Podcasts about Virgil

Nouveaux pilotes, un brin déjantés, à bord de la Libre Antenne sur RMC ! Jean-Christophe Drouet et Julien Cazarre prennent le relais. Après les grands matchs, quand la lumière reste allumée pour les vrais passionnés, place à la Libre Antenne : un espace à part, entre passion, humour et dérision, débats enflammés, franc-parler et second degré. Un rendez-vous nocturne à la Cazarre, où l'on parle foot bien sûr, mais aussi mauvaise foi, vannes, imitations et grands moments de radio imprévisibles !

Shia LaBeouf Exposes Kendrick, Mr. Tendernism Speaks, Scary Movie 6 | Club Ambition Podcast Episode 231 Sponsored by: - Dave's Hot Chicken | located in Middletown R.I.- Mother Earth Wellness | Mention podcast for 10% off your purchase https://motherearthri.com/ - Carlos Then for tax help! https://www.mrthen.biz - Big Tony's Pizza RI Providence https://bigtonyspizzari.com/ - TransformRI sign up now: https://pocfoundation.com/transformri/scholarship-signup/ timestamps- Episode starts! 0:00- Kendrick Shia bizarre interview 15:10- Mr Tendernism speaks 41:31- Scary Movie 6 Trailer 1:03:05- WB Paramount deal 1:26:35- Jim Carrey or not 1:40:50- Oscars predictions 1:50:00- is Jay Z dropping again? 1:57:24- New music: Yeat coming, Bruno dropped, Chase B album 2:07:15- Jonathan Majors dailywiree 2:29:35- TV shows, smiling friends, paradise, traitors finale 2:40:00- Epstein bill gates 2:48:00- Ayisha Diaz 40-50k month 2:53:15- Iran 3:09:16- Local news 3:31:30- Spiderman married Zendaya 3:44:00https://linktr.ee/clubambitionUNCUT PATREON https://www.patreon.com/ClubAmbitionDISCORD COMMUNITY: https://discord.com/invite/M8Kmha8UqvMERCH: https://clubambition.shopListen To Podcasts: https://podcasters.spotify.com/pod/show/clubambitionWatch Spanish Podcast El Po K: https://www.youtube.com/watch?v=BqOENhDvdQ0&list=PLNukP3hLjNb_ITL34h3Gjue3z9KWiF-px Watch CAP: https://www.youtube.com/watch?v=W4YVeSYZi28&list=PLNukP3hLjNb_zwvsdwqTOGvgBb-_Ym2mL&pp=gAQBiAQBFOLLOW US!Podcast IG: https://www.instagram.com/clubambitionpodcast/Owner/Host/Editor | Victor SOUND: https://www.instagram.com/itsavibe/CAP Co-Host / Producer | Marloon: https://www.instagram.com/imfromthe401/CAP Co-Host | Noel: https://www.instagram.com/noelfrias_/CAP Co-Host | Earlyn: https://www.instagram.com/complex.mindset/El Po K Host | Maestro Vitiko: https://www.instagram.com/vitiko_baez_el_po_k?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw==El Po K Co-Host | Locotron: https://www.instagram.com/iambenjaminrd?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw==Graphic Designer | Edwin: https://www.instagram.com/edrebels/TikTok: https://www.tiktok.com/@clubambition/Twitter: https://twitter.com/ClubAmbition__/-----------------------------------------------------------Want a promote your music or hire us for marketing?Email us if interested in business! - ClubAmbition401@gmail.com-------------------------------------------------------------RIP: Nipsey, Mac, XXXtentacion, Juice, Pop, Von, DMX, Virgil, Dolph, Takeoff, RHQ, CLARK KENT---------------------------------------------------------------------COPYRIGHT DISCLAIMER ALL RIGHTS BELONG TO THEIR RESPECTIVE OWNERS

Today on Ascend: The Great Books Podcast, Dcn. Harrison Garlick and Dr. Jessica Hooten Wilson of Pepperdine University discuss cantos 13-17 of Dante's Purgatorio--the purging of envy and wrath. Check out our 51 question and answer guide (35 pages!) to the Purgatorio. Check out our YOUTUBE page which has our episodes in playlists!Dr. Jessica Hooten Wilson joins Deacon Harrison Garlick to discuss Cantos 13–17, covering the terraces of envy (Canto 13) and wrath (Cantos 14–17), with a strong focus on the central discourses in the middle of the Comedy. In Canto 13, the envious have their eyelids sewn shut with iron wire, a contrapasso that forces them to rely on others and recognize interdependence. Wilson explains: “envy is to look cross-eyed on another's blessings... to look askance,” and the disembodied voices proclaim examples of generosity (Cana, “I am Orestes,” “Love them from whom you've suffered evil”), teaching a mindset of abundance over scarcity (Dr. Jessica Hooten Wilson). Sapia humbly confesses her envy and malice, contrasting with the divisive souls in Inferno.Cantos 14–15 transition to wrath, with visions of meekness (Mary and Joseph seeking Jesus, a tyrant sparing a youth, Stephen forgiving his stoners) and Virgil's discourse on goods: exhaustible earthly goods versus inexhaustible spiritual ones. Wilson notes: “envy stems from a mindset of scarcity versus Mary's mindset of abundance... able to supply where it looks like there's not enough in the world” (Dr. Jessica Hooten Wilson). The pivotal Canto 16 (the exact midpoint of the Comedy) features Marco Lombardo's sermon on free will: “If the present world has gone astray, the cause is in you, look at yourselves” (Marco via transcript). Wilson calls it “the clearest sermon that Dante has about what's wrong with the world,” emphasizing that sin arises from misused free will, not fate or stars, and critiques the separation of temporal and spiritual powers.Canto 17 concludes the wrath terrace with Virgil's discourse on love as the root of all action (“Neither Creator nor creature was ever without love... natural or of the mind” – Virgil via transcript), which can be misdirected, deficient, or excessive. Wilson highlights the shift from reason to grace: “reason can't do it alone... you need this other kind of intervention” (Dr. Jessica Hooten Wilson). The cantos underscore Purgatorio's hopeful pedagogy: purgation reorders love through grace, habituation, and contemplation, moving from misdirected to deficient love in preparation for the excessive attachments above. Wilson stresses the urgency: “the Purgatorio shows humanity in motion, dynamic humanity... it has the immediacy... that is an urgency to it” (Dr. Jessica Hooten Wilson).Chapters00:00 Introduction to the Great Books Podcast04:06 Exploring Dante's Purgatorio07:20 The Great Books Program at Pepperdine University10:18 The Significance of Purgatorio13:27 Understanding Envy in Purgatorio16:17 Contrary Virtues: Generosity and Kindness19:22 The Role of Sight and Blindness in Envy22:15 Dante's Moral Lessons on Envy25:14 Comparative Analysis with Inferno30:33 Dante's Poetic Structure and Contrapasso32:15 Comparative Analysis of Characters in Inferno and Purgatorio33:54 The Role of Good and Bad Examples in Moral Education34:14 The Shift from Temporal to Eternal Mindsets34:20 Understanding Canto 14: The Importance of Examples39:35 Canto 15: The Inquiry into Goods and Wrath49:58 Canto 16: The Purging of Wrath and Examples of Virtue51:35 Ecstatic Visions and Penitent Souls52:19 The Tyrant's Moment of Virtue53:28 Humanity in Purgatorio54:38 The Role of Mary in Purgatory56:02 Saint Stephen's Example of Forgiveness57:12 Virgil's Limitations as a Guide59:12 The Nature of Freedom in Purgatory01:03:07 The Importance of Canto 1601:04:37 Understanding Freedom in Dante's Context01:07:32 The Role of Law and Governance01:14:39 Self-Reflection and the State of the World01:23:48 Exploring Wrath in Purgatory01:30:57 Understanding the Structure of PurgatoryKeywords: Dante's Purgatorio, Cantos 13-17, spiritual growth, virtues and vices, education, great books, Dante analysis Dante's Divine Comedy, Purgatory, Virtues and Vices, Free Will, Theology, Morality, Literature, Catholic Teaching, Spiritual Journey

Salut prieteni! E marți, e episod nou! În care discutăm despre amprente digitale, parole de neuitat și întâmplări de la ski. Ia vedeți în linkul următor pe unde mai venim în perioada următoare și ne vedem la showuri!

Episode 89 From An Essay on Man by Alexander Pope  Mark McGuinness reads and discusses an excerpt from Epistle II of An Essay on Man by Alexander Pope. https://media.blubrry.com/amouthfulofair/media.blubrry.com/amouthfulofair/content.blubrry.com/amouthfulofair/89_From_An_Essay_on_Man_by_Alexander_Pope.mp3 Poet Alexander Pope Reading and commentary by Mark McGuinness From An Essay on Man Epistle II By Alexander Pope Know then thyself, presume not God to scan;The proper study of mankind is man.Placed on this isthmus of a middle state,A being darkly wise, and rudely great:With too much knowledge for the sceptic side,With too much weakness for the stoic's pride,He hangs between; in doubt to act, or rest;In doubt to deem himself a god, or beast;In doubt his mind or body to prefer;Born but to die, and reasoning but to err;Alike in ignorance, his reason such,Whether he thinks too little, or too much:Chaos of thought and passion, all confused;Still by himself abused, or disabused;Created half to rise, and half to fall;Great lord of all things, yet a prey to all;Sole judge of truth, in endless error hurled:The glory, jest, and riddle of the world! Go, wondrous creature! mount where science guides,Go, measure earth, weigh air, and state the tides;Instruct the planets in what orbs to run,Correct old time, and regulate the sun;Go, soar with Plato to th' empyreal sphere,To the first good, first perfect, and first fair;Or tread the mazy round his followers trod,And quitting sense call imitating God;As Eastern priests in giddy circles run,And turn their heads to imitate the sun.Go, teach Eternal Wisdom how to rule –Then drop into thyself, and be a fool!   Podcast Transcript In the early 18th century, Alexander Pope's poetry was known to every cultured person in England. He was a fashionable, successful, wealthy writer and the preeminent poet of his age. He was also a canny businessman who published his translations of Homer via subscription, an early form of crowdfunding, and they sold so well he built himself, an extravagantly large villa in Twickenham – and its famous subterranean grotto still exists today. His political satires were so sharp and topical that he was rumoured to carry a pair of loaded pistols when going for a walk, in case one of his targets took violent exception. Phrases from his poetry are still proverbial: ‘hope springs eternal', ‘Fools rush in where angels fear to tread', ‘a little learning is a dangerous thing', ‘To err is human; to forgive divine', ‘What oft was thought but ne'er so well expressed', and also the title of the movie, ‘eternal sunshine of the spotless mind'. But these days, Pope has really fallen out of fashion. He's seen as archaic and artificial. In an age when formal poetry is out of fashion, for many people he represents the worst kind of formal poetry: his very regular metre and full rhymes sound clunky to our ears. His rhyming couplets are undoubtedly clever, but that's part of the problem, because these days we associate poetry with emotions and self-expression, so cleverness is seen as a little suspect and somehow inauthentic. And I'll be honest, for a long time, I had that image of Pope. He represented everything the Romantics rebelled against at the end of the 18th century, and as a young poet I was on the side of the Romantics, so I had no interest in Pope. However, a few years ago, I challenged myself to have another look at his work, and what I discovered was a really sharp and thought-provoking and witty and formidably skilful poet, who in certain moods, is an absolute pleasure to read. And he doesn't fit every mood, but then there aren't many poets who do. So turning to today's poem, An Essay on Man is one of Pope's major works, it's about 1,300 lines long. As the title suggests it's a meditation on the nature of what he called mankind, and we call humankind, we have to make allowance for the historic focus on the male as representative of the species. It's also a didactic poem, he's not just reflecting on the subject, he is telling us what we should think about it. Which again, is a deeply unfashionable stance for poets these days, at least when they are on the side of a conservative or establishment position. And he does this in the form of a series of verse epistles, verse letters, which are addressed to Henry St John, Viscount Bolingbroke. The epistle form also means that the poem addresses the reader in a very direct manner, as you would expect in a letter. His basic stance, which we find in many of his poems, is of a reasonable man writing for a group of like-minded people, trying to establish some sort of common sense, shared ideas and principles, in a world where these need to be debated and defined and defended. This was the world of the coffee house and the salon, where people came together to debate, sometimes in very robust fashion. It came to be known as the Augustan age in English literature, by comparison with the satirical and political poetry of the age of Augustus Caesar. OK looking more closely at the poem itself, the excerpt I just read is from the second Epistle, and one of the first things we notice is what Milton would have called the ‘jingling' rhymes: Know then thyself, presume not God to scan; The proper study of mankind is man. Placed on this isthmus of a middle state, A being darkly wise, and rudely great: With too much knowledge for the sceptic side, With too much weakness for the stoic’s pride, It's pretty unmistakeable isn't it? One pair of rhymes after another. And in case you're wondering, yes, these rhyming couplets do go on all the way through the poem, and indeed all the way through most of Pope's work. And not just in Pope: for over a century, from about 1650 to 1780, this was a hugely popular verse form. They are known as heroic couplets because they are associated with epic narrative poems, such as John Dryden's translations of Virgil and Pope's translations of Homer. Each line is in iambic pentameter, the familiar ti TUM ti TUM ti TUm ti TUM ti TUM, with two lines next to each other forming couplets, and the poem proceeding with one couplet after another. The form can be traced back to Chaucer, who used rhyming couplets for many of his narrative poems. But by the time of Dryden and Pope it had evolved into a tighter couplet form, described as closed couplets, meaning that they were typically self contained, with a sentence, or a discrete part of a sentence, beginning and ending inside the couplet. For instance: Know then thyself, presume not God to scan; The proper study of mankind is man. That stands on its own as a single thought, a unit of sense, ending with a full stop. And the full rhyme of ‘scan' and ‘man' means the couplet snaps shut at the end – this is the closed couplet effect we associate with heroic couplets. In the next couplet he introduces the idea of man as a creature of ‘middle state': Placed on this isthmus of a middle state, A being darkly wise, and rudely great: And then another couplet elaborates on the sense of being pulled in different directions: With too much knowledge for the sceptic side, With too much weakness for the stoic's pride, So the poem proceeds one unit of sense at a time. The couplets are like Lego bricks, and Pope used them to build just about anything he wanted: literary and philosophical discourse here in the Essay on Man and in his Essay on Criticism; mock-heroic social comedy in The Rape of the Lock; actual epic in his translations of the Iliad and the Odyssey; and satire in The Dunciad. It's easy to see how this could become monotonous, and in the work of most poets of the time, it did. But Pope's great achievement was to take this established form and perfect it, sticking very strictly to the formal pattern, while varying the syntax, the grammatical patterns, with great subtlety and complexity, to keep the reader on their toes. Let's take another look at the first couplet. Notice the little pause in the middle of the first line, after ‘thyself': Know then thyself, presume not God to scan; This divides the line into two parts, conveying the dramatic tension in Pope's argument: he's saying that humans are ambitious for knowledge, they want to ‘scan' God, to examine him, but they should really focus on self-knowledge. This tension between opposites is known as antithesis, it's a rhetorical pattern we looked at back in episode 58 about one of Sir Philip Sidney's sonnets, and it's very common in Pope. And the tension is resolved in the next line, which is all one phrase, with no pause: The proper study of mankind is man. Have another listen to the couplet, to hear how the tension is established and then released: Know then thyself, presume not God to scan; The proper study of mankind is man. So when all of this comes together, the tension and release, the regular rhythm of the metre and the full rhymes clinching the couplet, it has the effect of making the words sound truer than true. The following couplet picks up on the antithesis, and extends it into paradox: Placed on this isthmus of a middle state, A being darkly wise, and rudely great: An isthmus is a narrow strip of land between two bodies of water, so standing on it, you could easily feel precarious and threatened. ‘Darkly wise' means ‘dimly wise', possessing a little knowledge, but not enough for full understanding. And ‘rudely great' means ‘powerful but coarse and unfinished'. And I think we can recognise what Pope is saying from our own experience – that sense of knowing enough to know how little we really know; of having great potential, but struggling to fulfil it. And isn't it delightful how Pope compresses all those feelings into these neat little paradoxes: ‘darkly wise and rudely great'. In another famous line, he describes true eloquence as ‘What oft was thought but ne'er so well expressed', which is exactly what he achieves here. We can also note that ‘darkly wise' and ‘rudely great' are not only antitheses expressed as paradoxes, they are also an example of another rhetorical pattern: parallelism, where similar structures are repeated with variation. In this case ‘darkly' and ‘rudely' are both adverbs and ‘wise' and ‘great' are both adjectives, so grammatically they are identical, which suggests both similarity and difference in mankind's relationship to knowledge and power. The next couplet uses a more elaborate parallelism: With too much knowledge for the sceptic side, With too much weakness for the stoic's pride, So both lines say ‘With too much something for the something else'. It's hard to miss the pattern, isn't it? And notice how the couplet form is perfect for laying out two ideas that seem to counterbalance each other perfectly. So we're only six lines in and Pope has put his finger on a central conundrum in human existence, and conveyed it with at least three rhetorical patterns nested inside each other – antithesis, paradox and parallelism. Not only that, he's handled the metre and rhyme with great skill, wrapping each thought up in the neat little bow of a rhyming couplet. And if your mind is starting to boggle, welcome to the world of Pope's verse: elegant, authoritative and very, very clever. When we look closely, there's a lot going on inside every single couplet. He's like a watchmaker, working at a tiny scale, making an instrument with great precision and balance, that keeps perfect time, and chimes beautifully. And Pope's contemporaries would have found it easier to follow the sense than we do, because they were used to reading this kind of stuff. But I'm sure the poetry would often have given them pause, even if only for a moment, as they read. And my guess is that they would have enjoyed this slight difficulty, and the pleasure of making out the sense, with the little dopamine hit of understanding. Like unwrapping a sweet before you can pop it in your mouth and taste it. So I hope we're starting to see why Pope is the undisputed master of the heroic couplet. Even T. S. Eliot had to admit defeat, when he wrote a passage in this style for The Waste Land, only for Ezra Pound to point out tactfully that he couldn't compete with Pope, and draw the red pencil through it. But the form is more than simply one couplet after another. When he stacks them together, they create verse paragraphs, longer units of thought, that function very like paragraphs in prose. So having established the idea of man caught between opposing forces, he goes on to elaborate on the theme to dazzling effect: He hangs between; in doubt to act, or rest; In doubt to deem himself a god, or beast; In doubt his mind or body to prefer; Born but to die, and reasoning but to err; Alike in ignorance, his reason such, Whether he thinks too little, or too much: The couplets are individually brilliant, and cumulatively overwhelming, both in terms of the mental effort required to tease out their meanings, and the tension between action and inaction, divine and bestial impulses, mind and body, birth and death, reason and error. And I think that's why I find this line so funny: Whether he thinks too little, or too much: It feels like he's throwing his arms up and laughing and admitting that he's overthinking it all. The verse paragraph ends with three more couplets, where he sums up the nature of man: Chaos of thought and passion, all confused; Still by himself abused, or disabused; Created half to rise, and half to fall; Great lord of all things, yet a prey to all; Sole judge of truth, in endless error hurled: The glory, jest, and riddle of the world! Although Pope is describing a ‘chaos of thought', his own thinking is always sharp, however convoluted his argument becomes. So he sticks to the themes of power and knowledge, undercutting man's pretension by saying he is ‘Great lord of all things, yet a prey to all', and ‘Sole judge of truth, in endless error hurled'. And he ends this paragraph with another rhetorical device, the tricolon, which uses three parallel elements to build to a conclusion: The glory, jest, and riddle of the world! We're familiar with this pattern in famous quotes from Julius Caesar, ‘I came, I saw, I conquered', the US Declaration of Independence, ‘Life, liberty and the pursuit of happiness', and Shakespeare: ‘Friends, Romans, countrymen!' Here, Pope uses it with typical precision, since if someone is both the ‘glory… of the world' and it's ‘jest', i.e. the butt of its jokes, then that makes that person a ‘riddle': The glory, jest, and riddle of the world! So this sums up the nature of man, and sets up the jesting irony of the next verse paragraph: Go, wondrous creature! mount where science guides, Go, measure earth, weigh air, and state the tides; Instruct the planets in what orbs to run, Correct old time, and regulate the sun; If this were the start of the poem, we might be forgiven for taking Pope's words at face value, but in the light of what has gone before, it's pretty clear that ‘wondrous creature' is a mocking criticism. He was writing this in an age where Newtonian physics was in the ascendancy and people were full of enthusiasm about the new discoveries in science and the possibility of understanding and mastering the physical world. And given that we are still living in a so-called age of reason, I think his criticisms of scientific overreach are still relevant, and the joke is still funny, when he talks about instructing the planets in what orbits to follow, correcting time and regulating the sun. As if measuring were full understanding, let alone complete power. But Pope doesn't confine his criticism to scientists. He also has philosophers in his sight: Go, soar with Plato to th' empyreal sphere, To the first good, first perfect, and first fair; Or tread the mazy round his followers trod, And quitting sense call imitating God; He clearly doesn't have a lot of time for Plato's first principles. Neither is he impressed by the contemporary vogue for what we would call Orientalism: As Eastern priests in giddy circles run, And turn their heads to imitate the sun. It's possible that he had in mind the whirling dervishes of Persia, or maybe this is just a caricature of his idea of ‘Eastern priests'. So obviously this is a joke that hasn't aged so well. OK he ends this verse paragraph with a final jab, which restates the idea from the opening couplet in bluntly comic fashion: Go, teach Eternal Wisdom how to rule – Then drop into thyself, and be a fool! It's hard to imagine a more apt image of intellectual presumption than trying to teach Eternal Wisdom a thing or two, but just in case we miss the point, Pope rams it home with relish: Then drop into thyself, and be a fool! And this is another characteristic aspect of Augustan poetry, particularly the satirical kind, that it can be very crude and direct, with a passage of sophisticated argument followed by a line or two where the mask drops and the insult is laid bare. And no, it's not big or clever, but let's face it, sometimes it can be deeply satisfying. One more little detail, which I can't help wondering about: notice how both of these couplets, conveying the same basic idea in very different tones, both hinge on the word ‘thyself': Know then thyself, presume not God to scan; The proper study of mankind is man. Go, teach Eternal Wisdom how to rule – Then drop into thyself, and be a fool! So that word ‘thyself' could be used to refer to various individuals, and knowing Pope, I wouldn't be surprised if he intended all of them at once. Firstly, the phrasing sounds proverbial, in which case each couplet is an injunction to mankind at large. Secondly, it could refer to the reader, any reader, of the poem, whether Viscount Bolingbroke, an 18th-century wit, or you and me, reading the poem together on this podcast. It could also refer to the specific targets of Pope's criticism, such as the overreaching scientists or philosophers. I think Pope may also have had in mind a target nearer to home: himself. W. B. Yeats wrote in one of his essays, ‘We make out of the quarrel with others, rhetoric, but of the quarrel with ourselves, poetry'. And it's entirely possible that Pope is doing both at once: we've seen the brilliance of his rhetoric, in puncturing the pretensions of his fellow men and women. Yet by making poetry as well as rhetoric, he is arguably arguing with himself as well. It was of course be entirely right and proper and expected for a Christian such as Pope to admonish himself as well as others, for the many and various sins he describes in An Essay on Man. So from a moral viewpoint, I think I'm on pretty safe ground in suggesting that ‘thyself' includes Pope. But I would go further, and say that the idea of a brilliant mind that is not quite brilliant enough to fully understand itself may have been a deeply personal subject for Pope. Because what we have here is an extremely clever warning about taking cleverness to extremes. Maybe the irony was not lost on Pope. As he wrote in another poem, An Essay on Criticism, ‘A little learning is a dangerous thing'. So perhaps as we hear this passage again, and enjoy the sparkling wit and scurrilous attacks on others, we can also detect a note of self-reflection, and self-accusation, that makes it a little more poignant than it first appears. From An Essay on Man Epistle II By Alexander Pope Know then thyself, presume not God to scan;The proper study of mankind is man.Placed on this isthmus of a middle state,A being darkly wise, and rudely great:With too much knowledge for the sceptic side,With too much weakness for the stoic's pride,He hangs between; in doubt to act, or rest;In doubt to deem himself a god, or beast;In doubt his mind or body to prefer;Born but to die, and reasoning but to err;Alike in ignorance, his reason such,Whether he thinks too little, or too much:Chaos of thought and passion, all confused;Still by himself abused, or disabused;Created half to rise, and half to fall;Great lord of all things, yet a prey to all;Sole judge of truth, in endless error hurled:The glory, jest, and riddle of the world! Go, wondrous creature! mount where science guides,Go, measure earth, weigh air, and state the tides;Instruct the planets in what orbs to run,Correct old time, and regulate the sun;Go, soar with Plato to th' empyreal sphere,To the first good, first perfect, and first fair;Or tread the mazy round his followers trod,And quitting sense call imitating God;As Eastern priests in giddy circles run,And turn their heads to imitate the sun.Go, teach Eternal Wisdom how to rule –Then drop into thyself, and be a fool!   Alexander Pope Alexander Pope was an English poet and translator who was born in 1688 and died in 1744. As a Catholic he was barred from university and public office, so he educated himself and forged a brilliant literary career, becoming the leading poet of Augustan England, celebrated for his razor-sharp satire and polished heroic couplets. Early success came with An Essay on Criticism and The Rape of the Lock, followed by monumental translations of Homer that made him financially independent. His later works, including The Dunciad, attacked dullness and corruption. In An Essay on Man, he explored human nature, providence, and moral order with epigrammatic clarity. He lived at Twickenham, where he created a famous garden and grotto.   A Mouthful of Air – the podcast This is a transcript of an episode of A Mouthful of Air – a poetry podcast hosted by Mark McGuinness. New episodes are released every other Tuesday. You can hear every episode of the podcast via Apple, Spotify, Google Podcasts or your favourite app. You can have a full transcript of every new episode sent to you via email. The music and soundscapes for the show are created by Javier Weyler. Sound production is by Breaking Waves and visual identity by Irene Hoffman. A Mouthful of Air is produced by The 21st Century Creative, with support from Arts Council England via a National Lottery Project Grant. Listen to the show You can listen and subscribe to A Mouthful of Air on all the main podcast platforms Related Episodes From An Essay on Man by Alexander Pope Episode 89 From An Essay on Man by Alexander Pope Mark McGuinness reads and discusses an excerpt from Epistle II of An Essay on Man by Alexander Pope.Poet Alexander PopeReading and commentary by Mark McGuinnessFrom An Essay on Man Epistle II By Alexander Pope Know... Occupied by Tim Rich Episode 88 Occupied by Tim Rich  Tim Rich reads ‘Occupied' and discusses the poem with Mark McGuinness.This poem is from: Dark Angels: Three Contemporary PoetsAvailable from: Dark Angels is available from: The publisher: Paekakariki Press Amazon: UK... Dover Beach by Matthew Arnold Episode 87 Dover Beach by Matthew Arnold  Mark McGuinness reads and discusses ‘Dover Beach' by Matthew Arnold.Poet Matthew ArnoldReading and commentary by Mark McGuinnessDover Beach By Matthew Arnold The sea is calm tonight.The tide is full, the moon lies...

Sponsored by: - Dave's Hot Chicken | located in Middletown R.I.- Mother Earth Wellness | Mention podcast for 10% off your purchase https://motherearthri.com/ - Carlos Then for tax help! https://www.mrthen.biz Timestamps- Show starts 0:00- snow storm recap 6:30- elliott wilson heart surgery 27:30- ti 50 cent diss songs 30:10- america's next top model doc recap 52:00- paradise season 2 back, anaconda movie review, love island allstars finale 1:01:40- mexico cartel after el mencho killed 1:04:00- mr tenderism fired 1:09:45- hockey usa kash patel, Alysa Liu figure skater 1:18:30- tourettes n word 1:22:40- wale drake mj record April comment 1:32:35- spotify hip hop 1:35:00- baby keem album reaction: young thug & kendrick 1:42:40 - new music bruno mars, chase b album friday 1:46:00- floyd vs pacman again 1:48:40- backrooms movie, Toy Story 5 1:53:55- eric dane RIP 1:56:40- alien files releasing 1:59:30- drake teases iceman again 2:02:50- ring camera blizzard 2:07:30- Local news, Epstein RI 2:10:49- J Cole on Drake ICEMAN? 2:22:40- Back to Rhode Island news 2:25:30https://linktr.ee/clubambitionUNCUT PATREON https://www.patreon.com/ClubAmbitionDISCORD COMMUNITY: https://discord.com/invite/M8Kmha8UqvMERCH: https://clubambition.shopListen To Podcasts: https://podcasters.spotify.com/pod/show/clubambitionWatch Spanish Podcast El Po K: https://www.youtube.com/watch?v=BqOENhDvdQ0&list=PLNukP3hLjNb_ITL34h3Gjue3z9KWiF-px Watch CAP: https://www.youtube.com/watch?v=W4YVeSYZi28&list=PLNukP3hLjNb_zwvsdwqTOGvgBb-_Ym2mL&pp=gAQBiAQBFOLLOW US!Podcast IG: https://www.instagram.com/clubambitionpodcast/Owner/Host/Editor | Victor SOUND: https://www.instagram.com/itsavibe/CAP Co-Host / Producer | Marloon: https://www.instagram.com/imfromthe401/CAP Co-Host | Noel: https://www.instagram.com/noelfrias_/CAP Co-Host | Earlyn: https://www.instagram.com/complex.mindset/El Po K Host | Maestro Vitiko: https://www.instagram.com/vitiko_baez_el_po_k?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw==El Po K Co-Host | Locotron: https://www.instagram.com/iambenjaminrd?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw==Graphic Designer | Edwin: https://www.instagram.com/edrebels/TikTok: https://www.tiktok.com/@clubambition/Twitter: https://twitter.com/ClubAmbition__/-----------------------------------------------------------Want a promote your music or hire us for marketing?Email us if interested in business! - ClubAmbition401@gmail.com-------------------------------------------------------------RIP: Nipsey, Mac, XXXtentacion, Juice, Pop, Von, DMX, Virgil, Dolph, Takeoff, RHQ, CLARK KENT---------------------------------------------------------------------COPYRIGHT DISCLAIMER ALL RIGHTS BELONG TO THEIR RESPECTIVE OWNERS

Today on Ascend: The Great Books Podcast, Deacon Garlick and Mr. Luke Heintschel, headmaster of Coeur du Christ Academy, discuss the rest of ante-purgatory and then the first terrace--the purging of pride.Check out our GUIDE: 51 QUESTIONS ON THE PURGATORIO.Visit thegreatbookspodcast.com for more information.The conversation explores the transition from Ante-Purgatory into the proper mountain of Purgatory and the first terrace dedicated to purging the sin of pride. Garlick describes this section as one of his favorites in the entire Purgatorio, praising Dante's ability to provide a rich “liturgy” and spiritual library of resources for reshaping the soul into the beautiful image of Christ. The episode emphasizes Purgatorio as a positive map for sanctification and theosis, contrasting sharply with the Inferno's exposure of sin's ugliness.Guest Introduction and Classical Education InsightsLuke Heintschel shares his personal journey from evangelization and biblical theology into classical education, explaining how he came to see the liberal arts tradition—long cultivated by the Church—as the most effective means of making Catholicism relevant to contemporary young people. He describes his school's mission of forming saints, scholars, and servants through the historic Catholic educational model. Deacon and Heintschel discuss the harmony of faith and reason, noting how reading great books alongside Scripture and theology reveals that the God who grants intellect is the same God who died on the cross. They highlight the value of using Dante's Purgatorio in moral theology classes, where it serves not as a list of rules but as a vivid portrayal of transforming the heart's disordered loves toward their divine end.Chapters00:00 Introduction to Ascend and Dante's Purgatorio09:02 Understanding Purgatorio: A Map for Spiritual Growth15:17 Dante's Intercessory Prayer and Its Significance24:13 The Role of Beatrice and the Nature of Beauty34:53 Dante's Political Critique and the State of Italy43:05 The Call to Higher Patriotism53:44 Understanding Virtue: Natural vs. Theological59:35 The Valley of the Kings: Political Failures and Redemption01:15:02 Dante's Heroism and Divine Grace01:19:41 The Three Steps to Purification01:28:10 The Role of Humility in Purgatory01:51:27 The Purpose of Purification01:59:24 Contrappasso: The Nature of Punishment in Purgatory02:04:44 Examples of Pride: Lessons from the Past02:16:26 The Beatitudes and the Path to Humility02:23:47 Eagerness to Ascend: The Transformation of the SoulMoral Theology and the Purpose of PurgatorioThe hosts stress that moral theology is not merely about avoiding sin but about becoming beautiful like Christ through active configuration to His image. Purgatorio offers a lifelong guide for this ascent, presenting prayers, hymns, scriptural examples, and artistic visions tailored to remedy each vice. They critique modern reductions of ethics to a “negative list” of prohibitions, arguing that Dante invites readers to pursue positive virtue and interior change.In Canto 6, the souls in Ante-Purgatory eagerly seek Dante's prayers, illustrating the Catholic doctrine of intercession for the dead as a participation in Christ's merits. Virgil explains that purgation is possible through the resurrection, and the episode includes a brief catechesis on the communion of saints across the Church Militant, Penitent, and Triumphant. Beatrice is presented as an icon of divine beauty and grace, with the...

Salut prieteni! E marți, e episod nou! Ia vedeți în linkul următor pe unde mai venim în perioada următoare și ne vedem la showuri!

David Lynch dissects Liverpool's dramatic late win away at Nottingham Forest, analysing a dismal first-half display, elite box defending from Virgil van Dijk and Ibrahima Konaté, and Alexis Mac Allister's decisive intervention. The discussion also covers Rio Ngumoha's eye-catching cameo and what the result means in the tightening Champions League race. Learn more about your ad choices. Visit podcastchoices.com/adchoices

David Lynch assesses Alexis Mac Allister's mixed performance, Liverpool's ongoing midfield imbalance and the growing need for added physicality. There's also insight into Ibrahima Konaté's contract situation, summer recruitment priorities, and reaction to wider football debates surrounding Vinícius Júnior and Virgil van Dijk. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Wolfie dissects what was a great performance but ended in defeat for Nottingham Forest! To Buy Wolfie A Coffee! Click Here: https://buymeacoffee.com/forestfantv The City Ground is absolutely fuming tonight, and rightfully so. Welcome to the match reaction as Wolfie dissects a gutting 0-1 defeat that feels like a total robbery. Nottingham Forest played Liverpool off the park for long periods, especially in a dominant first half where we looked like the only team destined for three points. But in a repeat of the worst kind of drama, Alexis Mac Allister snatched a 97th-minute winner that has left the world of "Ref Watch" in a meltdown. We're diving deep into the controversial VAR call—was Virgil van Dijk actually offside in the buildup, or did Ola Aina's foot really play him onside? After Mac Allister already had one ruled out for handball just minutes earlier, it felt like the script was written for a scandal. Despite the heartbreak, we have to talk about the "Pereira Effect." The first 45 minutes was arguably some of the best football we've seen all season, with the lads carving through the league leaders with confidence and tactical discipline. Vítor Pereira's system is clearly clicking; we created 12 shots in the first half alone—the most Liverpool have conceded in a single half in over a decade! From Murillo's defensive masterclass to the energy in our transitions, there are massive positives to take away. Now we want to hear from you in the comments—was it a fair decision or have we been "done" by the officials again? Is Pereira the man to steer this ship to safety regardless of these dodgy calls? The panel debates if this performance proves we have enough quality to stay up, as we look ahead to the crucial second leg against Fenerbahçe and the trip to Brighton. It's a bitter pill to swallow, but the Pereira Revolution is well and truly underway. Get your thoughts in below, rate the players, and let's vent together. YOU REDS! #nffc #premierleague #liverpool Learn more about your ad choices. Visit podcastchoices.com/adchoices

Click here https://www.hellofresh.co.uk/GIANNI50 to enjoy an exclusive offer of 50% off your first box, along with a 20% discount for the next 4 boxes plus free treats for 3 months. Alternatively, you can use my code GIANNI50. This special offer is available for new customers as well as those who cancelled their subscription twelve months ago or more.AD. ___

Our Maidens continue the skill challenge with a grand hunt. What fiendish twist does our host have planned? Does Morana have more in common with Virgil than anyone expected? Will Aoife be able to sway the final diabolist?  Find out on Favor, Episode 67: Hart to Heart CW: Body Horror (General Fantasy Violence) Support Venture Maidens on Patreon Join our Discord server here Get merch and learn more at our website GM is Celeste Conowitch (@cconowitch) Aoife Flannery is Sage Stafford (@staffofsage) Toni Silvertail is Naseem Etemad (@nas_ghoul) Morana is Brittany Quintero (@vizualwarlock) Theme Music by Emily Meo Additional Music by Tabletop Audio

Arne Slot and Virgil van Dijk reflect on Liverpool's dramatic 1-0 victory away to Nottingham Forest after Alexis Mac Allister's 97th minute winning goal.In this episode of The Reaction, we also hear from former Reds Phil Thompson, Gary Gillespie and David Thompson, as well as our fan panel: Chris Coughlin, Courtney Neary and Paul Gaskell.

Nick Jeffery read Robert Browning's The Ring and the Book, a Victorian epic poem about a murder mystery in 17th Century Italy, to test a theory. John Granger's best guess after surveying the chapter headings of Hallmarked Man last September was that, of all 77 sources for the 139 epigraphs in Strike8, Browning's poem was the most likely to hold a secret message or special meaning inside it. John had said something similar about another Browning poem and Ink Black Heart, Elizabeth Barrett Browning's Aurora Leigh, and Nick had confirmed that through his own reading and confirmation by Rowling herself. He thought John's track record of spotting important epigraph sources merited a test reading.He published his findings on Friday in a post titled ‘The Ring and The Book – A Rowling Reading.' In brief, the murder in Browning's poem is a point-to-point model for the Ironbridge murder mystery in Hallmarked Man with characters in Rowling-Galbraith's book — most notably, Chloe Griffiths, Tyler Powell, and Ian Griffiths — having their astonishing equivalents in Ring. The less obvious but more important links between the two are in their implicit feminism and other messages: Both works critique abusive relationships and patriarchal power: Guido's control of Pompilia and Dino Longcaster's control of Decima Mullins. The legal system (Books 8–9 especially) is satirized as formalistic, pedantic, and often blind to moral reality. True justice requires personal moral intuition beyond mere evidence or procedure. The Pope's monologue (Book 10) weighs this tension most profoundly. In The Hallmarked Man the police are slow to act on new information gained by Strike and Robin and Farah Navabi manages to hoodwink the courts into escaping punishment for her part in Patterson's crimes.The Ring and The Book dramatizes the eternal struggle between good and evil. Pompilia embodies instinctive purity, sacrificial love, and spiritual insight despite her suffering. Guido represents sophisticated, calculating evil that twists morality to justify cruelty. Browning affirms that evil exists but that good can somehow arise from or shine through evil's consequences. In The Hallmarked Man evil is real, monstrous, and often cloaked in normalcy or power structures, but it can be exposed and defeated through persistence, intuition, and moral courage.Nick also discusses in this article the chiastic structure of Ring (!) and the ‘conversation' he heard between Robert Browning in this poem with Aurora Leigh, the masterpiece by his late wife. His ‘Rowling Reading' of Ring and the Book, consequently, will soon be a touchstone piece not only in Rowling Studies but Browning Studies as well (#ArmstrongBrowningLibraryAndMuseum @ Baylor). As they have done before with Nick's ‘Rowling Reading' articles. the Hogwarts Professor team recorded their conversation about the piece (listen to their discussions of I Capture the Castle and Aurora Leigh). Seven High Points of that Ring and the Book epigraph conversation include:* Nick's review of why Serious Strikers and Rowling Readers should read The Ring and the Book along with the story of his immersion in it;* John's explanation of why he was so confident that Browning's poem was a template of some kind for Hallmarked Man even though only six of Strike8's 139 epigraphs were taken from it;* Their survey of Rowling's previous work with epigraphs — Deathly Hallows and Casual Vacancy all the way to Running Grave and Hallmarked Man — for works with similar embedded-in-the-epigraph texts and those without one (or in which it hasn't yet been discovered);* Nick's discussion of Rowling's previous comments about epigraphs and her answer to the question, ‘Which Came First, the Epigraph or the Story?';* John's best guess pre-publication about the text that will be the epigraph source in Sleep Tight, Evangeline and which Strike text it will most resemble with its Whiskey Shambles title;* Nick's commitment to exploring Blue Oyster Cult epigraphs in Career of Evil to see if one of that band's albums, all of which supposedly had sci-fi themes and story continuity, served as a text-within-the-text for Strike3; and* John's suggestion that the relationship of Elizabeth Barrett Browning and Robert Browning, a great love with a shared vocation, might be a point of reflection for Serious Strikers as a template for understanding the Strike-Ellacott partnership.Nick and John will be recording their group charting of Hallmarked Man's Part Eight this week with Sandy Hope and Ed Shardlow (and Presvytera Lois?), a survey of readers is in the works, and the long-awaited close look at the Strike series in light of the Cupid and Psyche myth draws ever nearer. Stay tuned!The Ten Questions, Epigraph Charting, and Links to Previous Epigraph Discussions Here and Elsewhere:The Ring and The Book – A Rowling Reading, Nick Jeffery, February 2026Intro to Epigraphs 101, John Granger, September 2022The Heart is Not About Emotions and Affection but the Human Spiritual Center, John Granger, October 2022A Rowling Reading of Aurora Leigh, Nick Jeffery, November 2025Beatrice Grove's Pillar Post Page at HogwartsProfessor.com* Scroll down for Prof Groves' posts about epigraphs and literary allusion in Cuckoo's Calling, The Silkworm, Troubled Blood, and Ink Black HeartLethal White: Ibsen's ‘Rosmersholm', John Granger, December 2018Rowling, Dylan Thomas, and the I Ching: Three Thoughts on Strike7's Epigraphs, John Granger, April 2023‘Deathly Hallows' and Penn's ‘Fruits of Solitude,' John Granger, October 2008The Aeschylus Epigraph in ‘Deathly Hallows,' John Granger, October 2008Maid of the Silver Sea Epigraphs: Louise Freeman Davis' Collected Posts, 2025The Faerie Queene Epigraphs in Troubled Blood* Scroll down the Troubled Blood Pillar Post for the Faerie Queene commentary by Beatrice Groves, Elizabeth Baird-Hardy and John GrangerRobert-Galbraith.com Posts about the Epigraphs in Each Book* Hallmarked Man's Epigraphs: The Poetry* Hallmarked Man's Epigraphs: The Prose* Scroll Down the site's ‘Features' Page for all the other Epigraph PostsAgents of Fortune: The Blue Oyster Cult Story, Martin Popoff, May 2016Pompilia: A Feminist Reading Of Robert Browning'S The Ring And The Book, Anne Brady, May 1988Roman Murder Mystery: The True Story of Pompilia, Derek Parker, January 2001Sleep Tight, Evangeline: Nick Jeffery and John Granger talk with Dimitra FimiHallmarked Man Epigraphs: The Tally SheetMatthew Arnold: 17 poems, 25 epigraphs, 6 from Merope: A Tragedy* 3, 17, 52, 103, 108, 110 (Merope), 21, 33, 68, 38, 97, 41, 45, 59, 58, 69, 73, 76, 80, 86, 96, 106, 119, 122, 124Robert Browning: 26 poems, 38 epigraphs including frontispiece, 6 from The Ring and the Book* 44, 75, 62, 64, 102, 118 (Ring and Book), frontispiece, 2, 9, 11, 107, 13, 16, 20, 26, 28, 32, 35, 37, 114, 39, 42, 93, 44, 75, 47, 51, 62, 64, 67, 116, 71, 77, 79, 84, 87, 120, 90, 91, 100, 102, 109, 118, 126A. E. Housman: 5 works, 25 poems, 28 epigraphs, 10 from Last Poems* 1, 5, 7, 53, 19, 92, 56, 65, 74, 105 (Last Poems), 23, 30, 34, 36, 40, 43, 46, 49, 57, 63, 78, 82, 89, 94, 98, 112, 115, 125John Oxenham: 1 work, 26 epigraphs* Parts 1-10, Epilogue, 15, 18, 22, 25, 27, 55, 60, 66, 83, 85, 88, 95, 111, 113, 127 (Maid of the Silver Sea)Albert Pike: 3 works (?), 22 epigraphs, 16 from Morals and Dogma* 4, 16, 12, 121 (Liturgy), 8, 10, 14, 29, 31, 48, 50, 54, 61, 70, 81, 99, 101 (Morals and Dogma), 24, 72 (Ancient and Accepted Rite?)Most epigraphs: Robert BrowningFrontispiece: Robert BrowningMost from one poem: Tie, Robert Browning 6 Ring and Book, Matthew Arnold 6 Merope: A TragedyMost from one novel: John Oxenham 26 Maid of the Silver SeaMost from one didactic or discursive argument: Albert Pike 22 (24?) Morals and DogmaConclusions: Ring and Book your best bet as template, Re-read Maid of the Silver Sea, read Merope: A TragedyTally Sheet of Epigraphs for Ink Black Heart:Poet: epigraph numbers, (total)* Christina Rossetti: 8, 14, 22, 24, 25, 35, 38, 50, 52, 54, 56, 84, 86, 90, 98, 103, 105, 107 (18)* Elizabeth Barrett Browning: 12, 21, 33, 39, 42, 45, 47, 58, 67, 71, 72, 82, 96, 101, 102, 104 (16; all but #s 21 and 58 from ‘Aurora Leigh')* Mary Elizabeth Coleridge: Book, 1, 18, 20, 49, 79, 81, 91, 93, 94, 106 (11)* Emily Dickinson: 11, 31, 53, 58, 59, 65, 70, 76, 99 (8)* Charlotte Mew: 16, 17, 40, 55, 66, 92, 95 (7)* Felicia Hemans: 6, 10, 15, 63, 100 (5)* Amy Levy: 7, 23, 32, 80, 85 (5)* Jean Ingelow: 9, 27, 29, 37, 64 (5)* LEL!: 62, 68, 69, 83 (4); see also Rossetti 52 ‘LEL')* Mary Tighe: 36 (Psyche), 43, 60, 88 (4)* Helen Hunt Jackson: 4, 87, 89 (3)* Joanna Baillie: 13, 21, 34 (3)* Augusta Webster: 44, 48, 51 (3)* Emily Pfeiffer: 3, 75 (2)* Charlotte Bronte: 19, 74 (2)* Adah Isaacs Menken: 30, 57 (2)* Constance Naden: 41, 46 (2)* Mathilda Blind: 61, 97 (2)* Mary Kendall: 73, 77 (2)* Martha Jane Jewsbury: 2 (‘To My Own Heart')* Anne Evans: 28* ‘Michael Field' (Katherine Bradley and Edith Cooper): 78The Heart and Vision epigraphs in Ink Black Heart by chapter number:* Heart: 20, 106 (MEC); 21, 67; 52, 107; 68, 85; 2; 63, 80, 85; 17, 40, 55, 95 (Mew); 19, 74; 27; 30; 36, 60; 87 (23)* Vision: Frontispiece, 1, 49, 81 (MEC); 22, 25, 38, 90, 98 (CR); 59; 3; 34; 95; 57; 88; 48; 46 (17)Tally Sheet of Epigraphs for Cuckoo's Calling:* Frontispiece: Rossetti -- A Dirge* Prologue: Lucius Accius, Telephus* Part One: Boethius, The Consolation of Philosophy* Part Two: Virgil, Aeneid* Part Three: Virgil, Aeneid* Part Four: Pliny the Elder, Historia Naturalis* Part Five: Virgil, Georgics* Epilogue: Horace, Odes* [Closing Poem: Tennyson, Ulysses]Brackets/Latch: 19th Century English poets (see Groves)Most epigraphs: Virgil (3); no other author has more than oneMost frequently referenced work: Aeneid (2), shades in UlyssesCenter of Chiasmus: Aeneid (true if ring has 5, 8, or 9 parts)Turtleback lines: Not evident in authors list, perhaps in meanings of specific epigraphsConclusions:* Read Aeneid to look for Cuckoo's parallels;* Study epigraphs to look for parallelsOnline Literature Review for ‘Epigraphs of Cuckoo's Calling:‘https://robert-galbraith.com/epigraphs-of-the-cuckoos-calling/* 2025 connecting the dots between epigraphs and chapter set to follow (generic)* No mention of Strike as Aeneashttps://strikefans.com/the-cuckoos-calling-epigraphs/* Reprinting of epigraphs without commentary* No mention of Strike as Aeneashttps://thesefilespod.com/blog/the-cuckoos-calling-epigraphs/* Includes a very helpful link to The Rowling Library and an article there about the ‘real world' crime serving as a template for the Landry murder* No mention of Strike as Aeneashttps://mugglenet.wpenginepowered.com/2017/09/literary-allusion-cuckoos-calling-part-1-christina-rossettis-dirge/* Brilliant discussion of the Rossetti poem but curiously without reference to resurrection meaning* No mention of Strike as Aeneashttps://mugglenet.wpenginepowered.com/2017/09/literary-allusion-cuckoos-calling-part-2-tennysons-ulysses/* Brilliant discussion of Strike as Ulysses* No mention of Strike as Aeneas, curious becauseh Virgil models Aeneas on UlyssesThe Ten Questions of This Conversation (Sort Of!)1, (Nick) So, John, I finally wrote up my findings about The Ring and the Book as the story template for Hallmarked Man's murder mystery and, as we did with my posts about Aurora Leigh and I Capture the Castle, let's talk about it, expanding on the correspondences between the Browning poem and Strike 8. The natural place to begin is with your guess about Ring and the Book being a template based on your tally of the Hallmarked Man epigraphs, a theory you shared on our first show post-publication. Can you explain your process and what made you so confident about Ring and the Book?2. (John) Looking at that tally, then, Arnold's Merope and Oxenham's Maid of the Silver Sea are quantitatively more likely equivalents to Aurora Leigh in Ink Black Heart, but the Browning frontispiece, number of his epigraphs, the hidden quality of the Ring and Book poem titles, and the relationship with Barrett Browning made it seem the most likely. That the poem is considered one of the great feminist tracts written by a man didn't hurt. I still want to go back to the Arnold poem, though, because of the centrality of his epigraphs in the center Parts and Oxenham deserves a re-read, too, or just a trip to Louise Freeman Davis site, the home of Oxenham Studies online. What struck me while reading your post, Nick, was in the correspondences you found between Ring and the Book and Hallmarked Man. Can you give us the highlights of that?3. (Nick) The Ironbridge murder mystery, then, is largely lifted from the death of Pompilia. Which is unusual isn't it? Has Rowling-Galbraith ever used her epigraphs to point to the template of her story?4. (John) I think, then, that at least four of the previous Strike novels give us the embedded template, per Beatrice Groves The White Divel and The Revenger's Tragedy (and even Hamlet) gives us important clues about The Silkworm crime, Rosmersholm and its incestuous backdrop inform the murder of Lethal White, the Janus deceiver in Faerie Queene should have been a give-away about the poisoner in Troubled Blood, and, as Rowling confirmed and you demonstrated Nick, Aurora Leigh is the working model for Ink Black Heart. I think the closest Rowling epigraph suggestions to story template was in the Rossetti poem that opens Cuckoo's Calling and the Aeschylus epigraph in Deathly Hallows. What has Rowling said, though, about her epigraph sources? Do they precede the novels or follow the writing?5. (Nick) So it's not one or the other, I think, that is, she has a template in mind and if the source doesn't have sufficient quotable pieces to serve a epigraphs for the whole book, she uses other sources from the genre in play or that highlight her central theme (cf., the Gray's Anatomy heart epigraphs in tandem with the hearty women Victorian poets in Ink Black). What I'm struck by here, though, is the shift in importance of epigraphs to Rowling-Galbraith. The numbers are startling, no, between Cuckoo and Hallmarked?6. (John) Not only do we see a jump from eight or nine epigraphs in Strike1 to 139 in Stike8, but Team Rowling is pushing readers to think more seriously about them by posting reviews of the epigraphs in each book, drawing the dot-to-dot correspondences. I confess the Strike novel whose epigraphs are not like the others, Nick, is Career of Evil and its Blue Oyster Cult lyrics. You've been reading a book about Blue Oyster Cult so I'll defer to you in this despite my great fondness for heavy metal groups with sci-fi themed lyrics...7. (Nick) What about the book we haven't got in hand, John: Sleep Tight, Evangeline? We have been told -- sort of! -- the title is from a 2014 song from an American blues band called ‘The Whiskey Shambles.' Which of the previous epigraph models Rowling has used, from Deathly Hallows to Hallmarked Man, do you think we'll be seeing in Strike9? What are your thoughts on that, especially as the best link we have for Sleep Tight, Evangeline is from a rock and blues band?8. (John) So I hope that we're going to see another Running Grave type epigraph experience in Evangeline, though Grave was unique among Rowling novels and their epigraphs in not having a story-book, poem, or play as its primary source. The I Ching, cannot be a story-template per se because it is a divination tool or means to reflection. Unless you think Pike's Morals and Dogmas Freemasonry encyclopedia qualifies as an equivalent of sorts to the I Ching? That's another outlier, isn't it?9. (Nick) To put a Fourth Generation focus on this, John, we should be looking for a technique that Serious Readers can use for Sleep Tight, Evangeline to hunt for the embedded source if its hidden as were Aurora Leigh and The Ring and the Book. You've found the ones no one else noticed in Ink Black Heart and Hallmarked Man, how did you do that and do you think the same method will work for Cuckoo and Career as well as Evangeline?10. (John) So, yes, I found them but you had the first confirmed by Mrs Murray and then connected the dots between the Browning poems and Rowling's work. If this method is going to work on Cuckoo, Career, and Evangeline it will have to involve a spotter and a shooter, though they can be the same person. The spotter technique is nothing but grunt work; chart the epigraphs used and spot the author most frequently referenced and the work of theirs most frequently cited. The shooter work is actually a lot more involved and interesting; tell us about your experiences with the two Browning's' epic poems, that thrill of discovering correspondences. Do you think that excitement is something Rowling is offering her readers a a treasure hunt or as a point of reflection in terms of meaning? This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe

If you liked all that Dante stuff from season two of Dark Days of Dorothy Gale, you might enjoy Noodles Al Dante. Noodles is an irreverent examination of Dante's Inferno. It's explicit. It's kinda gross. It's pretty political. If that's not your thing, don't bother with it... If it IS your thing, go ahead and find the rest of the episodes in whatever podcast app you're listening in right now.If it's not there, you can go to www.NoodlesAlDante.com and grab the RSS Feed (it's right there on the front page), copy and paste it into your podcast app's search bar and it should show up.For a more PG-13 version of this check out The Tortured Poets Department (Tyler's Version) A Noodles Al Dante Book!E-Book at Amazon: https://a.co/d/0aQRMQw3Paperback at Lulu: Tortured Poets Department (Tyler's Version): A Noodles Al Dante BookOR download it for FREE at www.NoodlesAlDante.com!If you'd like a comprehensive list of sources that contributed to the research of this project you can find them at www.NoodlesAlDante.comNoodles Al Dante was written and produced by Tyler Martinez.The intro and outro music is from the wonderful world of the public domain - Silly Symphonies Hells Bells (1929)The record scratch in the intro is "record scratch.wav" by luffy -- https://freesound.org/s/3536/ -- License: Attribution 4.0Dante and Virgil on the cover of the book version was created by Justin Hansen. Hosted on Acast. See acast.com/privacy for more information.

Noodles Al Dante is an irreverent examination of Dante's Inferno. It's explicit. It's kinda gross. It's pretty political. If that's not your thing, don't bother with it... If it IS your thing, go ahead and find the rest of the episodes in whatever podcast app you're listening in right now.If it's not there, you can go to www.NoodlesAlDante.com and grab the RSS Feed (it's right there on the front page), copy and paste it into your podcast app's search bar and it should show up.For a more PG-13 version of this check out The Tortured Poets Department (Tyler's Version) A Noodles Al Dante Book!E-Book at Amazon: https://a.co/d/0aQRMQw3Paperback at Lulu: Tortured Poets Department (Tyler's Version): A Noodles Al Dante BookOR download it for FREE at www.NoodlesAlDante.com!If you'd like a comprehensive list of sources that contributed to the research of this project you can find them at www.NoodlesAlDante.comNoodles Al Dante was written and produced by Tyler Martinez.The intro and outro music is from the wonderful world of the public domain - Silly Symphonies Hells Bells (1929)The record scratch in the intro is "record scratch.wav" by luffy -- https://freesound.org/s/3536/ -- License: Attribution 4.0Dante and Virgil on the cover of the book version was created by Justin Hansen. Hosted on Acast. See acast.com/privacy for more information.

Shooting At Rhode Island Hockey Game, Obama Says Aliens Are Real, Baby Keem Album, Cole World Tour | Club Ambition Podcast Ep 229Sponsored by: - Dave's Hot Chicken | located in Middletown R.I.- Mother Earth Wellness | Mention podcast for 10% off your purchase https://motherearthri.com/ - Carlos Then for tax help! mrthen.biz Timestamps- Stream start, ads 0:00 - Hockey Game shooting 5:10- J Cole world tour announcement, roll out 44:15 - Valentines Day recap, Wuthering Heights 52:41- tv shows: The Beauty show, Wonder Man, addiction show HBO, love island all stars 1:09:00- Katt Williams special, review, Mike epps Netflix special 1:27:15- TI Verzuz 50 or Wayne?? 1:29:40- Baby Keem album, Kendrick, doc Booman, Jack Harlow Monica 1:34:05- New music, Brent Faiyaz, Central Cee 1:42:15- Logan Paul sells 16 M pokemon card 1:49:15- KD defends Drake in DMs 2:02:00- Obama aliens are real 2:12:07- All Star game weekend a mess 2:19:51- Lebron Israel 2:26:03 - Epstein, us ag pam bondi 2:49:00- Local news, Juvenile Hearing Board come 3:03:20https://linktr.ee/clubambitionUNCUT PATREON https://www.patreon.com/ClubAmbitionDISCORD COMMUNITY: https://discord.com/invite/M8Kmha8UqvMERCH: https://clubambition.shopListen To Podcasts: https://podcasters.spotify.com/pod/show/clubambitionWatch Spanish Podcast El Po K: https://www.youtube.com/watch?v=BqOENhDvdQ0&list=PLNukP3hLjNb_ITL34h3Gjue3z9KWiF-px Watch CAP: https://www.youtube.com/watch?v=W4YVeSYZi28&list=PLNukP3hLjNb_zwvsdwqTOGvgBb-_Ym2mL&pp=gAQBiAQBFOLLOW US!Podcast IG: https://www.instagram.com/clubambitionpodcast/Owner/Host/Editor | Victor SOUND: https://www.instagram.com/itsavibe/CAP Co-Host / Producer | Marloon: https://www.instagram.com/imfromthe401/CAP Co-Host | Noel: https://www.instagram.com/noelfrias_/CAP Co-Host | Earlyn: https://www.instagram.com/complex.mindset/El Po K Host | Maestro Vitiko: https://www.instagram.com/vitiko_baez_el_po_k?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw==El Po K Co-Host | Locotron: https://www.instagram.com/iambenjaminrd?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw==Graphic Designer | Edwin: https://www.instagram.com/edrebels/TikTok: https://www.tiktok.com/@clubambition/Twitter: https://twitter.com/ClubAmbition__/-----------------------------------------------------------Want a promote your music or hire us for marketing?Email us if interested in business! - ClubAmbition401@gmail.com-------------------------------------------------------------RIP: Nipsey, Mac, XXXtentacion, Juice, Pop, Von, DMX, Virgil, Dolph, Takeoff, RHQ, CLARK KENT---------------------------------------------------------------------COPYRIGHT DISCLAIMER ALL RIGHTS BELONG TO THEIR RESPECTIVE OWNERS

Today on Ascend: The Great Books Podcast, Dcn. Harrison Garlick and Dr. Donald Prudlo, the Warren Chair of Catholic Studies at the University of Tulsa, discuss the Ante-Purgatory, the foot of Mount Purgatory (Cantos 1-5).Check out our guide on Dante's Purgatorio (out soon!)Visit Dr. Jason Baxter's website and use "Ascend" in the promo code for 20% off his Purgatorio audiobook.Thanks for the Center for Beauty and Culture at Benedictine College for their support!The conversation with Dr. Prudlo and Deacon Garlick on Cantos 1–5 of Purgatorio opens with the dramatic shift from the despair of Inferno to the hope and refreshment of Purgatory.In Canto 1, Dante and Virgil emerge from Hell onto the shores of Mount Purgatory at Easter dawn, where Dante humbly invokes Calliope, the Muse of epic poetry, signaling his project as “the Christian epic” (Dr. Donald Prudlo). They meet Cato the Younger, a pagan suicide saved by special grace, who embodies the four cardinal virtues and serves as Purgatory's guardian. Prudlo emphasizes the shock: “Cato the pagan, the suicide is going to heaven. And we have got to confront that or we're going to miss so much of what Dante has to tell us here” (Dr. Donald Prudlo). The ritual of washing with dew and girding with the humble reed contrasts the broken plants of the suicides in Hell and symbolizes the beginning of true humility and ascent.Cantos 2–5 introduce the late-repentant souls and the mountain's structure. In Canto 2, an angelic boat ferries souls singing “In exitu Israel de Aegypto,” a psalm of liberation that Prudlo calls “a multifaceted song” evoking Exodus, baptism, and community (Dr. Donald Prudlo). Casella's song of Dante's own poetry enchants the group until Cato rebukes their idleness.Cantos 3–5 explore excommunicated sinners like Manfred (“even under a curse like mine, no one's ever so lost that eternal love cannot come back, as long as hope has any sprouts of green” – Manfred via transcript) and the slothful Belacqua, who banters with Dante like old friends. Prudlo highlights the power of last-minute mercy and intercession: “Mary is the last refuge of sinners” (Dr. Donald Prudlo). The cantos teach that Purgatory is a place of communal hope, where grace reaches even the unlikely, and purification begins with humility, prayer, and rightly ordered love—setting the stage for the active ascent through the terraces.Chapters00:00 Introduction to Dante's Purgatorio04:42 The Importance of Reading Purgatorio08:02 Themes of Emancipation and Freedom10:57 The Role of Cato in Purgatorio13:49 Cato's Significance and Political Implications17:00 Cato as a Precursor to Christ19:51 Dante's Literary Techniques and Inspirations22:56 Contrasting Ulysses and Dante25:36 Cato's Death and Its Symbolism28:52 The Nature of Purgatory and Salvation31:51 Cato's Virtues and Their Relevance34:49 The Relationship Between Cato and Christ37:48 Conclusion and Reflections on Purgatorio50:03 Understanding Cato's Role in Purgatorio52:43 The Heartbreaking Choice of Cato54:39 Rituals and Purification in Purgatory01:00:18 The Arrival at Purgatory01:06:34 The Significance of Water in Salvation01:12:09 Virgil's Role and the Nature of Guidance01:24:57 Manfred: A Case of Late Repentance01:29:38 The Role of Intercessory Prayer in Purgatory01:34:00 Understanding Mount Purgatory and Its Significance01:40:15 The Character of Belacqua and Themes...

Tom White and Rob Earnshaw debate the possibility of Jurgen Klopp making a return to the Premier League after Klopp's agent has reportedly confirmed the former Liverpool boss has turned down approaches from both Manchester United and Chelsea. Rob insists there's only one club Klopp would come back for — Liverpool.Next, something that caught our attention! Jamie O'Hara was locked in a heated debate with Jermaine Pennant, as the former Liverpool winger claimed that Virgil van Dijk is a better centre-back than John Terry. Was Jermaine right? And who is the greatest centre-back in Premier League history? Jamie surprises us with an assertive voice note.And finally, with Vítor Pereira facing the media for the first time today after becoming Forest's fourth manager of the season, we're joined by Forest fan George to ask: what's gone wrong at Nottingham Forest?To get involved you can send a voice note or message via WhatsApp to 07514 917075.You can also listen to Sky Sports FC on your smart speaker by saying asking it to "play Sky Sports FC".For more football news, head to skysports.com/footballFor advertising opportunities email: skysportspodcasts@sky.uk

Send a textVirgil and Bob introduce Jack Limekiller through the lens of Lucius Shepard's remarkable introduction—part literary appreciation, part personal reflection. This conversation explores Limekiller as character, avatar, and aspiration, and reflects on Avram Davidson's relationship to place, voice, and imagination.#LuciusShepard #AvramDavidson#JackLimekiller #LiteraryIntroductions #SpeculativeLiterature #WritersOnWriters

Liverpool just sent a shockwave through Europe with a thunderous statement of intent. In this episode, we break down the blockbuster £60 million signing of Jérémy Jacquet, the French sensation who has left Chelsea, Bayern, and Arsenal "gnashing their teeth" in envy.Standing 6'2” with the aerial dominance of a classic center-half and the ball-playing grace of a midfielder, Jacquet isn't just a prospect—he's a "one-man transition machine" built for the Anfield crucible. We dive into the staggering analytics behind his rise at Stade Rennais, from his Europe-leading interception rates to his laser-guided long passes that evoke comparisons to Virgil van Dijk. With the futures of Konaté and Robertson uncertain, is Jacquet the cornerstone of Arne Slot's defensive dynasty? Join us as we analyze the "defensive coup" that signals a thrilling new chapter for the Kop. Liverpool transfer news, Jérémy Jacquet highlights, Arne Slot tactics, Premier League defenders, Stade Rennais transfers, lfctv, lfc newsnow, liverpool soccer

Dan is here for another Redmen Weekly Podcast as he takes a look back at some of our best Redmen Plus clips from the past week. Up first we have a clip from our Biased football podcast as the panel discuss the rumours of Sterling to Wrexham. Next, we have a clip from our player rankings show and Paul and Chris discuss how good Ibou and Virgil played against Sunderland. Then, we have our Final Word show as Dan, Chris and Ian take a look back at Liverpool's resilient performance against The Black Cats. Finally, Dan is joined by Paul Gorst as they discuss Virgil's comments on Konate's contract situation. Hosted on Acast. See acast.com/privacy for more information.

EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/bloodred Try it risk-free now with a 30-day money-back guarantee Download SAILY in your app store and use our code promoFPW6ysSu14mN2m4iYbJE at checkout to get an exclusive 15% off your first purchase! For further details go to https://saily.com/bloodred You can order your copy of the January issue of Blood Red HERE. It is also available to buy in participating retailers in the Liverpool area. Liverpool secured a 1-0 win over Sunderland in the Premier League with Virgil van Dijk scoring the only goal of the game, and Ibrahima Konate and Florian Wirtz impressing once again. With Arne Slot's men now only two points away from Chelsea, Matt Addison and Richard Garnett assess the victory at the Stadium of Light and look ahead in the race for the Champions League spots. Don't forget to like, subscribe, and hit the bell icon to never miss an episode of the Blood Red podcast. Get exclusive Liverpool FC podcasts and video content everyday right here.  Subscribe to the Blood Red Liverpool FC YouTube Channel and watch daily live shows HERE: https://bit.ly/3OkL9iT Listen and subscribe to the Blood Red Podcast for all your latest Liverpool FC content via Apple and Spotify: APPLE: https://bit.ly/3HfBvKq SPOTIFY: https://bit.ly/3SdsjeH Join our Blood Red podcast group on Facebook: https://www.facebook.com/groups/1656599847979758/ Visit the Liverpool ECHO website: https://www.liverpoolecho.co.uk/all-about/liverpool-fc Follow us on Twitter: https://twitter.com/LivEchoLFC Follow us on Facebook: https://www.facebook.com/LiverpoolEchoLFC Follow us on Instagram: https://www.instagram.com/bloodred_lfc Follow us on TikTok: https://www.tiktok.com/@bloodred_lfc Subscribe to us on Twitch: https://www.twitch.tv/bloodredliverpoolfc Learn more about your ad choices. Visit podcastchoices.com/adchoices

Arne Slot, Florian Wirtz and Cody Gakpo reflect on Liverpool's 1-0 win at Sunderland after Virgil van Dijk's header cut the gap to fifth-placed Chelsea to two points.In this episode of The Reaction presented by Mark Benstead, we also hear from former Reds Phil Thompson, Jan Molby and Jay Spearing, as well as our fan panel: Abigail Rudkin, Aizaz Sheikh and Joel Richards.

Liverpool delivered a result few expected, and maybe one that says more about their resilience than any recent performance. Dave Davis is joined by David Lynch to dissect a gritty 3 point haul away at Sunderland, their first home defeat of the season. While not a classic in aesthetic terms, the underlying numbers and control told a different story, Liverpool generated enough to win in open play, dominated territory, and restricted chaos in one of the league's toughest away environments. The discussion focuses on the defensive platform that made it possible. Virgil van Dijk produced a captain's performance packed with clearances, aerial dominance, and the decisive goal. Ibrahima Konate matched him duel for duel, handling Sunderland's physical threat superbly. Together, they delivered a throwback centre back masterclass. Further forward, Florian Wirtz continued his rapid Premier League adaptation. Despite Liverpool failing to score from open play, his technical quality, chance creation, and composure marked him as the standout attacking spark. Also covered: • Sunderland tactical approach vs Liverpool control • Set piece improvement, coincidence or coaching impact? • Winning without fluency, is it progress? • Defensive structure vs chaos football A performance that will not live long in highlight reels, but one that could matter deeply in the season run in. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Doug Marcaida of Forged in Fire on the History Channel brings the Filipino Martial art of Kali to the world of comics in Lineage. Estranged Brothers Miguel and Virgil are reunited by the death of their father and the trauma of a mysterious cult that has haunted them since they were children. Miguel and Virgil must remember the training given to to them by their father as the Blades passed down by generation are very distinct to their culture. The story not only brings the action you would expect from a martial arts comic, but the studies and philosophies built in the foundation of Kali and the idea of Legacy and Mentorship in the reunion of Family. Arriving 2/16 on KickstarterConcept/Story by Doug MarcaidaWritten by Justin Quizon & Earl BaylonArtwork by Felix MoralesColors by Raymund LeeLetters by PatricioGinelsaSupport this podcast at — https://redcircle.com/the-faqs-project-hosted-by-james-grandmaster-faqs-boyce/donations

This bonus episode of The Classical Mind serves as “front matter” to prepare listeners for a three-month reading marathon of Dante Alighieri's Divine Comedy. Join Wesley and Junius as they explain that the work is a “comedy” not because of humor, but because of its trajectory: it begins in the darkness of Inferno and ends with the “blessed life” and vision of God in Paradiso. The discussion explores the poem's intricate architecture, consisting of 100 cantos and an interlocking three-line rhyme scheme called terza rima. The hosts emphasize that Dante intentionally wrote the poem to be read using the medieval fourfold method—literal, allegorical, moral (tropological), and eschatological—allowing it to function as both a narrative journey and a transformative spiritual school for the reader.The episode also provides the vital historical and cosmological context required to navigate Dante's world, from the “funnel” of Hell beneath Jerusalem to the mountain of Purgatory on the opposite side of the globe. The hosts explain how the Earth was viewed as the “cosmic dump” at the absolute bottom of a sphere-shaped universe, putting Satan as far from God as possible. Additionally, they break down the 13th-century political strife between the Ghibellines and Guelphs, noting that Dante's own exile as a White Guelph deeply colors the text. By synthesizing the theology of Aquinas and Bonaventure with the classical poetry of Virgil, Dante created an “encyclopedia of medieval thought” that remains a high point of the Western canon. Get full access to The Classical Mind at www.theclassicalmind.com/subscribe

Today on Ascend: The Great Books Podcast, Dr. Jason Baxter and Dcn. Harrison Garlick come together to introduce Dante's Purgatorio and Dr. Baxter's new translation!We are reading Dante's Purgatorio for Lent. Join us!Visit thegreatbookspodcast.com for our reading schedule!Check out our LIBRARY of written guides to the great books!DISCOUNT: Check out Dr. Jason Baxter's website and enter "Ascend" to receive **20%** off the Purgatorio audiobook read by Dr. Baxter!Check out Dr. Baxter's Substack article on his new translation.And thank you to the Center of Beauty and Culture at Benedictine College for promoting this reading of the Purgatorio!Dr. Baxter first describes the Center for Beauty and Culture at Benedictine College as a fellowship program (Angelico Fellows) that immerses students in beauty across the arts, music, literature, and theology—through concerts, museums, and pilgrimages—to foster interiority and the conviction that “beauty can save the world.”The conversation then contrasts Purgatorio with the Inferno: while the latter is dark, lurid, and focused on judgment, Purgatorio is a place of hope, mercy, transformation, and “eternal New Year's resolutions,” where repentant souls engage in spiritual exercises to purify their tarnished mirrors, learn authentic love and prayer, and prepare for Paradise. Baxter likens the shift to moving from heavy metal to Schubert, emphasizing greenness, brightness, and unexpected mercy.Baxter explains that his translation began as a personal quest for mastery—going word-by-word to internalize Dante like memorizing a piano piece—but evolved into a philosophy capturing Dante's “fugue” of style: ascending, prolix syntax with lofty classical allusions layered over humble, earthy words that reflect Franciscan humility and incarnational Christian poetics. Examples include goats ruminating on the “foco d'amore” (fire of love) amid elevated star imagery, or Statius calling Virgil's Aeneid “una mamma” (translated “mommy”).He describes Purgatorio as spiritual surgery—painfully removing the soul's “carcinogenic” elements through grace-filled cooperation—and a map for configuring to Christ beyond mere sin avoidance. Baxter advises first-time readers to pause at puzzling images or word choices, ask “why would Dante do that here?,” trust their instincts, and consider his audiobook for the text's soundscape, while Deacon Garlick stresses the canticle's role as a spiritual guide that mirrors one's own maturation toward God.Chapters00:00 Introduction to Ascend and Dante's Purgatorio03:43 The Center for Beauty and Culture05:40 Understanding Dante's Purgatorio07:54 The Nature of Purgatorio14:54 Dante the Pilgrim vs. Dante the Poet19:32 The Spirituality of Translation20:14 The Philosophy of Translation30:02 Dante's Christian Poetics34:22 Exploring Dante's Poetic Style36:51 Juxtaposition in Dante's Imagery41:42 The Concept of Spiritual Surgery44:49 The Journey of Holiness48:13 The Role of...

Gary sits down with Virgil van Dijk ahead of Liverpool against Manchester City - a match that you can watch on Super Sunday on Sky Sports.They discuss the team's current form, dealing with the 'noise' around the club and how it can still be a special season for Liverpool.Follow all the action from Liverpool v Manchester City across Sky Sports.

Virgil and Mark dive into the 2026 Mahoning Drive-In RoadShow, discussing venues and details for their February-March 2026 35mm Drive-In-style screenings at indoor theaters around the northeast. Recorded 1/28/26For the full Road Show list and ticket links:https://www.mahoningdit.com/events-schedules/mahoning-drive-in-road-showFor exclusive additional podcasts, videos, sneak peeks, and on-site discounts, visit the Mahoning Drive-In Patreon page at:https://www.patreon.com/mahoningdriveinhttps://www.mahoningdit.comhttps://www.facebook.com/mahoningdriveintheaterhttps://www.instagram.com/mahoningdriveintheaterhttps://twitter.com/mahoningditFor Mahoning Drive-In merch online:https://merchbin.net/collections/mahoning-drive-in-theaterhttps://www.crackerjackposters.com/s/shop

In 1599, a family in a small French town claimed that their daughter was possessed by a demon called Beelzebub and, despite daily exorcisms, the demon possessing this woman was staying put. So France's Henri IV set up a royal commission that would try something a little different. The woman would still receive exorcisms, complete with the normal exorcism accoutrements, but with a catch. The priest wouldn't actually be Catholic, the water in the vessel would be ordinary water, and the Latin used wouldn't be religious — it would be from Virgil's famous poem Aeneid. That's because this wasn't actually an exorcism. It was an experiment built on a deceptively simple tool that scientists and doctors still use today to study new medical treatments: a placebo.In this episode, we explore the surprising origins and evolution of one of modern medicine's most important tools: the clinical trial. We follow the development of experimental design across centuries to modern day randomized controlled trials and the debates about their limitations, trying to answer the question, “How do we know whether a treatment truly works?”Send us your science facts, news, or other stories for a chance to be featured on an upcoming Tiny Show and Tell Us bonus episode. And, while you're at it, subscribe to our newsletter!All Tiny Matters transcripts and references are available here.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this episode of the Hayek Program Podcast, Chris Coyne delivers a keynote lecture at the 2023 Markets & Society conference on the foundations of peace. He contrasts “top-down” peacemaking driven by elites with “bottom-up” peacemaking that emerges from the everyday practices of ordinary people.Coyne argues that much of the social-scientific and policy conversation treats peace as a public good best supplied through state-intervention. He develops an alternative framework—pax hominem—that treats peace as an emergent, learned, and constantly renewed process. Drawing on mainline political economy and the work of Kenneth Boulding, Coyne shows how peaceful cooperation depends on local knowledge, social norms, and institutions that help people navigate conflict without violence across families, communities, and markets. Together, these insights point toward a research and policy agenda focused less on imposing order and more on creating space for self-governance and the bottom-up cultivation of peace.Dr. Christopher J. Coyne is Associate Director of the F.A. Hayek Program for Advanced Study in Philosophy, Politics, and Economics at the Mercatus Center and Professor of Economics at George Mason University. He has published numerous books, including How to Run Wars: A Confidential Playbook for the National Security Elite (Independent Institute, 2024), In Search of Monsters to Destroy: The Folly of American Empire and the Paths to Peace (Independent Institute, 2022), and Doing Bad by Doing Good: Why Humanitarian Action Fails (Stanford University Press, 2013).**This episode was recorded October 20, 2024.Show Notes:Kenneth Boulding's book, Stable Peace (University of Texas Press, 1978)Elise Boulding's book, Cultures of Peace(Syracuse University Press, 2000)James C. Scott's book, Seeing Like a State (Yale University Press, 1999)Caroline Elkin's book, Legacy of Violence: A History of the British Empire (Penguin Random House, 2023)James M. Buchanan's Nobel Prize LectureElinor Ostrom et. al's paper, “Covenants with and without a Sword: Self-Governance Is Possible” (APSR, 2013)Virgil storr et. al's book, Community Revival in the Wake of Disaster: Lessons in Local Entrepreneurship (Palgrave Macmillan, 2015)Mikayla Novak's book, Freedom in Contention: Social Movements and Liberal Political Economy (Bloomsbury Publishing, 2021)Virgil Storr and Ginny Choi's book, Do Markets Corrupt Our Morals? (Palgrave Macmillan, 2019)If you like the show, please subscribe, leave a 5-star review, and tell others about the show! We're available on Apple Podcasts, Spotify, Amazon Music, and wherever you get your podcasts.Check out our other podcast from the Hayek Program! Virtual Sentiments is a podcast in which political theorist Kristen Collins interviews scholars and practitioners grappling with pressing problems in political economy with an eye to the past. Subscribe today!Follow the Hayek Program on Twitter: @HayekProgramFollow the Mercatus Center on Twitter: @mercatusCC Music: Twisterium

On 23 December last year, Rowling changed her Twixter home page header and cameo with this tweeted explanation:The Charm Bracelet header features thirteen charms on nine links:Rowling tweeted an addendum about the Psalter and Jack in the Box charms:Nick Jeffery dropped an explanatory post two days later at the Hogwarts Professor weblog: J. K. Rowling Drops All the Strike 9 Clues for Christmas! It remains the only complete survey of the pieces and compendium of what Serious Strikers around the world have discovered about them.Beatrice Groves, author of Literary Allusion in Harry Potter, wrote up her charm bracelet thoughts at ‘The Strike Ellacott Files' a month later. In ‘Charms, Psalms & Golden Clues: A brace(let) of clues for Strike 9,' Prof Groves discusses the magical quality of charms as talismans and even incantational song:Rowling points out in this 2013 piece the link between the name given to charm bracelets and the magical world: ‘Why do we call those little masterpieces “charms” if not in allusion to their talismanic properties?… they are personal amulets.' To charm someone is also to slightly to bewitch them, something Rowling plays with when Riddle exerts his charm on Ginny and literally possesses her: ‘If I say it myself, Harry, I've always been able to charm the people I needed.' Witch Weekly's Most-Charming-Smile Award is given to a smile that is both literally, as well as metaphorically, bewitching.The word ‘charm' comes, through French, from the Latin ‘carmen' which means ‘song, verse, oracular response, incantation.' Its first meaning in English, therefore, was the magical one: ‘the chanting or recitation of a verse supposed to possess magic power or occult influence; incantation, enchantment; hence, any action, process, verse, sentence, word, or material thing, credited with such properties; a magic spell; a talisman, etc.' (Oxford English Dictionary). From the sixteenth century onwards, ‘charm' meant ‘anything worn about the person to avert evil or ensure prosperity' because such amulets might contain the text of such a charm. And thinking about this made me aware for the first time of how in the most important charms in Harry Potter – the Fidelius Charm and the Patronus Charm – the word is not simply a synonym for spell but encodes this original, protective meaning. These magical ‘Charms' like the charms on charm bracelets encode what Rowling calls ‘talismanic properties.'Nick and John invited Elizabeth Baird Hardy, Deputy Headmistress of Hogwarts Professor, the genius behind AppalachianInkling.com, Hunger Games expert, and author of Milton, Spenser and the Chronicles of Narnia: Literary Sources for the C.S. Lewis Novels to talk about these charms, especially about what she had written briefly on the subject. The goals of this conversation? * To introduce the subject to everyone not familiar with the Christmas tweets and bracelet-header, * to discuss the ‘Why?' of this present to Strike fans everywhere, * to speculate about the meaning of the bracelet pieces individually and in a series, and * to brainstorm their qualities as clues for Strike9, the penultimate novel in the decalogy.Which is a lot! The good news is that the conversation never flagged and the revelations and possible meanings of the charms, thirteen in total on nine links, reward anyone listening in.Nick starts off the conversation with a review of the six charm bracelets in Rowling's life and writing, one of which was a long forgotten piece in the margins of a Rowling web site:[You can read about those internet ‘Easter Eggs' in ‘Hidden Photos at Rowling's Website' here, here, here, and here.]Nick offered as a guiding idea for our conversation the likelihood that the nine links in the bracelet were meaningful, i.e., that they reflected the structure of the book for which the bracelet is meant to be a clue. There are thirteen charms, he noted, but certainly Rowling-Galbraith could have had a thirteen link chain made if she hadn't thought the nine links more than sufficient, even a pointer to Strike 9 being a nine Part mystery. Since, as Nick noted, she has trouble even passing up a shop selling charms, it seems likely she has been collecting the pieces for this one for some time. Perhaps this bracelet is a “target” toward which she has been writing with these books. It is certainly not something she just threw together for a header photo shoot. The trio elected to read the circular collection of charms, consequently, as pieces with individual meaning — as magical talismans of sorts per Prof Groves — and as a ring composition, with both aspects indicating the place and meaning of the piece in the book.After a brief discussion of why Rowling, Inc., would release this set of clues now, with another Strike novel or Bronte Studios television adaptation in the distant future — John offered the possibility that this bit of fan servicing was meant as a touch of appeasement qua Christmas gift to the many fans disappointed with Hallmarked Man — Elizabeth, John, and Nick tackled the thirteen charms on nine links.In Part One of their conversation, they talk about * the heart shaped engagement ring box;* the golden diamond-laden egg;* the anchor;* the two angels; and * the Trojan horse.Their preliminary conclusions at the half-way point?Mrs. Murray in her Nativity gift to her readers offers them clues not only to the next Strike-Ellacott novel but to the meaning of human life. Each of these five charms is a symbol with obvious and not so obvious Christian meaning. John reconsidered his answer to the ‘Why now?' in light of this avalanche of symbolism; instead of it being fan servicing to rescue the brand, he thinks it may be Rowling's attempt — on the most celebrated remnant Christian holiday in a post-Christian world — to reset her serious readers' understanding of what she is about as a writer, what sort of transformation she is trying to create via story within her readers.Part two of this interpretative deep dive into Rowling's artistry in metallurgical symbolism, her “charm work” literary alchemy, will follow shortly. There are five links with seven charms to come — Jack in the Box, Hourglass, White Rose, Crocodile, Corvid, Psalter, and the Head of Persephone — all as rich in meaning as the first four links.Below are links to subjects mentioned in this first conversation and additions not discussed but discovered after the fact, all shared for your consideration and comments!Thank you as always from the Hogwarts Professor team for your joining us with special appreciation to our paid subscribers!Subjects that Elizabeth, Nick, and John Discussed: The Heart Shaped Engagement Ring Charm:* The first, fourth, fifth, and ninth links are clasped objects with surprises inside,* Ink Black Heart and Deathly Hallows: The Heart is Not About Emotions and Affection but the Human Spiritual Center (John, October 2022)* Hallmarked Man, Part Five: The Center of Strike 8 is about “Inner Light” (Ed Shardlow)* Gold as “solid light” and diamonds as “inner light,” both reflecting in nature the Light of God's Word or Logos that is found with in every man (cf., John 1:9 and Rowling's comments about Casual Vacancy being “all about” her belief that “the light of God shines in every soul”);* The consequent symbolism of a golden wedding/engagement band with two diamonds;* The human being as a ‘heart in a box' either enlightened ‘gold and diamonds' or a dark ‘jack in the box' devil* The two-stone ring, as Nick notes, is a “me and you” ring, alluding to a certain theme song. Also, Elizabeth notes, Robin is faced with a choice between two very different types of proposals, so the duality of the ring in the box connects to that conundrum, and since that is apparently where 9 will begin, it gives us a good idea that we are right in “reading” the bracelet starting with this oneThe Gold Diamond-Laden Egg Charm:* Assuming it is an ‘Easter Egg,' the two meanings of that phrase;* Again, ‘gold and diamonds,' as above; * Paschal meaning of Eggs: The custom of exchanging colored eggs entered the life of the Church. The symbolic meaning of the egg as the beginning of a new life was known even earlier. Christians saw in this symbol confirmation of their faith in the coming general resurrection. The Easter egg's red color symbolized the all-conquering Divine Love, which alone could destroy hell!The Foul-Anchor Charm:* ‘Strike 9 to Heads to Portsmouth!' (Nick, September 2025)* Foul Anchor (Wikipedia);* Eagle, Globe, and Anchor (Wikipedia);* Meaning of ‘Hector' in Homeric Greek is ‘Holding Fast,' and, by interpretation, ‘anchor;'* The Greek word for ‘Anchor' found in the New Testament is ἄγκυρα, pronounced ‘ang-chor-a;' * Hebrews 6:19:13 For when God made promise to Abraham, because he could swear by no greater, he sware by himself,14 Saying, Surely blessing I will bless thee, and multiplying I will multiply thee.15 And so, after he had patiently endured, he obtained the promise.16 For men verily swear by the greater: and an oath for confirmation is to them an end of all strife.17 Wherein God, willing more abundantly to shew unto the heirs of promise the immutability of his counsel, confirmed it by an oath:18 That by two immutable things, in which it was impossible for God to lie, we might have a strong consolation, who have fled for refuge to lay hold upon the hope set before us:19 Which hope we have as an anchor of the soul, both sure and stedfast, and which entereth into that within the veil;20 Whither the forerunner is for us entered, even Jesus, made an high priest for ever after the order of Melchisedec.* Meaning of "Anchor of the Soul" in Hebrews 6:19?The Immediate Context of Hebrews 6:13-20The writer reassures wavering Jewish Christians by citing God's oath to Abraham (Genesis 22:16-17). Two “unchangeable things” (God's promise and His oath, v. 18) make it “impossible for God to lie.” The “hope set before us” (v. 18) functions as an anchor that has already “entered … behind the curtain” (v. 19), where Jesus, our High Priest, intercedes (v. 20; cf. 4:14-16).Anchor as Hope: Theological Significance1. Objective, not subjective: “hope” (ἐλπίς) is grounded in the historical, bodily resurrection of Jesus (1 Corinthians 15:17-20).2. Already-but-not-yet: the anchor is cast forward into the heavenly holy of holies, securing believers' future inheritance (1 Peter 1:3-4) while exerting a present stabilizing pull.3. Firm and secure: βεβαία (reliable) and ἀσφαλής (incapable of slipping). The compound assures permanence beyond circumstantial change (Malachi 3:6).Christ Our Forerunner Behind the VeilThe anchor “enters” (εἰσερχόμενον, pres. tense) the inner sanctuary “behind the curtain,” alluding to the Day of Atonement (Leviticus 16). Jesus is πρόδρομος (“forerunner,” v. 20), implying that others will follow where He has gone (John 14:2-3). The anchor-rope is His indestructible life (Hebrews 7:16), tethering the believer to God's throne of grace.* Hence its use as a symbol within Christianity: Christ having defeated death is an anchor to those members of His Mystical Body which anchors them to life after death, “beyond the veil;”* The pairing of the anchor charm with the golden egg on the second link of the bracelet reinforces this Paschal symbolism;* Charles Williams' “Co-inherence” ideas: “Who Saved Draco's Soul?” Co-Inherence in Harry PotterThe Two Angels Charms (paired on Link three)* Cupid and Psyche? Maybe!* Angels? Ghosts?* Orlando drawings! A Silkworm flash-back to the Monkey-Bag with the essential clue inside…The Trojan Horse Charm* Trojan Horse (Wikipedia)In Greek mythology, the Trojan Horse (Greek: δούρειος ίππος, romanized: doureios hippos, lit. ‘wooden horse') was a wooden horse said to have been used by the Greeks during the Trojan War to enter the city of Troy and win the war. The Trojan Horse is not mentioned in Homer's Iliad, with the poem ending before the war is concluded, and it is only briefly mentioned in the Odyssey. It is described at length in the Aeneid, in which Virgil recounts how, after a fruitless ten-year siege, the Greeks constructed a huge wooden horse at the behest of Odysseus, and hid a select force of men inside, including Odysseus himself. The Greeks pretended to sail away, and the Trojans pulled the horse into their city as a victory trophy. That night, the Greek force crept out of the horse and opened the gates for the rest of the Greek army, which had sailed back under the cover of darkness. The Greeks entered and destroyed the city, ending the war.Metaphorically, a “Trojan horse” has come to mean any trick or stratagem that causes a target to invite a foe into a securely protected bastion or place. A malicious computer program that tricks users into willingly running it is also called a “Trojan horse“ or simply a “Trojan”.* Could the Strike Series be a Re-telling of Virgil's Aeneid? (John, July 2017)If Cormoran Strike's story is Rowling's postmodern re-telling of the Aeneid, then the Fates theme is more than apt.It is all about, after all, the hero's destiny or fate to recreate Troy in Italy as Rome, a fate which it is pointless for Aeneas to resist. The refugee from Troy, son of the goddess of beauty, is forced ever onward, often over-riding his preferences and pledges, to his destiny to found Rome as the New Troy. A soldier in an eastern country ‘coming home,' Aeneas is a wounded man, haunted by his divine mother, a man of destiny forced to leave a beautiful, powerful woman who curses him at his departure.Sound familiar? The Aeneid is a reverse reflection and re-telling of Homer's Iliad and Odyssey in that it's first six books are about the Trojan's travels and the last six relate his battles with the local tribes in Latium. It seems possible that Rowling might be trying to do with the Aeneid what she did with the Weird Sisters of Macbeth, namely, present what seems to be a tale of inevitability or fate, something prophesied or otherwise seemingly inescapable, as a function really of character choice.In the Peg-Legged PI's story that could mean Rowling's revisiting fate vs choice vis a vis whether he is able to choose to take-or-leave an investigation of Leda's death (and face the dangers inherent in threatening his biological father, Jonny Rokeby) or whether he feels doomed to follow it to its end, whatever the costs to him and to those he loves.* The Trojan Horse is the wisdom of Athene as given to Odysseus, her favorite. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe

Kendrick & Bad Bunny SWEEP Grammys 2026, Jay Z In Epstein Files, Nicki Lets Barbz Down | CAP 227#badbunny #kendricklamar #grammys Sponsored by: - Dave's Hot Chicken | located in Middletown R.I. “FREE MILKSHAKE W ANY PURCHASE IF YOU WEAR PATS GEAR FEB 5 - 8” CELEBRATE SUPERBOWL PATS WINNING- Mother Earth Wellness | Promo code “ambition10' for 10% off your purchase https://motherearthri.com/ - Big Tony's Pizza bigtonyspizzari.com Mention podcast free slice next 3 weeks (go for Superbowl sunday!)- GRAMMYS RECAP 0:00- BAD BUNNY ON ICE 35:00- Trevor Noah sued? 50:00- CLIPSE SNUBBED? 56:20- EPSTEIN FILES 1:05:00- Grammy Nominated Producer Nick Sarazen stops by 1:34:20- MICHAEL JACKSON TRAILER REACTION 2:40:00- MARKIPLIER IRON LUNG MOVIE 2:52:35- DON TOLIVER ALBUM 2:59:40- NICKI MINAJ goes crazy 3:10:40- mike will vs hit boy, WHO WON 3:24:24- TV shows 3:31:40- Local news 3:35:00https://linktr.ee/clubambitionUNCUT PATREON https://www.patreon.com/ClubAmbitionDISCORD COMMUNITY: https://discord.com/invite/M8Kmha8UqvMERCH: https://clubambition.shopListen To Podcasts: https://podcasters.spotify.com/pod/show/clubambitionWatch Spanish Podcast El Po K: https://www.youtube.com/watch?v=BqOENhDvdQ0&list=PLNukP3hLjNb_ITL34h3Gjue3z9KWiF-px Watch CAP: https://www.youtube.com/watch?v=W4YVeSYZi28&list=PLNukP3hLjNb_zwvsdwqTOGvgBb-_Ym2mL&pp=gAQBiAQBFOLLOW US!Podcast IG: https://www.instagram.com/clubambitionpodcast/Owner/Host/Editor | Victor SOUND: https://www.instagram.com/itsavibe/CAP Co-Host / Producer | Marloon: https://www.instagram.com/imfromthe401/CAP Co-Host | Noel: https://www.instagram.com/noelfrias_/CAP Co-Host | Earlyn: https://www.instagram.com/complex.mindset/El Po K Host | Maestro Vitiko: https://www.instagram.com/vitiko_baez_el_po_k?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw==El Po K Co-Host | Locotron: https://www.instagram.com/iambenjaminrd?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw==Graphic Designer | Edwin: https://www.instagram.com/edrebels/TikTok: https://www.tiktok.com/@clubambition/Twitter: https://twitter.com/ClubAmbition__/-----------------------------------------------------------Want a promote your music or hire us for marketing?Email us if interested in business! - ClubAmbition401@gmail.com-------------------------------------------------------------RIP: Nipsey, Mac, XXXtentacion, Juice, Pop, Von, DMX, Virgil, Dolph, Takeoff, RHQ, CLARK KENT---------------------------------------------------------------------COPYRIGHT DISCLAIMER ALL RIGHTS BELONG TO THEIR RESPECTIVE OWNERS

GREATEST BABYFACE TURNS!!! As we ENTER Royal Rumble 2026 weekend and we also enter Black History Month... the PWR Boys wanna give props to African American wrestlers who gave us history-making contributions to the history of pro wrestling! The Liberation babyface turns of Virgil and “Pistol” Pez Whatley!!!! During the Royal Rumble (1991), we saw Virgil break away from the “Million Dollar Man” after years of mental, physical abuse and manipulation!!! While Pez Whatley saw the light against Jimmy Valiant!!! How can the Professor defend Pez Whatley as a face turn??? Listen up Reflectionites because this is a good one!  

Welcome back!! Happy 2026!! After a holiday hiatus, we're starting the year off strong with the Second Annual Inkling Awards for Literary Excellence. As an exciting new term of teaching kicks off for me at the University of Austin, TX, It's a good time to be thinking about some of the best questions: why should we read? How should we read? And how much? Without further ado, here are Dr. Klavan's rules of thumb for reading, the best books I read last year, and the books I'm looking forward to in 2026. Plus: C.S. Lewis on why you should read old books. Check out my cover essay in First Things on Virgil's Aeneid: https://firstthings.com/in-the-footsteps-of-aeneas/ Order Light of the Mind, Light of the World (and rate it five stars): https://a.co/d/2QccOfM Subscribe to be in the mailbag: https://rejoiceevermore.substack.com

Virgil and Mark welcome Mahoning Lot Manager Dave to the podcast to talk about recent retro films they've viewed at home and in the theater. Films discussed include THE MAGNIFICENT SEVEN (1960), THE BEST LITTLE WHOREHOUSE IN TEXAS (1982), DON'T PANIC (1987), A BRIDGE TOO FAR (1977), VALLEY OF THE DOLLS (1967), SLITHER (2006), and more.Recorded 1/26/26For exclusive additional podcasts, videos, sneak peeks, and on-site discounts, visit the Mahoning Drive-In Patreon page at:https://www.patreon.com/mahoningdriveinhttps://www.mahoningdit.comhttps://www.facebook.com/mahoningdriveintheaterhttps://www.instagram.com/mahoningdriveintheaterhttps://twitter.com/mahoningditFor Mahoning Drive-In merch online:https://merchbin.net/collections/mahoning-drive-in-theaterhttps://www.crackerjackposters.com/s/shop

Join us for an unforgettable Disney Cruise Line adventure as guest Virgil shares his family’s incredible 7-night Southern Caribbean sailing aboard the Disney Magic! Discover the magic of a Halloween on the High Seas cruise, complete with trick-or-treating, costume parties, and a surprise Concierge upgrade that took their vacation to the next level. We dive deep into their journey from San Juan, Puerto Rico, exploring stunning ports like Antigua, St. Kitts, Bonaire, and Aruba. Whether you’re planning a Disney Cruise to the Southern Caribbean or just dreaming of one, this episode is packed with tips for families and adults alike.Concierge Upgrade: The story of receiving a surprise call 45 days pre-cruise offering a complimentary upgrade to Concierge.Onboard Experience: A review of the Concierge Family Oceanview Stateroom, the Concierge Lounge, and the outstanding service from the team.Dining: Reviews of rotational dining at Animator’s Palate, Lumiere’s, and Rapunzel’s Royal Table, plus a stellar Palo Brunch experience.Halloween Activities: The “Halloween on the High Seas” offerings, including the Pumpkin Tree lighting, Mickey’s Mousequerade, and trick-or-treating.Port Adventures:St. Kitts: A tour to South Frigate Bay beach.Antigua: The Academy of Rum (rum making) and Loose Cannon Beach.Bonaire: A tour of the salt flats, slave huts, and seeing flamingos at Lac Bay.Aruba: A relaxing beach day and shopping.Want to be on the show? Fill out this form, and we'll be in contact with you real soon!https://dclpodcast.com/want-to-be-on-the-show/Support our show via Patreon:http://www.patreon.com/dclpodcastUse Christy's Travel Services:https://dclpodcast.com/book-with-christy/Follow the DCL Podcast via:http://www.facebook.com/dclpodcasthttp://www.instagram.com/dcl_podcastFollow Lake at:https://www.instagram.com/mouse.genhttps://www.youtube.com/@MouseGenFollow Christy at:http://www.packyourpixiedust.comhttps://www.instagram.com/packyourpixiedust

Dharmesh Sheth is joined by Mark Ogden, Carl Anka and Sam Dean to break down the weekend's biggest football talking points.We begin at Spurs after a frustrating 2–2 draw against Burnley. With boos ringing out from the away fans at Turf Moor, is time starting to run out for Thomas Frank? Carl notes - “Theres' no right way to win but there are different ways you can fail. And the way Thomas Frank is failing right now isn't appealing to the Spurs fan base.”We move on to Liverpool after a dramatic defeat at Bournemouth. Fans are losing patience with Arne Slot, and Sam says the squad is unbalanced — with Virgil van Dijk really struggling.Next, it's the Etihad, where even a 2–0 win over Wolves couldn't keep Pep Guardiola happy, as he criticised referee Farai Hallam for denying Manchester City a penalty. Finally, we turn to Arsenal vs Manchester United and ask: have the Gunners offered United a blueprint for how to walk their way out of the wasteland?Sunday Supplement is a Sky Sports podcast. Listen to every episode here: skysports.com/sunday-supplementYou can listen to Sunday Supplement on your smart speaker by saying "ask Global Player to play Sunday Supplement".For all the latest football news, head to skysports.com/footballFor advertising opportunities or to get in touch email: skysportspodcasts@sky.uk

Kelly Cates is alongside Jamie Redknapp and Izzy Christiansen to analyse and discuss Bournemouth's dramatic last-minute 3-2 win against title-holders Liverpool at the Vitality Stadium. Amine Adli secured the points for the hosts and put an end to Liverpool's 13-game unbeaten run.We also hear the post-match thoughts of Virgil van Dijk, Alex Scott, as well as both managers, Andoni Iraola and Arne Slot.Listen to every episode of the Sky Sports Premier League Podcast here: skysports.com/sky-sports-premier-league-podcastYou can listen to the Sky Sports Premier League Podcast on your smart speaker by saying "ask Global Player to play the Sky Sports Premier League Podcast".For all the latest football news, head to skysports.com/premier-leagueFor advertising opportunities email: skysportspodcasts@sky.uk

This week on Everybody's Got A Pod, it's a look into the archives as Ted and Marcus look back to the biggest moment of Virgil's career and one of the biggest in Ted's! Topics include The Million Dollar Man abusing Virgil, Kerry Von Erich, Sgt. Slaughter's Iraqi Sympathizer gimmick, Royal Rumble 1991, and much more!Special thanks to our sponsors! Bluechew: Get 10% off your first month of BlueChew Gold with code EGAP at BlueChew.comFollow us on YouTube at http://YouTube.com/@GoldenEraNetwork for clips of the podcast AND a chance to win free signed merchandise from Ted DiBiase himself! Follow Ted on social media at MDMTedDiBiase and follow Marcus at MarcusPDeAngelo on X!

Ralph Waldo Emerson said, "The first wealth is health". The Roman poet Virgil said, "The greatest wealth is health" and Mahatma Gandhi said, "It is health that is real wealth and not pieces of gold or silver".    In the spirit of these three greats, I recorded a podcast and YouTube video about my health journey called: "How I Lost 40 Pounds of Fat While Putting on 10 Pounds of Muscle."   I've spent the last 4 years on a major health journey investing my time and energy into losing weight and building muscle. I'm sharing my health journey with the goal of inspiring you to create the wealth of health and wellness. I've learned so much and feel compelled to share it.   In this conversation, I share 25 strategies. The first four are: listen to a positive eating script, find your motivation, grow your discipline muscles, and observe "putyourforkdownatarianism." I also talk about using a scale that measures body fat and changing your paradigm to increasing your fat free mass vs. just losing weight.    While Conversations About Conversations is a business podcast, and the topic is not a business topic per se, I feel so passionate about this conversation that I had to share it. Moreover, everything I've done on my health journey is along the same lines of what has led to my business success: experimentation, iteration, learning, discipline, consistency and effort.   Conversations About Conversations is available on YouTube, Apple Podcasts, Spotify, Amazon and iHeart Radio.

Beatrice finishes her first indictment of Dante by showing him the fit subject matter for his abundant talent: her and the damned.She accuses him of chasing after false images, then of discounting her own inspiration in dreams. She ends with her final hope: to descend to the doorway of the dead and get the pilgrim started across the known universe.Join me, Mark Scarbrough, as we explore the final lines of PURGATORIO, Canto XXX: Beatrice's first indictment of Dante.Here are the segments for this episode of WALKING WITH DANTE:[01:25] My English translation of the passage: PURGATORIO, Canto XXX, Lines 127 - 145. If you'd like to read along or continue the discussion with me, please find the entry for this episode on my website, markscarbrough.com.[03:16] In praise of Beatrice's elevated rhetoric.[05:20] The erotic tension between Beatrice and Dante.[07:59] First callback in the passage: to either the Siren in PURGATORIO XIX or to the second woman in the VITA NUOVA.[10:22] Second callback: to either Beatrice's eyes or her appearance in a dream toward the end of the VITA NUOVA.[13:43] Third callback: to Limbo (and Virgil).[15:37] Dante's search for the subject matter that will fit his talent.[16:47] Four levels of interpretation for Beatrice's first indictment: literal, moral, allegorical, and anagogical.[21:31] When was Dante supposed to purse these failings on the mountain?[23:27] Rereading the passage: PURGATORIO, Canto XXX, lines 127 - 145.

Jeremie Frimpong chats to Juliette Ferrington for this week's 'One on One' about his dream move to Liverpool, playing alongside his friend, Virgil van Dijk, and why he doesn't mind what position he plays in, as long as he's not in midfield! As well as listening to our 'One on One' conversations, you can watch also them on Sky Sports News and YouTube. Listen to every episode of the Sky Sports Premier League Podcast here: skysports.com/sky-sports-premier-league-podcastYou can listen to the Sky Sports Premier League Podcast on your smart speaker by saying "ask Global Player to play the Sky Sports Premier League Podcast".For all the latest football news, head to skysports.com/premier-leagueFor advertising opportunities email: skysportspodcasts@sky.uk

Mayor Brett Smiley On Brown Shooting, Providence vs Boston, High Rent, RI Housewives, Gay Hate + Much MoreClub Ambition Podcast Episode 225Sponsored by:Dave's Hot Chicken (619 W Main Rd, Middletown, RI 02842)Mother Earth Wellness (Promo Code "ambition10") https://motherearthri.com/ Lil Rhody Laugh Riot Mar 26th - Mar 29th https://www.lilrhodylaughriot.com/ Big Tony's Pizza (Free Slice When You Mention Podcast) https://bigtonyspizzari.com/ https://linktr.ee/clubambitionUNCUT PATREON https://www.patreon.com/ClubAmbitionDISCORD COMMUNITY: https://discord.com/invite/M8Kmha8UqvMERCH: https://clubambition.shopListen To Podcasts: https://podcasters.spotify.com/pod/show/clubambitionWatch Spanish Podcast El Po K: https://www.youtube.com/watch?v=BqOENhDvdQ0&list=PLNukP3hLjNb_ITL34h3Gjue3z9KWiF-px Watch CAP: https://www.youtube.com/watch?v=W4YVeSYZi28&list=PLNukP3hLjNb_zwvsdwqTOGvgBb-_Ym2mL&pp=gAQBiAQBFOLLOW US!Podcast IG: https://www.instagram.com/clubambitionpodcast/Owner/Host/Editor | Victor SOUND: https://www.instagram.com/itsavibe/CAP Co-Host / Producer | Marloon: https://www.instagram.com/imfromthe401/CAP Co-Host | Noel: https://www.instagram.com/noelfrias_/CAP Co-Host | Earlyn: https://www.instagram.com/complex.mindset/El Po K Host | Maestro Vitiko: https://www.instagram.com/vitiko_baez_el_po_k?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw==El Po K Co-Host | Locotron: https://www.instagram.com/iambenjaminrd?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw==Graphic Designer | Edwin: https://www.instagram.com/edrebels/TikTok: https://www.tiktok.com/@clubambition/Twitter: https://twitter.com/ClubAmbition__/-----------------------------------------------------------Want a promote your music or hire us for marketing?Email us if interested in business! - ClubAmbition401@gmail.com-------------------------------------------------------------RIP: Nipsey, Mac, XXXtentacion, Juice, Pop, Von, DMX, Virgil, Dolph, Takeoff, RHQ, CLARK KENT---------------------------------------------------------------------COPYRIGHT DISCLAIMER ALL RIGHTS BELONG TO THEIR RESPECTIVE OWNERS

HOMER'S NARRATIVE CHOICES AND ORAL TRADITION Colleague Professor Emily Wilson. Wilsondiscusses the "Homeric Question," noting that oral stories existed for centuries before the alphabet arrived in the 8th century BCE. She highlights the Iliad's sophisticated narrative structure, which omits famous events like the Apple of Discord and the Trojan Horse to focus intensely on a specific period of the war. The conversation compares the Iliad'sfocus on Greek infighting with Virgil's Aeneid, noting the distinct goals of each epic tradition. NUMBER 2 500 AD ALEXANDRIA

SHOW 12-30-25 CBS EYE ON THE WORLD WITH JOHN BATCHELOR THESDHOW BEGINS WITH DOUBTS ABOUT THE PURPOSE OF WAR-MAKING AS EXPRESSED MOURNFULLY BY HECTOR'S WIFE ANDROMACHE... SHOW 12-30-25 CBS EYE ON THE WORLD WITH JOHN BATCHELOR TRANSLATION AND THE SEARCH FOR TROY Colleague Professor Emily Wilson. John Batchelor interviews Professor Emily Wilson about her new iambic pentameter translation of the Iliad. They discuss the historical location of Troy in modern Turkey and the archaeological layers discovered by Schliemann, who wrongly believed he found Agamemnon's mask. Wilson explains that while the Greeks viewed the Iliad as partly historical, it is a poetic imagining composed centuries after the events, designed for oral performance and rhythmic reading. NUMBER 1 HOMER'S NARRATIVE CHOICES AND ORAL TRADITION Colleague Professor Emily Wilson. Wilsondiscusses the "Homeric Question," noting that oral stories existed for centuries before the alphabet arrived in the 8th century BCE. She highlights the Iliad's sophisticated narrative structure, which omits famous events like the Apple of Discord and the Trojan Horse to focus intensely on a specific period of the war. The conversation compares the Iliad'sfocus on Greek infighting with Virgil's Aeneid, noting the distinct goals of each epic tradition. NUMBER 2 TRAGIC COUPLES AND DIVINE INTERVENTION Colleague Professor Emily Wilson. The segment explores key character pairings, starting with Helen's complex view of Paris and her weaving as a metaphor for the story. Wilsonanalyzes the tragic relationship between Hector and Andromache, emphasizing Hector's choice of duty over family. They discuss the gods' roles, particularly Thetis's prayer to Zeus which seals Achilles' fate, and Hera's bargaining with Zeus to ensure Troy's destruction, highlighting the interplay of divine will and mortal suffering. NUMBER 3 TRANSLATION AND THE SEARCH FOR TROY Colleague Professor Emily Wilson. John Batchelor interviews Professor Emily Wilson about her new iambic pentameter translation of the Iliad. They discuss the historical location of Troy in modern Turkey and the archaeological layers discovered by Schliemann, who wrongly believed he found Agamemnon's mask. Wilson explains that while the Greeks viewed the Iliad as partly historical, it is a poetic imagining composed centuries after the events, designed for oral performance and rhythmic reading. NUMBER 1 HOMER'S NARRATIVE CHOICES AND ORAL TRADITION Colleague Professor Emily Wilson. Wilsondiscusses the "Homeric Question," noting that oral stories existed for centuries before the alphabet arrived in the 8th century BCE. She highlights the Iliad's sophisticated narrative structure, which omits famous events like the Apple of Discord and the Trojan Horse to focus intensely on a specific period of the war. The conversation compares the Iliad'sfocus on Greek infighting with Virgil's Aeneid, noting the distinct goals of each epic tradition. NUMBER 2 TRAGIC COUPLES AND DIVINE INTERVENTION Colleague Professor Emily Wilson. The segment explores key character pairings, starting with Helen's complex view of Paris and her weaving as a metaphor for the story. Wilsonanalyzes the tragic relationship between Hector and Andromache, emphasizing Hector's choice of duty over family. They discuss the gods' roles, particularly Thetis's prayer to Zeus which seals Achilles' fate, and Hera's bargaining with Zeus to ensure Troy's destruction, highlighting the interplay of divine will and mortal suffering. NUMBER 3 APHRODITE, PATROCLUS, AND TROPHY WOMEN Colleague Professor Emily Wilson. Wilson examines Aphrodite's intervention on the battlefield and her representation of baser instincts like lust. The discussion shifts to Briseis, a "trophy" of war, and her relationship with Patroclus, whom Wilson refuses to classify as a "beta male" despite his kindness. Patroclus is described as a brutal killer and Achilles' closest companion. The segment highlights the emotional depth of Achilles, who displays immense vulnerability alongside his capacity for violence. NUMBER 4 AGAMEMNON'S FAILURE AND DIVINE POLITICS Colleague Professor Emily Wilson. This segment details the plot's catalyst: Agamemnon seizing Briseis from Achilles, causing the hero to withdraw from battle. Wilson explains the divine politics, including Hera trading three Greek cities to Zeus to ensure Troy's destruction. They analyze Agamemnon's flawed leadership; while he blames Zeus for his bad decisions, the poem portrays the immense difficulty of holding a disparate army together, leading to disastrous choices that necessitate Achilles' eventual return. NUMBER 5 THE GORE AND GLORY OF BATTLE Colleague Professor Emily Wilson. Wilson discusses translating the Iliad'svivid violence, drawing on insights from combat veterans regarding the trauma of battlefield death. A central theme is the treatment of corpses; possessing and stripping a dead enemy's armor is the ultimate sign of dominance. The conversation touches on the physical nature of the gods, who bleed "ichor" when wounded, and Poseidon's support for the Greeks in contrast to his brother Zeus. NUMBER 6 THE DEATH OF PATROCLUS AND HECTOR Colleague Professor Emily Wilson. The tragedy culminates with Patroclus ignoring Achilles' warning, leading to his death by Hector and the loss of Achilles' armor. Wilson describes Achilles' terrifying return to battle, equipped with new armor from Hephaestus, and his slaughter of Trojans. The segment covers the final confrontation where Achilles kills Hector and, driven by vengeance, drags his body behind a chariot, denying him burial rights and intending to mutilate him forever. NUMBER 7 GRIEF, GAMES, AND ACCEPTANCE Colleague Professor Emily Wilson. After Hector's death, Achilles finds a form of healing through funeral games, which offer a non-lethal model of competition. He even awards Agamemnon a prize without a contest, possibly as a slight. The poem concludes not with victory, but with a "humanitarian pause" for Hector's funeral. Wilson notes the ending focuses on women's lamentations, emphasizing the Iliad's enduring lesson on the struggle to accept human mortality. NUMBER 8 FEMALE AUTHORSHIP AND THE TROJAN WOMEN Colleague Daisy Dunn. Daisy Dunn discusses the legend of Phantasia, a rumored female source for Homer, and the myth of Leda and the Swan. She argues that the Trojan Warlikely reflects real historical conflicts at the site of Hisarlik. The segment highlights key female figures: Andromache, who offers military advice to Hector, and Briseis, the enslaved woman central to the dispute between Agamemnon and Achilles, illustrating the centrality of women to the epic. NUMBER 9 SAPPHO OF LESBOS Colleague Daisy Dunn. Dunn explores the life of Sappho, debunking myths about her appearance and suicide. She explains that Sappho was exiled due to her family's aristocratic background during a time of political revolution. The conversation covers Sappho's disapproval of her brother's relationship with the courtesan Doricha and her professional jealousy when students left her school for rivals. Weaving is presented as a metaphor for women shaping fate. NUMBER 10 ETRUSCANS AND THE WOMEN OF EARLY ROME Colleague Daisy Dunn. Dunn discusses the Etruscans, noting their advanced dentistry and the shock Greeks felt at Etruscan men and women dining together openly. Transitioning to Rome, they recount the violent founding myth of the Rape of the Sabine Women. The segment details the tragedy of Lucretia, whose rape and subsequent suicide led Brutus to overthrow the monarchy and establish the Roman Republic, making her a paragon of virtue. NUMBER 11 DIDO AND THE FOUNDING OF CARTHAGE Colleague Daisy Dunn. Dunn recounts the story of Dido, the clever founder of Carthage who tricked a local king to secure land. When Aeneas abandons her to fulfill his destiny, Didocurses him, foreshadowing the Punic Wars between Rome and Carthage. The segment explores her tragic suicide on a pyre, noting the societal judgment against her for breaking vows of celibacy, while acknowledging her capacity as a talented ruler and builder of cities. NUMBER 12 CORNELIA AND SERVILIA: MOTHERS OF ROME Colleague Daisy Dunn. This segment focuses on Cornelia, the educated "one-man woman" who raised the reforming Gracchi brothers to challenge the Roman elite. Dunn notes Cornelia's heartbreak as she tried to dissuade her second son from following his assassinated brother's path. The discussion shifts to Servilia, Caesar's long-term mistress and mother of Brutus. Servilia is depicted as a politically astute woman caught between her lover and her son, the future assassin. NUMBER 13 CLEOPATRA AND CAESAR Colleague Daisy Dunn. Dunn describes Cleopatra's dramatic entrance from a rug to meet Caesar and secure her rule in Egypt. Despite her intelligence and linguistic skills, the Romans viewed her with suspicion and distaste, labeling her a "whore queen." Dunn challenges the Hollywood image of Cleopatra's beauty, noting coin portraits show a hooked nose, and argues her power lay in her charisma and voice. She remains a figure of admiration today. NUMBER 14 ANTONY, FULVIA, AND CLEOPATRA'S END Colleague Daisy Dunn. The conversation turns to Mark Antony'sunpopular affair with Cleopatra and his wife Fulvia, who instigated a war in Italy to counter Octavian. Dunn highlights the Roman propensity for public emotion and early marriage. Following Antony's botched suicide, Cleopatra takes her own life to avoid being paraded as a trophy by Octavian. Dunn suggests the "asp" story might be a myth covering a lethal injection or poison. NUMBER 15 THE WOMEN OF THE JULIO-CLAUDIAN DYNASTY Colleague Daisy Dunn. Dunn profiles the powerful women of the Julio-Claudian dynasty. Livia is portrayed as Augustus's essential political partner and diplomat. The segment covers the tragic life of Julia, the lechery of Caligula, and the notorious reputation of Messalina. Finally, Agrippina the Younger is described as a co-emperor to her son Nero before he turned against her. Dunn concludes that Roman politics were bloodier but more politically savvy than the Greeks. NUMBER 16