Podcasts about tree adams

Cette semaine Jade sort ses lunettes, son pointeur laser et plein de pourcentages pour parler de toute une partie de l'histoire de la télévision américaine : cette semaine on parle du Dead Lesbian Syndrome ! Des débuts du cinéma au code Hays, et des débuts de la télévision à aujourd'hui, il s'en est passé des choses pour les lesbiennes à l'écran. Principalement de la souffrance quasi-systématique. Heureusement tout n'est pas super déprimant, et on aperçoit même l'autoroute du fun au loin. Spoiler alert pour pleins de séries (et de films) TW : mort (on ne rentre bien évidemment pas dans les détails) Merci à Jayhan (@JayhanOfficial) pour les super intro et outro ! Tu peux nous suivre sur Twitter et Instagram : @codexespod et aussi nous laisser une note et un commentaire sympa si tu veux. Force et amour. Ressources : - "The Hollywood Production Code of 1930 and LGBT Characters", article (en anglais) de Sophie Cleghorn sur le Code Hays et son influence encore aujourd'hui sur les personnages LGBT+ à Hollywood. 2017 https://medium.com/@sophiecleg/how-did-the-hollywood-production-code-of-1930-shape-the-representation-of-lgbt-characters-in-film-93e92a4fec62 - "Bury Your Gays: History, Usage, and Context" , papier de recherches (en anglais) d'Haley Hulan pour le McNair Scholars Journal, de l'Université de Grand Valley State, sur le trope du Bury Your Gays. 2017 https://scholarworks.gvsu.edu/cgi/viewcontent.cgi?article=1579&context=mcnair - "Northern Exposure' ends season on a 'gay' note", article (en anglais) de Susan Wyatt sur un épisode de la série Northern Exposure, et la tendance des séries à tuer les personnages gays. 1992 https://www.upi.com/Archives/1992/05/10/Northern-Exposure-ends-season-on-a-gay-note/6254705470400/ - Rapport "Where We Are On TV 2009-2010" de GLAAD. https://www.glaad.org/sites/default/files/whereweareontv2009-2010.pdf - "Lesbiennes dans les séries TV : à quand une meilleure représentation ?" article de Jade sur l'histoire des lesbiennes à la télévision. 2019 https://www.deuxiemepage.fr/2019/07/26/representation-series-tv-queer-lesbiennes/ - Etude chiffrée de la représentation des personnages lesbiennes et bisexuelles dans les séries entre 1976 et 2016, faite par LGBT Fans Deserve Better. 2016 https://lgbtfansdb.com/editorial/lesbian-bisexual-women-tv-look-state-representation-1976-2016/ - Etude chiffrée de la représentation des personnages lesbiennes et bisexuelles dans les séries entre 1976 et 2016, faite par Autostraddle. 2016 https://www.autostraddle.com/autostraddles-ultimate-infographic-guide-to-dead-lesbian-tv-characters-332920/ - Rapport "Where We Are On TV 2021-2022" de GLAAD. https://www.glaad.org/whereweareontv2 - "Jeunes filles en uniforme de Leontine Sagan, le pouvoir révolutionnaire de l'amour et de la sororité" article de Jade sur le film Mädchen in Uniform. 2019 https://www.deuxiemepage.fr/2019/11/15/jeunes-filles-en-uniforme-leontine-sagan-1931-critique/ - Clexa Theme de Tree Adams, morceau de la BO de The 100 joué pendant et à la fin de l'épisode.

In this episode of the Geektown Behind The Scenes podcast, I'm chatting with Tree Adams, composer on 'The 100', 'NCIS: New Orleans', and the new series, 'NCIS: Hawai'i'.Tree started his musical journey as a touring musician in the 90's with his band The Hatters, before moving into writing music for television and film. Based in LA, and with over 20 years in the business, he is a highly accomplished composer having worked on shows such as 'Lethal Weapon', 'Perception', 'Franklin & Bash' and 'Californication'.This is my second time interviewing Tree, who we first spoke to in Geektown Radio episode 110, mainly about 'The 100'. In this latest interview, we turn our focus to the recently concluded 'NCIS: New Orleans', and the brand new series 'NCIS: Hawai'i'. In both NCIS shows, Tree took the approach of using local musicians to bring a native flair to the score. For example, on 'NCIS: Hawai'i' he included things like ukuleles and Polynesian drums, but found a way of using them in new ways to fit the procedurals investigation scenes and high-octane action sequences.Outside of composing Tree also still plays live music with his new band, Dagnasterpus, who has released their self-titled debut album earlier this year, which you can find on Spotify and all the other usual places you get your music.Support this show http://supporter.acast.com/geektown. See acast.com/privacy for privacy and opt-out information.

During his all-too-brief stint on this Earth, John Belushi was one of comedy's greatest voices. A blustering buffoon one minute, a deeply intelligent trickster the next, Belushi's work on SNL, The Blues Brothers, and Animal House made him a household name in the blink of an eye -- before his life was tragically cut short by the very lifestyle that success gave him. RJ Cutler's documentary Belushi is a stylish, straightforward chronicling of the man's life -- what drove him, the good and the bad others saw in him -- fueled chiefly by archival commentary from Belushi's widow. Another major driver, though, is the blues and funk-heavy score by Tree Adams, a BMI-Award winning composer who's scored a host of TV shows from Californication and NCIS: New Orleans to The 100. Before he was a composer, he plied his trade as a touring musician (and still does) and brings a lot of that rock and roll energy to Belushi's score. There are the obvious Blues Brothers-fueled jams, to be sure, but the score as a whole seeks to capture Belushi's own musical background, as well as honors his funky highs and mournful lows. I spoke with Tree about his long composing history, the connections between Belushi's score and his own blues background, the graphic novel he's got cooking, and a whole lot more. You can find Tree Adams at his official website here. Belushi is currently streaming on Showtime, and you can stream the original soundtrack score (released by Passion Pictures Ltd.) to the documentary on Spotify and other streaming services.

Today we have Emmy nominated and four time BMI award-winning producer and composer Tree Adams on the show. We get into what keeps Tree driven to compose for film and TV, We also spoke about his work flow and how he has his studios set up. On today's Gear Talk, we talk about the hardware vs software debate in post production and composition. On today's Music from Blue Girl, we have a piece from The D3.Find Tree Adams hereFind Blue Girl Productions hereThis show is part of Pantheon Podcasts.

Today we have Emmy nominated and four time BMI award-winning producer and composer Tree Adams on the show. We get into what keeps Tree driven to compose for film and TV, We also spoke about his work flow and how he has his studios set up. On today's Gear Talk, we talk about the hardware vs software debate in post production and composition. On today's Music from Blue Girl, we have a piece from The D3. Find Tree Adams here Find Blue Girl Productions here This show is part of Pantheon Podcasts.

  In this episode, Sara chats with Sabrina Hutchinson about moving from audio production to founding a successful PR firm in Los Angeles. Sabrina talks about saying "yes" and figuring the "how" out later, her passion for building & maintaining lifelong relationships, having a de facto "board of directors" and defining her ideal client. In 2011, Sabrina leveraged 15 years of sales and marketing experience and founded Defiant Public Relations, an entertainment PR firm working with composers, actors and entertainment brands.   Sara and Sabrina discuss: How Sara and Sabrina got connected Sabrina's career path Studying business and accounting at university Working as the studio director at a recording studio in Seattle Making a move into the creative and tech recruiting industry Moving to Los Angeles Sabrina's decision to become an entrepreneur in something Deciding to start a PR firm Building her business from the ground up Standing out from the crowd The importance of reaching out to one's network Her passion for making relationships that last a lifetime Building her business on referrals Sabrina's love for events Being an early adopter Sabrina's mentors and role models: Laura Porto Stockwell Lance Williams Dave Holloway Joel Eby Bryan Richardson Courageously saying "yes" to new opportunities and *then* figuring out how to do them Picking your own "de facto board of directors" People who've pushed back Unfounded fears Her strategy for staying focused on the positive The time it takes to build a business Defining her "ideal client" personas Balancing to prevent burnout Saying "no" to the thing that's not a good fit Treating everyone—even acquaintances, even during difficult times—with respect, kindness and decency Connecting with our deepest values and core beliefs to lead us in the right direction Finding inspiration from terrific business leaders Maintaining a gold standard of client service Treating everyone like a client Giving back, not just taking Resisting the temptation to quit Side hustles and passion projects Trying things on to see what's a fit Baby steps to change Learning how to trust herself Having people in your life who ask you the right questions and see the potential in you that you may not see in yourself Being ok with changing your mind The dangerous myth of "failure" The power of meditation to clear the mind and help find the answers within A quote Sabrina lives by Realizing that you don't have to have it all figured out in advance; just take one step at a time And more...   Connect with Sabrina: Website: http://www.defiantpr.com  Facebook: https://www.facebook.com/defiantpr  Business Twitter: https://twitter.com/defiantpr  Personal Twitter: https://twitter.com/Brunetteinc    Sabrina's full bio: With over 20 years of marketing, public relations and advertising experience, Sabrina Hutchinson's work has focused on strategic campaigns at the intersection of entertainment and communication. Sabrina's early career involved partnering with Microsoft on their original framework for Internet broadcasting, streaming technology "Netshow 1.0." Since then, she has written and produced advertising and marketing copy, casted and directed top creative talent, produced and publicized high-profile public events, and guided the careers of celebrities, entertainers, artists and brands. In 2011, Sabrina leveraged 15 years of sales and marketing experience and founded Defiant Public Relations, an entertainment PR firm working with composers, actors and entertainment brands. As a Hollywood publicist, Sabrina has worked with top media outlets including The New York Times, The Los Angeles Times, USA Today, Entertainment Tonight, Extra, Access Hollywood, Entertainment Weekly, Variety, Billboard, The Hollywood Reporter, Buzzfeed, and Yahoo! Some of her PR, marketing and advertising clients Orlando Jones, Nicole Beharie, Brian Tee, Joey Newman, Scott Doherty, Tree Adams, Fred Coury, Kevin Martin, Joshua Mosley, Whole Planet Foundation, Warner Brothers, MTV, Nintendo, the Seattle Seahawks and the Seattle International Film Festival. Agency clients include Publicis, DDB, Cole & Weber, Wong Doody, DNA, Edelman and more.

The talented and versatile Tree Adams has quickly made a name for himself by creating a unique voice and sound as a storyteller. Having Tree has a guest is a great pleasure as we discuss his unique path from performing in a band to focusing on the composing path. What sets Tree apart from other rockers is that he was classically trained when he was younger, which is now allowing him to take all his life experiences and craft some incredibly engaging music for film and television. We focus on Tree's score to the current season of The 100, which is the incredibly popular post-apocalyptic drama on The CW. The show is a dream canvass for a composer and Tree shares his approach to creating thematic arcs and building the sonic world. We touch on some of Tree's other scores such as Legends and Californication as he explores his approach over different genres. If you're a fan of The 100 be sure to find Tree Adams on twitter where he live-tweets every episode! It was a real treat and enlightening chat to delve into the musical world of Tree Adams. Interview Conducted By:Kaya Savas Special Thanks:Tree AdamsSabrina HutchinsonDefiant PR

Whether he's captivating an audience as a panelist at WonderCon or engaging ‘The 100' (CW) fandom in weekly live tweets or Reddit AMAs, composer Tree Adams blends his passion for the art of storytelling with his ability to create ground-breaking genre scores for film and TV. Over the past 20 years, Tree has had the opportunity to collaborate with great talent in diverse styles. Join The Portfolio Composer community and support the creation of the platform on Patreon. Just $1/month to enable the creation of more great content to help you build your career! Composer Tree Adams discusses making your marketing personal, writing for the characters, and matching the tone of the story. Topics discussed in this episode: Storytelling through music Listening to the characters Misinterpreting the scene Matching the tone to the movie Having an opinion Hitting the story on the nose Getting gigs Having a team (even of two) Putting together a professional looking package Making it personal Make it easy for them to hear your music Specializing Get an assistant Website: treeadams.com Help composers find the podcast by giving The Portfolio Composer a review on iTunes!   This post contains affiliate links.

Hello lovelies! We're back from hiatus, kind of! We were planning on returning the first week of August to dive back into our S1 recaps, but we just had to make an exception when given the opportunity to nerd out about music with "The 100" composer Tree Adams! Join us for a deep dive that goes from shippy flails (yes of course we asked about the Kabby theme and "I See You," we know what you guys want) to technical nerdery (there's a spreadsheet breaking down the specifics of the sound of all thirteen Grounder clans and Claire DESPERATELY wants to see it) to how Tree created a new sound of Becca's island to bring Raven's story to life and used music to take us on the evolving journey of Octavia's arc. Plus tune in for some hot scoop on his new project "Duskriders," another female-driven dystopic sci-fi adventure with Tree Adams music . . . only this time, he is his OWN Rothenberg because he wrote the graphic novel himself. We had a total blast, and Tree is the freakin' greatest. Go buy the S3 and S4 soundtracks, or check out our Spotify playlist of all the tracks he referenced in our interview here: https://tinyurl.com/treeadams

Episode 9:   This week we talked about the craigslist killer. It had insane highs and insane lows. Pockets, Book guns, Billy Baldwin and the enchanting music of Tree Adams brought this masterwork to life.

A belated Happy Easter to everyone! Sit down with the last remnants of your chocolate eggs, or (for the more active amongst you), push in your earbuds and go for a jog, as you delve into episode 110 of Geektown Radio! This week not only sees the return of Mike to the co-host chair, but we also bring you an interview with Lethal Weapon and The 100 composer, Tree Adams! Tree is based in LA, and along with the aforementioned shows, has previously worked on Legends, Perception, Franklin & Bash & Californication. He started his musical journey as a touring musician for 10 years in the 90's with his band The Hatters, but later moved into writing music for games, television and films. Along with his composing, Tree also performs with The Howlin’ Volts, a bluesy, funky band rife with heavy grooves, swampy, soulful guitar and fat horns, and is currently writing a comic book called Duskriders, for which he has also composed a soundtrack! Also On This Week's Show: Mike is back in co-hosting chair after a long... See acast.com/privacy for privacy and opt-out information.

Hypable's Hype podcast discuss the latest fandom entertainment news, including superhero movies, book adaptations, music, animation, and more!

Our Jewish guest this week is actor David Duchovny, whose latest novel, Bucky F*cking Dent, follows a Red Sox-loving father and son during the 1978 World Series. He tells us how fox Mulder, the fictional FBI agent he played on The X-Files, would feel about James Comey right about now, his favorite X-Files meme, and his long-lost Yale Ph.D. thesis on magic and technology in 20th century fiction. Our Gentile of the Week is John Cleese, whose memoir, So, Anyway, is out in paperback. The legendary British comedian and actor tells Liel about the first time he heard a good Jewish joke, why The Hangover is a terrible movie, and how the Black Knights from Monty Python and the Holy Grail might just be a metaphor for Jewish history. Sign up for our weekly newsletter to get new episodes and more. Email us with comments, questions and kvetches at Unorthodox@tabletmag.com—we'll share our favorite notes on air. Sponsored by Harry’s: Enter code UNORTHODOX at checkout to get a free post shave balm. Music Credits: “Unorthodox Theme Song” by Golem “Egg Man” by The Beastie Boys "Main Title Theme from Californication" by Tree Adams & Tyler Bates “David Duchovny” by Bree Sharp “Mailtime” from Blues Clues “Planta Baja” by Tres Tristes Tangos “Always Look on the Bright Side of Life” by Eric Idle, performed by the Traditional Jazz Band of Brasil Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show Dan and Olga review The 100 Season 3. We discuss what was effective about the season, what could be improved in season 4, and read a bunch of listener feedback. The music for this episode is “Ice Nation” by Tree Adams. Please send any feedback to @The100Podcast on Twitter. Thanks for … Continue reading "Season 3 Review"

On this week's podcast Dan and Olga discuss The 100 season 3 episode 16 entitled “Perverse Instantiation Part Two.” We give our thoughts on the episode and discuss our predictions for season 4. The music for this episode is “I Will Always Be With You” by Tree Adams. Please send any feedback to @The100Podcast on … Continue reading "316: Perverse Instantiation Part Two"

On this week's podcast Dan and Olga discuss The 100 season 3 episode 15 entitled “Perverse Instantiation Part One.” We give our thoughts on the episode and discuss our predictions for the season 3 finale. The music for this episode is “Perverse Instantiation” by Tree Adams. Please send any feedback to @The100Podcast on Twitter. Thanks … Continue reading "315: Perverse Instantiation Part One"

On this week's podcast Dan and Olga discuss The 100 season 3 episode 13 entitled “Join or Die.” We give our thoughts on the episode and dive into your awesome listener feedback. The music for this episode is “A Crucifixion” by Tree Adams. Please send any feedback to @The100Podcast on Twitter. Thanks for listening! For … Continue reading "313: Join or Die"

On this week's podcast Dan and Olga discuss The 100 season 3 episode 12 entitled “Demons.” We give our thoughts on the episode and dive into your awesome listener feedback. The music for this episode is “A Hero’s Funeral” by Tree Adams. Please send any feedback to @The100Podcast on Twitter. Thanks for listening! For a … Continue reading "312: Demons"

This week we have a very geeky chat with Composer Tree Adams. We not only talk music but comics, geekdom and tons of genre film and TV.You will recognize his work in shows like The 100, The Middle Man, Californication and movies like Super, Dawn of The Dead