Podcasts about John Belushi

Welcome to an extraordinary edition of the Takin’ A Walk podcast from Buzz Knight music and the “Master of Music Mayhem,” Harry Jacobs. This comprehensive look at weekly music history explores one of the most emotionally complex weeks in rock and roll history, spanning December 8th through December 14th. From tragic losses to groundbreaking debuts, this week encompasses the full spectrum of music history’s most pivotal moments. John Lennon’s Assassination: December 8, 1980 - A Day That Changed Music Forever The episode opens with perhaps the darkest day in rock music history: December 8, 1980, when John Lennon was shot and killed outside The Dakota apartment building in New York City. Buzz Knight and Harry Jacobs provide intimate personal recollections of this Beatles tragedy that shocked the world. For listeners of this weekly music history episode note the Buzz Knight music podcast replay of "Takin A Walk" with the incredible Julian Lennon. The Beatles Reunion: Free as a Bird and the Anthology Era Moving from tragedy to reunion, the episode explores December 9, 1995, when the Beatles released “Free as a Bird”—the first new Beatles music in 24 years. Both hosts were working together at WZLX in Boston during this momentous release, bringing their firsthand perspective to this Beatles reunion moment. The track, built around a John Lennon demo with contributions from Paul McCartney, George Harrison, and Ringo Starr, represented a technological and emotional achievement in music history. Harry admits his initial underwhelm with the track, noting that while “Free as a Bird” generated enormous curiosity worldwide, it never achieved the status of Beatles classics like “Ticket to Ride,” “Help!,” or songs from Sgt. Pepper’s Lonely Hearts Club Band. The honest assessment reflects how even beloved artists can struggle to recapture past magic, and both hosts acknowledge they haven’t revisited the song since its release. This candid discussion provides valuable context for understanding fan expectations versus artistic reality in music reunion projects. The Blues Brothers Phenomenon: From Saturday Night Live to Cultural Institution December 9, 1978 marks the Saturday Night Live debut of the Blues Brothers, a moment that transformed comedy sketch into legitimate musical force. The episode provides deep insights into how Dan Aykroyd and John Belushi created this blues and R&B supergroup, enlisting Paul Shaffer, Lou Marini, Duck Dunn, and Steve Cropper, who just passed away—the latter two being legendary members of Booker T. and the MGs and key figures in the Stax Records sound that defined Memphis soul music and produced classics like “Soul Man” and “Green Onions.” Howard Shore, who served as Saturday Night Live’s musical director, recognized the potential in Aykroyd and Belushi’s blues performances and helped facilitate their transition from comedy bit to recording artists. The hosts discuss how this comedy-music crossover assembled world-class musicians around a satirical concept that became genuinely respected in the music community. The Blues Brothers represented a unique fusion of comedy and music that introduced younger audiences to blues legends and R&B classics. The conversation explores Tom “Bones” Malone, a guest on Buzz’s podcast, who joined the Blues Brothers band and played trombone with Blood, Sweat & Tears before becoming part of the SNL band. The episode details the evolution of the band from initial concept to full touring and recording entity, with Buzz noting the impressive live performances featuring the Blues Brothers’ acrobatic stage show, where the larger-than-life Belushi performed cartwheels, splits, and handstands that would later inspire Chris Farley’s physical comedy style. The Blues Brothers soundtrack, featuring “Briefcase Full of Blues” and subsequent albums, has “stood the test of time” according to both hosts. Songs like “Rubber Biscuit,” performed with Matt “Guitar” Murphy, and the memorable Aretha Franklin diner scene where Jake orders “four fried chickens and a Coke,” remain embedded in popular culture. The authentic musicianship combined with comedic brilliance created something that transcended both genres, making the Blues Brothers a permanent fixture in American music history. Otis Redding’s Legacy and Tragic Death: December 10, 1967 The episode takes a somber turn with December 10, 1967, the day Otis Redding died in a plane crash near Madison, Wisconsin, along with members of the Bar-Kays. The timing of this tragedy magnifies its impact—Redding had recorded ”(Sittin’ On) The Dock of the Bay” just three days earlier, and the song hadn’t yet been released. The track became a posthumous number-one hit, cementing Redding’s status as one of soul music’s greatest artists, though he never lived to see its success. Wings Over America: McCartney’s Epic Live Album - December 10, 1976 December 10, 1976 brought the release of Wings Over America, Paul McCartney’s triple live album documenting his 1975-1976 tour with Wings. The episode explores the rarity of triple albums in music history, particularly live albums of such scope and ambition. The hosts discuss the bootleg album called “Wings from Wings” that allegedly forced McCartney’s hand, rushing the official release to market before bootleggers could dominate sales. Harry reveals the meticulous production process behind Wings Over America, noting that McCartney collected 8,000 hours of live recordings from the tour. The legendary Beatles bassist and singer then personally mixed the album, listening to five different versions of every song before selecting the best performances. The final album was crafted to sound like a single concert experience, though it actually represented the best moments culled from the entire tour—a production approach that set standards for live albums. The episode highlights how “Maybe I’m Amazed” from this album became the definitive version for many fans, surpassing even the studio recording in emotional power and musical execution. The album also featured several Beatles songs including “Yesterday” and “Bluebird,” allowing McCartney to honor his past while showcasing his post-Beatles work with Wings. This balance between Beatles nostalgia and new material demonstrated McCartney’s artistic evolution while satisfying longtime fans. Early Genesis and Progressive Rock Evolution December 11, 1972 saw Genesis release “Foxtrot,” their fifth studio album and a landmark in progressive rock history. The episode explores this Peter Gabriel-era Genesis and the band’s evolution through various lineups. Harry recalls “Watcher of the Skies” as a standout track, while both hosts discuss later Genesis classics like “The Carpet Crawlers” from “The Lamb Lies Down on Broadway.” The conversation reveals differing perspectives on Genesis eras, with Buzz preferring the Peter Gabriel period and later Phil Collins-fronted work, while Harry admits his fandom developed more during the “Trick of the Tail” era following Gabriel’s departure. This honest exchange reflects how progressive rock bands often created distinct identities across lineup changes, appealing to different audiences in different eras. Buzz shares a memorable concert experience seeing Genesis with double drumming featuring Phil Collins and Bill Bruford (renowned for his work with Yes and King Crimson). This unique configuration represented Genesis at a transitional moment, experimenting with expanded instrumentation before settling into the trio format that would define their later commercial success. The “Trick of the Tail” tour demonstrated the band’s ability to continue without their iconic frontman, eventually leading to Collins taking over lead vocals permanently. The episode takes an unexpected turn to December 12, 1901, when Guglielmo Marconi sent the first transatlantic radio signal from Cornwall to Newfoundland. This moment in broadcasting history laid the foundation for everything that followed, including the careers of Buzz and Harry as radio professionals. Harry jokes about Buzz working for Marconi in 1901, highlighting the self-deprecating humor that characterizes their chemistry while acknowledging that without Marconi’s invention, they would never have met or built careers in radio. This historical perspective reminds listeners that music distribution, radio broadcasting, and the entire infrastructure of modern music industry traces back to pioneering moments like Marconi’s transmission. The evolution of radio technology from those first signals to contemporary podcast production represents over a century of innovation that transformed how humans experience and share music globally. The Clash’s London Calling: Punk’s Masterpiece - December 14, 1979 December 14, 1979 saw the Clash release “London Calling” in the UK, a double album that transcended punk rock limitations to incorporate reggae, rockabilly, ska, and R&B influences. The hosts recall the album’s innovative approach, including the hidden track “Train in Vain,” which became a hit despite not being listed on the original album cover—a marketing trick that created mystique and rewarded attentive listeners. Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Welcome to an extraordinary edition of the Takin’ A Walk podcast with host Buzz Knight and the self-proclaimed “Master of Music Mayhem,” Harry Jacobs. This comprehensive music history podcast episode explores one of the most emotionally complex weeks in rock and roll history, spanning December 8th through December 14th. From tragic losses to groundbreaking debuts, this week encompasses the full spectrum of music history’s most pivotal moments. John Lennon’s Assassination: December 8, 1980 - A Day That Changed Music Forever The episode opens with perhaps the darkest day in rock music history: December 8, 1980, when John Lennon was shot and killed outside The Dakota apartment building in New York City. Buzz Knight and Harry Jacobs provide intimate personal recollections of this Beatles tragedy that shocked the world. The Beatles Reunion: Free as a Bird and the Anthology Era Moving from tragedy to reunion, the episode explores December 9, 1995, when the Beatles released “Free as a Bird”—the first new Beatles music in 24 years. Both hosts were working together at WZLX in Boston during this momentous release, bringing their firsthand perspective to this Beatles reunion moment. The track, built around a John Lennon demo with contributions from Paul McCartney, George Harrison, and Ringo Starr, represented a technological and emotional achievement in music history. Harry admits his initial underwhelm with the track, noting that while “Free as a Bird” generated enormous curiosity worldwide, it never achieved the status of Beatles classics like “Ticket to Ride,” “Help!,” or songs from Sgt. Pepper’s Lonely Hearts Club Band. The honest assessment reflects how even beloved artists can struggle to recapture past magic, and both hosts acknowledge they haven’t revisited the song since its release. This candid discussion provides valuable context for understanding fan expectations versus artistic reality in music reunion projects. The Blues Brothers Phenomenon: From Saturday Night Live to Cultural Institution December 9, 1978 marks the Saturday Night Live debut of the Blues Brothers, a moment that transformed comedy sketch into legitimate musical force. The episode provides deep insights into how Dan Aykroyd and John Belushi created this blues and R&B supergroup, enlisting Paul Shaffer, Lou Marini, Duck Dunn, and Steve Cropper, who just passed away—the latter two being legendary members of Booker T. and the MGs and key figures in the Stax Records sound that defined Memphis soul music and produced classics like “Soul Man” and “Green Onions.” Howard Shore, who served as Saturday Night Live’s musical director, recognized the potential in Aykroyd and Belushi’s blues performances and helped facilitate their transition from comedy bit to recording artists. The hosts discuss how this comedy-music crossover assembled world-class musicians around a satirical concept that became genuinely respected in the music community. The Blues Brothers represented a unique fusion of comedy and music that introduced younger audiences to blues legends and R&B classics. The conversation explores Tom “Bones” Malone, a guest on Buzz’s podcast, who joined the Blues Brothers band and played trombone with Blood, Sweat & Tears before becoming part of the SNL band. The episode details the evolution of the band from initial concept to full touring and recording entity, with Buzz noting the impressive live performances featuring the Blues Brothers’ acrobatic stage show, where the larger-than-life Belushi performed cartwheels, splits, and handstands that would later inspire Chris Farley’s physical comedy style. The Blues Brothers soundtrack, featuring “Briefcase Full of Blues” and subsequent albums, has “stood the test of time” according to both hosts. Songs like “Rubber Biscuit,” performed with Matt “Guitar” Murphy, and the memorable Aretha Franklin diner scene where Jake orders “four fried chickens and a Coke,” remain embedded in popular culture. The authentic musicianship combined with comedic brilliance created something that transcended both genres, making the Blues Brothers a permanent fixture in American music history. Otis Redding’s Legacy and Tragic Death: December 10, 1967 The episode takes a somber turn with December 10, 1967, the day Otis Redding died in a plane crash near Madison, Wisconsin, along with members of the Bar-Kays. The timing of this tragedy magnifies its impact—Redding had recorded ”(Sittin’ On) The Dock of the Bay” just three days earlier, and the song hadn’t yet been released. The track became a posthumous number-one hit, cementing Redding’s status as one of soul music’s greatest artists, though he never lived to see its success. Wings Over America: McCartney’s Epic Live Album - December 10, 1976 December 10, 1976 brought the release of Wings Over America, Paul McCartney’s triple live album documenting his 1975-1976 tour with Wings. The episode explores the rarity of triple albums in music history, particularly live albums of such scope and ambition. The hosts discuss the bootleg album called “Wings from Wings” that allegedly forced McCartney’s hand, rushing the official release to market before bootleggers could dominate sales. Harry reveals the meticulous production process behind Wings Over America, noting that McCartney collected 8,000 hours of live recordings from the tour. The legendary Beatles bassist and singer then personally mixed the album, listening to five different versions of every song before selecting the best performances. The final album was crafted to sound like a single concert experience, though it actually represented the best moments culled from the entire tour—a production approach that set standards for live albums. The episode highlights how “Maybe I’m Amazed” from this album became the definitive version for many fans, surpassing even the studio recording in emotional power and musical execution. The album also featured several Beatles songs including “Yesterday” and “Bluebird,” allowing McCartney to honor his past while showcasing his post-Beatles work with Wings. This balance between Beatles nostalgia and new material demonstrated McCartney’s artistic evolution while satisfying longtime fans. Early Genesis and Progressive Rock Evolution December 11, 1972 saw Genesis release “Foxtrot,” their fifth studio album and a landmark in progressive rock history. The episode explores this Peter Gabriel-era Genesis and the band’s evolution through various lineups. Harry recalls “Watcher of the Skies” as a standout track, while both hosts discuss later Genesis classics like “The Carpet Crawlers” from “The Lamb Lies Down on Broadway.” The conversation reveals differing perspectives on Genesis eras, with Buzz preferring the Peter Gabriel period and later Phil Collins-fronted work, while Harry admits his fandom developed more during the “Trick of the Tail” era following Gabriel’s departure. This honest exchange reflects how progressive rock bands often created distinct identities across lineup changes, appealing to different audiences in different eras. Buzz shares a memorable concert experience seeing Genesis with double drumming featuring Phil Collins and Bill Bruford (renowned for his work with Yes and King Crimson). This unique configuration represented Genesis at a transitional moment, experimenting with expanded instrumentation before settling into the trio format that would define their later commercial success. The “Trick of the Tail” tour demonstrated the band’s ability to continue without their iconic frontman, eventually leading to Collins taking over lead vocals permanently. The episode takes an unexpected turn to December 12, 1901, when Guglielmo Marconi sent the first transatlantic radio signal from Cornwall to Newfoundland. This moment in broadcasting history laid the foundation for everything that followed, including the careers of Buzz and Harry as radio professionals. Harry jokes about Buzz working for Marconi in 1901, highlighting the self-deprecating humor that characterizes their chemistry while acknowledging that without Marconi’s invention, they would never have met or built careers in radio. This historical perspective reminds listeners that music distribution, radio broadcasting, and the entire infrastructure of modern music industry traces back to pioneering moments like Marconi’s transmission. The evolution of radio technology from those first signals to contemporary podcast production represents over a century of innovation that transformed how humans experience and share music globally. The Clash’s London Calling: Punk’s Masterpiece - December 14, 1979 December 14, 1979 saw the Clash release “London Calling” in the UK, a double album that transcended punk rock limitations to incorporate reggae, rockabilly, ska, and R&B influences. The hosts recall the album’s innovative approach, including the hidden track “Train in Vain,” which became a hit despite not being listed on the original album cover—a marketing trick that created mystique and rewarded attentive listeners. Support the show: https://musicsavedme.net/See omnystudio.com/listener for privacy information.

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Let's revisit memories of John Belushi, athletes hosting SNL, and risky jokes with Al Franken. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

In the spirit of giving thanks, we wanted to say thank you to everyone with a VINTAGE re-release of The Early Years of SNL that celebrates an episode of Saturday Night Live that originally aired 50 years ago this week. This episode of SNL comes only six weeks into the show's existence and yet the Lily Tomlin-hosted affair is one of the very best of the show's first season.The show is just beginning to see the reward for recurring bits as Chevy Chase's Gerald Ford and Landshark both make their return to the program, as does Garrett Morris' “News for the Hard of Hearing.” We also get original material in the form of John Belushi's Beethoven impression, a commercial parody for "Spud Beer," and the legendary "Hard Hats" sketch. Lily even makes The Muppets bearable!This episode was originally released on May 2nd, 2023.---------------------------------Subscribe today! Follow us on social media: Twitter: @NR4PTProject Instagram: @nr4ptproject Bluesky: @nr4ptproject.bsky.social Facebook: The Not Ready for Prime Time Project Contact Us: Website: https://www.nr4project.comEmail: nr4ptproject@gmail.com

Healing Through Laughter: Dave Ebert on Comedy, Faith, and Overcoming Trauma In this episode, Diana rebroadcasts the interview of the late Dave Ebert, who passed away unexpectedly July 2, 2024. He discusses his journey from struggling with depression and contemplating suicide to becoming a renowned improv coach, pastor, and comedian. Dave, who founded Gifts for Glory Ministries, shares his early love for entertaining, the personal struggles he faced, and how faith and comedy became his tools for healing and helping others. He also explores his work with the Salt and Light Coalition, helping survivors of sex trafficking through improv, which aids in their communication skills and self-esteem. The episode delves into the importance of connection, trust, and the transformative power of laughter in overcoming trauma and finding hope. We hope you enjoy hearing Dave's legacy and timeless advice.  You will hear the second interview of Dave and his wife's missionary work next episode. 00:00 Introduction and Sponsor Message 00:47 Meet Your Host, Diana 01:34 Introducing Dave Ebert 02:51 Dave's Childhood and Early Love for Comedy 03:45 Struggles with Family and Faith 07:30 Turning Point: Finding Faith and Purpose 10:57 Battling Depression and Suicidal Thoughts 21:04 The Power of Presence and Support 24:25 A New Beginning in Chicago 26:32 Starting a Faith-Based Improv Team 27:32 Creating Clean Comedy for All Ages 29:10 Using Comedy as a Ministry Tool 31:50 Connecting with Salt and Light Coalition 33:12 Teaching Improv to Trafficking Survivors 36:20 Stories of Transformation Through Improv 44:18 Current Projects and Online Improv Shows 47:16 Offering Support and Contact Information 50:47 Final Thoughts and Podcast Information   Website: https://dswministries.org Subscribe to the podcast: https://dswministries.org/subscribe-to-podcast/ Social media links: Join our Private Wounds of the Faithful FB Group: https://www.facebook.com/groups/1603903730020136 Twitter: https://twitter.com/DswMinistries YouTube: https://www.youtube.com/channel/UCxgIpWVQCmjqog0PMK4khDw/playlists Instagram: https://www.instagram.com/dswministries/ Facebook: https://www.facebook.com/DSW-Ministries-230135337033879 Keep in touch with me! Email subscribe to get my handpicked list of the best resources for abuse survivors! https://thoughtful-composer-4268.ck.page #abuse #trauma Affiliate links: Our Sponsor: 753 Academy: https://www.753academy.com/ Can't travel to The Holy Land right now? The next best thing is Walking The Bible Lands! Get a free video sample of the Bible lands here! https://www.walkingthebiblelands.com/a/18410/hN8u6LQP An easy way to help my ministry: https://dswministries.org/product/buy-me-a-cup-of-tea/ A donation link: https://dswministries.org/donate/   Dave Ebert  [00:00:00] Special thanks to 7 5 3 Academy for sponsoring this episode. No matter where you are in your fitness and health journey, they've got you covered. They specialize in helping you exceed your health and fitness goals, whether that is losing body fat, gaining muscle, or nutritional coaching to match your fitness levels. They do it all with a written guarantee for results so you don't waste time and money on a program that doesn't exceed your goals. There are martial arts programs. Specialize in anti-bullying programs for kids to combat proven Filipino martial arts. They take a holistic, fun, and innovative approach that simply works. Sign up for your free class now. It's 7 5 3 academy.com. Find the link in the show notes. Welcome to the Wounds of the Faithful Podcast, brought to you by DSW Ministries. Your host is singer songwriter, speaker and domestic violence advocate, [00:01:00] Diana . She is passionate about helping survivors in the church heal from domestic violence and abuse and trauma. This podcast is not a substitute for professional counseling or qualified medical help. Now here is Diana. Hello everyone. Thanks for joining us today. You know, I've been telling you there are many paths and tools for healing and comedy is one of them. I think you'll enjoy our podcast today, friends. Our guest, Dave Ebert is the founder of Gifts for Glory Ministries. Dave is an improv coach, speaker, pastor, actor, and improv performer with his wife Bobby, residing in Chicago, Illinois. Gifts for Glory is ready to provide high quality, clean family friendly entertainment and professional [00:02:00] improv coaching to survivors of sex trafficking. Hey, welcome to the show Dave. Hey, thanks so much for having me. I'm, uh, really looking forward to having our conversation. Your bio is so impressive. I had trouble. Uh, shortening it for the intro. I'm sorry, I, I try to provide enough information, but, uh, I, I could have probably shortened it, but maybe it's because I'm a pastor. I just like to embellish and go on for a long, long period of time. So we're gonna fill in the blanks here and throughout our time together, and I can't wait to hear some good jokes. We will. We'll see what comes up. I'm an improviser, so nothing's ever planned. So if there's a moment of funny, yeah, I just give God the credit and if there's not, it's just, I don't know. We'll see. So tell us about your childhood. Were you always funny or into comedy? I really [00:03:00] was, uh, one of the earliest pictures of me other than, you know, baby pictures, uh, was a old Polaroid of, uh, me flexing, like I was in a bodybuilding contest because we we're at the city pool. There was an actual, like a swimsuit or bodybuilding competition going on on the other side. And my parents and their friends were just there at the pool and I was like, no, they're not gonna get the attention. I'm gonna get the attention. So there's this picture of me flexing my little chubby 2-year-old arms and it was like, I, I love to entertain and I love the attention and trying to, uh, get people an opportunity to laugh. So yeah, pretty much my entire life, um. Uh, I, I just liked it. I enjoyed, and I lived off of people's laughter. Now, did you experience any trauma in your life? There were, um, there wasn't any like one singular event, like a, a massive. You know, tragedy. But my dad was in Vietnam. He was in the [00:04:00] Vietnam War, and he got in contact with that chemical agent Orange that, uh, I've heard about. And, uh, that just ravaged his body. You know, when he hit 30, he was, you know, a healthy, strong 30-year-old guy working in the trades, and he was disabled by the time he was. 37, 38, um, from heart attacks, from just loss of, uh, dexterity in his hands and uh, and losing his ability to even walk. And it was all, uh, just complications and, and complications from the agent Orange. And so we were living in Chicago at that. You know, when I was first born and then when he'd had his third heart attack, we had to move out of the city and get away from the fast pace of Chicago and went down to Virginia where it's a lot slower lifestyle, a little bit easier for him to handle that kind of stress. But over the next 20 or so years as his health failed, there were a lot of conflicts in the home [00:05:00] between he and mom, between he and myself, and, um, so it was. It wasn't a tragic event, it was just this long period of watching my dad lose his ability to do the things that men do, like work with their hands, play with their son, hang out with their son, things like that. And, uh, you're not able to handle that because we really didn't have a strong faith. Base. So there was nothing kind of anchoring us in that storm. Mm-hmm. And so it was over, you know, two decades that, you know, there's just a lot of little traumas. Little fights, uh, big fights and, and things like that. We said we were Christian and we went to church. Um. Uh, fairly regularly, uh, mostly for holidays and potlucks. Uh, but um, we, uh, we said we were Christian, but it kind of [00:06:00] only existed from 11 to 12 on, on Sundays. Uh, we lived decently. We weren't out killing people. We weren't doing drugs and like that, but, um, but we weren't really like practicing. We didn't say, you know, grace at meals. We didn't pray together. We, I don't think I ever saw an either of my parents actually open a Bible. So we were kind of Christians in name only. Um, we had the, the membership card went to the meetings, but we didn't actually do a lot of practicing outside of church. So kinda like Chris and dumb. Yeah, yeah, yeah. Kind of, kind of creases with a little bit more regular attendance because the church I grew up in, uh, or at least as a kid, they had a lot of potlucks. It, it was almost like the one way to guarantee people would come. It was like, yeah, we're gonna have a potluck to celebrate this this weekend. And I love the potlucks because there's always at least five to sometimes six, uh, different varieties of mac and cheese, and that's my favorite. Favorite. Yes. [00:07:00] Yes. Mac and cheese. Yes. Mashed potatoes. Mm-hmm. Mashed potatoes, uh, all sorts of desserts. And, uh, for your, your listeners, they won't know this, but if they see, you know, my headshot or whatnot, I, I'm not a small individual and I will put the blame firmly on that church. Where all the potlucks, oh, they fed me, but not spiritually. Oh. That's funny. So when did you meet the Lord for real? Well, my story's kind of unique or maybe it's not. Um, but for me it depends on what your personal theology is to interpret it. I. Going into my sixth grade year, uh, that, that summer before my sixth grade year, I went to a summer camp and I, uh, went, you know, we had devotions each night at a campfire. And I remember on Thursday night, the day before, the night before we're leaving. [00:08:00] Something at the devotion spoke to me and I said, on my way by myself, said That little sinners prayer of Jesus coming to my heart. I want to make you Lord. Um, and you know, I remember the prayer, I remember walking up that gravel driveway up towards the cabin. And, but like I said, it kind of hinted at there wasn't a lot of discipleship for young believers at my church. So. It was like, oh, I accepted Christ. What does that mean? What do I do with it? And so from that year. For many years after, I never really got truly discipled to understand what it meant to be a Christ follower. And through my depression and the, you know, just some of the choices I made, I kind of walked away from that. So if you believe that you can walk away from salvation, then you could say that I walked away from it. Uh, some believe once saved, always saved. So you can either choose that summer or you can look to, uh, January, 2013 when. Uh, [00:09:00] still wrestling, depression, still looking for purpose in life. I was walking to work, uh, on a Saturday morning and. There were these two kids from a local Bible college out there looking for people to witness to, uh, they had the, uh, tract, which, uh, for anybody that doesn't know tract is a small graphic novel that, uh, kind of tells the gospel story. And, um, so they were out there and there's really no reason for them to be there 'cause it wasn't a very populated area. Um, so there really wouldn't be a lot of people out there on a Saturday morning. So it was obviously a divine appointment. They gave me the track and they offered to pray for me, but I didn't, you know, I kind of blew them off. Said, yeah, I'm a Christian, I'm saved. Yeah, I'm good, but I gotta get to work. But because they were there, they passed out the track and because of a lot of stuff that was leading up to that moment, it was like, okay, God, I'm ready to submit. I'm, I'm ready. So that night I, uh, opened up my, uh, Rick Warren, purpose Driven Life. I started reading [00:10:00] my, uh, dollar General, uh, king James version Bible got all the way through Deuteronomy before. I was like, I need something simpler. Uh, yeah. But, uh, yeah. Um, those two kids, I don't know if I'll ever see them again, at least not in this life, but they were kind of the straw that broke the camel's back to where I made the decision because I was still wrestling with depression and I was literally at this place where I was on top of, I, I described it as I was on a peak of a mountaintop where. I was still considering, you know, taking my life so I could either go left and just take my life and, and end it once and for all, or I could go right and give my life and fully submit to God. And that was kind of the moment that kind of clenched it for me to take that step towards God and really for the first time, pursue a relationship with him. So that was in, uh, January of, uh, 2013. So let's unpack the. Part where you talked about you wanted to end [00:11:00] your life. What happened there? It was a, a culmination of a lot of things. I, I had a lot of dreams and ideals of what life should look like, and this started in, uh, junior high and high school. Um, and then, uh, you know, combine that with, uh, this struggle with my relationship with my dad. Um, you know, not ever quite being good enough because he always had, sometimes these. Surreal expectations and, and when I didn't meet them, I felt like a failure and, you know, just all these different things. Um, it just added up to one night. I remember, um, I was pursuing this, this young lady to date her in high school and you know, for the first time I was like, this might be the one that I actually get her to date me. And then, um. Afternoon, after I talked to her in the morning, I saw her walking, holding hands with somebody else, and that was. [00:12:00] Kind of the straw that broke the camel's back the other way, uh, to where I entered into that depression. And, uh, it just kept getting deeper. The more my dad and I fought, the more my mom and dad fought. You know, it just got deeper and through, um, my junior year, senior year high school, all through college, after college for many years, uh, through my first marriage, you know, just. That voice was always in the back of my head, you're not worthy. Um, no one's gonna truly love you. Um, might as well end the pain now. And so I just, I really wrestled with the idea of suicide. There were times that I was ready to do it, but I cursed myself for being too weak or too afraid to commit. But looking back, it was that, as the Bible calls it, the still small voice. That was, you know, just kind of coaxing me to don't give in just yet. Don't give in just yet. So looking back, obviously God was [00:13:00] there with me the entire time. It's just I didn't realize who that voice was or why I was not able to fully take that next step. It was because God was there trying to yank and pull me back from the edge. Wow. I'm sure a lot of our listeners can relate to, um, the things that you're saying right now about wanting to end it all. Now, did you cover up your depression, your feelings? Did anybody else know about that? I covered it. Um, as I mentioned, I love to entertain people, make people laugh. So it started off very, when I was very young. It was just this pure thing of enjoying the laughter and enjoying giving that gift to people. But when I entered the Depression, it became a defense mechanism where I would keep people from seeing what I was feeling and also try to prevent them from feeling the darkness I felt. If I could do that, if I could make somebody laugh, if I could [00:14:00] entertain somebody, if I could make somebody feel better, then I was able to justify living for the next week or the next day or what have you. And so comedy or making people laugh was where I found my worth and my value. And if I went too far and I offended somebody, if I hurt somebody's feelings, uh, or if I said something that just kind of embarrassed me. It went into the spiral where it was like, see, even the one thing you count on for value you fail at. And so it would spiral me and it was like, man, I just, I need to drive my truck off this cliff, or I need to, um, do this or that other thing to myself just, and I always wanted to leave it as an ac, you know, make it look like it was an accident. Um, whenever I really contemplated, uh, suicide because I didn't want the embarrassment. I didn't want people to judge me and say things about me, and I also didn't want the judgment to follow my [00:15:00] parents or anybody else because I didn't want them to be punished for what I was going through. So I always tried to make it or plan out to look like an accident. Um, one night I in particular, I remember driving home late at night through the mountain roads. It was maybe three or four in the morning, and I just was at this breaking point and I prayed. I said, God, if you don't want me to do this, gimme a sign. Do something. And if you think about Pure Flix movies or a Hallmark movie, you know, you think in that moment, all of a sudden the sky opens and the lights shines, and the angels come down. And, but in that moment, it felt like it got darker. It almost, it felt like, like God actually got quieter. Than, than I felt he had been. And so I got mad and I got angry at God. And I, I think I probably said a few curse words at him and, and said, you know, whatever. And I got mad and I drove [00:16:00] home. But here's the, the thing about it, I drove home. I didn't drive to the left off that cliff and. I, I say that that was a moment where God knew what I needed. It's not conventional, it's not what you would expect, but it's what I needed. 'cause he knew I'd go mad or I would get mad, and he knew that he would have to take some barbs from me in that anger. But it was God laying himself down for me in that moment so that I would go home instead of, you know, take my life. And that's just another thing that I look back on and say, wow, God was there this whole time. Wow. I've never contemplated suicide myself. I've had some really dark times with my, abuse history. Mm-hmm. Now I've had depression before. Mm-hmm. But it wasn't so much that I needed to take medication. Um, it was just this cloud of darkness and like [00:17:00] sitting in a pit. Yeah. That you can't get out of and it's no amount of positive thinking is going to do it. Right. It just took a long time to crawl out of that. These brilliant people, you know, we're talking about comedy and the most brilliant comedian was Robin Williams. Sure. And he was so funny. And, yeah. When he took his own life after battling depression, um, I really mourned his death. 'cause Yeah. Yeah. It, and that's one of the things where it shows that fame, fortune, having everything at, at your fingertips, it's not a substitute for. Anything because you look at Rob Williams, you think about even, you know, they don't classify necessarily as a suicide. You look, but you look at somebody like Chris Farley, uh, John Belushi, um, the lifestyle that those two guys [00:18:00] chose and the way that they treated their bodies was kind of a long term suicide because they did not take care of their bodies. And I'm not talking about being heavy. I'm talking about the drugs, the drinking, the things like the partying. For hours upon hours on end, it was they were trying to fill something in their soul that they couldn't fill. Um, so for, and I don't say these things as judgment. Mm-hmm. I say these things as warnings. Um, heads up. If you see somebody that is trying to fill their life with partying, find the time when they're sober and talk to them. See if there's something going on. Uh, and like you look at somebody like Robin Williams. It's a very hard thing to know how to handle that because you don't know what his family life was like. Did he have somebody in his, in his corner that knew what he is wrestling with and they were just happened to be gone in an, in the instant that he was the weakest? Um, [00:19:00] for me, I think one of the, the biggest things is if you see somebody or know somebody that could potentially be similar to where Robin Williams was at. Pray and ask for God to show you how to reach them, um, and be willing to pursue it. Um, it's, no, no two depressions are the same because no two people are the same. There's no blanket there, a, b, c methodology that's going to, like, if I do these three or four things, I'm gonna pull my friend out of what they're at. Because there's different triggers, there's different experiences, there's different chemical imbalances in the mind. So don't ever feel like a failure if you try to help somebody and you can't see results. Because some people, it takes time, some people it takes the miracle of God flipping a switch and healing whatever chemical imbalance is in the mind. Um, so my advice is always just keep [00:20:00] pursuing, um, because. Eventually there's gonna be a breakthrough it because somebody that's in that mode is going to see that they're not gonna give up and that's going to fly directly in the face of so many of the inner voices or, or the self-talk of, I'm not worth it, nobody's gonna really care. Or I, I'm a burden. But when you're continually pursuing, you are speaking against all that and you're giving evidence against that case. And we all know, especially, uh, as Christians, that those voices are of the enemy. So they're all mm-hmm. Of the king of lies. Yes. And when you can step in and bring the truth and bring the light, the enemy has no footing left. So that's always my advice, is just to keep pursuing him. It's worth it. It's worth being able to pursue somebody and give them [00:21:00] a chance to hope and a chance to fight against the lies of the enemy. Um, I never know what to say to somebody that's struggling with depression. I'm always afraid that I'm gonna say the wrong thing. Right. Um, so those, those suggestions are really, valuable because. I don't wanna push them too far, but I want them to know that I care. So, yeah. And, and here's the thing, and this is something that I, whenever I talk to people, I, I try to take this burden off your shoulders. It's not your job to save them. It's not your job to rescue them. It's your job to be there and let God do the saving. It is not, it's not your job. So whatever words you say, whatever things you say, it's not gonna matter because it's not gonna be really remembered. The mistakes or, or the, the bad choice words or whatever you say that doesn't [00:22:00] work, quote unquote work, it's not gonna matter. What's gonna matter is that person that you're pursuing, that you're fighting for is gonna remember that you were there. They're gonna remember your presence, not so much your words. Now, there'll be some times where God will give you wisdom and they'll remember those words of wisdom, but for the most part, part, they're gonna remember that you were there. Just like when you go to a funeral and you talk to the people that are grieving, uh, whether it's the widow or the widower, or maybe it's, uh, the child that lost their parent, whatever the case may be. They don't remember the words that you said as you go in the line. They remember your face, they remember the, the calming touch on the shoulder, on the hands. They remember that you were there and it was, it is very much the same for somebody that's in the dark pit of, of depression. If you're there constantly showing them love, willing to let them have [00:23:00] what I call verbal diarrhea and just get whatever they're wrestling without. They're gonna remember that you were there and they're gonna remember that, and it's going be that evidence to say, Satan, shut up. Amen. You're not telling the truth. This person is here. They see me as valuable enough to fight through this. So you're lies of I'm not worthy. Nobody loves me, nobody will miss me. Those are lies straight from the pit of hell, and that's where you belong. That's right. Wow. No, that's, that's really helpful comparing it to, um, a funeral. 'cause, uh, I just lost my brother December 5th and, yeah, and some people, they don't know the right things to say and, but you're right. I remember that. They cared about me. But yes. The fact that they took time to say, I'm praying for you, or let us know if there's anything we can do to help you meant a lot. So I appreciate that [00:24:00] advice for sure. Let's switch over something a little funnier. Sure. Okay. Than a funeral. Um, so speaking of Robin Williams, he was a guest on. Whose line is it anyway, and it was my favorite episode ever. And you started a Christian version of that show. Tell me more about that. Absolutely. So when I, uh, rededicated my life to the Lord in January of 2013, I knew that performing and being on stage was my calling. God was going to. Keep me in front of people, keep me entertaining people, but he's changing and he changed the reason why, instead of trying to hide how I felt and hide myself, I was now gonna use comedy as a way to reveal who he is. And I had no real opportunities, uh, in Beckley, West Virginia. Nothing against West Virginia. Uh, [00:25:00] I have a lot of friends back there. I had a lot of great experiences, but it wasn't where God wanted me. And so I was like, so God, where do I go? Do I go to Roanoke, Virginia, which is about three hours west in, uh, west in, in west in Virginia. Excuse me. And, uh, that's where my mom lived. Do I just move in with her and start over? And it was kind of like. You could, but that's not really where you belong. So I kept, like reading Rick Warren's book, I kept reading the Bible and finally in a, in a conversation, my sister, who doesn't really have a relationship with the Lord, but he used her. She said, well, if you want to, you can move up here to Chicago in, in, uh, start over here. And I said, are you sure? 'cause she was going to college at the time and I would be moving in on staying on her couch in her studio apartment. And I was like, are you sure? She's like, yeah, if, if you need. A new, you know, new start. And so six weeks later I left, uh, [00:26:00] West Virginia, everything I could pack in my truck I brought up. And I started completely over in, um, in March of 2013. And it was shortly thereafter, I started pursuing acting opportunities and opportunities to be in front of people. A couple of mo short films I got into, I realized after accepting the part, I shouldn't have done this role. Uh, this will be something that if I ever become famous, will be one of those things that they play to, to tease you when you get like a lifetime achievement award. Oh, yeah. Um, and then through Craigslist I connected with a, a, a guy, um, named Ryan McChesney. And he and I, uh, discussed, you know, doing, uh, movies together or something like that, uh, faith-based, and we said, well, we both like improv. He had gone through the second 30. Second City, Chicago Conservatory. I had, um, done a few classes at Second City, but uh, most of my acting and performing training [00:27:00] came from eight years of, uh, pro wrestling in, uh, West Virginia and Virginia. Um, so we thought, well, what if we started a faith-based improv team? There's nothing like that in Chicago. And we thought that there was almost nothing like that in the rest of the world. So, uh, we decided to start trying to cast and we, uh, brought two more people on. And my church at that time was, uh, very, uh, gracious in allow, allowing us free reign to use a building for rehearsals or anything else we wanted to do. And so we just started, uh. Creating an improv team and for anybody that's not really familiar with improv, uh, uh, Diana, as you mentioned, uh, whose line is it anyway, is kind of the same kind of improv that we do where it's, uh, game base where they'll give us a game with a scenario and certain rules within that game to follow, and the rest we make up. We make up the characters. The dialogue is completely made up. And the idea is not to try to be funny, but just to [00:28:00] try to respond in the moment because that's where the funny's gonna come from, is that just that creative mind that we have. It's going to find things that are funny in our natural reactions. And so what we do is we just create scenarios. It's basically like. A more organized way to play, pretend. Uh, we create characters, voices, points of view. And so we, and we don't do it based on the Bible because we don't want to ever. Get careless and misrepresent the Bible or say something. Oh, okay. That's fair. Uh, we don't wanna ever come across as a Christian improv team that is, uh, disrespecting the Bible. So we just do clean comedy that's accessible for all ages, whether you're five or 105. Um, we want you to be able to come and enjoy and laugh. And, um, we kind of filter it through [00:29:00] Philippians four, eight, whatever's pure and lovely and praiseworthy. If it kind of fits along that, then, uh, then we're good. Um, and we just, um. We go out and use it as a ministry tool. Uh, either we open for a speaker and use laughter as a way to tear down some walls and, and make people comfortable enough that they can hear it. Mm-hmm. Or we just do pure comedy with the love and the joy of Christ and allow our presence and the fact that Christ is coming in with us to somehow reach them on a spiritual level to where they'll either ask us, why are you guys clean? Why don't you curse? Or Why don't you do innuendo or blue? Right. Or they track us down on social media and they're like, oh, they're Christian, and they're funny and they're creative. Maybe God is more than I thought he was. I'm not naturally funny. Um, my husband is, and that's the, the thing [00:30:00] is. You don't have to be funny to be good at improv, you just have to be willing to listen and respond naturally. 'cause most of what's funny in our improv at least, is that people recognize either weird quirks, uh, about themselves or about people that they know or they recognize weird characters that they're like, that's Samantha from work. Oh my gosh. Um, and, and it's that recognition of, of the human experience because. We are so much alike. There we're, we are all more alike than we are different. Mm-hmm. And when we share those experiences, we realize that we're not alone. That we're not this weird thing in the middle of the world that has no connection. When we get a room with people laughing together, even if none of them know each other. They connect, uh, on this really interesting level. When they laugh together, they don't feel alone in that room. And that's why comedy is so important and effective in [00:31:00] speaking and in ministry. If you can get, get them to laugh, there's a wall that comes down to where now they're able to receive, uh, some information or receive the word or receive the message. And, uh, you know, that's what we love to do is to either. Set the ground for, uh, the speaker to bring the word, or to just simply be a light in that room to where there's a question, why, why are they different? And, um, that's what we do now. Uh, we've been, uh, this team has been running since, uh, July of 2013. Um, we've had a lot of changes, a lot of turnover, but the, the mission has always been the same is to just use comedy to bring people closer to God. So you can, definitely use comedy to heal people in their pain. And you got connected with, salt and Light Coalition. So tell us more about that. Sure. Uh, Salton Lake Coalition [00:32:00] is an organization that works with, uh, women who have survived sex trafficking. Um, many of the women that they serve, uh, were sold into trafficking by their parents at a young age. So many of them either have a very short, if. Or maybe a non-existent childhood to, uh, draw from. So they're very stunted in ma many areas as far as emotions, uh, uh, especially the ability now to trust people. And so, and most of them obviously have been hurt. Used and abused by men. Mm-hmm. So the fact that me as a guy was asked to come in and serve the weight of that is not lost on me. But I also see absolutely see benefit because here is a man in a healthy relationship with his wife, who is in a healthy relationship with the Lord, who can come in and bring that. As a model for these women to show that it is possible that [00:33:00] not every single man is a creep that's going to hurt you. Right? So, and I, I value that ability to, and that opportunity to bring that example, uh, to them. And I teach improv as a way to improve their communication because, uh, many of them, like I said, had, are stunted either, um. Educationally, either they were, they had to drop outta school because they were doing what their handlers or pimp or whatever you wanna call 'em, were making them do. And so I go and help them improve communication. Uh. Find and develop their self-esteem. Because when you're learning improv and you're creating stuff together, you're starting to realize, wait, I have a voice. I have something to say, and the things that I say can be valuable, and that only helps to improve the self-esteem. So they start realizing that all the stuff that I've been through in the past is my past and all the work that I'm doing [00:34:00] now to get back on my feet and rebuild my life. I'm worth it because I have something to say. I have something to contribute. So we do that through improv and, and at the end of the day, they get an hour where they can laugh like kids either for the first time or laugh like kids again because. And, and it, I don't say these things to brag on me. Mm-hmm. God put me in this position. There was, there's been several times where the women have, or a couple of the women have come in and you could see that they are literally carrying their world on their back. The burdens are there, the brow was furrowed. The, you could see in their eyes that they're waiting for somebody to say that one word so that they can explode on them. Mm-hmm. And part of what they have to do is they have to participate even if they're not feeling it. So they, they still get in the circle, they still participate in the games, and you can see literally. The, [00:35:00] that facade, crack and fall, you literally see them crack up and within five minutes of participating, the burden is gone. The, the fierceness in their eyes, the the anger or the frustration, or the hurt. It fades away. And they get to forget that and realize that there's hope, that there's something bigger than what they're wrestling with in that moment. And that has been such a huge blessing for me to be a part of that for the last couple of years. And, um, and like I said, it's, it's such a blessing to, to be a man in that position, to kind of be an ambassador, literally an ambassador for Christ, to show that it's okay to. To trust again. And I, and I love doing that. That is incredible. You know, I've had some training in sex trafficking, with Mending the Soul We have a program called Princess Lost. [00:36:00] Princess Found. Oh, okay. And I didn't know anything about sex trafficking before that, or at least I thought I did know. Mm-hmm. I, I thought of what the rest of the world thinks about, you know, prostitutes or sex workers, but it really, that training had opened my eyes. Do you have a story of one of those tough nuts that crack open with your comedy improv class? Yeah. Um. Specific, I can't mention names, obviously. No. Yeah. But, uh, the one lady I think of in particular, she's a single mom. She was, uh, sold by her mom into trafficking, for sex because her mom needed a. She needed a, a fix. And so she gets involved and then she gets traded, bought, and sold. Um, and the thing wa the thing that a lot of people don't realize is [00:37:00] people who are in that life, who are stuck, who are, who are trapped, they're not always stuck in some shady building off in the corner of, of the city, right? They're, they're still out walking around, they're going to the store, but. They're in such a way that they don't think they can escape and they don't know who they can trust. Mm-hmm. They don't know if the person that they're gonna talk to to say, Hey, I need help, is connected to this person that they're, that they're, uh, enslaved by. So they feel like they can't trust anybody. Even though that they're out walking around, they're, they're stuck. And they're also, many times they're forced to take drugs. Yes. So people will dismiss them when they see 'em. Like, oh, she's just a junkie. There are a lot of junkies, but there's also a lot of women and, and some men that are on drugs, either because they're trying to cope with what they're being forced to do, or it's part of what they're required to do in [00:38:00] order to survive. Um, and, and the, the, the pimps know that when they're on drugs and they're high people will dismiss them and won't really give them two looks. So all that to say is this, this young lady, she's, I think she's in her mid twenties now. Mm-hmm. Uh, single mom struggling to get her kids back because in, in the eyes of the court system, she's just a junkie. She, it, it doesn't matter why she was on drugs, it doesn't matter what caused her to be arrested for these different things. All that matters to them is that she, you know, you were high, you were on drugs, you have this in your system, you're not fit to be a mom. So she's trying to rebuild her life, trying to get her kids back and one day, I don't know, I don't know the details 'cause I don't really talk to get to know them much, just because they're trying. You don't wanna protect them. 'cause the fewer people that know the stories, know where they are, where they're [00:39:00] from, the better for them so that they can avoid getting. Found by the people that are looking for them. Mm-hmm. Because when a woman, escapes sex trafficking, that's property in the minds of the people that quote unquote own them. Yes. And they don't like to lose property because they're losing profit. So. You know, I know very little about them. I know their, I know their first name. I know a little bit about their story. Some of their stories come out as, you know, part of the improv, but she's trying to get her life back together. She comes in and she's the one that I always envision when I talk about the cracking up. She came in and I swear, I I, there was a moment where I was worried, it was like, is she gonna fly off on me if I say the wrong thing? 'cause she just looked angry at the world. Mm-hmm. And, uh, fortunately, and obviously they're not gonna leave me in the room alone, so there's a couple of the Salton light [00:40:00] volunteers there just to supervise and to coach and say, Hey, you need to go ahead and get in a circle and, and participate. You know, this is part of the program. And so. She came in, arms are crossed and she's just looking down at the ground. And so I just changed my plan and I opened up with, uh, a warmup that I knew everyone enjoyed. Um, and it's a silly game. It's called Bippity bippity bop. And, and so this game, uh, somebody's in the middle of the circle, they go around the circle and it's, it's a quick response game. I'll look at you and, and if I say Bippity bty bop, you just have to say the word bop before I get to bop. And then there's other layers to that game. So I start the game and say, all right, so we're gonna warm up with bip bippity bop. So I go around the circle and there are a couple times where like, as I'm going around the circle, I look at her like, I'm gonna give her the, you know, [00:41:00] the, the, uh, interaction. But then I go past and then I come back, and then I get her the first time it's like pip bop. She, you know, obviously wasn't ready 'cause she's not. Fully into it. So she goes, all right, un crosses her arms, walks in the circle, starts doing it, and as soon as she starts participating you, that's when it starts cracking up. And she starts laughing and, and having fun. And she became, she was two people. The first five minutes, she was one person. And then once she started to laugh, she was a completely different person. And it's like. God, this is why, this is why I'm here. And again, it's not, Hey, Dave Ebert's wonderful. You know, toot the horns. It's like, God put me in this position to use my testimony, my story to, and my experiences to try to help in the healing process of, of some women that desperately need healing and desperately need to know the love of [00:42:00] Jesus. I love that story. You know, the biggest thing I learned in, in my training that I went through was a lot of these women are in this predicament. At no fault of their own, they were mm-hmm. They were groomed or they were kidnapped, or they were, you know, trafficked by somebody that they trusted. Mm-hmm. Or they should have been able to trust and that these, these ladies and some gentlemen, by the way, are people. Valuable people, loved by God. They're not trash and not somebody that we throw away or toss aside, they are, they are children of God and they need Jesus too. Yeah. And, and these are all people that, and I, I don't like think, or in my heart, I don't believe that Jesus means this. In his language, but he's talking to us in our language when he talks about the least of these. Mm-hmm. Because he loves us and [00:43:00] God loves us equally. And there is no true least in God's kingdom. But I think it's, it's Jesus dumbing down the language so that we would understand. And that's why he is like what you do to the least of these you do to me. So yeah, there are people who. Are out there who are high on their own accord, doing their own thing, that are just throwing their lives away because they think it's fun. But you don't know until you know. So don't, I would just ask, never dismiss somebody because they look like a junkie. Mm-hmm. Or they look like they've made some bad choices. 'cause maybe they have, or maybe they're stuck in a situation. And I would always encourage, if nothing else, pray for them. Mm-hmm. And maybe in that prayer time, God's like, Hey, that that's somebody that needs you. But if you're willing to just dismiss everybody 'cause they look like they're scarred from injections or they, their face is broken out from different [00:44:00] things, if you just dismiss 'em automatically, then you're blocking God from reaching you to tell you, hey, they need your help, and God's just gonna have to find somebody else. And you're gonna miss the blessed opportunity to reach somebody that needs the love of Christ. Amen. What are you up to now? You have any new projects in the works coming down the pike? When you said, what are you up to now? I was gonna say six foot two. Um, yeah. Right now, uh, because of, uh, the global thing that's going on and I'm in Illinois, so. Theaters aren't open. We're not doing much as far as the comedy. Um, you know, so everybody's kind of focusing on their family. One of the things I have been doing is connecting with other Christian improvisers and, uh, we're, uh, doing. Semi, uh, maybe once a month. Uh, comedy shows where we just get together and we've never practiced before. We've never rehearsed, but we're gonna [00:45:00] put out, uh, some shows where people can just watch online, watch us improvise and participate. Uh, those, uh, will broadcast live on my Facebook page, and I'll advertise those that you know about a week in advance once we get people able to commit to a date. Um. And the, our first one that we did, we had somebody from West Virginia, somebody from Arkansas, two people from Texas, and Oh, had one person, uh, from Ohio, I believe. So we had like a conglomerate of people from all over the, the nation coming in. Uh, we've never practiced before, but we did improv and. Improv and Christianity are so much alike because to do good improv and to be a good Christian, quote unquote good Christian, you need humility. You need to be willing to support the other person, and you need to be willing to love the other person so that they're successful. Um, so when you come into an improv stage as a Christian [00:46:00] improviser. I mean, you've got all the tools just built in. And so we go, we perform online, we're willing to support each other and it makes it really fun. Now, the way we do it, we don't have crowd, you know, reaction, but because we're together, we kind of know what's funny and we're like, okay, this is, you know, we can laugh at each other. And, uh, just really a lot of fun. It's nothing like the real improv of being on stage and no. Intimate experience, but it's a good substitute. It, it's a good gap filler until we can get past all of what's going on. Yeah. Saw your, your post on, Christian Creatives are on the same group. Yeah. And I'm gonna see if I can try and watch that. That'll be fun. This has been great. I, I so appreciate you coming on the show today and putting up with the, uh, the Zoom demons earlier, and I know you don't do this for, [00:47:00] reward or pat's on the back, but. From me to you, thank you so much for what you do for the Lord and what you do for these ladies, because you are changing people's lives and making a difference. So thank you very much. Thank you. So tell the folks how they can connect with you if they wanna know more information about your ministry. Sure. Well, I actually have three primary things that I'm involved with. GIF for Glory is the kind of the umbrella over everything. Uh, you can find us on Instagram, Twitter, Facebook at gifts, the number four, glory. And uh, that's where my podcast is. That's, uh, kind of the over um. Corp corporate umbrella over, um, my personal, uh, speaking in improv coaching where you can find me at, real Dave Ebert. Um, there's actually another comedian who's also from the Midwest, uh, not a Christian, [00:48:00] uh, who's, his name is, uh, Dave or David Ebert. So, uh, so I beat him to the punch and I took the real Dave Ebert. Oh, glad you mentioned that. Um, which is hilarious. 'cause on Twitter I'll often get tagged in things that. I have nothing to do with Christianity or ministry, and it's like kind of embarrassing. Totally. And so I'll respond and I'll be like, Hey, I think you meant this guy. Um, but uh, thanks so much for the shout out. You don't want the credit for some dirty joke. Right, right. Yeah. I mean, I, I. Unfortunately, before Christ really took over my life there, I did say quite a few dirty jokes, especially in wrestling locking rooms. Um, but uh, that's washed by the blood and forgiven and mm-hmm. Um, but yeah. Uh, so at real, Dave Ebert is how you can find me. And there is one thing I do like to, uh, share on any every interview. Is, um, if there's somebody out there that hears this podcast and you're [00:49:00] somebody that's wrestling with depression or considering suicide, uh, my email box is open to you, uh, 24 hours a day. Uh, it goes directly to my phone, and this is an email address. I'll always keep active. So if in 2035 somebody picks up this podcast, that email will be available barring rapture. Um. Yeah, and I say that tongue in cheek, but, uh, if you're somebody that's wrestling, I really want to hear from you and wanna walk you through it. Uh, my email address is Dave at gifts, the number four glory.com. dave@giftsforglory.com. And, uh, I'm not gonna preach at you. I'm not gonna just copy and paste a bunch of scripture. I just want to hear what your story is and I wanna walk with you through it. I know that. In my depression. For me, I feel like had somebody had that option where I could talk to somebody that didn't know me, that didn't have preconceived ideas, that I'm, I would've been willing to just open up. And I'm [00:50:00] hoping that, uh, even one person, if you need that and you just, and I refer to it earlier, that verbal diarrhea, just like, let let it pour out. Uh, my dad was a military man. I was in wrestling for eight years. There's not a curse word I haven't heard. So if you need to curse in your email, don't feel like, oh, he's a pastor. I gotta edit. No, don't worry about that. Just tell me what you're want. A safe person, uh, yeah, and I wanna be there and I want to help in any way I can. If it's just listening and reading your email and just sending a few words back, that's what I wanna do. So that's open for you for, and if you're somebody that knows somebody that's not able to ask for help, uh, you know, contact me and I'll be happy to, uh, to do what I can. That is so awesome. Thank you so much for, for being a resource for, for the listeners, and I hope those that are listening will take advantage of that opportunity. And I love your podcast. [00:51:00] I listen to your podcast every week and you have some great guests on there. And we seem to agree on a lot of, um, things that I won't mention. I don't talk about politics on the show, but yeah. We seem to be on the same page on a lot of things. So thanks again for, for coming on the show tonight. Thank you so much. You as well. And, uh, I hope that, uh, uh, DSW Ministries takes off in the new year and that, uh, you meet every goal that, you've, that you've set forth. God bless you, Dave. Now I'll put all of his information in the show notes for everybody. You are never a victim when you choose to take action. Remember that friends, so we will see you all next week. God bless. Thank you for listening to the Wounds of the Faithful Podcast. If this episode has been helpful to you, please [00:52:00] hit the subscribe button and tell a friend. You could connect with us at DSW Ministries dot org where you'll find our blog, along with our Facebook, Twitter, and our YouTube channel links. Hope to see you next week.

GGACP celebrates National Aviation Month (!) by revisiting the infamous Pat McCormick helicopter story in this ENCORE of an interview with legendary writer-actor-director Buck Henry. In this episode, Buck looks back on his 50+ year career and shares hilarious anecdotes about Orson Welles, James Mason, John Belushi and Jonathan Winters (among others). Also: Buck adapts “Catch-22,” praises Richard Benjamin, invents the Cone of Silence and co-directs “Heaven Can Wait." PLUS: “Captain Nice”! “Samurai Delicatessen”! Claude Rains speaks! The hoaxes of Alan Abel! And Buck remembers “That Was the Week That Was”!  Learn more about your ad choices. Visit megaphone.fm/adchoices

Would you be surprised to learn that the top five degrees in demand in the US are in healthcare, technology, engineering, business, and mathematics? Probably not. But as AI is introduced into nearly every facet of the workplace, college admission managers and HR directors are increasingly pointing to the importance of soft skills, the personal attributes and interpersonal abilities that define how you interact with others in the workplace. In the workplace of the future, they say, employers will seek out employees who demonstrate superb communication, teamwork, and problem-solving abilities. Yet, our nation’s best colleges and universities don’t offer degrees in active listening or collaboration, do they? So what is an incoming freshman to do? My two lunch guests,Travis Noote of Boomerang Comedy Club, and Terence Delaine of NO Show Comedy, would say take a class in improv. Or explore stand up. Travis Noote fell in love with comedy in 2013 and became a devotee to improv, a form of live theatre in which the plot, characters, and dialogue are made up spontaneously by the performers at the moment of performance. Travis took improv classes in South Carolina, Atlanta, and Savannah before moving to Baton Rouge to be closer to family. As he’d done in other cities, Travis signed up for and was taking classes at the Latco theatre, which he learned was going to dissolve soon. So, acting a bit on a whim and with a good deal of spontaneity, in 2022 Travis took the reins of the Latco venue and founded The Boomerang Comedy Theater, effectively turning a hobby into a 9-5 job. If you are further in your comedic studies and perhaps pine for larger audiences on the West Coast, then Terence Delaine of NO Show Comedy is your man. No Show is a live production company operating in Los Angeles and Louisiana, hosting a monthly show at Squeaky Pete's in downtown Baton Rouge, as well as frequent shows at The Station. A native of Lake Charles, Terence has degrees in political science and public administration and a full-time job at the United Way. He's been working as a stand up comic for more than a decade. Terence recorded a comedy special album that will soon be released on all streaming sites, including YouTube. Living in Louisiana, when it comes to entertainment we often think of Baton Rouge as playing second fiddle to New Orleans. Well, that's the role people put Chicago in for years, in relation to New York City. But it might be worth pointing out that some of the nation's most famous and memorable comics, like Dan Aykroyd, John Belushi, Steve Carell, Chris Farley, Tina Fey, Bill Murray, Catherine O’Hara, and Joan Rivers got their start at Chicago’s Second City, which recently celebrated 65 years of business. It will be interesting to see who comes out of the Baton Rouge comedy scene in the next 5 or 6 years. Out to Lunch is recorded live over lunch at Mansurs on the Boulevard. You can find photos from this show by Ian Ledo and Miranda Albarez at itsbatonrouge.com.See omnystudio.com/listener for privacy information.

In celebration of the show now fully hitting it's 50th anniversary, we're going back to the earliest episode we've yet to cover: Rob Reiner, with no real musical guest. Except, we do get some music in the episode. We get A LOT of things, actually. Much like the show's first episode, there's a bunch of elements in the gumbo for tonight; John Belushi doing his Joe Cocker, Andy Kaufman and his record player return to the show, The Lockers do some street dancing, Albert Brooks turns in what has to be the longest pre-taped segment the show has ever aired. Hell, even Denny Dillon is there! It's a fascinating building block towards what the show would become, with a myriad of "firsts" in play and William Ham is on board to help us figure it all out!

HAPPY HALLOWEEN! Though Death By DVD is taking a break to relocate and build a bigger and better Death By DVD studio we thought it would just be down right insane to not have at least SOMETHING to offer our fine dead studio audience for Halloween. Halloween is our favorite holiday, our favorite time of year and I'll boldly say it's down right the best time of year, so we wanted to celebrate with you and boy howdy, though short in run time we have a whole lot for you to hear on this episode.An all new movie from your host Harry-Scott Sullivan is available now to stream, we have an exclusive new song from SATANIC HEARSE RECORDS called NO LIFE IN THEIR EYES from their forthcoming record DEATH SEX GORE HORROR and of course an update on when Death By DVD will return full time. Celebrate the season of the witch and hit play and hear this episode today! SATANIC HEARSE on Bandcamp : tap here or copy and paste the link belowhttps://satanichearserecords.bandcamp.com/WATCH YOUR HOSTS DOCUMENTARY AND DARK TALES FROM CHANNEL X NOW ON BLOODSTREAM TV: tap here or copy and paste the link belowhttps://bloodstreamtv.com/show-details/dark-tales-from-channel-xLearn more about Bloodstream TV : Tap here or copy and paste the link belowhttps://bloodstreamtv.com/homeIf you're reading this I would like to thank you from the bottom of my heart for your support. Death By DVD has almost existed for 2 solid decades, please consider supporting Death By DVD directly on Patreon to secure the future of this very show. ★ Support this podcast on Patreon ★ Thank you for choosing Death. DEATH BY DVD FOREVER. FOREVER DEATH BY DVD. ★ Support this podcast on Patreon ★ CHECK OUT DEATH BY DVD ON YOUTUBE : https://www.youtube.com/@DeathByDVDDon't forget, Death By DVD has its very own all original audio drama voiced almost entirely by Death By DVD!DEATH BY DVD PRESENTS : WHO SHOT HANK?The first of its kind, (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER! A Death By DVD New Year Mystery WHO SHOT HANK : PART ONE WHO SHOT HANK : PART TWO WHO SHOT HANK : PART THREE WHO SHOT HANK : PART FOUR WHO SHOT HANK PART 5 : THE BEGINNING OF THE ENDWHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES 

Saturday Night Live has aired live on Halloween only FOUR times in its 50+ years. As a treat this week, we're releasing a VINTAGE episode of The Early Years of SNL looking back at the memorable Season 2 outing hosted by Buck Henry that came close—airing just one day before Halloween and marking the first time the show leaned into the holiday.The episode is filled with spooky sketches and scary characters, but it's perhaps better known for two reasons: the infamous moment when John Belushi accidentally hit Buck Henry in the head with his samurai sword, cutting him on live television, and serving as Chevy Chase's final episode as a cast member.In addition, this historic night also marked the final television appearance for the original lineup of The Band.We were joined by The Saturday Night Network's Jon Schneider once again to help break down this memorable episode.This episode was originally released on November 7th, 2023.---------------------------------Subscribe today! Follow us on social media: Twitter: @NR4PTProject Instagram: @nr4ptproject Bluesky: @nr4ptproject.bsky.social Facebook: The Not Ready for Prime Time Project Contact Us: Website: https://www.nr4project.comEmail: nr4ptproject@gmail.com

When comic John Belushi died of a speedball overdose at Hollywood's Chateau Marmont, it wasn't clear there had been a crime—until the National Enquirer got involved. This episode follows the tabloid reporter who hunted down Belushi's dealer, coaxed a confession, and transformed a drug overdose into a homicide investigation.

I happen to catch the "I like me" documentary about #JohnCandy on Netflix, directed by Colin Hanks.  It's a wonderful trip down memory lane.  In my case, I studied at Second City in Chicago (took classes for a semester) before I moved to LA.  I joined a group of improv actors in the Harvey Lembeck workshop, but was an avid fan of SCTV during my years at Boston University and beyond. Charles Grodin and I had that in common - he loved Johnny LaRue (John Candy) and all the other characters, and late in life, Chuck would make DVD copies of his favorite bits and send them to his pals. I have a dozen or so.  As a film director I got to meet a bunch of people... and in this interview with John - you'll hear that I don't say the last name of the actors that I'm referring to, because it's more fun if Jennifer gets them accurately. And she does (once I let her know who we're talking to.) I had just watched the documentary, so the people in it are #SteveMartin (who needs to lighten up on the sobriety), #MartyShort (get your heart checked), Dave Thomas, Andrea Martin (who never changes),  Joe Flaherty, #EugeneLevy (the skeptical one) #CatherineOHara (the dreamer he's visited) Harold Ramis... #BillMurray, #DanAykroyd, #JohnBelushi, #TomHanks... I remembered to mention his lovely wife Rosemary and his two children, both whom are very touching in the doc.  (Sorry I didn't mention his brother in case he views this.)  I asked these questions without Jennifer knowing who I was talking about (except she saw Tom Hanks and saw Bill Murray when I said their first names.  That happens.   So this is an extreme yet excellent example of what we've been doing for  every week for over ten years.  See the film HACKING THE AFTERLIFE on Gaia or Amazon prime for examples.  Jennifer doesn't know anything about the doc about John's life, doesn't know anything about John Candy's life - and I made some errors, like giving Harold Ramis credit for directing Stripes which he cowrote (Ivan Reitman directed it) Harold directed him in Caddyshack, National Lampoon's Vacation.  (A movie that John Hughes told me in person he hated the film but clearly he like John in the film).  As noted, I went to high school with John Hughes, and he was pals with my brother, and super close friends with his wife - who was close to both John and Nancy.   My brother was also pals with Bill Murray in high school, and although I didn't say it in the podcast, I'll say it here - Bill Murray gave me - a brother of his high school pal - free tickets to the dress rehearsal at SNL for years.  I mean - for years -I took friends, including Luana Anders to the show.  And once, had the chutzpa to wait to see him after the show, give him a bottle of wine, and introduce him to Luana...  It was funny because he really didn't know me - I was just there to thank him for leaving tickets for "Elvis Martini" for all those years, and I think he was miffed I'd stuck around to thank him. Little did he know that the Luana he met - the very same Luana - is the moderator of our podcast from the flipside. If I was going to point to one show that demonstrates the ability of Jennifer talking to people offstage - it's this one. She works with members of the FBI, NYPD, LAPD on missing person cases, works pro bono a third of her practice, has been doing this for a long time, and indeed, they're making a show about her on Fox as we speak. I've written 13 books about the flipside, I do offer guided meditations, and Jennifer does these "wine and spirits" evenings in Manhattan beach that anyone can attend and isn't expensive, or they can book her directly. She works with members of Steve Jobs and Kobe Bryant's families - and they've given her permission to say so. So sit back, watch her talk to John Candy about all his pals onstage and off, mock Tom Hanks, tease Steve Martin, make fun of Bill Murray's golf game - all of it is not coming from me or Jennifer. I don't know how else to say it - have been filming people talking to their loved ones for over 15 years via hypnotherapy, guided meditation or mediums like Jennifer.  The story never changes. They aren't gone; they just aren't here.  Enjoy. 

Looking for more game-play.Based on a post  by a u guy86, in 3 parts. Listen to the ► Podcast at My First Time. The entire walk home, Ashley was smiling like a little girl on Christmas morning, holding Michael's arm and walking as close to him as she could. Michael, on the other hand, was a nervous wreck. Antonio's advice for him to be his normal dorky self had worked, but had it worked too well? Questions began to race through his mind. What if she invited him in? What if she invited him to bed with her? How would she react when he told her of his lack of experience? If she did want to sleep with him, he didn't dare try to hide the fact that he was a virgin; no way would that end well. Sighing mentally, he decided he'd just have to play it by ear and hope for the best.“I… had such a great time with you,” Michael said as they approached her door.“Me too,” Ashley agreed. “And… well, it's still kinda early.”“Uh… y-yeah?”Throwing caution to the wind, Ashley leaned forward and planted a long and sensuous kiss on Michael's lips. By the end of it, her tongue had found his for the first time, to both of their delights.“Why don't you come in and stay a while?” she asked as they parted.“But… wouldn't Liz mind?”“Liz already told me she'll be gone ‘til tomorrow. We have the place to ourselves.” Sensing his hesitation, she continued, “Michael, believe me when I say that I swore at the start of the night this wouldn't happen. No matter how well tonight went… I had no intention of inviting you in after one date. Yet, here we are, and I don't want the night to end. No pressure, no expectations, I just… I want to spend more time with you. I mean, it is Valentine's Day, after all, and I do consider you my Valentine.”“Now who's the cheesy one?” Michael laughed. “I'd love to spend more time with you tonight, but only if you're sure.”Another peck on the lips, and Ashley said, “Positive.”Taking Michael's hand, Ashley practically dragged him into the apartment and locked the deadbolt behind her. She then took Michael's suit jacket from him, hanging it on the back of a chair at the breakfast nook. Before long, she had kicked off her shoes and plopped down on the sofa.“Come on,” Ashley beckoned, patting the seat next to her. “I don't bite.”Michael smirked at this, discarding his own shoes and loosening his tie a bit. As soon as his ass touched the sofa cushion, Ashley was already hanging on him, running her fingers through his hair and moving her hand to his thigh. Still, he tried to play it cool and have no assumptions about her intentions.“Did… you wanna watch a movie or something?” Michael asked.Smiling, Ashley gave a few playful kisses to Michael's cheek before replying, “Is that really what you want us to do tonight?”“I… I-I um…”Michael was slowly losing control of his mental capabilities, and Ashley damn well knew it. After he had driven her crazy on the dance floor, seducing her without even realizing it, she was determined to do the same. Turning up the heat, she leaned closer to Michael and kissed his lips longingly. He was powerless to stop her as she pushed him to lie back long ways on the sofa. The feeling of her lithe body on top of his was almost too much to bear.“Ashley…” he moaned.Looking deep into his eyes, she said, “Michael, I can't tell you how into you I am. I know this sounds insane, and I don't want you to think I'm slutty or anything, but… I want you to stay the night. Unless you absolutely don't want to, I have no intention of letting you leave until tomorrow.”Michael's face twisted a bit at this. “Of course I want to be here with you! But why would you think I'd think you're slutty?”Snorting a bit, Ashley replied, “Come on, Michael. Here I am, throwing myself at you after one date. How is that not slutty?”Maintaining eye contact, he asked, “Do you respect yourself and your standards?”“Of course! I would never even consider inviting a guy in or certainly sleeping with him under normal circumstances.”“And what makes you consider doing that?”“Basically… he has to be boyfriend material. I mean… look, I'm gonna be honest with you, Michael. I've been pretty stupid around men in the past, sleeping with them while knowing they aren't even close to being boyfriend material. I guess I thought I could change them. Like I said, I was stupid back then. But now, I know I have to fall for a guy because of who and what he is before I'd even think of sleeping with him. I don't just hop into bed with any guy I meet, not anymore.”Michael grinned. “Sounds like the opposite of slutty to me.”Kissing him once more, Ashley replied, “You sure know how to pay a girl a compliment. You sure you're not the one seducing me?”“Hey, you're the one who called me ‘boyfriend material' a moment ago.”“I certainly did not call you boyfriend material!” Ashley said, feigning offense. “I merely stated that any man I'd consider sleeping with had to fall into that category. Nothing more.”“Gotcha. So I'm not boyfriend material,” Michael replied with a smartass grin.“You know damn well you are,” Ashley sighed, running her fingers along his cheek. “Most genuine guy I've ever met.”“After one date?” Michael asked, still a bit in awe of the situation.“Michael, you weren't afraid to be yourself out there, even with the real you being a big dork. To me, there's nothing more attractive than that sort of confidence. It makes me want to make you my big dork, and nobody else's.” Kissing him again, Ashley began to grind her hips along his obvious erection. “Hmm, something's got you going down there, eh?”Panicking a moment at how quickly things were progressing, Michael managed to pull back. “Ashley, wait. There's… there's something you deserve to know before we go any further.”“Aw, is this your first time?” she asked playfully. Though she had been teasing, the look of terror spread across his face told her the truth. “Oh my god… this really is your first time, isn't it?”“Yeah,” he sighed, bracing for the worst.“That's… fantastic!”“Wait, what?”“Michael, you have no idea how nerve-wracking it is for us gals, trying to figure out if a guy is for real or not. So many guys are out to use any trick in the book to get into our panties. But the one trick those guys don't use is the virgin trick; no guy I've ever met would lie about being a virgin. There's plenty that would lie about not being a virgin, but never the other way around. Hearing you say that… it's comforting, in a way. I know you'd never try to trick me or anything like that, if that makes any sense.”“So… you're not gonna kick me out?” Michael asked.“Hell no.” Remembering his religious upbringing, Ashley continued, “Listen, I don't ever want to pressure you into something that you aren't comfortable with or that you'd feel wrong about. If you need to leave, I'm cool with that; I'd still want to see you again. If all you want to do is sleep, that's perfectly fine, too. But if you're interested in turning in your V-card… I'm more than willing.”Michael's mouth dried up at this. He didn't necessarily share his parents' views that sex should only occur within a marriage. Still, he had always known he only wanted to lose his virginity to someone special, someone that he could trust implicitly. Was Ashley that person? A small part of him was still terrified that this might be a setup, but the look in Ashley's eyes was slowly eroding that fear. He wanted to trust her, no matter how much the logical side of his brain told him not to. Taking a deep breath, Michael Goldman decided to take a leap of faith.“I want to.”Without a word, Ashley stood from the sofa and pulled Michael to his feet, leading him to her bedroom. A pair of blue lava lamps in either corner emitted a soft glow, and the décor reflected Ashley's true gamer girl personality. A pair of plush toys, Pikachu and Yoshi, stood guard atop her bed, her computer screensaver depicted Princess Peach and Princess Daisy, and her TV in the corner had both a Super Nintendo and a N64 plugged into it.“Retro. Very nice,” Michael remarked, nodding his approval.“Sometimes, the old ways are best,” Ashley agreed with a smirk. Melting into his arms once more, she turned her back and held her hair aside, beckoning, “Unzip me, please.”Michael's hands trembled as he lowered the zipper down to the small of her back. The mere sight of her exposed skin was enough to bring him dangerously close to blowing his top right then and there, but a few deep breaths managed to calm him down. He fumbled for several seconds with the clasp at the top of the dress, but Ashley showed no signs of impatience; they had all the time they needed, after all. At last, he managed to unhook the clasp, and Ashley allowed the red dress to slide off her body and down to the floor. She turned, now clad only in a white strapless bra and matching panties.“I'll teach you more about how to get one of these off another time,” Ashley cooed. “But for now…”In one swift motion, she reached behind her back with one hand and undid her bra clasp. She was still pressed against Michael's chest, holding the garment in place for the time being, much to his disappointment. Ashley only grinned as she backed up out of his arms, holding the bra in place with her hands for a few moments longer.“Oh, come on…” Michael whimpered.“Poor boy,” Ashley teased. “Remember, anticipation is a huge part of foreplay.”“Anticipation or torture?”“Amazing how often those two coincide,” Ashley shot back with a giggle.Deciding Michael had waited long enough, Ashley lowered her arm and allowed the bra to fall to the floor. Michael stared in awe at her perky tits, high and firm on her chest. He certainly wasn't an expert, but they appeared to be about a B-cup, and her nipples were already rock hard, beckoning him to touch them. The rest of her body was just as amazing. Her milky skin contained not a single speck or blemish, save for the tattoo on her shoulder, and that only served to accentuate her beauty. He moved forward, reaching for her tits, but Ashley slapped his hands away.“Nuh uh,” she said, shaking her finger at him. “You don't get to touch until I see some of what you've got.”Ashley reached for Michael's clothes to try and speed the process along, but was soon stumped by his tie. Michael found this quite amusing, considering the difficulty men notoriously had with bras. He undid the knot and tossed the tie on the floor, beginning to unbutton his white dress shirt. At this point, Ashley just stood back and watched, as Michael had done with her. After he removed his dress shirt and undershirt, Ashley's eyes widened with lust and desire. As much as she wanted to jump his bones then and there, she managed to restrain herself. It was only fair, after her previous denial of his touch. Michael was clearly nervous as he undid his belt and lowered his suit pants. His boxers were tented from his erection and already stained with a bit of his precum, which Ashley took as a massive compliment.“Very nice,” she whispered in a husky voice.“Thanks,” Michael replied with a nervous grin.Hooking her thumbs into the waistband of her panties, she continued, “Time for the big reveal, then?”With a seductive grin on her face, Ashley began to lower the garment down her legs, her tits jiggling as she bent over to kick them off. Michael was frozen in place with sheer amazement at the sight before him. Here he was, in the presence of the most gorgeous girl he had ever imagined, naked as the day she was born. Her shaved cunt looked so warm and inviting; how he ached to feel her wrapped around him. After allowing him a moment to stare, she sauntered up to him and slipped her fingers into his boxers.“May I?” Ashley asked.All Michael could do was nod at that point, and Ashley planted her lips on his as she allowed his boxers to fall to the floor. She smiled as she took his member in her hand, feeling that he was indeed packing substantial weaponry. Ashley soon remembered that this was Michael's first time; it would be all he could manage not to go off too soon. She stopped her teasing for the moment and turned to her double bed. After slipping underneath the covers, she patted the spot next to her, which Michael readily occupied.They spent the next several minutes kissing and exploring each other's bodies with their hands and mouths. Michael was pleased to discover that Ashley's tits were indeed quite firm, fitting perfectly in his hands. As wonderful as feeling them was, he enjoyed tasting them even more, and especially the reactions this brought about from Ashley. All the while, she allowed her own hands to explore Michael's body. She found a particularly strong erogenous zone at the back of his neck where his hairline began. Soon, neither could stand it any longer; they had to make love.“Michael,” Ashley whispered, “I can see in your eyes that you're worried about performance. Don't be. You've already made this night more special than I ever imagined it could be. Just enjoy for as long as it may last.”“But-”“Trust me,” she continued, silencing him with a kiss. “This is only the first of many times we're going to do this.”As Ashley pushed him onto his back and straddled him, Michael had the presence of mind to ask, “Do we need any… protection?”Ashley stopped at this, stunned by his kind consideration. “Michael, you really are the best kind of guy around. You don't have to worry about me getting pregnant; I'm on the pill. I'm also clean per my last doctor's visit, but if you'd feel more comfortable with a condom, I'm happy to oblige. I keep a few spares in my nightstand.”Though the logical part of his brain told him to agree to it, Michael couldn't help but put his faith in this girl. “No, that's all right. I trust you're being honest. Just wanted to be sure.”Ashley sealed her lips around Michael's once more, positioning the head of his cock at her entrance as she did so. After a moment of silent understanding, he placed his hands on her hips and guided himself into her moist cunt. The feelings were exquisite, like liquid velvet squeezing his member. She made sure to keep a slow pace, allowing Michael to savor every new sensation that came along. After arriving at the base of his cock, Ashley sat straight up, displaying her pert tits for her lover.“Holy shit, Ashley…” Michael moaned.“You're mine, now,” she giggled. “And I don't plan on letting go of you anytime soon…”“No complaints from me,” he admitted with a grin.For the next five minutes, Ashley treated Michael to the ride of his life, teasing and tormenting his engorged cock with every inch of her cunt. She was pleasantly surprised to see that he was able to last so long on his first time, long enough even for her to reach a small orgasm of her own. All the while, Michael couldn't help but cup her perfect tits in his hands. As he drew close to climax, Michael pulled Ashley down to lie face-to-face with him and planted a sensuous kiss on her lips. The sensation of her fingers on his cheeks and running through his hair were too much at that point, and he sent his seed into her waiting cunt with a guttural moan of ecstasy.“Mmm… I love that feeling,” Ashley purred, savoring Michael's cock twitching within her folds.Spent and content, Michael couldn't even utter a word in reply, so Ashley slipped off his cock and rolled next to him

Nick revisits one of the most notorious episodes in Saturday Night Live history, when Frank Zappa hosted during Season 4. The night has gone down as one of the worst ever, thanks largely to Zappa's smug, condescending approach and his open disdain for the format. From his monologue, where he flatly admitted to reading cue cards, to his constant mugging and deliberate attempts to derail sketches, it was a train wreck in slow motion. To try and salvage the episode, the show even shoehorned John Belushi's Samurai Futaba into one of Zappa's musical performances, but it wasn't enough. The result was a bizarre, uncomfortable mix of Conehead antics, a drugged-out Halloween sketch, and one very annoyed cast. Nick shares behind-the-scenes stories, testimonials from people who endured that rough week, and even Dana Carvey's later parody of Zappa's failed hosting gig. While Zappa remains a legendary musical innovator, his time at Studio 8H was such a disaster that he was banned from ever returning. [Ep 143]

What a film we have for you today! This week class is in session as Paul and I discuss the teen movie classic, 'The Breakfast Club'. 

Krista Errickson joined me and we discussed her Wikipedia page; her grandfather, a famous Broadway set designer; her godfather, Elia Kazan; her father's family, the McIntyre's being the family written about in James Michener's Hawaii; watching Mr. Rogers & Captain Kangaroo; Lawrence Welk; the earwig episode of Night Gallery; becoming a model at 13; being a contemporary of Brooke Shields; shooting a movie with her that got scrapped; Little Darlings; improvising in her scenes; her helping to compile the film's soundtrack; Alexa Kenin; Cynthia Nixon; fighting with Kristy McNichol; not wanting to do Hello, Larry; John Femia; Joey Travolta; crossover episode with Diff'rent Strokes; seeing the trauma in Dana Plato; the production company "banking" school hours by making them go to school during vacation; her pilot The First Time; appearing in the Doors LA Woman video; having to audition in a bikini for Mr. Belvedere; appearing on 21 Jump Street and pissing Richard Grieco's girlfriend off; befriending Johnny Depp & Peter DeLuise; meeting Brad Pitt; 90210 made her want to quit acting; getting to be the first western woman in Iran since 1978; producing documentaries; being friends with Joe Dicso, Dan Aykroyd, John Belushi, and the Murray brothers; dating Peter Aykroyd; being with Belushi three days before his death; drinking double Remy Martin's at 15; negotiating with the Taliban for a hostages release; most Muslim fundamentalists are illiterate; Christian fundamentalism; a 21 Jump Street episode that echoes Charlie Kirk that was made 4 years before he was born; Studio 54

Send us a textWhat happens when you take a cult classic like "The Blues Brothers," remove its electric star, add a random child, strip away all profanity, and film it entirely on sterile soundstages? You get "Blues Brothers 2000," one of the most bewildering sequel disasters in cinema history.Our deep dive into this 1998 misfire reveals how profoundly the filmmakers misunderstood what made the original special. The first film thrived on John Belushi's chaotic energy playing against Dan Aykroyd's deadpan delivery, creating an unforgettable duo wreaking havoc through gritty Chicago streets. The sequel, however, leaves Aykroyd adrift without a worthy counterpart, with John Goodman's talents wasted on an undeveloped character.We explore the bizarre studio mandates that doomed this production from the start – including the requirement for a PG rating and the inexplicable demand to add a child character who disappears from the narrative for stretches at a time. The musical performances, while featuring legendary talents like Aretha Franklin and Erykah Badu, feel disconnected from the story, lacking the organic integration that made the original's numbers so memorable.The film's most unintentionally hilarious moments deserve special attention: a car that drives underwater while characters casually converse, a face covered in shaving cream somehow functioning as a disguise, and a bizarre voodoo sequence where the characters become zombies for no discernible reason. These elements combine to create what we dubbed "the most sanitized movie ever made" – a sequel that strips away everything edgy and authentic about its predecessor.Whether you're a Blues Brothers devotee still nursing wounds from this sequel or someone who's never experienced either film, our breakdown will have you laughing at the absurdity while appreciating why the original remains a beloved classic. Subscribe now for more deep dives into films that miss the mark in spectacular fashion!Written lovingly with AIBe our friend!Dan: @shakybaconTony: @tonydczechAnd follow the podcast on IG: @hatewatchingDAT

In connection with the latest "Fun For All Ages" disco episode, GGACP revisits this 2014 interview with the composer of the disco smash “It's Raining Men,” musician, conductor and comedian (and friend of the podcast) Paul Shaffer. In this episode recorded in the New York Friars Club's Ed Sullivan Room, Paul talks about being influenced by '60s-era variety shows and working with icons James Brown, John Belushi, Sammy Davis, Jr., Brian Wilson AND the infamous Phil Spector. Also in this episode: Remembering Lou Jacobi! Rickie Layne and Velvel! And Paul shares the screen with Mickey Rooney! PLUS: Gilbert and Paul obsess over a Cindy Crawford-Valerie Bertinelli infomercial! Learn more about your ad choices. Visit megaphone.fm/adchoices

What if I told you there was a movie written by Robert Zemeckis and Bob Gale — the duo who would go on to create Back to the Future… directed by Steven Spielberg, fresh off the massive success of Jaws and Close Encounters… starring comedy legends John Belushi, Dan Aykroyd, and John Candy… and scored by the music genius behind Star Wars, Indiana Jones, Jaws, E.T., Jurassic Park — himself, John Williams? You'd expect a guaranteed blockbuster. Instead, what audiences got in 1979 was 1941 — Spielberg's first spectacular misfire.

Carrie Fisher once dropped acid in the desert with Paul Simon. She did ayahuasca in the Amazon jungle, where she was attacked by a giant snake that may or may not have been real. She did so much cocaine that legendary partyman John Belushi told her to ease up. Her mood swings were such a dramatic part of her personality that she gave them their own names. And her personality was so galvanizing that it became an avatar for real-life resistance fighters. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

THE SWIMMER (1968) We dive deep in to The Swimmer and discuss and analyze, maybe just a little bit the glorious film directed by Frank Perry, based on a screenplay by Eleanor Perry, from the 12 page short story by John Cheever. "Well-off ad man Ned Merrill (Burt Lancaster) is visiting a friend when he notices the abundance of backyard pools that populate their upscale suburb. Ned suddenly decides that he'd like to travel the eight miles back to his own home by simply swimming across every pool in town."If you're reading this I would like to thank you from the bottom of my heart for your support. Death By DVD has almost existed for 2 solid decades, please consider supporting Death By DVD directly on Patreon to secure the future of this very show. ★ Support this podcast on Patreon ★ Thank you for choosing Death. DEATH BY DVD FOREVER. FOREVER DEATH BY DVD. ★ Support this podcast on Patreon ★ CHECK OUT DEATH BY DVD ON YOUTUBE : https://www.youtube.com/@DeathByDVDDon't forget, Death By DVD has its very own all original audio drama voiced almost entirely by Death By DVD!DEATH BY DVD PRESENTS : WHO SHOT HANK?The first of its kind, (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER! A Death By DVD New Year Mystery WHO SHOT HANK : PART ONE WHO SHOT HANK : PART TWO WHO SHOT HANK : PART THREE WHO SHOT HANK : PART FOUR WHO SHOT HANK PART 5 : THE BEGINNING OF THE ENDWHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES 

“The Blues Brothers” 1980 is packed with music and lots of law enforcement car chases. Then add in “Joliet” Jake and Elwood on “a mission from God” to save the orphanage, plus attacks on Jake's life by a mysterious woman left waiting at the altar, pursuit by the angry country western band, and attacks by a neo-Nazi party. What did I forget? Director John Landis herds these events into a crazy-quilt of music and mayhem.John Belushi is Jake Blues and Dan Aykroyd is blood brother Elwood. The large cast includes Cab Calloway, James Brown, Aretha Franklin, John Candy, Ray Charles, Twiggy, Steve Lawrence, Frank Oz, Henry Gibson, Steven Spielberg in the Assessor's office, Ralph Foody as Police Dispatcher, and a long list of other talented folks. Hang on!

Greetings from the graveyard! You may or may not have heard on a recent episode of Death By DVD that your favorite show will unfortunately be taking a break to move. The bad news is there will not be new episodes for a while but the good news is that Death By DVD studios is getting an upgrade so we can bring you bigger and better shows. Hear this new episode updating you on what's going on with Death By DVD as well as some shout outs to friends of the show that have sent us some wonderful supportive messages. DEATH BY DVD WILL B.R.B! BE RIGHT BACK!!!Follow Mr D's Movies on Instagram : https://www.instagram.com/mrdsmovies/Watch AND NOW FOR SOMETHING A LITTLE BIT DIFFERENT hosted by John Horgan here : https://www.youtube.com/@johnhorgan1713If you're reading this I would like to thank you from the bottom of my heart for your support. Death By DVD has almost existed for 2 solid decades, please consider supporting Death By DVD directly on Patreon to secure the future of this very show. ★ Support this podcast on Patreon ★ Thank you for choosing Death. DEATH BY DVD FOREVER. FOREVER DEATH BY DVD. ★ Support this podcast on Patreon ★ Don't forget, Death By DVD has its very own all original audio drama voiced almost entirely by Death By DVD!DEATH BY DVD PRESENTS : WHO SHOT HANK?The first of its kind, (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER! A Death By DVD New Year Mystery WHO SHOT HANK : PART ONE WHO SHOT HANK : PART TWO WHO SHOT HANK : PART THREE WHO SHOT HANK : PART FOUR WHO SHOT HANK PART 5 : THE BEGINNING OF THE ENDWHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES 

Lights, camera, CHAOS! This special greatest hits episode dives into Hollywood's most spectacular celebrity meltdowns and scandals, featuring three legendary movie stars who proved that fame, fortune, and fundamental stupidity make for blockbuster disasters.RANDY QUAID - From Christmas Vacation to Conspiracy Theories: The talented character actor who went from beloved comedic roles in National Lampoon's movies to starring in his own real-life thriller involving alleged Hollywood assassins, Canadian border crossings, and a persecution complex that would make even the most paranoid conspiracy theorists say "maybe dial it back a notch".ERROL FLYNN - Golden Age Hollywood's Ultimate Bad Boy: The swashbuckling Robin Hood superstar whose off-screen adventures made his action movies look tame, complete with high-profile trials, Nazi spy allegations, and enough debauchery to scandalize 1940s Hollywood (which took some serious effort).JOHN BELUSHI - Saturday Night Live Legend's Tragic Downfall: The comedy genius and Blues Brothers star whose explosive energy extended to pharmaceutical experimentation, turning SNL success into a cautionary tale about how quickly brilliance can burn out when mixed with bottomless appetites.From celebrity courtroom drama to wartime Hollywood intrigue to drug-fueled comedy chaos, these movie legends prove that sometimes the most entertaining performances happen when the cameras aren't rolling and nobody's directing the disaster.Join Lev and Derek as they count down the greatest hits of Tinseltown's most gloriously idiotic moments in this true crime meets celebrity biography meets so insane it's practically fictional podcast episode.Perfect for movie buffs, Hollywood history enthusiasts, celebrity scandal lovers, true crime fans, and anyone who's ever wondered how someone can simultaneously entertain millions and completely destroy their lives.⁠⁠⁠https://www.patreon.com/HistorysGreatestIdiots⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/historysgreatestidiots⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Artist: Sarah Chey⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.fiverr.com/sarahchey⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Animation: Daniel Wilson⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/wilson_the_wilson/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Music: Andrew Wilson⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/andrews_electric_sheep⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Want to create live streams like this? Check out StreamYard: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://streamyard.com/pal/d/4675161203933184⁠⁠

Gibby Haynes discusses his upcoming EU/UK tour, the completed Butthole Surfers documentary, early punk memories, near-death stage experiences, vinyl reissues and lots more. EU/UK Tour Tickets here  Topics Include: Gibby discusses upcoming European & UK tour with Scott Thunes and musical kids Tour dates are limited, zero chance of expansion beyond Europe/UK Scott Thunes was Frank Zappa's former bassist and "clone meister" Gibby confirms he's a Frank Zappa fan, particularly loved "Apostrophe" album Lost interest in Zappa after "Apostrophe" due to scatological humor focus Initial confusion about Scott Thunes - Gibby doesn't know who he is Clarifies he works with Paul Green's School of Rock for 20 years Scott Thunes may be coming on tour, is friend of Paul Green Gibby has no direct connection to Scott Thunes, only knows Paul Green Sometimes tours individually with kids, different kids each time Butthole Surfers once toured Europe with School of Rock as opener Kids' performance quality varies - sometimes really good, sometimes not Gibby lost entire record collection when engineer sold it during tour Collection was 3-4 feet of curated vinyl, mostly punk and hardcore Had valuable Buzzcocks singles collection among other rare records Met record dealer in San Antonio mall who introduced great albums Dealer showed him Devo's first album when it came out Key collection moment was hitchhiking trip to LA in summer 1979 Saw early LA punk shows including Go-Gos opening for Fear LA was only US city where audience spit at bands Witnessed massive amounts of phlegm on Belinda Carlisle during show John Belushi was standing next to him at the Go-Gos show Almost saw the Dickies' "last show" but it was cancelled Dickies are apparently still performing, contrary to expectations Gibby wrote memoir "Me and Mr. Cigar," wants to do sequel Criticizes most musician memoirs as ghostwritten, prefers authentic voices Cites Bob Dylan and Patti Smith as examples of self-written memoirs Discusses looking at legacy, mentions end being closer than beginning Still painting but doesn't do regular gallery shows or solo exhibitions Questions whether rockers are musicians or entertainers, favors entertainment label Believes rockers make better actors than actors make musicians Cites Childish Gambino and Lady Gaga as successful crossover examples Mentions Russell Crowe's band "50 Odd Foot of Grunts" dismissively Did artwork for several album covers including "P" and other releases Sold all artwork at LA gallery show while Sonic Youth members sold none David Yow pointed out his success, making him particularly happy Maintains friendships with successful musicians like Red Hot Chili Peppers Gets VIP access to major shows, brings 15-year-old son along Son says he loves Gibby but frequency might be concerning Kids don't appreciate backstage access until they can drink alcohol Mentions Dwarves show where son enjoyed the beer more than music Discusses Eagles of Death Metal and Queens of Stone Age name quality David Crosby once asked why they chose "Butthole Surfers" as name Responded that "Haynes, Walthall, Pincus and Coffey were already taken" Band appeared on Beavis and Butthead with respectful introduction Used different band names for every show, including outrageous ones Paul Leary nearly died from electrical shock at CBGB performance Sound engineer failed to warn about dangerous electrical outlet Butthole Surfers documentary "The Hole Truth" is completed, seeking distribution Twenty percent of documentary viewers cry during screenings, usually same moment Band controls all their catalog rights across different labels Potential vinyl box set in works, discusses remastering philosophy 50+ Minutes Extra-Extended and high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Another VINTAGE episode of The Early Years of SNL this week as we take a look back at Eric Idle's first time hosting Saturday Night Live early in Season 2. With the help of musical guest Joe Cocker (and Stuff), the Monty Python legend's outing delivers one of the best shows of the original era.Top to bottom, this is a great episode. While it leans heavily on Idle and feels very reminiscent of all things Python, there are still plenty of classic SNL moments that stand out—including Baba Wawa, The Bees, and John Belushi doing his Joe Cocker impression alongside the real Joe Cocker during the musical performance. If that wasn't enough, this is also the episode that introduced us to "The Rutles."We were joined by our "English Correspondent," Thomas Sena, making his second appearance on the podcast to help break down this Python-meets-SNL masterpiece.This episode was originally released on October 17th, 2023.---------------------------------Subscribe today!Follow us on social media: X (Twitter): NR4PTProjectBluesky: nr4ptproject.bsky.socialInstagram: nr4ptprojectFacebook: The Not Ready for Prime Time ProjectContact Us: Website: https://www.nr4project.comEmail: nr4ptproject@gmail.com

On this fresh from the grave episode we celebrate 16 years of DEATH BY DVD.Founded in July of 2009, Death By DVD has produced hundreds of episodes in the 16 years of its existence and to celebrate our 16th anniversary we have a special announcement to make concerning the fate and future of this very show.If you're reading this I would like to thank you from the bottom of my heart for your support. Death By DVD has almost existed for 2 solid decades and I truly hope you click play and hear what we have to say.Thank you for choosing Death. DEATH BY DVD FOREVER. FOREVER DEATH BY DVD. ★ Support this podcast on Patreon ★ Don't forget, Death By DVD has its very own all original audio drama voiced almost entirely by Death By DVD!DEATH BY DVD PRESENTS : WHO SHOT HANK?The first of its kind, (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER! A Death By DVD New Year Mystery WHO SHOT HANK : PART ONE WHO SHOT HANK : PART TWO WHO SHOT HANK : PART THREE WHO SHOT HANK : PART FOUR WHO SHOT HANK PART 5 : THE BEGINNING OF THE ENDWHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES Whoah, you're still here?  Check out the official YOUTUBE of Death By DVD and see our brand new program, TRAILER PARK! The greatest movie trailer compilation of all time. Tap here to visit our YOUTUBE or copy and paste the link below : https://www.youtube.com/@DeathByDVD ★ Support this podcast on Patreon ★

GGACP celebrates the 50th anniversary of everyone's favorite summer blockbuster, "Jaws" with this ENCORE of an 2018 interview with screenwriter-director Carl Gottlieb. In this episode, Carl discusses his work on “Jaws 2” and “Jaws 3-D,” the ingenuity of Steven Spielberg, the effectiveness of “unseen horror” and the many challenges of bringing the original “Jaws” to the screen. Also, John Belushi spoofs Richard Dreyfuss, Groucho guest hosts “Music Scene,” Ringo battles the Abominable Snowman and Carl and Steve Martin team up for “The Jerk.” PLUS: “The Absent-Minded Waiter”! “Son of the Invisible Man”! The Smothers Brothers vs. CBS! Sterling Hayden vs. the I.R.S.! And “The Jaws Log: The Musical”! Learn more about your ad choices. Visit megaphone.fm/adchoices

The beloved Blues Brothers universe will come roaring back to life over the next few years with forays into television, film, live events, music and much more with the first IP offering being a brand new original Graphic Novel: THE BLUES BROTHERS: THE ESCAPE OF JOLIET JAKE. Written by Stella Aykroyd, Luke Pisano and James Werner with artist Felipe Sobriero, The Blues Brothers: The Escape of Joliet Jake is both a love letter and sequel to the original Blues Brothers film. With editorial oversight by Dan Aykroyd, the utmost care has been taken to ensure this new chapter is true to the classic skits, legendary film, and iconic albums. The result is a wild and entertaining ride for both the longtime fans, and those new to the world of Jake and Elwood Blues. This project was originally conceived with the architect of The Blues Brothers, Judy Belushi Pisano, who sadly passed away during this book's production.Luke Pisano shares "The Blues Brothers weren't just a SNL act or movie, they were real musicians, in awe of the legends who came before them. This book is a continuation of that labor of love. This book is dedicated to my mother, Judy Belushi Pisano - the widow of John Belushi and the fierce, loving steward of the Blues Brothers legacy for over 40 years. After John's passing, she didn't just preserve the story-she expanded it. With the team at Z2, and with the talents of Stella and James, we finally found the right partners to make that dream turn reality. I am proud-and humbled-to continue her work in expanding this world of fun, music, and mischievousness.""It makes complete sense to me that the new generation of Blues Brothers will begin in comic book form, where the possibilities for destroying police cars is infinite, physics have no bounds, and the potential for jam partners is off the charts." James Werner points out. "The Blues Brothers universe is full of music and absurdity. Jake and Elwood are FINALLY reuniting , and I am forever grateful that Luke and Stella have asked me to join the band."Stella Aykroyd adds "Elwood and Jake are precious to me, in fact, one of them is actually my Dad. I've helped him sharpie ELWOOD onto his knuckles before Blues Brothers shows with 'Brother Zee', I've walked behind him as he's made his way through a sea of fans dressed as Elwood and Jake all over the world and I've been his co-pilot on the road, where he's explained to me the proper way to T-bone a car. Now, with Elwood, and the one and only 'Sister Zee', Judy Belushi's blessing, Luke, James, and I take the wheel and swerve into the endless possibilities that Z2, Felipe Sobreiro, and the comic book world provide for Jake and Elwood. In many ways the antics we've seen from the Blues Brothers have always been perfectly suited for the comic strip; flying cars, supernatural nuns, dusting an entire apartment building worth of bricks off your shoulders, and now Felipe Sobreiro's illustrations bring them to life once again. Our development process was guided and inspired by the stories and real life occurrences from the lives of Judy, John, and Dan and their process of conception of the Blues Brothers and using it not only for easter eggs but for plot points. I am so excited to share this whole new story with all our music loving anarchists."Lastly, Z2 President, Josh Bernstein adds "The Blues Brothers are comedy, pop-culture and musical royalty. Z2 is proud to expand the creative universe built by Dan Akyroyd, John and Judy Belushi-Pisano and welcome new band members: Luke, Stella and James. When you mix their story with the art of Brazilian Blues Brother, Felipe Sobreiro, fans of all ages will be delighted with the epic return of Jake & Elwood Blues. (We apologize in advance to the fine men and women of the Chicago Police Department.)"THE BLUES BROTHERS: THE SCAPE OF JOLIET JAKE will be available for pre-order via Amazon, Barnes and Noble, as well as many other fine independent book, comic, and record stores.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

The beloved Blues Brothers universe will come roaring back to life over the next few years with forays into television, film, live events, music and much more with the first IP offering being a brand new original Graphic Novel: THE BLUES BROTHERS: THE ESCAPE OF JOLIET JAKE. Written by Stella Aykroyd, Luke Pisano and James Werner with artist Felipe Sobriero, The Blues Brothers: The Escape of Joliet Jake is both a love letter and sequel to the original Blues Brothers film. With editorial oversight by Dan Aykroyd, the utmost care has been taken to ensure this new chapter is true to the classic skits, legendary film, and iconic albums. The result is a wild and entertaining ride for both the longtime fans, and those new to the world of Jake and Elwood Blues. This project was originally conceived with the architect of The Blues Brothers, Judy Belushi Pisano, who sadly passed away during this book's production.Luke Pisano shares "The Blues Brothers weren't just a SNL act or movie, they were real musicians, in awe of the legends who came before them. This book is a continuation of that labor of love. This book is dedicated to my mother, Judy Belushi Pisano - the widow of John Belushi and the fierce, loving steward of the Blues Brothers legacy for over 40 years. After John's passing, she didn't just preserve the story-she expanded it. With the team at Z2, and with the talents of Stella and James, we finally found the right partners to make that dream turn reality. I am proud-and humbled-to continue her work in expanding this world of fun, music, and mischievousness.""It makes complete sense to me that the new generation of Blues Brothers will begin in comic book form, where the possibilities for destroying police cars is infinite, physics have no bounds, and the potential for jam partners is off the charts." James Werner points out. "The Blues Brothers universe is full of music and absurdity. Jake and Elwood are FINALLY reuniting , and I am forever grateful that Luke and Stella have asked me to join the band."Stella Aykroyd adds "Elwood and Jake are precious to me, in fact, one of them is actually my Dad. I've helped him sharpie ELWOOD onto his knuckles before Blues Brothers shows with 'Brother Zee', I've walked behind him as he's made his way through a sea of fans dressed as Elwood and Jake all over the world and I've been his co-pilot on the road, where he's explained to me the proper way to T-bone a car. Now, with Elwood, and the one and only 'Sister Zee', Judy Belushi's blessing, Luke, James, and I take the wheel and swerve into the endless possibilities that Z2, Felipe Sobreiro, and the comic book world provide for Jake and Elwood. In many ways the antics we've seen from the Blues Brothers have always been perfectly suited for the comic strip; flying cars, supernatural nuns, dusting an entire apartment building worth of bricks off your shoulders, and now Felipe Sobreiro's illustrations bring them to life once again. Our development process was guided and inspired by the stories and real life occurrences from the lives of Judy, John, and Dan and their process of conception of the Blues Brothers and using it not only for easter eggs but for plot points. I am so excited to share this whole new story with all our music loving anarchists."Lastly, Z2 President, Josh Bernstein adds "The Blues Brothers are comedy, pop-culture and musical royalty. Z2 is proud to expand the creative universe built by Dan Akyroyd, John and Judy Belushi-Pisano and welcome new band members: Luke, Stella and James. When you mix their story with the art of Brazilian Blues Brother, Felipe Sobreiro, fans of all ages will be delighted with the epic return of Jake & Elwood Blues. (We apologize in advance to the fine men and women of the Chicago Police Department.)"THE BLUES BROTHERS: THE SCAPE OF JOLIET JAKE will be available for pre-order via Amazon, Barnes and Noble, as well as many other fine independent book, comic, and record stores.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Pat invites Mike Schmidt into the Zoom Room to discuss all things Joilet Jake and Elwood blues AKA The Blues Brothers!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Ready to be awed, creeped out, and humored? Then join your journeying wayfarers of worldly delights as they reveal the haunting last words uttered by a few celebrities. Revere this round 277!Please support us on the Beer Thursday Patreon page! Your support enables us to continue providing you with entertaining and thought-provoking content.At the $10 level, the next 18 Great Human Beings will gain access to the Beer Thursday Facebook group.We're always eager to hear your thoughts, and you'll love Jay's brilliant beertography on Instagram at beerthursdayshow! Your feedback is not only appreciated, but also integral to our growth. Join the conversation and be a part of our growing community. Your participation makes Beer Thursday what it is!Never miss a round [aka, an episode]! Please help us reach more listeners by subscribing and leaving a 5-star review on your favorite podcasting app. Your feedback helps us improve and boosts our visibility and credibility in the podcasting world! Here's what our house elf, Artie (not Archie), says about this round: Haunting Last Words: Celebrities' Final Say on Beer Thursday Join us for a spine-tingling episode of Beer Thursday as we delve into the eerie and sometimes humorous last words of some of the most iconic celebrities. From Albert Einstein's elegant farewell to Frank Sinatra's chilling admission of defeat, this episode covers it all. We'll discuss the tragic ends of stars like John Belushi and Chris Farley, the poetic final musings of Steve Jobs, and the poignant statements of legends such as Bob Marley and Marilyn Monroe. Grab a beer, settle in, and prepare for a journey into the macabre as we explore these haunting parting shots!

CHRISTOPHER BICKEL, underground filmmaker, punk rocker and artist joins Death By DVD to discuss their most recent film PATER NOSTER AND THE MISSION OF LIGHT, why they make movies, art and MORE on this fresh from the grave episode celebrating all things Christopher Bickel. We have been very luck to have had Mr. Bickel on Death By DVD previously, and now they are back for a ghoulish interview I think you'll enjoy! Well, at least I hope you enjoy it. We discuss the films of Christopher Bickel and what makes them tick as an artist, how they create art and of course we discuss who they are as an artist. Strap in and get ready, this is an action packed episode filled with laughter and joy. I hope you click play and hear it today. Would you like to see a behind the scenes video with footage from the recording of this interview? TAP HERE or copy and paste the link : https://www.patreon.com/posts/death-by-dvd-at-131273256Wanna hear my first interview with Christopher Bickel? TAP HERE or copy and paste the link : https://listentodeathbydvd.transistor.fm/episodes/death-by-dvd-presents-six-feet-under-the-underground-art-of-christopher-bickelWatch PATER NOSTER AND THE MISSION OF LIGHT ON NIGHT FLIGHT. TAP HERE or copy and paste the link : https://www.nightflightplus.com/videos/pater-noster-and-the-mission-of-light/670d3d1a2d57b50001a4f878Learn all about Christopher Bickel's new film PATER NOSTER AND THE MISSION OF LIGHT HERE : Https://www.paternostermovie.comChristopher Bickel on IMDb : https://www.imdb.com/name/nm3355435/PATER NOSTER AND THE MISSION OF LIGHT ON IMDb : https://m.imdb.com/title/tt33064297/WATCH BAD GIRLS BY CHRISTOPHER BICKEL ON AMAZON : https://www.amazon.com/Bad-Girls-Morgan-Shaley-Renew/dp/B09LQ42SX3WATCH THE THETA GIRL BY CHRISTOPHER BICKEL ON AMAZON : https://www.amazon.com/Theta-Girl-Victoria-Elizabeth-Donofrio/dp/B07HSMHVDLSUPPORT CHRISTOPHER BICKEL BY SHOPPING PAPA JAZZ RECORD SHOPPE : https://www.papajazz.com/Did you know that you can watch episodes of DEATH BY DVD and much much more on the official Patreon of Death By DVD? ★ Support this podcast on Patreon ★ subscribe to our newsletter today for updates on new episodes, merch discounts and more at www.deathbydvd.comHEY, while you're still here.. have you heard...DEATH BY DVD PRESENTS : WHO SHOT HANK?The first of its kind, (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER! A Death By DVD New Year Mystery WHO SHOT HANK : PART ONE WHO SHOT HANK : PART TWO WHO SHOT HANK : PART THREE WHO SHOT HANK : PART FOUR WHO SHOT HANK PART 5 : THE BEGINNING OF THE ENDWHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES  ★ Support this podcast on Patreon ★