Podcasts about John Belushi

The Munsons are thrilled to welcome back guest Munson Matti Groll to explore one of the stranger career paths we've covered: Michael Chiklis. A fellow Boston University Terrier, Matti joins us as we trace Chiklis from a disastrous first movie that nearly ended his career before it began to becoming one of the actors who helped redefine what television could look like in the early 2000s. Along the way, we unpack the incredible story behind Wired, the infamous John Belushi biopic that earned the wrath of Belushi's friends, a literal curse from Dan Aykroyd, and years of career fallout for a young actor who was mostly just happy to no longer be waiting tables. From there, we dive into the television work that ultimately made Chiklis a star, including The Commish and his groundbreaking Emmy-winning performance as Vic Mackey on The Shield. We debate just how important The Shield was in opening the door for prestige dramas on basic cable, discover that Stan Lee considered Chiklis's portrayal of The Thing his favorite live-action Marvel performance, and somehow find ourselves defending—or absolutely refusing to defend—the 2005 Fantastic Four. Matti also gets the considerably better assignment of revisiting Spirited Away, whose addition to Chiklis's filmography unexpectedly rescues him from dead last in Case's box-office rankings. The back half brings everything from Eagle Eye, Parker, and the wildly divisive When the Game Stands Tall to the MoviePass-produced crime thriller 10 Minutes Gone, complete with a fascinating behind-the-scenes Bruce Willis story. But the real late-career revelation may be Chiklis as Red Auerbach in Winning Time, a performance strong enough to have us wondering whether a full-blown “Chiklissance” could still be ahead. Is Michael Chiklis an underrated television powerhouse trapped inside an underwhelming movie résumé, or does the uneven filmography tell us something bigger about his limitations as a performer? How does he rank on the Munson Meter? Listen to find out.

While Adam is out in Monterey for the week, enjoy this Carolla Classic featuring the legendary Dan Aykroyd! Dan sits down with Adam to talk about some of his classic films, including The Blues Brothers and Ghostbusters. Adam also compliments Dan's Crystal Head Vodka, praising its high-quality ingredients and iconic bottle design. The two compare Asperger's to hypervigilance, and Dan shares fond memories of John Belushi and John Candy. They also talk about Bill Murray before Dan dives into his thoughts on UFOs and life after death.GET IT ON!LIVE SHOWS: August 20 - Albuquerque, NMAugust 21 - Albuquerque, NM (2 Shows)August 22 - Tucson, AZThank you for supporting our sponsors:Limited Time Offer – Make healthy eating simple. Get Huel today with my exclusive offer of 15% OFF online with my code [ADAM] at huel.com/[ADAM]. New Customers Only. Thank you to Huel for partnering and supporting our show! Buylarine.com/ADAMoreillyauto.com/adam SimpliSafe.com/ADAMtecovas.com/ADAMpluto.tvPodcastOneThe First 48 See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Dr. Thomas Noguchi was the chief medical examiner for LA County from 1967 to 1982. He oversaw the autopsies of some of Hollywood's most famous celebrity deaths, including Marilyn Monroe, Robert Kennedy, Natalie Wood, and John Belushi. Coroner to the Stars is a documentary showing parts of his amazing, and at times controversial, tenure as LA's coroner. We are speaking with the directors of the film, Ben Hethcoat and Keita Ideno. You can watch Coroner to the Stars on demand, for rent or purchase on YouTube, Amazon, etc. It is a fascinating look at one of the more interesting high-profile Asian American figures from that era; I highly recommend seeing it! Listen on Spotify, Apple Podcasts, or wherever you get your podcasts. You can write to us at: ⁠infatuasianpodcast@gmail.com⁠ or use our website infatuasian.com. Please follow us on Instagram and Facebook @infatuasianpodcast  Our Theme: “Super Happy J-Pop Fun-Time” by Prismic Studios was arranged and performed by All Arms Around  Cover Art and Logo designed by Justin Chuan @w.a.h.w (We Are Half the World) #asianpodcast #asianamerican #infatuasian #representationmatters  

Eric Idle and Lorne Michaels teamed up in 1978 to make the greatest Beatles parody you've probably never seen — and it worked so well that Paul McCartney sent back a real letter saying he didn't find it funny, while John Lennon loved it so much he never returned his copy. This week on Cinema Psycho Show, Brian and John dig into The Rutles: All You Need Is Cash, the SNL-adjacent mockumentary packed with John Belushi, Dan Aykroyd, Bill Murray, Gilda Radner, Mick Jagger, and even George Harrison himself. We break down the Beatles history it's spoofing, argue about whether you need to be a Beatles fan to get the jokes, compare it to Spinal Tap and Young Frankenstein, and read your listener reviews. CHAPTERS: Introduction [00:00] The Rutles: A mockumentary history of the Beatles [01:10] The BBC mockumentary behind The Rutles [02:40] The Rutles blends Beatles history with Monty Python humor [03:59] Early SNL stars and the film's celebrity cameos [04:34] Discovering The Rutles as a child and revisiting it as a Beatles fan [07:29] Why The Rutles did not connect with every viewer [10:04] The Beatles' Hamburg years and the importance of context [14:24] The Rutles follows the Beatles' history through parody [17:21] Sight gags, archival footage, and the film's comic style [22:54] The surprisingly strong music of The Rutles [23:30] The Rutles corporation satirizes 1960s idealism [27:42] Why mockumentaries need a recognizable subject [29:04] How The Rutles compares with other mockumentaries [34:10] The Rutles' broadcast history and American reception [37:22] The sequel revisits The Rutles through celebrity commentary [39:08] Listener reviews of The Rutles [41:10] A collection of sketches with a thin plot [41:57] Chastity and the film's most outrageous joke [45:50] The music is excellent, but the parody stays close to the Beatles [51:21] Birthday wishes and final thoughts on The Rutles [56:56] Share the episode and tell us what you think [59:17] FOLLOW THE SHOW:

Before Animal House became one of the greatest comedies ever made, Tim Matheson was already building one of the longest and most fascinating careers in Hollywood. In this episode of Still Here Hollywood with Steve Kmetko, Tim shares unforgettable stories about John Belushi, Lucille Ball, Steven Spielberg, Henry Fonda, Ryan Reynolds, Mel Brooks, Anne Bancroft, Meghan Markle, Aaron Sorkin, Clint Eastwood and many more. He reveals what Belushi was really like before fame changed everything, how Spielberg personally tracked him down in Las Vegas, the acting lessons he learned from Henry Fonda, directing Meghan Markle on Suits, working opposite Mel Brooks, starring in Animal House, The West Wing, Fletch, Van Wilder and Johnny Quest, and why he finally decided to write his memoir. If you love classic Hollywood, behind-the-scenes stories and the golden age of film and television, this episode is packed with incredible moments. Subscribe for new celebrity interviews every Monday.   00:00 Intro, Tim Matheson arrives 00:46 Knee replacement and getting older 01:46 Leave It to Beaver and becoming a child actor 04:02 Working with Steven Spielberg 07:18 The Hollywood legend who influenced him most, Lucille Ball 11:03 Henry Fonda's unforgettable acting lesson 13:48 John Belushi and making Animal House 16:50 Belushi's death and Hollywood's cocaine culture 20:30 Directing Meghan Markle on Suits 21:47 Why Tim finally wrote his memoir 24:11 Ivan Reitman, Animal House and comedy history 27:18 Growing up in broken home and finding Hollywood 36:33 Becoming Johnny Quest 41:22 The West Wing and Aaron Sorkin 44:29 Buying National Lampoon 46:52 Clint Eastwood's advice about aging 47:52 Ryan Reynolds before superstardom 50:32 Mel Brooks and Anne Bancroft stories 54:25 Final thoughts Show CreditsHost/Producer: Steve KmetkoAll things technical: Justin ZangerleExecutive Producer: Jim LichtensteinMusic by: Brian Sanyshyn https://stillherehollywood.comhttp://patreon.com/stillherehollywoodSuggest Guests at: stillherehollywood@gmail.comAdvertise on Still Here Hollywood: jim@stillherenetwork.comPublicist: Maggie Perlich: maggie@numbertwelvemarketing.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Get ready to put on your shades and hit the road as Retro Fandango dives into the 1980 musical comedy classic The Blues Brothers! We're talking about the unforgettable performances from John Belushi and Dan Aykroyd, the legendary soundtrack packed with soul, blues, and R&B icons, outrageous car chases, and the film's surprising journey from a risky Saturday Night Live sketch to a beloved cult classic.Join us as we discuss the movie's production, incredible cast of musicians, box office performance, behind-the-scenes stories, and why The Blues Brothers remains one of the most unique comedies ever made. Whether you're a lifelong fan or discovering Jake and Elwood for the first time, there's plenty to celebrate as we're on a mission from God to revisit this cinematic classic.

Just as the Ebersol era was getting underway, Lorne Michaels and a ragtag collection of the OG crew sneak back into studio 8H to pull off Steve Martin's final NBC special. Probably most notable for John Belushi's final live, televised performance, it also includes more Dan Aykroyd than you can shake a stick at, the soothing presence of Gregory Hines, and lands at a truly intriguing moment in Steve's career. William Ham and Eddie Ham (no relation) are back on board to dig through the ditches, burn through the witches and slam in the back of this strange little oddity. 

Listen without Ads on Patreon: www.patreon.com/dopeypodcast SUMMARY: This week on the Dopey Total Replay: Dopey goes back ten years to Episode 38, a strange cult-classic featuring Dave, Chris and comedian Modi. Before the replay, Dave remembers recording in his old Lower East Side apartment, reads early listener comments and shares an email from a former member of the Real McKenzies whose life moved from crystal meth and touring to cocaine dealing, opiate addiction and a suicide attempt. Dave also talks about briefly considering buying weed at the Great South Bay Music Festival, announces that DopeyCon is likely happening at SVA on October 3, and revisits listener reactions to the early Chris episodes. Then the original episode begins. Modi immediately destroys Dave's apartment, fish tank, furniture and primitive podcast equipment. He shares his first experiences with marijuana and ecstasy, explains the growing market for kosher Sabbath edibles, and talks about performing at a Caron recovery event and appearing on The Sopranos. Chris tells the story of his father discovering his crack pipe—and then recognizing it while the family watched The Sopranos. The guys discuss Artie Lange, Greg Giraldo, sober comedians, AA, Al-Anon and whether everyone has some form of addiction. A convicted bank robber named Shamrock writes from an illegal marijuana farm in Maine, and Dave finally tells the legendary “blue cheese” story: a misunderstanding involving a Mexican man in detox, John Belushi and speedballs. The episode concludes with an old-school New York weed story involving Sheep Meadow, a paranoid elderly dealer, brown paper, a fake payment and an incredibly unlucky subway encounter.   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Usually our guests select a movie they love. Film essayist, podcaster, and ‘80s chronicler Drew McWeeny instead picked a movie he knows doesn't work, but is fascinated by: noted non-comedy director John G. Avildsen's adaptation of Thomas Berger's satirical novel, the final on-screen pairing of the cast-against-type John Belushi and Dan Aykroyd. Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

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In this episode of the show our trip through buddy cop movies of the 80s continues with the 1987 Dragnet. Over the course of our conversation you will hear us talk about how this movie did not after all originate as a potential vehicle for Dan Aykroyd and John Belushi even though it looks like could have, how it spoofs the police procedural genre in ways that is closer to Zucker-Zucker-Abrahams movies than to SNL, and whether Tom Hanks and Dan Aykroyd shared any meaningful chemistry. We also talk about how easy it is to ruin a perfectly good premise with plot, Dan Aykroyd's penchant for weirdness, Dabney Coleman's accent and much more!Tune in and enjoy!Hosts: Jakub Flasz & Randy BurrowsFeaturing: Tony LarderHead over to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠uncutgemspodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to find all of our archival episodes and more!Follow us on Twitter (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠), IG (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) and Facebook (@UncutGemsPod)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy us a coffee over at Ko-Fi.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (ko-fi.com/uncutgemspod)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our Patreon!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (patreon.com/uncutgemspod)

Howard Stern had a great interview with Bill Murray.. he spoke about Bob Woodward's book about John Belushi and how inaccurate it was.. I would question any book he wrote Trump, Nixon.. all lies from this so called expert..Taylor Swift got married & to her annoying self it was at Madison Square Garden..

In this episode of the show we are continuing our June trip through John Landis comedies of the 1980s with the 1985 effort titled Spies Like Us. Over the course of our conversation you will hear us talk about how, much like many Aykroyd-written comedies, this one also originated as a potential vehicle for Aykroyd and John Belushi, how it was morphed into something fit for Chevy Chase and how the two SNL alumni struggled to find the right frequency to work together. We also talk about Spies Like Us working as a prototype of Elaine May's Ishtar, Aykroyd's signature comedy of minutiae, the movie working as a lifeline for Landis who was in the midst of a highly publicized and infamous trial and much more!Tune in and enjoy!Hosts: Jakub Flasz & Randy BurrowsFeaturing: Tony LarderHead over to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠uncutgemspodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to find all of our archival episodes and more!Follow us on Twitter (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠), IG (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) and Facebook (@UncutGemsPod)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy us a coffee over at Ko-Fi.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (ko-fi.com/uncutgemspod)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our Patreon!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (patreon.com/uncutgemspod

Scott and Burke compiled lists of the greatest comedic actors who started as stand-up comedians or performed sketch comedy, ultimately identifying 22 performers across their combined picks. They discovered significant overlap with 7 shared selections including Gene Wilder, Robin Williams, Eddie Murphy, Bill Murray, John Belushi, Steve Martin, and Jim Carrey.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

It's 133 minutes of screen time, we've got a full glass of Orange Whip, two podcasters, an author, and we're recording. Hit it!That's right, we're celebrating the anniversary of the release of the 1980s classic comedy The Blues Brothers. Starring Saturday Night Live alumni Dan Aykroyd and John Belushi, the film has endured for over 45 years and become not only a comedy classic but also a work of cultural significance, preserved by the National Film Registry in the Library of Congress.We are joined once again by Aykroyd and Belushi biographer Daniel de Vise to look back on this "mission from God." Together, we discuss the origins of the film itself—from story and script to casting and production—to its lasting legacy and importance in both comedy and the music of the blues.Along the way, we recount classic musical performances, amazing stunt sequences, and some of our favorite moments from a film that STILL keeps us laughing. Much like a high-speed chase down Lower Wacker Drive, it is full of high stakes, eventful twists and turns, and even a few surprises.---------------------------------Subscribe & Follow today!And follow us on social media: Twitter: @NR4PTProject Instagram: @nr4ptprojectBluesky: @nr4ptproject.bsky.socialFacebook: The Not Ready for Prime Time ProjectContact Us: Website: https://www.nr4project.comEmail: nr4ptproject@gmail.com

Not too many actors can say they've appeared on screen with John Belushi and Jason Vorhees, and also in over 3,000 episodes of a soap opera. But Lauren-Marie Taylor has done just that.For more information and to find out where she's be appearing next, check out her website.

Back on this day in 1984, Ghost Busters released in theatres. When the film was being written, it was originally meant to star John Belushi. Sadly, Belushi passed away before the film finished.

The Ringer's Bill Simmons and Chris Ryan go on double-secret probation after rewatching the 1978 classic ‘Animal House' starring John Belushi, Tim Matheson, and John Vernon. Producers: Craig Horlbeck, Chia Hao Tat, Eduardo Ocampo, and Matt Pevic The Ringer is committed to responsible trading. Please visit https://fanduel.com/predicts to learn more about the resources and helpline. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Back in 2016, Word Balloon welcomed the late great satirist and comedy legend Tony Hendra for a fascinating conversation that covered everything from modern political comedy to the birth of some of the most influential comedy institutions of the last fifty years.Tony joined us to promote the comedy album Are There Any Triggers Out There?, but the discussion quickly became a remarkable tour through his own comedy history. Hendra was one of the founding creative voices behind National Lampoon and The National Lampoon Radio Hour, which became the first national sketch comedy showcase for performers like Gilda Radner, Christopher Guest, John Belushi, Bill Murray, and many other future comedy giants before their rise on Saturday Night Live and beyond.Tony also co-wrote National Lampoon's Lemmings, the legendary off-Broadway stage parody of Woodstock and youth culture that became a launching pad for many of the same performers and helped define the aggressive, counterculture edge of 1970s American comedy. We also talked about Tony's years at Cambridge Footlights, where he performed sketch comedy alongside future Monty Python members John Cleese and Graham Chapman during a revolutionary era for British comedy.And of course, fans know Tony best on screen as the hilariously exasperated Ian Faith, manager of This Is Spinal Tap, delivering some of the film's most quotable moments while trying to hold together the world's most disastrous rock band.It's a funny, insightful conversation with one of comedy's sharpest and most influential voices

The KC Crew learned that The Kindness Chronicles was ranked #2 on Feedspot's “30 Best Kindness Podcasts for 2026,” THANK YOU, listeners! They quickly review the Masonic Children's Hospital gala that raised about $2.5 million, as an example of kindness through philanthropy. The episode then focuses on an extended discussion of The Blues Brothers, including Dan Aykroyd and John Belushi's origin story from Second City, the film's role in reviving and spotlighting blues musicians and Chicago culture, standout scenes and cast members (Aretha Franklin, James Brown, Cab Calloway, Ray Charles, Carrie Fisher, John Candy, Frank Oz, Steven Spielberg), and themes of redemption, loyalty, friendship, and joyful comedy through music. Check it out. 

Emmy-winning writer-producer Dick Blasucci joins Mark Malkoff to discuss a comedy career that spans Chicago's Second City, SCTV, The Tracey Ullman Show, The Larry Sanders Show, Mad TV, and Muppets Tonight. Along the way, he shares stories about John Belushi and Bill Murray, co-creating SCTV's Jackie Rogers Jr., doing punch-ups with Mel Brooks on Spaceballs, and discovering Jordan Peele and Keegan-Michael Key during his years running Mad TV.

This week, Curt Pochert and ADL join us for another movie night as we dive into the 1995 comedy classic, Tommy Boy! We explore the incredible physical comedy of Wisconsin's own Chris Farley and the unique chemistry he shared with co-star David Spade that turned their real-life SNL friendship into a cinematic showcase. Along the way, we discuss the film's "selling brake pads" plot, Farley's roots at Marquette University, and the bittersweet legacy of his comedic style. We also branch out into discussions about his idols, John Belushi and John Candy, and look at the iconic roles Farley almost played—including the original voice of Shrek! From favorite quotes to the impact of SNL stars on the big screen, we cover all this and much, much more! Enjoy!

Rafa Panadero se sumerge en la trayectoria del legendario guitarrista y productor Steve Cropper, figura central de la era dorada del soul en Stax Records y colaborador de iconos como Otis Redding y Wilson Pickett. Se revelan las curiosas técnicas de composición de Cropper y se detalla su papel fundamental en el nacimiento de The Blues Brothers junto a Dan Aykroyd y John Belushi. Desde los estudios de grabación de Memphis hasta las anécdotas reales que inspiraron escenas míticas del cine.

Únete a nuestro Patreon y por $5 al mes disfruta los episodios completos, los primeros 50 episodios, acceso a grabaciones en vivo, preestrenos y otros beneficios - patreon.com/chisteinternoChiste Interno Interno - Escándalos en la Comedia En este episodio de Chiste Interno Interno hablamos sobre los grandes escándalos, tragedias y controversias que han marcado la historia de la comedia moderna tanto en Estados Unidos como en Latinoamérica. En un formato un poco distinto, repasamos las muertes de estrellas de Saturday Night Live como John Belushi, Chris Farley y Phil Hartman, así como los detalles de los casos de Bill Cosby, Pee-wee Herman y las diferentes versiones de la historia de la vez que Richard Pryor corrió en llamas por su vecindario. Todo esto sirve como punto de partida para explorar cómo la comedia convive con el exceso, la caída pública y la controversia.En la conversación hablamos sobre el ambiente de trabajo de SNL, el trágico asesinato de Rob Reiner, el impacto del show de Bill Cosby en la televisión estadounidense, la percepción errónea del final de show de Pee-Wee y la cancelación de Louis C.K. También hablamos sobre Jaime Garzón, Alberto Olmedo, el asesinato de Paco Stanley y cómo este evento desató teorías conspirativas.

Emmy Award-winning writer and producer Chris Cluess has had a legendary career writing for SCTV Network, Cheers, Night Court, MADtv, and The Simpsons. Chris shares stories about John Belushi, Dan Aykroyd, National Lampoon, and what made the SCTV Network writers' room so special with John Candy, Catherine O'Hara, Eugene Levy, and Joe Flaherty. We also dive into MADtv, the SNL rivalry, and what it was like watching Keegan-Michael Key and Jordan Peele rise before Key & Peele. A must-listen for fans of comedy history, SCTV, MADtv, SNL, and classic TV comedy. Learn more about your ad choices. Visit podcastchoices.com/adchoices

After her tumultuous relationship with Gordon Lightfoot ended, Cathy Smith headed to California to pursue her own musical dreams. She was briefly a backup singer for Hoyt Axton. She also had a brief interlude in Paris, where she met The Rolling Stones, who she would later provide drugs to. But it was her association with John Belushi that made her notorious. In March of 1982, she injected Belushi with a mixture of heroin and cocaine that proved fatal. The media and legal drama that followed was just another part of her pattern of being taken advantage of by others. Sponsors Acorns. Get a $5 bonus investment when you sign up at acorns.com/trashy, or download the Acorns app to get started. Want early, ad-free episodes, regular Dumpster Dives, bonus divorces, limited series, Zoom hangouts, and more? Join us at patreon.com/trashydivorces! Want a personalized message for someone in your life? Check us out on Cameo! To advertise on our podcast, please reach out to info@amplitudemediapartners.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Bill Murray, Eddie Murphy, Chevy Chase, Steve Martin, John Belushi, John Candy, Rick Moranis. Animal House, The Blues Brothers, Beverly Hills Cop, Caddyshack, The Jerk, Ghost Busters, ¡Three Amigos!, Funny Farm, Spaceballs, Stripes. We maybe didn’t properly appreciate it at the time, but the 1980s were one of the most fertile periods ever for screen comedies and screen comedians. This hour, a look at the mavericks who shaped a whole comedy aesthetic and at some of the most popular movie comedies ever made. GUESTS: Nick de Semlyen: Editor of Empire magazine and the author of Wild and Crazy Guys: How the Comedy Mavericks of the ’80s Changed Hollywood Forever Daniel Kalwhite: A standup comedian based in New Haven Carolyn Paine: An actress, comedian, and dancer; she is founder, director, and choreographer of CONNetic Dance The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Join the conversation on Facebook and Twitter. Colin McEnroe contributed to this show, which originally aired July 11, 2019, in a different form.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

This week we talk about Steven Spielberg's choatic comedy flop 1941. When I Google "1941 movie" I get Citizen Kane. This movie is not Citizen Kane.SPOILER ALERT We do talk about this movie in its entirety. If you plan on watching it, for God knows what reason, we suggest you do so before listening to our takes.A Universal Pictures and Columbia Pictures production. Released on December 14, 1979. Directed by Steven Spielberg. Written by Robert Zemeckis and Bob Gale, based on a story by Zemeckis, Gale, and John Milius. Starring Dan Aykroyd, Ned Beatty, John Belushi, John Candy, Christopher Lee, Toshiro Mifune, and Robert Stack. Cinematography by William A. Fraker. Edited by Michael Kahn. Score by John Williams.

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Released in 1978 and directed by John Landis, National Lampoon's Animal House follows the anarchic members of Delta House fraternity at Faber College as they wage war against pompous Dean Wormer (John Vernon) and the rival Omega House. Written by Harold Ramis, Douglas Kenney, and Chris Miller, and starring John Belushi as the legendary John "Bluto" Blutarsky, the film became one of the highest-grossing comedies of its era and helped launch the modern R-rated comedy.Jeff Nelligan's satirical new book When the Germans Bombed Pearl Harbor: Animal House in Western Intellectual Thought subjects the film to mock-scholarly analysis, taking its title from Bluto's historically garbled motivational speech. Casting Animal House as a Homeric odyssey and a meditation on society's moral impulse, Nelligan lampoons academic pretension while celebrating a comedy that has embedded itself permanently in American culture. Nelligan is a Washington, D.C. public affairs executive, Army veteran, and author of several previous books on parenting and political life. Mike talks with him about the film's enduring legacy and the making of the book.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Released in 1978 and directed by John Landis, National Lampoon's Animal House follows the anarchic members of Delta House fraternity at Faber College as they wage war against pompous Dean Wormer (John Vernon) and the rival Omega House. Written by Harold Ramis, Douglas Kenney, and Chris Miller, and starring John Belushi as the legendary John "Bluto" Blutarsky, the film became one of the highest-grossing comedies of its era and helped launch the modern R-rated comedy.Jeff Nelligan's satirical new book When the Germans Bombed Pearl Harbor: Animal House in Western Intellectual Thought subjects the film to mock-scholarly analysis, taking its title from Bluto's historically garbled motivational speech. Casting Animal House as a Homeric odyssey and a meditation on society's moral impulse, Nelligan lampoons academic pretension while celebrating a comedy that has embedded itself permanently in American culture. Nelligan is a Washington, D.C. public affairs executive, Army veteran, and author of several previous books on parenting and political life. Mike talks with him about the film's enduring legacy and the making of the book.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

It's time for another documentary I Am Chris Farley. Marcello Adhikary joins me and we go over the documentary. We discuss how people saw Chris and how Chris saw himself. We also compare this documentary to the John Candy and John Belushi documentaries and see where the differ and where they mirror each other. You can support this podcast with my Patreon page with the link below. This podcast can be found on Cross The Streams Media platform. www.patreon.com/scottwhite www.scottyblanco.com www.instagram.com/scottspodcasts www.youtube.com/scottwhitecomedian www.crossthestreamsmedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Nick tackles another listener request and spends the show digging into what he calls “SNL adjacent” movies. These aren't the obvious ones based on sketches like Wayne's World or The Blues Brothers. Instead, they're films connected to Saturday Night Live through the people involved, the history of the show, or the overall spirit of it. Among the movies discussed are Wired, the controversial film about John Belushi, Saturday Night from director Jason Reitman, Mr. Mike’s Mondo Video created by Michael O’Donoghue, and the film version of Gilda Live starring Gilda Radner. Nick plays clips, shares behind-the-scenes stories, and offers some very strong opinions about which of these movies work and which absolutely do not. You'll even hear thoughts from Gene Siskel and Roger Ebert along the way. It's a fun trip through a strange corner of SNL history filled with forgotten, fascinating, and sometimes very questionable movies. [Ep 168]

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Rob and Eddie Deezen talk about his start as a stand-up comedian leading into his acting career with his first year in acting (1978) being in 3 films (one a huge hit, one a fan favorite, and one that didn't do so well).. we're talking GREASE, I WANNA HOLD YOUR HAND and LASERBLAST! They  go into other films Eddie was in like 1941 (with John Belushi) and The Polar Express.  His time working with Stephen Spielberg and we also talk about ELVIS... and other interesting things in Eddie's career. One of Rob's favorite movies of all time is Grease!  He remembers Eddie vividly from Grease (Eugene) and 1941 (Herbie) (two films I saw in the theatre when they first came out).. Eddie is only one of 5 actors to reprise their characters role in Grease 2 (which I've grown to like over the years) Find out which Beatle once did an imperonation of Eddie (from the movie "I wanna hold your hand) Find out what it is exactlty that eddie did on the set of 3 out of 4 of his first films that no other actor has done in acting history We even talk about The Honeymooners You'll find this interview very enjoyable & fun.. Eddie has some good stories. ***** KNOW GOOD MUSIC can be found on Podbean (host site), Spotify, Apple Podcasts, Iheart Radio, Pandora, YouTube  and almost anywhere you listen to podcasts. Links to more sources at Link Tree - www.linktr.ee/knowgoodmusic Visit our YouTube Channel where you can see video segments from all of our interviews.  Just search "know good music" Please follow / subscribe & review Follow our Instagram & Facebook pages for info on upcoming podcasts and sometimes extra content

It's time to Art Funk with the Garf! This week, we've got a pleasantly mellow little outing from the original cast, one with a heavier bent on music than usual. And since the music is being provided by Art Garfunkel and Stephen Bishop, it's also maybe a little sleepier than usual but that doesn't mean we don't have some bangers in here too. In fact, we have one of the most recognizable SNL sketches ever nestled in this one and, for my money, one of the best musical performances as well. There's some real bafflers and Andy Kaufman so join us as we explore this strange, John Belushi heavy episode of SNL.

Punch! Punch! Punch! Writer Craig J. Clark joins us for a tag-team battle: Superhero Godzilla and his new robot friend Jet Jaguar vs. goofy buds Gigan and Megalon (who is not a guy). We talk about Jet Jaguar's origins in a children's art contest, the shadow of popular toku heroes like Ultraman and Kamen Rider, and how MST3K, John Belushi, and the Democratic National Convention helped make this extremely low-budget movie a surprise hit in the US. Read Craig's articles on Crooked Marquee and Werewolf News.Craig on BlueskyCover Art by: ⁠Andy Vanderbilt⁠ (Bluesky⁠⁠⁠ | ⁠⁠⁠Instagram⁠⁠⁠ | ⁠Twitch)⁠Read Derek's Kaiju United piece on Akumaizer 3!⁠Check out Glitterjaw's new show: Little Dead Aliens⁠!Part of⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠The Glitterjaw Queer Podcast Collective⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Cover Art Gallery⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠skreeonkpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Theme song:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠"BIO WARS - Synth Cover" by Kweer Kaiju⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sources include: ⁠⁠⁠⁠⁠Godzilla: The First 70 Years by Steve Ryfle and Ed GodziszewskiA Critical History and Filmography of Toho's Godzilla Series by David KalatWikizilla

Tune in for a chaotic and wildly entertaining late-night ride that captures the unpredictable spirit of a 1960s variety show. Host Lionel jumps effortlessly from deep theological debates about the nature of the Antichrist and the limitations of the devil's power to fiery critiques of classic comedy, including why John Belushi's samurai sketches are highly overrated. Along the way, the phone lines open up to a bizarre cast of callers sharing everything from stories about blowing up golf courses on the set of Caddyshack, to dire warnings about EMP attacks destroying the national power grid, and even a casual claim about spotting the devil at a local egg farm. Whether you are here to ponder the origins of evil, reminisce about old-school comedians like Moms Mabley and Milton Berle, or just laugh at the sheer absurdity of midnight talk radio, this episode delivers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nick welcomes WLS-AM producer and movie obsessive Tom Hush back for another round of Tom Hush's Theater of Trash. This time the spotlight is on the late-80s surfer crime oddity Red Surf starring George Clooney and Gene Simmons of KISS. Tom breaks down the movie's strange charm, the ridiculous plot, and why parts of it feel suspiciously close to Point Break. It turns into a very funny appreciation of a very strange movie. Esmeralda Leon joins Nick later and the conversation shifts to the western comedy Goin’ South starring Jack Nicholson and John Belushi. From there things take a weird turn into celebrity clone theories, starting with the idea that Jim Carrey has somehow been replaced. That leads to a hilarious rundown of other famous “replacement” conspiracy theories that have floated around for years. It's trash cinema, classic comedy, and some wonderfully ridiculous speculation. [Ep 435]

Well, we made it! Season Five of Saturday Night Live has come to an end.Brad and Gary look back and discuss what they liked (and didn't), what they learned, and what surprised them from the final season of SNL's original era. They pick their favorite hosts and musical guests, rank the best (and worst) episodes, and – of course – pick their Best Bits of the season. In addition, they highlight forgotten and underrated moments from the season as well as try to agree on who it was that picked up the mantle in the absence of John Belushi and Dan Aykroyd.  They look back at quality contributions from Harry Shearer as well as lament the too-often absence of Garrett and Laraine (and sometimes Gilda). And, after all is said and done, they try to decide if this season really is as bad as history would have you believe.The final season of “The Early Years of SNL” has come to a close. One last season wrap-up. Here we go… ---------------------------------Subscribe & Follow today! And follow us on social media: Twitter: @NR4PTProject Instagram: @nr4ptproject Bluesky: @nr4ptproject.bsky.social Facebook: The Not Ready for Prime Time Project Contact Us: Website: https://www.nr4project.comEmail: nr4ptproject@gmail.com

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Legendary drummer & producer Steve Jordan (The Rolling Stones, Bruce Springsteen, Jon Batiste, SNL & more), discusses the history and deep personal reverence for the music of Chess Records and the 75th vinyl reissue series.  Topics Include: Steve Jordan discusses touring with John Batiste at Davos Economic Summit He's producing Robert Cray's new album at Fame Studios in Muscle Shoals JayVee Records finishing Willie Mitchell documentary, The Verbs album, and Tony Joe White posthumous record Chess Records called arguably the cornerstone of modern music New vinyl reissue campaign marks first proper Chess reissues in decades Steve's compilation "Let's Play Chess" features personally meaningful recordings The Dells were his first Chess records—Chicago's hardcore R&B answer to Motown Tommy Tucker's "High Heel Sneakers" on Checker was childhood obsession British Invasion reintroduced American blues that establishment had suppressed racially Etta James "At Last" originals fetch four to five hundred dollars Universal fire destroyed masters; some duplicates recovered from Europe thankfully Early stereo versions often poorly done with hard-panned instruments and fake echo Chess building preserved physically but control room was completely stripped of gear Steve brought API console and ribbon mics for 2010 session there Correctly guessed drum placement; Hubert Sumlin confirmed the next day Otis Spann's piano still vibrates sympathetically when musicians play the room Jack Wiener designed Chess gear and later mastered recordings in basement Mastering represents twenty-five percent of the mix, often overlooked historically Jamie Krentz alerted Universal to Chess catalog's 75th anniversary reissue potential Rarities campaign revealed extraordinary alternate takes including deep Lowell Fulsom version Willie Mitchell spent years perfecting Royal Recording's signature snare drum sound Keith Richards session led to lifelong friendship with Willie Mitchell Willie gave Steve one of Al Jackson's tom-toms from Al Green recordings Recording, overdubbing, and mixing in same room captures authentic studio sound John Lennon was his white whale—missed meeting him by five minutes Finally played with Paul McCartney on Rolling Stones' Hackney Diamonds album Blues Brothers debuted on SNL's third season finale with Saturday Night Live band Matt Guitar Murphy was a Chess session player—Steve's first Chess connection unknowingly John Belushi educated Steve nightly on deep Chess catalog from his Chicago roots Devo's SNL performance was a life-changing moment Steve witnessed firsthand High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Nick revisits one of the most infamous nights in Saturday Night Live history, when actor Broderick Crawford hosted the show in March of 1977 and earned a reputation that has never really faded. Crawford was a legendary drinker, and while the broadcast somehow stayed on track, the real tension came from keeping tabs on a host who was drinking during the show and repeatedly trying to sneak off to a nearby bar. The stories behind the scenes are as wild as you'd expect, and the sketches tell their own strange story. Crawford appears in two bits, including a send-up of his own TV series Highway Patrol, while the rest of the episode delivers a snapshot of SNL in transition. You'll hear Bill Murray pleading with the audience to like him as the new guy after Chevy Chase's departure, along with Dan Aykroyd's Nixon impression and John Belushi bringing his samurai character into the mix. It's a look back at a night that somehow worked despite everything working against it, fueled by great performers, nervous energy, and a host who may still hold the title for the drunkest in SNL history. [Ep 159]

Musician, comedian, actor and composer Paul Shaffer was heavily influenced by the musical (and comedy) acts he grew up watching on “The Ed Sullivan Show,” so it was only fitting that we interviewed him in the “Ed Sullivan Room” of the famed New York Friars Club. Not many people can say they worked with James Brown, John Belushi, Sammy Davis, Jr., Jerry Lewis, Brian Wilson, Mickey Rooney AND the infamous Phil Spector, but Paul has — and he shares memorable anecdotes about every one of them. Also, Gilbert and Paul discuss their mutual obsession with a certain Cindy Crawford/Valerie Bertinelli infomercial. Learn more about your ad choices. Visit megaphone.fm/adchoices

Diane and Sean discuss the first(?) motion picture based on an SNL skit.

Musical Journey Through the Final Week of December: This Week in Music History As the calendar year draws to a close, the week of December 22nd through December 28th stands as a powerful reminder that music history never sleeps—not even during the holidays. In this captivating episode of “This Week in Music History,” hosts Buzz Knight and Harry Jacobs take listeners on an extraordinary journey through decades of musical milestones, tragic losses, and triumphant achievements that have shaped the soundtrack of our lives. The conversation opens with a poignant reflection on the end of another year of exploring music’s rich tapestry. Buzz muses on how, despite covering similar calendar dates year after year, they continue to uncover new stories and perspectives. “When you think about it, you would think, well, if you do it year after year, you’re going to be talking about the same things,” Buzz observes. “And the truth is, we continue to uncover new and different things.” This sentiment perfectly captures the infinite depth of music history and the endless stories waiting to be told. The Clash’s Revolutionary Voice Falls Silent December 22nd marks the anniversary of one of punk rock’s most devastating losses—the death of Joe Strummer in 2002. Born John Meller, the Clash frontman passed away from pneumonia at a time when his influence on music and culture was still reverberating through generations of artists. The Clash represented more than just a band; they were a political and social force that challenged conventions and inspired countless musicians to use their platform for more than entertainment. Strummer’s legacy as a voice for the disenfranchised and his commitment to authentic, passionate rock and roll continues to inspire artists today. A Candle in the Wind That Lost Its Luster The hosts touch on Elton John’s iconic “Candle in the Wind,” originally written about Marilyn Monroe in 1967. While the song initially resonated as a beautiful tribute, its later reworking for Princess Diana’s funeral created what Buzz describes as “overkill.” The constant repetition following Diana’s tragic death in 1997 caused the song to lose some of its original emotional impact for many listeners. This phenomenon speaks to how even the most beautiful pieces of music can become dulled through overexposure, demonstrating the delicate balance between honoring memory and respecting the power of restraint. Cheap Trick’s Complex Family Dynamics A fascinating deep dive into the internal dynamics of Cheap Trick reveals the complicated nature of band relationships and business structures. Rick Nielsen, the legendary guitar player known for his collection of hundreds of guitars—including his famous five-neck Hamer guitar—represents the performative and creative heart of Cheap Trick. The band’s 2016 Rock and Roll Hall of Fame induction marked a peak moment, but beneath the surface lay complex tensions. The departure of bassist Bunny Carlos and the subsequent addition of Rick Nielsen’s son, Dax, initially appeared to follow the pattern of other famous rock family transitions, like Michael Anthony’s replacement by Wolfgang Van Halen in Van Halen. However, the reality proved far more nuanced. Buzz’s research uncovered ongoing strife within the band, though Carlos remains part of the Cheap Trick corporation—a business structure similar to Journey’s arrangement with Steve Perry. This setup ensures that founding members maintain ownership stakes even when they’re no longer actively touring, though it can also create lasting tension and legal complications. The hosts explore the darker side of band politics, touching on stories of sabotage and ego clashes. There are tales of Journey band members allegedly pulling on Steve Perry’s microphone cord during performances to make him trip—petty acts of revenge that reveal the intense pressures and personalities at play in successful rock bands. Yet they also note that time can heal wounds, pointing to Perry and Neal Schon’s apparently warm relationship at the Rock and Roll Hall of Fame induction, despite whatever conflicts may have existed in their past. The Therapeutic Approach: A New Model for Band Longevity In a refreshing counterpoint to tales of band dysfunction, Buzz shares insights from his conversation with The Head and the Heart on his “Music Saved Me” podcast. This indie pop alternative band has taken an innovative approach to managing interpersonal relationships: group therapy. Band members openly discuss how they’ve used professional counseling to navigate the challenges of creative collaboration, life on the road, and the inevitable conflicts that arise when passionate artists work together for years. This revelation prompts fascinating speculation about how many legendary bands might have avoided breakups, lawsuits, and lasting bitterness if they’d embraced therapy earlier. The deeply personal nature of musical creation—leaving your heart exposed in every performance, every recording—makes these relationships particularly vulnerable to conflict. As Harry notes, “even if it’s a drummer or a bass player, it’s still your piece of that performance of that song you left your heart out there.” The music exists forever as a testament to that vulnerability, creating permanent emotional stakes that can intensify disagreements and hurt feelings. Joe Cocker: A Voice That Couldn’t Be Contained The passing of Joe Cocker at age 70 in 2014 brings reflection on an artist whose expressive, explosive performances made him unforgettable. While 70 might not seem particularly old from our current vantage point—as Buzz and Harry, approaching 60 and 70 respectively, can attest—Cocker’s hard-living lifestyle took its toll. His performances were legendary, inspiring John Belushi’s spot-on “Saturday Night Live” impersonation that Cocker himself found hilarious. Cocker’s career highlights include his cover of The Beatles’ “With a Little Help from My Friends,” which became the theme for the television series “The Wonder Years,” and “Up Where We Belong,” his duet with Jennifer Warnes from the film “An Officer and a Gentleman.” The latter song became inextricably linked with that powerful film starring Richard Gere and Lou Gossett Jr., whose portrayal of a drill instructor was genuinely frightening and contributed to one of cinema’s most memorable moments—Gere’s character’s desperate declaration: “I got nowhere else to go.” Eddie Vedder: The Humble Superstar December 23rd celebrates the birthday of Eddie Vedder, born in 1964, whose appreciation for musical history and those who came before him sets him apart in an industry often dominated by ego. The hosts draw parallels to Dave Grohl, noting how both artists exhibit genuine humility and respect for their influences. Vedder’s collaborations with Neil Young, particularly their version of “Rockin’ in the Free World,” helped establish his credibility beyond Pearl Jam circles, while his passionate renditions of The Who’s classics—especially “Love, Reign o’er Me”—have become legendary in their own right. Vedder’s versatility shines through in his cover work, from The Waiting by Tom Petty and the Heartbreakers to The English Beat’s “Save It for Later,” featured in the television series “The Bear.” His interpretation of Tom Petty’s “Room at the Top” particularly resonates, described as “so beautiful” in its delicate handling of Petty’s original composition. The discussion of “The Bear” opens a tangent about the show’s exceptional soundtrack curation, featuring all Tom Petty covers including a barn-burning version of “Runnin’ Down the Dream” by Larkin Poe. Despite Pearl Jam’s reputation for deep cuts and extensive catalogs—which might intimidate casual fans—the hosts acknowledge being captivated whenever they hear Vedder sing anything. His voice and interpretive skills transcend the barrier of familiarity, making even unknown material compelling. The Unsung Guitar Legends of Country Music The conversation shifts to Glen Campbell, whose passing on December 24th prompts reflection on his extraordinary but often underappreciated guitar skills. Campbell represents a generation of country musicians whose technical prowess gets overshadowed by genre stereotypes. Like Roy Clark, Campbell could do virtually anything on guitar, yet many people don’t associate country music with virtuoso instrumentalists. Campbell’s session work tells the story of his versatility—he played on albums by The Monkees, The Beach Boys, Frank Sinatra, and soundtracks for Elvis films and Phil Spector productions. This breadth demonstrates how the Nashville studio system produced some of the most skilled musicians in any genre, even if they didn’t always receive recognition outside country music circles. The discussion of Campbell also touches on Brian Wilson’s 1964 breakdown, a tragic moment that had long-lasting consequences for the Beach Boys and Wilson himself. The psychological damage inflicted by Wilson’s abusive father Murry Wilson—compared to Joe Jackson’s treatment of his children—demonstrates how family trauma can derail even the most talented artists. Brian’s struggles with touring and performing were just the beginning of severe mental health challenges that would plague him throughout his career. The Police: Reunion Done Right In 2007, The Police earned recognition as the year’s highest-grossing tour, thirty years after the band’s inception and 24-25 years after their previous collaboration. The reunion tour, which Buzz witnessed in Las Vegas, comprised over 150 shows worldwide and generated nearly $400 million—not a bad payday for a comeback. This success demonstrated the enduring appeal of Sting, Andy Summers, and Stewart Copeland’s unique blend of rock, reggae, and new wave, proving that some artistic chemistry remains potent even after decades apart.Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Welcome to an extraordinary edition of the Takin’ A Walk podcast from Buzz Knight music and the “Master of Music Mayhem,” Harry Jacobs. This comprehensive look at weekly music history explores one of the most emotionally complex weeks in rock and roll history, spanning December 8th through December 14th. From tragic losses to groundbreaking debuts, this week encompasses the full spectrum of music history’s most pivotal moments. John Lennon’s Assassination: December 8, 1980 - A Day That Changed Music Forever The episode opens with perhaps the darkest day in rock music history: December 8, 1980, when John Lennon was shot and killed outside The Dakota apartment building in New York City. Buzz Knight and Harry Jacobs provide intimate personal recollections of this Beatles tragedy that shocked the world. For listeners of this weekly music history episode note the Buzz Knight music podcast replay of "Takin A Walk" with the incredible Julian Lennon. The Beatles Reunion: Free as a Bird and the Anthology Era Moving from tragedy to reunion, the episode explores December 9, 1995, when the Beatles released “Free as a Bird”—the first new Beatles music in 24 years. Both hosts were working together at WZLX in Boston during this momentous release, bringing their firsthand perspective to this Beatles reunion moment. The track, built around a John Lennon demo with contributions from Paul McCartney, George Harrison, and Ringo Starr, represented a technological and emotional achievement in music history. Harry admits his initial underwhelm with the track, noting that while “Free as a Bird” generated enormous curiosity worldwide, it never achieved the status of Beatles classics like “Ticket to Ride,” “Help!,” or songs from Sgt. Pepper’s Lonely Hearts Club Band. The honest assessment reflects how even beloved artists can struggle to recapture past magic, and both hosts acknowledge they haven’t revisited the song since its release. This candid discussion provides valuable context for understanding fan expectations versus artistic reality in music reunion projects. The Blues Brothers Phenomenon: From Saturday Night Live to Cultural Institution December 9, 1978 marks the Saturday Night Live debut of the Blues Brothers, a moment that transformed comedy sketch into legitimate musical force. The episode provides deep insights into how Dan Aykroyd and John Belushi created this blues and R&B supergroup, enlisting Paul Shaffer, Lou Marini, Duck Dunn, and Steve Cropper, who just passed away—the latter two being legendary members of Booker T. and the MGs and key figures in the Stax Records sound that defined Memphis soul music and produced classics like “Soul Man” and “Green Onions.” Howard Shore, who served as Saturday Night Live’s musical director, recognized the potential in Aykroyd and Belushi’s blues performances and helped facilitate their transition from comedy bit to recording artists. The hosts discuss how this comedy-music crossover assembled world-class musicians around a satirical concept that became genuinely respected in the music community. The Blues Brothers represented a unique fusion of comedy and music that introduced younger audiences to blues legends and R&B classics. The conversation explores Tom “Bones” Malone, a guest on Buzz’s podcast, who joined the Blues Brothers band and played trombone with Blood, Sweat & Tears before becoming part of the SNL band. The episode details the evolution of the band from initial concept to full touring and recording entity, with Buzz noting the impressive live performances featuring the Blues Brothers’ acrobatic stage show, where the larger-than-life Belushi performed cartwheels, splits, and handstands that would later inspire Chris Farley’s physical comedy style. The Blues Brothers soundtrack, featuring “Briefcase Full of Blues” and subsequent albums, has “stood the test of time” according to both hosts. Songs like “Rubber Biscuit,” performed with Matt “Guitar” Murphy, and the memorable Aretha Franklin diner scene where Jake orders “four fried chickens and a Coke,” remain embedded in popular culture. The authentic musicianship combined with comedic brilliance created something that transcended both genres, making the Blues Brothers a permanent fixture in American music history. Otis Redding’s Legacy and Tragic Death: December 10, 1967 The episode takes a somber turn with December 10, 1967, the day Otis Redding died in a plane crash near Madison, Wisconsin, along with members of the Bar-Kays. The timing of this tragedy magnifies its impact—Redding had recorded ”(Sittin’ On) The Dock of the Bay” just three days earlier, and the song hadn’t yet been released. The track became a posthumous number-one hit, cementing Redding’s status as one of soul music’s greatest artists, though he never lived to see its success. Wings Over America: McCartney’s Epic Live Album - December 10, 1976 December 10, 1976 brought the release of Wings Over America, Paul McCartney’s triple live album documenting his 1975-1976 tour with Wings. The episode explores the rarity of triple albums in music history, particularly live albums of such scope and ambition. The hosts discuss the bootleg album called “Wings from Wings” that allegedly forced McCartney’s hand, rushing the official release to market before bootleggers could dominate sales. Harry reveals the meticulous production process behind Wings Over America, noting that McCartney collected 8,000 hours of live recordings from the tour. The legendary Beatles bassist and singer then personally mixed the album, listening to five different versions of every song before selecting the best performances. The final album was crafted to sound like a single concert experience, though it actually represented the best moments culled from the entire tour—a production approach that set standards for live albums. The episode highlights how “Maybe I’m Amazed” from this album became the definitive version for many fans, surpassing even the studio recording in emotional power and musical execution. The album also featured several Beatles songs including “Yesterday” and “Bluebird,” allowing McCartney to honor his past while showcasing his post-Beatles work with Wings. This balance between Beatles nostalgia and new material demonstrated McCartney’s artistic evolution while satisfying longtime fans. Early Genesis and Progressive Rock Evolution December 11, 1972 saw Genesis release “Foxtrot,” their fifth studio album and a landmark in progressive rock history. The episode explores this Peter Gabriel-era Genesis and the band’s evolution through various lineups. Harry recalls “Watcher of the Skies” as a standout track, while both hosts discuss later Genesis classics like “The Carpet Crawlers” from “The Lamb Lies Down on Broadway.” The conversation reveals differing perspectives on Genesis eras, with Buzz preferring the Peter Gabriel period and later Phil Collins-fronted work, while Harry admits his fandom developed more during the “Trick of the Tail” era following Gabriel’s departure. This honest exchange reflects how progressive rock bands often created distinct identities across lineup changes, appealing to different audiences in different eras. Buzz shares a memorable concert experience seeing Genesis with double drumming featuring Phil Collins and Bill Bruford (renowned for his work with Yes and King Crimson). This unique configuration represented Genesis at a transitional moment, experimenting with expanded instrumentation before settling into the trio format that would define their later commercial success. The “Trick of the Tail” tour demonstrated the band’s ability to continue without their iconic frontman, eventually leading to Collins taking over lead vocals permanently. The episode takes an unexpected turn to December 12, 1901, when Guglielmo Marconi sent the first transatlantic radio signal from Cornwall to Newfoundland. This moment in broadcasting history laid the foundation for everything that followed, including the careers of Buzz and Harry as radio professionals. Harry jokes about Buzz working for Marconi in 1901, highlighting the self-deprecating humor that characterizes their chemistry while acknowledging that without Marconi’s invention, they would never have met or built careers in radio. This historical perspective reminds listeners that music distribution, radio broadcasting, and the entire infrastructure of modern music industry traces back to pioneering moments like Marconi’s transmission. The evolution of radio technology from those first signals to contemporary podcast production represents over a century of innovation that transformed how humans experience and share music globally. The Clash’s London Calling: Punk’s Masterpiece - December 14, 1979 December 14, 1979 saw the Clash release “London Calling” in the UK, a double album that transcended punk rock limitations to incorporate reggae, rockabilly, ska, and R&B influences. The hosts recall the album’s innovative approach, including the hidden track “Train in Vain,” which became a hit despite not being listed on the original album cover—a marketing trick that created mystique and rewarded attentive listeners. Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

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When comic John Belushi died of a speedball overdose at Hollywood's Chateau Marmont, it wasn't clear there had been a crime—until the National Enquirer got involved. This episode follows the tabloid reporter who hunted down Belushi's dealer, coaxed a confession, and transformed a drug overdose into a homicide investigation.