Podcasts about John Belushi

Back on this day in 1984, Ghost Busters released in theatres. When the film was being written, it was originally meant to star John Belushi. Sadly, Belushi passed away before the film finished.

The Ringer's Bill Simmons and Chris Ryan go on double-secret probation after rewatching the 1978 classic ‘Animal House' starring John Belushi, Tim Matheson, and John Vernon. Producers: Craig Horlbeck, Chia Hao Tat, Eduardo Ocampo, and Matt Pevic The Ringer is committed to responsible trading. Please visit https://fanduel.com/predicts to learn more about the resources and helpline. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Esta semana en Nakatomi Radio nos subimos al Bluesmobile para hablar de una de las mayores locuras jamás rodadas: persecuciones imposibles, coches destruidos de verdad, presupuestos disparados, rodajes completamente fuera de control… y dos tipos vestidos de negro intentando salvar el blues en un mundo que ya parecía haberlo olvidado. Hablamos de John Belushi, de Dan Aykroyd, de cómo nació el fenómeno en Saturday Night Live y de por qué esta película acabó convirtiéndose en algo mucho más grande que una comedia musical. También hablamos del caos. Del exceso. Y de cómo, a veces, el arte más salvaje nace justo antes del abismo. Porque quizá los Blues Brothers no intentaban solo salvar un orfanato. Quizá intentaban salvar algo que estaba desapareciendo. Y sí… puede que nosotros entendamos un poco eso. ️ Ya disponible en iVoox, Spotify y YouTube.

Back in 2016, Word Balloon welcomed the late great satirist and comedy legend Tony Hendra for a fascinating conversation that covered everything from modern political comedy to the birth of some of the most influential comedy institutions of the last fifty years.Tony joined us to promote the comedy album Are There Any Triggers Out There?, but the discussion quickly became a remarkable tour through his own comedy history. Hendra was one of the founding creative voices behind National Lampoon and The National Lampoon Radio Hour, which became the first national sketch comedy showcase for performers like Gilda Radner, Christopher Guest, John Belushi, Bill Murray, and many other future comedy giants before their rise on Saturday Night Live and beyond.Tony also co-wrote National Lampoon's Lemmings, the legendary off-Broadway stage parody of Woodstock and youth culture that became a launching pad for many of the same performers and helped define the aggressive, counterculture edge of 1970s American comedy. We also talked about Tony's years at Cambridge Footlights, where he performed sketch comedy alongside future Monty Python members John Cleese and Graham Chapman during a revolutionary era for British comedy.And of course, fans know Tony best on screen as the hilariously exasperated Ian Faith, manager of This Is Spinal Tap, delivering some of the film's most quotable moments while trying to hold together the world's most disastrous rock band.It's a funny, insightful conversation with one of comedy's sharpest and most influential voices

The KC Crew learned that The Kindness Chronicles was ranked #2 on Feedspot's “30 Best Kindness Podcasts for 2026,” THANK YOU, listeners! They quickly review the Masonic Children's Hospital gala that raised about $2.5 million, as an example of kindness through philanthropy. The episode then focuses on an extended discussion of The Blues Brothers, including Dan Aykroyd and John Belushi's origin story from Second City, the film's role in reviving and spotlighting blues musicians and Chicago culture, standout scenes and cast members (Aretha Franklin, James Brown, Cab Calloway, Ray Charles, Carrie Fisher, John Candy, Frank Oz, Steven Spielberg), and themes of redemption, loyalty, friendship, and joyful comedy through music. Check it out. 

Emmy-winning writer-producer Dick Blasucci joins Mark Malkoff to discuss a comedy career that spans Chicago's Second City, SCTV, The Tracey Ullman Show, The Larry Sanders Show, Mad TV, and Muppets Tonight. Along the way, he shares stories about John Belushi and Bill Murray, co-creating SCTV's Jackie Rogers Jr., doing punch-ups with Mel Brooks on Spaceballs, and discovering Jordan Peele and Keegan-Michael Key during his years running Mad TV.

This week, Curt Pochert and ADL join us for another movie night as we dive into the 1995 comedy classic, Tommy Boy! We explore the incredible physical comedy of Wisconsin's own Chris Farley and the unique chemistry he shared with co-star David Spade that turned their real-life SNL friendship into a cinematic showcase. Along the way, we discuss the film's "selling brake pads" plot, Farley's roots at Marquette University, and the bittersweet legacy of his comedic style. We also branch out into discussions about his idols, John Belushi and John Candy, and look at the iconic roles Farley almost played—including the original voice of Shrek! From favorite quotes to the impact of SNL stars on the big screen, we cover all this and much, much more! Enjoy!

Rafa Panadero se sumerge en la trayectoria del legendario guitarrista y productor Steve Cropper, figura central de la era dorada del soul en Stax Records y colaborador de iconos como Otis Redding y Wilson Pickett. Se revelan las curiosas técnicas de composición de Cropper y se detalla su papel fundamental en el nacimiento de The Blues Brothers junto a Dan Aykroyd y John Belushi. Desde los estudios de grabación de Memphis hasta las anécdotas reales que inspiraron escenas míticas del cine.

Únete a nuestro Patreon y por $5 al mes disfruta los episodios completos, los primeros 50 episodios, acceso a grabaciones en vivo, preestrenos y otros beneficios - patreon.com/chisteinternoChiste Interno Interno - Escándalos en la Comedia En este episodio de Chiste Interno Interno hablamos sobre los grandes escándalos, tragedias y controversias que han marcado la historia de la comedia moderna tanto en Estados Unidos como en Latinoamérica. En un formato un poco distinto, repasamos las muertes de estrellas de Saturday Night Live como John Belushi, Chris Farley y Phil Hartman, así como los detalles de los casos de Bill Cosby, Pee-wee Herman y las diferentes versiones de la historia de la vez que Richard Pryor corrió en llamas por su vecindario. Todo esto sirve como punto de partida para explorar cómo la comedia convive con el exceso, la caída pública y la controversia.En la conversación hablamos sobre el ambiente de trabajo de SNL, el trágico asesinato de Rob Reiner, el impacto del show de Bill Cosby en la televisión estadounidense, la percepción errónea del final de show de Pee-Wee y la cancelación de Louis C.K. También hablamos sobre Jaime Garzón, Alberto Olmedo, el asesinato de Paco Stanley y cómo este evento desató teorías conspirativas.

Emmy Award-winning writer and producer Chris Cluess has had a legendary career writing for SCTV Network, Cheers, Night Court, MADtv, and The Simpsons. Chris shares stories about John Belushi, Dan Aykroyd, National Lampoon, and what made the SCTV Network writers' room so special with John Candy, Catherine O'Hara, Eugene Levy, and Joe Flaherty. We also dive into MADtv, the SNL rivalry, and what it was like watching Keegan-Michael Key and Jordan Peele rise before Key & Peele. A must-listen for fans of comedy history, SCTV, MADtv, SNL, and classic TV comedy. Learn more about your ad choices. Visit podcastchoices.com/adchoices

After her tumultuous relationship with Gordon Lightfoot ended, Cathy Smith headed to California to pursue her own musical dreams. She was briefly a backup singer for Hoyt Axton. She also had a brief interlude in Paris, where she met The Rolling Stones, who she would later provide drugs to. But it was her association with John Belushi that made her notorious. In March of 1982, she injected Belushi with a mixture of heroin and cocaine that proved fatal. The media and legal drama that followed was just another part of her pattern of being taken advantage of by others. Sponsors Acorns. Get a $5 bonus investment when you sign up at acorns.com/trashy, or download the Acorns app to get started. Want early, ad-free episodes, regular Dumpster Dives, bonus divorces, limited series, Zoom hangouts, and more? Join us at patreon.com/trashydivorces! Want a personalized message for someone in your life? Check us out on Cameo! To advertise on our podcast, please reach out to info@amplitudemediapartners.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Bill Murray, Eddie Murphy, Chevy Chase, Steve Martin, John Belushi, John Candy, Rick Moranis. Animal House, The Blues Brothers, Beverly Hills Cop, Caddyshack, The Jerk, Ghost Busters, ¡Three Amigos!, Funny Farm, Spaceballs, Stripes. We maybe didn’t properly appreciate it at the time, but the 1980s were one of the most fertile periods ever for screen comedies and screen comedians. This hour, a look at the mavericks who shaped a whole comedy aesthetic and at some of the most popular movie comedies ever made. GUESTS: Nick de Semlyen: Editor of Empire magazine and the author of Wild and Crazy Guys: How the Comedy Mavericks of the ’80s Changed Hollywood Forever Daniel Kalwhite: A standup comedian based in New Haven Carolyn Paine: An actress, comedian, and dancer; she is founder, director, and choreographer of CONNetic Dance The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Join the conversation on Facebook and Twitter. Colin McEnroe contributed to this show, which originally aired July 11, 2019, in a different form.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

This week we talk about Steven Spielberg's choatic comedy flop 1941. When I Google "1941 movie" I get Citizen Kane. This movie is not Citizen Kane.SPOILER ALERT We do talk about this movie in its entirety. If you plan on watching it, for God knows what reason, we suggest you do so before listening to our takes.A Universal Pictures and Columbia Pictures production. Released on December 14, 1979. Directed by Steven Spielberg. Written by Robert Zemeckis and Bob Gale, based on a story by Zemeckis, Gale, and John Milius. Starring Dan Aykroyd, Ned Beatty, John Belushi, John Candy, Christopher Lee, Toshiro Mifune, and Robert Stack. Cinematography by William A. Fraker. Edited by Michael Kahn. Score by John Williams.

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Released in 1978 and directed by John Landis, National Lampoon's Animal House follows the anarchic members of Delta House fraternity at Faber College as they wage war against pompous Dean Wormer (John Vernon) and the rival Omega House. Written by Harold Ramis, Douglas Kenney, and Chris Miller, and starring John Belushi as the legendary John "Bluto" Blutarsky, the film became one of the highest-grossing comedies of its era and helped launch the modern R-rated comedy.Jeff Nelligan's satirical new book When the Germans Bombed Pearl Harbor: Animal House in Western Intellectual Thought subjects the film to mock-scholarly analysis, taking its title from Bluto's historically garbled motivational speech. Casting Animal House as a Homeric odyssey and a meditation on society's moral impulse, Nelligan lampoons academic pretension while celebrating a comedy that has embedded itself permanently in American culture. Nelligan is a Washington, D.C. public affairs executive, Army veteran, and author of several previous books on parenting and political life. Mike talks with him about the film's enduring legacy and the making of the book.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Released in 1978 and directed by John Landis, National Lampoon's Animal House follows the anarchic members of Delta House fraternity at Faber College as they wage war against pompous Dean Wormer (John Vernon) and the rival Omega House. Written by Harold Ramis, Douglas Kenney, and Chris Miller, and starring John Belushi as the legendary John "Bluto" Blutarsky, the film became one of the highest-grossing comedies of its era and helped launch the modern R-rated comedy.Jeff Nelligan's satirical new book When the Germans Bombed Pearl Harbor: Animal House in Western Intellectual Thought subjects the film to mock-scholarly analysis, taking its title from Bluto's historically garbled motivational speech. Casting Animal House as a Homeric odyssey and a meditation on society's moral impulse, Nelligan lampoons academic pretension while celebrating a comedy that has embedded itself permanently in American culture. Nelligan is a Washington, D.C. public affairs executive, Army veteran, and author of several previous books on parenting and political life. Mike talks with him about the film's enduring legacy and the making of the book.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

It's time for another documentary I Am Chris Farley. Marcello Adhikary joins me and we go over the documentary. We discuss how people saw Chris and how Chris saw himself. We also compare this documentary to the John Candy and John Belushi documentaries and see where the differ and where they mirror each other. You can support this podcast with my Patreon page with the link below. This podcast can be found on Cross The Streams Media platform. www.patreon.com/scottwhite www.scottyblanco.com www.instagram.com/scottspodcasts www.youtube.com/scottwhitecomedian www.crossthestreamsmedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Nick tackles another listener request and spends the show digging into what he calls “SNL adjacent” movies. These aren't the obvious ones based on sketches like Wayne's World or The Blues Brothers. Instead, they're films connected to Saturday Night Live through the people involved, the history of the show, or the overall spirit of it. Among the movies discussed are Wired, the controversial film about John Belushi, Saturday Night from director Jason Reitman, Mr. Mike’s Mondo Video created by Michael O’Donoghue, and the film version of Gilda Live starring Gilda Radner. Nick plays clips, shares behind-the-scenes stories, and offers some very strong opinions about which of these movies work and which absolutely do not. You'll even hear thoughts from Gene Siskel and Roger Ebert along the way. It's a fun trip through a strange corner of SNL history filled with forgotten, fascinating, and sometimes very questionable movies. [Ep 168]

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Rob and Eddie Deezen talk about his start as a stand-up comedian leading into his acting career with his first year in acting (1978) being in 3 films (one a huge hit, one a fan favorite, and one that didn't do so well).. we're talking GREASE, I WANNA HOLD YOUR HAND and LASERBLAST! They  go into other films Eddie was in like 1941 (with John Belushi) and The Polar Express.  His time working with Stephen Spielberg and we also talk about ELVIS... and other interesting things in Eddie's career. One of Rob's favorite movies of all time is Grease!  He remembers Eddie vividly from Grease (Eugene) and 1941 (Herbie) (two films I saw in the theatre when they first came out).. Eddie is only one of 5 actors to reprise their characters role in Grease 2 (which I've grown to like over the years) Find out which Beatle once did an imperonation of Eddie (from the movie "I wanna hold your hand) Find out what it is exactlty that eddie did on the set of 3 out of 4 of his first films that no other actor has done in acting history We even talk about The Honeymooners You'll find this interview very enjoyable & fun.. Eddie has some good stories. ***** KNOW GOOD MUSIC can be found on Podbean (host site), Spotify, Apple Podcasts, Iheart Radio, Pandora, YouTube  and almost anywhere you listen to podcasts. Links to more sources at Link Tree - www.linktr.ee/knowgoodmusic Visit our YouTube Channel where you can see video segments from all of our interviews.  Just search "know good music" Please follow / subscribe & review Follow our Instagram & Facebook pages for info on upcoming podcasts and sometimes extra content

It's time to Art Funk with the Garf! This week, we've got a pleasantly mellow little outing from the original cast, one with a heavier bent on music than usual. And since the music is being provided by Art Garfunkel and Stephen Bishop, it's also maybe a little sleepier than usual but that doesn't mean we don't have some bangers in here too. In fact, we have one of the most recognizable SNL sketches ever nestled in this one and, for my money, one of the best musical performances as well. There's some real bafflers and Andy Kaufman so join us as we explore this strange, John Belushi heavy episode of SNL.

Punch! Punch! Punch! Writer Craig J. Clark joins us for a tag-team battle: Superhero Godzilla and his new robot friend Jet Jaguar vs. goofy buds Gigan and Megalon (who is not a guy). We talk about Jet Jaguar's origins in a children's art contest, the shadow of popular toku heroes like Ultraman and Kamen Rider, and how MST3K, John Belushi, and the Democratic National Convention helped make this extremely low-budget movie a surprise hit in the US. Read Craig's articles on Crooked Marquee and Werewolf News.Craig on BlueskyCover Art by: ⁠Andy Vanderbilt⁠ (Bluesky⁠⁠⁠ | ⁠⁠⁠Instagram⁠⁠⁠ | ⁠Twitch)⁠Read Derek's Kaiju United piece on Akumaizer 3!⁠Check out Glitterjaw's new show: Little Dead Aliens⁠!Part of⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠The Glitterjaw Queer Podcast Collective⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Cover Art Gallery⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠skreeonkpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Theme song:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠"BIO WARS - Synth Cover" by Kweer Kaiju⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sources include: ⁠⁠⁠⁠⁠Godzilla: The First 70 Years by Steve Ryfle and Ed GodziszewskiA Critical History and Filmography of Toho's Godzilla Series by David KalatWikizilla

Tune in for a chaotic and wildly entertaining late-night ride that captures the unpredictable spirit of a 1960s variety show. Host Lionel jumps effortlessly from deep theological debates about the nature of the Antichrist and the limitations of the devil's power to fiery critiques of classic comedy, including why John Belushi's samurai sketches are highly overrated. Along the way, the phone lines open up to a bizarre cast of callers sharing everything from stories about blowing up golf courses on the set of Caddyshack, to dire warnings about EMP attacks destroying the national power grid, and even a casual claim about spotting the devil at a local egg farm. Whether you are here to ponder the origins of evil, reminisce about old-school comedians like Moms Mabley and Milton Berle, or just laugh at the sheer absurdity of midnight talk radio, this episode delivers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nick welcomes WLS-AM producer and movie obsessive Tom Hush back for another round of Tom Hush's Theater of Trash. This time the spotlight is on the late-80s surfer crime oddity Red Surf starring George Clooney and Gene Simmons of KISS. Tom breaks down the movie's strange charm, the ridiculous plot, and why parts of it feel suspiciously close to Point Break. It turns into a very funny appreciation of a very strange movie. Esmeralda Leon joins Nick later and the conversation shifts to the western comedy Goin’ South starring Jack Nicholson and John Belushi. From there things take a weird turn into celebrity clone theories, starting with the idea that Jim Carrey has somehow been replaced. That leads to a hilarious rundown of other famous “replacement” conspiracy theories that have floated around for years. It's trash cinema, classic comedy, and some wonderfully ridiculous speculation. [Ep 435]

Well, we made it! Season Five of Saturday Night Live has come to an end.Brad and Gary look back and discuss what they liked (and didn't), what they learned, and what surprised them from the final season of SNL's original era. They pick their favorite hosts and musical guests, rank the best (and worst) episodes, and – of course – pick their Best Bits of the season. In addition, they highlight forgotten and underrated moments from the season as well as try to agree on who it was that picked up the mantle in the absence of John Belushi and Dan Aykroyd.  They look back at quality contributions from Harry Shearer as well as lament the too-often absence of Garrett and Laraine (and sometimes Gilda). And, after all is said and done, they try to decide if this season really is as bad as history would have you believe.The final season of “The Early Years of SNL” has come to a close. One last season wrap-up. Here we go… ---------------------------------Subscribe & Follow today! And follow us on social media: Twitter: @NR4PTProject Instagram: @nr4ptproject Bluesky: @nr4ptproject.bsky.social Facebook: The Not Ready for Prime Time Project Contact Us: Website: https://www.nr4project.comEmail: nr4ptproject@gmail.com

Em dezembro de 1941, logo após o ataque a Pearl Harbor, a Califórnia entra em pânico total acreditando que uma invasão japonesa está prestes a acontecer. Mas em vez de heroísmo disciplinado, o que se vê é uma explosão de caos hilário: militares atrapalhados, civis paranoicos e uma série de trapalhadas que transformam Los Angeles em um verdadeiro circo de guerra.Dirigido por Steven Spielberg, com roteiro de Robert Zemeckis, Bob Gale e John Milius, o filme mistura sátira, slapstick e ação em uma comédia épica que brinca com os medos da época.O elenco é um verdadeiro “dream team” da comédia e da ação dos anos 70:John Belushi como o piloto maluco Capt. Wild Bill KelsoDan Aykroyd como o atrapalhado Sgt. Frank TreeJohn Candy, Treat Williams, Nancy Allen, Robert Stack, Christopher Lee, Toshirō Mifune e muitos outros nomes que dão vida a personagens caricatos e inesquecíveis.Com trilha sonora de John Williams, explosões coreografadas e piadas absurdas, 1941 é uma comédia de guerra que transforma o medo em gargalhadas e mostra que, às vezes, o maior inimigo é a própria confusão.PIX: canalfilmesegames@gmail.comSiga o Filmes e Games:Instagram: filmesegames Facebook: filmesegames Twitter: filmesegamesSpotify: https://open.spotify.com/show/5KfJKthPodcast: https://anchor.fm/fgcastIntro - 0:00Caçando Nove para Um - 3:00O que é "1941: Uma Guerra Muito Louca"? - 4:48Notas dos agregadores - 8:14Tirando o bode da sala - 12:00Cenas incríveis - 43:49Zemeckis e Milius - 53:18Curiosidades - 54:50Oscar - 56:12Bilheteria: Sucesso ou flop? - 56:57Notas do Filmes e Games - 59:18Desafios das Dicas 2.0 - 1:01:51Momento Locadora - 1:04:59Revelação do FGcast #416 - 1:47:12

Short video podcast www.youtube.com/scottscottwhitecomedian Learn more about your ad choices. Visit megaphone.fm/adchoices

A short video podcast www.youtube.com /scottwhitecomedian Learn more about your ad choices. Visit megaphone.fm/adchoices

Legendary drummer & producer Steve Jordan (The Rolling Stones, Bruce Springsteen, Jon Batiste, SNL & more), discusses the history and deep personal reverence for the music of Chess Records and the 75th vinyl reissue series.  Topics Include: Steve Jordan discusses touring with John Batiste at Davos Economic Summit He's producing Robert Cray's new album at Fame Studios in Muscle Shoals JayVee Records finishing Willie Mitchell documentary, The Verbs album, and Tony Joe White posthumous record Chess Records called arguably the cornerstone of modern music New vinyl reissue campaign marks first proper Chess reissues in decades Steve's compilation "Let's Play Chess" features personally meaningful recordings The Dells were his first Chess records—Chicago's hardcore R&B answer to Motown Tommy Tucker's "High Heel Sneakers" on Checker was childhood obsession British Invasion reintroduced American blues that establishment had suppressed racially Etta James "At Last" originals fetch four to five hundred dollars Universal fire destroyed masters; some duplicates recovered from Europe thankfully Early stereo versions often poorly done with hard-panned instruments and fake echo Chess building preserved physically but control room was completely stripped of gear Steve brought API console and ribbon mics for 2010 session there Correctly guessed drum placement; Hubert Sumlin confirmed the next day Otis Spann's piano still vibrates sympathetically when musicians play the room Jack Wiener designed Chess gear and later mastered recordings in basement Mastering represents twenty-five percent of the mix, often overlooked historically Jamie Krentz alerted Universal to Chess catalog's 75th anniversary reissue potential Rarities campaign revealed extraordinary alternate takes including deep Lowell Fulsom version Willie Mitchell spent years perfecting Royal Recording's signature snare drum sound Keith Richards session led to lifelong friendship with Willie Mitchell Willie gave Steve one of Al Jackson's tom-toms from Al Green recordings Recording, overdubbing, and mixing in same room captures authentic studio sound John Lennon was his white whale—missed meeting him by five minutes Finally played with Paul McCartney on Rolling Stones' Hackney Diamonds album Blues Brothers debuted on SNL's third season finale with Saturday Night Live band Matt Guitar Murphy was a Chess session player—Steve's first Chess connection unknowingly John Belushi educated Steve nightly on deep Chess catalog from his Chicago roots Devo's SNL performance was a life-changing moment Steve witnessed firsthand High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

National peanut butter day. Entertainment from 1964. Gold 1st found in California, 1st canned beer, Ice cream bar invented in Iowa. Todays birthday - Ernest Borgnine, Ray Stevens, Aaron Neville, Neil Diamond, Sharon Tate, Warren Zevon, John Belushi, Ed Helms. Winston Churchill died.Intro - God did good - Dianna Corcoran  Dianna on SpotifyPeanut butter - The MarathonsThere! I've said it again - Bobby VintonLove's gonna live here - Buck OwensBirthdays - In da club - 50 Cent     http://50cent.com/The Streak - Ray StevensEverything is beautiful - Ray StevensTell it like it is - Aaron NevilleSweet Caroline - Neil DiamondWerewolves in London - Warren ZevonBluto's speech in Animal HouseExit - Summer Fall - Lee Sims    https://www.leesims.com/countryundergroundradio.comHistory & Factoids about today webpagecooolmedia.com

With neighbors like these, who needs enemies? This week's movie is a forgotten comedy starring John Belushi and Dan Aykroyd as neighbors at odds in the aptly titled Neighbors from 1981. Join us as we discuss the swapped lead roles, the vague references to the Third Reich, and how the characters interact with each other. Find us on Bluesky, Instagram, and Threads @TCTAMPod and on TikTok @theycalledthisamovie.Our theme music was written and performed by Dave Katusa. He can be found on Instagram @dkat_productions.

Nick revisits one of the most infamous nights in Saturday Night Live history, when actor Broderick Crawford hosted the show in March of 1977 and earned a reputation that has never really faded. Crawford was a legendary drinker, and while the broadcast somehow stayed on track, the real tension came from keeping tabs on a host who was drinking during the show and repeatedly trying to sneak off to a nearby bar. The stories behind the scenes are as wild as you'd expect, and the sketches tell their own strange story. Crawford appears in two bits, including a send-up of his own TV series Highway Patrol, while the rest of the episode delivers a snapshot of SNL in transition. You'll hear Bill Murray pleading with the audience to like him as the new guy after Chevy Chase's departure, along with Dan Aykroyd's Nixon impression and John Belushi bringing his samurai character into the mix. It's a look back at a night that somehow worked despite everything working against it, fueled by great performers, nervous energy, and a host who may still hold the title for the drunkest in SNL history. [Ep 159]

Purpose, trust and laughter matter.  SUMMARY Dr. Heather Wilson '82, former secretary of the U.S. Air Force, and Gen. Dave Goldfein '83, former chief of staff of the Air Force, highlight the human side of leadership — honoring family, listening actively and using humility and humor to build strong teams. Their book, Get Back Up: Lessons in Servant Leadership, challenges leaders to serve first and lead with character.   SHARE THIS PODCAST LINKEDIN  |  FACEBOOK    TOP 10 LEADERSHIP TAKEAWAYS FROM THIS EPISODE Leadership Is a Gift and a Burden – Leaders are entrusted with the well-being and development of others, but that privilege entails tough, sometimes lonely, responsibilities. Servant Leadership – True leadership is about enabling and supporting those you lead, not seeking personal advancement or recognition. Influence and Teamwork – Lasting change comes from pairing authority with influence and working collaboratively; no leader succeeds alone. Embrace Failure and Own Mistakes – Effective leaders accept institutional and personal failures and use them as learning and teaching moments. Family Matters – Great leaders recognize the significance of family (their own and their team's) and demonstrate respect and flexibility for personal commitments. Be Data-Driven and Strategic – Borrow frameworks that suit the mission, be clear about goals, and regularly follow up to ensure progress. Listening Is Active – Truly listening, then responding openly and honestly—even when you can't “fix” everything—builds trust and respect. Humility and Curiosity – Never stop learning or questioning; continual self-improvement is a hallmark of strong leaders. Celebrate and Share Credit – Spread praise to those working behind the scenes; leadership is not about personal glory, but lifting others. Resilience and Leading by Example – “Getting back up” after setbacks inspires teams; how a leader recovers can motivate others to do the same.   CHAPTERS 0:00:00 - Introduction and Welcome 0:00:21 - Guest Backgrounds and Family Legacies 0:02:57 - Inspiration for Writing the Book 0:05:00 - Defining Servant Leadership 0:07:46 - Role Models and Personal Examples   CONNECT WITH THE LONG BLUE LINE PODCAST NETWORK TEAM Ted Robertson | Producer and Editor:  Ted.Robertson@USAFA.org Send your feedback or nominate a guest: socialmedia@usafa.org   Ryan Hall | Director:  Ryan.Hall@USAFA.org  Bryan Grossman | Copy Editor:  Bryan.Grossman@USAFA.org Wyatt Hornsby | Executive Producer:  Wyatt.Hornsby@USAFA.org      ALL PAST LBL EPISODES  |  ALL LBLPN PRODUCTIONS AVAILABLE ON ALL MAJOR PODCAST PLATFORMS     FULL TRANSCRIPT SPEAKERS Host: Lt. Col. (Ret.) Naviere Walkewicz '99 Guests: Dr. Heather Wilson '82, former Secretary of the U.S. Air Force, and former Air Force Chief of Staff Gen. (Ret.) Dave Goldfein '83  Naviere Walkewicz 0:09 Welcome to Focus on Leadership, our accelerated leadership series. I'm your host, Naviere Walkewicz, Class of '99. I'm honored to welcome two exceptional leaders whose careers and friendship have helped shape the modern Air Force, while inspiring thousands to serve with purpose and courage. Our guests today are Dr. Heather Wilson, USAFA Class of '82, the 24th secretary of the Air Force, now president at the University of Texas El Paso. And Gen. Dave Goldfein, Class of '83, the 21st chief of staff of the Air Force. Both are United States Air Force Academy distinguished graduates. Together, they've written Get Back Up: Lessons in Servant Leadership, a powerful reflection on resilience, humility and the courage to lead to adversity. And our conversation today will dive deeply into the lessons they learned at the highest levels of command and in public service, and what it means to serve others first. Thank you for being here. Gen. Dave Goldfein 1:08 Thank you for having us. Naviere Walkewicz 1:09 Absolutely. This is truly an honor. And I mentioned that I read this incredible book, and I'm so excited for us to jump into it, but before we do, I think it's really important for people to know you more than the secretary and the chief. I mean chief, so Gen. Goldfein, you came from an Air Force family. Your dad was a colonel, and ma'am, your grandpa was a civil aviator, but you really didn't have any other military ties. Dr. Heather Wilson 1:29 Well, my grandfather was one of the first pilots in the RAF in World War I, then came to America, and in World War II, flew for his new country in the Civil Air Patrol. My dad enlisted by that a high school and was a crew chief between the end of the Second World War and the start of Korea, and then he went back home and became a commercial aviator and a mechanic. Naviere Walkewicz 1:52 I love that. So your lines run deep. So maybe you can share more and let our listeners get to know you more personally. What would you like to share in this introduction of Gen. Goldfein and Dr. Wilson? Gen. Dave Goldfein 2:02 Well, I'll just tell you that if you know much about Air Force culture you know we all get call signs, right. Nicknames, right? I got a new one the day I retired, and you get to use it. It's JD, which stands for “Just Dave.” Naviere Walkewicz 2:17 Just Dave! Yes, sir. JD. I will do my best for that to roll off my tongue. Yes, sir. Gen. Dave Goldfein 2:25 And I will just say congratulations to you for your two sons who are currently at the Academy. How cool is that? Naviere Walkewicz 2:31 Thank you. We come from a Long Blue Line family. My dad was a grad, my uncle, my brother and sister, my two boys. So if I get my third son, he'll be class of 2037, so, we'll see. We've got some time. Gen. Dave Goldfein 2:41 We have grandchildren. Matter of fact, our book is dedicated to grandchildren and they don't know it yet, but at least on my side, they're Class of 2040 and 2043 at the Air Force Academy. Naviere Walkewicz 2:52 OK, so my youngest will be cadre for them. Excellent. Excellent. Dr. Heather Wilson 2:57 And my oldest granddaughter is 4, so I think we'll wait a little bit and see what she wants to do. Naviere Walkewicz 3:04 Yes, ma'am. All right. Well, let's jump in. You just mentioned that you wrote the book primarily for your film book. Is that correct? Gen. Dave Goldfein 3:09 Yes. Naviere Walkewicz 3:10 How did you decide to do this now together? Because you both have incredible stories. Dr. Heather Wilson 3:14 Well, two years ago, we were actually up in Montana with Barbara and Craig Barrett, who —  Barbara succeeded me as secretary of the Air Force. And our families, all six of us are quite close, and we were up there, and Dave was telling stories, and I said, “You know, you need to write some of these down.” And we talked about it a little bit, and he had tried to work with another co-author at one time and it just didn't work out really well. And I said, “Well, what if we do it together, and we focus it on young airmen, on lessons learned in leadership. And the other truth is, we were so tired of reading leadership books by Navy SEALs, you know, and so can we do something together? It turned out to be actually more work than I thought it would be for either of us, but it was also more fun.   Naviere Walkewicz 3:59 How long did it take you from start to finish? Dr. Heather Wilson 4:02 Two years. Naviere Walkewicz 4:03 Two years? Excellent. And are you — where it's landed? Are you just so proud? Is it what you envisioned when you started? Gen. Dave Goldfein 4:10 You know, I am, but I will also say that it's just come out, so the initial response has been fantastic, but I'm really eager to see what the longer term response looks like, right? Did it resonate with our intended tenant audience? Right? Did the young captains that we had a chance to spend time with at SOS at Maxwell last week, right? They lined up forever to get a copy. But the real question is, did the stories resonate? Right? Do they actually give them some tools that they can use in their tool bag? Same thing with the cadets that we were privileged to spend time with the day. You know, they energized us. I mean, because we're looking at the we're looking at the future of the leadership of this country. And if, if these lessons in servant leadership can fill their tool bag a little bit, then we'll have hit the mark. Naviere Walkewicz 5:07 Yes, sir, yes. Ma'am. Well, let's jump right in then. And you talked about servant leadership. How would you describe it? Each of you, in your own words, Dr. Heather Wilson 5:15 To me, one of the things, important things about servant leadership is it's from the bottom. As a leader, your job is to enable the people who are doing the work. So in some ways, you know, people think that the pyramid goes like this, that it's the pyramid with the point at the top, and in servant leadership, it really is the other way around. And as a leader, one of the most important questions I ask my direct reports — I have for years — is: What do you need from me that you're not getting? And I can't print money in the basement, but what do you need from me that you're not getting? How, as a leader, can I better enable you to accomplish your piece of the mission. And I think a good servant leader is constantly thinking about, how do I — what can I do to make it easier for the people who are doing the job to get the mission done? Gen. Dave Goldfein 6:08 And I'd offer that the journey to becoming an inspirational servant leader is the journey of a lifetime. I'm not sure that any of us actually ever arrive. I'm not the leader that I want to be, but I'm working on it. And I think if we ever get to a point where we feel like we got it all figured out right, that we know exactly what this whole leadership gig is, that may be a good time to think about retiring, because what that translates to is perhaps at that point, we're not listening, we're not learning, we're not growing, we're not curious — all the things that are so important. The first chapter in the book is titled, Am I worthy? And it's a mirror-check question that we both came to both individually and together as secretary and chief. It's a mere check that you look at and say, “All right, on this lifelong journey to become an inspirational servant leader, am I worthy of the trust and confidence of the parents who have shared their sons and daughters with the United States Air Force and expecting us to lead with character and courage and confidence? Am I worthy of the gift that followers give to leaders? Am I earning that gift and re-earning it every single day by how I act, how I treat others?” You know, that's the essence of servant leadership that we try to bring forward in the book. Naviere Walkewicz 7:38 Right? Can you recall when you first saw someone exhibiting servant leadership in your life? Dr. Heather Wilson 7:46 Good question. It's a question of role models. Maj. William S. Reeder was my first air officer commanding here. And while I think I can probably think of some leaders in my community, you know, people who were school principals or those kind of things, I think Maj. Reeder terrified me because they didn't want to disappoint him. And he had — he was an Army officer who had been shot down as a prisoner of war in Vietnam. He still had some lingering issues. Now, I think he had broken his leg or his back or something, and so you could tell that he still carried with him the impact of that, but he had very high expectations of us and we didn't want to disappoint him. And I think he was a pretty good role model. Gen. Dave Goldfein 8:47 You know, one of the things we say at the very end of the book is that we both married up. We both married incredible leaders, servant leaders in their own right. So in my case, I married my high school sweetheart, and we've now been together almost 43 years, coming up on 43. And when you talk about servant leadership, you know, very often we don't give military spouses enough credit for the enormous courage that they have when they deal with the separations, the long hours, very often not talked about enough, the loneliness that comes with being married to someone who's in the military. And so I just give a shout out to every military spouse that's out there and family to thank them for that very special kind of courage that equates to servant leadership on their part. Naviere Walkewicz 9:47 Excellent. Those are both really great examples, and I think, as our listeners are engaging with this, they're going to start to think about those people in their lives as well, through your descriptions. Early in the book, you make this statement: “Leadership is a gift and a burden.” Might you both expand on that?   Dr. Heather Wilson 10:03 So it's a gift in that it's a gift that's given to you by those whom you are privileged to lead, and it's not just an institution that, you know, it's not just the regents of the University of Texas who have said, “Yes, you're going to be the president of the University of Texas at El Paso.” It is those who follow me who have given me gift of their loyalty and their service and their time. It's a burden, because some days are hard days, and you have to make hard calls based on values to advance the mission and, as chief and service secretary, there are no easy decisions that come walking into that part of the Pentagon. The easy decisions are all made before it gets to the service secretary and chief and so. So there is that responsibility of trying to do well difficult things. And I think sometimes those are lonely decisions. Gen. Dave Goldfein 11:09 And I think as a leader of any organization, part of what can be the burden is if you care deeply about the institution, then you carry the burden of any failures of that institution, both individuals who fall short, or the institution itself. And we face some of those, and we talk about that in the book. One of our chapters is on Sutherland Springs and owning failure. There was no dodge in that. And there was, quite frankly, there was an opportunity for us to actually showcase and teach others how to take ownership when the institution falls short and fails, right? And you know, one of the interesting elements of the relationship between a secretary and a chief is that if you go back and look at the law and read the job description of the chief of staff of the Air Force, it basically says, “Run the air staff and do what the secretary tells you.” I'm not making that up. Because most of the decision authority of the institution resides in the civilian control, the military civilian secretary. So almost all authority and decision authority resides with the secretary. What the chief position brings is 30 years in the institution that very often can bring credibility and influence. And what we determined early in our tenure was that if we were going to move the ball, if we were going to actually move the service in a positive direction, neither of us could do it alone. We had to do it together. We had to use this combination of authority and influence to be able to move the institution forward. And so that was a — and we talked a lot about that, you know, in the book, and it sort of runs throughout our stories. You know, that that trust matters. Naviere Walkewicz 12:59 Absolutely. We're going to visit that towards the end of our conversation, because there's a particular time before you both — before you became the chief and before you became the service secretary, when you met up together. And I want to visit that a little bit. But before we do, Gen. Goldfein — JD — you shared a story in the book, and obviously we want everyone to read it, so I'm not going to go tell the whole story, but you know where you took off one more time than you landed, and you had to, you know, you were hit, you had to evade and then you had to be rescued. There was a particular statement you made to identify yourself. And many of our Long Blue Line members will know this: fast, neat, average, friendly, good, good. In that moment of watching the sun start to rise while you're waiting to be retrieved, how did that come to your mind? Of all the things you could be thinking of to identify yourself? Gen. Dave Goldfein 13:53 Well, you know, it's interesting. So, you know, for those who've never, you know, had gone through a high-speed ejection, people asked me, what was like? I said, “Well, I used to be 6-foot-3. This is all that's left, right?” And you know, my job once I was on the ground was, quite frankly, not to goof it up. To let the rescue team do what the rescue team needed to do, and to play my part, which was to put them at the least amount of risk and be able to get out before the sun came up. And at the very end of the rescue when the helicopters — where I was actually vectoring them towards my location. And I had a compass in my hand, and I had my eyes closed, and I was just listening to the chopper noise and then vectoring them based on noise. And then eventually we got them to come and land, you know, right in front of me. Well, they always teach you, and they taught me here at the Academy during SERE training, which I think has been retitled, but it was SERE when we went through it, survival training. Now, I believe they teach you, “Hey, listen, you need to be nonthreatening, because the rescue team needs to know that you're not — this is not an ambush, that you are actually who you say you are. Don't hold up a weapon, be submissive and authenticate yourself. Well, to authenticate myself required me to actually try my flashlight. And I could see the enemy just over the horizon. And as soon as the helicopter landed, the enemy knew exactly where we were, and they came and running, and they came shooting, and they were raking the tree line with bullets. And so, you know, what I needed to do was to figure out a way to do an authentication. And I just, what came to mind was that training all those years ago, right here at the Academy, and I just said, “I could use a fast, neat, average rescue,” and friendly, good, good was on the way. Naviere Walkewicz 15:53 Wow, I just got chill bumps. Dr. Wilson, have you ever had to use that same kind of term, or, you know, reaching out to a grad in your time frequently? Dr. Heather Wilson 16:04 Yes, ma'am. And, you know, even in the last week, funny — I had an issue that I had to, I won't go into the details, but where there was an issue that might affect the reputation, not only of the university, but of one of our major industry partners, and it wasn't caused by either of us, but there was kind of a, kind of a middle person that was known to us that may not have been entirely acting with integrity. And I just looked up the company. The CEO is an Academy grad. So I picked up the phone and I called the office and we had a conversation. And I said, “Hey, I'd like to have a conversation with you, grad to grad.” And I said, “There are some issues here that I don't need to go into the details, but where I think you and I need to be a little careful about our reputations and what matters is my relationship as the university with you and your company and what your company needs in terms of talent. But wanted to let you know something that happened and what we're doing about it, but I wanted to make sure that you and I are clear.” And it was foundation of values that we act with integrity and we don't tolerate people who won't. Naviere Walkewicz 17:30 Yes, ma'am, I love that. The Long Blue Line runs deep that way, and that's a great example. JD, you spoke about, in the book, after the rescue — by the way, the picture in there of that entire crew was amazing. I love that picture. But you talked about getting back up in the air as soon as possible, without any pomp and circumstance. “Just get me back in the air and into the action.” I'd like to visit two things. One, you debriefed with the — on the check ride, the debrief on the check ride and why that was important. And then also you spoke about the dilemma of being dad and squad comm. Can you talk about that as well? Gen. Dave Goldfein 18:06 Yeah, the check ride. So when I was in Desert Storm, an incredible squadron commander named Billy Diehl, and one of the things that he told us after he led all the missions in the first 30 days or so, he said, “Look, there will be a lot of medals, you know, from this war.” He goes, “But I'm going to do something for you that happened for me in Vietnam. I'm going to fly on your wing, and I'm going to give you a check ride, and you're going to have a documented check ride of a combat mission that you led in your flying record. I'm doing that for you.” OK, so fast forward 10 years, now I'm the squadron commander, and I basically followed his lead. Said, “Hey, I want…” So that night, when I was shot down, I was actually flying on the wing of one of my captains, “Jammer” Kavlick, giving him a check ride. And so, of course, the rescue turns out — I'm sitting here, so it turned out great. And so I called Jammer into a room, and I said, “Hey, man, we never did the check ride.” I said, “You know, you flew a formation right over the top of a surface enemy missile that took out your wingman. That's not a great start.” And he just sort of… “Yes, sir, I know.” I said, “And then you led an all-night rescue that returned him to his family. That's pretty good recovery.” And so it's been a joke between us ever since. But in his personal — his flying record, he has a form that says, “I'm exceptionally, exceptionally qualified.” So I got back and I thought about this when I was on the ground collecting rocks for my daughters, you know, as souvenirs from Serbia. I got back, and I looked at my wing commander, and I said, “Hey, sir, I know you probably had a chance to think about this, but I'm not your young captain that just got shot down. I'm the squadron commander, and I've got to get my squadron back on the horse, and the only way to do that is for me to get back in the air. So if it's OK with you, I'm gonna go home. I'm gonna get crew rest and I'm going to fly tonight.” And he looked at me, and he looked at my wife, Dawn, who was there, and he goes, “If it's OK with her, it's OK with me.” Great. Dawn, just a champion, she said, “I understand it. That's what you got to do.” Because we were flying combat missions with our families at home, which is, was not in the squadron commander handbook, right? Pretty unique. What I found, though, was that my oldest daughter was struggling a little bit with it, and so now you've got this, you know, OK, I owe it to my squad to get right back up in the air and lead that night. And I owe it to my daughter to make sure that she's OK. And so I chose to take one night, make sure that she and my youngest daughter, Diana, were both, you know, in a good place, that they knew that everything's going to be OK. And then I got back up the next night. And in some ways, I didn't talk about it with anybody in the media for a year, because my dad was a Vietnam vet, I'd met so many of his friends, and I'd met so many folks who had actually gotten shot down one and two and three times over Vietnam, in Laos, right? You know what they did after they got rescued? They got back up. They just went back up in the air, right? No fanfare, no book tours, no, you know, nothing, right? It was just get back to work. So for me, it was a way of very quietly honoring the Vietnam generation, to basically do what they did and get back in the air quietly. And so that was what it was all about. Naviere Walkewicz 21:25 Dr. Wilson, how about for you? Because I know — I remember reading in the book you had a — there was something you said where, if your children called, no matter what they could always get through. So how have you balanced family? Dr. Heather Wilson 21:36 Work and life. And so, when I was elected to the Congress, my son was 4 years old. My daughter was 18 months. First of all, I married well, just like Dave. But I also think my obligations to my family don't end at the front porch, and I want to make a better world for them. But I also knew that I was a better member of Congress because I had a family, and that in some ways, each gave richness and dimension to the other. We figured out how to make it work as a family. I mean, both my children have been to a White House Christmas ball and the State of the Union, but we always had a rule that you can call no matter what. And I remember there were some times that it confounded people and, like, there was one time when President Bush — W. Bush, 43 — was coming to New Mexico for the first time, and he was going to do some events in Albuquerque. And they called and they said, “Well, if the congresswoman wants to fly in with him from Texas, you know, she can get off the airplane in her district with the president. And the answer was, “That's the first day of school, and I always take my kids to school the first day, so I'll just meet him here.” And the staff was stunned by that, like, she turns down a ride on Air Force One to arrive in her district with the president of the United States to take her kids to school. Yes, George Bush understood it completely. And likewise, when the vice president came, and it was, you know, that the one thing leading up to another tough election — I never had an easy election — and the one thing I said to my staff all the way through October, leading — “There's one night I need off, and that's Halloween, because we're going trick or treating.” And wouldn't you know the vice president is flying into New Mexico on Halloween for some event in New Mexico, and we told them, “I will meet them at the stairs when they arrive in Albuquerque. I'll have my family with them, but I won't be going to the event because we're going trick or treating.” And in my house, I have this great picture of the vice president of the United States and his wife and my kids in costume meeting. So most senior people understood that my family was important to me and everybody's family, you know — most people work to put food on the table, and if, as a leader, you recognize that and you give them grace when they need it, you will also have wonderful people who will work for you sometimes when the pay is better somewhere else because you respect that their families matter to them and making room for that love is important. Naviere Walkewicz 24:36 May I ask a follow on to that? Because I think that what you said was really important. You had a leader that understood. What about some of our listeners that maybe have leaders that don't value the same things or family in the way that is important. How do they navigate that? Dr. Heather Wilson 24:52 Sometimes you look towards the next assignment, or you find a place where your values are the same. And if we have leaders out there who are not being cognizant of the importance of family — I mean, we may recruit airmen but we retain families, and if we are not paying attention to that, then we will lose exceptional people. So that means that sometimes, you know, I give a lot of flexibility to people who are very high performers and work with me. And I also know that if I call them at 10 o'clock at night, they're going to answer the phone, and that's OK. I understand what it's like to — I remember, you know, I was in New Mexico, I was a member of Congress, somebody was calling about an issue in the budget, and my daughter, who was probably 4 at the time, had an ear infection, and it was just miserable. And so I'm trying to get soup into her, and this guy is calling me, and she's got — and it was one of the few times I said — and it was the chairman of a committee — I said, “Can I just call you back? I've got a kid with an ear infection…” And he had five kids. He said, “Oh, absolutely, you call me back.” So you just be honest with people about the importance of family. Why are we in the service? We're here to protect our families and everybody else's family. And that's OK.   Naviere Walkewicz 26:23 Yes, thank you for sharing that. Anything to add to that, JD? No? OK. Well, Dr. Wilson, I'd like to go into the book where you talk about your chapter on collecting tools, which is a wonderful chapter, and you talk about Malcolm Baldridge. I had to look him up — I'll be honest — to understand, as a businessman, his career and his legacy. But maybe share in particular why he has helped you. Or maybe you've leveraged his process in the way that you kind of think through and systematically approach things. Dr. Heather Wilson 26:49 Yeah, there was a movement in the, it would have been in the early '90s, on the Malcolm Baldrige Quality Awards. It came out of the Department of Commerce, but then it spread to many of the states and it was one of the better models I thought for how to run organizations strategically. And I learned about it when I was a small businessperson in Albuquerque, New Mexico. And I thought it was interesting. But the thing that I liked about it was it scaled. It was a little bit like broccoli, you know, it looks the same at the little flora as it does at the whole head, right? And so it kind of became a model for how I could use those tools about being data driven, strategically focused, process oriented that I could use in reforming a large and not very well functioning child welfare department when I became a cabinet secretary for children, youth and families, which was not on my how-to-run-my-career card. That was not in the plan, but again, it was a set of tools that I'd learned in one place that I brought with me and thought might work in another. Naviere Walkewicz 28:02 Excellent. And do you follow a similar approach, JD, in how you approach a big problem? Gen. Dave Goldfein 28:07 I think we're all lifelong students of different models and different frameworks that work. And there's not a one-size-fits-all for every organization. And the best leaders, I think, are able to tailor their approach based on what the mission — who the people are, what they're trying to accomplish. I had a chance to be a an aide de camp to a three-star, Mike Ryan, early in my career, and he went on to be chief of staff of the Air Force. And one of the frameworks that he taught me was he said, “If you really want to get anything done,” he said, “you've got to do three things.” He said, “First of all, you got to put a single person in charge.” He said, “Committees and groups solve very little. Someone's got to drive to work feeling like they've got the authority, the responsibility, the resources and everything they need to accomplish what it is that you want to accomplish. So get a single person in charge. Most important decision you will make as a leader, put the right person in charge. Second, that person owes you a plan in English. Not 15 PowerPoint slides, right, but something that clearly articulates in one to two pages, max, exactly what we're trying to accomplish. And the third is, you've got to have a way to follow up.” He said, “Because life gets in the way of any perfect plan. And what will happen is,” he goes, “I will tell you how many times,” he said, “that I would circle back with my team, you know, a couple months later and say, ‘How's it going?' And they would all look at each other and say, “Well, I thought you were in charge,” right? And then after that, once they figure out who was in charge, they said, “Well, we were working this plan, but we got, you know, we had to go left versus right, because we had this crisis, this alligator started circling the canoe, and therefore we had to, you know, take care of that,” right? He says, “As a leader, those are the three elements of any success. Put someone in charge. Build a plan that's understandable and readable, and always follow up. And I've used that as a framework, you know, throughout different organizations, even all the way as chief to find — to make sure that we had the right things. Dr. Heather Wilson 30:21 Even this morning, somebody came by who reminded us of a story that probably should have been in the book, where we had — it was a cyber vulnerability that was related to a particular piece of software widely deployed, and the CIO was having trouble getting the MAJCOMMS to kind of take it seriously. And they were saying, “Well, you know, we think maybe in 30, 60, 90 days, six months, we'll have it all done,” or whatever. So I said, “OK, let all the four-stars know. I want to be updated every 36 hours on how many of them, they still have, still have not updated.” I mean, this is a major cyber vulnerability that we knew was — could be exploited and wasn't some little thing. It was amazing; it got done faster. Naviere Walkewicz 31:11 No 90 days later. Oh, my goodness. Well, that was excellent and actually, I saw that in action in the story, in the book, after the attack on the Pentagon, and when you stood up and took charge, kind of the relief efforts, because many people were coming in that wanted to help, and they just needed someone to lead how that could happen. So you were putting into practice. Yes, sir. I'd like to get into where you talk about living your purpose, and that's a chapter in there. But you know, Gen. Goldfein, we have to get into this. You left the Academy as a cadet, and I think that's something that not many people are familiar with. You ride across the country on a bike with a guitar on your back for part of the time — and you sent it to Dawn after a little while — Mini-Bear in your shirt, to find your purpose. Was there a moment during the six months that you that hit you like lightning and you knew that this was your purpose, or was it a gradual meeting of those different Americans you kind of came across? Gen. Dave Goldfein 32:04 Definitely gradual. You know, it was something that just built up over time. I used to joke — we both knew Chairman John McCain and always had great respect for him. And I remember one time in his office, I said, “Chairman, I got to share with you that I lived in constant fear during every hearing that you were going to hold up a piece of paper on camera and say, ‘General, I got your transcript from the Air Force Academy. You got to be kidding me, right?' And he laughed, and he said, Trust me, if you looked at my transcript in Annapolis,” he goes, “I'm the last guy that would have ever asked that question.” But you know, the we made a mutual decision here, sometimes just things all come together. I'd written a paper on finding my purpose about the same time that there was a professor from Annapolis that was visiting and talking about a sabbatical program that Annapolis had started. And so they started talking about it, and then this paper made it and I got called in. They said, “Hey, we're thinking about starting this program, you know, called Stop Out, designed to stop people from getting out. We read your paper. What would you do if you could take a year off?” And I said, “Wow, you know, if I could do it, I'll tell you. I would start by going to Philmont Scout Ranch, you know, and be a backcountry Ranger,” because my passion was for the outdoors, and do that. “And then I would go join my musical hero, Harry Chapin.” Oh, by the way, he came to the United States Air Force Academy in the early '60s. Right? Left here, built a band and wrote the hit song Taxi. “So I would go join him as a roadie and just sort of see whether music and the outdoors, which my passions are, what, you know, what it's all about for me.” Well, we lost contact with the Chapin connection. So I ended up on this bicycle riding around the country. And so many families took me in, and so many towns that I rode into, you know, I found that if I just went to the library and said, “Hey, tell me a little bit about the history of this town,” the librarian would call, like, the last, you know, three or four of the seniors the town, they'd all rush over to tell me the story of, you know, this particular little town, right? And then someone would also say, “Hey, where are you staying tonight?” “I'm staying in my tent.” They said, “Oh, come stay with me.” So gradually, over time, I got to know America, and came to the conclusion when I had to make the decision to come back or not, that this country is really worth defending, that these people are hard-working, you know, that want to make the world better for their kids and their grandkids, and they deserve a United States Air Force, the best air force on the planet, to defend them. So, you know, when I came back my last two years, and I always love sharing this with cadets, because some of them are fighting it, some of them have embraced it. And all I tell them is, “Hey, I've done both. And all I can tell you is, the sooner you embrace it and find your purpose, this place is a lot more fun.” Naviere Walkewicz 35:13 Truth in that, yes, yes, well. And, Dr. Wilson, how did you know you were living your purpose? Dr. Heather Wilson 35:19 Well, I've had a lot of different chapters to my life. Yes, and we can intellectualize it on why we, you know, why I made a certain decision at a certain time, but there were doors that opened that I never even knew were there. But at each time and at each junction, there was a moment where somehow I just knew. And at South Dakota Mines is a good example. You know, I lost a race to the United States Senate. I actually had some interns — I benefited from a lousy job market, and I had fantastic interns, and we were helping them through the loss. You know, they're young. They were passionate. They, as Churchill said, “The blessing and the curse of representative government is one in the same. The people get what they choose.” And so I was helping them through that, and one of them said, “Well, Dr. Wilson, you're really great with students. You should be a college president somewhere. Texas Tech needs a president. You should apply there,” because that's where this kid was going to school. And I said, “Well, but I don't think they're looking for me.” But it did cause me to start thinking about it and I had come close. I had been asked about a college presidency once before, and I started looking at it and talking to headhunters and so forth. And initially, South Dakota Mines didn't seem like a great fit, because I'm a Bachelor of Science degree here, but my Ph.D. is in a nonscientific discipline, and it's all engineers and scientists. But as I went through the process, it just felt more and more right. And on the day of the final interviews, that evening, it was snowing in South Dakota, there was a concert in the old gym. I mean, this is an engineering school, and they had a faculty member there who had been there for 40 years, who taught choral music, and the students stood up, and they started singing their warm up, which starts out with just one voice, and eventually gets to a 16-part harmony and it's in Latin, and it's music is a gift from God, and they go through it once, and then this 40th anniversary concert, about 50 people from the audience stand up and start singing. It's like a flash mob, almost These were all alumni who came back. Forty years of alumni to be there for that concert for him. And they all went up on stage and sang together in this just stunning, beautiful concert by a bunch of engineers. And I thought, “There's something special going on here that's worth being part of,” and there are times when you just know. And the same with becoming cabinet secretary for children, youth and families — that was not in the plan and there's just a moment where I knew that was what I should do now. How I should use my gifts now? And you hope that you're right in making those decisions.   Naviere Walkewicz 38:43 Well, probably aligning with JD's point in the book of following your gut. Some of that's probably attached to you finding your purpose. Excellent. I'd like to visit the time Dr. Wilson, when you were helping President Bush with the State of the Union address, and in particular, you had grueling days, a lot of hours prepping, and when it was time for it to be delivered, you weren't there. You went home to your apartment in the dark. You were listening on the radio, and there was a moment when the Congress applauded and you felt proud, but something that you said really stuck with me. And he said, I really enjoy being the low-key staff member who gets stuff done. Can you talk more about that? Because I think sometimes we don't, you know, the unsung heroes are sometimes the ones that are really getting so many things done, but nobody knows. Dr. Heather Wilson 39:31 So, I'm something of an introvert and I've acquired extrovert characteristics in order to survive professionally. But when it comes to where I get my batteries recharged, I'm quite an introvert, and I really loved — and the same in international negotiations, being often the liaison, the back channel, and I did that in the conventional forces in Europe negotiations for the American ambassador. And in some ways, I think it might have been — in the case of the conventional forces in Europe negotiations, I was on the American delegation here. I was in Vienna. I ended up there because, for a bunch of weird reasons, then they asked me if I would go there for three months TDY. It's like, “Oh, three months TDY in Vienna, Austria. Sign me up.” But I became a very junior member on the delegation, but I was the office of the secretary of defense's representative, and walked into this palace where they were negotiating between what was then the 16 NATO nations and the seven Warsaw Pact countries. And the American ambassador turned to me, and he said during this several times, “I want you to sit behind me and to my right, and several times I'm going to turn and talk to you, and I just want you to lean in and answer.” I mean, he wasn't asking anything substantive, and I just, “Yes, sir.” But what he was doing was credentialing me in front of the other countries around that table. Now, I was very young, there were only two women in the room. The other one was from Iceland, and what he was doing was putting me in a position to be able to negotiate the back channel with several of our allies and with — this was six months or so now, maybe a year before the fall of the Berlin Wall. So things were changing in Eastern Europe, and so I really have always enjoyed just that quietly getting things done, building consensus, finding the common ground, figuring out a problem. Actually have several coffee mugs that just say GSD, and the other side does say, Get Stuff Done. And I like that, and I like people who do that. And I think those quiet — we probably don't say thank you enough to the quiet, hardworking people that just figure out how to get stuff done. Naviere Walkewicz 41:59 Well, I like how he credentialed you and actually brought that kind of credibility in that way as a leader. JD, how have you done that as a leader? Champion, some of those quiet, behind the scenes, unsung heroes. Gen. Dave Goldfein 42:11 I'm not sure where the quote comes from, but it's something to the effect of, “It's amazing what you can get done if you don't care who gets the credit.” There's so much truth to that. You know, in the in the sharing of success, right? As servant leaders, one of the things that I think both of us spend a lot of time on is to make sure that credit is shared with all the folks who, behind the scenes, you know, are doing the hard, hard work to make things happen, and very often, you know, we're the recipients of the thank yous, right? And the gratefulness of an organization or for somebody who's benefited from our work, but when you're at the very senior leaders, you know what you do is you lay out the vision, you create the environment to achieve that vision. But the hard, hard work is done by so many others around you. Today, in the audience when we were there at Polaris Hall, was Col. Dave Herndon. So Col. Dave Herndon, when he was Maj. Dave Herndon, was my aide de camp, and I can tell you that there are so many successes that his fingers are on that he got zero credit for, because he was quietly behind the scenes, making things happen, and that's just the nature of servant leadership, is making sure that when things go well, you share it, and when things go badly, you own it. Naviere Walkewicz 43:47 And you do share a really remarkable story in there about accountability. And so we won't spend so much time talking about that, but I do want to go to the point where you talk about listening, and you say, listening is not passive; it's active and transformative. As servant leaders, have you ever uncovered challenges that your team has experienced that you didn't have the ability to fix and you know, what action did you take in those instances? Dr. Heather Wilson 44:09 You mean this morning? All the time. And sometimes — and then people will give you grace, if you're honest about that. You don't make wild promises about what you can do, but then you sit and listen and work through and see all right, what is within the realm of the possible here. What can we get done? Or who can we bring to the table to help with a set of problems? But, there's no… You don't get a — when I was president of South Dakota Mines, one of the people who worked with me, actually gave me, from the toy store, a magic wand. But it doesn't work. But I keep it in my office, in case, you know… So there's no magic wands, but being out there listening to understand, not just listening to refute, right? And then seeing whether there are things that can be done, even if there's some things you just don't have the answers for, right? Gen. Dave Goldfein 45:11 The other thing I would offer is that as senior leadership and as a senior leadership team, you rarely actually completely solve anything. What you do is improve things and move the ball. You take the hand you're dealt, right, and you find creative solutions. You create the environment, lay out the vision and then make sure you follow up, move the ball, and if you get at the end of your tenure, it's time for you to move on, and you've got the ball moved 20, 30, yards down the field. That's actually not bad, because most of the things we were taking on together, right, were big, hard challenges that we needed to move the ball on, right? I If you said, “Hey, did you completely revitalize the squadrons across the United States Air Force?” I will tell you, absolutely not. Did we get the ball about 20, 30 yards down the field? And I hope so. I think we did. Did we take the overhaul that we did of officer development to be able to ensure that we were producing the senior leaders that the nation needs, not just the United States Air Force needs? I will tell you that we didn't solve it completely, but we moved the ball down the field, and we did it in a way that was able to stick. You know, very often you plant seeds as a leader, and you never know whether those seeds are going to, you know, these seeds are ideas, right? And you never know whether the seeds are going to hit fertile soil or rocks. And I would often tell, you know, young leaders too. I said, you know, in your last few months that you're privileged to be in the position of leadership, you've got two bottles on your hip. You're walking around with — one of them's got fertilizer and one of them's got Roundup. And your job in that final few months is to take a look at the seeds that you planted and truly determine whether they hit fertile soil and they've grown roots, and if they've grown roots, you pull out the fertilizer, and the fertilizer you're putting on it is to make it part of the institution not associated with you, right? You want somebody some years from now say, “Hey, how do we ever do that whole squadron thing?” The right answer is, “I have no idea, but look at how much better we are.” That's the right answer, right? That's the fertilizer you put on it. But it's just equally important to take a look at the ideas that, just for whatever reason, sometimes beyond your control — they just didn't stick right. Get out the Roundup. Because what you don't want to do is to pass on to your successor something that didn't work for you, because it probably ain't going to work for her. Dr. Heather Wilson 47:46 That's right, which is one of the rules of leadership is take the garbage out with you when you go. Naviere Walkewicz 47:51 I like that. I like that a lot. Well, we are — just a little bit of time left. I want to end this kind of together on a story that you shared in the book about laughter being one of the tools you share. And after we share this together, I would like to ask you, I know we talked about mirror checks, but what are some things that you guys are doing every day to be better as well, to continue learning. But to get to the laughter piece, you mentioned that laughter is an underappreciated tool and for leaders, something that you both share. I want to talk about the time when you got together for dinner before you began working as chief and service secretary, and I think you may have sung an AF pro song. We're not going to ask you to sing that today, unless you'd like to JD? But let's talk about laughter.   Gen. Dave Goldfein 48:31 The dean would throw me out. Naviere Walkewicz 48:33 OK, OK, we won't have you sing that today. But how have you found laughter — when you talk about — when the questions and the problems come up to you?   Dr. Heather Wilson 48:40 So I'm going to start this because I think Dave Goldfein has mastered this leadership skill of how to use humor, and self-deprecating humor, better than almost any leader I've ever met. And it's disarming, which is a great technique, because he's actually wicked smart. But it's also people walk in the room knowing if you're going to a town hall meeting or you're going to be around the table, at least sometime in that meeting, we're going to laugh. And it creates a warmth and people drop their guard a little bit. You get to the business a little bit earlier. You get beyond the standard PowerPoint slides, and people just get down to work. And it just — people relax. And I think Dave is very, very good at it. Now, my husband would tell you that I was raised in the home for the humor impaired, and I have been in therapy with him for almost 35 years.   Naviere Walkewicz 49:37 So have you improved? Dr. Heather Wilson 49:39 He thinks I've made some progress.   Naviere Walkewicz 49:41 You've moved the ball.   Dr. Heather Wilson 49:44 Yes. Made some progress. I still don't — I used to start out with saying the punch line and then explain why it was funny. Naviere Walkewicz 49:52 I'm in your camp a little bit. I try. My husband says, “Leave the humor to me.” Dr. Heather Wilson 49:54 Yeah, exactly. You understand. Gen. Dave Goldfein 49:58 I used to joke that I am a member of the Class of 1981['82 and '83]. I am the John Belushi of the United States Air Force Academy, a patron saint of late bloomers. But you know, honestly, Heather doesn't give herself enough credit for building an environment where, you know, folks can actually do their very best work. That's one of the things that we do, right? Because we have — the tools that we have available to be able to get things done very often, are the people that are we're privileged to lead and making sure that they are part of an organization where they feel valued, where we're squinting with our ears. We're actually listening to them. Where they're making a contribution, right? Where they believe that what they're being able to do as part of the institution or the organization is so much more than they could ever do on their own. That's what leadership is all about. Dr. Heather Wilson 51:05 You know, we try to — I think both of us see the humor in everyday life, and when people know that I have a desk plate that I got in South Dakota, and it doesn't say “President.” It doesn't say “Dr. Wilson.” It says, “You're kidding me, right?” Because once a week, more frequently as secretary and chief, but certainly frequently as a college president, somebody is going to walk in and say, “Chief, there's something you need to know.” And if they know they're going to get blasted out of the water or yelled at, people are going to be less likely to come in and tell you, right, what you need to know. But if you're at least willing to laugh at the absurdity of the — somebody thought that was a good idea, you know. My gosh, let's call the lawyers or whatever. But you know, you've just got to laugh, and if you laugh, people will know that you just put things in perspective and then deal with the problem. Naviere Walkewicz  52:06 Well, it connects us as humans. Yeah. Well, during my conversation today with Dr. Heather Wilson and Gen. Dave Goldfein — JD — two lessons really stood out to me. Leadership is not about avoiding the fall, but about how high you bounce back and how your recovery can inspire those you lead. It's also about service, showing up, doing the hard work and putting others before yourself with humility, integrity and working together. Dr. Wilson, Gen. Goldfein, thank you for showing us how courage, compassion and connection — they're not soft skills. They're actually the edge of hard leadership. And when you do that and you lead with service, you get back up after every fall. You encourage others to follow and do the same. Thank you for joining us for this powerful conversation. You can find Get Back Up: Lessons in Servant Leadership, wherever books are sold. And learn more at getbackupeadership.com. If today's episode inspired you, please share it with someone who can really benefit in their own leadership journey. As always, keep learning. Keep getting back up. Keep trying. I'm Naviere Walkewicz, Class of '99. This has been Focus On Leadership. Until next time. Producer This edition of Focus on Leadership, the accelerated leadership series, was recorded on Monday, Oct. 6, 2025.   KEYWORDS Leadership, servant leadership, resilience, humility, integrity, influence, teamwork, family, trust, listening, learning, purpose, growth, accountability, service, courage, compassion, balance, values, inspiration.     The Long Blue Line Podcast Network is presented by the U.S. Air Force Academy Association & Foundation  

You'd better ‘Think' before you tune in to our next podcast discussing the 1980 comedy musical ‘The Blues Brothers'. Played by Dan Aykroyd and John Belushi, the title Brothers set out on a mission to save an orphanage by reuniting their R&B band. Also starring Carrie Fisher and musical legends Aretha Franklin, James Brown and Ray Charles. Tune in and let us see you shake your tail feather!

Musician, comedian, actor and composer Paul Shaffer was heavily influenced by the musical (and comedy) acts he grew up watching on “The Ed Sullivan Show,” so it was only fitting that we interviewed him in the “Ed Sullivan Room” of the famed New York Friars Club. Not many people can say they worked with James Brown, John Belushi, Sammy Davis, Jr., Jerry Lewis, Brian Wilson, Mickey Rooney AND the infamous Phil Spector, but Paul has — and he shares memorable anecdotes about every one of them. Also, Gilbert and Paul discuss their mutual obsession with a certain Cindy Crawford/Valerie Bertinelli infomercial. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nick sits down with podcast host David Stern from Eckhartz Press for a nostalgic, laugh-filled conversation about growing up with Saturday Night Live and how the show shaped his sense of humor and creative path. David shares memories from his teenage years glued to the TV, the cast members who left the biggest impression, and why SNL still holds a special place for him decades later. The discussion turns into a countdown of his all-time favorite sketches, including the absurd Royal Deluxe II commercial, the classic Superhero Party sketch with Bill Murray as Superman and John Belushi as the Hulk, and an essential stop at Celebrity Jeopardy featuring Darrell Hammond as Sean Connery and Norm Macdonald as Burt Reynolds, also known as Turd Ferguson. It's an easy, funny exchange between Radio Misfits cohorts that celebrates SNL history, unforgettable performers, and the sketches that still land years later. [Ep 158]

Milestones are supposed to shine. SNL's 100th did something stranger: it skipped a host, stacked cameos, and unintentionally made flogging history when Paul Shaffer became the first person to drop the F bomb during the live broadcast.For the first time, Saturday Night Live goes without a proper host, relying instead on a slew of cameos. From Michael O'Donoghue and John Belushi (twice!) to Ralph Nader, Michael Palin, and NYS senator Daniel Moynihan - apparently NOT related to Bobby - who pops up twice. And, if you look closely, current Paul Simon girlfriend Carrie Fisher sneaks into a sketch.  All of which add to a show that while entertaining, often feels discombobulated.But don't worry!  Friend of the show Paul Simon returns (of course) to sing a few songs alongside James Taylor (who also appears in a sketch). And, in keeping with this episode's spirit of sharing the wealth, SNL-bandmember David Sanborn also plays a song.Happy 100th, SNL!  Here's to 900 more!!---------------------------------Subscribe & Follow today! And follow us on social media: Twitter: @NR4PTProject Instagram: @nr4ptproject Bluesky: @nr4ptproject.bsky.social Facebook: The Not Ready for Prime Time Project Contact Us: Website: https://www.nr4project.comEmail: nr4ptproject@gmail.com

Diane and Sean discuss the first(?) motion picture based on an SNL skit.

In 2017, I interviewed Matty Matheson, the John Belushi of the culinary world. Heavily tattooed, irreverent and profoundly talented. Matty rose to fame with his hugely popular VICE TV show, Dead Set on Life. We talked about his recovery from addiction and a heart attack at age 29. Matty has since made a remarkable recovery and now balances a full career that includes a brand new 9,500-square-foot restaurant inside of Hamilton's TD Coliseum, acting and serving as executive producer in multiple television productions, authoring cookbooks, and performing in his punk band, Pig Pen. His ambition and zest for life are truly a wonder! Listen to my interview with Matty Matheson here: https://www.marionkane.com/podcast/chef-matty-matheson-addiction/I also recommend you watch this heartwarming video of Matty on a kosher food tour of Montreal, accompanied by local legend Rabbi Yisroel Bernath, aka "The Hipster Rabbi."  https://www.youtube.com/watch?v=95mkZCWiLmo #mattymatheson #montreal #kosherfood #rabbiyisroelbernath #thehipsterrabbi #vicetv #deadsetonlife #celebritychef #marionkane #foodsleuth

Musical Journey Through the Final Week of December: This Week in Music History As the calendar year draws to a close, the week of December 22nd through December 28th stands as a powerful reminder that music history never sleeps—not even during the holidays. In this captivating episode of “This Week in Music History,” hosts Buzz Knight and Harry Jacobs take listeners on an extraordinary journey through decades of musical milestones, tragic losses, and triumphant achievements that have shaped the soundtrack of our lives. The conversation opens with a poignant reflection on the end of another year of exploring music’s rich tapestry. Buzz muses on how, despite covering similar calendar dates year after year, they continue to uncover new stories and perspectives. “When you think about it, you would think, well, if you do it year after year, you’re going to be talking about the same things,” Buzz observes. “And the truth is, we continue to uncover new and different things.” This sentiment perfectly captures the infinite depth of music history and the endless stories waiting to be told. The Clash’s Revolutionary Voice Falls Silent December 22nd marks the anniversary of one of punk rock’s most devastating losses—the death of Joe Strummer in 2002. Born John Meller, the Clash frontman passed away from pneumonia at a time when his influence on music and culture was still reverberating through generations of artists. The Clash represented more than just a band; they were a political and social force that challenged conventions and inspired countless musicians to use their platform for more than entertainment. Strummer’s legacy as a voice for the disenfranchised and his commitment to authentic, passionate rock and roll continues to inspire artists today. A Candle in the Wind That Lost Its Luster The hosts touch on Elton John’s iconic “Candle in the Wind,” originally written about Marilyn Monroe in 1967. While the song initially resonated as a beautiful tribute, its later reworking for Princess Diana’s funeral created what Buzz describes as “overkill.” The constant repetition following Diana’s tragic death in 1997 caused the song to lose some of its original emotional impact for many listeners. This phenomenon speaks to how even the most beautiful pieces of music can become dulled through overexposure, demonstrating the delicate balance between honoring memory and respecting the power of restraint. Cheap Trick’s Complex Family Dynamics A fascinating deep dive into the internal dynamics of Cheap Trick reveals the complicated nature of band relationships and business structures. Rick Nielsen, the legendary guitar player known for his collection of hundreds of guitars—including his famous five-neck Hamer guitar—represents the performative and creative heart of Cheap Trick. The band’s 2016 Rock and Roll Hall of Fame induction marked a peak moment, but beneath the surface lay complex tensions. The departure of bassist Bunny Carlos and the subsequent addition of Rick Nielsen’s son, Dax, initially appeared to follow the pattern of other famous rock family transitions, like Michael Anthony’s replacement by Wolfgang Van Halen in Van Halen. However, the reality proved far more nuanced. Buzz’s research uncovered ongoing strife within the band, though Carlos remains part of the Cheap Trick corporation—a business structure similar to Journey’s arrangement with Steve Perry. This setup ensures that founding members maintain ownership stakes even when they’re no longer actively touring, though it can also create lasting tension and legal complications. The hosts explore the darker side of band politics, touching on stories of sabotage and ego clashes. There are tales of Journey band members allegedly pulling on Steve Perry’s microphone cord during performances to make him trip—petty acts of revenge that reveal the intense pressures and personalities at play in successful rock bands. Yet they also note that time can heal wounds, pointing to Perry and Neal Schon’s apparently warm relationship at the Rock and Roll Hall of Fame induction, despite whatever conflicts may have existed in their past. The Therapeutic Approach: A New Model for Band Longevity In a refreshing counterpoint to tales of band dysfunction, Buzz shares insights from his conversation with The Head and the Heart on his “Music Saved Me” podcast. This indie pop alternative band has taken an innovative approach to managing interpersonal relationships: group therapy. Band members openly discuss how they’ve used professional counseling to navigate the challenges of creative collaboration, life on the road, and the inevitable conflicts that arise when passionate artists work together for years. This revelation prompts fascinating speculation about how many legendary bands might have avoided breakups, lawsuits, and lasting bitterness if they’d embraced therapy earlier. The deeply personal nature of musical creation—leaving your heart exposed in every performance, every recording—makes these relationships particularly vulnerable to conflict. As Harry notes, “even if it’s a drummer or a bass player, it’s still your piece of that performance of that song you left your heart out there.” The music exists forever as a testament to that vulnerability, creating permanent emotional stakes that can intensify disagreements and hurt feelings. Joe Cocker: A Voice That Couldn’t Be Contained The passing of Joe Cocker at age 70 in 2014 brings reflection on an artist whose expressive, explosive performances made him unforgettable. While 70 might not seem particularly old from our current vantage point—as Buzz and Harry, approaching 60 and 70 respectively, can attest—Cocker’s hard-living lifestyle took its toll. His performances were legendary, inspiring John Belushi’s spot-on “Saturday Night Live” impersonation that Cocker himself found hilarious. Cocker’s career highlights include his cover of The Beatles’ “With a Little Help from My Friends,” which became the theme for the television series “The Wonder Years,” and “Up Where We Belong,” his duet with Jennifer Warnes from the film “An Officer and a Gentleman.” The latter song became inextricably linked with that powerful film starring Richard Gere and Lou Gossett Jr., whose portrayal of a drill instructor was genuinely frightening and contributed to one of cinema’s most memorable moments—Gere’s character’s desperate declaration: “I got nowhere else to go.” Eddie Vedder: The Humble Superstar December 23rd celebrates the birthday of Eddie Vedder, born in 1964, whose appreciation for musical history and those who came before him sets him apart in an industry often dominated by ego. The hosts draw parallels to Dave Grohl, noting how both artists exhibit genuine humility and respect for their influences. Vedder’s collaborations with Neil Young, particularly their version of “Rockin’ in the Free World,” helped establish his credibility beyond Pearl Jam circles, while his passionate renditions of The Who’s classics—especially “Love, Reign o’er Me”—have become legendary in their own right. Vedder’s versatility shines through in his cover work, from The Waiting by Tom Petty and the Heartbreakers to The English Beat’s “Save It for Later,” featured in the television series “The Bear.” His interpretation of Tom Petty’s “Room at the Top” particularly resonates, described as “so beautiful” in its delicate handling of Petty’s original composition. The discussion of “The Bear” opens a tangent about the show’s exceptional soundtrack curation, featuring all Tom Petty covers including a barn-burning version of “Runnin’ Down the Dream” by Larkin Poe. Despite Pearl Jam’s reputation for deep cuts and extensive catalogs—which might intimidate casual fans—the hosts acknowledge being captivated whenever they hear Vedder sing anything. His voice and interpretive skills transcend the barrier of familiarity, making even unknown material compelling. The Unsung Guitar Legends of Country Music The conversation shifts to Glen Campbell, whose passing on December 24th prompts reflection on his extraordinary but often underappreciated guitar skills. Campbell represents a generation of country musicians whose technical prowess gets overshadowed by genre stereotypes. Like Roy Clark, Campbell could do virtually anything on guitar, yet many people don’t associate country music with virtuoso instrumentalists. Campbell’s session work tells the story of his versatility—he played on albums by The Monkees, The Beach Boys, Frank Sinatra, and soundtracks for Elvis films and Phil Spector productions. This breadth demonstrates how the Nashville studio system produced some of the most skilled musicians in any genre, even if they didn’t always receive recognition outside country music circles. The discussion of Campbell also touches on Brian Wilson’s 1964 breakdown, a tragic moment that had long-lasting consequences for the Beach Boys and Wilson himself. The psychological damage inflicted by Wilson’s abusive father Murry Wilson—compared to Joe Jackson’s treatment of his children—demonstrates how family trauma can derail even the most talented artists. Brian’s struggles with touring and performing were just the beginning of severe mental health challenges that would plague him throughout his career. The Police: Reunion Done Right In 2007, The Police earned recognition as the year’s highest-grossing tour, thirty years after the band’s inception and 24-25 years after their previous collaboration. The reunion tour, which Buzz witnessed in Las Vegas, comprised over 150 shows worldwide and generated nearly $400 million—not a bad payday for a comeback. This success demonstrated the enduring appeal of Sting, Andy Summers, and Stewart Copeland’s unique blend of rock, reggae, and new wave, proving that some artistic chemistry remains potent even after decades apart.Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Welcome to an extraordinary edition of the Takin’ A Walk podcast from Buzz Knight music and the “Master of Music Mayhem,” Harry Jacobs. This comprehensive look at weekly music history explores one of the most emotionally complex weeks in rock and roll history, spanning December 8th through December 14th. From tragic losses to groundbreaking debuts, this week encompasses the full spectrum of music history’s most pivotal moments. John Lennon’s Assassination: December 8, 1980 - A Day That Changed Music Forever The episode opens with perhaps the darkest day in rock music history: December 8, 1980, when John Lennon was shot and killed outside The Dakota apartment building in New York City. Buzz Knight and Harry Jacobs provide intimate personal recollections of this Beatles tragedy that shocked the world. For listeners of this weekly music history episode note the Buzz Knight music podcast replay of "Takin A Walk" with the incredible Julian Lennon. The Beatles Reunion: Free as a Bird and the Anthology Era Moving from tragedy to reunion, the episode explores December 9, 1995, when the Beatles released “Free as a Bird”—the first new Beatles music in 24 years. Both hosts were working together at WZLX in Boston during this momentous release, bringing their firsthand perspective to this Beatles reunion moment. The track, built around a John Lennon demo with contributions from Paul McCartney, George Harrison, and Ringo Starr, represented a technological and emotional achievement in music history. Harry admits his initial underwhelm with the track, noting that while “Free as a Bird” generated enormous curiosity worldwide, it never achieved the status of Beatles classics like “Ticket to Ride,” “Help!,” or songs from Sgt. Pepper’s Lonely Hearts Club Band. The honest assessment reflects how even beloved artists can struggle to recapture past magic, and both hosts acknowledge they haven’t revisited the song since its release. This candid discussion provides valuable context for understanding fan expectations versus artistic reality in music reunion projects. The Blues Brothers Phenomenon: From Saturday Night Live to Cultural Institution December 9, 1978 marks the Saturday Night Live debut of the Blues Brothers, a moment that transformed comedy sketch into legitimate musical force. The episode provides deep insights into how Dan Aykroyd and John Belushi created this blues and R&B supergroup, enlisting Paul Shaffer, Lou Marini, Duck Dunn, and Steve Cropper, who just passed away—the latter two being legendary members of Booker T. and the MGs and key figures in the Stax Records sound that defined Memphis soul music and produced classics like “Soul Man” and “Green Onions.” Howard Shore, who served as Saturday Night Live’s musical director, recognized the potential in Aykroyd and Belushi’s blues performances and helped facilitate their transition from comedy bit to recording artists. The hosts discuss how this comedy-music crossover assembled world-class musicians around a satirical concept that became genuinely respected in the music community. The Blues Brothers represented a unique fusion of comedy and music that introduced younger audiences to blues legends and R&B classics. The conversation explores Tom “Bones” Malone, a guest on Buzz’s podcast, who joined the Blues Brothers band and played trombone with Blood, Sweat & Tears before becoming part of the SNL band. The episode details the evolution of the band from initial concept to full touring and recording entity, with Buzz noting the impressive live performances featuring the Blues Brothers’ acrobatic stage show, where the larger-than-life Belushi performed cartwheels, splits, and handstands that would later inspire Chris Farley’s physical comedy style. The Blues Brothers soundtrack, featuring “Briefcase Full of Blues” and subsequent albums, has “stood the test of time” according to both hosts. Songs like “Rubber Biscuit,” performed with Matt “Guitar” Murphy, and the memorable Aretha Franklin diner scene where Jake orders “four fried chickens and a Coke,” remain embedded in popular culture. The authentic musicianship combined with comedic brilliance created something that transcended both genres, making the Blues Brothers a permanent fixture in American music history. Otis Redding’s Legacy and Tragic Death: December 10, 1967 The episode takes a somber turn with December 10, 1967, the day Otis Redding died in a plane crash near Madison, Wisconsin, along with members of the Bar-Kays. The timing of this tragedy magnifies its impact—Redding had recorded ”(Sittin’ On) The Dock of the Bay” just three days earlier, and the song hadn’t yet been released. The track became a posthumous number-one hit, cementing Redding’s status as one of soul music’s greatest artists, though he never lived to see its success. Wings Over America: McCartney’s Epic Live Album - December 10, 1976 December 10, 1976 brought the release of Wings Over America, Paul McCartney’s triple live album documenting his 1975-1976 tour with Wings. The episode explores the rarity of triple albums in music history, particularly live albums of such scope and ambition. The hosts discuss the bootleg album called “Wings from Wings” that allegedly forced McCartney’s hand, rushing the official release to market before bootleggers could dominate sales. Harry reveals the meticulous production process behind Wings Over America, noting that McCartney collected 8,000 hours of live recordings from the tour. The legendary Beatles bassist and singer then personally mixed the album, listening to five different versions of every song before selecting the best performances. The final album was crafted to sound like a single concert experience, though it actually represented the best moments culled from the entire tour—a production approach that set standards for live albums. The episode highlights how “Maybe I’m Amazed” from this album became the definitive version for many fans, surpassing even the studio recording in emotional power and musical execution. The album also featured several Beatles songs including “Yesterday” and “Bluebird,” allowing McCartney to honor his past while showcasing his post-Beatles work with Wings. This balance between Beatles nostalgia and new material demonstrated McCartney’s artistic evolution while satisfying longtime fans. Early Genesis and Progressive Rock Evolution December 11, 1972 saw Genesis release “Foxtrot,” their fifth studio album and a landmark in progressive rock history. The episode explores this Peter Gabriel-era Genesis and the band’s evolution through various lineups. Harry recalls “Watcher of the Skies” as a standout track, while both hosts discuss later Genesis classics like “The Carpet Crawlers” from “The Lamb Lies Down on Broadway.” The conversation reveals differing perspectives on Genesis eras, with Buzz preferring the Peter Gabriel period and later Phil Collins-fronted work, while Harry admits his fandom developed more during the “Trick of the Tail” era following Gabriel’s departure. This honest exchange reflects how progressive rock bands often created distinct identities across lineup changes, appealing to different audiences in different eras. Buzz shares a memorable concert experience seeing Genesis with double drumming featuring Phil Collins and Bill Bruford (renowned for his work with Yes and King Crimson). This unique configuration represented Genesis at a transitional moment, experimenting with expanded instrumentation before settling into the trio format that would define their later commercial success. The “Trick of the Tail” tour demonstrated the band’s ability to continue without their iconic frontman, eventually leading to Collins taking over lead vocals permanently. The episode takes an unexpected turn to December 12, 1901, when Guglielmo Marconi sent the first transatlantic radio signal from Cornwall to Newfoundland. This moment in broadcasting history laid the foundation for everything that followed, including the careers of Buzz and Harry as radio professionals. Harry jokes about Buzz working for Marconi in 1901, highlighting the self-deprecating humor that characterizes their chemistry while acknowledging that without Marconi’s invention, they would never have met or built careers in radio. This historical perspective reminds listeners that music distribution, radio broadcasting, and the entire infrastructure of modern music industry traces back to pioneering moments like Marconi’s transmission. The evolution of radio technology from those first signals to contemporary podcast production represents over a century of innovation that transformed how humans experience and share music globally. The Clash’s London Calling: Punk’s Masterpiece - December 14, 1979 December 14, 1979 saw the Clash release “London Calling” in the UK, a double album that transcended punk rock limitations to incorporate reggae, rockabilly, ska, and R&B influences. The hosts recall the album’s innovative approach, including the hidden track “Train in Vain,” which became a hit despite not being listed on the original album cover—a marketing trick that created mystique and rewarded attentive listeners. Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Welcome to an extraordinary edition of the Takin’ A Walk podcast with host Buzz Knight and the self-proclaimed “Master of Music Mayhem,” Harry Jacobs. This comprehensive music history podcast episode explores one of the most emotionally complex weeks in rock and roll history, spanning December 8th through December 14th. From tragic losses to groundbreaking debuts, this week encompasses the full spectrum of music history’s most pivotal moments. John Lennon’s Assassination: December 8, 1980 - A Day That Changed Music Forever The episode opens with perhaps the darkest day in rock music history: December 8, 1980, when John Lennon was shot and killed outside The Dakota apartment building in New York City. Buzz Knight and Harry Jacobs provide intimate personal recollections of this Beatles tragedy that shocked the world. The Beatles Reunion: Free as a Bird and the Anthology Era Moving from tragedy to reunion, the episode explores December 9, 1995, when the Beatles released “Free as a Bird”—the first new Beatles music in 24 years. Both hosts were working together at WZLX in Boston during this momentous release, bringing their firsthand perspective to this Beatles reunion moment. The track, built around a John Lennon demo with contributions from Paul McCartney, George Harrison, and Ringo Starr, represented a technological and emotional achievement in music history. Harry admits his initial underwhelm with the track, noting that while “Free as a Bird” generated enormous curiosity worldwide, it never achieved the status of Beatles classics like “Ticket to Ride,” “Help!,” or songs from Sgt. Pepper’s Lonely Hearts Club Band. The honest assessment reflects how even beloved artists can struggle to recapture past magic, and both hosts acknowledge they haven’t revisited the song since its release. This candid discussion provides valuable context for understanding fan expectations versus artistic reality in music reunion projects. The Blues Brothers Phenomenon: From Saturday Night Live to Cultural Institution December 9, 1978 marks the Saturday Night Live debut of the Blues Brothers, a moment that transformed comedy sketch into legitimate musical force. The episode provides deep insights into how Dan Aykroyd and John Belushi created this blues and R&B supergroup, enlisting Paul Shaffer, Lou Marini, Duck Dunn, and Steve Cropper, who just passed away—the latter two being legendary members of Booker T. and the MGs and key figures in the Stax Records sound that defined Memphis soul music and produced classics like “Soul Man” and “Green Onions.” Howard Shore, who served as Saturday Night Live’s musical director, recognized the potential in Aykroyd and Belushi’s blues performances and helped facilitate their transition from comedy bit to recording artists. The hosts discuss how this comedy-music crossover assembled world-class musicians around a satirical concept that became genuinely respected in the music community. The Blues Brothers represented a unique fusion of comedy and music that introduced younger audiences to blues legends and R&B classics. The conversation explores Tom “Bones” Malone, a guest on Buzz’s podcast, who joined the Blues Brothers band and played trombone with Blood, Sweat & Tears before becoming part of the SNL band. The episode details the evolution of the band from initial concept to full touring and recording entity, with Buzz noting the impressive live performances featuring the Blues Brothers’ acrobatic stage show, where the larger-than-life Belushi performed cartwheels, splits, and handstands that would later inspire Chris Farley’s physical comedy style. The Blues Brothers soundtrack, featuring “Briefcase Full of Blues” and subsequent albums, has “stood the test of time” according to both hosts. Songs like “Rubber Biscuit,” performed with Matt “Guitar” Murphy, and the memorable Aretha Franklin diner scene where Jake orders “four fried chickens and a Coke,” remain embedded in popular culture. The authentic musicianship combined with comedic brilliance created something that transcended both genres, making the Blues Brothers a permanent fixture in American music history. Otis Redding’s Legacy and Tragic Death: December 10, 1967 The episode takes a somber turn with December 10, 1967, the day Otis Redding died in a plane crash near Madison, Wisconsin, along with members of the Bar-Kays. The timing of this tragedy magnifies its impact—Redding had recorded ”(Sittin’ On) The Dock of the Bay” just three days earlier, and the song hadn’t yet been released. The track became a posthumous number-one hit, cementing Redding’s status as one of soul music’s greatest artists, though he never lived to see its success. Wings Over America: McCartney’s Epic Live Album - December 10, 1976 December 10, 1976 brought the release of Wings Over America, Paul McCartney’s triple live album documenting his 1975-1976 tour with Wings. The episode explores the rarity of triple albums in music history, particularly live albums of such scope and ambition. The hosts discuss the bootleg album called “Wings from Wings” that allegedly forced McCartney’s hand, rushing the official release to market before bootleggers could dominate sales. Harry reveals the meticulous production process behind Wings Over America, noting that McCartney collected 8,000 hours of live recordings from the tour. The legendary Beatles bassist and singer then personally mixed the album, listening to five different versions of every song before selecting the best performances. The final album was crafted to sound like a single concert experience, though it actually represented the best moments culled from the entire tour—a production approach that set standards for live albums. The episode highlights how “Maybe I’m Amazed” from this album became the definitive version for many fans, surpassing even the studio recording in emotional power and musical execution. The album also featured several Beatles songs including “Yesterday” and “Bluebird,” allowing McCartney to honor his past while showcasing his post-Beatles work with Wings. This balance between Beatles nostalgia and new material demonstrated McCartney’s artistic evolution while satisfying longtime fans. Early Genesis and Progressive Rock Evolution December 11, 1972 saw Genesis release “Foxtrot,” their fifth studio album and a landmark in progressive rock history. The episode explores this Peter Gabriel-era Genesis and the band’s evolution through various lineups. Harry recalls “Watcher of the Skies” as a standout track, while both hosts discuss later Genesis classics like “The Carpet Crawlers” from “The Lamb Lies Down on Broadway.” The conversation reveals differing perspectives on Genesis eras, with Buzz preferring the Peter Gabriel period and later Phil Collins-fronted work, while Harry admits his fandom developed more during the “Trick of the Tail” era following Gabriel’s departure. This honest exchange reflects how progressive rock bands often created distinct identities across lineup changes, appealing to different audiences in different eras. Buzz shares a memorable concert experience seeing Genesis with double drumming featuring Phil Collins and Bill Bruford (renowned for his work with Yes and King Crimson). This unique configuration represented Genesis at a transitional moment, experimenting with expanded instrumentation before settling into the trio format that would define their later commercial success. The “Trick of the Tail” tour demonstrated the band’s ability to continue without their iconic frontman, eventually leading to Collins taking over lead vocals permanently. The episode takes an unexpected turn to December 12, 1901, when Guglielmo Marconi sent the first transatlantic radio signal from Cornwall to Newfoundland. This moment in broadcasting history laid the foundation for everything that followed, including the careers of Buzz and Harry as radio professionals. Harry jokes about Buzz working for Marconi in 1901, highlighting the self-deprecating humor that characterizes their chemistry while acknowledging that without Marconi’s invention, they would never have met or built careers in radio. This historical perspective reminds listeners that music distribution, radio broadcasting, and the entire infrastructure of modern music industry traces back to pioneering moments like Marconi’s transmission. The evolution of radio technology from those first signals to contemporary podcast production represents over a century of innovation that transformed how humans experience and share music globally. The Clash’s London Calling: Punk’s Masterpiece - December 14, 1979 December 14, 1979 saw the Clash release “London Calling” in the UK, a double album that transcended punk rock limitations to incorporate reggae, rockabilly, ska, and R&B influences. The hosts recall the album’s innovative approach, including the hidden track “Train in Vain,” which became a hit despite not being listed on the original album cover—a marketing trick that created mystique and rewarded attentive listeners. Support the show: https://musicsavedme.net/See omnystudio.com/listener for privacy information.

Let's revisit memories of John Belushi, athletes hosting SNL, and risky jokes with Al Franken. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

In the spirit of giving thanks, we wanted to say thank you to everyone with a VINTAGE re-release of The Early Years of SNL that celebrates an episode of Saturday Night Live that originally aired 50 years ago this week. This episode of SNL comes only six weeks into the show's existence and yet the Lily Tomlin-hosted affair is one of the very best of the show's first season.The show is just beginning to see the reward for recurring bits as Chevy Chase's Gerald Ford and Landshark both make their return to the program, as does Garrett Morris' “News for the Hard of Hearing.” We also get original material in the form of John Belushi's Beethoven impression, a commercial parody for "Spud Beer," and the legendary "Hard Hats" sketch. Lily even makes The Muppets bearable!This episode was originally released on May 2nd, 2023.---------------------------------Subscribe today! Follow us on social media: Twitter: @NR4PTProject Instagram: @nr4ptproject Bluesky: @nr4ptproject.bsky.social Facebook: The Not Ready for Prime Time Project Contact Us: Website: https://www.nr4project.comEmail: nr4ptproject@gmail.com

GGACP celebrates National Aviation Month (!) by revisiting the infamous Pat McCormick helicopter story in this ENCORE of an interview with legendary writer-actor-director Buck Henry. In this episode, Buck looks back on his 50+ year career and shares hilarious anecdotes about Orson Welles, James Mason, John Belushi and Jonathan Winters (among others). Also: Buck adapts “Catch-22,” praises Richard Benjamin, invents the Cone of Silence and co-directs “Heaven Can Wait." PLUS: “Captain Nice”! “Samurai Delicatessen”! Claude Rains speaks! The hoaxes of Alan Abel! And Buck remembers “That Was the Week That Was”!  Learn more about your ad choices. Visit megaphone.fm/adchoices

When comic John Belushi died of a speedball overdose at Hollywood's Chateau Marmont, it wasn't clear there had been a crime—until the National Enquirer got involved. This episode follows the tabloid reporter who hunted down Belushi's dealer, coaxed a confession, and transformed a drug overdose into a homicide investigation.

In connection with the latest "Fun For All Ages" disco episode, GGACP revisits this 2014 interview with the composer of the disco smash “It's Raining Men,” musician, conductor and comedian (and friend of the podcast) Paul Shaffer. In this episode recorded in the New York Friars Club's Ed Sullivan Room, Paul talks about being influenced by '60s-era variety shows and working with icons James Brown, John Belushi, Sammy Davis, Jr., Brian Wilson AND the infamous Phil Spector. Also in this episode: Remembering Lou Jacobi! Rickie Layne and Velvel! And Paul shares the screen with Mickey Rooney! PLUS: Gilbert and Paul obsess over a Cindy Crawford-Valerie Bertinelli infomercial! Learn more about your ad choices. Visit megaphone.fm/adchoices

What if I told you there was a movie written by Robert Zemeckis and Bob Gale — the duo who would go on to create Back to the Future… directed by Steven Spielberg, fresh off the massive success of Jaws and Close Encounters… starring comedy legends John Belushi, Dan Aykroyd, and John Candy… and scored by the music genius behind Star Wars, Indiana Jones, Jaws, E.T., Jurassic Park — himself, John Williams? You'd expect a guaranteed blockbuster. Instead, what audiences got in 1979 was 1941 — Spielberg's first spectacular misfire.

Carrie Fisher once dropped acid in the desert with Paul Simon. She did ayahuasca in the Amazon jungle, where she was attacked by a giant snake that may or may not have been real. She did so much cocaine that legendary partyman John Belushi told her to ease up. Her mood swings were such a dramatic part of her personality that she gave them their own names. And her personality was so galvanizing that it became an avatar for real-life resistance fighters. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoicesSee omnystudio.com/listener for privacy information.

Carrie Fisher once dropped acid in the desert with Paul Simon. She did ayahuasca in the Amazon jungle, where she was attacked by a giant snake that may or may not have been real. She did so much cocaine that legendary partyman John Belushi told her to ease up. Her mood swings were such a dramatic part of her personality that she gave them their own names. And her personality was so galvanizing that it became an avatar for real-life resistance fighters. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices