Discussion topics covered during the show (links will open in new tab):   Night Flight – The Last Flight Remixes Electra – Late Night Final Remix J. Willgoose Esq’s musical upbringing The Manic Street Preachers The genesis of Public Service Broadcasting The Yamaha CS6x Public Service Broadcasting – People Will Always Need Coal Public Service Broadcasting – The Now Generation Expanding Public Service Broadcasting to a full band J’s love for Reaper as a key component of PSB’s live performances J’s keyboard rig and love of the Roland Fantom series The challenges (and documentation) involved in a highly complex and integrated rig set-up amomgst multiple musicians Public Service Broadcasting – Sputnik Redundancy and backups Operating a keyboard and guitar rig and level of integration Public Service Broadcasting – Towards The Dawn Public Service Broadcasting live at the Royal Albert Hall Public Service Broadcasting with the London Contemporary Orchestra A discussion on orchestras and experimentation Public Service Broadcasting – Bright Magic The SOMA Labs Ether The next Public Service Broadcasting album J. lists some key musical inspirations Datassette OMD – Second Thought J’s train wreck stories Desert Island Discs: Endtroducing – DJ Shadow, In Rainbows – Radiohead, Blade Runner – Vangelis, Symphony No. 6 “Pathetique” – Tchaikovsky, Intermezzo (Cavalleria Rusticana) – Monleone and Mascagni Key links: Become a member of our YouTube channel and receive extra content Buy some keyboard related merchandise Drop us a line via the website, Facebook, Instagram, Reddit, Threads, BlueSky, TikTok or LinkedIn Complete our audience survey to help us improve! Check out our podcast guest playlist on Spotify to get a taste of each guest’s creations.The post J. Willgoose Esq., Public Service Broadcasting appeared first on The Keyboard Chronicles.

WiscoJazz-Cast Episode 247 mixed by dj lukewarm Episode Two Hundred and Forty Seven features Downtempo, Trip Hop, Midtempo, & House music... 01 - Barry Can't Swim - Chala (My Soul Is On A Loop) [LateNightTales] 02 - The Planty Herbs - Music Is The Word [Wax] 03 - DJ Mitsu the Beats - Wait So Long [Jazzy Sport] 04 - 53 Thieves - Heights [Too Future] 05 - Sade - Love Is Stronger Than Pride (Mad Professor Remix) [Epic] 06 - Flamingosis - Everything Comes And Goes [Kahuna Style] 07 - Dexter - Lautinus [Melting Pot Music] 08 - Vanilla - Too Much [Chillhop Music] 09 - Akshin Alizadeh - In All Respects [Cold Busted] 10 - ????? THOUGHTS - Visions Of You [business casual] 11 - Kid Kenobi - Check the Rhime [That's Not An Edit] 12 - DJ Shadow feat. De La Soul - Rocket Fuel [Mass Appeal Records] 13 - Coflo - Made You Do It, Look [G.A.M.M.] 14 - Kool Customer - Endless Summer [Bastard Jazz Recordings] 15 - Chromeo - Words With You [Chromeo Recordings] 16 - Austin Millz - Nobody Khan (Ain't Nobody) [Perfect Havoc] 17 - Childish Gambino - To Be Hunted [RCA Records] 18 - Shannon x Mark Ronson - Let the Music Play x Stop Me (Beatapella In) (MM Mashup Edit) 19 - Whiskey Disco - We Call It Good 2 Me [Whiskey Disco] 20 - HallMighty - Let's GO All The Way 21 - Jungle - Candle Flame (lukewarm edit) [Caiola Records] 22 - Jamiroquai - Cloud 9 (Purple Disco Machine Remix) [Virgin EMI Records] 23 - YAME - As I Ran (Original Mix) [Organic Tunes] 24 - Sofia Kourtesis - Si Te Portas Bonito [Ninja Tune] 25 - ANOTR feat. Erik Bandt & Leven Kali - How You Feel [NO ART] 26 - O'Flynn x Ahmed Fakroun - Soleil [O'Flynn] 27 - Pasteur Lappe and Walker & Royce featuring Ardalan - Na Real Sekele Fo'Ya (Escapade Edit) [A7 Edits] Hope you enjoy. -dj lukewarm https://linktr.ee/djlukewarm http://djlukewarm.com http://hearthis.at/djlukewarm http://www.mixcloud.com/djlukewarm http://djlukewarm.podomatic.com https://soundcloud.com/wiscojazz http://www.youtube.com/WiscoJazzCast RSS: http://djlukewarm.podomatic.com/rss2.xml   Photo by Maor Attias on Pexels

Just a quick hello to say, here's the show. It's got both of us in the studio which isn't going to happen again for at least a week. If things go according to plan, Steve will be flying solo on Sunday. It is the Easter Bank Holiday weekend though so if you haven't got work, do tune in and say hi!This show may or may not work on Mick's Cloud. There's a song by DJ Shadow that's technically 6 songs, so it might get flagged for copyright. If that's the case, sorry!As always though, get in touch with requests, recommendations and guest mix inquiries!https://www.instagram.com/radionighttrain/https://bsky.app/profile/thenighttrain.co.ukDon't forget, we're also available for family functions, weddings, funerals, boat launches and more.SHOW NOTESBeck - Beercan on Whiskeyclone.nethttps://whiskeyclone.net/ghost/songinfo.php?songID=26Diminishing Returns Pt.1 by DJ Shadow by EARS@PEACE | Mixcloudhttps://www.mixcloud.com/afrodamus/diminishing-returns-pt1-by-dj-shadow/DJ Shadow- Diminishing Returns - Pt.2 by CPS SOUNDS | Mixcloudhttps://www.mixcloud.com/cps/dj-shadow-diminishing-returns-pt2/WFMU: Sophisticated Boom Boom with Sheila B.: Playlists and Archiveshttps://wfmu.org/playlists/CFDogpatch on YouTubehttps://www.youtube.com/@dogpatchDogpatchhttps://dogpatch.libsyn.com/DNTEL - Enya Mixes - Boomkathttps://boomkat.com/products/enya-mixesTRACKLISTINGLove - Seven and Seven IsKing Curtis - Night TrainLittle Jimmy Dickens - Take An Old Cold Tater (And Wait)The Creation - Making TimeVerckys et l´Orchestre Vévé -- Ya NiniBeck - BeercanGrandmaster Flash - The MessageFBD Project - The CorePaperclip Minimiser - II A3The West Coast Pop Art Experimental Band - I Won't Hurt YouThe Goodies - Sophisticated Boom BoomBrentford All Stars - Greedy GDJ Shadow - Entropy - Intropy + The Third Decade, Our Move + Count and Estimate (feat. Gift ofGab) + B-Boy's Revenge + Back to Back Breaks + DJ Shadow's ThemeIkebe Shakedown - No AnswerCaptain Beefheart and The Magic Band - Pompadour SwampThe Chantays - PipelineMe Pay Too Small - The Resurrection of St VincentOtis G Johnson and Jan Milledge - Get To HeavenArtifacts - Wrong Side of Da Tracks Hermanos Guierrez - El Bueno y el MaloBill & Jean Bradway - Paradise IsleNeil Young - Love And WarDntel - On Your ShoreSega Bodega - PipeAphex Twin - XtalSpecial Friend - OOO

For DC House Grooves 186, we welcomed DJ Osmose @osmose (Smokecloud Records) for a special all-vinyl session, originally broadcast live on Saturday March 21st, 2026. For this edition, we went fully analog. All vinyl, all night. No CDJs, no digital shortcuts. Just turntables, deep crates, and the kind of musical journey that only comes from DJs who live and breathe records. Our special guest DJ Osmose is a turntablist with more than 26 years behind the decks, known for wide-ranging sets that moved fluidly between disco, 70s funk & soul, 80s boogie, golden era hip-hop, reggae, Brazilian cuts, and deep house while always keeping the dance floor in focus. Osmose has shared the stage with artists including Grandmaster Flash, DJ Shadow, Cut Chemist, Kai Alce, Ursula 1000, Lee “Scratch” Perry, and The Wailers, and has toured extensively across North America, South America and the Caribbean. Osmose is also the founder of Smokecloud Records, a strictly vinyl-only label focused on soul and funk driven dance music reworks for DJs who value musical range and analog sound. His productions have appeared on respected labels including Whiskey Disco, Masterworks Music, Honey Disco & Pizza Night, Friendly Monster Records, Editor's Kutz, Magic Wand, and Wall of Fame, with 36 vinyl releases to date. DC House Grooves residents Andy Grant & Katrina Mir were on support to set the tone and establish the groove. Broadcast Details DC House Grooves 186 Special Guest: DJ Osmose (Smokecloud Records) Saturday March 21 5pm EST / 9pm GMT Streaming live via Underground Quality Live Follow DC House Grooves YouTube https://youtube.com/@UQLive Instagram https://instagram.com/dchousegrooves SoundCloud https://soundcloud.com/dchousegrooves DC House Grooves is a vinyl-focused underground house music livestream featuring extended DJ sets from the DC, Baltimore, Detroit, and global underground scenes. Similar to: Boiler Room DJ set, Hör Berlin DJ set, Mixmag Lab DJ set, vinyl house DJ set, underground house music livestream, deep house vinyl set, Detroit techno DJ set, electro DJ set, late night house music session. #DCHouseGrooves #VinylDJSet #HouseMusic

This week's show focuses on Massive Attack's Blue Lines, celebrating its 35th anniversary this year. Features tracks from Massive Attack's first three albums, as well as contemporary artists such as Shara Nelson, Burning Spear, Tricky and Mad Professor. Also includes songs from DJ Shadow, Dimmer and Jamiroquai!

Eddie Bazil demonstrates creative uses of advanced automation as a musical tool in the DAW, showing how automation can add movement, expression and musical detail. The episode covers shaping arpeggiated parts, using MIDI CC for dynamic control, modulating vocal tracks and applying MIDI note expression to enhance performance.Chapters00:00 - Introduction01:49 - Setting Up Automation Lanes02:30 - Example 1: Adding ARP Movement04:51 - Example 2: Using MIDI CC For Velocity07:41 - Example 3: Modulating A Vocal Track 14:52 - Example 4: MIDI Note Expression In A DAW #gforce #imposcar3 #cubase #deviousmachines #infiltrator2 #cableguys #shaperbox #ovoxvocoder #eventide #blackholeSee Also:https://www.soundonsound.com/techniques/using-phaser-effects-podcast Eddie Bazil BiogEddie Bazil launched his music industry career at the age of 17 as a synth programmer for a range of Electro / New Wave bands, including Art Of Noise, Spandau Ballet, Pet Shop Boys, Bobin, Paul Dee, DJ Krush, DJ Shadow, Jets Orchestra, and many more. By his 20s, he was working as a sound designer for Akai, Roland, Emu/Ensoniq, eventually signing on exclusively with the latter. Later, due to a growing demand for software instruments and libraries, Eddie began developing libraries for various software manufacturers, including Native Instruments, Kiesel, Sound Effects Library, Rob Papen, Arturia, and Propellerheads.During this time, he trained in music production. He soon gained several prominent contracts working with some notable artistes such as Busta Rhymes, Greensleeves, 9 Bar, SFP, Sleeveless, Chris Campbell and Gam Productions. He contracted to Island Records and Chrysalis as a producer and remixer, and was commissioned to write the score for Macbeth that ran at 2 Way Mirror at Alexander Palace for the Cambridge Shakespeare Company. This led to him offering educational workshops and classes, and becoming a contributing creator and Forum moderator for Sound On Sound.Recently, he was invited by the Recording Academy to become a professional member, approved educator, and mentor for their member base. Eddie now concentrates on providing private sound design and mixing/production tuition, and creating content for Sound On Sound magazine.https://eddiebazil.co.uk/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

It … is happening … again! This week, Producer Mike rings in 2026 with NorCal producer DJ Shadow's 1996 masterpiece Endtroducing….., whose release was a watershed moment for the art of instrumental hip-hop. It's in the Guinness Book of World Records as the first album to be composed entirely out of sampled sounds, but focusing on the technical achievement seriously undersells the depths of Shadow's artistry. This is lively, organic music, with compositions that feel like sculptures crafted from the clay of music history, and the entire 21st-century DJing movement stands on the foundation of what Shadow accomplished here. Mike himself is a composer of sample-based music (including our awesome theme song) and a long-time admirer of Shadow's work, and he's invited Rich and returning special guest Shivam Bhatt to deconstruct an album that builds a mighty head of steam out of a grain of salt.Cohosts: Mike DeFabio, Rich Bunnell, Shivam BhattComplete show notes: https://discordpod.com/listen/170-dj-shadow-endtroducing-1996Discord & Rhyme's merch store: http://tee.pub/lic/discordpodSupport the podcast! https://www.patreon.com/discordpod

Madlib bygger en katedral medveten om att han själv inte kommer att få uppleva slutförandet. Tidslinjen sträcks ut i hans musik som är full av lekfullt genrehoppande och innovationer. Lyssna på alla avsnitt i Sveriges Radios app. Madlib samlar själar och gör collage av viskningar och skuggor. Ger det förgångna mening och ett nytt liv när han hittar outforskade vägar i originalmusiken. Det handlar bland annat om Madlibs klassiska samarbeten som albumen med syskonsjälarna J Dilla (Jaylib) och MF Doom (Madvillain) samt den otippade alliansen med Freddie Gibbs. Efter Dillas bortgång gick Madlib in för allt ännu hårdare, och drog sig undan när han förfinade en ordlös kommunikation. Bilderna på omslaget till 2005-års album ”The further adventures of Lord Quas”, som kom nio månader innan Dillas död, hör ihop med ”Donuts”. J Dilla i fönstret medveten om sitt öde uppmanar Madlib att fortsätta göra sin grej, ”freak out”. Det ser ut som en överenskommelse mellan musikerna. Världen brinner och Dilla försvinner, medan Madlib lever vidare och förstärker viljan att experimentera hos såväl utövare i underjorden som hos mer kommersiella artister.Den andra och sista delen är baserad på två möten med Madlib. Mats Nileskär intervjuar även Peanut Butter Wolf, MF Doom, Freddie Gibbs, Cut Chemist, DJ Shadow, Oh No, Dudley Perkins, Georgia Anne Muldrow, Dur-Dur Band, Ata Kak och Large Professor.

Segunda y última entrega en la que recopilamos algunos de nuestros discos nacionales favoritos de este 2025. Un programa en el que nos permitimos ahondar en esos álbumes que han sido la banda sonora de este año para compartir contigo algunas de sus joyas más allá de los singles.También escuchamos la playlist colaborativa que hacemos con los mensajes que nos dejas en el contestador del 913461108.Playlist:SBTRKT - New Dorp, New York (feat. Ezra Koenig)DJ Shadow feat. Run the Jewels - Nobody SpeakTV on the Radio - DLZAnna von Hausswolff - The IconoclastSigur Rós - SæglópurCaracazador - Mi RostroOddliquor - Con LoQ1 NaceÇantamarta - MotorizadoRocío Márquez, Bronquio, 41V1L - De MíJorja Smith - On Your OwnDaniel Caesar - Get You (feat. Kali Uchis)Tyler, The Creator - Darling, I (feat. Teezo Touchdown)Sen Senra - PadianteSen Senra - Por Si VuelveSVSTO - AlphaSVSTO - AP7SVSTO - Mil€Shego - Aunque DuelaShego - arghHhh!Shego - Curso Avanzado de PerraCarlos Ares - Un Beso de SolCarlos Ares - CollarCarlos Ares - PáramoRufus T. Firefly - El Principio de TodoRufus T. Firefly - Camina a Través del FuegoRufus T. Firefly - El Coro del AmanecerNatalia Lacunza - Faber CastellNatalia Lacunza - RápidoNatalia Lacunza - SABES QUÉ???Guitarricadelafuente - Pipe DramGuitarricadelafuente - Full Time PapiGuitarricadelafuente - Babieca!Rusowsky - Johnny GlamourRusowsky - Liar?Rusowsky - Pink+PinkPablopablo - Siempre Te Quiero a VecesPablopablo - De Vez en CuandoPablopablo - Eso Que Tú Llamas AmorRosalía - PorcelanaRosalía - La YugularEscuchar audio

Les références : La Chaîne Météore sur Grise Bouille Someone Like You (chanson d'Adèle), soupçon de plagiat sur Wikipédia Blues à 12 mesures sur Wikipédia ‘Airbag' : The Radiohead song that failed to “sound like DJ Shadow” sur Far Out Magazine (EN) Mais pourquoi les IA ne savent pas représenter une horloge à 12 h 30 ? Et autres bizarreries… sur FuturaVous pouvez mettre un commentaire pour l'épisode. Et même mettre une note sur 5 étoiles si vous le souhaitez. Et même mettre une note sur 5 étoiles si vous le souhaitez. Il est important pour nous d'avoir vos retours car, contrairement par exemple à une conférence, nous n'avons pas un public en face de nous qui peut réagir. Pour mettre un commentaire ou une note, rendez-vous sur la page dédiée à l'épisode.Aidez-nous à mieux vous connaître et améliorer l'émission en répondant à notre questionnaire (en cinq minutes). Vos réponses à ce questionnaire sont très précieuses pour nous. De votre côté, ce questionnaire est une occasion de nous faire des retours. Pour connaître les nouvelles concernant l'émission (annonce des podcasts, des émissions à venir, ainsi que des bonus et des annonces en avant-première) inscrivez-vous à la lettre d'actus.

Caroline & Jobst im Gespräch mit Anja. Wir reden über Fragen an die Oma, Torten in Gesichter, richtiger Punk erst mit Anfang 20, Schubladen, Dr. Alban vs. Haddaway, ganz großer Nirvana-Fan sein, Karlsquell, die T-Stube in Rendsburg, Zugangscodes zu Zentren, Bully-mäßig Sein, die Beverly Hills-Gang, keine Namen - keine Strukturen, die Kommunisten-Gruppe (weil keine Pferde), Spanisch in Kiel, unbezahltes Praktikum in Berlin, Ninja Tunes & Minimal, DJ Shadow, PR-Praktikum in London, Communication Management an einer Fachhochschule in Amsterdam, endlich Leipzig, Against Me im Zoro, Tangled Lines & Dean Dirg, der Hardcore-Dienstag, Friday on my Mind in Ilses Erika, endlich Riot Grrrl kennenlernen, den Style von Tocotronic schon geil finden, die Gründung von Kenny Kenny Oh Oh, "Hier fehlt noch ne Frauenband", mehrmals auf der Fusion, zwei Löcher in der Wand, auf dem Gesang rumreiten, Carolines Riot Grrrl-Story, das Instrument spielt eher Anja als sie das Instrument, die Wichtigkeit Räume zu schaffen, die Szene-Checker aus der ersten Reihe, die damalige Relevanz von Ladyfesten, viel mehr Sichtbarkeit, zum ersten Mal Corona, Leute vom Fahrrad aus anpöbeln, die Gedenkstätte für Zwangsarbeit in Leipzig, Bildungsarbeit & Buchhaltung, Diskurs-Verschiebungen merken, Anfragen ans Bundesarchiv, ein Glas Nutella, Sonne & Fahrrad & Natur, im Alltag die Jungle World lesen, Landschafts- und Tierdokus, Waschbären in Berlin, vor 10 Jahren das letzte Mal betrunken, uvm.Drei Songs für die Playlist:1) Ein Lied das Anja mit ihrer Jugend in der norddeutschen Provinz verbindet: NIRVANA - Come As You Are2) Ein richtig guter Song aus Leipzig: KENNY KENNY OH OH - The Beauty of Absenteism 3) Ein aktuelles Lieblingslied: SYNDROME 81 - Brest la grise

I'm feeling a tiny bit too gassed to look it up, but I think this is maybe the fourth-consecutive episode of the podcast to drop on Thanksgiving.Thursdays aren't fantastic for metrics it seems, but what's more likely is that this thing just isn't really marketable in terms of audience growth.And that's okay. There was never a pipe dream to have it all blow up. It's always been about connecting with people and sharing stories. And I'm pretty proud to be closing in on 200 episodes/four years of sittin' down with folks to talk about life and music.Point being, nobody's really paying attention to anything on Thanksgiving; they're all movin' around and preparing and whatnot. Most folks, anyway. And I want to give a special shoutout to those that aren't: To those that have spent or do spend this particular holiday without friends or without loved ones -- shouts out to you. You are loved, even if sediments of solitude occupy a portion of your day. Or your life.I don't know how the way current times feel compares to The Depression or Civil Rights or the late '70s when there were gas lines or any of the rest of it. I just know that it makes me a little sad everyday that people are being ugly to each other.It almost feels criminal to discover yourself enjoying something like a little time away from the grind when there are people out there that would give anything to have the grind be a part of their lives.So, I'd like to just...share a human moment, and say that I appreciate all of you that are currently inhabiting the planet. I mean, if you're fuckin' with other people and doin' creepy shit that ain't kosher -- well -- knock that off.People in traffic annoy me often. Same with comments-section campers. And don't get me started on the homeslices and the girlfriends that think that what's happening in the United States right now is fine. Lemme tell ya': Fine would be fantastic. Shit's "pretty fuckin' far from okay."So hopefully today some of you can wiggle yourself into that once-familiar feeling of things being okay, and you can enjoy your sweet potatoes, and compliment the pie crust, and -- of course -- offer to do the dishes.Anyway...Matthew Naquin is this week's guest. He was kind enough to share some of a Tuesday evening with me a couple of weeks ago, and together we hammered out Episode No. 192.We talked about his illustrations (Check him out on Instagram at @thesanmateo.), his music (thesanmateo.com plus Bandcamp, Spotify, and Apple Music), life, family, comedy, and a bunch more, including a few of his favorite records, which were these:U2's The Joshua Tree (1987)Gentlemen (1993), The Afghan WigsPortishead's Dummy (1994)F# A# Infinity (1997), Godspeed You! Black EmperorRadiohead's Amnesiac (2001)Check out our chat, and check out all things Matthew Naquin/San Mateo. Cheers and thank you.Copyright Disclaimer Under Section 107 of the Copyright Act 1976: Allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. That being said, I do not own the rights to the audio clips contained within this episode. They are snippets from a DJ Shadow tune called, "What Does Your Soul Look Like, Pt. 1 (Blue Sky Revisit)," and you can find this cut on his 1996 release, Endtroducing, c/o Mowax Recordings, A&M Records, Ltd.

816 DJ Shadow - Endtroducing

In this introspective but delightfully nerdy episode, Professor Aubrey and Tim the Nerd dive deep into the world of attachment styles—how they form, how they play out in relationships, and how they show up in the stories we love. They kick things off by examining their own tendencies, exploring how their personal attachment patterns shape the way they connect with others.From there, the conversation launches into a character-driven breakdown of famous fictional relationships. They analyze the anxious-avoidant chaos swirling around Anakin and Padmé in Star Wars, the stop-and-start emotional boomerang that defines Ross and Rachel on Friends, and the surprisingly secure, gloriously spooky devotion between Gomez and Morticia Addams. Along the way, they highlight how attachment theory helps make sense of why these couples resonate—or unravel.The duo then shifts gears into their Songs of the Week and introduces a brand-new YouTube Music playlist they've curated for listeners. Professor Aubrey discusses New York Groove from KISS/Ace Frehley, while Tim brings the heat with Nobody Speak by DJ Shadow. Tim also shares a link to an Ace Frehley Tribute Playlist he's crafted on YouTube for anyone wanting to dive deeper into Frehley's work.It's an episode filled with emotional insight, pop-culture fun, music recommendations, and the trademark warmth and wit that define Friends Talking Nerdy. A perfect listen for fans who love a little psychology sprinkled into their fandoms.As always, we wish to thank Christopher Lazarek for his wonderful theme song. Head to his ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for information on how to purchase his EP, Here's To You, which is available on all digital platforms.Head to Friends Talking Nerdy's⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠for more information on where to find us online.

Madlib bygger en katedral medveten om att han själv inte kommer att få uppleva slutförandet. Tidslinjen sträcks ut i hans musik som är full av lekfullt genrehoppande och innovationer. Lyssna på alla avsnitt i Sveriges Radio Play. Madlib samlar själar och gör collage av viskningar och skuggor. Ger det förgångna mening och ett nytt liv när han hittar outforskade vägar i originalmusiken. Det handlar bland annat om Madlibs klassiska samarbeten som albumen med syskonsjälarna J Dilla (Jaylib) och MF Doom (Madvillain) samt den otippade alliansen med Freddie Gibbs. Efter Dillas bortgång gick Madlib in för allt ännu hårdare, och drog sig undan när han förfinade en ordlös kommunikation. Bilderna på omslaget till 2005-års album ”The further adventures of Lord Quas”, som kom nio månader innan Dillas död, hör ihop med ”Donuts”. J Dilla i fönstret medveten om sitt öde uppmanar Madlib att fortsätta göra sin grej, ”freak out”. Det ser ut som en överenskommelse mellan musikerna. Världen brinner och Dilla försvinner, medan Madlib lever vidare och förstärker viljan att experimentera hos såväl utövare i underjorden som hos mer kommersiella artister.Den andra och sista delen är baserad på två möten med Madlib. Mats Nileskär intervjuar även Peanut Butter Wolf, MF Doom, Freddie Gibbs, Cut Chemist, DJ Shadow, Oh No, Dudley Perkins, Georgia Anne Muldrow, Dur-Dur Band, Ata Kak och Large Professor.

Eddie Bazil explores advanced vocal processing techniques to achieve a clean, professional vocal track. He demonstrates how to control sibilance, tame resonances and apply quick corrective steps that enhance vocal clarity and ensure the performance sits perfectly in the track.Chapters00:00 - Introduction00:30 - Common Vocal Track Issues01:04 - Example 1: De-essing Sibilance08:57 - Example 2: Taming Resonance With EQ16:13 - Example 3: Reverb Ducking25:22 - Example 4: Frequency DuckingTrack CreditsExample 1 - written and performed by David Plummer and Becky Bremner - https://www.smokinggoats.co.ukExamples 2, 3 and 4 - ‘Puppet' written, performed and recorded by John Walden, vocals by Yvonne McKeown#SSLVocalStrip #FabFilterProDS #FabFilterProQ3 #FabFilterMBC #FabFilterProC #UnfilteredAudioTails #TokyoDawnNovaGEEddie Bazil BiogEddie Bazil launched his music industry career at the age of 17 as a synth programmer for a range of Electro / New Wave bands, including Art Of Noise, Spandau Ballet, Pet Shop Boys, Bobin, Paul Dee, DJ Krush, DJ Shadow, Jets Orchestra, and many more. By his 20s, he was working as a sound designer for Akai, Roland, Emu/Ensoniq, eventually signing on exclusively with the latter. Later, due to a growing demand for software instruments and libraries, Eddie began developing libraries for various software manufacturers, including Native Instruments, Kiesel, Sound Effects Library, Rob Papen, Arturia, and Propellerheads.During this time, he trained in music production. He soon gained several prominent contracts working with some notable artistes such as Busta Rhymes, Greensleeves, 9 Bar, SFP, Sleeveless, Chris Campbell and Gam Productions. He contracted to Island Records and Chrysalis as a producer and remixer, and was commissioned to write the score for Macbeth that ran at 2 Way Mirror at Alexander Palace for the Cambridge Shakespeare Company. This led to him offering educational workshops and classes, and becoming a contributing creator and Forum moderator for Sound On Sound.Recently, he was invited by the Recording Academy to become a professional member, approved educator, and mentor for their member base. Eddie now concentrates on providing private sound design and mixing/production tuition, and creating content for Sound On Sound magazine.https://eddiebazil.co.uk/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

Itunes iVoox Spotify Bienvenidas y bienvenidos todos. Aquí estamos, de nuevo, en el podcast de hacercanciones.com , un día más con el veneno de la música y las canciones recorriendo nuestras venas.  Como podéis comprobar, estoy inspirado, demasiado tal vez, (no me lo tengáis muy en cuenta) y, en cualquier caso, este estado de ánimo me va a venir bien para hablar del tema de hoy, de una técnica moderna, pero que ya tiene unas buenas décadas a sus espaldas, una técnica y unos dispositivos con los que podemos crear música de una forma distinta a las tradicionales. Me refiero a los samplers, a los dispositivos que utilizan muestras de audio para crear música nueva, lo que se suele llamar generalmente, sampling. #mailpoet_form_3 .mailpoet_form { } #mailpoet_form_3 .mailpoet_column_with_background { padding: 10px; } #mailpoet_form_3 .mailpoet_form_column:not(:first-child) { margin-left: 20px; } #mailpoet_form_3 .mailpoet_paragraph { line-height: 20px; margin-bottom: 20px; } #mailpoet_form_3 .mailpoet_segment_label, #mailpoet_form_3 .mailpoet_text_label, #mailpoet_form_3 .mailpoet_textarea_label, #mailpoet_form_3 .mailpoet_select_label, #mailpoet_form_3 .mailpoet_radio_label, #mailpoet_form_3 .mailpoet_checkbox_label, #mailpoet_form_3 .mailpoet_list_label, #mailpoet_form_3 .mailpoet_date_label { display: block; font-weight: normal; } #mailpoet_form_3 .mailpoet_text, #mailpoet_form_3 .mailpoet_textarea, #mailpoet_form_3 .mailpoet_select, #mailpoet_form_3 .mailpoet_date_month, #mailpoet_form_3 .mailpoet_date_day, #mailpoet_form_3 .mailpoet_date_year, #mailpoet_form_3 .mailpoet_date { display: block; } #mailpoet_form_3 .mailpoet_text, #mailpoet_form_3 .mailpoet_textarea { width: 200px; } #mailpoet_form_3 .mailpoet_checkbox { } #mailpoet_form_3 .mailpoet_submit { } #mailpoet_form_3 .mailpoet_divider { } #mailpoet_form_3 .mailpoet_message { } #mailpoet_form_3 .mailpoet_form_loading { width: 30px; text-align: center; line-height: normal; } #mailpoet_form_3 .mailpoet_form_loading > span { width: 5px; height: 5px; background-color: #5b5b5b; }#mailpoet_form_3{border: 1px solid #fcb900;border-radius: 40px;text-align: center;}#mailpoet_form_3 form.mailpoet_form {padding: 20px;}#mailpoet_form_3{width: 70%;}#mailpoet_form_3 .mailpoet_message {margin: 0; padding: 0 20px;}#mailpoet_form_3 .mailpoet_paragraph.last {margin-bottom: 0} @media (max-width: 500px) {#mailpoet_form_3 {background-image: none;}} @media (min-width: 500px) {#mailpoet_form_3 .last .mailpoet_paragraph:last-child {margin-bottom: 0}} @media (max-width: 500px) {#mailpoet_form_3 .mailpoet_form_column:last-child .mailpoet_paragraph:last-child {margin-bottom: 0}} Por favor, deja este campo vacío ¿Escribes canciones o te gustaría hacerlo? He leído y acepto la Política de Privacidad Con las Guías «El viaje de una canción» y «El viaje del músico independiente» de regalo Revisa tu bandeja de entrada o la carpeta de spam para confirmar tu suscripción.

On the show this time, it’s the R&B-electronica solo record of Little Dragon front-human Yukimi. Yukimi is a Swedish singer and songwriter, known for starting the band Little Dragon with her high schoolmates and for her collaboration with Gorillaz on their Plastic Beach album. Her stunning vocals have been featured on tracks by DJ Shadow, De La Soul and Odesza. She’s performed with Jose Gonzalez, with whom she shares a hometown - they are both from the city of Gothenburg. She’s recorded a solo record titled For You and released it on Ninja Tune in 2025. Recorded April 30, 2025 Elinam Stream of Consciousness Sad Makeup Rules of School Runaway Watch the full Live on KEXP session on YouTube.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

On the show this time, it’s the R&B-electronica solo record of Little Dragon front-human Yukimi. Yukimi is a Swedish singer and songwriter, known for starting the band Little Dragon with her high schoolmates and for her collaboration with Gorillaz on their Plastic Beach album. Her stunning vocals have been featured on tracks by DJ Shadow, De La Soul and Odesza. She’s performed with Jose Gonzalez, with whom she shares a hometown - they are both from the city of Gothenburg. She’s recorded a solo record titled For You and released it on Ninja Tune in 2025. Recorded April 30, 2025 Elinam Stream of Consciousness Sad Makeup Rules of School Runaway Watch the full Live on KEXP session on YouTube.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Dubbed-Out Trip-Hop and Smoky Basslines (One Hour Mix) Step into a cinematic headspace where dub's heavy echoes meet the moody textures of trip-hop. Echoes in the Smoke is a one-hour sonic journey weaving together deep basslines, hypnotic rhythms, and downtempo atmospheres. From the dusty beats of Nightmares on Wax to the spacious dubs of Rhythm & Sound and the cinematic grooves of Thievery Corporation, this mix floats in a haze of head-nodding bliss. Perfect for late-night drives, focused work sessions, or just getting lost in thought. Genres: Dub / Trip-Hop / Chillhop / Downtempo Features: Massive Attack, DJ Shadow, Herbaliser, St. Germain, Richie Phoe & more PLAYLIST Dreadzone – Out of Heaven Thievery Corporation – Thief Rockers DJ Shadow – In Flux - In Tune and On Time Shantel – Bass And Several Cars - mixed Rhythm & Sound – See Mi Yah Dubmatix, Future Dub Orchestra – Inner Blues Richie Phoe – Bumpy's Lament Massive Attack, Elizabeth Fraser – Black Milk The Herbaliser – The Sensual Woman D-echo Project – Dub Addiction - Original Mix Nightmares On Wax – The Sweetest St Germain – La goutte d'or Howie B. – Who's Got The Bacon?

Episode 177 Chapter 36, Modern Turntablism. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 36, Modern Turntablism from my book Electronic and Experimental music.   Playlist: TURNTABLISM   Time Track Time Start Introduction –Thom Holmes 01:28 00:00 1.     Ottorino Respighi, “The Pines of Rome” (1924) recorded by The Milan Symphony Orchestra conducted by Cav. Lorenzo Molajoli in November 1928. Recorded bird sounds is heard at about 36 seconds into this section. This is a 78 RPM recording from 1928 that used a turntable to play the sounds during the performance. 01:44 01:36 2.     Paul Hindemith, “Trickaufnahmen” (1930). Recording made available by Mark Katz, author of Capturing Sound: How Technology has Changed Music (2004). 00:58 03:16 3.     John Cage, “Imaginary Landscape No. 1” (1939) from The 25-Year Retrospective Concert Of The Music Of John Cage (private, 1959). 08:37 04:12 4.     Milan Knížák, “Composition No. 1' (1979) from Broken Music. Selection and assemblage of materials made by Walter Marchetti at Harpo's Bazaar, Via San Felice 22, Bologna. 03:26 12:46 5.     Grandmaster Flash And The Furious Five, “The Wheels Of Steel” (1981) from The Wheels of Steel. Medley Compiled by Sylvia Robinson; Produced by, Joey Robinson, Jr., Sylvia Robinson. 07:04 16:10 6.     Christian Marclay, “Smoker,” (1981) from the album Records. Christian Marclay, turntables and processing. Recorded on a cassette deck at home. 03:40 23:12 7.     DJ Shadow ... And The Groove Robbers, “Hindsight,” (1993) from In/Flux/ Hindsight. 06:55 26:56 8.     Afrika Bambaataa, “Looking For The Perfect Beat” (1985) from Looking For The Perfect Beat 1980-1985. 03:51 33:56 9.     Gen Ken Montgomery, “Droneskipclickloop” (excerpt, 1998) from Pondfloorsample. Using four CD players and curated sounds in the categories Drone, Skip, Click, and Loop. Mixed in real time at a performance at Experimental Intermedia Foundation (NY) on March 17, 1998. 07:19 37:48 10.   Crawling with Tarts, “Trecher Track”(1999) from Turntable Solos. By Michael Gendreau and Suzanne Dycus-Gendreau. 04:11 45:08 11.   Christian Marclay, from Record Without a Cover (excerpt, 1999). Marked with instructions, "Do not store in a protective package," my copy is a reissue of the disc first released in 1985, done by Japanese label Locus Solus. The naked record will naturally become increasingly damaged from shipping, storing, and playing the record, all becoming part of the work. In essence, the owner is implored to progressively destroy the release, allowing it to become scratched and bruised from accumulating damage that make each copy unique. My copy actually skips a lot. In the passage I am playing I often had to press the needle down a little bit to get through a skip. There is faintly recorded jazz music found on some of the disc, while other parts are pretty much composed only of surface noise. 04:31 49:18 12.   Yasunao Tone, “Part 1” (excerpt 1999) from Solo for Wounded CD. All sounds used were from scratched CD's. 03:54 53:50 13.   Philip Jeck, “Untitled 2,” (2002) from Soaked. Turntables, Philip Jeck, electronics, Jacob Kirkegaard. Recorded live at the Electronic Lounge, Moers Festival, Germany. 04:30 57:42 14.   Maria Chavez, “Jebus” (2004) from Tour Sampler, recorded in Houston, Texas. Turntables and electronics by Maria Chavez. 04:59 01:02:12 15.   Marina Rosenfeld, “Three” (2005) from Joy of Fear. Piano, turntables, dubplates, electronics, sound processing], vocals, Marina Rosenfeld. She said, “This record couldn't exist without the small collection of one-off ‘acetate records' (dub plates) that I've been making since 1997, when I first encountered Richard Simpson and his disc-cutting lathe in Los Angeles.” 05:47 01:07:12 16.   Luc Ferrari and Otomo Yoshihide, Slow Landing” (2008) from ‎Les Archives Sauvées Des Eaux. Composed by Luc Ferrari and Turntables, Electronics, prepared phono cartridges by Otomo Yoshihide. 10:40 01:12:58   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.  

Lyrics Born is a respected rap veteran who is having a career resurgence after three decades in music. After announcing his latest album "Goodbye, Sticky Rice" would be his last, he started going viral on Instagram and gaining millions of views. This came after his beginnings at UC Davis with Solesides/Quannum, releasing projects with DJ Shadow, Lateef/Latryx, and Gift of Gab and Blackalicious. Navigating independent hip-hop as a trailblazing Asian artist, LB has defied industry stereotypes and become a critically acclaimed, internationally touring Bay Area legend.--For promo opportunities on the podcast, e-mail info@historyofthebay.com--History of the Bay Spotify Playlist: https://open.spotify.com/playlist/3ZUM4rCv6xfNbvB4r8TVWU?si=9218659b5f4b43aaOnline Store: https://dregsone.myshopify.com Follow Dregs One:Spotify: https://open.spotify.com/artist/1UNuCcJlRb8ImMc5haZHXF?si=poJT0BYUS-qCfpEzAX7mlAInstagram: https://instagram.com/dregs_oneTikTok: https://tiktok.com/@dregs_oneTwitter: https://twitter.com/dregs_oneFacebook: https://facebook.com/dregsone41500:00 Going viral16:40 Final album??23:20 Being independent29:26 Childhood34:45 Getting into hip-hop40:33 Solesides / Quannum 50:34 Underground hip-hop scene59:47 Rap style1:04:16 Gift of Gab1:08:24 The Funk1:13:52 Touring

1/ TUXEDO. Take a picture.2/ THUNDERCAT. Friendzone.3/ ODDISEE. Want to be.4/ DJ SHADOW. The sideshow. con Ernie Fresh.5/ MNDSGN. Cosmic perspective.6/ LION BABE. When i told you i love you.7/ SHAFIQ HUSAYN. Between us 2.8/ SKYZOO AND DUMBO STATION. Good enough reasons.9/ QUELLE CHRIS AND CHRIS KEYS. Graphic Bleed outs.10/ DABRYE. Vert - Horiz.11/ DJ MUGGS AND ROC MARCIANO. Aunt bonnie.12/ J. COLE. Kod.13/ ILLA J. Cannonball. 14/ KATALYST. The popcorns. fet BOOTIE BROWN, STEVE SPACEK. 15/ STEP BROTHERS. Mums in the garage.Escuchar audio

After 15+ years on the road, Seattle's Minus the Bear said goodbye in 2018... but not for long. Marking two decades since the release of their second album, Menos El Oso -- heralded by both critics and fans alike -- the five-piece are back this year to play the album in full across the country. A sprawling, math-rock masterclass, Menos takes listeners on a globetrotting trail through Spain, Ireland, Los Angeles and more, while vocalist/guitarist Jake Snider inhabits characters seeking escape, be it from fever dreams, crime scenes or soul-crushing day jobs. Today, Jake is joined by guitarist David Knudson, as the pair breakdown Menos track-by-track. Along with host Jim Hanke, they dive into the meanings behind some of the band's most impactful songs twenty years later, and how the genre-bending experimentation of Danger Mouse and DJ Shadow influenced the LP. Catch Minus the Bear at this year's Best Friends Forever Fest in Las Vegas, or on tour cost-to-coast, this fall. Visit minusthebear.com for tickets, social media and more.

In this episode, sound-designer Eddie Bazil looks at ways of enhancing a variety of individual tracks and full mixes using plug-ins that are designed to achieve the retro warmth and cohesion of tapes and valves.Chapters00:00 - Introduction01:32 - What Is Harmonic Distortion02:32 - Advances In Music Production Quality04:47 - The Introduction Of CD05:59 - Triodes And Pentodes Vacuum Tubes06:47 - Analysing Harmonic Content07:56 - Example 1: TR-808 Sub Bass10:35 - Example 2: Affecting A Whole Mix*12:39 - Example 3: Adding Saturation15:07 - The Benefits Of Tape17:26 - Example 4: Applying Tape Effects To A Bassline*20:59 - Example 5: Adding Tape To Beats23:47 - Example 6: Enhancing A Piano Track26:56 - Summary* Demonstration track ‘Puppet' (Examples 2 and 4), written, performed and recorded by John Walden. Vocals sung by Yvonne McKeown.#voxengospan #SummitAudio #T-RackS #Kraftur #Aphex #SSLEddie Bazil BiogEddie Bazil launched his music industry career at the age of 17 as a synth programmer for a range of Electro / New Wave bands including Art of Noise, Spandau Ballet, Pet Shop Boys, Bobin, Paul Dee, DJ Krush, DJ Shadow, Jets Orchestra. By his 20s he was working as a sound designer for Akai, Roland Emu/Ensoniq, eventually signing on exclusively with the latter. Later, due to a growing demand for software instruments and libraries, Eddie started to develop libraries for various software manufacturers, including Native Instruments, Kiesel, Sound Effects Library, Arturia and Propellerheads. A meeting with Phil Allen, a Capital Radio DJ, resulted in the company Samplecraze, which Eddie has spent 20 years developing as an educational resource. At this time he trained in music production and soon gained a number of prominent contracts working with some notable artistes such as Busta Rhymes, Greensleeves, 9 Bar, SFP, Sleeveless, Chris Campbell and Gam Productions. He contracted to Island Records and Chrysalis as a producer and remixer,  plus was commissioned to write the score for Macbeth that ran at 2 Way Mirror at Alexander Palace for the Cambridge Shakespeare Company. His ongoing development of Samplecraze has led to him offering educational workshops and classes, releasing four books via PC Publishing and becoming a contributor and forum moderator for Sound On Sound. Recently he has established The Audio Production Hub for online education and been invited by the Recording Academy to become a Grammy judge.https://eddiebazil.co.uk/https://samplecraze.com/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

In this Season 9 Episode 16 of Milkcrates & Microphones, we are joined in-studio by 2 very special guests—Cobalt45 & Future Sphire. Cobalt45 & Future Sphire tear the house down with a very special live performance. We also dive into a number of different topics including Kendrick Lamar winning 5 Grammys, their brand-new album—Daytons and Dickies, Cobalt's collab EP with Canadian producer—TPWTR, Future Sphire's new album—Earth to Mars: 1,000 Years, his top 3 favorite producers, DJ Shadow, Cobalt's recent show with the legendary KRS-One, a special upcoming album release party, Sasquatch, plus so much more. We also bring you your favorite Milk&Mics segments like “This Week in Hip Hop” & “Song Picks of the (Motha Fuckin') Week”. Enjoy. https://www.danked.com https://www.youtube.com/@RichSphire-frfr Follow us on Youtube @ https://www.youtube.com/channel/UC5Jmk_m0_zhxjjYRHWDtvjQ on Instagram @ https://www.instagram.com/milkandmics/?hl=en and Facebook @ https://www.facebook.com/milkandmics/

Shop for drum parts, accessories, and more at www.drumfactorydirect.com.

We've been having a look back through the Tape Notes archive to bring back some of our favourite early episodes that you may have missed. This selection is our conversation from Summer 2020, with Josh Davis, better know as DJ Shadow. EPISODE NOTES In this episode, John ventures over to Wendy House Studios to catch up with hip-hip royalty Josh Davis AKA DJ Shadow, to talk through how he recorded and produced his latest album ‘Our Pathetic Age' and his chart-topping album ‘The Mountain Will Fall'.   Josh gives us a full insight in to his largest most diverse project yet, breaking down his writing process from the moment he randomly dips in to his vast record collection for inspiration, to discovering unlikely source material such as an abandoned record collection rescued from a friend of his father's. We get to hear the original samples that form the basis of some of his biggest hits as well as the raw vocal stems of Nas and Pharoahe Monch rapping at each other from different studios.   Listen to find out about Josh's meticulous sample editing process, what mixing mistake meant he had to sneakily rerelease a track, and why he had to gate-crash a Run the Jewels gig.  Tracks discussed: Nobody Speak, Rocket Fuel, Drone Warfare   LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to 'Our Pathetic Age' here. Listen to 'The Mountain Will Fall' here. 'Our Pathetic Age' and 'The Mountain Will Fall' - Mass Appeal/Reconstruction Productions, Inc.   Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS Akai MPC Sampler Pioneer PLX 1000 Sonos Speaker Technics SL-1200 Technics SL-1210 ProTools Ableton   OUR GEAR https://linktr.ee/tapenotes_ourgear HELP SUPPORT THE SHOW If you'd like to help support the show you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns. KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes Patreon: Tape Notes To let us know the artists you'd like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We'd love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk TAPE NOTES TEAM John Kennedy Will Brown  Tim Adam-Smith  Will Lyons  Nico Varanese  Guy Nicholls  Jessica Clucas Ali Lewis

Im letzten Jahrzehnt des letzten Jahrtausends wurde die Musikwelt auf den Kopf gestellt: Alternative, Indie, Grunge, Punk, Hip Hop, Drum'n'Bass, House oder Trip-Hop enterten den Mainstream. Zum «90er-Tag» bei SRF 3 feiern wir Hits genauso wie die Hamburger Schule und Schweizer Indie der Epoche. +++ PLAYLIST +++ · 22:55 - NEEDLE IN THE HAY von ELLIOTT SMITH · 22:51 - FRENCH DISKO von STEREOLAB · 22:45 - WINDOWLICKER von APHEX TWIN · 22:38 - INNER CITY LIFE von GOLDIE · 22:31 - UNFINISHED SYMPATHY von MASSIVE ATTACK · 22:27 - INCREDIBLE von M-BEAT FEAT. GENERAL LEVY · 22:25 - RIM SHOT (INTRO) von ERYKAH BADU · 22:18 - TWINZ (DEEP COVER '98) von BIG PUN FEAT. FAT JOE · 22:15 - BODY MOVIN' von BEATIE BOYS · 22:11 - MIDNIGHT IN A PERFECT WORLD von DJ SHADOW · 21:57 - FEELING SO REAL von MOBY · 21:52 - 6 UNDERGROUND von SNEAKER PIMPS · 21:50 - CONNECTION von ELASTICA · 21:43 - CHAMPAGNE SUPERNOVA von OASIS · 21:37 - AIRBAG von RADIOHEAD · 21:33 - LORD ONLY KNOWS von BECK · 21:29 - METAL HEART von CAT POWER · 21:23 - L.A. GIRL von THE DISTILLERS · 21:20 - LOUNGE ACT von NIRVANA · 21:17 - CANNONBALL von THE BREEDERS · 21:10 - WELCOME TO PARADISE von GREEN DAY · 21:08 - PUBLIC WITNESS PROGRAM von FUGAZI · 21:04 - FEEL THE PAIN von DINOSAUR JR. · 20:57 - IN GUZ WE TRUST von GUZ · 20:53 - LET THERE BE ROCK von TOCOTRONIC · 20:49 - UNIVERSAL TELLERWÄSCHER von DIE STERNE · 20:42 - VERSTÄRKER von BLUMFELD · 20:39 - MILLION BRILLIANT (YOU WON'T BE DISAPPOINTED...) von SUPERNOVA · 20:35 - ROCK'N'ROLL CRASH MACHINE von HNO · 20:32 - NEVER WASTE von SPORTSGUITAR · 20:27 - TV SKY von THE YOUNG GODS · 20:24 - SOMETHING FOR THE WEEKEND von SUPER FURRY ANIMALS · 20:21 - COMMON PEOPLE von PULP · 20:15 - A LETTER TO ELISE von THE CURE · 20:11 - MY FAVOURITE GAM von THE CARDIGANS · 20:08 - NO PLACE IN THE NINETIES von DIE AERONAUTEN · 20:05 - GOLD SOUNDZ von PAVEMENT

Mario and Andy present the continuation of the Pivotal Film Podcast entitled Pivotal. The two of them review the newest television, music, literature, video games, and, yes, film. This episode sees a discussion of FKA Twigs' Exsexua and The Weeknd's Hurry Up Tomorrow in music... Luck Be a Landlord, Sniper Elite: Resistance, and Ninja Gaiden 2 Black in video games... and they finish up with reviews of early year thrillers Companion and Heart Eyes. Music credits: Rocket Fuel by DJ Shadow (opening), Something in the Air (closing)

In the latest recap episode, Len laments the ascension of George Carlin as winner of the standup comedy bracket. He also laments the Chiefs' loss to the Philadelphia Eagles in Super Bowl LIX. Beave laments the Northwestern Wildcats, who lost Brooks Barnhizer to injury and whose season is likely over. The guys discuss the Cleveland Cavaliers' trade for DeAndre Hunter. Beave struggles with Gravity's Rainbow, by Thomas Pynchon. Len does not struggle to keep up with issues of The New Yorker. They also discuss top 40 hits by the Animals, Lee Andrews & The Hearts, and others. Tune in!!

The 'midierror meets...' interview series is back for Series 2 with Sonicstate, speaking to all kinds of people working in music and sound.    For this episode we hear from Stuart Warren-Hill, the designer of the Hologauze - a thin veil which is projected onto for incredible pseudo-3D and parallax-type effects as used by Beyonce, Lady Gaga, Eric Prydz, DJ Shadow, Max Cooper and more. He's also the man behind Hexstatic, known for his award winning audio/visual work, creating the world first visual album, and making 'Timber' - an era-defining music video highlighting the destruction caused by deforestation - and quite possibly the most remixed video of all time. He also has a lovely synth collection, including an ARP Quadra, Solina String Synth, and Thomas Dolby signed TB-303.    https://www.holotronica.com/   https://stuartwarrenhill.com/   This is series 2, episode 1 and there are 50 previous episodes available now featuring Fatboy Slim, CJ Bolland, Andrew Huang, Tim Exile, High Contrast, Mylar Melodies, Infec

This season we discuss over 300 albums of the 1990s selected from https://besteveralbums.com. The show starts at (1:26). The Six Singles segment starts at (5:36). This episode covers the following albums: Maxwell - Maxwell's Urban Hang Suite (40:05), Stone Temple Pilots - Tiny Music...Songs from the Vatican Gift Shop (1:09:53), DJ Shadow - Endtroducing... (1:37:17), and Weezer - Pinkerton (2:04:49).

We talked with the Chicago based producer Spectacular Diagnostics about the three projects he released in 2024 - the instrumental album “If You Feel Like a Lost Soul”, the guest heavy “Appetites” and his latest collaboration with Kid Acne “TOTEMIC TEMPLATE (Edna & Friends Vol. 1)”. Then we discuss his album pick for this episode - DJ Shadow's undisputed classic “Endtroducing”. Stream and purchase Spectacular Diagnostic's music here: https://spectacular-diagnostics.bandcamp.com

For musicians and producers that struggle to finish tracks, Eddie Bazil explains the benefits of creating musical snippets and gives us some examples as to how we can tap into different moods, use sound design techniques to create something unique that becomes a useable addition to our musical catalogues and create pieces that stand the test of time.“Snippets and the creating of, serve to strengthen sound ideas, hone mixing and production skills, help to understand timing and flow, act as a testbed for song structuring ideas and are the playground for testing and mastering all manner of plug-ins”.Chapters00:00 - Introduction00:19 - What Is A Snippet?01:53 - The Benefits Of Creating Snippets04:26 - Planning Your Snippets06:07 - Sound Design06:53 - Example 1: Phased Pad17:33 - Example 2: Happy, Mood-Lifting 22:01 - Example 3: Drama And Tension#SoundtoysPhaseMistress #FabFilterTimeless2 #EventideBlackhole #SteinbergGrooveagent #GforceimpOSCar3 #WavesOvoxVocoder #SteinbergHalionTrip #RobPapenAlbino #Kontakt #NIMaschine2 #AirHybrid3Eddie Bazil BiogEddie Bazil launched his music industry career at the age of 17 as a synth programmer for a range of Electro / New Wave bands including Art of Noise, Spandau Ballet, Pet Shop Boys, Bobin, Paul Dee, DJ Krush, DJ Shadow, Jets Orchestra. By his 20s he was working as a sound designer for Akai, Roland Emu/Ensoniq, eventually signing on exclusively with the latter. Later, due to a growing demand for software instruments and libraries, Eddie started to develop libraries for various software manufacturers, including Native Instruments, Kiesel, Sound Effects Library, Arturia and Propellerheads. A meeting with Phil Allen, a Capital Radio DJ, resulted in the company Samplecraze, which Eddie has spent 20 years developing as an educational resource. At this time he trained in music production and soon gained a number of prominent contracts working with some notable artistes such as Busta Rhymes, Greensleeves, 9 Bar, SFP, Sleeveless, Chris Campbell and Gam Productions. He contracted to Island Records and Chrysalis as a producer and remixer,  plus was commissioned to write the score for Macbeth that ran at 2 Way Mirror at Alexander Palace for the Cambridge Shakespeare Company. His ongoing development of Samplecraze has led to him offering educational workshops and classes, releasing four books via PC Publishing and becoming a contributor and forum moderator for Sound On Sound. Recently he has established The Audio Production Hub for online education and been invited by the Recording Academy to become a Grammy judge.https://eddiebazil.co.uk/https://samplecraze.com/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts Get a print or digital subscription to Sound On Sound magazine.

Join Captain Dan and Penny Lane as they play some Trip Hop hits tonight on Punks in Parkas.Hear tracks by the likes of Massive Attack, Portishead, DJ Shadow and more!For more info and tracklisting, visit: https://thefaceradio.com/punks-in-parkasTune into new broadcasts of Punks In Parkas, Mondays from Midday – 1 PM EST / 5 - 6 PM GMT//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

BIOS is the head of SATURATE! and their Artist Development Program.   SATURATE! is a digital and vinyl label for fresh music. "Bringing you the heat since 2010." Based in Hamburg, Germany, SATURATE! goes beyond being just a label—it's a pulsating hub for fresh and innovative music. Artists who dare to push boundaries find a home here, curating sonic gems that defy conventions. Their impressive catalog features releases from some of bass music's biggest names, including Chee, Herobust, G Jones, Zeke Beats, DJ Shadow, Om Unit, and Champagne Drip. These artists push the envelope with mind-bending sounds, creating an electrifying listening experience. But SATURATE! isn't just about releasing music; they're passionate about supporting producers who thrive on experimentation. That's why they've established the Artist Development Program. This program, designed by industry professionals, provides personalized guidance to artists at every stage of their careers. Whether it's honing songwriting skills, perfecting live performances, or navigating the complex music industry landscape, SATURATE!'s team of experts is there to support and elevate artists. To evaluate your struggles as a musician and elevate your journey to the next level you can book a free call here:  https://feedback.aboveandbelow.co/ Over the last decade, SATURATE! has evolved into a fully-fledged media company with multiple labels, millions of plays, and a dedicated fan base. Starting as a collective, the community of artists and fans has always been at the core of SATURATE!, creating a vibrant ecosystem where creativity and vibes thrive. Find them here: https://www.saturaterecords.com/ https://saturaterecords.bandcamp.com/https://soundcloud.com/saturaterecords Mr. Bill's Links: https://linktr.ee/mrbillstunes   Podcast Produced & Edited by: Robert Fumo

Kindred know-it-alls Deon and Jay kick knowledge…f#@% it, you know where this is going. In the early 1970s, legendary collaborator and self-proclaimed non-musician Brian Eno famously designed a deck of 115 cards containing elliptical imperatives to spark in the user creative connections unobtainable through regular modes of work. He called his creation "Oblique Strategies." For the past half century, countless artists and professionals across the globe have benefited from utilizing the oblique strategies technique when attempting to overcome a lull in creative output. In 2024, kooky, knuckleheaded yet somehow still award-winning* hobby podcasters and self-proclaimed Lightnin' Lickers Jay and Deon found themselves uninspired when contemplating the potential theme of their upcoming thirty-ninth episode. Together, they decided... to default back to the alphabet. Because they have a reasonably solid grasp of the alphabet and how it works. They had previously utilized the letters A thru J, so naturally, they went with K. Our favorite selections from the K section in outr collections mixtape: [SIDE ONE] (1) Al Gromer Khan – Konya (2) John Krautner – I Need Sugar (3) Rahsaan Roland Kirk – Freaks for the Festival Part One (4) Kitchens of Distinction – Railwayed (5) Khruangbin featuring Nina Simone – Black is the Color of my True Love's Hair [SIDE TWO] (1) The Kingbees – Man Made for Love (2) Key-Matic – Breakin' in Space (3) Klark Kent – Away From Home (4) Kris Kristofferson – Please Don't Tell Me How the Story Goes (5) The Korgis – Perfect Hostess Sonic contributors to LLR podcast episode 39 include: Holland-Dozier-Holland, Brothers Johnson, Head Hunters, Sault, Blues Brothers, Donald Trump, The Alkoholiks, Dave Matthews Band, Pearl Jam, Dreamville, J. Cole, Dr. Dre, Kermit, Grover, Thief, Rahsaan Roland Kirk, Lionel Richie, Billie Holiday, the Kingbees, Trouble Boys, Pendletons, DJ Shadow, Pace Salsa, Pete Seeger, Raleigh Symphony Orchestra, Herbie Hancock, Newcleus, Key-Matic, L.A. Dream Team, Freestyle, Egyptian Lover, Midnight Star, The Korgis, Beck, Liverpool Express, Sad Café, Khruangbin, Nina Simone, MN8, The Beatles, Joji, Kitchens of Distinction, Bronski Beat, Kriss Kristofferson, Paul Reubens, Danny Elfman, The Champs, John Krautner, The Go, Ohio Express, Vernal Equinox, Chasman, Al Groper Kahn, Yanni, the Police, Stuart Copeland, Klark Kent, Al Pacino, Third Company Syndicate, and The Clockers.   *REVIEW Magazine Readers' Choice 2022

HOLLY goes Back To Back! Willy talks with him about his new "Angel In The Rave" EP, working with Rezz, touring with DJ Shadow, raving in Portugal, winning the Fool's Gold Goldie Awards, inspiration from The Prodigy, writing music for Blue Man Group, DJ brothers, journaling through production & lots more!   HOLLY: https://linktr.ee/beatsbyholly Willy Joy: http://linktr.ee/willyjoy     PROTECT REPRODUCTIVE RIGHTS: https://abortionfunds.org/funds/ https://www.prochoiceamerica.org/ https://www.sistersong.net/  

Eddie Bazil gives us more pointers on constructing beats, incorporating useful tools such as Drum Replacement Software and pre-constructed Loops, then adding enhancements using timing, pitch and other processing tips.Chapters00:00 - Introduction00:33 - Drum Replacement Software01:41 - Example 1: Using Hit'n'Mix RipX DAW 05:41 - Example 2: Making Loops Your Own11:36 - Example 3: Enhancing A Kick With Pitch And Timing Track credit for example 1: Ice Box featuring Omarion, produced by Timbaland - https://en.wikipedia.org/wiki/Ice_Box_(song)Eddie Bazil BiogEddie Bazil launched his music industry career at the age of 17 as a synth programmer for a range of Electro / New Wave bands including Art of Noise, Spandau Ballet, Pet Shop Boys, Bobin, Paul Dee, DJ Krush, DJ Shadow, Jets Orchestra. By his 20s he was working as a sound designer for Akai, Roland Emu/Ensoniq, eventually signing on exclusively with the latter. Later, due to a growing demand for software instruments and libraries, Eddie started to develop libraries for various software manufacturers, including Native Instruments, Kiesel, Sound Effects Library, Arturia and Propellerheads. A meeting with Phil Allen, a Capital Radio DJ, resulted in the company Samplecraze, which Eddie has spent 20 years developing as an educational resource. At this time he trained in music production and soon gained a number of prominent contracts working with some notable artistes such as Busta Rhymes, Greensleeves, 9 Bar, SFP, Sleeveless, Chris Campbell and Gam Productions. He contracted to Island Records and Chrysalis as a producer and remixer,  plus was commissioned to write the score for Macbeth that ran at 2 Way Mirror at Alexander Palace for the Cambridge Shakespeare Company. His ongoing development of Samplecraze has led to him offering educational workshops and classes, releasing four books via PC Publishing and becoming a contributor and forum moderator for Sound On Sound. Recently he has established The Audio Production Hub for online education and been invited by the Recording Academy to become a Grammy judge.https://eddiebazil.co.uk/https://samplecraze.com/

On the show this time, it's a set of music from Bay area producer DJ Shadow. DJ Shadow grew up in Northern California in the 70's and 80s, in the original Star Wars era, spending all his lunch money on comics and sci-fi movies and music. He fell in love with hip-hop, and began to make it however he could. He didn't know any MCs - so he gravitated to the musical side - sampling and scratching. He released his debut 'Endtroducing' in 1996 and has been changing the game one cool sound at a time ever since. His latest is called 'Action Adventure' and is available through Mass Appeal. Recorded 01/24/2024. DJ Shadow - Ubu DJ Shadow - You Played Me DJ Shadow feat Q-Tip & Lateef The Truth Speaker - Enuff DJ Shadow feat Divine Styler - Divine Intervention DJ Shadow feat Ernie Fresh - The Sideshow DJ Shadow feat Barny Fletcher - Two Notes DJ Shadow - The Number Song Zack De La Rocha & DJ Shadow - March Of Death DJ Shadow - If I Died Today DJ Shadow - Long Stem DJ Shadow - A Narrow Escape DJ Shadow - What Does Your Soul Look Like (Peshay Remix) DJ Shadow - I Gotta Rokk DJ Shadow-  Six Days (Remix) DJ Shadow - I Gotta Rokk (Irn Mnky Swagger Mix) DJ Shadow feat Danny Brown - Horror Show DJ Shadow feat Run The Jewels - Nobody Speak Watch the full Live on KEXP session on YouTube.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

On the show this time, it's a set of music from Bay area producer DJ Shadow. DJ Shadow grew up in Northern California in the 70's and 80s, in the original Star Wars era, spending all his lunch money on comics and sci-fi movies and music. He fell in love with hip-hop, and began to make it however he could. He didn't know any MCs - so he gravitated to the musical side - sampling and scratching. He released his debut 'Endtroducing' in 1996 and has been changing the game one cool sound at a time ever since. His latest is called 'Action Adventure' and is available through Mass Appeal. Recorded 01/24/2024. DJ Shadow - Ubu DJ Shadow - You Played Me DJ Shadow feat Q-Tip & Lateef The Truth Speaker - Enuff DJ Shadow feat Divine Styler - Divine Intervention DJ Shadow feat Ernie Fresh - The Sideshow DJ Shadow feat Barny Fletcher - Two Notes DJ Shadow - The Number Song Zack De La Rocha & DJ Shadow - March Of Death DJ Shadow - If I Died Today DJ Shadow - Long Stem DJ Shadow - A Narrow Escape DJ Shadow - What Does Your Soul Look Like (Peshay Remix) DJ Shadow - I Gotta Rokk DJ Shadow-  Six Days (Remix) DJ Shadow - I Gotta Rokk (Irn Mnky Swagger Mix) DJ Shadow feat Danny Brown - Horror Show DJ Shadow feat Run The Jewels - Nobody Speak Watch the full Live on KEXP session on YouTube.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

  This was a tough list to compile. What criteria do I use? Influential albums? Ones I play the most? Critics favorites? Do I include ambient albums? Vocal albums? Oof, this was hard.   The list I came up with was sort of a bit of everything. All these albums are personal faves but I also couldn't help thinking about things from a historical standpoint. Also, I couldn't help but view them from a personal historical standpoint - such as albums that turned me on to a different style or sound(DJ Shadow, Underworld). Including a few vocal albums might be a bit controversial, I flip flopped on that several times but finally said screw it, it's my list and I can do whatever I want.  Of course there is also the question of what constitutes an "electronic" album? Some on this list are obviously electronic(Tangerine Dream, Kraftwerk) while others are not quite as clear(Air, Postal Service). It would be easy to get pulled into that debate and end up like the "what is ambient music" debate. I decided that I would approach it the way Supreme Court Justice Potter Stewart described his test for obscenity - "I know it when I see it." So I just went with whatever I felt worked. A few other notes on this list - I like how the list spans five decades. I ended up with albums from every decade other than the 2020s. That just feels right. It also felt right to leave off strictly ambient albums. That genre can have it's own list. I constructed the mix chronologically because it was easier that way and it's cool to listen to the tracks evolve over time. Cheers!   T R A C K L I S T : 00:00   Tangerine Dream - Stratosfear (Stratosfear 1976) 07:42   Jean Michel Jarre - Oxygene part 1 (Oxygene 1976) 13:33    Kraftwerk - The Robots (Man Machine 1978) 22:12   Synergy - Phobos & Diemos Go to Mars (Cords 1978) 29:03   Roedelius - Wenn der Südwind weht (Wenn der Südwind weht 1981) 32:57   Tangerine Dream - Hyperborea (Hyperborea 1983) 37:09   Manuel Göttsching - E2-E4 (E2-E4 1984) 45:25   Aphex Twin - Actium (Selected Ambient Works 85 - 92 1992) 52:37   Vangelis - Blade Runner Blues (Blade Runner 1994) 57:18   Underworld - Air Towel (Second Toughest In The Infants 1996) 1:04:43   DJ Shadow - Midnight in a Perfect World (Entroducing 1996) 1:09:34   Air - Le femme d'argent (Moon Safari 1998) 1:16:07   Boards of Canada - Roygbiv (Music Has The Right To Children 1998) 1:18:30   Plastikman - Consume (Consumed 1998) 1:23:00   Saul Stokes - Greys (Outfolding 2000) 1:27:00   Jan Jelinek - Drift (Loop-Finding-Jazz-Records 2001) 1:32:00   Yagya - Snowflake 3 (Rhythm of Snow 2002) 1:37:57   Postal Service - Brand New Colony (Give Up 2003) 1:42:06   Loscil - First Narrows (First Narrows 2004) 1:50:54   Jon Hopkins - Sun Harmonics (Immunity 2013) 2:00:00   end

Albums discussed are Anderson .Paak's ‘Malibu,' (4:15) and DJ Shadow's ‘Endtroducing' (36:27). We also talk about the new Linkin Park titled ‘Friendly Fire' (23:45). To suggest an album for CLRC do any of the following:  * Leave a review on Apple Podcasts with the artist and title (five stars always helps).  * Use the Spotify form right underneath the podcast in your app.  * Visit ⁠⁠⁠⁠⁠https://linktr.ee/thecarl⁠⁠⁠ ⁠⁠ The intro music is "I Should Let You Know" by Marian Hill. For playlists and podcasts, visit us on the web at ⁠⁠⁠⁠⁠https://linktr.ee/thecar⁠l⁠⁠⁠⁠ and on Twitter at @CLRCPod.  This is Carl Landry Record Club episode #135 --- Send in a voice message: https://podcasters.spotify.com/pod/show/brett-eskin/message