Podcasts about sounds profitable

This week in the business of podcasting:Podcast Movement Evolutions has taken over SKYBOX on 6th at SXSW 2026 through Sunday, with no badge or ticket required, featuring live tapings tonight from Table Read, Scalable Podcast, and Broken Record with special guest Maya Hawke, and tomorrow night's Companion Presents: In Good Company event with Penn Badgley and a headliner set from Andy Grammer.Sounds Profitable founder Bryan Barletta argues Apple Podcasts' HLS announcement returns control to hosting platforms and opens the door for rights holders across music, film, and other industries to adopt RSS-inspired distribution.Bumper's Jonas Woost shares data built from over 100,000 podcast episode listener retention data. He finds listeners complete 76% of an average podcast episode, with retention trending downward the longer an episode lasts.A new Acast Podcast Pulse report from Singapore finds 97% of local listeners say a podcast has changed their mind on a topic versus a global median of 84%, with podcasters rating higher on credibility than journalists, Youtubers, and social-first talent.To find links to these, and every article covered in today's episode of the Recap, click here. You can also subscribe to The Download's newsletter to receive the full issue straight to your email inbox every day.

This week in the business of podcasting:Podcast Movement Evolutions has taken over SKYBOX on 6th at SXSW 2026 through Sunday, with no badge or ticket required, featuring live tapings tonight from Table Read, Scalable Podcast, and Broken Record with special guest Maya Hawke, and tomorrow night's Companion Presents: In Good Company event with Penn Badgley and a headliner set from Andy Grammer.Sounds Profitable founder Bryan Barletta argues Apple Podcasts' HLS announcement returns control to hosting platforms and opens the door for rights holders across music, film, and other industries to adopt RSS-inspired distribution.Bumper's Jonas Woost shares data built from over 100,000 podcast episode listener retention data. He finds listeners complete 76% of an average podcast episode, with retention trending downward the longer an episode lasts.A new Acast Podcast Pulse report from Singapore finds 97% of local listeners say a podcast has changed their mind on a topic versus a global median of 84%, with podcasters rating higher on credibility than journalists, Youtubers, and social-first talent.To find links to these, and every article covered in today's episode of the Recap, click here. You can also subscribe to The Download's newsletter to receive the full issue straight to your email inbox every day.

Today in the business of podcasting:Sounds Profitable's Bryan Barletta argues the big picture of Apple Podcasts' HLS announcement. It's less about video podcasting and more about what happens when an open standard connects a public app to multiple distribution hubs, potentially opening the door for rights holders in other industries to consider similar RSS-inspired methods.A new Acast Podcast Pulse report from Singapore finds 97% of local listeners say a podcast has changed their mind on a topic versus a global median of 84%, with 52% rating podcasters more credible than journalists and 69% saying they've considered a brand for the first time because of a podcast.An Axios op-ed argues the impression that Americans are more divided than ever is being cast through the lens of overly-online social media users. An article that happens to be relevant to A.J. Feliciano's Companion panel at Podcast Movement Evolutions this week.Financial research firm MoffettNathanson estimates YouTube hit $62 billion in 2025 revenue, edging out Disney's $60.9 billion and making it the world's largest media company, with the platform also crossing $100 billion paid out to creators since 2021.To find links to these, and every article covered in today's episode, click here. You can also subscribe to The Download's newsletter to receive the full issue straight to your email inbox every day.

Today in the business of podcasting:Sounds Profitable's Bryan Barletta argues the big picture of Apple Podcasts' HLS announcement. It's less about video podcasting and more about what happens when an open standard connects a public app to multiple distribution hubs, potentially opening the door for rights holders in other industries to consider similar RSS-inspired methods.A new Acast Podcast Pulse report from Singapore finds 97% of local listeners say a podcast has changed their mind on a topic versus a global median of 84%, with 52% rating podcasters more credible than journalists and 69% saying they've considered a brand for the first time because of a podcast.An Axios op-ed argues the impression that Americans are more divided than ever is being cast through the lens of overly-online social media users. An article that happens to be relevant to A.J. Feliciano's Companion panel at Podcast Movement Evolutions this week.Financial research firm MoffettNathanson estimates YouTube hit $62 billion in 2025 revenue, edging out Disney's $60.9 billion and making it the world's largest media company, with the platform also crossing $100 billion paid out to creators since 2021.To find links to these, and every article covered in today's episode, click here. You can also subscribe to The Download's newsletter to receive the full issue straight to your email inbox every day.

Let's look at what upgrading video on Apple Podcasts means for podcasting as an industry.Apple Podcasts is rolling out support for HTTP Live Streaming (HLS). Bryan Barletta breaks down what HLS actually is, how it handles video, audio, and dynamic ad delivery through HLS Interstitials, and what it means to have early buy-in from hosting platforms like Acast, Amazon's ART19, Triton's Omny Studio, and SiriusXM Media. Written by Bryan BarlettaEdited by Molly DeMillier, Tom Webster, and Gavin GaddisText and audio edited by Gavin GaddisRegister for Evolutions by Podcast Movement @ SXSWFind the full article here on Sounds Profitable.

Let's look at what upgrading video on Apple Podcasts means for podcasting as an industry.Apple Podcasts is rolling out support for HTTP Live Streaming (HLS). Bryan Barletta breaks down what HLS actually is, how it handles video, audio, and dynamic ad delivery through HLS Interstitials, and what it means to have early buy-in from hosting platforms like Acast, Amazon's ART19, Triton's Omny Studio, and SiriusXM Media. Written by Bryan BarlettaEdited by Molly DeMillier, Tom Webster, and Gavin GaddisText and audio edited by Gavin GaddisRegister for Evolutions by Podcast Movement @ SXSWFind the full article here on Sounds Profitable.

Today in the business of podcasting:Sounds Profitable's Tom Webster pushes back on the idea podcasting has "finally" caught AM/FM radio in spoken-word listening share, arguing the milestone already passed. Share of Ear's audio-focused methodology leaves out the many hours of spoke-word consumed as podcasts people primarily watch.Frequency and Flightpath announce a partnership integrating Flightpath's predictive inventory planning into Frequency's Premium Publisher Network, aiming to replace reactive ad selling with a scalable, multi-network monetization model.Radiodays North America announces its 2026 speaker lineup ahead of its May 5–6 Toronto event, featuring CRTC Broadcasting VP Scott Shortliffe, Radiolab producer Simon Adler, and Tom Webster.Audible reveals its first major podcast slate since absorbing Wondery, bringing new seasons of Dr. Death and Over My Dead Body, a new investigative series called OnlyFantasy, and the migration of former Wondery titles like Dying for Sex and Hysterical to the platform.To find links to these, and every article covered in today's episode, click here. You can also subscribe to The Download's newsletter to receive the full issue straight to your email inbox every day.

Today in the business of podcasting:Sounds Profitable's Tom Webster pushes back on the idea podcasting has "finally" caught AM/FM radio in spoken-word listening share, arguing the milestone already passed. Share of Ear's audio-focused methodology leaves out the many hours of spoke-word consumed as podcasts people primarily watch.Frequency and Flightpath announce a partnership integrating Flightpath's predictive inventory planning into Frequency's Premium Publisher Network, aiming to replace reactive ad selling with a scalable, multi-network monetization model.Radiodays North America announces its 2026 speaker lineup ahead of its May 5–6 Toronto event, featuring CRTC Broadcasting VP Scott Shortliffe, Radiolab producer Simon Adler, and Tom Webster.Audible reveals its first major podcast slate since absorbing Wondery, bringing new seasons of Dr. Death and Over My Dead Body, a new investigative series called OnlyFantasy, and the migration of former Wondery titles like Dying for Sex and Hysterical to the platform.To find links to these, and every article covered in today's episode, click here. You can also subscribe to The Download's newsletter to receive the full issue straight to your email inbox every day.

One caveat to charting spoken word podcasting against radio: spoken word isn't confined to audio. Edison Research's Share of Ear data shows podcasting tied with AM/FM radio at 40% of spoken-word listening — but Tom Webster argues podcasting already passed radio when you account for the millions watching video podcasts on YouTube that audio-only measurement can't see. The real story isn't podcasting catching radio; it's podcasting expanding the spoken-word market entirely, drawing new audiences through video discovery rather than converting talk radio listeners.Written and narrated by Tom WebsterText and audio edited by Gavin GaddisRegister for Evolutions by Podcast Movement @ SXSWFind the full article here on Sounds Profitable.

One caveat to charting spoken word podcasting against radio: spoken word isn't confined to audio. Edison Research's Share of Ear data shows podcasting tied with AM/FM radio at 40% of spoken-word listening — but Tom Webster argues podcasting already passed radio when you account for the millions watching video podcasts on YouTube that audio-only measurement can't see. The real story isn't podcasting catching radio; it's podcasting expanding the spoken-word market entirely, drawing new audiences through video discovery rather than converting talk radio listeners.Written and narrated by Tom WebsterText and audio edited by Gavin GaddisRegister for Evolutions by Podcast Movement @ SXSWFind the full article here on Sounds Profitable.

Today in the business of podcasting:Magellan AI integrates Nielsen DMA data into its podcast attribution platform, giving advertisers local market measurement across 210 standardized U.S. media markets.Podcast Show London 2026 has published its full speaker lineup ahead of the May 20–21 event at Islington's Business Design Centre, with Sounds Profitable returning as a stage sponsor and hosting a pre-show happy hour May 19th.IAB Australia's 2026 Audio Advertising State of the Nation report finds 69% of surveyed ad buyers plan to increase podcast ad investment, with performance advertising expected to outpace brand advertising spend this year.Lower Street's Jackie Lamport makes the case that audio podcast introduction methods don't work on YouTube, where your retention lives or dies in the first 30 seconds. She offers podcasters a free intro scorecard to optimize their shows for the platform's algorithm.Kirby Grines argues that the rise of microdramas and mobile-native viewing is redistributing audience attention in ways that reward the same cadence and consistency that drive podcast promotional growth on video platforms — particularly short-form vertical clips.To find links to these, and every article covered in today's episode, click here. You can also subscribe to The Download's newsletter to receive the full issue straight to your email inbox every day.

Today in the business of podcasting:Magellan AI integrates Nielsen DMA data into its podcast attribution platform, giving advertisers local market measurement across 210 standardized U.S. media markets.Podcast Show London 2026 has published its full speaker lineup ahead of the May 20–21 event at Islington's Business Design Centre, with Sounds Profitable returning as a stage sponsor and hosting a pre-show happy hour May 19th.IAB Australia's 2026 Audio Advertising State of the Nation report finds 69% of surveyed ad buyers plan to increase podcast ad investment, with performance advertising expected to outpace brand advertising spend this year.Lower Street's Jackie Lamport makes the case that audio podcast introduction methods don't work on YouTube, where your retention lives or dies in the first 30 seconds. She offers podcasters a free intro scorecard to optimize their shows for the platform's algorithm.Kirby Grines argues that the rise of microdramas and mobile-native viewing is redistributing audience attention in ways that reward the same cadence and consistency that drive podcast promotional growth on video platforms — particularly short-form vertical clips.To find links to these, and every article covered in today's episode, click here. You can also subscribe to The Download's newsletter to receive the full issue straight to your email inbox every day.

1325. La retención de anuncios en podcast ¿ es un mito o una realidad?Esa es la pregunta que lanzo hoy, después de arrancar el episodio con otra más directa: ¿te saltas los anuncios cuando escuchas un podcast? Estoy convencido de que la mayoría habrá respondido que sí. Yo mismo, si me lo preguntan así, en frío, seguramente diría lo mismo. Pero una cosa es lo que decimos y otra lo que realmente hacemos. Hoy traigo un artículo publicado en la web de Bumper por Dan Misener, que parte de una escena bastante reveladora: en una sala llena de publicistas especializados en podcast, todos levantan la mano cuando les preguntan si se saltan los anuncios. Incluso quienes viven de ellos. A partir de ahí, el texto desmonta ese mito con datos.Podcast ad skipping isn't nearly as bad as I worriedhttps://wearebumper.com/blog/podcast-ad-skipping-isnt-nearly-as-bad-as-i-worriedPor un lado, una encuesta de The Canadian Podcast Listener revela que solo el 18 % afirma omitir los anuncios “siempre”. Por otro, un estudio de Sounds Profitable de 2024 eleva la cifra hasta el 46 % cuando se habla de “siempre o con frecuencia”. Pero incluso ese estudio reconoce algo clave: tendemos a exagerar cuando respondemos a preguntas hipotéticas. Y aquí es donde entran los datos reales de retención. Cuando analizas las gráficas que ofrecen plataformas como Apple, Spotify o YouTube, lo que ves no es una estampida masiva en los bloques publicitarios. Sí, hay pequeñas bajadas del 5, 7 o 10 %. Pero tras el anuncio, la audiencia vuelve casi al mismo punto. Eso no es evasión masiva. Eso es retención de anuncios. Si tienes 1.000 oyentes y 900 llegan al primer bloque publicitario, aunque un 10 o 15 % se lo salte, sigues teniendo más del 75 % de tu audiencia escuchando el anuncio. Dime qué otro medio puede presumir de esa atención. Eso sí, no todo vale. La duración del bloque, la carga total de anuncios, la repetición, la relevancia del producto y, sobre todo, el tono, influyen muchísimo. No es lo mismo una cuña dinámica que te saca del episodio que una integración locutada por el propio podcaster, alineada con la audiencia y con el contexto. Yo mismo he vivido inserciones completamente desajustadas que rompen la experiencia y generan rechazo. Y también he visto ejemplos donde la publicidad se convierte casi en parte del contenido. La conclusión es clara: quizá deberíamos dejar de hablar tanto de “evasión” y empezar a hablar más de “retención”. Porque cuando el anuncio está bien integrado, la audiencia no solo no huye, sino que presta atención. Y eso, en podcast, vale su peso en oro._____________Consigue tu entrada para el directo de 'Contando Kilómetros Podcast' el 28 de marzo en las Podnights Madrid a través de Eventbritehttps://www.eventbrite.es/e/1980175107050?aff=oddtdtcreator_____________ ¡Gracias por pasarte 'Al otro lado del micrófono' un día más para seguir aprendiendo sobre podcasting! Si quieres descubrir cómo puedes unirte a la comunidad o a los diferentes canales donde está presente este podcast, te invito a visitar https://alotroladodelmicrofono.com/unete Además, puedes apoyar el proyecto mediante un pequeño impulso mensual, desde un granito de café mensual hasta un brunch digital. Descubre las diferentes opciones entrando en: https://alotroladodelmicrofono.com/cafe. También puedes apoyar el proyecto a través de tus compras en Amazon mediante mi enlace de afiliados https://alotroladodelmicrofono.com/amazon La voz que puedes escuchar en la intro del podcast es de Juan Navarro Torelló (PoniendoVoces) y el diseño visual es de Antonio Poveda. La dirección, grabación y locución corre a cargo de Jorge Marín. La sintonía que puedes escuchar en cada capítulo ha sido creada por Jason Show y se titula: 2 Above Zero.  'Al otro lado del micrófono' es una creación de EOVE Productora.

The language used to describe podcast behavior matters, and some of it needs updating.Written by Tom WebsterEdited by Gavin GaddisAudio narration and editing by Gavin GaddisRegister for Evolutions by Podcast Movement @ SXSWFind the full article here on Sounds Profitable.

The language used to describe podcast behavior matters, and some of it needs updating.Written by Tom WebsterEdited by Gavin GaddisAudio narration and editing by Gavin GaddisRegister for Evolutions by Podcast Movement @ SXSWFind the full article here on Sounds Profitable.

Today in the business of podcasting: Bumper shows how existing podcast analytics can indicate how many people are skipping ads (not as many as you'd think), LIONS Creators is moving to the beach for this year's Cannes Lions, Magellan AI has published January's top fifteen spenders in podcast advertising, and a discussion on how generative AI affects monetization for content creators.Click here to find the links to every article mentioned on Sounds Profitable's website.

Today in the business of podcasting: Bumper shows how existing podcast analytics can indicate how many people are skipping ads (not as many as you'd think), LIONS Creators is moving to the beach for this year's Cannes Lions, Magellan AI has published January's top fifteen spenders in podcast advertising, and a discussion on how generative AI affects monetization for content creators.Click here to find the links to every article mentioned on Sounds Profitable's website.

This week in the business of podcasting: Apple announces HLS video podcast streaming with select hosting platforms, a roundup of stories from Sounds Profitable partners, Triton Digital has their new U.S. Podcast Report for the year, and a Charlotte Business Journal look at podcast advertising's local success stories.Click here to find the links to every article mentioned on Sounds Profitable's website.

This week in the business of podcasting: Apple announces HLS video podcast streaming with select hosting platforms, a roundup of stories from Sounds Profitable partners, Triton Digital has their new U.S. Podcast Report for the year, and a Charlotte Business Journal look at podcast advertising's local success stories.Click here to find the links to every article mentioned on Sounds Profitable's website.

Today in the business of podcasting: how Apple Podcasts embracing video widens one of the biggest on-ramps for podcasting, Triton Digital releases the 2025 U.S. Podcast Report, and a pitch for new standards to make programmatic tools report faster and with more clarity.Click here to find the links to every article mentioned on Sounds Profitable's website.

Today in the business of podcasting: how Apple Podcasts embracing video widens one of the biggest on-ramps for podcasting, Triton Digital releases the 2025 U.S. Podcast Report, and a pitch for new standards to make programmatic tools report faster and with more clarity.Click here to find the links to every article mentioned on Sounds Profitable's website.

Today in the business of podcasting: SiriusXM is hosting a webinar tomorrow with a stacked cast from the measurement and research side of podcasting, Adam Bowie talks about the financial nuances of video podcasting with Apple Podcasts getting into the fray, Little Dot Studios has a white paper looking at YouTube video performance over the last three years, Podcast Movement has a fun graphic tool to make a social media image announcing you're heading to SXSW, Audion launches Audion AI, and today's Partner Highlight is Gretchen Smith Dubois!Click here to find the links to every article mentioned on Sounds Profitable's website.

In this episode of The Podcast Advertising Playbook, host Heather Osgood sits down with Bryan Barletta, Founder of Sounds Profitable, to discuss how podcast attribution has evolved and what measurement really looks like in a world where audio and video are converging. Attribution in podcasting has come a long way, but it is still widely misunderstood. Bryan shares where measurement is genuinely improving, why some reporting may appear lower than expected, and how advertisers can think more strategically about evaluating performance across platforms like Spotify Video, YouTube, and traditional audio. In this episode, we discuss: How podcast attribution has improved and what is driving greater advertiser confidence What advertisers often misunderstand about podcast measurement and performance data The tradeoffs that come with video podcasting and how it impacts reporting How to think about attribution when campaigns run across audio, Spotify Video, and YouTube What “good enough” attribution looks like and what the future of measurement may hold If you are trying to better understand podcast performance and make smarter decisions with attribution data, this episode offers practical guidance and a clear view of where the industry is headed.

Today in the business of podcasting: SiriusXM is hosting a webinar tomorrow with a stacked cast from the measurement and research side of podcasting, Adam Bowie talks about the financial nuances of video podcasting with Apple Podcasts getting into the fray, Little Dot Studios has a white paper looking at YouTube video performance over the last three years, Podcast Movement has a fun graphic tool to make a social media image announcing you're heading to SXSW, Audion launches Audion AI, and today's Partner Highlight is Gretchen Smith Dubois!Click here to find the links to every article mentioned on Sounds Profitable's website.

This week, Tom Webster looks at the political composition of podcast genre audiences and finds that the data may not match the narratives we've been telling ourselves. Written by Tom WebsterEdited by Gavin GaddisAudio narration and editing by Gavin GaddisRegister for Evolutions by Podcast Movement @ SXSWFind the full article here on Sounds Profitable.

A king who forged an empire. The birth of an upstart prince. A battle for control. It's not the new Game of Thrones, it's a historical dive into the rise of audio, from the early days of radio to the explosion of podcasts and beyond.The world's only podcast solely dedicated to audio ads is back with a one-of-a-kind episode that will change your understanding of the medium forever. Presenting the Ad Infinitum Season 3 finale, Episode 16: "The Royal and The Regent: The Audio Monarchy.”Hosted by Stew Redwine (Executive Creative Director, Oxford Road) and guided by the “esteemed bard” and guest producer Jeanna Isham (Owner, Dreamr Productions), this episode takes you on a journey back in time to explore the "Audio Monarchy."Throw out your dry history books and put on your headphones. This unusual episode explores why audio became dominant and how the kingdom can thrive moving forward. The narrative spans from early TV jingles to YouTube CTAs, anchoring itself in the Six Sonic Laws of Audio Advertising established by His Royal Highness, King Radio:AttentionTrustMemoryProximityMonetizationThe Covenant: The promise not to abuse the listener's time and to respect their loyalty.To discuss "The Covenant," "Who Owns Audio?", and "The Grateful Pod," the show has assembled true audio royalty. The Council includes:• Chancellor of the Airwaves: Kraig T. Kitchin (Senior Strategic Advisor for Oxford Road)• Royal Historian: Cynthia Meyers (Professor Emerita, College of Mount Saint Vincent)• Royal Scribes: Tom Webster (Partner, Sounds Profitable) and Paul Riismandel (President, Signal Hill Insights)• Royal Troubadours: Arielle Nissenblatt (Founder, Earbuds Podcast Collective), Dallas Taylor (host of Twenty Thousand Hertz podcast), and Shaun Michael Colón (Director, The Age of Audio)Hear ye, hear ye: This is a must-listen for anyone interested in the business of sound. Join the Royal Council of Audio and step into the context of the monarchy.“ Prince Podcasting was born on the principles of abundance, not scarcity, and focused on purposeful communication, not time sold to brands.” – Jeanna Isham (Owner, Dreamr Productions) See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week, Tom Webster looks at the political composition of podcast genre audiences and finds that the data may not match the narratives we've been telling ourselves. Written by Tom WebsterEdited by Gavin GaddisAudio narration and editing by Gavin GaddisRegister for Evolutions by Podcast Movement @ SXSWFind the full article here on Sounds Profitable.

Today in the business of podcasting: a look at Minneapolis Public Radio's Q4 web traffic, AudioUK is championing a survey of the UK podcast industry, Bloomberg's podcast revenue is up 36% year over year, and a look at how Hollywood audiences are souring to AI as a plot device. Click here to find the links to every article mentioned on Sounds Profitable's website!

Today in the business of podcasting: a look at Minneapolis Public Radio's Q4 web traffic, AudioUK is championing a survey of the UK podcast industry, Bloomberg's podcast revenue is up 36% year over year, and a look at how Hollywood audiences are souring to AI as a plot device. Click here to find the links to every article mentioned on Sounds Profitable's website!

Tom has hosted a lot of panels, here's his strategy to make them valuable and engaging for all involved. Written by Tom WebsterEdited by Gavin GaddisAudio narration and editing by Gavin GaddisFind the full article here on Sounds Profitable.

Tom has hosted a lot of panels, here's his strategy to make them valuable and engaging for all involved. Written by Tom WebsterEdited by Gavin GaddisAudio narration and editing by Gavin GaddisFind the full article here on Sounds Profitable.

Dr. Byron Green-Calisch gives and overview of changes being made behind the scenes at Podcast Movement and Sounds Profitable to build equity in the industry event space. Written by Dr. Byron Green-CalischEdited by Gavin GaddisAudio narration and editing by Gavin GaddisFind the full article here on Sounds Profitable.

Dr. Byron Green-Calisch gives and overview of changes being made behind the scenes at Podcast Movement and Sounds Profitable to build equity in the industry event space. Written by Dr. Byron Green-CalischEdited by Gavin GaddisAudio narration and editing by Gavin GaddisFind the full article here on Sounds Profitable.

The WHO and WHY of podcasting are important, but you have to get them in the correct order.Written by Tom WebsterEdited by Bryan Barletta and Gavin GaddisAudio narration and editing by Gavin GaddisFind the full article here on Sounds Profitable.

The WHO and WHY of podcasting are important, but you have to get them in the correct order.Written by Tom WebsterEdited by Bryan Barletta and Gavin GaddisAudio narration and editing by Gavin GaddisFind the full article here on Sounds Profitable.

Chatbots are changing PR's place in the media ecosystem, let's talk why. Written by Molly DeMellierEdited by Bryan Barletta and Gavin GaddisAudio narration and editing by Gavin GaddisFind the full article here on Sounds Profitable.

Chatbots are changing PR's place in the media ecosystem, let's talk why. Written by Molly DeMellierEdited by Bryan Barletta and Gavin GaddisAudio narration and editing by Gavin GaddisFind the full article here on Sounds Profitable.

Why do most podcasts stall long before they reach real scale? In this episode of Right About Now, Ryan Alford is joined by Tom Webster, one of the most respected voices in podcasting and author of The Audience Is Listening, to unpack the uncomfortable truths behind podcast growth. With nearly 30 years in audio research and media strategy, Tom explains why: Promotion won’t save a show that lacks clarity Editing for flow is the secret weapon of top podcasts Many creators build for themselves — not their audience Asking the wrong listener questions leads to bad decisions Podcasting is far from “on the way down” — and why the data proves it This conversation is a masterclass in podcast strategy, audience psychology, and long-term content thinking. Whether you’re launching a show, stuck at a download ceiling, or building branded content, this episode will help you stop chasing vanity metrics and start building real listener loyalty.

Experimentation is healthy, but expansion at all costs includes the cost of ignoring the audience that built everything in the first place. Written and narrated by Tom WebsterEdited by Bryan Barletta and Gavin GaddisAudio editing by Gavin GaddisFind the full article here on Sounds Profitable.

Experimentation is healthy, but expansion at all costs includes the cost of ignoring the audience that built everything in the first place. Written and narrated by Tom WebsterEdited by Bryan Barletta and Gavin GaddisAudio editing by Gavin GaddisFind the full article here on Sounds Profitable.

Podcasting has a creator churn problem that needs fixing. Written and narrated by Tom WebsterEdited by Bryan Barletta and Gavin GaddisAudio editing by Gavin GaddisFind the full article here on Sounds Profitable.

Podcasting has a creator churn problem that needs fixing. Written and narrated by Tom WebsterEdited by Bryan Barletta and Gavin GaddisAudio editing by Gavin GaddisFind the full article here on Sounds Profitable.

Today in the business of podcasting: Sounds Profitable publishes The Creators study, Spotify Wrapped for Advertisers is here, why Blue Wire Podcasts favors athletes over influencer hosts, A/B testing for video titles has launched on YouTube, and The Washington Post is demoing an AI tool to generate "personal podcasts" recapping news. Find links to every article covered by heading to the Download section of SoundsProfitable.com, or by clicking here to go directly to today's installment.

Today in the business of podcasting: Sounds Profitable publishes The Creators study, Spotify Wrapped for Advertisers is here, why Blue Wire Podcasts favors athletes over influencer hosts, A/B testing for video titles has launched on YouTube, and The Washington Post is demoing an AI tool to generate "personal podcasts" recapping news. Find links to every article covered by heading to the Download section of SoundsProfitable.com, or by clicking here to go directly to today's installment.

Sign up for How (and Why) to Budget for Podcast Awards in 2026Churn is part of podcasting, but The Creators 2025 finds some creators are quitting more than just individual podcasts.Written and narrated by Tom WebsterEdited by Bryan Barletta and Gavin GaddisAudio editing by Gavin GaddisFind the full article here on Sounds Profitable.

Sign up for How (and Why) to Budget for Podcast Awards in 2026Churn is part of podcasting, but The Creators 2025 finds some creators are quitting more than just individual podcasts.Written and narrated by Tom WebsterEdited by Bryan Barletta and Gavin GaddisAudio editing by Gavin GaddisFind the full article here on Sounds Profitable.

Today in the business of podcasting: the Podglomerate x Sounds Profitable webinar about budgeting for podcast awards submissions is next Wednesday, Triton Digital announces their 2025 LATAM Audio Insights report, Spotify is reportedly going to raise Premium prices next year, Patreon users can now host free open RSS podcasts, iHeartMedia makes a "guaranteed human" promise, and Derek Thompson reflects on how everything is "television" now.Find links to every article covered by heading to the Download section of SoundsProfitable.com, or by clicking here to go directly to today's installment.

Today in the business of podcasting: the Podglomerate x Sounds Profitable webinar about budgeting for podcast awards submissions is next Wednesday, Triton Digital announces their 2025 LATAM Audio Insights report, Spotify is reportedly going to raise Premium prices next year, Patreon users can now host free open RSS podcasts, iHeartMedia makes a "guaranteed human" promise, and Derek Thompson reflects on how everything is "television" now.Find links to every article covered by heading to the Download section of SoundsProfitable.com, or by clicking here to go directly to today's installment.

Today in the business of podcasting: upcoming webinars from Sounds Profitable, an influencer is ending her 5-figures-a-year podcast, a Bloomberg report on the companies advertising on conservative podcasts, and GQ interviews Bill Nighy for his new advice podcast. . Find links to every article covered by heading to the Download section of SoundsProfitable.com, or by clicking here to go directly to today's installment.

Submit to the Podscape (Deadline is end-of-day November 21st)A look at what happens when the creators themselves are the brand.Written and narrated by Tom WebsterEdited by Bryan Barletta and Gavin GaddisAudio editing by Gavin GaddisFind the full article here on Sounds Profitable.