Podcasts about uwa publishing

Let's get growing with five fascinating fast facts about seeds, a deep dive into seed banks, an interview with Cassy Polimeni, a children's author who writes stories featuring science, and a see-through seed growing activity for you to try yourself at home.   Presented by Jenny Lynch and Matilda Sercombe. Written and produced by Jenny Lynch. Music by Purple Planet Music. Sound effects by Pixabay.   https://www.creativescience.com.au   Episode content: 00:00 Introduction and fast facts 03:09 Seed banks 03:47 Cassy Polimeni and ‘The Garden at the End of the World' 08:33 CD bean plant activity   Cassy Polimeni: https://cassypolimeni.wordpress.com/ UWA Publishing: https://uwap.uwa.edu.au/collections/ella-and-the-frogs-series   CD Bean Plant Activity Instructions: You will need: Old CD case, moist soil or potting mix, broad bean seeds, and a shallow tray. If you can't find a CD case, you can try using a DVD case or a clear plastic zip lock bag instead. Open the CD case, lay it out flat on a bench and take out the plastic inner part. The inner part is often made from black plastic and it has the round part that holds the CD. At the end of the CD case that doesn't have the hinge, add some moist soil or potting mix and place up to three broad bean seeds in the middle of the soil. Close the CD case and stand it up in the plastic tray. You might need to lean the CD case against a wall or a box so it stands up on its side with the soil at the bottom. Leave the CD case until the first signs of germination appear, with roots and leaves growing out of the seed, and continue to observe the plant growing over several days. You will need to keep the soil moist by adding a small amount of water through the gap at the hinged end of the CD case. A dry broad bean seed stays dormant until it has the soil and water it needs to grow. The seed has enough energy and nutrients to start growing, but it soon starts making food from carbon dioxide gas in the air and takes up water and nutrients through the roots. As the bean plant grows, the different parts of the plant can be observed through the clear CD case, including the roots, stem, and leaves. The stem grows up and the roots grow down because the plant can detect light and the force of gravity.

Michelle chats with Dr Toby Davidson, editor of Francis Webb's Collected Poems, about the comic element in his poetry of the 1940s, 50s and 60s. Webb (1925 - 73) is an enigma, a postwar prodigy respected by some of the loftiest names in Australian poetry - Judith Wright, Gwen Harwood, Les Murray, Robert Adamson - but largely unknown to the general public. 2025 marks 100 years since the poet's birth, and the Francis Webb Centenary will be marked with essays, podcasts and tribute readings to shine a fresh light on this North Sydney genius who astonished his contemporaries with his white-hot talent and fierce questioning of social norms, both of which are immediately evident in his character sketches, Shakespearean clowns and spiky satirical ripostes.    Francis Webb Centenary homepage (hosted by UWA Publishing): https://uwap.uwa.edu.au/blogs/marginalia/centenary-of-major-australian-poet-francis-webb?srsltid=AfmBOooROr-1QfHD21zlUOLgdi1IveEr8AHUiZBW-VA5gVwNxG3SwIU9   Ian Dickson's 2022 recital of 'A Drum for Ben Boyd' from the Australian Book Review podcast, introduced by ABR poetry editor John Hawke: https://www.australianbookreview.com.au/podcast/760-the-abr-podcast/8039-on-the-australian-poet-francis-webb-the-abr-podcast-66

Waffle Irongirl interviews Nadia Rhook.  Nadia is a non-Indigenous historian, poet, and educator, and the author of two history-themed poetry collections: boots (UWA Publishing) and Second Fleet Baby (Fremantle Press).

Michelle Johnston is the author of two novels and juggles her writing career with her work as an emergency physician the Royal Perth Hospital and as a Professor of Emergency Medicine at St John of God Murdoch. If that's not impressive enough, Michelle's debut novel 'Dustfall' was awarded the Hachette/Queensland Writers Centre Developing Manuscript Award in 2014 and later published by UWA Publishing in 2018. Last year, Michelle's second novel 'Tiny Uncertain Miracles' was published by HarperCollins to widespread, critical acclaim. A tender, funny, sad and sharply-drawn novel about family, friendship, faith, love, grief and alchemy. I was thrilled to have the chance to speak with Michelle about it recently on the podcast.

Thuy On talks to Di Cousens about her new book, Decadence. Published by UWA Publishing.

This episode Kate and Katherine are IN THE SAME ROOM, hiding out beachside, going to book parties and working on their next books. Amid their bookish activities they take time out to discuss dealing with cancelled book events, how Katherine is progressing with her creative dates and (Katherine's) rules for criticising books that have sold 5 million copies. Heaps of recommendations and a few giggles as per usual. This episode's featured book segment is brought to you by UWA Publishing and we are delighted to be talking to Josh Kemp about his debut novel, Australian gothic fiction, Banjawarn. Check out show notes for this episode on our website www.thefirsttimepodcast.com or get in touch via Twitter (@thefirsttimepod) or Instagram (@thefirsttimepod). Don't forget you can support us and the making of Season Five via our Patreon page. Thanks for joining us!

Artists from Warlayirti Art Centre in Balgo, Western Australia, discuss their painting and culture in the new exhibition at the South Australian Museum, Balgo Beginnings. Audio production for this episode was by Jake Holmes, theme song by Peter Saunders and Kaurna Welcome by Uncle Michael O'Brien. Thanks to all the Balgo artists for their time. Balgo Beginnings is on display at the South Australian Museum until the 6th of February 2022. The exhibition is accompanied by the launch of a ground-breaking new publication in Aboriginal art, 'Balgo: Creating Country' by Professor John Carty. The book is available for purchase online through UWA Publishing and at the South Australian Museum shop. This exhibition is presented in partnership with Warlayirti Arts. Supporting partners are the Art Gallery of South Australia, Tarnanthi, BHP and the government of South Australia. The acquisition of these important Balgo works was made possible by the generous philanthropy of Dianne and Terry Finnegan.

Terri-ann White is the founder of Upswell Publishing, a new publishing imprint in Australia. Between 2006 and 2020 she was Director and Publisher at UWA Publishing from 2006. In that time published around 450 books, including works of fiction, poetry and narrative non-fiction. Prior to this, she founded and directed a cross-disciplinary research centre at UWA, taught literature and writing in universities, was a bookseller for 16 years, and organised festivals. About The Garret Read the transcript of this interview at thegarretpodcast.com. The interview was recorded by Zoom, and we can't wait to start recording in person again soon. You can also follow The Garret on Twitter and Facebook, or follow our host Astrid Edwards on Twitter or Instagram. See omnystudio.com/listener for privacy information.

Poets' Corner is WestWords' monthly encounter with celebrated Australian poets, curated by David Ades. Each month a poet is invited to read and talk about their poetry on a theme of the poet's choice. Michele Seminara is a poet and editor from Sydney. Her writing has twice been nominated for a Pushcart Prize and has appeared in journals such as Cordite, Mascara Literary Review, Jacket2 Magazine and Australian Poetry Journal. She has published two full-length collections, Suburban Fantasy (UWA Publishing, 2021) and Engraft(Island Press, 2016), and chapbooks Scar to Scar (written with Robbie Coburn, PressPress, 2016) and HUSH (Blank Rune Press, 2017). Michele has performed her poetry, chaired panels and appeared at numerous literary events and festivals across Australia, including Newcastle Writers Festival, Wollongong Writers Festival, Queensland Poetry Festival, and (upcoming in August 2021) Canberra Writers Festival. She is curator of the Manly Art Gallery& Museum Poetry Alive Readings, and managing editor of online creative arts journal Verity La. Find more from Michele at her website: https://micheleseminara.net/ You can buy Engraft, Scar to Scar and Hush directly from Michele's website: https://micheleseminara.net/shop/. Michele's latest collection, Suburban Fantasy, can be purchased from UWA Publishing: https://uwap.uwa.edu.au/products/suburban-fantasy?_pos=1&_sid=efccd4a5c&_ss=r ______ ABOUT WESTWORDS WestWords is a literature organisation whose mission is to provide support and resources for the writers, poets, artists, storytellers and creators of Western Sydney, in the form of events, workshops, residencies, school visits, fellowships, groups, consultations and mentorships. For more information, visit our website at https://www.westwords.com.au/​ WestWords is proudly supported by: * CREATE NSW –Arts, Screen & Culture * COPYRIGHT AGENCY Cultural Fund * The City of Parramatta * Blacktown City Council * Campbelltown City Council Music: https://www.purple-planet.com

Nadeszła pora podsumowań i my też chcemy się z Wami podzielić, jak wyglądał u nas rok 2020 z czytelniczego punktu widzenia. Zamiast jednak przedstawiać Wam najlepsze książki zeszłego roku, zastanawiamy się, po jakie gatunki sięgałyśmy najczęściej, przygotowałyśmy sobie nawet wykresy w Excelu, a wszystko po to, by dowiedzieć się, u kogo królowały biografie i wspomnienia, która z nas podróżowała literacko, co w literaturze zaczęło nas interesować i czyje perspektywy wydawały nam się najciekawsze. Jest też mowa o najgorszych książkach, a to nie zdarza się często, bo trochę szkoda nam już czasu na słabe lektury. Kolejna taka okazja, by ponarzekać na to, co złe, trafi się pewnie dopiero znów za rok, więc tym bardziej zapraszamy do słuchania! Książki, które wspominamy w podkaście, to: Jenny Nordberg, „Chłopczyce z Kabulu”, tłum. Justyn Hunia, wydawnictwo Czarne; Kerry Danes, „Oko w oko ze złem”, tłum. Agnieszka Walulik, wydawnictwo Otwarte; Amanda Curtin, „The Sinkings”, UWA Publishing; Zbigniew Rokita, „Kajś”, wydawnictwo Czarne; Maria Stiepanowa, „Pamięci pamięci” tłum. Agnieszka Sowińska, wydawnictwo Prószyński i S-ka; Durga Chew-Bose, „Too much and not in the mood”, Farrar, Straus and Giroux; Lola Olufemi, „Feminism, Interrupted”, Pluto Books; Sarah M. Broom, „Żółty dom”, tłum. Łukasz Błaszczyk Wydawnictwo Agora Zachęcamy do odwiedzin na naszym profilu na Instagramie: https://www.instagram.com/juz_tlumacze i na Facebooku https://www.facebook.com/juz.tlumacze Intro: http://bit.ly/jennush

In his new book, Empire and Asian Migration: Sovereignty, Immigration Restriction and Protest in the British Settler Colonies, 1888–1907 (UWA Publishing, 2018), Jeremy Martens, a senior lecturer in History at the University of Western Australia, offers a comparative look at the tensions that arose in settler colonies like Australia, New Zealand, and South Africa as white settlers protested Asian migration but had only limited sovereignty vis-à-vis the Colonial Office in London.  These competing interests led to a legislative compromise featuring a series of indirect immigration restriction laws that did not explicitly mention race but were still aimed at non-white migrants. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his new book, Empire and Asian Migration: Sovereignty, Immigration Restriction and Protest in the British Settler Colonies, 1888–1907 (UWA Publishing, 2018), Jeremy Martens, a senior lecturer in History at the University of Western Australia, offers a comparative look at the tensions that arose in settler colonies like Australia, New Zealand, and South Africa as white settlers protested Asian migration but had only limited sovereignty vis-à-vis the Colonial Office in London.  These competing interests led to a legislative compromise featuring a series of indirect immigration restriction laws that did not explicitly mention race but were still aimed at non-white migrants. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his new book, Empire and Asian Migration: Sovereignty, Immigration Restriction and Protest in the British Settler Colonies, 1888–1907 (UWA Publishing, 2018), Jeremy Martens, a senior lecturer in History at the University of Western Australia, offers a comparative look at the tensions that arose in settler colonies like Australia, New Zealand, and South Africa as white settlers protested Asian migration but had only limited sovereignty vis-à-vis the Colonial Office in London.  These competing interests led to a legislative compromise featuring a series of indirect immigration restriction laws that did not explicitly mention race but were still aimed at non-white migrants. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his new book, Empire and Asian Migration: Sovereignty, Immigration Restriction and Protest in the British Settler Colonies, 1888–1907 (UWA Publishing, 2018), Jeremy Martens, a senior lecturer in History at the University of Western Australia, offers a comparative look at the tensions that arose in settler colonies like Australia, New Zealand, and South Africa as white settlers protested Asian migration but had only limited sovereignty vis-à-vis the Colonial Office in London.  These competing interests led to a legislative compromise featuring a series of indirect immigration restriction laws that did not explicitly mention race but were still aimed at non-white migrants. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his new book, Empire and Asian Migration: Sovereignty, Immigration Restriction and Protest in the British Settler Colonies, 1888–1907 (UWA Publishing, 2018), Jeremy Martens, a senior lecturer in History at the University of Western Australia, offers a comparative look at the tensions that arose in settler colonies like Australia, New Zealand, and South Africa as white settlers protested Asian migration but had only limited sovereignty vis-à-vis the Colonial Office in London.  These competing interests led to a legislative compromise featuring a series of indirect immigration restriction laws that did not explicitly mention race but were still aimed at non-white migrants. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his new book, Empire and Asian Migration: Sovereignty, Immigration Restriction and Protest in the British Settler Colonies, 1888–1907 (UWA Publishing, 2018), Jeremy Martens, a senior lecturer in History at the University of Western Australia, offers a comparative look at the tensions that arose in settler colonies like Australia, New Zealand, and South Africa as white settlers protested Asian migration but had only limited sovereignty vis-à-vis the Colonial Office in London.  These competing interests led to a legislative compromise featuring a series of indirect immigration restriction laws that did not explicitly mention race but were still aimed at non-white migrants. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book, A Free Flame: Australian Women Writers and Vocation in the Twentieth Century (UWA Publishing, 2018), Ann-Marie Priest, a lecturer at Central Queensland University, explores the literary lives of four Australian women—Gwen Harwood, Dorothy Hewett, Christina Stead, and Ruth Park—who challenged the 20th-century notion of artist as distinctly male. Priest offers biographical and cultural insights into these pioneering women whose urgency to write (their “vocation”) would not be denied. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book, A Free Flame: Australian Women Writers and Vocation in the Twentieth Century (UWA Publishing, 2018), Ann-Marie Priest, a lecturer at Central Queensland University, explores the literary lives of four Australian women—Gwen Harwood, Dorothy Hewett, Christina Stead, and Ruth Park—who challenged the 20th-century notion of artist as distinctly male. Priest offers biographical and cultural insights into these pioneering women whose urgency to write (their “vocation”) would not be denied. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book, A Free Flame: Australian Women Writers and Vocation in the Twentieth Century (UWA Publishing, 2018), Ann-Marie Priest, a lecturer at Central Queensland University, explores the literary lives of four Australian women—Gwen Harwood, Dorothy Hewett, Christina Stead, and Ruth Park—who challenged the 20th-century notion of artist as distinctly male. Priest offers biographical and cultural insights into these pioneering women whose urgency to write (their “vocation”) would not be denied. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book, A Free Flame: Australian Women Writers and Vocation in the Twentieth Century (UWA Publishing, 2018), Ann-Marie Priest, a lecturer at Central Queensland University, explores the literary lives of four Australian women—Gwen Harwood, Dorothy Hewett, Christina Stead, and Ruth Park—who challenged the 20th-century notion of artist as distinctly male. Priest offers biographical and cultural insights into these pioneering women whose urgency to write (their “vocation”) would not be denied. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book, After the War: Returned Soldiers and the Mental and Physical Scars of World War I (UWA Publishing, 2017), Leigh Straw, a Senior Lecturer in Aboriginal Studies and History at the University of Notre Dame, explores the history of repatriation and return of WWI soldiers to Western Australia. The soldiers' physical and mental scars, including tuberculosis and what we today call PTSD, did not end with the armistice, as soldiers and their families struggled with the consequences of wartime trauma well into the 1920s. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book, After the War: Returned Soldiers and the Mental and Physical Scars of World War I (UWA Publishing, 2017), Leigh Straw, a Senior Lecturer in Aboriginal Studies and History at the University of Notre Dame, explores the history of repatriation and return of WWI soldiers to Western Australia. The soldiers' physical and mental scars, including tuberculosis and what we today call PTSD, did not end with the armistice, as soldiers and their families struggled with the consequences of wartime trauma well into the 1920s. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology

In her new book, After the War: Returned Soldiers and the Mental and Physical Scars of World War I (UWA Publishing, 2017), Leigh Straw, a Senior Lecturer in Aboriginal Studies and History at the University of Notre Dame, explores the history of repatriation and return of WWI soldiers to Western Australia. The soldiers’ physical and mental scars, including tuberculosis and what we today call PTSD, did not end with the armistice, as soldiers and their families struggled with the consequences of wartime trauma well into the 1920s. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book, After the War: Returned Soldiers and the Mental and Physical Scars of World War I (UWA Publishing, 2017), Leigh Straw, a Senior Lecturer in Aboriginal Studies and History at the University of Notre Dame, explores the history of repatriation and return of WWI soldiers to Western Australia. The soldiers’ physical and mental scars, including tuberculosis and what we today call PTSD, did not end with the armistice, as soldiers and their families struggled with the consequences of wartime trauma well into the 1920s. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book, After the War: Returned Soldiers and the Mental and Physical Scars of World War I (UWA Publishing, 2017), Leigh Straw, a Senior Lecturer in Aboriginal Studies and History at the University of Notre Dame, explores the history of repatriation and return of WWI soldiers to Western Australia. The soldiers’ physical and mental scars, including tuberculosis and what we today call PTSD, did not end with the armistice, as soldiers and their families struggled with the consequences of wartime trauma well into the 1920s. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book, After the War: Returned Soldiers and the Mental and Physical Scars of World War I (UWA Publishing, 2017), Leigh Straw, a Senior Lecturer in Aboriginal Studies and History at the University of Notre Dame, explores the history of repatriation and return of WWI soldiers to Western Australia. The soldiers' physical and mental scars, including tuberculosis and what we today call PTSD, did not end with the armistice, as soldiers and their families struggled with the consequences of wartime trauma well into the 1920s. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine

In her new book, After the War: Returned Soldiers and the Mental and Physical Scars of World War I (UWA Publishing, 2017), Leigh Straw, a Senior Lecturer in Aboriginal Studies and History at the University of Notre Dame, explores the history of repatriation and return of WWI soldiers to Western Australia. The soldiers’ physical and mental scars, including tuberculosis and what we today call PTSD, did not end with the armistice, as soldiers and their families struggled with the consequences of wartime trauma well into the 1920s. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his new book, The Pilbara: From the Deserts Profits Come (UWA Publishing, 2017), Bradon Ellem, Professor of Employment Relations at the University of Sydney Business School, explores the Pilbara region of Western Australia, a mining region central to the Australian economy and the Australian imagination, but one that few Australians truly know in depth. Focusing on the workers of the Pilbara, Ellem argues that despite the region’s history of unionism, the significant power-grab by companies in the 1980s meant that the great mining boom of the early 21st century favored company profits over union prophets. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his new book, The Pilbara: From the Deserts Profits Come (UWA Publishing, 2017), Bradon Ellem, Professor of Employment Relations at the University of Sydney Business School, explores the Pilbara region of Western Australia, a mining region central to the Australian economy and the Australian imagination, but one that few Australians truly know in depth. Focusing on the workers of the Pilbara, Ellem argues that despite the region’s history of unionism, the significant power-grab by companies in the 1980s meant that the great mining boom of the early 21st century favored company profits over union prophets. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his new book, The Pilbara: From the Deserts Profits Come (UWA Publishing, 2017), Bradon Ellem, Professor of Employment Relations at the University of Sydney Business School, explores the Pilbara region of Western Australia, a mining region central to the Australian economy and the Australian imagination, but one that few Australians truly know in depth. Focusing on the workers of the Pilbara, Ellem argues that despite the region’s history of unionism, the significant power-grab by companies in the 1980s meant that the great mining boom of the early 21st century favored company profits over union prophets. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his book, Like Nothing on this Earth: A Literary History of the Wheatbelt (University of Western Australia Publishing, 2017), Tony Hughes-d’Aeth, Associate Professor of English and Cultural Studies at the University of Western Australia, explores the work of 11 writers who lived in the wheatbelt of southwestern Australia. Delving into the creative writing of authors like Albert Facey, Peter Cowan, Dorothy Hewett, and Jack Davis, he helps us understand the human effects of this massive-scale agriculture. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his book, Like Nothing on this Earth: A Literary History of the Wheatbelt (University of Western Australia Publishing, 2017), Tony Hughes-d’Aeth, Associate Professor of English and Cultural Studies at the University of Western Australia, explores the work of 11 writers who lived in the wheatbelt of southwestern Australia. Delving into the creative writing of authors like Albert Facey, Peter Cowan, Dorothy Hewett, and Jack Davis, he helps us understand the human effects of this massive-scale agriculture. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his book, Like Nothing on this Earth: A Literary History of the Wheatbelt (University of Western Australia Publishing, 2017), Tony Hughes-d’Aeth, Associate Professor of English and Cultural Studies at the University of Western Australia, explores the work of 11 writers who lived in the wheatbelt of southwestern Australia. Delving into the creative writing of authors like Albert Facey, Peter Cowan, Dorothy Hewett, and Jack Davis, he helps us understand the human effects of this massive-scale agriculture. Learn more about your ad choices. Visit megaphone.fm/adchoices

Russian line guard march prior to a military parade in Moscow. Yuri Kochetkov/EPATony Kevin first went to the Soviet Union in 1969. He was 25 years old and working in the Australian Embassy in Moscow at the peak of the Cold War. Embassy staff were told to be aware that every discussion was probably being recorded, and that they should avoid any interactions with locals. Forty-eight years later he returned to Russia and found a very different country from the one he left. In his new book, Return to Moscow, Kevin describes the changes in Russian society since the fall of the Soviet Union and the rise of Vladimir Putin. The political and societal differences are stark. William Isdale spoke to Kevin about his new book, his memories of living in Russia and why he thinks so much distrust and fear of the nation still exists in the West. Tony Kevin’s Return to Moscow is out now from UWA Publishing. Subscribe to The Conversation’s Speaking With podcasts on iTunes, or follow on Tunein Radio. Additional music Tchaikovsky - Dance of the Sugar Plum Fairy William Isdale does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

In her book, Smile, Particularly in Bad Weather: The Era of the Australian Airline Hostess (University of Western Australia Press, 2017), Prudence Black, a Research Associate in the Department of Gender and Cultural Studies at the University of Sydney, explores the history of the airline hostess profession. From the early days of the 1930s until the 1980s, when airline hostesses became “flight attendants,” the issues of work, gender, and identity have been at the heart of the profession. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her book, Smile, Particularly in Bad Weather: The Era of the Australian Airline Hostess (University of Western Australia Press, 2017), Prudence Black, a Research Associate in the Department of Gender and Cultural Studies at the University of Sydney, explores the history of the airline hostess profession. From the early days of the 1930s until the 1980s, when airline hostesses became “flight attendants,” the issues of work, gender, and identity have been at the heart of the profession. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her book, Smile, Particularly in Bad Weather: The Era of the Australian Airline Hostess (University of Western Australia Press, 2017), Prudence Black, a Research Associate in the Department of Gender and Cultural Studies at the University of Sydney, explores the history of the airline hostess profession. From the early days of the 1930s until the 1980s, when airline hostesses became “flight attendants,” the issues of work, gender, and identity have been at the heart of the profession. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her book, Smile, Particularly in Bad Weather: The Era of the Australian Airline Hostess (University of Western Australia Press, 2017), Prudence Black, a Research Associate in the Department of Gender and Cultural Studies at the University of Sydney, explores the history of the airline hostess profession. From the early days of the 1930s until the 1980s, when airline hostesses became “flight attendants,” the issues of work, gender, and identity have been at the heart of the profession. Learn more about your ad choices. Visit megaphone.fm/adchoices

In an activist application of her scholarly discipline, Dr Liz Conor's Skin Deep: Settler Impressions of Aboriginal Women (UWA Publishing, 2016) acknowledges its dual potential to disturb and to incite a reckoning – giving life to Audre Lorde's famous quote that the learning process is something to be incited, like a riot. Using travelogues, cartoon strips, missionary diaries, paintings and lithographs, just to name a few, Dr. Conor's consultation of a vast colonial archive challenges the amnesia in our national record and, accordingly, the racism and misogyny of our cultural imaginary. Recreating the settler-colonial imaginary and the tropes and stereotypes it projected in the imperial enterprise of knowledge production about Aboriginal women, Skin Deep exposes the interlocking oppressions of gender and race that manifested in the 18th, 19th and 20th century. From the innocent native-belle, to the beaten captive bride, the cannibalistic mother to the bare-footed domestic worker, the sexualised metonym of the virginal land to the unsightly, malevolent matriarch, the Aboriginal women was reduced by the settler to a canvas – recklessly painted with the ideologies, expectations and ambitions of the empire – making the Aboriginal women devastatingly skin-deep. Taylor Fox-Smith is teaching gender studies at Macquarie University and researching the gender gap in political behaviour and psychology at the United States Studies Centre in Sydney, Australia. Having received a Bachelor of International and Global Studies with first class Honours in American Studies at the University of Sydney, Taylor was awarded the American Studies Best Thesis Award for her work titled The Lemonade Nexus. The thesis uses the theme of marital infidelity in Beyonce's 2016 visual album Lemonade as a popular cultural narrative of institutional betrayal, and parallels it with police brutality in Baltimore city. It argues that the album provides an alternative model of political formation which can help to understand redemption in the wake of an urban uprising. Rewriting the traditional protest to politics narrative with an iterative nexus named after the album, Taylor's research continues to straddle political science, gender studies and popular culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

In an activist application of her scholarly discipline, Dr Liz Conor’s Skin Deep: Settler Impressions of Aboriginal Women (UWA Publishing, 2016) acknowledges its dual potential to disturb and to incite a reckoning – giving life to Audre Lorde’s famous quote that the learning process is something to be incited, like a riot. Using travelogues, cartoon strips, missionary diaries, paintings and lithographs, just to name a few, Dr. Conor’s consultation of a vast colonial archive challenges the amnesia in our national record and, accordingly, the racism and misogyny of our cultural imaginary. Recreating the settler-colonial imaginary and the tropes and stereotypes it projected in the imperial enterprise of knowledge production about Aboriginal women, Skin Deep exposes the interlocking oppressions of gender and race that manifested in the 18th, 19th and 20th century. From the innocent native-belle, to the beaten captive bride, the cannibalistic mother to the bare-footed domestic worker, the sexualised metonym of the virginal land to the unsightly, malevolent matriarch, the Aboriginal women was reduced by the settler to a canvas – recklessly painted with the ideologies, expectations and ambitions of the empire – making the Aboriginal women devastatingly skin-deep. Taylor Fox-Smith is teaching gender studies at Macquarie University and researching the gender gap in political behaviour and psychology at the United States Studies Centre in Sydney, Australia. Having received a Bachelor of International and Global Studies with first class Honours in American Studies at the University of Sydney, Taylor was awarded the American Studies Best Thesis Award for her work titled The Lemonade Nexus. The thesis uses the theme of marital infidelity in Beyonce’s 2016 visual album Lemonade as a popular cultural narrative of institutional betrayal, and parallels it with police brutality in Baltimore city. It argues that the album provides an alternative model of political formation which can help to understand redemption in the wake of an urban uprising. Rewriting the traditional protest to politics narrative with an iterative nexus named after the album, Taylor’s research continues to straddle political science, gender studies and popular culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

In an activist application of her scholarly discipline, Dr Liz Conor’s Skin Deep: Settler Impressions of Aboriginal Women (UWA Publishing, 2016) acknowledges its dual potential to disturb and to incite a reckoning – giving life to Audre Lorde’s famous quote that the learning process is something to be incited, like a riot. Using travelogues, cartoon strips, missionary diaries, paintings and lithographs, just to name a few, Dr. Conor’s consultation of a vast colonial archive challenges the amnesia in our national record and, accordingly, the racism and misogyny of our cultural imaginary. Recreating the settler-colonial imaginary and the tropes and stereotypes it projected in the imperial enterprise of knowledge production about Aboriginal women, Skin Deep exposes the interlocking oppressions of gender and race that manifested in the 18th, 19th and 20th century. From the innocent native-belle, to the beaten captive bride, the cannibalistic mother to the bare-footed domestic worker, the sexualised metonym of the virginal land to the unsightly, malevolent matriarch, the Aboriginal women was reduced by the settler to a canvas – recklessly painted with the ideologies, expectations and ambitions of the empire – making the Aboriginal women devastatingly skin-deep. Taylor Fox-Smith is teaching gender studies at Macquarie University and researching the gender gap in political behaviour and psychology at the United States Studies Centre in Sydney, Australia. Having received a Bachelor of International and Global Studies with first class Honours in American Studies at the University of Sydney, Taylor was awarded the American Studies Best Thesis Award for her work titled The Lemonade Nexus. The thesis uses the theme of marital infidelity in Beyonce’s 2016 visual album Lemonade as a popular cultural narrative of institutional betrayal, and parallels it with police brutality in Baltimore city. It argues that the album provides an alternative model of political formation which can help to understand redemption in the wake of an urban uprising. Rewriting the traditional protest to politics narrative with an iterative nexus named after the album, Taylor’s research continues to straddle political science, gender studies and popular culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

In an activist application of her scholarly discipline, Dr Liz Conor’s Skin Deep: Settler Impressions of Aboriginal Women (UWA Publishing, 2016) acknowledges its dual potential to disturb and to incite a reckoning – giving life to Audre Lorde’s famous quote that the learning process is something to be incited, like a riot. Using travelogues, cartoon strips, missionary diaries, paintings and lithographs, just to name a few, Dr. Conor’s consultation of a vast colonial archive challenges the amnesia in our national record and, accordingly, the racism and misogyny of our cultural imaginary. Recreating the settler-colonial imaginary and the tropes and stereotypes it projected in the imperial enterprise of knowledge production about Aboriginal women, Skin Deep exposes the interlocking oppressions of gender and race that manifested in the 18th, 19th and 20th century. From the innocent native-belle, to the beaten captive bride, the cannibalistic mother to the bare-footed domestic worker, the sexualised metonym of the virginal land to the unsightly, malevolent matriarch, the Aboriginal women was reduced by the settler to a canvas – recklessly painted with the ideologies, expectations and ambitions of the empire – making the Aboriginal women devastatingly skin-deep. Taylor Fox-Smith is teaching gender studies at Macquarie University and researching the gender gap in political behaviour and psychology at the United States Studies Centre in Sydney, Australia. Having received a Bachelor of International and Global Studies with first class Honours in American Studies at the University of Sydney, Taylor was awarded the American Studies Best Thesis Award for her work titled The Lemonade Nexus. The thesis uses the theme of marital infidelity in Beyonce’s 2016 visual album Lemonade as a popular cultural narrative of institutional betrayal, and parallels it with police brutality in Baltimore city. It argues that the album provides an alternative model of political formation which can help to understand redemption in the wake of an urban uprising. Rewriting the traditional protest to politics narrative with an iterative nexus named after the album, Taylor’s research continues to straddle political science, gender studies and popular culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

In an activist application of her scholarly discipline, Dr Liz Conor’s Skin Deep: Settler Impressions of Aboriginal Women (UWA Publishing, 2016) acknowledges its dual potential to disturb and to incite a reckoning – giving life to Audre Lorde’s famous quote that the learning process is something to be incited, like a riot. Using travelogues, cartoon strips, missionary diaries, paintings and lithographs, just to name a few, Dr. Conor’s consultation of a vast colonial archive challenges the amnesia in our national record and, accordingly, the racism and misogyny of our cultural imaginary. Recreating the settler-colonial imaginary and the tropes and stereotypes it projected in the imperial enterprise of knowledge production about Aboriginal women, Skin Deep exposes the interlocking oppressions of gender and race that manifested in the 18th, 19th and 20th century. From the innocent native-belle, to the beaten captive bride, the cannibalistic mother to the bare-footed domestic worker, the sexualised metonym of the virginal land to the unsightly, malevolent matriarch, the Aboriginal women was reduced by the settler to a canvas – recklessly painted with the ideologies, expectations and ambitions of the empire – making the Aboriginal women devastatingly skin-deep. Taylor Fox-Smith is teaching gender studies at Macquarie University and researching the gender gap in political behaviour and psychology at the United States Studies Centre in Sydney, Australia. Having received a Bachelor of International and Global Studies with first class Honours in American Studies at the University of Sydney, Taylor was awarded the American Studies Best Thesis Award for her work titled The Lemonade Nexus. The thesis uses the theme of marital infidelity in Beyonce’s 2016 visual album Lemonade as a popular cultural narrative of institutional betrayal, and parallels it with police brutality in Baltimore city. It argues that the album provides an alternative model of political formation which can help to understand redemption in the wake of an urban uprising. Rewriting the traditional protest to politics narrative with an iterative nexus named after the album, Taylor’s research continues to straddle political science, gender studies and popular culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

In an activist application of her scholarly discipline, Dr Liz Conor’s Skin Deep: Settler Impressions of Aboriginal Women (UWA Publishing, 2016) acknowledges its dual potential to disturb and to incite a reckoning – giving life to Audre Lorde’s famous quote that the learning process is something to be incited, like a riot. Using travelogues, cartoon strips, missionary diaries, paintings and lithographs, just to name a few, Dr. Conor’s consultation of a vast colonial archive challenges the amnesia in our national record and, accordingly, the racism and misogyny of our cultural imaginary. Recreating the settler-colonial imaginary and the tropes and stereotypes it projected in the imperial enterprise of knowledge production about Aboriginal women, Skin Deep exposes the interlocking oppressions of gender and race that manifested in the 18th, 19th and 20th century. From the innocent native-belle, to the beaten captive bride, the cannibalistic mother to the bare-footed domestic worker, the sexualised metonym of the virginal land to the unsightly, malevolent matriarch, the Aboriginal women was reduced by the settler to a canvas – recklessly painted with the ideologies, expectations and ambitions of the empire – making the Aboriginal women devastatingly skin-deep. Taylor Fox-Smith is teaching gender studies at Macquarie University and researching the gender gap in political behaviour and psychology at the United States Studies Centre in Sydney, Australia. Having received a Bachelor of International and Global Studies with first class Honours in American Studies at the University of Sydney, Taylor was awarded the American Studies Best Thesis Award for her work titled The Lemonade Nexus. The thesis uses the theme of marital infidelity in Beyonce’s 2016 visual album Lemonade as a popular cultural narrative of institutional betrayal, and parallels it with police brutality in Baltimore city. It argues that the album provides an alternative model of political formation which can help to understand redemption in the wake of an urban uprising. Rewriting the traditional protest to politics narrative with an iterative nexus named after the album, Taylor’s research continues to straddle political science, gender studies and popular culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

In an activist application of her scholarly discipline, Dr Liz Conor’s Skin Deep: Settler Impressions of Aboriginal Women (UWA Publishing, 2016) acknowledges its dual potential to disturb and to incite a reckoning – giving life to Audre Lorde’s famous quote that the learning process is something to be incited, like a riot. Using travelogues, cartoon strips, missionary diaries, paintings and lithographs, just to name a few, Dr. Conor’s consultation of a vast colonial archive challenges the amnesia in our national record and, accordingly, the racism and misogyny of our cultural imaginary. Recreating the settler-colonial imaginary and the tropes and stereotypes it projected in the imperial enterprise of knowledge production about Aboriginal women, Skin Deep exposes the interlocking oppressions of gender and race that manifested in the 18th, 19th and 20th century. From the innocent native-belle, to the beaten captive bride, the cannibalistic mother to the bare-footed domestic worker, the sexualised metonym of the virginal land to the unsightly, malevolent matriarch, the Aboriginal women was reduced by the settler to a canvas – recklessly painted with the ideologies, expectations and ambitions of the empire – making the Aboriginal women devastatingly skin-deep. Taylor Fox-Smith is teaching gender studies at Macquarie University and researching the gender gap in political behaviour and psychology at the United States Studies Centre in Sydney, Australia. Having received a Bachelor of International and Global Studies with first class Honours in American Studies at the University of Sydney, Taylor was awarded the American Studies Best Thesis Award for her work titled The Lemonade Nexus. The thesis uses the theme of marital infidelity in Beyonce’s 2016 visual album Lemonade as a popular cultural narrative of institutional betrayal, and parallels it with police brutality in Baltimore city. It argues that the album provides an alternative model of political formation which can help to understand redemption in the wake of an urban uprising. Rewriting the traditional protest to politics narrative with an iterative nexus named after the album, Taylor’s research continues to straddle political science, gender studies and popular culture. Learn more about your ad choices. Visit megaphone.fm/adchoices