Podcasts about Glenn Gould

We're taking a musical detour this week as Patrick throws a little classical music into your ears. All week, he's going to be counting down his top 10 classical jams! Number 10 is an album from renowned Canadian pianist Glenn Gould and number nine is a slamming set of string quartets composed by Bela Bartok. Crank it up, peoples! Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart,Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, next covered by Frank Muffin and now re-done in a high-voltage version by Quartjar again!  Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.

durée : 00:25:40 - Disques de légende du vendredi 02 mai 2025 - En 1957 Glenn Gould et le Columbia Symphony Orchestra enregistrent le Concerto en ré mineur dirigé par Leonard Bernstein : une version historique.

durée : 00:25:40 - Disques de légende du vendredi 02 mai 2025 - En 1957 Glenn Gould et le Columbia Symphony Orchestra enregistrent le Concerto en ré mineur dirigé par Leonard Bernstein : une version historique.

Johann Sebastian Bach (1685-1750) – Concerto Brandeburghese n. 5, BWV 10501.       AllegroDavid Nadien, violinJulius Baker, fluteLeonard Bernstein, pianoforteNew York Philharmonic ***************Johann Sebastian Bach (1685-1750) - Concerto n. 1 In re minore per pianoforte e orchestra1.       Allegro 2.       Adagio 3.       AllegroGlenn Gould, pianoforteLeonard Bernstein, conductorColumbia Symphony Orchestra

Víkingur Ólafsson is one of the world's most in-demand classical pianists right now. The Icelandic musician just picked up a Grammy for his “Goldberg Variations” album, and he recently reached one billion streams for his music. Before playing a few shows in Canada, Víkingur dropped by our studio and sat down at Glenn Gould's rehearsal piano that lives here. He talked to Tom Power about why Gould is such a big influence for him. Plus, he plays us his favourite version of the “Goldberg Variations.”

Peter O'Brien is an artist, a visionary, and a life-long Joycean, with the energy to not only dream up one major Finnegans Wake-centric artistic offshoot, but is busy scheming about how to top it. We first became aware of Peter as a brilliant artist, using “letterism” to artistically annotate the pages of Finnegans Wake. Exhibited around the world and widely published, most would be satisfied with that: but not Peter, who is now pouring his unmatched attention into a new opera despite (by his own admission) knowing little about music. Join us on this fascinatingly palimpsestuous discussion that touches on the nature of genius, memorisation, Glenn Gould, Virgil, nudity, and Wagner, and shows us that you may think you can be finished with the Wake, but it's never really finished with you. This week's chatters: Peter O'Brien, Toby Malone, TJ Young Contextual Notes Peter's Wake-inspired art: https://www.peterobrienart.com/about.html Limited edition Wake prints: https://www.peterobrienart.com/store/c2/LOFWFW_-_LIMITED_EDITION.html  Peter's Globe and Mail article on his art: https://tpob.me/wp-content/uploads/2019/04/obrien-on-lofwfw-in-globe-and-mail-5.pdf  O'Brien, P. (2018). Drawing Upon Finnegans Wake. Art/Research/International:/A/Transdisciplinary/Journal, 3(2), 196–215. https://doi.org/10.18432/ari29381  Pitch deck for Plurabelle: https://tpob.me/wp-content/uploads/2023/11/p-l-u-r-a-b-e-l-l-e-pitch-27-oct-2023.pdf  For early drops, community and show notes, join us at our free Patreon, at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/wakepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or check out our Linktree, at ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/wake.pod⁠⁠⁠⁠⁠⁠⁠⁠⁠. We welcome comments from everyone: even, nay, especially, the dreaded purists. Come and "um actually" us!

Jed discusses recordings of Brahms' Ballades Op. 10. Consider making a donation to The Piano Maven podcast by subscribing to our Substack page (https://jeddistlermusic.substack.com/about), which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomavenLink to 1973 Lugano performance with Arturo Benedetti Michelangeli - https://www.youtube.com/watch?v=z7S19Ew-fv8Link to live performance with Emil Gilels - https://www.youtube.com/watch?v=VJwLU4EmZjELink to Ballade No. 4 with Arthur Rubinstein - https://www.youtube.com/watch?v=ky6HBfnrXS4Link to Jonathan Plowright's recording - https://www.prestomusic.com/classical/products/8261243--brahms-works-for-solo-piano-volume-4Link to Glenn Gould's complete recording sessions for the Ballades Op. 10 and Rhapsodies Op. 79 - https://www.youtube.com/watch?v=NOTsc-Z2BIE

durée : 00:12:09 - " Curiosity, Genius, and the search for Petula Clark " : Stravinsky / Kelly-Marie Murphy - Toronto Symphony Orchestra - Cette pièce a été commandée par l'Orchestre symphonique de Toronto. Il s'agit d'une œuvre en un seul mouvement pour orchestre écrite pour célébrer le 85e anniversaire de Glenn Gould et le 70e anniversaire de sa première prestation avec le Toronto Symphony Orchestra. (Harmonia Mundi 2025)

durée : 00:12:09 - " Curiosity, Genius, and the search for Petula Clark " : Stravinsky / Kelly-Marie Murphy - Toronto Symphony Orchestra - Cette pièce a été commandée par l'Orchestre symphonique de Toronto. Il s'agit d'une œuvre en un seul mouvement pour orchestre écrite pour célébrer le 85e anniversaire de Glenn Gould et le 70e anniversaire de sa première prestation avec le Toronto Symphony Orchestra. (Harmonia Mundi 2025)

durée : 00:12:09 - " Curiosity, Genius, and the search for Petula Clark " : Stravinsky / Kelly-Marie Murphy - Toronto Symphony Orchestra - Cette pièce a été commandée par l'Orchestre symphonique de Toronto. Il s'agit d'une œuvre en un seul mouvement pour orchestre écrite pour célébrer le 85e anniversaire de Glenn Gould et le 70e anniversaire de sa première prestation avec le Toronto Symphony Orchestra. (Harmonia Mundi 2025)

Yesterday was the 100th birthday of the sublime Canadian singer, Lois Marshall (29 January 1925 – 19 February 1997). I was sorry to see that there were very apparently few acknowledgements of this momentous occasion. Three years ago, in a Countermelody series on Great Canadian Singers, Lois Marshall was my first subject. If you haven't heard of her (which is entirely possible, given the vagaries of posthumous fame and reputation), you are in for an enormous treat. Possessed of a rare musical scrupulousness, an interpretive honestly, directness, and integrity, as well as a finely-honed dramatic sensibility, Lois Marshall, in a better world, would have graced the world's operatic stages. Alas, she was stricken with polio as a child, and though she managed to gain the ability to walk, staged opera was a genre which she only rarely attempted. Yet she worked with the world's greatest conductors, among them Toscanini, Stokowski, and Beecham, and was a recitalist celebrated the world over. This episode offers an extended yet partial glimpse of the range and variety of her artistry, and includes recordings of arias by both Purcell and Puccini (the title role of Turandot!), Bach and Beethoven, as well as a dazzling array of recital repertoire from Debussy to folk song arrangements. Fellow Canadians Maureen Forrester and Glenn Gould are also featured. I wanted very much to present a brand-new Lois Marshall episode in hono(u)r of her centennial, and I promise you that is in the works, but in the meantime, I listened early this morning to the first Lois Marshall tribute I posted and I have decided to republish it today as I continue to prepare the brand-new episode. Some of today's material, in particular an excerpt from Oskar Morawetz's From the Diary of Anne Frank, which Lois Marshall premiered in 1970, serves as a grim reminder of the United States' further descent into madness and inhumanity, especially since the inauguration of King Ubu. Through the darkness, however, the glorious voice and humanity of Lois Marshall provide us with an ideal example of our better selves. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Consider making a donation to The Piano Maven podcast by subscribing to our Substack page (https://jeddistlermusic.substack.com/about), which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomavenLinks to recordingsOp. 49 No. 1 - Glenn Gould https://open.spotify.com/track/0kJ8kCEMbMNHkyNDbgzJM2Op. 49 No. 1 - François-Frédéric Guy https://www.prestomusic.com/classical/products/8035204--beethoven-piano-sonatas-nos-1-32?srsltid=AfmBOorQtb3ExDEwPJ6E2GIrXmVBRKIz4wAq8agM28KdGA0TLld9n53-Op. 49 No. 2 - Mari Kodama https://www.pentatonemusic.com/product/beethoven-piano-sonatas-nos-9-10-19-20-24-25/

Vijf sterren van Guido in de Volkskrant. Nou, lieve mensen, dat gebeurt echt zélden. En zeker voor zo'n onorthodoxe – zeg maar gerust: rare – plaat. Daar moeten de mannen eens even goed over steggelen, want Joris is 't totaal niet eens met z'n podcastpartner. Een cultalbum noemt Guido het, Orlando van La Tempête, maar hé, wat is dat eigenlijk cult?  Speellijst - Orlando di Lasso, La cortesia, La Tempête o.l.v. Simon-Pierre Bestion - Orlando di Lasso, La nuict froide et sombre, La Tempête o.l.v. Simon-Pierre Bestion - Carlo Gesualdo, Io parto, e non più dissi, Les Arts Florissants o.l.v. Paul Agnew - Carlo Gesualdo / Igor Stravinsky, Da pacem, Domine, uit: Tres sacrae cantiones, Nederlands Kamerkoor o.l.v. Reinbert de Leeuw - Erik Satie, Gnossienne nr. 1, Reinbert de Leeuw (piano) - J.S. Bach, Aria uit: Goldbergvariaties, Glenn Gould (piano) - J. S. Bach, Allegro uit: Klavecimbelconcert BWV 1055, Gustav Leonhardt (klavecimbel), Radiokammerorkestter o.l.v. Mogens Wöldike - Giuseppe Verdi, ‘Addio, del passato bei sogni ridenti', uit: La traviata, Nadezjda Pavlova (sopraan), MusicEterna o.l.v. Teodor Currentzis

Bem vindos a mais um episódio do clubinho de literatura! Dessa vez o Doki-Doki vem com os restos de 2024, como os restos de peru e salpicão do Natal. Comento quatro livros que não encaixaram em nenhum outro episódio mas ainda gostei muito: Endgame, uma biografia de Bobby Fischer, possivelmente o maior enxadrista da história, The Loser (O Náufrago) de Thomas Bernhardt, uma história fictícia sobre o pianista Glenn Gould, Confissões de um Yakuza, livro que está no meu radar há eras por ser uma influência sobre o Bob Dylan e joga um balde de água fria em qualquer pessoa que entenda os yakuza através de filmes (palavras do autor), e por fim Temor e Tremor de Soren Kierkegaard. Se no último episódio fiquei enrolando para falar sobre os problemas da ideia de decadência do Romantismo, aqui talvez eu exalte o romantismo na vida real, como no caso de Fischer e Eiji Ijichi (o yakuza cujo nome eu não lembrava pelo livro estar na primeira pessoa), no caso mais literário/imaginativo como no caso d'O Náufrago, ou no caso filosófico de Kierkegaard, no qual o indivíduo tem seus valores acima de todo o universal. Timestamps: 00:00 - Confessions of a Yakuza (Junichi Saga) 28:28 - Endgame (Frank brady) 55:36 - The Loser (Thomas Bernhardt) 1:13:46 - Temor e Tremor (Soren Kierkegaard) Para acompanhar como anda o clubinho de leitura: ⁠https://kramericast.xyz/clubinho.html Os livros desse episódio: ⁠https://kramericast.xyz/blog/dokidoki-5-yakuzas-enxadristas-e-existencialistas.html Visite: https://kramericast.xyz Doe: https://kramericast.xyz/donate.html Crie conta no Odysee: https://odysee.com/$/invite/@Monk's:e Entre no espaço do Matrix: https://matrix.to/#/#raro-e-diferente:matrix.org Canal do Telegram: https://t.me/raroediferente Redes sociais: https://kramericast.xyz/links.html

Glenn Gould, a kanadai sztárzongorista a 20. század egyik legismertebb és legkiválóbb zongoraművésze volt. Játékában egyesült az a technikai tudás és zenei érzékenység, amely lehetővé tette, hogy különleges tolmácsa legyen Johann Sebastian Bach összetett zenéjének. Nemzetközi karrierje 1955-ben indult, amikor is lemezre játszotta Bach Goldberg-variációit, ez az album komolyzenei mérföldkővé vált, ennek ellenére 1981-ben Gould újra feljátszotta a darabot. 2007-ben aztán gondoltak egyet és digitális eljárással "leporolták" az 1955-ös felvételt, és elérték, hogy Gould akkor már több mint ötven éve rögzített zongorajátéka úgy szóljon, mintha a zongoraművész akkor és ott újra játszotta volna a darabot. Természetesen a zenei világot akkor erősen megosztotta ez a technika segítségével "felpolírozott" felvétel. Friderikusz Sándor 2007-ben felkérte Kocsis Zoltán zongoraművészt és Jeney Zoltán zeneszerzőt, hogy értékeljék együtt ezt az új felvételt, de mondanunk sem kell, nem csak erről beszélt a két kiváló művész, hanem közreműködésükkel beavatást nyertünk ennek a két embernek az igen magas nívójú zenei gondolkodásába is. Hogyan támogathatja a munkánkat? - Legújabban már a Donably felületen is támogathat bennünket, itt ÁFA-mentesen segítheti munkavégzésünket: https://www.donably.com/friderikusz-podcast - De lehet a patronálónk a Patreon-on keresztül is, mert a támogatása mértékétől függően egyre több előnyhöz juthat: https://www.patreon.com/FriderikuszPodcast - Egyszerű banki átutalással is elismerheti munkavégzésünk minőségét. Ehhez a legfontosabb adatok az alábbiak: Név: TV Pictures Számlaszám: OTP Bank 11707062-21446081 Közlemény: Podcast-támogatás Ha külföldről utalna, nemzetközi számlaszámunk (IBAN - International Bank Account Number): HU68 1170 7062 2144 6081 0000 0000 BIC/SWIFT-kód: OTPVHUHB Akármilyen formában támogatja munkánkat, nagyon köszönjük! Kövessenek, kövessetek itt is: youtube: https://www.youtube.com/c/FriderikuszPodcast Facebook: https://www.facebook.com/FriderikuszPodcast Instagram: https://www.instagram.com/friderikuszpodcast Anchor: https://anchor.fm/friderikuszpodcast Spotify: https://spoti.fi/3blRo2g Youtube Music: https://music.youtube.com/playlist?list=PLu6L9HlV4-KuNOYy_rS97rP_Q-ncvF14r Apple Podcasts: https://apple.co/3hm2vfi Deezer: https://www.deezer.com/hu/show/1000256535

During the 19th SIMM-podcast episode we assist to a conversation between biologist Olivier Hamant (Institut Michel Serre) and musician Jean-Luc Plouvier (Ictus Ensemble) on ideas and experiences they share with each other from their work on the natural world and the world of music-making. SIMM-founder Lukas Pairon interviews them. Referenced during this podcast-episode: Philippe Boesmans, John Cage, "Un homme ça s'empêche" (Albert Camus), eco-anxiety, free jazz, Philip Glass, Glenn Gould, Goodhart's law, Olivier Hamant's 'Antidote to the cult of performance', Olivier Hamant's 'De l'incohérence - philosophie politique de la robustesse', Olivier Hamant's 'La troisième voix du vivant', Ictus Ensemble, Steve Reich's 'Music for 18 Musicians', Ircam, robustness, serendipity, Michel Serre Institut, Reich's psychoacoustic by-products of repetition and phase-shifting, Simon Sinek's conference on 'The Infinite Game', systems thinking, Gertrude Stein, stochastic processes in biologyThe transcription of this episode can be found here.And during this episode music is shortly heard from Steve Reich's 'Music for 18 Musicians' (played by the Steve Reich Ensemble), as well as rehearsal recordings of the Kinshasa based traditional drummers ensemble Beta Mbonda.

di e con Fabrizio Coppola. Libri: Richard Ford, Tra loro (trad. V. Mantovani, Feltrinelli); Milan Kundera, Un occidente prigioniero (trad. G. Pinotti, Adelphi). Musica: Damien Jurado, Glenn Gould, John Mellencamp, Josef Foerster, Beth Orton

The use of mental practice or mental imagery to enhance learning and performance is extremely common amongst  athletes in sports. And it's something that musicians like Horowitz, Rubinstein, Glenn Gould, and learners at all levels have been known to use in music as well.But I've had students and professional musicians alike tell me that they sometimes have difficulty making the imagery feel real. Or that they have difficulty staying engaged with it. As in, one minute they're visualizing some music, and the next, their mind has drifted off to food. Or they fall asleep.

We discuss desert island discs as a thought experiment, though we didn't agree on the ground rules. Help support The Next Track by making regular donations via Patreon (https://www.patreon.com/thenexttrack). We're ad-free and self-sustaining so your support is what keeps us going. Thanks! ‌Show notes: Episode #130 - Desert Island Discs, Part 1 (https://www.thenexttrack.com/133) Episode #133 - Desert Island Discs, Part 2 (https://www.thenexttrack.com/136) Schubert: Winterreise, Ian Bostridge & Thomas Adès (https://amzn.to/3Absge9) Bach: Goldberg Variations, Glenn Gould 1981 (https://amzn.to/4fbzvlh) Morton Feldman: Piano and String Quartet, Kronos Quartet and Aki Takahashi (https://amzn.to/4h8CX1T) Hume: Musicall Humours, Jordi Savall (https://amzn.to/4eUNgoE) Elastica: Elastica (https://amzn.to/4eSpZ6O) The Who: Quadrophenia (https://amzn.to/4f4whjs) Joe Strummer & The Mescaleros: Streetcore (https://amzn.to/3A98bFh) Gustaf: Package, Pt.2 (https://amzn.to/3NAXwGE) The Rolling Stones: Get Yer Ya-Yas Out (https://amzn.to/3NzLRYB) The Clash: London Calling (https://amzn.to/3Yy72Re) Brian Eno: Music for Airports (https://amzn.to/3YAhkAl) Bang on a Can: Music for Airports (https://amzn.to/3UgVeAd) Grateful Dead: American Beauty (https://amzn.to/3Yz61bi) Bill Evans: The Complete Village Vanguard Recordings, 1961 (https://amzn.to/3YxVRYE) Bob Dylan: Blonde on Blonde (https://amzn.to/4eP8bJN) King Crimson: Red (https://amzn.to/3A9taI2) Castaway (https://amzn.to/3NzMMZ3) If you like the show, please subscribe in iTunes (https://itunes.apple.com/podcast/the-next-track/id1116242606) or your favorite podcast app, and please rate the podcast.

 Voici 40 ans, disparaissait le pianiste canadien Glenn Gould, quelques jours seulement après son cinquantième anniversaire. Sa notoriété dépasse largement celle de musiciens classiques, à de rares exceptions près. Sa large discographie est constamment rééditée et il continue d'inspirer les créateurs les plus divers.      Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Ein wilder Ritt durch die erste Hälfte des 20. Jahrhunderts: Sozialdemokratische Konzerte im neuen Wiener Konzerthaus, Männer schreiben Opern über Frauen, Jazz und Schwulenbars kommen nach Salzburg und ein Fagottist tritt auf. Außerdem mit dabei: Adolf Hitler, Arturo Toscanini, Glenn Gould und Elfriede Jelinek.Diese Episode wurde am 16.10.2024 auf Ö1 Campus gestreamt und ist Teil des zeit- und kulturgeschichtlichen Archivs von oe1.ORF.at

Programa 5x26, amb N

Programa 5x26, amb N

durée : 00:03:31 - Le Bach du matin du vendredi 20 septembre 2024 - Notre Bach du matin est canadien : le prélude et fugue en Ré majeur du premier livre du clavier bien tempéré, interprété par le pianiste Glenn Gould.

Do you know who Glenn Gould is? I did not. Nor did Jules. You wanna know more? Well, it's time to listen to us talk about... 32 Short Films About Glenn Gould. This came out in '93 and it's quite the mix of narrative, music and interviews, all attempting to give you a feel for the late, legendary composer. Is it successful? Is it entertaining? Is Colm Feore handsome and amazing? Did Don McKellar co-wrote this? We certainly answer those questions and also do you have any ludes? If you're enjoying this run, don't forget we have so very many episodes on Billy Crudup, John Cazale, Robert Longstreet, Radha Mitchell, Brandon Lee, Brad Pitt, Wesley Snipes, horror movies and now? Erotic movie reviews YOU CAN WATCH ON YOUTUBE! YOU CAN SEE US AND THE HORNY CLIPS! Head to the youtube channel for We Doing Boners. All of our links are at linktr.ee/wedoingfilmographies

The writer David Nicholls is best known for his 2009 novel One Day which has sold 6 million copies, been made into a film and a Netflix series which reached the top 10 in 89 countries. He's written six novels and his work as a screenwriter has won him a BAFTA and an Emmy nomination. He was born in 1966 and studied Drama and English Literature at Bristol University. This partly inspired his novel Starter for Ten. After university he spent one year in New York studying acting before returning to the UK to try and forge a career as an actor. He spent three years at the National Theatre but was mostly an understudy which inspired his novel Understudy. After a few years, David left acting and pursued a writing career and had success as a TV screen writer. Alongside his award-winning career as a TV writer he has won many prizes for his novels. David lives in London with his partner, Hannah and their two children.Presenter Lauren Laverne Producer Sarah TaylorDISC ONE: I Say a Little Prayer - Aretha Franklin DISC TWO: Cloudbusting - Kate Bush DISC THREE: Life on Mars? - David Bowie DISC FOUR: Goldberg Variations, BWV 988: Aria. Composed by Johann Sebastian Bach and performed by Glenn Gould (piano) Coyote - Joni Mitchell DISC FIVE: Coyote - Joni Mitchell DISC SIX: We Belong Together - Rickie Lee Jones DISC SEVEN: Who Knows Where The Time Goes? - Fairport Convention DISC EIGHT: Protection - Massive Attack featuring Tracey Thorn BOOK CHOICE: Anna Karenina by Leo Tolstoy LUXURY ITEM: A piano and sheet music CASTAWAY'S FAVOURITE: I Say a Little Prayer - Aretha Franklin

For your *continued* pleasure: a second, special bonus episode. The response of our audience has been overwhelmingly enthusiastic about the world premiere of the private, recorded conversation between Tim Page and Glenn Gould. They wanted to learn more about this unique audio document, and we're happy to oblige. In this special program, Tim Page reflects on his spontaneous phone conversation with Glenn, and contrasts it with a later scripted interview for the 1982 Goldberg Variations recording, and recounts personal anecdotes, including a private piano performance by Gould. The episode also highlights Gould's appreciation for in-depth conversations free from clichéd questions and his humour, expressed through his fictitious alter egos, Theodore Slutz, Nigel Twitt-Thornwaite and Karlheinz Klopweisser. The discussion encompasses Gould's enormous influence on restoring the reputations composers like Strauss and Sibelius.

For your pleasure: a special bonus episode. The response of our audience has been overwhelmingly enthusiastic about the world premiere of the private, recorded conversation between Tim Page and Glenn Gould. They wanted to learn more about this unique audio document, and we're happy to oblige. In this special program, Tim Page reflects on his spontaneous phone conversation with Glenn, and contrasts it with a later scripted interview for the 1982 Goldberg Variations recording, and recounts personal anecdotes, including a private piano performance by Gould. The episode also highlights Gould's appreciation for in-depth conversations free from clichéd questions and his humour, expressed through his fictitious alter egos, Theodore Slutz, Nigel Twitt-Thornwaite and Karlheinz Klopweisser. The discussion encompasses Gould's enormous influence on restoring the reputations composers like Strauss and Sibelius.

This episode, Adam and Nate will definitely hit their CanCon quota as they review Thirty Two Short Films About Glenn Gould (1993), the namesake of perhaps their favorite Simpsons episode, “22 Short Films about Springfield” (S7E21). This unconventional biopic about eccentric pianist Glenn Gould achieved escape velocity to find its way beyond the Canadian film world and into American media, from Siskel & Ebert to The Simpsons.Also in this episode:• A statistical analysis of title parodies on The Simpsons (where some of the spiciest movie references live!)• How this movie deconstructs the biopic genre through a series of mixed-media shorts • Our most Canadian episode yet, featuring Heritage Minutes, the National Film Board, an appreciation of Colm Feore, and the Genies!• Plus, check out our show notes for a complete list of Simpsons references, double feature suggestions, and further readingNext time, former Simpsons and showrunner Bill Oakley joins Adam and Nate as they continue their celebration of “22 Short Films about Springfield” (S7E21) and its parody of Pulp Fiction (1994).Follow us @simpsonsfilmpod on Instagram, TikTok, YouTube, Twitter, and Letterboxd.

Have you ever wondered what it would be like to have received one of the legendary nocturnal phone calls from pianist Glenn Gould? For the first time, Gould Standard listeners will have the chance to eavesdrop on such a conversation, albeit one that took place in the daytime. Pulitzer prize winning music critic, Tim Page, is widely recognized as one of America's leading writers on music and the arts. From an early age, he was fascinated by the music and ideas of the Canadian pianist, Glenn Gould. In October 1980, Gould agreed to a print interview with him to appear in the SoHo News. Tim scheduled a telephone conversation to prepare his article, which he recorded on cassette tapes. Rediscovering the tapes years later, Tim realized what a precious souvenir and historical document he had preserved. During this candid conversation, Gould unabashedly expresses his innermost feelings on topics such as recording vs. live musical performance, the concept of “The Idea of North,” and his perspectives on various composers and their works. The Gould Standard is grateful to Tim Page for letting us share this unprecedented and intimate look into the musical philosophies and eccentricities of one of the most brilliant musical minds of our era, in this world premiere presentation.

Today on The Neil Haley Show with Neil Haley and The Love Is Podcast with Kim Sorrelle interview Noah Kosta. As a singer, Noah carries the torch of the greats, blending nostalgia with modern charm in every performance. His captivating voice has resonated through prestigious venues such as the Beaches Jazz Fest, Richmond Hill Center for the Performing Arts, Casino Rama, and Koerner Hall. A defining moment in his career came at 18, with a solo performance for Alma Deutscher's opera at Koerner Hall, celebrating Glenn Gould's 95th birthday, presented by the Glenn Gould Foundation – a performance that garnered widespread acclaim.

durée : 00:20:38 - Disques de légende du mercredi 22 mai 2024 - Il acquiert sa réputation internationale grâce aux interprétations très originales des œuvres de Bach. Avec ce concerto, le pianiste impose la marque : Gould.

Glenn Gould bemästrade Bachs Goldbergvariationerna till perfektionism. Hans pappa sa att han spelade piano i luften vid tre dagars ålder och fick barnsköterskan att utbrista att han nog skulle bli konsertpianist eller läkare. Men med tiden blev hans liv allt märkligare. Lyssna på alla avsnitt i Sveriges Radio Play. Barndomen utspelade sig i en övre medelklassmiljö i Toronto och det lilla samhället Uptegrove, beläget vid en vacker sjö. Det var 50-tal när han slog igenom och tv-mediet behövde sitt innehåll. Glenn Gould var som gjord för denna tid, en karaktär som alla kunde leva med. Äldre redaktörer älskade musiken han spelade, medan yngre filmare tjusades av hans mörka lockar, gängliga gestalt och känsliga ansikte. Han såg ut som James Dean, men spelade 1700-talsmusik i konsertsalarna. Det är svårt att hitta fram till Glenn Gould. Det är som om hans liv redan har den perfekta bågen. Född begåvad, det enda barnet, älskad bortom sans och förnuft. Totalt gehör, snabbtänkt och verbal. Karriären tar fart och applåderna dånar, men snart tar de excentriska dragen tar över, liksom missbruket av piller. Glenn Gould utvecklar hypokondri och som en konsekvens därav strategier och ritualer för att överleva dagarna. Han debuterar med Goldbergvariationerna och slutar med en nyinspelning där han reviderar sin tolkning. Han dör vid nyss femtio fyllda. Medverkar gör Joakim Thelander doktor i sociologi och lektor i kriminologi på Högskolan i Kristianstad, radioproducenten Britt Edwall, Emil Svanängen som uppträder under namnet Loney Dear och pianisten Rolf Lindblom. En dokumentär från 2021 av Po Tidholm. Producent P2: Antonio de la CruzMixning: Staffan Schöier

This episode of The Gould Standard delves into the personal and artistic relationships between Glenn Gould, Cornelia Foss, and her family. We begin with Cornelia relating her first captivating encounter with Gould at a concert during her marriage with famed composer-conductor Lukas Foss, leading to Cornelia and Glenn's eventual love affair. We explore the complex dynamics between Cornelia, Glenn, and Lukas, highlighting Gould's multifaceted personality - from his perceived reclusiveness to his warm, playful and affectionate side as experienced by the Foss children. Cornelia Foss reflects on the challenges and transformations of their relationships, particularly focusing on Gould's the alterations to his state of mind, which she attributes to his misuse of prescription medications, leading to the eventual breakdown of their partnership. The episode also touches on broader themes of artistry, memory, and the lasting influence of Glenn Gould on the Foss family and beyond, all while revealing lesser-known facets of Gould's character and the deeply intertwined lives of those who were closest to him.

In a compelling episode of the Gould Standard podcast, listeners are treated to an intimate conversation with American painter Cornelia Foss alongside her children, Christopher and Eliza. Delving into the rich tapestry of their family history from Europe to Hollywood to New York, and the life and career of Cornelia's husband, the great American composer and conductor, Lukas Foss, the trio shares poignant insights into their lives intertwined with art and music. This two-part conversation also includes reminiscences of Cornelia's almost 5-year love affair with Glenn Gould, which saw her and the children moving to Toronto to be with Gould. A rare and poignant account of a relationship that offers unique insights into the great pianist's life and personality, from three first-hand, very personal perspectives.

durée : 01:00:08 - Bruno Monsaingeon, réalisateur et producteur de documentaires - par : Priscille Lafitte - Depuis ses premiers films avec Glenn Gould et Nadia Boulanger jusqu'aux documentaires récents avec Klaus Mäkelä ou le quatuor Arod, Bruno Monsaingeon s'est peu à peu effacé de l'image pour mieux porter une dramaturgie de l'art musical. Comment conçoit-il ces années passées derrière la caméra ? - réalisé par : Claire Lagarde

durée : 00:17:06 - Disques de légende du lundi 06 novembre 2023 - Découvrons ensemble ce qui marqua la début de la carrière internationale du célèbre pianiste canadien : les Variations Goldberg de Jean-Sébastien Bach, enregistrées en 1955.

The annual Rosalyn Tureck Memorial Concert features Interlochen Arts Academy students performing Bach's music in honor of the late scholar and pianist. This recital takes place because Interlochen is home to the Rosalyn Tureck Bach Research Institute. Tureck was an important scholar of Bach's music in the 20th century, and everyone from Glenn Gould to William F. Buckley to Sharon Isbin sought her opinions. In 2022, Interlochen became the home of the Tureck Bach Research Institute, which includes Rosalyn Tureck's essays, books, writings and recordings. Another part of the Tureck Bach Research Institute is this annual recital in her honor featuring the music of Bach. IPR met two of the pianists who will be playing Bach's music on this recital and got a preview in Studio A. Kené Obiaya is a senior from Chicago, IL. He performed the Prelude and Fugue in D major Book 1 of Bach's Well-Tempered Clavier. Viviane Kim is a senior from Port Jefferson, NY. She performed Bach's Partita in C Minor (BWV 826). Kim is also this year's recipient of the Rosalyn Tureck scholarship, which is awarded to a female Interlochen Arts Academy piano student.

durée : 00:14:11 - Disques de légende du mardi 09 avril 2024 - "Expansive, pessimiste et indubitablement extatique" : ainsi Glenn Gould décrit-il la "Sonate pour piano" d'Alban Berg, en laquelle il disait voir le meilleur Opus 1 de l'histoire de la musique.

Der Steinway CD 318 war sein Instrument, ohne ihn konnte Glenn Gould nicht spielen. Genauso wenig ohne seinen Klavierhocker, einen Küchenstuhl, der immer sehr tief eingestellt war. Gould liebte dieses Hin-und Herschwingen und nahm seinen Stuhl überall hin mit. Auch am 6. April 1962 war das so. Gould gab mit dem New York Philharmonic und Leonard Bernstein ein Konzert, das live im Radio übertragen wurde. Es wurde ein denkwürdiges Ereignis, wie unser ZOOM zu berichten weiß ..

David (Trent) Jaeger embodies a spirit of limitless adventure and versatility in the musical world, excelling as a composer, producer, and performer. His early explorations at the University of Wisconsin and the University of Toronto underscored his pioneering spirit as an advocate for experimentation around the emerging field of electronic music which produced a profound influence on Canadian contemporary music. He helped establish a cutting edge digital sound synthesis facility at the University of Toronto during the early 1970s. Embracing a new chapter at CBC in 1973, Jaeger curated Two New Hours, a landmark weekly radio series dedicated to bringing contemporary music to a wide audience. His collaboration with Glenn Gould allowed Jaeger to glean and share insights into the brilliance of the Canadian pianist.

In this second part of his extended conversation with Brian Levine, acclaimed Icelandic pianist, Víkingur Ólafsson, discusses a variety of topics related to his craft and passion for music. He discusses the polarizing effect of Glenn Gould and how his influence has inspired Ólafsson's own interpretation and performance of music. Ólafsson also questions the idea of so-called 'classical' music, arguing that the term could be removed altogether, as music is not bound by time or specific periods. He reveals insights into his creative process and how he prepares for recorded sessions and live concerts, emphasizing the importance of fine-tuning dynamics and maintaining unpredictability.

A conductor, harpsichordist, and organist, Masaaki Suzuki stands as a towering figure in Baroque music, renowned for his comprehensive and top-tier recordings of Bach's works, including all of Bach's sacred and secular cantatas. Suzuki's unparalleled dedication extends beyond Bach, with significant contributions to the works of Mozart, Handel, and other 18th-century composers. He is the founder of the Bach Collegium Japan, an artist in residence at Yale, and conducts orchestras and choruses around the world.  Tyler sat down with Suzuki to discuss the innovation and novelty in Bach's St. John's Passion, whether Suzuki's Calvinist background influences his musical interpretation, his initial encounter with Bach through Karl Richter, whether older recording of Bach have held up, why he trained in the Netherlands, what he looks for in young musicians, how Japanese players appreciate Bach differently, whether Christianity could have ever succeeded in Japan, why Bach's larger vocal works were neglected for so long, how often Bach heard his masterworks performed, why Suzuki's  favorite organ is in Groningen, what he thinks of Glenn Gould's interpretations of Bach, what contemporary music he enjoys, what he'll do next, and more. Read a full transcript enhanced with helpful links, or watch the full video.  Recorded November 1st, 2023. Other ways to connect Follow us on X and Instagram Follow Tyler on X Sign up for our newsletter Join our Discord Email us: cowenconvos@mercatus.gmu.edu Learn more about Conversations with Tyler and other Mercatus Center podcasts here.    

Víkingur Ólafsson, Iceland's superstar pianist, engages in captivating dialogue in Part One of his interview on the Gould Standard. From Reykjavik to New York, Ólafsson delves into the profound influence of his Icelandic roots and reflects on his educational journey from early studies with his parents to Juilliard. The conversation unveils a multifaceted glimpse into his musical philosophy, exploring topics ranging from his insights into Bach's Goldberg Variations (which he has just recorded, and which he calls the greatest work of keyboard music ever written) to his nuanced views on music competitions. Ólafsson boldly contends that exceptional art should act as a catalyst for societal discourse, with the potential to overcome divisions, following in the footsteps of one of his inspirations, Glenn Gould.

durée : 00:58:50 - La Série musicale - par : Zoé Sfez - Bruno Monsaingeon a été lui-même musicien, mais il est surtout connu pour avoir filmé Nadia Boulanger, Glenn Gould, Sviatoslav Richter et bien d'autres. Portrait d'un documentariste qui a su si bien transcrire des partitions à l'écran.

In this special episode of The Gould Standard, Katie Hafner, an accomplished author and journalist renowned for her works like "A Romance on Three Legs," takes the reins as guest host. The book delves into the eccentricities of pianist Glenn Gould and his obsession with finding the “perfect piano” - fabled Steinway concert grand CD-318. Pianist and educator Jim Prosser, upon reading the book, presented a surprising revelation – one of the pianos discussed in Katie's book is none other than his current instrument. Prosser provides a captivating account of the instrument's history, its encounter with Gould, and its subsequent evolution. The interview offers a unique blend of musical passion, historical context, and personal connection.

Der Pianist Arturo Benedetti Michelangeli galt als unnahbarer Perfektionist. Er stand im Ruf, Konzerte abzusagen, falls ihm die dafür gesetzten Bedingungen missfielen. Um Probleme mit Instrumenten zu vermeiden, pflegte Michelangeli, ähnlich wie vor ihm Vladimir Horowitz und Glenn Gould zum Konzert mit eigenem Steinway anzureisen. Nach Michelangelis Tod erwarben die Münchner Philharmoniker von der Witwe das Instrument und gaben ihm, seinem ehemaligen Besitzer angemessen, einen extravaganten Platz in einem Alu-Koffer. Zum Konzert-Einsatz kam der Steinway bislang nur ein einziges Mal. Unser ZOOM erzählt diese kuriose Geschichte.

He's a poet, art critic, curator, translator, cultural theorist -- and someone who helps make sense of our world. Ranjit Hoskote joins Amit Varma in episode 363 of The Seen and the Unseen to talk about his life, his times and his work. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out: 1. Ranjit Hoskote on Twitter, Instagram and Amazon. 2. Jonahwhale -- Ranjit Hoskote. 3. Hunchprose -- Ranjit Hoskote. 4. I, Lalla: The Poems of Lal Dĕd -- Translated by Ranjit Hoskote. 5. Poet's nightmare -- Ranjit Hoskote. 6. State of enrichment -- Ranjit Hoskote. 7. Nissim Ezekiel, AK Ramanujan, Arun Kolatkar, Keki Daruwalla, Dom Moraes, Dilip Chitre, Gieve Patel, Vilas Sarang, Arvind Krishna Mehrotra, Agha Shahid Ali, Mani Rao, Mustansir Dalvi, Jerry Pinto, Sampurna Chattarji, Vivek Narayanan and Arundhathi Subramaniam. 8. Ted Hughes, Geoffrey Hill, Seamus Heaney, Sharon Olds, Louise Glück, Jorie Graham and Rita Dove. 9. The Life and Times of Shanta Gokhale — Episode 311 of The Seen and the Unseen. 10. The Life and Times of Jerry Pinto — Episode 314 of The Seen and the Unseen. 11. कुँवर नारायण, केदारनाथ सिंह, अशोक वाजपेयी and नागार्जुन. 12. Ravi Shankar, Ali Akbar Khan, Bismillah Khan, Igor Straviksky, Pyotr Ilyich Tchaikovsky, Steve Reich and Terry Riley. 13. Palgrave's Golden Treasury: From Shakespeare to the Present. 14. The Rime of the Ancient Mariner -- Samuel Taylor Coleridge. 15. Sara Rai Inhales Literature — Episode 255 of The Seen and the Unseen. 16. The Art of Translation — Episode 168 of The Seen and the Unseen (w Arunava Sinha). 17. Arun Khopkar, Mani Kaul and Clement Greenberg. 18. Stalker -- Andrei Tarkovsky. 19. The Sacrifice -- Andrei Tarkovsky. 20. Ivan's Childhood -- Andrei Tarkovsky. 21. The Color of Pomegranates -- Sergei Parajanov. 22. Ranjit Hoskote's tribute on Instagram to Gieve Patel. 23. Father Returning Home -- Dilip Chitre. 24. Jejuri -- Arun Kolatkar. 25. Modern Poetry in Translation -- Magazine and publisher founded by Ted Hughes and Daniel Weissbort. 26. On Exactitude in Science — Jorge Luis Borges. 27. How Music Works — David Byrne. 28. CBGB. 29. New York -- Lou Reed. 30. How This Nobel Has Redefined Literature — Amit Varma on Dylan winning the Nobel Prize. 31. The Fire and the Rain -- Girish Karnad. 32. Vanraj Bhatia on Wikipedia and IMDb. 33. Amit Varma's tweet thread on Jonahwhale. 34. Magic Fruit: A Poetic Trip -- Vaishnav Vyas. 35. Glenn Gould on Spotify. 36. Danish Husain and the Multiverse of Culture -- Episode 359 of The Seen and the Unseen. 37. Steven Fowler. 38. Serious Noticing -- James Wood. 39. How Fiction Works -- James Wood. 40. The Spirit of Indian Painting -- BN Goswamy. 41. Conversations -- BN Goswamy. 42. BN Goswamy on Wikipedia and Amazon. 43. BN Goswamy (1933-2023): Sage and Sensitivity -- Ranjit Hoskote. 44. Joseph Fasano's thread on his writing exercises. 45. Narayan Surve on Wikipedia and Amazon. 46. Steven Van Zandt: Springsteen, the death of rock and Van Morrison on Covid — Richard Purden. 47. 1000 True Fans — Kevin Kelly. 48. 1000 True Fans? Try 100 — Li Jin. 49. Future Shock -- Alvin Toffler. 50. The Third Wave -- Alvin Toffler. 51. The Long Tail -- Chris Anderson. 52. Ranjit Hoskote's resignation letter from the panel of Documenta. 53. Liquid Modernity -- Zygmunt Bauman. 54. Rahul Matthan Seeks the Protocol -- Episode 360 of The Seen and the Unseen. 55. Panopticon. 56. Tron -- Steven Lisberger. 57. Gita Press and the Making of Hindu India — Akshaya Mukul. 58. The Gita Press and Hindu Nationalism — Episode 139 of The Seen and the Unseen (w Akshaya Mukul). 59. Ramchandra Gandhi on Wikipedia and Amazon. 60. Majma-ul-Bahrain (also known as Samudra Sangam Grantha) -- Dara Shikoh. 61. Early Indians — Tony Joseph. 62. Tony Joseph's episode on The Seen and the Unseen. 63. Who We Are and How We Got Here — David Reich. 64. पुराण स्थल. 65. The Indianness of Indian Food — Episode 95 of The Seen and the Unseen (w Vikram Doctor). 66. The Refreshing Audacity of Vinay Singhal — Episode 291 of The Seen and the Unseen. 67. The Speaking Tree: A Study of Indian Culture and Society -- Richard Lannoy. 68. Clifford Geertz, John Berger and Arthur C Danto. 69. The Ascent of Man (book) (series) -- Jacob Bronowski. 70. Civilization (book) (series) -- Kenneth Clark. 71. Cosmos (book) (series) -- Carl Sagan. 72. Richard Dawkins, Steven Pinker, Stephen Jay Gould and Oliver Sacks. 73. Raag Darbari (Hindi) (English) — Shrilal Shukla.. 74. Raag Darbari on Storytel. 75. Krishnamurti's Notebook -- J Krishnamurty. 76. Shame -- Salman Rushdie. 77. Marcovaldo -- Italo Calvino. 78. Metropolis -- Fritz Lang. 79. Mahanagar -- Satyajit Ray. 80. A Momentary Lapse of Reason -- Pink Floyd. 81. Learning to Fly -- Pink Floyd, 82. Collected poems -- Mark Strand. Amit Varma and Ajay Shah have launched a new video podcast. Check out Everything is Everything on YouTube. Check out Amit's online course, The Art of Clear Writing. And subscribe to The India Uncut Newsletter. It's free! Episode art: ‘Dancing in Chains' by Simahina.

Glenn Gould war ein schwieriger Kunde. Seine Briefe an die Künstler- und Konzertabteilung von Steinway and Sons in New York waren gefürchtet, nicht nur wegen ihrer Länge, sondern auch wegen ihres Inhalts. Noch mehr zitterten die Steinway-Mitarbeiter aber, wenn der Mann, der bei jeder Jahreszeit Schal, Wintermantel und Handschuhe trug, persönlich in der Firmenzentrale des Klavierbauers in der 75sten Straße auftauchte. Er war auf der Suche nach dem - für ihn - perfekten Klavier.

On Today's episode I am joined by James Campbell Graham Campbell. We discuss some of the differences between classical music and other genres, and how sometimes stepping outside of the classical realm might help you gain a better understanding of music, what it was like playing with legendary Canadian pianist Glenn Gould, and more. ----- Go to https://www.bovedainc.com and save 10% on your purchase with code CLARINEAT Thank you for listening to Clarineat! Want to watch future interviews LIVE and ask guests YOUR listener questions? Join Clarineat LIVE. https://clarineat.com/live You can also join on Patreon: https://www.patreon.com/clarineat For the best experience, subscribe to Clarineat on YouTube: https://youtube.com/clarineat