Podcasts about Australian Book Review

Madeleine Gray discusses with Ivan six things which should be better known. Madeleine Gray is a writer and critic from Sydney. She was a 2021 Finalist for the Walkley Pascall Prize for Arts Criticism, and has written for publications including the Sydney Review of Books, Australian Book Review and the Times Literary Supplement. She has a MSt in English Literature from the University of Oxford and is a current doctoral candidate at the University of Manchester. Green Dot is her first book, which is available at https://www.waterstones.com/book/green-dot/madeleine-gray/9781399612784. The fact that Aboriginal and Torres Strait Islander peoples are not recognised in the Australian constitution. https://www.theguardian.com/australia-news/2023/oct/14/australia-rejects-proposal-to-recognise-aboriginal-people-in-constitution Who the 78ers are https://www.78ers.org.au/the-ongoing-role-of-the-78ers The television show Deadloch https://en.wikipedia.org/wiki/Deadloch The song 'Scar' by Missy Higgins https://www.youtube.com/watch?v=qKn7XAMNV-g Trade union membership in Australia is far too low https://www.abs.gov.au/statistics/labour/earnings-and-working-conditions/trade-union-membership/latest-release Kim Cattrall scatting with an upright bass https://www.youtube.com/watch?v=nBmt2KN5tsY This podcast is powered by ZenCast.fm

Michelle chats with Dr Toby Davidson, editor of Francis Webb's Collected Poems, about the comic element in his poetry of the 1940s, 50s and 60s. Webb (1925 - 73) is an enigma, a postwar prodigy respected by some of the loftiest names in Australian poetry - Judith Wright, Gwen Harwood, Les Murray, Robert Adamson - but largely unknown to the general public. 2025 marks 100 years since the poet's birth, and the Francis Webb Centenary will be marked with essays, podcasts and tribute readings to shine a fresh light on this North Sydney genius who astonished his contemporaries with his white-hot talent and fierce questioning of social norms, both of which are immediately evident in his character sketches, Shakespearean clowns and spiky satirical ripostes.    Francis Webb Centenary homepage (hosted by UWA Publishing): https://uwap.uwa.edu.au/blogs/marginalia/centenary-of-major-australian-poet-francis-webb?srsltid=AfmBOooROr-1QfHD21zlUOLgdi1IveEr8AHUiZBW-VA5gVwNxG3SwIU9   Ian Dickson's 2022 recital of 'A Drum for Ben Boyd' from the Australian Book Review podcast, introduced by ABR poetry editor John Hawke: https://www.australianbookreview.com.au/podcast/760-the-abr-podcast/8039-on-the-australian-poet-francis-webb-the-abr-podcast-66

Tamzyn & Robbie chat with Peter Rose, out going Editor and CEO of the Australian Book Review. After 24 years at the helm, Peter is handing over the reigns. He... LEARN MORE The post Peter Rose Chats Australian Arts and the Australian Book Review appeared first on JOY Breakfast.

Jack Symonds joins Regina Botros to talk about the production Gilgamesh at the Carriageworks.   Jack Symonds is a composer, conductor and pianist, and Artistic Director of Sydney Chamber Opera. He studied composition at the Royal College of Music, London under Kenneth Hesketh and at the Sydney Conservatorium of Music where he received the University Medal. His stage works represent “a striking and impressive new operatic voice” (Sydney Morning Herald) and he is “one of those performers who seemingly can play anything” (Australian Book Review).

What makes us human? What, if anything, sets us apart from all other creatures? Ever since Charles Darwin's theory of evolution, the answer to these questions has pointed to our own intrinsic animal nature. Yet the idea that, in one way or another, our humanity is entangled with the non-human has a much longer and more venerable history. In the West, it goes all the way back to classical antiquity.  The Trojan Horse and Other Stories: Ten Ancient Creatures That Make Us Human (Cambridge UP, 2024) boldly reveals how the ancient world mobilised concepts of 'the animal' and 'animality' to conceive of the human in a variety of illuminating ways. Through ten stories about marvelous mythical beings - from the Trojan Horse to the Cyclops, and from Androcles' lion to the Minotaur - Julia Kindt unlocks fresh ways of thinking about humanity that extend from antiquity to the present and that ultimately challenge our understanding of who we really are. Julia Kindt is Professor of Ancient History, ARC Future Fellow (2018-22), a member of the Sydney Environment Institute, and elected fellow of the Australian Academy of the Humanities. She is a contributor to TLS, the Australian Book Review, Meanjin, History Today, The Conversation, and other magazines. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

What makes us human? What, if anything, sets us apart from all other creatures? Ever since Charles Darwin's theory of evolution, the answer to these questions has pointed to our own intrinsic animal nature. Yet the idea that, in one way or another, our humanity is entangled with the non-human has a much longer and more venerable history. In the West, it goes all the way back to classical antiquity.  The Trojan Horse and Other Stories: Ten Ancient Creatures That Make Us Human (Cambridge UP, 2024) boldly reveals how the ancient world mobilised concepts of 'the animal' and 'animality' to conceive of the human in a variety of illuminating ways. Through ten stories about marvelous mythical beings - from the Trojan Horse to the Cyclops, and from Androcles' lion to the Minotaur - Julia Kindt unlocks fresh ways of thinking about humanity that extend from antiquity to the present and that ultimately challenge our understanding of who we really are. Julia Kindt is Professor of Ancient History, ARC Future Fellow (2018-22), a member of the Sydney Environment Institute, and elected fellow of the Australian Academy of the Humanities. She is a contributor to TLS, the Australian Book Review, Meanjin, History Today, The Conversation, and other magazines. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

What makes us human? What, if anything, sets us apart from all other creatures? Ever since Charles Darwin's theory of evolution, the answer to these questions has pointed to our own intrinsic animal nature. Yet the idea that, in one way or another, our humanity is entangled with the non-human has a much longer and more venerable history. In the West, it goes all the way back to classical antiquity.  The Trojan Horse and Other Stories: Ten Ancient Creatures That Make Us Human (Cambridge UP, 2024) boldly reveals how the ancient world mobilised concepts of 'the animal' and 'animality' to conceive of the human in a variety of illuminating ways. Through ten stories about marvelous mythical beings - from the Trojan Horse to the Cyclops, and from Androcles' lion to the Minotaur - Julia Kindt unlocks fresh ways of thinking about humanity that extend from antiquity to the present and that ultimately challenge our understanding of who we really are. Julia Kindt is Professor of Ancient History, ARC Future Fellow (2018-22), a member of the Sydney Environment Institute, and elected fellow of the Australian Academy of the Humanities. She is a contributor to TLS, the Australian Book Review, Meanjin, History Today, The Conversation, and other magazines. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What makes us human? What, if anything, sets us apart from all other creatures? Ever since Charles Darwin's theory of evolution, the answer to these questions has pointed to our own intrinsic animal nature. Yet the idea that, in one way or another, our humanity is entangled with the non-human has a much longer and more venerable history. In the West, it goes all the way back to classical antiquity.  The Trojan Horse and Other Stories: Ten Ancient Creatures That Make Us Human (Cambridge UP, 2024) boldly reveals how the ancient world mobilised concepts of 'the animal' and 'animality' to conceive of the human in a variety of illuminating ways. Through ten stories about marvelous mythical beings - from the Trojan Horse to the Cyclops, and from Androcles' lion to the Minotaur - Julia Kindt unlocks fresh ways of thinking about humanity that extend from antiquity to the present and that ultimately challenge our understanding of who we really are. Julia Kindt is Professor of Ancient History, ARC Future Fellow (2018-22), a member of the Sydney Environment Institute, and elected fellow of the Australian Academy of the Humanities. She is a contributor to TLS, the Australian Book Review, Meanjin, History Today, The Conversation, and other magazines. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore

What makes us human? What, if anything, sets us apart from all other creatures? Ever since Charles Darwin's theory of evolution, the answer to these questions has pointed to our own intrinsic animal nature. Yet the idea that, in one way or another, our humanity is entangled with the non-human has a much longer and more venerable history. In the West, it goes all the way back to classical antiquity.  The Trojan Horse and Other Stories: Ten Ancient Creatures That Make Us Human (Cambridge UP, 2024) boldly reveals how the ancient world mobilised concepts of 'the animal' and 'animality' to conceive of the human in a variety of illuminating ways. Through ten stories about marvelous mythical beings - from the Trojan Horse to the Cyclops, and from Androcles' lion to the Minotaur - Julia Kindt unlocks fresh ways of thinking about humanity that extend from antiquity to the present and that ultimately challenge our understanding of who we really are. Julia Kindt is Professor of Ancient History, ARC Future Fellow (2018-22), a member of the Sydney Environment Institute, and elected fellow of the Australian Academy of the Humanities. She is a contributor to TLS, the Australian Book Review, Meanjin, History Today, The Conversation, and other magazines. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

What makes us human? What, if anything, sets us apart from all other creatures? Ever since Charles Darwin's theory of evolution, the answer to these questions has pointed to our own intrinsic animal nature. Yet the idea that, in one way or another, our humanity is entangled with the non-human has a much longer and more venerable history. In the West, it goes all the way back to classical antiquity.  The Trojan Horse and Other Stories: Ten Ancient Creatures That Make Us Human (Cambridge UP, 2024) boldly reveals how the ancient world mobilised concepts of 'the animal' and 'animality' to conceive of the human in a variety of illuminating ways. Through ten stories about marvelous mythical beings - from the Trojan Horse to the Cyclops, and from Androcles' lion to the Minotaur - Julia Kindt unlocks fresh ways of thinking about humanity that extend from antiquity to the present and that ultimately challenge our understanding of who we really are. Julia Kindt is Professor of Ancient History, ARC Future Fellow (2018-22), a member of the Sydney Environment Institute, and elected fellow of the Australian Academy of the Humanities. She is a contributor to TLS, the Australian Book Review, Meanjin, History Today, The Conversation, and other magazines. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

What makes us human? What, if anything, sets us apart from all other creatures? Ever since Charles Darwin's theory of evolution, the answer to these questions has pointed to our own intrinsic animal nature. Yet the idea that, in one way or another, our humanity is entangled with the non-human has a much longer and more venerable history. In the West, it goes all the way back to classical antiquity.  The Trojan Horse and Other Stories: Ten Ancient Creatures That Make Us Human (Cambridge UP, 2024) boldly reveals how the ancient world mobilised concepts of 'the animal' and 'animality' to conceive of the human in a variety of illuminating ways. Through ten stories about marvelous mythical beings - from the Trojan Horse to the Cyclops, and from Androcles' lion to the Minotaur - Julia Kindt unlocks fresh ways of thinking about humanity that extend from antiquity to the present and that ultimately challenge our understanding of who we really are. Julia Kindt is Professor of Ancient History, ARC Future Fellow (2018-22), a member of the Sydney Environment Institute, and elected fellow of the Australian Academy of the Humanities. She is a contributor to TLS, the Australian Book Review, Meanjin, History Today, The Conversation, and other magazines. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

What makes us human? What, if anything, sets us apart from all other creatures? Ever since Charles Darwin's theory of evolution, the answer to these questions has pointed to our own intrinsic animal nature. Yet the idea that, in one way or another, our humanity is entangled with the non-human has a much longer and more venerable history. In the West, it goes all the way back to classical antiquity.  The Trojan Horse and Other Stories: Ten Ancient Creatures That Make Us Human (Cambridge UP, 2024) boldly reveals how the ancient world mobilised concepts of 'the animal' and 'animality' to conceive of the human in a variety of illuminating ways. Through ten stories about marvelous mythical beings - from the Trojan Horse to the Cyclops, and from Androcles' lion to the Minotaur - Julia Kindt unlocks fresh ways of thinking about humanity that extend from antiquity to the present and that ultimately challenge our understanding of who we really are. Julia Kindt is Professor of Ancient History, ARC Future Fellow (2018-22), a member of the Sydney Environment Institute, and elected fellow of the Australian Academy of the Humanities. She is a contributor to TLS, the Australian Book Review, Meanjin, History Today, The Conversation, and other magazines. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

What makes us human? What, if anything, sets us apart from all other creatures? Ever since Charles Darwin's theory of evolution, the answer to these questions has pointed to our own intrinsic animal nature. Yet the idea that, in one way or another, our humanity is entangled with the non-human has a much longer and more venerable history. In the West, it goes all the way back to classical antiquity.  The Trojan Horse and Other Stories: Ten Ancient Creatures That Make Us Human (Cambridge UP, 2024) boldly reveals how the ancient world mobilised concepts of 'the animal' and 'animality' to conceive of the human in a variety of illuminating ways. Through ten stories about marvelous mythical beings - from the Trojan Horse to the Cyclops, and from Androcles' lion to the Minotaur - Julia Kindt unlocks fresh ways of thinking about humanity that extend from antiquity to the present and that ultimately challenge our understanding of who we really are. Julia Kindt is Professor of Ancient History, ARC Future Fellow (2018-22), a member of the Sydney Environment Institute, and elected fellow of the Australian Academy of the Humanities. She is a contributor to TLS, the Australian Book Review, Meanjin, History Today, The Conversation, and other magazines. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/animal-studies

In this episode Sam Elkin chats with Ernest Price. Chat highlights include: • Path to publication and the reaction from their communities • Ethics of writing about people you know • Pyramid schemes and LGBTQIA+ community work Ernest Price is a transgender man working as a secondary English teacher in Naarm/ Melbourne. His writing has been published by Queerstories and Overland. The Pyramid of Needs is his debut novel. Sam Elkin is a writer, event producer and co-editor of Nothing to Hide: Voices Of Trans And Gender Diverse Australia (Allen & Unwin). Born in England and raised on Noongar land, Sam now lives on unceded Wurundjeri land. Sam's essays have been published in the Griffith Review, Australian Book Review, Sydney Review of Books and Kill Your Darlings. He hosts the 3RRR radio show Queer View Mirror and is a Tilde Film Festival board member. His debut book Detachable Penis: A Queer Legal Saga was released by Upswell in May 2024. Queer Writes Session (QWS) Podcast, a Words & Nerds spin off series hosted by Rob aka R.W.R. McDonald and Jonathan Butler, in partnership with Blarney Books & Art in Port Fairy. Books mentioned and reviews can be found on QUEER WRITES SESSIONS | Blarney Books and Art

Professor James Curran delves into the discussions and real intentions behind the AUKUS agreement and Australia's plan to obtain nuclear submarines from the US and the UK. How exactly does the US perceive AUKUS? James reveals how the US' view differs greatly from the Australian government's view. With so many practical questions weighing around the delivery of the submarines and the cooperation of the US, UK, and Australian navies, does Australia have a Plan B? James Curran is International Editor of the AFR and Professor of Modern History at the University of Sydney. In our discussion he talks about his essay on AUKUS in the Australian Book Review, 'AUKUS in the Dock: Questions and challenges for the Albanese government.' Read his essay here: https://www.australianbookreview.com.au/abr-online/current-issue/1003-june-2024-no-465/12583-aukus-in-the-dock-questions-and-challenges-for-the-albanese-government-by-james-curran and his columns here: https://www.afr.com/by/james-curran-p4yvj2 Broadcast on 25 June 2024.

Professor James Curran delves into the discussions and real intentions behind the AUKUS agreement and Australia's plan to obtain nuclear submarines from the US and the UK. How exactly does the US perceive AUKUS? James reveals how the US' view differs greatly from the Australian government's view. With so many practical questions weighing around the delivery of the submarines and the cooperation of the US, UK, and Australian navies, does Australia have a Plan B? James Curran is International Editor of the AFR and Professor of Modern History at the University of Sydney. In our discussion he talks about his essay on AUKUS in the Australian Book Review, 'AUKUS in the Dock: Questions and challenges for the Albanese government.' Read his ABR essay here and his AFR columns here. Dr Bertrand Bourgeois speaks in-depth about the snap French elections for the National Assembly (lower house) called by President Emmanuel Macron. With the far-right National Rally or Rassemblement National (led by Marine Le Pen and Jordan Bardella) leading in the polls, closely followed by the far left coalition, the New Popular Front or Le Nouveau Front Populaire (comprising La France Insoumise or France Unbowed, the Greens, Communists, and Socialists), and Macron's centrist coalition Ensemble, including his Renaissance party coming in third – was it a miscalculated gamble to go early? Why is Jean-Luc Mélenchon such a polarising figure? What do the parties and coalitions stand for and why is the far-right becoming “mainstream” in France? Dr Bertrand Bourgeois is a Senior Lecturer in French Studies at the University of Melbourne.Alison Croggon, theatre critic and Arts Editor for The Saturday Paper talks with Amy about the state of Australian theatre. Alison writes in The Monthly that, “a generation of small independent theatremakers has been betrayed by government neglect and bad policy, creating a cultural crisis.” Read Alison's essay in The Monthly here.

THIS STORY CONTAINS DETAILS OF CRUELTY TO A CHILD AND MAY BE TRIGGERING. Marguerite Johnson is Honorary Professor of Classics and Ancient History at the University of Queensland. She began creative writing, literary essays, and public opinion pieces in 2010, following a break from academia as a result of cancer. She continues to combine research with other writing practices. She is a contributor to The Conversation and a regular guest on radio and podcasts. In 2017 she was named the Australian Book Review inaugural Gender Fellow winner for her essay on Picnic at Hanging Rock. Some of her creative writing, inspired by Greek mythology, appear in the journal, Arion. She currently lives on the Greek island of Lesvos.CreditsConcept designer, co-producer, and narrator: Susanna LobezCo-producer: Carmel ShuteProductionManager: Tim CoyGraphic Designer: Caz BrownCopyright Sisters in Crime AustraliaIF THIS STORY HAS RAISED ANY ISSUES FOR YOU AS A LISTENER - YOU MAY WISH TO CONTACT LIFELINE on 13 11 14.

Anna and Annie discuss the 2024 Stella Prize winner and the Women's Prize for Fiction shortlist. Our book of the week is Thunderhead by Miranda Darling. A black comedy, set in suburbia, about one woman's struggle to be free, it has been described as a 'feminist triumph and homage to Virginia Woolf' (Australian Book Review).  We love a short novel and this is a gem. Coming up: The Busy Body with author Kemper Donovan. Follow us! Instagram: @abailliekaras and @mr_annie Email: Booksonthegopodcast@gmail.com   Credits Artwork: Sascha Wilkosz

Sam Elkin's debut memoir is Detachable Penis: A Queer Legal Saga. Sam's essays have been published in the Griffith Review, Australian Book Review, Sydney Review of Books and Kill Your Darlings. He co-edited Nothing to Hide: Voices of Trans and Gender Diverse Australia . He hosts the 3rrr radio show Queer View Mirror and is a Tilde Film Festival board member.  About The Garret Follow The Garret: Writing and Publishing and our host Astrid Edwards on Instagram. Explore our back catalogue (and transcripts) at thegarretpodcast.com.See omnystudio.com/listener for privacy information.

After her prize-winning debut, Karen Rigby returns with a beguiling ars poetica and tribute to the dazzling. From Dior to Olympic figure skating, Bruegel to British crime drama, Rigby's poems revere memorable art, where “performance masks the hours.” Here, thread galvanizes air. A poem is a diamond heist. And menace and elegance are twin gloves directing each cinematic moment. A book of feminine ardor, teenaged MDD and survival, Fabulosa (Jackleg Press, 2024) embroiders beauty out of ache, raises culturally difficult topics with poise, and helps readers feel seen with elegance and originality. Born in the Republic of Panama in 1979, Karen Rigby now lives and writes in Arizona. Her latest poetry book, Fabulosa, is forthcoming from JackLeg Press in 2024. Her debut poetry book, Chinoiserie, was selected by Paul Hoover for a 2011 Sawtooth Poetry Prize.Karen's work has been honored by a National Endowment for the Arts literature fellowship, a Vermont Studio Center Fellowship, and an Artist Opportunity Grant from the Greater Pittsburgh Arts Council. She is a 2023 recipient of an Artist Opportunity Grant from the Arizona Commission on the Arts. Her poetry is published in journals such as The London Magazine, Poetry Northwest, The Oxonian Review, and Australian Book Review. She is a freelance book reviewer and lives in Arizona. Preorder Fabulosa here. You can learn more about Megan Wildhood at meganwildhood.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

After her prize-winning debut, Karen Rigby returns with a beguiling ars poetica and tribute to the dazzling. From Dior to Olympic figure skating, Bruegel to British crime drama, Rigby's poems revere memorable art, where “performance masks the hours.” Here, thread galvanizes air. A poem is a diamond heist. And menace and elegance are twin gloves directing each cinematic moment. A book of feminine ardor, teenaged MDD and survival, Fabulosa (Jackleg Press, 2024) embroiders beauty out of ache, raises culturally difficult topics with poise, and helps readers feel seen with elegance and originality. Born in the Republic of Panama in 1979, Karen Rigby now lives and writes in Arizona. Her latest poetry book, Fabulosa, is forthcoming from JackLeg Press in 2024. Her debut poetry book, Chinoiserie, was selected by Paul Hoover for a 2011 Sawtooth Poetry Prize.Karen's work has been honored by a National Endowment for the Arts literature fellowship, a Vermont Studio Center Fellowship, and an Artist Opportunity Grant from the Greater Pittsburgh Arts Council. She is a 2023 recipient of an Artist Opportunity Grant from the Arizona Commission on the Arts. Her poetry is published in journals such as The London Magazine, Poetry Northwest, The Oxonian Review, and Australian Book Review. She is a freelance book reviewer and lives in Arizona. Preorder Fabulosa here. You can learn more about Megan Wildhood at meganwildhood.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

After her prize-winning debut, Karen Rigby returns with a beguiling ars poetica and tribute to the dazzling. From Dior to Olympic figure skating, Bruegel to British crime drama, Rigby's poems revere memorable art, where “performance masks the hours.” Here, thread galvanizes air. A poem is a diamond heist. And menace and elegance are twin gloves directing each cinematic moment. A book of feminine ardor, teenaged MDD and survival, Fabulosa (Jackleg Press, 2024) embroiders beauty out of ache, raises culturally difficult topics with poise, and helps readers feel seen with elegance and originality. Born in the Republic of Panama in 1979, Karen Rigby now lives and writes in Arizona. Her latest poetry book, Fabulosa, is forthcoming from JackLeg Press in 2024. Her debut poetry book, Chinoiserie, was selected by Paul Hoover for a 2011 Sawtooth Poetry Prize.Karen's work has been honored by a National Endowment for the Arts literature fellowship, a Vermont Studio Center Fellowship, and an Artist Opportunity Grant from the Greater Pittsburgh Arts Council. She is a 2023 recipient of an Artist Opportunity Grant from the Arizona Commission on the Arts. Her poetry is published in journals such as The London Magazine, Poetry Northwest, The Oxonian Review, and Australian Book Review. She is a freelance book reviewer and lives in Arizona. Preorder Fabulosa here. You can learn more about Megan Wildhood at meganwildhood.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Look at this ‘graph. Show notes My interview with Aaron Irwin The Poet Tasters by Ben Etherington milk and honey by Rupi Kaur Kate Baer Peter Craven Martin Duwell's Australian Poetry Review Ep 196. James Jiang: A certain claustrophobia The journals: Cordite, Australian Book Review, Rochford Street Review, Mascara, Southerly, Rabbit, Sydney Review of Books, Quadrant, … Continue reading "Ep 251. The Poet Eaters"

With the rapid rise of generative AI, what does this mean for the human side of creativity, art and culture?In this episode, David Karsten is joined by Rachel Robertson and Susanna Castleden explore the intersection between generative AI and human creativity, and discuss the ways in which innovative projects can act to showcase the creative work of our human artists and writers.Learn moreBook Mentioned:Here Be Monsters: Is Technology Reducing Our Humanity? by Richard King (Monash University Publishing, 2023).Article Reference:Richard King's article 'The Defence' in Griffith Review, issue 81, 2023, pp20-28.AI Carbon Footprint:We're getting a better idea of AI's true carbon footprint, MIT Technology Review, 2022.Human Rights Issues in AI Industry:Open AI Used Kenyan Workers ... To Make ChatGPT Less Toxic, TIME, 2023.Writers Response Project Anthologies:Where the Ink Falls, edited by Rachel Robertson, published by John Curtin Gallery, 2022.25 for 25: Curtin Writers Respond, edited by Rachel Robertson, published by John Curtin Gallery, 2023. Available in hard copy at the John Curtin Gallery, and available soon on Issuu.Podcast Links:Explore more episodes on creativity and generative AI: Word & Image Podcast.Connect with our guestsRachel RobertsonAssociate Professor, Curtin School of Media, Creative Arts and Social InquiryStaff profileWebsiteAssociate Professor Rachel Robertson teaches and supervises in Professional Writing and Publishing and Creative Writing in the School of Media, Creative Arts and Social Inquiry at Curtin University. She has a BA (Honours) and MPhil from UWA and a PhD from Curtin University. Her memoir, Reaching One Thousand: a story of love, motherhood and autism, was published by Black Inc in 2012 and re-issued in 2018. She is editor or co-editor of seven other scholarly or creative books including recent titles Where the Ink Falls (2022) and 25 for 25 (2023). Her creative nonfiction and essays have been published in outlets such as Griffith Review, Island, Best Australian Essays, Australian Book Review and Westerly.Susanna CastledenAssociate Professor in the School of Media, Creative Arts and Social Inquiry; Dean of Research in the Faculty of HumanitiesAs Dean of Research in the Faculty of Humanities at Curtin University, Susanna is responsible for supporting and promoting researchers in the School of Education, the School of Media Creative Arts and Social Inquiry, and the School of Design and Built Environment. Susanna is a multi-award-winning artist and educator and has exhibited continuously throughout her career. She has participated over 30 solo and group exhibitions, and her artworks are held in more than 20 major collections across Australia, including the National Gallery of Australia and The Art Gallery of WA.  Susanna's creative practice, predominantly in printmaking and drawing, includes large-scale projects that bring together ideas of mobility and proximity, often seeking to reveal alternate ways of encountering and understanding movement. LinkedInStaff profileWebsiteJoin Curtin UniversityThis podcast is brought to you by Curtin University. Curtin is a global university known for its commitment to making positive change happen through high-impact research, strong industry partnerships and practical teaching.Work with usStudy a research degreeStart postgraduate educationGot any questions, or suggestions for future topics?Email thefutureof@curtin.edu.auSocial mediaX (Twitter)FacebookInstagramYouTubeLinkedInTranscriptRead the transcript Behind the scenesHost: David KarstenContent creator: Yvette TullochProducer and Recordist: Emilia JolakoskaSocial Media: Amy HoskingExecutive Producers: Anita Shore and Matthew SykesFirst Nations AcknowledgementCurtin University acknowledges the traditional owners of the land on which Curtin Perth is located, the Whadjuk people of the Nyungar Nation, and on Curtin Kalgoorlie, the Wongutha people of the North-Eastern Goldfields; and the First Nations peoples on all Curtin locations.MusicOKAY by 13ounce Creative Commons — Attribution-ShareAlike 3.0 Unported — CC BY-SA 3.0 Music promoted by Audio Library.Curtin University supports academic freedom of speech. The views expressed in The Future Of podcast may not reflect those of Curtin University.

We explore the complexities of mental health with insights from "Troubled Minds" by  Nick Haslam and Sidney Bloch. The episode delves into how our emotional vulnerability, influenced by genetics, upbringing, and society, can lead to mental health issues. It discusses the challenges in recognizing and acting upon mental health problems, such as compromised thinking and brain function under stress. The episode emphasizes the importance of recognizing warning signs like excessive reactions to events, deteriorating coping mechanisms, and impaired mental functions. It also offers guidance on seeking help and maintaining good mental health, underscoring the importance of professional support and self-care.Nick's research interests are in personality, social and clinical psychology and he has published 11 books and about 300 articles or book chapters in these and related areas. In addition to his academic writing, Nick contributes regularly to The Conversation, Inside Story and Australian Book Review, and he has also written for TIME, The Monthly, The Guardian, The Washington Post, The Australian and two Best Australian Science Writing anthologies. Nick is a Fellow of the Academy of the Social Sciences in Australia, the Society for Personality and Social Psychology, and the Association for Psychological Science. In the university he is a leader in the social psychology group and co-director of the Mental Health PhD program. In the past he has been Head of the School of Psychological Sciences, Pro Vice-Chancellor (Graduate), a member of the ARC College of Experts, and President of the Society of Australasian Social Psychologists. https://findanexpert.unimelb.edu.au/profile/6837-nicholas-haslamhttps://scribepublications.com.au/books-authors/books/troubled-minds-9781922585875Support the showSubscribe and support the podcast at https://www.buzzsprout.com/367319/supporters/newLearn more at www.profselenabartlett.com

In this episode of Better Thinking, Nesh Nikolic speaks with Nick Haslam about “concept creep” in the field of psychology and how it has reshaped many aspects of modern society. Nick Haslam is Professor of Psychology at the University of Melbourne. He received his BA(Hons) from the University of Melbourne, his MA and PhD from the University of Pennsylvania, and taught at the New School for Social Research in New York City before returning to Australia in 2002. Nick's research interests are in personality, social and clinical psychology and he has published 11 books and about 300 articles or book chapters in these and related areas. In addition to his academic writing, Nick contributes regularly to The Conversation, Inside Story and Australian Book Review, and he has also written for TIME, The Monthly, The Guardian, The Washington Post, The Australian and two Best Australian Science Writing anthologies. Nick is a Fellow of the Academy of the Social Sciences in Australia, the Society for Personality and Social Psychology, and the Association for Psychological Science. At his university Nick is a leader in the social psychology group and co-director of the Mental Health PhD program. In the past he has been Head of the School of Psychological Sciences, Pro Vice-Chancellor (Graduate), a member of the ARC College of Experts, and President of the Society of Australasian Social Psychologists. Episode link at https://neshnikolic.com/podcast/nick-haslamSee omnystudio.com/listener for privacy information.

Sara M. Saleh is a human rights lawyer, community organiser, writer and the daughter of migrants from Palestine, Egypt and Lebanon. She has many very impressive achievements to her name including being the first poet to win both the Australian Book Review's Peter Porter Poetry Prize and the Overland Judith Wright Poetry Prize, which she did back to back in 2020 and 2021. Sara's debut novel Songs for the Dead and the Living is out now (link below where you can buy).  Sara is one of the voices that has been a helpful guide for me in recent weeks as we've seen the Israeli government cause enormous levels of destruction and loss of human life in Gaza. This conversation is really helpful for decoupling anti-zionism and anti-semitism and understanding why it's so dangerous when these are conflated. It's so obvious, as you'll hear throughout this conversation that Sara holds a fierce commitment to any group of oppressed and suffering people, while striving for solutions that do not simply flip who is oppressing who. The way she speaks about liberation is so generous and beautiful and just. We talk about the limits of identity politics and the deep solidarity that can be found in shared values — and there's just so much wisdom here. Listen deeply, share widely, and take whatever actions you can — great or small — in the direction of justice.  Sara's website:https://www.saramsaleh.com/Buy ‘Songs for the Dead and the Living':https://www.booktopia.com.au/songs-for-the-dead-and-the-living-sara-m-saleh/book/9781922848536.htmlFollow Sara on Instagram: @instasaranade‘A guide to Palestine for beginners' (this is a fantastic doc): https://docs.google.com/document/d/1lgiFGdUKiPfzC-xo6LZQXvGNIXGHyMYsGCA035kKc80/mobilebasicDonate to the Australia Palestine Advocacy Network: https://apan.org.au/donate/Sign up to our mailing list:https://spiritualmisfits.com.au/Join our online Facebook community: https://www.facebook.com/groups/spiritualmisfitspodcastSupport the pod:https://spiritualmisfits.com.au/support-us/Send us an email: Spiritualmisfits@outlook.comView all episodes and access transcripts at: https://spiritualmisfits.buzzsprout.com

Sara Saleh is an award-winning writer, poet, human rights lawyer, and the daughter of migrants from Palestine, Egypt, and Lebanon.  Her poems, short stories, and essays have been widely published nationally in English and Arabic. She is co-editor of the groundbreaking 2019 anthology Arab, Australian, Other, and made history as the first poet to win both the Australian Book Review's 2021 Peter Porter Poetry Prize and the Overland Judith Wright Poetry Prize 2020. Songs for the Dead and the Living (2023) is her first novel. You can read the transcript for this interview here.  About The Garret: Writers and the publishing industry Follow The Garret on Instagram, and perhaps follow our host Astrid Edwards there too.See omnystudio.com/listener for privacy information.

Really Interesting WomenPodcast - Episode 110Nikki GemmellNikki Gemmell is an international best-selling author of over 20 books and a Walkley Award winning commentator and opinion writer for The Australian newspaper.  Her subject matter and distinctive writing style led to the French literary magazine Lire in 2007 including her in a list of what it called the fifty most important writers in the world – those it believed would have a significant influence on the literature of the 21st century. In fact, in France she has been described as a "female Jack Kerouac ". Four of her books (Shiver, Cleave, The Bride Stripped Bare and The Book of Rapture) made the longlist of "Favourite Australian Novels" as chosen by readers of the Australian Book Review.  But it was her best-known work in 2003, The Bride Stripped Bare, which became a world-wide publishing sensation...and then upended her universe. To protect herself she initially published the book anonymously. Then the media outed her and, according to Nikki herself, all hell broke loose. The consequences are still being felt today.With Nikki Gemmell there's always a lot to discuss. And we try and cover as much as we can...her loving yet fractious relationship with her mother, how to deal with the inevitable withering criticisms that come from being a public figure and her liberating time as a writer in London....and then retraining, as she calls them, her pommy children to become Australian when she returned to these shores. But all the while, it was her love of writing that kept her moving through life's rollercoaster. And still does.  Her books display the qualities she most admires in other authors...brutal, eviscerating honesty. But there's an overriding sense of fun, wit and wisdom which makes her a brilliant writer, a great guest and, it goes without saying, a really interesting woman. Visit instagram @reallyinterestingwomen for further interviews and posts of interesting women in history. Follow the link to leave a review....and tell your friendshttps://podcasts.apple.com/au/podcast/really-interesting-women/id1526764849If you know of a potential guest or interesting woman in history, email me atreallyinterestingwomen@gmail.com

In this episode, Jacinta and Lachlan chat with author and podcaster Ashley Kalagian Blunt. The trio chat about Chronic Fatigue Syndrome, co-occurring mental health challenges and the lengths Ashley has reached to avoid going outside in the dark.    About our guest Ashley Kalagian Blunt is the bestselling author of Dark Mode, a psychological thriller. Her previous books are How to Be Australian (2020), a memoir, and My Name Is Revenge (2019), a thriller novella and collected essays. My Name is Revenge was shortlisted for the 2019 Woollahra Digital Literary Awards and was a finalist in the 2018 Carmel Bird Digital Literary Award. Her writing appears in Griffith Review, Sydney Review of Books, Overland, Australian Book Review, The Sydney Morning Herald, Openbook, Kill Your Darlings, and more.  Ashley is an award-winning speaker and has appeared at Sydney Writers' Festival, Brisbane Writers' Festival, Story Club and more, and is a Moth StorySLAM winner. She is the co-host of James and Ashley Stay at Home, a podcast about writing, creativity and health, and was a judge in the 2020 Writing NSW Varuna Fellowship. She also teaches a range of creative writing courses and mentors emerging writers. She has a decade of experience in teaching and curriculum design, working with children and adults, and has a Master of Research in creative writing. Before moving to Australia, Ashley lived and worked in Canada, South Korea, Peru and Mexico. In 2022, Ashley was an artist in residence at Bundanon, and on fellowship at KSP Writers' Centre. Her Armenian travel memoir was shortlisted for the 2018 Impress Prize for New Writers and the 2017 Kill Your Darlings Unpublished Manuscript Award, and received a 2015 Varuna PIP residency.   Episode partner     Representations & resources   You can purchase all of these book titles and more from your local independent bookseller or Booktopia. Please note by purchasing through these Booktopia partner links we are provided a small commission which allows us to continue to provide the podcast at no cost to our audience.    About the podcast Differently Brained shares the opinions of individuals and does not consider your personal circumstances. Differently Brained exists purely for information purposes and should not be relied on as health or medical advice. Because no brain is the same, please consult your healthcare professional for your personal medical needs. The Differently Brained team acknowledge the traditional custodians of the lands on which we record, edit and stream this podcast. We pay our respects to all First Nations peoples and their Elders part, present and emerging. We extend that respect to all First Nations cultures and their ongoing connection to the lands, waterways and communities.

Listeners, a couple of weeks ago I was at the annual Bellingen Readers and Writers Festival and had the joy of interviewing an author whose career I have been watching for a few years now.   And recently, I got to do it all over again.  Paul Dalgarno is a Melbourne-based author of two novels and two non-fiction titles.   Born and raised in Scotland, Paul has lived in Australia since 2010 and has written for a variety of publications including The Guardian, Big Issue Scotland and Australian Book Review.  Paul has worked as deputy editor of The Conversation Australia and features editor for The Herald Newspaper Group in the UK.  Earlier this year, Paul's second novel ‘A Country of Eternal Light' was published by HarperCollins. And listeners, what a novel it is!  A wonderfully perceptive, witty and brilliantly crafted examination of grief, which left me marvelling at Paul's immense talent.  A must-listen episode for writers and readers alike!

A special episode:  Anna chats with author Ennis Ćehić about his debut collection of short stories, Sadvertising. Ćehić is based in Melbourne and Sarajevo and writes about displacement, creativity and existentialism. The stories in Sadvertising are set in the advertising world and explore the tension between art and capitalism.  Satirical and very funny, with elements of meta-fiction and the surreal.  "A work of thrilling, audacious verve and wit ... deserves a standing ovation" (Christos Tsiolkas) and "powerful, inventive and self-assured" (Australian Book Review).  We loved this book! Ennis recommends: Hunger by Knut Hamsen translated by George Egerton Authors Rachel Cusk , Deborah Levy and Ottessa Moshfegh The Appointment by Katharina Volckmer The Shakespeare and Company podcast Coming up:  This Other Eden by Paul Harding Follow us: Instagram : @abailliekaras and @enniscehic Facebook: Books On The Go Twitter: @abailliekaras Litsy: @abailliekaras Credits Artwork: Sascha WIlkosz

Robyn Archer AO FAHA is a singer, writer, artistic director and public advocate for the arts. Winner of the Helpmann Award for Best Cabaret Performer 2013 and named Cabaret Icon at the 2016 Adelaide Cabaret Festival, she currently performs highly acclaimed recitals of French (Que Reste-t'Il) , German (Dancing on the Volcano) and American (The Other Great American Songbook) song, wrote and directed The Sound of Falling Stars (2017/18) and released her album Classic Cabaret Rarities in 2019.  In July 2022 Robyn premiered Robyn Archer: an Australian Songbook with a two-week season for Queensland Theatre. Working with long term accordionist George Butrumlis, actor and guitarist Cameron Goodall and pianist Enio Pozzebon the show was an audience and critical success and will tour in 2023. Robyn is recognised internationally for her expertise in the repertoire of the Weimar Republic (Brecht and his musical collaborators and others from 1920s and 30s Germany) which she has been performing through Australia and worldwide since the 1970s, including at the National Theatre, London in 1977, in Hong Kong, Honolulu, and at the Brecht Festival in Augsburg.  Her many other stage successes include The Seven Deadly Sins which opened the Space in 1974, and one-woman shows A Star is Torn (through Australia and at Wyndham's in London's West End for a year) and Tonight Lola Blau both at the Adelaide Festival Centre. She has written and had produced, plays including Il Magnifico, Poor Joanna (with poet Judith Rodriguez), and Architektin; plays with music including Songs from Sideshow Alley, Café Fledermaus and The Bridge; and devised cabarets featuring her own songs and writing such as The Pack of Women, Scandals and Cut and Thrust.  Robyn has published numerous books from The Robyn Archer Songbook to Mrs Bottle's Burp and Detritus (a collection of her public speeches) as well as writing for the Griffith Review and the Australian Book Review. Among her many awards, including the ABR Laureate, the Dame Elisabeth Murdoch Cultural Leadership Award, the SA Premier's Lifetime Achievement Award, the International Society for Performing Arts' International Achievement Award and an ARIA Award for Best Soundtrack (The Pack of Women), the 2018 Adelaide Festival of Ideas Dedication recognised Robyn for her contribution to the world of ideas and public life. In the same year she also received the JC Williamson Centenary Lifetime Achievement Award. Robyn is an Officer of the Order of Australia, Chevalier de l'Ordre des Arts et des Lettres (France), Officer of the Crown (Belgium), Honorary Fellow of the Australian Academy of the Humanities and has Honorary Doctorates from the Universities of Sydney and Adelaide as well as Flinders, Canberra and Griffith Universities and the University of South Australia.  Robyn Archer - An Australian Songbook - commences a National Tour - kicking off in Melbourne tonight playing …. June 12th & 13th - Victorian Arts CentreAdelaide Cabaret Festival - June 17th and 18thCanberra - July 7th and 8th - Canberra Arts CentreDarwin - August 19th and 20th - Darwin Entertainment CentreSydney - October 18 to 29 - Belvoir TheatreHobart - November 3rd and 4th - Theatre RoyalA journey through Australian music that spans 150 years, from convict lament to Kate Miller Heidke and First Nations songwriters, Robyn explores the unique sound of our country with a repertoire full of passion, politics, landscape and laughter. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

In this episode, Jacinta and Lachlan interview Kylie Maslen. Kylie Maslen might have the longest list of diagnoses out of the guests we have interviewed so far which makes for an interesting and complex discussion.  We also share a podcast we have been listening to and loving, Beyond 6 Seconds.   About our guest Kylie Maslen is a writer and critic whose cultural criticism, social commentary and critical essays have appeared in the Guardian, Meanjin, InDaily, Adelaide Review, Crikey, Money Magazine, The Shot, Kill Your Darlings and Junkee, among other outlets. Her first book – Show Me Where It Hurts: Living With Invisible Illness – was shortlisted for the 2021 Victorian Premier's Literary Awards in non-fiction, named in Guardian Australia's '20 best Australian books of 2020', named a Saturday Paper's ‘Best new talent of 2020', included in bookseller Readings' ‘Most talked about books of 2020' and declared ‘a Millennial masterpiece' by Columbia University's Intima Journal of Narrative Medicine. It has received praise in reviews by  Australian Book Review, Books+Publishing, Sydney Review of Books, Sydney Morning Herald and Meanjin, among others.   Content warning In this episode of Differently Brained we discuss bipolar disorder, hypomania and mania, depression, ableism, self-harm, drug and alcohol misuse and addiction and suicidal ideation. Please feel free to skip this episode or reach out to medical professionals if it has brought anything up for you.    Representations & resources Beyond Six Seconds podcast Kylie's website Kylie's Patreon  Show Me Where It Hurts Same Twyford-Moore and The Rapids: Ways of Looking at Mania Kanye West Maria Bamford, especially Old Baby and Lady Dynamite Silver Linings Playbook film BoJack Horseman  Crazy Ex-Girlfriend  Please Like Me and Josh Thomas  Sally Rooney's Conversations with Friends, the book and the tv series Taylor Tomlison, especially her Arm Floaties bit SpongeBob SquarePants   You can purchase all of these book titles and more from your local independent bookseller or Booktopia. Please note by purchasing through these Booktopia partner links we are provided a small commission which allows us to continue to provide the podcast at no cost to our audience.    About the podcast Differently Brained shares the opinions of individuals and does not consider your personal circumstances. Differently Brained exists purely for information purposes and should not be relied on as health or medical advice. Because no brain is the same, please consult your healthcare professional for your personal medical needs. The Differently Brained team acknowledge the traditional custodians of the lands on which we record, edit and stream this podcast. We pay our respects to all First Nations peoples and their Elders part, present and emerging. We extend that respect to all First Nations cultures and their ongoing connection to the lands, waterways and communities.

ASHLEY KALAGIAN BLUNT chats to Paul Burke about her latest novel DARK MODE, the Armenian Genocide, screaming plants, the dark web, stalking and living in Australia.DARK MODE A riveting psychological thriller drawn from true events, Dark Mode delves into the terrifying reality of the dark web, and the price we pay for surrendering our privacy one click at a time.Is it paranoia – or is someone watching? For years, Reagan Carsen has kept her life offline. No socials. No internet presence. No photos. Safe. Until the day she stumbles on a shocking murder in a Sydney laneway. The victim looks just like her.Coincidence? As more murders shake the city and she's increasingly drawn out from hiding, Reagan is forced to confront her greatest fear.She's been found.Ashley Kalagian Blunt is the author of How to Be Australian and My Name Is Revenge, which was shortlisted for the 2019 Woollahra Digital Literary Awards and was a finalist in the 2018 Carmel Bird Digital Literary Award. Her writing appears in the Sydney Morning Herald, Overland, Griffith Review, Sydney Review of Books, Australian Book Review, Kill Your Darlings and more. Ashley teaches creative writing and co-hosts James and Ashley Stay at Home, a podcast about writing, creativity and health. Originally from Canada, she has lived and worked in South Korea, Peru and Mexico. RecommendationsLaura Bates Men Who Hate Women Juan Gómez-Jurado Red QueenProduced by Junkyard DogMusic courtesy of Southgate and LeighCrime TimePaul Burke writes for Crime Time, Crime Fiction Lover and the European Literature Network. He is also a CWA Historical Dagger Judge 2022 .Produced by Junkyard DogMusic courtesy of Southgate and LeighCrime TimeCrime Time FM is the official podcast ofGwyl Crime Cymru Festival 2023CrimeFest 2023&CWA Daggers 2023

WHY DOES PAUL DALGARNO WRITE? Noè Welcome to Why Write, a super short podcast that asks writers just that, why they write. Hi, I'm Noè Harsel, a writer and Chair of Writers Victoria, and I'm excited to chat to a diverse group of writers and simply ask, why write? I'm glad you're here with me. Today I have Paul Dalgarno. Paul is an author and journalist. He was Deputy Editor of The Conversation (Australia) and a Senior Writer and Features Editor at The Herald newspaper group in the UK. He has written for The Guardian, Big Issues Scotland and Australian Book Review. He's Scottish by birth and upbringing and has lived in Australia since 2010. His most recent publication is a Country of Eternal Life. Full transcript is available on whywrite.com.au Why Write is a Writers Victoria podcast. All programs and information about becoming a member with us at writers Victoria is available at writersvictoria.org.au We hope you enjoyed Why Write and if you did, please tell your friends and don't forget to subscribe and leave a review on Apple iTunes, Spotify, Google Podcasts or wherever you get your podcasts. Why Write was recorded at Brand Music and engineered by Michael Burrows. Original Music by Brand Music.

WHY DOES ASHLEY KALAGIAN BLUNT WRITE? Noè Welcome to Why Write, a super short podcast that asks writers just that, why they write. Hi, I'm Noè Harsel, a writer and Chair of Writers Victoria, and I'm excited to chat to a diverse group of writers and simply ask, why write? I'm glad you're here with me. Today I have Ashley Kalagian Blunt. Ashley is the author of Dark Mode, an internationally published psychological thriller. Her earlier books are How to be Australian, a memoir, and My Name is Revenge, a collection of fiction and essays, which was a finalist in the 2018 Carmel Bird Digital Literary Awards.  Her writing appears in the Sydney Morning Herald, Overland, Griffith Review and Sydney Review of Books, Australian Book Review, Kill Your Darlings and other places. Ashley co-hosts James and Ashley Stay at Home, a podcast about writing, creativity and health, and teaches creative writing. Originally from Canada, she has lived and worked in South Korea, Peru and Mexico.  Full transcript is available on whywrite.com.au Why Write is a Writers Victoria podcast. All programs and information about becoming a member with us at writers Victoria is available at writersvictoria.org.au We hope you enjoyed Why Write and if you did, please tell your friends and don't forget to subscribe and leave a review on Apple iTunes, Spotify, Google Podcasts or wherever you get your podcasts. Why Write was recorded at Brand Music and engineered by Michael Burrows. Original Music by Brand Music.

Nikki Gemmell is the best-selling author of thirteen novels and four works of non-fiction. They have been translated into 22 languages. Her distinctive writing has gained her critical acclaim in France, where she's been described as a “female Jack Kerouac“. The French literary magazine Lire has included her in a list of what it called the fifty most important writers in the world – those it believes will have a significant influence on the literature of the 21st century. Her first renowned work is the 2003 novel The Bride Stripped Bare, an explicit exploration of female sexuality thrust the new author Nikki into the headlights and limelight.As well as publishing her powerful and much anticipated books Nikki regularly pens a weekly column for The Australian newspaper.Stirring the pot while raising some of the key issues particularly affecting women her column Is like a big beautiful sometimes scary mirror reflecting many home truths and female issues.Four books by Gemmell, Shiver, Cleave, The Bride Stripped Bare and The Book of Rapture, made the longlist of “Favourite Australian Novels” as chosen by readers of the Australian Book Review.Deborah's Instagram: https://www.instagram.com/what.ive.learnt/Mind, Film and Publishing: https://www.mindfilmandpublishing.com/Apple Podcast: https://podcasts.apple.com/au/podcast/what-ive-learnt/id153556330Spotify: https://open.spotify.com/show/3TQjCspxcrSi4yw2YugxBkBuzzsprout: https://www.buzzsprout.com/1365850

“The play is a living, thriving organism that changes day to day.”  This week on Speak The Speech, we are joined by award-winning scholar, David McInnis. David performs an excerpt from Macbeth and discusses the dramatic convention of witches, what rehearsal and performance would have looked like Shakespeare's time, analyses Shakespeare in comparison with other works of the time and his experience editing Shakespeare.  David is currently Associate Professor of Shakespeare and Early Modern Drama at the University of Melbourne. He is the author of Shakespeare and Lost Plays, for Cambridge University Press, and Mind-Travelling and Voyage Drama in Early Modern England, for Palgrave. He's also edited Thomas Dekker's Old Fortunatus for the Revels Plays series, and Dekker's If this be not a good play, the devil is in it for the Routledge Anthology of Early Modern Drama. He is co-founder and editor of the Lost Plays Database and has edited a number of books including Lost Plays in Shakespeare's England, Loss and the Literary Culture of Shakespeare's Time, and Shakespeare and Virtual Reality. His work has been featured in The New York Times, The Guardian, the BBC and the Australian Book Review and he is currently editing Timon of Athens for the Arden Shakespeare 4th series. 

For all of the doubts raised about the effectiveness of international aid in advancing peace and development, there are few examples of developing countries that are even relatively untouched by it. Sarah Phillips's When There Was No Aid: War and Peace in Somaliland (Cornell UP, 2020) offers us one such example. Using evidence from Somaliland's experience of peace-building, When There Was No Aid challenges two of the most engrained presumptions about violence and poverty in the global South. First, that intervention by actors in the global North is self-evidently useful in ending them, and second that the quality of a country's governance institutions (whether formal or informal) necessarily determines the level of peace and civil order that the country experiences. Phillips explores how popular discourses about war, peace, and international intervention structure the conditions of possibility to such a degree that even the inability of institutions to provide reliable security can stabilize a prolonged period of peace. She argues that Somaliland's post-conflict peace is grounded less in the constraining power of its institutions than in a powerful discourse about the country's structural, temporal, and physical proximity to war. Through its sensitivity to the ease with which peace gives way to war, Phillips argues, this discourse has indirectly harnessed an apparent propensity to war as a source of order. When There Was No Aid was awarded the Australian Political Science Association's biennial Crisp Prize for the best political science monograph (2018-2020). It was also a ‘Best Book of 2020' at Foreign Affairs, a ‘Book of the Year (2020)' at Australian Book Review, was shortlisted for the Conflict Research Society 'Book of the Year' Prize (2021), and was a finalist for the African Studies Association's Bethwell A. Ogot Book Prize (2021). Sarah Phillips is a Professor of Global Conflict and Development at The University of Sydney, an Australian Research Council Future Fellow, and Non-Resident Fellow at the Sana'a Center for Strategic Studies. Her research draws from years of in-depth fieldwork, and focuses on international intervention in the global south, non-state governance, and knowledge production about conflict-affected states, with a geographic focus on the Middle East and Sub-Saharan Africa. Lamis Abdelaaty is an assistant professor of political science at the Maxwell School of Syracuse University. She is the author of Discrimination and Delegation: Explaining State Responses to Refugees (Oxford University Press, 2021). Email her comments at labdelaa@syr.edu or tweet to @LAbdelaaty. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

For all of the doubts raised about the effectiveness of international aid in advancing peace and development, there are few examples of developing countries that are even relatively untouched by it. Sarah Phillips's When There Was No Aid: War and Peace in Somaliland (Cornell UP, 2020) offers us one such example. Using evidence from Somaliland's experience of peace-building, When There Was No Aid challenges two of the most engrained presumptions about violence and poverty in the global South. First, that intervention by actors in the global North is self-evidently useful in ending them, and second that the quality of a country's governance institutions (whether formal or informal) necessarily determines the level of peace and civil order that the country experiences. Phillips explores how popular discourses about war, peace, and international intervention structure the conditions of possibility to such a degree that even the inability of institutions to provide reliable security can stabilize a prolonged period of peace. She argues that Somaliland's post-conflict peace is grounded less in the constraining power of its institutions than in a powerful discourse about the country's structural, temporal, and physical proximity to war. Through its sensitivity to the ease with which peace gives way to war, Phillips argues, this discourse has indirectly harnessed an apparent propensity to war as a source of order. When There Was No Aid was awarded the Australian Political Science Association's biennial Crisp Prize for the best political science monograph (2018-2020). It was also a ‘Best Book of 2020' at Foreign Affairs, a ‘Book of the Year (2020)' at Australian Book Review, was shortlisted for the Conflict Research Society 'Book of the Year' Prize (2021), and was a finalist for the African Studies Association's Bethwell A. Ogot Book Prize (2021). Sarah Phillips is a Professor of Global Conflict and Development at The University of Sydney, an Australian Research Council Future Fellow, and Non-Resident Fellow at the Sana'a Center for Strategic Studies. Her research draws from years of in-depth fieldwork, and focuses on international intervention in the global south, non-state governance, and knowledge production about conflict-affected states, with a geographic focus on the Middle East and Sub-Saharan Africa. Lamis Abdelaaty is an assistant professor of political science at the Maxwell School of Syracuse University. She is the author of Discrimination and Delegation: Explaining State Responses to Refugees (Oxford University Press, 2021). Email her comments at labdelaa@syr.edu or tweet to @LAbdelaaty. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

For all of the doubts raised about the effectiveness of international aid in advancing peace and development, there are few examples of developing countries that are even relatively untouched by it. Sarah Phillips's When There Was No Aid: War and Peace in Somaliland (Cornell UP, 2020) offers us one such example. Using evidence from Somaliland's experience of peace-building, When There Was No Aid challenges two of the most engrained presumptions about violence and poverty in the global South. First, that intervention by actors in the global North is self-evidently useful in ending them, and second that the quality of a country's governance institutions (whether formal or informal) necessarily determines the level of peace and civil order that the country experiences. Phillips explores how popular discourses about war, peace, and international intervention structure the conditions of possibility to such a degree that even the inability of institutions to provide reliable security can stabilize a prolonged period of peace. She argues that Somaliland's post-conflict peace is grounded less in the constraining power of its institutions than in a powerful discourse about the country's structural, temporal, and physical proximity to war. Through its sensitivity to the ease with which peace gives way to war, Phillips argues, this discourse has indirectly harnessed an apparent propensity to war as a source of order. When There Was No Aid was awarded the Australian Political Science Association's biennial Crisp Prize for the best political science monograph (2018-2020). It was also a ‘Best Book of 2020' at Foreign Affairs, a ‘Book of the Year (2020)' at Australian Book Review, was shortlisted for the Conflict Research Society 'Book of the Year' Prize (2021), and was a finalist for the African Studies Association's Bethwell A. Ogot Book Prize (2021). Sarah Phillips is a Professor of Global Conflict and Development at The University of Sydney, an Australian Research Council Future Fellow, and Non-Resident Fellow at the Sana'a Center for Strategic Studies. Her research draws from years of in-depth fieldwork, and focuses on international intervention in the global south, non-state governance, and knowledge production about conflict-affected states, with a geographic focus on the Middle East and Sub-Saharan Africa. Lamis Abdelaaty is an assistant professor of political science at the Maxwell School of Syracuse University. She is the author of Discrimination and Delegation: Explaining State Responses to Refugees (Oxford University Press, 2021). Email her comments at labdelaa@syr.edu or tweet to @LAbdelaaty. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

For all of the doubts raised about the effectiveness of international aid in advancing peace and development, there are few examples of developing countries that are even relatively untouched by it. Sarah Phillips's When There Was No Aid: War and Peace in Somaliland (Cornell UP, 2020) offers us one such example. Using evidence from Somaliland's experience of peace-building, When There Was No Aid challenges two of the most engrained presumptions about violence and poverty in the global South. First, that intervention by actors in the global North is self-evidently useful in ending them, and second that the quality of a country's governance institutions (whether formal or informal) necessarily determines the level of peace and civil order that the country experiences. Phillips explores how popular discourses about war, peace, and international intervention structure the conditions of possibility to such a degree that even the inability of institutions to provide reliable security can stabilize a prolonged period of peace. She argues that Somaliland's post-conflict peace is grounded less in the constraining power of its institutions than in a powerful discourse about the country's structural, temporal, and physical proximity to war. Through its sensitivity to the ease with which peace gives way to war, Phillips argues, this discourse has indirectly harnessed an apparent propensity to war as a source of order. When There Was No Aid was awarded the Australian Political Science Association's biennial Crisp Prize for the best political science monograph (2018-2020). It was also a ‘Best Book of 2020' at Foreign Affairs, a ‘Book of the Year (2020)' at Australian Book Review, was shortlisted for the Conflict Research Society 'Book of the Year' Prize (2021), and was a finalist for the African Studies Association's Bethwell A. Ogot Book Prize (2021). Sarah Phillips is a Professor of Global Conflict and Development at The University of Sydney, an Australian Research Council Future Fellow, and Non-Resident Fellow at the Sana'a Center for Strategic Studies. Her research draws from years of in-depth fieldwork, and focuses on international intervention in the global south, non-state governance, and knowledge production about conflict-affected states, with a geographic focus on the Middle East and Sub-Saharan Africa. Lamis Abdelaaty is an assistant professor of political science at the Maxwell School of Syracuse University. She is the author of Discrimination and Delegation: Explaining State Responses to Refugees (Oxford University Press, 2021). Email her comments at labdelaa@syr.edu or tweet to @LAbdelaaty. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

For all of the doubts raised about the effectiveness of international aid in advancing peace and development, there are few examples of developing countries that are even relatively untouched by it. Sarah Phillips's When There Was No Aid: War and Peace in Somaliland (Cornell UP, 2020) offers us one such example. Using evidence from Somaliland's experience of peace-building, When There Was No Aid challenges two of the most engrained presumptions about violence and poverty in the global South. First, that intervention by actors in the global North is self-evidently useful in ending them, and second that the quality of a country's governance institutions (whether formal or informal) necessarily determines the level of peace and civil order that the country experiences. Phillips explores how popular discourses about war, peace, and international intervention structure the conditions of possibility to such a degree that even the inability of institutions to provide reliable security can stabilize a prolonged period of peace. She argues that Somaliland's post-conflict peace is grounded less in the constraining power of its institutions than in a powerful discourse about the country's structural, temporal, and physical proximity to war. Through its sensitivity to the ease with which peace gives way to war, Phillips argues, this discourse has indirectly harnessed an apparent propensity to war as a source of order. When There Was No Aid was awarded the Australian Political Science Association's biennial Crisp Prize for the best political science monograph (2018-2020). It was also a ‘Best Book of 2020' at Foreign Affairs, a ‘Book of the Year (2020)' at Australian Book Review, was shortlisted for the Conflict Research Society 'Book of the Year' Prize (2021), and was a finalist for the African Studies Association's Bethwell A. Ogot Book Prize (2021). Sarah Phillips is a Professor of Global Conflict and Development at The University of Sydney, an Australian Research Council Future Fellow, and Non-Resident Fellow at the Sana'a Center for Strategic Studies. Her research draws from years of in-depth fieldwork, and focuses on international intervention in the global south, non-state governance, and knowledge production about conflict-affected states, with a geographic focus on the Middle East and Sub-Saharan Africa. Lamis Abdelaaty is an assistant professor of political science at the Maxwell School of Syracuse University. She is the author of Discrimination and Delegation: Explaining State Responses to Refugees (Oxford University Press, 2021). Email her comments at labdelaa@syr.edu or tweet to @LAbdelaaty. Learn more about your ad choices. Visit megaphone.fm/adchoices

collected essays. My Name is Revenge was longlisted for 2020 Davitt Awards, shortlisted for the 2019 Woollahra Digital Literary Awards, and a finalist in the 2018 Carmel Bird Digital Literary Award.Ashley's writing appears in Griffith Review, Sydney Review of Books, Overland, Australian Book Review, the Sydney Morning Herald, the Australian, the Big Issue, Openbook, Westerly, Kill Your Darlings, the Canberra Times, and more.She is the co-host of James and Ashley Stay at Home, a podcast about writing, creativity and health, and was a judge in the 2020 Writing NSW Varuna Fellowship.Her Armenian travel memoir was shortlisted for the 2018 Impress Prize for New Writers and the 2017 Kill Your Darlings Unpublished Manuscript Award, and received a 2015 Varuna PIP residency.Ashley is an award-winning speaker. She's appeared at Sydney Writers' Festival, Story Club and the National Young Writers' Festival, and is a Moth StorySLAM winner.She also teaches a range of creative writing courses and mentors emerging writers. She has a decade of experience in teaching and curriculum design, working with children and adults, and has a Master of Research in creative writing.Before moving to Australia, Ashley lived and worked in Canada, South Korea, Peru and Mexico.Find Ashley online at her Website or on Instagram and Twitter.Find Ashley's upcoming writing classes here.StoryGrid articleSpecial thanks to Petronella McGovern and Jen Pritchard for your questions this week.You can sign up for my newsletter at michellebarraclough.comThis podcast is recorded on the beautiful, unceded lands of the Garigal people of the Eora nation.Full show notes available at writersbookclubpodcast.com

Download the transcript for this episode here.COMPETITION!We're celebrating our 500,000th download this month - half a million! And so, with the help of our major sponsor, Zondervan, we are giving away a book pack of five of Zondervan's newest titles. We'll throw in a copy of my new book Bullies and Saints AND an Undeceptions T-Shirt.To WIN, all you have to do is leave us a review on Apple Podcasts (what used to be called iTunes), take a pic of the review and send it to us. Producer Kaley will pick the best-written review on October 25 (and I mean ‘best-written' not necessarily most glowing). So be quick, you've got two weeks! LINKS Meet our guests:  Sam Allberry, author and pastor. Ronald Sharp, author of Norton Book of Friendship Read Sam Allberry's book Seven Myths about Singleness and find his other books here. Here are the links to all the studies we referenced in this episode:  Death of a close friend: Short and long-term impacts on physical, psychological and social well-being, PLoS ONE Friendship enriches your life and improves your health: Mayo Clinic The State of American Friendship, 2021 American Perspectives Survey More on Plutarch. Read the Tu Fu poem, To Wei Pa, A Retired Scholar, translated by Kenneth Rexroth Learn more about the Book of Proverbs, and read it for yourself. Read more about the debate over anti-semitism in Shakespeare's Merchant of Venice, in this article from the Smithsonian Magazine. Read about David and Jonathan's close friendship from the book of 1 Samuel. Read more about Niankhkhnum and Khnumhotep from Ancient Egypt in this New York Times article. Further Evidence that Niankhkhnum and Khnumhotep were Twins, Journal of Ancient Archaeology Learn more about the friendship between King Richard I and King Philip II. Here's The Guardian's article about whether Jesus was gay.  Read Ronald Sharp's article, Mateship, Friendship and National Identity for the Australian Book Review. Never seen Crocodile Dundee? It's probably about time... Learn more about CS Lewis' 'four loves'. Listen to previous episodes of Undeceptions with John and his best mate, Ben Shaw (who died in June 2021 after a battle with cancer).

Ronald Dzerigian is the author of Rough Fire (Finishing Line Press, 2018). His poems have appeared in the Australian Book Review, Comstock Review, Prairie Schooner, RHINO, Salamander, and others. Ronald is also the son of fine-art photographer Steve Dzerigian and a musician. He has played electric bass and sung with an assortment of amazing artists. He is related (a cousin) to guitarist John Dzerigian, who toured with 1970s-era rock bands and recorded with fellow guitarists Jerry Garcia and Link Wray. He resides in a small farming community, in California's San Joaquin Valley, with his wife and two daughters who all help in the execution of his latest personal project Skele Vader, which you all should check out post haste! Theme - Momentum/Change Song 1: "Terminal Jape" by OSEES (2020) Song 2: "Old Time" Nick Cave & Warren Ellis (2021) Song 4: "Where Do We Go From Here???" Death (1975) Song 4: "Don't Change For Me" INXS (1982) Song 5: "Generator Larping" Wand (2014) --- Support this podcast: https://podcasters.spotify.com/pod/show/staysuckafree/support

'Everyone Has A Plan Until Sh!t Hits The Fan' by Tofe Evans looks at the journey from dispair & depression through to success, a focused mind and personal resilience.I summarised the book as follows. "A quaint and straight to the point book written by Tofe. The quintessential self-help book written by someone who just wants to ensure it is read by someone and helps them out to the utmost. Splices his troubles as a young man, getting out of drug addictions and using running as the tool to harden his mind."I hope you have a fantastic day wherever you are in the world. Juan out!If you would like to support the channel, you can grab yourself a copy of the book here! https://amzn.to/2WsFZZGTimeline:(0:00) - Intro(0:56) - Synopsis(6:05) - Themes(11:20) - Personal ObservationsConnect with Mere Mortals:Website: https://www.meremortalspodcast.com/Instagram: https://www.instagram.com/meremortalspodcast/

Dr Yves Rees is a Lecturer in History at La Trobe University and co-host of Archive Fever. Rees was awarded the 2020 Calibre Essay Prize for their essay 'Reading the Mess Backwards' and 'All About Yves' is their memoir and debut. Rees has a regular history segment on ABC Radio Melbourne and their writing has featured in the Sydney Review of Books, The Age, Archer magazine, Guardian Australia, Overland, Meanjin, Junkee, Australian Book Review and The Conversation. Rees is trans and uses they/them pronouns. They are the co-founder of the Spilling the T transgender writing collective and volunteer with Transgender Victoria. About The Garret Read the transcript of this interview at thegarretpodcast.com. The interview was recorded by Zoom, and we can't wait to start recording in person again soon. You can also follow The Garret on Twitter and Facebook, or follow our host Astrid Edwards on Twitter or Instagram. See omnystudio.com/listener for privacy information.

On 4 August 2020, Theodore Ell was living in Beirut, Lebanon, when an explosion erupted at the local port, killing more than 200 people and injuring thousands more. Ell and his wife, a diplomat, survived, but were badly shaken. Ell turned his experience into the personal essay ‘Façades of Lebanon', which went on to win the 2021 Calibre Essay Prize. The essay was published in the July 2021 edition of the Australian Book Review.

Australia's unofficial poet laureate Paul Kelly has spent a career putting words to – and making poetry of – our lives. His ‘mongrel memoir' How to Make Gravy was described as “a manual on how to look at things, how to pay attention” (Australian Book Review) while his anthology Love is Strong as Death collects those poems that inspire and challenge him – and in turn, inspire us. Paul joins Wiradjuri and Kamilaroi writer Stan Grant (With the Falling of the Dusk) for a memorable conversation about the role of literature and poetry in their lives and the power of a story sung well.  See omnystudio.com/listener for privacy information.

Louise Adler is one of the most significant figures in Australian publishing. Born in Melbourne, Louise was educated locally and studied in Israel at the Hebrew University and Tel Aviv University, then in Britain at the University of Reading, and in America at Columbia University. She taught literature at Columbia for ten years and also taught at the University of Melbourne. Louise has since had a range of impressive roles that include Editor of Australian Book Review, Publishing Director of Reed Books Australia, Arts and Entertainment Editor for The Melbourne Age and Presenter of Arts Today on Radio National. More recently she was CEO and Publisher-in-Chief of Melbourne University Publishing and served on the boards of both the Melbourne International Arts Festival and the Australian Centre for Contemporary Art for over a decade. Louise is currently Publisher at Large at Hachette Australia and on the board of the Monash University Museum of Art. She has been awarded the Order of Australia for services to literature.

John Byron grew up in Sydney where he went to medical school for a time before leaving in the interest of the public safety. He has worked as a barman, a factory hand, a help desk operator and a federal political adviser. He now lives in Melbourne and works in the university sector. His writing has appeared in The Australian, Meanjin, The Australian Book Review, The Conversation, Time Out and Rip It Up. The Tribute is his first novel and was shortlisted for the prestigious Victoria Premier's Literary Award for an Unpublished Manuscript in 2019. With the commerical release of 'The Tribute', Ben and Shanu sat down with John to discuss failing medical school and turning it into a book, imagining colleagues as serial killers, writing from multiple perspectives, and more. Books mentioned in this podcast: John Byron - 'The Tribute': https://bit.ly/3vdtrSQ Host: Ben Hunter & Shanu Prasad Guest: John Byron Producer: Nick Wasiliev

This month I was lucky enough to chat with Nikki Gemmell about her latest novel The Ripping Tree. I am a long-term fan of Nikki's beginning when I first read The Bride Stripped Bare almost 20 years ago. I love the way she experiments with style and structure. I love her prose. I love the fact she's not afraid of an adverb but I'm also inspired by Nikki‘s work ethic. She's produced adult and children's novels and a memoir and other works of non-fiction across 22 languages and still turns out a weekly column for the Australian magazine that manages to be fresh and engaging in her signature style which is like a warm conversation with a friend. All of that, as well as raising four children.In our chat, Nikki spoke about her work process in detail and how she works her writing around family life. We also talked about how she developed the characters in The Ripping Tree, how she structured the novel for pacing and how important pacing it, why she doesn't read fiction while she's writing and what inspired her to write what she calls a love letter to Australia, a hymn to the land. Remember there can be spoilers in this podcast, although we don't reveal the huge awful secret at the centre of this novel. But as always if you prefer not to know anything about a book before you've read it, you can buy a copy of The Ripping Tree in all the usual places and come back and have a listen after you've read it.About Nikki Gemmell…Nikki is the best-selling author of fourteen novels and four works of non-fiction. She's originally a Wollongong girl, lately of Sydney with a long stretch in London in between. Her distinctive writing has gained her critical acclaim in France, where she's been described as a “female Jack Kerouac“. The French literary magazine Lire has included her in a list of what it called the fifty most important writers in the world – those it believes will have a significant influence on the literature of the 21st century. Her best-known work is the 2003 novel The Bride Stripped Bare, and in fact she's written another two novels that form something of a trilogy - her sexy books as she calls them in the podcast. She also writes novels for children – the Kensington Reptilarium series and the Coco Banjo series. After, her memoir about her mother was one of the most moving stories I've read in a long time. Basically, she can turn her hand to anything. Four of her books Shiver, Cleave, The Bride Stripped Bare and The Book of Rapture, made the longlist of “Favourite Australian Novels” as chosen by readers of the Australian Book Review. Nikki also pens a weekly column for The Australian newspaper which is the first thing I read every Saturday morning with my coffee. You can see why I'm such a fan.I hope you enjoy this interview with Nikki Gemmell.Nikki Gemmell Website - http://www.nikkigemmell.com/Writer's Book Club Podcast Website - http://writersbookclubpodcast.com/

Poets' Corner is WestWords' monthly encounter with celebrated Australian poets, curated by David Ades. Each month a poet is invited to read and talk about their poetry on a theme of the poet's choice. Nathanael O'Reilly is an Irish-Australian residing in Texas. His books include (Un)belonging (Recent Work Press, 2020); Preparations for Departure (UWAP, 2017), named one of the Books of the Year in Australian Book Review; Cult (Ginninderra Press, 2016); Distance (Ginninderra Press, 2015); Suburban Exile (Picaro Press, 2011); and Symptoms of Homesickness (Picaro Press, 2010). More than 200 of his poems have appeared in journals and anthologies published in twelve countries, including Antipodes, Anthropocene, Australian Love Poems, Cordite, fourW, FourXFour, Headstuff, Marathon, Mascara, Postcolonial Text, Skylight 47, Snorkel, Transnational Literature and The Newcastle Poetry Prize Anthology 2017. You can purchase Nathanael O'Reilly's books here: (Un)Belonging https://www.youtube.com/redirect?event=video_description&redir_token=QUFFLUhqbXo0eTZrc3JpUDB5Y0pyeVRzQ3N1aHV0S0kxd3xBQ3Jtc0tuZnZ5SW5LdnhvWFZPanBfS2M0TlRMMkJ5VE5SZWZSV2FueUdFSnUzUlNRMUdfMVdpaDJfdy02d3pTdTBDYWQycVNJSlZGc09ESk5JazdzYlF4Ynd3U20zaXp5N3pxUEYteWtqbTlXYnJ3eFdqOGE4bw&q=https%3A%2F%2Frecentworkpress.com%2Fbooks%2Fproduct%2Funbelonging%2F (https://recentworkpress.com/books/pro...)​ Preparations for Departure https://www.youtube.com/redirect?event=video_description&redir_token=QUFFLUhqa0NiQWI2QlI2YjRLdTlraUk4eS1wQmJ6R1BLZ3xBQ3Jtc0tuS0FsdjlOdURCTEVfQTNjbWp6VEUwamlHRlZVelVNMkEzWDNNTGoyMkhpVHFSaU51aGZQdVFKUjZXX3ZUWklzSjBldXhwQ0dkYnB6d0E0OXRoMFMwTm55SDdHR0lDcEZJTEdpbUZZMk82SzNPOE9ybw&q=https%3A%2F%2Fuwap.uwa.edu.au%2Fproducts%2Fpreparations-for-departure%3F_pos%3D1%26_sid%3D20249f8b0%26_ss%3Dr (https://uwap.uwa.edu.au/products/prep...)​ ______ ABOUT WESTWORDS WestWords is a literature organisation whose mission is to provide support and resources for the writers, poets, artists, storytellers and creators of Western Sydney, in the form of events, workshops, residencies, school visits, fellowships, groups, consultations and mentorships. For more information, visit our website at https://www.youtube.com/redirect?event=video_description&redir_token=QUFFLUhqbVJPLUdMRjZIbEtITU94R0NPckMyMGcwS19qZ3xBQ3Jtc0trM1lfZTBxVDRMR29wZUJSRWpPSUNXV0piOEtnTF9YR1pwWjZJTXd3Q3ZiLUZRRUZaZ2ZtUG5Qc2xXY3IxdExSS3hHa2RhOHNid0I2SmZIM05ZNmctdHlrSmhQa1paRHkzMnk1YXExbm96cHRiN0ROVQ&q=https%3A%2F%2Fwww.westwords.com.au%2F (https://www.westwords.com.au/)​ WestWords is proudly supported by: * CREATE NSW –Arts, Screen & Culture * COPYRIGHT AGENCY Cultural Fund * The City of Parramatta * Blacktown City Council * Campbelltown City Council Music: https://www.purple-planet.com

Thuy On is a freelance arts journalist, critic and editor who's written for a range of publications including The Guardian, The Australian, The Saturday Paper, The Age/SMH, ArtsHub, Sydney Review of Books, and Australian Book Review. She is the books editor of The Big Issue and her first collection of poetry, Turbulence, was published in 2020 by UWAP. Interviewed by Di Cousens.Photo by Brett Rawlings Photography.

This episode I am joined by debut novelist, Melbourne writer, via Scotland, Paul Dalgarno. Paul was born in Aberdeen, Scotland, and immigrated to Australia in 2010. In Scotland, he was a senior features writer, columnist and Deputy Weekend Features Editor with The Herald and Sunday Herald newspapers. In Melbourne, he was a launch editor, Deputy Editor, Arts Editor and Science Editor of The Conversation website. Paul has written for many publications including Guardian Australia, Australian Book Review, Sunday Times Scotland and The Big Issue. His memoir, And You May Find Yourself, was published in 2015. In 2016, he was awarded a Varuna Residential Fellowship to work on his second book. When not writing, reading or parenting, Paul loves to cycle vast distances. Poly is his debut novel about Chris and Sarah Flood whose near sexless marriage has led them down the path to polyamory … but as tensions grow between family, friends and lovers Chris discovers he may not know someone close to them as well as he thought. We talk about writing the book you want to read, how difficult it is to write sex scenes, mental health and some fantastic book pairings! The pairings: Hopscotch by Julio Cortázar Horacio Oliveira is an Argentinian writer who lives in Paris with his mistress, La Maga, surrounded by a loose-knit circle of bohemian friends who call themselves "the Club." A child's death and La Maga's disappearance put an end to his life of empty pleasures and intellectual acrobatics, and prompt Oliveira to return to Buenos Aires, where he works by turns as a salesman, a keeper of a circus cat which can truly count, and an attendant in an insane asylum. Paul suggested the caffeine-rich, herbal drink from South America called Maté, drunk out of a gourd with friends. Eleanor Oliphant Is Completely Fine by Gail Honeyman Meet Eleanor Oliphant: she struggles with appropriate social skills and tends to say exactly what she's thinking. Nothing is missing in her carefully timetabled life of avoiding unnecessary human contact, where weekends are punctuated by frozen pizza, vodka, and phone chats with Mummy. But everything changes when Eleanor meets Raymond, the bumbling and deeply unhygienic IT guy from her office. When she and Raymond together save Sammy, an elderly gentleman who has fallen, the three rescue one another from the lives of isolation that they had been living. Ultimately, it is Raymond's big heart that will help Eleanor find the way to repair her own profoundly damaged one. If she does, she'll learn that she, too, is capable of finding friendship—and even love—after all. In honour of the scene where Eleanor winds up eating with Raymond and his mother, Paul suggests a Scotch broth would pair perfectly with this wonderful story - salty and warm and Scottish. The Midnight Library by Matt Haig Somewhere out beyond the edge of the universe there is a library that contains an infinite number of books, each one the story of another reality. One tells the story of your life as it is, along with another book for the other life you could have lived if you had made a different choice at any point in your life. Nora Seed finds herself faced with the possibility of changing her life for a new one, following a different career, undoing old breakups, realising her dreams of becoming a glaciologist; she must search within herself as she travels through the Midnight Library to decide what is truly fulfilling in life, and what makes it worth living in the first place. Justine recommends a warming cup of hot chocolate and - if you're up late - a splash of rum to warm you through and through, just like this book will.

Poet and aged-care reform advocate Sarah Holland-Batt speaks about the many issues surrounding the coronavirus outbreaks in aged-care homes in Victoria that has led to the early death of so many elderly Australians. Sarah is an Associate Professor in Creative Writing at QUT and Chair of Australian Book Review. Broadcast on 8 September 2020.

Biologist and writer Merlin Sheldrake joins Amy from London for an in-depth conversation about his new book, Entangled Life: How Fungi Make Our Worlds, Change Our Minds, and Shape Our Futures. They discuss the mysterious, lively and endlessly fascinating fungi kingdom. Poet and aged-care reform advocate Sarah Holland-Batt speaks about the many issues surrounding the coronavirus outbreaks in aged-care homes in Victoria that has led to the early death of so many elderly Australians. Sarah is an Associate Professor in Creative Writing at QUT and Chair of Australian Book Review. Plus Ben Eltham discusses the latest in federal politics.

This episode I am joined by award-winning Australian author and environmentalist Jane Rawson. Formerly editor of the environment and energy section of The Conversation, she now works for the Tasmanian Land Conservancy, writing about nature conservation, and is also the co-founder of Read Tasmania. She likes cats, quiet, minimal capitalisation, and finding out that everything is going to be OK … don't we all! Jane is the author of two novels, a novella and co-authored a nonfiction guide to surviving climate change. Her stories and essays have been published in the Guardian, Lithub, Meanjin, Overland, Review of Australian Fiction, Kill Your Darlings and Australian Book Review and in 2017 she won the Aurealis Award for best science fiction for her novel From The Wreck. The pairings: A Treacherous Country by K.M. Kruimink Winner of the 2020 The Australian/Vogels Literary Award There is a woman, somewhere, here, in Van Diemen's Land, unless she had died or otherwise departed, called Maryanne Maginn. Gabriel Fox, the young son of an old English house, arrives in a land both ancient and new. Drawn by the promise of his heart's desire, and compelled to distance himself from pain at home, Gabriel begins his quest into Van Diemen's Land. His guide, a cannibal who is not all he seems, leads him north where Gabriel might free himself of his distracting burden and seek the woman he must find. As Gabriel traverses this wild country, he uncovers new truths buried within his own memory. For this Tasmanian setting written by a Tasmanian author, Jane suggested a Tasmanian wallaby stew, made with a Tassie Pinot of course, and whilst waiting for it to cook - ever so slowly - a Poltergeist unfilterd gin and tonic. Gideon the Ninth by Tamsyn Muir Brought up by unfriendly, ossifying nuns, ancient retainers, and countless skeletons, Gideon is ready to abandon a life of servitude and an afterlife as a reanimated corpse. She packs up her sword, her shoes, and her dirty magazines, and prepares to launch her daring escape. But her childhood nemesis won't set her free without a service. Harrowhark Nonagesimus, Reverend Daughter of the Ninth House and bone witch extraordinaire, has been summoned into action. The Emperor has invited the heirs to each of his loyal Houses to a deadly trial of wits and skill. If Harrowhark succeeds she will become an immortal, all-powerful servant of the Resurrection, but no necromancer can ascend without their cavalier. Without Gideon's sword, Harrow will fail, and the Ninth House will die. Of course, some things are better left dead. For this wildly dark space trip Jane suggests a Kaiju ‘Cthulhu on the Moon' Black IPA with a shot of Tasmanian moonshine for that extra strength hit. Everywhere I look by Helen Garner Spanning fifteen years of work, Everywhere I Look is a book full of unexpected moments, sudden shafts of light, piercing intuition, flashes of anger and incidental humour. It takes us from backstage at the ballet to the trial of a woman for the murder of her newborn baby. It moves effortlessly from the significance of moving house to the pleasure of re-reading Pride and Prejudice. This book is just filled with gorgeous little nuggets of observation and is so beautifully written. It doesn't need to be read as a whole but is easy to dip in and out of. I would pair it with a crisp, dry riesling and some perfectly fresh and crunchy salted or pickled cucumber sandwiches.

After a year of heartbreaking grief, Hayley reflects on the most precious gifts she has received. Hayley Katzen’s essays have been published in Australian, American and Asian journals and anthologies including Australian Book Review, Griffith Review, Southerly, Fourth Genre and Kenyon Review. Untethered is her debut memoir. Queerstories is an LGBTQI+ storytelling night programmed by Maeve Marsden, with regular events around Australia. For Queerstories event dates, visit www.maevemarsden.com, and follow Queerstories on Facebook. The Queerstories book is published by Hachette Australia, and can be purchased from your favourite independent bookseller or on Booktopia. To support Queerstories, become a patron at www.patreon.com/ladysingsitbetter And for gay stuff and insomnia rants follow me - Maeve Marsden - on Twitter and Instagram. See omnystudio.com/policies/listener for privacy information.

Yarra Libraries presents Andrea Goldsmith speaking on ‘Invented Lives’. In this Carlton After Hours recording she explores exile, character development and the importance of the right career (for them) through her latest novel. This is an edited recording, with some questions revoiced for clarity. ‘Invented Lives’ tells a story of exile- exile from country, exile at home, and exile from one's true self. It is a story about Russia, 1980s Australia, and love. It’s out with Scribe Publications right now, and you can find it through our e-book service, Cloud Library, here: https://ebook.yourcloudlibrary.com/library/yarra/Featured Andrea Goldsmith originally trained as a speech pathologist and was a pioneer in the development of communication aids for people unable to speak. Her first novel, ‘Gracious Living’, was published in 1989. This was followed by ‘Modern Interiors’, ‘Facing the Music’, ‘Under the Knife’, and ‘The Prosperous Thief’, which was shortlisted for the 2003 Miles Franklin Literary Award. ‘Reunion’ was published in 2009, and ‘The Memory Trap’ was awarded the 2015 Melbourne Prize. Her literary essays have appeared in Meanjin, Australian Book Review, Best Australian Essays, and numerous anthologies. She has mentored many emerging writers. Yarra Libraries Recommends Invented Lives – Andrea Goldsmith (available through Cloud Library) The Memory Trap – Andrea Goldsmith (available through Cloud Library)

“By far the best book written about WikiLeaks”, according to Joel Deane in the Australian Book Review, Andrew Fowler’s ‘The Most Dangerous Man in the World’ has had three chapters added for its 2020 updated edition, including his probe into the trafficking of UC Global data. LIVE-TO-AIR and in partnership with Melbourne University Publishing, CNLive! brings you the launch of Andrew Fowler's new book, where he will be in conversation with veteran Australian news anchor, Mary Kostakidis. Andrew then joins us for an exclusive interview with CNLive! hosts Joe Lauria and Elizabeth Vos. The Most Dangerous Man in the World: Updated Edition Andrew Fowler Julian Assange and WikiLeaks’ Fight for Freedom With forensic detail, Andrew Fowler provides a ringside seat at the epic battle that has made Julian Assange the USA's public enemy number one. Since it was first published, 'The Most Dangerous Man in the World' has been translated and distributed in countries from China to Romania and the USA to Russia. Now, through recent interviews and the latest research, Fowler tells the extraordinary story of how a computer hacker with a turbulent childhood became holed up in London's Ecuador Embassy for seven years, and is now battling extradition to the USA from the notorious maximum security Belmarsh prison in London. With a new introduction and two new chapters, the updated edition picks up from Assange’s plea for political asylum at the Ecuador Embassy in 2012 and follows through to the present day, ultimately revealing the extent to which the US and its allies will go to silence dissent. Pentagon Papers whistleblower Daniel Ellsberg was called 'The Most Dangerous Man in America' by the Nixon White House. In the Trump era, Ellsberg says Julian Assange, whose new journalism has made him powerful enemies, should be proud to be 'The Most Dangerous Man in the World.'

Jessie Tu is a Sydney-based writer, who has featured at the Sydney Writers Festival and published pieces in The Guardian, Meanjin, Sydney Morning Herald and Australian Book Review and Southerly. She was a shortlisted prize winner for the International Peter Porter Prize and runner up in the Deborah Cass Prize. Ahead of the release of her debut novel, A Lonely Girl is A Dangerous Thing, Ben and Olivia sat down with Jessie to discuss the book, the damaging nature of racism, Asian and gender politics, the power of storytelling and more. Books mentioned in this podcast: 'A Lonely Girl is A Dangerous Thing' by Jessie Tu: https://bit.ly/2Yy7MXM Hosts: Olivia Fricot & Ben Hunter Guest: Jessie Tu Producer: Nick Wasiliev

Today, we're going to hear something read by Peter Rose, editor and CEO of the Australian Book Review.

‘Ok, Boomer’? Chloe and Emma have been thinking about boomers, millennials, and intergenerational warfare for a while now. In this episode, they discuss racist aunties on the internet and what to do about them. Next, they dive into historical questions like, who are boomers, why are they so entitled, and why are they so bad at the internet? They narrow down their discussion to the ‘boomer elite’, who got the best of all worlds in the second half of the 20th century as beneficiaries of first the post-war expansion of the welfare state and later neoliberal prosperity. They find that in fact, there are plenty of older Australians who share the precarity and cynicism of millennials – so bring on the millennial/boomer alliance!Richard Cooke, ‘The Boomer Supremacy’, The Monthly, March 2016 [$]https://www.themonthly.com.au/issue/2016/march/1456750800/richard-cooke/boomer-supremacyDavid Graeber, ‘On the Phenomenon of Bullshit Jobs’, Strike, August 2013.https://www.strike.coop/bullshit-jobs/David Graeber, Bullshit Jobs, Penguin, 2018.‘What’s with all the minions?’, Starts at 60, 19 August 2015. [This site is AMAZING for insights into the Boomer mind - CW]https://startsat60.com/discover/lifestyle/whats-with-all-the-minionsNicola Davison, ‘The Anthropocene Epoch: Have we entered a new phase of planetary history?’, The Guardian, 30 May 2019.https://www.theguardian.com/environment/2019/may/30/anthropocene-epoch-have-we-entered-a-new-phase-of-planetary-historyMeera Subramanian, ‘Humans versus Earth: the Quest to Define the Anthropocene’, Nature, 6 August 2019.https://www.nature.com/articles/d41586-019-02381-2Tom Griffiths, ‘Coming of Age in the Great Acceleration’, Australian Book Review, November 2014.https://www.australianbookreview.com.au/abr-online/archive/2014/125-november-2014-no-366/2220-coming-of-age-in-the-great-acceleration

Anna and Annie discuss the Miles Franklin winner, Too Much Lip by Melissa Lucashenko. Our book of the week is Murmur by Will Eaves, inspired by the life of  Alan Turing. Shortlisted for the 2018 Goldsmiths Prize and winner of the 2019 Wellcome Book Prize, this is a beautifully written, challenging novel that puts you in the mind of Alan Turing during his enforced chemical castration. We can see why it was a 'Book of the Year' for the Guardian, Australian Book Review, New Scientist and Times Literary Supplement. Next week, Anna and Amanda will be speaking with Stephanie Wood about her book Fake. Follow us! Facebook: Books On The Go Email: booksonthegopodcast@gmail.com Instagram: @abailliekaras and @mr_annie Twitter: @abailliekaras and @mister_annie Litsy: @abailliekaras and @mr_annie Credits Artwork: Sascha Wilkosz

Elena Kats-Chernin and Justin Fleming have written a new work for Opera Australia about the life of the brilliant, troubled Australian artist Brett Whiteley, in the second instalment of The Cost of Art, Hannah Reich speaks to theatre-maker Declan Greene, dancer and choreographer Anna Seymour and Urban Theatre Projects' Jessica Olivieri, theatre critic Tim Byrne reviews Bell Shakespeare's new production of Much Ado About Nothing, and an Australian production of Bring It On: The Musical with music and lyrics co-written by Lin-Manuel Miranda is now on tour.

Elena Kats-Chernin and Justin Fleming have written a new work for Opera Australia about the life of the brilliant, troubled Australian artist Brett Whiteley, in the second instalment of The Cost of Art, Hannah Reich speaks to theatre-maker Declan Greene, dancer and choreographer Anna Seymour and Urban Theatre Projects' Jessica Olivieri, theatre critic Tim Byrne reviews Bell Shakespeare's new production of Much Ado About Nothing, and an Australian production of Bring It On: The Musical with music and lyrics co-written by Lin-Manuel Miranda is now on tour.

In this episode of Backstory, host Mel Cranenburgh is joined by author Wayne Macauley, whose latest book Simpson Returns. 'A concise satire of Australian platitudes about fairness and egalitarianism, it is timely, devastating and witheringly funny'. Released in time for 2019's Anzac Day 'celebrations', it has been received to critical acclaim with the Australian Book Review noting that 'they should teach this book at school.’ https://www.textpublishing.com.au/books/simpson-returnsMel is then joined by Izzy Roberts-Orr, Artistic Director of the Emerging Writers' Festival. They talk about the themes of the 2019 iteration of the festival which is held in Melbourne from June 19 - 29 at the Wheelers Centre. For more details, visit https://emergingwritersfestival.org.au/events/festival/2019/

7am Acknowledgment of country 7:02am Alternative news: Red Umbrella Day, Commentating on the ALP National Conference of the weekend just gone.7:15am Song Black Eyed Peas “Big Love” Then more Alt News.7:30am Leo Crnogorcevic - Socialist Alliance and Youth Action Climate Coalition on walking out of school and the dinosaurs in Canberra and why they won’t do nothing. 7:50am OTW – Peter Davis reflects on Christmas and the shameful actions of the Catholic Church. 8:00am Zora Simic from the Australian Book Review reviews two news books about legendary and controversial Australian feminists Germaine Greer and Anne Summers. 8:15am Regular legal commentator Lizzie O’Shea joins us to talk about Supression Orders – in the news due to multiple cases currently being heard in Victora.

Tessa Lunney is a novelist, poet, and occasional academic. Her debut novel April in Paris, 1921 is published by Harper Collins Australia and Pegasus Books USA. In 2016 she won the prestigious Griffith University Josephine Ulrick Prize for Literature for her story Chess and Dragonflies and the A Room Of Her Own Foundation Orlando Prize for Fiction for Those Ebola Burners Them. She was also the recipient of a Varuna Fellowship. In 2013, she graduated from Western Sydney University with a Doctorate of Creative Arts that explored silence in Australian war fiction. In 2014 she was awarded an Australia Council ArtStart grant for literature. Her poetry, short fiction, and reviews have been published in Best Australian Poems 2014, Southerly, Cordite,Griffith Review, and the Australian Book Review, among others. She loves swing and rockabilly dancing, vintage style and lives in Sydney.

Monday 9 April 2018On the show with James and Will7:00am – Acknowledgement of Country7:05am – Alternative News: A weekly roundup of the news and views that mainstream media outlets are (and aren't) bringing you 7:15am – This Is An Interview: Two of the folks from Improv Conspiracy, Lisa and Lucas, come on our show to tell us about their show "This Is A Sketch Show". As part of the Melbourne International Comedy Festival, you can get tickets on the MICF website7:30am – ABR Turns 40! It's been 40 years and 400 issues of the Australian Book Review. Editor and CEO Peter Rose comes on the show to talk about the future of books and the publishing industry 7:40am – Victoria's ERTs Delayed: Victoria's Emissions Reductions Targets, promised by the Andrews Labor State Government, have been put in the too-hard-basket. Leigh Ewbank of Friends of The Earth's Action on Climate tells us why this is and what should happen next. 7:50am – Over The Wall: A weekly look at news and current affairs in the social safety net space. This week, Over The Wall finishes off its series of interviews with Josh Cullinan of the Retail and Fast Food Workers' Union8:00am – #LulaNaPrisao: The popular former president of Brazil Lula Da Silva has been imprisoned under controversial charges of corruption. LASNET representatives Guido and Christine come on Monday Breakfast to explain the controversy8:15am – STOLENWEALTH GAMES: Kroft from Global Intifada on 3CR reports from Camp Freedom. Kroft interviewed Wangkumara and Wonnarua man Albert Heartnett (sp?) about what has been happening at the protests and why mob should be protesting the games

This week, we have an inadvertently timely podcast on China’s authoritarian revival. Mere days before the episode’s recording, Chinese President Xi Jinping set the stage to extend his power to rule China indefinitely. As Carl Minzner, professor of law at Fordham University, explains, the abolition of term limits for Xi was only the latest — and easiest for non-China specialists to understand — of many signs that China was heading down the path to strengthening its one-Party and one-man rule to an extent not seen since Mao. He details this path, and why he thinks it is limiting China’s development, in his new book, End of an Era: How China’s Authoritarian Revival Is Undermining Its Rise. Unlike many commentators, Carl sees the signs of China’s illiberal turn as dating way back before 2008, when the unrest in Tibet in March and Olympics in August of that year demanded greater social control. It is then widely agreed that the signs of an authoritarian revival have rapidly accumulated since Xi Jinping assumed power in 2013. Carl also has some interesting observations about how Xi’s “Chinese Dream” represents a surprising turn toward tradition (including a radical redefining of what is traditional Chinese culture) as the Party seeks legitimacy in the New Era of Xi Jinping. All the while, Carl explores the underlying reasons for China’s hardening and approaches the question with admirable empathy. And though this topic is one that Kaiser and Jeremy have discussed before many times on the show, Carl brings fresh angles to the conversation, including an exploration of how changes in China’s educational system may be restricting social mobility in China. Recommendations: Jeremy: “Carry the struggle to criticize Lin Piao and Confucius through to the end,” a Peking Review translation on Marxists.org of the original 1974 People’s Daily propaganda piece — once you read it, it will help you understand just how different a beast Xi Jinping is from Mao. Carl: A variety of books related to his, but with different viewpoints: China's Future, by David Shambaugh; The Perfect Dictatorship, by Stein Ringen; and China's Trapped Transition and China's Crony Capitalism, by Minxin Pei, whose book on crony capitalism in particular helps us understand why Xi Jinping went in the direction he did, especially with the anti-corruption campaign. Kaiser: David Brophy’s review in the Australian Book Review of Silent Invasion: China’s Influence in Australia, by Clive Hamilton. Kaiser says that Brophy’s perspective is highly applicable to the situation in the U.S., which Kaiser fears could become worse in many ways than our overreaction to Islamic fundamentalism.  

The winners of the Australian Book Review prestigious Calibre Essay Prize this year, Michael Adams and Darius Sepehri, read extracts from their Prize-winning essays, and discuss the themes of grief and mortality found in both pieces. Michael Adams, an associate professor of Human Geography at the University of Wollongong, won first prize for ‘Salt Blood’, a remarkable and highly original meditation on freediving and mortality, which was published in the June-July 2017 issue of Australian Book Review. Darius Sepehri, a PhD student at the University of Sydney, won the second prize for his essay ‘To Speak of Sorrow’, an essay about the many kinds of grief and their different expressions in writing and culture, as lament, testimony, or ritual. His essay will be published in the August issue of Australian Book Review. Hosted by Peter Rose, Editor of Australian Book Review. A Sydney Ideas event at the University of Sydney on Monday 7 August, 2017 http://sydney.edu.au/sydney_ideas/lectures/2017/australian_book_review_calibre_essay.shtml

In our season one finale, satirist Julie Koh joins us to discuss switching careers, experimental short fiction, and whether satire can change the world when it feels like the world is satirising itself. Plus, a bonus for our listeners – the audio of Julie’s reading at the Emerging Writers’ Festival 2017 Program Launch. Julie Koh is a Sydney-based writer. She quit a career in corporate law to pursue writing, and her short stories have appeared in The Best Australian Stories and Best Australian Comedy Writing. Julie has written two short-story collections, Capital Misfits and Portable Curiosities. The latter has been shortlisted for the Readings Prize for New Australian Fiction, the Steele Rudd Award in the Queensland Literary Awards, and the UTS Glenda Adams Award in the NSW Premier’s Literary Awards. Portable Curiosities was also one of The Guardian’s Best Australian Books of 2016, an Australian Book Review 2016 Book of the Year, a Sydney Morning Herald Daily Life feminist reading pick of 2016, and a Feminist Writers Festival Best Feminist Book of 2016. Julie is the editor of BooksActually’s Gold Standard and a founding member of Kanganoulipo.

Kate Hennessy is a freelance writer and editor. I first read Kate's work in about 2009, when we were both contributors to the Australian music website Mess+Noise, where she was a critic and feature writer whose work I admired greatly from afar, since she was based in Sydney. It wasn't until 2016 that we met for the first time, at the Rock & Roll Writers Festival in Brisbane, where we were both guest speakers. In the intervening years since I first saw her byline, Kate has worked as a music and arts critic for The Sydney Morning Herald, The Guardian Australia and The Quietus, among others, as well as travel writing for a range of Australian and overseas publications. Outside of freelancing, she works in corporate writing and editing, and teaches courses on music journalism and professional business writing. It was the latter skillset that brought Kate to Brisbane in mid-May, and we met at her hotel room so I could ask her a few questions over a bottle of white wine. Our conversation touches on how she learned to make boring things interesting while working for a corporate writing agency; why she decided to become a freelancer as she approached the age of 30, and how it turned out to be a perfect fit for her; why she received hate mail from a musician after writing about his band in The Sydney Morning Herald; why the supply-and-demand in the travel writing business is worse than in music journalism, and why she thinks live music is like sex. Kate Hennessy's music and arts criticism appears in The Guardian, ABC Arts, Fairfax, Australian Book Review, Noisey, Limelight, Mess+Noise and UK magazines The Wire and The Quietus. Kate talks about arts on ABC TV and has spoken at Vivid Ideas, Darwin Writers' Festival, the Rock & Roll Writers' Festival, Bigsound and at live events for Sydney's FBi Radio. Kate is an Australian Music Prize judge, a founding member of feminist collective LISTEN and a teacher of five years at the Australian Writers’ Centre. She developed a masterclass for The Guardian called 'How To Be A Music Journalist', offered in Sydney and Melbourne, and as a festival workshop at Hobart's Dark Mofo festival. Kate's travel journalism has taken her to Africa, Papua New Guinea, Turkey, Solomon Islands, Germany, Peru, Taiwan and remote Indigenous communities in Australia. She has a Bachelor of Creative Arts (Creative Writing major) from Wollongong University and won a scholarship to the University of California, Berkeley, where she completed a double major in Political Science and History.  Show notes and links to what was discussed in this episode: http://penmanshippodcast.com/episode-30-kate-hennessy/ Kate Hennessy on Twitter: @smallestroom Penmanship on Twitter: @PenmanshipAU penmanshippodcast.com

Welcome to 'Poem of the Week' with Australian Book Review. Each week a different poet will introduce and read his or her poem. Our inaugural 'Poem of the Week' is 'Are You Ready to Go Superfast?' by Kent MacCarter. ABR’s Poetry Editor, Lisa Gorton, introduces Kent who then discusses and reads his poem. You can find out more about 'Poem of the Week', and read 'Are You Ready to Go Superfast?', by visiting our website: https://www.australianbookreview.com.au/poetry/poem-of-the-week/162-poem-of-the-week/2761-poem-of-the-week-are-you-ready-to-go-superfast-by-kent-maccarter

Eric Beach is one of australia’s most unusual and accessible poets. His work has been performed all over the country on trams, ferries and even at the opera house. He has sung at jazz festivals and at railway stations. He is also a playwright and community writer. He has won the NSW premier literary award and the age poetry book of the year award.https://www.youtube.com/watch?v=2QPRMUWtBcwhttp://www.poemhunter.com/eric-beach/  Eric Beach was born in Hastings, New Zealand, in 1947. In Australia Beach quickly established himself as an energetic and somewhat eccentric figure on the poetry scene, and was heavily involved in organising poetry festivals, workshops and readings, and contributing to small magazines. He was well known for his own poetry readings, and became renowned for writing his poems on scraps of paper which he kept crumpled in his pockets.  In 1977 he was one of the founding members of the Poets Union. Besides Melbourne, he also lived in Brisbane and Adelaide, and supported his family by working on the railways.In 1989, Beach moved to Hobart, where he continued his involvement with local writers’ groups and poetry workshops. In 1996, he published his major work, Weeping for Lost Babylon. As well as garnering much favourable critical attention, the book also won the Dinny O’Hearn Poetry Prize for 1996 and was joint winner of the Kenneth Slessor Prize the same year. His poems, sometimes experimental in form, and sometime using the forms of dramatic monologue and prose poems styles, often have a political emphasis. Besides poetry, Beach has also written a number of dramatic works.Poetry CollectionsLyrics & Blues ([Wellington, NZ]: [the Author], [1968])Henry Lawson Petfoods (Sydney: Fragment Press, 1974).Saint Kilda Meets Hugo Ball (St Lucia, Qld: Makar Press, 1974).In Occupied Territory (Cammeray, NSW: Saturday Centre, 1977).A Photo of Some People in a Football Stadium: Poems (Melbourne: Overland, 1978).[with Shelton Lea], Fond Far Wells (Poowong, Vic: Clough Press, [198-]).I Want to be Normal ([Glebe, NSW]: [the Author], 1993).Weeping for Lost Babylon (Sydney: Angus and Robertson and Paper Bark Press, 1996).Red Heart My Country (Lauderdale, Tas: Pardalote Press, 2000).Suggested Further ReadingEric Beach, ‘Oral/Aural Poetry,’ Off the Page Dummy Run (1990).Geoff Page, ‘Utterly From the Heart,’ Five Bells 3.8 (1996): 9–10.Myron Lysenko, et al., ‘Eric Beach, the Man who Talks To Going Down Swinging,’ Going Down Swinging no.14 (1994): 93–113.Michael Sharkey, ‘An Interview with Eric Beach,’ Overland no.111 (1988): 64–71.Michael Sharkey, ‘Beach’s Whimsy,’ Australian Book Review no.182 (1996): 54–55. 

We talk with two poet editors on this episode: Michael Schmidt, founder, editor and director of Carcanet Books and editor of the PN Review, and Peter Rose, editor of the Australian Book Review. Both read us a selection of their poems and discuss their approach to editing and to writing. Presented by Ryan Van Winkle @rvwable and produced by Colin Fraser @kailworm of Culture Laser Productions http://www.culturelaser.com @culturelaser. Photo: Ben Schmidt